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'Moonbeams' is a wonderful and precious production from our friends George & Ken. The two click so well together and know how to create that magic moment soundtrack! Loving JEN’s sensitive vocals. This tune will be on our summer & sunset playlists for sure!


A1. Media Luna
A2. Moonbeams
A3. Countermoon
B1. Lunaticotina
B2.  O Luar
B3.  Moonbeams Reprise

In 1984, Jasper Van’t Hof, a prominent European jazz pianist, propelled to fame with the energetic ‘Pili Pili’ a 15-minute trance collaboration with Guinea's Isaac Tagul Group. Inspired by a fiery red pepperoni, the track sold over 100,000 copies, leading the group to adopt the name Pili Pili, becoming a hit in the club and disco scene.

Pili Pili's musical roots trace back to Van’t Hof's 1982-83 tour in Central Africa, where he discovered a love for African music. The band embraced authenticity by collaborating with diverse African musicians from Mali, Congo, Senegal, and Guinea. In 2000, Van’t Hof initiat-ed a project with the young Zulu choir Phikelela Sakhu-la from Durban, South Africa.
Pili Pili's style, described as experimental fusion, blends intricate African rhythms with jazz, fusion, funk, and dance. Van’t Hof emphasized the importance of groove over complex solos, stating that intellectual approaches are lost in their music.

The band's performances, marked by their energetic fusion of jazz and African rhythms, gained acclaim across Europe. Regular tours and festival appearances, such as the Jazz Festival of Montreux, solidified Pili Pili's reputation as an excellent live band. Reviews praised the band's dynamic and explosive music, turn-ing every performance into a rhythmic and fiery expe-rience.

Pili-Pili is essential, every home should have one, and to that end NuNorthern Soul are doing a legit reissue (the album and 12 have been out of print since 1984). On the A-side of the new single is an edit from the mid-90s, which does a terrific job of tightening up the OG album mix, losing the Burundi breakdowns and fuzz guitar washes, but still rolling and building beautifully for over 15 minutes. That’s backed by a Coyote remix, which is full of subtle twists to keep old heads on their toes. The cowbell and chants are dropped into echo, the drumming further doubled by delay. Loops, filtering and phasing, adding to the track’s trance-inducing properties. The duo’s dubwise trickery pulling in favourable comparisons to Adrian Sherwood’s seminal seismic shake of the aforementioned Unknown Cases’ Ma Simba Belle.


Matt says: Real deal cosmic musica here, with the original penned at the peak of Baldelli-era afro funky, whilst the edit (from '95) sets itself amongst the sunshine and sun loungers of the Balearics - expanded on by Coyote who drops a brand new edit for 2024.


A1. Original New 1995 Edit
B1. Coyote Double Drop 2024 Edit

Mike Welch

Renovations Remastered 2024 (RSD24 EDITION)



    The sweeping poem ‘Cofio’ by the great Welsh poet Waldo Williams has inspired a remarkable collaboration between Ibiza-based record label NuNorthern Soul, Welsh DJ, performer and cultural commentator Gareth Potter, composer and musician Joan Bibiloni, poet and actor Pep Tosar Vaquer, actor Rhys Ifans and musician James Baron aka JIM / Ron Basejam.

    1st March is St Davids Day and Balearic Day. St David’s Day honours the death of the patron saint of Wales and the Day of the Balearic Islands the day when islands Ibiza, Mallorca and Menorca became an autonomous region of Spain.

    Cofio Recorda Remembrance is made up of two powerful and haunting tracks drenched in NuNorthern Soul’s unique take on the globally popular Balearic Chillout style. Un Adéu features music by Joan remixed by James Baron with Pep reading the poem in Catalan and Spanish. Badia Onírica is a tremendously atmospheric reading of ‘Cofia’ in Welsh and English by Rhys with music again arranged by James.

    It connects Wales and Ibiza but, on a more universal level, Cofio Recorda Remembrance links the fundamental aspects of human existence, of, as Waldo Williams puts it ‘earth’s innumerable generations’.


    A1. 'Badia Onírica' [Welsh Version]
    A2. 'Badia Onírica' [English Version]
    A3. 'Un Adéu' [Instrumental Version]
    B1. 'Un Adéu' [Catalan Version]
    B2. 'Un Adéu' [Spanish Version]
    B3. 'Badia Onírica' [Instrumental Version]

    A month after the release of his debut album as Tambores En Benirras, 2021’s fabulous Orbe Dotodo, Graham Newby’s life changed forever. After years living with a visual impairment, his sight had deteriorated so much that he was declared “registered blind”. For a man who had spent decades dividing his time between travelling, DJing, running clubs and lengthy sessions in his own studio, it was a genuinely life-changing moment.

    It was against this backdrop, and the need to alter his working methods, that Ondas Horizontales, the second Tambores En Benirras album took shape. Inspired by a mixture of daydreaming, visualisation, immersion in other people’s music (escapism that provided mood enhancement, rather than a specific set of ideas) and long periods spent soaking up the sun in Ibiza, the album is the most vividly detailed, sonically colourful, and sun-soaked collection that Newby has released to date.

    Newby’s declining sight forced him to stop spending long spells staring at a screen and undoubtedly slowed down the production process. Yet it also allowed him to reconnect with his emotions, appreciate the storytelling and mood-shifting potential of music, and mine mind’s eye memories of places and spaces that have meant much to him over the years.

    The results are undeniably stunning. Designed with horizontal listening in mind, the set distils a range of musical and real-life inspirations –or, as he puts it, “ambient soundtracks, cosmic journeys, Balearic rhythms and poolside sessions” – into ten mesmerising and magical tracks; an undulating, slow-motion journey that’s as breath-taking as it is beguiling.

    Newby sets the tone with ‘Mi Sueno Vibe En Reverb’, a swelling, slow-burn ambient masterpiece that tiptoes between hope and melancholia, before flitting between imaginary sunset soundtracks (‘Estrellas En Mastella’, where lilting pedal steel sounds, bubbling electronics and shuffling breakbeats catch the ear), kaleidoscopic sun-up beats (the gorgeous warmth of ‘Generadora De Reyos’), enveloping beatless soundscapes (‘Templos Del Sol’, a drowsy drift in becalmed waters under the heat of the mid-afternoon sun), and dubby, loved-up lusciousness (‘Mokono’).

    As the album progresses, bobbing and weaving on an ocean of vibrant chords, pulsing melodies and heart-stopping melodies, there’s no sign of Newby’s inspiration waving. ‘Alma Hablando’ channels the spirit of mid-80s ‘worldbeat’ and douses it in layers of Balearic bliss, while ‘Extrensor Entragado’ recalls the head-nodding haziness of his best Gripper productions of old while combining them with the musical equivalent of a humid summer breeze. Then there’s the mood-enhancing joy of the album’s superb title track –a mission statement of sorts – and the life-affirming post trip-hop/Balearic fusion of ‘Un Placer Celestial (Reprise)’, where the influence of his old friend Aim is clearly evident.

    A serious sonic step-up from its predecessor and a future Balearic classic in its’ own right, Ondas Horizontales marks the start of a new musical and personal journey for its creator. It is, in his words, not the end of an era, but the start of a new one.


    A1. Mi Suenno Vive En Reverb
    A2. Estrellas En Mastella
    B1. Generadora De Rayos
    B2. Templos Del Sol
    B3. Dias Mas Brillantes
    C1. Molokono
    C2. Alma Hablando
    C3. Extensor Entregado
    D1. Ondas Horizontales
    D2. Un Placer Celestial (Re-prise)

    On its’ release in November 2022, Daniel Stenger’s debut mini-album as Flashbaxx, Take Care My Friend, won plenty of plaudits for its’ enticing blend of jazz-funk instrumentation, audible warmth, effortless musicality, and memorable, sun-soaked songs. Now the set returns in remixed and reworked form, with a sextet of artists taking it in turns to put a new spin on the German producer’s carefully crafted and immaculately executed tracks.

    The six-cut vinyl version boasts two revisions that have already made waves on digital download: a genuinely life-affirming hip-hop-soul take on ‘Strangers’ courtesy of East Midlands’ maestro Atjazz, where Katherine Kempf’s smouldering lead vocals rise above head-nodding beats, woozy electric piano chords, yearning horn arrangements and smooth bass guitar, and a sublime Moods mix of ‘Love Boat’ that re-frames the track as a languid, groove-fired shuffle through Balearic jazz-funk territory.

    The other four reworks, which are exclusive to this EP, are similarly inspired. Chris Pookah collaboration ‘City Lights’ is given the remix treatment not once, but twice. First NuNorthern Soul regulars Mike Salta and Mortale re-imagine the track as a gently breezy, dusk-ready blend of bouncy, samba-influenced grooves and colourful Balearic nu-disco, before BJ Smith – the first artist to release music on Phil Cooper’s imprint way back in 2012 – takes the track into semi-acoustic, blue-eyed-soul-meets-Balearic jazz-funk territory. Gentle, tactile, and vibrant, it’s a stunning, soul-stirring revision.

    To round off the EP, two producers renowned for creating atmospheric, sunrise-ready soundscapes deliver their versions of Stenger’s kaleidoscopic, musically rich aural visions. Marshall Watson handles ‘Alright’, smothering a languid, slow-motion drum machine beat in jazzy double bass, delay-laden electric piano motifs, lazy jazz guitars, rising synth strings and the dreamiest of pads.

    Then, to round things off in considerable style, Tambores En Benirras reworks title track ‘Take Care My Friend’, teasing out the track’s inherent musical colour and warmth whilst adding his own distinctive spin. Pleasingly hard to pigeonhole, his remix makes extensive use of deep, dubby bass, Latin-style percussion, leisurely beats, blossoming synth sounds and all manner of effects-laden instrumental flourishes – including guitar solos that recall some of Dave Gilmour’s most laidback, eyes-closed moments. It provides a genuinely brilliant conclusion to an effortlessly impressive set of remixes.


    A1. Strangers [Atjazz Remix]
    A2. City Lights [Mike Salta & Mortale Remix]
    A3. Brooklyn Love Boat [Moods Remix]
    B1. City Lights [B.J. Smith Remix]
    B2. Alright [Marshall Watson Remix]
    B3. Take Care My Friend [Tambores En Benirras Remix]

    She may be making her first appearance on NuNorthern Soul, but Zeynep Erbay is no newcomer. A classically trained pianist who took a turn towards the dancefloor while at university, the Turkish DJ/producer earned her first release on Compost Records way back in 2007 after taking part in 2006’s Red Bull Music Academy programme. Since then, her career has been on an upwards trajectory, with releases on Fools Gold and Soul Clap Records confirming Erbay as a genuine rising star of underground electronic music.

    On the Healer EP, the Istanbul-based producer showcases the more atmospheric, sun-kissed end of her productions, taking a turn away from synth-powered, disco-leaning club tracks towards something more suitable for al-fresco events, sun-down sets, and sofa-bound listening sessions.

    Inspired by a poem inscribed on the back cover of the EP, Erbay’s two original instrumental tracks simply ooze with emotion. The poem tells the story of a whale searching for her family while helping others along the way, which acts as a metaphor for our wider search for belonging and acceptance.

    This aural narrative unfolds firstly across ‘Heart of a Healer’, a slowly unfurling stunner in which emotion-rich chords, gentle electronic melodies and Erbay’s poignant and picturesque piano motifs, gently rise above a chunky dub disco bassline and mid-tempo, triple-time drums.

    Delving further, the effortlessly emotional, life-affirming composition ‘Healer Whale’, where Erbay’s impeccable piano playing ushers in languid, jazz-flecked drums, dubby bass, sumptuous synth-strings and colourful, slow-moving chords.

    On remix dutires, NYC-based Italian Danilo Braca, who also mastered the release, provides a fine club-focused fix of ‘Heart of a Healer’, laced with crunchy machine drums and undulating TB-303 acid lines. NuNorthern Soul regular Marshall Watson handles ‘Healer Whale’, first delivering a fine ‘Remix’ version that effortlessly blurs the boundary between dub disco and Balearic nu-disco, before serving up a shorter, ambient ‘Reprise’ version.


    Matt says: It might be pissing it down in the UK right now - but we're in peak season Balearic! Phil Coopers' NuNorthern Soul can always be relied upon for the paradisiacal vibrations and this new one by Zeynep Erbay is no exception. Hammocks at the ready!


    A1. Heart Of A Healer [Original]
    A2. Heart Of A Healer [Danilo Braca Remix]
    B1. Whale Healer [Original]
    B2. Whale Healer [Marshall Watson Remix]
    B3. Whale Healer [Marshall Watson Reprise]

    BJ Smith

    Between Ship And Shore Part Two - Inc. A Man Called Adam Remix

    The first missive in BJ Smith's "Between Ship And Shore" series surfed a wave of excitement like a message in a bottle, landing softly in our hearts with its horizontal beauty. Now we're graced with more mellow magic and majesty via the second instalment, which comes complete with a remix from A Man Called Adam. JJ Cale, Terry Callier and John Martyn all influence and inspire Ben, and this is apparent in his subtle yet powerful tales. "Stars Festoon" sees the songwriter transport the listener to a bygone era with a meandering, jolly jaunt day trip to the beach, gently bobbing about in small wooden boats, as beach fires and the smell of fish and chips with salt and vinegar wafting through the air. Balearic pioneers and longstanding laid back music evangelists, A Man Called Adam add their deft touch to "Stars Festoon" and take it down a slightly off beat track between the sand dunes with electronic glitches, pops and bass sounds. Stripping it back to bare bones and isolating vocal parts to give it a slightly haunted feel, A Man Called Adam deliver a stunning revision perfect for a late night / early morning beach walk soundtrack. "If Only Sometimes" once again delivers, with its wonderful piano led opening and gentle guitar pickings allowing Ben to soothe and gently ease the listener in before enveloping them with warm harmonies and uplifting vocals, enhanced by the euphoric string section that then gives way to wonderful brass stabs and the crescendo. It's time to drift away again.


    A1. Starts Festoon
    A2. If Only Sometimes
    B1. Starts Festoon (A Man Called Adam Mix)

    Captain Sunshine

    The Ocean Inside

      Captain Sunshine is the alias of Jon Tye, one half of revered cosmic quakers Seahawks. The style shares many of Seahawks deep space aquatic vibes but is if anything even more salt washed and faded, spaced and misted. The Ocean Inside was recorded alone during a particularly long and dark winter voyage. A dose of flu helped create a deep dream state, sometimes unsettling at others blissfully narcotic. The analog tape recordings were later cut and spliced together with occasional overdubs of guitar and vocal to form a collection of celestial tone poems that at times recall early Eno, Vangelis, Joe Meek’s ‘I Hear A New World’ or even Aphex Twin’s selected ambient works. Deep and meditative, warm and enveloping, this is a great album to put on of a clear evening as you stare at the stars, watch the distant ships bobbing on the waves or simply zone out in your favourite place. 
      The digital download that accompanies the cassette also includes some exclusive tracks and bonus content plus all the individual tracks.


      A1. The Ocean Inside
      A2. The Ocean Inside Pt 2
      A3. Celestial Dubs
      B1. Silver Scene
      B2. Moon Mist
      B3. Ice Fur Ice
      B4. Sunset Shadows
      B5. Wind Blows

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