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THIRD MAN

Adult

Live At Third Man Records

    ADULT. have been stalwarts of national independent music for almost two decades, releasing their perfectionist hybrid of darkwave and synth-pop with respected labels Thrill Jockey, Kill Rock Stars, Ghostly International and, most recently, Mute. The soundscapes this Detroit duo sculpts by synthesizer stabs and sparse drum machine rhythm are icy, dense and precise. This release showcases the group in rare form, complete with the totally unexpected and kind of jarring sound of raucous audience laughter in place of typical applause as the intro as well as a light audible fuzz created by the third member of the group that night, their fog machine ;) Best of all, two of the tracks, Misshaped and Does the Body Know?, make their premiere on this release. ADULT. have outlasted any number of micro-electronic music scenes with whom they could have been grouped and, with their live show down to a science, prove that they will be worth a damn for a long time coming.

    Bonny Doon

    Blue Stage Sessions

      A live album recorded at the Third Man Detroit location from Motor City's sweetest psych-folk groovers, Bonny Doon. Hot off the heels of their Woodsist Records album "Longwave," this live LP features beautiful live takes from their full discography. 

      Broken Social Scene

      Broken Social Scene Live At Third Man Records

        First commercially available live album of Broken Social Scene's cathartic live show - Recorded Direct-to-Acetate, a hyper-direct analog recording method which is, globally, only available at Third Man Records. Epic, panoramic, and intimate all at the same time, the legendary Toronto collective Broken Social Scene. An ideal artist to soundtrack an evening. Their live set was captured, mixed and mastered in real time via the world's only live venue and direct-to-acetate lathe cutting studio. Third Man are very excited to invite you all to be a part of this live recording in the only venue in the world where performance, art and tactile transcription methodologies converge... //// Third Man Records had the pleasure of hosting the legendary Toronto collective Broken Social Scene began as an ebbing and flowing collective of artists in the late 90s, collaborating to create a distinct strand of indie rock that is both perplexingly maximal and straight-up catchy. The band kicked off the set with emotive fan favorite "Cause = Time", then transitioning into "Stay Happy," the lead track from 2017's "Hug of Thunder," in all it's hypnotic, horn-driven grandeur. Then, on the flip side, the album's 2-song B-side wraps with the slow-build anthem "It's All Gonna Break," a song once described as "Bob Seger on acid." Really, how else would you want a show to close? With the release of this live album, Third Man is very excited to invite all to be a part of this special experience, Broken Social Scene's first commercially available live album.

        Boris

        Love & Evol

          2019's release from Japan's Psych Lords, Boris. In turns dynamic, droney, stoney, dreamy and beautiful, these albums contain multitudes. Boris continues to push their sonic palette into new mind-shreddy directions. Formed in 1992, Boris boldly explores their own vision of heavy music, where words like “explosive” and “thunderous” barely do justice. Using overpowering soundscapes embellished with copious amounts of lighting and billowing smoke, Boris has shared with audiences across the planet an experience for all five senses in their concerts, earning legions of zealous fans along the way. Buy if you dig: Sunn O))), Sonic Youth, shoegaze, shitgaze.

          STAFF COMMENTS

          Barry says: Japanese dronelords Boris return to the unlikely, but 'thinking-about-it,-it-actually-makes-sense' home of Third Man for their latest excursion in hazy psychedelic distortion and arrhythmic cataclysmic heft. They've always been one of the most prolific and productive outfits on the scene, and that clearly shows on this mindblowing new opus.

          Boris

          Akuma No Uta - Reissue

            Official reissue of Boris' 2003 flawless release. Drone waves meet heavy guitar heroics in a satanic pinky violence gang fight at the schoolyard. This ones for the Heads. Buy if you dig: Sabbath Worship, Comets on Fire, acid, leading children astray, Boris.

            Third Man Records

            Record Middle - Yellow

              How cool are these? Third man record middles, for playing dinked 7" singles.
              We've only got a couple of these beauties, so don't snooze!


              FORMAT INFORMATION

              Accessories Info: Yellow with black logo.

              Third Man Records

              Record Middle - Black

                How cool are these? Third man record middles, for playing dinked 7" singles.
                We've only got a couple of these beauties, so don't snooze!

                FORMAT INFORMATION

                Accessories Info: Black with yellow logo.

                The Raconteurs

                Broken Boy Soldiers - 180g Vinyl Reissue

                  The Raconteurs consist of Jack Lawrence (bass), Patrick Keeler (drums), Brendan Benson (guitars, vocals, keys) and Jack White (guitars, vocals, keys). The seed was sewn in an attic in the middle of a hot summer when friends Jack White and Brendan Benson got together and wrote a song that truly inspired them. This song was ‘Steady, As She Goes’ and the inspiration led to the creation of a full band

                  FORMAT INFORMATION

                  Ltd LP Info: 180gram vinyl with a copper-embossed gatefold tip-on jacket.

                  Boris

                  Feedbacker - Reissue

                    First-ever US issue of this key 2003 release from Japan's shapeshifting heavy lords, Boris. The album title says it all. Immerse yourself in 43 minutes of sonic waves of slow-building fuzz, feedback and layered dimensions where lysergic solos and unintelligible vocals compete for their place deep inside your ID. Buy if you dig: Sun O))), Sleep, Boris.

                    Olivia Jean

                    Night Owl

                      Olivia Jean is back on the beat with her second full-length (and first self-produced) album, Night Owl, due out August 30, 2019 on Third Man Records. The album mines the shared spaces between bubblegum, beach pop undercurrents and fuzzed out garage a la B-52s and Dick Dale, lyrically diving headfirst into the frustrations of perfectionism, mental barriers, obsession and modern heartache. Unlike Bathtub Love Killings on which we found Olivia playing every instrument on the vast majority of the album, Night Owl is decidedly more collaborative, with a studio band of buddies backing up her up. Night Owl is exactly what it sounds like: the wee-hour workings of an artist engrossed in a project, pushing against omnipresent forces of fear and judgment to do exactly what you’ve always wanted to do and be exactly what you’ve known you are. It’s candy-coated and also bittersweet, fully aware and also full-hearted.

                      Various Artists

                      Ann Arbor Blues Festival 1969

                        Ann Arbor Blues Festival 1969, is a 50th anniversary celebration collecting previously unheard songs by such blues legends as Howlin’ Wolf, Muddy Waters, B.B. King, James Cotton, Son House, Magic Sam, T-Bone Walker, Junior Wells, Big Mama Thornton, Clifton Chenier, Son House, Mississippi Fred McDowell, Lightnin’ Hopkins, J. B. Hutto & His Hawks, Roosevelt Sykes, Luther Allison, Otis Rush, Big Joe Williams, Charlie Musselwhite and more. 

                        The historic gathering was presented by a small group of blues-obsessed University of Michigan students determined to give their blues heroes a public spotlight where they might shine before it was too late. Among those enterprising student-promoters was John Fishel, whose teenage brother Jim Fishel, gathered some friends to help record the festival as a personal memento. Taking advantage of their all-access pass and juggling a small Norelco tape recorder from set to set, the friends let the 1⁄4” tape roll. Though field recordings in the literal sense of the term, they capture the brilliance of the musicians, the excitement of the crowd and the loose, convivial nature of the entire festival. Those tapes, long thought to be lost, have now been lovingly restored to capture the electric energy of the landmark concert. Both volumes include never-before-seen photographs, an exclusive reminiscence from Jim Fishel, and extensive liner notes by Parker Fishel, Sophie Abramowitz and David Beal.

                        STAFF COMMENTS

                        Darryl says: Released on Jack White’s Third Man label, this is a 50th anniversary documentation of the historic and legendary blues festival. Sprawling across a double CD and two volumes of vinyl this epic compilation features previously unheard material from the likes of Muddy Waters, Son House, Howlin’ Wolf, Lightnin’ Hopkins and many many more.

                        From the new track’s opening “I Ain’t Your Baby,” the Nashville singer, songwriter, downtown scene slayer, and most-wanted fiddler signals a reclaimed confidence and bold evolution, telling women’s stories - including her own - that build on the strength of her “nervy” (NPR Music), 2017 Jack White-produced debut. Lillie Mae led a sequestered childhood touring in a motorhome with her musician parents, constricted by religious boundaries. In her adolescence she busked from RV parks to the Rio Grande, swept through Nashville clubs, and achieved Top 40 country status in her sibling group Jypsi, but on Other Girls, a new side of herself emerges with more to say than ever before. She embraces personal triumphs on “I Came For The Band (For Show),” breathes new perspective into “Terlingual Girl,” a song she wrote as a 19-year-old in the South-Texan desert, and professes brave truths as heard in “You’ve Got Other Girls for That.” After a vagabond past, crossing paths with hundreds of musicians, she limits the cast of Other Girls to just her brother, sister, and a few trusted collaborators. Lillie Mae will debut songs from Other Girls live this summer, as she supports the Raconteurs across the west coast. She will also join Robert Plant on tour, both opening for him and playing in his band. 

                        STAFF COMMENTS

                        Barry says: Other girls is a brilliantly written mix of classic country chord structures and the slightly gloomy reverb and poignant minor key changes of modern folk, all brought together with deft production and a stunning vocal performance from Lillie Mae. Stunning stuff.

                        'Help Us Stranger' is The Raconteurs' third studio LP and first new album in more than a decade. It sees the mighty combo reassembled, stronger and perhaps even more vital than ever before as they continue to push rock 'n' roll forward into its future, bonding prodigious riffs, blues power, sinewy psychedelia, Detroit funk, and Nashville soul via Benson and White’s uncompromising songcraft and the band’s steadfast musical muscle. With 'Help Us Stranger' The Raconteurs have returned right when they are needed most, unified and invigorated with boundless ambition, infinite energy and a collectivist spirit operating at the peak of its considerable powers, once again creating a sound and fury only possible when all four of its members come together.

                        White and Benson wrote all the songs on 'Help Us Stranger' except one cover, “Hey Gyp (Dig The Slowness),” which was written by Donovan. Recorded at Third Man Studio in Nashville, TN, the album was produced by The Raconteurs and engineered by Joshua V. Smith. Longtime friends and musical collaborators helped make 'Help Us Stranger', including keyboardist/multi-instrumentalist Dean Fertita (The Dead Weather, Queens of the Stone Age) and Lillie Mae Rische and her sister Scarlett Rische. The album was mixed by Vance Powell and The Raconteurs at Blackbird Studios in Nashville.


                        STAFF COMMENTS

                        Mine says: After focusing on his solo career and his label Third Man Records, Jack White is reuniting with his Raconteurs for their first studio album since 2008. They pick up where they left off (ish) and, taking it up a notch, create an album that feels more energetic than its predecessors. Fans of Jack White's latest solo album will probably dig this.

                        Death From Above

                        Heads Up Demos

                          Hot-off-the-Third Man Press, Death From Above’s completely unheard and unreleased demos from their first release, the Heads Up EP, gets the vinyl treatment. This black vinyl 7" comes with three cover art variants — distributed at random.

                          Liza Anne

                          Live At Third Man Records

                            Recorded right before the release of her Arts & Crafts instant-fan-making debut Fine But Dying, both the A-side "Take It Back" and the B-side "Overnight" are from local popster Liza Anne's self-released album Two. "Take It Back" is moving, propulsive indie pop at its finest, somehow better with the strong conviction of their message captured live.

                            "Overnight" starts out as a threadbare folk rock tune and compounds and builds up until, finally, the smoke clears again right before the finale, creating an impactful air around the last words sung.

                            Datenight

                            Bad Times / Not Myself

                              We are proud to release the second ever vinyl release from garage stomping, punk slugging rockers Datenight. Datenight have been playing what feels like every good show in Nashville for the past couple years. Their manner of smearing punk music with extra distortion and a dollop of pop, in the vein of Toy Love and the Oblivians, is incredibly contagious and just fun to see live. Anchored by impenetrable brickwall drumming, their A-side single “Bad Times” is an energetic maelstrom centered around the chorus mantra “can’t do it all by myself!”, which acts as a welcome invitation to the crowd to yell along with them.

                              Spray Paint

                              Cussin'

                                The Third Man team have been fanatics of Spray Paint’s sound for a minute. Their sound hits the sweet spot between the atonal movement of no-wave and nihilistic post-punk, like Mark E. Smith covering MARS. This chronicle of their live set in the Blue Room is excellent evidence. The fi rst track, “Cussin’”, originally released as an A-side in 2014, is even more tense and volatile in this live recording, held together by the loose glue of its hypnotic rhythm section. In light of the noxious political present, these live songs feel very urgent and necessary.

                                Sun Seeker

                                Biddeford

                                  Sun Seeker has carved out a universe all their own in Nashville, TN. Biddeford, their first EP and second release on Third Man Records, is near combustion level with beautiful atmospherics, willful lyricism and a supernatural ear for atypical pop hooks which should ring immediately familiar to fans of their debut 7’’ “Georgia Dust”. Six charming vignettes explore friendship, romance, and the daydreams populating the space between them.

                                  EP highlight and single, “Won’t Keep Me Up At Night”, gives us the best of singer and principal songwriter Alex Benick – his ability to breathe life and a depth of scenery into a song, especially with the clever rhythms of drummer Ben Parks and guitarist Asher Horton’s near-perfect pop instinct.

                                  Sun Seeker has climbed into broad daylight, into blessed dynamics, and every song blossoms as a result of it.

                                  STAFF COMMENTS

                                  Barry says: Sun-soaked guitars and hazy basses roll around the mix, topped with beautifully shining vocal melodies and imbued with vague melancholic leanings. It's a beautiful and endearing outing from Sun Seeker, and one set to endure for a time to come.

                                  Neil Michael Hagerty & The Howling Hex

                                  Live At Third Man Records

                                    Neil Michael Hagerty is best known as the laconic frontman of 90s noiseforward
                                    rockers Royal Trux. Back in September of 2016, NMH and The Howling
                                    Hex showcased an off-kilter garage stomp fused with avant-blues aggression.
                                    The two songs presented here are the surest insight into the mind of someone
                                    who helped redefi ne rock ‘n’ roll by completely destroying it, but has since
                                    settled into more cogent outbursts.
                                    • Hometown: Washington DC / Denver, CO
                                    • Recorded September 23, 2016 in Third Man’s Blue Room

                                    The White Stripes

                                    Get Behind Me Satan

                                      The White Stripes’ 2005, fifth studio album reminds listeners of the fundamental nature of their production. While still maintaining their iconic elements listeners can immediately identify with The White Stripes. Jack White trades in his classic, guitar heavy elements for piano ballads, mandolin, acoustic guitar and even some touches of marimba.

                                      The Rolling Stone declared this album so “wild, it could make you weep over how pitilessly the Stripes keep crushing the other bands out there.”

                                      ‘Get Behind Me Satan’ ranked Number 3 on both US and UK Charts, trumping their preceding albums’ rank on US Charts. The album’s first track and single, ‘Blue Orchid’, became a fast radio hit in the US and UK, making it the band’s second UK Top 10 hit.

                                      The album’s second single, ‘My Doorbell’, boasts a piano and drums charge, reviewed by NME as the “funkiest tune The White Stripes have ever put their name to.”

                                      Slant Magazine invites listeners to “take solace in the unbridled honesty of simple, solid rock n’ roll” of ‘Get Behind Me Satan’, while Pitchfork crowns the album as some of The White Stripes’ best work.

                                      ‘Get Behind Me Satan’ is that raw, foot-stompin’, soulful sound that will take your imagination to that peaceful front porch in some cosy Southern cabin so sit back and stomp your foot to the melodic acoustic guitar, piano, stirring vocals and crickets.

                                      First time commercially available on 180gram black vinyl. Comes with digital download code of the album.


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