When Leng Records founders Paul ‘Mudd’ Murphy and Simon Purnell marked the imprint’s 10th birthday, they did so via a celebratory compilation that mixed classic catalogue cuts, remixes and exclusives. Five years on, and with the label’s 15th birthday upon us, they’ve decided to look to the future via a compilation made up entirely of fresh productions from Leng’s roster of current and new artists.

Presented on limited-edition gatefold double vinyl with a bonus 10” single, the collection offers an updated showcase of Leng’s much-loved trademark sound, a distinctive fusion of mid-tempo sleazy-disco, Balearica and chugging house interspersed with elements of electronic psychedelia and synth-powered space disco.

Fittingly for a compilation that wholeheartedly looks to the future, you’ll find first contributions from a handful of label newcomers. Fast-rising duo Flying Mojito Bros give their spin on ‘Smoke Signals’ by label debutants Joe Harvey-Whyte and Bobby Lee, turning in a heady and inspired revision that sits somewhere between dusk-ready cosmic disco and flash-fried desert blues. There’s also an appearance from Swedish producer Bo Wosticz with the dreamy and ultra-deep nu-jazz of ‘Bs As’.

Naturally, you’ll also find plenty of heat from those who have already proved their mettle through prior releases on Leng. Danish duo Liminal, who made their debut earlier this year with the much-played ‘Keep Coming Back To Me’, open proceedings with the tactile, slow-disco flex of ‘Tzatziki Bay’ where sweet synth melodies and a heady electric piano riff ride a warming groove.

Roberto Intrallazzi and Dario Piana from Italy’s original Afro-cosmic movement return with ‘Plutos’, a typically deep dubbed-out cosmic chugger. Then there’s Rose Robinson AKA Tigerbalm, whose ‘Mexicana’ featuring singer Joi N’Juno is presented across the package in two different forms. Pete Herbert, who contributed to some of the earliest Leng releases, drops a driving dub disco take on the main compilation, while Robinson’s original mix – a more organic, percussive and horn-heavy affair blessed with plenty of hallucinatory intent – opens the bonus 10”.

There’s a welcome return to Leng for the brilliant Payfone, whose ‘Dime Algo’ is a typically classy, analogue-rich affair in which attractive Rhodes riffs, atmospheric female vocals and pitched-down house pianos rise above shuffling drum machine beats and a slow-motion bassline. Long-serving label contributor Lex (Athens) delivers the loose-limbed nu-disco breeze of ‘Stolen Dance’, while the imprint’s San Francisco connection ¬– the ever-brilliant 40 Thieves collective – drop the dubbed-out Bay Area brilliance of ‘Such A Great Trip’.

Then there are the contributions of the label’s most storied artist, Andrew Meecham AKA Emperor Machine with ‘Eumig’, a deliciously slow, synth-rich chugger full of colourful chords, bubbly electronic melodies and jaunty electronic bass. Then, to round off the bonus 10” single, Meecham joins forces with Paul Murphy (as Mudd) on ‘Road To Nikko’, an extended, Japanese musical culture-influenced slab of pitched-down alien-funk packed to the rafters with squelchy synth sounds, effects-laden percussion, chiming melodies and rubbery bass guitar. 

STAFF COMMENTS

Matt says: Sure to get your wiggling round the living room quicker than you can say 'I took a selfie with Harvey'. Leng celebrate 15 years in the game with a bonza bumper pack of new disco Balearic boogaloo.

TRACK LISTING

1. Liminal - Tzatziki Bay
2. Joe Harvey Whyte X Bobby Lee - Smoke Signals (Flying Mojito Bros Refrito)
3. Intrallazzi & Piana - PLUTOs
4. Tigerbalm - Mexicana Feat. Joi N’Juno (Pete Herbert Remix)
5. Lex (Athens) - Stolen Dance
6. Payfone - Dime Algo
7. Emperor Machine - Eumig
8. 40 Thieves - Such A Great Trip
9. Bo Wosticz - Bs As
10. Tigerbalm - Mexicana Feat. Joi N’Juno (Original)
11. Emperor Machine & Mudd - Road To Nikko

A memoir by one of the most influential and ubiquitous underground British musicians of the past thirty

Leafy St Albans is an unlikely starting point for one of the great psychedelic/acid house musicians of his generation, but, like so many others who brought radical change to the counterculture, Richard Norris' story starts in the suburbs.

Strange Things Are Happening documents his journey from punk through the emerging DIY indie culture to producing the UK's first acid house album, Jack the Tab; being one of the only unsigned artists to grace the cover of NME, to being one of the first faces on the scene at Shoom and Spectrum during the 1988 Summer of Love; finding international fame with The Grid in the early 90s, to working with Joe Strummer and a cast of thousands as a remixer, writer and producer. Embracing a psychedelic lifestyle along the way, Strange Things Are Happening is a funny, improbable and frequently wild journey down the rabbit hole.

Richard Norris has been involved in almost every aspect of music and its business for many decades. This is an insider's tale of inspiration and collaboration, working with some of the most iconic artists in music and beyond. We travel to basement acid parties in London to ten thousand strong raves in Ibiza. From Amsterdam with Timothy Leary, to Tijuana with Shaun Ryder and Joe Strummer, on a bumpy ride in Joe's beat up 1955 Cadillac, to the customs hall at Heathrow with Sun Ra, Top Of The Pops, LA film sets, around the world and back again. Strange Things Are Happening is a celebration of creativity and passion, of chance meetings turning into lifelong friendships, and of what is possible with an independent spirit, with an open mind and heart. Not quite Do It Yourself, more Do It Yourselves - a testimony to how small groups of people can affect and change the cultural landscape; a story about doing what you love and being eternally curious; about the inevitable occupational dead ends and wrong turns that happen when you jump in headfirst, and what is learnt along the way.

Belia Winnewisser and Fatuma Osman’s debut EP Vertex, released via Swiss label Light of Other Days, grows out of a lifelong friendship shaped by shared memories, music, and late-90s/early-00s girl-core influences. Across five tracks, the record favors suggestion over resolution, exploring limerence through atmospheric, open-ended sound that balances intimacy with nostalgia and intensity with restraint. From the gentle glow of “Emerald” to a seamless Madonna cover and the club-leaning vulnerability of “Surrender,” Vertex unfolds as a cohesive dialogue between past and present, documenting their artistic evolution while deliberately leaving space for what comes next.

Belia Winnewisser and Fatuma Osman have known each other since childhood, a friendship rooted in shared afternoons of music and late 90s/early 00s girl core. Their first joint debut EP Vertex, released through the Swiss label Light of Other Days, emerges as both a continuation of that bond and an exploration of process, weaving together collective memories with their present-day musical language.

Resisting polished closure, the record circles around the idea of limerence in sound: suggesting rather than declaring, outlining atmospheres that leave room for the listener’s imagination to fill out the blanks. Across its five tracks Belia and Fatuma oscillate between the personal and the universal, immediacy and nostalgia. The opening track Emerald rises like morning light; fragile, blissful, and quietly radiant. Covering Madonna’s 80s single Angel feels natural and slots seamlessly into the EP’s arc: as a defining pop presence of the last four decades, she embodies less an idol than a subtle compass. Surrender, the first track on the B-side, draws you into the club, vibrating between vulnerability and release. Each step extends their vision further, revealing a cohesive body of work.

Vertex holds opposite poles in tension, creating a space where vulnerability and intensity create dialog. What lingers is a realm of possibilities: a conversation between two friends and collaborators who understand that sound can be as much about what is left out as about what is expressed. Vertex documents their progression, marking a milestone without concluding it. 

STAFF COMMENTS

Matt says: Perfectly formed, future-facing dream-pop on the resurrected cult label. Massive YES!

TRACK LISTING

A1. Emerald
A2. Rivers Into The Ocean
A3. Angel
B1. Surrender
B2. The Call

The one and only Scruscru calls on his most trusted friend for his latest in the Local Sugar Diggers series which is a treasure trove of re-edits & reworks of old and rare records. Love is in the air on the opener 'Os Sons Do Rio' which has swooning, sentimental strings and MPB vocals that remind of all the greats. The instrumentals are rich, the melodies florid, the sound truly elegant and intoxicating and sure to transport you to a party by the beach somewhere in Brazil. 'Sozinha Mulher' is a little more laidback and lazy in its slowly unfurling groove with clear, cloudless blue skies up above and subtle horns and vocal coos all encouraging you to move.

TRACK LISTING

Os Sons Do Rio
Sozinha Mulher

A spectacular return for Shakarchi & Stranéus, the legendary Gothenburg duo's softfocus magic in full display on four new tracks (the first of many to come apparently). Longtime Studio Barnhus heads will rejoice in familiar bliss from tracks like dreamhouse extravaganza "Donut Plains" and the triphop wonkiness of "Sandy Balls Resort", while "Emerald Hills" and "Royal Links" offer new, exciting pathways leading to unexpected territories and increased BPM levels.

TRACK LISTING

A1. Donut Plains
A2. Emerald Hill
B1. Royal Links
B2. Sandy Balls Resort

Following on from the super-fast stock sell-outs of the 2LP of joyous Alfredo selections, Rebirth follow up with the second of the sample EPs of rare, cherished and formerly unreleased gems.

Kicking off with Dubtribe (Sound System) - Sunshine’s Theme which goes for big money on discogs if you can find a copy, next up Max Berlin – Elle Et Moi Really simple, minimal disco à la Giorgio Moroder or Cerrone, actually Max Berlin (Jean-Pierre Cerrone) IS Cerrone’s brother!

On the Flip we have The Woodleigh Research Facility – Borderland (Andrew Weatherall Mix) Borderland is a beautiful collaboration between Woodleigh Research Facility’s Nina Walsh and viola virtuoso, Sarah Sarhandi. Andrew Weatherall set Sarah’s strings to an energetic electro glam stomp. A cracking kosmische, motorik “Pomp & Circumstance” march, with something of the Depeche Modes / New Orders about it. Finishing off the EP with some 90s UK deep house bliss from Acupressure – We Are the Future (Instrumental Mix) again this goes for big money on the Cogs.

TRACK LISTING

A1. Dubtribe (Sound System) - Sunshine’s Theme
A2. Max Berlin – Elle Et Moi (Instrumental Mix)
B1. The Woodleigh Research Facility – Borderland (Andrew Weatherall Mix)
B2. Acupressure – We Are The Future (Instrumental Mix)