Drum'n'gaze duo 100% WET release their eponymous debut album on Crunchy Frog. Who are they? Rebooting the harddrive of indie rock programming, 100% WET is an experimental duo consisting of the two producers and guitarists Jakob Birch (The Lost Weekend, Lovespeed) and Casper Munns (Himmelrum, Drop, Splitscreen), featuring different vocalists including Eir (SE), Polly (DK) and Hockeysmith (UK).

Blurring the boundaries between rock, electronica, and breakbeat-driven club music, the album is a genre-blend of shoegaze's vast soundscapes, the kinetic energy of drum'n'bass and the hard-hitting detail of hyperpop. "When we met, we both needed to approach music-making from a fresh perspective. We'd been exploring electronic production styles, and this album became our mutual attempt to create drum'n'gaze - a term Casper had coined to describe the missing fusion of shoegaze and drum and bass." say Casper and Jakob.

The album is an exploration of contrasts - melancholy wrapped in euphoria, introspection communicated as explosion. Sonically, the band has worked with negative space in a loud-quiet-loud sense, mirrored thematically and emotionally: The album deals with stark contrasts. On hypergaze single Ether they describe the juxtaposed feelings of being in an altered state of mind - the perception of momentary bliss, while also experiencing everything at a dissociate remove. It is bitter-sweetness experienced in high contrast; golden euphoria tinged with an absolute monochromatic melancholy.

Elsewhere, on Over Me, the duo mix a deep longing for life itself with utter heartbreak, both outerpoints sounding like they're soaring above the clouds, anchored by a roar of a chorus and deep subs. Whether on ballads or bangers, so to speak, the album is cohesive but utterly fresh-sounding.

STAFF COMMENTS

Liam says: Mega, mega, MEGA!! Spaced out shoegaze meets DnB. Sounds like it shouldn't work but it totally does. Channelling the bagginess of Chapterhouse's 'Pearl' but with a more polished sheen at points, then elsewhere there's moments of utter shoegaze pop perfection - massively impressed!

TRACK LISTING

Side A
1.Lost Myself
2.Ether
3.Looking In From The Outside
4.Re-Emerging

Side B
5.Over Me
6.Two Packs Of Red Apples
7.Leave It
8.Carat
9.Warmblooded

AAA Gripper have seemingly dropped out of nowhere but the story goes back. The idea was conjured in the summer of 2023 at the first Wrong Speed Records festival in the town of Glastonbury. Inspired by a weekend of radical sounds and fine company a decision was made - 'let's try something'.

Recording hours and hours of bass and drums in deep Somerset then editing it down to a sharp and concise 32 minutes. From Can's Lost Tapes boxset to No Means No's 0+2=1 via a thousand song structure decisions. Wild guitar strafe and precise hyper vocal added. Nine tight tunes magically appeared. The band raised a glass of tea. The band was born. The 'something' had worked.

We Invented Work For The Common Good is a deep dive into the world of the working person. How we end up. Why we climb onto the conveyer belt and never get off. The front cover is one of many of the same photo taken every day, on the walk to work, the dark mills looming - KEEP THEM BUSY, THEY WON'T RISE UP.

Music is therapy. They think it's part of the bread and circuses. We know it's armour. We know it's weaponry.

TRACK LISTING

1. Lower Demons
2. Wasp Women
3. The Arcade Claw King
4. The Saucer Makers Boy
5. Let Me See Your Hands
6. Angel Washes
7. Young Paunchy
8. Hair Vampire
9. The Gold Sells Out

‘(Listen for) The Rag and Bone Man’ - Reissued and available on vinyl for the first time, was the album that marked the renaissance of the band in 2007, bringing them out of the quietest and most hermetic period of their existence and setting them back on course to establishing themselves as the global, underground phenomenon that they are today.

This new, remastered, edition includes six previously unreleased pieces, written during the same period but not included on the original album.

A work that takes us on a dreamlike journey through dark landscapes coloured by a guitar that brings to mind the trademark sound of their formative years and populated by characters as diverse as the nursery rhyme like ‘A man with a drum’ to William Faulkners ‘Candace’.

TRACK LISTING

1. Domed
2 .The Beautiful Silence
3. Rive Droite
4. Mary Of The Woods
5. The Way The Land Lies
6. The Legend Of Mucklow
7. Untitled
8. Candace
9. Stay Away From The Accordion Girl
10. The Saracen’s Head
11. On This Day
12. A Man With A Drum
13. Under The Stars
14. Fellows (demo)
15. Autumn Girl (demo)
16. Fold & Fold Again (demo)
17. Burn (demo)
18. Keep The Flame (demo)
19. This Way (demo)

Punk pioneers Crass continue their vinyl reissue series, re-pressing their limited releases by adjacent artists through Crass Records, in association with One Little Independent. The series, including over twenty bands and solo artists recorded at the legendary Southern Studios and produced by Penny Rimbaud, continues with two more historic pieces from the Crass Records catalogue; Anthrax’s ‘Capitalism Is Cannibalism’ and Andy T ‘Weary of the Flesh’.

‘Weary of the Flesh’, by anarcho-poet Andy T, was originally released in 1982 via Crass Records. Lead single ‘Tomorrow’ is a poem expressing hope for peace. Embracing punk’s ‘anyone can do it’ ethos, he blended his passion for music and poetry into his unique approach.

“Away from the world of more-or-less conventional punk music, Andy T was that rare thing, a punk solo artist. A bit like an angrier, more political John Cooper Clarke” - Spectrum Culture

Penny continues: “When Crass were compiling the first ‘Bullshit Detector’ out of the plethora of tapes sent to us by young hopefuls looking for a break, Andy T’s offering stood out in its innocent rawness. It was all too easy to imagine this very young lad chanting his mournful chant from a messy bedroom, bed unmade, looking out across the Northern moors shrouded by mournful mists. In its lack of pretension, it was as if it were a nerve-end looking to be cauterized; the pain was tangible. Andy’s track got selected for inclusion on ‘Bullshit’, but I wanted to hear more, so I got in touch with him with the idea of producing a 7” single, ‘Weary of the Flesh’. We recorded the tracks in Crass’ rehearsal room, juggling between two trashy ghetto blasters and a whole lot of chutzpah. To this day, the result remains a vibrant celebration of brazen non-conformity tinged with distinct odours of bohemianism. Andy’s poetry showed the rough’n’tough edge of how it really was and, regrettably, still is. So yes, nothing’s new, and it’s all a matter of learning the hard way. Give it your ears, you won’t regret it.”

Andy adds: “Penny had always liked my poetry and my approach to getting things done, thus they had chosen five of my recordings to go on the first edition of ‘Bullshit Detector’. We agreed to do a single together for the label and spent a weekend up at Dial House, recording everything onto a fourtrack portable machine. I did have backing tapes on cassette that I used for live performance, though we decided to record everything fresh, using mainly the sound of our voices. We managed to get nearly 15 minutes onto a 7”. If we had been able to harness the power of a 12”, in those days, we would have probably managed to get an hour’s worth on there. I worked with Bronwen on the cover and that was another fun weekend in a shed with animal masks and printer’s ink. We did plan to record an album for the Corpus Christi label, though sadly we didn’t get around to it, at the time, as life invariably gets in the way of such things. Though I have done lots of other things for other labels since then, I still have some fond memories for those times.”

TRACK LISTING

Tomorrow?
What About The Old?
Dirty Squatters
Tiny Revolutions
Wasted Life
Big Boys
Death Is Big Business
Man’s Life
Techno Cock-Up
Morbid Fascination
Exploitation
Family Joy
Weary Of The Flesh
Blood-Stained Glass

Punk pioneers Crass continue their vinyl reissue series, re-pressing their limited releases by adjacent artists through Crass Records, in association with One Little Independent. The series, including over twenty bands and solo artists recorded at the legendary Southern Studios and produced by Penny Rimbaud, continues with two more historic pieces from the Crass Records catalogue; Anthrax’s ‘Capitalism Is Cannibalism’ and Andy T ‘Weary of the Flesh’.

Anthrax were an English anarcho-punk band formed in Gravesend, Kent, in 1980. They recorded their first demo in 1981 and went on to release two 7” EPs on Crass Records and Small Wonder Records. They appeared on compilations released by Crass Records, Mortarhate Records and Fightback Records. They toured outside the UK twice in the Netherlands with Dutch band The Ex.

In 2007, the band issued a compilation album, ‘One Last Drop’, which included demos, both EPs, the Mortarhate compilation track and two live tracks. The band reformed in 2010, releasing new (and debut) album ‘All for the Cause’ in 2012. Two split singles followed in 2015.

“Of the many bands who Crass provided with an outlet to the world, something marked Anthrax out as a bit special. A combination of fine tunes, intelligent lyrics, angry yet audible delivery and vivid imagery” - Louder Than War

Penny Rimbaud said: “Anthrax were a ‘south of the river’ band, hailing from what was then the industrial wastelands that fringed the Thames prior to gentrification. In a world that put profit before people, Anthrax chose to challenge that conceit with fast, raw outcries of indignation. Yeah, well who said so? Anthrax did, and they did it loud and proud against the horrific complacency of the mainstream. Capitalism Is Cannibalism? Yup, and the pots are on the boil; make mine rare. It was happening then, and it’s happening now, but beware, capitalism’s avid persistence is the very nature of our resistance. Wealth is a ghetto. Babylon will fall. The future is ours if we only dare take it.”

Penny finally notes that “Our [Crass’] interest was never in personalities, profits or power, and neither did we have time for reformist liberals. Our position was solidly revolutionary; we took no prisoners. Ours wasn’t a show, it was a battle, not a living, but a lifestyle, a lifestyle with a difference - rather than looking only to ourselves, we sought to share our gains. I feel that this willingness added great strength to the form of anarchism that we practiced both on stage and out on the street.”

In giving a platform to an impressive array of other bands, Crass Records broadened the front of what popularly became known as anarcho-punk. Not, it must be said, a moniker that Crass themselves much favoured. In this respect, Crass’ classic line, ‘There is no authority but yourself’, makes its point.

TRACK LISTING

Capitalism Is Cannibalism
Violence Is Violence
Prime To Pension
All Things Bright And Beautiful

Punching our ticket for the tenth trip on the Drum Chums line, we rattle past the control centre, where Approach Release delivers another masterclass in genre-blurring brilliance.
Darting through emotional New Beat, psychedelic soul, stomping Afro-disco and coastal cosmic, AR keeps things right on track and perfectly off the rails.

'So Wrong' starts the party with a growl and a gurn, all gnarly sequences and robotic drums until that mournful vocal moves us into a land of Lynchian longing. Teardrops on the dance floor, clouds in your coffee, it's, it's, Goth Italo folks.

Shifting tone like McCrae shifted gears, Approach Release moves on from Main-Room Gloom into the smooth and sensual soul of 'LuvLuvLuv'. Low-slung, lilting, loose and lysergic, this versatile version-excursion works wonders as warm up and rub down, its brilliant bedroom vocals floating atop the synthetic and psychedelic groove.

Over on the B-side, 'E-Killa' bursts out the speakers with about 100,00 volts of Afro-disco energy, each one perfectly harnessed to whip a crowd into a grinning frenzy. Armed with an unstoppable arrangement, vital vocals and a stomping rhythm section, this delicious drink of tropical pop just keeps on fizzing.

For an encore, Approach Release drops the deeply dramatic 'Lou Cee', a full-hearted bit of Balearique-brilliance stacked with enough synth strings, faux-accordion and earnest outpourings to give Chris Rea a run in the anthem stakes.

100% Drum Fun Guaranteed. .

STAFF COMMENTS

Matt says: Here's another Manc stalwart to grace the Talking Drums offshoot label. Four moments of obscure but sublime brilliance that lovers of the leftfield dancefloors should shake more than a tail feather too. Tip top tackle from the Chums!

TRACK LISTING

A1. So Wrong
A2. Luvluvluv
B1. E-killa
B2. Lou Cee

Wallace & Gromit: Vengeance Most Fowl is a stop-motion animated film released in 2024. It was directed by Nick Park, creator of Wallace & Gromit, and met with critical acclaim. The movie received two BAFTA awards and was also nominated for an Academy Award. The film music was composed by Emmy nominated composer Lorne Balfe (known for his work on The Dark Knight, Iron Man, The Lego Batman Movie and Sherlock Holmes) and by BAFTA-nominated composer Julian Nott (known for his previous work on Wallace & Gromit).

TRACK LISTING

SIDE A
1. Wallace & Gromit: Vengeance Most Fowl
2. Good Morning Gromit
3. Guilty As Charged
4. Neat And Tidy
5. Gnome Improvements
6. Norbot Recharge Time
7. Reprogrammed For Revenge
8. March Of The Norbots
9. The Gnome Song
10. Up To Gnome Good

SIDE B
1. The Wallaby Street Mob
2. The Zoo
3. Rush To The Museum
4. The Blue Diamond
5. Leaf It To Me
6. The Fast And The Furnished
7. A Crazed Inventor
8. Nun In A Tunnel
9. Plant Pot Pummeling
10. Wallace & Gromit Theme
11. 8 Bit Cheese

A double LP package from Bardo Pond, combining two of their super rare jam volumes on vinyl for the first time. A further edition in this celebrated series, ‘Volume 4’ and ‘Volume 5’ feature more freeform improvisational pieces from the hypnotic Philadelphia outfit.

Capturing the raw essence of the band, whose fearless exploration blurs the lines between structure, chaos, melody and noise. Bardo Pond's music traverses space rock, acid rock, post-rock, shoegaze, noise, Krautrock and psychedelia.

‘Volume 4’ hails from self-released sessions recorded in January 2002, its five tracks include the supremely tripped out heaviness of ‘K2’ and the balance-shifting ‘New Drunks (Revisited)’ with Isobel Sollenberger’s exquisite and, frankly, quite disturbing vocal. They’re shorter interrogations of sound by Bardo terms, almost succinct in their mesmerising riffage and off-kilter arrangements.

By contrast, ‘Volume 5’ consists of two lengthy mantras recorded between 2000 and 2004 and released as the tape spool spiralled out. ‘FUFO’ sounds like Cluster unravelling with Merzbow mixing, a post-industrial slew of hypnotic proportions, while ‘Monarch’ begins as a Current 93-like neo-folk mood piece before evolving into a wailing slice of drone-drenched Americana by way of a Velvets’ jam.

“We were pushing improvisations as far as we could. It was glorious having the studio. The more that our heads were spinning after a session, the better we knew that session would sound when we listened back. We were getting together two nights a week, usually three or four hours working on material and songs and the other half the time letting loose. Volumes 4 and 5 gather together some of these improvisations, and one early song that we felt like doing.” Adds Michael Gibbons of Bardo Pond.

TRACK LISTING

1. Take What You Need
2. K2
3. New Drunks (Revisited)
4. Pangolin Dance
5. Narmada
6. Fufo
7. Monarch

60’s pop, 70’s junkshop glam and the best of catchy punk from Ramones to Jay Reatard come together in one irresistible power pop package. “Hangin’ Out” and “Sticker Song” both deal with some of the most basic aspects of the rockers' everyday life: standing around on corners, listening to Sheena on the radio, playing pinball and crate digging while avoiding local enemies. Hooks for days and absolutely relentless playing make sure this lands firmly in the thrilling-rather-than-tired camp for anyone who has ever loved catchy fast music.

In this light “Terry” is an obvious choice for a more DIY-oriented makeover that fully retains the originals sense of up-yours fun while upping the tempo and infusing it with vocal harmonies that are more New York Dolls than high gloss and giving the guitar solo a punked-up Thin Lizzy treatment.

TRACK LISTING

1. Terry
2. Hanging Out
3. Sticker Song

Badly kept main-stage-leaping, aspirational indie-rock secrets don’t come much bigger than BIIG TIME, the tune machine side-project cranked by DMA’s guitarist, Johnny Took and his brother, PLANET’s singer, Matthew Took, and yet the wait for album news has lasted… until now. The duo has finally, officially announced the release date for their long-awaited debut by releasing its first shoegazey, emphatic, big-chorused single, 'Bigger Than Nothing'.

Adding poignancy to the release, 'Bigger Than Nothing’s video features never-before-seen, deeply personal, fly-on-the-wall home video footage of the brothers’ childhoods in Sydney, opening a window into a “life-long friendship that shines through their songs and harmonies.” A year after Johnny Took enjoyed the most recent run of long-distance flights and late nights associated with the release of DMA’s Official UK Album Chart Top 3 album, 'How Many Dreams?' the Sydneysiders break temporarily from their motherships to confirm their own 11- track collection.

Given the title '200K', BIIG Time’s official announcement follows high-profile live warm-ups on the Australian dates of Courteeners and Jamie Webster. Hiding in plain sight, following the release of their 2020, standalone debut single, 'It’s You', their intriguing West Coast-by-garage rock counterpoint to DMA’s emotive, arena-filling indie left onlookers wondering what might come next.

Five years on, 'Bigger Than Nothing' finds the pair confident that, for every note of introspection the single holds, there’s ample confidence in the joy '200K' will spread. “‘Bigger Than Nothing’ is our first release since our first and only single ‘It’s You’ back in 2020! It’s quintessential BIIG TIME,” says the band. “Harmonies the whole way through and distorted guitars. Lyrically it’s full of tongue in cheek self-deprecation and floating in and out of the feeling of not being good enough for people and situations around you. “It’s the first single from the album, which is a collection of gems that we have written over the years. We couldn’t be prouder to share this first taste.” Chalking up four DMA’s albums and a worldwide fanbase, not least in the UK, a story that started with their 2016 debut album, 'Hills End', Took is no stranger to arenas and main stage festival appearances. Meanwhile, Matthew’s PLANET’s band, catapulted by the release of their 2022 debut album,

TRACK LISTING

1. Chugging Pills
2. Bigger Than Nothing
3. Get Better With You
4. Signing Out
5. No Way
6. Cattle In The Market
7. Easy
8. Loves Wealth
9. I'm Feeling Alive
10. Parades
11. Stole The Show

'Metalhorse' is Billy Nomates’ third studio release, following 2023’s critically acclaimed 'CACTI' and her self-titled 2020 debut. A concept album revolving around the image of a dilapidated funfair, representing the tumultuousness of life—risk and pleasure, danger and exhilaration.

The 11 new songs here explore blues, folk, and piano-driven arrangements that take Billy Nomates’ stark punk sound in a more pastoral direction. 'Metalhorse' is the first Billy Nomates album to be made in a studio and with a full band, the lineup including bass player Mandy Clarke (KT Tunstall, The Go! Team) and drummer Liam Chapman (Rozi Plain, BMX Bandits), plus a special feature from The Stranglers frontman Hugh Cornwell on 'Dark Horse Friend'.

'Metalhorse' is a balancing of extremes. Reckoning with loss, material insecurity, and trying to stay true to yourself against an increasingly unpredictable backdrop of global chaos, the scales could easily have tipped towards darkness. But the more Maries has had to weather, the more precious those smaller moments of happiness have become.

'Metalhorse' begs the listener to find their own funfair; there will always be things that feel perilous. At the same time, you have to marvel at the lights while they’re still on. Dancing with those feelings of uncertainty and joy, Metalhorse is awash with both pain and perseverance.

TRACK LISTING

1. Metalhorse
2. Nothin Worth
Winnin
3. The Test
4. Override
5. Dark Horse Friend
6.Life’s Unfair
7. Plans
8. Gas
9. Comedic Timing
10. Strange Gift
11. Moon Explodes

De La Soul. Mobb Deep. LL Cool J. Justin Bieber. Moby. These artists - and countless others - have one thing in common: Melvin Bliss' "Synthetic Substitution." Released in 1973, Bliss' "Synthetic Substitution" started off as a throwaway B- side to his single "Reward." It would go on to become one of the most frequently sampled songs of the late 80s and early 90s, a legacy that continues to this day.

TRACK LISTING

Synthetic Substitution
Synthetic Substitution (Just Blaze Take 6 Master Mix)

One of the biggest, breakbeat channelling stompers out there, courtesy of the in-demand duo Borai and Denham Audio, finally gets an official release with three fiery remixes via Room Two Records. A track that’s ripped through airwaves and club dancefloors alike, ‘Make Me’ has all the hallmarks of a future classic. Doused in Amen breaks, rattling subs, rave stabs and an instantly recognizable mid ‘80s Donna Allen sample. Together the track feels like a long forgotten rave anthem from the ‘90s with its mix of high intensity breaks and soulful vocals.

With the original sample cleared, three producers step up to remix this undeniable anthem. First Sheffield’s Big Ang with her Rave To The Grave remix, playing homage to her hometown with a bassline and bleep flavoured rework. Mani Festo then hits hyperspace with his glitched out, jungle warper, before Paul Sirrell closes out proceedings serving up a huge slice of piano house heat.

TRACK LISTING

A1. Extended Mix
A2. Big Ang's Rave To The Grave Remix
B1. Mani Festo Remix
B2. Paul Sirrell Remix

Bruce returns blistered and ablaze, with three flame-licked, windswept and deadly dancefloor deities on 12” vinyl, for the second edition of Poorly Knit.

Following on from it’s daft and fisty older brothers on "The Price / Mimicry", the raw power of wind and fire takes over on "Belly / Burned Alive", as we are plunged into devastating sonic worlds, adorned in UK soundsystem badness and Mother Nature’s vengeance.

Providing elemental catastrophe catharsis, through sound exploration, "Belly"’s steppas storm of wailing wind and clattering thunder is backed by "Burned Alive"’s soaring and demented UK garage inferno, to finally subside to the smoldering, dubbed-out vocal remains from "Hot One (Chapped Lips Version)".

With a continued emphasis on the importance of physical medium within dance music, the digitals are an abridged edit of the full release; "Hot One" is vinyl only and only on the vinyl can you hear the full mixes of "Belly" and "Burned Alive". Pressed on eco-friendly Eco-Mix reground PVC and sleeved in DIY lino printed sleeves, each record is a unique shade of marbled storm grey. Cut loud at 45rpm, not only does this sustainable slice of dance floor mayhem come at an attractive price tag, you can rest assured that sound quality has not at all been sacrificed. 

STAFF COMMENTS

Matt says: A winner on two fronts - first, it shows that high quality dance twelves can be produced at a reasonable price after all (with a little bit of forward thinking of course); and that Bruce still possesses that awe-inspiring sonic power that's be a constant throughout the innovative producer's catalogue. A triumph of a record!

TRACK LISTING

A1. Belly (Two Mississippi Original Mix) [06:53]
B1. Burned Alive (More Gauze Original Mix) [04:10]
B2. Hot One (Chapped Lips Version) [02:52]

What we said in 2006:

"London's Burial issues this belated overview of his career to date on Hyperdub, including the definitive 'Spaceape' and other formative dubstep and grime highlights. It encompasses the myriad of styles which have followed and continue to manifest themselves after UK garages's implosion. Universally acclaimed as one of the best, most ground-breaking releases of 2006."

TRACK LISTING

1. Untitled
2. Distant Lights
3. Spaceape (featuring The Spaceape)
4. Wounder
5. Night Bus
6. Southern Comfort
7. U Hurt Me
8. Gutted
9. Forgive
10. Broken Home
11. Prayer
12. Pirates
13. Untitled

Causa Sui return with the perfect companion to last year's tour de force, ”From The Source”. Whereas that record was a tightly structured piece of work, that condensed many aspects of the band's sound into a concise 45 minute LP, ”In Flux” presents the more loose and impulsive side of Causa Sui. After an introductory suite in classic Causa Sui territory, with deep fuzz riffs and syncopated grooves, things gradually become more outlandish. The following three vinyl sides see the band channeling Hot Rats-style jazz fusion, the oceanic post-rock of late-period Talk Talk, and the impulsive, anarchic experimentalism of Can's ”Tago Mago” into their own beatific brew. On “Spree”, the band abandons guitar entirely, relying on a dual synthesizer on top of drums and bass instead, yet maintains that uniquely Sui-an vibe.The centerpiece in this set, ”Astral Shores”, unfolds over 16 minutes – from gently hypnotic, ritualistic folk, through motoric psychedelia and back again. It's been many years since Causa Sui have sounded this unmoored on a studio record. ”In Flux” is an essential chapter in the band's ever-changing oeuvre. The double 10” format might seem like an odd choice, but splitting the album into four short, distinctive parts makes perfect sense stylistically. Each side has a character all off its own, taking the listener somewhere different.

TRACK LISTING

1. The Circus Is Back
2. Milkweed's Pod
3. Silver In The Gathering Light
4. Moledo
5. Boogie Lord's Revenge
6. Spree
7. Astral Shores
(diff Running Order On CD)

“We created a holiday inside our heads.”

‘A Deeper Life’, Chaos In The CBD’s debut album over 10 years in the making, is nostalgic for the duo’s nature-filled youth, exploring the magical coastline and lush rainforest of New Zealand. “The title refers to our childhood, which was idyllic,” says Ben. “It was just the sun, the sand, the sea, waterfalls, birds and fish…” The album’s blissful setting is also depicted on the album cover: a painting, by a childhood friend, of the beach where they grew up in Devonport.

‘A Deeper Life’ whirls that profound love of house music and wide-ranging influences – from Brazilian to R&B, ambient to Italo to deep house and downtempo pop – into a serene, cohesive whole with their signature finesse. The result is an international dance sound that feels unmistakably like Chaos and ebbs and flows from the beach party to the club to the afterhours.

On the album they’ve teamed up with a number of US legends and married their vocals with the UK underground: Josh Milan of house pioneers Blaze brings his soulful vocals to the bossa nova beats of ‘I Wanna Tell Somebody,’ a future jazz-dance anthem. Unheralded Chicago house hero and Larry Heard collaborator Lee Pearson Jr. goes deep over ‘More Time’’s broken beat flex. And on ‘Maintaining My Peace’, the brothers have matched veteran house singer-songwriter Stephanie Cooke with UK grime MC Novelist, on a slinky LDN interpretation of LA hip-hop and g-funk.

Also featured on the album are New Zealand jazz artist Nathan Haines, frequent collaborator Isaac Asaeili and more.

STAFF COMMENTS

Matt says: Rich, expansive, highly musical long player from New Zealand deep house poster boys Chaos In The CBD. With tons of character and a variety of moods and tempos explored throughout, it's one of those albums you know is gonna be on constant rotation throughout the year. Don't wanna miss this one folks...

TRACK LISTING

A1. Down By The Cove
A2. Mountain Mover Feat. Alex Cosmo Blake
A3. Maintaining My Peace Feat. Novelist & Stephanie Cooke
A4. Tears Feat. Saucy Lady
B1. Brain Gymnasium
B2. I Wanna Tell Somebody Feat. Josh Milan
B3. Ōtaki Feat. Finn Rees
B4. Love Language Feat. Nathan Haines
C1. A Deeper Life Feat. Isaac Aesili
C2. More Time Feat. Lee Pearson Jr. Collective
C3. Tongariro Crossing Feat. Nathan Haines
D1. Barefoot On The Tarmac
D2. Marlboro Sounds
D3. The Eternal Checkout Feat. Cenk Esen

“We created a holiday inside our heads.”

‘A Deeper Life’, Chaos In The CBD’s debut album over 10 years in the making, is nostalgic for the duo’s nature-filled youth, exploring the magical coastline and lush rainforest of New Zealand. “The title refers to our childhood, which was idyllic,” says Ben. “It was just the sun, the sand, the sea, waterfalls, birds and fish…” The album’s blissful setting is also depicted on the album cover: a painting, by a childhood friend, of the beach where they grew up in Devonport.

‘A Deeper Life’ whirls that profound love of house music and wide-ranging influences – from Brazilian to R&B, ambient to Italo to deep house and downtempo pop – into a serene, cohesive whole with their signature finesse. The result is an international dance sound that feels unmistakably like Chaos and ebbs and flows from the beach party to the club to the afterhours.

On the album they’ve teamed up with a number of US legends and married their vocals with the UK underground: Josh Milan of house pioneers Blaze brings his soulful vocals to the bossa nova beats of ‘I Wanna Tell Somebody,’ a future jazz-dance anthem. Unheralded Chicago house hero and Larry Heard collaborator Lee Pearson Jr. goes deep over ‘More Time’’s broken beat flex. And on ‘Maintaining My Peace’, the brothers have matched veteran house singer-songwriter Stephanie Cooke with UK grime MC Novelist, on a slinky LDN interpretation of LA hip-hop and g-funk.

Also featured on the album are New Zealand jazz artist Nathan Haines, frequent collaborator Isaac Asaeili and more.

STAFF COMMENTS

Matt says: Rich, expansive, highly musical long player from New Zealand deep house poster boys Chaos In The CBD. With tons of character and a variety of moods and tempos explored throughout, it's one of those albums you know is gonna be on constant rotation throughout the year. Don't wanna miss this one folks...

TRACK LISTING

A1. Down By The Cove
A2. Mountain Mover Feat. Alex Cosmo Blake
A3. Maintaining My Peace Feat. Novelist & Stephanie Cooke
A4. Tears Feat. Saucy Lady
B1. Brain Gymnasium
B2. I Wanna Tell Somebody Feat. Josh Milan
B3. Ōtaki Feat. Finn Rees
B4. Love Language Feat. Nathan Haines
C1. A Deeper Life Feat. Isaac Aesili
C2. More Time Feat. Lee Pearson Jr. Collective
C3. Tongariro Crossing Feat. Nathan Haines
D1. Barefoot On The Tarmac
D2. Marlboro Sounds
D3. The Eternal Checkout Feat. Cenk Esen

'Reasons To Stay' is Tanika Charles’ fourth full-length album, and her most introspective to date. Where her songs have typically touched on romantic love and heartache, the core love and loss of this record is family focused. It has taken years for Tanika to be able to publicly reflect on the childhood trauma and family breakup that occurred during her teens.

The majority of the album was composed by Tanika with the tight knit team of Scott McCannell (Lydia Persaud, Henry Nozuka), Kyla Charter (Aysanabee) and Chino de Villa (Jessie Reyez). Kelly Finnigan of the Monophonics joined in to mix the bulk of the project and apply some trademark analogue grit to Tanika’s sheen. Guests include Quebec-based Soulful singer/songwriter Clerel on the last track 'Win', as well as Toronto soul artists Aphrose and Claire Davis providing additional vocals.

“I love this album. I love singing these songs. I love that it’s made me step outside of my comfort zone. It’s forced me to face the root causes of my own insecurities that I carry to this day. Why am I striving so hard to seek validation, and why take it so personally when it doesn’t come? That distortion has prevented me from celebrating my own successes at times. This album is me trying to change that.” “I love the conversations that have begun with these songs. It’s about childhood trauma, but it’s not a victim story. I’m doing well, despite the baggage I carry. I want others to be able to carry theirs too.”

In the last few years, Canadian Soul/R&B powerhouse Tanika Charles has transformed from an emerging solo artist to a commanding performer and bandleader, cementing her status as a staple in the Canadian soul scene. Her previous studio albums - 'Soul Run' (2017), 'The Gumption' (2019), and 'Papillon De Nuit' (2022) - have propelled her to international acclaim, earning her two JUNO nominations, two Polaris Prize listings, and a growing global fanbase.

TRACK LISTING

1. Don't Like You Anymore
2. Consistency
3. No More
4. How Long Will It Take
5. Here When You're Ready
6. Reasons To Stay
7. The Lament
8. Don't Let Go
9. Talk To Me Nice
10. Having A Time
11. Win Feat. Clerel

Chiminyo is a UK-based jazz/electronic artist and the founder of the new label NRG Discs (having previously released on Brownswood, Nightdreamer, Gearbox, and Astigmatic, with artists such as Gary Bartz, Shabaka Hutchings, Maisha, Nubya Garcia, Cykada, Uniri, as well as solo). Chiminyo is a versatile musician who blends the raw energy of live drums and percussion with cutting-edge electronic production.

His early solo releases showcased his knack for unique approaches to making music, using self-coded software to trigger synths and samples from every cymbal crash and drum hit, eliminating loops and click-tracks. This DIY, tech-driven methodology allowed Chiminyo complete, spontaneous control over his music—all from the stool behind his drum kit—creating a sound that is both daring and innovative.

Chiminyo's latest project, NRG, continues this trend of innovative thinking. Born from discussions around the UK jazz scene, Chiminyo concluded that this musical expression is less about "jazz" and more about the energy (NRG) that fuels it. As a result, NRG has evolved into a semi-regular event where Chiminyo brings together some of London's finest musicians for live, improvised performances that encapsulate the spirit of the scene. These live recordings are then given the magic production treatment by Chiminyo and co-producer Aviv Cohen, transforming them into the masterpieces we get to hear on wax.

The first three NRG LPs were a massive success, generating over 600,000 streams, selling over 800 copies (without distribution support), and receiving airplay on BBC Radio, Jazz FM, NTS, Soho Radio, and many more. High-profile DJs like Gilles Peterson and Jamz Supernova championed the albums, which were also covered in print by The Guardian, Jazzwise, Echoes Magazine, and various online channels. This success led to an invitation to record a live album at Ronnie Scott's, one of London's most iconic jazz venues—an incredible opportunity for any artist.

NRG 4 brings together some of the best jazz and electronic musicians in London. The album features Marisia Osu (harp), James Akers (tenor saxophone), Daniel Casimir (double bass), Lyle Barton (synthesizers), and Tilé Gichigi-Liperé (live electronics)—an all-star lineup whose members have released multiple records on Concord, Brownswood, Jazz Re:freshed, Astigmatic and more, and have collaborated with artists such as Laura Misch, Nubya Garcia, Blue Lab Beats and Emma-Jean Thackray. Three tracks are graced with features from Jorja Smith's backing vocalist BAELY and Cuban saxophone maestro Regis Molina.

Limited to 400 12" LPs (350 standard, 50 screen-printed limited edition).

TRACK LISTING

1. Luminescence (feat. Marysia Osu, James Akers, Daniel Casimir, Lyle Barton & Tilé Gichigi-Liperé)
2. Sonder (feat. Marysia Osu, James Akers, Daniel Casimir, Lyle Barton & Tilé Gichigi-Liperé)
3. Into The Storm (feat. Marysia Osu, James Akers, Daniel Casimir, Lyle Barton & Tilé Gichigi-Liperé)
4. Serenity (feat. Marysia Osu, James Akers, Daniel Casimir, Lyle Barton & Tilé Gichigi-Liperé)
5. Ascendance (feat. Marysia Osu, James Akers, Daniel Casimir, Lyle Barton, Tilé Gichigi-Liperé & Regis Molina)
6. Chrysalis (feat. Marysia Osu, James Akers, Daniel Casimir, Lyle Barton & Tilé Gichigi-Liperé)
7. Beam (feat. Marysia Osu, James Akers, Daniel Casimir, Lyle Barton & Tilé Gichigi-Liperé)
8. Nightfall (feat. Marysia Osu, James Akers, Daniel Casimir, Lyle Barton, Tilé Gichigi-Liperé & BAELY)
9. Levitate (feat. Marysia Osu, James Akers, Daniel Casimir, Lyle Barton, Tilé Gichigi-Liperé & Regis Molina)

Recorded 67 years ago,

Reisued in Shirley's 90th year in this universe.

Limited to 800 black vinyl / cd limited to 1000 each packaged in reverse board printed card sleave

Remastered and with restored original artwork, LP with postcard inserts.

TRACK LISTING

1. Sweet England
2. Hares On The Mountain
3. Hori-Horo
4. The Bonny Irish Boy
5. The Tailor And The Mouse
6. The Lady And The Swine
7. Turpin Hero
8. The Cuckoo
9. The Bonny Labouring Boy
10. The Cherry Tree Carol
11. Sweet William
12. Omie Wise
13. Blackbirds And Thrushes
14. A Keeper Went Hunting
15. Polly Vaughan
16. Pretty Saro
17. Barbara Allen
18. Charlie

Compton's Most Wanted's 1991 album Straight Checkn 'Em is a classic in West Coast gangsta rap, delivering hard-hitting lyrics and gritty beats that capture the essence of early 90s Los Angeles street life. Led by MC Eiht, the group’s sophomore album, features standout tracks like "Growin' Up in the Hood" and "They Still Gafflin'," which offer raw commentary on urban struggles and survival. With its deep basslines, funky grooves, and unflinching storytelling, Straight Checkn 'Em solidified Compton's Most Wanted's place in the gangsta rap movement alongside pioneers like N.W.A. Known for its realism and authenticity, the album is a must-listen for fans of West Coast rap history. Explore Straight Checkn 'Em for a raw, unapologetic glimpse into the streets of Compton during a pivotal era in hip-hop.

TRACK LISTING

Side A
1. Intro
2. They Still Gafflin
3. Growin' Up In The Hood
4. Wanted
5. Straight Checkn' Em
6. I Don't Dance
7. Raised In Compton

Side B
1. Driveby Miss Daisy
2. Def Wish
3. Compton's Lynchin
4. Mike T's Funky Scratch
5. Can I Kill It?
6. Gangsta Shot Out

The title of this work by Beatrice Dillon is taken from the notion of ‘basho’,developed by Kitarō Nishida, Japanese philosopher and father of the Kyoto school. Kitaro’s ‘basho’ (場) refers to a fundamental ‘place’ or ‘field’ where things exist and interact. Not just a physical location, but a more abstract space where all experiences, thoughts, and phenomena are interconnected. In Nishida’s philosophy, ‘basho’ is a dynamic, living ground where subject and object, self and world, are not separate but mutually interrelated. Inspired by this, Beatrice Dillon develops a music of a complex nature, that never ceases to constitute itself as pure presentation, constantly re-exposed, reactivating at every moment both the object of attention and the listener who aims at it. Borrowing both its sounds(which have no real origin or internal space) and its idioms from electronic music, Dillon’s Basho is a diversion, a rearrangement that places us, through elements that are familiar but suddenly alien, back into a field of pure listening

Still Forms, by Japanese composer Hideki Umezawa, draws its sound material from the exploration of Baschet sound structures, instruments developed by the brothers Bernard and François Baschet in the 1950s that have since been highly prized by the world of contemporary musical creation. These structures were presented at the 1970 Osaka World’s Fair, and some remained in Japan. Through various recording sessions, in Japan but also in France, Hideki Umezawa re-explores the fascinating sonic potential of these atypical instruments to include them in a highly mastered composition where sounds of acoustic origin and electronic textures respond to each other, as in the distorted reflection of the resonators of the Baschet structures. Still Forms is thus a tribute to, and a journey through time through, the incredible power of inspiration and invention of these sound structures, but also a sharpened proposal of contemporary electroacoustic composition that knows how to renew itself without denying its origins

One of the world’s best-selling albums, Dire Straits’ 'Brothers In Arms', celebrates its 40th anniversary with an exquisite 5LP deluxe edition, 3CD deluxe edtion and standard LP reissue.

Originally released in 1985, the album features the singles ‘Money For Nothing’, ‘Walk Of Life’, ‘So Far Away’, ‘Brothers In Arms’ and ‘Your Latest Trick’. The winner of multiple Grammy awards, the album was the first ever to be certified 10-times platinum in the UK and is one of the world’s best-selling albums. Brothers In Arms spent 14 non-consecutive weeks at Number 1 in the UK Albums Chart and is the 8th best-selling album in UK chart history.

TRACK LISTING

1LP Tracklisting:
1. So Far Away
2. Money For Nothing
3. Walk Of Life
4. Your Latest Trick
5. Why Worry
6. Ride Across The River
7. The Man’s Too Strong
8. One World
9. Brothers In Arms

5LP & 3CD Tracklisting:
1. So Far Away
2. Money For Nothing
3. Walk Of Life
4. Your Latest Trick
5. Why Worry
6. Ride Across The River
7. The Man’s Too Strong
8. One World
9. Brothers In Arms
10. Ride Across The River (San Antonio Live In 85)
11. Expresso Love (San Antonio Live In 85)
12. One World (San Antonio Live In 85)
13. Romeo And Juliet (San Antonio Live In 85)
14. Private Investigations (San Antonio Live In 85)
15. Sultans Of Swing (San Antonio Live In 85)
16. Why Worry (San Antonio Live In 85)
17.Walk Of Life (San Antonio Live In 85)
18. Two Young Lovers (Live In San Antonio)
19. Money For Nothing (Live In San Antonio)
20. Wild West End (San Antonio Live In 85)
21. Tunnel Of Love (San Antonio Live In 85)
22. Brothers In Arms (San Antonio Live In 85)
23. Solid Rock (San Antonio Live In 85)
24. Going Home (San Antonio Live In 85)

Following the success of his recent single "Just A Flute Thing," DJ Scientist returns with his latest release, "The Baku Files". This project delivers another stunning instrumental ip-hop gem, built on rare samples.

The first track features one of Scientist's most captivating and jazzy boom-bap beats in years, sampling Azeri jazz from the Soviet era. With vocal cuts taken from old rap records he crafts a unique fusion of cultures and eras.
Side B of the single is entitled "To See You," a DJ-friendly rework of a track by the renowned Soviet composer Murat Kashlaev, originally re-issued a few years ago on Spasibo Records.

Turntablists - you'll want two copies! ;)

- Limited edition of 300 copies

STAFF COMMENTS

Matt says: Rrreaall nice old skool flavoured cut-n-paste b-boy shit that'll have you scratching for an itch and donning your slickest pair of Adidas shell toes.

TRACK LISTING

Side A
1. Coming From The Heart

Side B
1. To See You (Rework)

His first solo album in nine years, 'Felt Better Alive' is Peter Doherty’s most confident solo collection yet - sprinkled with radiant playfulness, almost innocence at times, shot through with Peter Doherty’s signature melodic nous, quirky poetic realism and visual story-telling gifts.

TRACK LISTING

1. Calvados
2. Pot Of Gold
3. The Day The Baron Died
4. Stade Océan
5. Out Of Tune Ballon
6. Felt Better Alive
7. Ed Belly
8. Poca Mahoney’s
9. Fingee
10. Prêtre De La Mer
11. Empty Room

“This record is a document of music-making as catharsis,” Miso Extra says. “I’m working through my experiences of love, alienation and empowerment while inviting others in to share the process. By the end, I’ve become a whole new Miso.”

Across 12 tracks, co-produced by Miso Extra herself and featuring collaborations from DJ Boring, Metronomy, AK Paul, Samo, Tyson and MICHELLE, Miso takes us on a journey of lovelorn vulnerability, growth and self-empowerment, traversing the K-Pop and UK Garage references of the earworming 'POP' to the lovesick lyricism and bass-heavy R&B beats of 'Good Kisses', synth-house swing of 'Certified', and reverb-laden ‘80s melodics of 'Ghostly'. “I wanted tomake a self-aware pop record, full of the songs I’d want to listen to when I was growing up,” she says. “It’s about growing through your mistakes and not being afraid to get things wrong. There are some deep messages in there but it’s surrounded by sweet earcandy – that spoonful of sugar that helps the medicine go down."

Miso also sees her music as forming part of the Misoverse – an anime-inspired space of creative exploration. “I always have to do a lot of code-switching indifferent situations and so I wanted to reflect that in my music,” she says. “The Misoverse is where I can explore all the different musical sides of myself, with all my influences present and me as the hero of the story. It’s umami for the ears – deliciousness to listen to."

On 'Earcandy', Miso expands her sonic universe to produce the fullest expression of her restlessly roving sound. Decamping to Damon Albarn’s Studio 13 in London over summer 2024, Miso began working with Grammy-winning engineer Riccardo Damian, who has previously collaborated with Mark Ronson, Ezra Collective, Jorja Smith and Sampha. “He was my Mr Miyagi, I learned so much from Riccardo during the whole process,” Miso says. “Plus working in Studio 13 was so inspiring since I’m such a Gorillaz fan and you can channel their energy there, as well as feel the influence of other people who have used the space from Erykah Badu to Paul McCartney.”

Taking inspiration from anime favourites like Spirited Away and Yorgos Lanthimos’ Poor Things, Miso started writing music to reflect her own coming of age from naivety to self-knowledge. “I’d only ever made loops before but on 'Earcandy' I’m producing beats on tracks like 'Love Train' and 'Don’t Care',” she says.“The story of the record reflects my own journey to becoming more confident and empowered.”

TRACK LISTING

1. Love Train
2. POP
3. Good Kisses
4. Certified
5. Playboi
6. Done.
7. Moshi Moshi (interlude)
8. Slow Down
9. Ghostly
10. Don’t Care
11. Candy Crushin’
12. Earcandy

Tasty EP of pumpin' jumpin' house music here courtesy of Fossar who seems to digest the best bits of French touch and funky house and come up with something deliciously contemporary and fun. Nodding to other present day open air enthusiasts such as Shir Khan / Exploited, Running Back, Krystal Klear and such like, Fossar creates a paradisical EP that's certain to give you goosebumps and have you ringing around your mates to organize your next Big Night Out. 

STAFF COMMENTS

Matt says: Big wafty house business for the Bristol house heads looking for that early release of open air excess.

TRACK LISTING

A1. Lazar Feat. Nils Nürnberg
A2. DFY
A3. Sisu
B1. Enchanté
B2. French Press

An album for sleeping and waking, walking and driving, hunting and fishing, for loitering outside a roadhouse on the haunted tundra. Okay in elevators, not great for dinner. On 'Caveman Wakes Up', Friendship’s new album and second for Merge Records, the band’s historically capacious definition of country music grows wider still. Shambolic guitars are offset by flute pads, bleary poetry is set against a Motown rhythm section, a song about Jerry Garcia and First Lady Betty Ford fades out with a drum solo, like if Talk Talk came from a dingy Philadelphia basement and was fronted by James Tate.

Songwriter Dan Wriggins’ ragged baritone cuts through eleven murky, swirling country-rock songs with profound lyrical substance and sincerity. Like an alarm clock incorporated into the edge of a dream, 'Caveman Wakes Up' belongs equally to the conscious and subconscious mind, fraught with background, steeped in reference and experimentation, delivered casually and as a dire warning, dedicated, above all, to music’s creative soul. Over the years, dedication has paid off. Friendship has become a kind of reverse supergroup, wherein the band itself and each individual member are located centrally in an increasingly prominent scene of young folk and country musicians and songwriters. Drummer Michael Cormier O’Leary leads the instrumental collective Hour and, along with bassist Jon Samuels, runs Dear Life Records, home to friends and peers who count Friendship as a major influence including MJ Lenderman, Florry, and Fust. (Samuels also plays lead guitar in MJ Lenderman and the Wind).

TRACK LISTING

1. Salvage Title
2. Tree Of Heaven
3. Betty Ford
4. Free Association
5. Hollow Skulls
6. Artex
7. Love Vape
8. Wildwood In January
9. Resident Evil
10. All Over The World
11. Fantasia

First studio album in 11 years for Normandy-based, English psychedelic folk musician/painter, Mark Fry. When 19-year-old Mark Fry recorded his debut album 'Dreaming With Alice' for RCA sublabel, "It" in Italy in 1971, little did he know that it would become a much-sought-after, much -bootlegged "acid folk" classic three decades later, with millions of Spotify plays. Fry, an acclaimed painter in the interim, returned to making music in 2008 and has released three more acclaimed studio albums - this, 'Not On The Radar,' is the fourth. These days, far less "acid" than in his youth, Fry still knows his way around a beautiful melody. The new album, recorded with musician friends at his Normandy home studio and produced by David Sheppard (Ellis Island Sound/State River Widening) is resplendent with love songs, the beauty of nature and the passing of time.

"Fry's third album since he resumed his music career in the late 2000s may contain his most captivating music yet" – UNCUT 9/10

TRACK LISTING

1. Only Love
2. Big Red Sun
3. Stormy Sunday
4. Where The Water Meets The Land
5. Not On The Radar
6. Daybreak
7. Where I Would Be
8. Jamais A L'Heure
9. Rainbow Days
10. If I Could

After the dazzling debut of their first LP "Latin Freaks", the Funkool Orchestra is back with a brand new single that anticipates the release of their second studio album. A pure adrenaline double sider 7" vinyl with two dancefloor killer tracks.

"Tengo che ffà"
A dancefloor where the sun never sets, pulsing with a Mediterranean heartbeat. Funkool Orchestra return with "Teng Che Fa", a vibrant fusion of funk, disco, and Neapolitan groove. Following their sold-out debut Latin Freaks, this Maledetta Discoteca production delivers pure feel-good energy: sweaty, euphoric and made for endless dancing under golden skies. Perfect for global grooves, nu-disco, and upbeat funk playlists.

"P-Funk (Dance with Pezz)"
A rhythm that grabs your hips and won’t let go, while you smile to the world. Funkool Orchestra set the dancefloor on fire with ‘2-P–Funk’, a percussive, Latin-infused groove drenched in funk and soul. This Maledetta Discoteca production is built for shaking and radiating pure joy, packed with irresistible horns and unstoppable rhythm. Perfect for Latin funk, soulful disco, and global grooves playlists.

FUNKOOL ORCHESTRA: Valentina Conte – Voice; Daniele Mango – Voice; Pask Bluenne – Voice; Adriano Rubino – Trumpet; Riccardo Colicchio – Saxophones; Mario Tammaro – Trombone; Enrico Pizzuti – Guitar; Mattia Leone – Keyboards; Dario 'Pezz' Gessato – Bass; Peppe Shaf – Drums; Paolo 'Batà' Bianconcini - Percussions

Recorded, mixed and mastered by Fabrizio Piccolo at Auditorium Novecento (Naples)
Graphics and Illustrations by Jack Bulgaro

STAFF COMMENTS

Matt says: Their forth single to date, pretty sure it's another case of Italians do it better here... with a vibing and colourful bunch ready to take on the rest of the Neapolitan massive - Mystic Jungle Tribe, Nu Genea etc. To be honest, they probably all share the same studios and are best of mates!

TRACK LISTING

A1. Tengo Che Ffà
B1. P-Funk (Dance With Pezz)

'Goodbye Small Head' is Furman's tenth album and the follow-up to 'All Of Us Flames' which was released to universal acclaim in August 2022. Written during a maelstrom of overwhelm, the album title is a nuanced homage to the 1999 Sleater-Kinney single 'Get Up'.

Ezra Furman is a boundary- breaking artist whose fearless creativity and emotional honesty have made her one of the most compelling voices in modern music. Blending punk energy, heartfelt lyricism and genre-defying innovation, Furman's work is both deeply personal and universally resonant. The albums she's released over the past decade demonstrate both her extraordinary talent and artistic evolution. 'Perpetual Motion People' (2015) is a vibrant, genre-hopping explosion of wit and melody, while 'Transangelic Exodus' (2018) pushed boundaries with its dystopian storytelling and atmospheric soundscapes, exploring themes of love, defance, and identity.

'Twelve Nudes' (2019) delivered raw, punk-fueled catharsis, channeling anger and resilience into fery anthems, whilst her last album, 'All of Us Flames' (2022), is a cinematic and deeply moving exploration of queer liberation, weaving intimate storytelling with grand, sweeping arrangements. She also found time to record the soundtrack for the Netfix smash hit TV series Sex Education.

Ezra Furman's music is a testament to the power of individuality and authenticity, marking her as a truly unique voice in modern music.

TRACK LISTING

1. Grand Mal
2. Sudden Storm
3. Jump Out
4. Power Of The Moon
5. You Mustn't Show Weakness
6. Submission
7. Veil Song
8. Slow Burn
9. You Hurt Me I Hate You
10. Strange Girl
11. A World Of Love And Care
12. I Need The Ange

Mr Bongo proudly presents the third album by Melbourne/Naarm multi instrumentalist, Don Glori, entitled 'Paper Can't Wrap Fire'

A kaleidoscopic genre- surfing odyssey that brings together the worlds of jazz, soul and funk. Feeling both contemporary and classic, familiar yet novel, it's an assured third release that sees an artist in full flight, showcasing their creative prowess and the uniqueness of their musical voice.

Steering in a new direction, Don Glori (aka Gordon Li) has delved headfirst into his songwriting with 'Paper Can't Wrap Fire'. Deftly showcasing his talents as a writer and bandleader, he brings with him a whole host of friends from the creative crossroads that is Naarm. It's an album enriched with more soul, R&B, and funk- oriented songs than his previous jazz- rooted productions, yet there's still plenty of jazz material for those familiar fans of Don's earlier works.

It's a journey infused with a glistening jazz finesse, layered with nourishing vocal harmonies and powered by an instantly relatable human soul. Recorded over two hot summer days in Rolling Stock Studios in Collingwood, Naarm, the lineup of musicians is built up of Don's friends and family. Featuring the backbone team of Tim Cox, Al Kennedy, Joel Trigg, Robyn Cummins and Lachlan Thompson, who were part of Don's touring band before he relocated to London, and a stunning selection of vocalists in the form of ML Hall, Ruby Dargaville, Isadora Lauritz, and Bianca Kyriacou. Also gracing the album are trumpeter extraordinaire Audrey Powne, saxophonist Joshua Moshe, and Alcides Neto who sprinkles some Brazilian magic into the record.

Taking influence from artists including Azymuth, SAULT, Jordan Rakei and Lynda Dawn, as well as from London musical beacons such as NTS and Total Refreshment Centre, Don has run with this, leaned in and come out with a record truly unique to himself and his distinctive core, with no mask necessary.

TRACK LISTING

Disaster
Brown Eyes (Ft. ML Hall)
Flicker (Ft. ML Hall, Bianca Kyriacou)
Janet (Ft. ML Hall)
Song For Ants
Power
Precious
Ron Song
Saturn's Return

Grails – the experimental rock institution who have cultivated a quarter-century career out of crate-plunging cultural curiosities – returns a mere two years after the lauded 'Anches En Maat' with their most personal and emotionally resonant album to date. While the band still revel in rearranging bizarre and obscure sources into something often revelatory and surreal, 'Miracle Music' does so with an ascendant melodic power that feels hallowed.

The 'Miracle Music' lineup includes cofounders Emil Amos (Om, Holy Sons, Lilacs & Champagne) and Alex Hall (Lilacs & Champagne), alongside returning members, AE Paterra (Zombi, Majeure), Jesse Bates, and Ilyas Ahmed. Produced by Amos, Miracle Music reunites the group with recording engineer Jason Powers and his Type Foundry studio in Portland, Oregon, where the earliest Grails records were made more than two decades ago. Replete with acoustic and electric guitars, synths, woodwinds, brass, samples, percussion – and featuring horn arrangements by Kelly Pratt (David Byrne, M. Ward) – Miracle Music unveils an exquisite new horizon for Grails. Creatively tireless as ever, Grails balance the boundary-pushing claustrophobia of early Industrial music with the airy melodies of Classical compositions to craft the heavy mood that is 'Miracle Music'. In a catalog defined by mercurial departures, this is Grails’ most sentimental and high-minded trip yet.

TRACK LISTING

1. Silver Bells
2. Primeval Lite I-III
3. Earthly Life
4. Homemade Crucifix
5. Harmonious Living
6. Strange Paradise
7. Perfect Etercuss
8. Visible Darkness
9. Choir Commencement

After four albums of extra-dimensional exploration, Hooveriii delivered “Manhunter” with the controls set directly for the heart of the cosmic groove. Expertly synthesizing their influences and still managing to bring even more to the party, from spiky post punk to beautiful new age excursions and mammoth 70’s arena rock hooks, “Manhunter” delivers not only their best album yet but an instant classic for all the psych-heads, stoners and dimensionauts.

TRACK LISTING

1. Melody
2. Manhunter
3. Tin Lips
4. Tarantula Eye
5. Question
6. In The Rain
7. Westside Pavillion Of Dreams
8. Me King
9. Heaven At The Gates
10. Awful Planet
11. Stage
12. Cul-De-Sac
13. The Fly
14. Night Walks In Montreaux
15. Isolation

Australia's left-field club renaissance keeps flowering, and Horatio Luna's cult 2020 debut Yes Doctor remains an essential root document. The LP welds dub-soaked bass pressure, broken-beat jack and smoky nu-jazz improv onto a house chassis—picture Moodymann deep cuts drifting through Dadawah's spiritual haze. Championed by Gilles Peterson after Luna appeared on Brownswood's Sunny Side Up compilation—where drummer Phil Stroud and synth maestro Dufresne also featured—the record was pieced together across 2019 during a run of late-night sessions while Hicks was living in the La Sape house.

La Sape's brand-new 2025 pressing (cat. SAPE00825) uses freshly cut plates and presents the full ten-track programme on 140 g black vinyl. The package features subtle touch-ups to the jacket artwork and refreshed centre-label stickers while preserving the original aesthetic. "Yes Doctor is my coming-of-age—mixing every style I could think of into house, pushing aesthetic boundaries, making 'un-boxable' music," Luna says. File next to Theo Parrish and Yesterday's New Quintet: DJs will lock onto the title track's seven-minute bruk workout, while deep-listening customers will cherish the front-to-back journey in groove alchemy.

TRACK LISTING

1. Some Like It Hot (feat. Throne Boy)
2. Yes Doctor
3. Mango & Setwun
4. Luna Landing
5. Your Love
6. Bubbly
7. Golden
8. Northern Beaches
9. Brunswick Massive
10. Brunswick Massive Pt. 2

Danny Howells debuts on Rekids with the ‘Throb’ EP. The legendary DJ’s DJ first EP for Radio Slave’s imprint sees him pair with keyboard player Elliott Herrington

Howells, a quietly revered figure in house music since the mid ‘90s, delves deep across the ‘Throb’ EP, which celebrates subtle drum programming, otherworldly keys and soundscapes throughout. The cossetting warmth of ‘Throb’, a track which tips the smallest of nods to Danny’s role in the heyday of progressive house, was born out of a late-night studio session - long forgotten about and then rediscovered, re-appraised, as so many great tracks are.

‘Thrunk’, another supremely heady cut, follows and sees keys slide around the mix, modulated and tweaked just enough to create a constant feeling of movement without losing balance, firmly rooted by a bassline that Howells, contrary to his usual practice, wrote first.

Danny Howells is a darling of British dance music. Emerging in the late 1990s with the likes of the era-defining Jackpot Records, his journey in dance music has always been about music, which has seen him eschew frantic touring and production schedules in favour of doing what he loves. Famous, for those in the know, as Cassy’s favourite DJ, Howell’s deft touch and subtlety as a DJ and Producer are evident in spades on ‘Throb’

STAFF COMMENTS

Matt says: Rekids continues to impress, with old guard Danny Howells gifting us a silky, sparkly, highly melodic number that's full of sumptuous textures and deep, driving NRG. Tip!

TRACK LISTING

A. Throb
B. Thrunk 

"Has there ever been music that so much represents the fact that electronic sound exists between the dead and the living?" - by Chihei Hatakeyama. The ultimate improbient that pursues the original human way of dealing with sound, imagining the very sounds that emerged from people's activities long ago. This is the first vinyl release of a 2007 masterpiece by KEN IKEDA, known for his collaborations with computer music pioneer CARL STONE, DAVID TOOP a leading figure in the British experimental music scene, and Japanese jazz saxophonist AKIRA SAKATA. KEN IKEDA is a musician and artist who emits primitive and original electronic sounds, known for "DAM," a collaboration with CARL STONE, recorded inside a huge dam approximately 40 meters high and deep, and works on the label "ROOM40" run by Australian composer LAWRENCE ENGLISH. Remastered by Chihei Hatakeyama, a leading figure in the ambient to drone scene.

TRACK LISTING

01 Diary
02 A Part Of Shunkin
03 Mist On The Window
04 String Purification
05 From Horizon
06 Iconography
07 Rustle
08 Day Moon
09 Iki
10 Sawaribrato

Live at the Acropolis captures the band's unforgettable live performance at the historic Odeon of Herodes Atticus, an open-air amphitheater beneath the Acropolis in Athens

Recorded on the 10th of July, 2023, this album transports listeners to that magical night, where James along with along with a 22 piece orchestra conducted by Joe Duddell and an 8 piece choir, delivered a powerful set against the backdrop of ancient history.

TRACK LISTING

Magic Bus
We're Going To Miss You
The Shining
Dust Motes
The Lake
Beautiful Beaches
Say Something
Space
Ten Below
Moving On
Nothing but Love
Born Of Frustration
Sit Down
Love Make A Fool
Medieval
Someone's Got It In For Me
Alaskan Pipeline
She's A Star
Hello
Riders
Laid
All The Colours of You
Many Faces
Tomorrow
Sometimes
Top Of The World

The Kenny Dope Presents The Madd Rackett – "Supa" 7-inch vinyl is a hip-hop and reggae-infused breaks record that showcases Kenny Dope’s masterful production. This track is built around hard-hitting drums, deep basslines, and an infectious groove, making it a must-have for DJs and vinyl collectors.

STAFF COMMENTS

Matt says: Kenny Dope packs a reggae-breaks soundsystem killer onto 7". Destined for multiple pull-ups through festival season, this is pure fire for your funk loving hip-hop / breaks / reggae crowd.

TRACK LISTING

A. Supa (KD's B-Boy Edit) 
B. Supa (Deep In BKLYN Edit) 

Strung out like a necklace of diamonds hanging in the firmament, the trilogy of albums from Steve Kilbey and Marin Kennedy ('Jupiter 13', 'The Strange Life of Persephone Nimbus’ and ‘Premonition K’) glitter and shine like stars. They are connected by a golden thread: a retro space aged medieval flavoured world of imagination and storytelling that stands majestic and enthralling. It is steam punk, mythology and classicism all bound together in one glorious package. Easy Action has wrapped these three gems together in a CD collection that, like the duo themselves, is greater than the constituent parts. And these three albums deserve to be homed together for posterity, each building up on the other in a world created by the lyrical creativity of Kilbey and the musical genius of Kennedy, a collaboration that feels like the product of one singular organic mind. Both musicians are disturbingly prolific, and the sheer quantity of their output is matched by the quality. There can almost be no scientific explanation for how so much creativity and sonic innovation can pour out of the two like the waters from Icelandic waterfalls. Kilbey of course is steering the venerable institution The Church to its greatest heights with a series of phenomenal albums (most recently ‘The Hypnogogue’ and ‘Eros Zeto and the Perfumed Guitars’) while Kennedy has produced magnificent solo albums, material under the labels All India Radio and Observers and with other collaborators. The result is perhaps close to a concept triptych about mysterious events with a sci-fi tone and Kilbey’s unique sense of storytelling – psychedelic musings that are spiritual, alien and euphoric.

TRACK LISTING

CD1 - Jupiter 13:
1. Prologue
2. ADSR
3. Rendezvous
4. Jupiter 13
5. Circus
6. We Are Missing
7. Insane
8. Halfway
9. No Attachment
10. Holiday
11. Aetolia
12. Liquorice Comfits
13. Epilogue

CD2 - Strange Old Worlds:
1.ADSR (Raw MIx)
2.Rendezvous (Raw MIx)
3.Jupiter 13 (Raw MIx)
4.Circus (Raw MIx)
5.We Are Missing (Raw MIx)
6.Insane (Raw MIx)
7.Halfway (Raw MIx)
8.No Attachment (Raw MIx)
9.Holiday (Raw MIx)
10.Aetolia (Raw MIx)
11.Liquorice Comfits (Raw MIx)
12.The Desert (Unreleased Track)

CD3 - The Strange Life Of Persephone Nimbus:
1. Eternity Incorporated
2. Goldmund & Narcissus (feat Leona Gray)
3. A New Planet
4. I Know What I Have To Do
5. Galaxy
6. Walk On Down The Hall
7. Persephone
8. The Room
9. When Time Has Run Out
10. Jesus Warehouse & Judas Smith
11. Radio Supernova
12. There Were Times
13. Please Alight

CD4 - The Lost Worlds Of Persephone Nimbus:
1. There Were Times (Ambient Vocal Version)
2. A New Planet (Early Mix)
3. Jesus Warehouse (Polinski Alt Mix)
4. Persephone (Early Mix With Strings)
5. Persephone (Early Mix)
6. The Fixer (Unreleased Track)
7. Demitrius Diatribe (Early Mix)
8. Space Choir (Unused Track)
9. Galaxy (Early Demo)
10. Galaxy (Very Early Demo)
11. Demitrius Diatribe Part 2 (Unused Track)
12. Unused Sketch 1
13. Unused Sketch 2
14. Unused Sketch 3
15. Galaxy (Instrumental Mix)
16. Demetrius Diatribe (Unreleased Track)

CD5 - Premonition 'K':
1. Breaking The Fourth Wall
2. NDE
3. The Doctor
4. Nowhere
5. My Better Half
6. That's Gotta Hurt
7. Whispered Voices On Tape
8. The King
9. The Contender
10. The Ouija Board
11. Menace In The Past
12. The Song That Wrote Itself

CD6 - Ghost Songs:
1. Breaking The Fourth Wall (Early Mix)
2. NDE (Early Mix) 3. The Doctor (Early Mix)
4. Nowhere (Early Mix)
5. My Better Half (Early Mix)
6. Thats Gotta Hurt (Early Mix)
7. Whispered Voice On Tape (Early Mix)
8. The King (Early Mix)
9. The Contender (Early Mix)
10. The Ouija Board (Early Mix)
11. Menace In The Past (Early Mix)
12. The Song That Wrote Itself (Early Mix)
13. Whispered Voice On Tape (Alternate Vocal Take)
14. I Travel (Unreleased Track)

For the second time on the bands 2024 USA tour, King Gizzard & the Lizard Wizard played a very special acoustic set, this time at The Rady Shell in San Diego, CA, USA. This bootleg captures the second acoustic set of the tour in all its glory, pressed up on some sick spatter vinyl, each different over 3 LPs. Limited to 1000 Vinyl 3xLP Tri-Gatefolds featuring 17 acoustic tracks over THREE 12" LP's!
Each 12" in a custom photo inner-sleeve
Exclusive Photos by Jeremy Dreier
A unique op art inner label for each 12"
Mixed from multi-track stems and mastered for vinyl by Craig Lawrence
LP 1 - Sea Blue Vinyl w/ Black Splatter
LP 2 - Coke Bottle Vinyl w/ Black Splatter
LP 3 - Orange Vinyl w/ Black Splatter Recorded live at Live at The Rady Shell, San Diego, CA, USA on November 2, 2024

TRACK LISTING

Disc: 1
1. Witchcraft
2. Sense
3. Raw Feel
4. Chang'e
5. Inner Cell
6. Dirt
7. Loyalty
8. Horology

Disc: 2
1. Muddy Water
2. Flight B741
3. The Bitter Boogie
4. Iron Lung
5. God Is Calling Me Back Home

Disc: 3
1. Theia
2. Magma
3. The Silver Cord
4. The River

Femi Kuti’s 'Journey Through Life' marks a deeply personal chapter in the Afrobeat legend’s career. Known for his sharp critiques of political corruption and social injustice, Femi balances his signature “sweet music with a bitter message” with introspective reflections on family, life, and personal growth. Revisiting old tracks with fresh perspectives and producing entirely on his own for the first time, the album captures Femi’s journey as an artist, activist, and father. Rooted in his Afrobeat legacy yet boldly charting new territory, 'Journey Through Life' is a testament to Femi’s enduring creativity and resilience.

TRACK LISTING

1. Journey Through Life
2. Chop And Run
3. After 24 Years
4. Corruption Na Stealing
5. Politics Don Expose Them
6. Shotan
7. Oga Doctor
8. Last Mugu
9. Work On Myself
10. Think My People Think

Reissued to coincide with the vinyl – "Twelves" 3LP; the complete 3CD World In Your Eyes set, originally released in 2009, and out of print for over 12-13 years.

3 CDS containing all the all the band's 12-inches and compilation tracks in chronological order, with some demo tracks along the way, featuring tracks from the very first Loop demo, "16 Dreams" single, "Spinning", "Collision", "Black Sun" and "Arclite" as well as the Nick Drake tribute on Imaginary, the Neil Young tribute Comp on No. 6 Records, the "promo" Live 12", and even the Godflesh cover version from their split on Clawfist.

All remastered from Original tapes in 2008 by Kevin Metcalf and Robert Hampson.

TRACK LISTING

CD 1
16 Dreams
Head On
Burning World
Spinning (Parts 1&2)
Brittle Head Girl
Deep Hit
I'll Take You There

1st Loop Demo - House In The Woods:
Brittle Head Girl
Burning World

Spinning (Spun Out) Good Feeling Compilation

CD 2
Collision
Crawling Heart
Thief Of Fire
Thief (Motherfucker)
Black Sun
Circle Grave
Mother Sky

Nick Drake / Neil Young Covers Compilation Tracks
Pink Moon
Cinnamon Girl

CD 3
Arc-Lite (Sonar)
Arc-Lite (Radar) Daniel Miller Remix
Sunburst
Arc-Lite (Radiated) Daniel Miller Remix

Prisma Uber Europa Promo Live 12":
Afterglow
Got To Get It Over
Burning World

(Loop / Godflesh Split Single Comp)
Like Rats (Loopflesh)

Formed in South London in the mid-1980s by Robert Hampson, Loop blazed a trail with their potent mix of motorik beats and heavy guitar riffs, recording a trio of brilliant albums that set the indie charts alight before imploding in 1990 after the release of album number three, A Gilded Eternity. As critics enthused at the time, Loop were the sound of Suicide jamming with the Stooges aboard a spaceship built by Hawkwind and piloted by CAN. They were post-psychedelic, pre-shoegaze figureheads in a world of anodyne pop jangle and baggy rhythms, and even their closest contemporaries like Spacemen 3 and My Bloody Valentine didn’t plough such a distinctive furrow as theirs.

First time vinyl pressing of these remastered 12”/EP tracks. Originally released in the 80s / 1990, on the Chapter 22 / Head / Situation 2 labels.

16 Dreams 12” (Head) released 1986
Spinning 7” /12” (Head) released 1987
Collision 7”/12” (Chapter 22) released 1988
Black Sun 12” (Chapter 22) released 1988
Arc-Lite 7”/12”/CD5 (Situation 2) released 1989
Primsma Uber Europa 12” (Beggars) released 1991 (Live Promo only)

Remastered from the original tapes by Kevin Metcalf and then reissued for the first time in 2009 as part of the WORLD IN YOUR EYES 3CD set on Reactor. Now re-mastered for vinyl and re-cut to lacquers by Shawn Joseph /Optimum Mastering and issued as TWELVES. (ref: the 3 x 7” set SEVENS released 2020)

Each side of this 3LP set has one of the 12”s in full, 16 Dreams / Spinning / Collision / Black Sun / Arc-Lite..as well as the promo only LIVE 12” Prisma Uber Europa. The 12” cover of each LP has the relevant sleeve on each side to recreate the original sleeve image, and each 12” side will have labels as close to the original designs as possible.

Hear Loop expand their sound from the Stooges / Velvets / garage pyschout of “16 Dreams”, into the “Spinning” era and then develop their motorik fuzzed-out nihilistic pummel through the “Collision” and “Black Sun” EPs to finish this set with the “Arc-Lite” side, possibly Loop at their most visceral. Unable to be pigeon holed like most bands of this time, their live shows also wiped the floor with everyone as evidenced on the “Prisma Uber Europa” 12”. Not reissued on vinyl when first remastered, now its time. PLAY LOUD

TRACK LISTING

Side A - 16 Dreams
16 Dreams
Head On
Burning World

Side B - Spinning
Spinning (Parts 1&2)
Brittle Head Girl
Deep Hit

Side C - Collision
Collision
Crawling Heart
Thief Of Fire (Written-By – The Pop Group)
Thief (Motherfucker) (Written-By – The Pop Group)

Side D - Black Sun
Black Sun
Circle Grave
Mother Sky (Written-By – Can)

Side E - Arc-Lite
Arc-Lite (Sonar)
Arc-Lite (Radar)
Sunburst
Arc-Lite (Radiated)

Side F - Prisma Uber Europa
Afterglow (Live)
Got To Get It Over (Live)
Burning World (Live)

Something Soft, the second full-length album by Irish post-punk firebrands M(h)aol, is anything but. From the first note of its propulsive opening track to the distorted cries of its last, Something Soft feels antagonistic to the very concept of softness—sonically and thematically—taking an unapologetic approach to intersectional feminism, animal welfare, consumerism, and the struggle to find a place in a world lacking empathy. What M(h)aol offers is catharsis in two forms: the kind you get from being open with others and the kind you get from righteously smashing some shit up.

Effectively channeling rage and empathy is an act of resilience, and to make Something Soft, M(h)aol had to become especially resilient. Following their acclaimed debut Attachment Styles, M(h)aol’s lineup changed, settling on the core trio of Constance Keane (drums/vocals, she/her), Jamie Hyland (bass/vocals, she/her), and Sean Nolan (guitar, he/him). That process changed the band’s approach to songwriting and performing, resulting in an unexpected breakthrough where many groups have folded.

Something Soft features a more urgent sound, wound tightly around Hyland and Keane’s rhythm. On songs like “Pursuit” and “Snare,” Keane’s vocals lock in on her drums, as if her words were stirred to life by her playing, issued directly from her body. Set against those respectively anxious and swaggering tracks, her voice occupies the space of an inner monologue—narrating a tense walk home and green room misogyny from a place of droll observance—a universal experience rendered in specific detail.

Like its predecessors Attachment Styles and the Gender Studies EP, Something Soft was recorded by Jamie Hyland. It is the most technically nimble of M(h)aol’s recordings to date, with the band—joined by Pixie Cut Rhythm Orchestra’s Sarah Deegan on bass—decamping to Dublin’s Ailfionn Studio, where they took advantage of the space and studio equipment to bring more nuance to their sound. The additional sessions and prowess behind the boards were a boon, but for a band used to operating under extreme time constraints, this presented an unexpected challenge: Could M(h)aol keep the sense of immediacy that had marked their music up to that point?

Songs like “DM:AM” quickly dispelled that worry, blooming into life in 20 minutes from a drone Nolan was playing while Hyland set up her recording equipment, racing to capture the song once Keane and Deegan joined in. One of Something Soft’s ghosting anthems, “1800-Call-Me-Back,” began as a joke that the band should write a football chant, but it became far more complex—the delicious balance of chaos and clarity they struck would have been impossible without time. “I Miss My Dog” is less off-the-cuff, but its meditation on grief builds up at a breakneck pace, from feedback to Keane’s drumming and singing to a spectacular conclusion that smothers that grief in bass and guitar—one of M(h)aol’s greatest technical achievements to date.

The polish serves to highlight M(h)aol’s roguish charms, making the intimate feel anthemic, using personal experience to detail the broader systems we live under. For those who’ve come to recognize themselves in M(h)aol’s songs, listening to Something Soft is like jumping into a long-running chat thread, full of fury and humor. For those who haven’t, the door is open—Something Soft’s thrills often turn on a dime towards introspection, as in “Snare” where Keane’s response to the question, “Why not play something soft like piano or violin?” resolves itself to one of her own: “Did you ask him too?” It’s not a lecture or a snide rebuke but something much more deft—an invitation to see the world for what it really is, starting with the listener.

TRACK LISTING

Side A:
1. Pursuit
2. I Miss My Dog
3. You Are Temporary, But The Internet Is Forever
4. DM:AM
5. E8/N16
6. Vin Diesel

Side B:
7. Clementine
8. Snare
9. IBS
10. 1800-Call-Me-Back
11. Coda

Old Soul Records are proud to present Chris’ seminal garage classic ‘Set If Off’, the tune that’s cemented his name as a 2-Step elder. Whilst the reworked version has seen a re-issue on a Pure Garage comp in recent times, this original version is presented here in it’s raw, unfiltered form. If that wasn’t enough it’s backed up with not one but two previously unreleased versions – ‘Set It Off (Bang Mix)’ & ‘Set If Off (Original Dub)’. This package is a testament to Chris’ production and all the tracks sounds as fresh now as when they were first committed to DAT during those heady foundational days.

STAFF COMMENTS

Matt says: Early two-step blueprint that's been hard to shake off over the years. It's got muck underneath its fingernails, but a backside to die for. The ultimate mix of dirt, style and intrigue. Available to all once again - rejoice!

TRACK LISTING

A1. Set It Off (Original White Label Mix)
B1. Set It Off (Bang Mix)
B2.Set If Off (Original Dub)

Previously unreleased; four track 12" with two different vocal takes, each w/ dub. Comes in Bond Export company sleeve.

Another cold case solved! One of DKR's early victories was finding a tape of the drum & bass cut of the legendary dubplate 'Rocks & Mountains.' Rumor had said the artist was the Mighty Travellers, but this didn't really add up chronologically or audibly. More astute listeners mostly agreed the artist was likely the Majesterians, a little recorded group who had made a couple other records for Taxi circa 1980. When we first issued the song on a 10" back in 2011, even Sly himself couldn't recall for sure who sang the tune. Like with other 'mystery' projects which we eventually came to realize, we never gave up digging on this one. There were two mysteries at work here - one, confirming the identity of the group, and two - finding the other cut of the tune, which features fuller instrumentation and a different vocal take. Both cuts were around on dubplate circa '80/'81, and the latter cut can be heard ever so briefly in the infamous UK "Sound Business" documentary film from '81. In the course of a mere 13 years, both questions came to be solved - we obtained a pretty clean plate cut of the fuller mix, and we confirmed the identity of the group. The Majesterians were a vocal trio consisting of Everton Dacres, Roderick Perkins and Paul Mitchell. While the latter two gentlemen don't seem to have done much otherwise, we are sure the roots heads and hopefully all DKR followers know Everton Dacres, who made some fine roots music in the 1970s prior to fronting the Majesterians. We spoke to Everton and he confirmed 'Rocks & Mountains' was their tune, cut in Channel 1 at a Taxi session featuring a host of other artists. Indeed, these were the heady days of 1980 with Channel 1 booked round the clock for locked-in sessions, with the Taxi Gang and the Roots Radics laying down future classic after future classic. All that said, we're happy to re-present this tune now with not only proper accreditation, but also both known mixes and the drum & bass mix in improved fidelity over its previous issue.

STAFF COMMENTS

Matt says: Hard to pick a favourite out the bombardment of quality reggae reissued by Digikiller at the moment but for the sheer obscurity factor, this one gets the medal this week. A truly mythical cut, rescued from a deeply excavated tape haul - proper rocking horse shit.

TRACK LISTING

A1. Rocks And Mountains Cut 1 Vocal
A2. Rocks And Mountains Cut 1 Dub
B1. Rocks And Mountains Cut 2 Vocal
B2. Rocks And Mountains Cut 2 Dub

Makeshift Art Bar, the rising sonic powerhouse hailing from Belfast, released their highly anticipated debut EP, Lackluster Writing Makes Fundamental Reading, on the 3rd of January 2025. This EP solidifies their place as one of the most innovative voices in the underground music scene.

The four-track record captures the raw intensity and unapologetic experimentalism that have made Makeshift Art Bar a must-see act on stages across Europe. Each track on Lackluster Writing Makes Fundamental Reading takes listeners on a journey through jagged guitar riffs, pulsating rhythms, and lyrics that oscillate between the poetic and the provocative.

Their unique sound hurled them into the spotlight achieving a Radio 6 live session and playlisting, multiple festival slots including Borderline, Ypsingrock and All Together Now and sold out support slots with Chalk across the UK.

Press Quotes:
“The band unleash chaos with an instrumental so sick and evil that it’s massively enjoyable.” - Peter Martin, So Young Magazine.

“Each plectrum pluck shivers the ribcage and mangles the guts like a queue of ghosts drifting through your body, beat by tremulous beat.” - Elvis Thirwell, So Young Magazine.

“The noise rock quartet pitch into and lurch through this lively song, a Frankenstein’s monster of post-punk, grunge and––low-key––sludge metal. All sung with an unmistakable Belfast accent.” - Cyrus Larcombe Morre, Clunk Magazine.

TRACK LISTING

Side A
A1. Birthday Party
A2. Notice Me

Side B
B1. Sonic Shelf
B2. Bedwetter

Matt Maltese's sixth studio album is his most insular and intimate to date, and his first fully self produced effort since second album 'Krystal'. 'Hers' exists in a twilight world, pairing heartfelt songwriting and dry witticism with the gentle quiver of strings, a flourish of woodwind or the sound of a creaking old piano.

Though its wounds may still feel tender to the touch, Maltese made 'Hers' with several years’ perspective on the events that inspired it, processing the complexities of a serious romantic relationship and its ending through the rearview.

TRACK LISTING

1. Arthouse Cinema
2. Buses Replace Trains
3. Happy Birthday
4. Anytime, Anyplace, Anyhow
5. Always Some MF
6. Cure For Emptiness
7. Holiday From Yourself
8. Pined For You My Whole Life
9. Eternal Darkness Of The Spotted Mind
10. Tangled
11. Everybody's Just As Crazy As Me

Marina y su Melao is a band from Barcelona led by Puerto Rican Marina Molina. After a period of live activity, in 2025 they will release their debut album, "Rezo al agua", where Puerto Rico's bomba, an eminently rhythmic genre, expands to fuse with the colours and flavours of other Afro-Caribbean sounds. Tradition and folklore are embodied in a powerful and innovative conception.

In "Rezo al agua", Marina Molina expresses an attachment to the land, the landscape, the culture, the beliefs and the environment where she was born, Puerto Rico. She does this through bomba, one of the country's most identifying musical expressions. Bomba is as old as the slavery of those who gave birth to it in order to tell their tribulations and hopes, armed with the instrument they had at hand: the drums. It is a kind of meta-genre that includes a multitude of rhythmic varieties.

But Marina is something more than bomba, the legacy she received from her elders and which she does not wish to turn into a frozen object of veneration, an untouchable totem, mystical and ruled by norms bequeathed by the years. Marina, who has Colombian blood in her veins, is an artist of today, of a world in which cultures can mix, people migrate, influence each other, travel, exchange their cultural traces, can see online what happens at the other end of the world and thus open the window that facilitates the mixing of identities. These mixtures redraw borders and genres, allowing popular music to avoid its fossilization.

Marina grows in this fertile territory. She has a ductile and powerful voice, as clear as her strong, independent mindset. This is a remarkable element in the lyrics of the album, which despite being written from a current perspective, contain the sense that popular lyrics have always had: they explain life with the small letters of the everyday. And all this is presented in the bomba genre. Impure. There is an African guitar, a pedal steel guitar, a Wurlitzer, an accordion and everything that Marina and Miguelito Superstar, the album's producer, thought was necessary to accentuate the musicality of a full voice and drums that resonate raw with the vibration of tradition. A tradition now in the hands of a woman who aspires to her own space in life, to write her own chapter.

TRACK LISTING

1. Caribe Y Sabrosura
2. Bomba Para La Muchacha (feat Odette Telleria)
3. He Venido
4. Asi No Voy
5. Rezo Al Agua
6. Adelante, Caminante
7. Hablen, Habladores
8. No Puedo Respirar
9. Dolor De Cabeza
10. Aguita Eh
11. Y Van Y Vienen

The Masters At Work – "Get Up" 7-inch vinyl is a dynamic hip-hop breakbeat release designed for DJs and beat enthusiasts. Featuring samples from "Funky Sensation" by the late Gwen McCrae, this track is a tribute to classic funk and breakbeat culture, infused with MAW’s signature groove-heavy production.

This must-have vinyl blends funk, hip-hop, and party breaks, making it a perfect addition to any DJ crate or vinyl collector’s stash. Ideal for turntablists and those who appreciate the golden era of breakbeat sampling.

TRACK LISTING

A. Get Up (Extended Mix) 
B. The Buddah Chant (Original Mix) 

Misty Lane is vocalist Elaine Desjardins who worked with producers Michel Bibeau and Ralph Mashats in the mid-80s. Two tunes from that time, 'Energy' and 'Controle', brim with charm and analogue warmth all these years later as they get served up in all their quirky synth-pop style with unmistakable Quebecois flair via Dark Entries. The opener pulses with snappy Roland TR-808 beats and proto-house vibes carried by Desjardins' refreshingly unpolished vocals, while 'Controle' slows things down into a tropical mid-tempo groove that echoes the atmosphere of Junior Byron's 'Dance to the Music.' This reissue is a delight for lovers of Italo, Canadian disco and eccentric synth pop.

STAFF COMMENTS

Mine says: Unlike many other euro pop songs, 'Energy' manages to balance on the tightrope of cheesiness without ever falling off, enthusing those that love a catchy melody and appalling those that don't just enough to keep them interested but without scaring them off completely (although it could be argued that the chorus comes pretty close). 'Controle' on the other hand gives me balearic video game soundtrack vibes - make of that what you will!

TRACK LISTING

Side 1
1. "Energy"
2. "Energy" (7" Mix)

Side 2
1. "Controle"
2. "Controle" (7" Mix)

'Plaeygirl' is a powerful sonic exploration of reconciling the exuberance of youth with the stark realities of adulthood, both familiar themes in MØ’s past work. Through this album, MØ channels her journey from playful abandon to introspective self-discovery, embracing both light and darkness with raw honesty. Plæygirl serves as a mantra, a reminder to reclaim joy and spontaneity even amidst life's challenges. It’s an invitation to celebrate imperfections and to let go of past worries, encouraging listeners to find euphoria in their own contradictions. With a backdrop echoing her Nordic origins, MØ presents a deeply personal and authentic reflection on her evolution as an artist. The album weaves together memories, learnings, and emotions into a vibrant collage that highlights the dualities within us all: joy and sorrow, strength and vulnerability. 'Plaeygirl' is about riding the chaos with no regrets, finding beauty in the struggle, and embracing every facet of oneself. It’s a journey of self-love as rebellion and uninhibited freedom, offering both a cathartic release and a jubilant reminder to play again.

TRACK LISTING

1.
2. Who Said
3.
4.
5.
6. SWEET (ft. Biig Piig)
7.
8.
9.
10.
11.
12. Wake Me Up

Following the success of All the Young Dudes (1972), the album showcases the band’s signature blend of glam rock, hard rock, and thoughtful lyricism. Featuring standout tracks like “All the Way from Memphis”, “Whizz Kid”, and “I Wish I Was Your Mother”, the album explores themes of fame, disillusionment, and rock ‘n’ roll excess. Frontman Ian Hunter’s introspective songwriting and the band’s powerful instrumentation make Mott one of their most critically acclaimed releases. The album solidified Mott the Hoople’s place in rock history, influencing future generations of artists. With its mix of anthemic rockers and reflective ballads, Mott remains a defining album of the glam rock era and a must-listen for fans of classic rock.

TRACK LISTING

Side A
1. All The Way From Memphis
2. Whizz Kid
3. Hymn For The Dudes
4. Honaloochie Boogie
5. Violence

Side B
1. Drivin' Sister
2. Ballad Of Mott The Hoople
3. I'm A Cadillac/El Camino Dolo Roso
4. I Wish I Was Your Mother

Danny Krivit remains in a class of one when it comes to meticulous and masterful edits of classics. He puts out a fair few of them too, but the quality levels never dip, as is the case again here when he throws it back to the energy of his native New York's most legendary dancefloors. Opener 'Flying Machine' by War was originally composed for the 1978 film Youngblood and is a dramatic Latin-infused instrumental packed with swirling flutes, fierce perc and a breakbeat that's fuelled countless Afro house tracks. It's a fiery dancefloor weapon that hasn't been on 7" before and it comes backed with 'How Much Are They', which dives into deep dub territory with help from post-punk legends Jah Wobble, Jaki Liebezeit and Holger Czukay. It's a real mind melter packed with mad effects.

STAFF COMMENTS

Mine says: Surprised but happy to see Mr K dissect a Jah Wobble track on the b-side here. What a tune!!

TRACK LISTING

Side 1
Flying Machine

Side 2
How Much Are They?

A rhythmic minimal ambient piece played with organic electronic sounds. Elements of electronic, psychedelic, and ethnic music are interwoven. The vinyl debut of Japanese composer / electronic musician NAT000. Mastered by ISAO KUMANO of Phonon, a Japanese audio equipment manufacturer. NAT000 : After performing live as a one-man drone under the name sonic mainly at 20000v in Koenji Tokyo and DOM in Nishi-Shinjuku (now EARTHDOM in Shin-Okubo), he became a band member of the hardcore bands BUTTHEAD SUNGLASS and ABRAHAM CROSS, which gained popularity in the underground scene in Tokyo in the 2000s.The Band has been performing in parks, abandoned buildings, and campgrounds. Since turning solo again, he has been producing electronic music and performing live using analog synths, samplers, drum machines, software, and effectors, and has privately released a CD of self-produced recordings. This album is a compilation of past works from those CDs and newly produced works for the album.

TRACK LISTING

1 Namiki
2 Birdtalking
3 Flicka
4 Sleeptronics
5 Different Cycles 2 Day
6 Opuntia Ficus Indica
7 Biotope2 Rain
8 Motion Sound Picture

Extremely limited 12” pressing of the Peaches & Prunes classic, features the original and the highly sought after Ron Hardy edit! Nightlife Unlimited were a Canadian disco project with Tony Bentivegna and Johnny D'Orazio as key members. Active through the late 1970s and mid-1980s, "Peaches And Prunes" was taken from their 1980 release, "Just Be Yourself" (which also featured another killer club track in the form of its eponymous first track).

"Peaches And Prunes" is one of those infectious, oddball disco tracks that traverses tribes and just goes off every time. Ridiculous lyrics, mega groove, mad vocals - it'll cause any dancefloor with even the tiniest inkling to just spontaneously explode with excitement. Ron Hardy teases out the elements even more, continuously edging to an infinite climax... it takes a master to make it work (see: Ron), but if you get it right, the rewards can be very satisfying! 

STAFF COMMENTS

Matt says: Stone cold classic piece of leftfield disco and one of Ron's most famous edits! Just gerrit!

TRACK LISTING

A. Peaches And Prunes
B. Peaches And Prunes (Ron Hardy Edit)

A sweeping, cinematic, emotional change is in the air. Molly Nilsson’s sixth studio album 'Zenith' begins with clear, wide eyes open to Earth as we would love it to be but seldom is. Recorded in her home of Berlin and whilst touring and, as ever, conceived, produced, written and recorded in solitude, Zenith is Nilsson’s big statement and consequently her most affecting work to date. It sees her reveling in big arrangements, sweeping synth strings, bigger choruses and emotions. Like the rest of us she looks within and to endless sunsets in wonder and puzzlement.

That Molly Nilsson is a DIY cult figure is beyond question; she has always written directly and with wit straight down the line between the universal and the personal. The difference with 'Zenith', and you can hear it in the opening chords of opener 'The Only Planet', is that her scope is now much wider and her heart heavier than ever before: over a post-ecstatic dusk, Nilsson serenades the globe in a loving embrace. Following on, '1995' is, arguably, one of Nilsson’s finest songs to date. It’s one of those songs to learn the lyrics to, to listen to on repeat, a reason to wear the grooves down to the bone, it’s why pop music can be one of the greatest art forms we have. It’s an example of how, on this album, Molly draws the listener closer to her heart than ever before. There’s simply no escape from the line “The plans that you made / when you still had the time / I’ve saved all the things that you left behind but by now I guess I’d consider them all mine /Windows 95, is only a metaphor for what I feel inside / Although I’m older now / there’s still an emptiness that’s never letting go somehow.” Show-stopper 'Mountain Time' is the soundtrack to being on the run, from societal conventions, from normative ideas of happiness, from your surroundings. It’s the intoxicating call of the renegade. That’s not to say that Nilsson’s light touch has been forsaken for grandiose statements. 'Bunny Club' begins as a demo-sketch before breaking into a fast-paced tale of doomed romance with big rave synths and 'Bus 194 (All There Is)' sees Molly joyride through a city on a happy hardcore bus. But it’s tracks like 'Tomorrow' and another contender for best-ever-Molly moment, Happyness that the true scale of what she’s accomplished reveals itself. We’re locked in a spiraling orbit, strings and bass whirling, gazing at the spinning planet below us as we contemplate both the ultimate freedom in loneliness and the glimmer of hope in the Other. Can we ever be truly with someone? Are we ever truly alone?

Over the 13 tracks here we get the impression that Nilsson may always be restless; like anyone else she has conflicting feelings of love and hate. It’s just not many other people can tell you exactly how you feel before you know it yourself.

TRACK LISTING

1. The Only Planet
2. 1995
3. H.O.P.E.
4. Mountain Time
5. Bunny Club
6. Intermezzo: Palimpsest Galore
7. Happyness
8. Lovers And Losers
9. Clearblue
10. My Body
11. Titanic
12. Bus 194 (All There Is)
13. Tomorrow

The Oh Sees wasted no time in racing headlong into nightmarish battle with the mighty 'Orc', clawing even farther up the ghastly peak stormed so satisfyingly by their previous 'A Weird Exits'. The band is in tour-greased, anvil-on-a-balance beam, gut-pleasingly heavy form, nimbly braining—with equal dashes of abandon and menace—on this fresh batch of bruisers and brooders, hypnotically stirred into to the cauldron of chaos you’ve come to expect.

On 'Orc', fresh blood Paul Quattrone joins Dan Rincon to form a phalanx of interlocking double drums, alternately propelling and fleet-footing shifting ground to pinion John Dwyer’s cliff-face guitars to the boogie. Tim Hellman keeps it swinging like a battle-axe to the eyebrows. The tunes veer toward the violence of their live shows, with a few tasty swerves into other lanes: heavy to lush, groovy to stately. Throughout, it remains sinister in its swaggering skulk, manic in its fuzz-fried fugues. They hit all the sweet spots the heads foggily remember, and there’s plenty to sweat over if you just hopped into the sauna.

More evil…more complex…more narcotic…more screech… more blare…more whisper…there’s even more Brigid. Less “Thee,” but more of everything else.

TRACK LISTING

1. The Static God
2. Nite Expo
3. Animated Violence
4. Keys To The Castle
5. Jettisoned
6. Cadaver Dog
7. Paranoise
8. Cooling Tower
9. Drowned Beast
10. Raw Optics

The roots of salsa in Japan trace back to Latin music pioneers such as Tadaaki Misago’s Tokyo Cuban Boys, who played mambo and rumba post-World War II. However, salsa truly took hold in Japan in the 1970s, catalyzed by the Fania All-Stars’ 1977 tour. Among those captivated was percussionist Masahito “Pecker” Hashida. Known for his reggae contributions through albums like “Pecker Power” and “Rasta Instantané Avec L’Effroyable Pecker,” Pecker’s influence expanded after experiencing the vibrant salsa scene in New York City in 1977. Upon his return to Japan, he spearheaded the creation of Orquesta Del Sol, marking the inception of the salsa genre in Japan.

Orquesta Del Sol’s popularity soared with performances that encompassed both covers and original pieces. The group’s rise was buoyed by Japanese session drummer Shuichi “Ponta” Murakami, whose participation in 1980 elevated their profile and led to a contract with Discomate, an arm of TBS Group. This label also featured artists like Toshiko Akiyoshi and Junko Yagami.

The band’s debut album, “Rainbow Love,” was co-produced by Ponta and released in 1981. Apart from a cover of “Rumbambola” by Noro Morales, the album features original compositions performed in Japanese, Spanish, and English. The album cover, illustrated by renowned graphic artist and salsa enthusiast Yosuke Kawamura, mirrored the band’s pioneering spirit.

Masashi Takahashi, a noted Japanese Latin music specialist, observes in the newly commissioned liner notes that Orquesta Del Sol reflects shades of New Music, a genre linked to city pop. Takahashi notes that the musicians, deeply embedded in Tokyo’s vibrant studio scene, naturally gravitated towards creating a uniquely Japanese salsa sound. This sound, heavily inspired by Nuyorican salsa, has endured over the decades, warranting a worldwide reissue.

The reissue of “Rainbow Love” marks its first worldwide release on vinyl and digital formats, supplemented by seven bonus tracks previously only available on a CD reissue named “Legend Vol. 1” from the band’s label, Uno Music, in 2000.

The band recorded these tracks some time after the release of their second album, Harajuku Live in the early 80s when they were offered album deals from many record companies. Four of the tracks were covers of songs of some of the favorite salsa artists of the band members that they performed at the time when they first started.

Juan Pachanga is a cover of Fania All-Stars included in the album Rhythm Machine, Campanero is a cover of José Mangual Jr. included in the album Tribute To Chano Pozo, Yo Soy La Rumba is a cover of Machito & His Orchestra included in their album Yo Soy La Rumba! and Duerme is a cover of the band Libre included in the album Con Salsa..Con Ritmo Vol. 2- Tiene Calidad.

All tracks have been remastered, with the original Japanese liner notes now available in English and accompanied by Takahashi’s new insights.

The timing of this release dovetails with the growing global interest in historic Japanese music, spotlighting the origins of salsa in Japan. Orquesta Del Sol, whose former members later formed the Grammy-nominated group Orquesta De La Luz, have continued to influence the genre significantly. Their debut album remains a cornerstone, inviting new listeners to experience the innovative fusion of Latin sounds nurtured in Japan.

TRACK LISTING

Disc: 1
1. Rainbow Love
2. One More Kiss Again
3. Que Alegria
4. Mundo Cruel
5. Night Ripple
6. Get-A-Odyssey
7. Rumbabola
8. Dawn

Disc: 2
1. Luna De Miel
2. Campanero
3. Yo Soy La Rumba
4. Dame Un Beso
5. Duerma
6. Drizzling Rain
7. Juan Pachanga

This is the northeast calling, with songs of stillness, reflection, renewal, defiance, hope, classic melodies and, at certain perfectly judged moments, furniture-shifting riffs. With a powerful album shaped by pandemic-era loss (of momentum, and of a band member), and by the wins brought by what singer/songwriter/guitarist Adam Hope describes as a “weight lifted off my shoulders”. With a fresh, front-footed, fired-up approach that owes everything to a band returning to their roots in Wallsend and Newcastle – and, for the first time, making their music entirely on their own independent terms: self-produced and self-confident.

'The Big Sad': an album born from the ashes of dark times, but representing a beacon of light for the future. An album of honesty and purity, one that our current fanbase sonically may not be expecting. The sound of a band that got tired of slamming on the fuzz pedal to tick the ‘rock’ box and dares to try something new, dares to shock, dares to be great.

TRACK LISTING

1. Lost In The Moment
2. The Big Sad
3. Woolly Thunder
4. I’m Sorry (This Time)
5. January, Please
6. Preparing For The Big Sad
7. There’s An Echo
8. Real Again
9. Trapped In The Vacuum
10. Interlude
11. Nostradamus
12. My Abacus
13. The Big Sad

A band who not only defined the Nu-Metal scene of the 2000s but are now leading the charge in the 2020s’ Nu-Metal resurgence, Papa Roach are a band who have not only stood the test of time but have found a way to adeptly turn back time to the days where they first found their glory.

Their ninth studio album, ‘Crooked Teeth’, was a flag in the soil of this immortality, marking an exploration between their Nu-Metal roots and the new era of Modern Rock. The album was produced by and co-written with Colin Brittain (Linkin Park, 5 Seconds Of Summer) and Nicholas Furlong (All Time Low, Sabrina Carpenter), and saw collaborations with Machine Gun Kelly and Skylar Grey (who became acclaimed for her work with Linkin Park’s Mike Shinoda in 2006), underlining this mash-up of generationspanning inspirations for the album.

‘Crooked Teeth’ holds a special place in the heart of fans, with fans given the opportunity to support the creation of the album in an astonishing crowdfunding bid that offered unique prizes, such as the opportunity of buying the band’s studio (and all of the equipment in it). In a career first for Papa Roach, the album saw two singles, ‘Help’ and ‘Born For Greatness’, reach #1 on Billboard’s Mainstream Rock chart, whilst ‘Crooked Teeth’ itself debuted at #20 on both the Billboard 200 chart and UK Top 40 Album chart. It’s since been certified Silver in the UK, with sales fast approaching Gold certification.

TRACK LISTING

Crooked Teeth’ (2CD / LP)
Break The Fall
Crooked Teeth
My Medication
Born For Greatness
American Dreams
Periscope
Help
Sunrise Trailer Park
Traumatic
None Of The Above
Ricochet
Nothing
Bleeding Through

Bonus Disc (MOSH711CD Only)
Intro
Face Everything And Rise
Getting Away With Murder
Between Angels And
Insects
Where Did The Angels Go?
Broken Home
Burn
Forever
Scars
Lifeline

The 11th release on Random Vinyl finds Pax Romax featuring Brian Ice paying respect to an original masterpiece while also serving it up for a new generation of ears. First up is the extended remix of 'Fade To Grey' which is a deep and cosmic disco workout with libidinous vocals. '2067' is a second production by Pax Romax that layers up jittery arps and twirling pads with a low-slung disco groove. The "Steve's Strange Mix" is a codeine paced retro-future disco trip with standout synths and the Master Mix is more airy with lush pads up top. It was made by the late great Marc Hartman who passed away in August 2024 at only 58 years of age and serves as "Marc's epic swan song as we say, in Dutch," explains his label partner.

STAFF COMMENTS

Mine says: Pax Romax has done it again. After delivering their take on Gino Soccio's italo disco classic 'Remember' in collaboration with Fred Ventura earlier in the year, they now enlist the help of Brian Ice for work on another uber hit, Visage's 'Fade To Grey'. Not one to be missed!!

TRACK LISTING

Side 1
1. "Fade To Grey" (Extended Mix)
2. "Fade To Grey" (Steve's Strange Mix)

Side 2
1. "Fade To Grey" (MasterMix)
2. "2067"

Pelican has always been a band that’s not just from Chicago, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively, Pelican’s foundation was built upon the rule-free, genre-agnostic scene synonymous with the Fireside Bowl. “The ‘90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity,” says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas’ exit in 2022, this reunified version of Pelican allowed the band to tap back into those influences and build something distinctly new with 'Flickering Resonance'.

While longtime Pelican fans will find an updated version of the band’s ethos—one that’s been constantly evolving since their very first EP—their new partnership with Run For Cover Records emphasizes something that’s always been implicit to the Pelican formula. These songs take as much inspiration from titanic ‘90s post-hardcore, space-rock, and emo as they do traditional metal, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican’s songwriters, so too did Quicksand, Christie Front Drive, and Hum. “A lot of people didn’t hear it,” says Schroeder-Lebec. “I was like, well, I guess the metal world is where we fit. But now, I’m willing to acknowledge all the suits we’re wearing.” On Flickering Resonance, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes.

TRACK LISTING

1. Gulch
2. Evergreen
3. Indelible
4. Specific Resonance
5. Cascading Crescent
6. Pining For Ever
7. Flickering Stillness
8. Wantering Mind

"Koinè" is the new album by Pellegrino & Zodyaco, a record that explores the desire to escape by interpreting it as an act of emancipation, an aimless journey in search of creative freedom. The demonstration that escapism, when it is conscious, can bring us back to the heart of things. Inspired by Éloge de la fuite by Henri Laborit, the album embarks on a journey to discover a 'common language' (Koinè), blending Neapolitan roots with a global and contemporary musical vision. It blends melodic traditions with disco, funk, jazz fusion, and world music, experimenting with vintage instruments, ethnic percussion, and Mediterranean atmospheres. Pellegrino, a pioneer of the new school Neapolitan sound, after 4 years since his last LP “Morphé” (2020) continues the path started with "Zodyaco I" (2018), painting an authentic portrait of modern Naples and celebrating musical contamination as a form of creative euphoria.

STAFF COMMENTS

Matt says: The Naples massive return in flamboyant style as you'd expect! There really is something in the water (or is it the olive oil?!) down in south Italy; and here you have two of the finest currently doing 'IT' in breath-taking form.

TRACK LISTING

Pecché
Mario
L’aura
Palepoli
Saditè
La Malìa Del Sur
Faccussì
Sirene

Louis Philippe and The Night Mail return with a new captivating record where the songs are once again faultless. Carrying on the journey away from the classic towards the unexpected with new synths and hand claps adding a sense of the abrupt and, with voices calling from the wings, a sense of play and a lack of fear.

Beyond the regular tales routinely retold, there's a secret, parallel narrative of pop history. One written by the true enthusiasts and eclectics, in which a perennial favourite like Pet Sounds didn't just inspire endless claims of exceptionality but a long trail of harmonic riches leading all the way to the 21st century. In this alternative universe Philippe Auclair aka Louis Philippe, Anglo-French singer-songwriter extraordinaire, has been an admired fixture for the past four decades, from his beginnings as protagonist and house producer at Mike Alway's fabled él Records label through his forays into the Shibuya sound and collaborations with the likes of Bertrand Burgalat, XTC's Dave Gregory, High Llamas' Sean O'Hagan and Young Marble Giants' Stuart Moxham right up to his more recent adventures with The Night Mail.

TRACK LISTING

1. The Road To Somewhere
2. Pictures Of Anna
3. Where Did We Go Wrong
4. La Maison Sans Toit
5. Those Days Of Summer
6. All At Sea
7. Le Baiser
8. Wine And Roses
9. Watching Your Sun Go Down
10. A Friend
11. Song For Paddy (Wings Of Desire)
12. To The Sea
13. Always
14. Ville Lumière

The legendary New Jersey House collective Smack were responsible for a long list of hits throughout the 90's, with members of the team producing under a number of different aliases and alongside Blaze, Kerri Chandler, Tony Humphries were at the forefront of the New Jersey sound.

One such alias was Princess Di, produced by Smack Productions own Healey LeCator and featuring an unknown vocalist. Together they released a string of X-rated house tracks from 1994 until 1996 that have gone on to be cult classics, standing the test of time.

With the permission from Jeffrey Collins from Music Station, WOLF have hand-picked their favourite Princess Di tracks and combined them onto one bumper 12-inch. Fully remastered and cut LOUD. Sometimes you have to look back in order to move forward!

TRACK LISTING

A1.  Who's Dick Is This? (Instrum-Beat Mix)
A2.  What's My Name? (The Tribe & Friends Mix)
B1.  Big Dick - Mutha Fucka (Sample Mix)
B2.  Big Dick - Mutha Fucka (Drum Mix)

Electroacoustic saxophonist, improviser and composer Cole Pulice traffics in shimmering, otherworldly beauty. On the meditative ambient jazz of ‘Land’s End Eternal’, Cole adds a welcome new texture with the introduction of the electric guitar, an instrument previously unheard in their music, which took on a central role as a compositional and sonic tool for this record.

Cole Pulice is a saxophone player from Minneapolis. An improviser of ambient jazz who earned their merits touring with Bon Iver, working with Godspeed You! Black Emperor and releasing wonderful electroacoustic gems with the groups Iceblink (Moon Glyph) and LCM (Orange Milk).

Performed at Pitchfork Music Festival London 2024 alongside Still House Plants and Mabe Fratti.

TRACK LISTING

Fragments Of A Slipstream Dream
In A Hidden Nook Between Worlds I
In A Hidden Nook Between Worlds II
In A Hidden Nook Between Worlds III
In This & Every Life
After The Rain

Rayko is back with this third volume of the highly acclaimed 'Vadillo Vice' series on his long standing and well regarded label Rare Wiri.

Again its a quality collection of timeless discofied productions with the dancefloor in mind but with a firm nod to the leftfield corner of the room, with all three tracks quite frankly having some real 'WTF?' moments in there..

'More I Like It' is a killer euphoric groover with epic Italo/Cosmic touches that build and build.

'Napole' provides the end of night moment, carrying emotional and heartfelt vocals with a sexy Italian twist.

‘Towers’ and ‘Cosmic Boy’ are just two outstanding examples demonstrating the deep love he feels for the underground dance culture of the late 70s and early 80s, from Rock and Sci Fi Electronics to Funk and New Wave, Cosmic Italo and obscure NY Disco…

TRACK LISTING

A1. More I Like It
A2. Napole
B1. Towers
B2. Cosmic Boy

In 2012 Gruff Rhys embarked on a solo 'investigative concert tour' through the heart of America following the route taken by his distant relative John Evans. Every night he presented songs augmented by a power point presentation that detailed his relative's unbelievable history, along with any new piece of information that had come his way during the day. He was ultimately looking for Evans's lost unmarked grave. Along with many major cities, the tour took him to play shows at the Mandan and Omaha tribe reservations, a Missouri vineyard, villages that no longer exist and lay at the bottom the Mississippi river and a New Orleans bordello.

What transpired from that ‘investigative concert tour’ was a 2014 album, 'American Interior', plus a book, film and exhaustive tour of the same name. With the aid of the dusted-off power point presentation, Gruff Rhys and a full band revisits the project in 2025 to perform the songs that formed both the album, and the soundtrack to the film.

TRACK LISTING

1. American Exterior
2. American Interior
3-The Whether (Or Not)
4-The Last Conquistador
5-Lost Tribes
6-Liberty (Is Where We'll Be)
7. Allweddellau Allweddol
8. Walk Into The Wilderness
9. Sugar Insides
10. 100 Unread Messages
11. That's Why
12. The Swamp
13. Media Quake
14. Cylchdro Amser
15. Iolo
16. Y Gwenan Gorn
17. Year Of The Dog
18. Tiger's Tale
19. I Grombil Cyfandir Pell (3LP Deluxe Only)
20. Ar Goll (3LP Deluxe Only)
21. Y Madogwys Neu Angau (3LP Deluxe Only)
22. Power Point Presentation (3LP Deluxe Only)
23.  American Exterior (Extended Version For Two Synthesizers) (3LP Deluxe Only)

20th anniversary album edition with bonus live disc . 6 panel digifile with booklet. Deluxe edition CD with bonus unreleased live disc - limited to 1000 copies.

Combining elements of punk, country and folk music, the members of Richmond Fontaine provide a compelling backdrop for the heart wrenching tales of lead singer Willy Valutin. His Carver-esque lyrics bring a vision of the West which is both vital and compelling.

'True Electric' gathers together 19 studio versions of the music from Röyksopp’s True Electric tour in 2023, featuring previously unreleased track 'The “R”' as well as newly-reworked versions of originals and remixes taken from their acclaimed catalogue. These include the celebrated Robyn collaboration 'Do It Again' featuring Robyn (from the 2014 Röyksopp & Robyn EP 'Do It Again') and 'Running To The Sea' featuring Susanne Sundfør (from the 2014 Röyksopp album 'The Inevitable End'), as well as several tracks from their critically acclaimed 'Profound Mysteries' creative universe that resulted in three albums released throughout 2022.

Speaking about the album, Svein and Torbjørn explain: “'True Electric' consists of recordings and renditions, meant to capture the essence of our live shows bearing the same name. The idea was to put an emphasis on the clubbier aspects of our music, as well as returning to our roots within the realms of electronic music.”

TRACK LISTING

1. The Ladder [True Electric]
2. Impossible (ft. Alison Goldfrapp) [True Electric]
3. This Time, This Place (ft. Beki Mari) [True Electric]
4. The Girl And The Robot (ft. Robyn) [True Electric]
5. Here She Comes Again (ft. Jamie Irrepressible) [True Electric]
6. Monument (ft. Robyn) [True Electric]
7. Oh, Lover (ft. Susanne Sundfør) [True Electric]
8. Unity (ft. Karen Harding) [True Electric]
9. You Don't Have A Clue (ft. Anneli Drecker) [True Electric]
10. The "R" [True Electric]
11. Breathe (ft. Astrid S) [True Electric]
12. Running To The Sea (ft. Susanne Sundfør) [True Electric]
13. What Else Is There? (ft. Fever Ray)  [True Electric]
14. Never Ever (ft. Susanne Sundfør) [True Electric]
15. Sordid Affair (ft. Man Without Country) [True Electric]
16. I Had This Thing (ft. Jamie Irrepressible) [True Electric]
17. Feel It (ft. Maurissa Rose) [True Electric]
18. Do It Again (ft. Robyn) [True Electric]
19. Like An Old Dog (ft. Pixx) [True Electric]

Rufige Kru is the iconic alias of Drum & Bass legend Goldie. One of the most revered names in breakbeat science, Rufige Kru rewired the dancefloor for the time back in 1992 with the hardcore classic 'Darkrider', and the project produced other pivotal hardcore moments like 'Ghosts Of My Life' and 'Terminator' (still considered one of the key moments in the evolution of drum and bass). ‘Alpha Omega’ is the first album released under the moniker since 2009, with the project now featuring longtime collaborator Submotive alongside Goldie.

STAFF COMMENTS

Matt says: The seminal UK outfit returns in fine form. It's hard to under-talk Goldie's influence on UK culture (not just with his sonics) and for him to be still flexing this hard in 2025 (around 33 years after his first releases) is testament to the longevity and timeless prowess of this UK treasure.

TRACK LISTING

1. Alpha Omega
2. Goldikus (feat. Cleveland Watkiss)
3. Virgil
4. Express Your Soul
5. Sandcastles
6. Still The Same (feat. CASISDEAD)
7. Mercury
8. Siamese Ghost
9. Secret Handshake
10. Spirits
11. People And Places
12. The Guardianz

In a bold step! Myles Sanko has taken full creative charge over every element of this project—from writing, composing, arranging, recording, mixing and producing to distribution through his own label, 213 Music.

"Let It Unfold" represents a pivotal moment in Sanko's musical journey, demonstrating his unwavering dedication to his artistic vision as an independent artist and visionary. The album provides listeners with a deeply intimate musical exploration, serving as a form of therapy that addresses past childhood traumas and empowers future dreams, all while radiating a hopeful energy.

Inspired by his love for soul, jazz, and hip-hop, and rhythmic influences from his Ghanaian roots, Sanko delicately blends these musical styles to create a unique contemporary sound. His distinct approach to songwriting enriches each track with emotional depth and authenticity, presenting a new level of artistic expression.

The album's theme of self-acceptance and self-love is encapsulated in its title, symbolising the gradual process of personal growth and healing. The creation of this album has been a therapeutic endeavour for Sanko, helping him embrace his vulnerabilities and celebrate his strengths.

TRACK LISTING

1. Unfolding
2. Dream Chaser
3. I Feel The Same
4. Stronger
5. Working It Out
6. More Than This
7. Let Go
8. Won't Be Lonely
9. Refuge
10. Peace Of Mind
11. No More Running
12. Say It

Scruscru and Los Protos hook up on the former's ever-reliable label for some more funk-fuelled and sample-heavy madness. This eight-tracker draws on the best of Library, jazz, hip hop and soul and collides elements of all of those together with some raw, and what sounds like, MPC beats, all tapped out with a lovably loose vibe. Some like 'Local Sugar Diggers' look up towards a sunny, cloudless sky, others like 'Dreams Of Sonora' are swaggering broken beat workouts with sensuous sax lines setting a steamy tone. 'Por Do Sol Em Shelekhmet' is another highlight with its aloof, angelic vocal tones.

TRACK LISTING

Local Sugar Diggers
Smoke On The Volga
Pfonkie Pfonk
Dreams Of Sonora
Opyat' 25
Quimera
IRest
Por Do Sol Em Shelekhmet

Sex Mask is a 3 piece post-punk/alternative rock band based in Melbourne, Australia, drawing members who hail from various parts of the globe.

The self-contained writing/production unit comprises Vicente Moncada on drums/production, Ry Gray on vocals and lyrics, and Kaya Martin on guitars and synths.

Their music is described as "vague pop instilled with the ancient genius of your own blood," suggesting a blend of introspective lyrics, innovative soundscapes, in a context of absurdist punk.

Sex Mask has released several tracks, including "Tv Movie," "How To Be Cool At Parties," and "Birds." They have a growing organic base of listeners on streaming platforms.

Their captivating live show in 2024-25 has seen them support Fcukers, Big Special, Fat White Family and festival stages around Australia.
Following an exciting Bigsound Brisbane and SXSW Sydney in late 2024, the chaotic trio will embark on their first UK tour this spring, covering stages at Dot To Dot, Great Escape, Get Together as well as their debut headline show in London.

TRACK LISTING

A. How To Be Cool At Parties
AA. Circe

Over recent years The Sherlocks have become one of the most exciting live bands in the UK. Selling out tours across UK & Europe, the band have also achieved chart success with x3 Top #20 albums. Yorkshire brothers Kiaran & Brandon Crook joined up with band members Alex Proctor & Trent Jackson. With an incredibly passionate, loyal fan base, their fans have followed the band's journey from pubs/clubs to selling out venues out all across the world, as well being asked to tour in arenas/stadiums with the likes ofLiam Gallagher, Kings Of Leon, Kaiser Chief, The Libertines and many more.

TRACK LISTING

Everything Must Make Sense
Man On The Loose
How Are You Feeling?
Death Of Me
Bones
28
Bedlam Town
Tough Times Don't Last
Better Alone
Here Comes The Rain

Folk-punk rabble - SKINNY LISTER - are back with their seventh studio album – written and recorded by the band, mastered at Abbey Road Studios by Frank Arkwright. The album is produced and mixed by Dan Heptinstall, with the core tracks recorded live, and left unedited, in an attempt to capture some of the energy the band are known for in their live performances. Features the instantly catchy, sing-a-long ‘Set Us Straight’ (released at the end of 2024) which sets the scene of an album that is a glorious, riotous mix of chest-thumping anthems, shanty sing-a-longs and folk/punk classics, balanced out by a couple of tender and reflective songs.

TRACK LISTING

1. Yorkshire Belle
2. Drinking Song
3. Set Us Straight
4. Everything
5. Song From The Yonder
6. Back Into The Battle
7. Plough On
8. Brave The Waves
9. Tumbling Into Something
10. Glass To Our Days
11. Bristol Bound

Building on the panoramic dynamism of Snow Patrol’s 8th studio album 'The Forest Is The Path', the band headed back into the studio with producer Fraser T Smith in final weeks of 2024. The result was a number of brand new songs that the band didn’t want to sit on any longer than necessary. Led by the anthemic new single 'But I’ll Keep Trying', the new songs will be released on 12” Coke Bottle Clear vinyl as ‘The Forest Is The Path: Onwards To The Endless’

TRACK LISTING

1. But I'll Keep Trying
2. This Is The Silence
3. What's Left In The Light
4. Waking Up Now
5. Falling Through All Of This Time
6. This Is The Sound Of Your Voice (Will Reynolds Remix)

After endless requests for a Czarface and Dr. Octagon collaboration, the comic book inspired supergroup Czarface takes a turn for the cosmic, creating a funky full length adventure with the spacey Kool Keith! When the record is playing, they become a counterpart character that can even give the mighty Czarface a run for his money- Stress Eater! You can expect a rich blend of what makes both acts so special: block-rocking beats and bizarre, mind-bending lyricism...all served up with a cover from Czarface artist Lamour Supreme.

TRACK LISTING

Side 1
1. The Hunt For Czarface
2. Rocket Science
3. Here’s Some Homicide (feat. Ice-T)
4. Cold Wave
5. People Want Sugar
6. Willrow Hood
7. Top Men Of Rap

Side 2
1. Mecha And The Sole Brother
2. Genuine Lifestyle
3. Off The Bone
4. Space Cowboy
5. Aladdin’s Castle (feat. Mega Ran)
6. Giving Back To The Universe.

Australia’s world-renowned cinematic soul outfit Surprise Chef return with new album 'Superb'. A record that represents a change in their creative approach and turns up the heat in their music. Trading in their meticulous writing and recording techniques for a looser and less planned approach with the intentions of bringing more levity to the process, and it comes through in spades. The high caliber musicianship is still front and center, but they push their sound into a more energetic and fun place on this album.

Album opener 'Sleep Dreams' is the closest thing to a Surprise Chef tune one would come to expect, but then lead single 'Bully Ball' comes on and you get the picture that they came to kick in the door on this one. The song’s gritty drums thunder through the speakers and get covered with percussion, keys, bass, and guitar chanks that stay in the pocket and bring the funk with them. The band pushes the boundaries of arrangement with tunes like 'Body Slam' that starts off like a sweet soul track then pulls a 180, turning dark and haunting, centering on a sound they created by tucking a timpani into a bathroom two doors down from the mixing board. That same sense of experimentation comes up again on 'Fare Evader' where they pepper another neck breaking rhythm track with synth notes that sound like robot sound effects from a 70s sci-fi film. The fellas turn up the tempo for the dance with tunes like 'Consulate Case' and 'Tag Dag'; the former pulling influence from afro-funk and the latter from jazz-funk.

They take us deep into the beautiful world of Surprise Chef ballads on 'Websites' and double down on their abilities to make beautiful and ethereal tracks with 'Dreamer’s Disease'.

With their new album 'Superb', their new approach, and plans to tour the world, we are about to see Surprise Chef take the step from the underground’s most beloved to a household name and we are definitely here for it.

TRACK LISTING

1. Sleep Dreams
2. Bully Ball
3. Body Slam
4. Consulate Case
5. Dangerous
6. Websites
7. Fare Evader
8. Tag Dag
9. Plumb Tuckered
10. Dreamer’s Disease
11. Slippery Dip

Based in São Paulo and formed in 2017, Tagua Taguais lead by songwriter and producer FelipePuperi. Felipe, having fronted space groove rock band WannabeJalvafor several years, has an extensive indie resume. Having played at Lollapalooza Brazil, supported shows for Pearl Jam and Jack White. He's also been featured on KCRW, NY Times, Stereogum, Brooklyn Vegan and WFUV.

TRACK LISTING

1. Dia De Sol
2. Let It Go
3. Raio
4. Lado A Lado (feat. White Denim)
5. Artificial
6. Química
7. Come A Little Closer
8. Talvez (feat. Felipe Puperi)
9. Rito De Passagem

With nearly 40 million record sales, three albums topping the Billboard charts, a Grammy win and a legion of fans, System Of A Down are one of the biggest metal bands on the planet. At their core has always been Serj Tankian, whose journey from the streets of Beirut to rock superstardom is as remarkable and unlikely as you'll get. By dint of luck, circumstance, struggle, and more than a little talent, Serj has had the chance to live an extraordinary life.

In Down With the System, he retraces this remarkable and unlikely journey, and explores what it's taught him - about music, about art, about activism, and about himself. From teaming up with Tom Morello to push social justice causes on unsuspecting metalheads, arguing with LAPD officers over the best way to quell his rioting fans, and traveling with Anthony Bourdain through Armenia one meal at a time, Down With the System is an immigrant's tale, an activist's awakening, and rock memoir unlike any other.

James Taylor has been writing/recording albums and touring for the past 43 years, starting with The Prisoners and then The James Taylor Quartet (JTQ) from 1986 onwards, to great acclaim. Taylor was the pioneering force that spear-headed the Acid Jazz movement in the 90's, which saw a renaissance in live music. He has also virtually single-handedly driven the rediscovery of the Hammond organ, his trademark keyboard. He has developed his composition and arrangement skills and with these has recorded over 20 library albums.

The most recent of the library albums include the four tracks on this very EP, which feature Taylor's innovative horn arrangement skills, placing JB style horns over a funk groove, but in this case he had the novel idea of incorporating two guitars; one funky, one rocky. Sort of James Brown meets The Rolling Stones, and the result can be heard on this slab of vinyl.

The current live line-up for The James Taylor Quartet is James Taylor (keyboards and orchestration), Mark Cox (guitar), Andrew McKinney (bass) and Pat Illingworth (drums).

TRACK LISTING

1. Brother Marco
2. Food For Your Soul
3. Only Messin'
4. Just When You Think It's Safe

Telefax Productions present a special, four-track wax release of one of 2024’s hottest club cuts - revivalist hip-house jam ‘Break This House Down’. Formed by two vastly experienced producers whose working partnership began way back in the late 1980s, Telefax Productions was born to provide a platform for established and unknown artists. One of 2024’s hottest club cuts supported by Honey Dijon, Luke Solomon and London’s Faith crew, ‘Break This House Down’ stars previously unheard mic man DeeVoeNay – a young rapper hailing from Buffalo, NY. Joining the original on this vinyl package is a live version with DeeVoeNay’s band HR Nightmare, alongside a bruk remix from London broken beat torchbearer EVM128, plus Telefax Productions’ vinyl-only 'Acid House Remix'. ‘Break This House Down’ spotlights DeeVoeNay’s distinctive flow and party-starting lyrics front and centre, with the well-established, multi-faceted artist Jimmy Cauty responsible for the bold and highly stylised artwork - with Cauty also designing a special physical print included in this unmissable vinyl package.

STAFF COMMENTS

Matt says: Quintessential Classic tackle here from Telefax who utilize DeeVoeNey's hip-house vocal to devastating effect.

TRACK LISTING

A1. Break This House Down (Main Mix)
A2. Break This House Down (Live Mix)
B1. Break This House Down (Acid Remix)
B2. Break This House Down (EVM128 Remix) 

Killer previously unreleased mid '80s Tetrack tune finally out on road. Astute dubplate fiends may have heard this played by Rodigan back in the day, and others may know the Mighty Diamonds' later recording of the song. But the original cut is this one, written by Carlton Hines and performed by his group, the great Tetrack. Here it is in pristine quality straight from Gussie Clarke's master tapes, and mixed faithfully in style to the original dubplate cut, by Music Works' associate Curtis Lynch. Comes on the lovely "Dubwise Made in Jamaica" version of the Music Works label, which was used exclusively for dubplates cut at Gussie's original studio back in the early to mid '80s.

STAFF COMMENTS

Matt says: Can't get enough of these Digikiller reissue joints at the moment. Spectacular moments of dancehall, dub, roots and reggae.

TRACK LISTING

A.Tetrack - Chant Down War
B. Tetrack & Curtis Lynch - Chant Dubwise

Like a scene from a dream, Thor Harris stood upon a crowded stage, 13 players deep: tapping, plucking, bowing, blowing lyric-less love songs to a grand auditorium of 325 shining red seats – without a soul sitting in any of them. This was the creation of 'Heathen Spirituals', the fifth recorded work by Harris’ adventurous ambient ensemble Thor & Friends and the first that accurately resembles the skyward repetition of the Austin-based group’s live performances.

It’s a century-old concept: cutting a record in an empty music hall. Masterminded by intrepid producer and lifelong Harris collaborator Craig Ross (Patty Griffin, Spoon), Thor & Friends’ roster of musically accomplished misfits spent two days wired up, playing free flowing meditational pieces on unamplified orchestral instruments inside Jessen Auditorium, a stunning Art Deco relic from the early days of the University of Texas’ Butler School of Music – the esteemed institution that Harris dropped out from decades ago.

A craftsman, artistically and otherwise, Thor Harris is master plumber, carpenter, and woodworker. In musical contexts, his name is often followed by the five words: “known for his work with,” having been a member of avant rock godheads SWANS and high-minded indie favorites Shearwater, while also factoring into important recordings by Bill Callahan, Amanda Palmer, Devendra Banhart, and Shahzad Ismaily. In many circles, Harris is equally well-known for being an openhearted mental health advocate with a devilish sense of humor and a penchant for entertaining social commentary (Harris’ “How to Punch a Nazi” instructional video got him famously banned from Twitter in 2017).

'Heathen Spirituals', arriving on Joyful Noise Recordings, contains three original pieces with a 35-minute runtime. The rhythmic repetition of opening seance 'Anne Sexton’s Glasses' evokes a cognitive crescendo, while the spellbinding 'Christmas Eve at the Wizard’s House' evokes a sense of weightlessness, sucking the listener up into the firmament then floating them back down. The crashing, choir-backed 'Heathen Spiritual', meanwhile, stirs a gorgeous requiem for a dying planet. In glorious fidelity, the sessions capture the instinctual purity of Thor & Friends’ live performances, which thrive on skyward repetition.

TRACK LISTING

1. Anne Sexton's Glasses
2. Heathen Spiritual
3. Christmas Eve At The Wizard’s House

This release, previously featured in the TG Berlin box set and available on vinyl for the first time, captures Throbbing Gristle's unforgettable New Year’s Eve performance, part of a specially curated series of live events held at the Volksbühne, Berlin in 2005 and 2006. The setlist included a preview of five tracks from their first album in 27 years, Part Two: The Endless Not—which was released several years later. Fans were also treated to TG’s first encore in 25/26 years, which included iconic songs like ‘Convincing People’, ‘Slug Bait’, and ‘Hamburger Lady—what an encore! Additionally, the performance featured the released track ‘Splitting Sky’ and more.

Formed in 1975, Throbbing Gristle - Chris Carter, Cosey Fanni Tutti, Genesis Breyer P-Orridge (1950-2020) and Peter 'Sleazy' Christopherson (1955-2010), fully delivered on punk’s failed promise to explore extreme culture as a way of sabotaging systems of control. Their impact on music, culture and the arts has been immeasurable, and still felt today across music, film, theatre, and fine art.

TRACK LISTING

1. Trumpet Herald (Live At The Volksbühne, Berlin, New Year's Eve, 2005)
2. Convincing People (Live At The Volksbühne, Berlin, New Year's Eve, 2005)
3. Splitting Sky (Live At The Volksbühne, Berlin, New Year's Eve, 2005)
4. Slug Bait (Live At The Volksbühne, Berlin, New Year's Eve, 2005)
5. Rabbit Snare (Live At The Volksbühne, Berlin, New Year's Eve, 2005)
6. Almost A Kiss (Live At The Volksbühne, Berlin, New Year's Eve, 2005)
7. Greasy Poo (Live At The Volksbühne, Berlin, New Year's Eve, 2005)
8. The Endless Not (Live At The Volksbühne, Berlin, New Year's Eve, 2005)
9. Vow Of Silence (Live At The Volksbühne, Berlin, New Year's Eve, 2005)
10. PA Destroyer (Live At The Volksbühne, Berlin, New Year's Eve, 2005)
11. Hamburger Lady (Live At The Volksbühne, Berlin, New Year's Eve, 2005)

Originally released in 1975, The Tidals' "Land Of Juhasifa" has become a holy grail for reggae collectors worldwide, commanding prices of over €1000 for an original copy. This rare roots reggae masterpiece, featuring the unmistakable vocals of The Tidals and a crucial dub version on the flip side by The Soul Syndicate, is now available again for the first time in decades.

The Tidals, formed in the 1960s by Winston Cleveland, Eupert Reid, and Aston Pryce, represent the deep roots of Jamaican reggae. "Land Of Juhasifa" is a heavy, conscious tune with a deep, hypnotic groove that will transport you straight to the heart of 1970s Jamaica. The Soul Syndicate's "Hasifa Dub" perfectly complements the A-side, offering a spaced-out, instrumental journey into the depths of reggae sound system culture.

Recorded & Mixed at Asylum & Leggos Recording Studios in 1975.
Licensed courtesy of Gaylard Bravo.

STAFF COMMENTS

Matt says: Hen's-teeth rare roots masterpiece reissued by the good folks at Jamwax who give Digikiller a run for their money... let the reggae wars commence!

TRACK LISTING

A1. Land Of Juhasifa
B1. Hasifa Dub

'Funeral Music', Triathalon’s fifth album, began taking shape when the band imagined what they’d like played during their memorials. Continuously referencing “play this at my funeral” throughout writing and recording, the album became a realization of this concept. Lead single 'RIP' is a 90s-influenced rock track inspired by artists like Pixies, Deftones, and Nirvana. Adam Intrator says, “The aim for ‘RIP’ was to kickstart feelings on what it felt like to listen to a late 90s rock song for the first time as a kid in your parents car in the backseat and asking to hear it louder. ‘RIP’ has a double meaning; it’s about both dying and being reborn.”

Born out of a period of heartbreak, growing pains, and self discovery, 'Funeral Music' showcases a darker, more vulnerable side of the band. With a more minimal approach, every element within the album is highlighted, from cleaner guitar tones, to live-tracked drums, to first-take vocals mixed with singular piano playing and experimental production. 'Funeral Music' not only reflects the band’s sonic shift but also reinvents the overall dynamics between their sound, energy and workflow. These songs were written, demoed, recorded and mixed in various places, bedrooms, studios and houses over the course of two years and is the band’s strongest and most cohesive work to date. workflow. These songs were written, demoed, recorded and mixed in various places, bedrooms, studios and houses over the course of two years and is the band’s strongest and most cohesive work to date.

TRACK LISTING

1. My Love
2. Chevy
3. Down
4. RIP
5. Clover
6. Funeral Music
7. Last Night
8. See You Smile
9. Melt
10. Way Out
11. Salt
12. Jordan
13. Wall
14. Your Eyes
15. Eulogy

Distraction, depression, and heartbreak reign supreme in 2025. “Making art in this day and age for me is a battle for focus; we’re in an age of interruption,” says Garbus of Tune-Yards’ sixth album 'Better Dreaming'. Proudly waving an anti-fascist, liberation, freak flag, Better Dreaming contains some of Tune-Yards smoothest, funkiest, and most direct pop music to date, and yes, you can dance to it. And when you do dance to it, be prepared to sweat out something that’s been long stuck inside, and pretty deep down.

The songs of 'Better Dreaming' came to Garbus and Brenner with unusual ease. They asked themselves what would happen if they simply let the songs come out, following any trail they wished - first thought, best thought style. There was a strong desire to move, to make music that would enter the ear and immediately loosen up the joints, get the whole body wiggling. After covid-isolation, and time away from touring and live shows, the desire to be moved by music was undeniable. The insane experience of growing an actual human being influenced this as well.

The rhythms throughout the record carry a certain freshness, with deep pockets full of subtle idiosyncrasies that stem from Tune-Yards’ return to making an album primarily as a duo. All but one of these songs are built around Garbus’ drum looping and rhythm building, as they were on some of the early albums like 'Bird-Brains' and 'W H O K I L L' – no full kit drummer here, and the songs love it.

'Better Dreaming' is ferocious in its invocation of self-love, of collective action, of dance floor liberation, ego-death deliverance, and a future we could all thrive in. When diving into the present darkness of the world, Tune-Yards asks themselves how much literal energy and joy can be conjured and pumped through the music. In its life-affirming art-pop of the apocalypse, 'Better Dreaming' comes true

TRACK LISTING

1. Heartbreak
2. Swarm
3. Never Look Back
4. Suspended
5. Limelight
6. Get Through
7. Better Dreaming
8. How Big Is The Rainbow
9. See You There
10. Perpetual Motion
11. Sanctuary

First released in 2002 – This 2025 reissue of 'A Hundred Days Off' is pressed on 180gsm heavy weight black double vinyl. Cut at half speed and meticulously checked for the highest quality audio, this double gatefold has the classic design from the original pressing but with added spine detail to showcase your collection.

Review from 2002:
This is everything you want and expect from an Underworld LP! It's full of richly textured techno and tech-house tracks (vocal or instrumental) with the occasional lush slowie thrown in for good measure. As good as anything else they've done, but unlikely to get them any new converts. Includes the fantastic "Two Months Off" single.

TRACK LISTING

1. Mo Move
2. Two Months Off
3. Twist
4. Sola Sistim
5. Little Speaker
6. Trim
7. Ess Gee
8. Dinosaur Adventure 3D
9. Ballet Lane
10. Luetin

First released in 2016 – This 2025 reissue of  'Barbara Barbara We Face A Shining Future' is pressed on 180gsm heavy weight black vinyl. Cut at half speed and meticulously checked for the highest quality audio, this double gatefold has the classic design from the original pressing but with added spine detail to showcase your collection.

Review from 2016:
Underworld duo Karl Hyde and Rick Smith return with their first new studio album in six years. It’s fair to say that 'Barbara Barbara, We Face A Shining Future' finds the pair creatively reborn. Its seven tracks are fleet-footed, raw and spontaneous - a direct result of a strict working process in the studio that saw Smith and Hyde write entirely new music each time they met. That process has helped produce an album that stands alongside the recently reissued classics 'dubnobasswithmyheadman' and 'Second Toughest In The Infants'.

So what’s there in the shining future? The opening punch of a two-note detuned bass riff crunching over relentless percussion; the elegiac swoop of strings as they stretch out across off-world electronics; a demented lupine howl that curls itself into an unshakeable earworm; celestial techno and South American acoustics; voices that warp into harmonic riffs; found lyrics that form fine-tuned monolgues; head music to dance to.

TRACK LISTING

1. I Exhale
2. If Rah
3. Low Burn
4. Santiago Cuatro
5. Motorhome
6. Ova Nova
7. Nylon Strung

First released in 2010 – this 2025 reissue of 'Barking' is pressed on 180gsm heavy weight black double vinyl. Cut at half speed and meticulously checked for the highest quality audio, this double gatefold has the classic design from the original pressing but with added spine detail to showcase your collection.

"Barking" is Underworld's sixth studio album, but the first time Karl Hyde and Rick Smith have collaborated with other producers. The record enlists the help of techno producers Mark Knight and D. Ramirez, plus a whole cast of brilliant and like-minded producers from across the spectrum of modern dance music to add personal touches to the band’s original material. Enter Welsh drum and bass artist High Contrast, Dubfire, Bristol-based dub step producers Appleblim and Al Tourettes and long term Underworld team member Darren Price.

The question is, with such a glittering cast of extras, how does it actually sound? From the first undulating pulses of submariner bass, the first vocals - soft like a whisper in the ear - and the first fizz of hi-hats that force along the pace, the sound is unmistakably Underworld. Electronics wrapped effortlessly around songs; streams of consciousness lyrics that form indelible images; a perfectly balanced mix of melody and rhythm. Underworld’s sixth studio album is a thundering return to form, although it’s fair to say that the band responsible have never really been below par. Like the bomb on the Icarus II in Sunshine, this new process of working had the effect of not so much reigniting a creativity within the band as exploding it into myriad new fragments. And through all of this, brilliantly and uniquely, it sounds just like Underworld.

TRACK LISTING

1. Bird 1
2. Always Loved A Film
3. Scribble
4. Hamburg Hotel
5. Grace
6. Between Stars
7. Diamond Jigsaw
8. Moon In Water
9. Louisiana"

First released in 1999 – this 2025 reissue of 'Beaucop Fish' is pressed on 180gsm heavy weight black double vinyl. Cut at half speed and meticulously checked for the highest quality audio, this double gatefold has the classic design from the original pressing but with added spine detail to showcase your collection.

"Beaucoup Fish" is the fifth album by Underworld, released in 1999. Following the huge success of the single "Born Slippy" from its use in the film Trainspotting, Beaucoup Fish was Underworld's most anticipated release. It spawned several successful singles, including "Push Upstairs", "Jumbo" and "Moaner", which was previously used in the film Batman & Robin. "Beaucoup Fish" was well-received critically (one review calling it 'electronica's "The Dark Side of the Moon"') and remains Underworld's most successful album, with over one million copies sold. It is the last studio album to feature Darren Emerson who departed in 2001 and third album by the techno / house orientated version of Underworld which became active in about 1991/1992 (tracks were being released around this time under the names Lemon Interupt and Underworld). I personally remember this being a particularly arresting album in 1999, with a rollercoaster of dynamics which took you to the dizzying heights of techno stompers "Push Upstairs" & "King Of Snake" and down to the come-down frazzled lullabies of "Skym" and "Winjer" via the Portishead-esque introspection of "Push Downstairs" and the baggy breakbeats of "Bruce Lee". A classic.

TRACK LISTING

1. Cups
2. Push Upstairs
3. Jumbo
4. Shudder/King Of Snake
5. Winjer
6. Skym
7. Bruce Lee
8. Kittens
9. Push Downstairs
10. Something Like A Mama
11. Moaner

First released in 1995 – this 2025 reissue of 'Dubnobasswithmyheadman' is pressed on 180gsm heavy weight black double vinyl. Cut at half speed and meticulously checked for the highest quality audio, this double gatefold has the classic design from the original pressing but with added spine detail to showcase your collection.

Having seen their synth-rock band Freur grind to a halt in 1989, Karl Hyde and Rick Smith relocated to Romford, hooked up with DJ Darren Emerson and became the art-rock reinvented as techno outfit Underworld. Featuring Smith's stream of consciousness vocals (created by taking a pen an paper with him and “mapping out journeys across cities at night”) and Smith, Emerson and Hyde's immense electronica / techno cuts (equally inspired by early influences like Kraftwerk, Steve Reich, Hawkwind and  Tangerine Dream as the early 90s Romford rave scene) 'Dubnobasswithmyheadman' is a landmark 1990s techno album. With Emerson on hand to road test tracks in his DJ sets, the album has key dancefloor winners, but also works a home-listening full length LP. 

TRACK LISTING

1. Dark & Long
2. Mmm…Skyscraper I Love You
3. Surfboy
4. Spoonman
5. Tongue
6. Dirty Epic
7. Cowgirl
8. River Of Bass
9. M.E.

First released in 2007 – this 2025 reissue of 'Oblivion With Bells' is pressed on 180gsm heavy weight black double vinyl. Cut at half speed and meticulously checked for the highest quality audio, this double gatefold has the classic design from the original pressing but with added spine detail to showcase your collection.

Review from 2007:
Five years on from "A Hundred Days Off", Messrs Hyde and Smith return with a new Underworld album. Opening with the single "Crocodile", the album continues in a club-track vein, complete with Hyde's stream of consciousness vocals, before dropping the lush ambient track "To Heal", perhaps influenced by their recent work with Gabriel Yared on the "Breaking And Entering" soundtrack. Next up "Ring Road" heads back to the early 80s and 23 Skidoo / Byrne and Eno for inspiration, and is book-ended by another ambient winner "Glam Bucket". Like The Chemical Brothers, those other purveyors of 'dance albums that indie kids can buy', Underworld show here that they have kept up with what's been going on in dance music over the intervening years (updating equipment, adding a glitch here and there), while retaining their own distinctive sound and still remaining relevant.

TRACK LISTING

1. Crocodile
2. Beautiful Burnout
3. Holding The Moth
4. To Heal
5. Ring Road
6. Glam Bucket
7. Boy, Boy, Boy
8. Cuddle Bunny Vs The Celtic Villages
9. Faxed Invitation
10. Good Morning Cockerel
11. Best Mamgu Ever

First released in 1996 – this 2025 reissue of 'Second Toughest in the Infants' is pressed on 180gsm heavy weight black double vinyl. Cut at half speed and meticulously checked for the highest quality audio, this double gatefold has the classic design from the original pressing but with added spine detail to showcase your collection.

Originally released in March 1996, 'Second Toughest In The Infants' is Underworld’s masterpiece. Following 1994’s groundbreaking predecessor 'Dubnobasswithmyheadman' (the record that cemented the band’s reputation as one of the UK’s most important dance acts), 'Second Toughest…' was the point they forged out alone, in turn creating some of the most forward thinking electronic music this country has ever produced.

TRACK LISTING

1. Juanita : Kiteless : To Dream Of Love
2. Banstyle/Sappy's Curry
3. Confusion The Waitress
4. Rowla
5. Pearl's Girl
6. Air Towel
7. Blueski
8. Stagger