Including ‘One’, ‘I Still Haven’t Found What I’m Looking For’, & ‘Pride (In The Name Of Love)’. 

Following an unforgettable and era defining “Summer of Jungle” that saw Nia Archives playing all over the world from All Points East to Glastonbury, Los Angeles to New York, Rio De Janeiro to Australia, this rising star continues to command the unwavering attention of the UK scene with her first solo single since the breakout EP Forbidden Feelingz, “Baianá”. Most recently off the back of her record breaking debut Boiler Room, she continues to reframe the jungle narrative on “So Tell Me...”, a warm and utterly timeless jungle roller that speaks volumes on Nia’s incredible talent not only as a producer but as a vocalist and songwriter. Having been given the seal of approval from Rolling Stone, NME, TheFace, Danny Howard (TOTW), Jack Saunders (TOTW), Zane Lowe, Mary Anne Hobbs, Matt Wilkinson and more. An artist on the rise and poised to soon be one of the world’s most recognisable names, in the last year alone, Nia has won a MOBO award for ‘Best Electronic/Dance Act’, the NME Award for ‘Best Producer’, been hotly tipped by BBC Radio 1 Dance as a ‘Future Star’ and Spotify as their ‘Our Generation’ cover star. With additional accolades such as #3 in the BBC Sound of 2023 Poll and a Brit nomination for the ‘Rising Star award’. Alongside her cover debut on one of the world’s most prestigious dance music publications, Mixmag, Nia Archives has been given the seal of approval from tastemakers across the board from British Vogue, Pitchfork, The Fader, i-D and CRACK.

Sunrise Bang Ur Head Against The Wall is that feeling when you’ve been at a afters and you’re in someone’s kitchen, all these thoughts running through your head, the sun comes up and it’s the most disgusting feeling ever with an element of bliss at the same time, all you wanna do is bang your head against the wall and teleport home.

Across the EP Nia is broadly talking about growing up as a person, reaching new levels of maturity, love and loss, rejection, estrangement, the come up and the come down. Nia says that “It’s the most exciting project I’ve made yet and It’s window into the future and the kind of artist I want to become. It’s six tracks with six different moods soundtracking the recent chapter in my life.”

Having lived their rollercoaster ride to the top of the charts and main stages inside just two years, The Lathums state their intentions to supercharge their continued rise with the release of 'Say My Name'.

TRACK LISTING

1. Struggle
2. Say My Name
3. I Know
4. Lucky Bean
5. Facets
6. Rise And Fall
7. Sad Face Baby
8. Turmoil
9. Land And Sky
10. Crying Out
11. Undeserving

THIS IS A BLACK FRIDAY 2022 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON FRIDAY NOVEMBER 25TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8AM ON SATURDAY NOVEMBER 26TH).

Limited Edition Picture Disc of #2 Album 'The Overload' never been pressing on a Picture Disc before. 

Limited edition 12", only available for a limited time only. In addition to its title track, ‘Brexit At Tiffany’s’ also features a collaboration with grime artist MC Manga Saint Hilare titled ‘3 Minutes To Midnight’, and is closed out by a song called ‘Test of Time’.

The new EP marks Skinner’s second release as The Streets this year, after linking up with Master Peace for ‘Wrong Answers Only’ in January. Last year, he celebrated lockdown ending on the ‘Who’s Got the Bag (21st June)’, and remixed Greentea Peng‘s ‘Free My People’.'

TRACK LISTING

Brexit At Tiffany’s
3 Minutes To Midnight
Test Of Time

Second studio album via Island Records.

Signposting a bold and ambitious new era for the band, Sports Team explain that ‘R Entertainment’ explores “The packaging down of all human experience into entertainment, prompted by the infinite scroll through social feeds and the manic formlessness of the images we are hit with every day. Graphic news interrupted by ads for season 17 of The Bodyguard, news as a rubbernecking, passively waiting for the next drop of horror as we flick through recipes.”

Sports Team are Alex Rice (lead vocals), Rob Knaggs (rhythm guitar + vocals), Henry Young (lead guitar), Oli Dewdney (bass), Al Greenwood (drums) and Ben Mack (keyboard + percussion). Formed in 2016, the band released two EPs Winter Nets and Keep Walking! before sharing their debut album Deep Down Happy in June 2020 to widespread critical acclaim, praised by The Times for their “indomitable spirit and a refusal to take things too seriously” and The Guardian for their “sharply observational lyrics skewering the mores of suburbia”.

TRACK LISTING

The Game
Dig!
The Drop
Cool It Kid
Unstuck
R Entertainment
Kool Aid
Getting Better
Fingers
Light Industry

THIS IS A RECORD STORE DAY 2022 EXCLUSIVE, LIMITED TO ONE PER PERSON.

10'' CLEAR - 2 exclusive tracks, 'You Are Young' & 'Sea Fog', both 'Work In Progressí versions from the album "Strangeland" by one of the UK's best loved bands. Keane have had 5 UK #1 albums and have sold over 13 million albums in their career.

easy life have today announced details of their much-anticipated debut album ‘life’s a beach’, which will be released on Island Records on May 28th. The record is introduced by its powerful opening track ‘a message to myself’, and includes standout singles ‘nightmares’, ‘daydreams’, and more future-classics from the Leicester five-piece; who have already charted in the top 10 (on the ‘Junk Food’ mixtape), won ‘Best New British Act’ at the 2020 NME Awards, and amassed a huge live audience around the world with their unique brand of optimism !

The leaders of the pack" NME
“Properly original, easy life slide into your consciousness and immediately put down roots” Sunday Times
“Imagine what would happen if Alex Turner, Kaytranada and Loyle Carner collaborated, and you’ll get something fairly close to easy life’s indefinable sound” GQ
"Vibey, laidback...comically surreal" Fader
"One of the most buzzed about bands...undisputed bops" Wonderland. 

TRACK LISTING

A Message To Myself
Have A Great Day
Ocean View
Skeletons
Daydreams
Life’s A Beach (interlude)
Living Strange
Compliments
Lifeboat
Nightmares
Homesickness
Music To Walk Home To

Disclosure are brothers Guy & Howard Lawrence. This year marks 10 years since they released their debut single ‘Offline Dexterity’. In that decade (they are still only 28 and 25 respectively) they have released two number 1 albums (‘Settle’ 2013 & ‘Caracal’ in 2015) and clocked up 4.5 billion streams, 4.5 million album sales, sold 500k tickets to their headline shows and topped festival bills all over the world (including the Other Stage at Glastonbury) – something they do with ease whilst also enjoying playing to packed out sweaty clubs whenever they can. They have been nominated for the Mercury Music Prize, BRITs and five Grammy’s.

‘Caracal’ is a muscular and nuanced record, with a depth to it that will pin it to the canon of dance music history. It’s crunchy and gets under your skin. A proper album album, you might say. A number of exciting collaborator names appear on ‘Caracal’ including The Weeknd, Sam Smith, Lorde, Miguel , Gregory Porter , Nao, Lion Babe, Kwabs , Jordan Rakei & Brendan Riley. . These guest features sit perfectly alongside ‘Jaded’, ‘Echoes’ and ‘Molocules’ which are written and performed by Howard Lawrence himself. 

TRACK LISTING

Disc 1 - Side A

Nocturnal (ft. The Weeknd)
Omen (ft. Sam Smith)
Holding On (ft. Gregory Porter)

Disc 1 - Side B

Hourglass (ft. LION BABE)
Willing & Able (ft. Kwabs)
Magnets (ft. Lorde)
Jaded

Disc 2 - Side A

Good Intentions (ft. Miguel)
Superego (ft. Nao)
Echoes
Masterpiece (ft. Jordon Rakei)

Disc 2 - Side B

Molecules
Moving Mountains (ft. Brendan Reilly)
Afterthought

THIS IS A RECORD STORE DAY 2020 RELEASE AVAILABLE ONLINE ONLY AS PART OF THE OCTOBER 24TH DROP DAY AT 6PM.
LIMITED TO ONE PER PERSON.

“Recalling the rambunctious spirit of Blur and Pulp”, Sports Team’s raucous debut, Deep Down Happy, has been making waves in the indie guitar scene since its release this June. The album (featuring singles ‘Here It Comes Again’ and ‘Here’s The Thing’) has already been named one of the Official Top 10 biggest debuts of 2020, and is now available to experience for the first time on picture disc. There are three unique versions of the picture disc to collect, designed exclusively for Record Store Day 2020.

Vinyl reissue of 1993 collection of demos written and recorded at Polly Harvey’s home in 1991-1992.

It includes eight demos of songs from the album, Rid of Me, released earlier in that year along with six demos of additional songs.

Reissue is faithful to the original package, with vinyl cutting by Jason Mitchell at Loud Mastering.

TRACK LISTING

A1 Rid Of Me 3:42
A2 Legs 3:47
A3 Reeling 2:59
A4 Snake 1:56
A5 Hook 4:31
A6 50FT Queenie 2:48
A7 Driving 2:38

B1 Ecstasy 2:56
B2 Hardly Wait 2:48
B3 Rub 'Til It Bleeds 5:10
B4 Easy 3:16
B5 M-Bike 2:43
B6 Yuri-G 3:53
B7 Goodnight 4:17

11 track collection of demos of all songs from the debut studio album Dry by PJ Harvey, available for the first time since 1992, and previously unreleased as a standalone album.

Features brand new artwork with previously unseen photos by Maria Mochnacz.

TRACK LISTING

LP
Side A
Oh My Lover (Demo)
O Stella (Demo)
Dress (Demo)
Victory (Demo)
Happy And Bleeding (Demo)

Side B
Sheela-Na-Gig (Demo)
Hair (Demo)
Joe (Demo)
Plants And Rags (Demo)
Fountain (Demo)
Water (Demo)

TONGA, the balloon filled rap, grime and dubstep party by Mike Skinner and Murkage Dave, had been a series of shoobs to remember. Copenhagen to Manchester to Berlin. Brum to Brixton. Usually arriving with a coterie of legendary UK figureheads and gobby upcomers in tow, like Kano, Giggs, Jammer or Jaykae, the pulsating essence of the nights needed to be immortalised. The original plan had been to release a TONGA album. But as night moved to day, and day moved along to night, it… just didn’t happen. Instead, a new mixtape titled None Of Us Are Getting Out Of This Life Alive steps up to take its place. Recorded between work on his film and accompanying solo The Streets album, it is the unpredictable sonic continuation of those parties. Taking in UK Funky and twilight zone UK rap, and with guest spots ranging from Grammy nominated psychedelia sovereign Tame Impala to cult south London rapper Jesse James, as well as 2019’s key-fiend-friendly drum’n’bass collab with Chris Lorenzo, None Of Us Are Getting Out Of This Life Alive is the most eclectic and highly collaborative collection of songs from The Streets yet. Or as Mike puts it with characteristic distinction: “it’s really just a rap duets album.”

Every track has one if not two guests, who, though underpinned by Mike’s distinctive lyrical flair, usually perform atop a genre or sound not previously explored within the realm of The Streets. “You know that thing where if you wore it the first time round, don’t wear it the second time round? I would never put on Aquascutum at this point in my life. It would be stupid, a pastiche of what I did twenty years ago. For all of us. Whereas now I’m going back and I’m picking things that I didn’t pick before.” The inclusion of, say, Mercury Prize nominated punk group IDLES (who perform what Mike describes as a sea-shanty tinged track inspired by an overnight ferry to Dover) and teenage wünderkind Jimothy Lacoste help ground things firmly in the here and now.

But there are familiar faces of the past too. Birmingham legend, Dapz On The Map, pops up on merky rap track “Phone Is Always In My Hand”. While Rob Harvey, previously of The Music and Skinner collaboration The D.O.T, tunes into pensieve penultimate track “Conspiracy Theory Freestyle”. “The guests had to be into me, as much as I was into them,” jokes Mike, of the featured artist selection process. Really, though seemingly disparate on paper, the acts on the record are connected by their singular talent for “talking about normal stuff.” “All the different things I’ve tried to do, they’re who is doing that now.” “But instead of talking about abstract emotions on this record, I’m talking about things and objects and details.” Couched in those UK and Euro wide experiences with TONGA, this results in tales of hardly partying, but partying hard. The path to excess.

The morning trying to climb in under the curtains as you’re busy putting the world to rights. Like anything that happens between the nightclub and the bus home, there’s as much connection as disconnection in this world; as many new relationships forged as there are trails left behind from the ghosts of previous companionships past. Communication, or lack thereof, plays a huge part in this present-day experience. “One thing I’ve ended up doing is talking about being on my phone,” says Mike. “It was very easy on my first album to say, well: where am I? I’m in a pub. I’m at home. I’m in a betting shop. I’m getting a kebab. It felt fairly straightforward and no one had really written about it. Whereas when making this record, everything now basically happens on your phone.” These dual themes of nightclub and connection land the record in the simple yet eternally complicated prism of human interaction. “You’re ignoring me but you’re watching my stories”, on “Phone Is Always In My Hand”, is a black comedy mantra of our times. Same goes for “every girl has a dude in her inbox talking to himself” on the Oscar #WorldPeace featuring “The Poison I Take Hoping You Will Suffer”. References abound to missed calls (on opening track “Waiting For It To Stop”, Kevin Parker sings, trance like, about neglecting to call someone back) and “five minute” journeys (the kind where you lie about leaving the house).

Despite its humble mixtape beginnings,  None Of Us Are Getting Out Of This Life Alive is a precise and very human body of work from a modern UK music pioneer. Emotionally poignant, full of one liners, club ready. More than anything, it’s exciting – a call back to those fun and responsibility free evenings at TONGA. Yet “the result is much more than I thought it would be. It’s become a real album,” says Mike. And so, as the new decade begins, so too does a new era for The Streets...

STAFF COMMENTS

Barry says: It's been a few years since the last Streets album proper, but even though 'None Of Us...' is technically a 'Mixtape' (I still don't particularly understand that when it's neither mixed, nor on a tape), it has all of the cohesive drive and thematic intensity you'd expect from a fully formed and sequenced LP. Not to mention the host of superb guests sprinkling the credits, or the superb songwriting and groove we've come to expect from Skinner. A triumph.

TRACK LISTING

1 Call My Phone Thinking I'm Doing Nothing Better With Tame Impala
2 None Of Us Are Getting Out Of This Life Alive
3 I Wish You Loved Me As Much As You Love Him
4 You Can't Afford Me
5 I Know Something You Did 
6 Eskimo Ice
7 Phone Is Always In My Hand
8 The Poison I Take Hoping You Will Suffer
9 Same Direction
10 Falling Down
11 Conspiracy Theory Freestyle
12 Take Me As I Am

Here’s the thing…Sports Team are a band of six singular characters who have been variously described as one of the most raucous, electrifying and chaotic acts in the UK. Today the band announce their debut album Deep Down Happy. The highly anticipated record, out on 3rd April, follows the acclaimed EPs, Winter Nets and Keep Walking!, and is their first release on the legendary Island Records label.

Sports Team came up on the back of word of mouth live hype, drawing round the block queues to chaotic early gigs at The Five Bells and Moth Club before releasing any music. Recording their first EP (Winter Nets) in a converted Timberyard in Hammersmith, the band have consistently set themselves apart from the acts they came up playing with, showing an intoxicating ambition, and their debut album Deep Down Happy, looks set to deliver on all bold claims, and confirm their place at the head of a group of young guitar acts.

Talking about the record charismatic frontman Alex Rice says: “I don’t think we were conscious of doing it but the album maps the journey of moving in together in Harlesden, moving back to home towns to sleep on floors for 18 months, then coming back to London, weighing up whether being in a band with your mates, being young in London is still the best thing in the world. I think it probably is.”

STAFF COMMENTS

Darryl says: Ace raucous indie-pop, London based six-piece Sports Team finally release their debut album after a plethora of singles, and it doesn't disappoint. Spiky indie guitars, furious driving rhythms and off-kilter melodies.

TRACK LISTING

Lander
Here It Comes Again
Going Soft
Camel Crew
Long Hot Summer
Feels Like Fun
Here’s The Thing
The Races
Born Sugar
Fishing
Kutcher
Stations Of The Cross

Stealing time out from a promotional photo shoot, Van McCann glances out into an unforgiving English North Sea, battling the coastal breeze to light a cigarette. In a few, short weeks and 10,000 miles from here, the singer and songwriter of Catfish and The Bottlemen will look from the stage and see the mid-summer paradise of Tasmania’s South Pacific coastline, trading isolation and brooding cloud for the thunder of another jet-set, live performance in searing heat. The signs weren’t there for Catfish and The Bottlemen to be a band of extremes, yet they seem to throw that precise silhouette, almost without intention.

Tumbling into 2019 by headlining festival stages on the other side of the world, McCann (vocals, guitars), Johnny Bond (guitars), Robert ‘Bob’ Hall (drums) and Benji Blakeway (bass) take a huge gulp of air before their homecoming and the start of another new chapter. Catfish and The Bottlemen’s 2019 new album release follows 2014’s platinum-certified debut, The Balcony and 2016’s gold, number one follow-up, The Ride. Companion to the release of their third album is the anticipation, if not vocal impatience, of their waiting fans and the knowledge within the band that it represents a likely escalation of the successes of the last three years. Three years in which they’ve seen sales of one million albums and, in 2018 alone, nearly a quarter of a million UK fans experiencing them play live.

Practically of no fixed abode, the band has toured constantly since their formation, now over a decade ago. Hotel rooms, tour buses, airport lounges and live venues are home, with the band’s roots seemingly indeterminable. McCann is extensively quoted saying that his band’s isolation in the fast lane of emotive, youthful alternative rock is thanks to their conscious plot to ‘think inside the box’. While typical chaos swirls around an in-demand, arena-filling rock band, that uncharacteristically strategic starting point for the journey remains their pivot. When judged fairly from distance, Catfish and The Bottlemen are a natural reaction to an age of perpetual identity-crises, fruitless cravings for elusive individuality and the ‘curation’ of everything from shoes to breakfast cereals. They’ve proved that simplicity isn’t, as it turns out, a sin or the safest route to take.

Freed from opinion and expectation, young music fans flock in their tens of thousands to see and hear the band in concert, exercising joyful release, in communion, as the rest of the world appears to fight with itself on the outside. Four years on, a new Catfish and The Bottlemen record could never sound like The Balcony. The band's activities supporting their debut album quickly brought festival main stages and US late night television appearances. The Ride propelled them further into UK sell-outs at Don Valley Stadium, Wembley Arena, Glasgow’s Bellahouston Park and Cardiff Castle. Significantly, it also invited more quality time with global fans on tours to the USA, South America, Australia and Japan. Some of McCann’s youthful restlessness on record, a distinct and endearing awkwardness as he approached relationships with friends and lovers, was destined to evolve with each, giant step.

The first snapshot of a new album, ‘Fluctuate’, performed throughout summer 2018, teased out a lean, refreshed version of everything Catfish fans find so easy so to love. McCann performed what sounded like a personal diary entry and he sang it to them, about them, for them and with them. They, typically, soon started to sing every word back. What had changed, subtly, was the cool, open air in which the song was allowed to hang, McCann’s rhythmic delivery in each verse pinned to the bass and drums, saving the collective push for a supercharged chorus. It’s a progression that remains satisfyingly inside the box.

Catfish and The Bottlemen went it alone for near to a decade, before their guerrilla tactics (throwing demos on numerous stages and jamming them under car windscreen wipers) and relentless gigging paid off. “We’ve still been unsigned for longer than we’ve been signed,” says McCann, seemingly never allowing himself to forget the self-initiated activity of their formative years, despite living in the new reality of being a platinum-selling, arena-filling young front man. In person, he’s a character of kind humility, contrasting the magnetic image of the hip-swinging, black-clad front man that makes thousands of fans sway effortlessly to his every, energetic move. You get the feeling that he’d do it all again, no matter how long it took, to get Catfish and The Bottlemen to where they are now.

There are no red carpets for the band (they tried desperately to delay their arrival at the 2016 Brit Awards to avoid the frenzy), no tabloid-stirring relationships or ostentatious shows of excess. It’s not restraint; it’s the private life of four friends getting on with the jobs their fans have afforded them the privilege to get done. As McCann stares out into the endless sea on a windswept promenade he’s far from the voracious desire of his audience, one which easily finds affinity with him and reaches out for personal connection. Yet the scene is dramatically poised. It’s the very definition of the calm before the storm.

TRACK LISTING

Longshot
Fluctuate
2All
Conversation
Sidetrack
Encore
Basically
Intermission
Mission
Coincide
Overlap

Spring King’s second album. A Better Life is both a stunning evolution from their 2016 debut, Tell Me If You Like To, and a primal, joyous, generational demand for no less than a better world. For the first time in their six-year existence, the Manchester four-piece have fully collaborated, a band no longer looking to the talismanic Tarek Musa (vocals/drums) for the central sound. A thundering procession of party-hard anthems from the newly invigorated, sonic northern powerhouse!

STAFF COMMENTS

Barry says: It's a pretty good week for the punk revival isn't it? First with Idles' second outing and now this sleek thumper from Macc's own Spring King. Snapping snare drums and roaring overdrive pedals overlaid with two-part harmonies bound to get even the most staunch of heads bobbing. Brimming with attitude and the skills to back it up.

TRACK LISTING

1. Static - Intro
2. Animal
3. Ready For War
4. Let's Drink
5. Paranoid
6. The Hum
7. Lightning - Interlude
8. Us Vs. Them
9. Echo Chamber
10. No More
11. Radioactive!
12. Have You Ever Looked Up Into The Sky?
13. Thicker Skin
14. Thunder

Enter, Aquilo.

The duo Tom Higham and Ben Fletcher share their debut album 'Silhouettes'. From the outset, the title track is a resplendent and delicate balance of bass, strings and angelic sweeps, constructing harmonic monoliths before breaking them down into their constituent parts. It is this sort of constructive insight that changes the tracks from their individually stunning building blocks into a breathing lenticular construction, layered, deep and multi-dimensional. 

'Almost Over' begins with a stunning organic synth swell, before being joined by pitch perfect vocals and a softly tickled piano riff, adding weight to the airy and inauspicious beginnings before blooming into a full-force orchestral odyssey. 

'Never Seen You Get So Low' beginning with the words 'Slow Down' is perhaps the most apropriate beginning for a piece wholly constructed from 80bpm beats, gloriously emotive Rhodes and two-part harmonies. A graceful and triumphantly constructed slice of hopeful melancholic writing, and following this with the stunning  'Low Light' ; Shining delayed guitars and throbbing bass, topped with heavenly vocal refrains and soaring arepggios. 

As the album moves on, it becomes clear that Higham and Fletcher have a delicate and unique sound, mournfully visceral, triumphantly hopeful and resolutely beautiful. 

STAFF COMMENTS

Barry says: A beautiful collection of delicately balanced instrumentation, mournful but hopeful vocals and heart-wrenching orchestral interludes. A brilliant introduction, and a band to watch out for.

Life as and RnB revelation, hip hop saviour and meme sensation can get pretty tough, and our man Aubrey isn't afraid to admit that. His fourth album finds him in peerless form, switching effortlessly between the lovelorn balladeer, blinged up hustler and laid back superstar. Laying his smooth, soulful and ever so slightly robotic flow over production from 40, Nineteen85, Maneesh Bidaye, Kanye West and Jordan Ullman, Drake topped the chart for the majority of the year, working his way into everyone's ears with the Timmy Thomas sampling "Hotline Bling". 

TRACK LISTING

A1. Keep The Family Close
A2. 9
A3. U With Me?
A4. Feel No Ways
A5. Hype
B1. Weston Road Flows
B2. Redemption
B3. With You FT. Partynextdoor
B4. Faithful Ft. Pimp C & DVSN
B5. Still Here
C1. Controlla
C2. One Dance Ft. Wizkid & Kyla
C3. Grammys Ft Future
C4. Childs Play
C5. Pop Style
D1. Too Good Ft. Rihanna
D2. Summers Over Interlude
D3. Fire & Desire
D4. Views
D5. Hotline Bling (Bonus)

Beach Baby will release their much-anticipated debut album, 'No Mind No Money', on September 2nd. The band will be supporting Beaty Heart around the US in September, before playing their own series of headline dates across Europe Additional festival slots are still to come at Reading & Leeds and Festival Number 6, with across-the-board support at Radio 1, 6Music, Radio X and Spotify. Captured vividly across ‘No Mind No Money’, London four-piece Beach Baby have built up a tightly-sealed, vaguely surreal world of their own. Beach Baby’s touchstones have now evolved to include seminal acts on both sides of the Atlantic –from Parquet Courts and Mac DeMarco to Ariel Pink and cult lo-fi artist Cleaners From Venus. They each supported themselves throughout this creatively-intense period with make-ends-meet jobs, which included working in burger joints, ‘charity muggers', and - in perhaps the oddest of odd jobs - working as a script reader for production companies like Icon.

The aptly-titled ‘No Mind No Money’ touches frequently on those less-glamorous uncertainties of post-campus life: apathy, escapism, and the distance between your own future and the iconic bands or movies you grew up on. “One of the best new bands in Britain” Sunday Times Breaking Act. “Make no mistake, Beach Baby have every means of triumphing in the big leagues” DIY. “Captures the best of several genres – post-punk, baggy, shoe gaze, grunge –without sounding like a mess” Guardian. “That aching, inexplicable magic of college innocence is all here” Stereogum. “You’ll fall for this London foursome” i-D

After years of hard graft, releasing a number of thunderous and catchy songs, and constant touring supporting the likes of Slaves, Wolf Alice and Courtney Barnett, Spring King’s journey has only just begun as they release their debut album Tell Me If You Like To.

The new album was recorded and produced by lead singer, drummer and songwriter, Tarek Musa. It features their breakthrough track City, energetic single Rectifier, and this, their newest release The Summer which showcases the band’s ability to pen huge festival-worthy anthems.

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Whipping up a frenetic, fun-filled brew of surf pop and garage rock, this Manchester quartet have been creating quite a stir with a handful of great 7" singles and high octane live shows over the last few months.

"Tell Me If You Like To", is their debut album and it's choc full of garage-punk gems (including their three 7" single tracks) as you'd expect - think The Ramones covering The Beach Boys, OD-ing on Haribo's!
"the most promising band of 2016" (NME)

STAFF COMMENTS

Barry says: Rousing and anthemic rock from the sunny shores of Manchester. Gnarly hooks and 3-part harmonies permeate the churning rhythm section. Pounding, triumphant punk-tinged rock and roll. A superb outing from Spring King, and if only an insight into what's to come, a bright future is ahead. Great stuff.

TRACK LISTING

1. City
2. Detroit
3. Who Are You?
4. It's So Dark
5. Take Me Away
6. Demons
7. Rectifier
8. Tell Me If You Like To
9. The Summer
10. Heaven

Bonus Tracks - Deluxe CD Only
11. Let's Ride
12. Better Man
13. Mumma
14. They're Coming After You
15. Let's Ride - Live At Maida Vale

The masterpiece that is Bob Marley’s ‘Exodus’ was originally released on Friday 3rd June 1977. He recorded the ‘Exodus’ album in exile in the UK, having escaped an assassination attempt in Jamaica.

‘Exodus’ transformed Marley’s career. A recording of extraordinary creative maturity, the album resonated with audiences around the world. In the UK alone in stayed on the chart for 56 consecutive weeks and included three massive hit singles. Bob Marley was established as the Third World’s first superstar, a legacy that survives thirty years after the album’s release.

TRACK LISTING

1. Natural Mystic 3:28
2. So Much Things To Say 3:08
3. Guiltiness 3:19
4. The Heathen 2:32
5. Exodus 7:40
6. Jamming 3:31
7. Waiting In Vain 4:16
8. Turn Your Lights Down Low 3:39
9. Three Little Birds 3:00
10. One Love / People Get Ready 2:52

'Catch A Fire' was the major label debut for Bob Marley and the Wailers, and it was an international success upon its release in 1973. Although Bob Marley may have been the main voice, every member of the Wailers made valuable contributions and they were never more united in their vision and sound. All the songs were originals, and the instrumentation was minimalistic in order to bring out the passionate, often politically charged lyrics. Much of the appeal of the album lies in its sincerity and sense of purpose - these are streetwise yet disarmingly idealistic young men who look around themselves and believe they might help change the world through music. Marley sings about the current state of urban poverty ("Concrete Jungle") and connects the present to past injustices ("Slave Driver"), but he is a not a one-trick pony. He is a versatile songwriter who also excels at singing love songs such as his classic "Stir It Up." Peter Tosh sings the lead vocal on two of his own compositions - his powerful presence and immense talent hint that he would eventually leave for his own successful solo career. More than anything else, however, this marks the emergence of Bob Marley and the international debut of reggae music. Marley would continue to achieve great critical and commercial success during the 1970s, but 'Catch a Fire' is one of the finest reggae albums ever. This album is essential for any music collection.

TRACK LISTING

A1 Concrete Jungle 4:12
A2 Slave Driver 2:53
A3 400 Years 2:45
A4 Stop That Train 3:55
A5 Baby We've Got A Date (Rock It Baby) 3:56
B1 Stir It Up 5:32
B2 Kinky Reggae 3:36
B3 No More Trouble 3:51
B4 Midnight Ravers 5:09

Taking the boom of British bass culture and marrying it to the sweet slickness of classic American R&B, AlunaGeorge - aka Aluna Francis and producer George Reid - drop their eagerly awaited debut album ‘Body Music’.

If you fell in love with the duo after 'You Know You Like It' on underground imprint Tri Angle, then you'll also love 'Body Music'. Citing the Neptunes and Timbaland as influences, AlunaGeorge producer Reid also packs the duo's sound with UKG (fresh from their 'White Noise' Disclosure smash), footwork and electro-pop touches, creating the perfect backing for Francis's sweet and saccharine Aaliyah-meets-Lily Allen style vox.

Like Disclosure's 'Settle', 'Body Music' is packed with catchy choruses and big pop hooks, providing us with an antidote to the X-Factor balladeer blandness and electro-brostep-folk nonsene that's clogging up the charts at the moment. A joy!

TRACK LISTING

1. Outlines
2. You Know You Like It
3. Attracting Flies
4. Your Drums, Your Love
5. Kaleidoscope Love
6. Bad Idea
7. Diver
8. Lost & Found
9. Best Be Believing
10. Superstar
11. Just A Touch
12. Body Music
13. Friends To Lovers
14. This Is How We Do It

The waist-coat loving quartet are back with their second studio album.

TRACK LISTING

1. Babel
2. Whispers In The Dark
3. I Will Wait
4. Holland Road
5. Ghosts That We Knew
6. Lover Of The Light
7. Lovers Eyes
8. Reminder
9. Hopeless Wanderer
10. Broken Crown
11. Below My Feet
12. Not With Haste

Of Monsters and Men began as the solo project of Nanna Bryndís Hilmarsdóttir however it quickly grew with the additions of friends Ragnar “Raggi” Þórhallsson (co-singer/guitarist), Brynjar Leifsson (guitarist), Arnar Rósenkranz Hilmarsson (drummer), Árni Guðjónsson (piano/accordion player) and Kristján Páll Kristjánsson (bassist)

Crafting epic songs inspired by their amazing homeland, fairy tales and personal history, the band went from battle of the bands winners to the breakthrough act at this year’s Iceland Airwaves and SXSW festival. The bands self-released, first single ‘Little Talks’ to date has sold an impressive 400,000 copies and received 3 million views on YouTube.

Of Monsters and Men continue to make waves among fans and tastemakers alike. ‘My Head is an Animal’ has already enjoyed huge success in Iceland and Europe. Mirroring that feat in America ‘My Head is an Animal’ entered the iTunes alternative chart at #1 and album chart at #2 however went on to top the album charts one week later. And in Germany the album debuted at #4 on their official album chart.

Along with a penchant for crafting rising epic pop numbers ‘My Head is an Animal’ has beautifully delicate moments and signal a fully-fledged band destined to win the hearts of musical lovers worldwide.

STAFF COMMENTS

Ryan says: A stern bit of icelandic pop right here, it's a bit folky but they manage to turn humble folk into a collection of sing-out-loud anthems. It's brilliant!

TRACK LISTING

1. Dirty Paws
2. King And Lionheart
3.Mountain Sound
Slow And Steady
5.From Finner
6. Little Talks
7. Six Weeks
8. Love Love Love
9. Your Bones
10. Sloom
11. Lakehouse
12. Yellow Light

Let England Shake: 12 Short Fims By Seamus Murphy is the visual accompaniment to 'Let England Shake', featuring all 12 tracks from the album, each with its own short film shot by award winning photographer and film-maker Seamus Murphy. The DVD also features a bonus video, a solo live version of the track "England". Available on a limited edition hardback book DVD format.

Love her or hate her, you can't deny that La Roux has come up with some super-catchy electro-pop tunes this year. "Quicksand" is another one that's sure to make a run up the charts. With snapping 80s electro-dance beats, a dirty bassline and a big hooky chorus, this has 'hit' written all over it.

The Tavistock five piece return with their second album, recorded and produced in New York by none other than Mark Ronson. "Welcome To The Walk Alone" shows the Rumble Strips in a much more widescreen light than their previous offering with parping brass toned down and the FILMharmonic orchestra of Prague drafted in by Owen Pallet (The Arcade Fire, Final Fantasy) to fill this album with incredible cineramic textures and epic arrangements.

Taken from The Rumble Strips forthcoming album "Welcome To The Walk Alone". This song has been a staple of the band's live sets over the last 12 months. Produced by Mark Ronson and arranged by Owen Pallet.

In the late 90s Neil fronted Slowdive, and after a couple of really good records they split. From there Neil formed his current band Mojave 3, who have released four records to date with a few more to come, we hope. Hard to find two bands with more critical accolades, and at the core of those bands was Neil and his songwriting. "Oh! Mighty Engine" is the name of Neil's newest solo record. It is a record that can handle excessive listens and seems to absorb every mood thrown at it. It is really hard to find a record that can make you happy, sad, and can make you laugh all at once. This record does that.

Scooping glorious chunks out of their own 'Bay Area' harmonies with addictively wilful grooves of chiming guitar, bass and drums, Rogue Wave lay down the blueprint for forthcoming album "Asleep At Heaven's Gate", on this 7" single.

"Rid Of Me" was PJ Harvey's second album, circa 1993, but her first for major label Island. The set features the same line-up as the "Dry" sessions (Polly doing vocals, guitar, violin, cello and organ, Stephen Vaughan on bass and Robert Ellis on drums, vocals and harmonium), but the extra money shows in the much slicker production to the album's predecessor. Recorded by Steve Albini, this forceful sophomore effort veers from hoarsely quiet to ferociously looming in one beat.

This is very much a complimentary release to the critically acclaimed "Year Zero" and the latest remix album from Trent Reznor since his last effort, 2000's "Things Fall Apart". This time around Reznor 'reached out to heroes, friends and strangers' whos efforts are compiled on these releases. Remixes are of tracks taken from the "Year Zero" album and featured remixers include Phones (Paul Epworth), Ladytron and Stephen Morris (Joy Division/New Order).

New single from the Manchester based rockers Nine Black Alps. Taken from their forthcoming album "Love Hate"; "Bitter End" is a powerful yet melodic three-minute pop song drawing influences from the likes of The Lemonheads, Nirvana and Blind Melon.

After self-releasing several well-received singles, Tindersticks became darlings of the mainstream British and alternative American press with the 1993 release of their eponymously titled debut album. Moving from classically-tinged ballads, chaotic rockers with plenty of cacophonous dissonance, and simple, yet captivating pop gems, the band proved that an album with twenty songs could maintain a consistent vision without becoming repetitive. Where their contemporaries were often direct and to the point, Tindersticks were obtuse and leisurely, crafting dense, difficult songs layered with literary lyrics, intertwining melodies, mumbling vocals, and gently melancholy orchestrations. Essentially, the group filtered the dark romanticism of Leonard Cohen, Ian Curtis, and Scott Walker as filtered through the bizarre pop songcraft of Lee Hazlewood and the aesthetics of indie rock and with each successive record, the band upped the orchestral ante without compromising melody, subtlety or mood. This double CD contains 25 of their BBC In Session recordings made between 1993-1997, selected by the band. The artwork was designed by Stuart Staples and sleeve notes written by David Boulter.

Cited as an influence by Aphex Twin and Chemical Brothers, White Noise's "An Electric Storm" was the work of American-born David Vorhaus, Delia Derbyshire (who had created the electronic version of the Doctor Who theme for the BBC) and Brian Hodgson. 1969 was a year which saw the world of popular music blossom. Musical freedom was the watchword and experimentation was welcomed by an ever increasing underground audience who were eager to feed their heads with ambitious albums by acts who embraced the worlds of rock and the avant garde. It was also a year in which independent record labels began to make their commercial mark in Britain. Of these companies, Island records was undoubtedly the biggest player. Of all the albums released that year by Island, "An Electric Storm", by White Noise was by far the most experimental and ground breaking. The album was equally surprising for the fact that two of the three members of White Noise were not long haired rock musicians, but were respected pioneers of electronic music who worked at the BBC's legendary Radiophonic Workshop. Initial recording work was undertaken by Vorhaus, Derbyshire and Hodgson at the BBC Radiophonic Workshop in Maida Vale during the night after staff had gone home. 'It was all very unofficial and the BBC was unaware of us using the studio and equipment for our own ends' recalls David. 'However, it's common knowledge now that the first couple of tracks recorded by White Noise were actually recorded at the BBC, so I think it's safe to come clean!'

Debut UK release from Australian singer-songwriter Josh Pyke. "Middle Of The Hill" is a rather lovely rambling pop song, with an endless stream of cute, funny story-telling lyrics about his childhood, that Josh reels of hardly pausing for breath.

Whether or not you believe he was raised by pheasants following his birth in 1904 as his Myspace page purports, a glimpse of the refined, debonair and charismatic Luke Toms leads you to think he may just believe it himself. Equally influenced by Hercule Poirot (moustache, pre war fascination) as Freddy Mercury (moustache, consummate showman) and with a Bowie-esque performance on this hazily rich new single "Peace By Myself", Toms really is quite unlike any other singer songwriter in the UK today.

"Year Zero" (also known as "Halo 24") is the title of this brand new studio album comprising of 16 tracks. This is a concept album (part 1 of 2) that is set some 15 years in the future. In short, it is a vision of the future, a cautionary tale of a world we could be living in if current world events stay on the path we are set on. The album was written and performed largely on a laptop during the "With Teeth" 2005/6 tour, produced by Trent Reznor and Atticus Ross, mixed by Alan Moulder and mastered by Brian 'Big Bass' Gardner.

Another stunning single taken from the album of the same name. Delicate guitars and a gorgeous voice that's part Jeff Buckley, part John Martyn and part Elliott Smith.

Called "The Outsider" beccause he has never fitted into any particular clique, DJ Shadow's new album is eclectic as ever. There's songs with samples and songs with no samples. There's very dark stuff and very light stuff. Fast and slow. Simple and complicated. Vocal and instrumental. Hip hop, blues, crunk, soul, hardcore punk, psyche, breaks - it's all here, making for another satisfying stew of sounds. Guest vocalists include Kasabian's Sergio Pizzorno & Christopher Karloff, Q-Tip & Lateef The Truth Speaker, The Heliocentrics (Malcolm Catto and pals), Chris James (Stateless), David Banner, Christina Carter (Charalambides), Phonte Coleman (Little Brother) and many more.

The first single to be taken from their "Under The Iron Sea" LP.

John's debut solo album from 1967 has been digitally remastered from the original master tapes and now comes complete with the previously unreleased bonus track "She Moved Through The Fair". The enhanced booklet also contains sleevenotes by John Hillarby.

John and Beverley Martyn's classic album from 1970 has now been digitally remastered from the original master tapes and has been expanded with four previously unreleased demos: "One Of Those Days", "I Don't Know", "John The Baptist" and "Traffic-Light Lady". This was actually Martyn's third album for Island but since he'd got married in 1969 and Beverley was already established on the London folk scene, a collaboration made good sense. They recorded it with a bunch of groovy dudes in Woodstock ( The Band's drummer, and John Harris on keys) and it just oozes that mellow, warm, laid-back vibe. It's a beaut.

Nine Black Alps release at last their hugely anticipated debut album. The product of their LA recording sessions with Beck and Elliot Smith producer Rob Schnapf, "Everything Is" includes their long deleted debut single "Cosmopolitan" along with recent singles "Shot Down" and "Not Everyone".

Having already gained an underground following with his US releases on Hollywood Basic, his own Solesides label and via the ultra-hip Mo' Wax imprint, the arrival of the 1995 recorded (hence the tenth anniversary deluxe edition reissue) and 1996 released "Endtroducing..." saw DJ Shadow gain plaudits across the globe. With his crate diggers magpie-like sample finding ability, Shadow took hip hop's blueprint of building breaks from old records to another level, creating an often psychedelic, tripped-out, but still funky selection of instrumental tracks that totally reinvigorated the 'trip hop' scene and inspired many artists who followed. Our (and so many others') record of the year for 1996, "Endtroducing..." still sounds as fresh as ever in 2005!

Digitally remastered with bonus tracks, "Farewell To A Poor Man's Son" and "Breakfast In Mayfair", enhanced packaging and extra sleeve notes.

The second single to be taken from the eagerly anticipated second album by Brighton's finest.

His third and final studio album is a fittingly stark and sombre collection of songs, featuring just guitar and voice (bar a piano on one track). Shorn of the usual lavish arrangements, the songs lose none of their lustre, instead the songs themselves are pushed to the fore. A magnificent swansong.

TRACK LISTING

Pink Moon
Place To Be
Road
Which Will
Horn
Things Behind The Sun
Know
Parasite
Free Ride
Harvest Breed
From The Morning

This 1970 debut is surely one of the most accomplished in pop history, marking the young singer songwriter out as more than another folkie. Jazzy instrumentation and sweeping string arrangements give the record a sumptuous feel that is undermined by the brooding melancholy of "Fruit Tree", "Way To Blue" and the haunting, magisterial "River Man". A classic that has reached such disparate souls as Elliott Smith, Paul Weller, Terry Callier and Gilles Peterson.

TRACK LISTING

Time Has Told Me 3:56
River Man 4:28
Three Hours 6:01
Day Is Done 2:22
Way To Blue 3:05
'Cello Song 3:58
The Thoughts Of Mary Jane 3:12
Man In A Shed 3:49
Fruit Tree 4:42
Saturday Sun 4:00

The classic 60s group Nirvana get the remastered treatment with bonus material and enhanced packaging.

First time on CD, this classic 60s group's rare third album is remastered with enhanced packaging.

Fairport Convention are rightly regarded as the greatest band to originate from the British folk rock scene of the 60s. Over the course of their first three albums they shaped a new, unique style by drawing on traditional folk tunes and contemporary American songs as well as the songwriting talents of Richard Thompson, Ashley Hutchings, Simon Nicol and Ian Matthews. A crucial change had taken place since the release of their debut album when Alexandra Elene MacLean Denny (known as Sandy) joined the band. Sandy Denny was the greatest female folk singer of her generation and "What We Did On Our Holidays" opening song "Fotheringay" is a Denny classic - her achingly beautiful and penetrating vocal adding an extra dimension to a band already overflowing with talent. 1969's "What We Did on Our Holidays" is one of their finest albums with its mix of traditional folk songs, their best self-penned songs to date and wonderful cover versions of Dylan and Joni Mitchell tracks.

Debut album from the hotly-tipped duo of Imogen Heap and Guy Sigsworth, AKA Frou Frou. Sigsworth has produced and made music with loads of people, including Bjork, Madonna, Bomb The Bass and Talvin Singh amongst others. He provides a 2002 mix up of musical styles (electronica, downbeat, breaks drum 'n' bass etc) for Imogen Heap's folk-soul vocal to weave in and out of. This CD is the Moby "Play" or Goldfrapp "Felt Mountain" for 2002 - perfect sofa music! Lastly, sorry there's no MP3 clip to listen to - the CD has an enhanced section of visual content, which means none of our PC recording systems work when you put the CD in! Doh!

One of the greatest rock bands of all time with their classic debut. Now remastered with eight rare bonus tracks, full of youthful vitality and a sense of invulnerability, listen to Kossof on "Goin' Down Slow" to get a real idea of what blues-rock guitar is all about.

New album from Trent Reznor. Includes an Adrian Sherwood / Mark Stewart produced track, and a cover of "Metal" by Gary Numan.

Brand new album from Bono and the boys, back to playing straight forward rock songs.