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Cover of Rare And Unreleased Tracks by Yan Tregger.

Yan Tregger

Rare And Unreleased Tracks

Broc Recordz

    Yan Tregger, born Edouard Joseph Scotto Di Suoccio, is a prolific French-Italian composer, trumpeter, arranger, and library music specialist.
    Tregger built a vast and varied catalogue of over 1,400 works registered with SACEM as a library music composer.
    His output spans funk, jazz-funk, psychedelic disco, electronic experiments, film soundtracks, advertising jingles, and even relaxation music.
    This LP is a compilation of rare or unreleased tracks made by the Maestro in The 70's.

    TRACK LISTING

    A1.Bad Shot
    A2.Hard Way
    A3.Huff
    A4.Scarlett Room
    A5.Mister Kunz

    B1.The Girl In The Gold
    B2.My Next Life
    B3.Mineral
    B4.Henny

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    Back in stock Cover of Future (Detroit Mixes) by Kevin Saunderson Featuring Inner City.

    Kevin Saunderson Featuring Inner City

    Future (Detroit Mixes)

    Defected

    In 2011 Kevin Saunderson, Ann Saunderson and Paris Grey, collectively known as the legendary band Inner City, released ‘Future’, their first entirely new material since taking a break in 1996, written and produced in collaboration with another Detroit legend, namely Kenny Larkin, and the very talented producer / remixer Orlando Voorn. The track marked a welcome return for a group that combined the tough, futuristic grooves of the Detroit scene with the vocal energy of R&B and gospel and helped to define the period in which house and techno moved from underground phenomena to top 10 material, paving the way for hundreds of dance hits to come.

    The Kenny Larkin remix devastated dancefloors at the time and continues to do so over 10 years since its release. Now fully reissued backed with the Carl Craig edit from the original pressing and the MK AW Deep Dub which had previously only seen a one-sided hand stamped white label vinyl outing.

    STAFF COMMENTS

    Matt says: Massive Detroit techno anthem from 2011 reissued alongside the missing Mark Knight dub to make this one unmissable package. I just wish someone had told me the OGs were going for big money I'd have flogged my copy to make room for this! ;)

    TRACK LISTING

    A1. Future (Kenny Larkin Tension Mix) 
    A2. Future (MK AW Deep Dub) 
    B. Future (C2 Edit) 

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    Back in stock Cover of Tortured / Shattered by Coki.

    Coki

    Tortured / Shattered

    Tempa

    ***ICONIC DUBSTEP ANTHEMS REPRESSED!**

    **Review from 2006**

    Two of the biggest dubs from one of the biggest producers around finally hit the streets via Tempa. Coki's work as one half of Digital Mystikz has seen the duo rise to be one of the most influential forces in dubstep. His trademark twisted basslines are in full effect here, with the dubplate anthem "Tortured" smashing up club nights from DMZ to FWD)) in the UK and Dub War in New York. On the flip the distinctive minimal intro of "Shattered" makes way for the inevitable bass drop - and what a drop it is!

    STAFF COMMENTS

    Matt says: Era-defining bass quakes from genre godhead Coki. Levelled the playing field in 2006 and still capable of serious system damage now, nearly twenty years later. Every bass head needs this in the armoury!

    TRACK LISTING

    A. Tortured
    B. Shattered 

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    Cover of Main Character by Jubilee.

    Jubilee

    Main Character

    Numbers

    Numbers welcome New York’s Jubilee to the Glasgow based label - 'Main Character EP' features ‘Trippin’’, a collaboration with Jersey club Queen UNIIQU3. One of the most vital voices in American underground dance music for over a decade, Jubilee brings her South Florida rave roots and East Coast sensibilities to the imprint.

    Born from the dizzying emotions of love and grief, the EP opens with the cheeky cackle of UNIIQU3 on ‘Trippin’’. Marking their hotly-anticipated first collaborative release, ‘Trippin’’ bridges Jubilee’s Miami bass heritage and UNIIQU3’s Jersey club sound to create a playful lead single featuring tantalizing vocals.

    Starting to work on 'Main Character' in 2019, Jubilee revisited the project during an intense period of change and loss. Bringing in further influences from electro, Baltimore club, 90’s dance and techno to create her signature sound, Jubilee channels the fun, drama and chaos that comes hand in hand during challenging times. A deeply personal release, Jubilee looks to her friends and family for inspiration, including a sample of her parents on ‘Lucky’.

    Jubilee’s debut on Numbers continues a stand-out year for the dynamic artist who released two stellar EPs earlier this year alongside celebrating 10 years of Magic City - her party series and record label which was awarded DJ Mag’s ‘Best Record Label’ in 2023 - with a run of records, merch and events across the States.


    TRACK LISTING

    A1. Jubilee & UNIIQU3 - Trippin'
    A2. Jubilee - Main Character
    B1. Jubilee - Lucky
    B2. Jubilee & UNIIQU3 - Trippin' Dub

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    Cover of Pure Garage 25th Anniversary Special Edition Part 2 by Various Artists.

    Various Artists

    Pure Garage 25th Anniversary Special Edition Part 2

    Pure Garage

    **PART 2**

    The legacy continues… Pure Garage is back with an exclusive 25th Anniversary Special Edition, created for the true heads, collectors, and DJs who know the value of vinyl.

    Unlike the landmark CD series, this anniversary edition digs deep into the underground, unearthing rarities and iconic tunes that captured the essence of UKG. Many of these cuts change hands for hundreds of pounds on the resale market; now they’re finally available again, newly remastered.

    Each edition is pressed with only two tracks per side, giving maximum groove depth and unbeatable audio fidelity. Designed with vinyl DJs in mind, these are records built to be worked into the mix, not just left on the shelf.

    This isn’t just another compilation, it’s a celebration of 25 years of Pure Garage, pressed with care and purpose. Expect limited availability, high demand, and guaranteed collectability!!!

    TRACK LISTING

    A1. DJ Deller - My Love
    A2. Underground Solution - Tonight (The Only One)
    B1. Zed Bias - Time Out (Instrumental)
    B2. Partners In Crime - Deeper Groove
    C1. Anthill Mob Aka T Juice - My Feeling
    C2. Ed Case - Take Control
    D1. Ordinary People - Bubblin Sound
    D2. Cutmaster Ace - London Vibes 

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    Cover of Pure Garage 25th Anniversary Special Edition Part 1 by Various Artists.

    Various Artists

    Pure Garage 25th Anniversary Special Edition Part 1

    Pure Garage

    **PART 1**

    The legacy continues… Pure Garage is back with an exclusive 25th Anniversary Special Edition, created for the true heads, collectors, and DJs who know the value of vinyl.

    Unlike the landmark CD series, this anniversary edition digs deep into the underground, unearthing rarities and iconic tunes that captured the essence of UKG. Many of these cuts change hands for hundreds of pounds on the resale market; now they’re finally available again, newly remastered.

    Each edition is pressed with only two tracks per side, giving maximum groove depth and unbeatable audio fidelity. Designed with vinyl DJs in mind, these are records built to be worked into the mix, not just left on the shelf.

    This isn’t just another compilation, it’s a celebration of 25 years of Pure Garage, pressed with care and purpose. Expect limited availability, high demand, and guaranteed collectability!!!

    TRACK LISTING

    A1. Zed Bias - Been Here Before
    A2. Ed Case & Carl H - Similar Games
    B1. DJ Passion - Hypnotised
    B2. Industry Standard - Let's Start Love Over
    C1. Anthill Mob - Listen
    C2. Ray Hurley & Sovereign - Vicious
    D1. DJ Deller Vs Krome & Time - Sound For The Underground 2K
    D2. Cutmaster Ace - Escape 

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    Back in stock Cover of PARAISO - The True Spirit Of Ibiza - Bonus Sampler 1 - Selected By DJ Alfredo by Various Artists.

    Various Artists

    PARAISO - The True Spirit Of Ibiza - Bonus Sampler 1 - Selected By DJ Alfredo

    Rebirth

    Following on from the super-fast stock sell-outs of the 2LP of joyous Alfredo selections, Rebirth follow up with the first of the sample EPs of rare, cherished and formerly unreleased gems. Deep Joy of Brainiak (and Mo Wax) fame had their stunning “Fall” track remixed by lord Sabre, Andrew Weatherall himself; an often-missed indie-chug delight from the early 90’s. The Thrashing Doves and their scene stamping classic Je$u$ on the Payroll, needs very little introduction, but this Unreleased Instrumental Version, like it states, has never been on vinyl before. Flip over for another hip hop/club hybrid of a track with KC Flightt’s “Lets get Jazzy”, and its iconic sound which was remixed by the legendary Blaze; then finishing up with sunrise/sunset jamm, “Blinky Blue Eyed Sunrise”, by The Metaluna Mutant. A must for any lover of the white isle and it’s heritage.

    TRACK LISTING

    A1. Deep Joy – Fall (Andrew Weatherall Let There Be Drums Mix)
    A2. Thrashing Doves – Je$u$ On The Payroll (Unreleased Instrumental Version)
    B1. Kc Flightt – Let’s Get Jazzy (Dope Dub Mix)
    B2. The Metaluna Mutant – Blinky Blue Eyed Sunrise (Original Mix)

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    Cover of BH009 by Steevio.

    Steevio

    BH009

    Bakk Heia

    For our ninth offering we have ventured out of our small but fertile swamp in search of another source of magick. Meandering across boggy pastures new, we crossed paths with Steevio, who sat hovering serenely in the fern covered shade of a nearby valley. Instantly recognising the singular vision of this fabled artist, we hastily gathered our nets and cast them under Steevio’s branches, capturing four beautiful offerings as they wriggled towards us. Upon the return to our mulch, it became clear that we could not contain Steevio’s creations, so willful was their vitality. It was therefore all we could do to release them back to the universal dance from whence they came.

    The dance germinates with the writhing polyrhythmic ‘Apricity’. Hearing the crunch of frost laden grass beneath our webbed toes, we look above us to search for the sun. Angular beams of light escape over the horizon, as the warmth of Steevio’s machines coalesce. A glistening hi hat breaks through the membrane to bind his creation and anchor its ever shifting arms.

    ‘Octopus’ glides gracefully through a sun-dappled kelp forest. Sub frequencies rumble up from the shadowy darkness below, rippling along the fronds as they ascend. As the ocean begins to churn, a wriggling melodic tentacle parts the foliage, gleaming with primordial energy. Its joyful visit to the surface realm leaves us with a brief yet powerful reminder of the mystery beneath.

    The glow of the midwinter sun warms our bones on ‘Apricity (Sunrise Mix)’. Percussive elements bubble out of the depths, forming intricate cascading patterns as they grow over the perfectly formed kicks. The moog filter tames the brew with Steevio’s intuitive restraint , until he releases its mighty power upon the gleeful forest dwellers, to their rapturous gratitude.

    With ‘Adref’ we return home. The sedate tempo provides oceanic space for a melody which inhales and exhales over a familiar landscape of perfectly tuned percussion. With each breath the melody seems to increase its reach, until it’s buried deep within our bones, its memory resonating on long after it’s gone.

    Steevio’s music reflects the universal moments where seemingly chaotic and disparate elements are suddenly revealed to be perfectly harmonious. Of course examples of this are always universally present in nature, and have been eternally, but we have to be reminded to appreciate them. In the same way that a wave deposits a perfect line of shells on a beach, dew freezes on grass, or individual strands of mycelial hyphae bind together to form incredible patterns, Steevio’s music is likewise; effortlessly considered. For us, it has more in common with the unrelenting flow of a river than it does with dance music. It is psychedelic music in the same sense that nature is intuitively psychedelic; without ever leaning into any tried tropes of what is culturally considered ‘psychedelic’ music.

    TRACK LISTING

    A1. Apricity
    A2. Octopus
    B1. Apricity (Sunrise Mix)
    B2. Adref

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    Cover of Simulacra by Slow Riffs.

    Slow Riffs

    Simulacra

    Mood Hut

    Brand new album from Slow Riffs aka Local Artist on Mood Hut. Taking their blunted urban haze back to the Vancouver Riviera. Hit up the weed clinic and get yerself suitably medicated as the swells of warm, positive energy realign your chakras. 

    Listen if You Like = Jon Hassell, Hiroshi Yoshimura, Terry Riley, Rhythm & Sound, Laurie Spiegel, Ariel Kalma, Laraaji, Steve Roach, Kerry Leimer, Suzanne Ciani, Yu Su, Hotspring, La Monte Young, Erik Satie, Music From Memory, Brian Eno, O Yuki Conjugate, Harold Budd, Robert Guthrie, Leif, Gigi Mason, Gaussian Curve, Patricia Wolf, Muslim Gauze, Manuel Göttsching, 

    TRACK LISTING

    A1. Vertical Horizon
    A2. Cosmic Joke
    A3. Talking Drum
    A4. Her Shining Abode
    A5. Sleep Weel
    B1. Simulacra [f. Alex Ho]
    B2. Skywatchers
    B3. Mutual Dreaming
    B4. Lascaux Caves

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    Back in stock Cover of Telepathic Fish: Trawling The Early 90s Ambient Underground by Various Artists.

    Various Artists

    Telepathic Fish: Trawling The Early 90s Ambient Underground

    Fundamental Frequencies

    Telepathic Fish: A Journey into South London’s Seminal Ambient Party

    A first-of-its-kind, fully illustrated retrospective celebrating Telepathic Fish — the influential early ’90s South London chill-out party that helped shape the ambient underground. Founded by Chantal Passamonte (Mira Calix), DJ Food, and others, this scene-defining crew hosted the likes of Aphex Twin, Global Communication, and Andrea Parker, while collaborating with Megatripolis and The Big Chill.

    This lovingly curated release features:

    Rare and long-lost tracks from Caustic Window (Aphex Twin), Tranquility Bass, Spacetime Continuum, and more

    “In stark contrast to the stress-makingly staccato assault of your average 'ardcore rave, Telepathic Fish was a wombeldelic sound-and-light bath"

    Simon Reynolds (Energy Flash: A Journey Through Rave Music And Dance Culture)

    The first-ever illustrated compendium recounting the seminal underground South London ambient party that surfaced at the axis through which the likes of Ninja Tune, Warp and Rising High flowed. Telepathic Fish shared fertile waters with Megatripolis and The Big Chill, moving the early 90s London back room chill-out space into the kaleidoscopic spotlight.

    Documenting the sights and sounds of South London’s seminal Telepathic Fish ambient parties. Hosted by Chantal Passamonte (aka Mira Calix - RIP), David Vallade, Mario Aguera and Kevin Foakes (aka DJ Food) - collectively named Openmind. With the help of Mixmaster Morris (The Irresistible Force) and Matt Black (Coldcut), they put on some of the earliest chill out events in London.

    Rooted deep in the heart of the electronic underground they started DJing and decorating house parties or squats with mind-blowing installations and wholly idiosyncratic design, hosting the likes of Aphex Twin, Andrea Parker and Tony Morley (The Leaf Label). Within a year they were playing VIP after shows for the likes of Orbital and illegal New Year’s gatherings at the disused Roundhouse whilst guesting on Coldcut’s Solid Steel radio show on London’s KISS FM.

    Whilst collaborations with legendary club nights such as Megatripolis saw them share bills with Autechre, Higher Intelligence Agency, Scanner and Global Communication, they also created their own ambient fanzine - Mindfood – to document the scene evolving around them. A 20-page history of their parties is included in the release, richly illustrated with personal photos, artwork and memorabilia from their adventures between 1992-95. The gatefold sleeve also features their Telepathic Fish logo, mirroring an original T-shirt design they sold in Ambient Soho, a record shop three of the four worked in at different times.

    The selections featured here are all personal favourites that were played at the Telepathic Fish parties during the 90s. Picked and arranged by Mario, David and Kevin who combed their collections for key pieces they associate with the time and Chantal’s music tastes. Over a hundred tracks were selected, totalling nearly 11 hours of playing time, before being whittled down to the essentials by the trio, forming a snapshot of their world back in the day.

    * Features long deleted and hard to find tracks by Caustic Window (Richard D. James aka Aphex Twin), Tranquility Bass, Spacetime Continuum and Global Communication (Mark Pritchard and Tom Middleton).

    • Pressed on DJ friendly double black vinyl

    • Includes A 20-page history of their parties is included in the release, richly illustrated with unseen personal photos, artwork and memorabilia from the Telepathic Fish crew’s adventures between 1992-95, as well as detailed liner notes courtesy of founding members Mario Ageura and Kevin Foakes.

    • Cover includes horizontal obi sticker with quote from Simon Reynolds' book Energy Flash: A Journey Through Rave Music And Dance Culture, describing the Telepathic Fish parties' place in the dance music landscape.

    • Lacquer cut by Beau Thomas at Ten Eight Seven Mastering

    DJ-friendly double black vinyl

    A 20-page booklet packed with photos, artwork, and memorabilia from 1992–1995

    Liner notes by founding members Mario Aguera and Kevin Foakes

    Obi strip featuring Simon Reynolds’ iconic quote from Energy Flash

    Lacquer cut by Beau Thomas at Ten Eight Seven Mastering.



    STAFF COMMENTS

    Matt says: Much documented with a killer campaign backing it (check the brilliant Guardian article by Joe Muggs). Rave culture wasn't all about big fish little fish and sweaty dancers. "Telepathic Fish" shines a spotlight on the horizontal, post-E vibe which actually ended up more subversive and rebellious than what Big Dance Music (or Business Techno - lol!) became. A gloriously precious selection.

    TRACK LISTING

    1. Barbarella - Barbarella (The Irresistible Force Remix)
    2. Spacetime Continuum - Fluresence
    3. Nightmares On Wax - Nights Interlude
    4. Insides - Skinned Clean
    5. Global Communication - Incidental Harmony
    6. Caustic Window - Cordialatron
    7. Keiichi Suzuki - Satellite Serenade (Trans Asian Express Mix)
    8. Tranquility Bass - Cantamilla (Bomb Pop)
    9. Golden Girls - Kinetic (Morley’s Apollo Remix)
    10. No-Man - Days In The Trees - Reich 

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    Cover of Slipstream by PVAS.

    PVAS

    Slipstream

    Kapsela

    “sitting in the terminal at Barcelona airport, health safety warnings echo through empty architecture. feeling slow, and fast, out of sync with rituals and routines. structure and rhythm disintegrate into micro gestures appearing in random order, a daily psychedelia... amid all of the chaos and distraction in the last few years, it’s only through letting go that I've found solid ground to stand on.”

    These are some of the experiences and reflections that gave shape to Slipstream, a hallucinatory mini-album by the artist PVAS and the fourth release on Objekt's label, Kapsela. Slipstream is an aural document of PVAS's interior life, conceived not as a grab-bag of DJ-friendly tracks (although it’s clearly inspired by the club) but as a single, delicately crafted artistic statement. The entire record is shrouded in a flickering haze, worn through by smudged breakbeats and wiry drum machines. “Wetland”, with its swampy percussion and crystalline arps, echoes T++ and Kraftwerk. The radiant incandescence of “Gathering Drift” recalls GAS or Monolake's “Hong Kong.” Sampled breakbeats dip and swerve asymmetrically through “Boba” and “Terminal”. Across the record, textures and voices are reshaped by PVAS's homemade algo-software, UMT, which, in PVAS’ own words, “reconstructs one audio file by sampling another, resulting in output that merges their aesthetic qualities, creating rhythm with non-rhythmic sound files and abusing the stereo field.” But the most striking union of technology and poetic self-exploration comes at the end of the record, in the title track, from words murmured through a classic vocoder:

    “when i stop framing myself as a boundaried stone
    immovable, and powerful, and heavy
    when i stop figuring my deepest space as my own
    something which i am solely responsible
    i surrender, i surrender”

    PVAS is Jordan Juras, a Berlin-based artist who grew up outside of Windsor, Ontario. He has released solo EPs on Isla and xpq?, and is half the duo NUG (3XL, West Mineral Ltd.). In addition to developing music software professionally, he has used his UMT software on records by Lyra Pramuk and Dylan Kerr. Slipstream was recorded from 2022 to 2025.

    Written and produced by PVAS
    Mixed by TJ Hertz
    Mastered by Anne Taegert at D&M
    Artwork and design by Brodie Kaman



    TRACK LISTING

    A1. Gathering Drift (Lattice Edit)
    A2. Terminal
    A3. Wetland
    B1. Ripped
    B2. Boba
    B3. Slipstream

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    Cover of Are You Dreaming? by She's In Parties.

    She's In Parties

    Are You Dreaming?

    Submarine Cat

      An all encompassing emotional rollercoaster of the trials and tribulations of moving from a small town to the big city. Creating new life experiences, whilst trying to hold onto old relationships. Struggling to get a grip on my new reality, my daily life started to feel like I was living in some sort of dream state. Each song on the EP is a reflection of this and takes you on my journey. Beginning with eager eyes and a dream to move to the big city, followed by feelings of sadness for what I had left behind but ultimately, learning to let go of my old self and embrace the new.

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      Back in stock Cover of Incognito Rhythm - 2025 Repress by 4am Kru.

      4am Kru

      Incognito Rhythm - 2025 Repress

      Embrace The Real Records

      Fresh off a rework of Papa Levi with single Ribena, London’s jungle pioneers 4am Kru drop their highly anticipated debut album “Incognito Rhythm” featuring all the tracks that have cemented their reputation as the go-to act for raw, live jungle music.

      Having already taken the 2024 festival circuit by storm with appearances at Outlook Origins, Boomtown, Boardmasters, Reading+ Leeds, The Blind Tiger, Parklife Waterworks, Boundary and a milestone Saturday night closing set at Glastonbury’s Temple Stage, 4am Kru continue to draw audiences into the madness of their raucous blend of 1993-1994 influenced jungle. First bursting onto the scene post-lockdown, the falling monitors and flying bodies of their shows were particularly thrilling for ravers who had turned 18 in isolation.

      Originally developing their live sound in indie bands while sharing a studio in Tottenham, the duo quickly realized that the traditional DJ set couldn’t contain the energy of their act. They have since surrendered to the chaos of their incredibly physical performances, nursing chipped bones and back injuries, deep finger taping, chalking up and wearing shoes designed for skipping rope whilst rewiring what it meant to move their bodies. Their innovation extends to the equipment, with the duo reinventing a way to deliver their signature throbbing basslines with a Roland SPD SX drum pad as thick as a car tire. Their upcoming UK tour this October promises to further showcase their immersive, disruptive sound.

      4am Kru’s latest single “Ribena” breathed new life into Papa Levi’s iconic British reggae classic “Militancy” following the release of hard-hitting “Wutt” this past July, setting the stage for their most ambitious project yet. Their debut album draws from a wide range of influences in addition to 4am Kru’s signature blend of 90s jungle flavours, from obscure slow jam R&B like Angela Bofill, Janet Jackson and Prince, early hardcore bands like Hüsker Dü, off kilter Scottish folk, and even classical music. The project is a snapshot of the incognito, nocturnal world that the duo have dwelled in for the past two years, a time capsule of well-worn songs played between midnight and 4am. An extraordinary debut, 4am Kru’s” Incognito Rhythm” is an immersive, razor sharp, face melting journey through their show-stopping live sound.


      STAFF COMMENTS

      Matt says: Do not sleep on this one junglists! The most arresting live act the scene's had a for a while (just check out their vids on youtube). Igniting freshness and fun into a genre oft accused of taking itself to seriously. This is the dog's bollox!

      TRACK LISTING

      A1. Incognito Rhythm 
      A2. Things To Do Remix (With Drama1) 
      B1. Just Saw Johnny 
      B2. Deepest Darkest Jungle 
      C1. High Time 
      C2. Ribena (With Papa Levi) 
      D1. Beautiful Thing (ft. Pinty) 
      D2. All I Need In This World Is You 
      E1. Wutt 
      E2. Pianos Raining Down (165 TO 134 BPM MIX) (With McDonald & Jannetta)
      F1. Ooh Boy 
      F2. Sound System Love 

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      Cover of Rock The Spot - Inc. Karizma Remix by Ralph Session & Mr V.

      Ralph Session & Mr V

      Rock The Spot - Inc. Karizma Remix

      Toucan Sounds

      Ralph Session extends his hot streak, teaming up with NY house vet Mr V on the mic. Session lays down a perfectly shuffled NY groove while laidback horns, keys and vibes dance around the beat beautifully. Baltimore's Karizma delivers an expertly understated remix, perfect for long blends; while two 'Brooklyn Classic' remixes get those elbows swinging and spirits raised. Impeccable stuff that'll get OG house heads all in a spin. 

      TRACK LISTING

      Rock The Spot
      Rock The Spot (Brooklyn Classic Mix)
      Rock The Spot (Karizma Remix)
      Rock The Spot (Brooklyn Classic Instrumental)
      Rock The Spot (acappella)

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      Cover of Birds Of Paradise by Auntie Flo.

      Auntie Flo

      Birds Of Paradise

      A State Of Flo

      Celebrated DJ, producer, and sonic explorer Auntie Flo (aka Brian d’Souza) — described by The Guardian as “one of global club culture’s most vital voices” — returns this autumn with ‘Birds of Paradise’: a rhythmically rich, emotionally resonant, and ecologically grounded new album, out 23 October via his A State of Flo imprint. The album will be launched with a special live show at London’s Jazz Caféon the same day.

      ‘Birds of Paradise’ draws on d’Souza’s global club experience while deepening his connection with the natural world. Built around classic Roland drum machines and iconic vintage synths, the record is a joyful, body-driven celebration of rhythm and movement, but one grounded in ecology and place. The album’s spiritual centre lies in Saligao, Goa, near d’Souza’s maternal homeland where his Auntie Florie (where the name is derived from) is buried. Where he found his ‘paradise’ nearby, staying in a converted fisherman’s hut and recorded dawn choruses from a riverside studio overlooking mangrove-lined waters. Environmental textures from Japan also make their way into the music, creating a sonic map rooted in lived experience.

      “Birds of Paradise is about finding beauty and rhythm in a chaotic world. It’s about listening, to nature, to our bodies, to what’s real. It’s a reminder that dance music can be both joyful and grounded.” The album blends Afro-Latin polyrhythms with Western 4/4 patterns, fusing instinctive, dancefloor energy with field recordings that anchor the music in the earth. Described by d’Souza as “tropical with a few deeper edges, a balance of light and dark.”

      The new record follows the acclaimed ‘In My Dreams, I’m A Bird and I’m Free’, which earned 4 stars and Global Album of the Month from The Guardian, featured in Disco Pogo’s Albums of the Year, and received support from Luke Una, Resident Advisor, Juno, Bandcamp, Mixmag, DJ Mag, Electronic Sound, The Skinny, Beatport, Ban Ban Ton Ton, and more. The album’s launch show at Omeara London sold out. Other recent projects include the ‘Outernational Dance’ EP on cult label Multi Culti, event series ‘Plants Can Dance (and Mushroom’s Sing)’ which explore plant and fungi bioelectricity as a means of live composition, and ‘Black Beacon’, a haunting cassette release and soundwalk series recorded on the abandoned military island of Orford Ness. There, d’Souza explored the eerie intersection of nature, decay, and deep time, gaining special access to restricted buildings to capture long-form soundscape compositions.

      Alongside his production work, d’Souza has emerged as a leading voice at the intersection of sound and science. He curated music for Imperial College’s groundbreaking psychedelic therapy trials, developing six-phase playlists to guide participants through psilocybin-assisted sessions treating conditions such as fibromyalgia and gambling addiction. His five-hour ambient set at Watching Trees Festival, selected as Resident Advisor’s Mix of the Day, continued this exploration into the therapeutic potential of sound in altered states. He also spent six months collaborating with BBC producer Tom Raine on a documentary for BBC World Service, centred on a two-week journey through Kenya and Goa. There, he performed live, led plant music workshops, and joined a deep listening retreat rooted in field recording. “I realised my studio isn’t just four soundproofed walls filled with instruments — it’s the journey itself. It’s the people I meet, the natural world I listen to, and the connections I feel.”

      This same commitment to deep listening fuels his live concept Plants Can Dance, a project that combines the biosonification of plants and fungi with modular synthesis. The next event, on 14 September at Hideout Hackney Wick, will feature performances by Stella Z and Lapalace, with d’Souza and resident Lamine playing live alongside responsive plants in collaboration with Repot Hackney Wick and the label Music To Watch Seeds Grow By. “I’ve spent years exploring how electronic music can connect us, not just to each other, but to the natural world. Whether it’s translating mushroom data into melody or capturing birdsong at dawn, it’s about finding resonance across bodies, ecosystems, and machines.”

      Rooted in his Goan and Kenyan heritage and shaped by years of travel and collaboration, d’Souza’s creative mission is simple: to reconnect the electronic world with the natural one. Through A State of Flo, he continues to blur the boundaries between club culture, sound art, and ecological awareness.

      TRACK LISTING

      A1. Paradise 23
      A2. Ciebo
      A3. Anacyclosis
      A4. Joy Mantra
      B1. Mamluk
      B2. Earth NRG
      B3. Mount Kōya
      B4. Cobra 

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      Back in stock Cover of Home by Django Django & Man Power.

      Django Django & Man Power

      Home

      Another Cheap Thrill

      “Home” is a collaboration between the cult indie dance supremos Django Django and Man Power, the respected underground electronic music producer & DJ from North East England. The record was initially released in support of a gig by Django Django at Are You Affiliated the infamous grass roots venue operated by Man Power in North Shields, Tyne & Wear. The initial limited white label run sold out quickly on Bandcamp, gaining support from the likes of Optimo, Palms Trax and Bradley Zero. Due to popular demand the release gets with a small vinyl repress exclusively for record shops. Expect big room, emotive indie-dance on side A, with a soaring vocal performance from Django Django. Meanwhile on side B, Man Power deploys a stadium slaying electric b-line and rampant percussion parts to create a simmering hot peaktime master blaster of epic proportions! Sleep at your peril folks!  

      STAFF COMMENTS

      Matt says: Dock off, open air indie-dance epic from Django Django that you're likely to hear across the airwaves and festival fields this summer. Man Power's feral and highly kinetic remix takes it into the more underground basement clubs no problem.

      TRACK LISTING

      A. Home
      B1. Home (Man Power's Analogue Dub)
      B2. Home (Instrumental) 

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      Cover of Down by Aaron Carl.

      Aaron Carl

      Down

      Metroplex

      A well-timed remastered version of this killer jacking electro cut from Aaron Carl on the legendary Metroplex label, featuring none other than Juan The Man Atkins. The release includes four versions. Essential, real deal, Detroit electro business. Don't sleep! 

      TRACK LISTING

      1. Electro Mix
      2. DJ Digital Techno Bass Mix
      3. Original Mix
      4. Eastside Mix

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      Cover of Prohibido EP by Gaston Cabrera.

      Gaston Cabrera

      Prohibido EP

      Klasse Wrecks

      For the 58th outing of the Wrecks anthology the label welcome new Argentinian producer Gaston Cabrera to the ranks. With his unique, energized and atmospheric productions he seems like a prime candidate one of our favourite nightclub imprints. The 'Prohibido' EP doesnt waste anytime getting to the point, a snarling beast that goes straight for the jugular. Spooky techno tropes mix with the best of yesteryear electro house stylings, it's a sound that feels new and exciting yet at the same time very familiar. Both raw and musical, the 4 song record could soundtrack either a long lost John Carpenter horror or a Tron-esque retro sci-fi movie; or, of course, a nightclub scene straight out of Total Recall. Recommended! 


      TRACK LISTING

      1. DJ Paranoia
      2. Prohibido
      3. Braseando
      4. Playa Fantasma

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      Cover of Love On The Rocks Feat. Kashmere by I Coccodrilli.

      I Coccodrilli

      Love On The Rocks Feat. Kashmere

      Futuribile

      A blazing sunset melting into the horizon, an ice-cold cocktail in hand, and the bittersweet feeling of a moment hanging in time. With Love On The Rocks, I Coccodrilli take us on an emotional journey that drifts between nostalgia and euphoria, lazy golden afternoons and bursts of unexpected joy. A '90s-inspired Italo House project produced by R. Arcella and E. Fierro for the catalog of Futuribile, an iconic record store based in Naples and a true hub for local and Italian music. 

      TRACK LISTING

      A1. Love On The Rocks (Vocal)
      B1. Love On The Rocks (Paradise Mix)

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      Cover of Maria Fumaca / Giant Steps (Tito Puente Tribute) by Elements Of Life.

      Elements Of Life

      Maria Fumaca / Giant Steps (Tito Puente Tribute)

      Vega Records

      A Vega Records special edition 7” by Elements Of Life with sneak peaks of two new Elements Of Life tracks from the forthcoming 2026 album “Dreamer”.

      Side A is a brilliant cover of the famed Brazilian band Black Banda Rio’s “Maria Fumaca”.

      Side B an energetic Latin jazz infused cover of John Coltrane’s ultra class “Giant Steps” done up Rumba style tributing the great Tito Puente with special guest, the maestro Christian McBride on upright bass. Elements Of Life are on fiyaaah - and it’s just the beginning!

      TRACK LISTING

      A. Maria Fumaca
      B. Giant Steps (Tito Puente Tribute) 

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      Cover of Music For Disk Jockeys PT. I by Asa Moto.

      Asa Moto

      Music For Disk Jockeys PT. I

      DEEWEE

      Asa Moto hail from Ghent, Belgium, a city where concrete collides with cathedrals. Their music obeys the same law: rhythm wired into noise, melody bent out of shape. No genres. No safe zones.

      They’ve taken this across Europe and beyond: festivals like Dour, Best Kept Secret, and Boiler Room Bangkok; clubs that shape the underground including Panorama Bar, Opium, Lux, XOYO. Sacred halls turned into dancefloors, basements stretched to capacity. Wherever they land, Asa Moto rewire the room.

      Us, Resident Advisor and the BBC were listening from the start. Altın Gün brought Asa Moto in to produce the critically acclaimed "Yol" (2021), the band’s first collaboration with outsiders. Remixes for Polo & Pan, Chloé Thévenin and others spread the same edge further out, each a glimpse of their method, a vision in motion.

      All signals run through Studio Martino in Ghent - their own control room for recordings, remixes, transmissions. The records surface on DEEWEE, the label founded by Stephen and David Dewaele of Soulwax / 2manydjs - the only one reckless enough to carry them. "Music For Disk Jockeys Pt. 1" continues the line: four tracks as proof that Asa Moto refuse limits, because the world refused them first.

      TRACK LISTING

      A1. Gillesgolo
      A2. Slow Tongue, Fast Lips
      B1. MJ Complex
      B2. Twee Dikke Nekken 

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      Back in stock Cover of Classic Classic Chapter 03 by Various Artists.

      Various Artists

      Classic Classic Chapter 03

      Classic

      The third and final volume of Classic’s 30th Anniversary vinyl series brings the party full circle - blending deep catalogue cuts, future-forward house, and tracks from the label’s tight-knit family of collaborators.

      Like the volumes before it, this 2x12” release arrives in a raw reverse board outer sleeve, a nod to the aesthetic of Classic’s earliest releases. Inside, bold yellow and red GMUND card stock inner sleeves with embossed detailing reflect the label’s long-standing commitment to design, artistry, and collectability.

      Record One kicks off with a certified Classic family affair. Home & Garden’s ‘Sexuality...He's 2 Young’ features the unmistakable voice of DJ Colette, a staple of Classic’s early era. Included here is JT Donaldson’s Porno Beat Down Remix—a stripped, low-slung rework with an irresistibly funky bass line and pure dance floor chemistry.

      Brett Johnson’s ‘Jiffy Pop’, from his legendary Bounce! EP, follows up with a jittery, swaggering groove that epitomises Brett’s playful, funk-laced production style. Infectious, weird, and entirely unforgettable.

      On the flip, Tiefschwarz’s ‘Acid Soul’ delivers a moody, muscular roller. Originally released during their prolific run on Classic in the early 2000s, it fuses baritone sax stabs, a Berlin-borne bass line, and a sultry vocal into a deeply spiritual house cut.

      Roy Davis Jr. closes Side B with the propulsive ‘About Love’ (Solid Groove Remix)—a tough and driving interpretation by Dave Taylor that’s long been a DJ favourite in the Classic vaults.

      Record Two showcases Classic’s more recent sonic evolutions. JT Donaldson’s return to the label in 2019 came with ‘Stay Inside’, a rich and breezy groove featuring the soulful voice of Liv.e. It’s an elegant and understated slice of modern house with timeless appeal.

      Then comes Dam Swindle’s funk-charged ‘Hey Mister’. A punchy, bass-driven jam built around a 70s reggae-disco vocal sample. Raw and infectious, it’s been lighting up dance floors worldwide since its release.

      Luke Solomon’s catalogue on Classic is vast, but ‘Come on Over’, his collaboration with Amp Fiddler, earns its place here. Seeing vinyl release for the first time, this cut overflows with musicality. Amp’s passionate vocal, free-time breakdowns, and deep funk grooves deliver pure emotional punch.

      And to close, a modern masterpiece: Honey Dijon’s ‘Work’ (Extended Mix), taken from her ‘Black Girl Magic’ LP. Featuring Dave Giles II, Cor.Ece, and Mike Dunn, this powerhouse track brings together fierce vocal performances, live instrumentation, and top-tier production. It embodies everything Classic stands for: collaboration and innovation on the dance floor.

      TRACK LISTING

      A1. Home & Garden Ft. Collette - Sexuality...He's 2 Young (JT's Porno Beat Down Remix) 
      A2. Brett Johnson - Jiffy Pop 
      B1. Tiefschwarz - Acid Soul 
      B2. Roy Davis Jr. - About Love (Solid Groove Remix) 
      C1. JT Donaldson Ft. Liv.e - Stay Inside 
      C2. Dam Swindle - Hey Mister 
      D1. Luke Solomon & Amp Fiddler - Come On Over 
      D2. Honey Dijon Ft. Dave Giles II, Cor.Ece & Mike Dunn - Work 

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      Back in stock Cover of Classic Classic Chapter 02 by Various Artists.

      Various Artists

      Classic Classic Chapter 02

      Classic

      Following Volume 1, this second instalment of Classic’s 30th Anniversary series dives even deeper into the label’s visionary, genre-bending catalogue—balancing pioneering remixes, cult favourites, and future classics.

      Once again, this 2x12” release is beautifully presented in a raw reverse board sleeve, a tactile nod to Classic’s earliest releases. Inside, are deep teal and green GMUND card stock inner sleeves with embossed detailing elevate the package into a collector’s item worthy of the music it holds.

      Record One opens with one of the most revered remixes in house history. Isolee’s ‘Beau Mot Plage’ (Freeform Reform Parts 1 & 2), originally licensed from Germany’s Playhouse and lovingly reworked by Freeform Five’s Anu Pillai with a live ensemble. It’s a sprawling, euphoric journey that helped define Classic’s international reach and is still widely regarded as one of the greatest house records ever pressed.

      Up next is Greenskeepers’ off-kilter banger ‘Bang in Your Face?’, showcasing the quirky, ‘G-swing’ sound for which James Curd and his crew became known for during their long-standing relationship with the label.

      On the flip, Pépé Bradock’s jaw-dropping rework of Iz & Diz’s ‘Mouth’ takes center stage—a remix composed entirely from human sounds, equal parts sensual and surreal. Universally praised, it’s a masterclass in sonic innovation and remains one of the most acclaimed house remixes of all time.

      The side closes with Markus Nikolai’s beloved ‘Bushes’, The First Re-Creation (Version 1.2) by Classic co founder Derrick Carter—a distinctive and maximalist edit that draws out the Latin horns, strings, and quirky vocals, turning a cult hit into a distinctly ‘Classic’ anthem.

      Record Two captures Classic’s renewed energy in the 2010s.

      Folamour’s ‘Devoted To U’ from his Umami LP is a 10-minute odyssey in groove—warm, progressive, and cinematic, with soaring piano lines and narrative richness.

      Then comes Crazy P’s ‘One True Light’, shimmering with spacey textures, cosmic energy, and the deep, effortless groove the band has perfected over decades.

      On Side D, we have Girls of the Internet’s lush and emotionally rich ‘When U Go’, blending soulful vocals with clean, spacious production that balances melancholy with movement.

      Closing out Volume 2 is Sophie Lloyd’s now iconic ‘Calling Out’, featuring the unstoppable vocal force of Dames Brown. A modern gospel-disco-house anthem, the track glows with raw energy, live instrumentation, and spiritual fire—cementing its place as one of Classic’s defining moments of the last decade.

      TRACK LISTING

      A1. Isolée - Beau Mot Plage (Freeform Reform Parts I & II) 
      A2. Greenskeepers - Bang In Your Face? 
      B1. Iz & Diz - Mouth (Pepe Bradock Mix For Friends) 
      B2. Markus Nikolai - Bushes (Derrick Carter's First Re-Creation) [Version 1.2] 
      C1. Folamour - Devoted To U 
      C2. Crazy P - One True Light 
      D1. Girls Of The Internet - When U Go 
      D2. Sophie Lloyd - Calling Out 

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      Cover of Tehrangeles Vice (Iranian Diaspora Pop 1983-1993) by Various Artists.

      Various Artists

      Tehrangeles Vice (Iranian Diaspora Pop 1983-1993)

      Discotchari

        Discotchari is delighted to release a first-of-its-kind various artists compilation: Tehrangeles Vice (Iranian Diaspora Pop 1983–1993), fully licensed from Taraneh Enterprises. The album is a groundbreaking exposé of the vibrant subcultural hub of Tehrangeles (portmanteau of Tehran + Los Angeles), and the action–packed, true story of the Iranian diaspora music industry. Featuring 12 tracks remastered by award–winning Osiris Studio, lyrics and translations to all featured songs, original cassette covers, a 20+ page album note booklet by Dr. Farzaneh Hemmasi and more! Sprawling from Westwood to Glendale across the San Fernando Valley, the Tehrangeles scene was cultivated by the same producers and artists who industrialized the “golden age” of entertainment in pre–revolution Iran and fled from the 1979 Islamic Revolution along with millions of Iranian citizens. Through music and visual media, Iranian producers and artists working out of Tehrangeles have engaged in what the Iranian government calls a “cultural attack” against the Islamic Republic for over 40 years.

        The album title Tehrangeles Vice underscores the illicit nature and daring circumstances from which Tehrangeles pop music was born and compares its legacy within Persian media to one of the most significant crime–drama TV shows of all time. In the same manner that Miami Vice and its aesthetics had a dynamic impact on sonic, visual and cultural trends in the United States and around the world, Tehrangeles media was a shock to the systems of Islamic Republic ideology and Iranian expatriate communities. Listening to these songs in hindsight, the contribution of Tehrangeles can be better understood as a triumphant effort to preserve Iranian identity by realizing it in conjunction with prevailing music genres of the ‘80s and ‘90s, and to rebel against the oppressive regime of the Islamic Republic of Iran through the most seductive of means: dance music.

        TRACK LISTING

        A1Shahrokh - Man Va Tou ("Me And You")
        A2Shahram Shabpareh, Shohreh Solati - Ghesmat ("Fate")
        A3Farzin - Eshgheh Man ("My Love")

        B1Aldoush - Vay Az In Del ("Woe To This Heart")
        B2Fataneh - Mola Mamad Jan ("Mola Mamad Jan")
        B3Ebi - Kolbeh Man ("My Cottage")

        C1Sattar - Khaak ("[Home] Land")
        C2Susan Roshan - Nazanin ("Sweetheart")
        C3Delaram - Gharibeh ("Stranger")

        D1Black Cats - Rhythm Of Love
        D2Leila Forouhar - Hamsafar ("Fellow Traveler")
        D3Hassan Shojaee - Nazi Joon ("Dear Sweetheart")

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        Cover of Chicago Boogie Vol 4 by Various Artists.

        Various Artists

        Chicago Boogie Vol 4

        Star Creature

        Chicago's premier boogie purveyors STAR CREATURE dig deep with 4 extremely rare cuts, 3 of them being white whale level impossible to find & the 4th commanding big bucks online! Includes songs by TIGER JACK, SOUL INVADERS, MOTHERFOX, and PYRAMID PLUS. Heavyweight vinyl and heavyweight reverse board jacket. Due out Nov. 10.

        The A Side starts with an extremely rare, like 0 “Haves” on discogs.com rare from Tiger Jack. “Let’s Bounce” was originally issued on Ajana as one of their only 2 releases, the first being earlier from Central Power System on Numero Group’s The Chicago Party compilation. Tiger Jack remained elusive, both Jack and a copy of his record until we stumbled upon a contact and were able to get in touch and stitch together the fully extended mix of this Punk Funk Boogie Bopper. Speaking of Numero Group, The 2nd track of Side 1 comes from an assist from the reissue Gods themselves as they blessed us with this never-sold-on-discogs soulful side of Boogie Slap issued on one-and-done label Magikal. When asked about the track, songwriter CA Williams said they recorded it for a restaurant jingle. Probably the best one we’ve ever heard.

        Side 2 starts off with an absolute Modern Soul Monster with Motherfox’s Hot Shot. John Harris came by Star Creature’s South Side of Chicago HQ to chop it up and share some stories on Motherfox and his other passion project most deep funkers would known as Carver High. This record has reached insane demand the past few years as it’s a certified floor filler for all scenes - peak big budget sound packed into a small DIY package, total package. Track 2 delivers the full version of the ever mysterious Pyramid Plus providing the Titular Tune “Comin’ At Ya’” as vocoded talkboxed low slung, spaced out Boogie Banger.

        TRACK LISTING

        A1. Tiger Jack - Let's Bounce
        A2. Soul Invaders - Give Me Your Love Today
        A3. Motherfox - Fallen Into Love
        A4. Pyramid Plus - Comin' At Ya

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        Back in stock Cover of Variations Of Voodoo by D'Angelo & Amerigo Gazaway.

        D'Angelo & Amerigo Gazaway

        Variations Of Voodoo

        Soul Mates

          That cheeky cut-n-splice-smith, Amerigo Gazaway, master of the hip-hop mash-up, returns once again - paying tribute to one of the greatest to ever do it - D'Angelo! 

          "Variations On Voodoo" is our Nashville Soulmate's tribute to, you guessed it, "Voodoo"; perfectly timed for the 25th anniversary of its release. Reworking the tracks with his unique and wide ranging instrumental palette, heavy lashings of boom-bap beats and highly scented with that old school flavour throughout!

          Following iconic and sometimes controversial reworkings of classic albums by Notorious Big & the JBs, De La Soul and Felta Kuti, Nina Simon and Lauren Hill, Stranger Things and many more; Amerigo Gazaway has become synonymous with the hip-hop / soul mash-up concept and has in turn lectured on the art of the remix at the University of Southern California. 

          STAFF COMMENTS

          Matt says: Takes some swagger to have a go at D'Angelo's iconic soul masterpiece "Voodoo". But Gazaway's done it justice - refreshing the instrumentals and adding his signature boom-bap business.

          TRACK LISTING

          A1 Devil's Pie(Gospel Mix)
          A2 Left & Right Feat. Method Man & Redman)
          A3 Spanish Joint
          A4 Sugah Momma(Interlude)
          B1 Brown Sugar
          B2 Me And Those Dreamin' Eyes Of Mine
          B3 Cold World(Interlude)
          B4 Be Here(feat. Raphael Saadiq)
          C1 Devil's Pie(Gospel Mix) [Instrumental]
          C2 Left & Right(feat. Method Man & Redman)[Instrumental]
          C3 Spanish Joint[Instrumental]
          C4 Sugah Momma(Interlude)
          D1 Brown Sugar[Instrumental]
          D2 Me And Those Dreamin' Eyes Of Mine Instrumental]
          D3 Cold World (Interlude)[Instrumental]
          D4 Be Here (feat. Raphael Saadiq)[Instrumental]

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          Back in stock Cover of Ein Null - 10 Years Of Sprechen by Various Artists.

          Various Artists

          Ein Null - 10 Years Of Sprechen

          Sprechen

          10 years ago in 2015, The Golden Lion in Todmorden opened its doors under the guidance of Gig & Waka, Cloudwater brewed their first ever beers, the dance floors of Manchester got introduced to the world of Supernature Disco and from his spare room at home in Bolton Chris Massey started Sprechen.

          What followed over the next decade has been a wild ride of amazing people, memorable (though fuzzy!) parties, creativity, art, expression, performance and at the centre of it all of course, the music.
          Sprechen has never been one style or sound. A reflection of varied musical tastes without any limitations of style or genres, just a passion to share good music.
          Over the last decade, Sprechen has been lucky enough to both work with and meet many like-minded cosmic creatives that share this mindset and that have all played a major role in the story.

          Ein Null is a collection of original tracks from some of Sprechen's nearest & dearest who, for the last 10 years, have helped shaped the label via releases, remixes or performing at events.
          It's wonky & weird, banging & beautiful, cosmic & consciousness-expanding and it continues to connect the invisible dots of club music and more abstract listening experiences.

          From basements & beyond to sunsets & psychedelic socials...we are pleased to present this electronically charged selection of soundscapes courtesy of like-minded musical humans including; The Utopia Strong, A Certain Ratio, Lena C., Gina Breeze, Low Pulse, Psychederek, Lindstrøm, Supernature Disco, PBR Streetgang and of course Chris Massey.

          Limited to a run of 300 vinyl with double-sided screen-printed sleeve.

          STAFF COMMENTS

          Matt says: Chris Massey's Sprechen celebrates 10 years in the field with a truly all-star cast and nothing short of exceptional content.

          TRACK LISTING

          A1. The Utopia Strong - Old Mathers
          A2. A Certain Ratio - Faster But Slower
          A3. Lena C - Pelago
          A4. Low Pulse - Pillow Talk
          A5. Psychederek - Hope & Dreams
          B1. Massey & Supernature - Walk...now Walk
          B2. Gina Breeze - Acid Strings
          B3. The Thief Of Time & Lindstrom - Escape Into Neon Feat. Lady Lady
          B4. Pbr Streetgang - Chasin' Perry

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          Cover of 8 Billion Realities by Max Cooper And Rob Clouth.

          Max Cooper And Rob Clouth

          8 Billion Realities

          Mesh

          Acclaimed electronic musicians, producers and sound architects Max Cooper and Rob Clouth team up for a new collaborative EP; a dark, playful four-track dive into ambient, breakbeat and techno’s subconscious flow, featuring a standout vocal performance from South London rapper FLOHIO.

          Recorded over a series of spontaneous London sessions, “8 Billion Realities” channels years of creative exchange between two of the genre’s most quietly innovative artists and is a result of a decision between the longtime friends to refrain from conceptual overthinking in favour of instinct and joy.

          As long-time admirers of each other’s audio/visual work, Cooper and Clouth collaborated in London together after both emerging from intense, idea-heavy album cycles. What followed was a series of exploratory sessions, half-improvised, half-built around half-formed thoughts.

          The result is a club-ready EP that feels alive and human: imperfect and hypnotically rich.

          “Rob Clouth has been one of my favourite electronic music producers since I first heard his work in 2011,” says Cooper. “His work is more full of ideas and structure than anyone else.” “We were both coming from extensive conceptual studio albums and both in the mood for simplifying things and having some fun with the music, so that’s what we did”.

          For Clouth, no stranger to Max Coopers Mesh label having previously released an array of EP’s plus his 2020 debut album “Zero Point” this record marks a new chapter, both creatively and personally.“Something pretty new for me is collaborating,” he says. “You kind of have to when to stop, because if you develop an idea all the way to its endpoint, the other person has nowhere to jump in.”

          The first “A Moment Set Aside” began as a break from another idea, a live, unplanned improvisation based around arps and ambience. “The track was written in about as long as it took to play it,” says Cooper. “It was pulled from a 1 hour recording session, more or less as you hear it… the energy and excitement grew as the unplanned moment bore some magic.”

          “The lesson being that sometimes it’s helpful to set aside a moment without forcing results, and let the subconscious have something to say.” What followed was darker, heavier. “Asymptote” is detuned techno. Subversive and euphoric in its descent. “We found a sort of brain mangling, half consonant, half wandering detuned techno pulse, which we started chatting about being a sort of pit of spiralling body parts we were falling into,” says Cooper. “It was a lot of fun to work on and let loose with bigger kicks than I usually ever get to unleash.”

          Then came “8 Billion Realities”, featuring a standout rap performance from FLOHIO; an emerging figure in the UK grime and rap scene. The track was inspired by conversations about algorithmic echo chambers and hyper-personalised online worlds. Frantic, direct, and South London to the core, FLOHIO brings this tension to life. Her sharp, intense flow cuts through distortion and rhythm, landing the track somewhere between chaos and control instantly making it one of the most striking moments in either artist’s catalogue. “A different reality for all 8 billion of us,” says Cooper. “We weren’t sure if it would work… but there was something about the energy of the percussive idea and the story which felt like it might fit.” “Then FLOHIO had a play with it and straight off the bat absolutely killed it, not just with the lyrics and energy, but the harmonising too, it was a beautiful process.”

          The final piece on the EP “Candeleda” originated from Clouth’s solo experiments with a live rig made entirely of vocals and keys, using his self-developed “cheatbox” system. “He put forward a beautiful stumbling melodic sequence which we bounced back and forth adding harmonies and synth layers,” says Cooper. “It rounds off a collection covering some of the breadth of music that we both love.”

          STAFF COMMENTS

          Matt says: The two electronica and AV vanguards present a fierce, heavy, and ultimately highly contemporary set, highlighting them as skilled at making club tracks as they are at deep listening experience. Even the semi-ambient track seems as burdened as black matter. Stupendously adventerous sound design!

          TRACK LISTING

          A1. Asymptote
          A2. 8 Billion Realities (feat. FLOHIO)
          B1. Candeleda
          B2. A Moment Set Aside

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          Back in stock Cover of A Week Of Sundays by Sad Sells.

          Sad Sells

          A Week Of Sundays

          Sad Sells

            Self-released debut from Manchester's Sad Sells. Rising from Manchester’s vibrant indie music scene, Sad Sells are a six-piece guitar-driven band, blending the melodic sensibilities of R.E.M. with their own atmospheric, heartfelt storytelling.

            Sad Sells channels the essence of Northern life through shimmering guitars and poignant lyrics, offering a fresh perspective on modern indie rock.

            TRACK LISTING

            1. Nothing To Lose
            2. Don't Feel Sad
            3. Nobody ETC.
            4. Fools & Strangers
            5. Wedding Dress
            6. Thick & Thin
            7. Between The Covers
            8. 7 Hours & 15 Days
            9. Rabbit Hole
            10. Counting Bruises

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            Reduced Cover of I Am Hated For Loving - A Morrissey Tour On The Brink by Dickie Felton.

            Dickie Felton

            I Am Hated For Loving - A Morrissey Tour On The Brink

            Dickie Felton

              Morrissey marks 40 years in music with no record label, no management, no airplay, no promotion, no new release and no media support.

              The legendary singer embarks on a world tour facing an uncertain future. Frenzied front-line fans rally to their under-fire hero in a series of concerts across the globe. Dickie Felton attends 16 Morrissey shows in little over a year and captures a singer and his audience bonded in history, unity and love.

              Focussing on gigs in iconic cities of Dublin, Liverpool and New York, Felton photographs fans and captures the world of Morrissey at a crossroads.

              Featuring more than 125 images, 'I AM HATED FOR LOVING' is a visual and written documentary of a unique subculture. The sanest days are mad everywhere from The Stockton Globe to the Salle Pleyel in Paris – yet the world won’t listen.

              The book is a collaboration between Dickie and Persian artist Iman Kakai-Lazell who has created books with Kristin Hersh, Mark Lanegan and Kirk Brandon.

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              Back in stock Cover of The Chronicles Of DOOM : Unravelling Rap's Masked Iconoclast by S.H. Fernando Jr..

              S.H. Fernando Jr.

              The Chronicles Of DOOM : Unravelling Rap's Masked Iconoclast

              Faber & Faber

                On December 31st, 2020, the world was shocked to learn about the death of hip-hop legend MF DOOM. Born in London and raised in the suburban enclave of Long Beach, New York, Daniel Dumile Jr.'s love of cartoons and comic books would soon turn him into one of hip-hop's most enigmatic, prolific and influential figures. Sweeping and definitive, The Chronicles of Doom: Unraveling Rap’s Masked Iconoclast recounts the rise, fall, redemption and untimely demise of MF DOOM. Broken down into five sections: The Man, The Myth, The Mask, The Music and The Legend, journalist SH Fernando, or SKIZ, chronicles the life of Daniel Dumile Jr., beginning in the house he grew up in in Long Beach, into the hip-hop group KMD, onto the stage of his first masked show, through the countless collabs and across the many different cities Daniel called home.

                Centring the music, SKIZ deftly lays out the history of east-coast rap against DOOM's life story and dissects the personas, projects, tracks, and lyrics that led to his immortality. Including exclusive interviews with those who worked closely with DOOM and providing an unknown, intimate, behind the scenes look into DOOM’s life, The Chronicles of DOOM is the definitive biography of MF DOOM, a supervillain on stage and hero to those who paid attention.

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                Cover of Discolifting 05 by Hysteric.

                Hysteric

                Discolifting 05

                Funkyjaws Music

                It's time to set those jaws to wobble mode as this funky favourite label is back with more serious sounds for the disco, this time from Hysteric. 'Italo Mystery Theme' is a brilliant timewarp to the 80s with its overtly streamy and seductive vocals over neat guitars and stepping disco drums with lush chords. 'After Dark' is more breezy and hip-swinging with its airy vocals and wet claps, then 'Sugar Daddy Again' brings rugged analogue bass sounds and snappy drums under some erotic vocal work. 'All Right' shuts down with a UK street soul-cum-disco groover that's lit up with nice neon chords.

                STAFF COMMENTS

                Mine says: Hysteric releases his first edits 12" in a while and let me tell you it was worth the wait! Even the UPS guy was just asking what that record was we were playing... get on it before it's gone!

                TRACK LISTING

                Side 1
                Italo Mystery Theme
                After Dark

                Side 2
                Sugar Daddy Again
                All Right

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                Cover of Light The Fuse (Remastered) by LTF.

                LTF

                Light The Fuse (Remastered)

                Tunes Delivery

                LTF began as a 90s b-boy who was raised on funk and hip-hop before he even knew the names of the music he was hearing. Under the influence of early greats like DJ Shadow, Beat Junkies and Cut Chemist, he dove into turntablism and spun breaks across Siberia while digging for records. Once he discovered the sampler, his world shifted to loops, chops, basslines and scratches. His debut project Dapdown earned local buzz and global connections, including France's Black Milk Music crew, and a decade ago, while armed with Soviet synths, double bass, and dusty vinyl, he dropped his first solo album, Light The Fuse. It's truly raw, expressive, beat-lover's soul with a heavy groove that has been remastered for this reissue via Tunes Delivery.

                TRACK LISTING

                Groove Habits
                Can't Hide It
                Whisper
                Sun Shower
                Supatravel
                Get You

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                Cover of El Tel Collection Black (El Tel Vol. 2) by Terry Francis.

                Terry Francis

                El Tel Collection Black (El Tel Vol. 2)

                Pariter

                Pariter has done a fine job of shining a light on tech house royalty Terry Francis's superb back catalogue work already with the announcement of the first part of this El Tel Collection. Now, part two, Black, offers up more of his greatest hits. 'Took From Me' is dark, throbbing, moody tech house with a deep bassline and paranoid vocals that will be well known to anyone who has ever listened to a Tyrant set. 'Little 'N' Large' is the same perfect sweet spot between house and techno with soul and drive and late night freakiness. Last of all is 'Furry (Retake)', a nice spun out cosmic tech gem with light melodies and crisp beats.

                TRACK LISTING

                Took From Me
                Little 'N' Large
                Furry (Retake)

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                Cover of El Tel Collection by Terry Francis.

                Terry Francis

                El Tel Collection

                Pariter

                The agenda-setting Sushitech has a just as influential sub-label, Pariter, which welcomes the one and only tech house instigator, Terry Francis, for a rare and essential reissue. Francis was there at the birth of original tech house with his killer Wiggle parties and fabric residency and now kicks off what will be a limited series that digs into his archives. These first offerings were originally released on Eukahouse 25 years ago, with opener 'Notice Board' bringing a thumping low end and wiggling bassline that is topped with smooth chord work. 'Hello, Acid Dathera' (unreleased retake version) is a busier sound with a tribal edge and restless drums and bass with acid daubs and crisp hi-hats, making it a full body workout.

                TRACK LISTING

                Notice Board
                Hello, Acid Dathera (Retake)

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                Back in stock Cover of Cherish The Jamrock / No Ordinary Dub by Ross Hogg.

                Ross Hogg

                Cherish The Jamrock / No Ordinary Dub

                RH

                It's not easy to rework a classic and get standout results, but that's what Ross Hogg does here on a fresh 45. It finds him behind the controls and delivering two tasteful reimaginings that pay homage to the original while adding fresh character. 'Cherish the Jamrock' opens with a playful twist before settling into a laid-back groove that is high on soul and packed with tasteful island vibes. On the flip, 'No Ordinary Dub' strips things down to being a more tender and vulnerable vibe against a deep, early digital dancehall bassline. It's a clever, respectful take on two timeless tracks and proof that some musical pairings are meant to be.

                STAFF COMMENTS

                Mine says: Sade reworks with more than just a tinge of reggae. Didn't think it would work but somehow it does!

                TRACK LISTING

                Side 1
                Cherish The Jamrock (Ross Hogg Remix)

                Side 2
                No Ordinary Dub (Ross Hogg Remix)

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                Back in stock Cover of Sorry We Play Vinyl 1 by Sorry We Play Vinyl.

                Sorry We Play Vinyl

                Sorry We Play Vinyl 1

                Sorry We Play Vinyl

                There's no need to apologise - not when the vinyl in question is as good as this. If you've seen Ricardo Villabos behind the decks of late you'll almost certainly have heard him drop one or more of these superlative edits, as he's been hammering them practically non-stop. You can't blame him. 'Edit 1' is a hypotonic bongo-fest that shimmers and caresses the dancefloor with absolute confidence. 'Edit 2' is a female vocal-led disco-slanted house affair with neatly trimmed, jazzy keys and a perky bassline, while 'Edit 3' looks to the late 70s/early 80s for inspiration with a super catchy synth motif that Vince Clarke would give his right hand for and some exotic sounding, continental male vocals that round it off superbly. Imagine that Patrick Cowley and Kraftwerk made a tune together and you're in the right area. Put all three together and, well, you've got quite the package.

                TRACK LISTING

                EDIT1
                EDIT2
                EDIT3

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                Cover of PR MCR Logo - Dark Heather by Piccadilly Records.

                Piccadilly Records

                PR MCR Logo - Dark Heather

                  Amazing new @markbrownstudio designed shirt.

                  Dark heather shirt with full colour print.

                  [ + ]
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                  Back in stock Cover of Attack The Dancefloor Vol. 26 by Various Artists.

                  Various Artists

                  Attack The Dancefloor Vol. 26

                  Z Records

                  Volume 26 of the 12" series Attack The Dancefloor features four already heavily rotated floor slayers available on vinyl for the first time. First up, it's a meeting of giants, as we're treated to the huge Michael Gray extended version of Dave & Maurissa's 'What About My Love', bumping up the tempo and taking the source parts into house territory, priming it for peak time and finally satisfying the 'when's it out on vinyl' crowd. Up next is the floor-filling, gospel tinged '(You Gotta) Give It Up' by Z Factor, still doing damage on the dancefloors since its recent digital release. On the flip, we have 'Down Down Down' by Raw Essence aka Dave Lee, his latest dose of discotheque dopamine. Feeling both familiar yet fresh, it's all about classic good times here backed up with ravishing Moog wizardy and irresistible vocals. To round off this essential slab of wax, Opolopo's standout 'Bebeccie's Theme' delivers muso boogie of the highest order, full of discreet chords and sophisticated string turnarounds, all backed up with deft synth touches from the keyboard magician.

                  TRACK LISTING

                  Dave & Maurissa - "What About My Love" (Michael Gray Extended Remix)
                  Z Factor - "(You Gotta) Give It Up" (Dave Lee’s Extended Club Mix)
                  Raw Essence - "Down Down Down" (Dave Lee Extended Mix)
                  Opolopo - "Bebeccie's Theme" (Original Mix)

                  [ + ]
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                  Back in stock Cover of Pacha House Classics by Various Artists.

                  Various Artists

                  Pacha House Classics

                  Defected

                    Pacha Ibiza is steeped in dance music history. Originally a playground for the rich and famous during the 70’s and 80’s, the club has transformed into a mecca for music lovers the world over. Pacha is to Ibiza what Studio 54 was to New York, encapsulating glamour and hedonism while regarded as an institution that turns underground hits into global house anthems.

                    Pacha House Classics compiles twelve undisputed anthems from the vaults of Defected Records’ vast catalogue, all of which have been championed year after year at the legendary nightclub. Spread across three individual records are classics from The Shapeshifters, Kings of Tomorrow, CamelPhat, Shakedown, Spiller and more; Pacha House Classics is the ultimate house soundtrack for Pacha Ibiza’s rich history.

                    STAFF COMMENTS

                    Matt says: A catch-all snapshot of one of the most glorious era's of Ibizan club culture. Before the island went super instagram and VIP centric (yes, believe it or not, there was a time!) Pacha was one of the biggest nights (it wasn't called a 'brand' back then) on the island. So much so, all of these tracks spilled over into UK club culture. They're all absolutely massive!

                    TRACK LISTING

                    A1. Soulsearcher - Can't Get Enough! (Vocal Club Mix) 
                    A2. Fish Go Deep & Tracey K - The Cure & The Cause (Dennis Ferrer Remix) 
                    B1. Shakedown - At Night (Original) 
                    B2. Soul Central - Strings Of Life (Danny Krivit Re-Edit) 
                    C1. Spiller Ft. Sophie Ellis-Bextor - Groovejet (If This Ain't Love) (Extended Vocal Mix) 
                    C2. The Shapeshifters - Lola's Theme 
                    D1. Kings Of Tomorrow Ft. Julie McKnight - Finally (Original Extended Mix) 
                    D2. Pete Heller's Big Love - Big Love 
                    E1. Noir & Haze - Around (Solomun Vox) 
                    E2. Dennis Ferrer - Hey Hey (DF's Attention Vocal Mix) 
                    F1. CamelPhat & Elderbrook - Cola (Club Mix) 
                    F2. Louie Vega & Jay 'Sinister' Sealee Starring Julie McKnight - Diamond Life (Dance Ritual Mix) 

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                    [ - ]
                    Cover of Normal Town by The Dreaming Spires.

                    The Dreaming Spires

                    Normal Town

                    Clubhouse Records

                      This is the band's third album and their first new music in nearly a decade. 'Normal Town' was self-produced at various locations in their hometown of Didcot, with some overdubs contributed by keyboard player Tom at his home in the Scottish Borders. The album was mastered by Tony Poole, known for his work with Starry Eyed & Laughing and Bennett Wilson Poole. The Dreaming Spires are a British band known for their distinctive harmonies, roots-infused sound, and Americana-tinged indie rock. Their music has drawn comparisons to artists such as Big Star, Gram Parsons, Teenage Fanclub, and The Byrds, incorporating elements of Americana, country, folk/rock, and classic 60s pop.

                      Exploring themes of home, nostalgia, alienation and the beauty of the everyday, the record blends 60s rock ‘n’ roll influences, nodding to the Who, Jeff Lynne and the Everly Brothers, and chamber pop accents underpinned by a subtle layer of political commentary, with tracks like ‘Normalisation’, ‘21st Century Light Industrial’ and the title track ‘Normal Town’, which pays homage to their hometown of Didcot, once dubbed "the most normal town in England."

                      Brothers Robin and Joe Bennett previously formed the Oxfordshire indie band Goldrush in the early 2000s, which signed to Virgin Records. Over the last decade, they have toured the world as part of Saint Etienne's live band and the award-winning group Bennett Wilson Poole. Jamie Dawson drums for touring US artists such as Annie Keating and Carter Sampson, while Tom Collison also plays keys in Danny & the Champions of the World. Nick Fowler is band member of choice for the likes of Gaz Coombes and Peter Buck.

                      “The Dreaming Spires have a familiar sound, one that seems to sit at the fringes of recollection. Perhaps it's the cast involved. The band are an offshoot of Goldrush and Danny & The Champions Of The World, with their sound reflecting the shimmering, acoustic side of those projects.” - Clash Magazine

                      "...pays homage to American rock idols like Big Star, with Byrdsy harmonies and charming accents" - Time Out New York

                      "Big Star by way of Gram Parsons and Teenage Fanclub." - The Independent

                      ''...power-pop hooks and sweet harmonies'' 8/10 UNCUT

                      [ + ]
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                      Cover of Rumours Of My Demise by Evan Dando.

                      Evan Dando

                      Rumours Of My Demise

                      Faber & Faber

                        From the clubs, the drugs, and the ringing ears, to the fun, the fame, and the fall, Rumours of My Demise is a heady, candid trip into the grunge-filled 90s from the Lemonheads frontman Evan Dando.

                        “Did you hear Evan Dando died last night?”

                        After Kurt Cobain’s passing in 1994, everyone expected Evan Dando to be
                        next. Rising to fame in the 90s as frontman of the Lemonheads, he was infamous for his decadent lifestyle, from his extensive drug-taking and partying with Keith Richards and Kate Moss to sleeping on floors in his punk days and crashing at Johnny Depp’s house in Hollywood. But despite the rumours that are constantly circulating about him, he has lived to tell the tales.

                        Following decades of the press wanting to label him and fit him in a box, Rumours of My Demise sees Dando tell his own story. Reclaiming the innocence and exuberance of his early days and encapsulating the spirit of the era, this candid autobiography presents a portrait of an artist who lives wholly for his music, and one that makes no apologies for doing so 

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                        Cover of Professional Vinyl Cleaning Kit by Acc-sees.

                        Acc-sees

                        Professional Vinyl Cleaning Kit

                          Complete vinyl care in a handy pack.
                          Includes original anti-static products:
                          Carbon Fibre Brush
                          Record Cleaning Fluid (20ml)
                          Stylus Cleaner (Fluid & Brush)
                          Record Cleaning Cloth

                          [ + ]
                          [ - ]
                          Cover of Velvet Brush Record Cleaner by Acc-sees.

                          Acc-sees

                          Velvet Brush Record Cleaner

                            Multi function soft anti-static pad effectively cleans the vinyl surface of fine dust particles and fluff whilst discharging static. Can also be impregnated with cleaning fluid for a deeper clean. Includes stylus pick up brush in lid.

                            [ + ]
                            [ - ]
                            Cover of Stylus Cleaning Brush & Fluid by Acc-sees.

                            Acc-sees

                            Stylus Cleaning Brush & Fluid

                              Specially formulated anti-static stylus cleaning fluid safely cleans throughly without leaving residue or static to maintain stylus response. With built in applicator brush for precise application.

                              [ + ]
                              [ - ]
                              Cover of Honeypaqq Vol.1 by HiTech.

                              HiTech

                              Honeypaqq Vol.1

                              Loma Vista Recordings

                              Following a breakout year that saw them torch the Sonora Stage at Coachella, storm Europe on the HONEYPAQQ TOUR, and rack up co-signs from Carl Craig, LSDXOXO, Jamie xx, Crystalmess, SHERELLE, TELFAR, Tinashe, Smino, Nia Archives, Earl Sweatshirt, and Denzel Curry, "HONEYPAQQ VOL. 1" captures HiTech at their most ambitious: unfiltered, explosive, and impossible to pin down.

                              Across a stacked track list, the trio bring together the raw DNA of Detroit techno, Chicago house, rap, and punk, honouring the roots of Black electronic music while taking the scene to new global heights. Features include boundary-pushing collaborators like George Riley, ZelooperZ, and Na-Kel Smith, adding warped soul, razor-edge bars, and unruly energy to the HiTech universe and demonstrating how HiTech are the only act straddling underground chaos and mainstage euphoria while unifying global scenes across electronic, rap, and rock in one breathless body of work.

                              TRACK LISTING

                              1. INTRO
                              2. TAKE YO PANTIES OFF Ft. George Riley
                              3 NORF COLD 304's
                              4. NEW JAZZ SCHMELL
                              5. DROP THE LOC Ft. DEBBY FRIDAY & Obie Iyoha
                              6. SPANK!
                              7. EMPTY BUS STOP Ft. LOVEFOXY
                              8. ADULTSWIM DOCTOR ETRANGE
                              9. QUEENBOOTYATHENAAPHRODITE Ft. Vayda, Na-kel Smith, Milifie, PlaNet KaiA
                              10. GIRL U SO FINE Ft. Rob Apollo
                              11. SHADOWREALM Ft Zelooperz
                              12 EAGER SAUCY BLACK MAN AT ZORBAS MEETS BUSTY UNINTERESTED LADY VIA PHONE CALL
                              13. REAK IN FULL EFFECK Ft. Obie Iyoha
                              14. AUDISHAWTY Ft. Milfie 

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