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Finally one of the most requested, eagerly anticipated and generally exciting LPs of the year has finally landed. That's right, ambient maverick, electronic legend, jungle revivalist and abstract jazzer Four Tet is back with his first full length (longer than two conceptual suites) LP of brand new material in four years. Leaving the archival "0181" to one side, Kieran's last two LP outings were the extended and mind expanding ethno-lectronica of "Morning / Evening" and the dislocated, narcotic and blunted jungle of "Beautiful Rewind". Much to the delight of the KH traditionalists out there (cough...Barry) there's nary a spinback in sight on the blissful "New Energy", the producer opting instead to stroll calmly through the ambient pads, twinkling sequences and sublime textures which kept us company from "Everything Ecstatic" through to "There Is Love In You". Float away on the chilled waters of "Alap", nod along to the harp-led downbeat of "Two Thousand And Seventeen" and smile along to the soft focus stylings and pastoral glitch of "LA Trance". The B-side brings the "Ringer" style hypno-rhythm and "Love In You" beauty of "Lush", before darting off into the skitterish BOC beat space of the jazz flecked "Scientists". Boasting subtle breakbeats, cinematic swells and pulsating electronics, not to mention a bewitching kalimba refrain, "You Are Loved" sees out the first disc in sublime fashion.
Onto the second platter and "SW9 9SL" (a nod to Four Tet's Brixton Academy all nighters) is a streamlined club banger decorated by shuffling percussion, rumbling bass and a massive, hands aloft breakdown. "10 Midi" offers a moment of calm after that dancefloor burner and leads nicely into the harpy downbeat of "Memories". Referencing the mantra like vocals of "Morning/ Evening" and "There Is Love...", "Daughter" is a gossamer blend of reversed vocals, cascading melodies and soothing bass - the perfect companion to the astral, ethno-techno of "Planet". Pulsating space sounds, scattered vocals and trilling kora dip in and out of the spectral arps, riding a sturdy 4/4 thump into the furthest reaches of our galaxy. All that remains is to buy yourself a copy, sit comfortably by the speakers and rest easy in the knowledge Four Tet's done it again.


STAFF COMMENTS

Barry says: Combing the brilliant off-kilter jazztronic excursions of early years with the more downbeat, dancefloor-orientated kinetic outings of late (not that late) has worked a treat. Properly beautiful.

Four Tet

Morning / Evening

The one and only Kieran Hebden returns under his Four Tet moniker with his first long player proper since 2013's "Beautiful Rewind", and it's predictably brilliant. Abandoning such trivial conventions as track titles and track lengths, KH dives straight into the deep end of the conceptual waters with a pair of 20 minute compositions, known simply as "Morning Side" and "Evening Side". The former continues Kieran's recent flirtation with the dancefloor, although replaces the junglist leanings of "Beautiful Rewind" with a textured, organic house beat. Achingly beautiful synthlines weave around the beat, transporting us back to 2008's "Ringer", before a heartbreaking sample of hindi vocals and strings overcomes our senses and raises our spirits. As the track evolves, Four Tet gently expands our horizons with a building shimmer of synth melodies, drones and fx until we finally collapse into the lush electronics the side finishes with. The "Evening Side" continues where we left off, although the transcendent mood of the A-side is replaced by a low key calm as blinking electronics play us a lullaby in the moonlight. As we drift into dreams, the cascading keys tumble around us like shooting stars, inviting another hindi vocal along for the ride. As a whole, "Morning / Evening" almost works as a retrospective, collating the genius of distinct periods of the Four Tet ouvre into one coherent whole.

FORMAT INFORMATION

LP Info: Repress!!!

Four Tet

Pink - Vinyl Edition

All eight tracks on "Pink" were originally released on a series of 12"s through Kieran Hebden’s Text label in 2011 and 2012. Later made available on a Japanese CD and download, the record is now finally being released on a full vinyl abum. The album opens with "Locked", which mixes shards of synths and gamelan flutes with a dubstep style bassline wobble. Post-dubstep? Future-jazz? Global-bass? We don't care, we just love it. "Lion" is 4/4 but smudged and shoulder-dropped, its swinging hats forcing the hips to wiggle and the radioactive atmospherics giving it that dark, UK edge. "Jupiters" contrasts blissed-out digital arpeggios with hard-as-nails rumbling UKG beats. "Ocras" is a nagging, incessant late night club number - druggy and disorientating, its repetition and driving nature make for a hypnotic ride. As the title hints at "128 Harps" features plucked harp, which adds melody to the bruising bass rumble and hefty syncopated rhythm. Next up is upbeat, straight-ahead funky house cut "Pyramid", followed by Kraut-inspired, beatless synthesizer jam "Peace For Earth". Last but not least is "Pinnacles", Hebden's incredible jazz house cut based on a spiritual and funky sample from the one and only Buster Williams. The track moves effortlessly along an extended house backing track before opening out into spinetingling jazz piano work.

Joe

Thinkin About

    Joe gets busy with Bobby McFerrin and create's the monster tune of the week. Massive bass house groover on Keiran Hebden's Text imprint. Going, going, gone!


    With the minimum of fuss, one of the UK's (perhaps the World's) foremost electronic musicians releases his tenth LP. No press agency, no media campaign, just a casual tweet and it's here. This immediacy is carried through into the music on offer. The track lengths are shorter than we've become used to, with Hebden getting straight down to the nitty gritty and distilling his complex melodies and rhythms into their most potent form; no ambient preamble or sprawling kosmiche on this one. Instead, Four Tet continues the journey through club music he began on "There Is Love In You" and "Pink", now taking the fire escape out the main room into a strip lit car park. "Beautiful Rewind" acts as part pirate radio jungle assault and part post club come down bliss. Hebden feeds the jungle chatter, polyrhythms and bass wobble through his own experimental and dense production to create an immersive yet raw experience like listening to Rooms 1 and 2 at the same time from the depths of a K-Hole. Album opener "Gong" and recent single "Kool FM" and the murderous "Aerial" and "Buchla" are bold and aggresive, while "Unicorn", "Your Body Feels" and "Ba Teaches Yoga" could sit comfortably with the fragility and beauty found on "There Is Love In You". Always wishing to push forward, Hebden has delivered some of the old, alongside a generous helping of new, casting his net wider and pulling varied influences together to form a complete and unique LP.


    Burial & Four Tet

    Moth / Wolf Cub *ONE PER PERSON*

    Yes YES! It's finally here. The ultimate collaboration between the elusive Burial and the genius of Four Tet. "Moth" - a 4/4, almost-deep-house / tech bumper but with THAT Burial sound. How does he programme his drums?! Someone please tell me! A gorgeous low-filtered piano riff holds the track together with atmospheric effects setting the scene (lonely dark night in south London) plus you can clearly hear Four Tet's use of layered sonics. Halfway the aural delight it peaks with Burial's beautifully dark, pitch-stretched, time-mangled female vocals taking me off into heaven... Ahh. With "Wolfcub" the pair treat us to a blissful jazz-breaks trip with clinky clonky wooden piano sounds, a heavy 2-step break and deep orchestral sounds to underlay. Very nice stuff indeed. A dream collaboration, like strawberries and chocolate.

    FORMAT INFORMATION

    12" Info: Ultra-limited repress! WE HAVE ANOTHER 10 COPIES!!


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