world . african . latin


Genre pick of the week Cover of Carnival Rhumba - Inc. Prins Thomas Edit & Overdub by Tor Dietrichson.
In 1987 Tor Dietrichson released new age masterpiece Global Village. Carnival Rhumba, an uptempo latin jazz number featured on the b-side. With snapping congas, wild guitars, and an over all groovy melody, it stood out as the most dancy tune on the album. Here you get the song remastered, on a loudly pressed 12 inch. On the whole A-side Prins Thomas delivers an extended edit, with all it’s best parts spread out for an extraordinary dancefloor experience. On the b-side you get the original, and a dub-version of the long edit. Buckle up, you are in for a treat.


A1. Carnival Rhumba (Prins Thomas Edit & Overdub)
B1. Carnival Rhumba (Prins Thomas Edit & Overdub Dub)
B2. Carnival Rhumba (original 1987 Version - Vinyl Remaster)

Buena Vista Social Club

Buena Vista Social Club - 25th Anniversary Edition

‘Buena Vista Social Club’ is both the name given to this extraordinary group of musicians and the album, recorded in just seven days in 1996 in Havana’s 1950s vintage EGREM studios. It was clear from the atmosphere of the recording sessions that something very special was taking place. However, no one could have predicted that Buena Vista Social Club would become a worldwide phenomenon – awarded a Grammy in 1997 and, at 8 million copies, outselling any other record in the same genre.

The acclaim of the original album has elevated the artists (including Ibrahim Ferrer, Rubén González & Omara Portuondo) to superstar status, inspired an award-winning film by Wim Wenders, and has contributed to popularising Cuba’s rich musical heritage. Produced by Ry Cooder for World Circuit, the timeless quality of the music and the sheer verve of the veteran performers have ensured that this will go down as one of the landmark recordings of the 20th century.

Richard Spaven & Sandunes

Spaven X Sandunes

Spaven x Sandunes is a collaboration of musical worlds, where London meets Mumbai, the new project from Richard Spaven and Sanaya Ardeshir is a mix of forward-thinking drum language and intricate synthwork weaving together a moody electro acoustic tapestry which we go absolutely wild for here at Picc HQ!

Suitably smokers-friendly for the iconic !K7 label, the album creeps through shadowy soundscapes punctuated by wild breakbeats and guided by some lost, shamanic instrumental language spoken through dazzling arrays of strings, raptous reeds, sparkly synth work and mountainous bass.

Polyrhythmic throughout, with a keen grip of movement and repetition, it's at times Can-esque, at others reminescent of Floating Points' spiraling electro-jazz epics. Deployed with a focussed intensity, whilst still remaining unhurried and free-flowing, the tracks seek to elevate the listener into clouds of shimmering, electro-boosted, dreamy jazz - and it's absolutely wonderful! 


A1: In Readiness
A2: Tree Of Life
A3: Evelyn
A4: Don't Ask Feat. MC Altaf
B1: Can't Say That To You
B2: Little Ships
B3: Sustain
B4: 1759 (Outro)

Various Artists

Habibi Funk: An Eclectic Selection From The Arab World (Part 2)

    This compilation of songs is not meant as a historic reflection of popular music of the "Arab world." It is a very personal selection of songs we grew to like at Habibi Funk. It is music that historically never existed as a unified musical genre. We think it's important to make this distinction and to have the listener understand that the majority of the music on this compilation does not come from the highly famous names of the musical spectrum of North Africa and the Middle East. Instead, the final body compiled for this record consists of some – at least for us – nichey pearls and often overlooked artists; resulting in a diverse range of styles from Egyptian organ funk, disco sounds from Morocco, an example of the lively reggae scene of Libya, political songs from Lebanon, soundtrack music from Alge- ria, a musical union between Kenya and Oman, and much more.
    The photo we chose for this cover somehow could be seen as an allegory of the sounds we feature on the label. It depicts Algerian composer Ahmed Malek at an ice cream bar during his stay in Japan for the World Expo in Osaka, 1970. He later said that his visit to Japan and especially the manga culture left a distinctive mark on the way he created his own compositions. With this in mind, it feels as a suiting visual representation for the music on this compilation.
    Accordingly, the compilation you are holding in your hands offers a much wider range of music than just funk influenced sounds. Sure, it brings back Fadoul, who we have already dedicated a full length album to. He was the mystical Moroccan singer who - influenced by the sounds of James Brown- created his own musical vision full of energy but also still very intimate. Another artist we have featured before is Ahmed Malek, the grand Algerian soundtrack composer, whose music is largely connected by a distinct feeling of melancholic beauty or Hamid Al Shaeri, the Egyptian hit producer whose track "Ayonha" was probably the most widely appre-ciated track off our first compilation. But we have also learned that this format of a compilation can serve as a medium to introduce artists to our audience, who we are planning to dedicate full length releases to in the near future, such as Ibrahim Hesnawi. Hesnawi is the father of reggae music in Libya - a genre still widely popular in Libya - and whose presence in the country is commonly connected to the rhyth- mic similarities of reggae with some form of Libyan folkloric music. Nahib Alhoush is another Libyan artist, whose musical output we will spotlight in the near future. In the 1970s, he was the co-founder of Free Music, one of the first Libyan bands introducing western influences into their music. After the band stopped performing together he started an at least equally successful solo career under his own name. When I got into Arabic music around five or six years ago, I knew pretty much nothing about it. Realistically, I still know very, very little about it and I'm by no means an expert. I just had the opportunity to visit the region frequently, trying to learn about music I might like. Most of the bands, I happen to enjoy, were fairly obscure and therefore a lot of the music on this compilation seems to be largely forgotten. After sharing many of the old records and tapes online through mixes, I have realized that there is a huge disparity between the interest in the music on the one hand and its availability on the other.
    All tracks on this compilation are fully licensed, most directly from the artist or in the case of artists, who are deceased licensed from the artist's family. There are two exceptions: Hamid Al Shaeri's track was licensed from SLAM! as the label is still active under the name Sonar. Zohra's "Badala Zamana" from the great Belgian label MTMU, who has reissued this track under license from the producer on 7" format before. As a European label dealing with non-western artists we try to be aware of the responsibilities that derive within the making, regarded from a post-colonial point of view by demanding on ourselves not to reproduce exploitative economic patterns. We split all of the profits from our releases equally with the artists without deducting any costs that are not directly related to the release (e.g. we pay for our research to find an artist as well as all travel costs from our share of the profit). Our agreements are licensed deals with limited terms after which the rights fall back to the artist or the artist's family. The master rights stay with the artists, we just license them. We do not include publishing rights in our deals. We think it is important in today's reissue market, where too many shady business transactions happen, to be transparent about our licensing policies. We are always available for any questions, requests as well as more detailed information.


    1. Douaa - Haditouni
    2. Magdy El Hussainy - Music De Carneva
    3. Fadoul - Ahl Jedba
    4. Sal Davis - Sultan Qaboos Song
    5. Munir Khauli - Heik Ha Nishtghil
    6. Ouiness - Zina
    7. Najib Al Housh - Ya Aen Daly
    8. Zohra - Badala Zamana
    9. Ahmed Malek - Casbah
    10. Aït Meslayene - El Fen
    11. Hamid El Shaeri - Reet
    12. Hamid El Shaeri - Tendme
    13. Tony Benn Feghaly - Free Blow

    Various Artists

    Sounds Of Pamoja

      Sounds of Pamoja is Nyege Nyege Tapes' latest foray into the world of Tanzania Singeli, the breakneck dance strain that's quickly moved from Dar es Salaam throughout the world. Following "Sounds of Sisso", a compilation that focused mostly on the Tanzanian capital's Sisso Studios, this set highlights recordings from Duke's Pamoja Records. And while its predecessor brought attention to the producers, "Sounds of Pamoja" showcases the wide variety of MC talent under the Pamoja Records umbrella, with production mostly handled by Duke. Tanzania is a country of young people almost half of its population is under 15 years old and singeli is a young genre.

      Duke started making music when he was 13 years old, and by the time he was 18 he had opened the Pamoja Records studio. He's joined on the compilation by a talented cast of young local talent: 20 year old Pirato MC, 19 year old Dogo Kibo, 20 year old MC Kuke, Dogo Lizzy, MC Dinho, MC Kidene and MCZO, the versatile rapper who accompanied Duke on a selection of global tour dates. The music is fresh and unpredictable, switching beats every few bars and rattling through hyper-local dance styles with jagged, joyful ease. But it's the MCs that push "Sounds of Pamoja '' to the next level, capitalizing on the vitality of Dar es Salaam's musical landscape as they trade bars, switch flows and somehow keep up with Duke's lightning-fast productions. It's breathtakingly unique dance music that recalls the youthful spirit of Detroit techno or footwork, with rapid body movement, social combustion and tongue twisting lyrical one upmanship guiding the rudder.


      1 Pigo La Moyo - Dogo Kibo
      2 Nakupenda - Dogo Lizzy
      3 Angekuwepo - Dogo Lizzy
      4 Kamatia Chini - MC Dinho
      5 Il Jini Song Wapi - MC Kono
      6 Kwa Ajiri Yao - MC Kuke
      7 Sherehe - MC Kuke
      8 Ganja - MC Pilato Ft Mczo
      9 Mama Ashura - MC Pilato
      10 Wamenichoma - MC Pilato
      11 Ushauri Wa Bure - Mczo

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