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Hagop Tchaparian


    Kieran Hebden’s Text Records is proud to announce Bolts, the debut album from British-Armenian producer Hagop Tchaparian, set for release in autumn 2022.

    “Can I say, my friends call me Hagop? I don’t want people to struggle with my long name. I always liked that Eminem introduced himself and said “hi, my name is….” I think I want to be called Hagop so people find it easy to connect.”

    Hagop’s debut album Bolts features ten tracks of hyper-personal rhythm music that mixes techno with field recordings of his travels through Armenian and Mediterranean culture. Early DJ support has come from Four Tet, Gilles Peterson and Nikki Nair. The artwork for Bolts was curated by skateboard, music and sports photography legend Atiba Jefferson.

    The 10 tracks on Bolts, combine the audio evidence of a life’s experience, with the notion that lo-fi techno can be the right canvas for conveying that experience. Hagop’s been gathering these sounds and vignettes for almost 15 years, having begun accumulating them before the smart-phone in his pocket included a “record” function. He would isolate sounds from videos that his friends sent, like the Armenian wedding clip that showed members of the party jumping over a fire while a drummer played in the background. He would stop street musicians to ask if he could record their playing, like the women playing the qanun, a harp-like Arabic string instrument; or he would record with professional musicians playing specialist instruments like the zurna. He visited places important to his family, like the Lebanese village of Anjar, where his father’s family took refuge after being driven out of the Armenian- Turkish town of Musa Dagh in 1939, documenting his own steps on the gravel roads his father once walked.

    The result is the sound of a man chasing his heritage around the world, while sprinkling clues of his everyday life amidst the manipulated folk instruments of his ancestry. There are aspects of tactile remembrances in between these rhythms, at times the result feels explosive. From its title down to the incessant bleating of the zurna, “Right to Riot” is like a punk techno that cries for the disaffected. Whereas “Timelapse,” which features a loop of the music that accompanies the fire-jumping wedding ritual sews together what seem like connected images in a photo album that may be physically decomposing, but whose power remains.

    Hagop’s past is the precursor to him creating something meaningful with these recordings. In his teens Tchaparian, played guitar in Symposium, a 90’s post-grunge punk band. Symposium had a few years of success, big enough to visit the States on Warped Tour, play on the main stage of Reading and open for Red Hot Chilli Peppers and Metallica; just long enough to become disenchanted with the music business, and split up debt-ridden.

    After Symposium, Hagop contributed to a 2000 comp called Hokis, which collected music by Armenian artists — but mostly got drawn into London’s club scene, where he became friends with Hot Chip and later a tour manager to both Hot Chip and Four Tet.


    1. Timelapse 3:46
    2. GL 2:56
    3. Escape 2:44
    4. Flame 8:52
    5. Raining 3:40
    6. Right To Riot 5:00
    7. Round 4:00
    8. Jordan 4:05
    9. Ldz 2:06
    10. Iceberg 3:09 

    Four Tet

    Anna Painting


      Matt says: Well, that went quick dint it! Another lesson in using our pre-order service (although you had to be quick on the draw this time)... we're all starting to get the feeling here at HQ that old Keiren H could be planning a major project...


      A1. Anna Painting
      B1. Lahaina Noon
      B2. Breath

      Four Tet

      New Energy

        Finally one of the most requested, eagerly anticipated and generally exciting LPs of the year has finally landed. That's right, ambient maverick, electronic legend, jungle revivalist and abstract jazzer Four Tet is back with his first full length (longer than two conceptual suites) LP of brand new material in four years. Leaving the archival "0181" to one side, Kieran's last two LP outings were the extended and mind expanding ethno-lectronica of "Morning / Evening" and the dislocated, narcotic and blunted jungle of "Beautiful Rewind". Much to the delight of the KH traditionalists out there (cough...Barry) there's nary a spinback in sight on the blissful "New Energy", the producer opting instead to stroll calmly through the ambient pads, twinkling sequences and sublime textures which kept us company from "Everything Ecstatic" through to "There Is Love In You". Float away on the chilled waters of "Alap", nod along to the harp-led downbeat of "Two Thousand And Seventeen" and smile along to the soft focus stylings and pastoral glitch of "LA Trance". The B-side brings the "Ringer" style hypno-rhythm and "Love In You" beauty of "Lush", before darting off into the skitterish BOC beat space of the jazz flecked "Scientists". Boasting subtle breakbeats, cinematic swells and pulsating electronics, not to mention a bewitching kalimba refrain, "You Are Loved" sees out the first disc in sublime fashion.
        Onto the second platter and "SW9 9SL" (a nod to Four Tet's Brixton Academy all nighters) is a streamlined club banger decorated by shuffling percussion, rumbling bass and a massive, hands aloft breakdown. "10 Midi" offers a moment of calm after that dancefloor burner and leads nicely into the harpy downbeat of "Memories". Referencing the mantra like vocals of "Morning/ Evening" and "There Is Love...", "Daughter" is a gossamer blend of reversed vocals, cascading melodies and soothing bass - the perfect companion to the astral, ethno-techno of "Planet". Pulsating space sounds, scattered vocals and trilling kora dip in and out of the spectral arps, riding a sturdy 4/4 thump into the furthest reaches of our galaxy. All that remains is to buy yourself a copy, sit comfortably by the speakers and rest easy in the knowledge Four Tet's done it again.


        Barry says: Combing the brilliant off-kilter jazztronic excursions of early years with the more downbeat, dancefloor-orientated kinetic outings of late (not that late) has worked a treat. Properly beautiful.


        01 Alap
        02 Two Thousand And Seventeen
        03 LA Trance
        04 Tremper
        05 Lush
        06 Scientists
        07 Falls 2
        08 You Are Loved
        09 SW9 9SL
        10 10 Midi
        11 Memories
        12 Daughter
        13 Gentle Soul
        14 Planet

        Four Tet

        Morning / Evening - 2023 Vinyl Repress

        The one and only Kieran Hebden returns under his Four Tet moniker with his first long player proper since 2013's "Beautiful Rewind", and it's predictably brilliant. Abandoning such trivial conventions as track titles and track lengths, KH dives straight into the deep end of the conceptual waters with a pair of 20 minute compositions, known simply as "Morning Side" and "Evening Side". The former continues Kieran's recent flirtation with the dancefloor, although replaces the junglist leanings of "Beautiful Rewind" with a textured, organic house beat. Achingly beautiful synthlines weave around the beat, transporting us back to 2008's "Ringer", before a heartbreaking sample of hindi vocals and strings overcomes our senses and raises our spirits. As the track evolves, Four Tet gently expands our horizons with a building shimmer of synth melodies, drones and fx until we finally collapse into the lush electronics the side finishes with. The "Evening Side" continues where we left off, although the transcendent mood of the A-side is replaced by a low key calm as blinking electronics play us a lullaby in the moonlight. As we drift into dreams, the cascading keys tumble around us like shooting stars, inviting another hindi vocal along for the ride. As a whole, "Morning / Evening" almost works as a retrospective, collating the genius of distinct periods of the Four Tet ouvre into one coherent whole.


        1. Morning Side (20:24)
        2. Evening Side (19:53)

        Four Tet

        Beautiful Rewind - 2024 Repress

        With the minimum of fuss, one of the UK's (perhaps the World's) foremost electronic musicians releases his tenth LP. No press agency, no media campaign, just a casual tweet and it's here. This immediacy is carried through into the music on offer. The track lengths are shorter than we've become used to, with Hebden getting straight down to the nitty gritty and distilling his complex melodies and rhythms into their most potent form; no ambient preamble or sprawling kosmiche on this one. Instead, Four Tet continues the journey through club music he began on "There Is Love In You" and "Pink", now taking the fire escape out the main room into a strip lit car park. "Beautiful Rewind" acts as part pirate radio jungle assault and part post club come down bliss. Hebden feeds the jungle chatter, polyrhythms and bass wobble through his own experimental and dense production to create an immersive yet raw experience like listening to Rooms 1 and 2 at the same time from the depths of a K-Hole. Album opener "Gong" and recent single "Kool FM" and the murderous "Aerial" and "Buchla" are bold and aggresive, while "Unicorn", "Your Body Feels" and "Ba Teaches Yoga" could sit comfortably with the fragility and beauty found on "There Is Love In You". Always wishing to push forward, Hebden has delivered some of the old, alongside a generous helping of new, casting his net wider and pulling varied influences together to form a complete and unique LP.


        01. Gong
        02. Parallel Jalebi
        03. Our Navigation
        04. Ba Teaches Yoga
        05. Kool FM
        06. Crush
        07. Buchla
        08. Aerial
        09. Ever Never
        10. Unicorn
        11. Your Body Feels

        One Little Plane

        Into The Trees

          Kathryn Bint follows her perfectly formed debut 'Until' (2008) with an album that reveals her remarkable range as a musician and songwriter. Her tender vocals still send husky shivers down the spine, but 'Into The Trees' is so much more than beautiful folk songs.

          Produced by Kieran Hebden (Four Tet), 'Into The Trees' weaves a fabric of different sounds, united by Bint’s elegiac voice and strong storytelling. Radiohead's Colin Greenwood lends the album his bass powers, and tracks like ‘Paper Planes’ and ‘I Know’ rock with a swagger that surprises and yet fits perfectly with the whole. The musicianship of Scowcroft and Jamieson is on full display as the record moves deftly from the acoustic warmth of ‘Hold You Down’ to the sunshine pop of ‘Simmer Down Simmer’ to the dreamy synth of final track ‘Synthesizer’. Hebden’s touch is a delicate one; there is a modesty and clarity to these songs that speaks to the confidence and judgment of those involved. ‘If You Ask’ is so simple and clean that no extra seasoning is required.

          This is an optimistic record in which “hope stretches out like a leaf”. Recorded in 2010 at Bryn Derwen studios in North Wales, while Bint was pregnant with her first child, these songs are imbued with a tangible determination and hope. As she sings on ‘Simmer Down Simmer’: “We’ll ride until we fall and then get back up”.

          Bint was born in Australia, grew up in Chicago, and moved to London nine years ago, where she began writing songs in earnest. After the release of Until, she got together with Henry Scowcroft and Lucy Jamieson, with whom she toured Europe and played festival dates.

          Hebden’s influence is most apparent on ‘Bloom’—a spare, electronic piece with the precision of his Four Tet work—and yet this track is the heart of the album, encapsulating its central themes of people among nature. Lovers intertwine like vines, asleep beneath a canopy of trees, holding hands in leaves of grass. These songs are Whitman-esque odes to man’s place in the natural world; they remind us to stop and listen, to live in the moment. As we hear on the album opener ‘She Was Out In The Water’: “Honey, I don’t believe in majesty or things that you compare, I just want to be here now tasting the salty sea air.”

          And yet, there is majesty in these songs. In ‘It’s Alright’, One Little Plane suggests “we reach for something like stars”. This is pure modesty; Into The Trees most definitely reaches for stars, and it touches them too.

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