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MYSTICISMS

Emerging label Mysticisms breaches the all important five record milestone with a new record from antipodean producer Deep Dean. "Ocean Groove" comes in three fine flavours, starting off of course with the unadulterated OG. Rubbery, 'plastic pipe bass' (new term pop pickers!) drives the track - incidentally I need to remind you all that it's 10 years (yes TEN!) since Blackout Crew's genre defining hit "Put A Donk On It". Completely irrelevant to this record but I strongly remember the 'donk' preset emerging out of a need for 'wooden pipe bass'!!! - tying things together verrrry nicely...Anyway, also available are "Piano Mix" and "Basement Dub" flavours which do exactly what they say on the packet - adding piano sprinkles and dub inflections to the already very tasty main ingredients. Get stuck in! 

Oyvind Morken brings some fresh flavours for the Mysticism label, following promising releases on Full Pupp, LIES and Trushmix. Morken's prolific rise in, in part, due to his fabulous four year residency at Oslo club Jaeger. Often playing alongside fellow Norwegian luminary Prins Thomas, Morken has carved out a reputation as a unique and skilled selector, a repetition that's spilling into his production career too and has seen him set up a new label: Moonlighting.

Tribal and experimental are two words that describe the release, as we move through primal rhythms to more mechanized forms. Morken's keen ear for sound design and atmosphere is present from the off as enchanted and ethereal patterns and presets decorate the grooves. Stylistically, there's nods to techno, but at a more restrained tempo; while proto-house and electro moods are also explored - all with Morken's unique inflections and attitude. A sterling release!




Brian Bristol here remixed by Londoners FYI Chris and newcomer Nutrasweet. "Ear Candy" harks back to the classic days of New York house. Urgent and jacking it should recall heady nights dancing in the Sound Factory or at Twilo or even at our own Paradise Factory here in Manchester. Bristol's use of panning and echo really elevate the track, sending elements darting around the stereo field in a very inspiring. FYI Chris injects some of their SE-sensibility into the stems, addings some tasty swirls and tentative stabs before coating it in some glistening armour and stewing in rich plumes of bass. Both musically and texturally very profound. Nutrasweet, in this instance, does not refer to the aspartame containing sweetener but to a new producer, who transforms "Ear Candy" into a neo-tropical mallet jam, retaining the vox off the OG but otherwise making it a much more percussive and rhythmic affair. Great stuff by all involved!


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