Lou Reed's last album with the Velvet Underground has remained a reliable fixture on Rolling Stone's 500 best albums of all time, and others. Earning a 10/10 from Pitchfork and top accolades from Q, Spin, Uncut, AllMusic, Christgau's Record Guide, and others, this album is a fan favorite featuring hit singles "Sweet Jane" and "Rock & Roll."

The complete Bob Dylan Fragments January 2023Time Out of Mind Sessions (19961997): The Bootleg Series Vol.17 will be available as a deluxe box set in a 5CD edition. Also available, a twodisc/4LP standard edition of Fragments which includes the Time Out of Mind 2022 remix disc and a disc of twelve select Outtakes and Alternates highlights.

The latest chapter in Columbia/Legacy's highly acclaimed Bob Dylan Bootleg Series takes a fresh look at Time Out of Mind, Dylan's midcareer masterpiece, celebrating the album and its enduring impact 25 years after its original release on September 30, 1997.

Fragments Time Out of Mind Sessions (19961997): The Bootleg Series Vol.17 follows the evolution of songs written for the album, from intimate early incarnations in the previously unreleased 1996 Teatro sessions featuring Dylan (vocals, guitar, and piano), Daniel Lanois and Tony Mangurian (guitar and organ), Tony Garnier (bass) (drums and percussion) through incandescent live renditions (also previously unreleased) showcasing Dylan and his touring ensemble channeling the songs onstage from 1998-2001.

TRACK LISTING

CD Box Set:
Disc One - Time Out Of Mind (2022 Remix) 
1. Love Sick
2. Dirt Road Blues
3. Standing In The Doorway
4. Million Miles
5. Tryin
6. 'Til ' To Get To Heaven I Fell In Love With You
7. Not Dark Yet
8. Cold Irons Bound
9. Make You Feel My Love
10. Can't Wait
11. Highlands

Disc Two - Dreamin Outtakes And Alternates
1. The Water Is Wide (8/19/96, Teatro)
2. ' Of You (10/1/96, Teatro)
3. Red River Shore
4. Love Sickversion 1 (9/26/96, Teatro) Version 1 (1/14/97, Criteria Studios)
5. 'Til I Fell In Love With You
6. Not Dark Yet –– Version 1 (10/3/96, Teatro) Version 1 (1/11/97, Criteria Studios)
7. Can't Wait Version 1 (1/21/97, Criteria Studios)
8. Dirt Road Blues
9. Mississippi Version 1 (1/12/97, Criteria Studios) Version 1 (1/11/97, Criteria Studios)
10. 'Til I Fell In Love With You
11. Standing In The Doorway
12. Tryin ' To Get To Heaven ––version 2 (1/16/97, Criteria Studios) Version 1 (1/13/97, Criteria Studios) Version 1 (1/18/97, Criteria Studios)
13. Cold Irons Bound (1/9/97, Criteria Studios)

Disc Three – Outtakes And Alternates
1. Love Sick–version 2 (1/14/97, Criteria Studios)
2. Dirt Road Blues –version 2 (1/20/97, Criteria Studios)
3. Can't Wait–version 2 (1/14/97, Criteria Studios)
4. Red River Shore –version 2 (1/19/97, Criteria Studios)
5. Marchin' To The City (1/5/97, Criteria Studios)
6. Make You Feel My Love –take 1 (1/5/97, Criteria Studios)
7. Mississippi –version 2 (1/11/97, Criteria Studios)
8. Standing In The Doorway –version 2 (1/13/97, Criteria Studios)
9. 'TilI Fell In Love With You –version 3 (1/16/97, Criteria Studios)
10. Not Dark Yet –version 2 (1/18/97, Criteria Studios)
11. Tryin' To Get To Heaven –version 2 (1/12/97, Criteria Studios)
12. Highlands (1/16/97, Criteria Studios)

Disc Four – Live (1998-2001)
1. Love Sick(6/24/98, Birmingham, England)
2. Can't Wait (2/6/99, Nashville, Tennessee)
3. Standing In The Doorway (10/6/00, London, England)
4. Million Miles (1/31/98, Atlantic City, New Jersey)
5. Tryin' To Get To Heaven (9/20/00, Birmingham, England)
6. 'TilI Fell In Love With You (4/5/98, Buenos Aires, Argentina)
7. Not Dark Yet (9/22/00, Sheffield, England)
8. Cold Irons Bound (5/19/00, Oslo, Norway)
9. Make You Feel My Love (5/21/98, Los Angeles, California) Previously Released On The "Things Have Changed" Maxi-single
10. Can't Wait (5/19/00, Oslo, Norway)
11. Mississippi (11/15/01, Washington, D.C.)
12. Highlands (3/24/01, Newcastle, Australia)

Disc Five – Bonus Disc (Previously Released On The Bootleg Series Vol. 8: Tell Tale Signs: Rare And Unreleased 1989–2006)
1. Dreamin' Of You –Tell Tale Signs(10/1/96, Teatro)
2. Red River Shore –Tell Tale Signs, Version 1 (1/19/97, Criteria Studios)
3. Red River Shore –Tell Tale Signs, Version 2 (1/8/97, Criteria Studios)
4. Mississippi –Tell Tale Signs, Version 1 (9/96, Teatro)
5. Mississippi –Tell Tale Signs, Version 3 (1/17/97, Criteria Studios)
6. Mississippi –Tell Tale Signs, Version 2 (1/17/97, Criteria Studios)
7. Marchin' To The City –Tell Tale Signs, Version 1 (1/5/97, Criteria Studios)
8. Marchin' To The City –Tell Tale Signs, Version 2 (1/6/97, Criteria Studios)
9. Can't Wait–Tell Tale Signs, Version 1 (10/1/96, Teatro)
10. Can't Wait–Tell Tale Signs, Version 2 (1/5/97, Criteria Studios)
11. Cold Irons Bound –Tell Tale Signs, Live (6/11/04, Bonnaroo Music Festival)
12. Tryin' To Get To Heaven –Tell Tale Signs, Live (10/5/00, Londo

Having been part of the fabled ‘Canterbury scene’ along with luminaries such as Robert Wyatt and Pip Pyle the irrepressible Australian guitarist-vocalist-songwriter Daevid Allen formed Gong with Welsh vocalist Gilli Smyth in Paris at the end of the ‘60s as France was in state of ferment. Magick Brother introduced Gong as one of the great oddities of the psychedelic and space rock age. The nucleus of Allen, Smyth and Malherbe was able to create a musical vocabulary very much of its own all the while searching for essential metaphysical truths. “The band made strong political statements that comes through loud and clear on this re-mastered version of Gong’s debut album...” Kevin Le Gendre

TRACK LISTING

1. Mystic Sister - Magick Brother
2. Change The World
3. Glad To Sad To Say
4. Chainstore Chant - Pretty Miss Titty
5. Fredfish - Hope You Feel Ok
6. Ego
7. Gong Song
8. Princess Dreaming
9. 5 And 20 Schoolgirls
10. Cos You Got Green Hair
11. Est-Ce Que Je Suis ?
12. Hip Hypnotise You

While the whole of the UK seemed to be mining the sound of The Beatles, Stones and The Who as Britpop slavishly paid homage to the 60s, The Sound Of McAlmont And Butler took its influences more from music of Dusty Springfield, Scott Walker, Andy Williams and Burt Bacharach while creating something unique and timeless

Rock, indie, soul, jazz and folk all meld in an album full of beguiling momentsBernard Butler had risen to fame as guitarist with Suede, who he'd left in 1994. After six months of solo writing, he approached ex- Thieves singer David McAlmont at London's Jazz Café, with the bare bones of a song, Yes. McAlmont added lyrics, and the track soared to No 8 in the UK charts, becoming the sound of summer 1995. It is impossible to listen to Yes without breaking into a beaming smile. With this headstart, the duo recorded more sides together – the Top 20 hit You Do and attendant tracks. However, it ended as quickly as it had began. Never intended as a long- term arrangement, McAlmont & Butler were over by autumn 1995. Considering The Sound Of McAlmont & Butler is effectively a compilation of the duo's sessions as opposed to a planned work, it has a tremendous consistency. A lot of the tracks were recorded as bonus tracks for CD singles (the 90s equivalent of a B- side), and retain a spontaneous air alongside the huge production numbers of Yes, You Do and Disappointment.

This re-issue faithfully replicates the original 1995 Virgin Records UK release with printed inner sleeve and is pressed onto high quality 180g vinyl.

TRACK LISTING

Yes (Full Version)
What's The Excuse This Time?
The Right Thing 
Although
Don't Call It Soul
Disappointment
Interval
The Debitor 
How About You?
Tonight
You'll Lose A Good Thing
You Do (Full Length)

Young Marco mines deep into the hazy euphoria of Italy's early ninties underground for this expansive retrospective of the dream house scene. 
At the tail end of the 1980s, a new take on deep house began to emerge from Italian studios. 'Dream house' drew inspiration from key U.S deep house records of the period – the spacey melodiousness of Larry Heard's productions, and the rich jazziness of tracks originating in New Jersey in particular – but sounded distinctly different. Its' 'head-in-the-clouds' feel – all rich chords, tactile basslines, fluid piano lines and starry electronics – made 'dream house' a uniquely Italian proposition.

First and foremost, the style echoed the wavy, glassy-eyed positivity of the period more than any other. While music in the UK and the low countries was getting faster and heavier, Italy's 'dream house' producers continued to create music shot through with warmth and colourful musicality until 1993. While few 'dream house' records were made after then, its' sounds and loose aesthetic influenced subsequent styles such as trance and progressive house.

During its' peak, dream house – or, as it was tagged by leading Italian label DFC, 'ambient house' (echoing the similarly minded work of UK pioneers such as The Orb and The KLF) – could be heard blaring from club sound systems across Europe. The style's popularity was fuelled, in part at least, by the runaway international success of "Sueno Latino".

Welcome To Paradise gathers together some of the finest examples of the style for the first time since the turn of the 90s. It includes a smattering of scene anthems – Key Tronics Ensemble's peerless "Calypso of House", Morenas's "Sonnambulism", the ambient mix of Last Rhythm's Italo-house classic "Last Rhythm" – alongside a swathe of hard-to-find, in-demand and forgotten gems.

There are cuts from key players in the movement – the likes of Don Pablos Animals, Sasha (later to find fame with a strong of bouncy, piano-heavy Italo-house cuts), and Dreamatic – plus a string of lesser-known names whose contribution to the evolution of the sound should not be overlooked. Young Marco has also found space for Leo Anibaldi's "Elements", a rare deep house outing from a producer who later helped define the sound of Roman techno.

Over the course of two double-vinyl compilations (and one extended digital download package), Welcome To Paradiso celebrates one of the most evocative and imaginative musical styles of electronic music's golden era. Kick off your shoes, turn your gaze skywards, and immerse yourself in the music.

TRACK LISTING

A1. Key Tronics Ensemble - Calypso Of House (Paradise Mix)
A2. Dramatic - Audio Trip
B1. Night Communication - Nocturne Seduction
B2. Aqua Re - Holy Dance (Large Sound Mix)
B3. Deep Choice - Fix Of 4:38 PM 
C1. High Tide - Time Unlimited
C2. Don Pablo's Animals - Paranoia
C3. Open Spaces - Sunrise Paradise Garage
D1. Jacy - Trax
D2. K2 - In My Garden 
D3. Last Rhythm - Last Rhythm (ambient Mix)

40th Anniversary of the seventh Ramones album. Subterranean Jungle marked a return to the roots of the band. Includes "Time Has Come Today."

A space of wonderment and exhilaration, the home of true heart and a timeless soul, Delays' Faded Seaside Glamour was an atmospheric and evocative debut album. Released in 2004, the fragile strength of frontman Greg Gilbert's vocals intoxicatedly intertwined with the forward looking synths of his brother Aaron, Colin Fox's bass and Rowly's drumming, to create a series of affecting songs that delivered an immediate pop hit that also left a deep and wistful impact worthy of the album's enticing title.

Its iconic singles Nearer Than Heaven and Long Time Coming, became immediate yet lasting focal points for Southampton's Delays, while tracks including the melancholic No Ending, the smooth beats of Stay Where You Are and chiming opener Wanderlust demonstrated the remarkable depth of this unique debut.

Nearly 20 years have passed since the release of Faded Seaside Glamour and much has changed – most notably the loss of Greg Gilbert who passed away in 2021 after a period of treatment for cancer – but like the idiosyncratic places the album's name celebrated, Delays' music has not only endured but their art has been loved and cherished as it has continually connected with audiences.

To celebrate this soaring and smouldering body of work, Rough Trade Records is pleased to announce that it will be releasing Delays' Faded Seaside Glamour on vinyl for the first time ever. 

TRACK LISTING

A

Wanderlust
Nearer Than Heaven
Long Time Coming
Bedroom Scene
No Ending
You Wear The Sun

B

Hey Girl
Stay Where You Are
There's Water Here
Satellites Lost
One Night Away
On

Florida-born saxophonist, composer, poet, actor and playwright Archie Shepp was one of the most articulate exponents of politicized black culture in the late ‘60s, a time of enormous upheaval and radical thought. Relocating to Paris he made a number of highly influential albums, such as Blasé, that broached the essential themes of freedom and racial equality, and tapped into the bedrock of African-American music. Gospel and blues were a major part of the work, which also had a strong avant-garde sensibility. The band featured stellar vocalist Jeanne Lee and members of Art Ensemble Of Chicago. These trailblazing artists who combined jazz, poetry and radical politics made a definitive musical statement. “This re-mastered version of a seminal album still has great musical and emotional power... “ Kevin Le Gendre

TRACK LISTING

1. My Angel
2. Blasé
3. There Is A Balm In Gilead
4. Sophisticated Lady
5. Touareg

40th Anniversary of the groundbreaking and chart topping album. Includes "Legs" and "Sharp Dressed Man."

Sixth full-length album from the gurus of Atlanta’s “flower punk” movement, from the heady daze of 2011 – finally back on vinyl and part of a series of Fire re-issues celebrating 20 years of the legendary garage rock gurus from Atlanta, Georgia. Arabia Mountain was recorded between Brooklyn and Atlanta in 2010, and with the collaborative assistance of celebrated producer Mark Ronson, Lockett Pundt of Deerhunter, and a human skull with a microphone jammed into it. “I was already a fan of the Black Lips coming into it and I definitely didn’t want to f**k up anything,” Ronson told Rolling Stone…and f**k up he did not. The production tests the limits of modern amplification, harkening to the full, meaty sound of The Stooges’ Fun House or Lola Versus Powerman by the Kinks. Unapologetic southern-fried twang, crunching through the gears with flowers blossoming everywhere. 

TRACK LISTING

Side A
A1 Family Tree
A2 Modern Art
A3 Spidey's Curse
A4 Mad Dog
A5 Mr. Driver
A6 Bicentennial Man
A7 Go Out And Get It
A8 Raw Meat
Side B
B1 Bone Marrow
B2 The Lie
B3 Time
B4 Dumpster Dive
B5 New Direction
B6 Noc-A-Homa
B7 Don't Mess Up My Baby
B8 You Keep On Running 

The follow up to the widely successful ‘Good Bad Not Evil’, the 2009 album is a perfect amalgam of their high-end live shows and subculture songwriting, meshed tightly to the Lips’ distinctive howl. Finally back on vinyl and part of a series of Fire re-issues celebrating 20 years of the legendary garage rock gurus from Atlanta, Georgia. Rolling Stone, Spin, Filter, Magnet, Stop Smiling, The Fader, Anthem, Paste, and The NY Times-approved garage rock veterans’ trashy psyche pop gem. Unapologetic southern-fried twang, crunching through the gears in a haze of psychedelia. 

TRACK LISTING

Side A
A1 Take My Heart
A2 Drugs
A3 Starting Over
A4 Let It Grow
A5 Trapped In A Basement
A6 Short Fuse
A7 I'll Be With You
Side B
B1 Big Black Baby Jesus Of Today
B2 Again & Again
B3 Old Man
B4 The Drop I Hold
B5 Body Combat
B6 Elijah
B7 I Saw God 

The classic third album from the Black Lips, originally released in 2005 and now back on vinyl and part of a series of Fire re-issues celebrating 20 years of the legendary garage rock gurus from Atlanta, Georgia. 16 tracks of grimy and chaotic punk, scuzzy and raw, and catchy as hell.

“Their strongest effort to date.” All Music
"The band at their trashy best; more melodic but every bit as psychotic. If The Royal Trux had listened to the Troggs instead of the Rolling Stones, they might have recorded this album. This baby is a masterpiece. Unapologetic southern-fried twang, crunching through the gears in a blitz of grimy bravado. Their music twitches with an engaging, wired vigour." ★★★★ Uncut. 

TRACK LISTING

Side A
A1 Sea Of Blasphemy
A2 Can't Dance
A3 Boomerang
A4 Hippie, Hippie, Hoorah
A5 Not A Problem
A6 Gung Ho
A7 Everybody's Doin' It
A8 Feeling Gay
Side B
B1 Take Me Home (Back To Boone)
B2 Gentle Violence
B3 She's Gone
B4 Fairy Stories
B5 Dirty Hands
B6 Workin'
B7 Punk Slime
B8 Empassant

Part of a series of Fire re-issues celebrating 20 years of the legendary garage rock gurus from Atlanta, Georgia. This 2017 record features a musically evolved Black Lips, who still stay true to their original blistering take on fuzzy, dirty rock n' roll. God’s Art or Satan’s Graffiti features guest contributions from Yoko Ono was produced by Sean Lennon throughout 2016. During the recording, the band isolated themselves from the outside world, infusing the album with a focused liveliness similar to the spirit that brought them together in the first place. On Satan's graffiti or God's art? founding members Cole Alexander and Jared Swilley teamed with former guitarist Jack Hines (who played in the group from 2002-2004) and additions Oakley Munson on drums and Zumi Rosow on saxophone. A sonically captivating document that is as creatively unhinged as it is precisely executed, one of the rawest and most expansive albums in the band's storied history.

TRACK LISTING

Side A
A1 Overture: Sunday Morning
A2 Occidental Front
A3 Can't Hold On
A4 The Last Cul De Sac
Side B
B1 Interlude: Got Me All Alone
B2 Crystal Night
B3 Squatting In Heaven
B4 Interlude: Bongo's Baby
B5 Rebel Intuition
Side C
C1 Wayne
C2 Interlude: E’lektric Spider Webz
C3 We Know
C4 In My Mind There's A Dream
Side D
D1 Lucid Nightmare
D2 Come Ride With Me
D3 It Won't Be Long
D4 Loser's Lament
D5 Finale: Sunday Morning

The seventh studio album from the mighty Black Lips is finally back on vinyl, part of a series of Fire re-issues celebrating 20 years of the legendary garage rock gurus from Atlanta, Georgia. Featuring fan favourites such as ‘Boys in the Wood’ and ‘Funny’, this is an essential slice of Black Lips history. The band convened at Dunham Studios in New York to record initial tracks with Dap Kings music director Tommy Brenneck (Cee Lo, Charles Bradley), then decamped to Nashville to record several songs with Patrick Carney of The Black Keys producing, finally rounding out the album with a couple of songs co-produced with lifetime Lips recording collaborator, Ed Rawls. 

TRACK LISTING

Side A
A1 Drive-By-Buddy
A2 Smiling
A3 Make You Mine
A4 Funny
A5 Dorner Party
A6 Justice After All
Side B
B1 Boys In The Wood
B2 Waiting
B3 Do The Vibrate
B4 I Don't Wanna Go Home
B5 Dandelion Dust
B6 Dog Years

Formed by ex-Skids guitarist Stuart Adamson in 1981 with old friend Bruce Watson and, from 1982, rhythm section Tony Butler and Mark Brzezicki, Big Country proved a fascinating proposition, adding punk, new wave and even new romantic elements to heavy, meaning-laden pop/rock with a passionate Celtic slant and fierce integrity

Using effects, Adamson and Watson's chiming guitars evoked traditional Scottish instruments. This was unique and proved highly influential. Within a year of their first release, many existing bands began to emulate the group's sound. Nobody achieved it quite like Big Country.Released in July 1983, The Crossing is, for many, the band's greatest album. At once of its time yet completely out of step with what was then happening, its traditional, well-made songs and sounds took it to No. 3 in the UK charts and into the US Top 20. Produced by Steve Lillywhite, it features four of the group's best- known songs, In A Big Country, Fields Of Fire (400 Miles), Harvest Home and Chance.

TRACK LISTING

In A Big Country
Inwards
Chance
1000 Stars
The Storm
Harvest Home
Lost Patrol
Close Action
Fields Of Fire
Porrohman

Factory Benelux presents a new 3 disc black vinyl edition of Harmony, the debut album by influential Scottish group The Wake. Originally released by Factory Records in December 1982, this new expanded edition marks the 40th anniversary of this landmark post-punk album.

The Wake formed in Glasgow in 1981 after singer/guitarist Caesar left Altered Images, and joined Factory the following year. Harmony was recorded at Strawberry Studios in Stockport with producer Chris Nagle (formerly Martin Hannett’s preferred engineer), by which time the group comprised Caesar (vocals, guitar), Carolyn Allen (keyboards), Steven Allen (drums) and Bobby Gillespie (bass). On release as Fact 60 the original 7 track mini album earned a 5 star review in Sounds magazine, hailed as the missing indiepop link between Factory and Postcard Records.

CD Edition:
Bonus tracks on CD1 include The Wake’s dub-informed second single, Something Outside, rare debut single On Our Honeymoon, and also their John Peel session from July 1983 – the last recordings to feature Gillespie before his departure for The Jesus and Mary Chain and Primal Scream.

CD2 is a fascinating collection of 21 lost recordings compiled from live and demo cassettes located in the Rob Gretton tape archive, all taped between 1981 and 1983.

The enhanced artwork for this new edition includes images of the band by noted photographer Paul Slattery, taken at the Mitchell Library in Glasgow, as well as new liner notes by Caesar.

Vinyl Edition:
Bonus tracks on Disc 2 include The Wake’s dub-informed second single, Something Outside b/w Host, and also their John Peel session from July 1983 – the last recordings to feature Gillespie before his departure for The Jesus and Mary Chain and Primal Scream.

Disc 3 offers a desk recorded live set from Ayr Pavilion on 15 April 1983 during a tour with New Order. The concert includes several songs never recorded in the studio, including Recovery and Country of the Blind.

The enhanced trifold artwork for this new edition includes images of the band by noted photographer Paul Slattery, taken at the Mitchell Library in Glasgow, as well as new liner notes by Caesar.

TRACK LISTING

CD1 Tracklist (Harmony + Singles):
1. Favour
2. Heartburn
3. An Immaculate Conception
4. Judas
5. Testament
6. Patrol
7. The Old Men
8. Chance
9. Something Outside
10. Host
11. The Drill
12. Uniform
13. Here Comes Everybody
14. On Our Honeymoon
15. Give Up
CD2 Tracklist (Lost Recordings 1981-83):
1. Move With The Times 2.36
2. Communion 2.39
3. No More Green Space 2.48
4. Move With The Times (reprise) 0.46
5. Move With The Times 2.35
6. Cold Home 3.03
7. Communion 2.19
8. No More Green Space 2.07
9. Patrol 1.55
10. Give Up 2.04
11. Careering 2.34
12. Favour 2.21
13. Cold Home 2.22
14. Forced To Think 1.40
15. Patrol 2.38
16. Give Up 2.01
17. Move With The Times 2.04
18. An Immaculate Conception 3.47
19. Chance 3.49
20. Judas 3.49
21. Company 4.07

Vinyl Tracklist:
A1. Favour
A2. Heartburn
A3. An Immaculate Conception
A4. Judas
B1. Testament
B2. Patrol
B3. The Old Men
B4. Chance
C1. Something Outside
C2. Host
D1. The Drill (Peel)
D2. Uniform (Peel)
D3. Here Comes Everybody (Peel)
E1. Heartburn (live)
E2. Host (live)
E3. Recovery (live)
E4. Uniform (live)
F1. The Old Men (live)
F2. Something Outside (live)
F3. Country Of The Blind (live)
F4. The Drill (live)

In the finest tradition of BBE Music’s J Jazz Masterclass Series, we have a real obscurity of quality to savour. Taken from the rare 1978 private press album ‘Introducing’ by the Hideyasu Terakawa Quartet featuring Hiroshi Fujii, this private press gig recording was originally released in less than 100 copies. This BBE Music edition is the first time this very rare album has ever been reissued. Led by saxophonist Hideyasu Terakawa alongside bassist Tetsuo Miura and drummer Aki- hiro "Thunder" Nakaya, the album was recorded live in concert as Terakawa stopped by at the jazz spot DIG in Masuda City, Japan, on the first of a seven-day regional tour in October 1978. Joining the trio was the featured guest, vibist Hiroshi Fujii. According to Fujii, “a special label, Red Horison, released only this one album and it was sold at a few local record stores and available for sale when we played live. After this live recording, I did not perform with Terakawa again.” The current whereabouts of saxophonist Hideyasu Terakawa remain a mystery but we are delighted to be able to present this wonderful album to a new audience. Unlike previous J Jazz Masterclass releases, the album contains no original compositions but rather fascinating interpretations of material by leading American jazz composers such as Wayne Shorter (Black Nile, as featured on J Jazz vol 3), Frank Foster (Simone) and Milt Jackson and Jimmy Heath (Rerev).

TRACK LISTING

Disc: 1
1. Rerev
2. I Remember Clifford
3. Stella By Starlight

Disc: 2
1. Simone
2. Black Nile

Nigeria 70: Lagos Jump, another essential box of West African dynamite with the emphasis firmly on the dancefloor. From the heavy jazz of Peter King to Bola Johnson’s scratchy Afro funk and the rolling grooves of juju legend Sir Shina Peters, the album captures a rich and unique era in West African music.

TRACK LISTING

A1 Bola Johnson & His Easy Life Top Beats - Ezuku Buzo
A2 Ify Jerry Krusade - Everybody Likes Something Good
A3 Sir Shina Peters & His International Stars - Yabis
A4 Olufemi Ajasi & His New Nigerian Bros - Aiye Le
B1 Ashanti Afrika Jah - Onyame
B2 Sir Victor Uwaifo & His Melody Maestroes - Dododo (Ekassa No 1)
B3 Peacocks Guitar Band - Eddie Quansa
B4 Rex Williams - You Are My Heart
C1 Peter King - African Dialects
C2 Cheif Checker - Ire Africa
C3 Eddie Okwedy - Happy Survival
D1 Tony Tete Harbor And The Star Heaters Of Nigeria - Tete Muo Bo Muo
D2 Eric (Showboy) Akaeze And His Royal Ericos - Wetin De Watch Goat, Goat Dey Watcham
D3 The Immortals - Hot Tears 

The members of short lived Palm Desert, CA stoner/desert rock trailblazers Kyuss went their separate ways in 1995 after only four genre defining albums with Josh Homme and Nick Oliveri forming Queens of the Stone Age, John Garcia founding groups Unida, Slo Burn, and Hermana, and Brant Bjork joining Fu Manchu. 2000 posthumous compilation Muchas Gracias: The Best of Kyuss gathered a selection of 15 rare tracks, B-sides and live cuts. Run Out Groove offers up a colored 2LP pressing of the hard to find album with deluxe packaging.

TRACK LISTING

Side A
1 Un Sandpiper 8:16
2 Shine 5:55
3 50 Million Year Trip (Downside Up) 5:45
4 Mudfly 2:26
Side B
1 Demon Cleaner 5:20
2 A Day Early And A Dollar Extra 2:17
3 I’m Not 4:30
4 Hurricane 2:42
Side C
1 Flip The Phase 2:16
2 Fatso Forgotso 8:34
3 El Rodeo 5:36
Side D
1 Gardenia (Live) 6:46
2 Thumb (Live) 4:38
3 Conan Troutman (Live) 2:18
4 Freedom Run (Live) 7:54

With Coexist, The xx defied any perceived "difficult second album" pressures to create a record that cemented their status as a truly global breakout act. On the follow up to their acclaimed, era-defining debut, the London based trio of Romy Madly Croft, Oliver Sim and Jamie Smith (aka Jamie xx) continued to deal in compelling, sparse atmospherics but expanded their musical world, especially through producer Jamie's growing electronic sound palette.

Coexist surpassed expectations to become the best-selling vinyl record of 2012. Meanwhile, the band progressed from playing intimate venues to becoming an international must-see live act, curating their own festivals and collaborating with symphony orchestras. A final ambitious run of 25 shows at New York's legendary Armory venue rounded off the album campaign, witnessed by fellow artists (such as Beyonce, Jay-Z and Madonna) and fans alike.

TRACK LISTING

Angels
Chained
Fiction
Try
Reunion
Sunset
Missing
Tides
Unfold
Swept Away
Our Song

With the release of their self-titled debut album in 1972, Cymande emerged as innovators of the black British music scene. Taking influences from their Guyanese and Jamaican roots, the band fused reggae bass lines, Afro-tinged Nyabinghi percussion, psychedelic touches, and American-style funk into a unique sound they’ve since dubbed as “Nyah-rock.” While they were embraced in the US, back home they were largely ignored and soon forgotten by a music business beset by prejudice against homegrown black talent.

Cymande split in 1975 after releasing three albums in quick succession, but their music lived on as successive generations of artists and fans found and embraced their songs. Their far-reaching influence can be heard in the countless samples taken from their music over the last four decades, from pioneering DJs like DJ Kool Herc and Grandmaster Flash, to De La Soul, The Wu-Tang Clan, Gang Starr, EPMD, Sugar Hill Gang, Fatboy Slim, and The Fugees -- to name a few. They stand today as one of the most revered and sampled bands in the history of Hip Hop, House, and Dance.

Newly remastered at Abbey Road Studios and available for the very first time on translucent, orange crush vinyl. ‘Cymande’ features several of the band’s best known - and oft-sampled - classics like “Dove,” “The Message” and more.

TRACK LISTING

A1 Zion I
A2 One More
A3 Getting It Back
A4 Listen
A5 Rickshaw
B1 Dove
B2 Bra
B3 The Message
B4 Rastafarian Folk Song

To celebrate the 15th anniversary of their debut album, ‘St. Jude’, Courteeners release the 15th Anniversary Edition of the iconic album.

The album originally peaked in the UK album chart at #4 in April 2008, so the aim is to surpass the previous peak position.

TRACK LISTING

2LP COLOURED VINYL (INDIES EXCLUSIVE):
LP1 Side A
Aftershow
Cavorting
Bide Your Time
What Took You So Long
Please Don't
If It Wasn't For Me
LP1 Side B
No You Didn't, No You Don't
How Come
Kings Of The New Road
Not Nineteen Forever
Fallowfield Hillbilly
Yesterday, Today & Probably Tomorrow

LP2 Side A
Cavorting (Original Recording)
No You Didn't, No You Don't (Original Recording)
Acrylic
Kimberley
An Ex Is An Ex For A Reason
LP2 Side B
Bide Your Time (Acoustic)
Acrylic (Acoustic)
What Took You So Long? (Acoustic)
Not Nineteen Forever (Acoustic)
No You Didn’t, No You Don’t (Acoustic)
That Kiss (Acoustic)

2CD TRACKLISTING:
CD1
Aftershow
Cavorting
Bide Your Time
What Took You So Long
Please Don't
If It Wasn't For Me
No You Didn't, No You Don't
How Come
Kings Of The New Road
Not Nineteen Forever
Fallowfield Hillbilly
Yesterday, Today & Probably Tomorrow
Acrylic
That Kiss
It’ll Take More Than A Weekend Away To Fix This Mess
Smith’s Disco
Trying Too Hard To Score
Slow Down
Not One Could I Give

CD2
Jacket
Saw This And Fort Of You
Car 31
I’m Sticking With You
About You Now
Dream A Little Dream Of Me
New Romantic
Out To Get You
Cavorting (Original Recording)
No You Didn't, No You Don't (Original Recording)
Kimberley
An Ex Is An Ex For A Reason
Bide Your Time (Acoustic)
Acrylic (Acoustic)
What Took You So Long? (Acoustic)
Not Nineteen Forever (Acoustic)
No You Didn’t, No You Don’t (Acoustic)
That Kiss (Acoustic)

Queens Of The Circulating Library stands alongside Time Machines and Nurse With Wound’s Soliloquy For Lilith as a post-industrial pinnacle of sensory-warping long-form drone. Crafted by the distilled duo of Thighpaulsandra and John Balance, the 49-minute piece unfurls in swirling, cyclical waves, tidal as much as textural, channeling the spirit of levitational minimalism pioneered by La Monte Young. Touted as the first part in "a continually mutating series of circulating musickal compositions” upon its initial release in 2000, the album remains a compelling case study in Coil’s exceptional capacity for mutation and extremes.

The theatrical introductory monologue delivered by Thighpaulsandra’s mother – a career opera singer, in her 80’s at the time of recording – sets the stage for a grandiose ascension. Written by Balance, the text is declamatory but dreamlike, refracted through megaphone echo: “Return the book of knowledge / Return the marble index / File under "Paradox" / The forest is a college, each tree a university.” As her voice fades, the lulling synthetic infinity deepens, congealing into transient crests of volume and haze, like slow-motion surf misting in moonlight. Thighpaulsandra describes their aesthetic intention as a “bliss out,” static but shape-shifting, an amniotic drift towards an eternal vanishing point. A supreme sonic embodiment of the slogan on the sleeve of Time Machines, two years prior: "Persistence is all."

TRACK LISTING

Side A
Queens Of The Circulating Library
Side B
Queens Of The Circulating Library

Count Ossie is the central character in the development of Rastafarian roots music, nowadays an almost mythical and iconic figure. His importance in bringing Rastafarian music to a populist audience is matched only by Bob Marley’s promotion of the faith internationally in the 1970s.

Count Ossie’s drummers performed on the first commercially released single to integrate Rastafarian traditional music with popular music: the vocal group The Folkes Brothers’ groundbreaking song ‘Oh Carolina’, recorded for producer Prince Buster in 1959. In 1966 his drummers greeted the momentous arrival of Haile Selassie at Kingston airport.

His legendary jam sessions up in his Rastafarian compound in the hills of Wareika, Kingston, are famous for the many Jamaican musicians who attended including The Skatalites players - Roland Alphonso, Don Drummond, Johnny Moore, Lloyd Knibbs - and many others.

The Mystic Revelation of Rastafari formed in Kingston, Jamaica, in 1970, a union of Count Ossie’s Rastafarian drummers - variously known as his African Drums, Wareikas or his Afro-Combo - and the saxophonist Cedric Im Brooks’ horns group, The Mystics.

The Mystic Revelation of Rastafari are the defining group in bringing authentic Rastafarian rhythms into the collective consciousness of popular music, their unique music is at once rooted in the deep traditions and rituals of traditional drumming and chanting alongside a forward-thinking, even avant-garde, artistry influenced by the likes of John Coltrane, Sun Ra, Pharoah Sanders and other pioneering African-American jazz artists radicalised and charged by the civil rights movement of the 1960s.

TRACK LISTING

Sam's Intro
Tales Of Mozambique
Selam Nna Wadada (Peace
And Love)
No Night In Zion
I Am A Warrior
Wicked Babylon
Let Freedom Reign
Lock, Stock & Barrell
Nigerian Reggae
Run One Mil
Rasta Reggae
Samia

Nixon was released in 2000 and immediately enshrined by the British music press. Uncut named it album of the year, Mojo ranked it 10th, and Q was still doing their lists alphabetically. The NME called Nixon “near to perfect” and the Guardian said that the band was “reinventing American music.”

Meanwhile, most people in America continued to have no idea who Lambchop were. (“I don’t think [Nixon] made much of an impression on anyone over here,” Wagner told a seemingly baffled interviewer in spring, 2001.) Lambchop’s take on America—sly, tender, mysterious but mundane—is less a realist’s portrait than a surrealist’s impression: funnier, more pathetic, more improbable than what actually exists. In 2007 I met a German man named Frank who told me he loved seeing the band overseas because it meant getting to sit in a plush, quiet room while drinking tons of beer and listening to Lambchop, which I guess he imagined Americans were mellow enough to actually do.

Nixon is still an improbable album. The band never sounds like they’re trying very hard and yet every song breaks some convention or another. Despite its showbiz arrangements, the music is tenuous and weird (a contrast that the band toyed with again on 2012's Mr. M), and Wagner’s falsetto—usually the most vulnerable part of a man’s singing range—sounds less like a Romeo than some karaoke loser scrapping for the mic at last call. He says he regrets ever calling Lambchop a country band, and with good reason: Nixon isn't the music of the people, it's the music of the people who showed up, said hello, stood in the corner and left without saying goodbye. (When an interviewer asked Wagner how he felt about the album’s overwhelming reception in the UK, he said, “I’m not sure that’s something to be proud of. I think there are other things in your life you could be more proud of. Like having kids.”) If there's a connection to country, it's spiritual: Nixon finds its humor in self-deprecation and its soul in things broken and left behind.

TRACK LISTING

A1 The Old Gold Shoe
A2 Grumpus
A3 You Masculine You
A4 Up With People
B1 Nashville Parent 
B2 What Else Could It Be
B3 The Distance From Her....
B4 The Book I Havent Read
B5 The Petrified Forest
B6 Butcher Boy

Rough Trade Records commemorate the 10th anniversary of Alabama Shakes’ internationally acclaimed debut album, Boys & Girls, with a two-disc deluxe edition.

Hailed as one of the best albums of 2012 by Rolling Stone and numerous other publications, Boys & Girls entered Billboard’s Independent Albums chart at No. 1. It went on to attain Platinum certification and earn the band multiple GRAMMY nominations. Lead single “Hold On" was voted the #1 Best Song of 2012 by Rolling Stone..

Repackaged in a foil-board gatefold jacket with new, unreleased photos, Boys & Girls 10 Year Anniversary Deluxe Edition contains the album’s original 11 songs plus an additional 11 tracks from the band’s explosive live performance on KCRW’s “Morning Becomes Eclectic,” which aired in the months leading up to the album’s release.

TRACK LISTING

Hold On
I Found You
Hang Loose
Rise To The Sun
You Ain't Alone
Goin' To The Party
Heartbreaker
Boys & Girls
Be Mine
I Ain't The Same
On Your Way

Hang Loose (Live At KCRW)
I Found You (Live At KCRW)
Be Mine (Live At KCRW)
I Ain’t The Same (Live At KCRW)
Mama (Live At KCRW)
Goin’ To The Party (Live At KCRW)
Hold On (Live At KCRW)
Boys & Girls (Live At KCRW)
Always Alright (Live At KCRW)
Rise To The Sun (Live At KCRW)
Heavy Chevy (Live At KCRW)

Strut present the official reissue of a landmark album in the field of African music, Mulatu Astatke’s ‘Mulatu Of Ethiopia’ from 1972. Recorded in New York, the album arrived at a time when Astatke had begun to master the delicate fusion of styles needed to create Ethio jazz. “I left the UK for America and studied at Berklee College in Boston. I learnt the technical aspects of jazz and gained a beautiful understanding of many different types of music. That’s where I got my tools. Berklee really shook me up.”

Journeying regularly to the Big Apple to play and watch live shows at the Cheetah, the Palladium and the Village Gate, Astatke met producer Gil Snapper on the circuit. “Gil was a nice and very interesting guy. He produced music and worked with all kinds of musicians.” The meeting would lead to a series of albums on Snapper’s Worthy label, Astatke began to hone his sound, infusing funk and Azmari “chik- chikka” rhythms into the mix. Returning to a downtown Manhattan studio with Snapper and working with some of the city’s top young jazz and latin session players, ‘Mulatu Of Ethiopia’ began to take shape. “We rehearsed for 3-4 weeks,” remembers Astatke. “it took them a while to get the right feeling in the music.”

The resultant album represented the first fully formed document of Astatke’s trademark Ethio jazz sound. It features ‘Kulunmanqueleshi’, ‘Dewel’, and ‘Kasalefku-Hulu’, tracks that Mulatu would return to regularly on singles and in live shows, the Ethio- Latin workout ‘Chifara’ and the self-titled groover ‘Mulatu’ (“I wanted to make a track for.... myself!”).

TRACK LISTING

A1. Mulatu
A2. Mascaram Setaba
A3. Dewel
B1. Kulunmanqueleshi
B2. Kasalefkut-hulu
B3. Munaye
B4. Chifara

Fela Kuti (1938-1997) was a Nigerian musician, producer, arranger, political radical, outlaw and the originator of Afrobeat. A titanic musical and sociopolitical voice, Fela’s legacy spans decades and genres, touching on jazz, pop, funk, hip-hop, rock and beyond.

“Shakara” is the 6th in the series of celebratory Fela 50th Anniversary reissues. Like its predecessors in the series, this version will be on colour vinyl and the LP will be wrapped in a gold foil obi strip with a brief essay on the album and Fela's global impact on music. Like Fela's other early 70's releases, he used each side of his LPs to create a deep groove that pulls the listener in and follows with metaphoric lyrics that call out and critique the corrupt hangover of colonialism.

The album is the sound of Afrobeat's maturation as a global music. Fela's Pidgin English lyrics extend his music's audience beyond Yoruba speakers and make his words understandable across the Anglophone world. In "Lady," Fela highlights the adoption of European social habits to the detriment of African culture. "Shakara" is a mainly instrumental track, with a brief lyric, sung in Yoruba, warning against boasters and braggarts. The song pacing is festive and typically up tempo, with boisterous horn arrangements, with strong solos from Fela on keyboards and the fearsome Igo Chico on tenor saxophone.

TRACK LISTING

LP SIDE A:
1. Lady
LP SIDE B:
1. Shakara

7" SIDE A:
1. Lady (Ezra Collective Remix)
7" SIDE B:
1. Shakara (Ezra Collective Remix)

Love And Rockets is the seminal, groundbreaking trio of Daniel Ash (vocals and guitar), David J (vocals and bass) and Kevin Haskins (drums). They formed in 1985 after the first split of their band Bauhaus. Love and Rockets provided a clean slate and an opportunity to plumb the depths of imagination and influences.

Express is a unique, mystical and transcendental travelogue of sorts. The original press release for the album said that "the balance of light and dark, positive and negative, yin and yang, is a recurring theme". In 2020, NPR, referring to the album, stated that their "psychedelic train ride laid the foundation for alt-rock". This is a single black LP with a standard sleeve

TRACK LISTING

1. It Could Be Sunshine
2. Kundalini Express
3. All In My Mind
4. Life In Laralay
5. Yin And Yang (The Flowerpot Man)
6. Love Me
7. All In My Mind
8. An American Dream

Love And Rockets is the seminal, groundbreaking trio of Daniel Ash (vocals and guitar), David J (vocals and bass) and Kevin Haskins (drums). They formed in 1985 after the first split of their band Bauhaus. Love and Rockets provided a clean slate and an opportunity to plumb the depths of imagination and influences.

The band’s 1985 debut album Seventh Dream of Teenage Heaven was an unashamedly psychedelic adventure, far removed from the dark, angular soundscapes of Bauhaus. Yet they had to fight hard to avoid being branded ‘goth’, citing Syd Barrett, Marc Bolan and the later period Beatles as primary influences. This is a single black LP with a gatefold sleeve

TRACK LISTING

1. If There's A Heaven Above
2. A Private Future
3. The Dog-end Of A Day Gone By
4. The Game
5. Seventh Dream Of Teenage Heaven
6. Haunted When The Minutes Drag
7. Saudade

Mick Harvey’s acclaimed One Man's Treasure, originally released in 2005, is a collection of original tracks alongside covers of tracks chosen for Mick’s personal connection with each track. These covers include First St. Blues by country-pop singer Lee Hazelwood, Tim Buckley’s The River, and Mother Of Earth by Jeffrey Lee Pierce of The Gun Club. The creation of One Man's Treasure unravelled spontaneously, the majority of the album was recorded at Harvey’s home studio with him explaining, “It was something I was doing to entertain myself.” After receiving words of encouragement from Mute’s Daniel Miller, Harvey subsequently finished One Man’s Treasure at Atlantis Studios in Melbourne, using his time there to add instrumental and mixing refinements.

The second album included is Harvey’s Two Of Diamonds, released in 2007. Following the positive reaction to One Man's Treasure, Harvey was reinvigorated to record a new album. This time his band accompanied Harvey: Rosie Westbrook (double bass) and fellow Bad Seeds James Johnston (organ and guitar) and Thomas Wydler (drums), along with guest musicians Rob Ellis from P.J. Harvey's band (piano/drums) and Julitha Ryan (piano) of Melbourne’s Silver Ray. In true Mick Harvey fashion, Two of Diamonds is an eclectic collection of songs: obscure classics combined with original Harvey compositions, including ‘Out of Time Man’ which featured prominently in various TV Series including Breaking Bad, Orphan Black and The Tourist. Arrangements were kept straightforward, in a deceptively effortless manner, for an emotionally powerful punch, passionately delivered from the heart.

TRACK LISTING

A1 First St.Blues
A2 Come Into My Sleep
A3 Louise
A4 Demon Alcohol
A5 Man Without A Home
B1 Planetarium
B2 The River
B3 Hank Williams Said It Best
B4 Bethelridge
B5 Will You Surrender?
C1 Photograph
C2 I Don't Want You On My Mind
C3 Sad Dark Eyes
C4 Come On Spring
C5 Mother Of Earth
C6 Blue Arrows
D1 Everything Is Fixed
D2 A Walk On The Wild Side
D3 Little Star
D4 Slow-Motion-Movie-Star
D5 Out Of Time Man
D6 Home Is Far From Here

Originally released on 2nd May 2011, Mick Harvey’s sixth studio solo album Sketches From The Book Of The Dead is being reissued on clear vinyl, alongside 2013’s Four (Acts of Love), with Delirium Tremens and Intoxicated Women set to follow later in 2023.

Sketches From The Book Of The Dead is Mick Harvey's first fully self-penned album; the 11-track album was recorded and mixed with David McCluney at Atlantis Sound, Port Melbourne with additional recording at Harvey's own Grace Lane music room. The record sees Mick Harvey (playing most of the instruments) joined by Rosie Westbrook on double bass and J.P. Shilo on accordion and violin, with Xanthe Waite contributing occasional ethereal backing vocals. Containing an extraordinary investigation into a rarely scrutinised area of the human condition, Sketches From The Book Of The Dead is a truly unique piece of work.

TRACK LISTING

A1. October Boy
A2. The Ballad Of Jay Givens
A3. Two Paintings
A4. Rhymeless
A5. Frankie T. & Frankie C.
B1. A Place Called Passion
B2. To Each His Own
B3. The Bells Never Rang
B4. That's All, Paul
B5. How Would I Leave You?

Originally released on 29th April 2013, Mick Harvey’s sixth studio solo album Four (Acts of Love) is being reissued on clear vinyl, alongside 2011’s Sketches From The Book Of The Dead, with Delirium Tremens and Intoxicated Women set to follow in mid 2023.

Four (Acts of Love) is a contemplation on romantic love - its loss, re-awakening, its tumultuous struggle and its place in our universe. The album is a song cycle, divided into 3 Acts, featuring original compositions by Mick Harvey alongside a song by long time collaborator PJ Harvey (Glorious) and interpretations of The Saints’ The Story of Love, Van Morrison’s The Way Young Lovers Do, Exuma’s Summertime in New York and Roy Orbison’s Wild Hearts (Run Out of Time). Recorded at Grace Lane, North Melbourne and Atlantis Sound, Melbourne, Four (Acts of Love) features regular collaborators Rosie Westbrook on double bass and JP Shilo on guitar and violin.

TRACK LISTING

A1. Praise The Earth (Wheels Of Amber And Gold)
A2. Glorious
A3. Midnight On The Ramparts
A4. Summertime In New York
A5. Where There's Smoke (Before)
A6. God Made The Hammer
A7. I Wish That I Were Stone
B1. The Way Young Lovers Do
B2. A Drop, An Ocean
B3. The Story Of Love
B4. Where There's Smoke (After)
B5. Wild Hearts
B6. Fairy Dust
B7. Praise The Earth (An Ephemeral Play)

Vivian Comma paints the Madonna, visibly on the verge of fainting. Christopher Wren walks amongst us once more, forswearing designing cathedrals for singing them. One half of the 1973 Mauritian Badminton Doubles Champions has a perfect serve. The boy who inhabits Track Three of John Lennon’s Imagine repeat-dials, passive-aggressively, to Tiree. A funeral, swinging to the Gay Gordons. A latter-day Paul the Apostle is offended by the sight of Edinburgh Castle – and, infinitesimally worse, can’t finish a beer.

These are the people and places, scenes and scenarios of the songs of Hamish Hawk.

Rich of voice and even richer of imagination, the singer-songwriter from Edinburgh creates musical pen-portraits as vivid in lyric as they are in melody. In all the wholly best ways, these are chamber pop songs that have swallowed both a dictionary and a compendium of modern urban (and island) fairy tales. And, on Heavy Elevator, his first fully-formed album, this prolific artist presents a perfect ten tracks packed with characters, incident, emotion, geographical/artistic references and tunes to hang your coat on.

Heavy Elevator, released on September 17th 2021, is the critically-acclaimed breakthrough album from Edinburgh’s Hamish Hawk.

TRACK LISTING

1. Vivian Comma
2. This, Whatever It Is, Needs Improvements
3. The Mauritian Badminton Doubles Champion, 1973
4. Bakerloo, Unbecoming
5. Your Ceremony
6. Caterpillar
7. Daggers
8. Heavy Elevator
9. Calls To Tiree
10. New Rhododendrons 

Celebrating 30 years of Tori Amos’ debut solo album ‘Little Earthquakes.’ Amos became the voice of a generation of young girls when she delivered her first solo record in 1992. Each of the tracks on Little Earthquakes painted an evocative picture, and the album delivered 5 singles: “Crucify,” “Silent All These Years,” “Winter,” “China,” “Me and A Gun.”

The album has already received the deluxe treatment in 2006, and this 2-LP is the first time the tracks have been remastered for this format, lovingly remastered by Jon Astley at Abbey Road Studios. In 2022, to coincide with the 30th anniversary of the record, Z2 announced a graphic novel of the album. 

TRACK LISTING

LP 1
Side A
Crucify (4:58)
Girl (4:06)
Silent All These Years (4:11)
Side B
Precious Things (4:26)
Winter (5:41)
Happy Phantom (3:13)
LP 2
Side A
China (4:59)
Leather (3:12)
Mother (6:59)
Side B
Tear In Your Hand (4:38)
Me And A Gun (3:44)
Little Earthquakes (6:52)

Remastered by Dieter Dierks and Dennis Flüchter.

Wegmüller was born in Bern, the son of Romani travellers, and grew up in homes and farms with foster parents. He traveled around Europe and India, making paintings and jewelry. He settled in Basel in 1957 and became an expert on the tarot.

Working as a visual artist, Wegmüller designed a set of 22 tarot cards. His friend Timothy Leary introduced him to Rolf-Ulrich Kaiser of Ohr Records in Germany, and it was agreed that Wegmüller record an album on the theme of tarot, with musicians Klaus Schulze, two members of Ash Ra Tempel, Manuel Göttsching and Hartmut Enke, and other musicians collectively known as The Cosmic Jokers. The album was recorded in 1972 and released in 1973, with an elaborate package that included a set of Wegmüller's cards. Wegmüller recites stories about each of the tarot cards on the album, which also contains lengthy instrumental passages.

TRACK LISTING

Disc# 1:
01. Der Narr
02. Der Magier
03. Die Hohepriesterin
04. Die Herrscherin
05. Der Herrscher
06. Der Hohepriester
07. Die Entscheidung
08. Der Wagen
09. Die Gerechtigkeit
10. Der Weise
11. Das Glücksrad
12. Die Kraft

Disc #2:
01. Die Prüfung
02. Der Tod
03. Die Mäßigkeit
04. Der Teufel
05. Die Zerstörung
06. Die Sterne
07. Der Mond
08. Die Sonne
09. Das Gericht
10. Die Welt

( ) - Sigur Rós’s celebrated third album, and for many the most quintessentially “Sigur Rós” record, hits its 20th anniversary on October 28th 2022. The album has been remastered by legendary mastering engineer Ted Jenson at Sterling Sound.

Originally released back in 2002 the CD has been reissued as a double and for the first time ever includes a disc of rarities and B-sides.

( ) is the only album where Jónsi sings entirely in the wordless lyrics of Hopelandic. A desire to elide meaning and allow the listener to bring their own interpretation to the music extends to each of the album’s eight songs, all of which are nameless. The record is broadly divided into two halves, divided by a critical 36 seconds of silence. The first half of the album is light and optimistic, the second half bleak and melancholic, culminating in the thundering climax of Untitled #8 – the closing song of every Sigur Rós show since it was written in 2000.

( ) was recorded at the band’s own studio Sundlaugin, in Mosfellsbær outside Reykjavik, in 2002, co-produced by the band with Ken Thomas, who also helmed their breakthrough second album, Agætis Byrjun.

TRACK LISTING

Untitled #1
Untitled #2
Untitled #3
Untitled #4
Untitled #5
Untitled #6
Untitled #7
Untitled #8

2CD Bonus Disc:
Untitled #9 (smaskifa 1) 
Untitled #9 (smaskifa 2) 
Untitled #9 (smaskifa 3) 
Untitled #7 (jacobs Studio Sessions)
Untitled #8 (jacobs Studio Sessions) 
Untitled #6 (jacobs Studio Sessions) 

First-ever vinyl reissue of 2009’s Imidiwan: Companions by acclaimed Saharan Tuareg group Tinariwen. Pressed on 180-gram heavyweight vinyl, the album hypnotically blends Malian desert blues with twanging guitar-led Tichumaren agit-prop to create a sound altogether unique.

TRACK LISTING

Side A
1 Imidiwan Afrik Tendam
2 Lulla
3 Tenhert
4 Enseqi Ehad Didagh
5 Tahult In
6 Tamodjerazt Assis
7 Intitlayaghen
Side B
1 Imazeghen N Adagh
2 Tenalle Chegret
3 Kel Tamashek
4 Assuf Ag Assuf
5 Chabiba
6 Ere Tasfata Adounia

The debut album from this band that's made up of four soft spoken Texas lads. Steeped in sentimental melodies and dreamy soundscapes, each song lifts you in the air and carries you away, layers of chiming guitars become layers of metallic annihilation in the blink of an eye. Total silence to total violence, enjoy the ride!!!!

Swans’ live album, ‘Public Castration Is A Good Idea’, originally released as a bootleg in 1986, is now available officially for the first time ever, via Mute and Young God Records.

Led by Michael Gira, Swans formed in 1982 and produced a series of diverse albums before their dispersion in 1997 and after their reformation in 2010. During this time Swans have made their mark as masters of their craft and have since become an influential band for countless experimental and post rock acts.

The record includes a number of live recordings from shows across multiple venues in the UK in support of the release of ‘Holy Money’ in 1986, featuring tracks from that album along with ‘Greed’. 

“... there's no denying the intrinsic entertainment value of having a copy of ‘Public Castration Is A Good Idea’ around the house. The title alone is enough to freak out your parents and roommates; imagine what'll happen if you actually play it for them.” - Pitchfork.

TRACK LISTING

Money Is Flesh
Fool
A Screw
Anything For You
Coward
A Hanging
Stupid Child
Another You

The Communards and London Records release a 35 year anniversary edition of their sophomore album ‘Red’ featuring the hit & cult classic ‘Never Can Say Goodbye’.

Upon the release in 1987, it’s since earned platinum status and sold over 300,000 copies worldwide.

TRACK LISTING

Double Coloured Vinyl Tracklisting

A
1. Tomorrow
2. T.M.T. Love T.B.M.G.
3. Matter Of Opinion
4. Victims
5. For A Friend
B
1. Never Can Say Goodbye
2. Lovers And Friends
3. Hold On Tight
4. If I Could Tell You
5. C Minor
C
1. I Just Want To Let You Know
2. Scat
3. 77 The Great Escape
4. I Do It All For You
5. Zing Went The Strings Of My Heart
6. When The Boy In Your Heart Is The Boy In You Arms
7. Piece Of Saxophone
D
1. Tomorrow (Stephen Lipson Extended Version)
2. There’s More To Love (Jalapeno Mix)
3. Never Can Say Goodbye (San Paulo Mix)

Black Vinyl Edition Tracklisting
A
1. Tomorrow
2. T.M.T. Love T.B.M.G.
3. Matter Of Opinion
4. Victims
5. For A Friend
B
1. Never Can Say Goodbye
2. Lovers And Friends
3. Hold On Tight
4. If I Could Tell You
5. C Minor

Expanded CD Tracklisting
CD1

1. Tomorrow 4:52
2. T.M.T. T.B.M.G. 4:28
3. Matter Of Opinion 4:27
4. Victims 4:32
5. For A Friend 5:03
6. Never Can Say Goodbye 4:53
7. Lovers And Friends 4:16
8. Hold On Tight 4:49
9. If I Could Tell You 4:17
10. C Minor 5:11
11. I Just Want To Let You Know 3:25
12. Scat 3:29
13. ‘77 The Great Escape 2:17
14. I Do It All For You 5:07
15. Romanze For Violin, Piano And Hedgehog 4:26
16. Zing Went The Strings Of My Heart 2:45
17. When The Boy In Your Heart Is The Boy In Your Arms 2:24
18. Never Can Say Goodbye (Spanish Vocal) 4:50
19. Piece Of Saxophone 3:29
CD2
1. Never Can Say Goodbye (The 2 Bears Remix) 9:59
2. There’s More To Love (Jalapeño Mix) 7:47
3. Tomorrow (Overnight Mix) 5:27
4. For A Friend (Remix) 5:02
5. Never Can Say Goodbye (Shep Pettibone Extended Mix) 11:14
6. C Minor (Live) 3:36
7. Victims (Storm Paris) 5:16
8. Hold On Tight (Storm Paris) 3:48
9. There’s More To Love (Percapella) 5:07
10. Tomorrow (demo) 4:54
11. Never Can Say Goodbye (rough Mix) 4:54
12. For A Friend (Rough Mix) 4:34
13. Hold On Tight (demo) 4:40

Modulo 1000 were not messing around when they made 'Nao Fale Com Paredes'

It holds its own, not just as a raw, heavy, experimental Brazilian psychedelic rock album, but as a raw, heavy, experimental psychedelic rock album, full- stop! Formed in Rio de Janeiro in 1969, Modulo 1000 honed their craft as the house band in clubs and resorts in Sao Paulo where they predominantly covered American artists such as Jimmy Hendrix as well as British giants, Led Zeppelin. After acquiring a taste for fame following the performance of one of their tracks at the Rio International Song Festival, the band focussed their attention on composing original material. Their manager, Marinaldo Guimares, encouraged the band to explore their experimental and creative sides. This, in parallel with the explosion of experimental music in Brazil, resulted in the band performing alongside heavyweights such as O Terco; there was a happening in the air.

Modulo 1000 recorded just one album. Released on Top Tape records in 1972, it featured Eduardo Leal on bass, Candido Faria on drums, Daniel Cardone on guitar, violin and vocals, and Luiz Paulo Simas on organ, piano, and vocals. 'Nao Fale Com Paredes' was produced by the popular DJ, Ademir Lemos, and came housed in a fold- out cover featuring tripped- out artwork and design by Wander Borges. However, due the uncompromising nature of its wild, heavy psychedelic rock sound, the album was destined not to be played on the radio in Brazil. Rumours suggest that the label didn't understand the album, and as a result, it wasn't promoted or marketed. Thus, like many other underground cult classics, it was lost in the ether, only later to be rediscovered by a new audience at a different time. One thing is certain, you definitely know when you've heard Modulo 1000. The sound is raw, heavy and at points quite aggressive, more Black Sabbath than Os Mutantes. It floats between psychedelic rock, prog rock, early metal, and dare we say, displays elements of proto-math-rock.

TRACK LISTING

LP Tracks
Turpe Est Sine Crine Caput
Nao Fale Com Paredes
Espelho
Lem - Ed - Ecalg
Olho Por Olho, Dente Por Dente
Metro Mental
Teclados
Salve-Se Quem Puder
Animalia

CD Tracks
Turpe Est Sine Crine Caput
Nao Fale Com Paredes
Espelho
Lem - Ed - Ecalg
Olho Por Olho, Dente Por Dente
Metro Mental
Teclados
Salve-Se Quem Puder
Animalia
Ferrugem E Fuligem
Curtissima
The Cancer Stick
Waiting For Tomorrow
Big Mama
Isto Nao Quer Dizer Nada
Gloriosa
Cafusa

Cluster can be counted among the most important international protagonists of the electronic avant-garde. Some credit them with having invented ambient music, others as pioneers of synthesizer pop, whilst to some they are firmly embedded in the krautrock universe. There is some truth in all of these notions. Cluster (or Kluster as they were in the beginning) were founded in 1970 in Berlin by Conrad Schnitzler, Hans-Joachim Roedelius and Dieter Moebius. A change in direction and musical differences moved Moebius and Roedelius to split from Schnitzler after which the duo recorded 10 regular studio albums between 1971 and 2009. Their debut album ("Cluster 71") was in Wire Magazine's "One Hundred Records That Set The World On Fire" list. Follow up, Cluster II, has now reached it's 50th anniversary and to celebrate bureau b are releasing a limited anniversary edition, vinyl only, gatefold sleeve limited to a 1000 copies.

TRACK LISTING

A1) Plas
A2) Im Süden
A3) Für Die Katz'
B1) Live In Der Fabrik
B2) Georgel
B3) Nabitte

Brutalism was originally self-released in March 2017, surpassing expectations to become one of the decade’s most important debut albums. Beneath the surface of its aggressive, foreboding music and lyrics lies a level of confessional vulnerability and honesty that comfortably cemented it as an instant classic.

In the 5 years since Brutalim’s release, IDLES have gone on to achieve so much, including a number one album, sold out tours and festival headline appearances around the world. Its follow-up, Joy As an Act of Resistance, further springboarded the band into the UK (and beyond)'s consciousness and paved the way for the colossal ‘Ultra Mono’ - the band’s first UK No. 1 album. Last year’s CRAWLER contained the buzz-saw urgency that their now global fanbase had come to expect, but expanded its sound with more melodic and introspective songs. At every step of the way the band have garnered a wealth of dedicated supporters - from the early breaks given to them by Steve Lamacq and BBC 6 Music, the independent live music circuit and the incredible AF Gang community.

To celebrate, the band are releasing a limited edition reissue of the debut studio album: Five Years of Brutalism.

TRACK LISTING

01 - Heel / Heal
02 - Well Done
03 - Mother
04 - Date Night
05 - Faith In The City
06 - 1049 Gotho
07 - Divide & Conquer
08 - Rachel Khoo
09 - Stendahl Syndrome
10 - Exeter
11 - Benzocaine
12 - White Privilege
13 - Slow Savage

Originally released in 1997, Evergreen marked a critical and commercial renaissance for the band after more than half a decade’s hiatus; an album that rightfully returned them to the Top 10 that sported three UK hits including the seminal ‘Nothing Lasts Forever’.

When Echo & The Bunnymen imploded at the end of the 1980s, the decade lost one of its greatest bands in the messiest of circumstances. Until then, theirs had been a magical rise: since 1979 they’d outgrown the Liverpool punk scene, outshone their alternative pop rivals of the mid-80s, and looked set to step into the big league. But by the end of the decade the magic that had kept them together was slowly unthreading. The die was cast in 1988 when Ian McCulloch quit after a tour of Japan. It should have marked the end for the band, but the remaining Bunnymen decided to persevere and seek a replacement. Unthinkable tragedy struck in 1989 when drummer Pete de Freitas was killed in a motorbike accident.

The finality – as it then seemed – of the Bunnymen was all the worse for the nagging sense that they hadn’t so much faded away as burned out before their time.

After a half-decade wilderness years of side projects and solo outings, in January 1997 Will Sergeant, Les Pattinson and Ian McCulloch decided to come back together in a recording studio for the first time in ten years. The reborn Bunnymen entered Doghouse studios in Henley-on-Thames in Oxfordshire, as fate would have it at the same time as Oasis, then gliding on a post-Knebworth high as the biggest band in Britain. In a pivotal generational passing of the baton, the two legends of their eras merged on the killer ace nestling up McCulloch’s sleeve, ‘Nothing Lasts Forever’, featuring a 24-year-old Liam Gallagher on backing “yeah, yeah, yeah!”s and tambourine shakes.

Any doubts among fans that the Bunnymen might have been making a terrible mistake by regrouping were obliterated by the song’s first chorus, crashing the UK Top Ten at number 8 in June 1997, the first taster of the album, the highest new entry in the band’s career and equalling their best ever chart position for ‘The Cutter’.

The self-produced sessions at Doghouse were further embellished with strings, horns and vocal arrangements at the more imperious sounding Abbey Road and the resultant album achieved the almost impossible; commercial, conceptual and critical acclaim on a par with their past achievements. NME called it “impossibly good. The first comeback in history not to be dogged by a nauseous sense of distress, the first one to actually sound important”, the Melody Maker declared “the new songs are as good as the old songs, and probably better than almost anything you’ll hear this year”.

Former manager (and later KLF pop maverick Bill Drummond) spoke of their return at the time: “Within the soul of Echo & The Bunnymen there was a pure aspiration that transcended all those would-be dragged up memories. It’s as if The Bunnymen were going for some ultimate and indefinable glory.”

Ten years since they last graced the Top Ten Album Chart, Evergreen returned them there in July 1997. The Bunnymen had proved themselves not only deserving of a second wind but effortlessly welcomed by the musical landscape of the late-90s. Arriving in the season of Oasis’s Be Here Now and The Verve’s Urban Hymns, Evergreen was both of and beyond its time.

At the time, McCulloch proudly spoke of the album as the best he’d believed they’d ever made. Through the sepia lens of hindsight, today he understates its value as containing “at least three great songs, which is three more than most bands have in their entire catalogue.” By name, the ballads ‘Nothing Lasts Forever’, ‘Forgiven’ and ‘Just A Touch Away’. Beyond McCulloch’s holy trinity, Evergreen was just as notable for its snake-charming title track and the similarly serpentine ‘Empire State Halo’, both, like the best Bunnymen songs of yore, reaching our ears somewhere from Norris Green via Marrakesh. Elsewhere the Mersey shuffle of singles ‘Don’t Let it Get You Down’ and ‘I Want To Be There (When You Come)’ sees the brighter side of the band, as open and as relevant as their contemporaries past and present.

“Someone asked me the other day why I reunited the Bunnymen,” McCulloch commented that summer. “Well, I haven’t. I’ve re-ignited the Bunnymen. Having said that, they never stopped glowing somewhere in my heart.”

That glow made music, Evergreen still blinds.

TRACK LISTING

EVERGREEN (25 YEAR ANNIVERSARY EDITION) LP
A1 Don’t Let It Get You Down
A2 In My Time
A3 I Want To Be There (When You Come)
A4 Evergreen
A5 I’ll Fly Tonight
A6 Nothing Lasts Forever 3:55
B1 Baseball Bill
B2 Altamont
B3 Just A Touch Away
B4 Empire State Halo
B5 Too Young To Kneel
B6 Forgiven

EVERGREEN (25 YEAR ANNIVERSARY EDITION 2 X CD)
CD1
01 Don’t Let It Get You Down
02 In My Time
03 I Want To Be There (When You Come)
04 Evergreen
05 I’ll Fly Tonight
06 Nothing Lasts Forever
07 Baseball Bill
08 Altamont
09 Just A Touch Away
10 Empire State Halo
11 Too Young To Kneel
12 Forgiven
13 Watchtower
14 Polly
15 Hurracaine
16 Colour Me In
17 Antelope
18 Jonny
CD2
01 I Want To Be There (When You Come)
(Live At The Improv Theatre, 1999)
02 Rescue (Live At The Improv Theatre, 1999)
03 Lips Like Sugar (Live At The Improv Theatre, 1999)
04 Bedbugs And Ballyhoo (Live At The Improv Theatre, 1999)
05 Nothing Lasts Forever (Radio One Jo Whiley Session, 1997)
06 The Killing Moon (Radio One Jo Whiley Session, 1997)
07 Baseball Bill (Live At The Kilburn National, 1997)+
08 Just A Touch Away (Live At The Kilburn National, 1997)+
09 I’ll Fly Tonight (Live At The Kilburn National, 1997)+
10 Altamont (Live At The Kilburn National, 1997)+
11 Lips Like Sugar (Whyt Radio Acoustic Version, 1997)
12 I Want To Be There (When You Come) (Whyt Radio Acoustic Version, 1997)
13 The Killing Moon (Whyt Radio Acoustic Version, 1997)
14 Forgiven (GLR Robert Elms Acoustic Session, 1997)
15 Nothing Lasts Forever (Radio One Live Lounge Session, 1999)+
+Previously Unreleased

The Chameleons (arguably the best band to come out of Manchester) with their critically acclaimed classic third album, ‘Strange Times’. Recorded on the legendary Geffen label, it sees the band’s atmospheric post punk anthems with soaring guitars and driving rhythms at their peak, and Mark Burgess’s compelling vocals coming together to form a wall of the most beautiful noise you’ve ever heard.

In a post on his Instagram account in 2018, Oasis guitarist Noel Gallagher cited ‘Strange Times’ as an early influence on his songwriting: “I’d forgotten how much this album meant to me. It came out in ‘86. I was 19!! I’ve been listening to it every day since and I have to say it’s blown my mind… again! It must have influenced my early years as a songwriter because I can hear ME in it everywhere!”

Burgess later said, “‘Strange Times’ is my favourite. Personally, I believe it was the best lyrical work I’d done with the band and some of the best vocal performances, and I think the Chameleons really began to mature and move forward with this album…”

‘Strange Times’ was praised by the critics. Ian Gittins of Melody Maker called it “a marvellous departure” from their previous work and “a wonderful record.” Robert Palmer of The New York Times described it as “the band’s most inventive and winning album yet, and as a fine a record as any pop-rock guitar band has made this year. it should delight just about anyone.”

The Chameleons have long been named as an influence on bands such as The Flaming Lips, The Killers, The Editors and Smashing Pumpkins.

The album has been mastered by Steve Hall, whose works include The Flaming Lips’ ‘The Soft Bulletin’, Janes Addiction’s ‘Nothing Shocking’, Tom Petty ‘Full Moon Fever’, Green Day ‘Nimrod’, Blondie ‘Parallel Lines’ and ‘No Exit’, Alice in Chains ‘Dirt’ and The Beach Boys’ ‘Pet Sounds’.

TRACK LISTING

Mad Jack
Caution
Tears
Soul In Isolation
Swamp Thing
Time/End Of Time
Seriocity
In Answer
Childhood
I’ll Remember
Tears (full Arrangement)
Ever After
Paradiso
Inside Out
John I’m Only Dancing
Tomorrow Never Knows

More than a quarter century since its primal emergence from the Desert, Queens Of The Stone Age has elected to give three of its landmark albums the upscale re-release treatment, including limited edition color vinyl pressings, exclusive new and restored artwork, and more.

2013’s multiple-GRAMMY-nominated, Billboard 200 #1 charting magnum opus …Like Clockwork returns newly recut from its original master tapes with alternate artwork and obi-strip from Boneface with a limited opaque red vinyl pressing.

TRACK LISTING

Keep Your Eyes Peeled
I Sat By The Ocean
The Vampyre Of Time And Memory
If I Had A Tail
My God Is The Sun
Kalopsia
Fairweather Friends
Smooth Sailing
I Appear Missing
...Like Clockwork

More than a quarter century since its primal emergence from the Desert, Queens Of The Stone Age has elected to give three of its landmark albums the upscale re-release treatment, including limited edition color vinyl pressings, exclusive new and restored artwork, and more.

Villains is reissued in a special 5th Anniversary package featuring etching, obi-strip, and a brand new poster by Boneface, and as a limited edition opaque white vinyl.

TRACK LISTING

Feet Don't Fail Me
The Way You Used To Do
Domesticated Animals
Fortress
Head Like A Haunted House
Un-Reborn Again
Hideaway
The Evil Has Landed
Villains Of Circumstance

"Dive establishes its position as the most diverse musical statement of Hansen’s multi-medium career; the point where his skills as a performer finally catch up with his vaporized vision of a world that doesn’t belong to any particular time or place.” 

TRACK LISTING

01. A Walk
02. Hours
03. Daydream
04. Dive
05. Coastal Brake
06. Ascension
07. Melanine
08. Adrift
09. Epigram
10. Elegy

Simon Raymonde recorded his solo album, ‘Blame Someone Else’, while still in Cocteau Twins. Fellow Twins Elizabeth Fraser and Robin Guthrie appeared on ‘Blame Someone Else’, as did late-period member Mitsuo Tate. But Cocteau Twins were no more by the time it was out. Originally issued in October 1997, it became the first release on Bella Union, a new label run by Robin and Simon. And now by Simon alone. Circumstances change and ‘Blame Someone Else’ unexpectedly arrived in a world where Cocteau Twins were in the past.

Twenty-five years later, ‘Blame Someone Else’ is now being released under the name ‘Solo Works 96-98’, appearing on vinyl for the first time, and with the additionof the three bonus tracks from 1998’s Japan-only edition.

“It was begun in 1996 at a time of turmoil with Cocteau Twins,” says Simon of the album now. “At the time, I was unsure if I should make the album but my bandmates were extremely supportive, their encouragement helped me get the record finished. It took me 25 years to feel comfortable with these songs being available again. We all have hurdles to get over before we can feel ready to let go of certain things. Today, I feel that the first-ever release on Bella Union should once again be an active part of the label’s history, if only to bookmark these first 25 years.”

TRACK LISTING

It’s A Family Thing
Love Undone
The Seventh Day
In My Place
Supernatural
If I Knew Myself
It’s Raining Today
Muscle And Want
Worship Me
A Fault Of Mine
Days
Tired Twilight
Summer's Blue
Left Untouched The Flowers Grow
Let Love In

‘Love Is Overtaking Me’, originally released in 2008 comprises 21 demos and home recordings of unreleased pop, folk and country songs from Arthur’s vast catalogue. While much critical and popular affection for Russell’s music has come about well after his untimely death from AIDS in 1992, many fellow artists believed in his genius and were drawn to collaborate with him during his lifetime. The legendary producer John Hammond (Billie Holiday, Bob Dylan, Bruce Springsteen) recorded Russell on several occasions; a number of these recordings can be heard on ‘Love Is Overtaking Me’. Alongside songs recorded with various incarnations of The Flying Hearts, a group formed by Russell with Ernie Brooks whose shifting line up included, by turns, Jerry Harrison, Rhys Chatham, Jon Gibson, Peter Gordon and Peter Zummo as well as Larry Saltzman and David Van Tieghem. Several other Russell projects are represented on Love Is Overtaking Me, including The Sailboats, Turbo Sporty and Bright & Early.

Compiled from over eight hours of material, ‘Love Is Overtaking Me’ reaches back further to Russell’s first compositions from the early `70s and spans forward to his very last recordings, made at home in 1991. Chris Taylor of Grizzly Bear contributed mixing, restoration and editing to the album, whose tracks were selected by Audika’s Steve Knutson, Ernie Brooks and Russell’s companion, Tom Lee. Several songs feature prominently in Matt Wolf’s film ‘Wild Combination: A Portrait of Arthur Russell’.

Extensive ‘Love Is Overtaking Me’ liner notes by Tom Lee provide an intimate perspective on Russell’s diverse catalogue, which spanned an extraordinary diversity of styles and won the love of artistic communities that would seem utterly disparate, from Philip Glass, John Cage and Allen Ginsberg to rock bands like The Talking Heads and The Modern Lovers; the pre-Studio 54 disco-party scene of Nicky Siano’s Gallery and David Mancuso’s Loft; and DJ-producers like Francois Kevorkian and Larry Levan, among others.

TRACK LISTING

Side A
Close My Eyes
Goodbye Old Paint
Maybe She
Oh Fernanda Why
Time Away
Nobody Wants A Lonely Heart

Side B
I Couldn't Say It To Your Face
This Time Dad You're Wrong
What It's Like
Eli
Hey! How Does Everybody Know

Side C
I Forget And I Can't Tell (Ballad Of The Lights Pt. 1)
Habit Of You
Janine
Big Moon
Your Motion Says
The Letter

Side D
Don't Forget About Me
Love Is Overtaking Me
Planted A Thought
Love Comes Back

Corn, originally released in 2015, features nine tracks Russell recorded in 1982 and 1983. In collaboration with Russell’s partner Tom Lee, Audika’s Steve Knutson compiled Corn from Arthur’s original, completed 1/4” tape masters. Russell himself compiled this material on three separate test pressings—labelled El Dinosaur, Indian Ocean, and Untitled, respectively— in 1985.

Russell fans know something of the Corn sound from Audika’s debut release, ‘Calling Out of Context’ (2004), which included four songs from these sessions: ‘The Deer In The Forest Part 1,’ ‘The Platform on the Ocean,’ ‘Calling Out Of Context,’ and ‘I Like You!’

This new collection includes rhythmic alternate versions of ‘Lucky Cloud,’ ‘Keeping Up,’ ‘See My Brother, He’s Jumping Out (Let’s Go Swimming #2),’ ‘This Is How We Walk on the Moon,’ and ‘Hiding Your Present From You,’ along with ‘Corn,’ ‘Corn (Continued),’ ‘They and Their Friends,’ and the closing instrumental ‘Ocean Movie,’ one of the most beautiful and curious Russell tracks ever to see the light of day.

TRACK LISTING

Lucky Cloud
Corn
Keeping Up
See My Brother, He's Jumping Out (Let's Go Swimming #2)
This Is How We Walk On The Moon
Corn (Continued)
Hiding Your Present From You
They And Their Friends
Ocean Movie

There’s always been intrigue and adventure at the heart of CALEXICO. Ever since they were a largely instrumental duo experimenting with their unique collection of instruments and soundtrack sensibilities, Joey Burns and John Convertino have constantly imbued their music with an unparalleled sense of drama, calling upon the myths and iconography of the American West and its Spanish speaking neighbour Mexico. Naming themselves after a town near the Californian / Mexican border in honour of this cultural mélange, they’ve spent the eighteen years since they met in Los Angeles mapping out musical territory that had otherwise been neglected or at the very least considered the preserve of historians.

Now, with CARRIED TO DUST, they have defined that sound, calling upon almost two decades of exploration and an ensemble of musicians that must surely be the envy of bands throughout the world. CARRIED TO DUST represents the pinnacle of their achievement, a thrilling and moving journey through a landscape that draws upon the modern world as much as it does the decayed reminders of times past, stumbling upon unexpected delights whilst always moving forward with a pioneering sense of purpose. It presents a vivid picture of a world in which listeners can immerse themselves much as one is caught up in the tangled narrative of a Steinbeck novel or the imagery of a John Ford film, and confirms CALEXICO as one of the great American bands of the 21st Century.

TRACK LISTING

A1. Victor Jara's Hands
A2. Two Silver Trees
A3. The News About William
A4. Sarabande In Pencil Form
A5. Writer's Minor Holiday
A6. Man Made Lake
A7. Inspiración
A8. House Of Valparaiso
B1. Slowness
B2. Bend To The Road
B3. El Gatillo (Trigger Revisited)
B4. Fractured Air (Tornado Watch)
B5. Falling From Sleeves
B6. Red Blooms
B7. Contention City

For the better part of two decades, the acclaimed band Calexico has crossed musical barriers, embracing a multitude of styles, variety in instrumentation, and well-cultivated signature sounds. With 'Edge of the Sun' they take inspiration from a trip to a place surprisingly unexplored by the band before in Mexico City, and with the benefit of many friends and comrades to help guide the way.

Encouraged by the experience, the guest list grew to include Ben Bridwell (Band of Horses), Nick Urata (Devotchka), Carla Morrison, Gaby Moreno, Amparo Sanchez, multi-instrumentalists from the Greek band Takim, and Neko Case. Burnsʼ brother John Burns lent a hand to some lyrics and songwriting, and the bandʼs keyboardist, Sergio Mendoza, stepped up to co-write and arrange certain songs, ultimately co-producing the album along with Burns, John Convertino, and longtime associate Craig Schumacher.

STAFF COMMENTS

Laura says: Calexico have been honing their Latin-American infused dusty desert blues for the best part of 20 years, and here, they've got it bang on.

TRACK LISTING

1. Falling From The Sky With Ben Bridwell (Band Of Horses) 
2. Bullets & Rocks With Sam Beam (Iron & Wine) 
3. When The Angels Played With Pieta Brown & Greg Leisz 
4. Tapping On The Line With Neko Case 
5. Cumbia De Donde With Amparo Sanchez 
6. Miles From The Sea With Gaby Moreno 
7. Coyoacán 
8. Beneath The City Of Dreams With Gaby Moreno 
9. Woodshed Waltz With Greg Leisz 
10. Moon Never Rises With Carla Morrison 
11. World Undone With Takim 
12. Follow The River With Nick Urata (Devotchka)

Mute and Young God Records present the first instalment of the Angels Of Light reissues, starting with remastered editions of The Angels of Light Sing ‘Other People’ and We Are Him.

Michael Gira formed Angels Of Light after the conclusion of Swans in 1997. The Angels Of Light Sing “Other People” was released in 2005, produced by Gira and featured Akron/Family (Dana Janssen, Miles Seaton Cooper, Seth Olinsky and Ryan Vanderhoof).

On the making of the album, Micheal Gira says “This album is different in many ways than what I’ve done in the past. There’s no general band “sound” here. The instrumentation is arranged in each song to fit the subject. Each song is its own world, a place for the people in the songs to live. I intentionally eschewed long instrumental passages, crescendos, that sort of thing – I’ve done enough of that, and I’m tired of it. The songs say what they have to say, then end.”

TRACK LISTING

1 Lena's Song
2 The Kid Is Already Breaking
3 My Friend Thor
4 On The Mountain
5 Destroyer
6 Dawn
7 My Sister Said
8 Michael's White Hands
9 To Live Through Someone
10 Simon Is Stronger Than Us
11 Purple Creek
12 Jackie's Spine

Formed in the late 1960s Alice was arguably the most interesting of the crop of French bands that put their own spin on the blues rock scene born in Britain and America. Playing a gaggle of instruments, including woodwinds and vibes, the combo had a sound that often departed from guitar-led grooves to incorporate European classical music and South American folk. “This re-mastered version of Alice’s auspicious BYG debut provides an opportunity to reassess a band that deserves wider recognition ...” Kevin Le Gendre, 2022

TRACK LISTING

1. Axis
2. Onurb
3. Le Nouveau Monde
4. L’arbre
5. Valse
6. L’enfant
7. Extraits Du “Cercle” Final / Thème
8. Venez Jouer I
9. Mexican Song
10. Venez Jouer Ii
11. Tournez La Page...
12. Fumée Grise Et Marrons Chauds
13. De L’autre Côté Du Miroir
14. Viens
15. Le Nouveau Monde (Single Version)
16. Que Pouvons-Nous Faire Ensemble ?
17. Je Voudrais Habiter Le Soleil
18. Il Viendra

In the first two decades of the 21st century, few have controlled the cultural weather quite like Stephen and David Dewaele. The Dewaeles are familiar to millions as 2manydjs, a project which undoubtedly moved the needle for modern DJing. In 2002, after a string of creative broadcasts on radio while still known primarily as a rock band, they released As Heard On Radio Soulwax Pt. 2.

This was a mix so giddy, creative, genre-blurring and downright fun that it could only be considered equal to a full-length album – which is exactly what happened, tallying Album of the Year and Album of the Decade accolades from the likes of The New York Times, Spin, The Face, Pitchfork and more, and shifting over half a million copies globally.

As Heard On Radio Soulwax Pt. 2 is now reissued featuring Richard Young’s iconic original photography. To celebrate this 20th anniversary, 2manydjs will perform at London’s Brixton Academy on Saturday December 17th alongside Miss Kittin, Charlotte Adigéry & Bolis Pupul and other 2002-specific special guests to be announced.

The Belgian brothers-in-arms are also known to many as electronic/indie rock band Soulwax, the adored group whose combination of rock, rave and gleaming white suits has proved irresistible to record buyers and festival-goers from the 1990s to the present day.

Through their Ghent-based studio and record label Deewee, the Dewaeles continue to push cutting-edge electronic music, including Charlotte Adigéry & Bolis Pupul’s infectious Topical Dancer, one of 2022’s most celebrated electronic pop albums. They have also kept up a hot streak as remixers, applying their signature jagged-yet-refined electro touch to the likes of Róisín Murphy, Peggy Gou, Robyn, Sylvester, Fontaines D.C., Wet Leg and Marie Davidson. Despacio, the roving audiophile soundsystem which the Dewaeles undertake alongside LCD Soundsystem’s James Murphy, completes the picture.

Alongside like-minded allies such as Erol Alkan, Tiga and Jacques lu Cont, 2manydjs swept dancefloors into delirium, gifting a rock ‘n’ roll attitude to club culture. With As Heard On Radio Soulwax Pt. 2 as their genre-blurring calling card, the Dewaeles’ unique style managed to be deeply credible and hugely scalable, propelling the brothers to dance music’s summit, a vantage point from which they never came back down.

STAFF COMMENTS

Matt says: I’m not joking. In 2002 (the year this was released), this was THE mixtape to be seen with. Period. Infact, your very success with the opposite / same sex depended largely on whether you had this (at the time) bootleg CD-R in your collection. It got hammered so much we all knew the tracklist and running order off by heart. It introduced us then-teenagers to the joys of the mash-up, and propelled a then-burgeoning David and Stephen Dewaele into the ears of the youth, the dancefloors of the (young) adults, and the columns of the hottest music press at the time. It was and still is quite a phenomenal landmark in music culture. Referenced a million times over and played even more so.

I’ve never seen it on vinyl. Ever. Whether that’s my own ignorance, turning my back on my teenage dreams as I matured into adulthood or, as it happens, it’s actually quite rare! (it’s the latter – I just checked at the 2012 press goes for about £200!).

It’s still the ultimate soundtrack to get ready for your Saturday night. Capturing that youthful energy and hitting us with hit after hit presented in the most unusual and infectious ways. Unfortunately it’s unlikely to piss yer parents off as much as it did in 2002 cos they probably already know it!

TRACK LISTING

Kylie Minogue – Can’t Get You Out Of My Head (Soulwax
Elektronic Remix) * CD Only
Emerson, Lake & Palmer – Peter Gunn (Live)
Basement Jaxx – Where’s Your Head At (Head-A-Pella)
Peaches – Fuck The Pain Away
The Velvet Underground – I’m Waiting For The Man
Polyester – J’aime Regarder Les Mecs
Sly And The Family Stone – Dance To The Music
Ready For The World – Oh Sheila (A Capella)
Dakar & Grinser – I Wanna Be Your Dog
Ural 13 Diktators – Disko Kings
Bobby Orlando – The “O” Medley
Felix Da Housecat – Silverscreen-Shower Scene
The Stooges – No Fun
Salt ‘N Pepa – Push It
Hanayo With Jürgen Paape – Joe Le Taxi
The Jets – Crush On You (A Capella)
Funkacise Gang – Funkacise
Soul Grabber – Motocross Madness
Lil Louis And The World – French Kiss
Zongamin – Serious Trouble
Garbage – Androgyny ‘Thee Glitz Mix’ By Felix Da Housecat
Frank Delour – Disc Jockey’s Delight Vol. 2
The Residents – Kaw-Liga (Prairie Mix)
Carlos Morgan – Shake Your Body
Alphawezen – Into The Stars (Firebirds Remix)
Interstellar – Concepts
Nena – 99 Luftballons
Destiny’s Child – Independent Women Part 1 (A Capella)
10cc – Dreadlock Holiday
Dolly Parton – 9 To 5
Royksopp – Eple
Arbeid Adelt – Death Disco
Jeans Team – Keine Melodien Feat. Mj Lan
Skee.Lo – I Wish (A Capella)
Maurice Fulton Presents Stress – My Gigolo
The Breeders – Cannonball
The Cramps – Human Fly
The Wildbunch – Danger! High Voltage
Op:l Bastards – Don’t Bring Me Down
Adult – Hand To Phone
Vitalic – La Rock 01
Queen Of Japan – I Was Made For Loving You
New Order – The Beach
Detroit Grand Pubahs – Sandwiches (A Capella)
Lords Of Acid – I Sit On Acid (Soulwax Remix)
Streamer Feat. Private Thoughts In Public Places – Start Button

An Introduction To Syd Barrett, is a reissue of the 2010 collection that brought together for the first time the tracks of Pink Floyd and Syd Barrett on one compilation.

David Gilmour, who originally worked on Syd Barrett's two solo albums, as co-producer of The Madcap Laughs and as producer of Barrett, was the executive producer for the album. Damon Iddins and Andy Jackson at Astoria Studios remixed five tracks including ‘Octopus’, ‘She Took A Long Cool Look’, ‘Dominoes’ and ‘Here I Go’, with David Gilmour adding bass guitar to the last track. Pink Floyd's ‘Matilda Mother’ also received a fresh 2010 Mix.

The album features the original 24-page booklet and graphics plus all lyrics, and was designed including the cover art by long time Pink Floyd associate the late Storm Thorgerson and his estimable studio.

An Introduction To Syd Barrett provides a handy overview of this visionary talent, this madcap genius whose star shone brightly yet burnt out all too quickly.

Hot Hot Heat’s classic debut album, filled with smart, energetic, dance-punk hits, returns to vinyl with this fully remastered LP edition. AllMusic called the album “an addictive, densely packed pop gem that ranks among 2002’s best albums,” and Pitchfork agreed, including it on their list of the best albums of 2002. Following closely on the heels of their critically-acclaimed Knock Knock Knock EP, Make Up the Breakdown is Hot Hot Heat's first full-length, recorded with Jack Endino at Vancouver, BC’s Mushroom Studios (with engineering help from Chris Walla of Death Cab for Cutie). SPIN Magazine had this to say about Knock Knock Knock: “Some retro new wavers hang themselves on their own skinny ties. While their peers lip-sych to Cure 45s, these Canucks take subtler cues from early-‘80s synth disco. It’s not new-wave worship, it’s the sound of punk teaching itself to dance.” Make Up the Breakdown delivered on the promise hinted at on the EP. Hot Hot Heat (along with peers like Radio 4 and The Rapture) blended angular post-punk twitch with danceable pop, effectively (and finally) persuading white dopes on punk to get on the good foot in the early 2000s.

TRACK LISTING

Naked In The City Again          
No, Not Now              
Get In Or Get Out         
Bandages     
Oh, Goddamnit              
Aveda (Remastered)                 
This Town (Remastered)                         
Talk To Me, Dance With Me                        
Save Us S.O.S.                
In Cairo            
Apt. 101            
Move On

THIS IS A BLACK FRIDAY 2022 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON FRIDAY NOVEMBER 25TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8AM ON SATURDAY NOVEMBER 26TH).

Part of Dagger Records’ authorized Jimi Hendrix “bootleg” releases. Mixed by Eddie Kramer, compelling examples of Jimi’s remarkable creative explorations through 1969 and early 1970. In the shadow of Electric Ladyland, the original Jimi Hendrix Experience struggled to remain a cohesive unit, and Jimi’s ceaseless creative pursuit would lead to experimental sessions with bassist Billy Cox and drummer Buddy Miles and ambitious attempts to integrate fresh musical elements. On these studio recordings, Jimi can be heard developing exciting new material such as “Ezy Ryder,” “Cherokee Mist,” “Villanova Junction Blues,” “Izabella,” and “Burning Desire.” Burning Desire was originally released on CD via mail order only, seeing its only LP release on black vinyl as part of a previous Black Friday celebration. The double LP will now be available for the first time since, pressed on translucent orange and red vinyl by QRP as part of the new RSD Encores series revisiting popular releases from the indie retail event’s history.

Neil Young announces the release of a 50th Anniversary Edition of his 1972 album ‘Harvest’. His fourth solo album remains one of the most beloved in his catalogue and is full of with songs which have become all-time classics.

The 50th Anniversary Edition will be released on triple-vinyl and triple-CD, both of which features the original album; a disc of three studio outtakes from the original ‘Harvest’ sessions (‘Bad Loneliness’, ‘Journey Through The Past’ and ‘Dance Dance Dance’); and an unreleased live BBC solo performance.

The box sets are completed by two DVDs which provide a new glimpse into ‘Harvest’: The first is ‘Harvest Time’, an unreleased two-hour film shot during the making of ‘Harvest’, with footage from Young’s ‘Harvest Barn’ sessions in Northern California, recording sessions in Nashville and London. The second is a film of the unreleased solo BBC Concert recorded on February 23rd, 1971.

Also included in the package is a hardbound book which includes never-before-seen photos along with extensive liner notes by photographer Joel Bernstein and a fold-out poster. The vinyl box sets also feature a lithograph print.

TRACK LISTING

Vinyl Box Set:
2LP/7” Single/2DVD Set

LP1: Harvest
01 Out On The Weekend
02 Harvest
03 A Man Needs A Maid
04 Heart Of Gold
05 Are You Ready For The Country?
06 Old Man
07 There's A World
08 Alabama
09 The Needle And The Damage Done
10 Words (Between The Lines Of Age)

LP2: Neil Young Live In Concert At The BBC, February 1971
01 Out On The Weekend
02 Old Man
03 Journey Through The Past
04 Heart Of Gold
05 Don’t Let It Bring You Down
06 A Man Needs A Maid
07 Love In Mind
08 Dance Dance Dance

7” Single: Harvest Outtakes
01 Bad Fog Of Loneliness
02 Journey Through The Past
03 Dance Dance Dance

DVD1:
Harvest Time (2-Hour Film)
DVD2:
Neil Young Live In Concert At The BBC

CD Box Set:
3CD/2DVD Set

CD1: Harvest
01 Out On The Weekend
02 Harvest
03 A Man Needs A Maid
04 Heart Of Gold
05 Are You Ready For The Country?
06 Old Man
07 There’s A World
08 Alabama
09 The Needle And The Damage Done
10 Words (Between The Lines Of Age)

CD2: Neil Young Live In Concert At The BBC, February 1971
01 Out On The Weekend
02 Old Man
03 Journey Through The Past
04 Heart Of Gold
05 Don’t Let It Bring You Down
06 A Man Needs A Maid
07 Love In Mind
08 Dance Dance Dance

CD3: Harvest Outtakes
01 Bad Fog Of Loneliness
02 Journey Through The Past
03 Dance Dance Dance

DVD1:
Harvest Time (2-Hour Film)
DVD2:
Neil Young Live In Concert At The BBC

The Last Great Wilderness is the soundtrack to the debut movie by David Mackenzie. It was produced with John McEntire and features a guest appearance from Jarvis Cocker.

TRACK LISTING

SIDE A
1. Wilderness Theme
2. Winter Driving
3. Vincente's Theme
4. Flora's Theme
5. Charlie's Theme

SIDE B
1. Everybody Is A Star
2. Flora Again
3. Dark Vincente
4. Wilderness End Theme
5. I Picked A Flower

THIS IS A BLACK FRIDAY 2022 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON FRIDAY NOVEMBER 25TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8AM ON SATURDAY NOVEMBER 26TH).

Limited Edition Picture Disc of #2 Album 'The Overload' never been pressing on a Picture Disc before. 

THIS IS A BLACK FRIDAY 2022 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON FRIDAY NOVEMBER 25TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8AM ON SATURDAY NOVEMBER 26TH).

New 140g, green vinyl 12" single, using original cover art, with printed metallic text. 40th anniversary of The Undertones 1982 release, taken from their 'Sin Of Pride' album. Features original B-side Like That along with the rare Love Parade and Soul Seven demos, previously unreleased on vinyl.

Following a hugely successful year for Liverpool singer-songwriter Jamie Webster, his UK #6 charting debut album We Get By has been repressed on limited edition red and white swirl vinyl with the added bonus track of “This Place” re-recorded with the Sense of Sound choir.

By singing the lives of the angels, villains and overlooked of Liverpool, Jamie Webster sings the hope-filled daydreams of a generation on We Get By, the singer-songwriter’s debut album. Continuing the story from the rock-and-roll records that spilled from the docks into the arms of waiting beat groups, the hopeful indie-pop of the 80s that faced-down Thatcher’s cruelty and the Merseypsych boom of the ‘shroomy 2000’s, Webster sings his city to tell a story of our times.

Webster originally grew in renown for providing new soundtracks to Liverpool Football Club’s rising fortunes, playing to 60,000 fans attending the 2019 Champions League Final in Madrid and performing around the world, as far afield as Australia and Dubai. He has since seen support from BBC Radio 1, Radio X, 5Live, The Guardian (“the Liverpool hero who topped the first folk chart”) to name but a few, and sold out Liverpool’s huge M&S Bank Arena for a hometown headline show to remember at the end of the year, shortly before the new vinyl is released.

TRACK LISTING

1. Down The Road
2. Living For Yesterday
3. Change
4. Stop Living Blind
5. Out On The Street
6. The Joker
7. Something’s Gotta Give
8. This Place
9. Grinding The Gears
10. Common People
11. Weekend In Paradise
12. We Get By
13. This Place (Choir Version Featuring Sense Of Sound) 

Barry’s 2016 album, Know Where To Run, was produced by Barry himself and recorded in Brighton with Paul Pascoe, whilst WTNSS mixed and provided additional production at the legendary Dean Street Studios. The concept behind the album emerged when Barry started taking photos during a Nick Cave and the Bad Seeds North American tour, playing with the idea of traversing different states of the human condition and different states across America. The result was an audio/visual project inspired by these pictures, with the record being presented alongside a curated photobook. 

TRACK LISTING

A1 In Other Worlds
A2 Cine City
A3 Come Away
A4 Death Takes A Holiday
A5 Claw And Wing
B1 Texas Crash
B2 Mr Greed
B3 Up In The Air
B4 Evil Kind

Initially released in 2012, I Will Set You Free amalgamated elements of Barry’s previous work, resulting in an album that is unmistakably Barry Adamson. Like many of Adamson’s records, the album is a genre odyssey that jumps from garage rock rock, to blues, to new-wave pop, with the adventurous brass section injecting an acid jazz touch. His overwhelming desire to examine cultural shifts and embrace them within the quest to improve oneself that often centres in Adamson’s art is clearly present in I Will Set You Free. This subsequently makes it a quintessential Barry Adamson record that fits right in with the back catalogue. 

TRACK LISTING

A1 Get Your Mind Right
A2 Black Holes In My Brain
A3 Turnaround
A4 The Power Of Suggestion
A5 Destination
B1 The Trigger City Blues
B2 Looking To Love Somebody
B3 The Sun And The Sea
B4 If You Love Her
B5 Stand In

‘Wish’ released in April 1992 was The Cure’s 9th studio album and reached Number 1 in the UK Album Chart on its release. It also reached Number 2 in the USA, where it was nominated for a Grammy in the Best Alternative Music Album category.

The first single to be released from the album, “High” was released in March 1992 and reached #8 in the UK Singles chart, but the album is probably best known for the 2nd single, “Friday I’m In Love” which reached #6 in May 1992.

The 3rd and final single from the album was “A Letter To Elise” which peaked at #28 in October 1992.

TRACK LISTING

1CD
Open
High
Apart
From The Edge Of The Green Sea
Wendy Time
Doing The Unstuck
Friday I’m In Love
Trust
A Letter To Elise
Cut
To Wish Impossible Things
End

3CD Deluxe Edition
CD1
Open
High
Apart
From The Edge Of The Green Sea
Wendy Time
Doing The Unstuck
Friday I’m In Love
Trust
A Letter To Elise
Cut
To Wish Impossible Things
End
CD2
The Big Hand [1990 Demo]
Cut [1990 Demo]
A Letter To Elise [1990 Demo]
Wendy Time [1990 Demo]
This Twilight Garden [Instrumental Demo]
Scared As You [Instrumental Demo]
To Wish Impossible Things [Instrumental Demo]
Apart [Instrumental Demo]
T7 [Instrumental Demo]
Now Is The Time [Instrumental Demo]
Miss Van Gogh [Instrumental Demo]
T6 [Instrumental Demo]
Play [Instrumental Demo]
A Foolish Arrangement [Instrumental Demo]
Halo [Instrumental Demo]
Trust [Instrumental Demo]
Abetabw [Instrumental Demo]
T8 [Instrumental Demo]
Heart Attack [Instrumental Demo]
Swing Change [Instrumental Demo]
Frogfish [Instrumental Demo]
CD3
Uyea Sound [Dim-D Mix]
Cloudberry [Dim-D Mix]
Off To Sleep… [Dim-D Mix]
The Three Sisters [Dim-D Mix]
A Wendy Band [Instrumental]
From The Edge Of The Deep Green Sea [Partscheckruf Mix]
Open [Fix Mix]
High [Higher Mix]
Doing The Unstuck [Extended 12” Mix]
Friday I’m In Love [Strangelove Mix]
A Letter To Elise [Blue Mix]
End [Paris Live 92]

2LP
Side A
Open
High
Apart
Side B
From The Edge Of The Deep Green Sea
Wendy Time
Doing The Unstuck
Side C
Friday I’m In Love
Trust
A Letter To Elise
Side D
Cut
To Wish Impossible Things
End

‘RELAXER’ is alt-J’s third studio album.

Flying straight into the top 10 of the UK album chart, ‘RELAXER’ became the band’s second album to be nominated for the Mercury Prize, following their win for debut album ‘An Awesome Wave’. Their catalogue has now cemented them as one of the most successful British bands of the millennium, with a UK Number 1 album, three Top 10 albums, album sales in excess of two million and over three billion streams across their tracks. 

TRACK LISTING

3ww
In Cold Blood
House Of The Rising Sun
Hit Me Like That Snare
Deadcrush
Adeline
Last Year
Pleader

Gavin Bryars was born in Yorkshire, England in 1943. His first musical forays were as a jazz bassist working in the early 1960s with improvisors Derek Bailey and Tony Oxley. Bryars later worked with composers John Cage and Cornelius Cardew, founded the Portsmouth Sinfonia and collaborated with Brian Eno on his famed Obscure imprint.

The Sinking of the Titanic, Bryars’ first major composition, was inspired by the tragic event of the British passenger liner’s cross-Atlantic maiden voyage. Bryars eloquently reconstructs the passengers’ experience – at once forlorn and eerily calming – through assemblages of understated strings and indeterminate elements. A core principle of the piece is that the ship’s band continued to play as the vessel went down. One of the most sublime works in the modern classical canon, Titanic remains Bryars’ magnum opus.

Jesus’ Blood Never Failed Me Yet, the album’s second sidelong track, is based on a tape loop of a London street singer captured in the early 1970s. Featuring Derek Bailey, Michael Nyman and John White, Bryars’ composition gradually builds around the cripplingly poignant voice until its emotional force is almost too much to bare. It’s no surprise that Jesus’ Blood is known as Tom Waits’ all-time favorite piece of music.

Produced by Brian Eno in 1975 as the inaugural release on Obscure, The Sinking of the Titanic draws the listener in to a majestic world. While these exquisite, hymn-like recordings have not changed in nearly 50 years, their deeply personal nature and the audience’s attention to their subtlety have only strengthened over time.

TRACK LISTING

1. The Sinking Of The Titanic
2. Jesus? Blood Never Failed Me Yet

Shooting, space-synth sounds ripple and vibrate, incessant grooves keep the tracks in motion and Nkono Teles production, a producer often overlooked for his hand in the Nigerian boogie sound, sets the LP into orbit. An album that was largely overlooked on release in 1984, the track list includes the latter day hit Only You and Things Fall Apart, the melody of which was lifted for Young Franco’s 2020 single Fallin’ Apart.

TRACK LISTING

1. Only You
2. I Had A Dream
3. Things Fall Apart (Disco Jam)
4. Welcome My Love
5. Only You (Disco Jam)
6. Things Fall Apart (Vocal)

Bending scuzzy boundaries, ‘Good Bad Not Evil’ is a coming-of-age garage rock classic record. Full of hedonistic delinquent anthems, the fourth studio album from Atlanta punks Black Lips reaches it’s 15 year anniversary. This deluxe edition includes unearthed photos and new liner notes from Jared Swilley and King Khan. The second disc features B-sides and rarities including ‘Cruising’, ‘I Wanna Dance With You’ and ‘Leroy Faster’. ‘Good Bad Not Evil’ perfectly encapsulates the disillusionment of the mid-00s America, slammed between warehouse parties, DIY generator shows and scattered party pics, which was recorded in a little house in Atlanta that had been converted into a studio called the Living Room. Referencing Shangri-Las in the title, this is where their knack for garage gems met Motown; with bass heavy grooves (later remixed by Diplo), a certified country twang and unabashed bravado. Instant hits like ‘Veni Vidi Vici’, ‘Cold Hands’, ‘Bad Kids’ and ‘O Katrina!’ immediately became Black Lips staples. This was a band caught in the eye of the storm, the touring continued, the parties didn’t stop, this was a band bending the scuzzy boundaries of their chosen genre. The record was hailed by the likes of Pitchfork, who proclaimed, “Black Lips are a go-to band for vintage lo-fi freaks, and their raucous live shows have helped them cross over outside of crusty dive bars. ‘Good Bad Not Evil’, however, is the record where naysayers, disinterested friends and acquaintances, people on the street, and anyone else within earshot has to sit up, shut up, and listen.” …and, shut up and listen they did.

Formed in the Bay City/Saginaw area of Michigan in 1962 by Mexican-American children of migrant farm workers, the band gained popularity with the addition of drummer Robert Martinez’s brother Rudy, aka Question Mark, as lead vocalist. The eccentric Question Mark (often stylized as ‘?’) has claimed to have been born on Mars and lived among dinosaurs in a past life.

The band’s debut single “96 Tears”, with its distinctive organ line played by Mysterians’ keyboardist “Little” Frank Rodriguez, was originally released on Pa-Go-Go Records in 1966, but quickly reissued by the more established Philadelphia-based label Cameo-Parkway Records. The raw-yet-infectious song swept the airwaves, hitting #1 on the Billboard Hot 100 on October 29, 1966, beating out The Monkees, Four Tops, The Rolling Stones, Elvis Presley, Dionne Warwick, Sonny & Cher, The Beach Boys and many more established acts. ? and The Mysterians’ debut album, also titled 96 Tears, followed in October ’66 just as the single was crossing the one million sales mark. The LP, filled out with ten more originals — including the Top 40 hit “I Need Somebody” — plus a version of T-Bone Walker’s “Stormy Monday,” peaked at #66.

A mere eight months after 96 Tears was released, Cameo-Parkway put out the follow up full-length Action in June of ’67. Their sophomore album is more evenly split between originals and covers, among them “Can’t Get Enough of You, Baby,” written by Denny Randell and Sandy Linzer and first recorded by The Four Seasons one year previous. ? and The Mysterians’ version got to #56 on the Billboard Hot 100, faring better than Smash Mouth’s ubiquitous 1998 version, which appeared on four other Billboard charts but was absent from the coveted Hot 100. Action would be the band’s last studio album for more than three decades.

“‘96 Tears’ IS one of the greatest rock ‘n’ roll songs in the history of the genre,” said Bill Holdship of Detroit Metro Times in 2009. “In fact it may be the greatest.” In a May 1971 issue of Creem magazine, Dave Marsh referred to a ? (Question Mark) and The Mysterians reunion as “a landmark exposition of punk-rock,” one of the very first times the genre was applied to a band. Not only did they influence others within punk, but they have also had a profound impact on music writ large. “96 Tears” alone has been covered by a diverse range of artists, including Iggy Pop, Suicide, The Modern Lovers, Todd Rundgren’s Utopia, Sir Douglas Quintet, Tom Tom Club, Primal Scream, Big Maybelle, Jimmy Ruffin and Aretha Franklin.

SiriusXM’s Little Steven’s Underground Garage channel air personality Lenny Kaye, who masterminded the famed Nuggets compilations that shined a light on the garage rock phenomenon of the mid-1960s commented, “‘96 Tears’ is the ur-text of garage rock, the truest ‘Nugget’ if you dug It… In these two albums, Question Mark and The Mysterians answer the eternal query with the yearning spirit and self-revelation that is becoming a band, yowl, reedy organ and guitars on stun, with a backbeat that accelerates the move-and-groove. I remember seeing ‘Qwesty’ and the band at Coney Island High in the mid-90s, me and Joey Ramone hollering, ‘Yeah baybee!,’ knowing we were at the heart of rock as it begins to roll.”

TRACK LISTING

Side A
Girl (You Captivate Me)
Can’t Get Enough Of You, Baby
Got To
I’ll Be Back
Shout (Parts 1 & 2)
Side B
Hangin’ On A String
Smokes
It’s Not Easy
Don’t Hold It Against Me
Just Like A Rose
Do You Feel It

Alice is one of the most distinctive of all Waits’ creations, occupying its own corner in the odd-angeld room that is Tom Waits’ body of work. While there are familiar parts—the redoubtable ragged voice, jazz ballads and poignant musings on death and longing—the whole is strange and exotic. A devastatingly beautiful atmosphere made of sorrow and reverie, insanity and resignation, rises like a mist in Alice. It’s a lyrical melancholia, a feeling that creeps in on the arms of Stroh violins and unabashed poetry. These are songs to fall into, and sometimes, to keep falling. There are fragile, haunted musings, and laments, mad ruminations, and tales of unrequited love and anthems from beyond the grave.

TRACK LISTING

Alice
Everything You Can Think
Flower’s Grave
No One Knows I’m Gone
Kommienezuspadt
Poor Edward
Table Top Joe
Lost In The Harbour
We’re All Mad Here
Watch Her Disappear
Reeperbahn
I’m Still Here
Fish & Bird
Barcarolle
Fawn

Etching Side D

Blood Money is etched. It’s scratched out in bold, dark lines, with marimba, trumpet, and bass clarinet and contains some songs of Tom Waits’ most memorable melodies. The songs are declarative, sardonic, unforgiving, musical dispatches, from the bottom of the heap. “Blood Money is flesh and bone, earthbound,” said Waits. “The songs are rooted in reality: jealousy, rage, the human meat wheel...They are more carnal. I like a beautiful song that tells you terrible things. We all like bad news out of a pretty mouth. I like songs to sound as though they’ve been aging in a barrel and distressed.”

TRACK LISTING

Misery Is The River Of The World
Everything Goes To Hell
Coney Island Baby
All The World Is Green
God’s Away On Business
Another Man’s Vine
Knife Chase
Lullaby
Starving In The Belly Of A Whale
The Part You Throw Away
Woe
Calliope
A Good Man Is Hard To Find

Small’s “Don’t Leave Me In The Rain” is an infectious South African house-infused pop record from 1991 drawing on influences from some of the greats in the genre. Sounding like a long-lost Frankie Knuckles LP or something The Pasadena’s might have put out in the early 90s, it's an under-the-radar holy grail for all those seeking good time house music with an invigorating, life afirming vibe that'll slot into any party.

For all those that enjoyed the releases from Lucky Mereki or Bibbi this one is going to be right up your street. It's more of the same from the townships of S.As 1990’s pop, bubble gum, kwaito & house scene of the time. The sound was sweet, the message was positive, the clothes were loud and they seemed to be having the time of their lives. I guess much like our youth were doing over here as the global house phenomenon took hold. 

STAFF COMMENTS

Matt says: Uplifting and highly infectious bubble gum and house music from this barely known SA group. The only record they ever made and it's become highly collectable. A treasure of a reissue that house heads aren't gonna wanna be without.

TRACK LISTING

1. Don't Leave Me In The Rain
2. Make My Life
3. Takes Two To Tango
4. Happy Song
5. Let's Stop The Fire
6. Melody Of Love
7. Keep On Trying
8. Without You

London based pan-continental female four piece Los Bitchos are undoubtedly one of the breakthrough bands on 2022, and they are ending the year the only way they know how, by celebrating! Having played their retro-futuristic blend of Peruvian chicha, Argentine cumbia, Turkish psych and surf guitars at over 95 shows across 20 countries since their debut album was released on City Slang in February 2022, the band are releasing 2 new festive tracks to mark the end of an incredible year. ‘Los Chrismos’ and ‘Tipp Tapp’ will be released digitally and physically on a flexi disc bundled with a red vinyl re-press of their album ‘Let The Festivities Begin!’. Let the festivities begin continue!

TRACK LISTING

Side A:
1. The Link Is About To Die
2. I Enjoy It
3. Pista (Fresh Start)
4. FFS
5. Tropico

Side B:
6. Las Panteras
7. Good To Go!
8. Change Of Heart
9. Tripping At A Party
10. Try The Circle!
11. Lindsay Goes To Mykonos

Flexi Disc:
A1: Los Chrismos
B1: Tipp Tapp

Originally released in 2018 and recorded live to tape in just five days by venerated underground engineer Steve Albini (Nirvana, Shellac, Pixies), ‘24-7 Rockstar Shit’ marked a return to The Cribs’ early roots with its raw, rough-around-the-edges approach and sonic aggression.

Originally conceived during recording sessions for the band’s fifth album, ‘In The Belly Of The Brazen Bull’, these recordings were elevated to quasimythical status amongst the band’s famously dedicated fanbase, with excitement building for a ‘punk album’ flipside to 2015’s more pop-leaning ‘For All My Sisters’.

TRACK LISTING

Give Good Time
Year Of Hate
In Your Palace
Dendrophobia
What Have You Done For
Me?
Sticks Not Twigs
Rainbow Ridge
Partisan
Dead At The Wheel
Broken Arrow

'Off The Wall' was a massive success, spawning four Top Ten hits (two of them number ones), but nothing could have prepared Michael Jackson for 'Thriller'. Nobody could have prepared anybody for the success of 'Thriller', since the magnitude of its success was simply unimaginable - an album that sold 40 million copies in its initial chart run, with seven of its nine tracks reaching the Top Ten - "Wanna Be Startin' Somethin'", "The Girl Is Mine", "Thriller", "Beat It", "Billie Jean", "Human Nature" and "PYT (Pretty Young Thing)". This was a record that had something for everybody, building on the basic blueprint of 'Off The Wall' by adding harder funk, hard rock, softer ballads, and smoother soul - expanding the approach to have something for every audience. It's all Thriller, no filler!

Meltdown was the fourth smash hit album from Ash. The album again reached No.5 within the UK and has since become a gold record. The hard rock album contains mega hits including Clones, Orpheus, Starcrossed, Renegade Cavalcade and Meltdown.

Ash and BMG are proud to reissue Ash’s fourth LP ‘Meltdown for the first time on Orange and Black splatter vinyl. This album has not been re-issued since it’s 2004 release, so will be an exciting prospect within the Ash community. Meltdown contains hit after hit and with its hard rock sound resonates strongly with a wide audience. Upon release Ash drew critical acclaim from multiple publications including Pitchfork, The Guardian, Drowned In Sound and many more, whilst touring with allusive contemporaries The Darkness, and headlining Coachella Festival.

TRACK LISTING

Side A:
1. Evil Eye (2022 Remaster)
2. Orpheus (2022 Remaster)
3. Meltdown (2022 Remaster)
4. Starcrossed (2022 Remaster)
5. Clones (2022 Remaster)
Side B:
1. Renegade Cavalcade (2022 Remaster)
2. Vampire Love (2022 Remaster)
3. Out Of The Blue (2022 Remaster)
4. Won’t Be Saved (2022 Remaster)
5. On A Wave (2022 Remaster)
6. Detonator (2022 Remaster)

Authentic original release track listing and artwork, issued for the first time on special transparent amber coloured vinyl.

TRACK LISTING

Side One
1. Wake Up And Make Love With Me
2. Sweet Gene Vincent
3. I’m Partial To Your Abracadabra
4. My Old Man
5. Billericay Dickie
Side Two
1. Clevor Trever
2. If I Was With A Woman
3. Blockheads
4. Plaistow Patricia
5. Blackmail Man

2022 is the 40th Anniversary of Iron Maiden’s Iconic third album The Number of The Beast. The first Iron Maiden album to feature Bruce Dickinson on vocals, The Number of the Beast was also the band’s first album to hit the number 1 spot in the UK. The album spawned the crossover hit singles Run To The Hills and The Number of The Beast, and introduced the band to a truly global audience.

To celebrate this milestone anniversary Iron Maiden release a very special 3LP collectors vinyl featuring the original album with revised track list plus the legendary 1982 live show from Hammersmith Odeon ‘The Beast Over Hammersmith’.

The original album replaces Gangland with Total Eclipse in a revised track list. The accompanying double live album The Beast Over Hammersmith is presented on vinyl for the first time.

This collectible 180g 3LP vinyl set is packaged in a double gatefold sleeve featuring a special ‘split’ cover image and many rare photos from the time. Also, featured are excusive sleeve notes from Steve Harris.

TRACK LISTING

Disc 1 - The Number Of The Beast
Side 1:
1. Invaders
2. Children Of The Damned
3. The Prisoner
4. 22 Acacia Avenue
Side 2:
1. The Number Of The Beast
2. Run To The Hills
3. Total Eclipse
4. Hallowed Be Thy Name
Disc 2 - Beast Over Hammersmith (LIVE)
Side 3:
1. Murders In The Rue Morgue
2. Wrathchild
3. Run To The Hills
4. Children Of The Damned
5. The Number Of The Beast
Side 4:
1. Another Life
2. Killers
3. 22 Acacia Avenue
4. Total Eclipse
5. Transylvania
Disc 3 - Beast Over Hammersmith (LIVE)
Side 5:
1. The Prisoner
2. Hallowed Be Thy Name
3. Phantom Of The Opera
4. Iron Maiden
Side 6:
1. Sanctuary
2. Drifter
3. Running Free
4. Prowler

Remastered and re-appraised 31-track collection of Pearls Before Swine rarities from the private tape collection of the late, great Tom Rapp. Also available as an expanded 45 track double CD collection.

For the first time on vinyl, this beautiful collection brings together alternate versions of Rapp originals ‘The Jeweler’, ‘Translucent Carriages’ and ‘Rocket Man’. It also includes jaw-dropping covers of Rapp’s contemporaries Cohen, Dylan and Joni Mitchell, with bonus download material featuring seven amazing live versions plus a never before released intimate show at The Other End circa 1976.

A goldmine of possibilities from a prospector with a silver tongue and stories to tell. ‘The Wizard Of Is’ is a weird and wonderful trip inside its creator’s mind, from sonnets and space hymns to stories of revolution and the war. It’s an American Gothic fantasy that straddles old tyme America and the outer edges of an imagined stratosphere.

“Extremely influential.” Rolling Stone.
“A more intoxicating version of folk psychedelia.” Wire magazine.
“Shimmering folk hymns.” Spin magazine.
“Unabashedly poetic.” Crawdaddy.

TRACK LISTING

VINYL
Side A
A1 Where Is Love?
A2 Butterflies (Alternate Version)
A3 Love, You Are Not Alone
A4 Grace Street
A5 Translucent Carriages (Alternate Version)
A6 Space
Side B
B1 Rocket Man (Alternate Version)
B2 City Of Gold (Alternate Version)
B3 For Free
B4 Wizard Of Is (Alternate Version)
B5 Riegal (Alternate Version)
B6 Sail Away (Alternate Version)
B7 Footnote/When The War Began
Side C
C1 Everybody's Got Pain (Alternate Version)
C2 Crawling Towards Bethlehem
C3 I'm Going To The City (Alternate Version)
C4 Can't Go Back
C5 Prisoner Of War
C6 Another Time (Alternate Version)
C7 If You Don't Want To (I Don't Mind) (Alternate Version)
C8 (Oh Dear) Miss Morse (Alternate Version)
Side D
D1 The Jeweler (Alternate Version)
D2 The Lincoln Dream
D3 There's No Other (Like My Baby)
D4 Roadside Hotel
D5 Song About A Rose (Alternate Version)
D6 Mary Mary
D7 Crew Man
D8 Suzanne
D9 Oh Sister
D10 Full Fathom Five/I Shall Not Care
Bonus Download Tracks
1 Translucent Carriages (Live)
2 Island Lady (Live)
3 Morning Song (Live)
4 Marshall (Live)
5 Ballad To An Amber Lady / I Saw The World (Live)
6 Prayers Of Action / Candle (Live)
7 Rocket Man (Live)

CD
Disc One
1 Where Is The Love?
2 Butterflies (Alternate Version)
3 Love, You Are Not Alone
4 Grace Street
5 Translucent Carriages (Alternate Version)
6 Space
7 Rocket Man (Alternate Version)
8 City Of Gold (Alternate Version)
9 For Free
10 Wizard Of Is (Alternate Version)
11 Riegal (Alternate Version)
12 Sail Away (Alternate Version)
13 Footnote / When The War Began
14 Translucent Carriages (Live)
15 Island Lady (Live)
16 Morning Song (Live)
17 Marshall (Live)
18 Ballad To An Amber Lady / I Saw The World (Live)
19 Prayers Of Action / Candle (Live)
20 Rocket Man (Live)
Disc Two
1 Everybody's Got Pain (Alternate Version)
2 Crawling Towards Bethlehem
3 I'm Going To The City (Alternate Version)
4 Can't Go Back
5 Prisoner Of War
6 Another Time (Alternate Version)
7 If You Don't Want To (I Don't Mind) (Alternate Version)
8 (Oh Dear) Miss Morse (Alternate Version)
9 The Jeweler (Alternate Version)
10 The Lincoln Dream
11 There's No Other (Like My Baby)
12 Roadside Hotel
13 Song About A Rose (Alternate Version)
14 Mary Mary
15 Crew Man
16 Suzanne (Alternate Version)
17 Oh Sister
18 Full Fathom Five / I Shall Not Care
19 Frog In The Window (Live At The Other End, 1972)
20 There Was A Man (Live At The Other End, 1972)
21 The Jeweler (Live At The Other End, 1972)
22 Another Time (Live At The Other End, 1972)
23 Every Change Is A Release (Live At The Other End, 1972)
24 Rocket Man (Live At The Other End, 1972)
25 Love/Sex (Live At The Other End, 1972)

Futurismo are proud to present a deluxe remastered vinyl package of the classic 1980 album: Red Exposure by the uncompromising Chrome.

Arguably considered the San Francisco bands greatest work, Red Exposure, the fourth album to feature core members Damon Edge and Helios Creed, was the definitive version of Chrome’s idiosyncratic approach to sound: a projected vision of near future dystopia via an undefinable guise of experimental space rock and punk-tinged alien soundscapes. Here, the band simultaneously draw from the otherworldly noises of their past records, whilst pushing their synthesizers forward into, albeit oblique, pop song structures.

Edge’s vocals are structured more like an instrument than a voice, lyrics painting images of humanities future on the edge of total destruction. As Creed’s guitar work multilayers it’s way into a completely different aural spectrum, beautiful yet violent, slashing against rhythmic pulsations, loops and experimentations, to create a sound that even today feels beyond the here and now. This distillation of the bands repertoire seemed to envision a deconstruction of rock ‘n’ roll, aimed to break past the shell of cliché that it would of course eventually come to inhabit. Which is why despite it’s age Red Exposure remains a record that still sounds like the sonic product of a far off civilisation, making this disk of new wave nihilism vital for fans of Space rock, Krautrock, Throbbing Gristle, Cabaret Voltaire and Suicide.

The deluxe remastered version of this out of print 1980 LP is presented here in a choice of ltd edition coloured vinyl. It comes packaged in a chromed mirrorboard sleeve, contains a large screenprinted poster printed with neon ink featuring unseen photographs of the band, and a bonus track.

TRACK LISTING

1. New Age
2. Rm. 101
3. Eyes On Mars
4. Jonestown
5. Animal
5. Static Gravity
6. Eyes In The Center
7. Electric Chair
8. Night Of The Earth
9. Isolation
10. Informations (bonus)

Slowdive singer and songwriter’s third solo album, which was originally released in November 2012. It is a stunning record and one which, upon its release, underlined the claims that Neil was one of the finest and most underrated British songwriters of recent times. It’s also a very special release in the Sonic Cathedral catalogue; the shoegaze label licensed the record from Jack Johnson’s Brushfire imprint for the UK and Europe and it was the start of a relationship that also gave us the Black Hearted Brother album in 2013 and, ultimately, brought about the reformation of Slowdive in 2014. But Palindrome Hunches is a very different beast.

Both stately and understated, this moody and mesmerising collection of peculiarly British folk songs was made with the Band of Hope, a Wallingford, Oxfordshire based collective consisting of Ben Smith (violin), Drew Milloy (double bass), Paul Whitty (piano) and Tom Crook (guitar). Together with producer Nick Holton, banjo player Kevin Wells and backing singer Aimee Craddock, they recorded the album to tape over a few weekends in the music room of their local junior school.

“At first we were going to record in a studio, but everything seemed too clean,” said Neil at the time. “We just went through the songs and recorded them live without very much rehearsal. We wanted to be spontaneous and simple and to keep the little mistakes that sneaked in.” This goes a long way to explaining the album’s humanity and intimacy, and also why it has had a quiet life of its own over the past decade, gradually growing in stature alongside Neil’s more high-profile activities with Slowdive; copies of the 2012 original and even the 2017 repress currently fetch up to triple figures on Discogs.

The stunning opener ‘Digging Shelters’ was used to devastating effect in the posthumously released James Gandolfini movie Enough Said – a fitting home for a song that rubs shoulders here with ruminations about love and loss such as ‘Tied To You’ and ‘Spin The Bottle’ and, on ‘Wittgenstein’s Arm’, an Austrian pianist who had his right arm amputated in World War I and lost three of his brothers to suicide. The wordplay of the title track is almost light-hearted in comparison; “I wanted to write a song that was the same forwards and backwards, but it didn’t quite work out,” explained Neil, adding that he also chose ‘Palindrome Hunches’ for the album’s title because “I like the idea of things being reversible”. A couple years later, by reforming his old band, he proved that. And now, ten years on, it’s the perfect time to rewind to this understated, underrated classic.


Praise for Palindrome Hunches on its original release:

“Nope, it ain’t shoegaze as it's been codified and re-codified. But why be disappointed in someone following his muse to a logical conclusion when that path was always the one he walked on?” – Pitchfork

"An exquisite set of dark folk music” – The Times

“Draws from the same understated, reflective well as John Martyn” – MOJO

“‘Tied To You’ doesn’t merely evoke Nick Drake but withstands the comparison – evidence of the songs’ quality” – Financial Times

“Halstead’s songs breathe the sort of honesty and goodness that’s harder and harder to find in the iTunes age” – The Independent

“Given the chance, they could be songs that continue to enchant for many years to come” – The Line Of Best Fit.

TRACK LISTING

Side A
1. Digging Shelters
2. Bad Drugs And Minor Chords
3. Wittgenstein’s Arm
4. Spin The Bottle
5. Tied To You
Side B
1. Love Is A Beast
2. Palindrome Hunches
3. Full Moon Rising
4. Sandy
5. Hey Daydreamer
6. Loose Change

Coinciding with Suspiria's 45th anniversary, Claudio Simonetti's Goblin celebrates this anniversary with a new Prog Rock Version of the Famous soundtrack. The Terrifying and atmospheric experience of Dario Argento's films comes from the merging of gorgeously crafted visuals with a soul tingling auditory experience. Once heard, Goblin's scores are never quite forgotten. Suspiria is no exception, characterized by its Synth Heavy sound, Carillons, Yells and Sighs. Suspiria will leave you battered and breathless.

Divine Providence is the 4th album from Deer Tick and a pivotal moment for the band. With a couple lineup changes over the years, they started to speed things up a bit on Divine Providence; not that they shed their blues-tinged country rock sound entirely, but the album has an even split of fast stompers and mid-tempo country bar howls. The original 12 songs on the album are about as close as you can get to a beer drenched show with the band; the addition of the 5 songs from the Tim EP and the 12 bonus tracks of alternate versions, outtakes and rarities make for a close encounter with a lost weekend with the band. The original album was produced by Adam Landry and Justin Collins at Machines with Magnets in Pawtucket, Rhode Island and this edition was remastered by John Baldwin at John Baldwin Mastering in 2022.

TRACK LISTING

SIDE A
01 The Bump
02 Funny Word
03 Let's All Go To The Bar
04 Clownin Around
05 Main Street
06 Chevy Express

SIDE B
01 Something To Brag About
02 Walkin Out The Door
03 Make Believe
04 Now It's Your Turn
05 Electric
06 Miss K.

SIDE C
01 Mr. Cigarette
02 Main Street
03 Born At Zero
04 Virginia Gal
05 Chevy Express
06 Electric

SIDE D
01 Born At Zero
02 Walls
03 Virginia Gal
04 She's Not Spanish
05 Main Street

SIDE E
01 Bury Deep
02 Cake And Eggs
03 Hope Is Big
04 Mr. Cigarette

SIDE F
01 Make Believe
02 Now It's Your Turn
03 Divine Providence

…If I Die, I Die was released only weeks before the Heresie box set. The two albums show very different faces of the Virgin Prunes – one that explored mythical worlds and another that showed their surrealistic interest in the creative power of insanity. They also highlight the ways in which the band enjoyed experimenting with different genres, sound forms and recording techniques. As Friday has commented recently, ‘The Virgin Prunes contained four different bands at the same time.’

The album was recorded at the Windmill Studios in Dublin in the summer of 1982 and produced by Wire’s Colin Newman. Rather than adopt an A/B format, the sides of the 1982 vinyl and album cover, which was designed by Steve Averill, were given brown and blue colours, signalling earth and sky respectively. The art work on each side of the sleeve was also inverted so that either side could be read as the front cover. Ursula Steiger’s photography captured, on the brown side, the band running through a forest like a nomadic tribe. On the blue side we then find them in different costumes, performing with fire and mannequins within a derelict building.

This 40th Anniversary Edition of the album sees a full remaster housed in a Limited Edition Special Finish Gatefold Sleeve on Transparent Vinyl. This Deluxe LP also comes with a 16 page booklet featuring sleeve notes by Dr. Jonathan Wood exploring the writing, recording and production of the record. Plus an exclusive 12x12 Art Print. The album is also available as 2CD Mediabook & Digital Deluxe.

TRACK LISTING

Vinyl Tracklisting:
A1. Ulakanakulot (2022 Remaster)
A2. Decline And Fall (2022 Remaster)
A3. Sweethome Under White Clouds (2022 Remaster)
A4. Bau-Dachöng (2022 Remaster)
B1. Baby Turns Blue (2022 Remaster)
B2. Ballad Of The Man (2022 Remaster)
B3. Walls Of Jericho (2022 Remaster)
B4. Caucasian Walk (2022 Remaster)
B5. Theme For Thought (2022 Remaster)

2CD Tracklisting:
1. Ulakanakulot (2022 Remaster)
2. Decline And Fall (2022 Remaster)
3. Sweethome Under White Clouds (2022 Remaster)
4. Bau-Dachöng (2022 Remaster)
5. Baby Turns Blue (2022 Remaster)
6. Ballad Of The Man (2022 Remaster)
7. Walls Of Jericho (2022 Remaster)
8. Caucasian Walk (2022 Remaster)
9. Theme For Thought (2022 Remaster)

1. Baby Turns Blue (Colin Newman Remix 2004) (2022 Remaster)^
2. Chance Of A Lifetime (UK 12") (2022 Remaster)
3. Yeo (UK 12") (2022 Remaster)
4. The Faculties Of A Broken Heart (What Should We Do If Baby Turns Blue) (UK 12") (2022 Remaster)
5. King Of Junk (Instrumental) (Rough Mix) (2022 Remaster)^
6. Ballad Of The Man (Rough Mix) (2022 Remaster)^
7. Fado (Rough Mix) (2022 Remaster)^
8. Bau-Dachong (Rough Mix) (2022 Remaster)^
9. Theme For Thought (Rough Mix) (2022 Remaster)^
10. Pagan Lovesong (Demo) (2022 Remaster)^
11. Pagan Lovesong (2022 Remaster)
12. Dave-Id Is Dead (2022 Remaster)
13. Pagan Lovesong (Vibeakimbo) (2022 Remaster)
^ Previously Unreleased

When Galaxie 500's Today was released in 1988, it set off a chain reaction of quiet explosions still being felt. Never before had a record so emphasized the calming elements of rock music, transforming what at first seems like a collection of bridges into fully realized songs. And one can draw a straight line from here to the many groups they influenced,like Low, Belle & Sebastian, and Bon Iver. Today is full of idiosyncrasies. The trio of Damon Krukowski, Dean Wareham, and Naomi Yang were recent Harvard grads who intuitively eliminated any histrionic tradition to rock songs, leaving core emotion (not for nothing did they include a cover of "Don't Let Our Youth Go to Waste," by the kings of feeling, The Modern Lovers). It was produced by Mark Kramer, who was best known for his work with cataclysmic slop rock pioneers such as Bongwater, Ween, and King Missle.

The band's hometown of Boston was just coming out of its love affair with Mission of Burma and pouncing upon the spasmodic electricity of The Pixies. Despite, or perhaps because of, all these elements, Today thrived. More than 20 years after its initial release, its title is still no misnomer. The music, recorded with what many thought at the time was too much reverb, sounds present, alive, and indeed a product of today. Songs like "Flowers," "Temperature's Rising," and of course "Tugboat" (the band's debut single) stand the test of time and exist in an eternal now. For the first time since its original pressing, Today is available again on vinyl. Cut by vinyl ace Kevin Gray from a remaster by Kramer and Alan Douches, the album sounds more vibrant than ever, and Galaxie 500 exists again as one of the most enrapturing and glorious bands to emerge from the underground in the past 25 years.

TRACK LISTING

1. Flowers
2. Pictures
3. Parking Lot
4. Dont Let Our Youth Go To Waste
5. Temperatures Rising
6. Oblivious
7. It's Getting Late
8. Instrumental
9. Tugboat

After producing two albums celebrated by a thirsty underground network of fans, Galaxie 500 released what turned out to be their unexpected swansong, This Is Our Music. The title is an intentionally declarative statement. After being labeled masters of the disengaged and forlorn, Damon Krukowsi, Dean Wareham, and Naomi Yang delivered a full-length comprised of their most stately material. Here, one can hear potential realized, as well as changes afoot. "Fourth of July" is a surprisingly up-front song for the band, with rolling drums and a bass-heavy refrain, and it proved to be their most popular single. The track sets the stage for the dynamism of This Is Our Music. When Galaxie 500 sounds wistful ("Summertime"), it sounds like years of yearning actualized; when the band sounds regretful ("Sorry"), it comes pleading on its knees. The trio found a beautiful balance between increased production values and knob-twiddler Mark Kramer's oddhanded approach. For the first time since its original pressing, This Is Our Music is available again on vinyl. Cut by vinyl ace Kevin Gray from a remaster by Kramer and Alan Douches, the album sounds more vibrant than ever, and Galaxie 500 exists again as one of the most enrapturing and glorious bands to emerge from the underground in the past 25 years.

TRACK LISTING

1. Fourth Of July
2. Hearing Voices
3. Spook
4. Summertime
5. Way Up High
6. Listen, The Snow Is Falling
7. Sorry
8. Melt Away
9. King Of Spain, Part Two

Here’s where it all began…This expanded double LP version of the “first album” thoroughly (though not completely) documents Beat Happening’s first four years of recorded history.

TRACK LISTING

A1. Foggy Eyes
A2. Bad Seeds
A3. I Let Him Get To Me
A4. I Spy
A5. Run Down The Stairs
A6. In Love With You Thing
A7. I Love You
A8. Down At The Sea
A9. Our Secret
A10. What’s Important
A11. Fourteen
A12. Bad Seeds (live)
B1. Run Down The Stairs
B2. In My Memory
B3. Honey Pot
B4. The Fall
B5. Youth
B6. Don’t Mix The Colors
B7. Christmas
B8. Fourteen
B9. Let’s Kiss
B10. 1, 2, 3
B11. Look Around
B12. I Love You (demo)

Jamboree contains America’s accidental entry into the 1988 Eurovision contest, “Indian Summer.” Beat Happening lost to a then-unknown Céline Dion.

TRACK LISTING

1. Bewitched
2. In Between
3. Indian Summer
4. Hangman
5. Jamboree
6. Ask Me
7. Crashing Through
8. Cat Walk
9. Drive Car Girl
10. Midnight A Go-Go
11. The This Many Boyfriends Club

Is it okay to call Black Candy a departure? A Jungian descent into a darker psychological state? If the starkness of the cover art wasn’t enough of a harbinger, the edgier tone of Black Candy coupled with all this lyrical talk about gravediggers, lost boyfriends, ghosts and… pajama parties is enough to wonder just how close to the bonfire Beat Happening were willing to dance.

TRACK LISTING

1. Other Side
2. Black Candy
3. Knick Knack
4. Pajama Party In A Haunted Hive
5. Grave Digger Blues
6. Cast A Shadow
7. Bonfire
8. T.V. Girl
9. Playhouse
10. Ponytail

Released in tandem with the International Pop Underground festival, 1991 was a very good year on the S.S. Beat Happening. Songs from Dreamy crowd many fan favorite lists and with good reason.

TRACK LISTING

1. Me Untamed
2. Left Behind
3. Hot Chocolate Boy
4. I’ve Lost You
5. Cry For A Shadow
6. Collide
7.Nancy Sin
8. Fortune Cookie Prize
9. Revolution Come And Gone
10. Red Head Walking

From the hypnotic, elegiac pulse of “Tiger Trap” to the meditative tone poem of “Godsend,” the quiet maturity and melodic confidence of You Turn Me On makes it a bittersweet swansong for Beat Happening, but what a way to go out.

TRACK LISTING

1. Tiger Trap
2. Noise
3. Pinebox Derby
4. Teenage Caveman
5. Sleepy Head
6. You Turn Me On
7. Godsend
8. Hey Day
9. Bury The Hammer

Pulling together the lion’s share of Beat Happening’s non-LP material not covered by the expanded edition of the debut album, Music To Climb The Apple Tree By collects tracks from the band’s singles and compilation contributions along with their share of the Beat Happening/Screaming Trees EP. Essential ephemera.

TRACK LISTING

1. Angel Gone
2. Nancy Sin
3. Sea Hunt
4. Look Around
5. Not A Care In The World
6. Dreamy
7. That Girl
8. Secret Picnic Spot
9. Zombie Limbo Time
10. Foggy Eyes
11. Knock On Any Door
12. Sea Babies
13. Tales Of Brave Aphrodite
14. Polly Pereguinn
15. I Dig You

Ahead of their ‘Nowhere’ 30th anniversary UK tour starting 20th April, shoegaze legends Ride have announced the details of the reissues of their early classic albums via Wichita Recordings.

STAFF COMMENTS

Liam says: A collection of Ride's first EPs 'Ride', 'Play', 'Fall' and 'Today Forever', '4 EPs' is a slice of essential music history and a must for any shoegaze fan! To be honest, it's worth it alone just for 'Drive Blind'.

TRACK LISTING

Chelsea Girl
Drive Blind
All I Can See
Close My Eyes
Like A Daydream
Silver
Furthest Sense
Perfect Time
Dreams Burn Down
Taste
Here And Now
Nowhere
Unfamiliar
Sennen
Beneath
Today

Ahead of their ‘Nowhere’ 30th anniversary UK tour starting 20th April, shoegaze legends Ride have announced the details of the reissues of their early classic albums via Wichita Recordings.

Back in the early 90s, before indie bands made the tabloids, Ride were one of our great white hopes. Fusing the sonic headrush of My Bloody Valentine with the Byrds' jingle-jangle immediacy, they seemed destined to shine. Debut album "Nowhere" captured them at their adolescent peak and "Vapour Trail" is effectively their signature tune; FX pedal-enhanced guitar assaults and nascent teenage vocals tempered by a love of all things pop.

STAFF COMMENTS

Liam says: Alongside 'Souvlaki' and 'Loveless', 'Nowhere' is one of the holy trinity albums of shoegaze and it's about time we have this absolute classic available again! From the blistering opener of 'Seagull', to the shimmering and spell-bounding closer of 'Vapour Trail', albums don't get much better than 'Nowhere'. Plus, thank goodness nobody needs to pay a million pounds for a copy off of Discogs anymore!

TRACK LISTING

Seagull
Kaleidoscope
In A Different Place
Polar Bear
Dreams Burn Down
Decay
Paralysed
Vapour Trail

Ahead of their ‘Nowhere’ 30th anniversary UK tour starting 20th April, shoegaze legends Ride have announced the details of the reissues of their early classic albums via Wichita Recordings.

The follow-up to "Nowhere", "Going Blank Again" saw the Oxford quartet embrace their prog side. Lead single "Leave Them All Behind" was an eight minute FX-pedal onslaught that somehow managed to crack the top twenty and get them on TOTP. On the other hand, "Twisterella" and "Mouse Trap" proved they could strip away the noise in favour of concise three minute pop melodies. A career best.

STAFF COMMENTS

Liam says: Releasing only a year and a half after 'Nowhere', 'Going Blank Again' was more exemplary shoegaze from Ride and really showed that they were a band at the height of their powers. Again, much like the other two reissues, this release is essential if you've not already got a copy. Also, best album opener of all time? You'll be hard pressed to beat the 8 minute goliath of 'Leave Them All Behind'.

TRACK LISTING

1. Leave Them All Behind
2. Twisterella
3. Not Fazed
4. Chrome Waves
5. Mouse Trap
6. Time Of Her Time
7. Cool Your Boots
8. Making Judy Smile
9. Time Machine
10. OX4
11. Going Blank Again
12. Howard Hughes
13. Stampede
14. Grasshopper

Originally slated to be a 7” to follow up their self-titled debut, Sonic Youth’s Confusion Is Sex blossomed into the band’s first album: a brain-bludgeoning, completely fried endeavor of dissonance and disarray, a perfect soundtrack for running from a chain-wielding gang near the SIN Club. This was the sound of 1983 New York City, nothing like the jangly roots of college radio rock starting to formulate in Athens, Georgia. It sounded like no one else on Earth, for that matter. The raw, Wharton Tiers 8-track production is dark, the Kim Gordon- scrawled cover figure art of Thurston Moore is dark, Lee Ranaldo’s back cover photo-collage and Catherine Ceresole’s crumpled-xeroxed images that adorned the inside are dark.

It’s an album that moves Sonic Youth forward from their first EP almost by devolving backwards into true ugly, lo-fi primitivity. The bareboned arsenal of junkpile guitars and implementation of alternate tunings was growing, and so were the songs that matched the individual attributes of each instrument: certain ones groan and growl a specific way that the band started to realize itself could become the compositional germ of a song. Herein is the threshold of a new explosion of the band’s creativity, replacing the comparatively cleaner buzz of the Sonic Youth EP with guitars that spew fractured, uglier chunks of sound everywhere, held down by menacing minimalist basslines (actually played by Thurston on half of this LP, and for the only time ever on “Protect Me You,” Lee) and the brutal-yet-controlled metronomic drumming of Jim Sclavunos, augmented with replacement drummer Bob Bert’s notable bashing on “Making the Nature Scene” and grotty no-fi live rendition of “I Wanna Be Your Dog.” Hearing the crashedwindow intro of “Inhuman” and subway-brake screech of “The World Looks Red,” you can attest that while Sonic Youth’s guitars are not quite yet being utilized in the totally controlled, lyrical fashion seen later on albums like Evol, Daydream Nation et al., they were well aware of the colors and tonalities that were unfolding and the possibilities presented. Also, they were getting a grasp on adding colors to the chaos with tempered, simmering moments like Gordon’s “Shaking Hell” and Renaldo’s chimy, home-taped “Lee is Free.” “Making the Nature Scene” and “The World Looks Red” even toss in glints of hip-hop vocal approach way ahead of its time, albeit through a blender. While its confrontationalism might have put off some critics, time has rewarded Confusion with a truly distinctive air and atmosphere in the Sonic discography, enough to have Moore declare it his fave along with the band’s swan-song The Eternal

TRACK LISTING

1 (She’s In A) Bad Mood
2 Protect Me You
3 Freezer Burn / I Wanna Be Your Dog
4 Shaking Hell
5 Inhuman
6 The World Looks Red
7 Confusion Is Next
8 Making The Nature Scene
9. Lee Is Free

Choice collection of B-sides, rarities, alternate takes and previously unreleased tracks dating back to 1993.

New York’s most influential avant-garde rock band, Sonic Youth, follow up their critically acclaimed 2006 release, Rather Ripped, with a special set sure to please fans and completists. The Destroyed Room: B-Sides And Rarities, a collection of near-hidden Sonic Youth gems hand-picked by the band, brings together songs from throughout the band’s tenure at Geffen Records. Focusing on tracks previously available only on limited-edition compilations, vinyl-only releases, or as B-Sides or international singles, The Destroyed Room also features material that has never before been released.

This deluxe, double-vinyl LP edition is being released on the band’s own Goofin Records imprint with a CD version available via Geffen

TRACK LISTING

1. Fire Engine Dream - (2003) Outtake From Sonic Nurse
2. Fauxhemians - (2001) From Noho Furniture Sessions; Originally Released On All TomorrowÕs Parties 1.1
3. Is It My Body? - (1993) B-Side From The Sugar Kane Single
4. Razor Blade - (1994) B-Side From The Self-Obsessed And Sexxee Single
5. Blink - (1999) From The Pola X Soundtrack
6. Campfire - (2000) From The At Home With The Groovebox Compilation
7. Loop Cat - (2003) From The You Can Never Go Fast Enough Compilation
8. KimÕs Chords - (2003) Japanese Bonus Track From Sonic Nurse
9. Beautiful Plateau - (2003) Japanese Bonus Track From Sonic Nurse
10. 3 Sectional Love Seat - (2001) From Noho Furniture Sessions
11. Queen Anne Chair - (2001) From Noho Furniture Sessions
12. The Diamond Sea (1995) LP Version, Alternate Ending. 

Universally credited as the band that invented grindcore, it's no exaggeration to say that Napalm Death are one of the most important acts in metal history

Earache Records' third ever release (MOSH003), classic debut album 'Scum' had an immediate, seismic impact in 1987 and its influence can still be felt far and wide today. To celebrate its 35th anniversary, this essential album is repressed with limited edition Blue and Pink colour sleeves. An absolute 'must have' for any heavy metal collector.

Pressed from the original master tapes, the album has been specially recreated using 'fdr' – full dynamic range mastering - allowing the music's nuances to shine through and giving the classic album a more ferocious and dynamic sound, enabling the listener to immerse in the full audio heaviness like never before.

TRACK LISTING

Multinational Corporations
Instinct Of Survival
The Kill
Scum
Caught In A Dream
Polluted Minds
Sacrificed
Siege Of Power
Control
Born On Your Knees
Human Garbage
You Suffer
Life?
Prison Without Walls
Point Of No Return
Negative Approach
Success?
Deceiver
C.S.
Parasites
Pseudo Youth
Divine Death
As The Machine Rolls On
Common Enemy
Moral Crusade
Stigmatized
M.A.D
Dragnet

On November 4, Bad Brains’ fifth album Rise will be reissued on vinyl for the first time via The Control Group. Originally released by Epic Records in 1993, Rise was Bad Brains’ major label debut, and the follow-up to 1989’s Quickness.

TRACK LISTING

1. Rise
2. Miss Freedom
3. Unidentified
4. Love Is The Answer
5. Free
6. Hair
7. Coming In Numbers
8. Yes Jah
9. Take Your Time
10. Peace Of Mind
11. Without You
12. Outro 

Turn off your mind, relax and float downstream…

London - September 7, 2022 – Revolver: The Beatles’ 1966 album that changed everything. Spinning popular music off its axis and ushering in a vibrant new era of experimental, avant-garde sonic psychedelia, Revolver brought about a cultural sea change and marked an important turn in The Beatles’ own creative evolution. With Revolver, John Lennon, Paul McCartney, George Harrison, and Ringo Starr set sail together across a new musical sea.

The Revolver album’s 14 tracks have been newly mixed by producer Giles Martin and engineer Sam Okell in stereo and Dolby Atmos, and the album’s original mono mix is sourced from its 1966 mono master tape. Revolver’s sweeping new Special Edition follows the universally acclaimed remixed and expanded Special Editions of Sgt. Pepper’s Lonely Hearts Club Band (2017), The BEATLES (‘White Album’) (2018), Abbey Road (2019), and Let It Be (2021).

All the new Revolver releases feature the album’s new stereo mix, sourced directly from the original four-track master tapes. The audio is brought forth in stunning clarity with the help of cutting edge de-mixing technology developed by the award-winning sound team led by Emile de la Rey at Peter Jackson’s WingNut Films Productions Ltd. The physical and digital Super Deluxe collections also feature the album’s original mono mix, 28 early takes from the sessions and three home demos, and a four-track EP with new stereo mixes and remastered original mono mixes for “Paperback Writer” and “Rain”. The album’s new Dolby Atmos mix will be released digitally.

Revolver Special Edition Super Deluxe 5CD
This Special Edition of The Beatles’ REVOLVER features a new mix by Giles Martin and Sam Okell, plus the original mono mix, a 4-track EP, 31 session takes and home demos, a 100-page book with a foreword by Paul McCartney, an essay by Questlove, detailed track notes, photos and ephemera including handwritten lyrics, tape boxes and extracts from Klaus Voormann’s graphic novel on the making of the cover art. On 5 CDs in a 12.56” x 12.36” slipcase.

Revolver Special Edition Super Deluxe 4LP + 7” Vinyl EP
This Special Edition of The Beatles’ REVOLVER features a new mix by Giles Martin and Sam Okell, the original mono mix, a 4-track EP, 31 session takes and home demos, a 100-page book with a foreword by Paul McCartney, an essay by Questlove, detailed track notes, photos and ephemera including handwritten lyrics, tape boxes and extracts from Klaus Voormann’s graphic novel on the making of the cover art. Half-speed-mastered 180g LPs + 7-inch vinyl EP in a 12.56” x 12.36” slipcase.

Revolver Special Edition Deluxe 2CD
This 2CD Special Edition of The Beatles’ REVOLVER features a new mix by Giles Martin and Sam Okell, plus a disc of highlights from the album sessions that includes early versions of songs that deepen and expand the story of the album, as well as new stereo mixes of the non-album single, “Paperback Writer” and “Rain,” and a 40-page booklet with detailed info and rare photos.

Revolver Special Edition 1CD
From “Taxman” to “Tomorrow Never Knows,” The Beatles’ REVOLVER has been newly mixed by producer Giles Martin and Sam Okell, and sourced directly from the original four-track master tapes with audio brought forth in stunning clarity with the help of cutting-edge technology developed by the award-winning sound team at Peter Jackson’s WingNut Films Productions Ltd.

Revolver Special Edition 1LP Vinyl
From “Taxman” to “Tomorrow Never Knows,” The Beatles’ REVOLVER has been newly mixed by producer Giles Martin and Sam Okell, and sourced directly from the original four-track master tapes with audio brought forth in stunning clarity with the help of cutting-edge technology developed by the award-winning sound team at Peter Jackson’s WingNut Films Productions Ltd. Now available on 180g vinyl.

STAFF COMMENTS

Andy says: Revolver is the moment where the Beatles turned their back on the hysteria and announced they weren't going to tour anymore, but instead were going to concentrate solely on The Music. Out went boy-meets-girl and any country or rock'n'roll songs, in came psychedelic pop with deep or abstract words and a dizzying array of styles. The influence of drugs can't be ignored when appreciating these new sounds, and what we have is basically a band actually creating the zeitgeist, up in the crow's nest of what was suddenly the great ship Counter Culture, sailing to who knows where. It's their best album.

There are small musical touches throughout CYRK which make it distinctive from the work of any other singer-songwriter, colouring the record with splashes of ingenious eccentricity and psych-pop flourishes. Cyrk II is gentler and dreamier, a pleasant blend that gives way to soothing harmonies with less of the eccentricities that Le Bon has become known for. 2022 marks 10 years of the release of both Cyrk and Cyrk II.

Cryk
Cate Le Bon’s second album, Cyrk, was released to widespread acclaim in 2012 and saw the Welsh singer/songwriter play live across the world, including being invited by St Vincent to tour the United States. There are small musical touches throughout CYRK which make it distinctive from the work of any other singer-songwriter, colouring the record with splashes of ingenious eccentricity and psych-pop flourishes.

Cryk II
Cryk II is a collection of the 5 tracks that didn’t make it onto the Cyrk , the rationale being that they’re distinctively different from those on the parent LP. Cyrk II is gentler and dreamier, a pleasant blend that gives way to soothing harmonies with less of the eccentricities that Le Bon has become known for.

“A songwriter this unique and talented shouldn’t be standing in anyone’s shadow.” Pitchfork

“Cyrk is a curious musical brew that blends Velvet Underground-style shaggy jangles with a kind of bucolic psych-folk sound” BBC Music

“One of the most characterful voices of recent times” MOJO

"A common thread can be found in CYRK, Cate's second album: the application of a sincere pop-song sensibility, and a yen for the surreal that sidesteps the zany." NME

Celebrating the 15th anniversary since its original release, Dinosaur Jr. is reissuing “Beyond” on limited edition coloured vinyl with a special edition white vinyl 7”.

With J Mascis on guitar & lead vocals, Lou Barlow on bass and vocals, and Murph on drums, the 2007 album was the first from original lineup Dinosaur Jr. since 1988’s “Bug," kicking off a Dinosaur Jr. reunion which has lasted longer than the band’s original run.

"Less a theme park of the past and more of an actual trip there… Beyond is nostalgic for everything but the band's own glory days. If anything, it's an exercise in making their entire twenty-year output sound contemporary again.” - Zach Baron for Pitchfork.

"very existence of this new album is a surprise, but the real shock is that Beyond is a flat-out great record, a startling return to form for J Mascis as a guitarist and songwriter and Dinosaur Jr. as a band… Beyond isn't merely a worthy album from a reunited band, it's simply a great record by any standard.” - Stephen Thomas Erlewine for Allmusic Guide

"There is something almost eerie about how exactly the Dinosaur Jr of 2007 sound like the Dinosaur Jr of 1988: on occasion, listening to Beyond feels discombobulating, like meeting an old school friend 20 years on…" - Alex Petridis for The Guardian

TRACK LISTING

SIDE A:
1. Almost Ready
2. Crumble
3. Pick Me Up
4. Back To Your Heart
SIDE B:
5. This Is All I Came To Do
6. Been There All The Time
7. It’s Me
8. We’re Not Alone

BONUS 7“
SIDE A:
1. What If I Knew
SIDE B:
1. Yer Son

‘For the Roses’ is the fifth studio album by Canadian singer-songwriter Joni Mitchell and was released in November 1972. The album was released 50 years ago this November and is BPI certified silver. It was added to the Library of Congress’ National Recording Registry in 2007. The album was met with critical acclaim and notably features ‘You Turn me on I’m A Radio’ as well as ‘Banquet’ and the title track ‘For the Roses’. 

TRACK LISTING

Side A
Banquet (2022 Remaster)
Cold Blue Steel And Sweet Fire (2022 Remaster)
Barangrill (2022 Remaster)
Lesson In Survival (2022 Remaster)
Let The Wind Carry Me (2022 Remaster)
For The Roses (2022 Remaster)
Side B
See You Sometime (2022 Remaster)
Electricity (2022 Remaster)
You Turn Me On I'm A Radio (2022 Remaster)
Blonde In The Bleachers (2022 Remaster)
Woman Of Heart And Mind (2022 Remaster)
Judgement Of The Moon And Stars (Ludwig's Tune) [2022 Remaster]

Mac DeMarco’s debut full length, 2, released in 2012, cleaned up the songwriter’s warped take on soft rock and brought it to a broader audience. Given DeMarco’s affinity for keeping things lo-fi — 2 was the first time he’d bothered to record demos — it’s revealing to hear these songs in their most embryonic form. The performances here are a little looser and the sound a little hazier than on the actual LP, lending an atmosphere of dreamy vulnerability, especially to ballads like “Annie” and the Lennon-esque “Sherrill.”

TRACK LISTING

Disc 1
1. Cooking Up Something Good
2. Dreamin’
3. Freaking Out The Neighborhood
4. Annie
5. Ode To Viceroy
6. Robson Girl
7. The Stars Keep On Calling My Name 8. My Kind Of Woman
9. Boe Zaah
10. Sherrill
11. Still Together

Disc 2
1. Cooking Up Something Good
2. Stars Keep Calling My Name
3. Dreamin’ Slow
4. Lonely Shredder
5. Robson Girl
6. Annie
7. Harrison Ford Escort
8. Sherrill
9. My Kind Of Woman (Instrumental)
10. Dreamin’ Fast

Up The Bracket arrived like a raging bull in a tired post-Britpop china shop and introduced the world to The Libertines, a new gang of London bohemians, whose ragged tunes, red military tunics, opiated poetry and ‘live now pay never’ lifestyle came to define the millennial angst of the early noughties. At the heart of the band is the blood bond bromance between the ramshackle Music Hall Jagger/Richards, Peter Doherty and Carl Barat, ably assisted by the rock solid rhythm twins John Hassall and Gary Powell. Any bookie worth his salt would have given you short odds on this quartet surviving more than a month or two, given the teetering on the brink lifestyle they chose to lead, but here we are two decades later and our Byronic heroes, though older and wiser, are still fighting the good fight and making music every bit as vital as their debut. The belief, talent and fervour that Doherty spoke of in their earliest manifesto has stood them in good stead.

Up The Bracket, justly considered one of the greatest albums of the noughties, was originally released on October 21st 2002 by Rough Trade Records. The album, a heady stew of indie rock, skiffle, blues, dub and English bucolic pop, was a huge shot in the arm to a largely redundant music scene and helped to inspire the rebirth of guitar music, going on to influence countless artists who followed in its wake.

Up The Bracket, which was produced by Mick Jones of The Clash, takes you on a wondrously poetic journey into the band’s mythical world and their fevered dreams of Albion, a land of squalid glamour, liberty, equality, fraternity, gin palaces and chip shops. Quite simply Pete, Carl, Gary and John created a hugely compelling timeless British rock'n'roll classic debut as relevant now as it was upon its release.

TRACK LISTING

2LP & 2CD Tracklisting

LP1/CD1 – Up The Bracket (Remastered)
Vertigo
Death On The Stairs
Horror Show
Time For Heroes
Boys In The Band
Radio America
Up The Bracket
Tell The King
The Boy Looked At Johnny
Begging
The Good Old Days
I Get Along

LP2/CD2 - Live At The 100 Club
Horrorshow
Vertigo
The Delaney
What A Waster
Begging
Time For Heroes
Death On The Stairs
Boys In The Band
I Get Along



BOXSET Tracklisting
LP1 – Up The Bracket (Remastered) (black Vinyl)
Side One 
1. Vertigo
2. Death On The Stairs
3. Horror Show
4. Time For Heroes
5. Boys In The Band
6. Radio America
Side Two
1. Up The Bracket
2. Tell The King
3. The Boy Looked At Johnny
4. Begging
5. The Good Old Days
6. I Get Along

LP2- Live At The 100 Club (White Vinyl)
Side One 
1. Horrorshow
2. Vertigo
3. The Delaney
4. What A Waster
5. Begging
Side Two
6. Time For Heroes
7. Death On The Stairs
8. Boys In The Band
9. I Get Along

7” - Up The Bracket – Blue Vinyl
Side A – Up The Bracket – Original Audio Not Remastered
Side AA – Boys In The Band – Original Audio Not Remastered

7” – Time For Heroes – Red Vinyl
Side A – Time For Heroes – Original Audio Not Remastered
Side B – The 7 Deadly Sins (Demo) – Original Audio Not Remastered

CD1 – Album Studio Outtakes
1. Up The Bracket – Take 4
2. Vertigo – Take 2
3. Ha Ha Wall – Take 1
4. Horror Show – Take 3
5. Bangkok – Take 1
6. Time For Heroes – Take 3
7. Begging – Take 1
8. What A Waster – Take 1
9. Breck Road Lover – Take 1
10. Never Never – Take 2
11. Tell The King – Take 1
12. The Domestic – Take 1
13. Don’t Talk To Me -Take 1
14. The Wolfman – Take 2
15. Radio America – Take 2
16. The Good Old Days – Take 1
17. 7 Deadly Sins – Take 3
18. Sweets – Take 4
19. Mocking Bird – Take 6
20. Boys In The Band – Take 1
21. Skag & Bone Man – Take 2

CD2 – Demos/Radio Sessions/B-Sides/Live Etc
1. Vertigo – Demo
2. The Boy Looked At Johnny - Demo
3. Death On The Stairs - Demo
4. Horror Show - Demo
5. All At Sea (Misty) - Demo
6. Wolfman - Demo
7. Plan A – Demo
8. Up The Bracket – Evening Session
9. Boys In The Band – Evening Session
10. Time For Heroes – Evening Session
11. I Get Along/mayday – Evening Session
12. Jo Whiley – Christmas Live Lounge
13. Skag & Bone Man – Up The Bracket B-Side
14. The Delaney - Up The Bracket B-Side
15. Plan A - Up The Bracket B-Side
16. General Smuts (Demo) – Time For Heroes B-Side
17. Bangkok (Demo) – Time For Heroes – B-Side
18. Mr. Finnegan (Demo) – Time For Heroes B-Side
19. Sally Brown (Demo) – Time For Heroes B-Side
20. 7 Deadly Sins (Demo) – Time For Heroes B-Side
21. Up The Bracket – Live At The ICA – 3/6/02
22. Mayday – Live At Nottingham Rock City – 30/10/02
23. Begging - Live At Divan Du Monde, Paris – 7/11/02
24. The Boy Looked At Johnny – Live At Divan Du Monde, Paris – 7/11/02
25. Death On The Stairs – Alt Guitar Version

DVD
HD Videos Of –
Up The Bracket
Time For Heroes
I Get Along
Up The Bracket & Boys In The Band – Jools Holland Dec 2002
Time For Heroes – Top Of The Pops March 2003
Exclusive Extras – Still Tbc

Cassette – Early Demos
1. I Get Along – 12/01 – Nomis Demo
2. Time For Heroes – 12/01 – Nomis Demo
3. Never Never – 12/01 – Nomis Demo
4. Horror Show – 12/01 – Nomis Demo
5. Boys In The Band – 12/01 – Nomis Demo
6. Up The Bracket – 01/02 – Nomis Demo
7. Begging - 01/02 – Nomis Demo
8. What A Waster - 01/02 – Nomis Demo
9. Skint & Minted - 01/02 – Nomis Demo
10. General Smuts - 01/02 – Nomis Demo
11. Bangkok - 01/02 – Nomis Demo
12. Mayday - 01/02 – Nomis Demo
13. Mr Finnegan - 01/02 – Nomis Demo
14. Tell The King – 25/1/02 - Demo
15. Death On The Stairs – 25/1/02 – Demo
16. Time For Heroes – 1/3/02 - Demo
17. I Get Along – 1/3/02 - Demo
18. Horror Show – 1/3/02 – Demo
19. Boys In The Band – 1/3/02 - Demo
20. General Smuts – 1/3/02 – Demo

More than a quarter century since its primal emergence from the Desert, Queens Of The Stone Age has elected to give three of its landmark albums the upscale re-release treatment, including limited edition color vinyl pressings, exclusive new and restored artwork, and more.

First up is the one that started it all: Back in print after a long, long decade, Queens Of The Stone Age’s self-titled 1998 debut album is restored to its original track listing and adorned by the long out-of-print original Frank Kozik artwork, the soon to be definitive version of QOTSA’s self-titled ground zero will feature an obi-strip designed by longtime collaborator Boneface and will be available on standard black and limited edition opaque orange vinyl.

TRACK LISTING

Regular John
Avon
If Only
Walkin On The Sidewalks
You Would Know
How To Handle A Rope (A Lesson In The Lariat)
Mexicola
Hispanic Impressions
You Can't Quit Me Baby
Give The Mule What He Wants
I Was A Teenage Hand Model

‘Blemish’ was David Sylvian’s first solo album to be released on his own Samadhisound label following his departure from Virgin Records in 2003. This is the first official release on 180gram vinyl.

Working primarily as a solo artist, Sylvian created an impromptu suite of songs for guitar, electronics and voice. The compositions were crafted from improvisational sessions by Sylvian and the acclaimed free-jazz guitarist, Derek Bailey on 3 tracks.

“A Fire In A Forest” features the haunting electronic arrangements by Austrian guitarist / producer Christian Fennesz.

TRACK LISTING

Side A
Blemish (13:42)
The Good Son (5:25)
The Only Daughter (5:28)
Side B
The Heart Knows Better (7:52)
She Is Not (0:45)
Late Night Shopping (2:54)
How Little We Need To Be Happy (3:22)
A Fire In The Forrest (4:14)
Trauma (5:42) 

Following their eponymous debut in 2007, Exploding Head is A Place To Bury Strangers’ most notable record, garnering the New York noise rock outfit critical praise and a cult fanbase. Lead by Oliver Ackermann, the band had a simple goal for ‘their first proper studio album’; “to create the craziest, most fucked-up recording ever."

Recorded at their Death By Audio studios in New York and released on Mute Records, the album was critically praised for its explorative sound, taking inspiration from shoegaze icons such as Jesus & Mary Chain and My Bloody Valentine. Pitchfork described the album as “frustrated aggression, lacerating feedback… saturated with slender indie-pop melody."

The Complete Singles 1982 – 85 & More.

Includes indie chart-toppers Snake Dance, Deep and Walk into the Sun 7” versions (the first time the Deep and Walk into the Sun 7” are available since the 80’s).

22 tracks – all their ‘80’s repertoire, plus 3 highlights from this century.
From Leeds, label-mates of Sisters of Mercy, they issued six singles & a compilation.

The March Violets came out of Leeds in the early 80’s, label-mates of Sisters of Mercy. Releasing six singles, they were a constant presence in the UK indie charts, hitting the top two with Snake Dance and Deep and no. 1 with Walk into The Sun. They never got around to recording an album – their only '80's long-players, Natural History in the UK and Electric Shades in the USA, were compilations. Eventually they signed to a major label and were groomed for a USA breakthrough, performing in the 1987 Some Kind of Wonderful movie. However they were asked to make too many compromises and split up.

Here is their entire 1980’s independent catalogue compiled in the original versions, together with three tracks from this century. It chronicles their development with lead singers Simon Denbigh, Rosie Garland and Cleo Murray, backed by bassist Lawrence Elliot and guitarist Tom Ashton.

TRACK LISTING

Side A
1. Radiant Boys
2. Religious As Hell
3. Fodder
4. Children On Stun
5. Bon Bon Babies
6. Grooving In Green
Side B
1. Steam
2. Crow Baby
3. 1 2 I Love You
4. Long Pig
5. Snake Dance
6. It’s Hot
Side C
1. Slow Drip Lizard
2. Walk Into The Sun
3. Lights Go Out
4. Essence
5. Deep
Side D
1. Eldorado
2. Electric Shades
3. Cut Down Pretty
4. Road Of Bones
5. Mortality

The Oh Sees at the peak of their prog obsession, super jammed out and totally dominating. The Chapel SF 10.2.19 is a 53 minute, beautifully recorded, hi-fidelity live explosion of orc puke and kraut-gone-punk rock dominance by one of the rippingest bands of the 21st century.

TRACK LISTING

Static God
Jettisoned
Henchlock
Together Tomorrow
Animated Violence
Gholu
Plastic Plant
C
Nite Expo
Encrypted Bounce

“Gelb's semi-surreal observations lace things together perfectly.” UNCUT

Filled with loud and lucky abandon; heady steady and direct singalongs for the heart in constant turmoil. Giant Sand’s esoteric journey to ‘Heartbreak Pass’ is an exotic journey through hails of Youngian guitars, off-the-cuff jazz piano rounds and beautiful alt-country yearning. While containing only new songs for this album, this feels like a greatest hits and as such is a perfect entry point for Giant Sand neophytes. Fire Records give ‘Heartbreak Pass’ a long overdue repress on white vinyl, with new liner notes and updated artwork.

There’s a roll of the tongue, a couplet and some convolution underpinning Giant Sand’s 2015 opus ‘Heartbreak Pass’. So the story goes, so legend has it, a mere 30 years into their career, almost ten years ago, Giant Sand were regrouped and, for a fleeting second, someone made sense of it all (the words, the genre swapping sound, the roll call of friends and accomplices, the majesty of polar opposites attracting).

On ‘Heartbreak Pass’ the result from this lengthy travelogue is a memoir filled with trinkets exchanged along the way. Sure, the Arizona desert is there, gritty and unforgiving but Howe's one-man-band is joined by a throng of well-wishers, this time around including Steve Shelley (Sonic Youth), Grant-Lee Phillips and Ilse DeLange (Common Linnets), The Voices Of Praise Choir, oft-time collaborator John Parish, Grandaddy’s Jason Lytle, Maggie Bjorklund on pedal steel, Italian singer/songwriter Vinicio Capossela and many more. It’s an album that travels far and shows its road weariness in places but it’s a celebration in all its ragged glory.

In his original sleevenotes Howe pondered the fact that “The album is roughly broken into three volumes - loud and lucky abandon; heady steady and direct (Gelb's vision of Americana); and the heart in constant turmoil and something about a transponder.” He summarised: “I can't recommend it, nor do I regret it. It's been one life split into two.”

TRACK LISTING

A1 Heaventually
A2 Texting Feist
A3 Hurtin' Habit
A4 Transponder
A5 Song So Wrong
A6 Every Now And Then
A7 Man On A String
B1 Home Sweat Home
B2 Eye Opening
B3 Pen To Paper
B4 House In Order
B5 Gypsy Candle
B6 Done

In 1976, Baris released his third album which was actually also a compilation of songs previously released in 45s, as happened with his debut. For this LP release, and basically because of contractual reasons, we are presenting you this compilation with a few changes: two of the original songs are not there, and we added four new ones. So, what we get here is a scorchin' collection of funky psychedelics Turkish way in a cool picture disc that will knock you out. Big Baris beats them all, the King of Anadolu Pop!!!

Originally released on 14th October, 1977, “Heroes" was David Bowie’s eleventh studio album. To celebrate its 45th anniversary, Parlophone is proud to announce a special limited edition ‘bricks & mortar’ outlet-only grey vinyl pressing of the album.

"Heroes" was a commercial success, peaking at #3 in the U.K. and #35 in the U.S., with NME and Melody Maker both naming it album of the year. The title track is now widely recognised as a classic and as one of Bowie’s most beloved songs, having been used in the London 2012 Olympic opening ceremony and critically acclaimed films such as Moulin Rouge and Jojo Rabbit. It has also become one of Bowie’s most covered songs with interpretations by artists such as Prince, Coldplay, Motörhead, Depeche Mode, Lady Gaga, King Crimson and The Wallflowers.

After releasing the ground-breaking Low in January 1977, Bowie toured and recorded playing keyboards in Iggy Pop’s band. He returned that summer to the Hansa Tonstudio in Berlin to begin work on a new album. Unlike the rest of the so-called ‘Berlin Trilogy’, “Heroes” was the only Bowie album recorded there in its entirety. Produced by Bowie and Tony Visconti, the central band from the Low album returned, this time joined by King Crimson guitarist Robert Fripp.

TRACK LISTING

SIDE 1
Beauty And The Beast
Joe The Lion
“Heroes”
Sons Of The Silent Age
Blackout
SIDE 2
V-2 Schneider
Sense Of Doubt
Moss Garden
Neuköln
The Secret Life Of Arabia

With such iconic tracks as “Christmas Time is Here” and the instantly recognizable “Linus and Lucy”, the Vince Guaraldi Trio’s soundtrack to A Charlie Brown Christmas shares the title of best-selling jazz album in history, and was certified 4x Platinum by the RIAA in late 2016. 

TRACK LISTING

Side 1
1. O Tannenbaum
2. What Child Is This
3. My Little Drum
4. Linus & Lucy
5. Christmas Time Is Here (instrumental)
Side 2
1. Christmas Time Is Here (vocal)
2. Skating
3. Hark, The Herald Angels Sing
4. Christmas Is Coming
5. Für Elise
6. The Christmas Song

Deluxe Editions Bonus Tracks:
O Tannenbaum (Take 2/Recorded September 21, 1965)
O Tannenbaum (Take 3/Recorded September 21, 1965)
Greensleeves (Take 6/Recorded October 28, 1965)
Linus And Lucy (Take 1/Recorded September 17, 1965)
Christmas Time Is Here (Take 1/Recorded September 17, 1965)
Christmas Time Is Here (Vocal) (Rehearsal/Recording Date Unknown)
Christmas Time Is Here (Take 4/Recording Date Unknown)
Skating (Take 1/Recorded September 22, 1965)
Jingle Bells (Takes 1–4/Recorded September 21, 1965)
Christmas Is Coming (Take 3/Recorded September 17, 1965)
Christmas Is Coming (Take 3/Recorded September 21, 1965)
Für Elise (Takes 1–2/Recording Date Unknown)
The Christmas Song (Take 8/Recorded October 28, 1965)

Feedback Moves returns with a vinyl reissue of Pat Thomas’ "New Jazz Jungle: Remembering". The album was originally released on CD in 1997, at a time when Pat had already spent years playing on the free improvisation circuit with the likes of Lol Coxhill and Derek Bailey. Thomas is largely known as a jazz and improvising pianist, but can be heard using electronics as far back as 1989 on an electro acoustic work called "Monads" and on the Bailey-led Company ’91 recordings. Thomas identified jungle’s weirdness and intensity and saw a space open for his own interpretation, on "New Jazz Jungle: Remembering" he utilises his classical training and knowledge of the tonal systems used by 20th century composer’s Schoenberg and Webern, and fuses that with his earlier experiences using electronics, keyboards & sampling techniques. What we end up with is 10 tracks of bass heavy jungle breaks, which are intersected with vocal and orchestral samples, and layers of percussion rotating at varying time signatures. It’s in this fashion that the album seems to present itself: in layers. Layers of samples, keyboards and FX, deployed at varying speeds, never losing their intensity. The re-issue of this lost classic comes at a time when Thomas continues to go from strength to strength, having recently released various solo and collaborative works with a wide range of musicians and projects such as Matana Roberts, Elaine Mitchener, حمد [Ahmed], Black Top, XT and many more.

STAFF COMMENTS

Matt says: Wild experiments within the blurred boundaries between jungle and jazz - Pat Thomas offers up a unique vision of rhythms and bass that's both inspired and ahead of its time. Originally released in 1997 this has never before been issued on vinyl.

TRACK LISTING

A1. One Nation
A2. Remembering
A3 . The Way To Heaven
B1. Who Are The Strangers?
B3. Repentance
C1. Precious Gift
C2. The Reply
D1. As You Well Know
D2. It's True
D3. No Surprises

Unavailable on vinyl for over 20 years, ‘Sings Reign Rebuilder’ was the stunning 2001 debut LP from Set Fire To Flames - a sprawling, adventurous 13-piece Montreal collective, including seven members of Godspeed you black emperor! plus others from bands like A Silver Mt Zion, Fly Pan Am, etc.

The sole reason FatCat’s 130701 imprint was founded, the LP remains an incredible and unique document. Recorded over a five-day period in a rickety old house in a communal atmosphere of long-duration improvised creative activity, operating on no sleep / confinement / intoxication, it was brilliantly edited to mix post-rock guitar-scapes; extended passages of scratchy, freeform improv and concrete clatterings; atmospheric location recordings; stirring, chamber string arrangements; deep/sparse drones; and Kraut-like, heavily rhythmic workouts.

Described on its release by TimeOut as “one of the most broodingly beautiful, dramatically emotional, hauntingly evocative albums likely to ever scrape at your soul… This record will kill you”; and by Pitchfork as “a gripping testament to the power of emotional expression in music... a marvelously inventive and powerful album.”  Perhaps the most dynamic and adventurous record to come out of the early 2000s Montreal scene around Godspeed you black emperor!.

Long-awaited first ever reissue of a classic album, which sold out of its original (only) pressing within weeks of its release on 15th October 2001 and has been unavailable since.

Remastered at Dubplates & Mastering and issued in a heavyweight black vinyl double LP edition, including lavish gatefold packaging, 20th Anniversary-branded OBI strip and original 24-page 7” x 7” booklet with full colour print and eight tracing-paper pages plus full digital download coupon.

TRACK LISTING

‘i Will Be True...’ (From Lips Of Lying Dying Wonder Body #1) / Reign Rebuilder [Head]
Vienna Arcweld / Fucked Gamelan / Rigid Tracking
Steal Compass / Drive North / Disappear
Wild Dogs Of The Thunderbolt / ‘they Cannot Lock Me Up... I Am Eternally Free...’ (From Lips Of Lying Dying Wonder Body #2)
Omaha
There Is No Dance In Frequency And Balance 
Côte D’abrahams Roomtone / ‘what’s Going On?...’ (From Lips Of Lying Dying Wonder Body #3)
Love Song For 15 Ontario (W/ Singing Police Car)
Injur: Gutted Two-Track
When I First Get To Phoenix
Shit-Heap-Gloria Of The New Town Planning
Jesus / Pop
Esquimalt Harbour
Two Tears In A Bucket
Fading Lights Are Fading / Reign Rebuilder [Tail Out]

Fleetwood Mac is the tenth studio album by British-American rock band Fleetwood Mac, released on 11 July 197. This was the first Fleetwood Mac album with Lindsey Buckingham as guitarist and Stevie Nicks as vocalist, after Bob Welch departed the band in late 1974.

The album peaked at number one on the US Billboard 200 chart dated 4 September 1976, 58 weeks after entering the chart, and spawned three top-twenty singles: "Over My Head", "Rhiannon", and "Say You Love Me", the last two falling just short of the top ten, both at number 11.

TRACK LISTING

Side 1
Monday Morning
Warm Ways
Blue Letter
Rhiannon
Over My Head
Crystal
Side 2
Say You Love Me
Landslide
World Turning
Sugar Daddy
I'm So Afraid

The 1971 masterpiece and the record for which she is still best known, this is one of the greatest albums to come out of the whole early-mid 70s singer/songwriter West Coast genre. It's poetic, introspective, acoustic-based and consistently melodic, as was most of the wonderful music coming out of LA at the time, but Joni stood apart and was worshipped by all the other movers and shakers as well as the newly denim-clad young hipsters, on both sides of the Atlantic. This became THE record of the day and it's resonated on through the years. It's not hard to see why: it's absolutely beautiful.

TRACK LISTING

Side A
All I Want (2021 Remaster)
My Old Man (2021 Remaster)
Little Green (2021 Remaster)
Carey (2021 Remaster)
Blue (2021 Remaster)
Side B
California (2021 Remaster)
This Flight Tonight (2021 Remaster)
River (2021 Remaster)
A Case Of You (2021 Remaster)
The Last Time I Saw Richard (2021 Remaster)

Features the original LP plus a bonus disc with the Cherry Red E.P tracks, plus a 16-page booklet containing photos, reviews, and sleevenotes from Mick Derrick, Steve Mack & John Robb.

Combining a metronomic krautrock beat played by a monster drummer, looping guitars and a boy/girl vocal that sounded like a bickering bed-sit argument turned into song, Prolapse had all the manic intensity of a nervous breakdown set against a backdrop of inventive guitar work and a really tough rhythm section. There were hints of the Fall, krautrock, PiL and a touch of the pure golden pop of Blondie along with the sense of restless dislocation shared by many of the post-punk bands.

Prolapse arrived in the middle of the Britpop era and their tense, almost neurotic music clashed with the stadium-filling, jolly knees- up pop that dominated the indie mainstream of the time. By 1996 indie had become the mainstream in terms of record sales and sound and was strutting around at the opposite end of the cultural spectrum to the indie bands of the Eighties and their war against popular culture. Late arrivals Prolapse were the last gasp of this genuine independence.

TRACK LISTING

LP1
1. Serpico
2. Headless In A Beat Motel
3. Surreal Madrid
4. Doorstep Rhythmic Bloc
5. Burgundy Spine
6. Black Death Ambulance
7. Chill Blown
8. Hungarian Suicide Song
9. Tina This Is Matthew Stone
LP2
10. Psychotic Now
11. P.D.F
12. Screws
13. Kilometrica Banca
14. Pull Thru Barker
15. Dirge
16. They Slept In Darkness
17. E.O.P.O
18. Pile Tent

With a new and essential Periodica dropping once every couple of weeks, a perennial purple patch for the Mystic Jungle Tribe and relentless heat eminating from the whole Early Sounds fam, it's fair to say that Napoli has become ground zero for slack funk fire and the most spaced out, spangled disco around. The latest product of that prolific region comes from Early Sounds associated Nu Guinea, who look to the groovy heavy and giddy 80s club sounds of their home town for inspiration, serving us a brand new album of analogue synth licks, blaxplo guitars and stone cold funk, topped perfectly by some flawless female vocals. As ever, there's a touch of the library about it all but the strength of songwriting, arrangement and production ensures this is gonna be a sell out smash. 

STAFF COMMENTS

Patrick says: It came, it went, it's back to conquer again. Nu Guinea's meticulous recreation of the 80s Neapolitan club sound far surpasses pure pastiche thanks to expert production, endless grooves and the necessary songwriting talents. Currently heading into the bags of all my most discerning customers, this is must have tackle!

TRACK LISTING

A1. Nuova Napoli
A2. Je Vulesse
A3. Ddoje Facce
B1. Disco Sole
B2. Stann Fore
B3. A Voce E Napule
B4. Parev' Ajere

Föllakzoid are nearly unparalleled in the hypnotic lysergic drenched neo-psychedelic experience. On their debut it is mostly a rather bulky one, determined by the downright dirty, distorted electric guitar, which is also usually accompanied by a spacey, howling and herbaceous howling one. In addition, there is fat bass and powerful drums. During the prolific post-napster musical era dominated by myspace, the Chilean musical field opened up so that many bands could broaden their creative spectrum by taking global and timeless references as an aesthetic holy grail. This experimentation had the internet and specialized forums as a search engine, which not only provided the world parameters in trends, but also allowed to find true hidden gems, bands that were adored by a few connoisseurs of the real quality left behind by the record labels. In this context, a group of university students who have known each other from school began to rehearse in the Caracol Vip underground (Santiago, Chile), in a room owned by a local heavy-metal legend, Juanzer. Equipped with tube amplifiers, Marshall and other custom made, the members of that time: Gonzalo Laguna on vocals, Juan Pablo Rodriguez on bass, Domingo García-Huidobro on guitar, Diego Lorca on drums and Francisco Zenteno on second guitar, they began to play endless jams without a strict sense of songs or directed compositional notion.

The rule was to follow the noise in a journey through valleys and peaks that allowed the spontaneous appearance of textures, lyrics, phrases and some invented chords that did not resemble anything that had been heard at that time. The rehearsals were transformed into true live performances without an audience, which were only seen by a few curious, among alcohol, smoke and deafening noise, which could only end when the owner of the room (Juanzer) entered to turn off the equipment. Over time he himself stayed as an auditor, witnessing how the musicians stripped themselves in their rehearsals. Considered at that time as play or fun, the idea of forming a band with a name came with the real live performances to which they were invited, without yet having songs made, at the end of 2006. The myth of their first live performance alludes to a numerical superstition, on July 7, 2007, in a small bar in Providencia (Santiago), which also provided the band with an upward recognition for the psychedelic-punk music they were doing, with a voracious vocalist who destroyed everything on stage and a band that stood firm on the endless songs they built.

TRACK LISTING

1. Sky Input, Pt. 1
2. Sky Input, Pt. 2
3. El Humo
4. Directo Al Sol
5. Loop
6. Lisérgico Club 

Something Else By The Kinks, expands The Kinks accomplishments, offering 13 classic British pop songs. These offerings focus on more nostalgic and sentimental themes, retreating from the psychedelic and mod posturings that had dominated the rock world. Something Else sounds like nothing else from 1967.

The Kinks change gear on this album, preferring acoustic ballads, music hall numbers, and tempered R&B to full-out guitar attacks. Part of the album's power lies in its calm music, since it provides an elegant support for Davies' character portraits and vignettes. From the martial stomp of "David Watts" to the lovely, shimmering "Waterloo Sunset," there's not a weak song on the record.

And just as impressive is the emergence of Dave Davies as a songwriter. His Dylanesque "Death of a Clown" and bluesy rocker "Love Me Till the Sun Shines" hold their own against Ray's masterpieces, and help make Something Else the endlessly fascinating album that it is.

TRACK LISTING

David Watts
Death Of A Clown
Two Sisters
No Return
Harry Rag
Tin Soldier Man
Situation Vacant
Love Me Till The Sun Shines
Lazy Old Sun
Afternoon Tea
Funny Face
End Of The Season
Waterloo Sunset

Face to Face is one of the finest collections of pop songs released during the '60s. Conceived as a loose concept album, Face to Face sees Ray Davies' fascination with English class and social structures flourish, as he creates a number of vivid character portraits.

Davies' growth as a lyricist coincided with the Kinks' musical growth. Face to Face is filled with wonderful moments, whether it's the mocking Hawaiian guitars of the rocker "Holiday in Waikiki," the droning Eastern touches of "Fancy," the music hall shuffle of "Dandy," or the lazily rolling "Sunny Afternoon."

These examples only scratches the surface of the riches of Face to Face, which offers other classics like "Rosy Won't You Please Come Home," "Party Line," "Too Much on My Mind," "Rainy Day in June," and "Most Exclusive Residence for Sale," making the record one of the most distinctive and accomplished albums of its time.

TRACK LISTING

Party Line
Rosy Won't You Please Come Home
Dandy
Too Much On My Mind
Session Man
Rainy Day In June
House In The Country
Holiday In Waikiki
Most Exclusive Residence For Sale
Fancy
Little Miss Queen Of Darkness
You're Looking Fine
Sunny Afternoon
I'll Remember

Kinda Kinks is the second album by English rock band the Kinks, released in 1965. Recorded and released within two weeks after returning from a tour in Asia.

The album is a huge step forward in songwriting capabilities for Ray Davies and the band. They secured themselves a number one spot on the UK singles chart with "Tired of Waiting for You", the full album charted at #3.

Originally released by Pye in the UK on 5 March 1965 and reissue now by BMG on heavy weight black vinyl in 2022. The US release had a rearranged track listing and repackaged cover. Several tracks were removed, and the single "Set Me Free", released two months after the UK issue of Kinda Kinks, was unique to the album's US release. In the UK, the album was only released in mono; no stereo mix was made.

The album also includes cult favourite tracks ‘Look For Me Baby’, ‘Come On Now’, ‘Something Better Beginning’ as well as "Nothin' in This World Can Stop Me Worryin' 'Bout That Girl" which put them right in the front of the British Invasion pack for seriousness and complexity, out in front of where the Beatles or almost any of the competition were in early 1965, but it didn't stop them from switching gears to the bluesy "Naggin' Woman."

TRACK LISTING

Look For Me Baby
Got My Feet On The Ground
Nothin' In The World Can Stop Me Worryin' 'bout That Girl
Naggin' Woman
Wonder Where My Baby Is Tonight
Tired Of Waiting For You
Dancing In The Street
Don't Ever Change
Come On Now
So Long
You Shouldn't Be Sad
Something Better Beginning

The Kinks came into their own as album artists on The Kink Kontroversy. Ray Davies fully matured as a songwriter on this title, which bridges their raw early British Invasion sound with more sophisticated lyrics and thoughtful production.

Full of powerful ravers like the hit "Til the End of the Day" (utilizing yet another "You Really Got Me"-type riff) and the abrasive, Dave Davies-sung cover of "Milk Cow Blues," but tracks like the calypso pastiche "I'm on an Island," where Ray sings of isolation with a forlorn yet merry bite, were far more indicative of their future direction.

Other great songs on this underrated album include the uneasy nostalgia of "Where Have All the Good Times Gone?," the plaintive, almost fatalistic ballads "Ring the Bells" and "The World Keeps Going Round," and the Dave Davies-sung declaration of independence "I Am Free."

TRACK LISTING

Milk Cow Blues
Ring The Bells
Gotta Get The First Plane Home
When I See That Girl Of Mine
I Am Free
Till The End Of The Day
The World Keeps Going Round
I'm On An Island
Where Have All The Good Times Gone
It's Too Late
What's In Store For Me
You Can't Win

New special one-off pressing gold CD / gold vinyl edition of this deep spiritual jazz classic.

Drummer legend extraordinaire, Vietnam conscientious objector, ex- Black Panther, Steve Reid has played with everyone from James Brown to Sun Ra, Fela Kuti and Miles Davis, was a friend of John Coltrane, worked at Motown and, in the latter part of his career, worked extensively with Kieran Hebden, following his path of a radical, revolutionary music up until his untimely death in 2010.

Soul Jazz Records are re-releasing this rarest release of deep heavyweight jazz by Steve Reid and The Master Brotherhood, entitled ‘Odyssey of the Oblong Square’, first released over thirty five years ago on Steve Reid’s own Mustevic Sound record label (where it came out in an edition of 1000 copies) and has been a serious collector’s album ever since.

Steve Reid became known worldwide for his radical collaborations with Kieran Hebden after they first recorded together on the Steve Reid Ensemble album, ‘Spirit Walk’, released on Soul Jazz in 2005, releasing five joint releases together in the following years.

Steve Reid is steeped in musical history and a true pioneer of US deep leftfield jazz. He played in Sun Ra’s Arkestra, was a Motown session drummer and backed James Brown at the Apollo. He was a Black Panther, imprisoned during the Vietnam war as a conscientious objector and lived in Africa in the early 1970s. Reid worked with Freddie Hubbard, Gary Bartz, Ornette Coleman, Lester Bowie, Fela Kuti, Leon Thomas, Miles Davis and many more in his long illustrious and groundbreaking career.

TRACK LISTING

1. Odyssey Theme
2. Deacon’s Son
3. Odyssey Sweet
4. Ginsameng

Yankee Hotel Foxtrot was widely acclaimed as one of 2002’s best albums, appearing in year-end lists of Mojo, NME, Q, Rolling Stone, and Uncut, among many others. Yankee Hotel Foxtrot also was featured in multiple decade-end lists, with Rolling Stone naming it #3 Album of the 2000s, as well as many Greatest Albums of All Time lists, including in the NME.

Among Yankee’s inspirations was a recording Tweedy bought at Tower Records in the late 1990s, The Conet Project: Recordings of Shortwave Numbers Stations. As Bob Mehr points out in his new album note, the record got “deep under Tweedy’s skin.” Tweedy said in his 2017 memoir, Let’s Go (So We Can Get Back), “It was as fascinating to me as anything being made by actual musicians using actual instruments… I wanted to know why it was so hypnotic to me. Why could I listen to hours of this stuff, even though I had no clue what any of them were saying. That question became the foundation for Yankee Hotel Foxtrot… the way people communicated or ultimately failed to communicate.” The album takes its title from a haunting recording of a woman repeating those words that is included in The Conet Project; that recording is sampled in the penultimate song on Yankee Hotel Foxtrot, ‘Poor Places’.

“Conceptually, Tweedy had decided to focus on a big idea for the next album: the state of America. His lyrics – often distilled from scribbled pages of free verse or poetry – became a form of inquiry,” Mehr continues. Tweedy said, in 2004, “I wanted to write about the stuff right in front of my eyes, microscopically looking at America and asking questions about each little thing… How can there be all these good things and things that I love about America, alongside all of these things that I’m ashamed of? And that was an internal question, too; I think I felt that way about myself.”

Mehr says, “Exploring those questions, while weaving in strands of Eastern philosophy and bits of autobiography – Yankee lyrics would be loaded with the pained imagery of someone suffering from migraines and mental health issues – Tweedy would conjure a deep examination of both country and self.”

Describing the uncanny, strangely prescient feeling of the album, which Wilco began offering as a free stream on its website in 2001, Mehr notes: “In the wake of 9/11, Yankee Hotel Foxtrot would be burdened with unintended meaning. The disc had originally been scheduled for a September 11 release. Its cover – a Sam Jones-shot image of Chicago’s twin Marina Towers angled in looming fashion – bore an eerie resemblance to the felled World Trade Center towers. And the songs – with titles like ‘Ashes of American Flags’ and ‘War on War,’ and lyrics about how ‘tall buildings shake, sad voices escape’ – took on a terrible new resonance.”

Yankee Hotel Foxtrot was the first Wilco release on Nonesuch Records following the band’s infamous split with Reprise (both labels are part of Warner Music Group). It was also the first release featuring the line-up of drummer Glenn Kotche and multi-instrumentalist Leroy Bach joining founding members Jeff Tweedy and John Stirratt. The 2002 Sam Jones film I Am Trying to Break Your Heart documented the fraught recording and mixing process, personnel changes, and label issues.

The relationship with Nonesuch would last nearly a decade and include three more studio albums – the Grammy Award-winning A ghost is born, Sky Blue Sky, and Wilco (the album) – along with a live album and a live DVD, plus reissues of earlier records, before Wilco began its own label, dBpm. The band’s current lineup of Jeff Tweedy, John Stirratt, Glenn Kotche, Mikael Jorgensen, Patrick Sansone, and Nels Cline has been together for nearly twenty years.

60th Anniversary Edition of groundbreaking jazz artist Sun Ra’s iconic 1962 album The Futuristic Sounds of Sun Ra. Originally produced by Tom Wilson, this is the first Sun Ra LP to be recorded by Arkestra in NYC. This new edition is pressed on 180-gram vinyl at RTI with ALL-ANALOG Mastering by Kevin Gray at Cohearent Audio. Includes new essays by Irwin Chusid & Ben Young.

South Of Reality, The Claypool Lennon Delirium’s epic sophomore album might be just the antidote this sick world needs. Music so potent it could repel an asteroid impact from space, these seasoned warriors of psychedelia have crafted timeless songs that may as well be chiseled in stone. The monolithic dream team’s new record was produced by Les Claypool and Sean Lennon themselves, and engineered and mixed by Les Claypool at his own Rancho Relaxo studio in Sonoma County, California. The album feels like an organic extension of Monolith of Phobos, blending the wildly surreal and psychedelic with satirical social commentary.

TRACK LISTING

1. Little Fishes
2. Blood And Rockets:
3. Movement I, Saga Of Jack
4. Parsons - Movement II,
5. Too The Moon
6. South Of Reality
7. Boriska
8. Easily Charmed By Fools
9. Amethyst Realm
10. Toady Man's Hour
11. Cricket Chronicles
12. Revisited - Part I, Ask Your
13. Doctor
14. Like Fleas

Strut reissue one of Patrice Rushen’s all-time classic albums for Elektra Records with an expanded 2LP edition of ‘Pizzazz’ from1979.

The album marked another progression in Rushen’s solo career as she broke through with the huge club hit ‘Haven’t You Heard’ and also featured on her LP cover with her trademark braids for the first time courtesy of stylist Sibongile Bradley and topphotographer Norman Seeff.

The album showcased Rushen’s famed talent for bringing the right musicians together, mixing more experienced players like drummer James Gadson and Bill Summers with younger talent including bassist Freddie Washington and drummer “Ndugu”Chancler. The tracks themselves were more spacious than on ‘Patrice’, released 18 months earlier. “It was the confidence of feeling that we didn't need quite as much in the arrangements, ”Patrice explains, “and the times were also changing in terms of what we liked, what we danced to and the kind of grooves that people responded to. With ‘Pizzazz’, we had the advantage of a rapport with radio and black press, which were both very powerful at the time.”

Alongside ‘Haven’t You Heard’, the album features many tracks that have become fan favourites over the years - the upbeat, carefree single ‘Let The Music Take Me’, the sweet ballad ‘SettleFor Me Love’ and a memorable duet with Roy Galloway, ‘Givin’ ItUp Is Givin’ In’.

Strut’s expanded reissue of ‘Pizzazz’ features loud cut bonus extended 12” versions of the album’s singles ‘Haven’t You Heard’ and ‘Let The Music Take Me’, alongside a previously unreleased instrumental version of ‘Givin’ It Up Is Givin’ Up’.

TRACK LISTING

A1. Let The Music Take Me
A2. Keepin’ Faith In Love
A3. Settle For My Love
A4. Message In The Music
B1. Haven’t You Heard
B2. Givin’ It Up Is Givin’ Up
B3. Call On Me
B4. Reprise (Message In The Music)
C1. Haven’t You Heard (12” Version)
D1. Let The Music Take Me (12” Version)
D2. Givin’ It Up Is Givin’ Up (Instrumental Version)

Strut continue their Patrice Rushen original album reissue series with the definitive edition of her influential classic ‘Now’ from 1984.

Released after the global success of ‘Straight From The Heart’ and the huge hit ‘Forget Me Nots’, ‘Now’ stripped back the arrangements and explored a new sonic palette, combining top level musicianship with the evolving studio technology of the mid-‘80s. “By this time, I had built a little home studio,” explains Patrice, “and the new synthesizers and drum machines opened a lot of possibilities. A lot of the pieces on ‘Now’ started off as demos based on these instruments and we just went with it quite naturally, adding guitar, bass and drums.”

The album continued Patrice’s unerring skill in fusing intricate jazz musicianship with infectious grooves. The solid boogie classic ‘Get Off (You Fascinate Me)’ lit up dancefloors and ‘Feels So Real’ became one of Patrice’s best loved songs, an effortless mid-tempo soul stepper. The album is also celebrated for the tender ‘Gotta Find It’ and one of Patrice’s most poignant ballads, the intricate and politically charged ‘To Each His Own’.

The album marked the end of Rushen’s tenure with Elektra before a move to Arista and remains a much-referenced part of her career. “I think it was a great representation of where we were at the time and it may have been a little bit ahead of its time”, she reflects. Famously, Jimmy Jam and Terry Lewis had become fans, attending her live shows, and, allegedly, the feel of Janet Jackson’s debut album ‘Control’ two years later was heavily influenced by Rushen’s approach on ‘Now’.

TRACK LISTING

A1. Feels So Real (Won’t Let Go)
A2. Gone With The Night
A3. Gotta Find It
A4. Superstar
A5. Heartache Heartbreak

B1. Get Off (You Fascinate Me)
B2. My Love’s Not Going Anywhere
B3. Perfect Love
B4. High In Me
B5. To Each His Own

C1. Get Off (You Fascinate Me) (Dance Version)
C2. Get Off (You Fascinate Me) (Instrumental)

D1. Feels So Real (Won’t Let Go) (Radio Edit)
D2. Feels So Real (Won’t Let Go) (Dub Version)

Strut revisit the early years of Patrice Rushen’s time with Elektra Records with the definitive 2LP edition of the ‘Patrice’album from 1978.

After a series of jazz funk albums on Prestige, Patrice moved to Elektra as the label tapped into the burgeoning sophisticated R&B  market at the tail end of the disco era. 'By this time, I had already made some great in-roads, made some great friends and picked up valuable knowledge which definitely paid off in terms of the music and the way the records sounded,' Patrice remembers. As a brilliant pianist, songwriter and arranger from a young age, Rushen was perfectly placed to bring the class and musicianship that the label needed and now also began to assume the role of lead vocalist for the first time. She enlisted the production prowess of high school friend Charles Mims, Jr. and long-time mentor Reggie Andrews.

Recorded at the newly opened Conway Studios in L.A., Patrice Rushen brought in heartfelt lyrics, vulnerability and messages of hope into her music for the first time on yearning tracks like "Didn’t You Know" and "When I Found You" alongside simply forgetting your troubles on the singles "Hang It Up" and "Play!". Clubs played an important part in the interest in her music. While her record label didn’t fully get behind her as an artist until the early ‘80s, influential club and black radio DJs consistently supported her and recognised Patrice as a unique talent. "Music Of The Earth" became an underground New York club favourite and Danny Krivit’s extended edit has endured in its own right, included here.

'So much of what happened with these records happened after they had come out, like years afterwards, as people discovered them,' reflects Patrice. 'but with this album, all of the things that I wanted to do were possible without limitation - the recording, the writing, the execution with the musicians, the production. Everything was, 'Okay, let’s do it.' And we did it.'

This definitive reissue of "Patrice" is released featuring bonus 12” versions of the album’s singles "Hang It Up!" and "Play", the popular Danny Krivit re-edit of "Music Of The Earth" and a previously unreleased version of "Didn’t You Know" from the original session tapes.

TRACK LISTING

A1.Music Of The Earth
A2. When I Found You
A3. Changes (In Your Life)
A4. Wishful Thinking
A5. Let’s Sing A Song Of Love


B1. Hang It Up
B2. Cha-Cha
B3. It’s Just
B4. A Natural Thing
B5. Didn’t You Know?
B6. Play!

C1. Music Of The Earth (Danny Krivit Edit)
C2. Hang It Up (12” Version)

D1. Play! (12” Version)
D2. Didn’t You Know? (Extended Version)

A unique collection put together by Clark of new tracks, unreleased music and sought after fan rarities.

Mastered from the original tapes.

C2 is a previously unheard improvisation with Broadcast.

TRACK LISTING

A1. Frau Wav (Brief Fling)
A2. Re-scar Kiln
A3. Urgent Jell Hack
B1. Dead Shark Eyes
B2. Boiler The Wick
B3. Dusk Raid
C1. Roller The Wick
C2. Herr Bar (Improv)
C3. Observe Harvest
D1. Sparrow Arc Tall
D2. Dusk Swells
D3. Autumn Linn 

Now regarded as something of a classic in the Clark catalogue, it has been cited by producers including Arca, Rustie and Hudson Mohawke as being an influential record. Writing for The Quietus back in 2014, Ed Gillett commented: “It's no hyperbole to say that Clark's 2006 LP Body Riddle is one of electronic music's unheralded masterpieces, its layers of heat-warped melodies, flickering textures and muscular drumming (played by Clark himself) creating a beautiful and unstable mixture of violence and wistfulness. Its production is immaculate, almost inhumanly so, swaddling the listener in midrange before pummelling them viciously, shifting seamlessly between organic instruments and impossible, vertiginous sound design.”

Recorded during a period the producer was living in the Midlands city of Birmingham in the UK, shortly before leaving for Berlin, Clark recalls the genesis of the album: “I can remember that period as getting really into krautrock and spending the day drumming on pillows along to Can records for six hours a day, when I think of that record that’s what I think of.”

Striking up a friendship with local band (and Warp labelmates) Broadcast was also a key factor: “They lived about ten minutes from me and I borrowed James Cargill’s drum kit and some mics of his, and all of the drums on that album are his old drum kit. There were some jams that me and James had, there’s one at the end of ‘Roulette Thrift Run’ which is basically just him on guitar and me plundering away on some drums, and I just pitched it up. Broadcast weren’t really in my circle of friends at the time but going to their place was sort of like a holiday from my normal social life, and I just loved it. Both Trish and James were both so full of wisdom, but I wasn’t really in with their scene of people at all, I’d just go there on my own and listen to records and have cups of tea.”

Broadcast also feature on an improvised version of ‘Herr Barr’ that was only previously available as a download on the Clark website. It has been compiled alongside other sought after rarities and unreleased material that related to Body Riddle on the new 05-10 collection. Clark explains a bit more about the tracks on it:

“It is that thing of collecting things that would otherwise be lost to the internet and wanting to put a shell around it. It’s important to do because I really love some of that material. I suppose what I love is some of those processes, there’s a modular jam called ‘Boiler The Wick’ that I just had all my gear setup and was recording like five modular tracks a day. I still miss that time because my studio is very different today and I’m slightly sick of modular because everyone’s got modular and everyone’s doing it, but this was like ten years ago and I can’t really say it’s connected to Body Riddle exactly, but it feels like a companion piece of sorts. For example that ‘Boiler The Wick’ track has a very similar energy to ‘Re-Scar Kiln’ and it feels like it could be from the same world.

The Throttle Furniture EP was 2005, and some of those tracks could have gone on Body Riddle but they would have took it in a more clubby direction, so it felt good to put a fence around them and just use those for live shows. Around the time of the Body Riddle live shows I was playing those tracks out a lot in various forms. So tracks like ‘Urgent Jel Hack’ were written before Body Riddle was finished, that was me getting into Valve and Dillinja and loving that stuff as well.

The more beatless, reflective pieces that are included connect to my recent album on Deutsche Grammophon, and also other ambient pieces I’ve done for Warp, they’ve been peppered throughout my back catalogue. ‘Sparrow Arc Tall’ is like a cousin of ’Springtime Epigram’ or ‘Dew On The Mouth’, it’s that vibe of something captured on 4-track and rendered in a session. So they all feel connected to that family of pieces, and it’s nice giving people ten more tracks after however many years.”

In conclusion, looking back on Body Riddle with 16 years of hindsight, Clark reflects: “I feel really good about it, it’s interesting hearing it again. It seems to be an album that meant a lot to some people and be a significant record, but for me it is just another album of mine.

It is a bit of a blueprint for how things have gone with my music since then, because it’s just so dynamic and all over the place and messy, but intentional, and the mess feels deliberate and the accidents feel illuminating and exciting, and that’s a spirit that I think I always want to capture in music. You know when you hear music that is less than the sum of its parts, and it should work because everything’s tidy and in its place but something doesn’t work? I think I always aspire to make music that’s more than the sum of its parts, that shouldn’t really work but it does, and that’s such a magical quality. I don’t know whether the record has that or not, but the album is certainly the result of trying to be like that, all of these diverse styles sitting alongside each other but the overall album makes it coherent.

I’ve always tried to write albums rather than tracks for streaming services. I’m always going to be an album artist whether the form’s alive or only loved by a hundred people on the planet, for me it’s still the ultimate form of expression. An album’s a perfect length of time, it’s like a short story, you can do it in a sitting and it’s not too much. With an album you can just go for a walk and have it in your headphones, and Body Riddle is that classic ‘go for a walk and listen to an album in one go’ kind of record. It’s not trying to be a club record, it’s pure listening music.”

TRACK LISTING

A1. Herr Bar
A2. Frau Wav
A3. Springtime Epigram
B1. Herzog
B2. Ted
B3. Roulette Thrift Run
C1. Vengeance Drools
C2. Dew On The Mouth
C3. Matthew Unburdened
D1. Night Knuckles
D2. The Autumnal Crush

2004 saw the release of Monster Magnet’s sixth studio album Monolithic Baby, the follow-up to 2000’s “God Says No”, which cemented the Red Bank, NJ rockers in the world of space rock and roll. This 14-track journey of masterful hard rock features 11 ripping originals and three cover songs recorded in true classic Magnet style, including covers of The Velvet Underground, David Gilmour and Robert Calvert. Monolithic Baby is being reissued on August 19th via Napalm Records on orange vinyl with white and black splatter, as well as in a limited glow in the dark vinyl variant! Don’t miss the album Ultimate Classic Rock calls “a revitalized, fire-breathing Monster Magnet” and All Music calls “another collection of undeniably Wyndorfian tunes.”

TRACK LISTING

1. Slut Machine
2. Supercruel
3. On The Verge
4. Unbroken (Hotel Baby)
5. Radiation Day
6. Monolithic
7. The Right Stuff
8. There's No Way Out Of Here
9. Master Of Light
10. Too Bad
11. Ultimate Everything
12. CNN War Theme

Following on from the success of 2020’s deluxe reissue of ‘Vienna’, Chrysalis Records are proud to release a 40th Anniversary of the bands second album with Midge Ure, ‘Rage In Eden’.

Originally released in October 1981 and like the band’s previous two albums, ‘Rage In Eden’ was produced by Conny Plank (Kraftwerk, Can, Neu!), this time recorded at Conny’s studio in Cologne over a 3 month period during the summer of ‘81. The album features hit singles The Thin Wall and The Voice. The album reached number 4 in the UK charts.

This new vinyl edition has been mastered and cut at half-speed by Alchemy at AIR from the original 1981 production tapes. The second bonus vinyl includes single versions and B-sides from the two singles released from the album.

TRACK LISTING

Disc 1
1. The Voice
2. We Stand Alone
3. Rage In Eden
4. I Remember (Death In The Afternoon)
1. The Thin Wall
2. Stranger Within
3. Accent On Youth
4. The Ascent
5. Your Name (Has Slipped My Mind)
Disc 2
1. The Thin Wall (Single Version)
2. I Never Wanted To Begin
3. I Never Wanted To Begin (Extended Version)
1. The Voice (Single Version)
2. Paths And Angles
3. Private Lives (Crystal Palace 13/6/81)
4. All Stood Still (Crystal Palace 13/6/81)

To celebrate the 30-year Anniversary of Shakespear's Sister’s seminal album. ‘Hormonally Yours’, London Records announce a special edition release across multiple formats.

A double Platinum and Top 3 UK album, ‘Hormonally Yours’ secured Siobhan Fahey and Marcella Detroit a place in British pop history - spawning the single ‘Stay’, which spent a staggering eight consecutive weeks at the top of the UK charts - and won the duo an Ivor Novello Award for Outstanding Contemporary Song Collection.

‘Hormonally Yours’ also features singles ‘Goodbye Cruel World’ and ‘I Don’t Care’, tackles friendships gone wrong on ‘My Sixteenth Apology’, powerful, dangerous attraction on ‘Emotional Thing’ and documents a friend’s coming out on ‘Are We In Love Yet?’ Fan favourite ‘The Trouble With Andre’, the fullthrottle glam-blues of ‘Cat Woman’ and glorious finale ‘Hello (Turn Your Radio On)’ is the album’s glorious finale: an exhalation; a glorious, earthshuddering moment that recalls the epic melancholy of David Bowie’s ‘Five Years’ and The Beatles’ ‘A Day In The Life’.

Shakespears Sister’s second album, ‘Hormonally Yours’ provided the perfect encapsulation of the duo’s musical ying and yang; a deftly delivered balance of pop melody with a spikey alternative darkness.

TRACK LISTING

CD (LMS5521725)
‘Hormonally Yours’
Goodbye Cruel World
I Don’t Care
My 16th Apology
Are We In Love Yet
Emotional Thing
Stay
Black Sky
The Trouble With Andre
Moonchild
Catwoman
Let Me Entertain You
Hello (Turn Your Radio On)
Bonus Tracks
Cat Worship
Out To Groove [Demo]
The End [Demo]

DVD (LMS5521725)
‘Hormonally Yours’ Brighton Live Footage
Goodbye Cruel World
My 16th Apology
The Trouble With Andre
Emotional Thing
Black Sky
Stay
Are We In Love Yet
I Don’t Care
Catwoman
Hello (Turn Your Radio On)
Restored And Remastered Videos
Goodbye Cruel World
Stay
I Don’t Care
Hello (Turn Your Radio On)
My 16th Apology
Catwoman [Live]
Goodbye Cruel World (2022 Version)
Making Of / Behind The Scenes (Unseen Archive
Footage)

LP (LMS5521728 / LMS5521727)
Goodbye Cruel World
I Don’t Care
My 16th Apology
Are We In Love Yet
Emotional Thing
Stay
Black Sky
The Trouble With Andre
Moonchild
Catwoman
Let Me Entertain You
Hello (Turn Your Radio On)

Noah & The Whale were one of the leading protagonists of the small but perfectly formed indie-folk scene of the early days of the 21st Century. Formed in Twickenham, the five-piece, led by vocalist and guitarist Charlie Fink, originally boasted Laura Marling in their line-up, before she left to begin her successful solo career.

Containing the Top 10 single L.I.F.E.G.O.E.S.O.N., Last Night On Earth was partially recorded in LA with producer Jason Lader. On its release in 2011, Fink spoke of capturing "that excitement of being young and being in the night," and being influenced by Bruce Springsteen. That can be heard on Wild Thing, which blends Springsteen and Lou Reed into something that is unmistakeably the group's own. The Telegraph called it "Heartfelt, spirited, lyrical, moody and mostly magnificent pop rock."

TRACK LISTING

Life Is Life
Tonight's The Kind Of Night
L.I.F.E.G.O.E.S.O.N.
Wild Thing
Give It All Back
Just Me Before We Met
Paradise Stars
Waiting For My Chance To Come
The Line
Old Joy
Tonight's The Kind Of Night (Demo)
Wild Thing (Demo)

Noah & The Whale were one of the leading protagonists of the small but perfectly formed indie-folk scene of the early days of the 21st Century. Formed in Twickenham, the five-piece, led by vocalist and guitarist Charlie Fink, originally boasted Laura Marling in their line-up, before she left to begin her successful solo career.

Inspired by sojourns at islands off the Essex coastline and in the South Of France, Heart Of Nowhere was the group's final album, released in May 2013. The Observer stated it was \"a satisfying blend of youth and experience, at its best when raw feelings and twenty20-something anxieties chafe against its smooth, midtempo rock.\" Its ruminations of the passage of time suggested that the giddy optimism of Peaceful,The World Lays Me Down was long in the past.

TRACK LISTING

Introduction
Heart Of Nowhere
All Through The Night
Lifetime
Silver And Gold
One More Night
Still After All These Years
There Will Come A Time
Now Is Exactly The Time
Not Too Late

Noah & The Whale were one of the leading protagonists of the small but perfectly formed indie-folk scene of the early days of the 21st Century. Formed in Twickenham, the five-piece, led by vocalist and guitarist Charlie Fink, originally boasted Laura Marling in their line-up, before she left to begin her successful solo career

Supported by a full-length film, The First Days Of Spring, which appeared a year after the group's debut, is frequently cited as their crowning achievement. Exploring the break-up between Fink and Marling, the album has none of the first album's female voices, and is presented as a narrative of a split. NME said, "They have done a hell of a lot of growing up. An immense album."

TRACK LISTING

The First Days Of Spring
Our Window
I Have Nothing
My Broken Heart
Instrumental I
Love Of An Orchestra
Instrumental II
Stranger
Blue Skies
Slow Glass
My Door Is Always Open

After the 2021 Re-Release of “Schwingungen” (MG.ART612) we proudly announce “Seven Up” as Part 2 of the authorised 50th Anniversary “A.R.T.” Re-Edition Series.

“Seven Up” is the third studio album by Ash Ra Tempel and their only album recorded in collaboration with American Ph.D. in psychology, Dr. Timothy Leary. The Coverart for “Seven Up” was designed by famous Swiss Artist Walter Wegmüller. Recorded in August 1972 at Sinus Studio in Berne, Switzerland, remixed September 1972 at Dierks Studios in Stommeln, Germany. First release in spring 1973 by OHR Musik – the first release on the new sub-label "Kosmische Kuriere", Kat-Nr. KK 58001.

We release “Seven Up” in a Re-Cut carefully overseen by Manuel Göttsching himself, on September 9th 2022, also being Manuel Göttsching´s 70th Birthday. Our Edition features the full original text for the “7 levels of consciousness” by Timothy Leary in English, i.e. “Instruction Manual for Pleasure Panel” plus a previously unreleased glimpse view of the original scripts incl. notes and mark ups as well as partly unreleased photos from the recording session.

As for the music itself we again refer to Julian Cope´s review and remarks from his book “Krautrocksampler” (published by Head Heritage, 1st ed. 1995):

“When the Leary Mob met the Kaiser Gang, the sparks flew ever Up-wards… 7up is a stone classic in every way. Yes, it is unlikely to find Timothy Leary singing lead vocal in a cosmic group, but even weirder that he chose to sing a wild yelping freaked out blues !

Manuel Göttsching and Hartmut Enke had begun their careers in The Steeple Chase Blues Band back in the mid-'60ies, and they quickly felt their way through what Barritt and Leary were aiming for. They reconciled it all as a kind of West Coast chordless psychedelia, where blues riffs sparkle out of nowhere and the sheer weight of synthesizers renders everything with an unreal Pere Ubu/early Roxy Music quality.

The greatness of Ash Ra Tempel burned so brightly on 7Up that there is really nothing else like it. Hartmut Enke and Manuel Gottsching here returned to their riffy roots. It can hardly be called a retro act, though, as the context of music is everything. And with Dierks at the controls, even the New Kids on the Block would have sounded psychedelic.7Up is like a late night radio show glimpsed through a shattered tuner where all but the most truly dangerous sounds have been allowed to stay, to drift and to dance around the performers.The result is an extreme gem, a flash of hysterical white lightning, and a pre-punk Technicolour yawn in the grandest of traditions.

In typical Ash Ra Tempel style, the record is divided into two pieces, “Space” and "Time”. Within this, though, Timothy Leary’s ideas are allowed to free-flow and the two sides are therefore divided into mini-songs all segued together. The highlight of Side 1 is “Power Drive”, a West Coast burn-up that transcends any W. Coast music I ever did hear. Leary and Barritt present the greatest twin-vocal of all time, coming on like Jagger and Morrison but too caught up in their own maelstrom to be anything less than Heralds of the Punkfuture still five years away.

In chaos it was conceived and in chaos it was recorded. Yet Dieter Dierks, the great Aural Architect of the Cosmic Couriers, turned 7Up into a personal triumph and a Kosmische dream.”

Timothy Leary & Ash Ra Tempel – “Seven Up”
TIMOTHY LEARY - voice
BRIAN BARRITT - voice
MICKY DUWE - voice & flute
LIZ ELLIOTT - voice
BETTINA HOHLS - voice
PORTIA NKOMO - voice
HARTMUT "HAWK" ENKE - bass, guitar & electronics
MANUEL GÖTTSCHING - guitar & electronics
STEVE A. - organ & electronics
DIETMAR BURMEISTER - drums
TOMMY ENGEL – drums
DIETER DIERKS - synthesizer & Radio Downtown

TRACK LISTING

Space (16:03):
Downtown
Power Drive
Right Hand Lover
Velvet Genes
Time (21:15):
Timeship
Neuron
SHeeee

Originally released in 2008, Back To The Cat, was in keeping with the artist who developed the concept of the imaginary soundtrack, with every song building a compelling narrative around Barry’s lifelong investigation of identity, sexuality, race, spirituality and society. The record picked up the threads of his previous work and continued to showcase his musical ambidexterity covering noir jazz, sun-drenched pop ballads, fractious funk, heavenly blues and subversive soul.

TRACK LISTING

A1 The Beaten Side Of Town
A2 Straight 'Til Sunrise
A3 Spend A Little Time
A4 Shadow Of Death Hotel
A5 I Could Love You
B1 Walk On Fire
B2 Flight
B3 Civilization
B4 People
B5 Psycho_Sexual

After leaving Fairport Convention in '69, Sandy Denny made one record with her new group Fotheringay, and then this, in 1971, her first solo LP proper. The amazing Richard Thompson plays guitar and infact this album shares a similar, dense, drone-based tonality with his own debut solo effort. It's also a little idyosyncratic, truth be told, but there's still moments of unbelievable beauty here. 

Out of print on LP for a number of years, this re- issue faithfully replicates the original 1971 Island Records UK release with gatefold sleeve and is pressed onto high quality 180g vinyl.

TRACK LISTING

Late November
Blackwaterside
The Sea Captain
Down In The Flood
John The Gun
Next Time Around
The Optimist
Let's Jump The Broomstick
Wretched Wilbur
The North Star Grassman And The Ravens
Crazy Lady Blues

Sandy's second solo LP in 1972 was a bit less folky and more singer-songwriterly than her debut. She'd duetted on "Led Zeppelin Four" with Robert Plant and come up with perhaps her stongest set of songs. The arrangements were more expansive and the sound more ambitious, which was just as well since a number of the songs dealt with the healing powers of music. As she said herself: 'I can't write happy songs'... so here's another lush, melancholic, autumnal record for all you dreamers and true believers.

Out of print on LP for a number of years, this re- issue faithfully replicates the original 1972 Island Records UK release with gatefold sleeve and is pressed onto high quality 180g vinyl.

TRACK LISTING

It'll Take A Long Time
Sweet Rosemary
For Nobody To Hear
Tomorrow Is A Long Time
Quiet Joys Of Brotherhood
Listen, Listen
The Lady
Bushes And Briars
It Suits Me Well
The Music Weaver

Recorded in four different studios (Sound City Studios, American Studios, The Sunset Lodge and Hydeaway Studios) throughout 2006-2007, 4-Way Diablo is the seventh offering from legendary riff masters Monster Magnet. Featuring rippers such as “Wall of Fire,” “You’re Alive,” and a cover of an obscure Rolling Stones song “2000 Lightyears From Home,” 4-Way Diablo is a true gem in the Monster Magnet catalog. The album is being reissued on August 19th via Napalm Records on white vinyl with gold and black splatter, as well in a limited, special glow in the dark vinyl variant! Don’t sleep on an album Blabbermouth called: “A mix of MAGNET styles old and new, it still bears the unmistakable stamp of one of stoner rock’s most identifiable and unique voices.”

"Comedown Machine" is the fifth studio album by American rock band the Strokes. It was released on March 26, 2013, through RCA Records. The band decided to pull a media blackout for the album, with no promotion in the form of television appearances, interviews, photoshoots, live shows, or tours. The cover artwork was designed to resemble an old RCA tape reel box. "Comedown Machine" received mostly positive reviews from critics, and was placed at number 41 on the NME's list of the "50 Best Albums of 2013". 

Supergrass’ hugely successful third album reached #3 in the UK album Charts and #13 US Billboard Heatseekers Chartin 1999 and has amassed over 300,000 sales in the UK alone since its release.

This 2022 re-issue has been fully remastered from original sources and includes the hit singles ‘Pumping On Your Stereo’ (UK #11), ‘Moving’ (UK #9), ‘Mary’ (UK #36).

The 2CD is a 4 panel digipack with 16 page booklet featuring rare band photos and new sleeve notes.
By acclaimed journalist Charles Shaar Murray

Disc 1: remastered album, Disc 2: rare / demo tracks, alternate, live versions and 4 new track remixes (2 of which done by John Leckie). Includes several previously unreleased tracks and versions. Tracklist compiled by Supergrass..

Album remastered by original producer John Cornfield, with Supergrass bassist Mick Quinn.

Restored original artwork with newly inspired inner bag artwork from original 90s promo singles. Lovingly crafted by Supergrass.

TRACK LISTING

Vinyl Tracklsiting:
Side A
1. Moving
2. Your Love
3. What Went Wrong (In Your Head)
4. Beautiful People
5. Shotover Hill
6. Eon
Side B
1. Mary
2. Jesus Came From Outta Space
3. Pumping On Your Stereo
4. Born Again
5. Faraway
6. Mama & Papa

2CD Tracklist:
Disc 1:
2022 ‘Supergrass’ Album Remaster
1. Moving
2. Your Love
3. What Went Wrong (In Your Head)
4. Beautiful People
5. Shotover Hill
6. Eon
7. Mary
8. Jesus Came From Outta Space
9. Pumping On Your Stereo
10. Born Again
11. Faraway
12. Mama & Papa
Disc 2:
Remixes, Demos, B-Sides & Lives
1. Moving (2022 Remix)*
2. Beautiful People (2022 Remix)*
3. Pumping On Your Stereo (2022 Remix)*
4. Born Again (2022 Remix)*
5. Wild Wind (Demo)*
6. Pumping On Your Stereo (T-In The Park 2000)*
7. Lucky (No Fear)
8. Blockades *
9. Sick
10. You'll Never Walk Again
11. What A Shame
12. Moving (T-In The Park 2000)*
13. Believer
14. Faraway (Acoustic Version)
15. Out Of The Blue (Monitor Mix)*
16. Mary (The Varieties, Leeds 2005)*
17. Country Number*
18. Born Again (Forum, Melbourne 2000)*
19. Jesus Came From Outta Space (107.7 The End, Seattle 2000)*
20. Oracle

* Previously Unreleased 

Animals is the tenth studio album by Pink Floyd, originally released in January 1977.. It was recorded at the band's Britannia Row Studios in London throughout 1976 and early 1977, and was produced by the band themselves. The successful album peaked at number 2 in the UK and number 3 in the US, and is considered as one of the band's best works. The album was recorded by band members David Gilmour, Nick Mason, Roger Waters and Richard Wright. The album artwork has been reimagined for this release.

Animals is a concept album, focusing on the social-political conditions of mid-1970s Britain, and was a change from the style of the band’s earlier work. The album was developed from a collection of unrelated songs into a concept which describes the apparent social and moral decay of society, likening the human condition to that of animals. Taking inspiration from George Orwell’s Animal Farm, the album depicts the different classes of people as animals with pigs being at the top of the social chain, dropping down to the sheep as the mindless herd following what they are told, with dogs as the business bosses getting fat on the money and power they hold over the other. Although it’s been a long time since 1977, the narrative of the album still resonates today as our social and economical situation mirrors that of the time.

The album's iconic cover shows an inflatable pig (now known as Algie) floating between two chimneys of the Battersea Power Station, conceived by Roger Waters, and designed by long-time collaborator Storm Thorgerson of Hipgnosis Studios. For this new release, the artwork has been re-designed for the modern era by Storm’s Hipgnosis partner Aubrey ‘Po’ Powell. Taking new shots of the building as it appeared during the recent conversion work, Po experimented with new angles and produce some striking new takes on the classic original.

TRACK LISTING

Pigs On The Wing (Part One)
Dogs
Pigs (Three Different Ones)
Sheep
Pigs On The Wing (Part Two)

To mark the 65th anniversary of the album’s recording, Blue Train will be released in two special editions on September 16 as part of Blue Note’s acclaimed Tone Poet Audiophile Vinyl Reissue Series.

A 1-LP mono pressing of the original album will be presented in a deluxe gatefold tip-on jacket, while the 2-LP stereo collection Blue Train: The Complete Masters will include a second disc featuring seven alternate and incomplete takes, none of which have been released previously on vinyl, and four of which have never been released before on any format. The Complete Masters comes with a booklet featuring never-before-seen session photos by Francis Wolff and an essay by Coltrane expert Ashley Kahn. Both Tone Poet Vinyl Editions were produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, and pressed on 180g vinyl at RTI.

Blue Train: The Complete Masters will also be released as a 2-CD set and digital collection.

“Few studio experiences I’ve had can compare with the thrill of listening to the original master tapes—mono, stereo and alternate takes—of Blue Train,” says Harley. “I consider these two new versions the definitive editions of this masterpiece performance by John Coltrane.”

TRACK LISTING

2CD
Blue Train
Moment’s Notice
Locomotion
I’m Old Fashioned
Lazy Bird
Blue Train (false Start)
Blue Train (take 7)
Moment’s Notice (alternate Take 4)
Lazy Bird (take 1)
Blue Train (alternate Take)
Moment’s Notice (incomplete Alternate Take 5A)
Lazy Bird (alternate Take)

1LP
LP 1 | Blue Train | Original Album | Studio
Side A
Blue Train
Moment’s Notice
Side B
Locomotion
I’m Old Fashioned
Lazy Bird

2LP
LP 1 | Blue Train | Original Album | Studio
Side A
Blue Train
Moment’s Notice
Side B
Locomotion
I’m Old Fashioned
Lazy Bird
LP 2 | Blue Train | Alternate And Incomplete Takes
Side A
Blue Train (false Start)
Blue Train (take 7)
Moment’s Notice (alternate Take 4)
Lazy Bird (take 1)
Side B
Blue Train (alternate Take)
Moment’s Notice (incomplete Alternate Take 5A)
Lazy Bird (alternate Take)

Jean-Claude Vannier and Finders Keepers finally liberate two previously unreleased and fabled soundtracks.

This one black vinyl disc release features the only existing original historic recordings to his first ever 1968 collaboration with Serge Gainsbourg, as well as the entire lost musical score for Vannier’s first major star-stuffed solo film commission.

As longtime custodians, Finders Keepers Records are proud to present both the hallucinogenic orchestral music to Robert Benayoun’s ‘Paris n’existe pas’ and the rhythmic onslaught and cyclic waltzes from Patrick Chaput’s ‘La bête noire’, complete with an extensive booklet of essays, interviews, secrets and rare images from both of these mythical cinematic obscurities.

TRACK LISTING

La Bête Noire (Intro)
Chasser La Bête Noire
Histoire De Daniel
The Black Beast (Effets Cords)
Rythme De La Bête Noire
Danse De La Bête Noire
Le Dealer
Karen/Antonia
The Black Beast 2 (Effets Cords)
The Writer/Yves
Chasser Bête Noire (Revenir)
The Juvenile Judge
La Bête Noire (Generique)
Paris N’existe Pas (Opening Titles)
Angela En Ambré
Télékinésie En Turquoise
Simon Slips
La Chambre Rose
Fantôme Félicienne
Le Feu
La Tête
Les Chemins N’existent Pas
Fantôme Soirée
Le Temps Passe
Flipbook
Fantôme Soiree (Outtake)
Flipbook (Outtake)

The second release from the There’s Something About Mary star Features the Top 5 UK hit “Egyptian Reggae”. Co-Produced by Beserkley Records founder Matthew King Kauffman and Glen Kolotin (Jimi Hendrix, Janis Joplin).

Available CD & LP, with an exclusive red variant for Independent Retail.

While his desire was for his band to be more of an acoustic/harmony based endeavor, Jonathan was blindsided when his true debut was overtaken by a compilation of early recordings. Singles like “Roadrunner” and “Pablo Picasso” were in the forefront – but that did not deter Jonathan. After original drummer David Robinson left, (eventually finding success with Hall of Famers, The Cars), Richman hired D. Sharpe, and the band recorded and released the aptly titled Rock ‘n’ Roll With The Modern Lovers.

Now, one might wonder how “rock ‘n’ roll” and album with songs titled “Ice Cream Man,” “Dodge Veg-O-Matic,” and a version of “Wheels On The Bus” is – but, Greil Marcus called it “the purist Rock and Roll album I’ve heard this year.” And, due to the UK fascination with the band’s perceived debut, “Egyptian Reggae” hit #5 on the singles charts! The date is 1977. Revel in where the “real” Jonathan Richman story started, and how it evolves. 

TRACK LISTING

1. The Sweeping Wind (Kwa Ti Feng)
2. Ice Cream Man
3. Rockin’ Rockin’ Leprchauns
4. Summer Morning
5. Afternoon
6. Fly Into The Mystery
7. South American Folk Song
8. Roller Coaster By The Sea
9. Dodge Veg-O-Matic
10. Egyptian Reggae
11. Coomyah
12. The Wheels On The Bus
13. Angels Watching Over Me

Free All Angels was the third smash hit album from Ash. The album again reached No.1 within the UK and has since become a platinum record. The punk rock pop album contains mega hits including the Ivor Novello winner ‘Shining Light’, the NME single of the year ‘Burn Baby Burn’, ‘Sometimes’, ‘There’s A Star’, ‘Candy’ and Walking Barefoot’.

Ash and BMG are proud to reissue Ash’s third LP ‘Free All Angels’ for the first time on vivid yellow and clear splatter vinyl. This album has not been re-issued since it’s 2001 release, so will be an exciting prospect within the Ash community. Free All Angels contains hit after hit and with its punk rock sound resonates strongly with a wide audience. Upon release Ash drew critical comparisons to works of China Drum, Compulsion and The Replacements, , whilst touring with allusive contemporaries Weezer and Smashing Pumpkins and many more.

This re-issue coincides with the release of Free All Angels on immersive Sony 360RA for the very first time. This unique mix will give fans insight into Tim Wheeler’s sonic spatial sphere bringing Ash’s incredible hits into the new age.

TRACK LISTING

Side A:
Walking Barefoot (2022 Remaster)
Shining Light (2022 Remaster)
Burn Baby Burn (2022 Remaster)
Candy (2022 Remaster)
Cherry Bomb (2022 Remaster)
Submission (2022 Remaster)
Side B:
Someday (2022 Remaster)
Pacific Palisades (2022 Remaster)
Shark (2022 Remaster)
Sometimes (2022 Remaster)
Nicole (2022 Remaster)
There’s A Star (2022 Remaster)
World Domination (2022 Remaster)

Polly Scattergood’s debut album, released for the first time on vinyl, with two additional tracks, ‘Crystal Breaks’ and ‘Number 24’. Initially released in 2009, the record was produced by Simon Fisher Turner, with additional production from Mute’s Daniel Miller and Gareth Jones. Whilst powerful guitar riffs and glittering pianos create a bewitching base, Polly’s deeply personal lyrics take the forefront.

“A fantastically dark and unsettling debut” - NME.

“Polly Scattergood is worth the fuss.” - Loud & Quiet.

“Just fantastic” - The Guardian.

TRACK LISTING

A1 I Hate The Way
A2 Other Too Endless
A3 Untitled 27
A4 Please Don't Touch
B1 I Am Strong
B2 Unforgiving Arms
B3 Poem Song
B4 Bunny Club
C1 Nitrogen Pink
C2 Breathe In Breathe Out
C3 Crystal Breaks
C4 Number 24

They Were Wrong, So We Drowned is the new instalment from the Liars’ reissue series, where every two months an album from the back catalogue is being released on recycled coloured vinyl.

Originally released in 2004, Liars’ second album scrutinises pagen worship rituals in punkflore fashion with its title alluding to the horrors and injustices of witch-hunts conducted throughout history. Each song is a page from a story that frontman Angus Andrews crafted from his in-depth look into fairy tales and folklore, illustrating a conflict between witches and a scared Christians village. They Were Wrong, So We Drowned was a creative transition and saw the band severing their ties with a scene they inaugurated on their debut album, and had decidedly, outgrown by the second.

“This isn’t yesterday’s post-punk today…this isn’t yesterday’s anything. They Were Wrong is disorienting, challenging, and highly experimental.” — MAGNET

“…a headphone masterpiece.”— FADER

TRACK LISTING

1 Broken Witch
2 Steam Rose From The Lifeless Cloak
3 There's Always Room On The Broom
4 If You're A Wizard Then Why Do You Wear Glasses?
5 We Fenced Other Gardens With The Bones Of Our Own
6 They Don't Want Your Corn, They Want Your Kids
7 Read The Book That Wrote Itself
8 Hold Hands And It Will Happen Anyway
9 They Took 14 For The Rest Of Our Lives
10 Flow My Tears The Spider Said

A deluxe, remastered, 20 year anniversary edition of the Heads’ third album proper, the under-rated gem in their canon that is “Under Sided”.

Originally released in 2002 on the Sweet Nothing label (SNLP/CD 11), Under Sided was recorded in 2001 at WhiteHouse Studios in Weston Super Mare, with Martin Nichols engineering. The band had previously recorded tracks for Mans Ruin 10” at these studios (also famous for Ripcord, Heresy, Slowdive, Hardskin, Decadence Within, Icehouse.. amongst many others!).

For the reissue, the original recordings were remastered for vinyl and CD by long time Heads Masterer (!) Shawn Joseph. The resultant 8 tracks, spread over 4 sides of vinyl are some of the best music the Heads have recorded, after a bit of a hiatus following their 2000 US tour / Peel session, the band regrouped and worked out the tracks for the album, relentless rehearsing for the recording. Very few shows happened in that 2001-2002 timeframe.. band members were busy, earning a living, getting on with life, but they still had some riffs/songs there.

Upon release in 2002 the album got great reviews in the press, from Kerrang and MOJO to the Sunday Times, all helping the Bristol fourpiece confirm their cult status, which has continued to current times..

The remastered album is being reissued as a 4LP + 2CD boxset. The extra 2LP features their Peel session from 2000, as well as a couple of compilation tracks (For Mad Men Only / Born To Go), and some unreleased demo versions, as well as nearly 150 minutes of Live recordings (mastered, but RAW!) from their gigs on the Thekla in Bristol in 2001-2002.

The boxset will also have a special slipmat, stickers, and a 24 page booklet of photos /writings, including recollections by each band member, and others including a 1000 word essay by Stewart Lee.

Undersided is a pounding sike-nightmare that shows the Heads at the peak of their powers, theres a flow throughout the album of melding psychedelic noise rock to battering rhythms and creating a bad trip for all listening.. even the gentle sooth of “Energy” is enveloped by a white noise fuiry.. the intensity of some of the tracks: the terror inducing Bedminster or False Heavy (a tour worn riffmonger from 2000) or the Magnet-esque Heavy Sea, showed the band as ferocious as any of the insurgent “stoner” genre of that time.

They were never going to make their living out of touring , record sales …as Hugo mentions in his notes for the booklet, “.. we had less boundaries and felt we could experiment more and not worry about commerciality…” but they were able to make this album.

TRACK LISTING

LP TRACKLISTING: (Sides A,B,C,D)
Dissonaut
Il Ratto, La Ram, Il Gallo Ed Il Serpente
Trilogy Part 3
Bedminster #1
False Heavy
Vibrating Digit
Energy
Heavy Sea

2CD TRACKLISTING:
CD1
Dissonaut
Il Ratto, La Ram, Il Gallo Ed Il Serpente
Trilogy Part 3
Bedminster #1
False Heavy
Vibrating Digit
Energy
Heavy Sea
CD2
For Madmen Only
Born To Go
False Heavy (Peel)
You Took Me By Surprise (Peel)
Neu 75 (Peel)
Fuego (Peel)
Key Jam Short (Whitehouse Out-take)
Backwards (Whitehouse Out-take)
False Heavy (Band Demo)
Vibrating Digit (Band Demo)
Energy (Band Demo)
Heavy Sea (Band Demo)

BOX SET TRACKLISTING:
2LP 1 ( Sides A,B,C,D)
Dissonaut
Il Ratto, La Ram, Il Gallo Ed Il Serpente
Trilogy Part 3
Bedminster #1
False Heavy
Vibrating Digit
Energy
Heavy Sea

2LP2 (sides E,F,G,H)
For Madmen Only
Born To Go
False Heavy (Peel)
You Took Me By Surprise (Peel)
Neu 75 (Peel)
Fuego (Peel)
Key Jam Short (Whitehouse Out-take)
Backwards (Whitehouse Out-take)
False Heavy (Band Demo)
Vibrating Digit (Band Demo)
Energy (Band Demo)
Heavy Sea (Band Demo)

CD1
ROOSTER27BXCD1
1 Thekla 1
2 33 Min
CD2
ROOSTER27BXCD2
1 Thekla 2
2 Headsjam 2
3 Ital Prog

The Kinks, Muswell Hillbillies 1971 classic album has been remastered from the original audio source for the albums 50th Anniversary and will be released on heavy weight vinyl for the 9th September via BMG.

This period’s first Kinks album, Muswell Hillbillies, is for many people their best of all. It conversely looked back on Ray and Dave Davies’ London roots, telling tales of working-class families migrating from the war-torn and redevelopment-ravaged inner city to the strange, leafy suburbs of North London.

Expertly recreated and retouched original artwork with gatefold sleeve. All audio has been produced by Ray Davies and mastered by Kinks expert Tony Cousins at Metropolis studios.

The 1CD standalone includes x3 new Ray Davies remixes ‘20th Century Man’, ‘Acute Schizophrenia Paranoia Blues’ & ‘Travelling With My Band’. Brand new sleeve notes with band quotes and photos. 

TRACK LISTING

LP - Muswell Hillbillies, 1971 Original Album, 2022 Remaster (Stereo)
A1. 20th Century Man
A2. Acute Schizophrenia Paranoia Blues
A3. Holiday
A4. Skin And Bone
A5. Alcohol
A6. Complicated Life
B1. Here Come The People In Grey
B2. Have A Cuppa Tea
B3. Holloway Jail
B4. Oklahoma U.S.A.
B5. Uncle Son
B6. Muswell Hillbilly

CD - Muswell Hillbillies, 1971 Original Album, 2022 Remaster (Stereo)
1. 20th Century Man
2. Acute Schizophrenia Paranoia Blues
3. Holiday
4. Skin And Bone
5. Alcohol
6. Complicated Life
7. Here Come The People In Grey
8. Have A Cuppa Tea
9. Holloway Jail
10. Oklahoma U.S.A.
11. Uncle Son
12. Muswell Hillbilly
Bonus Tracks:
13. 20th Century Man (2022 Mix)
14. Acute Schizophrenia Paranoia Blues (2022 Mix)
15. Traveling With My Band (2022 Mix)

The Kinks’, Everybody’s In Show-Biz – Everybody’s A Star 1971 classic album has been remastered from the original audio source for the album’s 50th Anniversary and will be released as a standalone heavy weight vinyl for the 9th September via BMG.

Everybody's in Show-Biz is a double album with one record devoted to stories from the road and another devoted to songs from the road. The album includes Ray Davies’ trademark wit, especially in the woozy beginning of "Unreal Reality" or the tongue-in-cheek "Look a Little on the Sunnyside" and the upbeat classic ‘Supersonic Rocket Ship’. Aside from the wit, there's a sense of melancholy running throughout the record, most notably on the album's hit track "Celluloid Heroes."

Expertly recreated and retouched original artwork with gatefold sleeve. All audio has been produced by Ray Davies and remastered by Kinks experts Kevin Gray at Cohearant. The 1CD standalone includes x1 brand new Ray Davies remix, ‘’Celluloid Heroes’’ and indepth sleeve notes with band quotes and photos. 

TRACK LISTING

LP1
A1. Here Comes Yet Another Day
A2. Maximum Consumption
A3. Unreal Reality
A4. Hot Potatoes
A5. Sitting In My Hotel
B1. Motorway
B2. You Don't Know My Name
B3. Supersonic Rocket Ship
B4. Look A Little On The Sunny Side
B5. Celluloid Heroes
LP2
C1. Top Of The Pops
C2. Brainwashed
C3. Mr. Wonderful
C4. Acute Schizophrenia Paranoia Blues
C5. Holiday
D1. Muswell Hillbilly
D2. Alcohol
D3. Banana Boat Song
D4. Skin And Bone
D5. Baby Face
D6. Lola

1CD – Everybody’s In Show Biz – Everybody’s A Star, 1971 Original Album, 2022 Remaster (Stereo)
1. Here Comes Yet Another Day
2. Maximum Consumption
3. Unreal Reality
4. Hot Potatoes
5. Sitting In My Hotel
6. Motorway
7. You Don't Know My Name
8. Supersonic Rocket Ship
9. Look A Little On The Sunny Side
10. Celluloid Heroes
11. Top Of The Pops (live)
12. Brainwashed (live)
13. Mr. Wonderful (live)
14. Acute Schizophrenia Paranoia Blues (live)
15. Holiday (live)
16. Muswell Hillbilly (live)
17. Alcohol (live)
18. Banana Boat Song (live)
19. Skin And Bone (live)
20. Baby Face (live)
21. Lola (live)
Bonus Tracks:
22. Celluloid Heroes (2022 Mix)

As part of Matadors Revisionist History series, “Kill The Moonlight” will be released on white vinyl, the first ever coloured vinyl pressing for the albums 20th anniversary.

TRACK LISTING

Small Stakes
The Way We Get By
Something To Look Forward To
Stay Don't Go
Jonathan Fisk
Paper Tiger
Someone Something
Don't Let It Get You Down
All The Pretty Girls Go To The City
You Gotta Feel It
Back To The Life
Vittorio E.

The band’s 1990 debut, ‘Smoke ‘em if You Got ‘em’, made quite the first impression with frantic stand-up bass, fiery guitar playing, and the Rev’s wild howls stirring up a volatile cocktail of ‘50s rockabilly, punk energy, and sly humour. AllMusic said of the album, “it’s all sleaze, it’s all wrong, and it’s all so very, very right,” while, on encountering the hit single ‘Psychobilly Freakout’, Beavis and Butthead raved “This dude is weird!” “Yeah, yeah, he’s like… our kind of people.”

TRACK LISTING

Bullet
I’m Mad
Bad Reputation
It’s A Dark Day
Big Dwarf Rodeo
Psychobilly Freakout
Put It To Me Straight
Marijuana
Baby, You Know Who
Ear Steak
“D” For Dangerous
Love Whip

Put together in studio down-time and ably backed by Toe Rag's stable of musicians, On My Mind features Fabienne's customary mixture of both English and French lyrics sung with plenty of coquettish charm. The album marks something of a departure from the jaunty beat-pop and ye-ye of her previous albums however, there's a definite autumnal feel to several of the tracks, putting you in mind of what the much mooted Francoise Hardy/Nick Drake collaboration might have yielded. 

Four has a more nuanced and mature sound, rooted in Mellotron-drenched psych whilst retaining some snappy French pop and ‘60s garage styles. The original songs are masterfully crafted for Fabienne’s distinct delivery, and both feature a strong ‘60s groove. Carefully chosen covers are lovingly interpreted – take Lyme and Cybelle’s ‘Follow Me’, a heavy-handed garage-folk jaunt, or the stunning take on the Human Beinz’ second album opener ‘Face’. A lifelong devotee of “the Quo”, Fabienne tackles a Spare Parts album track, whilst Francoise Hardy’s smouldering French classic ‘J’ai Fait Du Lui Un Reve’ is ethereally reimagined. 

David Sylvian describes his 2nd solo album for his own Samadhisound label as being: “A modern kind of chamber music. Intimate, dynamic, emotive, democratic, economical”.

Recorded in London, Vienna and Tokyo, the 8 songs and 1 instrumental on ‘Manafon’ bring together “the world’s leading improvisors, and innovators, artists who explore free improvisation, space-specific performance and live electronics” including Evan Parker, Keith Rowe, Christian Fennesz, Sachiko M, Otomo Yoshihide, John Tilbury and members of Polwechsel.

This is the first time on 180gram vinyl for this 2LP set.

TRACK LISTING

LP1
Side A
Small Gods (5:49)
The Rabbit Skinner (4:42)
Random Acts If Senseless Violence (7:06)
Side B
The Greatest Living Englishman (10:55)
125 Spheres (0:29)
LP2
Side C
Snow White In Appalachia (6:36)
Emily Dickinson (6:25)
The Department Of Dead Letters (2:26)
Side D
Manafon (5:23)
Random Acts Of Senseless Violence – Dai Fujikura Remix (6:24) 

Rooster has decided to get the album back in print on vinyl.. but changing the artwork. With some silver foiling and bordering, the single sleeve has been boosted to a sweet gatefold, Rooster also got the Radio 1 sessions from the time remastered, and re-cut along with the huge b-side to their Television 7” “Jellystoned Park”.

From the original reissue sales notes:
“The Heads had self-released a couple of 7"', and then Cargo Uk's inhouse label Headhunter UK got to release a further 7", and then the Debut album in 1996. Amidst a world suffocating in Britpop smarm, the Heads cut a timely swathe with their unkempt rock psychedelique. The album contained 10 tracks of guitar driven, amp destroying rock, with cues taken straight from the US underground, Stooges, MC5, Mudhoney, Pussy Galore, early Monster Magnet too but with a disitinctly British stamp, some of the drone and fuzz from Loop / Spacemen 3, some of the attitude of the Fall, Pink Fairies and Walking Seeds and overlaid with the spaced rock of early Hawkwind. It was obvious that the four members of the Heads were music obsessives. The debut album was recorded at Foel studios (owned by Dave Anderson from Hawkwind) and engineered by Corin Dingley, it was mastered by John Dent at LOUD.”

TRACK LISTING

LP 1 Original Album: 
Side A:
1. Quad
2. Don't Know Yet
3. Chipped
4. Slow Down
5. U33
Side B:
1. Television
2. Woke Up
3. Widowmaker
4. Taken Too Much
5. Coogan's Bluff

LP 2 Radio Sessions & 7" B-side
Side C: First John Peel Sessions:
1. Chipped (Peel Session, Maida Vale 10/11/95)
2. Widowmaker (Peel Session, Maida Vale 10/11/95)
3. Theme (Peel Session, Maida Vale 10/11/95)
4. Woke Up (Peel Session, Maida Vale 10/11/95)
5. Spliff Riff (Peel Session, Maida Vale 10/11/95)
Side D: More Radio 1 Sessions / B-side:
1. Quad (Live BBC Radio 1 Rock Show, Glasgow 31/03/96)
2. U33 (Live Mark Radcliffe BBC Radio 1, Manchester 02/05/96)
3. Television (Live Mark Radcliffe BBC Radio 1, Manchester 02/05/96)
4. Jellystoned Park ( B-side Of Television 7") 

L.A. Woman is the sixth studio album by the American rock band the Doors, released on April 19, 1971, on Elektra Records. L.A. Woman was recorded in November 1970 over six days at the Workshop, the band’s rehearsal space on Santa Monica Boulevard. A success both critically and commercially, the album contains some of the band’s most enduring music, including hits “Riders On The Storm,” “Love Her Madly,” and the title track.

December 2021 saw the release of L.A. Woman (50th Anniversary Deluxe), a new 3-CD/1-LP set to commemorate the album's 50-year anniversary. Featured on the album anniversary set, this 1LP, 180g black vinyl release is the newly remastered breakout of the original studio album.