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EMOTIONAL RESPONSE

Pye Corner Audio

Acid 1

Pye Corner Audio shows off his love of acid on the first of two EPs for Emotional Response that drop simultaneously. This first one is his debut on the label and comes with a gorgeous cover that perfectly encapsulates the sounds within. 'Dust Acid' is a sparse cut with dusty drums and meandering basslines that slowly sink you in, then 'Magnetic Acid Two,' which like all of these was recorded live, is another expertly reduced brew of murkiness with plenty of frayed edges and vintage analog sounds. 'Wanna Show U Acid' is a late-night acid dream and 'Magnetic Acid Four' shuts down slightly more bite. Four timeless backroom cuts, make no mistake.

STAFF COMMENTS

Barry says: Two stunning EP's of PCA acid mayhem. We've heard a little of his acidic excursions under the 'Head Technician' moniker, but this time has all of the bristling tension and building groove of classic 'cid with PCA's more recognisable saturated tape hiss business. 'Wanna Show You Acid' is particularly reminiscent of the Black Mill Tapes days. Amazing.

TRACK LISTING

Dust Acid
Magnetic Acid Two
Wanna Show U Acid
Magnetic Acid Four

Roy Of The Ravers

White Line Sunrise III (Part 1)

The return of "Roy Of The Ravers" is always a moment for Emotional Response. Alongside, the infinitely heralded debut that was the "2 Late 4 Love" EP in 2016 and the later "Emotinium ’23" remixes, there has been the "While Line Sunrise" series examining the ambient, experimental electronics meets braindance techno releases that showcased lost archives from the late 90s to today, here reaching the 3rd installment with 2 EPs of more machine-driven acid funk.

Following the grand expanse of double LP "White Line Sunrise II" and its subsequent double pack follow up "White Line Sunrise II.I (Le Roy Soliel)", "III (3)" aims predominantly for the dancefloor. The uplifting techno of opening "Primavera Anjo" and squelching TB303 of "Plant Earth" are premier Roy, hypnotic, percussive, psychedelic purity for the feet.

The flip allows head room for the mind, the deep chords and arpeggios of "G-Force" signal the vortex shift, before the cinematic, rolling breaks and double bass of "Glass Knife" sweep far and wide. Recording over 25 years ago, the changing time signatures highlight the influence of (modern) classical and even jazz on Roy, pulsing, permeating, and pushing his sound in the moment, music thought lost that is gladly now, again found. 

STAFF COMMENTS

Matt says: Roy's back and he's sounding as good as ever, delivering two volumes of fresh AF acid box jams in his own well-lauded style.

TRACK LISTING

A1. Primavera Anjo
A2. Planet Earth
B1. G-Force
B2. Glass Knife

The second part of Roy’s return to Emotional Response and the "While Line Sunrise" series dives further in old hard drives and DATs to unearth more lost techno for the brain, heart and feet.

Ensuing melody for driving beats, "Fenix Haus 6" is a TB303 blast. Electro meets acid, the focus is on the rhythm, percussion is pushed to the fore and the rest will follow. "Exit Ren8" brings some melody touches to the jacked-up ride, acid melodies ride classic Roy beats, programming for the mind and soul.

As with Part 1, here the flip expands the retinae of the found sound, "Cristia Theme" with flourishes of IDM and industrial touches, wrapped in a sheen of acid squelches and snap hats.

The series completes with the theme, the ambient meets kosmiche of "White Line Sunrise III". Minimalist keys against cathedral sweeps, motorik drums float in and are gone, a grandiose ending with, as always, a light hearted ending, Roy’s return is a welcome and an intriguing interlude. 

STAFF COMMENTS

Matt says: Probably my favourite of the two ROTR records we're lucky to received this week. Sounding both anthemic and underground in equal measure, heating up his mainframes till they're sizzling hot. There's no-one quite like our Roy!

TRACK LISTING

A1. Fenix Haus 6
A2. Exit Ren8
B1. Crista Theme
B2. White Line Sunrise III

You can never really pin down what the excellent Emotional Repose label does and that is exactly the sinking behind the title of its superb All Trades show on NTS. The sheer eclecticism of that show is now reflected in this new two-part compilation, also called All Trades, which offers up little morsels of what they do, something like a sonic tasting menu at a fancy restaurant. There is chugging electronic dub from Apiento & Tepper, industrial clatter from Black Bones, cosmic ambient breakbeat from Paperclip Minimiser and blissed out dub from Yamila & SoFa Elsewhere amongst many more highlights.

STAFF COMMENTS

Mine says: I love a good compilation and Emotional Response deliver not one but two superb ones in one go (Vol. 2 also out now!). Some seriously good selections from the downtempo realm!

TRACK LISTING

Side 1
1. Apiento & Tepper - "606 Dog"
2. Other Lands - "The Old Ways"
3. Datasal - "Sea Palace"

Side 2
1. Black Bones - "Tipping Point"
2. Froid Dub - "Item By Item" (dub)
3. Paperclip Minimiser - "Planarian Wormhole"

Side 3
1. Cosmo Vitelli & Die Wilde Jagd - "Elixir"
2. Amy Denio - "Fresh Fish"
3. Exotic Gardens - "Soundwaves & Dark Caves"

Side 4
1. Yamila & SoFa Elsewhere - "Yo Tampoco"
2. Valentina Magaletti - "Radio77"
3. Ocean Moon - "Light Vibrations"

Emotional Response returns with a second volume of its All Trades compilation which is named after its own NTS show. It is just as vast both in terms of style but also the eras it spans with a mix of dub, new wave, slow motion electronics and plenty in between. Tolouse Low Trax kicks off with the filthy dirty and seriously heavy dub glitch of 'Ossia' to provide an early highlight before the likes of Al Wootton get percussive and tribal with 'Altai' and HLM38 channels some African Head Charge on another devastating dub cut. Later on, London's Good Block brings a little more light and sunshine with their lovely 'Strong Relax.'

STAFF COMMENTS

Mine says: Volume 2 of 'All Trades' sounds just as exciting as its companion. This one's definitely more on the dubbier side so if that's your jam then don't snooze!

TRACK LISTING

Side 1
1. Tolouse Low Trax - "Ossia Dub"
2. T Woc - "Luminescence"
3. Al Wootton - "Altai"

Side 2
1. Iro Aka - "Generations"
2. HLM38 - "Mystery Train Riddim"
3. Jamie Paton - "Lost Margins"

Side 3
1. Good Block - "Strong Relax"
2. While My Sequencer Gently Bleeps - "Ready"
3. Anatolian Weapons - "Mountain Echoes"

Side 4
1. Shelter - "The Four Knights" (dub)
2. Zongamin - "GGANTIJA"
3. Akulina - "Waiting"

Luke Wyatt

Teen Hawk

As one of the rising stars of the East Coast US electronic scene, Luke’s Torn Hawk releases on the cult L.I.E.S records introduced his cut up and glitchy take on R&B and house that have recently edged deeper and darker in to the noise and techno realms associated with the likes of Demdike Stare and Regis.

This has been complimented by two recent DVDs, self-released under his own name. Mixing his day as a professional multi-media artist with his night as an increasingly experimental musician, they have gained considerable acclaim that can’t be pigeon holed as yet another Brooklyn house-head.

However, as his first white label debut EP testified, there is also an ethereal and at times (*cough*) Balearic feel buried deep within this music and it is here, on 'Teen Hawk', this is as evident as his drone-based pieces.

While the looping percussion and rhythms of 'Bertone Stratos' and 'I Recommend Starman' echo the ethereal beauty of Cluster and La Dusseldorf, they are also mixed with the darker ambient and loop-based 'Wrong Crowd' or 'Greystoke One'.

Riding throughout much of this is his beloved looped guitar and eye for a breakbeat. Never more evident that on the album closer, 'Time For Thick'. Here his influences mesh to create a swirling, blissed out, hip-hop meets Aphex MDMA anthem (minus the sexist gangster rap - phew!)


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