Search Results for:

RHYTHM SECTION

Hidden Spheres is a Rhythm Section mainstay for a reason: having released 3 EPs on the label, he has
developed his sound and fully emerged into a flow state. His residency at Public Records has enabled him to mould an EP perfect for any dancefloor, perfecting a Detroit indebted House style with influences from early Kerri Chandler and Ron Trent perfect for those heads down, hands-up moments.

Delivering 5 tracks that master dancefloor tension, it's difficult to pick a stand out. “Come On, Yeh” harks
back to the New Jersey House sound with dubby organ chord stabs and punchy 909 drums and a sublime bongo loop. “Don’t You Wanna” welcomes the house dancers, with a low-slung, heavily swung groove, resampled pads, and a deep spoken refrain that gives the track its title. Kicking off the B-side “Get Down” hits the subs, with unmistakably phat bass, moody strings and broad use of the iconic M1 organ bass patch “Organ2”. Followed by “I Feel Good” brings police sirens, 808s and swirling pads, to a glorious Deep House tune with a top chime motif that keeps the party moving. The final track of the B side, “You Don’t Know”, takes things down a notch, but maintaining the sublime tension with classic house piano chords and another wicked percussive loop.

For fans of: Kerri Chandler, Mall Grab, Kolter, Session Victim, Gaultier Lustwerk

TRACK LISTING

A1. Come On, Yeh
A2. Don’t You Wanna
B1. I Feel Good
B2. Get Down
B3. You Don’t Know

After 2 outings on recent SHOUTS compilations, Asa Tate lands on Rhythm Section Intl proper with a timeless EP - “Replica”. Asa Tate, FKA Tech Support has been on a bit of a tear recently and this record feels like a real step up: a statement of intention aimed directly at the peak time dancefloor.

A student of the Weatherall school of DJing, Asa Tate has showcased an astonishingly mature approach to production over the years that belies his age. You’d be forgiven for thinking these 4 tracks had been discovered from a dusty DAT tape, locked away in the vaults of a northern Italian club and rediscovered after 30 years....Listen more closely and you’ll notice the contemporary production flair and more recent influences that make this EP a perfect reinterpretation of the mid 90s house sound: sitting somewhere between dream house and Morales finest work under the red zone moniker.

The EP wastes no time in setting it’s intentions with the A1 Title Track, “Replica” - after a brief and floaty progressive house intro the refrain ‘E-e-e-e-e-e-e-ECSTASY’ echoes loudly over sampled vocals, euphoric piano chords, throbbing lead synths and a bouncy, tech-house bassline.

“89” is a sultry deep house cut featuring rising Spanish star, Dariam Coco on vocals. It floats like a butterfly, but stings like a bee, as the soft chords are interrupted with huge drum fills deftly transforming an after party jam to a peak time moment.

We continue to “Unknowns” - a masterclass in building tension and holding it - this track simmers with restrained intensity for almost 6 minutes. It’s trademark Asa Tate production at its most understated and classy. We round of the EP with the fittingly titled “Last Dance”, a wistful composition that brings us back down to earth slowly, safely and gently; always grooving but never pushing - this one is the soundtrack to the end of a long summer day and reaffirms Asa Tate’s claim to be a modern master of deep house. 


STAFF COMMENTS

Matt says: New material from the RS camp and it's a trip into feathers n facepaint house tropicalia; the neons across a jet black sky, the soft smell of pines and a rumbling sub that never ceases. Is Vortex still open?

TRACK LISTING

A1. Replica
A2. 89 Feat. Dariam Coco
B1. Unknowns
B2. Last Dance

Known for her delicate, subtly psychedelic approach to production - all subtlety is thrown out of the window on the opener, “Parents and God”. We are immediately confronted with a slamming Chicago house style beat in style of Mr Fingers at his most utilitarian. It slams, jerking in and out of tempo like Ron Hardy in beast mode.

Out of nowhere a soulful church organ arrives - at first for a brief respite - but then for an extended solo, which gives way to an 80s electro style breakdown before reverting back to form. It shouldn’t work, but somehow it does - to a dizzying extent - and heirin lies Mayurashka’s magic: a blatant disregard for norms and a deft touch that makes the unorthodox so compelling.

“Notango" takes another big left turn - sitting somewhere between tribal seance and rain dance, it’s mostly organic drums and otherworldly sound effects that combine to drag us deeper into the wormhole before “ Vat Murmur” takes us back into the light with its uptempo disco energy and giving way to heavy chugging bass. This one is equally for fans of idjut boys and Larry Levan.

The EP rounds off with the title track “ LSI dreaming” - to try and describe it is almost impossible, but let’s say it starts of with a mid 2000s Perlon-era tech house energy before things quickly escalate beyond all recognition and then just hover with lysergic intensity. If I ever closed panorama bar, this is the track I’d end with.

STAFF COMMENTS

Matt says: Brand new material from Bradley Zero's Rhythm Section camp. Tokyo's Mayurashka's continues to pique the attention of the underground with four pieces of hard-to-categorize, easy to enjoy, late night dance musica.

TRACK LISTING

A1. Parents And God
A2. Notango
B1. Cat Murmur
B2. Lsi Dreaming

The Colours That Rise ensure Rhythm Section's current bombardment of new releases continues unabated. "Mixtape 1" comprises of one brand new studio production and two new compositions recorded live from the mothership in 2020 AD.

The new record may be short but contains 3 very different moods which seek to transport the listener away from the current toils and tribulations we face on planet Earth. Yussef Dayes returns to the drumkit on "Special Request" for a smudged and skewed slice of future-funk which is heavy on the head nod and likely to make Ras G spark up a fat one from beyond his grave upon hearing...

“Axel G” is the clubbier track outta the three; think Afrika Bambaata meets Drexciya. Psychedelic electro is a genre with relatively few contributors but this number, here performed live, should inject the next generation with some creative juices to work with.

The EP is closed out with the smoochy bedroom business of “Polo 1.2” - a welcome return of Simeon Jones to vocal duties who douses the track in his inimitable homesick blues.

Top stuff from this fledging band, definitely ones to watch as we close off this most tumultuous of rotations around the Sun...


TRACK LISTING

A1.Special Request
B1. Axel G (Live)
B2.Polo 1.2 (Live) 


Latest Pre-Sales

203 NEW ITEMS

E-newsletter —
Sign up
Back to top