STAFF PICKS

LATEST SINGLES

Founded in 1988 by Frank and Karen Mendez as a vehicle for The Burrell Brother’s prolific creative output, the legendary NYC label Nu Groove was relaunched in 2021, reinstating its cult status and quickly becoming a home for genre pioneers. Today its eclectic catalogue continues to grow with label returnee Stefan Braatz delivering his ‘Planet 2 Planet EP’, a four-track vinyl release showcasing this Berlin underground authority’s deeply synthetic club sound and timeless influences, including a collaboration with Virgo Four on the title track.

TRACK LISTING

A1. Stefan Braatz Featuring Virgo Four ‘Planet 2 Planet’
A2. Futurism
B1. Grand Devotion
B2. Notes Of Chicago

Julius Papp’s “Excursions" series returns with six hot edits for the dance floor! An Integral part of the scene since the mid 90’s, Julius's “PappEdits” digs deeper into Disco, Afro and Jazz-Funk to rework them into DJ friendly gems. Essential!

TRACK LISTING

A1. Afrikano
A2. More Disco
A3. Always Runnin
B1. Hang Out
B2. Aphrodisiac
B3. Almond Latte

Yolanda Be Cool

Yolanda Be Cool EP

    The Yolanda Be Cool EP captures the playful energy and globally-inspired grooves that define their sound.

    Leading the charge is the iconic multi-platinum hit ‘We No Speak Americano’, complemented by the equally infectious ‘Dance And Chant’.

    The flip side features the massively recognisable ‘Sugar Man’ and club favourite ‘Soul Makossa (Money)’.

    These four tracks are a true representation of the innovative sound design that cemented Yolanda’s status in house music.

    Limited Pressing act Fast.

    TRACK LISTING

    A1. We No Speak Americano
    A2. Dance & Chant
    B1. Sugarman
    B2. Soul Makossa (Money)

    Fabio Santos is a DJ and producer from Rotterdam whose sound is firmly connected to the underground. With inspiration from labels such as Dungeon Meat and Slapfunk Records, his music and sets combine raw rhythms, rolling basslines and a stripped-back energy that reflects the essence of the scene. Fabio approaches DJing with a focus on flow and atmosphere, building tension and release in a way that keeps crowds engaged from start to finish. His style is direct, uncompromising and always aimed at serving the dancefloor. 

    TRACK LISTING

    A1. Inside
    A2. No Romance
    B1. Inside (Dennis Quin Remix)
    B2. Fobia

    Sarah Jane Morris & Mario Biondi

    Back Together Again (Micky More & Andy Tee, Jazz-N-Groove Mixes)

    The friendship between Sarah Jane Morris and Mario Biondi is the basis of this collaboration, born from the desire to pay homage to Roberta Flack. The idea, proposed by Sarah Jane, to reinterpret "Back Together Again" was born a few months before the death of the famous American singer. The original song, published in 1980 on the album "Roberta Flack Featuring Donny Hathaway", included the posthumous participation of Donny Hathaway, who died in 1979. Mario Biondi enthusiastically welcomed the proposal, and considering that the original song had a strong dance component, entrusted the production to Micky More & Andy Tee, one of the most important Soulful Disco House production teams on the contemporary world scene. The duo of DJs and producers from Ancona Italy have been at the top of the charts of digital dance stores for years. The package includes a fantastic DUB version of Jazz-N-Groove, Courtesy Of Brian Tappert & Marc Pomery, The legendary American Dance producers Duo. A MUST HAVE.

    TRACK LISTING

    A1. Micky More & Andy Tee Club Mix
    A2. Jazz-N-Groove Dub Mix
    B1. Micky More & Andy Tee Disco Mix
    B2. Micky More & Andy Tee Edit

    Jorja Smith

    Blue Lights (10 Years On)

      To celebrate the 10-year milestone of her breakthrough track 'Blue Lights', Jorja Smith will release a special 12” vinyl edition entitled 'Blue Lights (10 Years On)'. . This anniversary release brings fans a curated collection of versions that highlight the enduring impact of 'Blue Lights'. Alongside the original track, the vinyl will feature the Instrumental, the intimate NPR Session, and the atmospheric Machiavelli Sessions renditions. With 'Blue Lights (10 Years On)', Jorja invites listeners to revisit the song that first introduced her artistry to the world, while celebrating its evolution over the past decade.

      TRACK LISTING

      1. Blue Lights
      2. Blue Lights (Instrumental)
      3. Blue Lights (NPR Tiny Desk Version)
      4. Blue Lights (Machiavelli Sessions)

      Since arriving at the back end of 2023, Chris Massey's Thief Of Time quickly evolved from a solo project into a live 3 piece alongside fellow electronic explorers; Lady Lady and Mike Grubert. The trio quickly played sold out solo shows at The Golden Lion, The Yard & YES with festival appearances and supporting the likes of Lindstrom and Hifi Sean & David McAlmont.

      'We Are Cosmic' follows on from the semi-autobiographical predecessor 'Where Do I Belong?' and is a deeper voyage through neon nights with a retro-future soundtrack of stacked synths, lush, layered guitars and ethereal vocals by Massey and Lady Lady, who takes her place as an honorary Thief member on this release.

      Viewpoints of love, loss, deception, mental wellbeing and the ever-evolving gentrification of Manchester City Centre along with a response to many gate keepers within are all challenged on the E.P.

      Where dark is light, light is dark and emotions are electronic, 'We Are Cosmic' is a natural evolution of The Thief Of Time with elements of contemporaries like New Order, Pet Shop Boys, The Fuck Buttons, Chromatics and The Cocteau Twins being present alongside current inspirations such as Nabihah Iqbal and Night Tapes.

      STAFF COMMENTS

      Matt says: Manchester's no.1 synth-wave stars The Thief Of Time return with a fully loaded roster. With Lady Lady and Mike Grubert now fully enlisted, Chris Massey's project has found a natural purple patch following sold out performances at Factory International. This new EP is a great snapshot of the band at the zenith of their powers.

      TRACK LISTING

      A1. Metropolis Rising (building Better Worlds ?)
      A2. Cosmic
      B1. Gatekeepers
      B2. Shadows Cast
      B3. Cosmic (piano Version)

      Leading up to their 2nd full-length on Space Grapes, Another Taste present "Into The Night" - a slightly mysterious boogie song about the need to stay free. This fully loaded maxi single contains 2 main versions, a lengthy dub for the clubs and an acapella. Wowee!

      Seriously limited copies! 

      STAFF COMMENTS

      Matt says: Boosted maxi-single, taken from the forthcoming album, gifted the 12" treatment with dub, acapella and alternative versions. As expected, it's all killer, as the contemporary disco legends march forth and conquer all.

      TRACK LISTING

      1 : Into The Night
      2 : Into The Night (Electronic Version)
      3 : Into The Night (Space Grapes Dub)
      4 : Into The Night (Acapella)

      *2026 repress**

      30 yrs (!) since it's initial release in '97... absolutely loaded EP of dancefloor heat from a true disco romantic, Daniel Wang. Certified treasure from past, and one that won't leave the record bag.

      Remastered with love and respect of the originals, and the originators.

      HUGE TIP!

      STAFF COMMENTS

      Matt says: Daniel Wang's an honorary Mancunian doncha know!? From breath-taking appearances at Naïve Melody and Electric Chair, not to mention THAT interview at La Discotheque when he referred to Andi Hanley as 'the chicken' (!!). These early joints from the Balihu catalogue are house music gold dust. Don't miss this limited repress.

      TRACK LISTING

      Unhouse
      The Twirl
      Loose Vibes
      E.Village Hustle
      Not Feeling It
      In The Street

      **2026 Repress**

      Recording as the Morning Kids, Daniel Wang dropped this classic in 1996 on his own great Balihu Records. Released, produced and engineered by a true DIY disco-punk - the samples are huge and Wang weaves his own playing into the mix with killer effect.

      This much sought after EP has been remastered is now available again after a very long time.

      HUGE TIP!

      STAFF COMMENTS

      Matt says: More from Balihu's early catalogue sees this oft-overlooked masterpiece from Wang repressed again for the next generation of house music lovers to marvel at.

      TRACK LISTING

      In A Golden Haze
      Rooftop Boogie
      Baby Powder Dementia
      Free Lovin' (Housedream)

      Mermaid Chunky

      Remixes

        After a banner year playing shows with LCD Soundsystem in the US and a string of wigged-out festivals through the UK and Europe, Mermaid Chunky close things out with a proper double A-side remix 12” for DJs who still believe in records.

        Up first, New York legend Justin Strauss and W. Andrew Raposo of Midnight Magic drag 'céilí' indoors, trading barefoot fields for Big Apple sweatboxes, major chords ringing, everyone slightly feral.

        Flip it and there’s Peach’s version of 'chaperone', a burst of rhythm that turns the original’s messy euphoria into house music manna: cold machinery, warm hearts, no sleep

        TRACK LISTING

        1. Céilí (Justin Strauss En La Pascina Remix)
        2. Chaperone (Peach’s 2Good 2Be Remix)

        A no-nonsense 7" from Galaxy Sound Co that strips classic disco-funk down to its most useful parts. The A-side edit of locks onto the Pointer Sisters' rolling rhythm section, tightening the drums into a punchy tool primed for blends and quick drops. On the flip, Gene Chandler's 'In My Body's House' is reduced to its skeletal break, sitting comfortably across disco, boogie and hip hop-adjacent territory. A second, even leaner Pointer Sisters edit follows and is aimed squarely at loops, intros and sampling. Functional and effective edit form the master of this form.

        TRACK LISTING

        Crazy (Break Edit)
        Body (Drum Break Edit)
        Crazy (Drum Break DJ Edit)

        Jackie Mittoo

        Get Up And Get It / Keep On Dancing

          Jackie Mittoo makes it clear why he’s the funkiest reggae musician ever.

          ‘Get Up And Get It’ is simply one of the toughest reggae / funk tunes ever committed to vinyl.

          Similarly, ‘Keep On Dancing’ shows why Jackie Mittoo was the ‘Keyboard King’ at Studio One.

          TRACK LISTING

          Get Up And Get It
          Keep On Dancing

          Belia Winnewisser and Fatuma Osman’s debut EP Vertex, released via Swiss label Light of Other Days, grows out of a lifelong friendship shaped by shared memories, music, and late-90s/early-00s girl-core influences. Across five tracks, the record favors suggestion over resolution, exploring limerence through atmospheric, open-ended sound that balances intimacy with nostalgia and intensity with restraint. From the gentle glow of “Emerald” to a seamless Madonna cover and the club-leaning vulnerability of “Surrender,” Vertex unfolds as a cohesive dialogue between past and present, documenting their artistic evolution while deliberately leaving space for what comes next.

          Belia Winnewisser and Fatuma Osman have known each other since childhood, a friendship rooted in shared afternoons of music and late 90s/early 00s girl core. Their first joint debut EP Vertex, released through the Swiss label Light of Other Days, emerges as both a continuation of that bond and an exploration of process, weaving together collective memories with their present-day musical language.

          Resisting polished closure, the record circles around the idea of limerence in sound: suggesting rather than declaring, outlining atmospheres that leave room for the listener’s imagination to fill out the blanks. Across its five tracks Belia and Fatuma oscillate between the personal and the universal, immediacy and nostalgia. The opening track Emerald rises like morning light; fragile, blissful, and quietly radiant. Covering Madonna’s 80s single Angel feels natural and slots seamlessly into the EP’s arc: as a defining pop presence of the last four decades, she embodies less an idol than a subtle compass. Surrender, the first track on the B-side, draws you into the club, vibrating between vulnerability and release. Each step extends their vision further, revealing a cohesive body of work.

          Vertex holds opposite poles in tension, creating a space where vulnerability and intensity create dialog. What lingers is a realm of possibilities: a conversation between two friends and collaborators who understand that sound can be as much about what is left out as about what is expressed. Vertex documents their progression, marking a milestone without concluding it. 

          STAFF COMMENTS

          Matt says: Perfectly formed, future-facing dream-pop on the resurrected cult label. Massive YES!

          TRACK LISTING

          A1. Emerald
          A2. Rivers Into The Ocean
          A3. Angel
          B1. Surrender
          B2. The Call

          Tokyo's Encryptnude label returns, with another carefully crafted Ryota OPP selection! Following on from the shamanic feel of his previous work, this 12" also exudes non-dance music psychedelia.

          'African Chorus' and 'Kalimba Guitar' on side A create a melodic, spiritual, hi-life feel reminiscent of Wally Badarou on Quaaludes.

          'Bop' on side B, beautifully blends dub and free jazz, creating a leftfield dance sound reminiscent of African Head Charge, Claussell's Sacred Rhythm or Frank Zappa's 'Nine Types Of Industrial Pollution' turned deep house. .

          STAFF COMMENTS

          Matt says: Another thoughtful and sublime take on electronica from this Japanese modernist which possesses a strong Reichian element, paired nicely with the producer's delicate touch.

          TRACK LISTING

          A1. African Chorus
          A2. Kalimba Guitar
          B. BOP

          Alistair Colling Vs. Tortured Soul Featuring Sabina

          When You Find Your Love…Hold On 25th Anniversary Mixes

            25 years ago, at the turn of the millennium, downtown NYC was spoiled with record stores. In this pre-digital age, vinyl was king for club DJs, and shops such as Downtown 161, Dance Tracks, and Vinyl Mania peppered lower Manhattan, thriving businesses that supported an expanding scene of local and international DJs. Perhaps the largest and most established of these was Satellite Records, an institution of club sounds that also spawned multiple record labels, including the deep-house imprint Central Park Recordings.

            At this time, Central Park Recordings and Satellite Records owner Scott Richmond signed a demo in need of a vocal from young British producer Alistair Colling, and enlisted John-Christian Urich to write it, who had just had a massive hit with “I Might Do Something Wrong” the debut Tortured Soul single on Central Park. He in turn brought in Sabina Sciubba of then newly-formed band Brazilian Girls to record the vocal, and with Jon Cutler on remix duties the record was complete. Tortured Soul went on to release numerous deep house classics like “Fall In Love,” “How’s Your Life” and have continued to tour as a groundbreaking live-house act to this day (of which RNT co-founder JKriv was bassist and collaborator for 10 years).

            For the 25th anniversary of this turning point release, Razor-N-Tape has rebooted and remastered the original and classic Jon Cutler mixes, which have never been reissued in any format since the original release. RNT also commissioned two new exemplary remixes from DJ Spinna and musclecars, connecting the dots between the deep-house lineage of the past and present. Presented in a gorgeous jacket that calls back to the graphical style of the original Central Park Recordings aesthetic, this 12” is an absolute essential for any lover of soulful club sounds or purveyor of NYC dance music history.

            TRACK LISTING

            A1. DJ Spinna Galactic Soul Remix
            A2. Musclecars Remix
            B1. Jon Cutler’s Distant Music Mix
            B2. Original Mix

            Dam Swindle's new "Backyard Galaxy" EP is an ode to house music and the classic Swindle sound.

            It's only been a few months since Dam Swindle released their highly acclaimed album "Open" and already the boys are back on Heist with a new release that takes you right back to the dancefloor. Where they've spent the better part of the last 3 years writing their album with all its sonic explorations and collabs, this new EP sees the duo return to their roots of club-ready house music. The "Backyard Galaxy" EP comes with 4 high-energy house tracks made in their Amsterdam studio that have been road-tested all summer.

            EP opener "Feel it much?" has all the ingredients of a classic Swindle heater, with warm pads, rich organic percussion and tons of soul. There's a simple and effective vocal running throughout the track that blends nicely with the classic house elements and electronic textures that are layered throughout the track. There's an effortless flow to this track and it comes as no surprise that it has been a highlight in their sets this summer.

            The EP title track "Backyard Galaxy" is an up-tempo Latin-themed jam with a hint of old school techno. The synth stabs hit you just right and the modulated vocal chops are a lovely boost for the build ups and add a touch of swing to a track that already has a tight groove. Add to that a huge breakdown and drum roll and you've got yourself a track that'll light up any dancefloor.

            On the flip, we're moving into garage territory with the shuffling vibes of "Rhythm Baby". The current popularity of the genre is not missed on Dam Swindle, but when you look closely, you'll see this track is full of elements that the duo have built their legacy on. The vocal chops, transposed key samples and swing are all on point and work just as well below, as above 130 bpm if speed is your thing.

            The EP closes with the NY-style house cut "What You Give", which reminds us of Dam Swindle's remix of Cinthie's Heist hit "Won't U take me" with its lush organs and moody keys. It's perhaps the most classic house track they've made in a long time and you can hear they had a great time recording this. It's playful, vibey and catchy. Just the way we like it.

            Dam Swindle might have delivered one of the standout cross-over albums of 2025, but on this EP the message is clear: once a househead, always a househead.


            STAFF COMMENTS

            Matt says: It's Dam Swindle on their own label? You know what that means? Bona fide fist pumpers, tops off energy and fun by the bucket load. But don't let that detract from the production chops on show here - the pair have still got studio style in abundance; rolling out the terrace ticklers till your mid-paced canter builds into full grand national mode! Giddyeup!

            TRACK LISTING

            A1 Feel It Much?
            A2 Backyard Galaxy
            B1 Rhythm Baby
            B2 What You Give

            DJ Esprit

            Esprit A / Esprit B

            Classy deep house winners from a so far unknown entity. Two tunes sent from an artist in a small town in the middle of Europe. "Esprit a" is a slick, radioactive glider, skipping along on suspended pads with light hats and techy stabs and seductive vox. "Esprit b" is a equally cerebral, utilizing hovering atmospheres and rolling house drums to create a hypnotic piece of late night house music. 

            STAFF COMMENTS

            Matt says: Cheeky little double header from an anonymous source dropping two slices of radiant deep house sensuality. If ya liked Ross From Friends, Barry Can't Swim and DJ Seinfeld this may well be up your strasse!

            TRACK LISTING

            Esprit A
            Esprit B

            Liverpool-born, Glasgow-based electronic artist Kavari drops "Plague Music", her debut EP for XL Recordings. Having earned early and enduring support from Aphex Twin, Ethel Cain, Ninajirachi, Flume, and Yeule, the EP marks Kavari’s most focused and uncompromising body of work to date; a release that sharpens her sonic signature, deepens her world building, and signals her arrival on XL with clarity and intent.

            Building on the foundations of her 2022 EP "Suture", "Plague Music" pushes further into darker, more uncompromising territory. Drawing from drum & bass, dubstep, and noise, the EP imagines a world in decay, reflecting a sense of global instability and emotional unease. Kavari deliberately sidesteps EDM conventions, emphasising the genre’s intensity and impact while stripping away any sense of escapist lightness. Across the four tracks, sound design becomes a narrative tool: traces of human presence - breath, movement, and spatial textures - collide with abrasive electronic elements that blur the line between rhythm and experimental.

            With "Plague Music", "Kavari" announces herself as a bold, visionary force in electronic music, pushing the boundaries of genre while creating work that is as emotionally gripping as it is physically powerful

            STAFF COMMENTS

            Matt says: A thoroughly unnerving and abrasive listen here from Kavari who channels abstract noise, foundation shaking bass and evil spoken word snippets into a destructive and highly noxious creation that'll scare the pants off your grand parents. The sound clips don't do it justice (mainly cos our humble desktop PC soundcard can't handle the pressure!). Caution advised!

            TRACK LISTING

            1. Pulse
            2. Iron Veins
            3. Serpent Chamber
            4. Scyth

            Kerri Chandler follows up Downtown EP Pt. 1 with Downtown EP Pt. 2

            This release also includes four tracks reconnecting with the spirit of Kerri’s iconic Downtown Records era while offering something fresh for the next generation of listeners. 3 of the tracks come straight from that timeless catalogue and firm favourites among Kerri’s community, now beautifully presented on vinyl once again.

            Part 2 also features one brand-new, exclusive track, giving fans something truly special: a glimpse of Kerri’s sound, and an invitation to join him on a journey through his remarkable catalogue. This release continues the celebration of Kerri’s music, his evolution, and the sound that continues to inspire house music lovers around the world. Every detail, from the sleek new sleeve design to the thoughtful presentation, reflects Kerri’s care and respect for his music and the people who’ve supported it.

            Downtown EP Pt. 2 captures everything Kerri Chandler represents, soulful, honest, and made with nothing but heart.

            TRACK LISTING

            A1. In Search Of Mr Ford
            A2. In Search Of Mr Ford (Unreleased Mix)
            B1. House Is House
            B2. Out To The Boonies

            Kanyon (John) is a NYC based producer / DJ who has cut his teeth in the underground US techno scene through raw live sets, and dynamic DJing. Keeping the quality high with his signature, no-BS style of production and performing, he has played live supporting legends like Steve Poindexter, DJ Hyperactive, and Francois K. His productions have garnered support from Ben Sims, Akua, Ron Like Hell, Kush Jones and many others.

            The "Duplex EP" is a split record featuring John's house alias DJ John Brooklyn on the A side (A1, A2, locked groove) & techno alias Kanyon on the B side (B1, B2). Exploring NY house and trippy, dubby minimal techno respectively, "Duplex EP" is a heady start to 2026.

            STAFF COMMENTS

            Matt says: Block party techno flavoured cuts that packs bare punch. Have 'em pogo'ing for a good thirty mins+ with the five tracks here that's got that New York spirit running wild.

            TRACK LISTING

            A1. C U Dance
            A2. Disco Freak
            A Side Locked Groove
            B1. Clemencia
            B2. Plasma Link

            “Integrate” marks the debut release for both new UK electronic music label System One & label head D. Howard. No stranger to the music having worked with some of the most well known electronic acts over the last 30 years, “Integrate” marks the first time D.Howard has gone studio side to empty the contents of his mind

            “Integrate” spans a range of classic influences over its 7 tracks. The warm vintage pads and arpeggiated acid sequences of “Helford Dawn” recall a touch of Warp era Black Dog. “Solaris” take a spacey electro driven trip adrift on evocative & reflective chords while “Aja” takes the beat further, melancholic & eerie atmospheres sits atop a lithe acid bass line and crisp drum programming

            “Dear James” pays tribute to the much regarded producer James Rekab Baker who sadly passed away in September 2025. James was the first person to hear this project & his enthusiasm and support was the push needed to start System One and release the music. The track is a soulful melodic deep tech cut reminiscent of early Dutch techno and has received great reactions from radio DJs such as Damo B, Colin Dale, Luke Una, Ross Allen, Paul ‘Apiento’ Byrne & Ollie Chubb at NTS and Quinn Paranoid London (Rinse FM)

            System One is a new label dedicated to soulful electronic music, late night grooves & intergalactic beats, drawing its inspiration from the early 90s techno & ambient sounds of Uk, Frankfurt, Detroit & beyond

            System One - Bass, Beats, Pads & Bleeps. 


            STAFF COMMENTS

            Matt says: Super strong electro / techno EP that brings to mind RX-101, John Shima, B12, Carl Craig etc. Worth checking.

            TRACK LISTING

            A1. Helford Dawn
            A2. IVR2111
            A3. Dear James
            B1. ZFC2106
            B2. Solaris
            B3. XVR1508
            B4. Aja

            Originally released in 2001 under a wrong name due to a pressing plant mix up. Expanded reissue made possible due to Skee Mask's accurate digging. A near-perfect example of that turn-of-the-millenium, tribal-techno sound; file alongside "Kat Moda EP" (Jeff Mills), Lupp Records (Belgium), DJ Savage, DJ Bone etc etc. Imperative tackle that'll have 'em swingin' off the rafters... 

            STAFF COMMENTS

            Matt says: A new one on me, and given my absolute love of this period of techno; imagine my demonic glee at hearing these tribal techno rollers for the first time. AAA grade tackle - do not sleep techno heads!!

            TRACK LISTING

            A1. Night Sweats
            A2. Cypress
            B1. Lucent
            B2. Slider
            B3. Tall Tree

            Ron Carroll / Stacy Kidd / Eric Kupper / Marc Cotterell

            Category 1 Music Sampler - Vol. 4

            Category 1 Music Sampler - Vol. 4 represents a unique blend of contemporary house music’s most influential and respected personalities. “What I Want” showcases the remixing wizardry of Eric Kupper, who has worked with numerous superstars including Usher, Alicia Keys, Donna Summer & Miley Cyrus; along with the producing genius of Chicago’s great house trailblazer, Ron Carroll. “Call Me” showcases a multi continent contingent of musical talent from the UK, South Africa and the U.S. combining to deliver a soulful house gem that’s highlighted by Stacy Kidd’s distinctive Chicago influenced vibe. Joe Smooth, another Chicago house legend, lends his deep house sound to the appropriately titled, “Soul Deep”, featuring the classic vocals of Ed Ramsey coupled with Sweet Georgie’s impeccable production.

            Concluding this house music journey is Ron Carroll’s “Underground”, a Garage banger that’s the creative concept of Marc Cotterell, 1 of the leaders of the U.S./UK Garage genre. “Underground” is the perfect way to end another Category 1 Music house excursion.

            TRACK LISTING

            A1. Ron Carroll X JoysSoul - What I Want (Eric Kupper Remix)
            A2. DJ Christian B X Rudi’Kastic X Lee Wilson - Call Me (Stacy Kidd House 4 Life Remix)
            B1. Sweet Georgie X Ed Ramsey X Peter Mac - Soul Deep (Joe Smooth Soul Deeper Remix)
            B2. Ron Carroll - Underground (Marc Cotterell US Garage Mix)

            DJ Minx

            Energy Feat. Kendra Foster

            Detroit’s DJ Minx debuts on Rekids with the ‘Energy’ EP. The First Lady of Wax completed 2025 with a remix for Radio Slave and Kameelah Waheed following her appearance at Rekids’ Panorama Bar takeover.

            Known for championing women in the music industry, particularly Detroit DJs and producers, Minx recruits Florida-native, two-time Grammy Award-winning singer-songwriter Kendra Foster for a larger-than-life, jacking title cut. Robust drums, bright synth stabs, and Foster’s uplifting vocal bring the energy before Minx’s ‘You Can’ features an inspirational spoken word vocal, while low-slung rhythms and a deep, crawling bassline drive the track forward.

            DJ Minx has been a central figure in Detroit’s musical history since the 90s. Minx has hosted radio shows on WGPR and CJAM, held a residency at Club Motor, and performed at every edition of Movement since 2000. Her contributions have been recognized with the Spirit of Detroit Award and honors from Mixmag and Time Out. Recent highlights include her ‘Queendom’ EP on HE.SHE.THEY., a BBC Radio 1 Essential Mix, releases on Planet E and Rules Don’t Apply, collaborations with Kevin and Dantiez Saunderson as e-Dancer, and continued headline performances worldwide.

            STAFF COMMENTS

            Matt says: Tasty 12" that delivers a peakin' 3AM ripper and a post-peak 4AM face melter. Versatile club disc for when that baggage allowance really counts.

            TRACK LISTING

            A. Energy Feat. Kendra Foster 
            B. You Can 

            Nice to welcome Mr. Tophat & Art Alfie back into the house section! I always loved how these Swedish house maestros (not mafia! ;) ) toyed with the age-old formula of tension and release.

            Soft drums, DEEP sound, lonnnnng builds, cerebral quirk and jazzy licks all characterise their sound - perfectly on display here after a short time in the cooler. There's even an acapela track for zee more creative dee-jay! 

            Top drawer tackle from these Scandanavian underdogs... check! 

            STAFF COMMENTS

            Matt says: The mighty Swedish house duo return! All rejoice! Back with more of their iconic, patient deep house formula. Smouldering with their own unique identity, after-party badness that's have you spinning in circles.

            TRACK LISTING

            1 Interstellar
            2 Interstellar Acapella
            3 Sunrain
            4 Talkin Talkin

            Mystery edit label Body Edits is back with volume 2.

            Wonky underground edits from Rev Bloo’s vaults, reviving multi genre dance gems with fresh tempos and new life.

            Limited pressing act fast

            TRACK LISTING

            A1. Feel Like Dancin’
            A2. Wave Catcher
            B1. Even Deeper Dub
            B2. Live Together

            Various Artists

            15 Years Of Butter Sessions - Disc One

            A new chapter in Butter Sessions' ongoing Japanese exchange sees Sapporo sound sculptor Kuniyukire-opening a 2015 tour collaboration with label heads Sleep D- a deep, spatial beatdown powered by dub pressure and percussive hypnosis. Shadow-lurking prodigy Mosam Howiesondrops in with his trademark scatterbrain techno, while Hasvat Informantlocks into joint-consciousness big-room radioactivity.

            Opening the B-side, Fader Capfuses Balearic psy-ence with Mike Dunn-esque utilitarian jack, hovering somewhere between '80s memory and future vision. Tokyo's Mayurashkafollows with Survival Guide, big beat colliding with drug chug, before Albrecht La'Brooyreunite for a divine chill-out tent slowdown, magnifying sample detail with exacting flow. We're adrift until Sunju Hargunlights the beacon with スカイサーファ(Sky Surfer), Thailand's emissary of ritualistic minimal trance.

            Whether taken alone or folded into the three-disc triptych, each instalment stands as a bag-ready constant, charged with Butter Sessions' curatorial finesse.

            TRACK LISTING

            1. Sleep D & Kuniyuki - 2015 (Kuniyuki Dub Version)
            2. Mosam Howieson - Undulate
            3. Hasvat Informant - Turnstile
            4. Fader Cap - 86 Chambers
            5. Mayurashka - Survival Guide
            6. Albrecht La'Brooy - Backseat
            7. Sunju Hargun - スカイサーファー

            Disc Two lifts off with recurring contributor Rory McPike's first label outing as Rings Around Saturn, a blissed-out cosmic floater skimming the periphery. Booked in the early days of the label's formative Mania residency, Japanese don Gonno twists freestyle, techno and breaks into pure ecstasy, before the unerringly bold Jennifer Loveless spikes the punch with a hallucinatory mix of drums, disembodied voice and jazz club keys.

            On the flip, Boorloo's Guy Contact rolls out Dance In The Grey, a shadowy prog churn pitched between new-romantic vocal sheen and EBM muscle, with Kate Miller completely rewiring the script on Sub Series E - a masterfully minimal, double-time meditation. suki presents his Sniper1 alias to close with a demonic body-jacking groove loaded for the system.

            Whether taken alone or folded into the three-disc triptych, each instalment stands as a bag-ready constant, charged with Butter Sessions' curatorial finesse.

            TRACK LISTING

            1. Rings Around Saturn - There Must Be Something We Can Talk About
            2. Gonno - Prop-alttune7
            3. Jennifer Loveless - You Can Play It Wrong Twice
            4. Guy Contact - Dance In The Grey
            5. Kate Miller - Sub Series E
            6. Sniper1 - Weird Hardgroove

            Various Artists

            15 Years Of Butter Sessions - Disc Three

            Disc Three entrantRBIserves up a tweaked-out psy-not-psy cut with a built-in spin-back upending the room, beforeUnsolicited Joints- siblingsCousinandBen Fester- slide in with a deep dub techno shuffler. Tokyo mainstayHarukaseals the side withEventide, a serotonin-tipped house curveball made in collaboration with Rotterdam'sCharlton Bakeliet, one of the last internationals to grace the Mercat X booth.

            The B-side blooms with OK EG's zoned, psychoactive techno, handing over toHybrid Manto diffuse the tension with their morphing dubwise excursion.Yuzo Iwatacontinues his uncategorisable strain, self-described as EPM (Electronic Psychedelic Music), marked by Japanese ingenuity and free of genre boundaries. Finally,Sleep Dround out the set with a rogue link-up withPosseshot, a raw and adrenalised raver laced with a vocal that snarls closer to The Prodigy than hip-hop.

            Whether taken alone or folded into the three-disc triptych, each instalment stands as a bag-ready constant, charged with Butter Sessions' curatorial finesse.

            TRACK LISTING

            1. RBI - Willoughby
            2. Unsolicited Joints - Sleeper
            3. Haruka & Charlton - Bakeliet Eventide
            4. OK EG - Gunma Rain
            5. Hybrid Man - Midnight Drift
            6. Yuzo Iwata - Yukimushi
            7. Sleep D - Step On It (feat. Posseshot)

            C Douglas releases his debut EP on Golden Lion Sounds.

            This is melodious, upbeat synth-pop with vulnerability at its core.
            His songs - which begin as acoustic, folk demos - take the shape of our times in the production process. Brought to life in a more contemporary setting, synthesisers, motorik beats and pulsing bass lines take centre stage. Big choruses are never far away and with a focus on energy and simplicity, each lyric and hook becomes instantly recognisable.

            Generosity, open conversation and creative collaboration with Steve Cobby allowed the EP to take shape and the four tracks were finished in the home studio over the duration of two sunny weeks.

            STAFF COMMENTS

            Matt says: Golden Lion deliver a supreme curveball, as always keeping us on our toes. C Douglas offers up a light hearted but thoughtfully penned EP that shimmers like a spring morning and unfurls joyously. Clever arrangements, inspired songwriting and an easy to digest palette means this'll find favour right across the field.

            TRACK LISTING

            1. At First 04:04
            2. I Like It Like That 03:21
            3. If You Want Me 03:58
            4. Around The Corner 03:54

            Sekouba Bambino

            Sebema (Pete Baker & Dionisos Edit)

            Sekouba Bambino’s ‘Sebema’ first time on vinyl (previously CD / cassette only) with edit treatment from frequent collaborators Pete Blaker & Dionisos on the A-side and the original on the flip.

            Originally released in 2004 by the Guinean multi-instrumentalist and singer-songwriter, this cut was taken from his 'Ambiance Ballon' album. Real name Sékouba Diabaté, he was previously a member of Bembeya Jazz National, who are regarded as one of the most significant jazz groups to emerge from Guinea as well as joining Africando All Stars in the late 90’s. Bambino went on to pursue a solo career and released projects throughout the early 2000’s on Syllart Productions.

            The edit by Pete Blaker and Dionisos overdubs sound effects, additional percussion and guitar licks to build tension throughout the track and emphasises that hypnotic chorus.

            STAFF COMMENTS

            Matt says: First ride out on glorious black wax for this afro-disco bomb. Aided and abetted by current edit royalty Pete Blaker & Dionisos. Simple unmissable.

            TRACK LISTING

            Sebema (Pete Blaker & Dionisos Edit)
            Sebema (Original)

            Cruush

            Rupert Giles / Great Dane

              Updating their trademark hazy sound to something a little brighter, bolder, and more solid, cruush embark on their new phase with intentionality at the core-trialling producers, stripping the old sound for parts, and arriving at tracks that are purposely more direct. Allied to this is a perkier presentation-taking in and celebrating a ‘90s MTV’ style, timely, given the recent news of the purely music focused TV channels in their stable’s demise.

              STAFF COMMENTS

              Liam says: Tasty new single from Manchester's very own Cruush. Moving away from their previous gazey output, Cruush stand shoulder to shoulder with the likes of fellow scene-mates Westside Cowboy, Shaking Hand and Rude Films to further cement the exciting waves currently happening in Manchester's music scene. Plus, we have signed copies - MEGA!!!

              TRACK LISTING

              1. Rupert Giles
              2. Great Dane

              After the release of long player ‘The Gospel Of Jesamy’, Arp Frique & The Perpetual Singers return with a heavy hitting 4-track EP entitled ‘Alpha & Omega’.

              The Amsterdam-based multi-instrumentalist, composer and producer follows up his very well received gospel-funk album with a big chunk of funk fuelled, high energy spiritual music featuring some stellar vocalists also present on the previous record: Texas-born gospel singer Brandon Delagraentiss, longtime collaborator Marissa Nyamekye aka Mariseya, and the legendary LA-born vocalist Rocq-E Harrell who - in her career spanning many decades - has sung with Stevie Wonder, Patti Labelle, Earth Wind & Fire, and toured with Diana Ross and the legendary Barry White.

              Fronting out with the familiar high speed energy, "Alpha & Omega" is a highly frenetic disco rocket with empowered male & female vocal interplay, huge guitar riffs and this incessant, bubbly bassline that gives it a kind of Moroder-esque flavour. "For Your Love" carries on with a similiar vibe and instrumental palette, emphasising the gospel inflections and altogether spiritual ascension.

              Onto side B and if you weren't prepared to sacfrice your soul for the lord on high, then "Help Me Jesus" and "Live Together Live" is liquid soul and squelchy boogie double header rolled into one, side-long, rare groove opus that'll have you surrendering yourself to the heavens in no time at all. 

              Rejoice! 

              STAFF COMMENTS

              Matt says: Arp Frique continues to deliver a fresh and contemporary approach to tropical disco sophistication. Throwing in some more mid-tempo, rare groove business on this outing. If you've caught the highly engrossing live shows on the festival circuit and want to recreate the magic at home (or in the club), this EP serves as a nice summation of their sound.

              TRACK LISTING

              Alpha & Omega Feat. Rocq-E Harrell & Brandon Delagraentiss
              For Your Love Feat. Rocq-E Harrell
              Help Me Jesus Feat. Rocq-E Harrell & Brandon Delagraentiss
              Live Together Live

              Tough UK bleep / breakbeat techno classic from 1989 (!) - an essential part of early rave history. Exocet is Tony Mcnabb who only released three records, all on Catt. Very little info exists on Tony, but Catt was a modest label ran out of East Ham during the halcyon days of hardcore and early rave. Listening to the sounds across this EP, one could easily assume Tony was from Sheffield as much as the nation's capital.

              Starting with the rainforest primal jack of "Lethal Weapon", which nods to the Trax sound kicking off in Chicago at the time, but with a distinctly London warehouse vibe. "Sweet Talk" deploys the hefty breakbeats and bleep melodies in a very Sheffield style; there's even a primitive vocal sample snatched from the movie "Coming To America" that gives it a bit of a similar feel to 150 Volts' "Hi, I'm Chucky (Wanna Play)" - although nowhere near as frightening!

              "Safety Zone" steals the show for us here however, with those vintage drum machines sounding super slick, phazing lead melodies squealing and wobbling into focus and big buzzy bleeps hovering over the whole mix. That one will take you right back to those embryonic warehouse raves that soundtracked England's Summer Of Love. Simple unmissable, and a truly rare and overlooked slice of UK rave history. Do not sleep!! 


              TRACK LISTING

              Lethal Weapon
              Sweet Talk
              Safety Zone

              James Matthew Seven

              Feels Good, Do It

              Beijinho do Brasil is back with LA-based producer and multi-instrumentalist James Matthew Seven.

              Recorded in a small studio on the beach in Oaxaca, Mexico, "Feels Good, Do It" brings to mind a lost recording from Marcos Valle's fruitful time in LA with Leon Ware. Funky and soulful with warm Fender Rhodes and a horn section reminiscent of Banda Black Rio, the tune is a breezy, mid-tempo groove dedicated to embracing life's pleasures. Originally with vocals in English, the track was translated and re-recorded in Rio de Janeiro by Fabio Santanna. Fabio has a long-established reputation in Brazil as a torchbearer of modern funk and boogie, continuing in the lineage of artists like Robson Jorge and Lincoln Olivetti. This outing showcases his more laid back, soulful side, the perfect complement to Matty's warm and seductive arrangement. Fabio is the Leon Ware to Matty's Marcos Valle. Or is it the Marcos Valle to his Leon Ware? Either way, it's another LA to Rio match made in heaven

              About the flip side, "Ilha Racional" the label boss had this to say:
              'I had this dream where I was in a dive bar discotheque somewhere in the Caribbean. A thick cloud of smoke hung in the air as the selector dropped this bass-heavy bop that had the whole crowd vibing. Then, out of nowhere, in walked Tim Maia with a bag of mushrooms. He proceeded to grab the mic and preach about this alien world of rational energy. Shit was bugged out. When I woke up, James Matthew Seven had sent me this track to check out.'

              Written, produced and recorded in Oaxaca, Mexico by James Matthew Seven. Vocal recorded in Rio de Janeiro by Fabio Santanna.


              STAFF COMMENTS

              Matt says: A new label debuts in our racks showcasing a summery and heartfelt sound that's guaranteed to drag you out of the doldrums of a Manchester winter. The label name literally means: 'A kiss from Brazil'... and these two sun-blushed smoochers certainly deliver some fluttery feels for those seeking healing.

              TRACK LISTING

              1. Feels Good, Do It (feat Fabio Santanna) 
              2. Ilha Racional 

              The Joubert Singers

              Stand On The Word (Mixed By Tony Humphries)

              By now the byzantine myth has been fully investigated; all the turmoil surrounding the record might prove pedantic if the music itself wasn’t this flawless. And yet, credit where credit is due, despite the usual fracas behind oral history: it was Tony’s, not Larry’s, all along. Here, we’re spoiled with a smattering of such contested mixes, with the original studio’s synth and guitar layers wholly intact, along with Humphries’ exceptional club extension—it’s all essential and hype-sticker adorned. Still waiting for the article pinning James Murphy for his blatant rip of this triumphant gospel classic on that 2006 Nike commission. 

              STAFF COMMENTS

              Matt says: It's back! And now with the infamous Tony Humphries mixes (who, it turns out, was the culprit all along!). A mystical record; of which the genie burst out the bottle some years ago. It's still retained that lure and magic though. One of those 'every home needs one' records.

              TRACK LISTING

              A1. Stand On The Word
              A2. Stand On THe Word (Instrumental)
              B1. Stand On The Word (Original Version)
              B2  Stand On The Word

              BYAMM (pronounced 'bye-yam') is a retro soul studio project that was born during the 2021 lockdown. The focus is on soul music with strong themes, memorable melodies and catchy hooks layered with synthesizers, grooving bass lines and a hint of 1980s influences.
              Central to BYAMM is a strong song-writing etiquette and a classic and timeless appeal to all ages.

              BYAMM stands for Barima Yaw Asante Making Music. Barima is the songwriter, keyboard player and producer. Lead vocals are handled by the seasoned Ade Omotayo, whose credits including working with the late Amy Winehouse, the original members Amy Winehouse Band and the Gorillaz.

              BYAMM is supported by a collective of professional session musicians recruited from around the world.

              STAFF COMMENTS

              Matt says: Amy Winehouse's (and others') crack team of musicians and backing singers unite once again for the 3rd salvo. Focussing on sincere and sophisticated song writing, these tracks ooze soul and sentiment out of every orifice. Truly wonderful.

              TRACK LISTING

              A1. Making History
              A2. Dance Floor Therapy
              B1. Something That You Said
              B2. If Ai Ruled The World

              Black Bones

              Barrios & Barracades

              Companion 10" to the recent, superb LP Sampler from The Belfast duo...

              After showcasing their broad and boisterous tastes on a series of super limited edits 12's, plus original releases on labels like Touch Sensitive, Hoga Nord, Duca Bianco and Optimo Music, we finally have a fully formed suite of original cuts which take us on a journey through Black Bones' varied and vivid vibrations.

              On "Barrios & Barricades", BB deliver two powerful drug-chug delights. The kind of peak-time industrial funk-outs that have soundtracked infamous, strobe-lit joy factories over the decades from Chicago's Medusa's, Ghent's Boccaccio or Optimo's legendary Sundays at The Sub Club.

              Yes, it's that good - but stictly for tha freakz! 

              STAFF COMMENTS

              Matt says: Currently dominating our weird shit and drug chug section with a leather-clad stranglehold and a mischievous glint in their eye, Black Bones roll out two more joints of sonic BDSM magic.

              TRACK LISTING

              A. Barrios & Barracades
              B. Cruising

              Delusions Of Grandeur proudly welcome back 6th Borough Project, the Scottish duo known for their deep-rooted devotion to dusty MPC jams, late-night disco refractions, and the raw, low-slung house grooves that have made them underground staples for over a decade. Made up of veteran producers Craig Smith and Graeme Clark (aka The Revenge), 6th Borough Project have carved out a signature sound: soulful but tough, analog yet futuristic, always tapping into the spirit of warehouse sessions and dimly-lit basements.

              Their new EP entitled "The Deal" distills everything we love about 6BP - chunky drums, hypnotic groove science, and a certain smoky, nocturnal magic - across four expertly sculpted cuts.

              Leading the charge, "The Deal" is a stripped-back, rolling deep house burner powered by crunchy disco-infused beats and a captivating forward momentum. A hooky sax stab weaves in and out of the mix, keeping the groove bubbling and teasing dancers deeper into the zone.

              A proper late-night tool with bags of attitude. Driving and percussive from the first bar, "The Hertz" rides a simple but deadly classic disco groove pushed along by punchy synth stabs and swirling dub-soaked chords. A perfectly-placed vocal sample sprinkles just the right amount of flavour on top, sealing this one as a certified dancefloor shaker.

              Flip over for "Let Me Know" which strips things back to the bare essentials: a bold square-wave bass motif, clipped disco drums, rasping open hats, and chopped vox flickering like neon. Dubby, twisted, and packed with raw kinetic energy, this is peaktime ammunition for those who like their grooves dirty and unrefined.

              Rounding off the EP, "For Life" is a mutant discoid teaser made for warming up the room or resetting the vibe. A single-note bassline pulses beneath syncopated stabs, creating a hypnotic tension that steadily draws dancers closer to the speakers. Subtle, deep, and effortless in it’s intention.

              STAFF COMMENTS

              Matt says: 6BP and Delusions Of Grandeur continue to enjoy a symbiotic relationship as the long serving production duo and label roll out another tasty selection of UK centric house music. Warm, sexy, understated grooves for those who like it better than the rest! Superlatives aside, this is some of their best work for a while. Don't sleep!

              TRACK LISTING

              A1 - The Deal
              A2 - The Hertz
              B1 - Let Me Know
              B2 - For Life

              Freerange is gearing up to celebrate 30 years in the game! To start the party, they welcome none other than Soul Clap for their first-ever release on the label. Known for blurring the lines between funk, disco and house with their signature EFUNK sound, the Boston-born duo step into Freerange territory with a rich, groove-laden EP that fuses timeless club energy with emotional depth.

              The "Drowning In Your Love EP" features longtime collaborator and magnetic vocalist Shaun J. Wright (Hercules & Love Affair / Classic / Midnight Magic), whose heartfelt delivery and lyrical poise ensure the title track sticks in your head long after the needle has left the record. The trio have created a timeless club track evoking the spirit of the tripped-out sounds of golden-era west coast house — dubby FX, a hint of breaks, soulful vocals, and that unmistakable Soul Clap swing — all put together with a flair that will move any dancefloor worth it’s salt.

              Next up we have a stripped back, percussive beats tool built for the DJs. Here on the "Storm Drums Mix", the groove remains front and centre, offering maximum mix flexibility and raw drum power for peak-time creativity.

              Flipping over we have the second of two originals – "EFUNK Anthem (The Funk Mix)". Raw, jackin’, and drenched in Chicago influence and attitude; pure dancefloor fire merging classic hardware grit with that signature playful funk that only Soul Clap can deliver. On "The Stripped Mix" things get a bit deeper and moodier, pulling back the layers to reveal a hypnotic bassline, Detroit chords and smoky late-night textures and FX. Closing out the EP we have a mesmerizing DJ tool in the form of Drowning In Your Love (Wind-Appella)" - all atmospheric noise FX and Wright’s haunting vocals, the perfect tension-builder or outro moment. Soul Clap’s debut on Freerange shows the duo flexing both their soulful songwriting and their underground club sensibility bridging generations of house heads and keeping the funk alive.


              STAFF COMMENTS

              Matt says: Mad that this is Soul Clap's first excursion on Freerange. I'd have thought the label would have snapped 'em years ago! Oh well, it's been worth the wait: rock solid, terrace tickling deep house pleasure from these house music stalwarts.

              TRACK LISTING

              A1 - Drowning In Your Love (Main Mix)
              A2 - Drowning In Your Love (Storm Drums)
              B1 - EFUNK Anthem (The Funk Mix)
              B2 - EFUNK Anthem (The Stripped Mix)
              B3 - Drowning In Your Love (Wind-A-Pella)

              NRV010 welcomes back Jay Tripwire with a focused, four-track EP that leans into what he does best: groove-led, understated club tools built for long blends and sound systems.

              The release is anchored by Tripwire’s signature restraint and flow, alongside a Sublee remix that strips the material back even further, emphasizing hypnosis, reduction, and low-swing momentum.

              This is functional, confident material — no excess, no forced moments — designed for selectors who value flow, patience, and control over obvious drops.

              For DJs who play: minimal / microhouse / deep tech-influenced selectors who prioritize groove, tension, and longevity over peak-time theatrics.

              STAFF COMMENTS

              Matt says: Big release for the micro-house heads circa 2004. A big sound with DJs like Magda and Akufen, Jay Tripwire revisits this classic and oft overlooked era with flair and pinache.

              TRACK LISTING

              A1. ATD-03
              A2. NYC
              B1. TBL-03
              B2. NYC (Sublee's Over The Pond Remix) 

              Gary’s Garage is back once again like a renegade master with four solid slabs of house and garage, none of which are likely to end up in the 99p bin until at least 2027.

              Having just returned from a recent break at his brother Gary’s pub in Benidorm, Gary has fired up the Akai S950 for another 12-bit extravaganza. Luckily, Gaz’s mate Derek was happy to loan him the 950 since Gary doesn't actually own one.

              Kicking off the EP we have QGary's XR3i, an ode to Gary’s first motor when he was banging out the 12”s for £2k advances and living the dream. This is also when Gary was very much recognised in Streatham in the two or three pubs he used to go to and lots of the other garage guys were asking him if he had any m(9) pad sounds they could buy on CD-R from Gary’s collection.

              Gary Is Lovin' The House is a ripper which features a kick and a clap sound and hits like a Greggs pasty after a long walk. Gaz To Life, Gaz To Reality also features a kick drum and a clap sound and some pad sounds and sees Gary reminiscing about the old days when clubs were really good and Garys were like, under 3 quid and would knock your socks off.

              Finally we finish off with I'll Show You My Gary (If You Show Me Yours) which is a phrase you shouldn’t really use nowadays and as such, we will end this press release right away.

              Limited copies. 

              STAFF COMMENTS

              Matt says: Elbows-out, Albos-in; as Gary's Garage deploys four highly swung, champagne-soaked garage heaters for the cluuurb. Do people still wear Moschino?

              TRACK LISTING

              A1 - Gary's XR3i
              A2 - Gary Is Lovin' The House
              B1 - Gaz To Life, Gaz To Reality
              B2 - I'll Show You My Gary (If You Show Me Yours)

              WOLF proudly welcomes the return of Tom Esselle to the label. Fresh from his latest release on Rhythm Section, Tom follows up his 2022 Praise Bes EP on WOLF with a new four-track collection of deep, dancefloor-ready cuts.

              Opening track Livewire sets the tone immediately, pulling you in with a heads-down, UK garage influenced groove. A-side follow-up Don’t Have To is a strong contender for standout moment, pairing luscious keys with a sweet vocal for peak-time soulful impact.

              On the flip, Small Talk delivers a quirky vocal sample over an undeniable groove, before EP closer Spaced Out dives deeper, unfolding beautiful, emotive chords. Another standout release that oozes quality from a producer hitting their stride and firmly establishing himself as one to watch.

              TRACK LISTING

              A1. Livewire
              A2. Don’t Have To
              B1. Small Talk
              B2. Spaced Out

              LWS returns to Parris and Call Super’s can you feel the sun imprint with “All Of The Chaos”. Four mutant rollers in his now-singular style. Sharp constructions meticulously designed with club drama and devious rave energy.

              A year on from “Palloon”, and Edinburgh’s LWS has certainly left his mark. His inner metronome ticks differently, ornate club constructions snarling with hypnotic fervour. His music has been ubiquitous across clubs and festivals over the past twelve months as a result, and on his second EP for can you feel the sun he proves there’s still plenty left in the tank.

              Opener “Many Requests” goes galactic, a wide-eyed entanglement of melody and rhythm that gallops tough yet supple through an ever-shifting landscape; an inevitable deconstruction ensues, before the salivating return sets us back on course. “Gooly” shifts darker, a looping roller with sultry swagger that deviously maintains its shuffling delirium with uncanny nous. “Sharkbait” on the flip cultivates a jaw-gnawing tension, vibrantly edging towards that ecstatic release with unrelenting ease. “Closer All Of The Chaos” goes weirdest, a chromatic safari swivelling on its mechanised 2-step through a carousel of unhinged sound design to its conclusion; signing off on yet another collection of future-shock missives from LWS.

              Early DJ support from Call Super, Objekt, Pariah, Surusinghe, Ploy, OK WIlliams and Pangaea.


              STAFF COMMENTS

              Matt says: On point and forward facing piece of club futurism that'll tickle the fancy of bass heads and techno chicks in equal measure. Supreme levels of sound design and rhythmic structures make this a go-to for any DJ requiring mass movement.

              TRACK LISTING

              Many Requests
              Gooly
              Sharkbait
              All Of The Chaos

              More from the unique Norwegian genius that is Raaja Bones. Distilling crystaline mountain melodies into frozen waltzes, glacial bossa nova and a kind of psychedelic vortex that's completely of the composer's creation. There's a remix by Palmbomen II that opts for a punctuated rhythmic outlook whilst remaining true to the icy, picturesque beauty of the rest of the EP. Evocative and hallucinatory throughout; a brilliantly realized record.  

              STAFF COMMENTS

              Matt says: Madcat genius from Raaja Bones straight from the glaciers of Norway! Must be summat about that clear alpine air that gets the synapses firing!

              TRACK LISTING

              1 Gran Tropo
              2 Gran Tropo (palmbomen Ii Remix)
              3 Skeiv Tropo
              4 Oh Yeah - Oh Boy

              Jonny Liebeck Group

              Sunset Islands / Sunrise Islands

              Jonny Liebeck Group features Jonny Liebeck (keyboards/synths), Tom Mason (electric bass), Andrew McLean (drums), and Santiago Morales (congas).

              The A‑side is a breezy jazz‑funk tune full of Rhodes textures and a groovy rhythm, while the B‑side is a reinterpretation of Piero Piccioni's "Isole del Tramonto" from the film "In Viaggio con Papà".

              TRACK LISTING

              1. Sunset Islands
              2. Sunrise Islands

              Hamburg-born DJ / producer and Heavy House Society boss Sidney Charles steps into the Up The Stuss universe for the first time with the fourth release in the UTSOFF series. His deftly curated ‘On My Mind’ EP delivers five high-impact house cuts, each crafted with the depth, melody, and groove that have made him a favourite on the global scene.

              A long-time friend of label head Chris Stussy, Sidney brings a wealth of experience and dancefloor know-how to his UTSOFF debut. The title track, ‘On My Mind’, is a magnetic journey through skippy rhythms, silky melodies, and irresistible soulful vocal hooks - a track that builds and pulses with undeniable dancefloor buzz and appeal. From the cosmic propulsion of ‘Astral Express’ to the vibrant and glossy textures of ‘The Missing Link’, the EP traverses a spectrum of moods, keeping things dynamic yet always rooted in physical grooves. ‘Till The Early Mornin’ delivers a winding late-hours voyage guided by an immersive flow, while closer ‘Cardinal Virtue’ ties the package together with shimmering layers, weighty low-ends, and an abundance of dancefloor-ready energy.

              While this marks Sidney Charles’ first appearance on Up The Stuss, the connection runs deep. Having known Chris for years, the two have shared a musical dialogue built on mutual respect, late-night sessions, and a shared obsession with house music’s edge and ever-changing experimentation. The ‘On My Mind’ EP captures that understanding perfectly; a release that feels both intimately personal and engineered for maximum club impact, where the lines between friendship, inspiration, and sheer dancefloor bliss blur effortlessly.

              STAFF COMMENTS

              Matt says: Elrow Ibiza legend and contemporary house music man of the moment Sidney Charles drops an EP so hyped it's almost sold out everywhere already! We're lucky to get these copies in, so buy on sight if you're a fan as they won't be here come Monday!

              TRACK LISTING

              A1. On My Mind
              A2. The Missing Link
              B1. Astral Express
              B2. Till The Early Mornin 

              Finnish-born, New York raised, and now Melbourne based Jani Ho has crafted a distinctive sound that can only be described as machine music with undeniable soul! Jani's hardware-driven live performances and studio productions are legendary and has earned him global recognition with multiple quality releases on the highly acclaimed Soiree records. His contribution for the Dolly TS series draws those direct lines with Detroit's soulful machinery techno and echo's the perfect union of rhythm and emotional depth, touching the deepest territories of techno.

              STAFF COMMENTS

              Matt says: Dolly is my favourite imprint for modern tribal techno that looks to the classic blueprints of Detroit and Berlin. New signing Jani Ho does exactly that on his label debut. Fierce sounds for the headstrong!

              TRACK LISTING

              1. Anzac Bells
              2. Headbanger
              3. M.E.S.S
              4. Jani Ho Tune For Steffi

              Glenn & Derrick / Rico Scott & Leigh Hunt / Dominic Oswald

              BODO-ACE VA 005

              Frits Wentink’s Bobby Donny returns for the fifth various artist 12” vinyl release in the Ace Series. Welcoming new additions, Glenn & Derrick for some peak time dancefloor business as well as Leigh Hunt who joins forces with label favourite Rico Scott. On the flip Dominic Oswald returns with two soulful and deep cuts. Six heavy heaters for house fans of the deeper persuasion. Another essential release from Bobby Donny!

              TRACK LISTING

              A1. Glenn & Derrick - Got It Going On
              A2. Glenn & Derrick - Syntax Of Style
              A3. Rico Scott & Leigh Hunt - Node 01
              B1. Dominic Oswald - Soft Touch
              B2. Dominic Oswald - Private Energy
              B3. Rico Scott & Leigh Hunt - Node 03

               A very limited 7” for the tropical heads, beat travellers and cosmic cumbia astronauts on the new imprint Sun Of A Beach - the free-spirited daughter of Editions de Lux, who skipped town, fell in love somewhere between Kingston and Cartagena, and came back glowing, barefoot, and heavy on the bass.

              At home in the steaming rainforest as much as the urban jungle of the Chapinero district of Bogotá, Colombia’s psychedelic groove pilots Ácido Pantera deliver a double-sided tropical weapon aimed straight at late-night sweatboxes, boat parties, and sun-soaked terraces.

              "Te quiero, te amo” is a declaration of love at 132 bpm, bouncing along like a low-rider over cobblestones while neon synths float in the humid air.

              Flip it for “Pájaro cantor”, a sound system destroyer that will lock the floor in an acid trance that feels both ancestral and futuristic in the same breath. This one’s featured on the FC26 soundtrack and will have you shimmying like Luis Díaz right before he bangs one into the top corner!

              You know what to do!"

              TRACK LISTING

              Te Quiero Te Amo
              Pajaro Cantor

              An incising snare marks the return of Luxus Varta to Shipwrec. Since his last appearance, "Aquamarine Puzzle" in 2017, the Frenchman has been honing his craft with releases on a spread of stellar imprints. "Noise Figure" is the culmination of that refining process, his sound and style being forged and framed within the parameters of electro. And these parameters are immediately tested. From the warbling bass and tight percussion of "The Resetter", crystalline chords cascade before a shimmering string of wintery warmth. Terse beats introduce "Building Peaks", wraith-like rinses offering space for playful forms to take hold. Fudgey basslines are unsettled by sci-fi synths, a touch of the otherworldly balancing this unique cut. The warm current of" Lizardous" penetrates the frostier funk of the EP, delicate and fragile notes thawing the cold rhythms and glacial undertones. "Silver Girl" contrasts autumnal shades with brittle harmonies, angles and lines curved by sheer musical craftsmanship. Shifting into electronica, the close is a complex composition that demonstrates Luxus Varta's breadth of ability. Gentle melodic ebbs are countered by echoes of the factory floor, the human touch coming to the surface with understated radiance.

              STAFF COMMENTS

              Matt says: Taut and tense electro movements from Varta who conjures up his own personal style of mainframe combustion for his latest outing on leading electro-funk label: Shiprec.

              TRACK LISTING

              1 Building Peaks
              2 Lizardous
              3 Silver Girl
              4 The Resetter

              Jerome Derradji’s Past Due Records is proud to announce the first part in a reissue series of Lee Moore’s rarest and meanest boogie funk tracks originally produced for his labels Score Records and LM Records, circa 1981-85.

              Lee Moore produced the seminal soul stomper “Ain’t Gonna Spread Myself” in 1971 for Michigan-based label Tri-City. While this 7” is fantastic, nothing could have predicted what Lee Moore would unleash in the studio, out of his own frustration, a decade later.

              Fast forward to 1979 in Memphis, Tennessee, Lee released the disco hit “Reachin’ Out (For Your Love),” a song he co-wrote with his then-wife Patricia Moore, on Source Records. Lee still claims the song inspired “Ring My Bell” after he played it to the TK Disco execs.

              Obviously fed up with major labels and their shady biz, Lee then decided to work on new material with Patricia Moore. Lee hired Stax musicians, including guitarist Michael Toles, keyboard player Lester Snell, and drummer Willie Hall, all members of the Isaac Hayes Movement. He also hired bassist Ray Griffin who recorded numerous sessions for both Stax and Malaco Records.

              Lee, his wife, and the studio band locked themselves in the legendary Sound Of Memphis studio with a bunch of forward thinking engineers, such as Paul Zaleski, and created the music that would soon be released on their own label, Score Records, supposedly named after scoring cocaine during a studio session in 1980.

              Score records never achieved any commercial success as Lee, his team, and the studio crew were more focused on recording and producing music than selling records, wanting to get them played on the radio or live. They would, for example, spend “two weeks working on a snare drum sound”, just so it matched their vision of future funk.

              As rare as can be, what came out of these sessions is now considered the holy grail of Memphis boogie funk, and its superior quality is undeniable. Original Score vinyl releases are so rare that only a handful of aficionados around the world own copies, and their prices are astronomical.

              Jerome Derradji is thrilled to reissue the first four Score releases on vinyl & digitally for the first time since their release via Past Due Records as an introduction to a comprehensive Lee Moore Anthology that will be released later this year.

              Now let’s focus on the sounds of Lee and Patricia Moore, Subway Featuring Wave, The First Family, and Alien. Four incredible records, way ahead of their time, finally available again.

              TRACK LISTING

              A1. Ten Toes Up Ten Down
              A2. You Can Bet I'll Get You Yet
              B1. What You Do For Love
              B2. What's In The Dark (Will Come To Life)

              The debut 12 from M Sexton delivers four cuts of soulful house steeped in live musicianship and dusty sample work. From the shuffling energy of “In My Heart” to the hypnotic depth of “Feelings Can’t Explain,” and the screaming gospel of “Savin’ Me” to the tension-filled funk of “Club Mozambique,” this record bridges classic soulful house and old-school production with modern finesse.

              TRACK LISTING

              A1. In My Heart
              A2. Feelings Can’t Explain
              B1. Savin’ Me
              B2. Club Mozambique (Party Break)

              Kneecap

              No Comment

                Riding a hefty drop down bass riff courtesy of the track’s producer, acclaimed DJ/artist, Sub Focus, the Belfast / Derry trio, KNEECAP, have focused on the British states abuse of power and intimidation following their failed pursuit at charging Mo Chara with terrorism offences. ‘No Comment’ hits back hard, another massive track that will bounce off the walls of clubs and arenas. The Artwork features Banksy’s now infamous 'Royal Courts of Justice’ mural - used with kind permission from the artist. ‘No Comment’ follows recent massive collaborations with Mozey on 'The Recap' and Paul Hartnoll of Orbital on ‘Sayōnara’ and 2024's critically acclaimed album 'Fine Art.' 

                TRACK LISTING

                1. No Comment
                2. Get Your Brits Out

                Who's Who

                Hypnodance / Palace Palace (The Reflex Revisions)

                Daniel Vangarde is the father of Daft Punk's Thomas Bangalter, and back in the 70s and 80s he was a musician who had great success writing and producing for the likes of Gibson Brothers and Ottawan on his Zagora label. He also worked solo as Who's Who and in 1979 produced a now cult favourite record of cosmic-euro disco. Two tracks from it get reworked from the original tapes here by The Reflex. He brings dubby, mid-tempo drums to 'Hypnodance' while retracing its Eastern melodic charms and sense of sophistication. His take on 'Palace Palace' is more funky and upbeat with leggy drums and elastic basslines smothered in cosmic arps.

                STAFF COMMENTS

                Mine says: W(h)ooooohoo! An absolute (cult) classic is getting the remix treatment for extended fun on the dance floor. Bring on 2026, I say!

                TRACK LISTING

                Side 1:
                "Hypnodance" (The Reflex Revision)

                Side 2:
                "Palace Palace" (The Reflex Revision)

                Mala returns on Deep Medi Musik with the 'pidgin rap don' Magugu and a release that has been circulating as a mystery dub, in different spaces around the world, for at least a year; whether by Mala himself at Houghton, Skream in Ibiza, Sir Spyro shelling down club spaces or Four Tet laying bass weight on 80,000 ravers at HARD Fest in Hollywood.

                "Militant Don" is a ragga-fueled sub shaking dubstep bassquake. Precision low end science, expert beat minimalism and that fiery rastaman vox which brings to mind Flowdan's incendiary tracks with The Bug. You can actually feel the air being forced out the scoops as Mala's unrivalled low frequency techniques test all but the sturdiest soundsystems.


                STAFF COMMENTS

                Matt says: Another record that'll seriously test the structural integrity of whatever environment its aired in. I had my subwoofer on -6db and it still shuck the exterior walls of my gaff. Ridiculous low end pressure you have simply have to witness!

                TRACK LISTING

                A1. Militant Don
                B1. Militant Don Instrumental
                B2. Militant Don Acapella 

                Shinichi Atobe

                Whispers Into The Void / Fleeting_637

                The 1st release for the new Plastic & Sounds label, founded by Shinichi Atobe and featuring brand new recordings from the legendary Japanese producer. For the label debut we get two tracks. The first, "Whispiers Into The Void", is a mid-tempo, deep house jaunt with fluttering rhythms, cascading dub shards and evocative piano notes; rooted with heartbeat of bass. The second, "Fleeting_637" is slightly faster paced, riding a bouyant wave of bassy bubbles and whale-like sine tone communication. Deep, almost Drexciyan in nature. 

                It's a glorious return from one of the most illusive and cult adored producers of the deep techno / house cannon.




                STAFF COMMENTS

                Matt says: The Japanese legend returns with a brand new label. Presented beautifully with high quality vinyl pressing, poly lined inners and slick Japanese aesthetics; it's a suitably well designed housing for these deep, underwater techno vibrations. No one does it like Shinichi, and the producer's unfathomable dexterity is perfectly on show here.

                TRACK LISTING

                A1. Whispers Into The Void
                B1. Fleeting_637

                New Shinchi Atobe 12", the 2nd release for his own Plastic & Sounds label. Expect the usual high grade showcase of sumptious textures, dubwise hypnosis, and some of the most delicious sound desgin to grace the deep house genre! A truly enigmatic and cult figure, somehow bridging the electronic music lineage from Detroit-Manchester-Berlin >>> all the way to Saitama in Japan! Highly recommended. 


                STAFF COMMENTS

                Matt says: The 2nd release from Shinichi Atobe's new label and never has the producer's dubwise underwater techno sounded so clear and defined.

                TRACK LISTING

                A1. SynthScale
                A2. Disappear
                B1. Between Thoughts

                "Aroop Roy Vs Opolopo - Shigo Disgo" sees the two producers going head to head on another Canopy release, serving up club focused re-interpretations of two different Afro cuts : Chicco - Shigomase, a 1990s synth house bomb from South Africa and Spirit Konekson - Disco Party, a funky piece of 1970s Nigerian disco.

                First up Aroop Roy takes on Chicco's proto house beast "Shigomase", dialling up the low end throb before bringing proceedings to a synthed out, hands in the air, euphoric crescendo.

                Following on he takes his scalpel & bass guitar, chopping & flipping the Moog led funk of "Disco Party" into a restless Afro-boogie workout.

                On the alternate side Opolopo channels extra sleaze into Shigomase, adding dirty dancefloor gristle and a raunchy back end, taking the vibe straight to the basement.

                Rounding out proceedings Opolopo transports "Disco Party" into the present day with muscular drums and crunchy synth solos complimenting the loose limbed swing of the original

                STAFF COMMENTS

                Matt says: Big record which sees contemporary players Aroop Roy and Opolopo both take turns reworking two big hits from Africa. They rarely let us down, and in their able hands they concoct two fiery and frenetic moments of afro-disco heat.

                TRACK LISTING

                Chicco - Shigomase (Aroop Roy Rework)
                Spirit Konekson - Disco Party (Aroop Roy Rework)
                Chicco - Shigomase (Opolopo Tweak)
                Spirit Konekson - Disco Party (Opolopo Tweak)

                Phonica AM welcomes long-time friend of the shop Voigtmann, appearing under his A Thousand Futures alias with a release that feels perfectly at home on the imprint. Known for precision engineering and playful groove work, he delivers a 12″ that’s subtle, characterful and built for repeat play.

                Across four tracks, Voigtmann moves between sleek, futuristic club moods with ease: from the ghostly, cosmic drive of “Leftfoot Lover” and the acid-flecked momentum of “Outer Edge,” through to the jacking electro-funk tension of “No Room For Squares.” The record closes on “Sunshine Capital,” a warm, chord-led cut that still carries his trademark grit - a deeper moment without losing focus.

                Curated by Phonica’s Luther Vine, the AM series champions the stranger, more late-night corners of the dancefloor, and this release fits the ethos with style. Touching lightly on progressive house, tech house and electro-leaning minimal, the record avoids strict genre lines and instead prioritises feeling: trippy, functional and made for DJs.

                STAFF COMMENTS

                Matt says: Big room pleasure seekers from Voigtmann who injects high voltage vibes into a tech-house circuit board. Sure to go down a storm in high spec dance arenas!

                TRACK LISTING

                A1. Leftfoot Lover
                A2. Outer Edge
                B1. No Room For Squares
                B2. Sunshine Capital

                Ty Segall & The Muggers

                "Live" "At" "The" "BBC"

                  Forked tongue stuffed deep in their cheek and rubber baby masks stretched over their heads, Ty & the Muggers bottle the free spirits of the Emotional Mugger tour, then heave them into the audience on this stomping BBC performance from 2016. Gloriously guttural and blown-out sonics support Ty’s all-to-the-wall vocal performances on every song. "LIVE" "AT" "THE" "BBC" puts the ‘sick’ back into ‘satiric’ and the ‘the fuh!?!” back into ‘FUN!’

                  TRACK LISTING

                  1. Squealer
                  2. Breakfast Eggs
                  3. Emotional Mugger
                  4. Candy Sam
                  5. L.A. Woman

                  Lankum

                  Ghost Town

                    Rough Trade Records are excited to announce a new stand-alone single by Lankum. Originally created for an Oona Doherty dance show ‘Specky Clark’ at Sadler’s Well earlier this year, the single is a devastatingly powerful and otherworldly interpretation of The Specials’ 1981 number one ‘Ghost Town’.

                    Lankum explain how the track came about; “Ghost Town came to us through some curious circumstances. Oona Doherty, who we were familiar with through her phenomenal dance work on the video for Gilla Band’s ‘Shoulderblades’, contacted us and told us about a new show she was putting together. It was about her great-great-grandfather being sent to Belfast as a child to live with his aunts and work in an abattoir. She wanted a new piece of music for the show, for a party scene set on Halloween night, and told us she wanted it to start out indistinguishable and woozy, before developing into the very recognisable track by The Specials. At first we were slightly reticent, since a cover of a ska tune wasn’t something we’d usually ever consider, but after a bit of deliberation we decided we’d give it a shot, and the result took us on an incredibly enjoyable journey that had us gleefully playing with synthesisers and drum machines in Hellfire Studios, trying to come up with the scaldiest 90s sounding techno for the outro section of the track.


                    "We’re very excited with the end product and delighted that Oona approached us and challenged us to step out of our comfort zone. It’s an honour to be releasing a version of this iconic tune, and it feels eerily relevant to be referencing yet again themes of urban decay, economic hardship and working class frustration."

                    TRACK LISTING

                    1. Ghost Town

                    Jason Molina / MJ Lenderman

                    The Last Three Human Words (Demo) / Just Be Simple (Cover)

                      Released in tandem with 'I Will Swim to You: A Tribute to Jason Molina', this limited edition 7” features MJ Lenderman’s contribution to the compilation (a cover of Songs: Ohia’s 'Just Be Simple') alongside a rarity pulled from the Jason Molina Archives. This demo version of 'The Last Three Human Words' runs just over 5 minutes, but captures the intimacy of Jason’s entire catalog perfectly well. MJ Lenderman’s cover of 'Just Be Simple' brings a fresh urgency to the song, blending its twangy confessions with bursts of full-band energy. His distinct North Carolina drawl trembles with poetic conviction, reimagining Molina’s original with reverence and grit. The cover plays to the emotional depth of both artists, setting the tone for a project rooted in tribute and transformation.

                      TRACK LISTING

                      1. Jason Molina - The Last Three Human Words (Demo)
                      2. MJ Lenderman - Just Be Simple (Songs: Ohia Cover)

                      Marie Davidson

                      City Of Clowns (MDJ Tools) (Inc. Soulwax Dub Mixes)

                      Marie Davidson Returns with a club-ready 12”: ‘City Of Clowns (MDJ Tools)’ - Featuring Soulwax Dubs on DEEWEE.

                      Utilising their inimitable remixing style, Soulwax pump up and strip back Davidson’s ‘Push Me Fuckhead’ and ‘Sexy Clown’ for maximum dancefloor effect. The release also includes an electrifying contemporary version of 'Sexy Clown,' co-produced in the studio with Pierre Guerineau and tailored for Davidson’s acclaimed 2025 live performances.

                      This latest release follows Davidson’s 2025 album, a record that saw her expand her artistic language through a fusion of 90s Detroit techno grit, fired-up circuitboard breakbeats and skewed club minimalism. As with much of her work, the album used music as a means to navigate her place in the world - as an artist, as a woman, and as an entertainer. Conceptual yet emotionally raw, Davidson continues to push the boundaries of electronic music, creating work that is both deeply cerebral and disarmingly human.

                      With both Soulwax and Marie sharing a commitment to bold, physical sound and restless reinvention, ‘City Of Clowns (MDJ Tools)’ stands as a natural meeting point - a late-night dialogue between two of modern electronic music’s most distinctive voices.

                      STAFF COMMENTS

                      Matt says: Maria's patented brand of future-electro-aggression gets tweaked further by label heads Soulwax. Just try to sit still to this shit I challenge you!

                      TRACK LISTING

                      A1. Push Me Fuckhead (Soulwax Dub Mix)
                      B1. Sexy Clown (Soulwax Dub Mix)
                      B2. Sexy Clown (MDJ Tool) 

                      Italian DJ/producer Gledd delivers an EP of fiery afro edits for his first outing on Razor-N-Tape. Taking a deep dive into his crates of African Boogie, Highlife and Zouk fodder, the Saint Wax Records boss presents a driving and hypnotic 4-tracker primed for the floor with just the right amount of studio polish.

                      TRACK LISTING

                      A1. Itongo
                      A2. Lost In Abidjian
                      B1. Gaboon
                      B2. Sumaya

                      Arjuna Oakes & John Psathas

                      Sierra

                      Rising star Arjuna Oakes and renowned composer John Psathas return for a new collaborative project ‘Sierra’ after their underground hit ‘Future Lullaby’. Fusing Greek folk instrumentation with modern Jazz and recorded live in Athens’ iconic Sierra Studios, this EP brings together electrifying musicians from New Zealand and Greece to experiment and express themselves through the lens of Oakes and Psathas’ compositions.

                      The ‘Sierra’ EP is a unique capture, a snapshot in time for all those involved in its creation. For Arjuna and Sam, the EP marked their departure from New Zealand to live in London to pursue their respective music careers. For everyone else involved the EP offered a chance to create something different from their usual work, and express themselves in a different musical landscape. The excitement and creative freedom is an essential ingredient in what makes this EP work, and you can hear it all bubbling to the surface throughout the record. 

                      TRACK LISTING

                      A1. The Storm
                      A2. Craving The World
                      A3. Until You
                      B1. Run
                      B2. Twilight Fade

                      CER009 finally brings Pumphouse Gang – “Welcome Back Into My Life” back to the 7inch format, a killer slice of Irish modern soul perfection from 1979. Originally pressed in tiny quantities and barely escaping dublin, it’s one of those records that rarely becomes available. A favourite of label boss miche, it’s in his words “an unbeatable soul track, that really fills a dancefloor with smiles”

                      On the flip, Medlar steps up once again, this time sending his mix straight from the Cayman Islands — a dubbed-out, Part 2-style reprise that stretches the groove, teases the rhythm, and gives the track a second life for late-night dancefloors.

                      As always, Celestial Echo digs deep into the overlooked corners of soul and disco, unearthing some of the best soul records and giving them a new lease of life. Each release is remastered with care and presented with the respect these recordings deserve.

                      TRACK LISTING

                      A1. Welcome Back Into My Life
                      B1. Welcome Back Into My Life (The Medlar Reprise Edit)

                      After a few previous edits here and there, the two outsiders are back to add another stop to their endless journey through worldwide funky sounds. Deep disco, Balearic-boogie, breezy modern soul with an AOR touch, or hypnotic Afrobeat — the purpose of this four-tracker is simple: to bring some heat to any dancefloor. Groove is in the heart (of Africa), as somebody once said.

                      STAFF COMMENTS

                      Matt says: Top drawer edits here from two players I know nowt about! Jean Kefta & Max Houmous certainly know their onions when it comes to selecting the best and under-the-radar joints from the African continent.

                      TRACK LISTING

                      A1. Ndole
                      A2. Dabo Kolo Desire

                      B1. Mafe
                      B2. I Love Felafel

                      Say what you want, but Strahil Velchev has never been one to sit still - not on stage, not in the studio, and certainly not on "Versions". Here, KiNK turns his own material inside out, upside down, and somehow still lands on his feet, grinning. His return to Running Back arrives as four slices of hi-octane KiNK logic and mischief. Purpose made to give you sugar rushes and massive feels. Recommended! 

                      STAFF COMMENTS

                      Matt says: KiNK continues to innovate and develop his style. Expanding on his live and loud approach, four new tracks from his studio which find the producer in fine fettle - rolling out the big guns for the late night fist pumpers and the up-all-nite crew that refuse to go home long after the lights are switched on.

                      TRACK LISTING

                      A1. Comin
                      A2. Pump – Version A
                      B1. Pump – Version B
                      B2. Pump – Version C

                      BufoBufo debuts on Analogical Force with five tracks that mesh elements of jungle, braindance, acid, downtempo and electro into new forms. Refining his sound and uncovering new directions, 'Ranidae EP' is BufoBufo at his best.

                      STAFF COMMENTS

                      Matt says: An entangled ride through the mind and mainframes of BufuBufu as the producer showcases skilled beat science, advanced synthesis and nuanced sound design to create a sonic world all of his own design.

                      TRACK LISTING

                      1 Ranidae
                      2 Isopod
                      3 Magpie Inkcap
                      4 Asperitas
                      5 Drifting World

                      Shabi’s ‘Golden High' EP is a vibrant, disco-infused collection that merges classic grooves with modern production. The title track, ‘Golden High', is a light, fun disco gem, capturing a funky 70s mood with a fresh house twist and that guitar magic touch. ‘Mellow Scene' takes the funk further, building up to a funky house crescendo that's perfect for late-night floors. On the flip side, ‘Deep Vibration' offers a deeper vibe, giving the EP a well-rounded feel with its rich bassline and smooth production. Finally, ‘This Is 1979' is catchy and playful, bringing a polished sound that keeps the rhythm flowing. Altogether, ‘Golden High’ is a solid pick for those craving both nostalgic and modern dancefloor moments.

                      TRACK LISTING

                      A1. Golden High
                      A2. Mellow Scene
                      B1. Deep Vibration
                      B2. This Is 1979

                      Carlton Jackson

                      History (Lee Perry Dubplate Mixes)

                      Killer 10” on a new subsidiary label from Studio 16. Black Art dubplate style, featuring Carlton Jackson. Recorded at The Black Ark in the mid-’70s with Lee 'Scratch' Perry and previously unreleased. Unmissable dubwise roots! Limited copies. 

                      STAFF COMMENTS

                      Matt says: Poignant number from Carlton Jackson which harks back to the rocksteady style; discussing the enslavement of his peoples and with lush female chorus and Perry's iconic production. An early and unmissable nugget from The Black Ark.

                      TRACK LISTING

                      1. Mix 1
                      2. Mix 2

                      Keith & Tex

                      Groovy Situation - Lee Perry Dubplate Mixes

                      Kicking off a brand new subsidiary label from Studio 16. Featuring killer, Black Art dubplate style recordings from The Black Ark around the mid-70s. The first instalment features singers Keith Rowe & Texan Dixon. 
                      Recorded at The Black Ark in the mid-’70s with Lee “Scratch” Perry. These are unmissable recordings from the glory days of the genre. 

                      STAFF COMMENTS

                      Matt says: One of four utterly compelling and completely essential 10"s released from the golden era of The Black Ark. Just when you thought you'd heard all the Lee Perry mixes there was to hear, Studio 16 hit us with this salvo of roots and dub. The pressing and fidelity is ultra high, leaving us, as usual, scratching our heads as to how the Upsetter achieved such sonic majesty with such limited resources.

                      TRACK LISTING

                      1. Mix 1
                      2. Mix 2

                      George Faith

                      I've Got The Groove (Lee Perry Dubplate Mixes)

                      The first of two 10”s on a new subsidiary label from Studio 16. Black Art dubplate style, featuring singer George Faith.

                      Recorded at The Black Ark in the mid-’70s with Lee 'Scratch' Perry. Simply unmissable dubwise roots. Limited copies. 

                      STAFF COMMENTS

                      Matt says: Moody and sultry deep roots enhanced by the wild production genius of Perry at the dials.

                      TRACK LISTING

                      1. Mix 1
                      2. Mix 2

                      Keith Rowe

                      Living My Life - Lee Perry Dubplate Mixes

                      The second of two new 10”s on a new subsidiary label from Studio 16. Black Art recordings, dubplate style, with singer Keith Rowe of Keith & Tex fame.
                      Recorded at Lee Perry's infamous studio in the mid-’70s. Essential recordings for anyone with a penchant for the golden years of dub reggae. 

                      STAFF COMMENTS

                      Matt says: Beautiful number from Keith Rowe with upbeat demeanor and an almost proto-Lover's feel to proceedings. Bass cut LOUD, with hi-hats sizzling with tape hiss and saturation. MMmmmhmmm :)

                      TRACK LISTING

                      1. Mix 1
                      2. Mix 2

                      Simon Peter

                      Souvenir EP - Incl. Peaking Lights & Coyote Remixes

                      The faultless Is It Balearic Crew keep summer alive a little longer with a new and blissed out offering from Simon Peter. The title track 'Souvenir' sets the tone with dreamy electric piano and a Laurel Canyon-style vocal with folky overtones that help evoke hazy sunsets. 'Mystical Delight' drifts deeper into a desert-tinged folk trip, while 'Still Going' adds percussive layers and brings a perfect Balearic balance. On the flip, Peaking Lights rework the title cut into a nostalgic haze, spotlighting the vocals with lullaby warmth. Coyote bring their trademark dub touch to close with a groove that rolls deep into hypnotic territory. This EP feels like a postcard from a distant, golden horizon.

                      STAFF COMMENTS

                      Matt says: Peaking Lights and Coyote both on Is It Balearic? with an ode to Brian Wilson to boot! Things don't much more Balearic around these parts, especially in the midst of a Manchester winter.

                      TRACK LISTING

                      Side 1
                      Souvenir (feat Marker Starling)
                      Mystical Delight (feat Robi Mitch)
                      Still Going

                      Side 2
                      Souvenir (Peaking Lights Ode To Brian Wilson Remix)
                      Souvenir (Coyote Dub)

                      Mannequin Records drop a special release that bridges two generations of electronic body music: DAF’s iconic track “El Que” reimagined by French techno and EBM pioneer Terence Fixmer. A lifelong admirer of DAF, Fixmer has been playing El Que in his DJ sets for years, considering it one of the band’s most enduring and powerful pieces. His connection to the track and to DAF’s groundbreaking legacy is the core inspiration behind these two new remixes, created with both reverence and bold creative vision.

                      On the “El Que (Terence Fixmer Leather Remix)”, Fixmer remains close to the original’s raw, muscular pulse while injecting a sharp, modern club sensibility. The remix builds on DAF’s unmistakable rhythmics but adds a contemporary momentum that feels like a natural extension of the band’s DNA. “It was like imagining what I would do if I were a member of DAF today,” Fixmer says.

                      The second version, “El Que (Terence Fixmer Drive Remix)”, ventures deeper into Fixmer’s own territory: darker, hypnotic, and peak-time focused. Tension and release are crafted with surgical precision, taking the original’s spirit into a harder-edged, suspense-driven sound world. It’s a version built for late-night floors without ever losing the soul of El Que.

                      Fixmer explains:

                      ‘For the "Leather Remix", I wanted to stay close to the original while bringing modernity and club momentum. For the "Drive Remix", I pushed the track toward darker, peak-time and hypnotic techno, keeping the soul of the original intact.

                      I wanted to make versions that make you think: ‘I know this track… but wait - what is this version? I want it!’ When I tested them, that’s exactly what happened.’

                      DAF remains one of the most influential bands in electronic music history. These new remixes by Terence Fixmer reinforce the timeless power of “El Que” while offering two striking, club-ready perspectives for a new generation of listeners.


                      STAFF COMMENTS

                      Matt says: Leather-clad BDSM-EBM here from market leaders DAF. Shuddering with high voltage currents and sure to rip your trousers off quicker than three huffs of amyl nitrate. You have been warned!

                      TRACK LISTING

                      Leather (Terence Fixmer Remix)
                      Drive (Terence Fixmer Remix)

                      Church

                      How Long / Da Da Song

                      Church – the brainchild of Joe Washington – were a band both lucky and cursed to come up in the seventies. Lucky, because they rode a wave of community activism, uplifting messages and a moment when music truly mattered. Cursed, because those same times meant their tight, heartfelt output went overlooked.
                      Mid-sixties to circa 1980 soul and funk were extraordinarily rich. The era’s big releases have aged like fine wine, yet countless hidden gems remain buried. Church’s only single was one of them. Their hypnotic 1976 release “How Long” b/w “Da Da Song” arrived the same year as Stevie Wonder’s “Songs in the Key of Life”, Marvin Gaye’s “I Want You”, Diana Ross’s “Diana”, and at a time when Black mainstream music was shifting toward disco. Church, however, sounded like Sly & The Family Stone in an alternate timeline — gritty, focused, stripped of additives.
                      “Da Da Song” is pure grits and gravy: furious, tight drums and lyrics that sound like both a plea to DJs to play their record and an insistence to keep the party alive, noticed or not. It cooks from start to finish in just two and a half minutes.
                      “How Long” is its own universe. Where “Da Da Song” is skeletal, “How Long” blends key strands of Black music in under three minutes: touches of spiritual jazz with a Gary Bartz-like sax, gospel-blues undertones, and echoes of the era’s flower-power-tinged Black creativity — The Undisputed Truth, The Family Stone, even the poetic freedom of Nikki Giovanni. The lyrics are a timeless plea for love.

                      Church formed in the Bay Area in the early seventies, shaped by the movement, culture and activism of the time. Joseph Washington, based in San Jose, never chased a music career — for him, music was a way to bring people together. Before Church, he led a backing band called Wash, then added gospel singer Linda Williams (née Stephens) and New York–born Joel Como on xylophone to complete the group.
                      They rehearsed in Joe’s garage, spread through word of mouth and played every gig they could: Black colleges, opening slots for The Whispers, neighbourhood house parties. Some members studied at Nairobi Junior College in East Palo Alto, then a hotbed of Black community activism, with revolution in the air and messages woven naturally into the music.
                      This single is a message from that era, resurfacing at last — ready to be sampled just as another Joe Washington track, “Look Me in the Eyes”, was on Drake and J. Cole’s “First Person Shooter”. These rare, spirited tunes are begging for new life through samplers, again and again.


                      STAFF COMMENTS

                      Matt says: Rare as fish knees soul bomb that kicks hard. Landing somewhere between Lyn Collins, Mary Jane Girls and the doo-wop groups of the 50s. Mega.

                      TRACK LISTING

                      A. How Long
                      B. Da Da Song

                      Second release on the ultra collectable Melodies Of Love imprint - already championed by the likes of Luke Una, Colleen Murphy and Balearic Mike.

                      Kicking off proceedings we have "Blue Loving", edited by Eclectic Journeys, an illicit edit outfit active since around 2014. The track is a seductive, Sade-esque Balearic beatdown number; with sensual vocals and delicate guitar chops, underpinned by a funky b-line and infectious percussion. Very nice.

                      Nice up, another obscure number, mined from the deep seams of Balearic rock goodness and resurrected by MadDisco Edits. This one could pass off as a lost John Martyn / Chris Rea seduction. Cantering along on a nice conga and bass guitar interplay, decorated with mysterious flute and psychedelized through extensive use of echo. One of those tracks that, if you're not careful, might induce spontaneous grinding and slow motion thrusts - so make sure you're in familiar company.

                      Onto side B and we begin with a dubbed-out disco groove that'd make the Idjut Boys blush. This slowly unfolds into a lysergic disco-funk jam with swampy production and bold brass. What the bloody hell in nora is this?! Where are they getting them from?!

                      Finally, "Missing You" is a nicely hypnotic coastal sway-along. Rising chords, drifting guitar chops, reverberated percussion - basically all you need to lose yourself in some late afternoon hammock-based revelry.

                      Super strong stuff - super limited copies - you know what to do! 


                      STAFF COMMENTS

                      Matt says: The cult collected Melodies Of Love unleash their second salvo of killer edits. Hot-to-trot and already coveted by those in the know, four certified heaters for your deep disco and Balearic aficionados.

                      TRACK LISTING

                      A1. Blue Loving (Edited By – Eclectic Journeys)
                      A2. Good To Me (Edited By – MadDisco Edits)

                      B1. C'est Magnifique (Edited By – MadDisco Edits)
                      B2. Missing You (Edited By – Eclectic Journeys)

                      Suckaside

                      Underwater Love / At The River

                      SuckaSide know how to twist a classic into new realms. This latest is further proof on their own self-titled label, starting with a flip of Brazilian-inspired gem. Drums gently break like waves, the vocals are intriguing spoken words, and there's a dark soul lingering in the air. On the flip is their take on downtempo delight which becomes a high speed drum & bass roller with light pads and elevating chords. The lazy trumpets from the original remain in place for that nostalgic touch.

                      TRACK LISTING

                      Underwater Love (Remix)
                      At The River (Remix)

                      Hip Hop Legends

                      Can I Kick It / Reg Ulate: The Instrumentals

                      The Doom label has been digging in the archives again to turn out some killer instrumental hip-hop beats on a land, limited 7". These are designed for maximum DJ deployment and will prove irresistible to dancers. First up is a classic blend of golden-era boom bap that's dusty and drenched in soul, with classic samples adding that hooky charm. On the flip is another one from some more icons of the game that is deeper, slower, more sensual and an evergreen party favourite with a sophisticated funk edge.

                      TRACK LISTING

                      Side 1:
                      Can I Kick It (Instrumental)

                      Side 2:
                      Reg Ulate (Instrumental)

                      Kaninchenbau label head The Funk District has joined forces with Argentinian keys specialist Sokur for a new four-tracker that collides bluesy samples with sleek electronic grooves. 'Till My Feet Got Numb' kicks off with waves of synth energy run through with sampled vocals that hark back to Robert Johnson. 'Never Satisfied' is another mix of funky drums, jazzy pianos and crackly blues vocals that is unusual but effective. 'Took My Babe Away' repeats this combination, this time with hints of St Germain in the melancholic spoken words and ever more thumping and acid-laced beats. 'Sunshine From The Sky' completes the quartet with more hurried grooves laced with wonky synth work. It's peak time stuff with plenty of deeper meaning.

                      STAFF COMMENTS

                      Mine says: If you enjoyed Gledd's Get Back EP, the last 12" on Kaninchenbau, then run, don't walk (or you know, just click the order button from the comfort of your own home) as its successor has a similar sweat dripping from the ceiling vibe. Big energy!

                      TRACK LISTING

                      Till My Feet Got Numb
                      Never Satisfied
                      Took My Babe Away
                      Sunshine From The Sky

                      Kicking off 2026 in style! Here we have volume 5 of the annual Razor-N-Tape Family Affair series. As always a wide-ranging collection of vibes and grooves from the extended international Razor-N-Tape network, this year’s vinyl sampler includes label newcomers and veterans across 6 tracks. Recloose, Medlar & Daisybelle, Misiu, Saucy Lady, Anoraak and Marina Trench deliver in their respective signature styles, taking us on a genre-bending tour of genres and sounds. From House to Disco, Dub to Breaks, and Chuggers to Pumpers, there’s bit of something for everyone here…fun for the whole Family!

                      TRACK LISTING

                      A1. Recloose Ft. Hazmat Live - Dance Girl
                      A2. Mike Misiu - Hold Your Body
                      A3. Medlar & Daisybelle - Body Ache
                      B1. Mpharanyana - Disco (Anoraak Edit)
                      B2. Saucy Lady - Falling
                      B3. Marina Trench - Icy

                      Sublime soulfulness from Georgie Sweet, the Bournemouth-born, Brighton-based singer/songwriter tipped by the likes of Gilles Peterson and Jazz FM's Tony Minvielle for big things with a track taken from the ' I Swear To You' long player.

                      On this collaboration with First Word Records Sweet's heavenly voice is very much at the centre of 'All That We Were', with dazzling close harmony work gliding gracefully across a laid back groove that slopes along in nicely lazy fashion.

                      This release from the ever reliable Mukatsuku label gives DJs extra flexibility with a flipside version that eaves the lead lines out but leaves the groove and the soothing backing vocals intact. Sweet, in more ways than one.

                      TRACK LISTING

                      1. All That We Were
                      2. All That We Were (Unreleased Instrumental With Backing Vocals)

                      Jeff Mills

                      The Bells - The Director's Cut Chapter 6

                      Arguably the biggest techno record ever made (potentially rivalled by Joey Beltram's "Energy Flash") "The Bells" is a masterpiece in urgent 909 drum programming, wild relentless energy and spaceage synthesis which, to be quite frank, pisses on 99.9% of other techno records made since its glorious inception back in 1996. Jeff Mills created LOTS of genius music, and much like Lemmy got sick of playing "Ace of Spades" in every live show, Jeff Mills has mentioned a similar quandary with "The Bells" (he still does, however, pander to most audiences by dropping it at least for a little bit during his various DJ sets - what a legend!). Such is the might and impact of this track.

                      For the "Directors Cut", Jeff bundles the track with a more orchestrated version - "Blue Potential Version" which hints at the more 'space orchestra' direction he would take in more recent years. Finally, we get beatless Martian lullaby - ""The Homosapien Sapiens" full of the producer's trademark, red shifted sonics and otherworldly psychedelia.

                      Essential stuff and one of those records that every techno head worth their salt needs in their collection. Back in stock for a limited time! 


                      STAFF COMMENTS

                      Matt says: Just one of those essential techno records. For me the epitome of the genre. Jeff's recently been celebrating 30 years of his iconic Liquid Room mix - making "The Bells" as relavent and as epoch-defining as it was back in 1996. Just gerrit! One of the best records ever made.

                      TRACK LISTING

                      Side 1
                      1. The Bells

                      Side 2
                      1. The Bells (Blue Potential Version)
                      2. The Homosapien Sapiens

                      Freddie & Dessie

                      Girls Talk

                      Rare as fish knees, roots gem!

                      “Me Look Like A Lion But Me Humble Like A Man”

                      Fredrick Dookie & Desmond Silpatt were cousins and close friends who though not prolific, created one stunning reggae tune which has been near impossible to find for over 40 years.
                      Like artists from Supercat to Sheila Rickards, Freddie & Dessie are of Indo-Jamaican descent. They gravitated to music from an early age.

                      Recorded at Aquarius and arranged by Wire Lindo, the track features back up vocals from a young Beres Hammond.

                      "I have loved this song for a very long time and this exclusive reissue has been in the works for several years since I tracked down one half of the duo Dessie aka Desmond Silpatt who is now based in Florida." says Chris from Shella Records.

                      Freddie who provides the song’s hypnotic vocal was a devout Rasta man who sadly passed away in 2019. He is survived by Dessie, a renaissance man, inventor and author who has penned thousands of songs in his time.

                      STAFF COMMENTS

                      Matt says: Supreme and massively under the radar roots gem with a proper dub version to boot. Shella continue their domination of our reggae section.

                      TRACK LISTING

                      Girls Talk
                      Version

                      Following on from the first KMS Sampler, PDD in conjunction with Armada Music & BEAT Music Fund return for Volume 2 in the series. Once again mining the delights in the expansive catalogue, Volume 2 showcases four more essential cuts. Up first is the classic MK Mix of R-Tyme’s – Use Me. Next up on the A side we have the legendary pairing of Chez Damier and Ron Trent with their remix of Inner City – Share My Life. On the flip, the D’Pac Dub of Dionne opens the B side and then rounding off the EP is the second Inner City track, this time remixed by another Detroit hero, Carl Craig.

                      Just like Volume 1, the audio has been lovingly remastered by AIR Studios and their team of celebrated engineers, fully utilising their mastering knowledge. Another brilliant volume from KMS!

                      TRACK LISTING

                      A1. R-Tyme - Use Me (MK Mix)
                      A2. Inner City - Share My Life (Chez N Trent's Vocal Dub)
                      B1. Dionne - Feel Da Rain (D'Pac Dub)
                      B2. Inner City - Till We Meet Again (Carl Craig Remix)

                      The first, and fully licensed reissue of this boogie-funk treasure by Desert Bone label boss and producer Nathan McKinney.

                      Featuring the original version and instrumental just like the original release from 1983. It was originally self released as a limited pressing and is now one of the most sought after records from this era.

                      STAFF COMMENTS

                      Matt says: A rare-as-hen's-teeth boogie bomb gets an official and much needed reissue here. A regular spin on Full Beam! FM, this is quintessential boogie business here.

                      TRACK LISTING

                      Very Special Lady Pt. Ii
                      Very Special Lady (instrumental)

                      The long awaited first time reissue of the this NYC boogie bomb. Originally released in 1983, now a hugely sort after unit. Produced by the highly acclaimed Elliot Rosoff & John Gomez, the track's rigid drum programming and sunny guitar licks combine with that trademark bassline squelch for a moment of true boogie bliss!

                      Remastered by the grammy award winning studio The Carvery's Frank Merritt.

                      STAFF COMMENTS

                      Matt says: Another hard to aquire boogie blast reissued by the good folks at Remote Destination. From the sunny flute licks to the deep squelchy bassline and of course, those delicate little guitar chops and sensual vocal section. There's plenty to enjoy on this bonafide boogie beast!

                      TRACK LISTING

                      Nice And Slow
                      Nice And Slow (instrumental)

                      After years of shaping the UK underground from behind the scenes, Alex Nut steps out with his first official solo EP, serving up an intoxicating blend of Spiritual Jazz, Deep House, Dub, Hip Hop and analog electronics. The Present Under Construction EP is rooted in a deep musical language and future-facing energy, it captures a moment of creative transformation and exploration.
                      Built up over a few years from rough sketches made on an old MPC2000XL, the tracks were revisited, reshaped and eventually brought to life in the studio with longtime friend and collaborator Sam Crowe (Cleo Sol, Lianne La Havas). Together, they added a range of analogue sounds using the Dave Smith Prophet Rev 2, a Fender Rhodes, and a Moog Sub 37. Those recordings were then chopped, resampled, and restructured into the versions you hear on the record today. The records lead track 'andthenitstarted' features saxophonist James Mollison (Ezra Collective, Nala Sinephro) and includes remixes from Detroit House legend Patrice Scott and fellow Eglo Records alumni Last Nubian.

                      Best known as a DJ, broadcaster, curator and co-founder of Eglo Records, Alex has spent over a decade championing soulful underground music, through fabled Radio shows to legendary club nights, his fingerprints are all over a scene that continues to evolve. Initially making noise alongside the likes of Floating Points, Steven Julien, and Fatima, Alex Nut has long been a cornerstone of the UK's soulful underground. His work continues to champion the evolution of Jazz, Soul, House, and Broken Beat — nurturing a generation of artists now reshaping the global soundscape.

                      TRACK LISTING

                      1. Andthenitstarted (feat. James Mollison)
                      2. One 4 Santi (feat. Sam Crowe)
                      3. Andthenitstarted (Patrice Scott Remix)
                      4. Andthenitstarted (Last Nubian Remix)

                      Originally released in 1999. A very hard to find piece now re-issued for the first time with a respectful remaster. Berlin native T.H. Reingold (aka Tom Clark) has been an integral part of the scene there for for over 25 years - establishing Gold Plate and Highgrade Records along the way. Together on this EP with former Tresor resident Mad Max, the much sought after 'Sophisticated EP' is a heady blend of old school house, techno and loopy disco chops. Foundation music - part of the eclectic soup that became known as the Berlin club sound. Originals fetch big bucks. 

                      STAFF COMMENTS

                      Matt says: Symbolic of Berlin's up-all-nite mindset, this lost little nugget, remarkably produced in 1999, contains four tracks of brilliantly broiling house energy. Not afraid to flirt with the techno heads (a prerequisite in Berlin at the time!); there's also a restrained futurism which will find favour with lovers of Craig Richards and Carl Craig.

                      TRACK LISTING

                      El Sheik
                      Monicas Blow Job
                      Ice Express
                      Criminal Justice

                      Dave Maze / Spike Rebel / Glenn Underground

                      Cosmic Disco

                      Hot to trot disco-house business from three major players! Dave Maze is joined by Spike Rebel, kickings things off with the Lofty flutter and guilded Strat chops of "Disco Stimulation". Matched beautifully with Glenn Underground's contibution - "Jazz Funk In A Disco Dubb"; a rich side of music for fans of Peven Everett, Strictly Jazz Unit and Roy Ayers.

                      Dave flies solo on side B, "Talk About Music" being one of those heady, late night club sweaters with claustophic atmos, sweltered beats and an empowered male spoken word coursing through its stems - sure to cause the mercury to rise in the more heady and loose late night dance spots.

                      "Discomonia" flips the mood from the previous track to a more jazz-funk informed, technicloured trip. Full of dazzling synthwork, busy instrumentation and shuffled deep house beats; it's a magic carpet of dance revellry; perfect for keeping dancers moving through the session with a musical maturity setting it apart from the Ableton house also-rans. Recommended! 




                      STAFF COMMENTS

                      Matt says: Big bad Dave Maze returns joined by no other than Glenn Underground and Spike Rebel. Can you guess what it is yet? Chakra-aligning, spiritual house music with Loft disco leanings and a deeeeep state of mind. Gorgeous, highly musical and exactly what we've come to expect from this new major player! Recommended!

                      TRACK LISTING

                      A1. Dave Maze & Spike Rebel - Disco Stimulation
                      A2. Glenn Underground CVO - Jazz Funk In A Disco Dubb
                      B1. Dave Maze - Talk About Music (D & E Rework)
                      B2. Dave Maze - Discomonia (D & E Rework)

                      Analog house tracks and raw production styles come together on New Jersey's Manny Steelio's 6 track debut. The newcomer is a bubbling entity of the underground and looks like a good fit for Star Creature's Global Carress imprint with it's no frills, raw house tracks output thus far. There's a bright, almost innocent charm that sees it find natural bedfellows with Australia's Andras Fox & Art Wilson, as well as Vancouver's Pender Street Steppers; whilst also fitting perfectly into the many sub-labels of the Star Creature umbrella. 

                      STAFF COMMENTS

                      Matt says: Star Creature continues its diversion down proto-house and warehouse music pathways. Manny Steelo conjuring up five tracks of stripped back & functional box jams with a radioactive warmth and highly kinetic energy.

                      TRACK LISTING

                      A1 - East Coast Waves
                      A2 - Rising Sun
                      A3 - 5 A.M.
                      B1 - Put Em On Work
                      B2 - Slot Machine Groove

                      LLL is back and this time on the properly sized up "HELLLINN EP" full of unhinged and deliberate, off the wall acidic mutant house. Caustic synth lines and furious electro sludge made to ooze out of club speakers. This 4 track EP strikes with intense Chicago club tracks with savage synths and reckless drum programming. Really like this new direction from Star Creature - delving into those proto-house, dark jacking sounds of early Chicago. TIP! 

                      STAFF COMMENTS

                      Matt says: This one really plunges down the sherm-fuelled rabbit hole. Acidic corrosion, overdriven drum boxes, menacing atmospheres - it's a beast of primitive, jack beat / acid musica that's sTrICtLy 4 dA fReAkZ!!

                      TRACK LISTING

                      A1. Gaslight District
                      A2. State Chumps
                      B1. Teeth
                      B2. Midi Life Crisis

                      Guest

                      Guest Mini-Edits No. 7

                      Precious gems mined from a wall of vinyl. Cut, polished and mounted for maximum love.

                      TRACK LISTING

                      A1. Passion Play
                      B1. Native Son

                      Daybreakers return with another one for the deep heads, welcoming Chicago legend Vick Lavender to the fold for Essential Traxx Vol. 1. A musician, producer and DJ with over three decades in the game, Vick’s music lives in that space where house, jazz, and soul connect.

                      Back in the 90s, Vick came up alongside Glenn Underground and Boo Williams as part of the influential Strictly Jaz Unit, helping shape a sound that still echoes through dancefloors today. In the years since, he’s built his own world through Sophisticado — music rooted in live musicianship, deep feeling, and that unmistakable Chicago soul. It’s real house music.

                      On the A side, 1.4.4.5 (Where It Started) lays down that signature Chicago pulse — rolling percussion, Rhodes chords, and basslines that unfold like a live jam. Deep, patient, the real Vick Lavender sound.

                      Flip it for Tiano Nuevo featuring Spike Rebel, a lush meeting of house, Latin, and jazz sensibilities. Guitars, percussion, and keys come together, the kind of tune that keeps a dark room or a sunrise session dancing.

                      Essential Traxx Vol. 1 captures what Daybreakers is all about. Deeper than deep house.

                      TRACK LISTING

                      A1. 1.4.4.5 (Where It Started)
                      B1. Tiano Nuevo (Feat. Spike Rebel)

                      Soulwax

                      All Systems Are Lying / Run Free (Nite Versions)

                      Following the release of their album, Soulwax return with ‘All Systems Are Lying / Run Free (Nite Versions)’. A reimagined evolution of their sound. Driven by deep basslines, hypnotic synths and the duo’s signature sound, these Nite Versions transform the originals into electrifying, immersive soundscapes built for the nightclub. 

                      STAFF COMMENTS

                      Matt says: The legends return fresh off the back of a new album and a live Manchester appearance (not to mention nearly clearing us out of house records last week! - Ed). "All Systems Are Lying" is the wild, flailing electro-house business we know and love while "Run Free" is a more controlled, punctuated electro-indie-acid number. They've still got it!

                      TRACK LISTING

                      A. Run Free (Nite Version) 
                      B. All Systems Are Lying (Nite Version) 

                      Safari Duo

                      Played-A-Live (The Bongo Song)

                      Dance On The Beat unearth one of the biggest Euro-dance records ever made! Released at the end of 2000, "Played-A-Live" is the forth-fastest selling single ever released in Europe! It topped the charts in both Denmark and Switzerland and even reached no. 6 in our UK chart. It's mix of trance-like breakdowns and melodies, energetic tribal drumming and sheer, stadium filling approach has kept it on constant rotation across open air events and in the record boxes of trance DJs across the globe. 

                      Reissued alongside the iconic Spanish Fly remix. 

                      A trance music lover's dream! See also: Jam & Spoon. 

                      STAFF COMMENTS

                      Matt says: One of the biggest trance records ever made gets a timely reissue. Might not be the coolest genre in the world, but its enduring impact on the big global open air events cannot be understated! And at least its not EDM! As time's gone on, I've actually developed quite a soft spot for records like this. Unashamedly positive and uplifting music for the masses! Leave your ego at the door...

                      TRACK LISTING

                      A. Played-A-Live (Original Club Version)
                      B. Played-A-Live (Spanish Fly Remix)

                      El Michels Affair

                      Anticipate B/w Indifference

                        By popular demand El Michels Affair presses two standouts from the new '24 Hr Sports' on a flawless 7”. The A side is 'Anticipate' featuring Clairo, and the B side is 'Indifference' featuring Shintaro Sakamoto. Two incredible tunes, one incredible 45…

                        STAFF COMMENTS

                        Matt says: The primo cinematic / hip-hop soul collective present two of their favourite vocal tracks from their new album.

                        TRACK LISTING

                        1. ANTICIPATE Feat. CLAIRO
                        2. INDIFFERENCE Feat. SHINTARO SAKAMOTO

                        Atabasca

                        Cacopoulos / Kundela Mawedi

                        A syncopated journey where funk, psychedelia, and cinematic groove merge into a timeless narrative suspended between rhythm and vision.


                        "Cacopoulos" and "Kundela Mawedi" mark the birth of Atabasca's sonic universe: the first two singles from the upcoming self-titled debut album,which will be released on March 27 in limited-edition LP, CD digipack, and digital formats.

                        On the A-side, "Cacopoulos" is an impetuous, visionary ride that fuses the power of instrumental groove with the evocative imagery of library music and Italian golden-age soundtracks. From the first beat, listeners are drawn into a dry, dusty landscape driven by a primal drum groove and the acid twang of a guitar that evokes the spirit of classic Westerns. Indeed, "Cacopoulos" pays homage to I Quattro dell'Ave Maria (Ace High) and to the legendary Eli Wallach, the sly outlaw who turns deception into revenge, a subtle yet powerful nod that ties the trio's sound to imagery steeped in dust, dreams, and redemption.


                        On the flip side, the sound of an old lap steel guitar evokes the gentle waves of the sea, opening the doors to "Kundela Mawedi", a dreamy track with exotic tones and heavenly atmospheres. The sonic journey unfolds through hypnotic rhythms and echoes of ancient cultures, where ethereal voices and warm, entrancing bass lines intertwine with psychedelic riffs and evocative guitar melodies, merging into a soundscape rich in warmth and mystery. The chorus, with its unexpected choral chant, adds a spark of magic. An elegant twist that gently stirs the dreamlike mood and transports the listener into a new sonic dimension, steeped in mysticism and tribal vibrations. "Kundela Mawedi" is more than just a song: it's a sensory experience, a musical ritual where tradition meets psychedelia, sand meets sea, and the soul dances upon the waves of time.


                        Recorded in a single take, the session captures the raw energy and natural atmosphere of the performance. Artistic production was handled by the trio alongside Andrea Fabrizii (digger, musician, producer, and catalogue curator for CAM Sugar), while Riccardo Ricci mastered the tracks at Velvet Room Mastering Studio in Brighton.


                        A killer double-sider, blending psychedelic and funk moods with percussive, jazzy textures. A must-have gem for every groove-loving DJ.


                        Like a desert blooming within the evergreen forests of the planet's far north, a unique, alien, disruptive environment: this is the vision behind Atabasca, the project of Luca Mongia (guitars, lap steel, keyboards, vocals), Paolo Mazziotti (bass, keyboards, vocals), and Valerio Pompei (drums, percussion, vocals). Individually active for over twenty years on both national and international scenes, the three musicians came together in 2023 to create a project that merges experience, experimentation, and creative freedom. Their music is imaginative and at times dreamlike, blending the classic concept of the instrumental trio with the worlds of film scoring and sound design.


                        Atabasca's sound moves through jazz-funk, world, and cinematic territories, weaving together afrobeat, desert, and psychedelic influences into a personal and timeless language. Each piece is a scene; each sound, a fragment of a world, a journey between reality and imagination where groove, texture, and organic timbre merge into a singular sonic ecosystem: a perpetually shifting balance that generates new inner landscapes.


                        Fans of Khruangbin, Surprise Chef, and instrumental psych-funk, take note!

                        TRACK LISTING

                        1. Cacopoulos
                        2. Kundela Mawedi

                        An old school Chicago producer dons an anonymous pseudonym and drops a limited white label 12" of high grade house mash-ups. Public Enemy and Eminem grace side A under a backdrop of pumping, high intensity club beats. I feel these would go down a storm at the newly minted Ambers club here in Manchester. On side B, Malcom X and Colonel Abrams undergo a more disco-flavoured treatment, with reckless chops and incessant looping. Very nice stuff. Won't hang around long! 



                        STAFF COMMENTS

                        Matt says: Big naughty hip-hop-house mash-ups that'll instantly have the under 25s whipping their phone's out to catch the drop.

                        TRACK LISTING

                        A1. Power To The People
                        A2. Without Me
                        B1. A Message To The People
                        B2. The Truth

                        Drames Rurals

                        Drames Rurals (Shackleton Mixes)

                        Back in 2020, a collaborative project came out with a collection of psychedelic dub tracks that explored acid fields through low-pressure beats and choral vocals. it quickly became a favourite from hivern discs. we're now excited to be sharing a rare set of remixes from Shackleton, reworking three tracks from the original album. expect a dubby flow, faster rhythms and echoing layers. Original artwork by Juns Castella artwork design by arp_rpm mastered by Beau Thomas.

                        STAFF COMMENTS

                        Matt says: Shackleton makes a much welcome return, remixing Drames Rurals with more of his singular, electro-acoustic dubwise psychedelia. Exploring space, tension and non-linear song structures with aplomb, the UK stalwart further refines his unique approach with some of the most intriguing sound design to date.

                        TRACK LISTING

                        1. L Empelt (Shackleton Remix)
                        2. Ombres (Shackleton Remix)
                        3. L Explosio (Shackleton Remix)

                        Hiver completes a trilogy of EPs on Gudu with ‘Blue Hell’, another transmission of space-age machine funk from a duo who are truly shaping their own soundworld.

                        If you’ve followed Hiver, you should know the deal by now: they’ve spent the last decade honing a sound that draws heavily from dance music history – namely the starry-eyed synthesizer funk of classic techno and electro – that drips in colour and emotion without ever feeling retrograde. ‘Blue Hell’ is their third EP for Gudu, and maybe their most accomplished yet.

                        In Hiver’s words, “this EP was shaped by a mix of late night club energy and the more introspective, melodic ideas we’ve been exploring in the past years. A big part of it also comes from the tension between how people connect today. This constant, hyper-connected flow of networks, media, and online exchanges and our own way of creating music, which is very physical and personal. We’re always bouncing ideas through messages and files, but the real magic still happens when we meet in the studio, face to face. That contrast between digital connection and human presence became a sort of hidden theme behind the EP.”

                        “With Blue Hell, our third chapter on Gudu, we wanted to capture a moment of clarity, something direct yet still drifting. In a way, this release completes the excursion we began with the first two records: three points that trace the contours of the sounds we’re drawn to. Each track feels like a fragment of that journey, grounded in rhythm but always leaning toward depth and escape.”

                        STAFF COMMENTS

                        Matt says: Future-proof technoid chuggers for fans of Peach Discs, Roza Terenzi, Altered Circuits etc. With just the cheekiest smattering of acid techno contained within, these proggy acid burners are set to light up the club.

                        TRACK LISTING

                        A1. Blue Hell
                        A2. Level
                        B1. Interactive Loop
                        B2. Sparkle 

                        Since its inception, Klasse Wrecks has always flirted with rap music flavours. Whether it's Luca Lozano's DJ Cabbage alter ego or the raw beats of the Grafiti Tapes series. Both label owners are big rap fans, with one (Mr. Ho) even being an ex-DMC scratch champ. It makes sense then that the last release from KW in 2025 is the heavily Memphis-inspired 'Straight From Hell' EP, brought to you by the two mysterious producers DJ Skelet and Grim Phunk. To use the term 'stripped down' would be an overstatement in regards to this EP, skeletal drums, booming kicks and frantic vocal loops done right make for a simple yet perfect mix. Tape hiss, MPC crunch and catchy loops are all integral to the vibe and music, tracks keep to a punchy 3-4 minutes and are interspersed by dreamy bonus beats just like in the old days.

                        STAFF COMMENTS

                        Matt says: Klasse Wrecks should be celebrated. The label doesn't really compromise - releasing aggro club tracks, new hardcore and breakbeat flavoured warehouse music with no fucks given. Here they present an amalgamation of hip-house, chopped n screwed and booty music that's full of both attitude and humour.

                        TRACK LISTING

                        1 Dj Skelet - Judas Cradle
                        2 Dj Skelet - Beat 1
                        3 Dj Skelet - Demons Taking Over Me
                        4 Grim Phunk - Hell Over Me
                        5 Dj Skelet - Beat 2
                        6 Grim Phunk - Money Dont Sleep
                        7 Dj Skelet - Beat 3
                        8 Dj Skelet - Laying Lavish
                        9 Dj Skelet - Beat 4

                        Sudd WAX is the vinyl only label of Sudd Records. OG Chicago warehouse music legend Gene Hunt comes up with the goods touching on acid and jack. The roots  of house music! Highly playable, four tracks that'll have 'em swinging off the rafters. Recommended! 

                        STAFF COMMENTS

                        Matt says: The Chicago legend returns with more idiosyncratic Windy City vibes. One of the best to do this thing we call house.

                        TRACK LISTING

                        1 Play With Me
                        2 Combustion
                        3 Telephone House
                        4 Way Back

                        Jackson C. Frank

                        1975 Mekeel Sessions

                          For years, Jackson C. Frank was as ghostly a legend as they come. Even the relatively few record collectors who revered his work were only aware of the lone LP released during his lifetime. For all most listeners knew, Frank made an incredible album in 1965 and then vanished, despite that record having been produced by Paul Simon.

                          '1975 Mekeel Sessions' features six tracks recorded in the mid-’70s at a studio in Lake Hill, New York about five miles from Woodstock where Frank was living at the time. Only uncovered decades later, these recordings hum with the same mysterious warmth that defined Jackson at his peak. His guitar work, alternating between strummed and fingerpicking, is perfectly understated. His stark and somber voice, more weathered than the lighter tone on his debut.

                          While the Mekeel tapes were intended for Frank’s sophomore album, it never came to be. What one hears is not a singer-songwriter fading out of view, but rather a singular artist who never stopped trying to build his own world—even when no one was watching. For fans of everyone influenced by Jackson: from Nick Drake, Sandy Denny and Bert Jansch to more contemporary acts like Elliott Smith, Vincent Gallo and Iron And Wine who surely used Frank’s sparse approach as a template.

                          TRACK LISTING

                          1. Marlene
                          2. Marcy's Song
                          3. Madonna Of Swans
                          4. Relations
                          5. Cryin' Like A Baby
                          6. The Visit

                          Wild Billy Childish & CTMF

                          Searching From The Losing Place / Batman

                            Wild Billy Childish has been recording and performing since the 1977 punk explosion. The Pop Rivets, Thee Milkshakes, The Headcoats and The Buff Medways being just a few outfits that Billy has been involved with. All that is just a hobby - his day job is being an internationally exhibited artist, writer and vermin poet.

                            CTMF (The Chatham Forts) was the first group name Billy came up with for a group whilst he was Head of Research for The Medway Military Research Group - investigating the Medway Fortifications (as well as being an Apprentice Stonemason at Chatham Dockyard, Kent, 1976). It wasn’t until 2013 that Billy got around to utilising the name.

                            CTMF features his wife Julie on bass/vocals and Wolf Howard on drums (both playing with Billy in previous incarnations over the years).

                            CTMF - described by Billy as ‘the epitome of modern: the sound of yesterday, tomorrow!’, CTMF have released ten albums and over thirty singles/EPs.

                            Wild Billy Childish & CTMF found themselves in the studio, once again cutting some of the finest noise to ruin the peace and quiet of the muddy River Medway.

                            TRACK LISTING

                            1. Searching From The Losing Place
                            2. Batman

                            Arrival Feat. Kevin McCormick

                            One - Inc. Thought Leadership Remix

                            It's counter intuitive perhaps to react to the increasing noise of the world, not by adding to it, but by seeking quiet. Or something close to it.

                            Arrival's debut EP does just that - assembling immersive aural environments and delicately detailed backdrops - setting the scene for the perfectly pitched deeply melancholic meditations of Britain's least known and most valuable guitarist, Kevin McCormick.

                            Gordon Milson and Mark Rayner as Arrival, and Kevin too, are all proud Stockport denizens.
                            They're central to something gently stirring in the town They're calling it (using the district postcode) SKambient.
                            It's a youthful music scene sprouting from the cracks between the cobbles of a neglected old town area, built around the meandering Underbanks.
                            Here outliers like the bespoke hifi gaff, Odioba and Bruk are venues open to DJs and listeners looking for something deeper and less simplistically confrontational than your regular shouty Manc racket, R. Kid.
                            It's organic electronic, and (mindful of the Derbyshire hills to be seen peeping through the gaps throughout the town) pastoral too. Now the mills and workshops have fallen silent, never to be rebooted, these neglected spaces have been subdivided at affordable (for now) rents, allowing young sonic creatives to explore new environmental responses to a post, post-industrial landscape.
                            It's not unexpected. This is the town where the first (and perhaps greatest) ambient pop song in 10cc's "I'm Not In Love" was recorded in 1975 - at the legendary Strawberry Studios.

                            Kevin McCormick - with a whole series of rightly revered, self-defining records to his name - copies no one. But there are definite echoes in his approach. Consider the unquestionable genius of Vini Reilly. His eternally stunning Return of The Durutti Column was mixed in that same studio.
                            Alongside Arrival and their distinctly calming compositions, the former mills and converted spaces are full of laptops and instruments shared by a like-minded extended community in Jack Lever/Open Tapes, Arcade, Joe Synkro, Bop, Elsewhere and Thought Leadership. It's crass indeed to suggest all these things sound alike, but there's a definite thread, a certain sensibility.

                            Arrival have already received significant support from characteristically curious backroom Balearic selectors and collectors. It's music made for the joy of it and released here by the uniquely open-minded DJ, and scene stalwart, Jason Boardman's Before I Die imprint.

                            STAFF COMMENTS

                            Matt says: Fresh from the Stockport underground comes this serene and considered masterpiece from Arrival and Kevin McCormick. Shimmering like a mirage on the Stockport vitsa; perfect for when you've had a few too many at The Red Bull the night before.

                            TRACK LISTING

                            A1. One
                            A2. One (Solstice Mix)
                            B1. Common Place (Thought Leadership Remix)
                            B2. Common Place

                            Westside Cowboy

                            So Much Country 'Till We Get There EP

                              You can’t plan for everything. Reuben Haycocks, Paddy Murphy and Aoife Anson-O’Connell didn’t have anything specific in mind when Jimmy Bradbury asked them if they fancied starting a band called Westside Cowboy during his shift at a music shop. Yet a couple of years, a clutch of singles, a killer live reputation, and a record deal from Island Records imprint Adventure Recordings later, it seems like the idea’s got legs: whether they meant to or not, Westside Cowboy have become one of the most exciting new acts in the UK.

                              STAFF COMMENTS

                              Liam says: Shop faves and local legends Westside Cowboy are back with their second EP and it's another belter. If you've been lucky enough to catch them live, then you'll know why we're all so excited - and boy does it live up to the hype! Burstin' with their homegrown brand of "Britainicana" that we've all come infatuated with, Westside are gonna be massive - so hop aboard YEEEEEHAWWWW!!!!!

                              TRACK LISTING

                              1. Strange Taxidermy
                              2. Can’t See
                              3. Don’t Throw Rocks
                              4. The Wahs
                              5. In The Morning

                              Herbie May

                              Bleedings / Shoelaces

                              First single on Red Liquorice Records - the label started by Lounge Society member Herbie May. It's Herbie who contributes two tracks to the label debut (with Lily Rae Grant quickly following up with the 2nd release...).

                              "Bleedings" is a woozy and laid back song reminiscent of a young (and drunk?) Bill Callahan. The lyrics belie Herbie's young age, as does his intimate mic technique and effortless strumming. Infact the whole track feels like its been birthed completely organically with little manipulation between the song's conception and it's recording. A subtle masterpiece. 

                              "Shoelaces" takes the same stylistic cues - gentle strumming, hushed vocals, transparent production - with Herbie's lyrics again the focal point. You'll want to decipher every word! 

                              Really strong stuff from Red Liquorice - a label to keep an eye on through 2026! 






                              STAFF COMMENTS

                              Matt says: More magic from the Calderdale valley! We were introduced to Red Liquorice last week with the incredible Lily Rae Grant 7". This is their first release, by label founder Herbie May (from Lounge Society). An equally heartfelt, sincere and warming record with clever lyrics and charismatic guitar playing. I'm already keen to hear a full album by both of these cats (Herbie & Lily)! Defo a label to keep an eye on.

                              TRACK LISTING

                              A. Bleeding
                              B. Shoelaces

                              Daniel Avery

                              Midnight Versions Part 1

                                Revered producer and composer Daniel Avery shares 'Midnight Versions Part 1', deeper, darker reworkings of his latest singles from his sixth studio album 'Tremor'.

                                In Avery’s own words,“for every tremor there’s a reaction. These are the Midnight Versions. Songs reimagined and sent directly into the night. Club edits aimed squarely at the strobe light.”



                                TRACK LISTING


                                1. Rapture In Blue (Midnight Version)
                                2. Greasy Off The Racing Line (Midnight Version)
                                3. The Ghost Of Her Smile W/ Julie Dawson (Midnight Version)

                                Tom Of Brooklyn

                                Running From My Love / Spend All My Time Loving You

                                Brooklyn's elusive Tom returns with the first release on Sweet Breeze Sound, a new label launched by Washington, DC's Marc Meistro of Sol Power All-Stars, aka Glenn Echo. He has already turned heads with a fine set of 12"s on Razor-N-Tape and Sol Power Sound, and here brings some dubby disco grooves and infectious samples. Side A leans into loved-up feels, looping an irresistible 80s r&b vocal over bouncing bass and layers of percussion. The B-side shifts to a more melancholic mood and is run through with a feeling of longing through a single repeated phrase supported by deep dub bass and driving disco rhythm. This is a great inaugural release from a label sure to become essential.

                                STAFF COMMENTS

                                Matt says: My ears instantly perked up when I heard "Running From My Love". One of those sunny, late afternoon soundsystem soul bangers that'll get everyone around the speaker stacks quicker than you can say free disco biscuits. I could listen to that hook for eternity.

                                TRACK LISTING

                                Side 1
                                Running From My Love

                                Side 2
                                Spend All My Time Loving You

                                Soul Reductions

                                Got To Be Loved Special Repress

                                Don't call it a comeback - one of THE most cherished 12's of the Take Away catalogue is making a triumphant return.

                                For those that missed out before the kitchen ran out of copies last time, there are fresh new copies available. Besides the classics "Got 2 Be Loved" and "A Rose Is A Rose" something new is presented as well. "Tom N Jerry" is Soul Reductions on a disco dub tip and the missing piece of the puzzle that will make your record collection complete.

                                Take Away is taking orders once again, make yours a large one

                                STAFF COMMENTS

                                Matt says: One of the biggest disco-house records ever made gets revisited with a brand new, additional track.

                                TRACK LISTING

                                A. Got 2 B Loved
                                B. Tom 'n Jerry
                                B. Rose Is A Rose

                                Luz Retina Edits - One shot, exemplary reworks from Tiago...

                                A clean sweep of undeniably funky 1985 industrial, Balearic-Goth anthems, reimagined for enhanced, 21st century dystopian escapism.

                                VERY limited !



                                TRACK LISTING

                                A. Propaganda - Frozen Faces
                                A. Tones On Tail - A Bigger Splash
                                B. Revolting Cocks - No Devotion

                                Yup, more jungle, d'n'B and breakbeats on GAMM...yay!

                                The MIR guys from Stockholm have been spreading rapid beats and dark b-lines since 2006 and are well established on the D'n B/Jungle scene for their productions, DJ sets and club nights.

                                For their GAMM debut, we get an eclectic cocktail of dark basement sounds and high-speed rhythms.
                                Starting off with a dancehall/jungle ting (“War Edit”), continuing with a classic hip hop/jungle mash up (“Passin' Me By Edit”), a deep breakbeat / Detroit version of a classic Kenny Larkin jam (“Q Edit”), and finishing off the EP with another hip-hop / d&b roller.

                                All killers, no chillers!


                                STAFF COMMENTS

                                Matt says: Highly innovative jungle mash-ups that nod to that old skool flavour without compromising on the modern production tricks. All four tracks here are absolute fire.

                                TRACK LISTING

                                A. War Edit
                                A. Passin' Me By Edit
                                B. Q Edit
                                B. Highly Praised Edit

                                For the first EP on his new label, Planet Strangelove, Job Jobse brings new life to an overlooked balearic house gem: "Pasion," an early '90s deep cut by the Leeds artist Pianoman, inspired by Tangerine Dream's "Love On A Real Train,” aka the most breathtaking synth arp of all time. Alex Kassian, whose sprawling take on Manuel Göttschings's "E2-E4" already showed his fine touch for the kosmische vibe Tangerine Dream embodied, delivers a "Dance Mix" and a "Dream Mix," one packing a club-ready beat, the other drifting weightlessly. London duo The Trip, of the label and party Tesselate, deliver a remix as breezy as it is thumping, all wailing divas, sunkissed pads and shimmering pianos. As for Pianoman's "Analysis" remix, it's a dazzling artifact of the balearic era at its peak, touched by the ineffable essence of its time but sounding just as fresh as its modern reinterpretations.

                                TRACK LISTING

                                A1. Pasion (Alex Kassian's Mandarin Dance Mix)
                                A2. Pasion (Alex Kassian's Mandarin Dream Mix)
                                B1. Pasion (The Trip Remix)
                                B2. Pasion (Analysis Remix)

                                Fold & Cu.rve

                                Business / Smart Casual

                                Its big! Limited vinyl run from one of the biggest tracks of 2025.

                                Fold and cu.rve join forces for the inaugural release on Ingram, a new label dedicated to bold, underground-rooted electronic music. Their debut collaboration, “Business,” delivers a dark, kinetic statement of intent: genre-defying, club-ready, and engineered for the dancefloor’s outer limits.Merging raw authenticity with forward-thinking production, the track crystallises the label’s mission while uniting two artists whose careers have consistently pushed at the edges of UK club culture.

                                On the flip is “Smart Casual,” a sleek counterpoint to the intensity of business. Harnessing the same shadowy, garage-inflected energy, the track leans into a deeper, bassline-driven groove - refined, minimalist, and designed to work across peak-time warm-ups and after-hours sessions alike. Already following in the successful footsteps of “Business,” which has been receiving global support from heavyweights including Four Tet and Joy Orbison, “Smart Casual” lands as a sharp, functional club tool that reinforces Ingram’s commitment to cutting-edge dance music.

                                Together, the two tracks mark an uncompromising opening chapter for Ingram. One defined by progression, underground spirit, and dancefloors pushed to their limits.

                                STAFF COMMENTS

                                Matt says: Belly rumbling bassline business here for the (young and) energetic clubbers out there. With 'nuff buzzing sawtooths, skippy beats and mammoth, riot-inducing breakdowns.

                                TRACK LISTING

                                A. Business
                                B. Smart Casual

                                Benedikt Frey supplies the aid kit. Sonic remedies for the night.

                                4 transmissions for after-dark navigation. Remix from Carl Finlow.

                                For its third release, Club Blanco welcomes German producer Benedikt Frey. Aid Kit delivers three original pieces of shadowy club machinery - tense, wonky and charged with late-night atmosphere and rugged vocals. Electro veteran Carl Finlow reassembles the parts with clinical precision, crafting a remix that hums with circuitry and steel. Together they form four doses of deep club music.

                                TRACK LISTING

                                A1. Aid Kit
                                A2. Aid Kit (Carl Finlow Remix)
                                B1. Tender
                                B2. Tides

                                Maledetta Discoteca's journey through “Música Para Boliche” literally “music for the club” from Argentina’s underground scene doesn’t stop. They dug even deeper, right into the ’90s presenting five tracks, all visionary even at the time of their release. Once again, you can feel the magical touch of the Italian and Argentine DJs who worked on it.

                                Jack Bulgaro did his part, bringing home an instrumental unreleased version of "Podés Seguir Sin Arriesgarte", taken from the album "Undermalabia", produced by El Signo, pioneers of electronic music in Latin America. 

                                Limited edition and vinyl only, "Música Para Boliche Vol. II" takes your right to the heart of the Agentina's proto-house scene. 




                                STAFF COMMENTS

                                Matt says: Tasteful and inspired selection of early house and late disco hits from the embroynic Argentine underground. Much like what was going on over here and in Italy, a time of both hedonism and innocence during which time some of the more enduring dance music was made.

                                TRACK LISTING

                                A1. San Anton - Estupendo (Palazzo Edit)
                                A2. Lance - Katunga
                                A3. El Silencio De Las Sirenas - Divina Gloria (James Falco Edit)

                                B1. No Es Tan Facil - Beat Cairo (Ric Piccolo Edit) Rework
                                B2. Podes Seguir Sin Arriesgarte - El Signo (Inst95 Version)

                                Kiinjo, The Patchouli Brothers / Soneec & Soultizer / Phil Fuldner / Lovebirds

                                Peppermint Jam Allstars Vol.6

                                Kicking off 2026 in style Pep Jam All Stars Vol 6 is here.

                                First up, Kiinjo teams with The Patchouli Brothers and Planet B for Love On The Dancefloor – a proper disco-house jam that’s all about love, groove, and good vibes. Then Hungarian duo Soneec & Soultizer hook up with Hazel Fernandes for Get Down, a feel-good floorfiller with soul and energy to spare.

                                On the flip, Phil Fuldner brings us Afrodesia, a sun-soaked, disco-powered groove that’s been a long time coming. And finally, Lovebirds take us back with The Path 2011, a cheeky classic that still hits just right.

                                Four tracks, one 12 inch loads of love for the dancefloor – enjoy!

                                TRACK LISTING

                                A1. Kiinjo, The Patchouli Brothers Feat. Planet B - Love The Dancefloor (Extended Mix)
                                A2. Soneec, Soultizer Feat. Hazel Fernandes - Get Down (Extended Mix)
                                B1. Phil Fuldner - Afrodesia (Exended Mix)
                                B2. Lovebirds - The Path 2011

                                Instant House / Joe Claussell

                                Hat Hat / Mellow Out

                                Instant House returns with their long-awaited second 7-inch release, from one of the most respected and underground names of the 1990s deep house era. This essential edition features the out-of-print yet highly sought-after remix of “Hat Hat”, reimagined by the legendary Joe Claussell, a deep, spiritual reconstruction that stands as a true collector’s gem. On the flip side lies the timeless Instant House classic “Mellow Out,” a defining deep house cut that captures the pure essence of the early ’90s movement. Pressed in limited quantities, this 7-inch is a must-have for true deep house collectors and admirers of Instant House and the golden era of late ’80s / early ’90s underground house.

                                STAFF COMMENTS

                                Matt says: Any house head worth their salt knows that Joe Claussell's Instant House project is one of the finest early examples of the genre. Two truly rare tracks from the catalogue are repressed on a double headed 7" here. history and function collide!

                                TRACK LISTING

                                A1. Hat Hat
                                B1. Mellow Out

                                Jay-Z acapellas live on in Kingston! The best two cuts ("99 Problems" and "Dirt Off Your Shoulder") from the (out of print) reggae mash up album "Jay-Z At Studio 1" now on DJ friendly 45rpm vinyl. Limited to 200 copies on weed green wax. 

                                STAFF COMMENTS

                                Matt says: Does exactly what it says on the tin! Two Jay-Z tracks mashed up inna reggae flavour!

                                TRACK LISTING

                                A. 99 Problems
                                B. Dirt Off Your Shoulder

                                Mall Grab returns with his first solo record in two years - building on his legacy and the musical world he has been creating for the last 10 years. Showcasing future facing yet familiar and nostalgic sounds which look ahead to the next chapter in his music. There's the usual high octane urgency and direct melodies we've associated with the producer thus far but, keen to shake of the lo-fi house shackles, there's a new found clarity and high fidelity approach which makes these tracks kick hard like a mule. Recommended! 

                                STAFF COMMENTS

                                Matt says: Nice to see Mall Grab return after a short hiatus. Fast and reinvigorated with a high fidelity sheen and weighty low end pressure. Very nice.

                                TRACK LISTING

                                A1. The Way I'm Feeling 
                                A2. You Thought 
                                B1. New York 
                                B2. I Thought 

                                Ikke Sant’s debut release, Sub Cut, delivers three tracks of genre-blurring psychedelia and club pressure from label founder SUCHI. The title track unfolds a didgeridoo-driven strut with unconventional textures, Every Pan Has A Lid layers hypnotic grooves with processed vocals, and Propeller dives deep with celestial arpeggios over driving basslines. Music for adventurous dancefloors.

                                TRACK LISTING

                                A1. Sub Cut
                                A2. Every Pan Has A Lid
                                B1. Propeller

                                GAMM welcome New Zealand born, but these days based in Berlin, Philippa to their esteemed camp.

                                Over the last years, Philippa has been releasing amazing, warm, soulful, and highly distinctive dance music on labels like Slothboogie and Freerange as well as building her DJ roster. For her premier GAMM release, 'Cloud Walking EP', Philippa has three amazing tracks that all mix up samples, live musicality, and vocals. If you put Moodymann and Henrik Schwarz in a blender somewhere in the Balearic Islands, you're kinda close. Either way, it's deep, organic, and almost kinda orchestral at some points.

                                Opening the EP is the title track 'Cloud Walking' which is a deep Fender Rhodes affair with vocals inspired by Aretha's Day Dreaming classic. Moving on, on 'Hear Me' Philippa shows off her musical piano skills with a lush and atmospheric deep house jam. On 'Return To The Red Kite' we follow a similar theme but with big warm orchestral strings, spoken words, and live guitars. Again, very Balearic yet very soulful and incredibly pleasant to your ears.



                                STAFF COMMENTS

                                Matt says: This is ace! Super uplifting & slick house music with disco inflections that's catchy as hell. The live bass and guitars really give it a frenetic energy, and with proper mellifluous, higly musical elements this is just timeless and enjoyable music that transcends the nightclub environment.

                                TRACK LISTING

                                A. Cloud Walking Feat. Sena
                                B. Hear Me
                                B. Return Of The Red Kite

                                2025 reissue of "Player Three", originally dropped in 2000 and now a Discogs grail. Tough, sample-driven techno built for the floor, championed by Ben Sims and embraced by the new wave, including Regal 86 and Glasgow's Kris Bell.

                                The first of a series of reissued Player classics, "Player Three" needs no introduction to serious techno heads.

                                Remastered and reissued for 2025, "Player Three" has been a staple for top techno DJs such as Daria Kolosova, Regal, Quest, Ben Sims, Marco Bailey, DJ Pepo, Billy Nasty and more for over 25 years and thanks to some phat remastering from the infamous Player himself, it sounds as fresh today as when it was first released in the year 2000. NEED! 

                                STAFF COMMENTS

                                Matt says: Chest-beating, feral techno that'll have you swinging off the rafters howling like a banshee.

                                TRACK LISTING

                                A1. Player Three Track One
                                B1. Player Three Track Two
                                B2. Player Three Track Three

                                Pegasvs

                                Transition Ft. Nathan Haines + Laroye Remix

                                "Transition" features the inimitable Nathan Haines on saxophone and flute, and Laroye on remix duties

                                Written as a reflection on movement, change, and creative renewal, "Transition" captures the emotional landscape of an artist evolving through sound.

                                The original version is a warm and melodic six-minute trip through soulful house textures, layered keys, and Haines’ fluid, expressive sax, a record built for that moment when the dancefloor exhales and reconnects.

                                On the flip, Tom Laroye reimagines "Transition" with his signature jazz-tech fusion, fusing broken rhythms, deep house stabs, and afrobeat-inspired percussion into a sophisticated, floor-ready reinterpretation.

                                SUPPORT FROM:

                                Jimpster, Fouk, Peter Kruder, Craig Smith (6Th Borough Project), Pete Herbert, Mr Redley (Rinse), Louise Chen (NTS), Pete (BBE), Bill Brewster

                                STAFF COMMENTS

                                Matt says: Sumptuously electric, pulled taut and rhythmically fluent; the kind of tech-house music that used to be the want of DJs like Henrik Schwarz and Ame. Laroye's on hand to give the track a modern and jazzy flourish that's wrought with emotion.

                                TRACK LISTING

                                A. Transition Ft. Nathan Haines (Original Mix)
                                B. Transition Ft. Nathan Haines (Laroye Tech Jazz Remix)

                                Lily Rae Grant

                                Poison Ivy / Forget About

                                Lily Rae Grant is an 18 year old singer songwriter blending soulful folk and country with dreamy, atmospheric indie. Moving between delicate acoustic moments and cinematic textures, her music is melodic, expressive and immersive. Based between Manchester and Todmorden, genre fluid Lily is shaping a sound that feels honest, spacious and unmistakably hers. Quietly confident and emotionally vivid.

                                Written and performed by Lily Rae Grant
                                Produced by John D Grant and Lily Rae Grant
                                Violin by Daniel Bridgewood-Hill
                                Backing vocals by Olivia Howie

                                STAFF COMMENTS

                                Matt says: Landing confidently between the delicate folk of Mazzy Star and the loose Balearic-friendly swagger of Jonathon Wilson is no easy feet; but rising star of the Todmorden - Manchester axis, Lily Rae Grant, impresses greatly on her debut release. Already championed by MCR tastemaker and master DJ James Holroyd, there's summat special brewing here TRUST US.

                                TRACK LISTING

                                1.Poison Ivy 03:11
                                2.Forget About 06:11

                                Kuniyuki Takahashi & Joaquin Joe Claussell

                                Divine Harmonics Pt. 4

                                Recorded in a fully equipped studio in Brooklyn, New York, this project was born from the idea of gathering musicians who deeply admire Kuniyuki’s work and inviting them to contribute to the composition. The line-up features: Lekan Babalola – master percussionist and composer on African drums and percussion, James Bergeau – lead guitar, Joe Claussell – main voice and additional percussion, and Kuniyuki Takahashi – acoustic piano, keyboards, and drum programming.

                                The release represents a rare convergence of visionary artists, heartfelt collaboration, and world-class musicianship.

                                Limited. Exceptional. Essential.

                                Don’t miss your chance to secure the final chapter of the "Divine Harmonics" series.

                                STAFF COMMENTS

                                Barry says: Deep, slowly whirling synth riffs wrap around a beautifully organic series of rhythmic paddling and echoic skittering. Elsewhere, jazzy keys and unfolding grooves float about the stereo field, deeply rooted in the rhythm and momentum of hand-played percussion. Incredibly emotive, exciting ambient music.

                                TRACK LISTING

                                A. From Then Until Now (The Cosmic Arts Epic Version) [17:20]
                                B. From Then Until Now (Drum Dub Two) [6:17]

                                Two jewels in the crown of the soulful electronic music scene in NYC unite for a spellbinding EP on Rhythm Section International. ”Full Circle” is a brand new body of work from Musclecars & Toribio.

                                To call this 12” simply epic would almost be doing it a disservice. The breadth of musicality and execution of ideas contained across 3 compositions is nothing short of miraculous. I use the word composition intentionally: these are not merely tracks - these are 3 movements making up a concerto - with a dub thrown in for good measure!

                                The record kicks off with a soulful house behemoth, “That’s My Story” featuring NJ legend Roland Clark on vocals giving sweet sweet testimony. In many ways, this track feels like a coming together of the trios influences. The lyrics contextualise it, giving it this intimate, confessional feel. The Latin drums shuffling amidst the 909 kick drive it forward and the organ swimming freely amongst it all takes us to church. It’s a timeless track - paying homage to the various New York traditions laid down by Louis Vega, Timmy Regisford, Joaquin Claussell, Ron Trent et al - all heroes and collaborators of the composers who - with this effort - have surely now earned their place in the pantheon of American Soul Music.

                                "Be Honest" maintains the confessional tone with the lyrics but takes things right back down in terms of tempo. Is it a love song, an ultimatum or a cry for help? Whichever way you interpret it, this track is Toribio’s time to shine as a lead vocalist and he hits all the notes, leaving not a dry eye in the house. This is a delicate tour de force, delivered with such raw emotion and vulnerability it allows the instrumentation takes a back seat - just a gentle groove, swelling strings and some unresolved chords are all that’s required to transform us to the main character of this story. We’re left hanging, and it’s oh so relatable.

                                "Agua De Florida" serves as an uplifting, fast paced finale to the concerto and this one’s all about the trumpet - masterfully performed by Melbourne born, London based virtuoso Audrey Powne. If Herb Alpert was making house music - I imagine this is what it would sound like. Throbbing bass and noodling synths join the melee and crank the joy up to 11. If the EP is a story arc over 3 tracks, then we’re definitely not left hanging with this one. All is resolved, things are moving onwards and upwards and the circle is complete.

                                STAFF COMMENTS

                                Matt says: Fuckin' hell it's Roland Clark! Gifting new schoolers Musclecars And Toribio a certain degree of pedigree, the veteran house singer pours buckets of soul over "That's My Story". Elsewhere, the pair pay tribute to the heritage of deep house music without ever getting too retrospective or pastiche. Like fellow luminaries Chaos In The CBD, they keep things sophisticated and contemporary without veering to far from the original blueprints.

                                TRACK LISTING

                                A1. That’s My Story (Featuring Roland Clark)
                                A2. That’s My Story (Breakthrough Dub)
                                B1. Be Honest
                                B2. Agua De Florida

                                For the second instalment of the Curio Cabinet gourmet-dub series, we bring you two fat slices of steppers’ delight, straight from the southern city of Toulouse.

                                Both are made by Stefan Dubs under the guiding light of his live project, Sòn Du Maquis. This project has deep roots in the free rave, micro-festival, and dub & sound system culture of his country. It’s also the name of his own label, home to his dub-infested productions; ranging from slo-mo jungle to droney steppers and blown-out trip-hop on a slightly medieval tip.

                                Staying true to classic sound system tradition, each side pairs the original cut with its own version.

                                First there is Tolosan Dub, a trancey bass meditation colossus with deep synth work moving around in the trees. Some early nineties UK digidub vibes are surely mashing up the dance here. The version workout slows things down a bit, taking you even deeper into the riddim... strictly warrior style !

                                On the B-side we've got Bonnefoï Dub, which is pure bass-bin filth with a rootsy harmonica touch and a raw clubby feel. This tune just screams to be played out loud on a proper sound system. The version is certified dance-floor gold, yet there are enough dubbed-out flavours going on for intimate headphone sessions or some mad home skanking.

                                STAFF COMMENTS

                                Matt says: Super tasty digi-steppers straight outta Toulouse. If you dug those Froid Dub LPs, this one's defo for you. Cerebral, cranium busting sounds and fiercely militant riddims. Crucial!

                                TRACK LISTING

                                A1 Tolosan Dub
                                A2 Tolosan Dub (version)
                                B1 Bonnefoi Dub
                                B2 Bonnefoi Dub (version)

                                Main Attraction

                                Jam Up

                                Emerging from the University of the West Indies (UWI) in Jamaica during the late 1970s, Main Attraction was a group of talented singers whose music captured the social and political energy of their time. With a sound that blended reggae and soulful ballads, their songs were both a reflection and a response to the challenges of the era.

                                The group originally featured Sonia Copeland, a gifted writer, arranger, and back-up singer, alongside Sharon Jones, whose velvet voice led many of their reggae tracks. They were joined by Allison Smith, Marjorie Smith, and Shahiba Ali, forming the group’s first lineup. As time passed, Michelle Thompson and Lileth O’Connor joined, further enriching the group’s dynamic harmony.

                                Main Attraction’s musical journey began with their debut recording, a cover of Once Upon a Time, produced by David Haughton under the management of Clayton Downie. Later, with Owen Palmer as their manager and producer, the group expanded their horizons, performing in cabaret gigs with the band Mind Benders and embarking on an overseas tour that showcased their talent in New York City. While Sharon Jones led reggae tracks like Jam Up, Allison Peart and Shahiba Ali brought their soulful touch to R&B songs, creating a rich, versatile repertoire that captivated audiences.

                                "Jam Up" was the group’s first original recording, composed and arranged by Sonia Copeland. Performed as part of the Reggae Song Competition during Carnival in 1978, the song is a rallying cry for unity and progress. With powerful lyrics and a Shaka rhythm, Jam Up calls on Jamaicans to come together, strive for economic growth, and uplift the nation collectively.

                                Sonia’s vision was clear: that Jamaicans from all walks of life would find inspiration in the song’s message, motivating them to improve their standard of living and contribute to the country’s growth and prosperity. Decades later, the lyrics remain just as relevant - a timeless call to action for social and economic strength.

                                Hold this record in your hands, let the music play, and feel the enduring power of reggae music to transform, uplift, and connect.

                                STAFF COMMENTS

                                Matt says: Effortlessly lilting reggae that instantly transports you into that JA vibe. The dub and vocal versions are both incredible. Jamwax have really dug up summat quite special here.

                                TRACK LISTING

                                A. Jam Up
                                B. Jam Down

                                Huge spiritual jazz / organic house number from Joe and a world-class bunch of musicians. Back by popular demand, the limited-edition repress of one of Joe Claussell’s most cherished compositions has returned. Originally released in 1999 and created in collaboration with Afro–dance innovator Jephte Guillaume and the late music legend Boyd Jarvis, "Agora É Seu Tempo" first appeared on the Trip do Brazil compilation in France. It was later issued as a highly sought-after promotional 12” on Spiritual Life Music, quickly becoming a defining release in the rise of Brazilian-influenced dance music from the late ’90s onward.

                                In 2018, Joe Claussell revisited the piece, crafting two entirely new versions inspired by the musical spirit of New York City’s barrios. Released as a limited 7”, these remixes sold out within weeks. Now, answering the overwhelming demand, we’re pleased to announce a new limited repress of this timeless and deeply soulful classic. Warm music for the heart and soul. Move quick! 

                                STAFF COMMENTS

                                Matt says: Deep house doesn't get much more spiritual than this! I don't even know if you could call this house; but it defo works at that magic +/- 120BPM! I reckon if you unfolded into this after a few hours of pumping house music you'll cause dancers to ascend into the heavens. Delightful music and for once, I'm not gonna knock Joe for the price tag on this one.

                                TRACK LISTING

                                A: Agora E Seo Tempo 
                                B: Agora E Seo Tempo SALSA Instrumental 

                                ATANGANA RECORDS PRESENTS: A MUSICAL JOURNEY THROUGH TIME! :
                                Dive into our latest release, a tribute to the vibrant spirit of Guadeloupean music. This track, born from the improvisational magic of the '70s, weaves together the legacies of the Latour brothers and the soulful essence of jazz. With a rich history of collaboration and creativity, we honor the past while breathing new life into cherished melodies. Experience the rhythm, feel the memories, and let the good vibes flow. Play it loud!

                                STAFF COMMENTS

                                Matt says: If you need pulling out the depths of a bleak mid winter then look no further than this slice of vibrant Guadeloupean sunshine! Sure to get you checking the prices of last minute flights outta Blighty at this frankly horrid time of year. Eddy & Pascal let the sunshine thru!

                                TRACK LISTING

                                A1.Eddy Latour & His Kombit Band - Lagué Yo
                                A2.Pascal Latour & Frederic Caracas - Lagué Yo
                                B1.Pascal Latour & Frederic Caracas - Déni Shaïn Banger

                                Blacksalsoul / Joe Claussell

                                Black Salsoul

                                Renowned producer, DJ, and spiritual music visionary Joaquin Joe Claussell returns with the second chapter of his celebrated alias, BlackSalsoul. Continuing his lifelong exploration of deep, soulful soundscapes, this latest release focuses on edits and reinterpretations across spiritual jazz, soulful disco, and African dance traditions.

                                Following the success of the debut 7” (Cat# CIRCUIT.7), which sold out within weeks and remains a one-time pressing despite overwhelming demand, the BlackSalsoul series reaffirms its commitment to exclusivity. Each edition will be available strictly on limited 7” and 12” vinyl - a tribute to the physicality and ritual of true record culture.

                                Blending the warmth of analog production with Claussell’s signature spiritual energy, this release bridges eras and continents - honoring the roots of soulful expression while speaking directly to today’s dancefloors.

                                For fans of fusion jazz, soulful disco, and Afro-inspired edits, the new BlackSalsoul record offers another essential journey through rhythm, emotion, and transcendence.

                                STAFF COMMENTS

                                Matt says: Super exclusive cuts here, some more well known that others, but all gifted that supreme Joe Claussell spirit and warmth.

                                TRACK LISTING

                                Sunshine LA
                                Tabela
                                Ferroviaso
                                Pocket

                                Jay Airiness

                                Nu Disco

                                Two cut-n-spliced gems produced by Jay Airiness for Moar's 45 Loves label - the first time a guest producer has aired (gerrit?) on the label!

                                Top jazzy, nu-disco edits for the deserning bar DJ, 7" collector or yer mum doin' the hoovering. Gotta catch em all! 

                                STAFF COMMENTS

                                Matt says: Two exquisite jazz funk tunes chopped and spliced for contemporary usage and released via Moar's cult collected 45Loves label which gives Eddie C's Red Motorbike label plenty of competition at the coal face of the edit.

                                TRACK LISTING

                                A. P
                                B. PP

                                Sylvan Esso

                                WDID B/w KEEP ON

                                  Sylvan Esso is a band from Durham, North Carolina. Across their career, Amelia Meath and Nick Sanborn have put out four acclaimed albums, been nominated for two GRAMMYs, and collaborated with a wide-ranging, eclectic community of artists including Arooj Aftab, Maggie Rogers, Tyler Childers, Reyna Tropical, Califone, and many more.

                                  'WDID' is the first new music from the band since 2022. The track, as well as its hypnotic, undulating b-side 'KEEP ON', were both born from an intense period of creation and experimentation for the band. Meath and Sanborn have spent the last year plus working on new material with a slew of new collaborators, recording in the lush woods of Chapel Hill, North Carolina with no deadline in mind. The song also marks the first time Sylvan Esso has released new music via their own record label, Psychic Hotline.

                                  'WDID' is a thorny, hammering all-caps screed; a manic thrum happening halfway between a 3am doom scroll and the dance floor. It bubbles with anxiety, the all-consuming, unending cascade of crises. The band’s off-kilter, electrified pop has always spiraled out from a main point of tension – Meath and Sanborn have long joked that Sylvan Esso’s songwriting stems from an argument, a push-and-pull of possibility.

                                  The songwriting here – and across the new music in general – is loose and vulnerable, a disparate collage scotch-taped together yielding something that is ultimately both magical and strange, a dyspneic, shadowy sound that shows the humans at the helm of Sylvan Esso with a new immediacy. 'WDID' was recorded at Betty’s, Sylvan Esso’s studio in Chapel Hill, North Carolina, and features additional production from Jake Luppen (Hippo Campus, Samia). 'KEEP ON' was built from a week of improvisation with bassist Daniel Aged (Frank Ocean, Dijon) and drummer TJ Maiani (Weyes Blood, Neneh Cherry).

                                  This limited edition 12” single features a custom die-cut jacket that can be used as a paint stencil.

                                  TRACK LISTING

                                  1. WDID
                                  2. WDID (Instrumental)
                                  3. WDID (A Cappella)
                                  4. KEEP ON

                                  A legend of the Chicago house scene, befriending Ron Hardy and Frankie Knuckles in his teens before forming influential house trio Risque III, and still prolific today via releases on Marcel Dettman’s ‘Bad Manners’ imprint, K'Alexi Shelby partners with Tony Loveless for their Planet E debut, ‘Ancestral Rhythm’.

                                  Across a rolling nine-minute odyssey of old-school but future-facing jack, ‘Ancestral Rhythm’ finds the pair tapping into their most uncompromising rhythmic instincts, melding the tough machines of their studio with organic percussion and oscillating plunges into raw, escalating electronics.

                                  In complimentary fashion, Carl Craig expands on the existing material for a subtle, tight C2 edit of the pair’s original material. Roadtested over the summer season in Ibiza and beyond, Craig masterfully sharpens the original’s frenetic edges, while adding another chorus of chants to Shelby and Loveless’s psychedelic soup.

                                  STAFF COMMENTS

                                  Matt says: OG house wizard K'Alexi fires up his machines again for more 'old school but future-facing jack'. Detroit's Carl Craig muscles in on an equally imperative remix. Heavy shit!

                                  TRACK LISTING

                                  Side 1 
                                  Ancestral Rhythm

                                  Side 2 
                                  Ancestral Rhythm (C2 Edit)

                                  Hot-to-trot, bunker busting techno here from two major players on the modern landscape - Kerrie and Dynamic Forces. Released on Kerrie's Dark Machine Funk, it sees each artist remix the other's track, resulting in four tracks of main room heat.

                                  "Moralism" sees Dynamic Forces attempt to contain a pressure cooker of technoid elements. it really feels like this one's about to blow! Perfect for transition into other more anthemic and melodic numbers, or just drawing out the tension deeeep into the mid session. Kerrie deconstructs the momentum, opting for a broken, concentric groove to guide proceedings.

                                  "Good Intentions" is the kind of corrosive, jugular hitting dose of acidic techno we've come to expect from Kerrie. Serpentine propulsion seems to be one of her trademarks, as elements weave in and out of focus held together by a pounding kick. Dynamic Forces shove a rocket up the track's arse, blasting it into the outer cosmos with Millsian bleeps and aggressive 909 action. Top stuff from everyone involved. Recommended! 




                                  STAFF COMMENTS

                                  Matt says: More essential stadium-ticklers from Kerrie and her Dark Machine Funk label. From her humble beginnings at Eastern Bloc, Kerrie is now a globally recognized face on the techno scene - and rightly so! These tracks reek of that OG spirit.

                                  TRACK LISTING

                                  Side A
                                  1.Dynamic Forces - Moralism
                                  2.Dynamic Forces - Moralism (Kerrie Remix)

                                  Side B
                                  1.Kerrie - Good Intentions
                                  2.Kerrie - Good Intentions (Dynamic Forces Remix)

                                  Silent Servant

                                  In Memoriam

                                  Juan Mendez aka Silent Servant is a figure in techno history that needs little introduction. As a member of the Sandwell District collective and the label’s art director he collaborated on works that were responsible for a global focal shift in the genre as their label adapted and challenged the paradigm of minimal techno, taking influence from other sources such as dub, post-punk, and even classical minimalism.

                                  But Mendez’s relationship with music goes back much further than these seminal releases. With In Memoriam, Silent Servant’s latest release on Tresor Records, Mendez writes a deeply personal memoir of a 30-plus year career spent exploring and absorbing the shadowy side of music; a carefully crafted elegy to people, places, and times past and the lasting effect they have on the present.

                                  Across the four tracks, Mendez pays tribute to the earliest Detroit techno and electro, the Belgian EBM movement and the wave music that followed, the monumental dub techno sound from Berlin, and the harder, abrasive sound of the UK at the turn of the last millennium; exploring and referencing the genres that informed his later work. Each track name gives a hint to the timeframe he is revisiting and re-contextualising as the E.P. repurposes the styles that exerted an influence on him.

                                  This EP represents a pure distillation of Mendez’s memories whilst also cementing his place in the current and future sound of 21st century techno; aware of where we came from but focused on where we are heading.

                                  STAFF COMMENTS

                                  Matt says: Posthumous reissue from Juan Mendez who sadly died two years ago. A brilliantly conceived record of icy textures, highly kinetic rhythms and advanced mainframe techniques.

                                  TRACK LISTING

                                  A1 M-87 04:02
                                  A2 M-90 04:32
                                  B1 M-99 06:08
                                  B2 M-00 04:45

                                  Marking the anniversary of three decades of career, Dopplereffekt debuts on Tresor Records with "Metasymmetry". This latest release finds Rudolf Klorzeiger and To-Nhan in deep inquiry with sound, contemplating structure and patterns in physics and nature resulting in a harmonious audio tessellation.

                                  "Metasymmetry" itself relates to a kind of second-order reality found not in the structures of life but in the rules that govern these structures; that order exists not only in things but in the relationships among systems of order. It is a structure of structures, a logic of laws, an abstract unity embedded in the act of transformation itself.

                                  Accordingly, the four-track EP reflects this duality. Each side opens with a piece of electronic music at its most precise and immovable: defined, kinetic, architectural. This is followed by a second composition that dissolves into a weightless, atmospheric counter-form. The shift evokes a higher symmetry: an alignment not of parts, but of principles; a sonic model of the universe’s hidden invariance.

                                  "Metasymmetry" also echoes across Dopplereffekt’s extended sonic continuum; this stands as the first offering on Tresor under the Dopplereffekt name despite an association with the label and club going back to the start. In this, it becomes the source of an echo that reverberates backwards through time; its own reflection. 

                                  STAFF COMMENTS

                                  Matt says: New music from the genius and singular mind of Gerald Donald. Released on Tresor, it's a typically techno-orientated affair; but the addition of two beatless ambient tracks give the EP a bit more functionality. Top stuff!

                                  TRACK LISTING

                                  1. / A1 Time Modulation-Graviton Pulse 05:41
                                  2. / A2 Multiverse Wavefunction 07:02
                                  3. / B1 Collapse Of Simultaneity 06:40
                                  4. / B2 Olbers Paradox 04:59

                                  Produced by Madlib, "Manifestin" is a brilliantly elocuted slice of conscious boom-bap bizniss from Wildchild. Beats typical of Amerca's most blunted™, with backing vocals by Angelo Arce (sounding like a young MF DOOM on this outing); it's a great example of Wildchild's dynamic and inventive take on classic boom-bap moods which often take on myriad twists and turns with the rapper's storytelling flows...

                                  Nottz remixes the track on side B, offering up discombobulated beats, skewed jazz samples and sloppy, leftfield beats.

                                  Super limited copies dropped off during Wildchild's recent Manchester performance. 


                                  STAFF COMMENTS

                                  Matt says: In the modern rap world, full of false bravado, frankly made up bullshit, gang stereotypes and tried, dull arrangements, Wildchild is a breath of fresh air. Legitimate lyrics, inventive song structures, wicked beats. I can't fathom how we deviated so far from genius to dross; but Wildchild should rekindle your love for the genre.

                                  TRACK LISTING

                                  A1 Manifestin
                                  Backing Vocals: Angelo Arce
                                  Producer: Madlib

                                  B1 Manifestin RMX
                                  Backing Vocals: The Soulyghost
                                  Producer: Nottz

                                  D. D. Mirage Feat. Teddy Bryant

                                  Echoes

                                  .D. Mirage return with new single “Echoes”, a lovers meditation featuring North Carolina’s Teddy Bryant, who delivers a velvet vocal performance steeped in yearning and late night reverie. The chorus “the things you do for love echo in my mind all night” hits the melancholy sweet spot, wrapped in the rich and authentically 80s sounding production we’ve come to expect from D.D. Mirage.

                                  The Sydney based duo, now expanded into a full four piece live band, continue to stretch their sound beyond the Balearic and Dub tinted palette of their debut Exotic Illusions released earlier this year. With production assistance from Jono Ma, they capture a lush, cinematic space where street soul sentiment meets modern dream pop psychedelia, the kind of record that slips perfectly between Sade, Tom Tom Club and a lost Compass Point B-side. Flip the record for the Introspective Dub: a drifting, dubbed out companion that strips back the vocal to its echoes and lets the rhythm bloom.

                                  Following live appearances at Dark Mofo and SXSW Sydney in 2025, D.D. Mirage round off the year with a live performance at Victoria’s Strawberry Fields festival mid November.

                                  artwork and sticker by Bradley Pinkerton.

                                  STAFF COMMENTS

                                  Matt says: Isle Of Jura see off 2025 in fine style, bringing back their all-star talent - DD Mirage for a lilting lover's rock jam on glorious 10".

                                  TRACK LISTING

                                  Original Mix
                                  Introspective Dub

                                  Snorkie

                                  Hypnotised Feat. Bethan-Wyn

                                  Nick Byng aka Snorkie is a Worcester based musician who started out working at Rockfield Studios with bands such as The Charlatans, Black Sabbath, XTC, Pop Will Eat Itself, The Paris Angels and The Damned.

                                  His music has since been used by the likes of Norman Cook and Manchester United, with airplay by radio stations such as BBC 6 Music and NYC's East Village Radio. Champions of previous Snorkie releases include Ursula 1000, Craig Charles, Tim 'Love' Lee, DJ Andy Smith, Nemone, Dr Rubberfunk and Don Letts to name a few.

                                  2025 sees a new release 'Hypnotised' on Muito Bom Records. First conceived during the pandemic lockdown of 2020, the lyrics were in fact, first written many years ago and shelved, until now.

                                  The A side is a nu-disco style groover with vocals by Solihull's Bethan Wyn Davies. Side B is a deeper edit with a sprinkling of techno and house. All parts were recorded from live performance in the studio rather than programmed in.

                                  We're currently the only UK record store holding a very limited first press lathe-cut release on 7” with attractive printed centre and clear/transparent vinyl.

                                  Watch out for a new Snorkie release on Muito Bom Records for 2026!

                                  Music / Performance / Production / Lyrics by Nick Byng / Bethan Wyn.
                                  Artwork by Chez @his_name_is_lamar_vanoy / design by Pistachio.
                                  Mixed / Mastered by Gussy Campbell.

                                  STAFF COMMENTS

                                  Matt says: Phwooarr! Don't sleep on this one pop pickers! One side - super deep house business with lashings of soul. Ont'other - a silky, laser-guided, late night electro-disco number that's got Red Laser at The Carlton Club written all over it... best of all - we're the only MF's in the country with this record at the moment! Form an orderly queue!

                                  TRACK LISTING

                                  A. Hypnotised (Deep Edit)
                                  B. Hypnotised (Radio Edit) 

                                  Hercules & Love Affair music has always been about folding past, present and future together – and never more so than in the latest phase, encapsulated by the track that launches things, "Someone Else is Calling".

                                  If the song-first, ultra-gothic mind-movie of the last H&LA album "In Amber" was partly motivated by Andy Butler falling out of love with dance culture, this new body of work – an EP titled "Someone Else Is Calling" – is an unabashed resurgence of the love affair. A co-production with London underground veteran and inspiration to Butler, Quinn Whalley of Paranoid London and Decius, the lead single is a surging, tactile acid track woven around the vocal of Icelandic icon Hips & Lips aka Elín Ey – who hits that new wave disco sweet spot between Grace Jones and Yazoo era Alison Moyet.

                                  Elín’s lyrics work perfectly with the bodily momentum of the sounds, circling around themes of self-possession and the urge to move on to the next experience, the next sensation: hunger for reality. And this taps into Andy’s feelings on escaping New York and moving to Belgium, discovering that dance culture was anything but the hollowed-out, identikit-festival-lineup conveyor belt he’d feared, and still had plenty of outposts where it was still – as he’d first experience it as a teen – about the hot, sweaty reality of diverse people seeking communion, communication and heightened ways of being in the here and now.

                                  The video, filmed by Tatsumi Milori couldn’t be a better expression of exactly this. A love letter to the strange and glorious party scene of Mexico City, it captures people who are both tapping into the eternal verities of those magical dancefloor communions, and thrilling – against all the odds of oppressive forces – at the sense of possibility in the flow of gender and sexuality in the present moment. It’s powered by innocence and experience as intertwined forces, and it amplifies the heartbeat of the song a thousandfold. There will be more, much more, to follow from the partnership of Andy, Elín and Quinn. It digs deeper still into the decades of dance and other underground cultures that feed into this modern moment – but this shining beacon should give you a pretty good hint.

                                  "Someone Else Is Calling" arrives on one of Los Angeles’s most exciting new independent labels and creative hubs, StrataSonic. 

                                  STAFF COMMENTS

                                  Matt says: Always a big spin at Homoelectric, Hercules & Love Affair return to their much loved club moods with four new tracks full of sensuality, sentiment and aimed squarely at the dancefloor.

                                  TRACK LISTING

                                  A1. Someone Else Is Calling 
                                  A2. Crossed Lines
                                  B1. Body And Soul 
                                  B2. That's Not How To Love 

                                  Straight outta Chicago comes this projecy by Duke and The Stranger, operating under the Duke Strange monikor. 

                                  Side A is a wigged-out slice of dark side acid trax inna OG Chi-town style. 

                                  Side B is a wierdly accessible slice of sherm-infused Ron Hardy-themed jak beat that should appeal to the orginal freaks of the Muzic Box. 

                                  RIYL: Adonis, Phuture, Marshall Jefferson, Ron Hardy, Dirty Blends (The Jak & Falcon etc), Jamal Moss. 

                                  Limited copies! 

                                  STAFF COMMENTS

                                  Matt says: Real strong warehouse music from two cats who've obviously got an unhealthy obsession with that OG Trax sound outta Chicago.

                                  TRACK LISTING

                                  A. Streetbeatrhythm-spellbound
                                  B. Groovnrhythm-the Enchantment

                                  Berlin-based Australian musician and producer Declan McDermott steps forward with his debut EP for Delusions Of Grandeur, bringing a raw yet soulful sound that reflects his unique journey through disco, funk, and soul music. Having cut his teeth as a multi-instrumentalist before delving deep into house and club culture, Declan naturally fuses his live musical talents with warm, analog-driven grooves. The result is a record that feels equally at home on the dance floor and in the living room, carrying both emotional depth and undeniable energy.

                                  "Doin' It All 4 U" sees Declan laying down a soulful, funky house jam and getting busy on the vocoder to great effect! With a bubbling live bassline, shimmering Rhodes, and crisp, crunchy drums, the track radiates warmth while maintaining a driving dance-floor sensibility.

                                  Dutch house and disco heavyweight Tom Trago steps up for the first remix, transforming the original into a bass-heavy, club-ready edit. With his trademark groove and deep knowledge of house music’s roots, Trago reshapes the track into a peak-time weapon, pushing Declan’s soulful original straight onto the floor with tough low-end pressure and hypnotic flow.

                                  New York-based artist Lovetempo, known for blending funk, soul and electronic textures into his productions, delivers the second remix. With rolling 808 drums and lush layers of moog synths, Lovetempo injects a heavy boogie sensibility into the track, reimagining it as a cosmic, groove-laden journey. His version adds a playful, analog richness that pays homage to disco and electro while carving its own forward-thinking space.

                                  The EP closes with "Dani", a deep and rolling jazzy house number featuring Luxonous (aka Omri Abramov) on soprano saxophone and EWI (electronic wind instrument). Built on a bed of liquid grooves and subtle atmospheres, the track conjures the spirit of Frederick Galliano and St Germain, weaving acoustic and electronic textures into a sophisticated whole. Both meditative and dynamic, it’s a fitting finale that underlines Declan’s range and sensitivity as a producer.

                                  STAFF COMMENTS

                                  Matt says: Now comfortably past the 100-release milestone, and still rolling out the best house music in the UK. New signing Declan McDermott does the business for the long serving label.

                                  TRACK LISTING

                                  A1 - Doin’ It All 4 U
                                  A2 - Doin’ It All 4 U (Tom Trago Remix)
                                  B1 - Doin’ It All 4 U (Lovetempo Remix)
                                  B2 - Dani Ft. Luxonous

                                  It's safe to say that Mark E is something of a master when it comes to doing a hell of a lot, with not very much at all. Back in 2011 'Call Me' was heard everywhere, especially the splendid Dixon edit, which teased out the drama and made the most of that spoken Ms Ross vocal.

                                  It's testimony to the staying power of this track, and the fact it's quite rightly regarded as a deep house classic that it's had a recent revival, largely from Luke Unabomber across his head-spinning summer tour schedule. The label started getting video clips from the curious..."Do you know this track, sounds like Carl Craig remixing 51 Days ?"

                                  Given that Merc sold out the initial run in a matter of days back then, they thought it was high time they put the call in for a reload. So here you go, the classic 'Call Me' backed with a truly wonderful new jam from Mark, which is another zinger in a catalogue choc full of 'em...




                                  STAFF COMMENTS

                                  Matt says: A big spin from the Merc vaults gets a revisit alongside a new track from Mark E himself. A wonderful series that I thought we'd long seen finish. Thankfully - we hadn't!

                                  TRACK LISTING

                                  A. Call Me (dixon Edit)
                                  B. I'll Call You Back

                                  Dee Dee Sharp Gamble

                                  Easy Money (Todd Terje Edit)

                                  An easy stepping disco opus taken from Dee Dee’s eponymous 1980 album, ‘Easy Money’ spent a month on the Hot Dance Club Play chart as the B-side to ‘Breaking and Entering’. Here, Mr. Arps himself Todd Terje adds to his 20 years worth of reworkings, giving the tune its proper respects with deft percussive respites, subtly adding his distinct touch to this Philly classic.

                                  STAFF COMMENTS

                                  Matt says: An oldie but a goldie! Two legends of disco old and new converge on the high grade number: "Easy Money".

                                  TRACK LISTING

                                  A. Easy Money 
                                  B. Easy Money (Todd Terje Edit)

                                  Emerging from the confines of the underground, Shadow Pressings returns with a brand-new slab of raw wax - four cuts of stripped-back, analog-driven house music from an unknown artist whose identity remains in the shadows. True to the label’s ethos, this release channels the spirit of Chicago basements and Detroit lofts, where swing, grit, and soul collide beneath the glow of a red light.

                                  Side A opens with "Trentsetter", a deep and muscular statement piece. Built around a weighty low end and fat synth stabs, it rolls with confident restrain, equal parts hypnotic and heavy. Following it, "Unreleased Slices" takes things back to the early sampler era, when the chopped and replayed vocal melody craze was born. Crunchy, looping, and unapologetically raw, it’s a love letter to the equipment limitations that sparked a movement.

                                  Flip over to Side B and you’ll find "Dreamed Up Ecstasy", a deeper excursion where chiming synth melodies drift above perfectly saturated drums. Emotive yet functional and shimmering with a sense of hedonistic abandon this one creates just the right after hours vibe. Closing the record, "Am I" dives even further into the deep. Classic M1 organ gives a nod to the ‘90s, while a spoken phrase and chopped vocal textures provide a hook that lingers long after the needle lifts.

                                  The underground keeps its secrets. Shadow Pressings simply amplifies them.

                                  STAFF COMMENTS

                                  Matt says: More heavy tackle from the vinyl only imprint that's miraculously managed to stay completely anonymous so far. Answers on a postcard please!

                                  TRACK LISTING

                                  A1 - Trentsetter
                                  A2 - Unreleased Slices
                                  B1 - Dreamed Up Ecstasy
                                  B2 - Am I

                                  Air

                                  Baby I Don't Know Where Love / Mr. Man

                                  Taken from the self-titled debut album by AIR, originally released in 1971 on Embryo Records, the label founded by the legendary Herbie Mann. A rare gem in the annals of jazz, progressive soul and cosmic folk, this reissue captures the warmth and creativity of a band well ahead of its time.

                                  Extremely limited blue vinyl 7” in a printed jacket just like the first release. Original copies of this hen's-teeth rare 7" regularly fetch over £150... just sayin'! 

                                  STAFF COMMENTS

                                  Matt says: Truly rare records are often that - just rare. Just because it's rare doesn't mean its GOOD. Not the case here as we get another roll of the dice of this supreme slice of soul-drenched jazz funk that sounds fabulous. Amazing vocals, amazing musicianship... amazing record! Remember "Magic Song" by Heikki Sarmanto & Jeannine Otis? - it's a bit like that!

                                  TRACK LISTING

                                  A. Baby I Don't Know Where Love
                                  B. Mr. Man 

                                  One of our all time favorite New York dancehall tunes, finally back again. 20+ years ago, in a different era of reggae record collecting where there was little to no information to be found about so many '80s reggae records, the original 12 inch single of this one was a mythical tune among our set of friends. In fact this one was on the earliest DKR wish lists, but all good things take time. By now we expect most of our followers know Junior's digital masterpiece "Rampers Music", which we first issued in 2014, and is now back in stock. But this one is his earliest and first tune, a heavy piece of a rub a dub cut at Munchie Jackson's Sunshine Studio in the Bronx, with Jackie Mittoo at the helm of the session. The original 12 inch was self released by Junior on his own label in 1985, with one of our all time favorite label designs. The lyrics are a great snapshot of mid 80s New York, a nod to all those making their way, for better or worse, thru the posses and cliques of the Jamaican scene of the day. - Digikiller 

                                  STAFF COMMENTS

                                  Matt says: Digikiller complete what's been a sterling year of reggae, dub and dancehall reissues with this number from the hilariously named Junior Kahdaffie.

                                  TRACK LISTING

                                  A. Special Request To All Notch
                                  B. Special Effects Version

                                  Pam Bowie

                                  He's All I Need / Everlasting Love

                                  Pam Bowie is still a somewhat rough diamond of the late 60s Chicago soul landscape. Her sole single release came through Aquarius in 1969, and now apparently comes reissued through the reinvigorated label a whopping 50 odd years later. A gutted swill of soul-astalgia, 'Everlasting Love' hears the relatively culturally undocumented Bowie sideline personal greatness and climactic soul joie de vivre, instead offering us listeners a lyrical "shoulder to cry on". The track's singular legacy would be otherwise dwarfed by her labelmate Candace Love weren't it for this reissue.

                                  TRACK LISTING

                                  A. He's All I Need
                                  B. Everlasting Love 

                                  An extremely rare Northern Soul 45 RPM single originally released in 1965 on the Holly label, Billy Arnell And The Sparkles "Tough Girl" was the product of two childhood friends that lived less than a block apart in suburban Fairlawn, New Jersey in the early 1960s - Billy Smith and Lou Hemsey.

                                  Billy played guitar and sang; Lou played guitar and wrote songs, so they decided to form a band. They added friends Eddie Hoffman on organ and Jack Gullone on drums and began playing lots of gigs locally as Little Willie & The Sparkles. They were young, ambitious, and imagined themselves as the next Beatles. By a stroke of fate, they met Joe Martin of Apex-Martin Distributors in Newark, NJ, who caught the band's live show and was duly impressed. That meeting led to the recording session for the "Tough Girl" single. When they recorded the first version of the song, the producer wasn't happy, nor was Joe Martin - so he fired that producer and brought in the young, up and coming producer, George Kerr. Kerr didn't care much for the band, so they redid the entire thing without Hoffman and Guilone - with just Billy singing and Lou playing guitar.

                                  The pair of old friends were buoyed by session aces Eric Gale on guitar, Bernard Purdie on drums, Bobbie Banks on organ, as well as a bass player whose name has been lost to time. In addition to those changes, they used the studio horn section that Hemsey arranged for, plus two trumpets, two saxes and two vibes players. The resulting single was an infectious amalgamation of rock and soul. Billy changed his surname to Arnell for the 45 release (because he thought it sounded more "show-biz") and the rest is pop history. Arnell later started a record company (Fire Sign Records) and purchased a recording studio (112 Greene Street Recording) in the trendy SoHo section of Manhattan with Steve Loeb.

                                  As for the rest of The Sparkles, Hoffman became a teacher somewhere on Long Island, Guilone graduated from the Culinary Institute of America in Massachusetts and ended up living in Northern New Jersey. Hemsey became a well-known recording engineer, composer (Lou was the one who wrote "Tough Girl"), guitarist, arranger, orchestrator, editor, film director and producer for records and commercials.

                                  STAFF COMMENTS

                                  Matt says: Rare northern soul track that, apart from anything else, has a drum break intro that's just dying to be sampled by any modern beatsmiths.

                                  TRACK LISTING

                                  A. Tough Girl 
                                  B. Tough Girl (Instrumental) 

                                  A transcontinental meeting of minds, methods, and Volvos. What started as a remix request became a studio session and, eventually, a four-track affair of acid-tinged house, Italo accents, trance echoes, and techno pulse.

                                  "In Love Again" captures the shared DNA of Loods and Gerd Janson: bright, melodic, and built for the beach club (Massimo Vitali's cover makes it official). Four flavours of the same spirit, each mix a nod to a time when 12-inches told a whole story.

                                  For best results: play loud, add sea breeze.

                                  STAFF COMMENTS

                                  Matt says: Big room business from the RB label head joined by Ozzy troublemaker Loods. Proper arms aloft, strobe light hedonism for the big rooms and bigger vibes.

                                  TRACK LISTING

                                  A1. In Love Again (Vocal)
                                  A2. In Love Again (Paradise Mix)
                                  B1. In Love Again (Acid Mix)
                                  B2. Danse

                                  Darren Nye and James Baker have both had a prolific output on some of the coolest underground house and techno labels which reads as a who’s who in the scene - Exalt, Form@ Records, Neo Ouija, Magnonic Signals, Revoke, Yore, Spacetime, Withhold, We’re Going deep, Firescope, Acquit, Nebulae, Nightflight, Analogue Concept, Moatin.

                                  Impossible to ignore each other’s sound, they started up a friendship which had them sending each other tracks, initially just to listen to and get feedback, however it seemed inevitable that they would agree to the idea of remixing each other and subsequently each remixed 5 tracks which accompany the original works on an album.

                                  The 12” sampler is 4 tracks from their album on Fourier Transform which contains ReKaB and Darren’s trademark lush, deep, pad drenched melodies and is UK underground techno to make you move as well as sit and think.

                                  The album they produced is the last James “ReKaB” Baker recorded before his passing in 2025, all proceeds of the album and the 12” sampler will be donated to a fund for his young son.
                                  Expect plays from Colin Dale Abstrackt Dance, Damo-B’s Outer Limits, Marcelo Tavares’ DeepSpacePodcast, Richard Sen DoYouRadio!

                                  STAFF COMMENTS

                                  Matt says: Lovers of UK bleeps and electronica should check this out. Bit of Firescope, B12, Network etc going on. Slinky textures, crisp beats, evocative atmos... it's all there.

                                  TRACK LISTING

                                  A1 - Darren Nye - The Downfall Of Belief
                                  A2 - ReKab - Sunday Bleeps
                                  B1 - ReKab - Controlling Science
                                  B2 - Darren Nye - Controlled Opposition

                                  DJ Minx, Boogie Vice & N-You-Up, The People in Fog, and Jabes remix Radio Slave & Kameelah Waheed’s ‘All Rize’ on Rekids.

                                  Radio Slave presents the second remix EP for ‘All Rize’, releasing 19th December 2025, a follow-up to his May collaboration with Kameelah Waheed, enlisting DJ Minx, Boogie Vice & N-You-Up, DJ Sodeyama’s The People in Fog alias, and Jabes to reimagine the track. It follows the first remix package, featuring Harry Romero and Samaran in October, which won support from Laurent Garnier, Chloé Caillet, Saoirse, Honey Dijon, and many more.

                                  Detroit’s First Lady of Wax, DJ Minx, follows her appearance at Rekids’ Panorama Bar takeover in August and steps up first. Her remix is a raw, club-ready workout built around a relentless groove and Kameelah Waheed’s commanding vocal mantra, as bleeps and whistles dance across the mix. Linking Cape Town and Southern France, Boogie Vice & N-You-Up follow their 2025 EP on REK’D and deliver a deep cut that slowly builds tension, its organic percussion and warm bassline leading toward a strobe-lit, tripped-out drop.

                                  On the flip of the second ‘All Rize’ remix EP, Japan’s DJ Sodeyama, under his The People in Fog alias, drifts into more hypnotic territory. Lush pads wash over a low-slung beat and bassline, trading the club for the walk to the after-hours by carrying Waheed’s vocal into something surreal and dreamlike. Completing this left-of-centre B-side, Timedance and Kindergarten’s Jabes twists the original into a warped, textural trip with scratching layers and distorted vocal fragments that pierce through a dense atmosphere. If Sodeyama’s version is the dream, Jabes’ is the chaotic counterpart that follows.

                                  STAFF COMMENTS

                                  Matt says: Rekids continue to infiltrate the record bags of the vinyl nightclub DJ, steadily churning out banger after banger. Whether yer on the terrace, deep in the basement or twatting it out in a warehouse, there's a Rekids joint for every occasion.

                                  TRACK LISTING

                                  A1. All Rize (DJ Minx Remix) 
                                  A2. All Rize (Boogie Vice & N-You-Up Olympico Dub) 
                                  B1. All Rize (The People In The Fog Remix)
                                  B2. All Rize (Jabes Remix) 

                                  Groovin' reissue this deep gem from 1993. Featuring the delightful vocals of Julie Brannen and mixed by no other than Kerri Chandler, it's a striking piece of soulful house that's become somewhat of a cult collected record after featuring on Omar S' FYA#3 DJ mix. 

                                  Highly swung, with those punchy M1 stabs and skippy snares; Julie's empowered vocal sounds both uplifting and seductive. Add a sub-tickling b-line and it's one of those records that sits best within a basement, a red light and a feeling! 

                                  TRACK LISTING

                                  A1. I'll Be Good To You (Feel Mix)
                                  B1. I'll Be Good To You (6:23 Again Mix)
                                  B2. I'll Be Good To You (Deep Is Good Mix)

                                  Tom Trago

                                  Use Me Again (And Again) (LTD 2025 RP Edition) (Original Mix And Carl Craig Rework)

                                  One of Tom Trago's biggest tracks, now repressed! The Original Mix and backed with the huge Carl Craig Rework.

                                  'Use Me Again' is Tom Trago's evergreen club classic. Originally released at the start of 2010 it became a staple track in many a DJ set. The track is based around an infectious loop in true disco spirit. It lights up every dancefloor its been played to - and still does.

                                  Carl Craig has been one of the track's biggest fans ever since it came out, playing it out in almost every set at a certain point. For this release he came up with a typical c2 re-tweak. Big one! For a limited time only!


                                  STAFF COMMENTS

                                  Matt says: This stone cold modern house classic by Tom Trago gets reloaded alongside THAT, killer Carl Craig remix. All together now: 'nerrr, nerr nerr, nerrrrrr'"!!

                                  TRACK LISTING

                                  A1. Use Me Again (And Again)
                                  B1. Use Me Again (Carl Craig Rework)

                                  Audrey Hall

                                  Eight Little Notes

                                  Audrey Hall is one of the UK’s most respected female Reggae & Lovers singers from the 80s! Working with the legendary producer Donovan Germain, here is a reissue, with a Dub for the first time ever. Created from the original multitracks this one sounds heavy in a crucial 80s Reggae Lovers style! Decades of radio and soundsystem support worldwide! Rodigan, Coxsone and more. Crucial female vocals from the brilliant Audrey Hall!

                                  TRACK LISTING

                                  A1. Eight Little Notes
                                  B1. Notes In Dub

                                  Bringing together two distinct yet complementary forces in electronic music, Zohar and Nymfo join for their first collaborative release on Dekmantel.

                                  Zohar’s sound is defined by razor-sharp precision and pulsating percussive energy storm-like sonics that disorient and excite in equal measure. With a background shaped by years of commanding dancefloors, she has carved a diverse and eclectic path, where rattling low-end and rhythmic tension form the foundation. Known for her technical refinement and mixing wizardry, Zohar intuitively seeks unexpected connections, always pushing her listeners into new territory. Following several contributions to Dekmantel compilations, this marks her first full-length release on the label.

                                  Nymfo has been an essential figure in drum & bass since the late ’90s. Starting out in Eindhoven’s rave and jungle scene, he quickly became known for his fierce DJ sets and later, his productions. His catalogue spans acclaimed labels such as Metalheadz, 1985 Music, Commercial Suicide, Hospital Records, Critical, Dispatch, Shogun Audio, and many more. With two albums and a steady output of singles and EPs, Nymfo has consistently balanced raw dancefloor energy with a deep, refined production ethos.

                                  Their paths crossed countless times in the scene, yet it wasn’t until Dekmantel invited them for a special Dekmantel Connects performance an ambitious setup with eight CDJs and four mixers that they shared the decks for the first time. The synergy of that moment carried into the studio, where their collaboration took shape. This release now returns them to the Dekmantel family, presenting their joint vision: a dialogue between low-end weight, rhythmic intricacy, and forward-thinking club sonics.

                                  STAFF COMMENTS

                                  Matt says: Precision exercise in rhythm and bass from this new duo. Poised aggression, heavy low end, and highly kinetic beats. Top drawer tackle.

                                  TRACK LISTING

                                  Trust
                                  Value
                                  Mirrors
                                  Haunted

                                  El Sabor De Nacho

                                  Que Se Sepa

                                  We keep the fire burning with PAN009, a scorching slice of Latin soul from Puerto Rico’s own Nacho Sanabria, better known as El Sabor De Nacho. Originally released in 1973, his version of “Que Se Sepa” takes the Roberto Roena classic and injects it with a new energy — fiery brass, driving percussion, and that unmistakable swagger that defines the golden age of salsa.

                                  Born in Cataño, Puerto Rico in 1929, Nacho Sanabria grew up surrounded by the rhythms of bomba and plena, performing on stage as early as age nine. After relocating to New York in the late 1940s, he became a key figure in the Latin dance scene, performing with groups like Sonora Boricua, Orquesta Panamericana, and later Rafael Cortijo’s Combo. By the mid-1960s, Sanabria formed his own band, El Sabor De Nacho, combining tight horn arrangements, sharp percussion, and his signature charismatic delivery. His 1970s recordings — including Alma Primitiva and Salsa Caliente — stand as shining examples of Puerto Rican salsa at its peak.

                                  Sanabria’s version isn’t a straight cover — it’s his own Puerto Rican interpretation, full of character and swing. The rhythm section stays tight and earthy, the horns punch with intent, and his vocal delivery brings that effortless charm only a seasoned bandleader could deliver. A proper Latin soul mover that sits somewhere between the barrio and the dancefloor, perfect for warm evenings and deeper DJ sets.

                                  Rescued from obscurity and lovingly restored for today’s floors, PANORAMA Records continues its mission to reintroduce rare and essential music to new generations. From deep funk, jazz and global grooves to Latin dancefloor heat, the label’s 45s series shines a light on overlooked gems that still sound fresh today. Supported by tastemakers like Gilles Peterson, Patrick Forge, and the Mr Bongo DJs, this one’s destined to move both hips and feet.

                                  TRACK LISTING

                                  A1. Que Se Sepa
                                  B1. Don Lengua

                                  Jinje & A. Montane

                                  Neon Gardens EP

                                  Mesh-mainstay Jinjé teams up with A. Montane for a collaborative EP born out of live improvised sessions, and composed over the period of a year.

                                  Taking a slowed approach to the production of 'Neon Gardens EP, the two hardware aficionados met sporadically for live jam sessions - an homage to the importance of not rushing the process, and letting ideas build over time. Each session consisted of an intense burst of musical propositions followed by a careful editing framework, giving space for each moment to flourish. Oscillating between moments of catharsis and intense rhythmic play, the EP merges disparate musical sources into exciting new structures.

                                  ‘Ikeya Seki’ launches with glistening arpeggiations and subaquatic frequencies that interact over UKG-adjacent drums. ‘Vrem’ marches to a slow-stepping half time beat, building through yearning vocals before breaking down into a storm of pointillistic percussion. On ‘Yū’, rich melodies and bouncy, bass-led rhythms dance below chopped up vocals. Closing things off, ‘Velvet People’ builds a spatial setting with bells ricocheting through malfunctioning flutters.

                                  A nod to the joys of improvisation, 'Neon Gardens EP' takes the spirit of spontaneity and lays out new structures for its ideas to grow.

                                  STAFF COMMENTS

                                  Matt says: This is very good. Like Boards Of Canada meets Rustie or Hudson Mohawk. Cerebral in parts, body gurning in others, with perfectly balanced weight and rhythm. Jinje & A. Montane certainly know their onions!

                                  TRACK LISTING

                                  A1. Ikeya Seki
                                  A2. Vrem
                                  B1. Yǔ
                                  B2. Velvet People

                                  Digging Deeper is back with one of South Korea's most underground artists, Jesse You. Pilfering the best bits of noughties electro with loud and wobbly tech-house vibe, the "Ora EP" is a surefire injection of upfront club sounds that should appeal to anyone that went Bugged:Out, Niave Melody, Tribal Sessions or Floopy Disc all them many moons ago! 

                                  STAFF COMMENTS

                                  Matt says: South Korea continues to make its mark across our house and techno section with another new artist Jesse You appearing for the first time. Solid stuff with plenty of swagger that'll more than do the business on Manchester's dancefloors and beyond.

                                  TRACK LISTING

                                  1 The Glide
                                  2 Accent Rate
                                  3 Formant Fun
                                  4 Binary Code

                                  Following a breakout summer, “The One” is now getting a vinyl release.

                                  The track became a viral hit on TikTok, amassing over 5.5 million lifetime engagements, and has solidified its status as one of the year’s defining dance anthems.

                                  Included on the vinyl release are the acclaimed remixes from HAAi, Bashkka, and Obskur that have further expanded the track’s reach.

                                  With a Grammy nomination and club backing from global tastemakers including Peggy Gou, Chris Stussy, Jamie Jones, Solomun, TSHA, Eliza Rose, and others, “The One” continues to dominate both the underground and mainstream dance scenes.

                                  “The One” — a summer anthem that shows no signs of slowing down.

                                  TRACK LISTING

                                  A1. The One (Extended)
                                  A2. The One (Bashkka Remix)
                                  B1. The One (Obskur Remix)
                                  B2. The One (HAAi Remix)

                                  Lutto Lento's new "2568 EP" takes cues from other neo-gothic electronica such as Doon Kanda, Faten Kanaan  and even Lowjack's recent Gregorian tapestry: "Lacrimosa". Lubomir Grzelak, has for years been one of the most acclaimed sonic storytellers around. His first outing on Meakusma is another trip beyond the constraints of musical logic, interweaving elements from industrial music, early avant-garde influences, post-club tendencies, and more, conjuring up an extended 7" of haunted contemporary sounds. 

                                  "2568 EP" touches upon stories from the deep, with an absurdist touch that is at the same time forgiving and inviting. It has a hauntological feel to it, but contradicts it at the same time. It is purring and cold, whispering and layered. Beatific and up close. There is a space ship in the swimming pool, but the cocktail party goes on, kind of. On the edge of industrial music, with a choir thrown in for good measure. On the fringes of club music. 

                                  Lutto Lento is Lubomir Grzelak, a sound artist, composer, music producer, and DJ. Known for his idiosyncratic productions and eclectic sets that break barriers between genres, he has steadily built a reputation for adventurous electronic music that resists easy categorization. Beyond records, he composes for theatre, film, and contemporary dance, weaving diverse influences into a distinctive sonic language.

                                  STAFF COMMENTS

                                  Matt says: Gothic electronica and mystic electro-jazz that'll appeal to fans of Doon Kanda, Faten Kanaan and Woo.

                                  TRACK LISTING

                                  Go Eat Worms
                                  2568 With Antonina Nowacka Childrens Choir
                                  Suburban Pagans With Enhancement
                                  Go Eat Worms (mobbs Version)
                                  Bones And Trumpets

                                  'Hot on the heels of Luv (LuvLuv) comes a sublime new Drum Chums from midland's madlads Wrekin Havoc.
                                  Over the years we've shared great tunes, fun times and A-grade dancefloor debauchery with these permanent party people (our first encounter almost exactly like that Spiderman pointing meme) so it made more sense than we usually do to invite them aboard the V*nga bus for some Balearic-Disco edit excellence.

                                  Things kick off with the sexy throb of 'Shine A Light', a stonewashed funk workout complete with Paisley guitars, Troutman bass grunts and some big time blue-eyed soul vocals. It's a bit like an extended and unheard collaboration between George Michael and Tears For Fears recorded immediately after a particularly heavy night at Future. Unsurprising perhaps that this one's been getting a whole lot of love from DJ Harvey.

                                  'Mars Bar Party' grabs you by the hips from the first bar of its swaying Mediterranean house rhythm, then tugs at every single one of your heartstrings with melancholic pads and a silken vocal croon. Fuuuuuuckin' hell! Sorry, was totally bewitched by the primal power of piano house magic - it's like John Rocca was in the room for a second. Armed with an awesome arrangement and clocking in at ten massive minutes, this may be the ultimate Balearic house journey.

                                  If all this wasn't enough to have you stocking up on 5-HTP and sinus rinse, those crafty cats close the set out with the shimmering disco euphoria of 'Leccy Meet Her'. The bottom end pulses endlessly, Cowley synths trill and a crystal clear Vox soar above, sending us far off into mirrorball orbit. If this isn't a hit at Horse Meat, we'll neck a bottle of poppers and never eat a tomato again.

                                  Each and every track Wrekin Havoc touch is a pearler, but we're particularly chuffed with ourselves for snapping this top trio up.

                                  100% Drum Fun Guaranteed.' - TD Chums 

                                  STAFF COMMENTS

                                  Matt says: Hottest Drum Chums for a while. Just check that last track! Phwwwoooaaar! Endless spins on this one riders! From the fairground to discoball and beyond! 'Let me feel your e-lec-tri-city..!' so so good.

                                  TRACK LISTING

                                  A. Shine A Light
                                  B1. Mars Bar Party
                                  B2. Leccy Meet Her

                                  Ken returns! BAR:LOW#2 lands on the Cobbles! 

                                  Blended incantations for dancefloor situations from a thus-far unknown entity! Maybe it's William Roache himself?! What we do know is that volume 2 chucks up three more expertly snipped musical missivs for our delectation.

                                  "Ba-ba-low" fires up the vintage Casio keyboard rhythm section for a throbbing, high-NRG EBM workout. "John Kennon" channels more electrified body music with an unignorable vocal cameo our favourite bespeckled Mersey Beat bed dweller. "Ken You Dig It" allows us some blissed-out respite courtesy of some hybridized English rose... Deidre and Maude might be long gone, but Ken's still kickin' it! 

                                  Limited copies. 

                                  STAFF COMMENTS

                                  Matt says: After wow'ing us with #1 (no. 2 in our Singles of 2025), the anonymous Bar:low returns with three more utterly captivating cuts aimed at the more curious corners of the dancefloor.

                                  TRACK LISTING

                                  A. Ba-ba-low
                                  B1. John Kennon
                                  B2. Ken You Dig It

                                  Jeroboam

                                  Night Away / Dive Into Darkness

                                  Jéroboam are back with their 4th release on Space Grapes. "Night Away" is a boogie jam with sharp synths and compelling melodies, while "Dive Into Darkness" turns out to be a beautiful contemplative piece of music.

                                  STAFF COMMENTS

                                  Matt says: For me, the hottest record from Jeroboam on Space Grapes. The swarve jazz-funk chords; the funky, palm muted guitar licks; the spiritual vox; everything in place perfectly across these two tracks.

                                  TRACK LISTING

                                  Night Away
                                  Dive Into Darkness

                                  Kelly Lee Owens

                                  KELLY

                                    ‘KELLY' is her most direct and dancefloor ready project to date, a tight, urgent body of work designed for the clubs. It follows the success of ‘Dreamstate’, her fourth studio album, and continues Kelly's celebration of nightlife and togetherness as a force shaping culture and cities, while grounding her sound once again in techno.

                                    Speaking about the EP Kelly said, "This EP is about embodying sound and those collective, physical experiences we only really have in clubs or at music events. Sonically, it's very visceral. I've been drawn to sounds that sit on the edge: ominous, uneasy, sometimes even uncomfortable. That's just where I've been emotionally, and I think the world reflects that too. There's this constant push and pull between wanting to rise above the chaos, and sometimes, willingly sinking into it."

                                    TRACK LISTING

                                    1. ASCEND
                                    2. 132 TECHNO
                                    3. DESCEND
                                    4. LOSE YOUR HEAD

                                    Various Artists

                                    RE:VERSAL 002 (Inc. Daft Punk And Four Tet Remixes

                                      This is an unmistakable lineup of artists and songs that bumped and thumped the dance scene into the genres we know and love today. Music to move to and music that will move you. Tracks from worldwide icons with remixes from the likes of Daft Punk and Four Tet, to UK Garage royalty like Wookie, K-Warren and Groove Chronicles, this bouncy and varied release is ready to shake any club or home sound-system alike. Keep an eye out for the bonus track as well...

                                      A strictly limited one-time pressing on high-quality 12" 180g heavyweight vinyl.

                                      Roots in the past, fruits in the present.

                                      TRACK LISTING

                                      1. Sia - Little Man (Main Remix / Exemen Works)
                                      2. PF Project - Choose Life (JDS Vocal Remix)
                                      3. Gabrielle - Forget About The World (Daft Punk Mix)
                                      4. Tin Tin Out - What Am I (K-Warren Mix)
                                      5. Tin Tin Out - What Am I (Groove Chronicles Mix)
                                      6. Sia - Breathe Me (Four Tet Remix)

                                      Cosmic Romance proudly presents "Amour Propre", the new album by Berlin-based multinational band Stella & The Longos and 5 release on the label.

                                      Following the acclaimed 2022 release "Détends-Toi", the first electrifying collaboration between lead singer Stella Zekri and producer Ed Longo, "Amour Propre" crowns two years of relentless touring, growth, and evolution. On the road, the duo forged a powerful live ensemble of Berlin’s finest musicians. That synergy now explodes onto record, expanding Stella & The Longos’ sound into something more organic, daring, and deeply alive.

                                      On "Amour Propre", Stella’s sultry, magnetic voice weaves through lush layers of live drums and percussion, funky guitar riffs, shimmering keyboards, intricate brass lines, and the unmistakable hi-fi production flair of Ed Longo. The rhythms oscillate in a melting pot of musical styles, where Afro-Caribbean influences overlap with vintage boogie beats and quelching synths flirt with smoky Parisian midnight moods. Stella’s voice remains the heart of it all, sensual, husky, and brimming with raw emotion. Her lyrics explore love, longing, and reflection, while also capturing moments of dancefloor euphoria and universal connection.
                                      With The Longos as her powerhouse backing band, every track radiates the energy of a live performance: intimate, enchanting, and unforgettable.

                                      STAFF COMMENTS

                                      Matt says: Bring the seductive sounds of Stella & The Longos into your life. If you've previously enjoyed D.D. Mirage, Sade and Melody Beecher, this ones for you.

                                      TRACK LISTING

                                      A1.La Flamme
                                      A2.En Retard
                                      A3.Insupportable

                                      B1.Patience & Respect
                                      B2.Oublie Tout
                                      B3.Besoin De Toi

                                      The chances are you've already heard this track being played all over the place this summer; It's been causing some damage on the dancefloor all over, and is now it's finally available on wax for a limited time.

                                      TRACK LISTING

                                      A1. Enjoy

                                      Regularly crowned as one of the greatest ever dance records, it holds a place in many a heart, resonating across generations. Back in 1996 Mixmag had it top of their 100 Greatest Dance Singles Of All Time, adding “There's a touch of sadness about it but it's incredibly uplifting, reaching a bittersweet joy that only the most spiritual of house achieves.”

                                      This special reissue includes a rare Frankie Knuckles and David Morales ‘Mo Knuckles’ remix bursting with underground flavour. 12" black vinyl.

                                      TRACK LISTING

                                      A1. Classic Mix
                                      B1. Mo' Knuckles Mix
                                      B2. Cut To The Bone Mix

                                      Mark Barrott

                                      I Am The Sun, You Are The Moon (feat. Norma Winstone & Leo Taylor)

                                      Featuring the otherworldly vocals of the legendary jazz singer Norma Winstone whose vocals were recently sampled in Drake's 2023 chart topping single IDGAF (feat. Yeat) and Leo Taylor (Floating Points, Hot Chip, Joy Crookes) on drums, the EP is the amalgamation of Barrott's long term fascination with sunset music, and the ways the change of seasons impact the way we co-exist with the sun. As winter draws closer and we move on from the Autumn equinox to Winter solstice, Barrott's latest release captures the transformative yet paradoxical feeling of melancholy over the end of Summer and the start of winter while creating an eerie sensation of serenity.

                                      The EP follows from the release of Barrott's critically acclaimed and deeply personal 2024 album Everything Changes, Nothing Ends.

                                      The new EP sees Barrott return to his beloved sunset music, as he continues his eternal quest to find new ways to soundtrack this sacred Ibiza moment.

                                      Crowned as the"master of sunset music"by Pitchfork, Barrott's new EP is filled with celestial grandeur that stops you in your tracks. A profound musical meditation and an homage to the sunsets of the Autumn months, the EP captures the sonic poetry of the changing skies and the seasons.

                                      The haunting combination of Barrott's production & arrangement skills, Taylor's jazz drums and Winstone's endlessly ethereal vocals soar in a harmonious union across the title track of the EP while the openerI Am The Starssummons you in for a brief respite from the cacophony of the modern world. The wistful second trackMy Blue Heartlingers with you with its melancholic jazz horns swelling side by side with Winstone's vocals while the closing trackI Am The Airfloats through your ears with its sublime contemplativeness. I Am The Sun, You Are The Moonsees Barrott returning to his sonic ruminations on sunsets, however they are more profound and life affirming than ever.

                                      "At the end of the summer, on a clear bright starry night I climbed to the top of a mountain in Ibiza with a pair of headphones and listened to these tracks and lost myself in the vastness of the night sky and the endlessness of Norma's voice. At that moment everything made sense in my world for the first time in a long while and it just felt right", Mark Barrott says.

                                      TRACK LISTING

                                      1. I Am The Stars (feat. Norma Winstone & Leo Taylor)
                                      2. My Blue Heart (feat. Norma Winstone & Leo Taylor)

                                      Pete Blaker is one of the hottest properties in disco if you ask us. He's dropped plenty of heat on the likes of Hot Biscuit, Razor-N-Tape and Music For Dreams and now lands on Just What The World Needs with another delightful trio. 'Track 1' is roomy and heady, with meandering bass and widescreen synth work run through with some indie vocals that bring a great Balearic feel. 'Track 2; has a warming shuffle down low as glistening keys and organic percussion all add texture and psyched out spiritualism. 'Track 3' flips the script with a more funky and playful sound led by expressive horns and loads of neat little guitar riffs.

                                      STAFF COMMENTS

                                      Mine says: Man of the hour Pete Blaker makes a welcome return to Just What The World Needs and offers up 3 slices of tasteful balearic disco.

                                      TRACK LISTING

                                      Side 1
                                      1. "Track 1"

                                      Side 2
                                      1. "Track 2"
                                      2. "Track 3"

                                      Pete Blaker needs no introduction. Here he carefully edits and overdubs two disco tracks and transforms both into unforgettable cosmic workouts. We have no doubt of his genius, which is for all to hear, here!

                                      New Hot Biscuits fresh outta the oven! Get 'em while they're hot!

                                      STAFF COMMENTS

                                      Matt says: The man-machine one man edit production house that is Pete Blaker continues to churn 'em out quicker than Henry Ford in peak flow. These two tracks spearhead this week's Hot Biscuit deluge in fine form.

                                      TRACK LISTING

                                      A. New World
                                      B. Down & Dots 

                                      DJ Nature never fails to deliver re-rubs & edits of musical gems from his vast collection of vinyl. Bridging generations of dancefloor goodness with a smooth hand and a deft ear; pretty much everyone from your younger sister to your aging uncle get down to a DJ Nature jam! Another Hot Biscuit power pack you don't wanna do without... 

                                      STAFF COMMENTS

                                      Matt says: DJ Nature delivers the goods just in time for party season. Already causing a fuss with the working deejay's of the city, don't sleep on these instant pacifiers.

                                      TRACK LISTING

                                      A. Superstar
                                      B1. Train
                                      B2. Amor 

                                      Funtown's back with more top drawer edits. Been a while since anyone's tackle the mighty "Love Can Turn Around", so nice to see Funtown roll it out in all its pomp here. Then, keeping things ultra high grade; we get a tweak of THE proto-Chicago acid track - Kikrokos' "Life Is A Jungle" - later used by Risque III on "Risque Madness" - proper history!!

                                      Ambitious and brave, executed with aplomb. Full marks Funtown!

                                      STAFF COMMENTS

                                      Matt says: Funtown get maximum pigeon points this week for utilizing that revolutionary 16 bars off "Life Is A Jungle". One of the key moments that would lead on to create the prototypes of Chicago warehouse music.

                                      TRACK LISTING

                                      A. Turnaround
                                      B. Jungle Rumble

                                      The genius of Mark Grusane is never in doubt. And this double A side confirms his abilities, once again, with a razor and tape, editing superbly for the dancefloor two huge staples of the disco and early house music scene.

                                      STAFF COMMENTS

                                      Matt says: Another quite historical moment on the Hot Biscuit catalogue this week as Mark Grusane tackles "Sun Sun Sun" which has been used by everyone from Ron Hardy to David Mancusso to Matt Edwards.

                                      TRACK LISTING

                                      A. Sun Sun Sun 
                                      B. Ensemble 

                                      MAL welcomes Hiroshi Takakura aka Element & co-owner of Riddim Chango Records with a heavyweight session of deep roots mutations and dynamic steppers.

                                      A truly unique and well loved character, Hiroshi is one of Japan’s key figures for dub wise experimentation and this release presents a decade of influence distilled into a selection that bridges Jamaican and UK lineages with a very personal slant.

                                      The centrepiece, ‘Longest Summer Pt.1 & 2’, is a radical remake of the theme from Fruit Chan’s Hong Kong cult film. He flips the wistful, naïve melancholy of the original alongside deep bass weight and syncopated hats with a slink and roll that feels as well suited to the steaming tarmac of LA as any smoke laced, late night Blues dance.

                                      Born from the momentum of live set preparation, the raw sketches that make up the ep were shaped into full-blown dancefloor weapons, particularly the percussion-heavy, tribal mayhem of the title track, ‘Motion Exchange’.

                                      All in all the release captures a snapshot of heady obsessions: UK roots and dub pressure channeling echoes of Jah Shaka, Jamaican dancehall’s roughneck energy, and a wide selection of experimental electronic influences from the early 80’s to the present day.

                                      Motion Exchange delivers a weighty steppers sound that honours its roots while pushing into bold, forward-thinking territory.

                                      Like Element’s sets, this is music for the rig but has layers of detail that reveal themselves on repeat listens and in selector tradition, the EP offers multiple versions for extended play.

                                      A further milestone in MAL’s journey, with Takakura charting heavy new territories in modern dub. RIYL 5 Gate Temple / Bokeh Versions / Lord Tusk / Seln etc.

                                      STAFF COMMENTS

                                      Matt says: Jon K on the artwork, Miles Whittaker on the mastering... we knew there was summat special afoot! Future-steppers and deconstructed dancehall that'll have you hooked.

                                      TRACK LISTING

                                      A1. Motion Exchange
                                      A2. M-00
                                      A3. M-00 Pt. 2
                                      B1 Longest Summer
                                      B2. Longest Summer Pt. 2
                                      B3. Handdara Dance

                                      The saga of squelch continues. After the first round proved that the acid line might be the most durable cliché in dance music (and still the best one), part two turns the resonance knob a little further.

                                      Steve Bug & Stefan Braatz, Deetron, Todd Osborn, and Mathew Jonson with The Mole join forces for another ode to the silver box - less museum piece, more perpetual motion machine. Proof that you can't retire a sound that never had a desk job.

                                      Once again, Gasius supplies the visual psychedelia, while the tracks handle the auditory side of the trip. Dial 303, accept the charges, and remember: the only thing more reliable than acid is its ability to surprise you.

                                      STAFF COMMENTS

                                      Matt says: Five more producers worship at the church of 303 as Running Back's Acid Sampler series continues in earnest. Some big names on this one!

                                      TRACK LISTING

                                      A1. Deetron - Acid Choir
                                      A2. Steve Bug & Stefan Braatz - Simplicity
                                      B1. Todd Osborn - Rain
                                      B2. Mathew Jonson & The Mole - Acid Swing

                                      Five classic house tracks written and produced by Dan Piu in the 90's but not proper released till now. We've a right soft spot for Dan here at HQ - somehow the Swiss producer manages to occupy the sonic space between James Stinson's  The Other People Place and the bleeps and bass of Nexus 21. Or, if you like, he takes the best bits of Detroit techno and UK bleep and distills it into his own evocative formular as pure and crystalline as the mountain air of the Alps... Very nice!

                                      STAFF COMMENTS

                                      Matt says: Spectacular selection of tracks that I'm simply refusing to believe Dan recorded in the 90s - they're that good!

                                      TRACK LISTING

                                      1 Star Rain
                                      2 Lunar Dance
                                      3 Dirty Phase
                                      4 Raindrops (feat. Roger Versey)
                                      5 Beeps

                                      Matt White and Paul Baines have been crafting unconventional, emotionally charged late-night electronic grooves since first crossing paths in the early '90s. Though their journeys took them in different directions for a time, the pair have recently dusted off their beloved synths and drum machines, diving back into the studio to produce a fresh wave of tracks inspired by the golden era of UK techno - a sound that helped shape global dance music culture. With their second release on Cyphon the duo are clearly hitting their stride once again. Channelling the spirit of their hometown, Sheffield & serving up raw, soulful machine music that feels both timeless and deeply personal.

                                      STAFF COMMENTS

                                      Matt says: Cyphon continue to turn heads move bottoms around these parts with a strong roster showcasing the more sophisticated and adventurous side of the contemporary electro cannon. Super strong stuff from this label at the moment - check!

                                      TRACK LISTING

                                      A1 - High Rise
                                      A2 - Airborne Avenues
                                      B1 - Nebula
                                      B2 - Deep Impact
                                      B3 - Robot Interlude

                                      Audiotech is one of the many visionary aliases of Juan Atkins, the Detroit pioneer widely recognized as one of the originators of techno. Originally released in 1987 on Express Records, "I'm Your Audio Tech" captures a crucial moment in the evolution of electronic music -- when raw machine funk and futuristic minimalism merged to form the Detroit sound. Now, nearly four decades later, this classic returns newly remastered and presented for the first time on Metroplex, the label founded by Atkins himself. The reissue preserves the deep pulse and metallic warmth of the original, giving new clarity to its hypnotic basslines and mechanized rhythm patterns that defined an era of innovation. A timeless piece of Detroit's musical DNA -- meticulously restored for a new generation of listeners and collectors.

                                      STAFF COMMENTS

                                      Matt says: Absolutely pioneering piece of machinefunk from 1987 (!!) that still sounds unbelievably current today, nearly 40 years later! Juan Atkins is surely a cosmic techno timelord?!

                                      TRACK LISTING

                                      1 Im Your Audio Tech
                                      2 Im Your Audio Tech (tech Mix)

                                      Toolroom’s next Sampler showcases 4 big releases from Hatiras, Mark Knight, Roland Clark, Alaia, Gallo, Illyus, Barrientos and Gene Farris.

                                      TRACK LISTING

                                      A1. Hatiras – Hypnotized
                                      A2. Mark Knight, Roland Clark - Televised
                                      B1. Alaia & Gallo - Lipstick
                                      B2. Illyus & Barrientos, Gene Farris – Problems

                                      Sophisticated Soul Legends

                                      Hang Onto Your Love / No Ordinary Love: The Instrumentals

                                      US label Lovers Rock Recordings is back with more sophisticated soul sounds from a bona fide legend. There is no deep digging involved for the source material here, but that's not to say the results aren't still essential. First up are the beautifully horizontal grooves of 'Hang Onto Your Love' with dancing keys adding a little playfulness up top and syrupy bass melting the heart from below. On the flip is 'No Ordinary Love' which is an even more slow, immersive sound with gloppy bass and drawn out chords all slowing time and softening reality. No brainers for late night lovers.

                                      STAFF COMMENTS

                                      Mine says: Vol. 1 of the new Sophisticated Soul Legends series was a big hit with you lot and although this one features no vocals, it's no less of a hit. Whether you're a Sade fan or not (and why wouldn't you be...), if you like a bit of late night melancholy (and why wouldn't you!!) then this needs to be in your collection. The instrumental of No Ordinary Love is particularly outstanding if you ask me.

                                      TRACK LISTING

                                      Hang Onto Your Love (Instrumental)
                                      No Ordinary Love (Instrumental)

                                      There is some real mystery around this new 12". Even Google has no clues as to the artist or the tune. 'By The Way I Like Your Pants' could be brand new or 40 years old - it's a funky disco cut with great instrumentals and a serious vocal that rides the great basslines and hip-swinging clapping, but one thing is for sure, it's a real edit master who has set to work on it. A dub version is included with extra fat bass and then the instrumental takes it back to the irresistible groove.

                                      STAFF COMMENTS

                                      Mine says: Another big stomper on the newly founded King Of Nothing and this one's definitely going on the list of best edit(ed) track titles...

                                      TRACK LISTING

                                      Side 1
                                      By The Way I Like Your Pants

                                      Side 2
                                      By The Way I Like Your Pants (Dub)
                                      By The Way I Like Your Pants (Instrumental)

                                      Swedish DJ, producer and songwriter Johan Blende debuts on Hell Yeah with a journey to the heart of a grown-up dancefloor in the Med.

                                      Blende is a master of mixing up retro 70s and 80s sound into modern dancefloor delights. He's been doing it for two decades on a wide range of cultured labels from Studio Barnhus to Eskimo, always with a rare charm and leftfield perceptive. With this EP, he taps into the magic of hazy afternoons turning into euphoric evenings by the sea.

                                      'Off To Mallorca' jangles with taught bass notes and sunburnt vocals. Distant synths glow, the jumbled percussion injects just the right dose of ass-wiggling funk and this playful yet sophisticated cut builds toward a blissful rapture. 'Television' ups the ante with prickly acid panning about the mix over sleazy, low-slung drums. Tension simmers as edgy synth motifs stalk the groove and anticipation builds before the whole thing explodes into a cosmic disco payoff. It's raw, unpredictable, and perfect for when things start to get a little weird.

                                      'Como No Brasil' gazes skyward and basks in a wash of shimmering melodies and breezy, wordless vocals that drift like clouds over layered, sun-drenched rhythms. It’s a dreamy, tropical float until a surprise acid storm rolls in and moves things from tranquil paradise to dancefloor hypnosis. Finally, 'Carousel Bagatelle' is a?layered, late-night trip that feels both playful and introspective. Hypnotic synths swirl around screwy acid lines and supple, dubbed-out house drums that spin you into a daze.

                                      Blende’s debut on Hell Yeah lands like a postcard from a perfect party - sun-dazed, acid-kissed and endlessly replayable.

                                      TRACK LISTING

                                      A1. Off To Mallorca
                                      A2. Television
                                      B1. Como No Brasil
                                      B2. Carousel Bagatelle

                                      SOPHIE

                                      OOH / GET HIGHER

                                      SOPHIE’s ‘OOH’ and ‘GET HIGHER’ are now available as a double A-side 12" vinyl. This release follows the single-series packaging format used for the other singles from PRODUCT: one track and slide image per side, black vinyl in a black inner sleeve, screen-printed with a white SOPHIE logo housed in a clear archive bag.

                                      Earlier in 2025, Numbers marked 10 years since SOPHIE’s game-changing singles collection PRODUCT, with a special edition featuring 11 songs across Deluxe Vinyl and Compact Disc.

                                      SOPHIE classics ‘BIPP’, ‘LEMONADE’ and ‘VYZEE’ were joined by two immaculate PRODUCT-era songs ‘OOH’ and ‘GET HIGHER’ recorded and produced at the time, each with colourful single artwork completing the set.

                                      ‘OOH’ is one of SOPHIE's earliest productions that has been through several revisions since 2011. It was one of three original tracks that Numbers had signed when SOPHIE uploaded the song alongside 'BIPP' and 'ELLE' to her Soundcloud, and while it had been through several iterations and speed changes, this finalised version was completed by SOPHIE in 2019.

                                      SOPHIE once described ‘OOH’ as “hi tech club dance pop”. Musically speaking, the earworm hook is carved out by her signature portamento-infused synths and candy-coated lyrics, a firm cult classic approved by AG Cook and Charli XCX. Initially titled 'MAKE RESPECT', the track was first performed live by SOPHIE in 2011 to a handful of lucky people at a beach afterparty surrounding Sonar Festival, Barcelona and later that year at Manhattan's New Museum. The vocal was recorded as the first track in the same one-day recording session as SOPHIE's debut single 'NOTHING MORE TO SAY', released on the Huntley & Palmers label, where Sophie's songwriting was performed by the London vocalist Jaide Green.

                                      The genesis of the ‘OOH’ and ‘NOTHING MORE TO SAY’ recording session is lore-worthy in its own right: after watching Jaide Green perform live with Olly Murs during the sixth series of The X Factor in 2009, SOPHIE reached out and invited Jaide to record in her home bedroom studio.

                                      ‘GET HIGHER’ was born during joyous sessions in 2013, when SOPHIE’s beat was introduced to the vocalists Cassie Davis and Sean Mullins. The track feels like a visionary precursor to ‘Vroom Vroom’, and doesn't sound out of place next to the sub-clang intensity of SOPHIE’s ‘HARD’ and ‘MSMSMSM’. Striking a playful balance between blissed-out hyperpop and club-ready Atlanta trap, it showcases SOPHIE’s signature, laser sharp sound design. Originally released as a bonus track on the Japanese CD edition of PRODUCT, ‘GET HIGHER’ has remained a hidden gem.

                                      STAFF COMMENTS

                                      Matt says: The final missing piece of the Sophie jigsaw is made available and it's a double header so telling of the pioneering producer's fine hands that Sophie fans will 'shake it up and make it fiiiiizz!'

                                      TRACK LISTING

                                      A1. OOH
                                      B1. GET HIGHER

                                      Shimi Sonic

                                      Coolage / Our Time

                                      Un Own is a freshly minted label founded by, we're told, familiar-but-unfamiliar figures and designed as a home for DJ- and collector-friendly edits and remixes. The debut release comes from seasoned remixer and beatmaker Shimmy Sonic. These jams have already been tested on discerning dancefloors and 'Coolage' kicks off with elastic, low slung grooves that draw from classic soul and hip-hop sensibilities. The vocal is a real doozy that soars high. On the flip, 'Our Time' gets deep into downtempo bliss with psyched out guitars rising out of the mix to set the tone for Un Own's mission of putting out respectful reworks built for selectors and serious listeners alike.

                                      STAFF COMMENTS

                                      Mine says: What a delightful little record. Pasta Paul is on board too, though he did complain that there was an edit of one of the tracks on another 7" we had in not that long ago so he's sitting this one out... oh well, his loss!

                                      TRACK LISTING

                                      Coolage
                                      Our Time

                                      London-based DJ and producer Hilit Kolet is defining the sound of 2025’s fiercest dancefloors.

                                      With a stacked discography on labels like Rekids, Bush, COD3 QR and Defected, and a track record of private re-edits being picked up for official release, her reputation as the go-to name for high-energy, forward-thinking club cuts is undisputed.

                                      The brand new 'Hot M3ss Edits' series kicks off with three of HK’s most sought-after re-edits - once secret weapons in her sets - just in time for the party season.

                                      Limited pressing - grab them while they’re hot!

                                      TRACK LISTING

                                      A1. Do You Want Your Soul
                                      B1. Peace In The City
                                      B2. Clap Your Hands

                                      Vick Lavender Feat. P.Jehrico

                                      The L.O.V.E. Song (From Chicago To New York)

                                      South Street International return with the house goodness once again, reissuing Vick Lavender’s house anthem “The L.O.V.E. Song (From Chicago To New York)”. Originally self-released on his label Sophisticado Recordings by the Chicago producer and musician, this is one of those timeless deep house gems that’s become an underrated weapon for discerning DJs worldwide.

                                      Lavender – known for his work with Glenn Underground as part of the legendary Strictly Jaz Unit – has been shaping deep and soulful house for over three decades, blending world music, jazz fusion, R&B and more into a sound that’s both spiritual and deeply rooted in the dancefloor. Here he brings the best of both cities into one track: the soulful musicality of Chicago, the cosmopolitan polish of New York. Warm Rhodes, fluid percussion, and vocal refrains ride over a groove that’s equally at home in a dark basement session or a sunrise terrace set.

                                      With originals changing hands for eye-watering prices on Discogs, this official reissue makes this must have record accessible again. Lovingly remastered by The Bakehouse and presented on South Street International, This record is a must-have for fans of deep house, and anyone who believes in the eternal conversation between Chicago and New York.

                                      TRACK LISTING

                                      A1. The L.O.V.E. Song (From Chicago To New York) (Main Mix)
                                      B1. The L.O.V.E. Song (From Chicago To New York) (The Sophisticado Reloaded Mix) 

                                      Demi Riquísimo reveals the latest EP on his Semi Delicious imprint No Given Time featuring collaborations with Tesselate founders The Trip, stalwart of East London's Queer scene Michelle Manetti and Belfast favourite Hammer.

                                      With the signature Semi Delicious sound demonstrated throughout the package, the warm and groove-driven productions are designed with the dancefloor firmly in mind. Opening with the solo title track ‘No Given Time’, Demi sets the tone with lush synth work and lashings of 90s house flavour. Collaboration with The Trip ‘Infinite Room’ follows, with elastic basslines and an unmistakable blend of the artists’ sonic aesthetics, while ‘Only Love’ sees Demi team up with Michelle Manetti for a slice of joyous uplift with dreamy soundscapes. Closing out the EP is ‘Lime House’, in collaboration with Belfast’s Hammer, as the pair bring in prog-style chords and dizzying synths that take you well into the afterhours.

                                      “Collaboration is important because it opens you to new ideas and thought processes while learning new tricks and techniques,” Demi explains. “It’s also a lovely way to bond and build relationships with other producers.”

                                      TRACK LISTING

                                      A1. Demi Riquísimo - No Given Time
                                      A2. Demi Riquísimo & The Trip - Infinite Room
                                      B1. Demi Riquísimo & Michelle - Only Love
                                      B2. Demi Riquísimo & Hammer - Lime House

                                      JKriv’s much-loved Bedits series is now getting the vinyl treatment with a few choice selects from previously digi-only releases, as well as some fresh unheard heat. From 90s dance to low-slung R&B, loopy disco and bouncey house, this 4 tracker is a party from beginning to end. Straight from the bed and into the bag!

                                      TRACK LISTING

                                      A1. Breaks Them Free (JKriv Bedit)
                                      A2. Say Wut (JKriv Bedit)
                                      B1. It’s Freeky (JKriv Bedit)
                                      B2. More 2 Life (JKriv Bedit)

                                      Super Rhythm Trax welcome Orlando Voorn, a bonafide LEGEND of techno (with a career spanning over 3 decades) for a brand new, 4 track EP. Each track has that classic sound that OV is so good at. Box jam finesse. 3 out-there techno tracks and one wonky house masterclass, plus the vinyl is a very limited edition (only 250 copies exist) and in vintage FXHE style, playback occurs inside out (plays from the label outwards)! Don't sleep!

                                      STAFF COMMENTS

                                      Matt says: Proper got a soft spot for Voorn me! And faced with the prestige of Super Rhythm Trax vinyl-only imprint he doesn't disappoint! Wavy, rattling warehouse trax that ooze soul and sentiment. Few can tame the machines like Orlando!

                                      TRACK LISTING

                                      A1. Black Runtz
                                      A2. The Reckoning
                                      B1. Good
                                      B2. Churchhhh

                                      Liverpool-based DJ and production duo North 90 channel the raw energy of classic electro on their new EP, Panorama, via M.A.D Records. Fusing punchy drum programming, funk-laced basslines, and icy synth textures, the release pays homage to the genre’s old-school roots while keeping one foot firmly in the modern club landscape.

                                      TRACK LISTING

                                      A1. Panorama
                                      A2. Touch Me
                                      B1. Glass Hammer
                                      B2. He’s Mine

                                      As Moxy marks an incredible seven years as a trailblazing label, The label unveils Moxy Editions 9 — a four-track collection that captures the spirit of his DJ sets and the global energy of his dancefloor community. Already a highlight of the summer season, these records have been making serious waves across Ibiza and beyond.

                                      At the heart of the release is “Gypsy Woman (Moxy Edit)” — a track that started as a spontaneous edit for Darius’s own sets and quickly took on a life of its own. With re-recorded vocals from Holly Jazz and official publishing clearance, the track has become a defining anthem of the year.

                                      From DC-10 to clubs across Europe, the record has been met with full-room singalongs and explosive reactions. Early support from DJs including Prosper and Liam Palmer has further cemented it as one of the most in-demand edits on the circuit. Now officially released, “Gypsy Woman” arrives on vinyl, just in time for the label’s milestone birthday.

                                      Next up comes a standout comes from Harry Collett “Check up”. A longtime Moxy fan and emerging talent, Collett’s production has already earned support from MK and a growing roster of influential selectors. “Harryette” has been a staple in Darius’s summer sets, marking Collett as one to watch.

                                      Also featured are two more highlights from the summer — “Tengo La Musica (Crackazat Remix)” and “Never Let You Go”, both driven by irresistible samples and undeniable grooves. These cuts embody the energy and emotion of Darius’s signature club sound — upfront and built for the dancefloor.

                                      TRACK LISTING

                                      A1. Darius Syrossian Featuring Holly Jaz - Gypsy Woman
                                      A2. Harry Collett - Check Up
                                      B1. Darius Syrossian - Tengo La Musica (Crackazat Remix)
                                      B2. Harry Collett - Never Let You Go

                                      Over the past couple of years, Frits Wentink has blessed us with four releases as part of the FRITS X WOLF series. Each 12” showcasing Frits classy & impeccable productions. To round off this chapter WOLF and Frits present a special remix EP with fresh takes of their favourite tracks from the series.

                                      Up first is Bonafide legend, Ian Pooley with his exceptional take on the killer About You, even blessing us with some bonus beats.

                                      On the flip, Prince Palmer elevates Intentions into a peak time burner that is sure to turn any dancefloor into a frenzy. Rounding off the EP, Dominic Oswald lends his signature sound to Club Land, deep, groovy and hitting all the right spots.

                                      Another essential addition to the FRITS X WOLF discography. The previous releases haven’t stuck around for long so as always buy or cry!

                                      TRACK LISTING

                                      A1. About You (Ian Pooley Remix)
                                      A2. About You (Ian Pooley Bonus Beats)
                                      B1. Intentions (Prince Palmer Remix)
                                      B2. Club Land (Dominic Oswald Remix)

                                      Various Artists

                                      Toolroom Sampler Vol. 20

                                      Toolroom’s next Sampler showcases 4 big releases from Mark Knight, James Hurr, Roland Clark, Wh0, David Penn, CHANEY and Crusy.

                                      TRACK LISTING

                                      A1. Roland Clark, Mark Knight, James Hurr - Get Deep
                                      A2. Wh0, David Penn - La Fiesta
                                      B1. CHANEY - Prayer
                                      B2. Crusy - Kiki

                                      Fourth edition of the "Metro Jaxx" series: 303 copies, hand-numbered on purple vinyl. Six tracks of jacking acid house, rave and techno. KMRT makes his vinyl debut with the opener "Beez Waxx", all breakbeats and wonky 303 lines. Hacienda legend Jon Dasilva brings “Look At The Owl” which repeatedly builds and strips itself back, while Balkan mainstay Nightwave ends the A side with the frantic snares of Chi-town tribute “Bang The Rocks”. The B side opens with “Xtasy” in typical Acidulant distorted voices and acid lines, Hannah Holland goes high speed & high energy with the vocal talents of Kurtis Lincoln, and label boss Posthuman sees the collection out with dirty 303 & 707 action. 

                                      STAFF COMMENTS

                                      Matt says: Balkan Vinyl dish out volume 4 of their infamous Metro Jaxx series. Six more nodule bashers and rabid machine funk from a who's who of hardcore knob twiddlers.

                                      TRACK LISTING

                                      A1: KMRT - Beez Waxx
                                      A2: Jon Dasilva - Look At The Owl
                                      A3: Nightwave - Bang The Rocks
                                      B1: Acidulant - Xtasy
                                      B2: Hannah Holland Feat. Kurtis Lincoln - In Fa Me
                                      B3: Posthuman - Make ‘Em Go

                                      Marvin Gaye

                                      Music - K2 Remix

                                      Dope house remix of Marvin Gaye's "Music" with a serious fresh and funky flavour! Guided by a confident wood block motif, Marvin's soulful vocals ride a bumpety, garage groove with style and finesse. 

                                      Sure to whip real house dancers up into a frenzy!

                                      Limited copies. 

                                      STAFF COMMENTS

                                      Matt says: Nice n naughty, under-the-counter refix tackle here for those vinyl house DJs that like to turn heads. Irfan Rainy I see you!!

                                      TRACK LISTING

                                      A. Music - K2 Remix

                                      Peach Discs’ last EP of 2025 comes from DJ & producer Leibniz. "Corridor" is a deeply heads-down, groove-forward record that casts an enveloping atmosphere across its minimal, tunneling arrangements built for dark rooms and long nights.

                                      Across the EP's four tracks, Leibniz (real name Moritz Paul) picks a vibe and runs with it – themes persist, the focus narrows and what we get is something approaching a mood. Drawing inspiration from early 2000s techno records from the likes of Archetype while combining the ambient warmth of Kompakt’s "Pop Ambient" compilations and GAS releases with the clarity and weight of early dubstep and 2-step, he dived into a process of self-sampling, resampling shorter demos and ideas into full arrangements.

                                      The pair of tracks on the record's A-side are made up of little more than razor-sharp percussion, billowing, restless pads and an infectious bassline, but it's the way these carefully considered elements are put together that do the damage on the floor.

                                      Flip it over and "Ten Ten" breaks the 4x4 spell for a moment, leaning into a heavily swung, garage-indebted sound inspired by the king of swing himself, El-B. Finally, "TTL" takes us back to the persistent, driving energy of the A-side, with just a hint of hardgroove flavour and the kind of wonked-out fx that's bound tio twist melons out in the club. 

                                      STAFF COMMENTS

                                      Matt says: Peach continue to keep dancefloors moving at accelerated tempos. Tasty release here from Leibniz which skirts dangerously close to full on techno energy.

                                      TRACK LISTING

                                      Corridor
                                      Poster
                                      Ten Ten
                                      TTL

                                      Foehn & Jerome

                                      Still Liquid

                                      Foehn & Jerome. Born in Austria and based in Berlin, Fabian and Christopher not only produce together, but also perform as a DJ team and run their own label entitled Perfumed Freedom. Here, for the long serving outlet of wonky tech house goodness Perlon, they conjure up two beautifully intoxicating slices of grooving excess. Granular delays, wet hats, thudding kicks and wavy pads all adding to the glorious sense of discombobulation and disorientation. Perfect for making dancers trip over their own reflections come 3am in the morning.... Recommended!

                                      STAFF COMMENTS

                                      Matt says: Suitably wavy but nonetheless direct and impactful tech-house bizniss from the intuition that is Perlon.

                                      TRACK LISTING

                                      A. Still Liquid
                                      B. Kutcher

                                      Three decades on from its original 1995 release, Todd Terry’s 'Devil’s Dance' still burns with the kind of manic, floor-filling energy that defined the early years of Hard Times. Now, Todd and the label return to the track, inviting a trio of today’s most vital club architects to rework one of Todd's most incendiary productions for a new generation of dancers.

                                      Following a year that saw Chris Stussy and Dan Shake breathe new life into 'Bounce to the Beat,' Hard Times closes out 2025 with 'Devil’s Dance (Remixes),’ a collection that bridges old-school grit and new-school heat. Rossi., Demi Riquísimo, and Cinthie each bring their own distinct combustion to Todd’s iconic organ riffs and bulbous bassline, reframing the track through London, Berlin, and Balearic prisms.

                                      Rossi leans into the city that raised him: “It’s been a real pleasure to remix such an iconic inspiration for me as an artist. Todd is a legend and part of the reason why we have the culture of music we have today. I wanted to bring my remix back to my London roots - a UKG skippy, warpy approach that still carries those iconic chord riffs.”

                                      STAFF COMMENTS

                                      Matt says: Fresh set of remixes alongside the original of this Todd Terry staple. Really feeling that bassline Rossi version!

                                      TRACK LISTING

                                      A1. Devil's Dance (Rossi. Remix) 
                                      A2. Devil's Dance (Cinthie Remix) 
                                      B1. Devil's Dance (Demi Riquísimo Remix) 
                                      B2. Devils Dance (Original Tee's Mix) 

                                      Full expanded 12" from Tuff City Kids who gift us three new tunes with numerous remixes to keep us hooked from to finish!

                                      "R-Zoner" gets us underway with 'nuff bleeps n bass to keep ya average Sheffield old skooler happy. Wrapping it up in a slick and highly kinetic groove that's as crisp as it is sticky. Nice!

                                      "Jungle Raver" is a moody, piano-led number with another big bassline to test the subs. Add a 90s-themed flute melody and you've got a nice slice of retrotastic warehouse music, perfect for as we edge towards the mid-session. (No idea why it's called "Jungle Raver" tho - Ed). The track gets remixed by Down-E Mix 2 who keeps the heady and rose-tinted spirit of the original intact as they inflict their own smiley-based influences onto the track.

                                      Onto the B-side and the tribal and slightly proggy "Nrg Zone" gets aired out proper across three high impact versions; our favourite of which is the "Happy Again" mix which sounds like vintage Nexus meets Deepdish!


                                      STAFF COMMENTS

                                      Matt says: TCK deliver an e-soaked, high energy set that has main room written all over it. Laser guided fun for all with big drops and bigger beats.

                                      TRACK LISTING

                                      A1. R-Zoner (Groover Klein Milk! Mix)
                                      A2. Jungle Raver (Mix 2)
                                      A3. Jungle Raver (Down-E Mix 2)
                                      B1. Nrg Zone (Moody Re-Mix)
                                      B2. Nrg Zone (Moody Again Mix)
                                      B3. Nrg Zone (Happy Again Mix)

                                      UK-based DJ and producer Wallace debuts on Phantasy Sound with an irresistible double A-side single, ‘Cravings (ft. Love Letters) / Concourse.’ Bubbling with sensuality and euphoria, both tracks reinforce Wallace’s burgeoning reputation as one of electronic music’s most impressive new voices, a crowning moment on Erol Alkan’s long-running label following a stellar run of singles for imprints including Cooking With Palms Trax, Rhythm Section, and Moxie's much-loved On Loop.

                                      Led by a longing, inquisitive performance from vocalist and underground house music luminary, Love Letters, ‘Cravings’ builds from a simple throbbing bass line to an eruption of lyrical and musical joy. Exploring onset desire – risk, uncertainty, and ultimately, reward – Wallace’s deep and celebratory arrangement interweaves with Love Letters’ queer perspective to deliver universal satisfaction.

                                      While ‘Cravings’ looks inward to find release, ‘Concourse’ goes for the jugular with a darker, more epic sensibility than Wallace has previously indulged. His flawless production touch seamlessly gifts magic to a widescreen techno epic that might not sound out of place on the terrace at Circoloco or else a field near early-nineties Frankfurt, repeatedly working his acid-oriented machines into a lather and conjuring cosmic drama from eerie, choral voices beneath a powerful groove.

                                      STAFF COMMENTS

                                      Matt says: Another producer who seemingly refuses to leave the studio at the moment (gotta admire the work ethic of these kids!). For the always-on-point Phantasy Sound the Shrewsbury upstart delivers one moody acidic bubbler and one highly combustible ball of late night club fire.

                                      TRACK LISTING

                                      A. Cravings Ft. Love Letters 
                                      B1. Concourse 
                                      B2. Cravings (Dub) 

                                      Eddie C's Disko Universal continues its run of deep and diverse releases with 'A New Chapter' EP from Southside Chicago legend Ellery Cowles and Austin up-and-comer Open Soul...

                                      Ellery Cowles lives house music. He's rocked it with Lil Louis, Roy Davis Jr, Steve Poindexter and the Chicago Bad Boys.

                                      Here we dive straight into Midwest territory - raw machine funk, smoky house grooves, and the kind of no-nonsense acid you'd expect from someone with DJAX and Cajual credentials.

                                      Timeless, floor-ready material from true craftsmen - deep groove, no filler. Sounds like the kind of record you'd pull from a beat-up crate in a corner of Detroit Threads and never put back.


                                      STAFF COMMENTS

                                      Matt says: The very versatile Eddie C joins forces with Ellery Cowles for an exercise in highly kinetic, stripped back warehouse trax.

                                      TRACK LISTING

                                      A. Use Your Force
                                      A. I'm Sorry (edit)
                                      B. Breakpoint
                                      B. I See Zion

                                      Quadratschulz's return to the Clone Dub Recordings series. A sonic ode to the city of Tokyo. 6 beautifully crafted tracks, with rhythms and melodies coaxed from Japanese electronics with more than a nod to our own fervent braindance / Cornish acid scenes here in the UK. Pristine 303s, squelchy analogue bass, echoed breaks, vintage drum machines... you know alllll that good stuff ;)

                                      RIYL: Radioactive Man, Ceefax Acid Crew, Legowelt, RX-101, "Analord"-era AFX etc... Most recommended! 


                                      STAFF COMMENTS

                                      Matt says: Mmmmeg-ohh selection of 303-guided acid, braindance and electro from a true wizard of Roland's famous bassline generator. Proper!

                                      TRACK LISTING

                                      01 Haneda Express
                                      02 The Garden Of Evermod [Shoseien Version]
                                      03 Hyouchakusen Interlude
                                      04 Echigoya Funk
                                      05 Statue Of Chuken Hachiko
                                      06 Hadoken Outerlude

                                      Italoconnection VS. Tyrell Corporation

                                      All I Want Is You

                                      It was 1985 - or at least it felt like it. The chrome skyline of Neo-Milano shimmered in the dusk light, skyscrapers pulsating to the beat of neon advertisements, casting glowing reflections across the silver canals below. In this retro-futurist-old city in Italy called Milan, half modern Rotterdam the Netherlands caught between timezones of nostalgia and tomorrow, the nights were long, the music was loud, and everyone was searching for something real. Fred Ventura was wearing his black leather jacket and was singing loud in his favorite key. It was perfect for his voice!

                                      A super hit in the old Tyrell style, already played by Moustache label boss David Vunk at several festivals and underground club nights for some time. Expect the old analog feel basslines, Roland Jupiter 8 strings and Linndrum sounds. It goes deep, it's pure Italo singalong.... be fast, super limited copies! 


                                      STAFF COMMENTS

                                      Matt says: We've waited all year for this amyl-soaked fist-pumper bridging the Milan-Netherlands electro-disco connection. Thankfully, it doesn't disappoint! Already doing the rounds at Red Laser HQ....

                                      TRACK LISTING

                                      A. All I Wnt I You (Vox)
                                      B. Alll I Want I You (Instrumental)

                                      Beatrice M

                                      Eurotrash EP

                                      New Tempa by Beatrice M, bridging the English Channel with skitty drum programming, precision wubs and French-language sound bwoy shout outs. Features a collaboration with Soa420 which is as intoxicating and evocative as the rest of the EP with ghosted perc artifacts fluttering against pillars of bass and kick drum thuds that'd please yer average black metal kid. Wonderful stuff.

                                      STAFF COMMENTS

                                      Matt says: Really enjoying the Tempa resurgence of late with the label bringing forth new artists to deliver their own interpretations of bass and beats culture. Beatrice M brings forth a much welcome French sensibility to his wubs! Tres bien!

                                      TRACK LISTING

                                      A. Dresscode
                                      B1. Eurotrash
                                      B2. Wish (w/ Soa420) 

                                      Radiohop

                                      Zathura - Inc. Kaidi Tatham Remix

                                      Kaidi Tatham maintains one of the most prolific artists from the UK, he's been releasing music for 30+ years and has reached some form of cult status amongst many musicians. Seen as one of the key players in the broken beat movement, he collaborated with everybody from Bugz In The Attic, Dego, IG Culture, Andrew Ashong, to DJ Jazzy Jeff, Patrick Gibin, Volcov and the likes. For this special release he remixed the young Amsterdam-based group Radiohop, who are a quartet playing groove-based jazz, with influences from hip-hop, funk, fusion, broken beat & more. In the past 4 years they've made noise all across the country by playing in many venues, at festivals like Super-Sonic Jazz, and their stellar debut album 'All We Do' got really well received in 2024.

                                      "Zathura" has that moody and frenetic vibe synonymous with the young European players at the moment and indeed in line with what's happening in England's capital also. KT adds horns, harps and a rising, slowly elevating mood that hints at a more spiritual jazz-funk styled ride. Both versions are absolutely killer and show off a group at the peak of their skills. Ch-ch-check! 

                                      STAFF COMMENTS

                                      Matt says: Do not underestimate the bruk-out power, soul and emotion contained within this humble 7"!! Elevating in parts, mellow in others, jazzy AF throughout. Radiohop and Kaidi Tatham make perfect bedfellows!

                                      TRACK LISTING

                                      Zathura (Kaidi Tatham Remix)
                                      Zathura Original

                                      MAXED OUT MAXI EP OF THE HIGHEST ORDER FROM TAPES, HONOURING JAHTARI'S 20 YEARS OF D.I.G.I.T.A.L. BUSINESS IN FINEST STYLE...LOADED WITH RIB-8-BIT PRESSURE!

                                      Four digital dancehall scorchers with two accompanying 8-bit versions meticulously crafted with the soundsystem session in mind!

                                      Tapes has been spreading wonky saturated riddim goodness since his ground breaking “Hissing Theatricals” EP in 2009. Now, after a brief hibernation in the northern spawning pools, he’s spinning up his reels once again to present a new killer set of amphibian friendly, Nintendo’d sound system depth charges!

                                      The “Photos of My Frog EP” is croaking off with its oddly addictive namesake: a surefire pond party starter – Ribbit! Hopping along, the adorable but tuff “Cleat Skank” and its Gameboy driven pollywog follow, swinging their 8bit melody lasso till the cows come home. Yeehaw!

                                      “Ramp Up” on B is a dense and raw FM synth digi banger, sure to fry any nearby circuits, so best beware! “Back Cramp Riddim” then turns up the low end even more and swirls its drums and synths into the next delay vortex, warping into a pixelated 8bit conclusion.

                                      Whatever your taste in insects there’s something on this record for any lover of vintage dancehall and amphibious wild life alike!

                                      These are going to fly out - sticky tongues at the ready!


                                      STAFF COMMENTS

                                      Matt says: Bonkers but brilliant 8-bit reduxes alongside the more high fidelity OGs. Tapes and Jahtari always pushing the envelop of the digi-dub genre. Tip!

                                      TRACK LISTING

                                      Photos Of My Frog Riddim
                                      Cleat Skank Riddim
                                      Cleat Skank 8-bit
                                      Ramp Up Riddim
                                      Back Cramp Riddim
                                      Back Cramp 8-bit

                                      Aukio Sound Feat. John Follass

                                      Hode Medio / Sakpata

                                      Stripped-back dub techno, carried by ghostly, voodoo-haunted vocals. From Grand-Popo 2013 to Helsinki 2025, a slow burn across time and space that echoes both the work of Tikiman with Rhythm & Sound, and more recently The Bug and his projects with various rasta men, woman and sound bwoys (and gyals). Recommended! 


                                      STAFF COMMENTS

                                      Matt says: Heavyweight techno-dubs that nod to the great masters of the echo chamber.

                                      TRACK LISTING

                                      01 Hode Medio
                                      02 Hode Medio Version
                                      03 Sakpata
                                      04 Sakpata Version

                                      First release from Euphonic Alliances Ltd. on Femacosmé – Désiré Bonaventure (Rue des Garderies) and Vincent Ferrari (Cosi e Cosi); here they present Peace Is It In You, a 4-track EP born at the crossroads of their respective psychedelias.

                                      Between house, IDM, breaks, and ambient, this piece could be the post-Balearic soundtrack to an unknown shore – a vast liquid expanse, twisted by random tides under a multicolored sky from a day without night.

                                      Peace Is It In You unfolds in four versions – Original, Instrumental, Acapella & Dub; Euphonic Alliances Ltd draw inspiration from the 90s and invite you to a great celebration of swirling dream

                                      STAFF COMMENTS

                                      Matt says: Gat Décor on high grade benzos, THC gummies and fever dreams. An epic moment of opiated Balearic hypnosis

                                      TRACK LISTING

                                      A1. Peace Is It In You ?
                                      A2. Peace Is It In Instrumental ?
                                      B1. Peace Is It In Acapella ?
                                      B2. Peace Is It In Dub ?

                                      Rude Futures (AKA Danilo Plessow)

                                      Acid Reaction

                                      'Acid Reaction' is the first in a series of new releases frofom Danilo Plessow (MCDE).

                                      This marks his return to electronic music - having spent a lot of studio time in recent years recording on own, disco oriented, Space Grapes label.

                                      'Rude Futures' serves as a meta commentary on the realities of the modern digital age, the dawn of AI and its impact on art and society. Musically, it's a darker, more twisted turn to Danilo’s studio experiments - with a nod to early house and techno.

                                      STAFF COMMENTS

                                      Matt says: New alias from MCDE sees him delve into jacking acid trax territory. A departure from his recent disco forays, and even the sample based house that made him a household name; these are headstrong, primal warehouse cuts that sound best around 4AM with a club full of smoke!

                                      TRACK LISTING

                                      Acid Reaction (The Journey Mix)
                                      Acid Reaction (The Dub)
                                      Acid Reaction (Waking Dream)


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