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BITTER END

Bitter End

Honky Git Fonky / Bu Bu Yam Yam

Bitter End continue to rip up the rule book with a genre defying output that's up there with some of the best dance music around at the moment. Release No.11 hits the ground running with a whiteboy disco-funk bomb on the A, a relentless gallop with soaring synth work and an unwavering commitment to uniting sweaty bodies. Coincidently aligning itself with the sound of rising Manchester upstarts - See Thru Hands. Are we due a prep-funk revolution?!

"Bu Bu Yam Yam" switched into deep house mode, a subtle Reese gliding away in the lower registers as frenetic perc, keys and drum kit all get bustling in the rhythm section. 


STAFF COMMENTS

Matt says: I honestly can't believe we're up to number eleven in this series. Well, you know how the old saying goes - time flies when you're having fun. And having fun we most certainly are when Bitter End are involved!

Bitter End

Itchicrickitch / Princess (Ascension)

Ten releases in, and STILL far better than the rest, Sheffield's finest are back with a BANGER! In a more raucous mood, it seems Bitter End have pre-empted the summer of debauchery ahead of us by unleashing their Sweetest exorcism yet... "Itchicrickitch" is the tweaking weirdo in the corner, the unsettling presence that invariably unites the room in the simplistic joy of judgement free release. Woozy, wobbling, wonky bass synth meets chattering, crackling, cicada style percussion with eventual scat eruption. Warning, big rig play will result in outbreak of St Vitus dance...
'Princess' appeared on the flipside of a frankly far more regal diva originally on GALL005, here she's the smudged mascara version, much stroppier and not due home 'til way after sunrise. Thick slabs of boogie bass lay the foundation for funky guitars and chunky percussion on an irrepressible groove. As always, limited and LOUD!


Bitter End

Thelma Hous / Leave Me This

One Thelma it seems, is never enough and following a rousing response to GALL008, Bitter End return with two more interpretations from their private stock.

As the Crooked Man alias continues to cement his soundsystem friendly aesthetic, "Thelma Hous" perfectly pairs Houston's "Don't Leave Me This Way" vocal with a growling, razor sharp bassline and those crisp house drums he's synonymous with.

On the flip, our Sheffield star makes more use of that indelible vocal, allowing more of the disco flavour from the original to shine through as takes us through a 5am, floor-uniting moment of house music euphoria. Anyone got any garies?

You need. 


STAFF COMMENTS

Sil says: Hot hot and hot. Bassline lesson 101 here for the chuggy house with disco tinges fans. The vocals are tremendous. We are witnessing a banger in all its splendor. Make it yours or repent in future times.

Bitter End

Incapable / Princess / Feeling You Feeling Me

The Crooked Man releases another salvo on pre-release through his Bitter End moniker - possibly hinting at what material the Sheffield star is collating for his next album.

"Incapable" on side A, might just be the most uplifting hymn to emotional thick-skin you're ever likely to hear. With Parrot's thick n chunky bass and drum grooves powering it forward at a steady mid-tempo slug and a near-perfect vocally delivery from a fellow Dee-dar (colloquial term) (currently uncreditted).

On the flip we get the incendiary face melter, "Princess", paired with the meticulously constructed "Feeling You Feeling Me" which utilizes a classic electronic disco template to create an effortless piece of feel-good party music. 


STAFF COMMENTS

Matt says: Bitter End attempts to recreate last year's crowning glory, dropping a near faultless 12" that'll appeal to fans of Crazy P and other new northern disco. We can't reveal who the vocalist is but Picc customers are gonna nail it first try. Enjoy!

Bitter End

Echo Loves Narcissus / Get The Love

Crooked Man returns to Bitter End with an "Emotional Copy Only" - a double header of powerful nightclub movements. "Echo Loves Narcissus - Part 1" is the opening salvo in a sonic saga across four parts, marrying, as it does irresistibly uplifting chords and vocal ad-libs to a bassline so thick it'll rattle the windows right out of your ride and knock the tiles straight off the walls of your cerebral restroom. Once you've adequately composed yourselves, we invite you to the 11 minute monster which is "Get The Love" on the flip. This recalls the brief but genre defying 90s jams from Mundo Muzique's Revelation project: synth assisted house-nosis, buoyed by the mantric voice imploration to accept higher states of carnality atop an immersive blanket of propulsive rhythms. "Get The Love" throbs and crackles with the immense electricity contained within, a juddering outboard barrage of well sequenced synths accompanying a truly tasty electro-house beat and smooth vocal parts. A truly breathtaking and destined to be massive double tracker from Bitter End. Most recommended! 

STAFF COMMENTS

Matt says: Storming stuff here from the Crooked Man alter-ego. Two different animals, from the throbbing low-end hypnosis of the A-side, to the electronic, robo-funk of side B. Ace.


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