world . african . latin


Genre pick of the week Cover of Percussions Pour La Danse by Jean-Pierre Boistel / Tony Kenneybrew.

Jean-Pierre Boistel / Tony Kenneybrew

Percussions Pour La Danse

Percussions Pour La Danse was a collaboration between North American born jazz & contemporary-dance instructor Tony Kennybrew and French musician Jean-Pierre Boistel. Tony, a Washington native who had studied, taught and danced professionally since the age of 12, found himself in France in the late 80’s. It’s here that he linked up with like-minded musician Jean-Pierre; who had recently returned from a 6-month trip to West Africa. A trip that helped refine his craft that begun in the early 70’s.

The music was created for Tony to use when teaching contemporary jazz-dance classes and to accompany live performance, allowing students to “dance slowly, rapidly and change speeds without changing the tempo!”. This work of rhythmic research was based on the “Balance of The Walk”; in 4 times, in 6 times, in 7 times & in 3 times. In order to reach the spatial possibilities he was striving for, Jean-Pierre would also use computer assisted programming to sample and re-play his own instrumentation. This allowed him to lay down the tempo of the track and then play live over the top, which in turn gave him the freedom to add the desired instruments and effects to each song.

Jean-Pierre’s use of instruments such as the Kalimba, Talking Drum & Sanza gives the album a distinctly African feel, while contemporary Jazz-dance time signatures adds a unique perspective to these traditional instrumentations creating an ethereal balance between the old and new.


Patrick says: Left Ear hit us with some eso-ethno jazz for the dancefloor here via Boistel and Kenneybrew's late 80's percussion accompaniment contemporary jazz-dance classes. Fusing African instrumentation, Western Jazz arrangements and computer technology, the duo dropped a techno-tropical treat which lands somewhere between Dave Samuels' New Math and new age. Fully endorsement from the Talking Drums crew...

Dead Can Dance


    From their inception in 1981, Australian duo Dead Can Dance have long been intrigued by European folk traditions, not solely in musical terms but also by secular, religious and the spiritual practises. Taking its inspiration from this backdrop and shaped as Brendan Perry explored the long and established spring and harvest festivals that originated from the Dionysus religious practices, a journey that brings to the fore, the rites and rituals that are still practised to the present day.

    Two years in the making, Perry has amassed an array of folk instrumentation and as often heard on previous albums takes inspiration from across the world, tracks evolve less like songs more akin to fragments of the cohesive whole. Dionysus follows a familiar path, witness to field recordings, that includes chanting, beehives from New Zealand, bird calls from Latin America and a Swiss goatherd. The aim in Perry’s mind is to not just invoke the atmosphere and symbolic reference points but to highlight that music can be found everywhere in some form or other.

    The album consists of two acts across seven movements that represent the different facets of the Dionysus myth and his cult and takes the musical form of an oratorio, which has informed both spiritual and secular pieces of music as far back in history as the early 16th century. Retaining a prevalent hold on contemporary paganism in Europe, the voices used on these movements are imagined as communities celebrating, in communion with each other at times, chanting and call and response – the various voices are present to convey emotion beyond the boundaries of language itself.

    Although taking its main inspiration from the Dionysus story, the album’s artwork resonates with links to rituals depicting a mask made by the Huizhou of the Sierra Madre Mountains in Mexico – famed for their beadwork and yarn paintings, whilst also partaking in peyote as a sacred rite and ritual for the purposes of healing and mind expansion – this is at heart of Dionysus, a celebration of not just humanity but humanity working hand in hand with nature with respect and appreciation.


    Deluxe LP Info: Deluxe format is on exclusive heavyweight transparent purple 12” vinyl, accompanied by a CD and deluxe 16-page 12” x 12” hardback picture book with padded cover.

    Essential psychedelic cumbia album.

    At the beginning of the year 1966, in the Amazonian city Pucallpa of Peru, the merchant and musician Juan Wong Paredes decided to form a group to share and play some upbeat music throughout the city.

    Wong Paredes, of Chinese ancestry, enjoyed playing music with his accordion, especially at the Peruvian jungle parties known as "tahuampas". After finishing a stretch of military service, his son Juan Wong Popolizio decided to collaborate with his father's band, and was joined by his friend Noe Fachín, who took on the lead guitar and composing duties.

    Popolizio and Fachín worked together to select six young natives from the area who shared their same love for exotic music, rhythms and modern tracks that filtered in directly from the Colombian and Brazilian borders. All together, these members became one of the best psychedelic cumbia bands ever: Juaneco y Su Combo.

    The members of the band included Juan Wong Popilizio as the official director, keyboard player, and musical arranger of the group, Noe Fachín as the lead guitar, and Wilindoro Cacique as the main vocalist as well as the guiro and tambourine player. They were joined by Walter Domínguez on bass guitar, Rosendo Hidalgo on drums, Wilberto Murrieta on second guitar, Juvencio Pinchi on percussions, and Jairo Aguilar Tejada on the bongo.

    In 1972, they were signed by Infopesa and recorded their first LP: The classic "El Gran Cacique". This LP, named eponymously after the nickname of the leader of the band, featured a timeless version of the Brazilian toada "Mulher Rendeira" with vocals from Wilindoro Cacique, becoming an instant hit. "Vacilando con Ayahuasca," an instrumental cumbia composed by Noe Fachín, was also recorded for this album, and it featured some sexy hypnotic vocals from Infopesa´s secretary.

    Nowadays, "El Gran Cacique" is considered one of the world´s essential cumbia records, and after 46 years since its first press this iconic LP returns as zestful as ever in a special vinyl reissue that will surely reignite the psychedelic craze one more time.

    This limited vinyl release was remastered from the original analog tapes at Infopesa's studio by Aldo Montalvo under the direction of Juan Ricardo and Alberto Maraví, who produced and oversaw the original mastering of the record in 1972. It's packaged with an artwork that uses the original cover of the LP reinterpreted by well-known Peruvian collage master Yerko Zlatar.

    Razor-N-Tape bring out the big guns for their remix package of Los Angeles Afro-Latino funk band, Jungle Fire.
    Originally conceived as a one-off Afro Latin funk jam between friends, the band have quickly become an explosive Tropi-Funk juggernaut lighting up sold out dance floors and festivals across the globe. Comprising musicians who have played, recorded and toured with the likes of Stevie Wonder, Ozomatli, Del the Funky Homosapien, LCD Soundsystem and Kelis their sound is a direct reflection of the musical and cultural landscape of the city they call home.
    First up, JKriv’s remix of 'Firewalker' channels the original live instrumentation into a bombastic, DJ-friendly workout, while Boston-born/Medellin-based producer Bosq steps up to tackle 'Village Hustle' bringing his unique blend of rhythmic flavours to this melting pot of zesty goodness.
    Highlight of the 12” is the first remix by the newly-reunited Black Science Orchestra in 15 years. Original members Ashley Beedle and Rob Mello take on 'Culebro' and transform it into an pulsating Afrobeat groover that brings to mind, Master’s At Work, afro house explosion, ‘Tribute To Fela’. BSO turn out a serious heater of a remix and dub, worthy of their triumphant return.

    Repressed by Because Music, “10 Remixes” features a slightly puzzling 12 killer interpretations of Les Nregresses Vertes classics by Massive Attack, Gangstarr, William Orbit , Clive Martin, Kwanzaa Posse, Norman Cook etc.
    Following the reissues of their 4 albums on vinyl earlier this year, French band and pioneers of the fusion of World and Alternative music Les Négresses Vertes continues to celebrate the 30th anniversary of their first album “Mlah” with a new re-issue of their album “10 Remixes”. There's tonnes of fun to be had over the four sides, with top remixes from trip hop pioneers Massive Attack, Big Beat behemoth Norman Cook (appearing here in daft-dub fashion) and Gangstarr are doing it for me.


    Vinyl comes with CD version of the album enclosed.

    "I heard about Seif Abu Bakr and The Scorpions maybe 3-4 years ago. Their album "Jazz, Jazz Jazz" ended up on my radar because of an eBay auction with the bids eventually rising daily up to a staggering $1000. The music is a unique combination of incredible horn arrangements powerfully performed, a vigorous drummer contributing a funky backbone and Seif's vocals uniting those elements. The results range from instrumental tracks awaking memories of 1970s crime thriller soundtracks to more Sudanese-rooted tracks, a lot of them modernized versions traditional rhythms of the diverse regions of Sudan and even an excursion into Colgolese Soukouss.
    I went for my second trip to Sudan in December 2018 and after doing some research on the first trip my local colleagues Larissa and Yassir had managed to reach Amir, The Scorpions band leader and he was happy to meet. We got together with him in a Cafe right at the Nile in Omdurman. It was a happy occasion for everyone. He told us stories about him meeting Jimmy Cliff and Lewis Armstrong when they visited Sudan and how he and his band mates from The Scorpions played extensively in Kuwait, both in club residencies as well as for television. Amir brought tons of incredible photos illustrating not only the bands history but the vivid cultural live in the many music clubs in Khartoum of the 1970s. During this decade up until 1983 the capital was home to a huge number of clubs, bards and concert halls. This scene started to perish after president Nimeiry's turn away from his socialist policies, that he was widely associated with in the first decade of his rule, towards the implementation of Sharia law in 1983. During the first decade of his rule he had actively supported various artists of the Jazz scene, taking some of them on trips throughout Africa. The 1989 coup of Bashir and his generals then caused the final blow to a once thriving scene. Both of these political events within 6 years lead to significant drawbacks for the Sudanese jazz scene resulting into hardly no gig opportunities left and parties and concerts being critically observed. A number of musicians faced prosecution, most of the time for their political views; some left Sudan for good. Music never completely vanished from public life and even the regime kept selected artists close, but for a majority of those bands affiliated to the jazz scene life and making ends became a lot harder. The Scorpions dissolved as a group around the same time.
    The re-release was produced with a clean copy of the vinyl version as a source. The original reel tape of the album stayed with Saif Abu Bakr along with another reel with other recordings that were never released. Unfortunately it was lost when Saif Abu Bakr had to flee to Kuwait temporarily during the second gulf war when Iraq raided Kuwait. Both the CD and vinyl version come with extensive booklets with photos, interviews, liner notes. The vinyl version also has a DL code."

    Discos Extended is a new label set up by the Extended Records family. Their first record, “Todos os Pássaros São Meus Amigos” is from a new Portuguese project called Turista, another moniker from the well known Hugo Vinagre (Miguel Torga / Early Jacker).

    On the A Side, “Hippies” and “Kimbundu” are two slow burners with heavy vocal samples, taking us to tribal and African landscapes.

    On the B Side we have another original called “Mantra” and a remix made by Internal Ny Rhythms, a moniker from a well known Portuguese producer, that extends “Kimbundu” to a melting dub trip. A proper mental groove for the more wigged out and esoteric themed dance spaces. Recommended!


    Matt says: Take a river cruise through ancient Amazonian jungle on this highly evocative EP from Turista and the Discos Extendes tribe.

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