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Coldplay

Everyday Life

    Coldplay return with their first new studio album in nearly four years. Everyday Life is a double album (single CD), presented in two halves: Sunrise and Sunset, featuring a stunning array of music, that is sure to surprise and delight their massive global fanbase.


    FORMAT INFORMATION

    2xLtd LP Info: Double, heavyweight black vinyl in uncoated board sleeve with gold and holofoil detail. Also contains download card and 24-page booklet.

    David Bowie

    Conversation Piece

      CONVERSATION PIECE is a five CD box set tracking David’s early development throughout 1968 and 1969, via his home demos, BBC radio sessions, studio recordings with guitarist John ‘Hutch’ Hutchinson and the experimental music and mime group, Feathers. The collection also celebrates the 50th anniversaries of the release of the ‘Space Oddity’ single and David’s second album, David Bowie (aka Space Oddity). The set contains twelve previously unreleased tracks/demos from the period as well as a brand new mix of the Space Oddity (aka David Bowie) album by longtime Bowie producer/collaborator Tony Visconti. The new mix of the album now features the title track of the boxset ‘Conversation Piece’ restored to the tracklisting in its initially intended position before it was originally dropped due to time constraints of vinyl.

      The 120 page hardback book accompanying the box features exclusive memorabilia from the personal collection of David’s former manager, the late Ken Pitt, as well as from the David Bowie Archive®, and includes photos by Ray Stevenson, Vernon Dewhurst, David Bebbington, Ken Pitt, Alec Byrne, Tony Visconti and Jojanneke Claasen. The sleeve notes have been written for the release by Bowie experts Mark Adams, Tris Penna and Kevin Cann along with contributions from David’s lifelong friend George Underwood, Tony Visconti, Vernon Dewhurst, Dana Gillespie and John ‘Hutch’ Hutchinson

      FORMAT INFORMATION

      Box set Info: 5CD + 120 page Hardback Book

      FREE SHIPPING This item has FREE UK shipping!

      David Bowie

      Space Oddity - 50th Anniversary Edition

        50th anniversary edition of Bowie’s seminal album featuring a brand new mix by original producer Tony Visconti, and a new die cut O-card.

        The vinyl will be randomly distributed worldwide with a mixture of hand-numbered labels; numbers 1 to 1969 on silver vinyl numbers and 1970 to 2019 on gold vinyl, with the remainder being black vinyl.

        Originally released 14th November 1969, the sophomore effort from Bowie was a big turning point from his 1967 debut. The album most famously introduces the character of Major Tom in ‘Space Oddity’ which would go on to be one of his most enduring classics.

        The new mix of the album now features the title track of the boxset ‘Conversation Piece’ restored to the track listing in its initially intended position before it was originally dropped due to time constraints of vinyl.


        FORMAT INFORMATION

        LP Info: 180g Gatefold w/ Die Cut O-card.

        CD Info: CD w/ Die Cut O-card.

        Stereophonics

        Kind

          Recorded in just eleven days at The Distillery, Wiltshire, ‘Kind’ was co-produced by Kelly Jones and George Drakoulias (Tom Petty & The Heartbreakers, Primal Scream). The results are an honest and hopeful album for our times, and an album that stands shoulder to shoulder with the band’s best work.

          ‘Fly Like An Eagle’ is a perfect first taster of ‘Kind’. An ode to endless possibility, it is the sound of a band exuding confidence in their craft as they allow the quality of songwriting and musicianship to take centre stage.

          Stereophonics are a band woven into the fabric of popular music and with ‘Kind’ Kelly Jones continues to cement his place amongst the great British songwriters with an ability to sketch and capture truth and beauty from everyday observations as well as delving into his own life experiences.

          FORMAT INFORMATION

          Coloured LP Info: Indies exclusive limited pink vinyl.

          Deluxe CD Info: Limited deluxe CD with bonus tracks.

          David Bowie

          VH1 Storytellers

            On the 23rd of August 1999, David Bowie played an intimate set for invited guests at The Manhattan Centre’s Grand Ballroom in New York for the VH1 Storytellers series. Ten years later in 2009 a CD/DVD/Download of the evening was released, and now 20 years on the most complete version available will be released as a strictly limited-edition double vinyl LP.

            The Bowie set has long been regarded as one of the most memorable episodes in VH1 Storytellers history, with David delving deep in to his catalogue to perform tracks such as ‘Can’t Help Thinking About Me’ for the first time in 33 years, Aladdin Sane’s ‘Drive-In Saturday' which he had not performed since 1974 and ‘Word On A Wing’ which received its first outing in 23 years.

            Bill Flanagan, Executive Producer of the VH1 Storytellers “We were used to dealing with legendary musicians. Still, landing David Bowie was more than a big booking. There's no way to say this without being corny: it was an honour. Bowie has a unique place in rock & roll. He is not only one of the most influential musicians of the era, he does nothing unless he is fully committed”.

            Gorillaz

            Plastic Beach

              Five years on from the release of "Demon Days", Murdoc Niccals and co. are back with a brand new long player. This time the band have taken up residence on a secret floating island deep in the South Pacific; a "Plastic Beach" HQ, made up of the detritus, debris and washed up remnants of humanity. This "Plastic Beach" is the furthest point from any landmass on Earth; the most deserted spot on the planet... Yeah, whatever! If, like me, you've never been convinced by the whole 'cartoon band' side to Gorillaz, but have enjoyed the music despite the vast amount of reverential (and mostly justified) hype, then you'll be pleased to know that Albarn has come up with another cracker here, mixing his talent for a well-written song with production that takes in singer-songwriter introspection set against hip hop, electro-funk, disco, beats and breaks. Obviously the guest list is as varied as it is long, taking in Snoop Dogg, Bashy & Kano, Mos Def and De La Soul, Gruff Rhys from SFA, Yukimi Nagano from Little Dragon, Lou Reed, Mark E. Smith, Hypnotic Brass Ensemble, Bobby Womack, Mick Jones And Paul Simonon, making for a quality listen. 

              FORMAT INFORMATION

              Picture Disc Info: Limited picture disc edition.

              Gorillaz

              Demon Days

                Co-produced by Gorillaz / Damon Albarn and the "Grey Album" mastermind Danger Mouse, "Demon Days" was recorded at the band's own Kong Studios and is a darker and more intense affair than 2001's "Gorillaz". Their reputation for excellence and enthusiasm has secured them a stellar guest list. Featured on the album are contributions from De La Soul, Neneh Cherry, Martina Topley-Bird, Roots Manuva, MF DOOM, Ike Turner, Bootie Brown of the Pharcyde, Shaun Ryder, Dennis Hopper, the London Community Gospel Choir and the San Fernandez Youth Chorus.

                FORMAT INFORMATION

                Picture Disc Info: Limited Picture disc edition.

                Jónsi & Alex Somers

                Riceboy Sleeps - 10th Anniversary Edition (2019 Analogue Remaster)

                  Riceboy Sleeps is the debut studio album by Jónsi (Sigur Rós vocalist) & his partner Alex Somers, it was originally released in 2009. The album features acoustic instrumental music alongside the string quartet Amilina and the Kópavogsdætur Choir. To mark the 10th anniversary of Riceboy Sleeps, a limited vinyl including the original album plus the 33 minute All Animals EP is released.


                  Morrissey

                  ¡The Best Of!

                    Following the launch of his solo career in 1988, “Moz” would spend the next 10 years composing and releasing six studio albums and a string of hit singles before going on a brief recording hiatus. On November 6, 2001, THE BEST OF MORRISSEY, a collection that brought together his most memorable work as a solo artist up to that point which was originally released on CD in North America only. In celebration of Morrissey’s career, we will revisit that classic compilation this year by releasing it, for the first time ever, on vinyl. THE BEST OF MORRISSEY will be available as a black double-LP.

                    All the other studio albums the singer released between 1988 and 1997 are represented on THE BEST OF MORRISSEY with “Sing Your Life” from Kill Uncle (1991), “Do Your Best And Don’t Worry” from Southpaw Grammar (1995) and “Alma Matters” from Maladjusted (1997). Other tracks on the collection include the non-album single “Sunny” and the B-sides “Sister I’m A Poet” and “Lost.”

                    FORMAT INFORMATION

                    2xLtd LP Info: 2LP set in gatefold sleeve – 180 gram vinyl.

                    Blur

                    Live At The BBC

                      Twenty five years after the release of blur’s seminal album Parklife, Parlophone Records are releasing a 1994 BBC Radio 1 live session, available from Friday 2nd August.

                      Featuring 4 tracks – Girls & Boys, Jubilee, Trouble In The Message Centre, Lot 105 – taken from a Mark Radcliffe Radio 1 session, recorded live at the BBC in Manchester on 7th March 1994, just weeks ahead of Parklife’s release on 25th April.

                      Dinosaur Pile-Up

                      Celebrity Mansions

                        Dinosaur Pile-Up return with their fourth album Celebrity Mansions, a collection of songs that sizzle with big melodies, skewered through with raw, intoxicating emotion. To mark the album’s announcement the band have released the incendiary ‘Thrash Metal Cassette’, their most punk rock and in-your-face track to date.

                        DPU have long been talked about as one of British music’s most consistently exciting outfits, with singer/guitarist Matt Bigland forging a reputation as one of rock music’s finest songwriters. So having spent the best part of a decade building a fiercely loyal fanbase, and a stellar live reputation, now’s the time to prove it.

                        David Bowie

                        Diamond Dogs - 45th Anniversary Edition (Red Vinyl)

                          AVAILABLE TO INSTORE CUSTOMERS ONLY. 
                          RELEASED ON MAY 24TH @ £18.99.


                          See Instore for ordering details.


                          Released on 24th May 1974 Diamond Dogs gave David Bowie his third UK number one album and his first top 10 album in the US.

                          To celebrate the 45th anniversary of this iconic album Parlophone have released a special limited edition red vinyl version of Diamond Dogs on 24th May 2019, exactly 45 years since its original release.

                          Preceding the album by more than 3 months, Rebel Rebel peaked at number 5 on the official U.K. singles chart. The original single mix was substituted by the shorter, ‘phased’ New York Remix single version in North America, featuring a new arrangement and overdubbed vocals. The album originally peaked at number 1 in the official albums chart in the U.K. and number 5 in the Billboard album chart in the U.S..

                          This is only available to ‘bricks and mortar’ retail stores and not through on-line stores.


                          David Bowie

                          Pin Ups

                            “Singing old songs he loved”

                            Parlophone issue David Bowie’s 1973 album of cover versions as a picture disc for Record Store Day 2019 on Saturday, 13th April.

                            When originally released, the David Bowie/Ken Scott produced album was preceded by the only single from Pin Ups, Sorrow, which reached #3 on the UK chart. Pin Ups itself entered the UK album chart at #1 on the strength of pre-orders alone.

                            Joining Bowie on the sleeve for Justin de Villeneuve’s extraordinary photograph with Bowie is Twiggy, name-checked earlier the same year on Aladdin Sane for Drive-In Saturday: “She’d sigh like Twig the Wonder Kid”.

                            The photo session was shot in Paris for Vogue magazine, but at Bowie's request was used for the album instead. This same image is used for Side 1 of the picture disc.

                            Originally, the back cover and insert featured Mick Rock photographs and Side 2 of the picture disc uses one of his artworks which utilised images from that session.

                            The picture disc includes a reproduction of the insert, and the back cover is as the original with the following note from Bowie:

                            + - + - + - + - + - + - + - + - + - + - + - + - + - + - +

                            These songs are among my favourites from the '64–67' period of London.

                            Most of the groups were playing the Ricky-Tick (was it a 'y' or an 'i'?) - Scene club circuit (Marquee, eel pie island la-la)

                            Some are still with us. Pretty Things, Them, Yardbirds, Syd's Pink Floyd, Mojos, Who, Easybeats, Merseys, Kinks.

                            Love-on ya!

                            Bowie x

                            Paul Weller

                            Other Aspects, Live At The Royal Festival Hall

                              In October 2018, Paul Weller performed two extraordinary concerts at The Royal Festival Hall with an orchestra. The second of these shows was recorded and filmed, and now sees the light of day as a superb live album and DVD.

                              “Other Aspects, Live At The Royal Festival Hall” features an eclectic 25 track career-spanning set, including classics from Paul’s rich back catalogue and songs from last year’s no. 2 album, the gorgeous “True Meanings”

                              The track-listing includes a radical re-working of The Jam’s “Private Hell” from their 1979 LP “Setting Sons” and a brilliantly realised version of “Boy About Town”. The Style Council get a welcome look-in too with “Have You Ever Had It Blue” and “A Man Of Great Promise” and Paul’s subsequent solo career is well represented with the inclusion of “Wild Wood” and “You Do Something To Me” amongst others

                              Other firm solo favourites such as “You Do Something To Me” and “Long Long Road” fit seamlessly into the set

                              The DVD includes audio mixed in PCM Stereo and DTS 5.1 surround sound and features a behind-the-scenes mini-documentary with rehearsal footage and interviews


                              FORMAT INFORMATION

                              3xDeluxe LP Info: Vinyl/DVD set – Triple heavyweight black vinyl LPs, housed in a 6-panel ‘tri-fold’ sleeve with a download card.

                              David Bowie

                              Never Let Me Down (2019 Remastered Edition)

                                Never Let Me Down is the 17th studio album by David Bowie. Originally released on 20 April 1987, this vinyl edition is newly remastered.

                                David Bowie

                                Let’s Dance (2019 Remastered Edition)

                                  Let's Dance is the 15th studio album by David Bowie. Originally released on 14 April 1983, this vinyl edition is newly remastered.

                                  David Bowie

                                  Tonight (2019 Remastered Edition)

                                    Tonight is the sixteenth studio album by David Bowie. Originally released on 29 September 1984, this vinyl edition is newly remastered.

                                    David Bowie

                                    Glastonbury 2000

                                      DAVID BOWIE ‘GLASTONBURY 2000’ documents Bowie’s legendary Sunday night headline performance on 25th June at the most famous festival on earth. 

                                      Features Bowie’s diary, and new artwork from jonathan barnbrook (who worked with bowie on various album sleeves) with notes from the renowned author and bowie fan caitlin moran.




                                      David Bowie

                                      Breaking Glass E.P (40th Anniversary)

                                        The new extended version of the E.P. features three previously unreleased live versions of the original E.P. tracks plus the addition of an unreleased live version of ‘Hang On To Yourself’.

                                        The E.P. now features ‘BREAKING GLASS’, ‘ART DECADE’, ‘HANG ON TO YOURSELF’ and ‘ZIGGY STARDUST’ live from Earls Court in London during the Isolar II tour of 1978. These four tracks are alternative performances to the ones that recently appeared on the critically acclaimed live album WELCOME TO THE BLACKOUT (LIVE LONDON ’78), and none were featured on the original 1978 E.P..

                                        Initially released in the UK in January 1977 on the groundbreaking LOW album, ‘BREAKING GLASS’ was co-written by Bowie, bassist George Murray and drummer Dennis Davis. A longer, reworked version of the song was a staple of the Isolar II Tour, and a live version from that tour was used as the lead track on the original live 7" E.P. to promote Bowie's second live album, STAGE in 1978.


                                        A brand new studio album from Gorillaz titled The Now Now will be released by Parlophone Records on 29th June.

                                        The Now Now is 11 all-new songs from the World’s Most Successful Virtual Act, produced by Gorillaz, with James Ford and Remi Kabaka, and recorded in London, in February this year.

                                        The album sessions for The Now Now saw the band largely eschewing guest stars, taking it back to the core creative crew: blue-haired, sweet-natured dreamer 2D on vocals; whip-smart Japanese badass Noodle on guitar; not forgetting Brooklyn-born philosopher and the meat–behind-the-beat Russel Hobbs on drums. And with Murdoc Niccals temporarily indisposed, bass duties on the new album have been taken up by erstwhile Gangreen Gang member Ace.


                                        FORMAT INFORMATION

                                        Picture Disc Info: Limited picture disc edition.

                                        LP Info: Heavyweight black vinyl 12” LP in spined sleeve with printed inner bag and download card.

                                        CD Info: 11-track CD in jewelcase with 12-page booklet on gloss art paper.

                                        LP Box Set Info: Deluxe Vinyl LP Box Set - 12” x 12” rigid board box set, with a lenticular image on lid, containing:
                                        Heavyweight blue vinyl 12” LP, in spined sleeve with printed inner bag. The blue vinyl is exclusive to the box set. 52-page booklet, replicating 2-D’s original studio notebook including album lyrics. 4 x 12” x 12” art prints, 6 x 1” pin badges mounted on card and download card.

                                        David Bowie

                                        Changestwobowie

                                          This follow up to David’s hugely successful first Best Of compilation CHANGESONEBOWIE, has not officially been available since the late 1980’s. Featuring iconic cover photography by Greg Gorman, it was first released in 1981 and was only briefly available on CD in 1985 but has long since been deleted.

                                          Drawing on material spanning from HUNKY DORY (1971) to SCARY MONSTERS (AND SUPER CREEPS) (1980) it achieved gold status in the U.K. album chart in 1982. It will be reissued on the 13th April with all tracks remastered on CD in a digipak sleeve, high-resolution 192/24 and 96/24 digital and standard digital for streaming and download,

                                          The 180gram vinyl edition will be available randomly on its initial limited manufacturing run in black and blue vinyl before reverting solely to black vinyl.


                                          FORMAT INFORMATION

                                          Ltd LP Info: 180g vinyl available randomly on black or blue vinyl.

                                          David Bowie

                                          Stage (2017)

                                            The four studio albums ‘Low’, ‘‘Heroes’’, ‘Lodger’ and ‘Scary Monsters (and Super Creeps)’ have not been available as standalone vinyl LPs for over 25 years and this is the first time on vinyl for Stage (2017), which has 5 additional tracks to the original 1978 double LP release including The Jean Genie and Suffragette City.

                                            David Bowie

                                            Lodger - 2017 Remastered Edition

                                              The four studio albums ‘Low’, ‘‘Heroes’’, ‘Lodger’ and ‘Scary Monsters (and Super Creeps)’ have not been available as standalone vinyl LPs for over 25 years and this is the first time on vinyl for Stage (2017), which has 5 additional tracks to the original 1978 double LP release including The Jean Genie and Suffragette City.

                                              "On the surface, Lodger is the most accessible of the three Berlin-era records David Bowie made with Brian Eno, simply because there are no instrumentals and there are a handful of concise pop songs. Nevertheless, Lodger is still gnarled and twisted avant pop; what makes it different is how it incorporates such experimental tendencies into genuine songs, something that Low and Heroes purposely avoided. "D.J.," "Look Back in Anger," and "Boys Keep Swinging" have strong melodic hooks that are subverted and strengthened by the layered, dissonant productions, while the remainder of the record is divided between similarly effective avant pop and ambient instrumentals. Lodger has an edgier, more minimalistic bent than its two predecessors, which makes it more accessible for rock fans, as well as giving it a more immediate, emotional impact. It might not stretch the boundaries of rock like Low and Heroes, but it arguably utilizes those ideas in a more effective fashion." - Allmusic.



                                              FORMAT INFORMATION

                                              LP Info: 180 gram.

                                              David Bowie

                                              Heroes - 2017 Remastered Edition

                                                The four studio albums ‘Low’, ‘‘Heroes’’, ‘Lodger’ and ‘Scary Monsters (and Super Creeps)’ have not been available as standalone vinyl LPs for over 25 years and this is the first time on vinyl for Stage (2017), which has 5 additional tracks to the original 1978 double LP release including The Jean Genie and Suffragette City.

                                                "Repeating the formula of Low's half-vocal/half-instrumental structure, Heroes develops and strengthens the sonic innovations David Bowie and Brian Eno explored on their first collaboration. The vocal songs are fuller, boasting harder rhythms and deeper layers of sound. Much of the harder-edged sound of Heroes is due to Robert Fripp's guitar, which provides a muscular foundation for the electronics, especially on the relatively conventional rock songs. Similarly, the instrumentals on Heroes are more detailed, this time showing a more explicit debt to German synth pop and European experimental rock. Essentially, the difference between Low and Heroes lies in the details, but the record is equally challenging and groundbreaking." - Allmusic.



                                                FORMAT INFORMATION

                                                LP Info: 180 gram.

                                                David Bowie

                                                Scary Monsters (and Super Creeps) - 2017 Remastered Edition

                                                  The four studio albums ‘Low’, ‘‘Heroes’’, ‘Lodger’ and ‘Scary Monsters (and Super Creeps)’ have not been available as standalone vinyl LPs for over 25 years and this is the first time on vinyl for Stage (2017), which has 5 additional tracks to the original 1978 double LP release including The Jean Genie and Suffragette City.

                                                  "David Bowie returned to relatively conventional rock & roll with Scary Monsters, an album that effectively acts as an encapsulation of all his '70s experiments. Reworking glam rock themes with avant-garde synth flourishes, and reversing the process as well, Bowie creates dense but accessible music throughout Scary Monsters. Though it doesn't have the vision of his other classic records, it wasn't designed to break new ground -- it was created as the culmination of Bowie's experimental genre-shifting of the '70s. As a result, Scary Monsters is Bowie's last great album. While the music isn't far removed from the post-punk of the early '80s, it does sound fresh, hip, and contemporary, which is something Bowie lost over the course of the '80s." - Allmusic.


                                                  FORMAT INFORMATION

                                                  LP Info: 180 gram.

                                                  David Bowie

                                                  Low - 2017 Remastered Edition

                                                    The four studio albums ‘Low’, ‘‘Heroes’’, ‘Lodger’ and ‘Scary Monsters (and Super Creeps)’ have not been available as standalone vinyl LPs for over 25 years and this is the first time on vinyl for Stage (2017), which has 5 additional tracks to the original 1978 double LP release including The Jean Genie and Suffragette City.

                                                    The powerful reach of Bowie's masterpiece, the first part of the much feted 'Berlin Trilogy' created with the aid of Brian Eno, is still being felt strongly almost 30 years on. Air's wonderful four hour Essential Mix began with this album's opener "Speed of Life", Q Magazine rated the album #14 in it's Greatest British Albums Ever, and Pitchfork, the New Testament for the New Indie generation, recently decreed "Low" as the #1 album of the 1970's. Side A (or tracks 1-7 for those more familiar with the CD format) are classic Bowie ("Sound and Vision", "Be My Wife"), although dealing with the unfamiliar and slightly darker topics of lethargy, depression and estrangement, highlighting Bowie's overcoming of his cocaine addiction. Over on Side B the album's true colours really come through - four ambient tracks, originally rejected for the soundtrack to "The Man Who Fell To Earth" (the source of Low's iconic cover image), which see Bowie pay homage to Can, Neu! and Eno himself. The word 'timeless' was invented for such moments as these.


                                                    FORMAT INFORMATION

                                                    LP Info: 180 gram.

                                                    Graham Coxon / Luke Daniel

                                                    Falling

                                                      Blur’s Graham Coxon releases a special new single on Parlophone Records on December 15th. ‘Falling’ is a double A-side single which was written by the talented, but unknown song-writer and musician Luke Daniel.

                                                      One side features ‘Falling’ recorded by Graham and the other features Luke Daniel’s original recording of the same track.

                                                      Proceeds from the sale of this single will be donated to CALM (the Campaign Against Living Miserably), an award-winning charity dedicated to preventing male suicide, the single biggest killer of men under the age of 45 in the UK.


                                                      David Bowie

                                                      A New Career In A New Town (1977 - 1982)

                                                        The follow-up to the awarding winning and critically acclaimed DAVID BOWIE ‘FIVE YEARS (1969 – 1973)’ and DAVID BOWIE ‘WHO CAN I BE NOW? (1974 – 1976)’ will be released on 29th September and will contain a brand new remix of the 1979 album ‘LODGER’ by long time Bowie producer/collaborator Tony Visconti.

                                                        The 13LP box features all of the material officially released by Bowie between 1977 and 1982. It includes the so-called ‘Berlin Trilogy’ of albums on which he collaborated with Visconti and Brian Eno as well as the ‘BAAL’ EP, and is closed by ‘SCARY MONSTERS (And Super Creeps)’.

                                                        The box set, named after a track from the first of the so-called ‘Berlin Trilogy’ LOW, includes ‘LOW’, ‘”HEROES”’, ‘STAGE (ORIGINAL and 2017 VERSIONS)’ the former in the vinyl box will be pressed on yellow vinyl, replicating its original limited edition U.K. release, and the latter of which featuring two previously unreleased tracks, ‘LODGER’, ‘LODGER (Tony Visconti 2017 Mix)’, ‘SCARY MONSTERS (And Super Creeps)’, ‘RE:CALL 3’ (featuring contemporary single versions, non-album singles, b-sides and songs featured on soundtracks) and the ‘”HEROES”’ E.P., a compilation exclusive to the set celebrating the 40th anniversary of the song, which rounds up the German and French album and single versions of the track in one place for the first time.

                                                        Exclusive to each of the box sets is ‘LODGER (Tony Visconti 2017 Mix)’. The remix was started with David's blessing before his passing in January last year. Tony Visconti has revisited the original multi-tracks at Human Studios and remixed the album with the benefit of modern technology to better highlight the album's nuances. Always a personal favourite of David's, this version of the album will also feature newly 'remixed' artwork featuring unseen images from the original cover photographic session from the archive of the Estate of photographer Duffy, working closely with his son Chris.

                                                        Also exclusive to each box is Re:Call 3, a new compilation featuring remastered contemporary single versions, non-album singles and b-sides, and songs featured on soundtracks. The cover features a photo by Christian Simonpietri taken at Hansa Studios in Berlin during the “Heroes” sessions in 1977.

                                                        The box set’s accompanying 84p book will feature rarely seen and previously unpublished photos by photographers including Anton Corbijn, Helmut Newton, Andrew Kent, Steve Schapiro, Duffy and many others as well as historical press reviews and technical notes about the albums from producer Tony Visconti.

                                                        The vinyl box set has the same content as the CD set and is pressed on audiophile quality 180g vinyl.

                                                        LP Box Set:
                                                        84 Page hardback book
                                                        Low (remastered) (1LP)
                                                        "Heroes" (remastered) (1LP)
                                                        “Heroes” E.P. (remastered) (12” Single)*
                                                        Stage (remastered) (2LP Yellow Vinyl) *
                                                        Stage (2017) (remastered) (3LP)
                                                        Lodger (remastered) (1LP)
                                                        Lodger (Tony Visconti 2017 Mix) (1LP)*
                                                        Scary Monsters (And Super Creeps) (1LP)
                                                        Re:Call 3 (non-album singles, single versions and b-sides) (remastered) (2LP)*

                                                        * Exclusive to ‘A New Career In A New Town (1977-1982)’


                                                        FORMAT INFORMATION

                                                        FREE SHIPPING This item has FREE UK shipping!

                                                        Kraftwerk

                                                        3-D The Catalogue

                                                          Released to coincide with Kraftwerk’s forthcoming June 2017 tour – their first UK dates since the breathtaking shows witnessed at the Tate Modern in 2013 – Parlophone are proud to announce the release of Kraftwerk 3-D The Catalogue on 26th May. This is the ground-breaking 3-D Kraftwerk Concert brought thrillingly to life, developed using high definition 3-D visuals, with Dolby Atmos surround sound and presented to the technological and audio standards one would associate and indeed come to expect from the pioneering Germans led by founder Ralf Hütter. For the very first time, every Kraftwerk fan can now experience a "Gesamtkunstwerk – a total work of art” in the comfort of their own home. Kraftwerk 3-D The Catalogue is released across a number of formats including: Blu-Ray, Vinyl, CD, and DVD.
                                                           
                                                          3-D The Catalogue features new recordings of Kraftwerk’s 8 classic albums performed / filmed at various locations around the world between 2012-2016 and mixed at the band’s own state-of-the-art, Kling Klang Studio, Düsseldorf


                                                          FORMAT INFORMATION

                                                          2xLtd LP Info: 77 mins (abridged) version of full-length release containing music from all 8 albums on double heavyweight vinyl + download card.

                                                          2xDVD Info: Blu-ray + DVD: Card slipcase, containing 6-panel digipak with 1 x 3D Blu-ray (2D compatible) and 1 x 2D DVD, each featuring the 77 mins edit, with highlights from each of the 8 albums

                                                          4xBlu-Ray Info: 12” x 12” rigid board box set with lift-off lid, housing a 31cm x 30cm, 228-page hardback book and an 8-panel digipak in a card slipcase with 4 x Blu-ray discs containing:
                                                          Discs 1+2: 8 album performances filmed in 3D (2D compatible). 218 mins approx.
                                                          Discs 3+4: The tour films / projections, presented in 3D (2D compatible). 218 mins approx.

                                                          FREE SHIPPING This item has FREE UK shipping!

                                                          LP Box Set Info: 12” x 12” rigid board slipcase, housing 8 albums across 9* pieces of heavyweight vinyl + a download card (*“The Mix” is double vinyl).

                                                          FREE SHIPPING This item has FREE UK shipping!

                                                          2017, marks the 40th anniversary of Paul Weller’s first album, “In The City”, which he released with The Jam in May 1977. For most artists such a landmark would be greeted with extensive retrospective celebrations: lavish reissues and all that jazz. But Paul Weller is not like most artists, instead releasing a new studio album, because releasing new albums is what Paul Weller does. Always moving forwards, almost clinically averse to nostalgia or checking his progress in the rear-view mirror.

                                                          And so, continuing his never-ending creative peak, Paul Weller releases his eagerly awaited 13th studio album “A Kind Revolution” on Parlophone Records.

                                                          Weller started work on “A Kind Revolution” immediately after finishing 2015’s “Saturns Pattern”, first tickling out the funky strut of “New York” and the beautiful slow-mo gospel of “The Cranes Are Back” - a song that ties in the changing face of London with the power of nature. The album’s title is taken from a line in the aforementioned song.

                                                          Musicians on the album feature most of the touring band faithful with Andy Crofts and Ben Gordelier being the top mainstays. Steve Cradock and Steve Pilgrim also feature on several tracks. Opening track “Woo Sé Mama” sees legendary soul singers PP Arnold & Madeleine Bell supply their distinctive vocal skills while the exceedingly funky “One Tear” features the unmistakable voice of the one and only Boy George. Paul even managed to lure Robert Wyatt out of retirement to sing and play trumpet on “She Moves With The Fayre”. Finally, and once again, The Strypes’ guitarist Josh McClorey has been drafted in to add his magic to 3 tracks.

                                                          “A Kind Revolution” features ten absolute classic modern Paul Weller songs. By “modern Paul Weller songs” we mean, instantly recognisable but in no way predictable. He doesn’t make a “kind of” album, he fits together all his influences - rock, R&B, soul, jazz, funk, folk…whatever - and builds a song from them, delivering something that drifts through genres unselfconsciously and at ease. Two great examples of this are two of the most reflective, contemplative songs, “Long Long Road” and “Hopper”, which in lesser hands might have been delivered as ballads, but Weller adds so much texture and colour to each that they defy categorisation. With great age comes great wisdom…

                                                          Written and recorded at de facto HQ, Black Barn Studios in Surrey, “A Kind Revolution” was produced and arranged by Jan ‘Stan’ Kybert and Paul himself.

                                                          FORMAT INFORMATION

                                                          3xDeluxe CD Info: 8-panel fold-out card wallet containing the original 10-track album “A Kind Revolution”, plus a bonus CD featuring instrumental versions of “A Kind Revolution” and a third CD with remixes / alternate versions of “A Kind Revolution” tracks and another brand new track, Alpha. Also includes a booklet containing album lyrics.

                                                          CD Info: 10-track album in gatefold card wallet with lyric booklet.

                                                          The Gorillaz return for their newest offering since 2010's 'Plastic Beach'. Having amped up the guest-factor on this release, there is a whole host of influence from all over the musical spectrum. The Peven Everett number, 'Strobelite' for instance is a luminescent dancefloor house number, complete with soaring vocals and thumping bassy rolls, lots of filters and clanging sweeps, all topped with a smooth-as-silk string synth overlay. 

                                                          Move along to 'Charger' though and we get the scary/alluring big baddie vox of disco-not-disco legend Grace Jones, before sweeping spookily into Albarn's dulcet Gorillaz voice. Backed by an industrious clanging synth sweep and charged percussives, it slowly segues into anthemic swirl of grooving disco before fading into the solemn follower, 'Andromeda'.

                                                          By integrating a diverse selection of supplimentary talent, Gorillaz have managed to increase the scope of their already venerable musical palette, and absorb all sorts of influence along the way. 'Humanz' is littered with references to classic electronic music in all it's forms but still relies heavily upon that good old-fashioned songwriting we're all so keen on, providing their most diverse offering yet, whilst not sacrificing the cohesion and flow that has set them in such good stead so far. 




                                                          VANT release their eagerly anticipated debut album ‘DUMB BLOOD’ on Parlophone. The fiery punk and visceral alt-rock that pulsates throughout ‘DUMB BLOOD’ is music that incites moshpit bedlam and their lyrics demand discussion – on environmentalism, inequality, racism, religion, social media isolation and the all-out self-destruction of mankind. 

                                                          “Each song is an exhilarating, blood-pumping punk thriller. This is a band on a rapid upswing, ascending at lightning speed, and the world will have to do their bit to be able to keep up.” – DIY – review of 29/11/16 Scala gig.

                                                          STAFF COMMENTS

                                                          Barry says: Crashing full-force melodic punk anthems, replete with fuzzed-out guitars, snarling vocal delivery and lo-fi solos. Melodic, dynamic fist-pumping anthemic rock, pushing through with a combination of catchy hooks and hefty production. Highly recommended.

                                                          Two Door Cinema Club

                                                          Gameshow

                                                          Two Door Cinema Club return with Gameshow, their first album since the no. 2 LP 'Beacon' in 2012 and their first album for the Parlophone label. Gameshow incorporates a wide and varied range of styles and influences that perfectly marries the band’s pop sensibilities and hooks, with a continued sonic invention. It’s a real statement of intent, introducing their dedicated fan base to Two Door v2.0 – it’s a sound that’s ambitious, but never alienating – off-kilter, but always danceable

                                                          David Bowie

                                                          Hunky Dory - 180 Gram Vinyl Edition

                                                            "After the freakish hard rock of The Man Who Sold the World, David Bowie returned to singer/songwriter territory on Hunky Dory. Not only did the album boast more folky songs ("Song for Bob Dylan," "The Bewlay Brothers"), but he again flirted with Anthony Newley-esque dancehall music ("Kooks," "Fill Your Heart"), seemingly leaving heavy metal behind. As a result, Hunky Dory is a kaleidoscopic array of pop styles, tied together only by Bowie's sense of vision: a sweeping, cinematic mélange of high and low art, ambiguous sexuality, kitsch, and class. Mick Ronson's guitar is pushed to the back, leaving Rick Wakeman's cabaret piano to dominate the sound of the album. The subdued support accentuates the depth of Bowie's material, whether it's the revamped Tin Pan Alley of "Changes," the Neil Young homage "Quicksand," the soaring "Life on Mars?," the rolling, vaguely homosexual anthem "Oh! You Pretty Things," or the dark acoustic rocker "Andy Warhol." On the surface, such a wide range of styles and sounds would make an album incoherent, but Bowie's improved songwriting and determined sense of style instead made Hunky Dory a touchstone for reinterpreting pop's traditions into fresh, postmodern pop music." - Allmusic.

                                                            FORMAT INFORMATION

                                                            LP Info: 180 gram audiophile vinyl.

                                                            David Bowie

                                                            The Rise And Fall Of Ziggy Stardust And The Spiders From Mars - 180 Gram Vinyl Edition

                                                              Originally released through RCA Victor on 6th June 1972, Ziggy Stardust was David Bowie’s fifth album, co-produced by Bowie and Ken Scott. Incredibly, the album was written whilst Bowie was recording 1971’s Hunky Dory album, with recording beginning a couple of months before that album’s release. It was recorded at Trident Studios, London between 8th November 1971 and 4th February 1972, with the line up: Mick Ronson (guitar, piano, backing vocals, string arrangements), Trevor Bolder (bass), Mick Woodmansey (drums), Rick Wakeman (keyboards) and backing vocals on ‘It Ain’t Easy’ by Dana Gillespie. As well as performing vocals, Bowie also played acoustic guitar, saxophone and harpsichord on the album and was involved in the arrangements too.

                                                              The album eventually peaked at #5 on the UK Album Chart on 22nd July having entered the chart at #15 on 1st July. Key to the album’s rise in the UK were the two TV performances of “Starman” on Granada TV’s Lift Off With Ayshea and nationally on the BBC’s Top Of The Pops. The album’s influence is immeasurable – it converted legions of fans, becoming the zeitgeist and a major influence on the next generation, particular those who were involved in the punk movement – musicians, artists, designers – and the subsequent re-birth of rock and pop.

                                                              Famously Bowie killed Ziggy at his peak at London’s Hammersmith Odeon, on July 3rd, 1973, though Ziggy Stardust’s influence was to redefine popular culture forever: pop music was never the same again.

                                                              FORMAT INFORMATION

                                                              LP Info: 180 gram audiophile vinyl.

                                                              David Bowie

                                                              The Man Who Sold The World - 180 Gram Vinyl Edition

                                                                "Even though it contained no hits, The Man Who Sold the World, for most intents and purposes, is the beginning of David Bowie's classic period. Working with guitarist Mick Ronson and producer Tony Visconti for the first time, Bowie developed a tight, twisted heavy guitar rock that appears simple on the surface but sounds more gnarled upon each listen. The mix is off-center, with the fuzz-bass dominating the compressed, razor-thin guitars and Bowie's strangled, affected voice. The sound of The Man Who Sold the World is odd, but the music is bizarre itself, with Bowie's bizarre, paranoid futuristic tales melded to Ronson's riffing and the band's relentless attack. Musically, there isn't much innovation on The Man Who Sold the World - it is almost all hard blues-rock or psychedelic folk-rock - but there's an unsettling edge to the band's performance, which makes the record one of Bowie's best albums." - Allmusic.

                                                                FORMAT INFORMATION

                                                                LP Info: 180 gram audiophile vinyl.

                                                                David Bowie

                                                                David Bowie AKA Space Oddity - 180 Gram Vinyl Edition

                                                                  The album, produced by Tony Visconti (bar "Space Oddity" itself which was produced by the late Gus Dudgeon), was a giant leap forward in terms of songwriting for Bowie compared to his eponymous debut, and can be considered as the first truly essential David Bowie album. Noted for a list of collaborators, including session players Herbie Flowers, Tim Renwick, Terry Cox and Rick Wakeman, the album delves into psychedelic folk-rock, as well as prog, with its genre-defying template creating a blueprint of what would become over the next decade and more, one of the most inimitable British artists.

                                                                  FORMAT INFORMATION

                                                                  LP Info: 180 gram audiophile vinyl.

                                                                  Recorded in Malibu, LA and London, the album was produced by Stargate together with the band’s long-time collaborator Rik Simpson. It features more guests than any previous Coldplay record, with Beyoncé, Noel Gallagher, Tove Lo and Merry Clayton among those appearing across its 11 tracks.

                                                                  ‘A Head Full Of Dreams’ is the widescreen follow-up to 2014’s fragile and lovelorn ‘Ghost Stories’, Coldplay’s sixth consecutive worldwide chart topper, award winner and multi-million seller. The band chose not to tour ‘Ghost Stories’ and headed straight back into the studio to record ‘A Head Full Of Dreams’.

                                                                  Revitalised, they’ve made an album that’s bursting with energy, colour and big, life-affirming moments such as the deliciously ebullient first single ‘Adventure Of A Lifetime’ and the rocket-powered ‘Hymn For The Weekend’.

                                                                  15 years after the release of the legendary "Tourist", French house icon, jazz expert and production genius St Germain returns to the scene with a third studio album. The self-titled long player further builds on Germain's deep house roots, incorporating a soulful collage of blues and jazz samples with his trademark hypnotic electronic loops and vocal samples. Much of the album was recorded live with the participation of African musicians on traditional Malian instruments. Opening track, "Real Blues", is a fiery, percussion-driven track layered with the smooth vocals of blues legend Lightnin' Hopkins and gorgeous kora tones, while "Sittin' Here" works a Malian vocal around burnt out chords and intricate rhythms. Downbeat cuts "Hanky Panky" and "Voila" drop the tempo and swap the 4/4 for broken rhythms perfectly suited to their jazzy keys and African guitar licks. Over on the second disc, "Family Tree" keeps things classy with its subtle combination of sophisticated jazz, desert mysticism and smoky vocals, while "How Dare You" blends blues and broken rhythms into a bass heavy house roller. Over into the D-side, and the hip hop influenced "Mary L" and "Forget Me Not" (a superb reprise of "Boulevard" closer "Forget It" swaggers in to get heads nodding and spirits soaring. Ludo keeps things classy from start to finish on a sophisticated return.

                                                                  David Bowie

                                                                  The Rise And Fall Of Ziggy Stardust - 2012 Remaster Edition

                                                                    Originally released through RCA Victor on 6th June 1972, Ziggy Stardust was David Bowie’s fifth album, co-produced by Bowie and Ken Scott. Incredibly, the album was written whilst Bowie was recording 1971’s Hunky Dory album, with recording beginning a couple of months before that album’s release. It was recorded at Trident Studios, London between 8th November 1971 and 4th February 1972, with the line up: Mick Ronson (guitar, piano, backing vocals, string arrangements), Trevor Bolder (bass), Mick Woodmansey (drums), Rick Wakeman (keyboards) and backing vocals on ‘It Ain’t Easy’ by Dana Gillespie. As well as performing vocals, Bowie also played acoustic guitar, saxophone and harpsichord on the album and was involved in the arrangements too.

                                                                    The album eventually peaked at #5 on the UK Album Chart on 22nd July having entered the chart at #15 on 1st July. Key to the album’s rise in the UK were the two TV performances of “Starman” on Granada TV’s Lift Off With Ayshea and nationally on the BBC’s Top Of The Pops. The album’s influence is immeasurable – it converted legions of fans, becoming the zeitgeist and a major influence on the next generation, particular those who were involved in the punk movement – musicians, artists, designers – and the subsequent re-birth of rock and pop.

                                                                    Famously Bowie killed Ziggy at his peak at London’s Hammersmith Odeon, on July 3rd, 1973, though Ziggy Stardust’s influence was to redefine popular culture forever: pop music was never the same again.

                                                                    Paul Weller

                                                                    Saturns Pattern - Deluxe Box Set

                                                                      This deluxe edition includes CD (+3 bonus tracks), DVD, exclusive coloured vinyl LP, booklet, poster.

                                                                      Who best to describe Paul Weller’s first album for the Parlophone label other than Paul himself: “I think it’s one of the best things I’ve done. I can’t compare it to any of my other albums. I think it’s different – not just for me, but different for what else is around. It’s defiantly 21st-Century music.” – Uncut (January 2015) 

                                                                      Nearly 40 years into his recording career, Paul continues to challenge and excite both himself and the listener, by constantly evolving as a song-writer and musician, always moving forwards and pursuing fresh creative avenues and Paul’s new album Saturns Pattern does not disappoint.

                                                                      It’s 16 years since their last album as a four-piece and 27th April sees the release of a brand new album from Blur on Parlophone, titled The Magic Whip.

                                                                      The recordings, which began during a five-day break in touring in Spring 2013 - at Avon Studios in Kowloon, Hong Kong - were put aside when the group finished touring and returned to their respective lives. Last November Graham Coxon revisited the tracks and, drafting in Blur’s early producer Stephen Street, he worked with the band on the material. Damon Albarn then added lyrics and the 12 tracks of The Magic Whip are the result. 

                                                                      Iron Maiden

                                                                      Wasted Years

                                                                        Parlophone Records follow the 2012/13 Iron Maiden vinyl picture disc reissues of their albums, which spanned the 1980s, with brand new pressings of the albums in heavyweight 180g black vinyl. In conjunction with these premium album releases, a strictly limited one-off run of the 7” singles from each respective album is made available. These highly collectable black vinyl singles are cut from the original analogue master tapes.

                                                                        Iron Maiden

                                                                        Stranger In A Strange Land

                                                                          Parlophone Records follow the 2012/13 Iron Maiden vinyl picture disc reissues of their albums, which spanned the 1980s, with brand new pressings of the albums in heavyweight 180g black vinyl. In conjunction with these premium album releases, a strictly limited one-off run of the 7” singles from each respective album is made available. These highly collectable black vinyl singles are cut from the original analogue master tapes.

                                                                          Iron Maiden

                                                                          The Evil That Men Do

                                                                            Parlophone Records follow the 2012/13 Iron Maiden vinyl picture disc reissues of their albums, which spanned the 1980s, with brand new pressings of the albums in heavyweight 180g black vinyl. In conjunction with these premium album releases, a strictly limited one-off run of the 7” singles from each respective album is made available. These highly collectable black vinyl singles are cut from the original analogue master tapes.

                                                                            Iron Maiden

                                                                            Running Free

                                                                              Parlophone Records follow the 2012/13 Iron Maiden vinyl picture disc reissues of their albums, which spanned the 1980s, with brand new pressings of the albums in heavyweight 180g black vinyl. In conjunction with these premium album releases, a strictly limited one-off run of the 7” singles from each respective album is made available. These highly collectable black vinyl singles are cut from the original analogue master tapes.

                                                                              Iron Maiden

                                                                              Twilight Zone

                                                                                Parlophone Records follow the 2012/13 Iron Maiden vinyl picture disc reissues of their albums, which spanned the 1980s, with brand new pressings of the albums in heavyweight 180g black vinyl. In conjunction with these premium album releases, a strictly limited one-off run of the 7” singles from each respective album is made available. These highly collectable black vinyl singles are cut from the original analogue master tapes.

                                                                                Morrissey

                                                                                Vauxhall & I - 20th Anniversary LP Remastered Edition

                                                                                ‘Vauxhall and I’ is the latest Morrissey album to get the ‘definitive remaster’ treatment after the success of ‘Your Arsenal’. 

                                                                                This album is widely considered to feature some of Morrissey’s best output post The Smiths. 

                                                                                ‘Vauxhall and I’ celebrates its 20th Anniversary in 2014. 

                                                                                This 2CD edition includes a previously unavailable concert recorded at the Theatre Royal, London, 1995.

                                                                                Luke Sital-Singh

                                                                                Nothing Stays The Same

                                                                                  THIS IS A RECORD STORE DAY 2014 EXCLUSIVE, LIMITED TO ONE PER PERSON.

                                                                                  Limited to 300 copies.

                                                                                  This is a definitive new re-master of Morrissey’s seminal third album, produced by legendary Spiders From Mars’ guitarist and arranger Mick Ronson. Originally released in 1992 (UK No.4) it showcases Morrissey at the peak of his artistic powers. There is one change to the tracklist - the original version of ‘Tomorrow’ is replaced with the superior U.S. Mix.

                                                                                  FORMAT INFORMATION

                                                                                  Ltd LP Info: The heavyweight, gatefold vinyl LP features a rare Kevin Cummins photo of Morrissey and his band taken in Koln, 1991.

                                                                                  Parlophone are thrilled to announce that the third Babyshambles album Sequel To The Prequel. The album was recorded at Question Du Son, Paris and mixed in The Bunker, London, with producer/mixer and long time 'Shambles collaborator Stephen Street.

                                                                                  Filled with hooks and humour, the album features some of the band’s finest ever lyrics ranging from the tender to the downright hilarious. Musically it has already been called their most accomplished and collaborative work to date.

                                                                                  As Peter Doherty told the NME recently, “I don’t want this to be half arsed, I want to get up there and really fu*king smash it out. Babyshambles aren’t back, this band has always been here”.

                                                                                  The album - featuring sleeve artwork by Brit-art icon Damien Hirst - is released on CD, and on heavyweight 12" clear vinyl LP (including a CD of the album, plus artwork poster).

                                                                                  STAFF COMMENTS

                                                                                  Andy says: Proper songs and a solid production make this a surprisingly coherent effort from the erstwhile Libertines man.

                                                                                  David Bowie

                                                                                  Aladdin Sane - 2013 Remaster Edition

                                                                                    "Ziggy Stardust wrote the blueprint for David Bowie's hard-rocking glam, and Aladdin Sane essentially follows the pattern, for both better and worse. A lighter affair than Ziggy Stardust, Aladdin Sane is actually a stranger album than its predecessor, buoyed by bizarre lounge-jazz flourishes from pianist Mick Garson and a handful of winding, vaguely experimental songs. Bowie abandons his futuristic obsessions to concentrate on the detached cool of New York and London hipsters, as on the compressed rockers "Watch That Man," "Cracked Actor," and "The Jean Genie." Bowie follows the hard stuff with the jazzy, dissonant sprawls of "Lady Grinning Soul," "Aladdin Sane," and "Time," all of which manage to be both campy and avant-garde simultaneously, while the sweepingly cinematic "Drive-In Saturday" is a soaring fusion of sci-fi doo wop and melodramatic teenage glam. He lets his paranoia slip through in the clenched rhythms of "Panic in Detroit," as well as on his oddly clueless cover of "Let's Spend the Night Together." For all the pleasures on Aladdin Sane, there's no distinctive sound or theme to make the album cohesive; it's Bowie riding the wake of Ziggy Stardust, which means there's a wealth of classic material here, but not enough focus to make the album itself a classic." - AllMusic.


                                                                                    STAFF COMMENTS

                                                                                    Andy says: David Bowie's follow-up to "Ziggy Stardust" stayed in the Glam style but with loads of other arty stylings that it kept him streets ahead of the rest. Includes the classic stomper "Jean Genie".

                                                                                    The Beatles

                                                                                    Revolver - Vinyl Edition

                                                                                      Manufactured on 180-gram, audiophile quality vinyl with replicated artwork, the 14 albums return to their original glory with details including the poster in The Beatles (The White Album), the Sgt. Pepper’s Lonely Heart Club Band’s cut-outs, and special inner bags for some of the titles.

                                                                                      The titles include The Beatles’ 12 original UK albums, first released between 1963 and 1970, the US-originated Magical Mystery Tour, now part of the group’s core catalogue, and Past Masters, Volumes One & Two, featuring non-album A-sides and B-sides, EP tracks and rarities.

                                                                                      Since it was recorded, The Beatles’ music has been heard on a variety of formats – from chunky reel-to-reel tapes and eight-track cartridges to invisible computer files. But there has never been a more romantic or thrilling medium for music than a long-playing twelve-inch disc. We ‘play’ records. The process of carefully slipping the disc out of the sleeve, cleaning it and lowering the stylus provides a personal involvement in the reproduction of the music.

                                                                                      In September, 2009, The Beatles’ remastered albums on CD graced charts around the world. Seventeen million album sales within seven months was resounding evidence of the timeless relevance of their legacy. Through five decades, the music of The Beatles has captivated generation upon generation.

                                                                                      For producer Rick Rubin, surveying The Beatles’ recorded achievements is akin to witnessing a miracle. “If we look at it by today’s standards, whoever the most popular bands in the world are, they will typically put out an album every four years,” Rubin said in a 2009 radio series interview. “So, let’s say two albums as an eight year cycle. And think of the growth or change between those two albums. The idea that The Beatles made thirteen albums in seven years and went through that arc of change... it can’t be done. Truthfully, I think of it as proof of God, because it’s beyond man’s ability.”

                                                                                      There has always been demand for The Beatles’ albums on vinyl. Indeed, 2011’s best-selling vinyl LP in the United States was Abbey Road. Following the success of The Beatles’ acclaimed, GRAMMY Award-winning 2009 CD remasters, it was decided that the sound experts at EMI’s Abbey Road Studios should create new versions of The Beatles’ vinyl LPs. The project demanded the same meticulous approach taken for the CD releases, and the brief was a simple one: cut the digital remasters to vinyl with an absolute minimum of compromise to the sound. However, the process involved to do that was far from simple.

                                                                                      The first stage in transferring the sound of a master recording to vinyl is the creation of a disc to be used during vinyl manufacture. There were two options to consider. A Direct Metal Master (DMM), developed in the late seventies, allows sound to be cut directly into a stainless steel disc coated with a hard copper alloy. The older, alternative method is to cut the sound into the soft lacquer coating on a nickel disc - the first of several steps leading to the production of a stamper to press the vinyl.

                                                                                      A ‘blind’ listening test was arranged to choose between a ‘lacquer’ or ‘copper’ cut. Using both methods, A Hard Day’s Night was pressed with ten seconds of silence at the beginning and end of each side. This allowed not only the reproduction of the music to be assessed, but also the noise made by the vinyl itself. After much discussion, two factors swung the decision towards using the lacquer process. First, it was judged to create a warmer sound than a DMM. Secondly, there was a practical advantage of having ‘blank’ discs of a consistent quality when cutting lacquers.

                                                                                      The next step was to use the Neumann VMS80 cutting lathe at Abbey Road. Following thorough mechanical and electrical tests to ensure it was operating in peak condition, engineer Sean Magee cut the LPs in chronological release order. He used the original 24-bit remasters rather than the 16-bit versions that were required for CD production. It was also decided to use the remasters that had not undergone ‘limiting’ - a procedure to increase the sound level, which is deemed necessary for most current pop CDs.

                                                                                      Having made initial test cuts, Magee pinpointed any sound problems that can occur during playback of vinyl records. To rectify them, changes were made to the remasters with a Digital Audio Workstation. For example, each vinyl album was listened to for any ‘sibilant episodes’ - vocal distortion that can occur on consonant sounds such as S and T. These were corrected by reducing the level in the very small portion of sound causing the undesired effect. Similarly, any likelihood of ‘inner-groove distortion’ was addressed. As the stylus approaches the centre of the record, it is liable to track the groove less accurately. This can affect the high-middle frequencies, producing a ‘mushy’ sound particularly noticeable on vocals. Using what Magee has described as ‘surgical EQ,’ problem frequencies were identified and reduced in level to compensate for this.

                                                                                      The last phase of the vinyl mastering process began with the arrival of the first batches of test pressings made from master lacquers that had been sent to the two pressing plant factories. Stringent quality tests identified any noise or click appearing on more than one test pressing in the same place. If this happened, it was clear that the undesired sounds had been introduced either during the cutting or the pressing stage and so the test records were rejected. In the quest to achieve the highest quality possible, the Abbey Road team worked closely with the pressing factories and the manufacturers of the lacquer and cutting styli.

                                                                                      An additional and unusual challenge was to ensure the proper playback of the sounds embedded in the ‘lock-groove’ at the end of side two of Sgt. Pepper’s Lonely Hearts Club Band. Requiring a combination of good timing and luck, it had always been a lengthy and costly process to make it work properly. In fact, it was so tricky, it had never been attempted for American pressings of the LP. Naturally, Sean Magee and the team perfected this and the garbled message is heard as originally intended on the remastered Sgt. Pepper LP.

                                                                                      Highly-skilled technicians have worked long and hard to make The Beatles on vinyl sound better than ever. All we need to do is listen to the results of their dedicated labour on the remastered LPs. Handle with care. But most of all, enjoy the music.

                                                                                      STAFF COMMENTS

                                                                                      Andy says: Revolver was the album where The Beatles completed their transition from teeny-bop heart-throbs to proper counter-cultural artists, but if you think that sounds pompous, fear not! This record does feature the psychedelic mind warp of Tomorrow Never Knows but it also has Here There and Everywhere, Eleanor Rigby, Taxman, Got to get You into My Life and on and on and on. In short it's still a pop record, full of amazing tunes. John Lennon's I'm Only Sleeping is one of his most beautiful and bizarrely overlooked songs and that's on here too!

                                                                                      The Beatles

                                                                                      Past Masters (Volumes 1 & 2) - Vinyl Edition

                                                                                        Manufactured on 180-gram, audiophile quality vinyl with replicated artwork, the 14 albums return to their original glory with details including the poster in The Beatles (The White Album), the Sgt. Pepper’s Lonely Heart Club Band’s cut-outs, and special inner bags for some of the titles.

                                                                                        The titles include The Beatles’ 12 original UK albums, first released between 1963 and 1970, the US-originated Magical Mystery Tour, now part of the group’s core catalogue, and Past Masters, Volumes One & Two, featuring non-album A-sides and B-sides, EP tracks and rarities.

                                                                                        Since it was recorded, The Beatles’ music has been heard on a variety of formats – from chunky reel-to-reel tapes and eight-track cartridges to invisible computer files. But there has never been a more romantic or thrilling medium for music than a long-playing twelve-inch disc. We ‘play’ records. The process of carefully slipping the disc out of the sleeve, cleaning it and lowering the stylus provides a personal involvement in the reproduction of the music.

                                                                                        In September, 2009, The Beatles’ remastered albums on CD graced charts around the world. Seventeen million album sales within seven months was resounding evidence of the timeless relevance of their legacy. Through five decades, the music of The Beatles has captivated generation upon generation.

                                                                                        For producer Rick Rubin, surveying The Beatles’ recorded achievements is akin to witnessing a miracle. “If we look at it by today’s standards, whoever the most popular bands in the world are, they will typically put out an album every four years,” Rubin said in a 2009 radio series interview. “So, let’s say two albums as an eight year cycle. And think of the growth or change between those two albums. The idea that The Beatles made thirteen albums in seven years and went through that arc of change... it can’t be done. Truthfully, I think of it as proof of God, because it’s beyond man’s ability.”

                                                                                        There has always been demand for The Beatles’ albums on vinyl. Indeed, 2011’s best-selling vinyl LP in the United States was Abbey Road. Following the success of The Beatles’ acclaimed, GRAMMY Award-winning 2009 CD remasters, it was decided that the sound experts at EMI’s Abbey Road Studios should create new versions of The Beatles’ vinyl LPs. The project demanded the same meticulous approach taken for the CD releases, and the brief was a simple one: cut the digital remasters to vinyl with an absolute minimum of compromise to the sound. However, the process involved to do that was far from simple.

                                                                                        The first stage in transferring the sound of a master recording to vinyl is the creation of a disc to be used during vinyl manufacture. There were two options to consider. A Direct Metal Master (DMM), developed in the late seventies, allows sound to be cut directly into a stainless steel disc coated with a hard copper alloy. The older, alternative method is to cut the sound into the soft lacquer coating on a nickel disc - the first of several steps leading to the production of a stamper to press the vinyl.

                                                                                        A ‘blind’ listening test was arranged to choose between a ‘lacquer’ or ‘copper’ cut. Using both methods, A Hard Day’s Night was pressed with ten seconds of silence at the beginning and end of each side. This allowed not only the reproduction of the music to be assessed, but also the noise made by the vinyl itself. After much discussion, two factors swung the decision towards using the lacquer process. First, it was judged to create a warmer sound than a DMM. Secondly, there was a practical advantage of having ‘blank’ discs of a consistent quality when cutting lacquers.

                                                                                        The next step was to use the Neumann VMS80 cutting lathe at Abbey Road. Following thorough mechanical and electrical tests to ensure it was operating in peak condition, engineer Sean Magee cut the LPs in chronological release order. He used the original 24-bit remasters rather than the 16-bit versions that were required for CD production. It was also decided to use the remasters that had not undergone ‘limiting’ - a procedure to increase the sound level, which is deemed necessary for most current pop CDs.

                                                                                        Having made initial test cuts, Magee pinpointed any sound problems that can occur during playback of vinyl records. To rectify them, changes were made to the remasters with a Digital Audio Workstation. For example, each vinyl album was listened to for any ‘sibilant episodes’ - vocal distortion that can occur on consonant sounds such as S and T. These were corrected by reducing the level in the very small portion of sound causing the undesired effect. Similarly, any likelihood of ‘inner-groove distortion’ was addressed. As the stylus approaches the centre of the record, it is liable to track the groove less accurately. This can affect the high-middle frequencies, producing a ‘mushy’ sound particularly noticeable on vocals. Using what Magee has described as ‘surgical EQ,’ problem frequencies were identified and reduced in level to compensate for this.

                                                                                        The last phase of the vinyl mastering process began with the arrival of the first batches of test pressings made from master lacquers that had been sent to the two pressing plant factories. Stringent quality tests identified any noise or click appearing on more than one test pressing in the same place. If this happened, it was clear that the undesired sounds had been introduced either during the cutting or the pressing stage and so the test records were rejected. In the quest to achieve the highest quality possible, the Abbey Road team worked closely with the pressing factories and the manufacturers of the lacquer and cutting styli.

                                                                                        An additional and unusual challenge was to ensure the proper playback of the sounds embedded in the ‘lock-groove’ at the end of side two of Sgt. Pepper’s Lonely Hearts Club Band. Requiring a combination of good timing and luck, it had always been a lengthy and costly process to make it work properly. In fact, it was so tricky, it had never been attempted for American pressings of the LP. Naturally, Sean Magee and the team perfected this and the garbled message is heard as originally intended on the remastered Sgt. Pepper LP.

                                                                                        Highly-skilled technicians have worked long and hard to make The Beatles on vinyl sound better than ever. All we need to do is listen to the results of their dedicated labour on the remastered LPs. Handle with care. But most of all, enjoy the music.

                                                                                        The Beatles

                                                                                        Rubber Soul - Vinyl Edition

                                                                                          Manufactured on 180-gram, audiophile quality vinyl with replicated artwork, the 14 albums return to their original glory with details including the poster in The Beatles (The White Album), the Sgt. Pepper’s Lonely Heart Club Band’s cut-outs, and special inner bags for some of the titles.

                                                                                          The titles include The Beatles’ 12 original UK albums, first released between 1963 and 1970, the US-originated Magical Mystery Tour, now part of the group’s core catalogue, and Past Masters, Volumes One & Two, featuring non-album A-sides and B-sides, EP tracks and rarities.

                                                                                          Since it was recorded, The Beatles’ music has been heard on a variety of formats – from chunky reel-to-reel tapes and eight-track cartridges to invisible computer files. But there has never been a more romantic or thrilling medium for music than a long-playing twelve-inch disc. We ‘play’ records. The process of carefully slipping the disc out of the sleeve, cleaning it and lowering the stylus provides a personal involvement in the reproduction of the music.

                                                                                          In September, 2009, The Beatles’ remastered albums on CD graced charts around the world. Seventeen million album sales within seven months was resounding evidence of the timeless relevance of their legacy. Through five decades, the music of The Beatles has captivated generation upon generation.

                                                                                          For producer Rick Rubin, surveying The Beatles’ recorded achievements is akin to witnessing a miracle. “If we look at it by today’s standards, whoever the most popular bands in the world are, they will typically put out an album every four years,” Rubin said in a 2009 radio series interview. “So, let’s say two albums as an eight year cycle. And think of the growth or change between those two albums. The idea that The Beatles made thirteen albums in seven years and went through that arc of change... it can’t be done. Truthfully, I think of it as proof of God, because it’s beyond man’s ability.”

                                                                                          There has always been demand for The Beatles’ albums on vinyl. Indeed, 2011’s best-selling vinyl LP in the United States was Abbey Road. Following the success of The Beatles’ acclaimed, GRAMMY Award-winning 2009 CD remasters, it was decided that the sound experts at EMI’s Abbey Road Studios should create new versions of The Beatles’ vinyl LPs. The project demanded the same meticulous approach taken for the CD releases, and the brief was a simple one: cut the digital remasters to vinyl with an absolute minimum of compromise to the sound. However, the process involved to do that was far from simple.

                                                                                          The first stage in transferring the sound of a master recording to vinyl is the creation of a disc to be used during vinyl manufacture. There were two options to consider. A Direct Metal Master (DMM), developed in the late seventies, allows sound to be cut directly into a stainless steel disc coated with a hard copper alloy. The older, alternative method is to cut the sound into the soft lacquer coating on a nickel disc - the first of several steps leading to the production of a stamper to press the vinyl.

                                                                                          A ‘blind’ listening test was arranged to choose between a ‘lacquer’ or ‘copper’ cut. Using both methods, A Hard Day’s Night was pressed with ten seconds of silence at the beginning and end of each side. This allowed not only the reproduction of the music to be assessed, but also the noise made by the vinyl itself. After much discussion, two factors swung the decision towards using the lacquer process. First, it was judged to create a warmer sound than a DMM. Secondly, there was a practical advantage of having ‘blank’ discs of a consistent quality when cutting lacquers.

                                                                                          The next step was to use the Neumann VMS80 cutting lathe at Abbey Road. Following thorough mechanical and electrical tests to ensure it was operating in peak condition, engineer Sean Magee cut the LPs in chronological release order. He used the original 24-bit remasters rather than the 16-bit versions that were required for CD production. It was also decided to use the remasters that had not undergone ‘limiting’ - a procedure to increase the sound level, which is deemed necessary for most current pop CDs.

                                                                                          Having made initial test cuts, Magee pinpointed any sound problems that can occur during playback of vinyl records. To rectify them, changes were made to the remasters with a Digital Audio Workstation. For example, each vinyl album was listened to for any ‘sibilant episodes’ - vocal distortion that can occur on consonant sounds such as S and T. These were corrected by reducing the level in the very small portion of sound causing the undesired effect. Similarly, any likelihood of ‘inner-groove distortion’ was addressed. As the stylus approaches the centre of the record, it is liable to track the groove less accurately. This can affect the high-middle frequencies, producing a ‘mushy’ sound particularly noticeable on vocals. Using what Magee has described as ‘surgical EQ,’ problem frequencies were identified and reduced in level to compensate for this.

                                                                                          The last phase of the vinyl mastering process began with the arrival of the first batches of test pressings made from master lacquers that had been sent to the two pressing plant factories. Stringent quality tests identified any noise or click appearing on more than one test pressing in the same place. If this happened, it was clear that the undesired sounds had been introduced either during the cutting or the pressing stage and so the test records were rejected. In the quest to achieve the highest quality possible, the Abbey Road team worked closely with the pressing factories and the manufacturers of the lacquer and cutting styli.

                                                                                          An additional and unusual challenge was to ensure the proper playback of the sounds embedded in the ‘lock-groove’ at the end of side two of Sgt. Pepper’s Lonely Hearts Club Band. Requiring a combination of good timing and luck, it had always been a lengthy and costly process to make it work properly. In fact, it was so tricky, it had never been attempted for American pressings of the LP. Naturally, Sean Magee and the team perfected this and the garbled message is heard as originally intended on the remastered Sgt. Pepper LP.

                                                                                          Highly-skilled technicians have worked long and hard to make The Beatles on vinyl sound better than ever. All we need to do is listen to the results of their dedicated labour on the remastered LPs. Handle with care. But most of all, enjoy the music.

                                                                                          The Beatles

                                                                                          Yellow Submarine - Vinyl Edition

                                                                                            Manufactured on 180-gram, audiophile quality vinyl with replicated artwork, the 14 albums return to their original glory with details including the poster in The Beatles (The White Album), the Sgt. Pepper’s Lonely Heart Club Band’s cut-outs, and special inner bags for some of the titles.

                                                                                            The titles include The Beatles’ 12 original UK albums, first released between 1963 and 1970, the US-originated Magical Mystery Tour, now part of the group’s core catalogue, and Past Masters, Volumes One & Two, featuring non-album A-sides and B-sides, EP tracks and rarities.

                                                                                            Since it was recorded, The Beatles’ music has been heard on a variety of formats – from chunky reel-to-reel tapes and eight-track cartridges to invisible computer files. But there has never been a more romantic or thrilling medium for music than a long-playing twelve-inch disc. We ‘play’ records. The process of carefully slipping the disc out of the sleeve, cleaning it and lowering the stylus provides a personal involvement in the reproduction of the music.

                                                                                            In September, 2009, The Beatles’ remastered albums on CD graced charts around the world. Seventeen million album sales within seven months was resounding evidence of the timeless relevance of their legacy. Through five decades, the music of The Beatles has captivated generation upon generation.

                                                                                            For producer Rick Rubin, surveying The Beatles’ recorded achievements is akin to witnessing a miracle. “If we look at it by today’s standards, whoever the most popular bands in the world are, they will typically put out an album every four years,” Rubin said in a 2009 radio series interview. “So, let’s say two albums as an eight year cycle. And think of the growth or change between those two albums. The idea that The Beatles made thirteen albums in seven years and went through that arc of change... it can’t be done. Truthfully, I think of it as proof of God, because it’s beyond man’s ability.”

                                                                                            There has always been demand for The Beatles’ albums on vinyl. Indeed, 2011’s best-selling vinyl LP in the United States was Abbey Road. Following the success of The Beatles’ acclaimed, GRAMMY Award-winning 2009 CD remasters, it was decided that the sound experts at EMI’s Abbey Road Studios should create new versions of The Beatles’ vinyl LPs. The project demanded the same meticulous approach taken for the CD releases, and the brief was a simple one: cut the digital remasters to vinyl with an absolute minimum of compromise to the sound. However, the process involved to do that was far from simple.

                                                                                            The first stage in transferring the sound of a master recording to vinyl is the creation of a disc to be used during vinyl manufacture. There were two options to consider. A Direct Metal Master (DMM), developed in the late seventies, allows sound to be cut directly into a stainless steel disc coated with a hard copper alloy. The older, alternative method is to cut the sound into the soft lacquer coating on a nickel disc - the first of several steps leading to the production of a stamper to press the vinyl.

                                                                                            A ‘blind’ listening test was arranged to choose between a ‘lacquer’ or ‘copper’ cut. Using both methods, A Hard Day’s Night was pressed with ten seconds of silence at the beginning and end of each side. This allowed not only the reproduction of the music to be assessed, but also the noise made by the vinyl itself. After much discussion, two factors swung the decision towards using the lacquer process. First, it was judged to create a warmer sound than a DMM. Secondly, there was a practical advantage of having ‘blank’ discs of a consistent quality when cutting lacquers.

                                                                                            The next step was to use the Neumann VMS80 cutting lathe at Abbey Road. Following thorough mechanical and electrical tests to ensure it was operating in peak condition, engineer Sean Magee cut the LPs in chronological release order. He used the original 24-bit remasters rather than the 16-bit versions that were required for CD production. It was also decided to use the remasters that had not undergone ‘limiting’ - a procedure to increase the sound level, which is deemed necessary for most current pop CDs.

                                                                                            Having made initial test cuts, Magee pinpointed any sound problems that can occur during playback of vinyl records. To rectify them, changes were made to the remasters with a Digital Audio Workstation. For example, each vinyl album was listened to for any ‘sibilant episodes’ - vocal distortion that can occur on consonant sounds such as S and T. These were corrected by reducing the level in the very small portion of sound causing the undesired effect. Similarly, any likelihood of ‘inner-groove distortion’ was addressed. As the stylus approaches the centre of the record, it is liable to track the groove less accurately. This can affect the high-middle frequencies, producing a ‘mushy’ sound particularly noticeable on vocals. Using what Magee has described as ‘surgical EQ,’ problem frequencies were identified and reduced in level to compensate for this.

                                                                                            The last phase of the vinyl mastering process began with the arrival of the first batches of test pressings made from master lacquers that had been sent to the two pressing plant factories. Stringent quality tests identified any noise or click appearing on more than one test pressing in the same place. If this happened, it was clear that the undesired sounds had been introduced either during the cutting or the pressing stage and so the test records were rejected. In the quest to achieve the highest quality possible, the Abbey Road team worked closely with the pressing factories and the manufacturers of the lacquer and cutting styli.

                                                                                            An additional and unusual challenge was to ensure the proper playback of the sounds embedded in the ‘lock-groove’ at the end of side two of Sgt. Pepper’s Lonely Hearts Club Band. Requiring a combination of good timing and luck, it had always been a lengthy and costly process to make it work properly. In fact, it was so tricky, it had never been attempted for American pressings of the LP. Naturally, Sean Magee and the team perfected this and the garbled message is heard as originally intended on the remastered Sgt. Pepper LP.

                                                                                            Highly-skilled technicians have worked long and hard to make The Beatles on vinyl sound better than ever. All we need to do is listen to the results of their dedicated labour on the remastered LPs. Handle with care. But most of all, enjoy the music.

                                                                                            The Beatles

                                                                                            Let It Be - Vinyl Edition

                                                                                              Manufactured on 180-gram, audiophile quality vinyl with replicated artwork, the 14 albums return to their original glory with details including the poster in The Beatles (The White Album), the Sgt. Pepper’s Lonely Heart Club Band’s cut-outs, and special inner bags for some of the titles.

                                                                                              The titles include The Beatles’ 12 original UK albums, first released between 1963 and 1970, the US-originated Magical Mystery Tour, now part of the group’s core catalogue, and Past Masters, Volumes One & Two, featuring non-album A-sides and B-sides, EP tracks and rarities.

                                                                                              Since it was recorded, The Beatles’ music has been heard on a variety of formats – from chunky reel-to-reel tapes and eight-track cartridges to invisible computer files. But there has never been a more romantic or thrilling medium for music than a long-playing twelve-inch disc. We ‘play’ records. The process of carefully slipping the disc out of the sleeve, cleaning it and lowering the stylus provides a personal involvement in the reproduction of the music.

                                                                                              In September, 2009, The Beatles’ remastered albums on CD graced charts around the world. Seventeen million album sales within seven months was resounding evidence of the timeless relevance of their legacy. Through five decades, the music of The Beatles has captivated generation upon generation.

                                                                                              For producer Rick Rubin, surveying The Beatles’ recorded achievements is akin to witnessing a miracle. “If we look at it by today’s standards, whoever the most popular bands in the world are, they will typically put out an album every four years,” Rubin said in a 2009 radio series interview. “So, let’s say two albums as an eight year cycle. And think of the growth or change between those two albums. The idea that The Beatles made thirteen albums in seven years and went through that arc of change... it can’t be done. Truthfully, I think of it as proof of God, because it’s beyond man’s ability.”

                                                                                              There has always been demand for The Beatles’ albums on vinyl. Indeed, 2011’s best-selling vinyl LP in the United States was Abbey Road. Following the success of The Beatles’ acclaimed, GRAMMY Award-winning 2009 CD remasters, it was decided that the sound experts at EMI’s Abbey Road Studios should create new versions of The Beatles’ vinyl LPs. The project demanded the same meticulous approach taken for the CD releases, and the brief was a simple one: cut the digital remasters to vinyl with an absolute minimum of compromise to the sound. However, the process involved to do that was far from simple.

                                                                                              The first stage in transferring the sound of a master recording to vinyl is the creation of a disc to be used during vinyl manufacture. There were two options to consider. A Direct Metal Master (DMM), developed in the late seventies, allows sound to be cut directly into a stainless steel disc coated with a hard copper alloy. The older, alternative method is to cut the sound into the soft lacquer coating on a nickel disc - the first of several steps leading to the production of a stamper to press the vinyl.

                                                                                              A ‘blind’ listening test was arranged to choose between a ‘lacquer’ or ‘copper’ cut. Using both methods, A Hard Day’s Night was pressed with ten seconds of silence at the beginning and end of each side. This allowed not only the reproduction of the music to be assessed, but also the noise made by the vinyl itself. After much discussion, two factors swung the decision towards using the lacquer process. First, it was judged to create a warmer sound than a DMM. Secondly, there was a practical advantage of having ‘blank’ discs of a consistent quality when cutting lacquers.

                                                                                              The next step was to use the Neumann VMS80 cutting lathe at Abbey Road. Following thorough mechanical and electrical tests to ensure it was operating in peak condition, engineer Sean Magee cut the LPs in chronological release order. He used the original 24-bit remasters rather than the 16-bit versions that were required for CD production. It was also decided to use the remasters that had not undergone ‘limiting’ - a procedure to increase the sound level, which is deemed necessary for most current pop CDs.

                                                                                              Having made initial test cuts, Magee pinpointed any sound problems that can occur during playback of vinyl records. To rectify them, changes were made to the remasters with a Digital Audio Workstation. For example, each vinyl album was listened to for any ‘sibilant episodes’ - vocal distortion that can occur on consonant sounds such as S and T. These were corrected by reducing the level in the very small portion of sound causing the undesired effect. Similarly, any likelihood of ‘inner-groove distortion’ was addressed. As the stylus approaches the centre of the record, it is liable to track the groove less accurately. This can affect the high-middle frequencies, producing a ‘mushy’ sound particularly noticeable on vocals. Using what Magee has described as ‘surgical EQ,’ problem frequencies were identified and reduced in level to compensate for this.

                                                                                              The last phase of the vinyl mastering process began with the arrival of the first batches of test pressings made from master lacquers that had been sent to the two pressing plant factories. Stringent quality tests identified any noise or click appearing on more than one test pressing in the same place. If this happened, it was clear that the undesired sounds had been introduced either during the cutting or the pressing stage and so the test records were rejected. In the quest to achieve the highest quality possible, the Abbey Road team worked closely with the pressing factories and the manufacturers of the lacquer and cutting styli.

                                                                                              An additional and unusual challenge was to ensure the proper playback of the sounds embedded in the ‘lock-groove’ at the end of side two of Sgt. Pepper’s Lonely Hearts Club Band. Requiring a combination of good timing and luck, it had always been a lengthy and costly process to make it work properly. In fact, it was so tricky, it had never been attempted for American pressings of the LP. Naturally, Sean Magee and the team perfected this and the garbled message is heard as originally intended on the remastered Sgt. Pepper LP.

                                                                                              Highly-skilled technicians have worked long and hard to make The Beatles on vinyl sound better than ever. All we need to do is listen to the results of their dedicated labour on the remastered LPs. Handle with care. But most of all, enjoy the music.

                                                                                              The Beatles

                                                                                              Magical Mystery Tour - Vinyl Edition

                                                                                                Manufactured on 180-gram, audiophile quality vinyl with replicated artwork, the 14 albums return to their original glory with details including the poster in The Beatles (The White Album), the Sgt. Pepper’s Lonely Heart Club Band’s cut-outs, and special inner bags for some of the titles.

                                                                                                The titles include The Beatles’ 12 original UK albums, first released between 1963 and 1970, the US-originated Magical Mystery Tour, now part of the group’s core catalogue, and Past Masters, Volumes One & Two, featuring non-album A-sides and B-sides, EP tracks and rarities.

                                                                                                Since it was recorded, The Beatles’ music has been heard on a variety of formats – from chunky reel-to-reel tapes and eight-track cartridges to invisible computer files. But there has never been a more romantic or thrilling medium for music than a long-playing twelve-inch disc. We ‘play’ records. The process of carefully slipping the disc out of the sleeve, cleaning it and lowering the stylus provides a personal involvement in the reproduction of the music.

                                                                                                In September, 2009, The Beatles’ remastered albums on CD graced charts around the world. Seventeen million album sales within seven months was resounding evidence of the timeless relevance of their legacy. Through five decades, the music of The Beatles has captivated generation upon generation.

                                                                                                For producer Rick Rubin, surveying The Beatles’ recorded achievements is akin to witnessing a miracle. “If we look at it by today’s standards, whoever the most popular bands in the world are, they will typically put out an album every four years,” Rubin said in a 2009 radio series interview. “So, let’s say two albums as an eight year cycle. And think of the growth or change between those two albums. The idea that The Beatles made thirteen albums in seven years and went through that arc of change... it can’t be done. Truthfully, I think of it as proof of God, because it’s beyond man’s ability.”

                                                                                                There has always been demand for The Beatles’ albums on vinyl. Indeed, 2011’s best-selling vinyl LP in the United States was Abbey Road. Following the success of The Beatles’ acclaimed, GRAMMY Award-winning 2009 CD remasters, it was decided that the sound experts at EMI’s Abbey Road Studios should create new versions of The Beatles’ vinyl LPs. The project demanded the same meticulous approach taken for the CD releases, and the brief was a simple one: cut the digital remasters to vinyl with an absolute minimum of compromise to the sound. However, the process involved to do that was far from simple.

                                                                                                The first stage in transferring the sound of a master recording to vinyl is the creation of a disc to be used during vinyl manufacture. There were two options to consider. A Direct Metal Master (DMM), developed in the late seventies, allows sound to be cut directly into a stainless steel disc coated with a hard copper alloy. The older, alternative method is to cut the sound into the soft lacquer coating on a nickel disc - the first of several steps leading to the production of a stamper to press the vinyl.

                                                                                                A ‘blind’ listening test was arranged to choose between a ‘lacquer’ or ‘copper’ cut. Using both methods, A Hard Day’s Night was pressed with ten seconds of silence at the beginning and end of each side. This allowed not only the reproduction of the music to be assessed, but also the noise made by the vinyl itself. After much discussion, two factors swung the decision towards using the lacquer process. First, it was judged to create a warmer sound than a DMM. Secondly, there was a practical advantage of having ‘blank’ discs of a consistent quality when cutting lacquers.

                                                                                                The next step was to use the Neumann VMS80 cutting lathe at Abbey Road. Following thorough mechanical and electrical tests to ensure it was operating in peak condition, engineer Sean Magee cut the LPs in chronological release order. He used the original 24-bit remasters rather than the 16-bit versions that were required for CD production. It was also decided to use the remasters that had not undergone ‘limiting’ - a procedure to increase the sound level, which is deemed necessary for most current pop CDs.

                                                                                                Having made initial test cuts, Magee pinpointed any sound problems that can occur during playback of vinyl records. To rectify them, changes were made to the remasters with a Digital Audio Workstation. For example, each vinyl album was listened to for any ‘sibilant episodes’ - vocal distortion that can occur on consonant sounds such as S and T. These were corrected by reducing the level in the very small portion of sound causing the undesired effect. Similarly, any likelihood of ‘inner-groove distortion’ was addressed. As the stylus approaches the centre of the record, it is liable to track the groove less accurately. This can affect the high-middle frequencies, producing a ‘mushy’ sound particularly noticeable on vocals. Using what Magee has described as ‘surgical EQ,’ problem frequencies were identified and reduced in level to compensate for this.

                                                                                                The last phase of the vinyl mastering process began with the arrival of the first batches of test pressings made from master lacquers that had been sent to the two pressing plant factories. Stringent quality tests identified any noise or click appearing on more than one test pressing in the same place. If this happened, it was clear that the undesired sounds had been introduced either during the cutting or the pressing stage and so the test records were rejected. In the quest to achieve the highest quality possible, the Abbey Road team worked closely with the pressing factories and the manufacturers of the lacquer and cutting styli.

                                                                                                An additional and unusual challenge was to ensure the proper playback of the sounds embedded in the ‘lock-groove’ at the end of side two of Sgt. Pepper’s Lonely Hearts Club Band. Requiring a combination of good timing and luck, it had always been a lengthy and costly process to make it work properly. In fact, it was so tricky, it had never been attempted for American pressings of the LP. Naturally, Sean Magee and the team perfected this and the garbled message is heard as originally intended on the remastered Sgt. Pepper LP.

                                                                                                Highly-skilled technicians have worked long and hard to make The Beatles on vinyl sound better than ever. All we need to do is listen to the results of their dedicated labour on the remastered LPs. Handle with care. But most of all, enjoy the music.

                                                                                                The Beatles

                                                                                                Help! - Vinyl Edition

                                                                                                  Manufactured on 180-gram, audiophile quality vinyl with replicated artwork, the 14 albums return to their original glory with details including the poster in The Beatles (The White Album), the Sgt. Pepper’s Lonely Heart Club Band’s cut-outs, and special inner bags for some of the titles.

                                                                                                  The titles include The Beatles’ 12 original UK albums, first released between 1963 and 1970, the US-originated Magical Mystery Tour, now part of the group’s core catalogue, and Past Masters, Volumes One & Two, featuring non-album A-sides and B-sides, EP tracks and rarities.

                                                                                                  Since it was recorded, The Beatles’ music has been heard on a variety of formats – from chunky reel-to-reel tapes and eight-track cartridges to invisible computer files. But there has never been a more romantic or thrilling medium for music than a long-playing twelve-inch disc. We ‘play’ records. The process of carefully slipping the disc out of the sleeve, cleaning it and lowering the stylus provides a personal involvement in the reproduction of the music.

                                                                                                  In September, 2009, The Beatles’ remastered albums on CD graced charts around the world. Seventeen million album sales within seven months was resounding evidence of the timeless relevance of their legacy. Through five decades, the music of The Beatles has captivated generation upon generation.

                                                                                                  For producer Rick Rubin, surveying The Beatles’ recorded achievements is akin to witnessing a miracle. “If we look at it by today’s standards, whoever the most popular bands in the world are, they will typically put out an album every four years,” Rubin said in a 2009 radio series interview. “So, let’s say two albums as an eight year cycle. And think of the growth or change between those two albums. The idea that The Beatles made thirteen albums in seven years and went through that arc of change... it can’t be done. Truthfully, I think of it as proof of God, because it’s beyond man’s ability.”

                                                                                                  There has always been demand for The Beatles’ albums on vinyl. Indeed, 2011’s best-selling vinyl LP in the United States was Abbey Road. Following the success of The Beatles’ acclaimed, GRAMMY Award-winning 2009 CD remasters, it was decided that the sound experts at EMI’s Abbey Road Studios should create new versions of The Beatles’ vinyl LPs. The project demanded the same meticulous approach taken for the CD releases, and the brief was a simple one: cut the digital remasters to vinyl with an absolute minimum of compromise to the sound. However, the process involved to do that was far from simple.

                                                                                                  The first stage in transferring the sound of a master recording to vinyl is the creation of a disc to be used during vinyl manufacture. There were two options to consider. A Direct Metal Master (DMM), developed in the late seventies, allows sound to be cut directly into a stainless steel disc coated with a hard copper alloy. The older, alternative method is to cut the sound into the soft lacquer coating on a nickel disc - the first of several steps leading to the production of a stamper to press the vinyl.

                                                                                                  A ‘blind’ listening test was arranged to choose between a ‘lacquer’ or ‘copper’ cut. Using both methods, A Hard Day’s Night was pressed with ten seconds of silence at the beginning and end of each side. This allowed not only the reproduction of the music to be assessed, but also the noise made by the vinyl itself. After much discussion, two factors swung the decision towards using the lacquer process. First, it was judged to create a warmer sound than a DMM. Secondly, there was a practical advantage of having ‘blank’ discs of a consistent quality when cutting lacquers.

                                                                                                  The next step was to use the Neumann VMS80 cutting lathe at Abbey Road. Following thorough mechanical and electrical tests to ensure it was operating in peak condition, engineer Sean Magee cut the LPs in chronological release order. He used the original 24-bit remasters rather than the 16-bit versions that were required for CD production. It was also decided to use the remasters that had not undergone ‘limiting’ - a procedure to increase the sound level, which is deemed necessary for most current pop CDs.

                                                                                                  Having made initial test cuts, Magee pinpointed any sound problems that can occur during playback of vinyl records. To rectify them, changes were made to the remasters with a Digital Audio Workstation. For example, each vinyl album was listened to for any ‘sibilant episodes’ - vocal distortion that can occur on consonant sounds such as S and T. These were corrected by reducing the level in the very small portion of sound causing the undesired effect. Similarly, any likelihood of ‘inner-groove distortion’ was addressed. As the stylus approaches the centre of the record, it is liable to track the groove less accurately. This can affect the high-middle frequencies, producing a ‘mushy’ sound particularly noticeable on vocals. Using what Magee has described as ‘surgical EQ,’ problem frequencies were identified and reduced in level to compensate for this.

                                                                                                  The last phase of the vinyl mastering process began with the arrival of the first batches of test pressings made from master lacquers that had been sent to the two pressing plant factories. Stringent quality tests identified any noise or click appearing on more than one test pressing in the same place. If this happened, it was clear that the undesired sounds had been introduced either during the cutting or the pressing stage and so the test records were rejected. In the quest to achieve the highest quality possible, the Abbey Road team worked closely with the pressing factories and the manufacturers of the lacquer and cutting styli.

                                                                                                  An additional and unusual challenge was to ensure the proper playback of the sounds embedded in the ‘lock-groove’ at the end of side two of Sgt. Pepper’s Lonely Hearts Club Band. Requiring a combination of good timing and luck, it had always been a lengthy and costly process to make it work properly. In fact, it was so tricky, it had never been attempted for American pressings of the LP. Naturally, Sean Magee and the team perfected this and the garbled message is heard as originally intended on the remastered Sgt. Pepper LP.

                                                                                                  Highly-skilled technicians have worked long and hard to make The Beatles on vinyl sound better than ever. All we need to do is listen to the results of their dedicated labour on the remastered LPs. Handle with care. But most of all, enjoy the music.

                                                                                                  The Beatles

                                                                                                  Please Please Me - Vinyl Edition

                                                                                                    Manufactured on 180-gram, audiophile quality vinyl with replicated artwork, the 14 albums return to their original glory with details including the poster in The Beatles (The White Album), the Sgt. Pepper’s Lonely Heart Club Band’s cut-outs, and special inner bags for some of the titles.

                                                                                                    The titles include The Beatles’ 12 original UK albums, first released between 1963 and 1970, the US-originated Magical Mystery Tour, now part of the group’s core catalogue, and Past Masters, Volumes One & Two, featuring non-album A-sides and B-sides, EP tracks and rarities.

                                                                                                    Since it was recorded, The Beatles’ music has been heard on a variety of formats – from chunky reel-to-reel tapes and eight-track cartridges to invisible computer files. But there has never been a more romantic or thrilling medium for music than a long-playing twelve-inch disc. We ‘play’ records. The process of carefully slipping the disc out of the sleeve, cleaning it and lowering the stylus provides a personal involvement in the reproduction of the music.

                                                                                                    In September, 2009, The Beatles’ remastered albums on CD graced charts around the world. Seventeen million album sales within seven months was resounding evidence of the timeless relevance of their legacy. Through five decades, the music of The Beatles has captivated generation upon generation.

                                                                                                    For producer Rick Rubin, surveying The Beatles’ recorded achievements is akin to witnessing a miracle. “If we look at it by today’s standards, whoever the most popular bands in the world are, they will typically put out an album every four years,” Rubin said in a 2009 radio series interview. “So, let’s say two albums as an eight year cycle. And think of the growth or change between those two albums. The idea that The Beatles made thirteen albums in seven years and went through that arc of change... it can’t be done. Truthfully, I think of it as proof of God, because it’s beyond man’s ability.”

                                                                                                    There has always been demand for The Beatles’ albums on vinyl. Indeed, 2011’s best-selling vinyl LP in the United States was Abbey Road. Following the success of The Beatles’ acclaimed, GRAMMY Award-winning 2009 CD remasters, it was decided that the sound experts at EMI’s Abbey Road Studios should create new versions of The Beatles’ vinyl LPs. The project demanded the same meticulous approach taken for the CD releases, and the brief was a simple one: cut the digital remasters to vinyl with an absolute minimum of compromise to the sound. However, the process involved to do that was far from simple.

                                                                                                    The first stage in transferring the sound of a master recording to vinyl is the creation of a disc to be used during vinyl manufacture. There were two options to consider. A Direct Metal Master (DMM), developed in the late seventies, allows sound to be cut directly into a stainless steel disc coated with a hard copper alloy. The older, alternative method is to cut the sound into the soft lacquer coating on a nickel disc - the first of several steps leading to the production of a stamper to press the vinyl.

                                                                                                    A ‘blind’ listening test was arranged to choose between a ‘lacquer’ or ‘copper’ cut. Using both methods, A Hard Day’s Night was pressed with ten seconds of silence at the beginning and end of each side. This allowed not only the reproduction of the music to be assessed, but also the noise made by the vinyl itself. After much discussion, two factors swung the decision towards using the lacquer process. First, it was judged to create a warmer sound than a DMM. Secondly, there was a practical advantage of having ‘blank’ discs of a consistent quality when cutting lacquers.

                                                                                                    The next step was to use the Neumann VMS80 cutting lathe at Abbey Road. Following thorough mechanical and electrical tests to ensure it was operating in peak condition, engineer Sean Magee cut the LPs in chronological release order. He used the original 24-bit remasters rather than the 16-bit versions that were required for CD production. It was also decided to use the remasters that had not undergone ‘limiting’ - a procedure to increase the sound level, which is deemed necessary for most current pop CDs.

                                                                                                    Having made initial test cuts, Magee pinpointed any sound problems that can occur during playback of vinyl records. To rectify them, changes were made to the remasters with a Digital Audio Workstation. For example, each vinyl album was listened to for any ‘sibilant episodes’ - vocal distortion that can occur on consonant sounds such as S and T. These were corrected by reducing the level in the very small portion of sound causing the undesired effect. Similarly, any likelihood of ‘inner-groove distortion’ was addressed. As the stylus approaches the centre of the record, it is liable to track the groove less accurately. This can affect the high-middle frequencies, producing a ‘mushy’ sound particularly noticeable on vocals. Using what Magee has described as ‘surgical EQ,’ problem frequencies were identified and reduced in level to compensate for this.

                                                                                                    The last phase of the vinyl mastering process began with the arrival of the first batches of test pressings made from master lacquers that had been sent to the two pressing plant factories. Stringent quality tests identified any noise or click appearing on more than one test pressing in the same place. If this happened, it was clear that the undesired sounds had been introduced either during the cutting or the pressing stage and so the test records were rejected. In the quest to achieve the highest quality possible, the Abbey Road team worked closely with the pressing factories and the manufacturers of the lacquer and cutting styli.

                                                                                                    An additional and unusual challenge was to ensure the proper playback of the sounds embedded in the ‘lock-groove’ at the end of side two of Sgt. Pepper’s Lonely Hearts Club Band. Requiring a combination of good timing and luck, it had always been a lengthy and costly process to make it work properly. In fact, it was so tricky, it had never been attempted for American pressings of the LP. Naturally, Sean Magee and the team perfected this and the garbled message is heard as originally intended on the remastered Sgt. Pepper LP.

                                                                                                    Highly-skilled technicians have worked long and hard to make The Beatles on vinyl sound better than ever. All we need to do is listen to the results of their dedicated labour on the remastered LPs. Handle with care. But most of all, enjoy the music.

                                                                                                    Following the success of his award-winning, hugely acclaimed 2009 album ‘Truelove’s Gutter’, Richard Hawley will release his sixth studio album.

                                                                                                    Recorded at Sheffield’s Yellow Arch Studio in 2011, ‘Standing At The Sky’s Edge’ marks a seismic shift in direction for Hawley. The album is a euphoric, sonic assault on the senses, channelling elements of psychedelia, space rock and ragas with heavy riffs and raw, visceral guitar solos – as well as more familiar, tender moments – which will surprise Hawley’s fans and peers alike.

                                                                                                    Exploring lyrical themes of love, loss, redemption and darker areas of the human condition, it’s an album of ominous storytelling and cosmic exploration, sung in Hawley’s rich baritone and soundtracked by an epic musical journey in glorious, menacing Technicolor. In the tradition of Hawley’s previous albums, the title is inspired by an area of Sheffield.

                                                                                                    Hawley says of the album, “I wanted to get away from the orchestration of my previous records and make a live album with two guitars, bass, drums and rocket noises!”

                                                                                                    'Standing At The Sky's Edge' is set to establish Hawley as one of the UK's greatest, contemporary guitarists.


                                                                                                    STAFF COMMENTS

                                                                                                    Laura says: Right from the off you realise that this album isn’t exactly going to follow the same lush, string embellished path of the last three Hawley albums, as it plunges straight into a seven minute plus psych rocker. "She Brings The Sunlight" and title track "Standing At The Sky’s Edge" - a bleak view of modern life pushing people to the brink - pretty much set the tone for the whole album really. Although he hinted at a darker side with "Truelove’s Gutter", this album is not just a darker affair, but heavier too. (He has rocked before though don’t forget, and he’s really pretty good at it!) There are lighter moments: "Seek It" and the shimmering acid haze of "Don’t Stare At The Sun" for example, mellow things out nicely before we’re plunged back into heavy riffs and layers of feedback. It’s an ambitious and very different sound, but he pulls it off with ease. And of course with THAT voice, it’s most definitely a Richard Hawley album. A triumph!

                                                                                                    'Mylo Xyloto' was produced by Markus Dravs, Daniel Green and Rik Simpson with "enoxification" and additional composition by Brian Eno. According to Chris Martin, it is a concept album based on a love story with a happy ending, inspired by old school American graffiti and HBO TV series The Wire among other things.

                                                                                                    Coldplay

                                                                                                    Every Teardrop Is A Waterfall

                                                                                                    THE 7" VINYL VERSION IS ONE PER PERSON.

                                                                                                    Coldplay will release a CD and limited edition 7” blue vinyl of their new single 'Every Teardrop Is A Waterfall' on Monday 27th June.

                                                                                                    The brand new track 'Major Minus' will be available on all formats.


                                                                                                    STAFF COMMENTS

                                                                                                    Andy says: Enormous, ringing, chiming, driving ANTHEM! Quite possibly a hit.

                                                                                                    Hailing from Harlow in Essex the band started playing together in 2007 with a distinct idea of what they wanted to sound like, “We always wanted that anthemic rock sound because we grew up with Britpop. But we wanted an electronic edge, blending the euphoria and rhythmic elements of dance music, but still keeping the anthemic rock element.” says lead vocalist Steve Sparrow “Organic, natural sounds, like guitars and pianos. Real instruments played live that made something that sounds dance-y. It’s different from most dance rock, because the emphasis is on rock music.” Sparrow describes the other master plan for success: “We have a rule. Whenever we write something, we ask ourselves, ‘Can you see 100,000 people singing this back to you?’ If not, we get rid of it. We want to be huge.”


                                                                                                    “Five Essex natives trading in star gazing indie-rock and with enough pop-synth hooks to keep Delphic on their toes, its no surprise Morning Parade recently signed with Parlophone. The band have studied the art of indie-rock and are close to mastering it" - High Voltage.

                                                                                                    FORMAT INFORMATION

                                                                                                    Ltd 7" Info: One of 3 limited edition 7"s from Morning Parade, all released on the same day.

                                                                                                    Hailing from Harlow in Essex the band started playing together in 2007 with a distinct idea of what they wanted to sound like, “We always wanted that anthemic rock sound because we grew up with Britpop. But we wanted an electronic edge, blending the euphoria and rhythmic elements of dance music, but still keeping the anthemic rock element.” says lead vocalist Steve Sparrow “Organic, natural sounds, like guitars and pianos. Real instruments played live that made something that sounds dance-y. It’s different from most dance rock, because the emphasis is on rock music.” Sparrow describes the other master plan for success: “We have a rule. Whenever we write something, we ask ourselves, ‘Can you see 100,000 people singing this back to you?’ If not, we get rid of it. We want to be huge.”

                                                                                                    “Five Essex natives trading in star gazing indie-rock and with enough pop-synth hooks to keep Delphic on their toes, its no surprise Morning Parade recently signed with Parlophone. The band have studied the art of indie-rock and are close to mastering it" - High Voltage.

                                                                                                    FORMAT INFORMATION

                                                                                                    Ltd 7" Info: One of three limited edition 7" singles from Morning Parade, all released on the same day.

                                                                                                    Morning Parade

                                                                                                    Under The Stars

                                                                                                    Hailing from Harlow in Essex the band started playing together in 2007 with a distinct idea of what they wanted to sound like, “We always wanted that anthemic rock sound because we grew up with Britpop. But we wanted an electronic edge, blending the euphoria and rhythmic elements of dance music, but still keeping the anthemic rock element.” says lead vocalist Steve Sparrow “Organic, natural sounds, like guitars and pianos. Real instruments played live that made something that sounds dance-y. It’s different from most dance rock, because the emphasis is on rock music.” Sparrow describes the other master plan for success: “We have a rule. Whenever we write something, we ask ourselves, ‘Can you see 100,000 people singing this back to you?’ If not, we get rid of it. We want to be huge.”


                                                                                                    “Five Essex natives trading in star gazing indie-rock and with enough pop-synth hooks to keep Delphic on their toes, its no surprise Morning Parade recently signed with Parlophone. The band have studied the art of indie-rock and are close to mastering it" - High Voltage.

                                                                                                    FORMAT INFORMATION

                                                                                                    Ltd 7" Info: One of 3 limited edition 7"s by Morning Parade all released on the same day.

                                                                                                    The Beatles

                                                                                                    Please Please Me - Enhanced Edition

                                                                                                      The biggest band in rock history sees their original catalogue digitally remastered for the first time with improved packaging, including extra rare photographs, expanded and new essays and all enhanced with a video mini-documentary on the making of each album in the Beatles own words.

                                                                                                      Tracklisting
                                                                                                      1. I Saw Her Standing There
                                                                                                      2. Misery
                                                                                                      3. Anna (Go To Him)
                                                                                                      4. Chains
                                                                                                      5. Boys
                                                                                                      6. Ask Me Why
                                                                                                      7. Please Please Me
                                                                                                      8. Love Me Do
                                                                                                      9. P.S. I Love You
                                                                                                      10. Baby It's You
                                                                                                      11. Do You Want To Know A Secret
                                                                                                      12. A Taste Of Honey
                                                                                                      13. There's A Place
                                                                                                      14. Twist And Shout
                                                                                                      15. Please Please Me Documentary

                                                                                                      The Beatles

                                                                                                      A Hard Days Night - Enhanced Edition

                                                                                                        The biggest band in rock history sees their original catalogue digitally remastered for the first time with improved packaging, including extra rare photographs, expanded and new essays and all enhanced with a video mini-documentary on the making of each album in the Beatles own words.


                                                                                                        1. A Hard Day's Night
                                                                                                        2. I Should Have Known Better
                                                                                                        3. If I Fell
                                                                                                        4. I'm Happy Just To Dance With You
                                                                                                        5. And I Love Her
                                                                                                        6. Tell Me Why
                                                                                                        7. Can't Buy Me Love
                                                                                                        8. Any Time At All
                                                                                                        9. I'll Cry Instead
                                                                                                        10. Things We Said Today
                                                                                                        11. When I Get Home
                                                                                                        12. You Can't Do That
                                                                                                        13. I'll Be Back
                                                                                                        14. A Hard Day's Night Documentary

                                                                                                        The Beatles

                                                                                                        Beatles For Sale - Enhanced Edition

                                                                                                          The biggest band in rock history sees their original catalogue digitally remastered for the first time with improved packaging, including extra rare photographs, expanded and new essays and all enhanced with a video mini-documentary on the making of each album in the Beatles own words.

                                                                                                          Tracklisting
                                                                                                          1. No Reply
                                                                                                          2. I'm A Loser
                                                                                                          3. Baby's In Black
                                                                                                          4. Rock And Roll Music
                                                                                                          5. I'll Follow The Sun
                                                                                                          6. Mr Moonlight
                                                                                                          7. Kansas City/Hey-Hey-Hey-Hey
                                                                                                          8. Eight Days A Week
                                                                                                          9. Words Of Love
                                                                                                          10. Honey Don't
                                                                                                          11. Every Little Thing
                                                                                                          12. I Don't Want To Spoil The Party
                                                                                                          13. What You're Doing
                                                                                                          14. Everybody's Trying To Be My Baby
                                                                                                          15. Beatles For Sale Documentary

                                                                                                          The Beatles

                                                                                                          Help! - Enhanced Edition

                                                                                                            The last of The Beatles be-suited, writing-to-order, perfect pop albums, this was a brilliant collection of songs from the film Help!, and other newies, that includes the superb "Ticket To Ride", "Yesterday" and of course, the title track itself. Albums in this era, up until about 1965, were simply collections of songs that could have been singles; there was no real concept of 'the album as a statement', as a piece of art in its own right. This was just pop music: short, simple, catchy, and in the case of The Beatles, brilliant!

                                                                                                            Tracklisting
                                                                                                            1. Help!
                                                                                                            2. The Night Before
                                                                                                            3. You've Got To Hide Your Love Away
                                                                                                            4. I Need You
                                                                                                            5. Another Girl
                                                                                                            6. You're Going To Lose That Girl
                                                                                                            7. Ticket To Ride
                                                                                                            8. Act Naturally
                                                                                                            9. It's Only Love
                                                                                                            10. You Like Me Too Much
                                                                                                            11. Tell Me What You See
                                                                                                            12. I've Just Seen A Face
                                                                                                            13. Yesterday
                                                                                                            14. Dizzy Miss Lizzy
                                                                                                            15. Help! Documentary

                                                                                                            FORMAT INFORMATION

                                                                                                            CD Info: The biggest band in rock history sees their original catalogue digitally remastered for the first time with improved packaging, including extra rare photographs, expanded and new essays and all enhanced with a video mini-documentary on the making of each album in the Beatles own words.

                                                                                                            The Beatles

                                                                                                            Rubber Soul - Enhanced Edition

                                                                                                              The suits had gone, the hair was longer, more pot had been smoked, and Bob Dylan been taken note of. This was The Beatles first album as a whole entity, ish!, it's no "Sgt. Pepper's" or "Abbey Road". It's weightier, maybe slightly slower, there's more bottom end and it's certainly more thoughtful. As ever, The Beatles had the best tunes and "Norwegian Wood", "Drive My Car", "Michelle", "Nowhere Man" and "In My Life" (often described as one of their greatest moments) are testament to that.

                                                                                                              Tracklisting
                                                                                                              1. Drive My Car
                                                                                                              2. Norwegian Wood (This Bird Has Flown)
                                                                                                              3. You Won't See Me
                                                                                                              4. Nowhere Man
                                                                                                              5. Think For Yourself
                                                                                                              6. The Word
                                                                                                              7. Michelle
                                                                                                              8. What Goes On
                                                                                                              9. Girl
                                                                                                              10. I'm Looking Through You
                                                                                                              11. In My Life
                                                                                                              12. Wait
                                                                                                              13. If I Needed Someone
                                                                                                              14. Run For Your Life
                                                                                                              15. Rubber Soul Documentary

                                                                                                              FORMAT INFORMATION

                                                                                                              CD Info: The biggest band in rock history sees their original catalogue digitally remastered for the first time with improved packaging, including extra rare photographs, expanded and new essays and all enhanced with a video mini-documentary on the making of each album in the Beatles own words.

                                                                                                              The Beatles

                                                                                                              Sgt Pepper's Lonely Hearts Club Band - Enhanced Edition

                                                                                                                After playing their last ever live concert in Candlestick Park, August 1966, The Beatles spent the next year in the studio (unheard of for a pop group), and came out with "Sgt Pepper's Lonely Hearts Club Band". What can you say about "Sgt. Pepper's" that hasn't already been said? It was the first ever sit down and listen CONCEPT ALBUM! A song-suite that beautifully flows. The first album where songwriters were to be considered alongside classical composers? 1967; and something most definitely was in the air. Everything went multicoloured and psychedelicized! And The Beatles made a gorgeous pop record that you could still play to your gran! It's easy to forget now, after 40 odd years of 'Best Album Ever' gongs and endless platitudes, just how groundbreaking this set was at the time - it's become a bit '"Sgt Pepper's" blah blah blah, yeah, know all about that'. But coming back to the album afresh, it still sounds amazing, especially final track "A Day In The Life", which is still totally astonishing. It's the perfect blend of John and Paul.

                                                                                                                Tracklisting
                                                                                                                1. Sgt Pepper's Lonely Hearts Club Band
                                                                                                                2. With A Little Help From My Friends
                                                                                                                3. Lucy In The Sky With Diamonds
                                                                                                                4. Getting Better
                                                                                                                5. Fixing A Hole
                                                                                                                6. She's Leaving Home
                                                                                                                7. Being For The Benefit Of Mr Kite!
                                                                                                                8. Within You Without You
                                                                                                                9. When I'm Sixty Four
                                                                                                                10. Lovely Rita
                                                                                                                11. Good Morning Good Morning
                                                                                                                12. Sgt Pepper's Lonely Hearts Club Band (Reprise)
                                                                                                                13. A Day In The Life
                                                                                                                14. Sgt. Pepper's Lonely Hearts Club Band Documentary

                                                                                                                FORMAT INFORMATION

                                                                                                                CD Info: The biggest band in rock history sees their original catalogue digitally remastered for the first time with improved packaging, including extra rare photographs, expanded and new essays and all enhanced with a video mini-documentary on the making of each album in the Beatles own words.

                                                                                                                The Beatles

                                                                                                                Yellow Submarine - Enhanced Edition

                                                                                                                  The biggest band in rock history sees their original catalogue digitally remastered for the first time with improved packaging, including extra rare photographs, expanded and new essays and all enhanced with a video mini-documentary on the making of each album in the Beatles own words.

                                                                                                                  Tracklisting
                                                                                                                  1. Yellow Submarine
                                                                                                                  2. Only A Northern Song
                                                                                                                  3. All Together Now
                                                                                                                  4. Hey Bulldog
                                                                                                                  5. It's All Too Much
                                                                                                                  6. All You Need Is Love
                                                                                                                  7. Pepperland
                                                                                                                  8. Sea Of Time
                                                                                                                  9. Sea Of Holes
                                                                                                                  10. Sea Of Monsters
                                                                                                                  11. March Of The Meanies
                                                                                                                  12. Pepperland Laid Waste
                                                                                                                  13. Yellow Submarine In Pepperland
                                                                                                                  14. Yellow Submarine Documentary

                                                                                                                  "War Child - Heroes Vol.1" is an unprecedented collaboration between music's most heralded legends and the finest current artists. The War Child charity asked 15 ultimate icons to select a favourite song from their classic back catalogue and to nominate the new act they most trust to create a unique interpretation of that hand-picked track. This album is the result: 15 exclusive and breath-taking cover versions.
                                                                                                                  War Child is a unique charity. It is the only child protection agency operating in south Iraq, the only agency to have separated children from adults in Afghanistan prisons and the only international organisation working with ex-child soldiers in northern Democratic Republic of Congo. War Child is only able to work in these locations through a unique combination of security management and private funding.

                                                                                                                  Tracklisting
                                                                                                                  1. Leopard Skin Pill Box Hat (Bob Dylan) - Beck
                                                                                                                  2. Do The Strand (Roxy Music) - Scissor Sisters
                                                                                                                  3. Straight To Hell (The Clash) - Lily Allen
                                                                                                                  4. Live And Let Die (Paul McCartney) - Duffy
                                                                                                                  5. Running To Stand Still (U2) - Elbow
                                                                                                                  6. Heroes (David Bowie) - TV On The Radio
                                                                                                                  7. Transmission (Joy Division) - Hot Chip
                                                                                                                  8. Victoria (The Kinks) - Kooks
                                                                                                                  9. Superstition (Stevie Wonder) - Estelle
                                                                                                                  10. Wonderful/Song For Children (Brian Wilson) - Rufus Wainwright
                                                                                                                  11. Search And Destroy (Iggy & The Stooges) - Peaches
                                                                                                                  12. Atlantic City (Bruce Springsteen) - The Hold Steady
                                                                                                                  13. You Belong To Me (Elvis Costello) - The Like
                                                                                                                  14. Sheena Is A Punk Rocker (The Ramones) - Yeah Yeah Yeahs
                                                                                                                  15. Call Me (Blondie) - Franz Ferdinand

                                                                                                                  The last of The Beatles be-suited, writing-to-order, perfect pop albums, this was a brilliant collection of songs from the film Help!, and other newies, that includes the superb "Ticket To Ride", "Yesterday" and of course, the title track itself. Albums in this era, up until about 1965, were simply collections of songs that could have been singles; there was no real concept of 'the album as a statement', as a piece of art in its own right. This was just pop music: short, simple, catchy, and in the case of The Beatles, brilliant!

                                                                                                                  Love Is All released their debut album "Nine Times That Same Song" in 2006. The album confidently genre hopped between punk, new wave, indie and the Riot Grrl ethos, but with songs rooted firmly in pop. It became a much loved release of 2006 adored by critics and fans alike. Now a host of contemporaries - each well respected in their own field - have reinterpreted Love Is All tracks in their own inimitable style. The result is "Love Is All Mixed Up", a mini-album featuring a selection of remixes infused with styles from Krautrock to rave but always with Josephine Olausson's trademark vocal. The Bees deliver a tough and straight up funk version of "Make Out Fall Out Make up" and then there's Hot Chip – whose remix of the track "Felt Tip" sees a more ambient side to their production, more akin to the sound of early Warp or IDM favourites, Black Dog. Other contributions include Metronomy's killer mix of "Spinning And Scratching" and Tapedeck's DIY rave take on "Busy Doing Nothing" plus other stunning remixes by Chicken Lips, Optimo, Maps, Fryars and Studio.

                                                                                                                  A broad range of influences shine through on this album, from the Kinks, through to punk, Stone Roses, a touch of Soul 2 Soul, 80s indie, Madness, Blondie, Motown, Britpop and even one inspired by their UK number four hit single "Fuck Forever". Lyrically, the album captures the many facets of Peter's character: storyteller, lyricist, street poet, hopeless romantic and chronicler of British life. From capturing the feeling at sunrise after a night on the tiles, to delving into a self-destructive 20 year marriage ("Baddie's Boogie") this is an album of rare emotional breadth. The album even manages to immortalise Peter's doodle invention (and "Down In Albion" cover star) French Dog in one of the album's highlights "French Dog Blues". All songs are written by Peter Doherty, with contributions from Mick, Adam and the band. "Shotter's Nation" is a record for fans and newcomers alike with each listen revealing new complexities in the arrangements. Forget the obsessions of celebrity media: this is about the music. This is the album that Peter Doherty and Babyshambles have always promised to make.

                                                                                                                  Idlewild

                                                                                                                  Scottish Fiction: Best Of 1997 - 2007

                                                                                                                  Following the initial meeting of Roddy Woomble, Colin Newton and Rod Jones at Edinburgh University in the mid-90s, the newly formed Idlewild put their student loans together and released their debut 7" single in 1997. Now a decade later Idlewild release "Scottish Fiction", a "Best of..." that compiles some of their many musical highlights of the last 10 years. With a tracklisting chosen by the band themselves, "Scottish Fiction" includes classic singles such as "American English", "You Held The World In Your Arms" and "Roseability", as well as selected album tracks from their Food/Parlophone releases and this year's "Make Another World" album on Sequel.

                                                                                                                  Athlete

                                                                                                                  Beyond The Neighbourhood

                                                                                                                  Following on from the success of their double-platinum selling album "Tourist" and its Mercury-nominated platinum selling predecessor "Vehicles And Animals", Debtford's finest Athlete return with their eagerly anticipated third album "Beyond The Neighbourhood". Produced and recorded by the band themselves at their own studio in South East London, "Beyond The Neighbourhood" is a record of true progression and real quality. Its songs are built around the same effortless hooks and snagging melodies that have been Athlete's trademark since their debut single, "Westside", was released in March 2002. But the album glows with a new found musical confidence, showing big leaps in terms of ambition, scope and creativity.

                                                                                                                  Athlete

                                                                                                                  Hurricane

                                                                                                                  "Hurricane" is the first single to be taken from their forthcoming "Beyond The Neighbourhood" album.

                                                                                                                  FORMAT INFORMATION

                                                                                                                  CDS Info: The CD single includes "Lest We Forget".

                                                                                                                  Gorillaz

                                                                                                                  Demon Days Live

                                                                                                                    Over five nights last November the musical collaborators behind Gorillaz' smash hit second album "Demon Days" assembled in Manchester to take on the task of recreating the album live onstage. This was the very first live rendition of the record, as sanctioned by band members 2D, Murdoc, Russel and Noodle themselves. Murdoc and 2D were in the audience as some of the finest musicians in the world took to the stage to perform "Demon Days" from start to finish. "Gorillaz: Demon Days Live" DVD brings the whole huge experience to the small screen for the first time. This unique event featured appearances from Gorillaz co-creator Damon Albarn, Neneh Cherry, Bootie Brown, De La Soul, Ike Turner, Shaun Ryder, Roots Manuva, Martina Topley-Bird and pre-recorded contributions from MF Doom, Dennis Hopper and Ibrahim Ferrer. The band and guests were accompanied by an orchestra, a children's choir and the Manchester Community Gospel choir. The entire performance was set to a backdrop of specially designed visuals and animation by Gorillaz co-creator Jamie Hewlett.

                                                                                                                    Morning Runner

                                                                                                                    Wilderness Is Paradise Now

                                                                                                                    'Oasis meets the Libertines.. they've got the arch vocal snottiness of a Carl Barat down pat and a fantastic Gallagher-esque wall–of-guitars deafeningness thing going on, and although they fade to a single tenderly stroked piano, everything that has come before it has been at such a pants soiling volume, that you'd be a fool to lump them in with Coldplay and all their 2.0's'. - NME.

                                                                                                                    T'Ash returns and just like the reports say, he's more focused, more organic, and suddenly in the thick of things once again. There's no indulgence here, just ten really strong songs with a warmer, more live'n'direct feel about them. OK, it's still ballads and anthems (whaddaya want?!) but on "Why Not Nothing?" there's a drive and growl unlike anything he's done before, and the title track is a trippy power-groover, doomy yet uplifting. There's also a gorgeous track which uses a Curtis Mayfield string sample: only Richard Ashcroft could get away with calling a song "Music Is Power", and this one subtley rings the changes, too. I liked T'Ash in his money-to-burn, hazy, multi-tracked, never-never, post-Verve dreamland, but on this album he gets back to the world, back to reality. It's a beautiful thing!

                                                                                                                    Gorillaz

                                                                                                                    Dare

                                                                                                                    Following the runaway success of "Feel Good Inc", Gorillaz are back with "Dare". Featuring guest vocals from Shaun Ryder, coupled with the brilliant video and the most beguiling sing along tune you'll have heard in ages, "Dare" is shaping up to become a massive hit.

                                                                                                                    FORMAT INFORMATION

                                                                                                                    DVD single Info: The DVD features "Dare (Video)", "Samba At 13", "People" and "Dare (Animatic)".

                                                                                                                    The Divine Comedy

                                                                                                                    Come Home Billy Bird

                                                                                                                    Brand new single from Neil Hannon. Exclusive extra tracks on each format.

                                                                                                                    FORMAT INFORMATION

                                                                                                                    CDS Info: CD1 includes "Idaho" on the B-side.

                                                                                                                    Coldplay

                                                                                                                    Live 2003

                                                                                                                      Two disc set, a DVD and a CD. The DVD is live in Sydney, with multi-angle feature, lyrics links and tour diary documentary. The CD live in Sydney and includes a CD-Rom section.

                                                                                                                      Coldplay

                                                                                                                      Live 2003 Limited Edition

                                                                                                                        Two disc set, a DVD and a CD. The DVD is live in Sydney, with multi-angle feature, lyrics links and tour diary documentary. The CD live in Sydney and includes a CD-Rom section. This limited edition comes in special pull out packaging.

                                                                                                                        Jane's Addiction

                                                                                                                        True Nature

                                                                                                                        The opening track from their "Strays" album.

                                                                                                                        FORMAT INFORMATION

                                                                                                                        CDS2 Info: CDS2 includes "Just Because (Live)", "Stop! (Westwood One Session)" and the video for "True Nature".

                                                                                                                        CDS Info: CDS1 includes a live version of "Been Caught Stealing".

                                                                                                                        The Star Spangles

                                                                                                                        I Live For Speed

                                                                                                                        Way! 1979. I mean 2003! Riff-a-long-a chanty chorus new wave punk pop. Fast, catchy, done-in-a-garage and dripping with attitude, this sounds exactly like Stiff Little Fingers, or Ash (depending on your age) and when the singer sings: "Got my guitar, gonna be a star" you think: ROCK on (er..) dude!

                                                                                                                        FORMAT INFORMATION

                                                                                                                        CDS Info: The CD single features the tracks "I Live For Speed", "I Feel So Good" and "Climbing The Corporate Ladder".

                                                                                                                        The Star Spangles

                                                                                                                        Stay Away From Me

                                                                                                                        More brash, punk rock'n'roll from the New York no wave scene.

                                                                                                                        FORMAT INFORMATION

                                                                                                                        7" Info: The 7" includes "The Sins Of A Family Fall On The daughter".

                                                                                                                        Beverley Knight

                                                                                                                        Shape Of You (Reshaped) / Whatever's Clever (Mushtaq Mix)

                                                                                                                        "Shape Of You" has a great bumpy reggae / Bollywood- tinged hip hop-soul track produced by Wyclef Jean. The Mushtaq mix of "Whatever's Clever" is a solid bit of r'n'b - stripped-down and bass heavy.

                                                                                                                        George Harrison

                                                                                                                        Brainwashed

                                                                                                                        There is an inevitable poignancy about the release of "Brainwashed" the posthumous final solo album from George Harrison. Released on the first anniversary of his death in November 2001 it has been completed from the demo versions by Harrison's son Dhani and Jeff Lynne. It's distinctly 'George', lots of slide guitar and lyrics (some of the best he's ever written) centred on his own life and his spiritual and enviromental beliefs.

                                                                                                                        Radiohead

                                                                                                                        Amnesiac

                                                                                                                          The follow up to  "Kid A" finds Radiohead continuing their experiments of the previous album but with added structure and a stronger 'song' base. This all adds up to a phenomenal album of vision and depth that will disappoint no one.


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                                                                                                                          Record Store Day Black Friday November 29th 10am. Click the link to find out all the details and the records we’r… https://t.co/0cO0wW1SVc
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                                                                                                                          This time next week. Come and get your party hats on. https://t.co/Jov5j4buDg https://t.co/AiVK2lXC8P
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                                                                                                                          This should be a great screening. Thursday 12th of December @HOME_mcr Get the album here > The Wedding Present -… https://t.co/gAOyfioO3P
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                                                                                                                          Hope everyone enjoys the @liamgallagher gig tonight @ManchesterArena Make sure you pay us a visit today/tomorrow. W… https://t.co/O1dYICtbXi
                                                                                                                          Wed 20th - 4:14
                                                                                                                          The Clash - London Calling Heavy weight vinyl edition which has a special clear slip case printed w/ Ray Lowry’s… https://t.co/mN5sR5D5Eg
                                                                                                                          Wed 20th - 9:40
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