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Jónsi

Shiver

    Shiver is the exciting and beautiful second record from LA-based Icelandic musician Jónsi. Recorded in Berlin, Reykjavik, London and Suomenlinna and available exclusively on heavy weight vinyl for the indies.

    Not too long ago Jónsi was traveling through London, where he met up with iconoclastic producer A.G. Cook, who he admired for his boundary-breaking work with the PC music collective. He had no expectation for the meeting, but the more they talked, the more he realized they might be perfect collaborators. “I’ve been doing this for 30 years,” Jónsi says. “I get tired of everything really easily. I always want things to be fun and exciting and fresh, and doing another album...I just wanted to have a different approach.”

    Jónsi had made a career on sweeping music that plumbed the depths of the human experience and our connection to the natural world. Cook’s production exists at the opposite end of the spectrum: synthetic, sometimes abrasive, and often on the cutting edge of experimentalism. On paper, their collaboration is surprising, but Shiver is a beautiful record that pushes Jónsi’s otherworldly voice into startling new territories.

    FORMAT INFORMATION

    2xIndies Exclusive LP Info: 2 x vinyl LP.
    Heavyweight 180gm black vinyl indie exclusive.
    Gatefold sleeve with spot varnish.
    Limited to 500 copies for the UK.

    2xLtd LP Info: 2 x vinyl LP.
    Standard weight 140gm black vinyl indie exclusive.
    Gatefold sleeve with spot varnish.

    Jónsi

    Go - Red Vinyl Reissue

      Sigur Rós front man Jón Þór "Jónsi" Birgisson released his debut album ‘Go’ in 2010. Jónsi initially though he would be making a low-key, acoustic album until, as he says, "somewhere along the line, it just sort of exploded." that explosion resulted in sheer aural fireworks, not a straight ahead pop record, nor rock, folk, ambient or electronic, it encompasses all of these to create an expansive musical palette that’s been brought to life by Jónsi alongside a number of free-spirited collaborators including the Philip Glass protégé Nico Muhly and the percussive genius of Samuli Kosminen.

      Met with great critical acclaim Go is out of print and will be repressed on exclusive transparent red vinyl and released on Sigur Rós own record label, Krunk.

      FORMAT INFORMATION

      Coloured LP Info: Exclusive transparent red vinyl

      Sigur Rós

      ( ) - Vinyl Reissue

        ( ) - Sigur Rós’s celebrated third album, and for many people - especially in US where it remains their biggest selling work - the most quintessentially “Sigur Rós” record of their career to date. It is the only album where Jónsi sings entirely in the wordless lyrics of Hopelandic. A desire to elide meaning and allow the listener to bring their own interpretation to the music, extends to the eight songs, all of which are nameless. The music is broadly divided into two halves, divided by a critical 36 seconds of silence. The first half of the album being lighter and more optimistic, and the second half bleaker and more melancholic, culminating in the thundering climax of Untitled #8, the closing song of every Sigur Rós show since the song was written in 2000.

        ( ) was recorded at the band’s own studio Sundlaugin, in Mosfellsbær outside Reykjavik, in 2002, co-produced by the band with Ken Thomas, who also helmed their break through second album, Agætis Byrjun. Completely out of print, the vinyl album now comes in its full Grammy-nominated artwork, including die-cut sleeve and spot UV varnish inner bags. 


        FORMAT INFORMATION

        2xLtd LP Info: 2 x vinyl double LP.
        2 x printed inner sleeves.

        Alex Somers

        Honey Boy (Original Motion Picture Soundtrack)

          Honey Boy OST by Alex Somers. Beautiful and transcendent soundtrack to accompany the Shia LaBeouf written and Alma Har'el directed Honey Boy.



          Frakkur

          2000 - 2004

            Frakkur was the artist name Jónsi used for his experiments in electronic music. Working on his own, either at home in Reykjavík, in hotel rooms on tour with Sigur Rós, or later at his boyfriend’s house in Boston, Jónsi spent endless hours diving into then-new bits of kit and programming, having fun and seeing how far he could push things.

            The legacy is three collections of work totalling 25 tracks collated into one triple album - each made a year or so apart, under slightly different circumstances and with different equipment.

            The oldest, 2000-2001, was made on Jónsi’s first PC laptop, named The Tank for its unwieldy size. The second, 2002-2003, was made in his small flat in the middle of Reykjavík, where he set up his first home studio in a cupboard, so that it could be packed away at night. The final part of the Frakkur trilogy, 2003-2004, was made in Cambridge, Mass. in breaks of Sigur Rós touring. His partner, Alex Somers, had by then introduced Jónsi to the programme Logic, and this he coupled with a Yamaha VSS-30 toy keyboard to sample his voice in what he describes as a spontaneous and exciting process.


            Sigur Rós

            22° Lunar Halo - Reissue

              Music from throughout Sigur Rós’s career, twisted, bent, broken, and finally added to in the band’s Rey-kjavík studio, to create a new perspective for a dance piece of the same title initiated and created by Taiwanese choreographer CHENG Tsung-Lung. Musical director Kjartan Holm.

              Originally released on Record Store Day, 22° Lunar Halo returns with new artwork, reversed in colour and printed in special ink

              Sigur Rós

              Variations On Darkness - Reissue

                A score of high Nordic drama drawing on unreleased Sigur Rós material and multi-tracks from the band’s catalogue. Premiered at Norđur Og Niđur Festival, to soundtrack performances from the Icelandic Dance Company. Arranged by Valdimar Johansson, choreographed by Erna Ómarsdóttir. Originally released on Record Store Day, Variations on Darkness returns with new artwork, reversed in colour and printed in special ink. 

                Sigur Ros

                Inni

                  Sigur Rós will self-release their ambitious new live album and film ‘Inni’ on 7th November. It will be released on the band’s own Krunk imprint in all territories around the world except American and Japan where it will be released on XL and Hostess respectively. ‘Inni’ could be described as either the first-ever Sigur Rós live album, or second live film (the follow up to 2007’s acclaimed Iceland tour film ‘Heima’). In fact, it’s both: a 75-minute film and 105-minute double live album of the band captured in full flow at the close of their last tour in November 2008, here housed in one single package.

                  Filmed at London’s Alexandra Palace over two nights by director Vincent Morisset (Arcade Fire’s ‘Miroir Noir’), the film ‘Inni’ would best be described as the anti-‘Heima’. Whereas that film took a band about whom the world knew little, and placed them in the cultural, social and geographical context of their homeland (with winning and humanising results), ‘Inni’ strips away everything save the raw performance of the four musicians themselves. Where ‘Heima’ was widescreen and open, ‘Inni’ is close and single focussed.

                  This is intentional. For a while ‘Heima’ was successful at “explaining” Sigur Rós, it was less so at communicating what it actually feels like to “watch’ Sigur Rós perform. That is the job of ‘Inni’. In order to accomplish this goal, Morisset has taken his time and employed a number of different analogue post-production techniques to create an emotional understanding of being inside the room and going ‘inside’ the music. (‘Inni’ literally means ‘inside’).

                  Unlike many concerts, watching Sigur Rós is seldom a communal experience; it is instead almost claustrophobically inward looking and intense. By almost entirely removing the crowd and any sense of place, Morisset brings you closer than ever to the players, using multiple camera angles to reveal in sometimes minute close up the concentration and effort involved in delivering such a powerful rock show.

                  Originally filmed on HD digital, ‘Inni’ was first transferred to 16mm film and then projected and re-filmed, again on 16mm, sometimes through glass and other objects to give a strong impressionistic look, a feat accomplished with the help of Godspeed You Black Emperor’s live visual collaborator Karl Lemieux. The film was then meticulously pieced together by ‘Heima’ editor Nick Fenton, who chose to break up the flow with unexplained archive footage, including interview and concert material from before the band’s exposure to the wider world at the tail end of the last century. It’s worth mentioning also that the film has only one song in common with ’Heima’ (the closing ‘Popplagid’) and that it draws for the most part on the darker end of the band’s material. The double live album by contrast, covers the entire Sigur Rós spectrum over its hour-and-three-quarters duration, played in the same order as on the night. Mixed by Sigur Rós house engineer Birgir Jón Birgisson, ‘Inni’ the album stands as the definitive Sigur Rós live recording to stand against the welter of bootlegs available across the web.

                  The performance captures the band playing as a stripped down four-piece for the first time since they were joined by string section Amiina at the start of the decade. This boiling down makes ‘Inni’ a forceful and primal proposition, much at odds with the popular misconception of the band as purveyors of emotional heft for film-makers and television programmers in need.

                  The album features 15 tracks, with songs taken from all five of their studio albums. There is also the bonus of an unreleased studio track in the form of ‘Luppalagid’, which is used both over the credits of the film and as the ultimate track on the album

                  Sigur Ros

                  Inni - Bluray Edition

                    Sigur Rós will self-release their ambitious new live album and film ‘Inni’ on 7th November. It will be released on the band’s own Krunk imprint in all territories around the world except American and Japan where it will be released on XL and Hostess respectively. ‘Inni’ could be described as either the first-ever Sigur Rós live album, or second live film (the follow up to 2007’s acclaimed Iceland tour film ‘Heima’). In fact, it’s both: a 75-minute film and 105-minute double live album of the band captured in full flow at the close of their last tour in November 2008, here housed in one single package.

                    Filmed at London’s Alexandra Palace over two nights by director Vincent Morisset (Arcade Fire’s ‘Miroir Noir’), the film ‘Inni’ would best be described as the anti-‘Heima’. Whereas that film took a band about whom the world knew little, and placed them in the cultural, social and geographical context of their homeland (with winning and humanising results), ‘Inni’ strips away everything save the raw performance of the four musicians themselves. Where ‘Heima’ was widescreen and open, ‘Inni’ is close and single focussed.

                    This is intentional. For a while ‘Heima’ was successful at “explaining” Sigur Rós, it was less so at communicating what it actually feels like to “watch’ Sigur Rós perform. That is the job of ‘Inni’. In order to accomplish this goal, Morisset has taken his time and employed a number of different analogue post-production techniques to create an emotional understanding of being inside the room and going ‘inside’ the music. (‘Inni’ literally means ‘inside’).

                    Unlike many concerts, watching Sigur Rós is seldom a communal experience; it is instead almost claustrophobically inward looking and intense. By almost entirely removing the crowd and any sense of place, Morisset brings you closer than ever to the players, using multiple camera angles to reveal in sometimes minute close up the concentration and effort involved in delivering such a powerful rock show.

                    Originally filmed on HD digital, ‘Inni’ was first transferred to 16mm film and then projected and re-filmed, again on 16mm, sometimes through glass and other objects to give a strong impressionistic look, a feat accomplished with the help of Godspeed You Black Emperor’s live visual collaborator Karl Lemieux. The film was then meticulously pieced together by ‘Heima’ editor Nick Fenton, who chose to break up the flow with unexplained archive footage, including interview and concert material from before the band’s exposure to the wider world at the tail end of the last century. It’s worth mentioning also that the film has only one song in common with ’Heima’ (the closing ‘Popplagid’) and that it draws for the most part on the darker end of the band’s material. The double live album by contrast, covers the entire Sigur Rós spectrum over its hour-and-three-quarters duration, played in the same order as on the night. Mixed by Sigur Rós house engineer Birgir Jón Birgisson, ‘Inni’ the album stands as the definitive Sigur Rós live recording to stand against the welter of bootlegs available across the web.

                    The performance captures the band playing as a stripped down four-piece for the first time since they were joined by string section Amiina at the start of the decade. This boiling down makes ‘Inni’ a forceful and primal proposition, much at odds with the popular misconception of the band as purveyors of emotional heft for film-makers and television programmers in need.

                    The album features 15 tracks, with songs taken from all five of their studio albums. There is also the bonus of an unreleased studio track in the form of ‘Luppalagid’, which is used both over the credits of the film and as the ultimate track on the album.



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                    Sunday Classics. New Order, Rodriguez, Vini Reilly and The Go! Team. https://t.co/KL1FeNcZ4F https://t.co/zKiZ8Ev0Hn
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                    Looking great Gwyneth. Seems like the perfect weather to give that @LoveRecsStores special edition vinyl a spin tod… https://t.co/58ENzhpMGg
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                    RT @bandgrasshopper: Our debut LP ‘Scuttle’ is one of @ClashMagazine’s ‘Top 18’ ‘phenomenal… stellar releases’ of 2020. The second pressing…
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