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POINT OF DEPARTURE

Soulsavers

20 - 20th Anniversary Edition

    Soulsavers announce the 20th anniversary reworking of their 2003 debut record, ‘Tough Guys Don’t Dance’.

    Remixed, remastered and with new artwork, ‘20’ is being reissued with a very special edition red vinyl pressing and is also available on streaming services for the first time.

    The record features Josh Haden of the band Spain, who was then fresh from releasing his own debut record, the ‘Blue Moods Of Spain’. Recorded between the band’s home in England and Haden’s base in Los Angeles, the record was made using all vintage electronic equipment.

    The music showcases more of the band’s love for Harmonia and Neu but is still rooted with a heavy influence of the cinematic sound of Ennio Morricone that would develop more with each record over the next two decades.

    TRACK LISTING

    1 Cabin Fever
    2 Rumblefish
    3 San Quentin Blues
    4 Down So Low
    1 Closer
    2 Love
    3 Down For The Count
    4 Precious Time
    5 Untitled #9

    Sandwell District

    WHERE NEXT ?

      Sandwell District are issuing a compilation of singles from the collective's history, entitled ‘WHERE NEXT ?’, featuring tunes by Function, Silent Servant, Regis and more, some of which have never previously been released.

      This release comes off the back of the reissue of their seminal album 'Feed Forward', released in 2023 as a 3LP boxset which sold out all 1000 copies almost immediately.

      The collective have also recently played festival sets in Germany (Atonal Fest), Japan (Rural Festival), Spain (MIRA Festival) and many more.

      STAFF COMMENTS

      Matt says: Nice and varied compilation from this pivotal and scene-defining label.

      TRACK LISTING

      1. Reykjavik
      2. Hypnotica Scale (Original Mix)
      3. Haiku (Regis Edit)
      4. Disaffected
      5. Violencia (Kalon Mix)
      6. Man Is The Superior Animal (Regis Original 12" MMx)
      7. Sampler 1 B1 (Regis Edit)
      8. Mad Youth (OD Edit)
      9. Discipline (OD Edit)
      10. Variance Variance (CH-Signal Laboratories Edit)
      11. Ember (New Mix)
      12. Inter

      Ed Harcourt

      Monochrome To Colour

        Haunting and other-worldly new record from Ed Harcourt, his ninth studio album and second release on Point Of Departure following 2018’s ‘Beyond The End’.

        Recorded at his own Wolf Cabin studio in rural Oxfordshire between January and October 2019, this beautiful 12-track album was written and produced entirely by Harcourt. It features Clive Deamer from Portishead on drums on three tracks, and Gita and Amy Langley on violin and cello respectively

        The new album is full of rapturous outreach. It was made with an interesting blend of instrumentation, ancient and modern. There’s a 1910 Hopkinson baby grand piano and also a dulcitone, a 19th-Century oddity where hammers strike an array of tuning forks.

        A much-acclaimed recording artist who released his Mercury Prize nominated debut ‘Here Be Monsters’ on Heavenly Records in 2001, in recent years Harcourt has gained acclaim for his songwriting for a variety of artists. He’s co-written songs with Marianne Faithfull, Lisa Marie Presley, Paloma Faith, Sophie Ellis-Bextor and Orbital’s Paul Hartnoll. He’s featured on albums with Mark Lanegan and alongside an intercontinental array of musicians, from Egypt and Tanzania to Argentina and Russia (this global cast featuring on the 2019 album ‘Beyond Music: Same Sky’). Moving from bands to the big screen, Ed has written for several soundtracks, including the recent superhero comedy Supervised and the 2014 drama Like Sunday, Like Rain.

        TRACK LISTING

        First Light
        Ascension
        Drowning In Dreams
        Her Blood Is Volcanic
        Only The Darkness
        Smiles For You
        Death Of The Siren
        After The Carnival
        Last Rites
        So Here’s To You, Hally
        Childhood
        King Raman
        Monochrome Into Colour

        An amorphous musical collective put together by Rich Machin and Duke Garwood, with a rolling cast of players assembled from the likes of Soulsavers, Spiritualized, Stereolab and Julian Cope. For Machin, Garwood and the other musicians (Ray Dickaty, Tim Lewis (aka Thighpaulsandra), Pete Marsh, Paul May Doggen), a sense of adventure and devil-may-care inventiveness took precedence over precise design when they started the recording process at Gabriel’s Real World studio in the autumn of 2017.

        'One of the big things I wanted to achieve with this record was breaking away from things being super planned out,' Machin explains. 'To actually just go into a studio without having everything mapped out in advance. And being comfortable enough to see what happens. It was incredibly stressful at first, but once you realize it works it’s actually a really nice way to work.'


        STAFF COMMENTS

        Barry says: Like a slo-mo distillation of Joe Henderson and Alice Coltrane, the quiet temple serve up a trundling jazzy bouquet brimming with languid psychedelic flourishes, slowly growing into a bloom otherworldly drone. Properly hypnotic and brilliantly emotive.

        TRACK LISTING

        The Last Opium Den (On Earth)
        The Bible Black
        Shades Of Gemini
        Rated
        Noah’s Theme
        Utopia & Visions

        Ed Harcourt

        Beyond The End

          A much acclaimed recording artist who released his Mercury Prize nominated debut, Here Be Monsters on Heavenly Records in 2001, in recent years his has gained acclaim for his songwriting for a variety of artists.

          The album, which follows Furnaces, his 2016 album for Polydor, sees Ed Harcourt add another new string to his multi-faceted musical bow. Something of a left-turn after its busy, big-screen, somewhat under-appreciated predecessor, it sees the supremely versatile singer, writer and all-round instrumentalist bravely eschew vocals and lyrics and create a soft-spoken yet emotionally loquacious group of piano-led instrumentals, as if sound-tracking an as yet invisible film, or responding to today’s ferocious shouting match of a planet with a mesmerizing, meditative calm. “The world that we live in, we’re exhausted by the internet, social media, the sheer barrage of news and vomit being rained down us on a daily basis. You can’t avoid it, and it’s tiring. So this record came from taking a step back – it’s something that’s trying to be beautiful. My hope is that people might choose to swim amongst this music when it all gets too much.”

          Talking about the gestation of the album, which was written and recorded at his ‘Wolf Cabin’ studio in Oxfordshire Harcourt said, “I knew I wanted to buy a new piano. Eventually I found this 1910 Hopkinson Baby Grand, which is exactly the same make and era as my grandmother’s piano which I started learning on and wrote my first three records on. I felt at home again. I needed a break from singing and lyrics so I began writing instrumental music. I grew up listening to and playing Debussy, Satie, Mozart, Grieg, as well as modern composers like Max Richter, Philip Glass, Arvo Part. I also loved Warren Ellis (with whom Harcourt worked on the new Marianne Faithfull album) and Nick Cave’s score for The Assassination Of Jesse James… 


          TRACK LISTING

          1. Diving Bell
          2. Wolves Change Rivers
          3. Duet For Ghosts
          4. Empress Of The Lake
          5. Keep Us Safe
          6. Faded Photographs
          7. For My Father
          8. For My Mother
          9. Beneath The Brine
          10. There Is Still A Fire
          11. Circling Red Kites
          12. Whiskey Held My Sleep To Ransom


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