Four more cuts that delve deep into low slung discoid deviance. Never letting the tempo dictate the energy, instead relying heavily on mood, obscurity and rhythm. The only one I recognize out of this lot is the Greg Wilson favourite "XR7 - xr7 instrumental"; but the other three cuts are equally enticing.
Essential stuff for those who like to get closer to the edit - RIYL: Andi Hanley, Greg Wilson, COMBI, Eros etc etc.