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Gabe Gurnsey

I Get Harder

Gabe Gurnsey returns with another limited-edition, white label pressing that melds together two of the standout moments from ‘Physical’ into one irresistible slab of nocturnal electro. Combining the tectonic sleaze of ‘I Get’ with the roll call to rave transcendence of ‘Harder Rhythm’, Gurnsey creates, naturally, ‘I Get Harder’. Mutating his work to further perfect his halcyon club sound, ‘I Get Harder’ releases a slow-crawl ecstasy that’s ideal for dark rooms and open minds. Not one for the faint hearted.

Wilted Woman

Lon Lon Night Vision - Inc. Laurel Halo Remix

Wilted Woman is a producer whose left-field approach to electronic music emerges from an experimentally minded and refreshingly unapologetic attitude, forged on the punk and DIY scenes of the East Coast of the United States, and more recently, Berlin. Across her debut release for Phantasy, she contributes two unpredictable and outlandish cuts of hyper-modern club culture, complimented by a remix from fellow outsider alchemist, Laurel Halo.

"Lon Lon Night Vision" is a creeping, industrial interpretation of acid sounds, peeling away layers of tension to reveal a melody straight from the cold heart of a John Carpenter soundtrack, resolving in uniquely dystopian funk that actually recalls the Freddy Fresh and the Midwest's DIY techno scene as much as it does anything else.

"No Stinger" immediately unleashes a burrowing, cybernetic ear-worm of a hook, biochemically blossoming into a sublime, undulating landscape of contemporary trance, rich in ideas and sonic euphoria and finding comparisons with Gabor Lazor, Lorenzo Senni and much of the Death Of Rave imprint.

Finally, Laurel Halo turns the screws on the original mix of "Lon Lon Night Vision", extracting an almost impossibly taut slice of techno, building raw tension towards a blistering rush of electro-psychedelia.


Taken from Gabe Gurnsey’s upcoming debut solo LP, "Physical" (also out on Phantasy), "Eyes Over" zones in on techy, intricately constructed electronic groove; comprised of interwoven synth stabs, a growling analogue snarl and darting elasatic lines. Gurnsey's vocal reminds me of Green Velvet - all drugged out and warbling; and sounding super paired next to these narco-beats.

The stripped back, jugular hitting, "Extended Dub" takes more precise aim at the dancefloor, allowing each disparate, analogue element more room to attack across that bassline throbb. Specialist tackle from Gurnsey here...


Five years after his critically acclaimed debut Drone Logic, London-based producer Daniel Avery announces his highly anticipated second album Song For Alpha, set for release on March 9th 2018 through Phantasy. The album is preceded on January 19th by a 4-track limited edition 12” vinyl EP titled Slow Fade.

The new long player, on which the track ‘Slow Fade’ will appear, follows 2013’s incendiary debut Drone Logic. Upon its release the latter was called “A mesmerising debut" by Mixmag, “Exceptional” by the Times and "A benchmark for so many other dance albums to aspire to" by Dummy, while Pitchfork proclaimed “Avery owns this space.” “Underground dance music with this sort of ambition hasn’t been heard in quite a while", noted Resident Advisor, and Q hailed  "The arrival of a new left­field dance superstar."

In the years since, Avery has helmed a DJ-Kicks mix CD, resided over a monthly radio show for NTS Live, curated an extensive remix compilation and collaborated on a series of side-projects including a recent collaboration with Nine Inch Nails synth specialist Alessandro Cortini; he has toured relentlessly, cementing a reputation as one of the defining techno DJs of the decade. He has also worked studiously on what he wanted to say next as a producer. 

With newfound energy and time to develop, Avery’s sonic vocabulary has expanded. Here, the booming sound of the big room is brilliantly countered by the music of the small hours. Where celestial ambient lullabies ‘First Light’ and ‘Days From Now’ sit perfectly next to the mesmeric techno assault of ‘Diminuendo’ and ‘Sensation’; where both ‘Projector’ and ‘Clear’ evoke early rave records, only ones engulfed by waves of beautiful cyclonic distortion. William Basinski, Warp’s Artificial Intelligence, Brian Eno plus his own excursions with Alessandro Cortini all serve as touchstones for a record that sees Avery take his signature psychedelic-electronic sound to new dimensions, a sound that plays to the head as much as the body.


STAFF COMMENTS

Barry says: Delicately presented electroacoustic compositions, supported with a finely honed backbone of melodic suggestion and hypnotic rhythmic pulse, Avery once again proves he is one of the masters of his craft.

FORMAT INFORMATION

2xLP Info: Double 180 gram vinyl.

2xLP includes MP3 Download Code.

Cowboy Rhythmbox

Tanz Exotique Remixes - Inc. Red Axes / Marvin & Guy Remixes

Initially described as 'superlative 25th century electronic exotica' by Cowboy Rhythmbox themselves, the fourth EP from Phantasy’s in-house trouble and hitmakers received support from top jocks including Dixon, Jackmaster and Marcel Dettmann. Now, it’s dynamic lead track is rejigged, expanded upon and shot through with analogue energy by two equally inventive producer pairings.

Israel’s finest, Red Axes take the first turn, coaxing the cosmos out of the original and allowing the bewildering vocal samples to lead the way through waves of more than pleasurable cosmic tension. Soon, with the timing just right, feet to pedals and strobe to hand, the pair unleash a series of distorted guitar licks that blow dust off the stacks, even throwing in a sharp blast of their trademark surrealist vocals for extra freaky FX. On the flip, Marvin and Guy zone out and hone in on the original’s EBM-indebted elements to contribute a trippy, wave-riding electro rework that oscillates irresistibly. Teasing listeners with a playful, almost naive synth line, the mood shimmers instead with uncompromising acid, as the pair ultimately push the modulars into strange and hypnotic territories to get lost in.


Daniel Avery

Slow Fade EP

    Daniel Avery returns to Phantasy for a 4-track limited edition 12” vinyl EP, Slow Fade, featuring the title track and first single from his much-anticipated sophomore LP, upcoming in April via Phantasy.

    A prelude to the LP’s sonic exploration of the twilight world of a personal, transient life spent between clubs, hotel rooms, airports and home, Slow Fade captures the expanded foundations of Avery’s sonic palette. Arresting club moments linger under the surface, but the focus is on the smudged ambience that underpin Avery’s grasp on rave euphoria.

    As a re-entry into a broader musical universe, ‘Slow Fade’ is immediately compelling, combining neo-acid, feedback loops and pure atmosphere at a patient but restrained pace. Meanwhile, ‘After Dark’ alters this aesthetic to it’s raw, pensive elements, stripping Avery’s distinctive drums completely, revealing a meditative, ambient fog.

    ‘Radius’ announces itself with industrial intent, before unfolding seamlessly into a wistful electronic hymn, the perfect soundtrack to brooding London skies, and eventually evolving into slow-motion motorik. Closing the EP, ‘Fever Dream’ finds Avery at club tempo, but in a somewhat agitated state, on this occasion focusing on a paranoid rhythm that emerges clean from eerie, even paranoid territory.

    Close your eyes, press repeat.

    Includes heavy weight vinyl / download codes

    FORMAT INFORMATION

    12" Info: One copy in stock

    Various Artists

    Erol Alkan Reworks Vol. 1 - Limited Edition Box Set

      Phantasy release ‘Reworks Volume 1’, a comprehensive collection of remixes from prodigious DJ and producer Erol Alkan.

      ‘Reworks Volume 1’ is a musical overview of what makes Erol Alkan one of his generation’s most iconic remixers. Framing a corner of his career in perspective - a success in taking on any source material and melding it into something of his own. Alkan’s philosophy towards a remix is to ‘re-produce’ work as if the original never existed. Avoiding methods like the transplanting of a vocal on a contemporary dance beat, or adding a four-to-the-floor 808 kick drum underneath a rock band, Alkan instead takes a considered approach to build something new that offers a fresh and divergent take on the music in front of him.

      This collection of reworks illustrates that his distinct style of remixing is just another layer in what makes Erol Alkan unique to dance music. Unpredictable but equipped with a Midas touch - you never quite know what’s coming but you can count on it to be special, a quality shared between both his DJ sets and his production work. Erol Alkan is a dance music artist with an alternative sensibility, a psychedelic approach and a punk outlook - what makes him stand apart in dance music is what makes him one of the genre’s most enduring and influential artists.

      The vinyl box set includes ten classic reworks remastered and spread across five pieces of vinyl, an exclusive interview and download code to the full digital album containing a further 10 reworks. The box is covered in linen with a red foil print.

      Trip. A simple arrangement of four letters that has many associations: a trip to the seaside, a drug trip (and so a journey into the unknown), a trip is to suddenly fall.

      "The Soft Bounce" is a trip album in the widest sense: containing nearly 45 minutes of carefully programmed music, it sets off into to the unknown, it contains pleasure and pain, doubt and transcendence, and it ends somewhere that is different from where you started.

      Beginning with expansive synth washes and "Love To Love You Baby"-style oohs, "Delicious Light" is immediately uplifting: we’re off on a switchback journey that will pass from light through darkness and confusion and pain to transcendence and acceptance. Darkness of a sort is forged in explosive motion ("Iron Age") before passing through sunshine pop ("Creation"), first wave UK psych ("Door To Tomorrow" with its invocation of "Emily", beloved of both the Pink Floyd and the Piccadilly Line), and the blissful Balearic emotion of "Diagram Girl". This passes into the American Gothic of "Black Crow" - that traditional avian harbinger of doom - and then we’re down the rabbit hole.

      “Tomorrow, Forever" begins in the sound of nothingness and slowly unfolds into beatless cloud reveries that are at once solemn and hopeful. Weightless, blown with the wind, you come down to earth with the skipping afro beat of "The Soft Bounce": a soft female voice pleads for connection, but she is almost swamped by the stinging, shocking guitar reverb. The positive moods of "Finally First" and "Triumph" put everything back together before the all-out acid assault of "Third Mynd": from life to death to rebirth, ‘you throw the sticks up in the air, and they come down in a different pattern.’

      “Is it the history of human kind or a personal, individual odyssey? With guest appearances from Blaine Harrison (Mystery Jets), Euros Childs (Gorky’s Zygotic Mynci), Jane Weaver, Holly Miranda and Hannah Peel, Erol Alkan and Richard Norris have constructed an album that is both highly enjoyable and on a deeper level, perceptual and psychological. Growth is necessary, as is adaptation to change: neither are achieved easily or without some kind of sacrifice. Operating on a level that can be verbal but is more often non-verbal, music can ease that passage.” - John Savage.

      STAFF COMMENTS

      Barry says: This is indeed a trip. Melodic but psychedelic rock music to get up and dance to. Anthemic choruses and stoner guitars hide behind swirling synths and softly delivered vocal harmonies before smashing into the foreground with a riotous burst of distortion and glam. Exciting and groovy, gleefully nostalgic ('Emily' he sings, I was fully expecting Barrett to walk in and tell me about how she plays), but resolutely modern. A trip through all the best bits of all the things you should like. Ace.


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