Internationally acclaimed vocalist, multi-instrumentalist and composer
releases her new studio album featuring Floating Points, Kofi Flexxx & Carlos Niño among others, and produced by Shabaka Hutchings on Hutchings’ Native Rebel Recordings

Since graduating from Berklee College of Music, UCLA and Harvard, ganavya has quickly become a much-in-demand artist on the US scene who consistently confounds expectations. Hailed as “among modern music's most compelling vocalists” (Wall Street Journal), “most enchanting” (NPR) and "extraordinary" (DownBeat), ganavya has worked with an array of luminaries including the likes of Quincy Jones, Wayne Shorter and Esperanza Spalding and on new album like the sky, I've been too quiet she presents thirteen compelling tracks which showcase her ethereal voice and numinous energy. 

STAFF COMMENTS

Matt says: Ganavya enlists an all-star cast for this spellbinding and and enchanted LP which is like Alice Coltrane's "Turiyasangitananda" given a completely modern renovation. You can clearly hear contemporary wizard Shabaka Hutchings' production influence throughout, and Floating Points' Arp Odessey drizzling through "Seal" is a particular album highlight.

TRACK LISTING

Side A
Not In An Anthropological Mood
First Notebook Of Songs
Side B
Forgive Me My
Seal
El Kebda, Let It Go
We Made It To The Underpass
Side C
Our Mother Is Our Daughter Is Our Mother
(sister Said) Home Is A Direction
We're Still At The Underpass
Side D
Call It Luck If You Want To
Call Her By Her Name, Enheduanna
Growing Sense Of Wonder
I Walk Again, Eyes Towards The Sky

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Following her critically acclaimed, Mercury-nominated, debut album ëMessyí released earlier this year, Olivia Dean returns with a limited edition vinyl featuring live audio from her performance at Londonís Jazz CafÈ. Step inside a magical show from one of UK popís most original and versatile voices, featuring performances of The Hardest Part and Be My Boyfriend. This is a hot ticket not to be missed.

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This limited-edition MONO release of legendary jazz pianist Bill Evansí 1959 album ìEverybody Digs Bill Evansî is available exclusively on 180-gram vinyl for Record Store Day. A landmark recording, the album features Sam Jones (bass) and Philly Joe Jones (drums) and is Evansí second album on Riverside as leader. This new pressing features (AAA) lacquers cut from the original master tapes by Kevin Gray at Cohearent Audio and is pressed at RTI on 180-gram black vinyl. It is housed in a StoughtonÆ Tip-On Jacket and limited to 7500 copies globally.

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Gabriels will be releasing an exclusive Record Store Day LP - the 12" will include 5 live versions of tracks from recent Somerset House and Union Chapel gigs. 

TRACK LISTING

Side A
1. Private Dancer (Live From Somerset House)
2. Glory (Live From Somerset House)
3. Back To Life Feat. Jaila Simms-Garbutt (Live From Somerset House)
Side B
1. If You Only Knew (Live From Union Chapel)
2. Amazing Grace (Live From Union Chapel)

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Neon Green x6 trk LP Vinyl. Recorded @ Maida Vale in 2006.

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Blue Note Re:imagined was first released in 2020 featuring fresh takes on music from the illustrious Blue Note Records vaults recorded by a heavyweight line-up of the UK jazz, soul, and R&B sceneís most hotly-tipped rising stars. This incredible compilation includes artists such as Jorja Smith, Jordan Rakai, Ezra Collective, Poppy Ajudha and more. This new version of Blue Note Re:imagined, pressed exclusively for Record Store Day on Smokey Clear & Blue vinyl with new blue cover, includes an exclusive bonus track - Jorja Smith ñ Rose Rouge (Joy Orbison Remix). On itís original release Blue Note Re:imagined topped jazz charts around the globe and infuses the spirit of the new UK jazz generation into the legendary labelís iconic catalog, balancing the genreís tradition with its future and reflecting the melting pot of talent and diversity within the current scene.

TRACK LISTING

Side A: 1. Jorja Smith ñ Rose Rouge2. Ezra Collective ñ Footprints3. Poppy Ajudha - Watermelon Man (Under The Sun)4. JordanRakei ñ Wind Parade Side B:1. Skinny Pelembe - Illusion (Silly Apparition)2. Alfa Mist ñ Galaxy3. Ishmael Ensemble ñ Search For PeaceSide C:1. Nubya Garcia ñ A Shade Of Jade2. Steam Down, Afronaut Zu ñ Etcetera3. Blue Lab Beats ñ Montara 4. Yazmin Lacey - I'll Never Stop Loving You Side D:1. Fieh ñ Armageddon2. Mr Jukes - Maiden Voyage3. Shabaka Hutchings - Prints Tie4. Melt Yourself Down - Caribbean Fire Dance (Lewisham Drop)5. Emma-Jean Thackray - Speak No Evil (Night Dreamer) New Bonus Track: 6. Jorja Smith ñ Rose Rouge (Joy Orbison Remix)

Dave Lee's "AC Soul Symphony" alias has been releasing delectable and sultry disco since 2005 but reached his magnus opus in 2023 with the release of the "Metamorphosis" LP. Here we find two tracks handpicked from the album and delivered, for the first time, in a 7" format. The single starts much as the album does with the track "Windy City Theme", beautifully scored, recorded, and produced legato strings envelope the track, punctuated with horns and vocals reminiscent of a Love Unlimited Orchestra production. This version of the track has been rearranged, speeding up the pacing of the track and reaching the juicy parts in a really satisfying way. On the flip side we have the title track from the album "Metamorphosis", which is the first time the vocal version has been made available on Vinyl. A bass laden intro gives ways to glistening pianos and those signature strings (have we mentioned how good the strings are?). A more laid back and seductive track than the A side, but no less appealing. Again, due to the limitations of the 7" format, "Metamorphosis" has been expertly rearranged with loving care and attention.

STAFF COMMENTS

Mine says: As disco as disco gets (and therefore not for everyone) - but with a b-side like this who can possibly resist? Metamorphosis with its catchy motif and sultry vocals has me well and truly hooked.

TRACK LISTING

Windy City Theme
Metamorphosis

Missing out on that super-chill, uber-jittery minimal groove thing? Let’s get real, real Ghosted again.

An utterly unique guitar/bass/drums triad: the guitar sounds like anything but a guitar; bass and drums simultaneously insistent and relaxed. Telepathic group-think opens a window to fresh fields of fusion: funk-jazz heads, polyrhythmic skeletons, ambient pastorals, post-kraut drones and shimmering soundtrack reveries. A music of sustained tension and deep atmosphere, marked by subtle, shifting dynamics playing out in an open sound field.

Oren Ambarchi has been collaborating with the Fire! trio (Mats Gustafsson, Johan Berthling and Andreas Werliin) for over a decade – and both Johan and Andreas played on Oren’s Live Hubris as well. Oren and Johan began music-making together back in the early aughts – but it wasn’t until 2021 that the three of them got together to record music. That became the first Ghosted album. When they were done, it was clear they had founded a new group. A music of sustained tension and deep atmosphere marked by subtle, shifting dynamics, Ghosted was released in May of 2022 to psyched response everywhere; the trio embarked upon an ongoing series of concert bookings around Europe, with loads of other people in the world still hoping to have the chance to be in the room at the next show. Two years on, Ghosted has gone through several represses, now it’s time for the “dreaded follow up album”! Rather than go back to the well, the guys decided to tear everything down and start all over again, reimagining themselves from scratch.

Just kidding! As we’ve noted, Oren, Johan and Andreas have been playing together for years and years, developing an essential telepathy within their shared space. They get each other and feed each other’s music processes on an elemental level. Why change that? What made the most sense was to go back to Daneil Bengtsson at Studio Rymden in Stockholm for a couple days, then have Oren and Joe Talia mix and Joe master it at Good Mixture in Melbourne again, then get Pål Dybwik to do some well-distinctive cover art, and once more, call it a record.

That’s just what they did — and it should be no surprise at all that the new Ambarchi/ Berthling/Werliin album looks and sounds as engrossing as their debut, if not more so! Ghosted II has a definitively fresh quality radiating throughout. The mutual feeling among the three players goes deep, allowing for lots more to say every time they get together — a further recombination of elements, a new expedition through alternative angles... there’s always more, and incredibly, it’s all improvised, with next-to-nothing prepared going in and minimal overdubs after they’ve laid things down. References are shared in shorthand, with just a single word, like “Santana,” or “Police” acting as working titles for certain pieces on this record (have a guess!). It’s a disservice to call them jams: above and beyond the innate feel of the songs, there’s a strong sense of structure, informed by the band’s communal aesthetic, and edified immeasurably by their time spent in concert the last couple years.

As noted at the top, these guys balance their music improbably between a relaxed feel and a nervy resolve, as each member holds down their corner in an open sound field. Making Ghosted II, the band found that there’s a different kind of tension making something for an established project rather than the kind one feels making something for the first time — and they used this new variety, as before, as a kind of fuel — driving their terse minimalism fruit-fully through the process of succumbing to and then transcending guilty pleasures. Finding fresh territory in funk sketches, jazzy heads, ambient pastorals and droning soundtrack pieces, Ambarchi, Berthling and Werliin compellingly haunt a mad variety of spaces, leaving us wanting to get Ghosted II.

TRACK LISTING

En
Två
Tre
Fyra

5 years after his last and 3rd album, Lucas Arruda finally presents his long awaited new LP, "Ominira". Since the release of his first album on Favorite Recordings ("Sambadi" / 2013), Lucas Arruda Bhas clearly established himself as one of the most talented contemporary artists and composers from Brazil. His music is filled with fusion style, mixing influences and elements from his Latin musical background, with his genuine admiration for jazz, soul, pop and funk music.

Now a father and family man, he turned more deeply into his native influences when composing this beautiful new album. Fully composed and produced by Lucas, "Ominira" also features appearances from friends, local musicians and artists such as Italo Vinicius (drums), Thiago Arruda (guitars), Roger Rocha (sax), or Flavia K and Andre Motta on vocals.

'Ominira is about freedom, art and music. It's also about honoring my ancestors and my musical influences. I delved a little deeper into my African roots, in addition to Brazilian music and rhythms, and my longtime passion for soul / funk. After a long production process I feel like I made my best album. So, I present to you Ominara, a new chapter in my career. Have a nice trip!'

STAFF COMMENTS

Martin says: A brand new album from one of my favourite Brazilian artists. The soul, the funk and the Brazilian flavours all pouring out of every track.

TRACK LISTING

A1. Chant & Dance
A2. The Bravest Heart
A3. Novos Planos
A4. Outras Dimensões
A5. Abraço Pro Ed

B1. 4:28 Am
B2. The Mountain
B3. Ominira
B4. Projeções

Great music is often about chance meetings and impromptu creative sessions and so it is that Hell Yeah proudly serves up Sensory Blending, a new collaborative album from Italian collective Aura Safari and Finnish musician Jimi Tenor. The nine-track record is a lush and luxurious fusion of jazz-funk styles.

This glorious record came about after Tenor was playing a Hell Yeah party at Tangram in Perugia. Aura Safari were local and, in some free time the day before the gig, everyone jumped in the studio together. They had never met before but soon found plenty of free-flowing common ground and the result of that one-off session is now served up on this vibrant new album that brims with musicality, indelible melodies and subtly uplifting vibrations.

Tenor has toured the world and previously collaborated with the likes of Japanese master Calm. He is a psychedelic space-jazz-funk king, skilled musician, composer and producer who, since the mid-nineties, has released more than 25 albums and 45 EPs. Aura Safari is made up of bass, synth, guitar and keys players Lorenzo Francioli, Ruggero Bonucci, Nicola Pitassio Andrea Moretti, Lorenzo Lavoratori, Daniele Melloni and Nicholas Iammatteo, and they are label regulars who served up their sublime Island Dreams album here last year.

Says Jimi, who enjoyed his time in Perugia and adds that 'the studio session was 100% efficient. I showed up and we started to play. Almost all that was made was material that we could use for the album. I love to work fast. Quick brushstrokes. Finish! I was amazed at how intuitively the Aura Safari guys could come up with new parts for songs. I mentioned some feeling or approach and they seemed to find it just like that.'

'Bodily Synesthesia' is the seductive opener with steamy sax notes and gentle grooves that are topped by aloof vocal whispers. 'Lunar Wind' is another slow and steamy mix of jazzy keys and soulful vocal hooks, 'Bewitched By The Sea' is a more tropical and percussive number with majestic melodies and 'My Bluebell' picks up the pace with jazz-funk grooves and hustling chords. 'Last Waltz In Perugia' has freeform sax lines soaring over meticulous drums that ebb and flow and 'Gimlet' brings a playful, samba-tinged rhythm and sunny flute leads straight from South America. There's a laidback, carefree mood to 'It's Too Easy To Love You' while 'Your Magic Touch' is a dancey number that exudes melodic joy, and 'Indigo' closes in dramatic fashion with a conversational sax that sticks long in the memory.

Sensory Blending is a seamless fusion of collaborative minds from Aura Safari and Jimi Tenor and it could well be performed live at some special select shows later in the year.

TRACK LISTING

A1. Bodily Synesthesia
A2. Lunar Wind
A3. Bewitched By The Sea
A4. My BlueBell
B1. Last Waltz In Perugia
B2. Gimlet
B3. It's Too Easy To Love You
B4. Your Magic Touch
B5. Indigo

Soul Jazz of the First Order from Robert Dubwise Browne with two epic takes on tunes that should be in every DJ's grab bag of goodies. Sun Goddess originally by Ramsey Lewis and written by Earth, Wind and Fire's Maurice White together with a Ruff and Tuff version of the Grover Washington Jazz Funk classic "Mister Magic" featuring Jamaican Sax Man Dean Fraser. Guitarist Browne's appearance credits include the likes of his father Dennis Brown, as well as Gregory Isaacs, Beres Hammond and Toots Hibbert.. Produced by Japanese Reggae Legend Hayassen for his label Vortex and signed up on first hearing by Jazz Room Supremo Paul Murphy. If you've got a dancefloor you need these tunes!

TRACK LISTING

1. Sun Goddess
2. Mister Magic

Leon Dinero returns with more rocksteady magic from producer Victor Axelrod.

Originally written and recorded by James Hunter, "Heartbreak" gets the Axelrod treatment, turning this mid-tempo R&B gem on its head. The laid back vocal and tasteful organ give "Heartbreak" a wholly fresh vibe whilst staying respectfully true to the original.

On the flip is "Cut Both Ways" an instrumental version courtesy of The Inversions. One listen and you'll find that these are some of the baddest musicians in the game.

TRACK LISTING

Side A – Heartbreak
Side B – Cut Both Ways

Arguably the very best soul singer alive, Lee comes correct with two massive tunes from his critically acclaimed Sentimental Fool LP.

With the deep piano intro, frantic shuffle and pleading vocal Two Jobs has the conviction of James Brown with the swing of Bobby Bland. A sound very few folks could pull off, yet Lee triumphs with command and swagger in equal measure.

Save Your Tears for Someone New is a deep, dark ballad tailored-made for Lee’s ferociously soulful voice. A veritable masterclass in rhythm and soul.

TRACK LISTING

Side A – Two Jobs
Side B – Save Your Tears For Someone New

With his new album Y’Y (pronounced “eey-eh, eey-eh”), Amaro Freitas steps into a new realm of musical creation. A realm rooted in magic and possibility, and tempered by a sense of stewardship for the earth’s bounties. Side A serves as an expression of connection to the earth and to the ancestors, paying homage to the forest and the rivers of Northern Brazil with both the music and the album title, Y’Y, a word written in the Sateré Mawé dialect, an ancestral indigenous code that means water or river. And by bringing to life lessons he learned in the Amazon about the incandescent power of enchanted spirits who intervene on behalf of the community in times of struggle. On Side B, Y’Y shows the connections between the global Black avant-jazz community. Bringing together multi-instrumentalist Shabaka Hutchings, harpist Brandee Younger, bassist Aniel Someillan, guitarist Jeff Parker and drummer Hamid Drake, the music creates an artful conversation by weaving together jazz traditions from across the world, while staying rooted in the unique sounds and rituals found in Afro-Brazilian and Indigenous cultures. Freitas continues to intwine ancestral knowledge into music on Y’Y by bringing his fresh, “decolonized” interpretation of Brazilian jazz and sharing music that may well shatter our preconceived notions of what jazz can be.

TRACK LISTING

1. Mapinguari (Encantado Da Mata}
2. Uiara (Encantada Da Agua) - Vida E Cura
3. Viva Nana
4. Dancga Dos Martelos
5. Sonho Ancestral
6. Y'Y
7. Mar De Cirandeiras
8. Gloriosa
9. Encantados

1We are proud to present two unreleased sides from the late Queen of modern soul, and her Dap-Kings.

Recorded during the sessions for Soul Of A Woman and penned by sax stalwart and Daptone co-founder Neal Sugarman, "Don't Wanna Lose You" is a heavy slice of soul sophistication teeming with groove and vibe.

"Don't Give a Friend a Number" is a haunting, R&B tinged mover whose eerie background vocals provide the perfect backdrop for Sharon to take an unqualified lover to task.

TRACK LISTING

Side A – Don’t Wanna Lose You
Side B – Don’t Give A Friend A Number

An unreleased gem from the Come Around and Love Me sessions, "Here to Stay" is a gorgeously breezy ballad that will most definitely appeal to fans of the sweet soul output from our Penrose imprint.

A standout track from the aforementioned long player, "If You Don't Want My Love" delivers a one-two punch of class and style that harkens back to the sounds coming out of Motown in the late sixties and early seventies.

Coupled with Jalen's uncommonly soulful voice and lyrical prowess you have another top-shelf composition that can hang with the very best of 'em. 

TRACK LISTING

Side A – Here To Stay
Side B – If You Don’t Want My Love

Woven around soul searching, cautionary tales and parables for modern life, the new album is the most accomplished yet by the Leeds / London collective, effortlessly fusing different soul, jazz and global styles with great musicianship and lyrics. “Freedom Fables reflects on the power of narratives. Each vocalist on this record explores their own memoirs, a freedom of expression underpinning our belief that music is the ultimate narrative for unity,” explains Tom Excell. “The record references a lot of music that we all loved during our formative years; you can hear touches of broken beat, blunted hip hop, highlife, Latin, jazz and UK soul running through the tracks.”

The album is also packed full with illustrious guest appearances: regular collaborator Cherise features on the brilliant ‘Tittle Tattle’, calling out gossip through acerbic nursery rhyming, the loping ‘Flow’ dealing with the ebb and flow of anxiety and the epic Brazilian jazz workout, ‘Keeper’; UK jazz saxman Soweto Kinch brings a burning alto solo and rhymes to the determined ‘Buckle Up’ alongside the band’s own vocalist Nick Richards as the track aims to “find the door to peace” among life’s challenges. “Soweto is a trailblazer of the UK scene both as an alto player and as a rapper with a unique flow and important lyricism,” reflects Tom Excell. “It was really important for us to invite him to contribute to the album.” Richards continues the “dust yourself off and find hope” theme on the rousing ‘Wipe Away Tears’; Ghanaian great Pat Thomas voices a gorgeous Accra meets London highlife jam; massive new vocal talent Ria Moran (a contemporary from the band’s time at Leeds College Of Music) steps up on the sensual ‘Morning Light’ tackling delicate complexities of the heart and long time friend of the band, KOG, brings his trademark full strength Afro dancefloor energy. 

TRACK LISTING

A1. Morning Light Feat Ria Moran
A2. Tittle Tattle Feat Cherise
A3. Ma Wonka Feat Pat Thomas
B1. Buckle Up Feat Soweto Kinch
B2. Keeper Feat Cherise
C1. If Only Feat Ruby Wood
C2. 24-7 Feat Ego Ella May
C3. Flow Feat Cherise
D1. Wipe Away Tears Feat Nick Richards
D2. If I Know Feat Kog

Audrey Powne's stunning debut album, From The Fire, is set to be one of those must have LPs in any music lover's collection. Something of an auteur release it features nine tracks all composed by Audrey, with all string arrangements and all produced by her. Audrey's decision to produce the whole album herself came from a desire to take creative control of her music and apply techniques developed from the influences of the producers she had previously worked with. If all of the above were not enough Audrey also wrote the lyrics for those tracks on which she sings, and as a multi-instrumentalist contributes piano, Rhodes and organ. She also features as a trumpeter with dextrous and soaring solos as evidenced by the two single releases so far; Feed The Fire and the title track, From The Fire. Due to be released by BBE as both a vinyl and on digital From The Fire is an album of Soul-Jazz with a serious environmental and social messages as well as one which blends classical music, hip-hop and influences from Roy Hargrove, Bill Evans and Herbie Hancock. Indeed it is Roy Hargrove's studio techniques evident in his work with the RH Factor that Audrey credits as a major factor in her producer role here. As well as her solo work, Melbourne born Audrey Powne has also worked as a session player with acts as diverse as Maceo Parker, Midnight Oil, Jimmy Barnes, Masta Ace and the Grammy nominated band The Teskey Brothers. With testimonies and positive reviews from Gilles Peterson, Earmilk, Bandcamp Daily, tracks on the Sunny Side Up compilation and performances on Boiler Room Audrey Powne is a supreme talent whose star is on the rise. From The Fire is destined to become a future classic.

TRACK LISTING

Disc: 1
1. Overture
2. Feed The Fire
3. Sleep
4. Interlude 1
5. Indigo

Disc: 2
1. Survive
2. Interlude 2
3. From The Fire
4. Souled Out

The terms "Afro-disco / Cosmic-disco" are used to describe various forms of African-influenced and Synth-based dance music with a particular method of DJing originally developed and promoted by a small number of DJs in Italy from the late 70s through the mid-80s, a freeform music-journey created with vinyl records, mixing and beat-matching a very diverse range of musical styles, from electro-funk to Brazilian-jazz, incorporating live percussion and effects. Pioneers such as DJ Mozart, Daniele Baldelli, Loda, Pery, Spranga, L'ebreo, Tosi Brandi, Lelli and venues such as Cosmic, Baia Degli Angeli, Typhoon, La Mecca, Chicago, Arlecchino to name but a few, had truly expanded and helped the development of the club-culture in Italy and subsequently in Europe. In his youth, producer and musician Gaudi was one of the punters who regularly attended these venues and followed the whole "Afro" scene, experiencing from the dancefloor that 90-110BPM hypnotic sound and subconsciously absorbing the essence of it. In fact, it is no coincidence that many of the productions he has released in his 35-year career have a strong Afro-influenced imprinting, the last of which is "Raha", the new collaborative EP released as a combo with Savana Funk, a vibrant tribute to what is considered one of the most exciting and original movement in the club scene.

This "afro-cosmic" 7" will be available next April 26 via Record Kicks on limited 500 copies edition crystal clear vinyl worldwide. On the A side the first single "Raha" that is driven by a solid "afro-cosmic" groove infused with an eclectic krautrock sound, very distinct and very psychedelic at the same time. A texture generated by analogue synthesizers and "space-funk" riffs from guitar and bass. RAHA means "Peace of mind" in Arabic, the native language of the Italian-Moroccan drummer Youssef, who also appears as a vocalist on this track. On the B side the groovy and sexy "OREWA" a funk track to dance to on the beach surrounded by a psychedelic-coloured sunset, with hypnotic guitar riffs that take us into a journey without time and without space.

Active since 2015, Savana Funk are one of the most sought-after "afro-funk" band in Italy, with hundreds of successful live shows nationwide including performances with Kokoroko, Seun Kuti and Nu Guinea, they have released 5 albums so far: 'Musica Analoga', 'Savana Funk', 'Bring in the New' 'Tindouf' and the latest 'Ghibli'.

London based music producer Gaudi has contributed to a number of albums nominated for awards and prizes such as: Grammy Awards 2019, with the album 'Mass Manipulation' by Steel Pulse), BBC's World Music Award, with the album 'Dub Qawwali' by Gaudi & Nusrat Fateh Ali Khan. His work and music contributions have topped international charts such as: Billboard Reggae Chart no.1 with the albums 'Heavy Rain' by Lee "Scratch" Perry, no.1 with 'Mass Manipulation' by Steel Pulse and again no.1 with 'Vessel of Love' by Hollie Cook. Studio works include name acts such as: Groove Armada, Simple Minds, African Head Charge, Lamb, Horace Andy, Brian Ferry, Don Letts, Grandmaster Flash, Afrika Bambaataa, Mad Professor, The Beat and more.

TRACK LISTING

1. Raha
2. Orewa

Not so long ago Marlena Shaw was a forgotten figure. The talented vocalist had made several LPs for respected labels such as Cadet and Blue Note, and she'd performed regularly throughout the '60s and '70s. But she hardly had what you might call diva status. Falling into the unfortunate category that slips uneasily between soul and jazz, she was accepted - but not especially admired - by aficionados of either genre. Then came the '90s, and an open-minded enthusiasm for soul and jazz - and more importantly - everything in between - soon changed that. Marlena Shaw became an icon, and the diva status soon blossomed amongst her new-found soul-jazz fans.

Respect is a word that means much to any singer. The artist who stands up in the bright lights before an audience that has handed over their hard-earned cash has only their physical presence and naked voice to rely on. There is no hiding when you're on stage, you're the focus of attention and everybody is gawping at you. The singer yearns to communicate and entertain, and in return not only asks for appreciation and acceptance, but respect. To this end Marlena Shaw has endured decades of singing in the shadows, and she has only recently finally found her niche.

On Disc One we have 'California Soul', probably the most enduring and well-known of her many songs, but just a few seconds listening will tell you that it is much more than that. It's already a classic amongst those who have already seen the light and have danced and swayed to its timeless swing. Upon hearing it all lovers of soul, jazz – or any other kind of good music - will feel an aural glow as warm as the Californian sun.

The song 'Liberation Conversation' on the flip was only ever available on her highly revered 1969 LP 'The Spice of Life'. This is where the 'Blues ain't nothing but a good woman gone bad' launches into an irresistible, relentless uptempo funk groove.

Disc Two showcases 'Wade in the Water', an ancient song rumoured to have been developed and popularised by slaves in the American south. The message is to pass on the notion that by fleeing in a bid for freedom through streams and rivers, the scent that bloodhounds use to follow their victims will be obscured. Marlena's version has long been a favourite dancefloor filler since its 45-only release back in 1966.

'Woman of the Ghetto' is one of her best-known songs and ends the set on the other side. The opening number from 'The Spice of Life', it's since been recognised for the classic it is, and as such has been afforded anthemic status. We release the original 45 version here, as used to promote the LP back in the day.

TRACK LISTING

1. California Soul
2. Liberation Conversation
3. Let's Wade In The Water
4. Woman Of The Ghetto

‘Live In France: The 1966 Concert In Limoges’ is a previously unissued live solo recording of the ‘Godmother of Rock n’ Roll’, Sister Rosetta Tharpe, captured at the auditorium of the Grand Theatre in Limoges, France on November 11, 1966.

This is an official release on producer Zev Feldman's new Deep Digs record label, in partnership with Elemental Music, and in cooperation with the Sister Rosetta Tharpe Estate and INA France.

Transferred from the original tape reels, this recording was restored and mastered by multi- Grammy award-winning engineer Michael Graves at Osiris Studio, with lacquers cut by the legendary Bernie Grundman at Bernie Grundman Mastering Studios.

TRACK LISTING

1. This Train
2. When My Life Work Is
3. Ended
4. Didn’t It Rain
5. Mother’s Prayer
6. Up Above My Head, I Hear
7. Music In The Air
8. Moonshine
9. Sit Down
10. Down By The Riverside
11. When The Saints Go
12. Marching In
13. Joshua Fought The Battle
14. Of Jericho
15. Jesus Met The Woman At
16. The Well
17. Two Little Fishes, Five
18. Loaves Of Bread
19. Travelling Shoes
20. Beams Of Heaven
21. That’s All / Denomination
22. Blues
23. Going Home
24. Go Ahead
25. Bring Back Those Happy
26. Days
27. Give Me That Old Time
28. Religion
29. If Anybody Above Me
30. Nobody’s Fault By Mine

SOLO 500 is back on their own self-titled label with the third entry in Galaxy Sound Company's series and again it digs deep into jazz-funk to turn out some killer breaks. Up first is the main theme from 1974's subway hijack movie The Taking Of The Pelham One Two Three and it is one with a funky, jazzy, high-octane sound that has been sampled by Company Flow, Mix Master Mike and many more. On the backside is an edit of a tune from Manfred Mann Chapter Three's self-titled 1969 LP. This one has been famously sampled by The Prodigy. Another great little 7".

STAFF COMMENTS

Andy says: Manfred Mann's "One Way Glass", which is the glass in question, is just one of those incredibly infectious, groovy late 60's classics with the greatest horn riff and coolest bass. Don't wanna spoil it by saying that you'll know it from samples and adverts, but I just have and you surely will. Doesn't make it any less brilliant though!

TRACK LISTING

1-2-3 (Edit)
Glass (Drum Breaks Edit)

An obscure late 80s double sided killer brought to light! Originally released as a 12 inch, this was dug out of a white label box by Planets head honcho on a North London digging mission. 1989 fusion of Lovers, Street Soul & Soundsystem music from T-Dynamix & Lisa Ellis. Originally based up North near Manchester!

STAFF COMMENTS

Matt says: As the months turn brighter and the clouds clear we look towards carnival season and this record in particular could cause more than a casual rukus at your local Mancunian sounds soundsystem. A huge single that traverses that golden boundry between reggae, street soul and lovers rock. Essential!

TRACK LISTING

A1. Alone
B1. Your Love

The rarest and best genuinely outsider soul 45 to come out of America (I know that's a controversial shout), Lee Tracy's super rare single outing from the outskirts of Nashville is a dream of something bigger that never came in time for him. A beautiful, haunting song cut to cassette with help from his friend Isaac Manning (on the Casio). Flipped with an almost unrecognizable version of Whitney Houston's hit "Saving All My Love For You" which stands all tall as what was the original B-Side. Beyond essential cut of outsider soul.

TRACK LISTING

1. Is It What You Want?
2. Saving All My Love For You

Strut present the first ever compilation series to access the archives of one of the greatest of all French Caribbean labels, Disques Debs out of Guadeloupe. Set up by the late Henri Debs during the late ‘50s, the label and studio has continued for over 50 years, releasing over 300 7” singles and 200 LPs, covering styles varying from early biguine and bolero to zouk and reggae. Debs played a pivotal role in bringing the créole music of Guadeloupe and Martinique to a wider international audience.

Volume 1 of this series marks the first decade of the label’s existence and takes in big band orchestras, home-grown stars, touring bands and a new generation that would emerge at the end of the ‘60s. Early releases were recorded in the back of Henri’s shop in Pointe-a-Pitre, from his own sextet playing percussive biguines to young saxophonist Edouard Benoit, leader of Les Maxels and regular arranger for Debs bands. Other artists ranged from big bands like Orchestre Esperanza and Orchestre Caribbean Jazz to poet and radio personality Casimir “Caso” Létang and folkloric gwo ka artist Sydney Leremon. Debs also capitalised on recording foreign touring artists visiting Guadeloupe during the early ‘60s including Haitian trumpeter Raymond Cicault and Trinidadian bandleader Cyril Diaz.

TRACK LISTING

A1. Daniel Forestal Et Sa Guitare – Ces P’Tits Je T’Aime
A2. Casimir Létang – Travail Z’Enfants! Chantez Après!
A3. Cyril Diaz Et Son Orchestre – Feeling Happy
A4. Georges Tinedor Et Manuela Pioche – Collié Et Zanno
A5. Henri Debs Quintet – Douce Kombass
A6. Joseph Lacides – Mr. Morin
B1. Geno Exilie – Lan Misè
B2. Dolor Et Les Diables Du Rythme – Salvana
B3. Sydney Lérémon Et Ses Amis Du Calvaire Baie- Mahault – You You Matayango
B4. Raymond Cicault Et Son Orchestre Volcan – À Mon Ami Lucien Jolibois
B5. Orchestre Esperanza Et Jean Leroy – Ou Pas Bel
B6. Henri Debs Sextet Et Paul Blamar – Moin Çé On Maléré
C1. Le Ry- Co Jazz – Si I Bon Di I Bon
C2. Remy Mondey – Meringue Mondey
C3. Henri Guedon Et Les Contesta – Van Van
C4. Les Shupa Shupa D’Haiti – Batterie Shupa
D1. Paul Blamar Et Vélo – Lovency
D2. Eric Virgal – Stanislas
D3. Les Aiglons – Les Aiglons Ka Satisfait
D4. Tutus De La Guyane – Nanao Nanao
D5. Guy Conquette – Assez Fait Cancan

For Remixes JID020, the label has tapped a few of their favourite contemporary artists and producers to offer their own take on the music of Series 2. The album features a variety of dynamic personalities with remixes from London based artists Shabaka Hitchins and Theon Cross, New York tastemaker Melanie Charles, LA based produces Bei Ru, Brazil's DK Nyack, Detroit based producer Tall Black Guy, Bay Area producer Mophono and the LA based house duo L.O. & Diisko.

The album earns its place in the Jazz Is Dead catalog as it further celebrated the spirit of collaboration amongst artists young and old. What unites these DJs, producers and musicians with the Jazz Is Dead ethos is their unbent dedication to remaining true to their own vibe and sound all the while preserving the energy and feeling of the original recordings.

TRACK LISTING

1. Tony Allen - Don't Believe The Dancers (Mophono Remix)
2. The Midnight Hour - Phoenix (Theon Cross Remix)
3. Katalyst - Reflections (Bei Ru Remix)
4. Jean Carne - Black Rainbow (Melanie Charles Remix)
5. Henry Franklin - African Sun (Shabaka Hutchins Remix)
6. Lonnie Liston Smith - Love Brings Happiness (Tall Black Guy Feat. Kaidi Tatham Remix)
7. Garrett Saracho - Altitude (L.O. & Diisko Remix)
8. Phil Ranelin & Wendell Harrison - Running With The Tribe (DJ Nyack Remix) 

Influential DJ, producer, radio-DJ and founder of the Acid Jazz and Talkin' Loud labels Gilles Peterson has handpicked his jazz favourites from the immense catalog of the Dutch jazz Timeless label. Included are Pharaoh Sanders' cosmic jazz "Moonchild”, vocal jazz from Carter Jefferson's "Why", danceable jazz from Tom Grant "No Me Esqueca", Art Blakey & The Jazz Messengers' "In Case You Missed It", making a total of 11 tracks. In 2015, Peterson put together a Japan-only CD compilation of 10 of his favourite tracks, but for this version, the track list has been augmented with the previously unreleased version of "Mode For Joe" by Cedar Walton Trio.

TRACK LISTING

1. Pharoah Sanders – Moonchild
2. Carter Jefferson – Why
3. Tom Grant – No Me Esqueca
4. Eddie Harris – La Carnival
5. Rodney Jones – Articulations
6. Art Blakey & Jazz Messengers – In Case You Missed It
7. Eastern Rebellion – Bolivia
8. Joanne Brackeen – Haiti B
9. Brian Melvin Feat Jaco Pastorius – Zen Turtles
10. Timeless All Stars – World Peace (Bonus Track)
11. Cedar Walton Trio – Mode For Joe (Previously Unreleased Bonus Track)