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NUMERO

Rupa

Disco Jazz - Reissue

    Barely disco and hardly jazz, Rupa Biswas’ 1982 LP is the halfway point between Bollywood and Balearic. Tracked in Calgary’s Living Room Studios with a crack team of Indian and Canadian studio rats alike, Disco Jazz is a perfect fusion of East and West. Sarod and synthesizer intricately weave around one another for 37 transcendent minutes, culminating in the viral hit “Aaj Shanibar.” Remastered from original analogue source material and issued with permission and blessing of the producers and performers.

    Various Artists

    Escape From Synth City

      Ten incredible albums culled from the deepest, weirdest co-op of record enthusiasts ever gathered under one banner. No expense was spared packaging these, pairing the idea of the Art of Compilation with living and breathing art, creating little fortune cookies baked in a factory of forgotten dreams. Video games, pyramids, trading cards, matchbooks, a working planisphere, mazes, lottery tickets, film canisters, yearbooks, and various other exercises in design absurdity.

      The mini-verse is being kicked off by Escape From Synth City, a hero’s quest worth of staccato synths, crack house Casios, off-brand drum machines, minimal Morricone, four-track fantasia, and a variety of other speculations on what the 1980s thought the future would sound like. Packaged in a 12”x12” Nintendo Entertainment System-styled jacket, replete with game sticker, die-cut outer sleeve, debossed cartridge inner sleeve, and art from our first video game, playable from the comfort of your PC.


      New World Music

      Intellectual Thinking

        Pre-dotcom electro-funk from the long-running S.F. collective New World Music, gathering the best of their opium-hazed Macola-issued singles on one tidy 12”. Winding keys loosely hug an over-worked 808, as a slapping, watery bass gallops alongside, the looming bummer of the mid-’80s drug war hanging heavy over the whole affair. Intellectual Thinking finds New World Music jamming towards a techno future that never arrived.

        In 1981, Isabelle Powaga, Pascale Moiroud and Sylvain Fasy decided to leave their sleepy hometown in the south of France for the City Of Lights. Taking their love for the mechanical electronics of Kraftwerk, the Latin sounds and rhythms of Jobim & Gilberto and a few suitcases, they formed the band Antena. Signing with Belgium's Les Disques Du Crepescule (which formed an alliance with Factory, creating Factory Benelux), in 1982 they travelled to London to record their version of "The Boy From Ipanema" with ex-Ultravox electronic pioneer John Foxx for a 7" release, tagged 'electro-samba' by a pre-Pet Shop Boys Neil Tennent in Smash Hits. However it was their own self-produced material of later twelves and mini album release "Camino Del Sol" that made the most impression. Definitely rougher in sound, this was the real electro-samba! This reissue features remastered sound and includes tracks from Antena's single and album releases, plus three bonus unreleased tracks

        The Scientists

        The Scientists EP - Reissue

          Snarling Aussie punk from the the western burnout paradise of Perth. Recorded in 1980 and issued on the short-lived White Rider label, “Last Night” arrived just before The Scientists abandoned their power pop hooks and went on an unhinged swamp-grunge tear. Replicated down to the tiniest detail, The Scientists E.P.has been remastered from the original analog tapes and presented in a heavy weight picture sleeve. 

          Thelma Jones

          I Can't Stand It / Only Yesterday

          The Missing link between her Barry and Columbia singles, “I Can’t Stand It” b/w “Only Yesterday” is Thelma Jones with her back against their wall of an empty and indifferent Holiday Inn lounge and nothing to lose. Washed out of the recording business by the age of 30, Jones and her then-husband/manager James Hazley relocated to Tampa to work the hotel circuit and figure out what- if anything- was next. Following a chance encounter with Blair Mooney, Jones was invited to workshop a few stray originals at his studio 70 compound in 1972. “He seemed to believe in me more than I did at the time, “Jones remembered of the Tampa Studio impresario. Jones signed with Columbia a few years later and hightailed it out to The Big Guava, leaving two sides of country-politician soul on the shelp to be forgotten about. This Eccentric Soul 45 is a first-time issue, carrying the banner of Mooney’s Gimp label and mastered directly from the original analog tapes.

          Various Artists

          Teen Expo: The Cleopatra Label

            From a basement in New Jersey, Tommy Falcone remade himself into a DIY Phil Spector. From 1962 to 1970, he founded and ran Cleopatra Records, discovered and mentored young Garden State talent, wrote songs and produced wild studio effects, and quit his day job to promote it all himself.

            Trained as an accordionist, Falcone had a whirlwind imagination and an omnivorous approach to genre, expressed through acts like the Centuries, the Tabbys, Johnny Silvio, the Inmates, Bernadette Carroll, the Hallmarks, Vickie & the Van Dykes, the Shandillons, Eugene Viscione, the Shoestring, and more. Cleopatra became a time-capsule of every 1960s pop style imaginable—garage rock, psychedelia, surf, girl groups, soul, novelties, exotica, even a crooner—a kaleidoscope of sound in search of the ever-elusive hit record.


            Step By Step

            Time After Time / She's Gone

            Soaring falsetto lead from 13-year-old Johnnie Gee, who, alongside brothers Jerome and Dewitt and a handful of kids from their Milwaukee stomping grounds, formed Step By Step in 1969. Gee and company’s 1972 sweet soul double sider for Jim Kirchstein’s regional powerhouse Cuca Records is among the rarest singles produced by the Sauk City outfit over its 13 year run, barely making it outside of Wisconsin before appearing on 2007’s Home Schooled: The ABCs of Kid Soul album. Step By Step’s “Time After Time” has since become a highly sought after single on the low rider circuit, and was prominently featured in season two of Aziz Ansari’s breakout Netflix series Master of None. Both sides have been remastered from the original analog Cuca masters

            Happy Rhodes

            Ectotrophia

              The first authoritative compilation of American dream pop artist Happy Rhodes, whose singular songwriting and four-octave vocal range emanated from the pastoral confines of upstate New York in the 1980s. Her melding of classical music influences with synthesizer and acoustic guitar, and her enchanting and idiosyncratic singing, are favorably compared to heralded English chanteuse Kate Bush. Fans of such artistic pop music would be remiss to overlook Rhodes’s similarly remarkable and otherworldly sonic transmissions, traversing tales of dreamers, outsiders, lovers and other lovely and terrifying creatures born of a wellspring of wild creativity and bold imagination. Affectionately remastered from the original tapes, Ectotrophia gathers essential songs from Rhodes’s mid-’80s salad days, many written when she was just a teenager—wildly ahead of her time and unafraid to bare her soul to regional audiences, the ectophiles who’d eventually coin an entire subgenre of pop music in her honor. Dive deep into ecto, with the woman who started it all.

              Bernadette Carroll

              Laughing On The Outside

              Though not a household name, Bernadette Carroll is one of the more successful teen vocalists of the girl group era. She charted as a member of the Angels, as a solo act, and as a for-hire backup singer, performing on at least two #1 hits, selling over a million copies of each. You’ve heard her voice, whether you know it or not.

              Her early ’60s work with Hazlet, New Jersey, producer Tommy Falcone resulted in a handful of singles for the Cleopatra and Julia labels, including the syrupy ballad “Laughing on the Outside (Crying on the Inside)” and the upbeat dancer “Heavenly.” “Laughing” was buried in a New Jersey basement until the label pulled it from obscurity for last year’s 'End of the F***ing World' for Netflix, which garnered the track five million streams in its first three months. Bernadette Carroll will be featured prominently on Teen Expo: The Cleopatra Label and Basement Beehive: The Girl Group Underground, both due this fall.


              Express Rising

              Fixed Rope II

                The fourth Express Rising LP (and second featuring the expanded lineup of William Suran and Kevin Blagg, in addition to leader Dante Carfagna) finds the trio largely eschewing percussion in favor of twelve concise, three-minute-or-so-long bittersweet excursions that nevertheless retain the restrained, measured, and highly melodic scaffolding of their previous work. There’s more than a bit of Santo & Johnny at their most somnambulant here, slightly glazed, definitely reverb’d out, mysteriously bottling the flaring, saturated light of the desert at dusk.

                Various Artists

                Technicolour Paradise: Rhum Rhapsodies & Others Exotic Delights

                  It was a musical cocktail born in a marketing meeting: Two parts easy listening, one part jazz, a healthy dollop of conga drums, a sprinkling of bird calls, and a pinch of textless choir. Serve garnished with an alluring female on the album jacket for best results. Exotica! The soundtrack for a mythical air conditioned Eden, packaged for mid-century, tiki torch-wielding armchair safariers. Be it mosquito-bitten torch singers, landlocked surf quartets, fad-chasing jazz combos, mad genius band leaders, D-list actors, or a middle aged loner programming bird calls into a Hammond, Exotica was always more concerned with what geography might sound like over who was conducting. Captured across three albums are 48 (54 on the CD) curious examples of the short-lived genre’s reach, each summoning their own sonic visions of Shangri La, bringing their versions of the Pacific, Africa, and the Orient to the hinterlands of America. Technicolor Paradise is where one makes it, after all.

                  The 20th volume of the flagship Eccentric Soul series has all the boxes checked: Gun-toting, skip-tracing record producers, child stars, rip-offs, the 'World’s Greatest Bail Bondsman' swindles, soaring falsettos, and a dwindling rust-belt cityscape offering mere glimpses of hope before the record industry escaped for the coasts. Helmed by the O’Jays Bobby Massey, Saru was a creative vortex that pulled Cuyahoga County’s greatest talent in, making a strong case for Cleveland to contend with Detroit, Philly, and Memphis as America’s soul musiccapital. Includes obscure and unknown sides from the Out of Sights, the Elements, Pandella Kelly, David Peoples, Sir Stanley, the Ponderosa Twins + 1, Ba-Roz, Bobby Dukes, and of course, the O’Jays. Comes with the usual ES treatment - extended sleeve notes, photos and lush, tip-on cover. Wonderful!

                  Unwound

                  New Plastic Ideas

                    Unwound: New Plastic Ideas An album Maximum Rock ’N’ Roll deemed not punk enough to review, Unwound’s 1994 sophomore effort was a lethal depth charge aimed at major label grunge and independent hardcore alike. From the off-kilter, vertiginous rhythm of “Entirely Different Matters” to the neck-snapping velocity of “What Was Wound” to the relentless pounding at the end of “All Souls Day,” New Plastic Ideas is the Sonic Youth-loving older sister to Fake Train’s post-punk-obsessed little brother.

                    “If you’re seeking catharsis, here it is.” —Mother Jones

                    Hüsker Dü

                    Savage Young Dü

                      Experience the punishing sonic origins of a punk icon. Collected here for the first time, and skillfully remastered from original board tapes, demos, and session masters, this collection is an authoritative chronicling of the wellspring and maturation of Grant Hart, Greg Norton and Bob Mould—three St. Paul teenagers who’d go on to become the most heralded trio of the American punk underground. Follow the Hüskers to their earliest gigs in 1979, through extensive road dog touring, and to the start of their partnership with West Coast tastemaker SST in 1983.

                      This primitive stage in the fabled career of Hüsker Dü is presented as a deluxe box set and packaged with a hardbound book crammed full of never before seen photos, flyers, and a sprawling essay with participation from the band. Spread across four LPs or three CDs, 47 of the 69 songs compiled here are previously unissued. Also included are Statues/Amusement, In A Free Land, Everything Falls Apart, and an alternate recording of the Land Speed Record set..

                      “We created this blistering wall of sound—bright white radio static with occasional melody.” —Bob Mould

                      “It was like rolling down a hill aware of the bumps, but focusing on blowing people’s minds and completely wearing out the audience.”—Grant Hart

                      “We didn’t know what hardcore was. We just got up there and played real fast and loud.”—Greg Norton

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                      Jackie Shane

                      Any Other Way

                        Known by genre aficionados as one of the greatest singers and most riveting stage presences in soul music, Jackie Shane has remained largely unknown outside Toronto, where her career briefly flowered in the 1960s. Beyond her unmistakable gift of the gab, Shane is a pioneer of transgender rights, born in a male body but unabashedly living her entire life as a woman at a time when to do so seemed unthinkable. Any Other Way is the first artist-approved collection of Ms. Shane’s work, collecting all six of her 45s and every highlight from the legendary 1967 live sessions at the Sapphire Tavern, including three mind blowing, previously-unreleased tracks. Rob Bowman’s 20,000 word essay is Jackie’s first communication with the public in nearly half a century, telling for the first time ever Jackie Shane’s story in her own words.

                        This deluxe two album (or two CD) set is copiously illustrated with never-before-seen pictures from a career and a life unlike any other.

                        Pastor T.L Barrett And The Youth For Christ Choir

                        Like A Ship (Without A Sail)

                          Recorded in 1971 by a 27-year-old pastor and an after school program choir, Like A Ship is a stirring and powerful meditation on the wayward aftermath of the Civil Rights Movement. Tracked with the help of Chess/Cadet maestros Gene Barge, Phil Upchurch, and Richard Evans, the album is a mix of euphoric gospel and Mayfield esque political soul, with sleigh bells, hand claps, and jazzy piano stabs. Sampled by T.I., Kanye, and Khaled, Barrett created a rapturous, crossover gospel classic that’s still wildly relevant.

                          Various Artists

                          Warfaring Strangers: Acid Nightmares

                            As the hippie movement hurdled towards its emanate demise, bad vibes infiltrated the rock world. Tainted LSD, loud motorcycles, and a series of brutal deaths spawned inspiration for guitar-wielding teenagers across the globe. Implementing deafening fuzz and satanic screams to create their proto-metal monstrosities, short-lived stoner bands pressed their lysergic experiments in microscopic quantities before blacking out entirely. Lifted from the ashes of the acid rock hell fire are 18 distorted tales of dope fiends, pill poppers, and the baddest of trips.

                            Deluxe 2LP comes housed in a blacklight poster-style jacket, replete with flocking and lysergic neon. 24 pages documenting the creeping existential dread of the hard rock underground are tucked into the gatefold pocket alongside two dead dinosaur-heavy LPs. Compact disc is packaged in standard Numero slipcase, with digipak and 40-page book, limited to 2000 copies. 


                            STAFF COMMENTS

                            Matt says: This fearsome Numero collection is made up of sonic remnants excavated following the collapse of Haight-Ashbury and the 'Summer Of Love'. Bathed in bad vibes, strong amphetamines and cheap LSD; "Acid Nightmares" chronicles the musical movements of biker bands, social drop-outs and narco-casualties struggling to make their voice heard against the backdrop of civil unrest and encroaching mortality.

                            The Numero Group’s dive into the deep end of America’s private press continues. Having battled the witches and wizards of Darkscorch, the outlaws of Cosmic Americana, and traveled alongside Ladies From the Canyon and their Lonesome Heroes, it’s time to take it easy.

                            With pop music’s volume knob adjusted for deflation in the early ‘70s, softness begat smoothness. Crewmen arrived from the worlds of jazz, folk, rock, and soul, all peddling a product that was sincere, leisurely, and lofty. A sound that was buoyant, crisp, defined. Sometimes classified as West Coast- and, later, Yacht Rock - the compass points of our Private Yacht expedition are the blue-eyed harmonies of Hall and Oates, the cocaine-dusted Fender Rhodes of Michael McDonald, and the combover strums of James Taylor. Here, at the glassy apex of rock’s softer side, 20 strong swimmers are gathered together. An album for both relaxation and reflection, where listeners can enjoy the present, a cool breeze, and a taste of the good life.

                            STAFF COMMENTS

                            Patrick says: Those exceptional diggers and audio archivists at Numero do it yet again, raiding the pound bins, warehouses and thrift markets to turn up a twenty track selection of smooth 70s grooves. Pour yourself a glass of red, push aside that beaded curtain and watch the world go by...

                            Various Artists

                            Bobo Yéyé: Belle Époque In Upper Volta

                              Bobo Yéyé: Belle Époque in Upper Volta From his studio in central Bobo-Dioulasso, photographer Sory Sanlé documented a nation’s transformation from colonial foothold to cosmopolitan oasis. Bobo Yeye: Belle Epoque in Upper Volta provides an intimate look into the landlocked nation’s pop culture explosion of the 1970s. A melange of community elders and emboldened youth spill from the brightly lit confines of Sanlé’s Volta Photo into the dimly lit nightclubs of Upper Volta’s cultural capital. Accompanying this hardbound monograph are dozens of rare and evocative recordings spread over three discs by Bobo-Dioulasso’s musical titans: Volta Jazz, Dafra Star, Echo Del Africa, and Les Imbattables Léopards.

                              Crimpshrine

                              The Sound Of A New World Being Born

                                Before Green Day, Operation Ivy, and Lookout Records put the East Bay’s burgeoning punk scene on the map, a trio of Berkeley kids were reinventing the genre with music that was melodic but full of feedback, and a singer who sounded like he gargled glass. Crimpshrine’s debut EP was Lookout’s fourth release, followed by an album, a second EP, and a slew of split singles and compilation tracks before the band imploded in 1989 after a ridiculous two-and-a-half-month tour in a Ford Pinto hatchback.

                                Formed around teenage binary stars Jeff Ott and Aaron Cometbus, Crimpshrine went through a series of lineups in their four-year run, utilizing future Tilt and Go Sailor bassists Pete Rypins and Paul Curran, and briefly including second guitarist Idon Bryant. Not overtly political, their fiery brand of introspective punk touched on homelessness, teenage pregnancy, drug use, friendship, isolation, and a grimy sort of romance. Two collections have emerged posthumously: 1992’s Duct Tape Soup and 1998’s The Sound Of A New World Being Born, both falling out of print in 2002. Ott went on to form Fifteen and author two books; Cometbus founded Pinhead Gunpowder with Billie Joe Armstrong and continues to edit his long-running fanzine.

                                Will Syl Johnson ever run out of soul? No way, baby. He’s got a bottomless supply! Syl’s inspiring voice and his mighty band, the Pieces of Peace, are a match made in soul heaven. Hit songs “One Way Ticket To Nowhere” and “Get Ready” are just two of the highlights from this LP, adding to his sky high stash of smashes. They’re joined by a super-funky “Annie Got Hot Pants Power,” the uplifting “We Do It Together,” and “Thank You Baby,” and revivals of Jackie Wilson’s “That’s Why,” and the Temptations’ “The Way You Do The Things You Do,” transformed so completely that you’d swear they were written specifically for Syl.

                                Syl Johnson is an American funk, soul, and blues institution. He recorded for Vee Jay Records in the very late 1950s before debuting as a solo artist in 1959 on Federal Records. The early part of the 1960s saw a cascade of Syl Johnson releases on 45, on labels including Zachron, Cha Cha, and Ember. In the decade's latter half, Johnson worked tirelessly for Chicago's Twinight record label. Dresses Too Short, Johnson's debut LP, was released by Twinight in 1968; Syl followed that up with 1970's Is It Because I'm Black?, the apex of his artistry and social consciousness to that point. Syl spent the bulk of the 1970s as a labelmate to Al Green, recording a deluge of 45s and LPs for Memphis's Hi Records. This LP collects together every side of every 45 from Syl Johnson’s formative years on the Federal Label. Recorded between 1959 and 1962, "My Gift" is an exemplary collection of early R&B that blends Chicago blues with fiery soul. Cut from the original master tapes, these early recordings are presented pristine fidelity. 

                                School is back in session! A decade removed from their acclaimed Homeschooled compilation comes a new class of talent show titans. With enterprising parents, neighbors and teachers turning play dates into recording dates, groups like Magical Connection, Little Man and the Inquires, and Five Ounces of Soul emulated the Jacksons, who'd made grade-school stardom appear easy as ABC. "Afterschool Special: The 123s Of Kid Soul" contains 19 tiny tunes ranging from bilingual D.A.R.E. anthem, to James Brown bio, to young love and life beyond the playground. 

                                STAFF COMMENTS

                                Patrick says: Numero have done it again! Risking respiratory disease and a bad case of diggers knee (you know what I'm talking about) the reissue masters teach us a lesson with their second excursion into the strange and beautiful world of grade school funk.


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