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BEFORE I DIE

As with most things, this project started with a conversation in the pub between me and Martin. As we discussed what J-Walk and BiD could do next we chatted about our mutual love of DIY, post-punk, reggae & (digi-)dub, how about using that feel as an initial jump off on the next thing and see how you get on? I suggested. As is his way Martin considered the suggestion, then promptly disappeared, 6 weeks later something landed in my inbox, it was titled “Broken Beauty” and the music contained embraced all those symbiotic ideals and culture.

Recorded entirely in Stockport using a mixed kit bag of cheap forgotten keyboards, guitar, bass and effects pedals, this LP takes the J-Walk aesthetic and applies the wider palette of these influences to create something unique, those past and present influences forged together to bring you something truly DIY - instructions below.

How To Make Such A Thing...

Deactivate social media. Ignore the internet, don't answer text messages, avoid other music, the telly and other people. This is a process where it's only you in the room with whatever's in your mind. You will be there for some time and the loneliness can hurt a little.

Forget any predetermined ideas. Forget everything you've ever done before. This is an opportunity to start from scratch, but with years of accumulated knowledge and craftsmanship. Trust yourself.
Be scared. Be excited about not knowing what will happen and what will result.

Don't use midi sequencing, virtual instruments or samples. Just plug a toy instrument into an amp, press a rhythm and play around to see what happens. If it sounds good and fresh then record it. Plug a bass in to jam around and you'll soon hear and feel what sits in the pocket of the beat. Record it as it is. Dirty is real and good. Cleanliness equals sterility. Loop the bassline. Plug a guitar in and do the same.

Don't think when doing any of this. Just experiment with interest and curiosity and the music will take care of itself. You will now have a groove which is also about half a song minimum. Play some keys from the toys on top of what you have. Put 'em through effects pedals. Again, don't overthink it and don't try to get it clean. Add sound effects in right and random places.

There you go. Something you've never made before. But more importantly, it's something you've never heard before.

You don't have to die to be reincarnated.

"Broken Beauty"...You can't be either without also having been the other. - Jason Boardman


STAFF COMMENTS

Matt says: It's here! And it sounds bloody MARVELLOUS! Like a punky-dubby-tropical-disco party - and everyone's invited! I challenge even the grumpiest acid house casulty not to crack a smile or shake a tail feather to this understated BEAUT of an album. Brew's done it again! All hail the legend...

TRACK LISTING

A1. Bubbles On The Line
A2. Janky Waltz
A3. Spring Well, Wellspring
A4. Black Lion Passage
A5. A Vision In Jade

B1. African Custard
B2. Botox Fomo
B3. Walking In The Sunshine
B4. Siz Pap Brick
B5. Monotropicalia

1983 post-punk / reggae masterpiece from Khartomb becomes the eighth release on Jason Boardman's indispensable BiD label! Khartomb's masterpiece "Swahili Lullaby / Teekon Warriors" was influenced by contemporaries of the time The Slits & The Raincoats and and was originally released on 7" on 23rd June 1983. A Balearic secret weapon now available for aficionados everywhere with local lads Synkro & Talking Drums bolstering the release outstanding reworks to boot.

Despite initial interest following their Peel Session & support from Melody Maker and Zig Zag the band were unable to capitalise & "Swahili Lullaby / Teekon Warrior" remains their only vinyl release until now.
40 years later, the tracks have been exclusively licensed by BiD alongside the previously unreleased Pat Nevin favourite "Daisy High". 

"Swahili Lullaby" is an under the radar post punk jam with killer drums, dubby bassline and spidery guitar, topped off by a haunting melancholic vocal.

"Teekon Warriors" is a deep ode to the fallen, dope drums, angular guitar, tribal drums and a sweet vocal.

"Daisy High" was dubbed by John Peel as 'Subversive MOR' who are we to disagree? A haunting, flute peppered slow jam with a bossa feel & a sick guitar lick.

Synkro's Balearic Dub of "Swahili Lullaby" takes the original version and sends it to a transcendental spiritual realm, creating a future classic for sunrises and sunsets for the next millennium. The Talking Drums Redub of the same track tweeks, extends & amps up the dub pressure to maximum psychedelic levels.

Support from JD Twitch and Essential Space. 

STAFF COMMENTS

Matt says: JB lifts the lid on a truly inspired slice of John Peel championed, post-punk-reggae from London. The story is as delightful as the music - and credit to Before I Die for sourcing something that's both a true curio and highly listenable. If the "Spiky Dread" compilation were to issue a second volume - this would have to be on it!

TRACK LISTING

A1. Swahili Lullaby
A2. Teekon Warriors
A3. Daisy High
B1. Swahili Lullaby (Synkro's Balearic Dub Mix)
B2. Swahili Lullaby (Talking Drums Redub)

Jason Boardman's Before I Die are back with a new selection in a relaxed & spectacular fashion.

Introducing KlangKollektor aka Lars Fischer, a solo project by the drummer with the Psychedelic Cumbia band Trak Trak from Nurnberg. This debut release from KlangKollektor has been developing for some time, liberated from Lars' hard drive and mastered by the Franconian Conny Plank - Frank Mollena (Bambi Davidson) the release channels the pioneering spirit of dub and places it in a present context. 

A stellar collection of seven dubwise tracks over 4 sides with a techno and Balearic influence that's been on eagerly awaited by all who caught onto the label head's contagious enthusiasm. 

All synths, programming, pianos, bass, percussion, dub mixing, editing & mixing by Lars Fischer.
Cover image courtesy of renowned German photographer - Thomas Bergner @thomas.bergner
Sleeve Design by Yasmin - Small Press @smallpressstudio
Final Mix and Mastering by Frank Mollena




STAFF COMMENTS

Matt says: Another heartfelt release from BiD. Klangkollektor take King Tubby's to the White Isle / Adriatic via the echo chambers of K&D or the futurist studios of Düsseldorf or Detroit. An intersection of sonic ley lines delivered in a languid, dreamlike state that takes you on a real head trip.

TRACK LISTING

A1. Garden Pond
A2. Lake Lounge
B1. Midnight Express
B2. Tabarca
C1. Evening Post
C2. Globulus
D. Baund

For BiD006 they've pulled off quite the coup, enlisting renowned artist Matt Sewell to release his fledgling audio project, Sewell & The Gong on the label.

4 guitar led mystical meanderings and deep meditations of cosmic transcendental psychedelic folk. Like his art, his music is very much inspired by nature, earth magic and cosmic wanderings. His 'A Crushing Glow' compilations are pretty much a defining list of inspirations. Never heard by anybody outside of the family home that all changed after Matt started working with Newcastle based multi-instrumentalist, fellow pathfinder and astral traveler Chris Tate. Combining forces Chris helped build a beautiful world for Matt's melodies to wander in, deep and lush and always, always positive.

It only feels right that this music now gets to stretch its legs in the outside world...

STAFF COMMENTS

Matt says: Renowned illustrator and nature advocate Matt Sewell unleashes his musical endeavour through local label of love - Before I Die. We couldn't think of a juicier pairing! Get those orders in!

TRACK LISTING

A1. Tonight We Fly
A2. Passing Oort Clouds
B1. The Stars In The Sky And The Stones In The Earth
B2. Better Words


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