THIS IS A BLACK FRIDAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON FRIDAY NOVEMBER 29TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8AM ON SATURDAY NOVEMBER 30TH).

With a million preorders for “I Want To Hold Your Hand” in the UK, the single shot to number 1 in December 1963 knocking The Beatles’ own “She Loves You” from the top spot. This was to be the first official single for The Beatles on Capitol records and was backed by an extraordinary marketing campaign. With “I Saw Her Standing There” replacing “This Boy” for the other side, the single was rush-released in the USA in January 1964, climbing to number 1 on the Hot 100 by 1st February. Remaining on the chart for 15 weeks, it went on to sell more than 12 million copies worldwide – and with it, an unstoppable force was unleashed and Beatlemania had truly arrived.

Cut from the original US version of the master tapes by Kevin Reeves in Nashville, using all-analogue cutting process and using the original replica artwork.

Celebrating the 30th anniversary of Weezer’s career-defining, self-titled debut album, also known as the “Blue Album.”

An instantly recognizable cultural touchstone of the 1990s, Weezer (the Blue Album) has garnered such a firm place in the musical pantheon of the last three decades that it serves as an entry point into music for nascent listeners. A testament to the band’s staying power, tracks like “Buddy Holly” and “Say It Ain’t So” have earned hundreds of millions of streams and endless placements in TV shows and movies.

Super Deluxe 4LP + 10" + 7" // Product Description
Often revered as one of the most important debut albums of all-time, Weezer’s “blue” album celebrates 30 years with an extensive Super Deluxe boxset featuring four 12-inch 180-gram LPs, a 10-inch EP and 7-inch. The album has been newly remastered from the original analog tapes and the set includes 50 total tracks with 36 previously unreleased, including 8 Kitchen Tape Demos, 22 early practices & live recordings, 6 BBC radio recordings (2 never broadcasted) and 4 tracks from their LMU sessions. Karl Koch updates the history on the album with new liner notes in issue #18 of the weezine, along with laying out all of the artwork throughout the boxset filled with unreleased photos. The boxset showcases sweater embossed graphics along with a blue thread that’s pullable (& retractable), 4 lithographs, a poster for the garage, song-themed sticker sheet, 12-sided dice and an enamel Bokkus pin.

Deluxe 3CD // Product Description
Often revered as one of the most important debut albums of all-time, Weezer’s “blue” album celebrates 30 years with an extensive Deluxe 3CD boxset. The album has been newly remastered from the original analog tapes and the set includes 50 total tracks with 36 previously unreleased, including 8 Kitchen Tape Demos, 22 early practices & live recordings, 6 BBC radio recordings (2 never broadcasted) and 4 tracks from their LMU sessions. Karl Koch updates the history on the album with new liner notes in issue #18 of the weezine, along with laying out all of the artwork throughout the boxset filled with unreleased photos. The boxset comes with 4 lithographs, a poster for the garage, song-themed sticker sheet, 12-sided dice and an enamel Bokkus pin.

TRACK LISTING

SUPER DELUXE 4-LP + 10-INCH + 7-INCH
LP ONE SIDE A – ALBUM REMASTERED
My Name Is Jonas
No One Else
The World Has Turned And Left Me Here
Buddy Holly
Undone – The Sweater Song
Surf Wax America
LP ONE SIDE B – ALBUM REMASTERED
Say It Ain’t So
In The Garage
Holiday
Only In Dreams

LP TWO SIDE A – THE KITCHEN TAPE DEMOS
Say It Ain’t So - Previously Unreleased
The World Has Turned And Left Me Here - Previously Unreleased
Paperface
Undone – The Sweater Song
LP TWO SIDE B – THE KITCHEN TAPE DEMOS
Thief, You’ve Taken All That Was Me - Previously Unreleased
My Name Is Jonas - Previously Unreleased
Let’s Sew Our Pants Together - Previously Unreleased
Only In Dreams

LP THREE SIDE A – THE EARLY RECORDINGS
I Can’t Forget This Way (Third Practice) - Previously Unreleased
Undone – The Sweater Song (Third Practice) - Previously Unreleased
The World Has Turned And Left Me Here (Third Practice) - Previously Unreleased
Windows Down (Garage Practice) - Previously Unreleased
My Name Is Jonas (Garage Practice)- Previously Unreleased
LP THREE SIDE B – THE EARLY RECORDINGS
Only In Dreams (Garage Practice) - Previously Unreleased
Superman (Garage Practice) - Previously Unreleased
Dawn Sets Upon Us (Garage Practice) - Previously Unreleased
Just What I Needed (Rehearsal Demo) - Previously Unreleased
Buddy Holly (Rehearsal Demo) - Previously Unreleased

LP FOUR SIDE A – THE EARLY LIVE RECORDINGS
Let’s Sew Our Pants Together (Live At 8121 Club) - Previously Unreleased
Paperface (Live At 8121 Club) - Previously Unreleased
Only In Dreams (Live At 8121 Club) - Previously Unreleased
Conversationalist (Wax Cover/Adaptation) (Live At Coconut Teaszer) - Previously Unreleased
Undone – The Sweater Song (Live At English Acid) - Previously Unreleased
My Name Is Jonas (Live At English Acid) - Previously Unreleased
LP FOUR SIDE B – THE EARLY LIVE RECORDINGS
No One Else (Live At Club Lingerie) - Previously Unreleased
The World Has Turned And Left Me Here (Live At Club Lingerie) - Previously Unreleased
Jamie (Live At Club Lingerie) - Previously Unreleased
Lullabye For Wayne (Live At Club Lingerie) - Previously Unreleased
Say It Ain’t So (Live At Club Lingerie) - Previously Unreleased
China Grove (Live At Club Lingerie) - Previously Unreleased

10-INCH – BBC RECORDINGS - Side A: 45RPM
My Name Is Jonas (Live On BBC Evening Sessions) - Previously Unreleased
In The Garage (Live On BBC Evening Sessions) - Previously Unreleased
No One Else (Live On BBC Evening Sessions) - Previously Unreleased
10-INCH – BBC RECORDINGS - Side B: 45RPM
Surf Wax America (Live On BBC Evening Sessions)- Previously Unreleased
Buddy Holly (Acoustic – Live On Greater London Radio)- Previously Unreleased
Undone – The Sweater Song (Acoustic – Live On Greater London Radio) - Previously Unreleased

7-INCH – LMU SESSIONS - Side A: 33-1/3RPM
Jamie (Take 6)
My Name Is Jonas - Previously Unreleased
7-INCH – LMU SESSIONS - Side B: 33-1/3RPM
Jamie (Take 5) - Previously Unreleased
Lullabye For Wayne - Previously Unreleased

DELUXE 3CD
CD ONE
My Name Is Jonas
No One Else
The World Has Turned And Left Me Here
Buddy Holly
Undone – The Sweater Song
Surf Wax America
Say It Ain’t So
In The Garage
Holiday
Only In Dreams
My Name Is Jonas (Live On BBC Evening Sessions) - Previously Unreleased
In The Garage (Live On BBC Evening Sessions) - Previously Unreleased
No One Else (Live On BBC Evening Sessions) - Previously Unreleased
Surf Wax America (Live On BBC Evening Sessions) - Previously Unreleased
Buddy Holly (Acoustic – Live On Greater London Radio) - Previously Unreleased
Undone – The Sweater Song (Acoustic – Live On Greater London Radio) - Previously Unreleased

CD TWO
Say It Ain’t So (The Kitchen Tape Demos)- Previously Unreleased
The World Has Turned And Left Me Here (The Kitchen Tape Demos)- Previously Unreleased
Paperface (The Kitchen Tape Demos)
Undone – The Sweater Song (The Kitchen Tape Demos)
Thief, You’ve Taken All That Was Me (The Kitchen Tape Demos)- Previously Unreleased
My Name Is Jonas (The Kitchen Tape Demos)- Previously Unreleased
Let’s Sew Our Pants Together (The Kitchen Tape Demos)- Previously Unreleased
Only In Dreams (The Kitchen Tape Demos)
I Can’t Forget This Way (Third Practice) - Previously Unreleased
Undone – The Sweater Song (Third Practice) - Previously Unreleased
The World Has Turned And Left Me Here (Third Practice) - Previously Unreleased
Windows Down (Garage Practice) - Previously Unreleased
My Name Is Jonas (Garage Practice) - Previously Unreleased
Only In Dreams (Garage Practice) - Previously Unreleased
Superman (Garage Practice) - Previously Unreleased
Dawn Sets Upon Us (Garage Practice) - Previously Unreleased
Just What I Needed (Rehearsal Demo) - Previously Unreleased
Buddy Holly (Rehearsal Demo) - Previously Unreleased

Every now and again, the world of music throws up a record that is out of the ordinary, something in its timing, quality and spirit that just feels right. The Verve’s 1997 album Urban Hymns, released on September 29th 1997, was one such record. The album spawned three highly successful singles. The first was the epoch-making worldwide smash Bitter Sweet Symphony, which trailered the album and became the sound of the summer. It was followed in the UK by The Drugs Don’t Work (No. 1) and Lucky Man (No. 7).

The debut solo album from the influential British folk-rock pioneer Richard Thompson - Originally released on Island in 1972, the album showcases Thompson's remarkable, singular talent.

Feted as their lead writer, Richard Thompson left Fairport Convention, the group he founded in 1967, in early 1971. Recorded at Joe Boyd's legendary Sound Techniques studio in Chelsea in February 1972, Henry The Human Fly was a 37-minute collection of everything that makes Thompson so cherished today – well-written vignettes with an emphasis on shadow, a cast of curious characters, all wrapped in his warm folk-based musical drone.

Backed with some of the biggest names in field (Sandy Denny, Barry Dransfield, Ashley Hutchings), Henry The Human Fly showcases Thompson at an early peak. Among its 12 tracks, Nobody's Wedding borrows heavily from the traditional Irish air, Marie's Wedding; The Angels Took My Race Horse Away features Thompson's distinctive guitar playing, part- Django Reinhardt, part- Lou Reed. There is the delightful harp melody of The Old Changing Way; the eerie Salvation Army band nativity of Mary & Joseph – there is much to savour.

This re-issue faithfully replicates the original 1972 Island Records UK release and is pressed onto high quality 180g vinyl.

To celebrate the 15th anniversary of their debut album, ‘St. Jude’, Courteeners release the 15th Anniversary Edition of the iconic album.

The album originally peaked in the UK album chart at #4 in April 2008, so the aim is to surpass the previous peak position.

TRACK LISTING

2LP COLOURED VINYL (INDIES EXCLUSIVE):
LP1 Side A
Aftershow
Cavorting
Bide Your Time
What Took You So Long
Please Don't
If It Wasn't For Me
LP1 Side B
No You Didn't, No You Don't
How Come
Kings Of The New Road
Not Nineteen Forever
Fallowfield Hillbilly
Yesterday, Today & Probably Tomorrow

LP2 Side A
Cavorting (Original Recording)
No You Didn't, No You Don't (Original Recording)
Acrylic
Kimberley
An Ex Is An Ex For A Reason
LP2 Side B
Bide Your Time (Acoustic)
Acrylic (Acoustic)
What Took You So Long? (Acoustic)
Not Nineteen Forever (Acoustic)
No You Didn’t, No You Don’t (Acoustic)
That Kiss (Acoustic)

2CD TRACKLISTING:
CD1
Aftershow
Cavorting
Bide Your Time
What Took You So Long
Please Don't
If It Wasn't For Me
No You Didn't, No You Don't
How Come
Kings Of The New Road
Not Nineteen Forever
Fallowfield Hillbilly
Yesterday, Today & Probably Tomorrow
Acrylic
That Kiss
It’ll Take More Than A Weekend Away To Fix This Mess
Smith’s Disco
Trying Too Hard To Score
Slow Down
Not One Could I Give

CD2
Jacket
Saw This And Fort Of You
Car 31
I’m Sticking With You
About You Now
Dream A Little Dream Of Me
New Romantic
Out To Get You
Cavorting (Original Recording)
No You Didn't, No You Don't (Original Recording)
Kimberley
An Ex Is An Ex For A Reason
Bide Your Time (Acoustic)
Acrylic (Acoustic)
What Took You So Long? (Acoustic)
Not Nineteen Forever (Acoustic)
No You Didn’t, No You Don’t (Acoustic)
That Kiss (Acoustic)

THIS IS A BLACK FRIDAY 2022 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON FRIDAY NOVEMBER 25TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8AM ON SATURDAY NOVEMBER 26TH).

TRACK LISTING

Open
High
Apart
From The Edge Of The Deep Green Sea
Wendy Time
Doing The Unstuck
Friday I’m In Love
Trust
A Letter To Elise
Cut
To Wish Impossible Things
End

‘Blemish’ was David Sylvian’s first solo album to be released on his own Samadhisound label following his departure from Virgin Records in 2003. This is the first official release on 180gram vinyl.

Working primarily as a solo artist, Sylvian created an impromptu suite of songs for guitar, electronics and voice. The compositions were crafted from improvisational sessions by Sylvian and the acclaimed free-jazz guitarist, Derek Bailey on 3 tracks.

“A Fire In A Forest” features the haunting electronic arrangements by Austrian guitarist / producer Christian Fennesz.

TRACK LISTING

Side A
Blemish (13:42)
The Good Son (5:25)
The Only Daughter (5:28)
Side B
The Heart Knows Better (7:52)
She Is Not (0:45)
Late Night Shopping (2:54)
How Little We Need To Be Happy (3:22)
A Fire In The Forrest (4:14)
Trauma (5:42) 

FOREVERANDEVERNOMORE is the 22nd solo studio album from Brian Eno and the first since January 2017’s Reflection. The 10-track album was recorded and produced by him at his studio in West London and sees Eno singing on the majority of tracks. It’s a sonically beguiling, ultimately optimistic exploration of the narrowing, precarious future of humanity and our planet. As Eno himself concludes, “Briefly, we need to fall in love again, but this time with Nature, with Civilisation and with our hopes for the future.”

Making gardens out of silence in an uncanny valley was originally included in an audio installation which is Brian Eno’s contribution to the London Serpentine’s long-term, interdisciplinary programme addressing the ongoing climate emergency, Back To Earth. 

TRACK LISTING

1. Who Gives A Thought
2. We Let It In
3. Icarus Or Blériot
4. Garden Of Stars
5. Inclusion
6. There Were Bells
7. Sherry
8. I’m Hardly Me
9. These Small Noises
10. Making Gardens Out Of Silence

To celebrate the 50th anniversary of Rory Gallagher’s “Deuce” sophomore solo album from 1971, a cut-down version of a deluxe boxset of the album is presented which will include a new mix of the original album, previously unreleased alternate takes and radio bremen radio session tracks.

TRACK LISTING

Side A
1. Used To Be - 50th Anniversary Edition
2. I'm Not Awake Yet - 50th Anniversary Edition
3. Don't Know Where I'm Going - 50th Anniversary Edition
4. Maybe I Will - 50th Anniversary Edition
5. Whole Lot Of People - 50th Anniversary Edition
Side B
1. In Your Town - 50th Anniversary Edition
2. Should've Learnt My Lesson - 50th Anniversary Edition
3. There's A Light - 50th Anniversary Edition
4. Out Of My Mind - 50th Anniversary Edition
5. Crest Of A Wave - 50th Anniversary Edition
Side C
1. Used To Be - Alternate Take 1
2. I'm Not Awake Yet - Alternate Take 1
3. Maybe I Will - Alternate Take 1
4. Whole Lot Of People - 12 String Acoustic Alternate Take 1
Side D
1. In Your Town - Alternate Take 3
2. Should've Learnt My Lesson - Alternate Take 3
3. There's A Light - Alternate Take 1
4. Out Of My Mind - Alternate Take 3
Side E
1. Crest Of A Wave - Alternate Take 2
2. Crest Of A Wave - Radio Bremen 21/12/1971
3. Don't Know Where I'm Going - Radio Bremen 21/12/1971
4. I Could've Had Religion - Radio Bremen 21/12/1971
Side F
1. Should've Learnt My Lesson - Radio Bremen 21/12/1971
2. For The Last Time - Radio Bremen 21/12/1971
3. Messin' With The Kid - Radio Bremen 21/12/1971
4. Pistol Slapper Blues - Radio Bremen 21/12/1971

David Sylvian describes his 2nd solo album for his own Samadhisound label as being: “A modern kind of chamber music. Intimate, dynamic, emotive, democratic, economical”.

Recorded in London, Vienna and Tokyo, the 8 songs and 1 instrumental on ‘Manafon’ bring together “the world’s leading improvisors, and innovators, artists who explore free improvisation, space-specific performance and live electronics” including Evan Parker, Keith Rowe, Christian Fennesz, Sachiko M, Otomo Yoshihide, John Tilbury and members of Polwechsel.

This is the first time on 180gram vinyl for this 2LP set.

TRACK LISTING

LP1
Side A
Small Gods (5:49)
The Rabbit Skinner (4:42)
Random Acts If Senseless Violence (7:06)
Side B
The Greatest Living Englishman (10:55)
125 Spheres (0:29)
LP2
Side C
Snow White In Appalachia (6:36)
Emily Dickinson (6:25)
The Department Of Dead Letters (2:26)
Side D
Manafon (5:23)
Random Acts Of Senseless Violence – Dai Fujikura Remix (6:24) 

NOT FOR SALE ONLINE - PRICE IS £117.99 - See Instore for ordering details...

To celebrate the 30th anniversary of Beastie Boys’ multi-platinum album Check Your Head, UMC release a limited-edition reissue of the rare 4LP deluxe version of the album, originally released in 2009 as an artist store exclusive. The long out-of-print and much sought-after box set features the 2009 remaster of the original double album, plus two extra LPs of bonus content including remixes, live versions, and B-sides. All four LPs are pressed on 180-gram vinyl and housed in a fabric wrapped, stamped, hardcover case.

Originally released in April 1992, Check Your Head was a milestone for Beastie Boys on multiple levels: It was their first album to be produced, in its entirety, by Beastie Boys with Mario Caldato Jr. and to feature keyboard player Keyboard Money Mark, as well as the first to be recorded at the band’s own G-Son studios in Atwater Village, CA. Most significantly, however, Check Your Head marked the return of live instrumentation to the forefront and backbone of the Beastie Boys sound, with the bulk of the album featuring Mike D on drums, Adrock on guitar and MCA on bass for the first time since the band’s early 1980s hardcore punk recordings.

A stunning, limited-edition, bespoke box set featuring authentic reproductions of The Rolling Stones original London and Decca labels singles and E.P.s, as released in the 1960s. Featuring original packaging, including coveted picture sleeves.

Includes three early, multi-track E.P.s: The Rolling Stones E.P, Five By Five and Got Live If You Want It!

Non-studio album tracks featured on the first two Decca singles: Come On / I Want To Be Loved (UK 1963) and I Wanna Be Your Man / Stoned (UK 1964).
Rare non-LP B-side track – Sad Day, flip of 19th Nervous Breakdown.

(I Can’t Get No) Satisfaction and Get Off Of My Cloud, each with alternate London and Decca B-sides (one US, one UK). The lesser-known organ intro version of Time Is On My Side is a featured London US A-side.

18 black high-quality vinyl 7” singles in full-colour picture sleeves.

32-page book with extensive liner notes by Rolling Stones authority Nigel Williamson alongside rare photos and ephemera.

A set of five photo cards and a full-colour poster, all housed in a hard-shell ‘lift-off lid box.

This is the first time the early Rolling Stones catalogue has been collected on 18 vinyl 45 RPM 7” singles. Volume one of two limited edition box sets (Volume Two will follow soon) that are a comprehensive chronological overview of The Rolling Stones early career as pop chart hitmakers.

TRACK LISTING

Come On / I Want To Be Loved (UK 1963) [ 7"1 ]
Come On
I Want To Be Loved

I Wanna Be Your Man / Stoned (UK 1963 / US 1964) [ 7" 2 ]
I Wanna Be Your Man
Stoned

The Rolling Stones EP – Bye Bye Johnny / Money / You Better Move On / Poison Ivy (UK 1964) [ 7" 3 ]
Bye Bye Johnny
Money
You Better Move On
Poison Ivy

Not Fade Away / Little By Little - UK B-side (UK 1964) (US 1964 B-side Was I Wanna Be Your Man) [ 7" 4 ]
Not Fade Away
Little By Little

Tell Me / I Just Want To Make Love To You (US 1964) [ 7" 5 ]
Tell Me
I Just Want To Make Love To You

It's All Over Now / Good Times, Bad Times (UK 1964 / US 1964) [ 7" 6 ]
It's All Over Now
Good Times, Bad Times
Five X Five EP - If You Need Me / Empty Heart / 2120 South Michigan

Avenue / Confessin’ The Blues / Around & Around (UK 1964) [ 7" 7 ]
If You Need Me
Empty Heart
2120 South Michigan Avenue
Confessin’ The Blues
Around & Around

Time Is On My Side / Congratulations (US 1964) [ 7" 8 ]
Time Is On My Side
Congratulations

Little Red Rooster / Off The Hook (UK 1964) [ 7" 9 ]
Little Red Rooster
Off The Hook

Heart Of Stone / What A Shame (US 1964) [ 7" 10 ]
Heart Of Stone
What A Shame

The Last Time / Play With Fire (UK 1965 / US 1965) [ 7" 11 ]
The Last Time
Play With Fire

Got Live If You Want It! EP – (UK June 1965) We Want The Stones / Everybody Needs Somebody To Love/Pain In My Heart / Route 66 / I'm
Moving On / I'm Alright [ 7" 12 ]
We Want The Stones
Everybody Needs Somebody To Love
Pain In My Heart
Route 66
I'm Moving On
I'm Alright

(I Can't Get No) Satisfaction / The Under Assistant West Coast Promotion Man – US B-side (US 1965) [ 7" 13 ]
(I Can't Get No) Satisfaction
The Under Assistant West Coast Promotion Man

(I Can't Get No) Satisfaction / The Spider And The Fly – UK B-side (UK 1965) [ 7" 14 ]
(I Can't Get No) Satisfaction
The Spider And The Fly

Get Off My Cloud / I’m Free – US B-side (US 1965) [ 7" 15 ]
Get Off My Cloud
I’m Free

Get Off My Cloud / The Singer Not The Song - UK B-side (UK 1965) [ 7" 16 ]
Get Off My Cloud
The Singer Not The Song

As Tears Go By / Gotta Get Away (US 1965) [ 7" 17 ]
As Tears Go By
Gotta Get Away

19th Nervous Breakdown / Sad Day - US B-side (US 1966) [ 7" 18 ]
19th Nervous Breakdown
Sad Day - US B-side

Vinyl reissue with two newly added bonus tracks, “Soba Violence,” and a rare cover of “Light My Fire.” Previously released on clear vinyl for Record Store Day 2021, this is the standard black 180g vinyl format.

A 50th anniversary release of the classic 1970 LP from Van Der Graaf Generator. Newly remastered from the original first-generation master tapes. Includes rare poster.

'The Least We Can Do Is Wave To Each Other', is technically the second Van Der Graaf Generator album, but is the first with the full band. Recorded in late 1969 at the cutting edge Trident Studios, 'The Least We Can Do Is Wave To Each Other' was listed at #15 on Q & Mojo's "Top 40 Cosmic Rock Albums". An absolute classic of British progressive space rock.

A facsimile LP edition of the classic album from Van der Graaf Generator. Newly remastered from the original first-generation master tapes, featuring “Killer”, “House With No Door”, “Pioneers Over C”. One of the defining progressive rock releases of its era.

A facsimile LP edition of the classic 1975 album from Van der Graaf Generator. Newly remastered from the original first-generation master tapes. 

1975s "Godbluff" saw a change of direction for Van Der Graaf Generator as they expanded on the darker introspective sound that Hammill had been developing in his solo work.

In 1973 Roxy Music followed up their debut album with ‘For Your Pleasure’. This time the band were able to spend more time in the studio, resulting in the production values being more elaborate and experimental, Brian Eno’s blend of tape loop effects abundantly apparent on “The Bogus Man” and “Do the Strand” has been called the archetypal Roxy Music anthem. Ascending the charts “For Your Pleasure” would earn Roxy Music a UK No 4 position. Each Roxy Music album has been Re-Issued with a fresh Half-Speed cut by Miles Showell at Abbey Road Studios. London. To reflect the audio, all eight of the Roxy Music studio albums have had their artwork revised and with a gloss laminated finish so that each album is not just a record it’s a piece of art.

TRACK LISTING

Side A
Do The Strand
Beauty Queen
Strictly Confidential
Editions Of You
In Every Dream Home A Heartache
Side B
The Bogus Man
Grey Lagoons
For Your Pleasure

Roxy Music’s self-titled seminal classic released in 1972 firmly put Bryan Ferry and Eno at the forefront of the art-rock movement, their penchant for glamour was showcased in the lyrics and immortalised in the 1950s-style album cover. Debuting in the UK Top 10 the album would go on to become one of the pioneering art rock albums of all time. Each Roxy Music album has been Re-Issued with a fresh Half-Speed cut by Miles Showell at Abbey Road Studios. London. To reflect the audio, all eight of the Roxy Music studio albums have had their artwork revised and with a gloss laminated finish so that each album is not just a record it’s a piece of art.

TRACK LISTING

Side A
Re-Make/Re-Model
Ladytron
If There Is Something
2HB
Side B
The Bob (Medley)
Chance Meeting
Would You Believe?
Sea Breezes
Bitters End

AVAILABLE ONLINE ON SATURDAY NOVEMBER 27TH FROM 8AM.

LIMITED TO ONE PER PERSON.

Celebrating the 40th anniversary of the U2 single ‘Gloria’, originally released as a single in October 1981, the second single to be taken from U2’s second studio album October. It remains a staple in U2’s live set ever since.This 40th anniversary limited edition EP includes the studio version of ‘Gloria’ plus three live versions from three different decades.The 1990s are represented by the Point Depot show on the band’s home turf of northside Dublin (track A2). Although ticketed as 31st December 1989, the show started at midnight on 1st January 1990 and was broadcast across Europe at the time.Side B contains two previously unreleased live recordings of ‘Gloria’ – recorded at the Fleet Center in Boston during the Vertigo tour in 2005, and at London’s O2 Arena during the third night of their run of shows in the English capital as part of the iNNOCENCE + eXPERIENCE Tour in 2015.

TRACK LISTING

Side A
1. Gloria (Studio Version)
2. Gloria (Live From The LoveTown Tour, The Point Depot, Dublin, 31st December 1989) – Currently Unavailable
Side B
1. Gloria (Live From The Vertigo Tour, Boston, 26th May 2005) – Previously Unreleased
2. Gloria (Live From The INNOCENCE + EXPERIENCE Tour, London, 29th October 2015) – Previously Unreleased

AVAILABLE ONLINE ON SATURDAY NOVEMBER 27TH FROM 8AM.

LIMITED TO ONE PER PERSON.

A crazy 22-track collection containing some of the biggest dance craze hits from the Philadelphia label that got the world dancing in the early 1960sIncludes tracks by Cameo Parkway’s biggest stars: Chubby Checker, Bobby Rydell, Dee Dee Sharp, The Orlons and The Dovells as well as R&B greats Don Covay and The Turbans. Twelve Top 40 hits including three number 1 chart toppers!Chubby Checker’s original hit version of “The Twist,” which has the distinction of being the only single of the rock era to reach number 1 twice in two consecutive years, is included. Features an essay by acclaimed rock & roll and R&B historian John Broven. Mastered from the original master tapes from ABKCO’s Cameo Parkway archive
Bespoke printed inner bags including extensive liner notes and period photos.

If at first you don’t succeed, try again…

Sex Pistols 76/77, features no less than 80 alternate versions of tracks recorded between May 1976 and Sept 1977 that would help form the legendary album NMTB’s. This set includes 8 previously unreleased versions and 30 tracks available for the first time digitally.

Background:

The Sex Pistols as we know them, John, Paul, Steve and Glen, got together in the summer of 1975. It would be some 10 months before they first ventured into a recording studio with Chris Spedding, on May 15th 1976 at Majestic in London. Later that July they’d record first at Decibel and then at Riverside with Dave Goodman and subsequently at Landsdown and Wessex later that October. All these early recording sessions are included here, giving listeners the opportunity to hear just how the songs and the band’s sound evolved from the start.

During this period the band signed to EMI and also undertook sessions at their Manchester Square studio. Again these recordings are included on this set.

After issuing Anarchy In The UK, the adverse publicity around it and the band’s TV appearance (in place of Queen) on Bill Grundy’s ITV show on Dec 1st 1976, EMI would drop them on Jan 6th1977. The band kept the record company advance of £40K and promptly got together again with Dave Goodman at Eden and Gooseberry studios and carried on recording. Glen would depart in February and be replaced by Sid Vicious.

They then signed to A&M on March 9th (£150K), re-staging the signing outside Buckingham Palace the following day for the press. A&M quickly began pressing the single God Save The Queen for a March 25th release. 25K units were created but on release day A&M announced they’d pulled the single and dropped the band and would destroy the records. Meanwhile the band kept £75K in compensation and recording sessions continued.

Friday the 13th…..lucky for some? On Friday May 13 they signed to Virgin records and would continue recording right up until Sept 1977, with NMTB’s being released the following month.

76/77 shows just how NMTB’s came to be. There was no luck, instead inspiration, creativity and hard graft.

TRACK LISTING

CD1
Problems
Pretty Vacant
No Feelings (Take 1)
No Feelings (Unreleased Take 2)
No Feelings (Unreleased Take 3)
Submission
Seventeen
Satellite
I Wanna Be Me
Pretty Vacant
Arnarch In The UK
No Feelings
Anarchy Un The UK
Substitue
(Don't Gove Me) No Lip
(I'm Not Your) Stepping Stone
Johnny B Goode
Road Runner
Watcha Gonna Do About It?
Through My Eyes
No Fun (Full 7 Minute Version)

CD2
Anarchy In The UK (Instrumental (Manchester Square Backing Track)) [Mike Thorne Machester Square Studio Session Dec 11th 1976]
No Future (aka GSTQ) [Mike Thorne Machester Square Studio Session Dec 11th 1977]
Liar [Mike Thorne Machester Square Studio Session Dec 11th 1978]
Problems (Manchester Square Demos)) [Mike Thorne Machester Square Studio Session Dec 11th 1979]
God Save The Queen (Instrumental) [Mike Thorne Machester Square Studio Session Dec 11th 1980]
Pretty Vacant (Instrumental) [Mike Thorne Machester Square Studio Session Dec 11th 1981]
No Feelings (Instrumental (EMI Backing Tracks For TV)) [Mike Thorne Machester Square Studio Session Dec 11th 1982]
New York [Dave Goodman Eden Studio Mixes January 28th 1977 (recorded At Gooseberry Studios Jan 1977)]
Unlimited Edition (aka EMI) [Dave Goodman Eden Studio Mixes January 28th 1977 (recorded At Gooseberry Studios Jan 1977)]
Liar [Dave Goodman Eden Studio Mixes January 28th 1977 (recorded At Gooseberry Studios Jan 1977)]
Pretty Vacant [Dave Goodman Eden Studio Mixes January 28th 1977 (recorded At Gooseberry Studios Jan 1977)]
Problems [Dave Goodman Eden Studio Mixes January 28th 1977 (recorded At Gooseberry Studios Jan 1977)]
No Future (aka GSTQ) [Dave Goodman Eden Studio Mixes January 28th 1977 (recorded At Gooseberry Studios Jan 1977)]
God Save The Queen (Unreleased Instrumental ) [Dave Goodman Eden Studio Mixes January 28th 1977 (recorded At Gooseberry Studios Jan 1977)]
Pretty Vacant [Dave Goodman Riverside Studio Mixes 31/5/77 (Recorded At Denmark Street July 1976 But Mixed 1977)]
Seventeen [Dave Goodman Riverside Studio Mixes 31/5/77 (Recorded At Denmark Street July 1976 But Mixed 1977)]
Satellite [Dave Goodman Riverside Studio Mixes 31/5/77 (Recorded At Denmark Street July 1976 But Mixed 1977)]
No Feelings [Dave Goodman Riverside Studio Mixes 31/5/77 (Recorded At Denmark Street July 1976 But Mixed 1977)]
I Wanna Be Me [Dave Goodman Riverside Studio Mixes 31/5/77 (Recorded At Denmark Street July 1976 But Mixed 1977)]
Submission [Dave Goodman Riverside Studio Mixes 31/5/77 (Recorded At Denmark Street July 1976 But Mixed 1977)]
Anarchy In The UK [Dave Goodman Riverside Studio Mixes 31/5/77 (Recorded At Denmark Street July 1976 But Mixed 1977)]

CD3
Anarchy In The UK (Wessex Studios Rejected Version Oct. 1976) [Wessex Studio]
Did You Know Wrong (Alternative Vocal March 3rd 1977) [Wessex Studio]
17 (Alternative Vocal March April 21st 1977) [Wessex Studio]
Satellite (Rough Mix April 22 1977) [Wessex Studio]
Submission (Rough Mix April 22 1977) [Wessex Studio]
Holidays In The Sun (Rough Mix April 22 1977) [Wessex Studio]
EMI (Rough Mix April 22 1977) [Wessex Studio]
17 (Rough Mix May 16 1977) [Wessex Studio]
Holidays In The Sun (Alterntive Mix June 11 1977) [Wessex Studio]
Body (Demo & The Banter June 11 1977) [Wessex Studio]
Submission (Alternative Mix August 12 1977) [Wessex Studio]
EMI (Outtake - March 3rd 1977 ) [Chris Thomas NMTB Sessions, Wessex Studios March - August 1977]
God Save The Queen (Outtake - March 3rd 1977 ) [Chris Thomas NMTB Sessions, Wessex Studios March - August 1978]
Bodies (Outtake - Instrumental June 18th 1977 ) [Chris Thomas NMTB Sessions, Wessex Studios March - August 1979]
EMI (Outtake - August 12th 1977 ) [Chris Thomas NMTB Sessions, Wessex Studios March - August 1980]
Satellite (Outtake - August 12th 1977 ) [Chris Thomas NMTB Sessions, Wessex Studios March - August 1981]
Submission (Version 1 - Alternative Mix - August 12th 1977) [Chris Thomas NMTB Sessions, Wessex Studios March - August 1982]
EMI (Alternative Mix - April 22nd 1977) [Chris Thomas NMTB Sessions, Wessex Studios March - August 1983]
Seventeen (Alternative Mix - April 21st 1977) [Chris Thomas NMTB Sessions, Wessex Studios March - August 1984]
No Feelings (Alternative Mix - April 14th 1977) [Chris Thomas NMTB Sessions, Wessex Studios March - August 1985]
Submission (Version 2 - Alternative Mix - August 12th 1977) [Chris Thomas NMTB Sessions, Wessex Studios March - August 1986]
Belson Was A Gas (Demo) [John Boogie Tiberi Denmark Street Rehearsal Room, London, Sept 20th 1977]
Belson Was A Gas (Demo 2) [John Boogie Tiberi Denmark Street Rehearsal Room, London, Sept 20th 1978]

CD4
Seventeen (Spunk Version) [Spunk - Bootleg - Bonus Disc]
Satellite (Spunk Version) [Spunk - Bootleg - Bonus Disc]
Feelings (aka No Feelings) (Spunk Version) [Spunk - Bootleg - Bonus Disc]
Just Me (aka I Wanna Be Me) (Spunk Version) [Spunk - Bootleg - Bonus Disc]
Submission (Spunk Version) [Spunk - Bootleg - Bonus Disc]
Nookie (aka Anarchy In The UK (Spunk Version) [Spunk - Bootleg - Bonus Disc]
No Future (aka God Save The Queen) (Spunk Version) [Spunk - Bootleg - Bonus Disc]
Problems (Spunk Version) [Spunk - Bootleg - Bonus Disc]
Lots Of Fun (aka Pretty Vacant) (Spunk Version) [Spunk - Bootleg - Bonus Disc]
Liar (Spunk Version) [Spunk - Bootleg - Bonus Disc]
Who Was It (aka EMI) (Spunk Version) [Spunk - Bootleg - Bonus Disc]
New York (aka Looking For A Kiss) (Spunk Version) [Spunk - Bootleg - Bonus Disc]
Anarchy In The UK (Denmark Street Demo July 76) (Spunk Version) [Spunk - Bootleg - Bonus Disc]
Pretty Vacant (Denmark Street Demo July 76) (Spunk Version) [Spunk - Bootleg - Bonus Disc]
No Fun (Unedited Version) (Spunk Version [Spunk - Bootleg - Bonus Disc]

Spanish Model tells the story of what happens to a seminal album (This Year’s Model) recorded 42 years ago when it is reinterpreted with new voices in another language. This is a story of transformation, adaptation, reflection; a mash-up of language, geography, culture, and passion. How past/present and time/ space can partner with music/talent to reimagine a completely new work – Spanish Model. Elvis Costello’s “This Year’s Model” will be reinterpreted all in Spanish with 19 of today’s top Latin artists (Luis Fonsi, Sebastian Yatra, Juanes, and many more) representing a total of 9 countries. The lyrics have been precisely translated to have the featured Latin artists sing to the original multis.

TRACK LISTING

Side A
No Action - Elvis Costello & The Attractions, Nina Diaz
(I Don't Want To Go To) Chelsea - Elvis Costello & The Attractions, Raquel Sofía, Fuego
The Beat - Elvis Costello & The Attractions, Draco Rosa
Pump It Up - Elvis Costello & The Attractions, Juanes, Guitar: Mick Jones
Little Triggers - Elvis Costello & The Attractions, La Marisoul
You Belong To Me - Elvis Costello & The Attractions, Luis Fonsi
Hand In Hand - Elvis Costello & The Attractions, Francisca Valenzuela, Luis Humberto Navejas
This Year's Girl - Elvis Costello & The Attractions, Cami

Side B
Lip Service - Elvis Costello & The Attractions, Pablo López
Living In Paradise - Elvis Costello & The Attractions, Jesse & Joy
Lipstick Vogue - Elvis Costello & The Attractions, Morat
Night Rally - Elvis Costello & The Attractions, Jorge Drexler
Big Tears - Elvis Costello & The Attractions, Sebastian Yatra, Guitar: Mick Jones
Radio Radio - Elvis Costello & The Attractions, Fito Paez
Crawling To The U.S.A. - Elvis Costello & The Attractions, Gian Marco, Nicole Zignago
Running Out Of Angels - Elvis Costello & The Attractions, Vega

In honor of 50 years of The Beach Boys’ timeless and often underappreciated albums, Capitol/UMC will release an expansive 5CD box set titled Feel Flows – The Sunflower and Surf’s Up Sessions 1969-1971 on Aug 27 that chronicles and explores in depth this metamorphic and highly influential 1969-1971 period of the band’s legendary career. Assembled by Mark Linett and Alan Boyd, the team behind 2013’s GRAMMY® Award-winning SMiLE Sessions, the expansive collection features newly remastered versions of Sunflower and Surf’s Up and boasts 135 tracks, including 108 previously unreleased tracks, live recordings, radio promos, alternate versions, alternate mixes, isolated backing tracks and a capella versions, culled from the album sessions.

Housed in a book style package, the set is rounded out with a 48-page book loaded with unreleased and rare photos, lyric sheets, tape box images, recording artifacts, insightful new liner notes by noted radio veteran and Beach Boys afficionado Howie Edelson, and new and archival interviews from Al Jardine, Brian Wilson, Bruce Johnston, Carl Wilson, Dennis Wilson, Mike Love, and others. Feel Flows will also be released in abbreviated versions including 4LP on black vinyl, 2LP black vinyl and 2CD editions.

“The album is a celebration of the natural world, an attempt at immortalising the deep, transcendent feelings I have when I’m outdoors. In times of heartache, grief, deep love, or confusion, I look to the natural world for answers. I’ve learnt to breathe out, and tune in. This is what came through.”

STAFF COMMENTS

Barry says: There's something inherently intoxicating about Lorde's easy-going, sun-dappled sound. Having been hotly tipped by none other than David Bowie, it's no surprise that she's going from strength to strength, and this sweltering set of sunny ballads does little to prove the great man wrong. Lovely stuff.

TRACK LISTING

1. The Path
2. Solar Power
3. California
4. Stoned In The Nail Salon
5. Fallen Fruit
6. Secrets From A Girl (Who's Seen It All)
7. The Man With An Axe
8. Dominoes
9. Big Star
10. Leader Of A New Regime
11. Mood Ring
12. Oceanic Feeling

THIS IS A RECORD STORE DAY 2021 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY JULY 17TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 6PM ON THE SAME DAY (SATURDAY JULY 17TH).

Millie Small was a Jamaican singer and songwriter, best known for this 1964 recording of My Boy Lollipop, which reached number two in both the UK Singles Chart and the US Billboard Hot 100. The Caribbeanís first international recording star, and its most successful female performer, she sadly passed away in May 2020 My Boy Lollipop has sold over 7m copies worldwide and is here reissued as a replica of the original UK picture sleeve but with altered colour palette and original pink Island label. 

TRACK LISTING

1. My Boy Lollipop 2. Something's Gotta Be Done 3. Don't You Know It 4. Until You're Mine

With unfettered access to the Zappa Trust and all archival footage, ZAPPA explores the private life behind the mammoth musical career that never shied away from the political turbulence of its time. Alex Winter’s (Bill & Ted’s movie franchises, The Lost Boys) assembly features appearances by Frank’s widow Gail Zappa and several of Frank’s musical collaborators including Mike Keneally, Ian Underwood, Steve Vai, Pamela Des Barres, Bunk Gardner, David Harrington, Scott Thunes, Ruth Underwood, Ray White and others.

The soundtrack is a perfect complement to the film available as a limited edition 5-LP 180-gram vinyl set for the Zappa completist. Showcasing 69 total songs, there are 12 previously unreleased recordings from the Zappa archive along with his 1978 Saturday Night Live performance; 24 additional Zappa songs from his extensive catalog spanning four decades; songs from Zappa’s labels Straight / Bizarre Records like “No Longer Umpire” by Alice Cooper and “The Captain’s Fat Theresa Shoes” by The GTO’s; 2 classical compositions by Edgard Varese and Igor Stravinsky; and 26 Original Score cues newly composed by John Frizzell for the documentary – all of which give the universe a sonic exploration into the musical brilliance of Frank Zappa.

A 2LP edition on 180-gram clear vinyl will also be available, collecting together eight of the unreleased recordings from the Zappa archive, the SNL performance and 13 recordings from Zappa’s extensive recording career.

Produced alongside Aaron Dessner (The National, Sharon Van Etten, Taylor Swift), Collections From The Whiteout heralds the first time Ben has opened the door to production outside of he and his bands closer confines. The foreboding darkness that coated Ben’s second record I Forget Where We Were and thinly veiled its follow up Noonday Dream, isn’t so evident on Collections.. These are songs written from headlines scanned, or news stories scrolled past. Ben has taken those snippets and let his curiosity take control, creating an aural scrapbook that reverberates with tape loops and guitar FXs.

There are sounds akin to Brian Eno, Durutti Column and Steve Reich in there, but also Neil Young and Townes Van Zandt. It’s a million miles away from Ben’s multi-platinum selling debut, but a path plotted from Ben’s then to his now isn’t so far removed. The door was also left open to some new players too. Yussef Dayes, one of the UK’s most innovative young drummer/producer’ especially in the field of jazz features, as does Kate Stables from This Is The Kit, James Krivchenia from Big Thief, Kyle Keegan from Hiss Golden Messenger, and the aforementioned Aaron Dessner lent his hand too where needed. Long-term guitarist to Ben’s band, Mickey Smith, remains a reassuring presence. Rob Moose, a long-standing arranger of strings for Bon Iver and a collaborator to Laura Marling, Blake Mills, and Phoebe Bridgers is also present, peppering the mix.

STAFF COMMENTS

Barry says: Ben Howard gives us his latest LP, full of brittle folky guitars and subtle percussive drive, all topped with his unmistakeable vocal drawl. More of a pensive affair than 2018's 'Noonday Dream', this is a beautifully composed and perfectly balanced juxtaposition of gloom and hope.

Stage Fright is the third studio album by Canadian American group the Band, released on August 17, 1970. Engineered by Todd Rundgren and Glyn Johns, it features two of the group’s best-known songs, “The Shape I’m In” and “Stage Fright”, both of which showcased inspired lead vocal performances (by Richard Manuel and Rick Danko, respectively) and became staples in the group’s live shows.

TRACK LISTING

1. The W.S. Walcott Medicine Show
2. The Shape I’m In
3. Daniel And The Sacred Harp
4. Stage Fright
5. The Rumor
6. Time To Kill
7. Just Another Whistle Stop
8. All La Glory
9. Strawberry Wine
10. Sleeping

The debut album by Frankie Goes to Hollywood was released in 1984 after the runaway success of the singles Relax and Two Tribes. It had orders of over a million copies and went straight in at number one in the UK album chart.

Produced by Trevor Horn, it was seen as a ground-breaking release and helped define pop music production in the eighties.

TRACK LISTING

Side One

Well…
The World Is My Oyster
Snatch Of Fury (Stay)
Welcome To The Pleasuredome

Side Two

Relax (Come Fighting)
War (And Hide)
Two Tribes (For The Victims Of Ravishment)

Side Three

Ferry (Go)
Born To Run
Happy Hi
Wish (The Lads Were Here)
Including The Ballad Of 32

Side 4

Krisco Kisses
Black Night White Light
The Only Star In Heaven
The Power Of Love
Bang

The follow up to Welcome to the Pleasuredome, Liverpool was released in 1986, produced by Trevor Horn and Steve Lipson the album was top ten all over the world

The album features the singles Rage Hard, Warriors of the Wasteland and Watching the Wildlife.

This long-awaited album brings together 17 tracks from Eno’s most recognisable film and television work spanning 5 decades.

Eno’s music has been used in hundreds of films and he has composed more than 20 soundtracks for some of the best known directors in the world including David Lynch, Danny Boyle, Peter Jackson, Michelangelo Antonioni, Derek Jarman and Michael Mann.

Compositions such as “Ship in a Bottle” in “The Lovely Bones”, “Prophecy Theme” from “Dune”, “Deep Blue Day” in “Trainspotting”, “Late Evening in Jersey” in “Heat”, “Beach Sequence” in Antonioni’s last film “Beyond The Clouds” and “An Ending (Ascent)” from Al Reinert’s ground-breaking “For All Mankind” have contributed significantly to memorably iconic scenes.

Eno has also scored extensively for television, including all 3 series of the gritty UK crime drama, “Top Boy” for which he received a Bafta, and Danny Boyle’s “Mr Wroe’s Virgins” which earned him and his brother Roger a Bafta nomination.

This release features over an hour of classic Eno compositions and includes several previously unreleased tracks.

STAFF COMMENTS

Barry says: What is there to say about Brian Eno that hasn't already been said? Very little I'd wager. What I can tell you is that this new compilation of his work for films and TV from 1976 is absolutely essential. It's some of the best work he's ever done (really!) and sits comfortably alongside his legendary album output.

TRACK LISTING

CD & Digital
‘Top Boy (Theme)’ From ‘Top Boy’ - Series 1, Directed By Yann Demange, 2011
‘Ship In A Bottle’ From ‘The Lovely Bones’, Directed By Peter Jackson, 2009
‘Blood Red’ From ‘Francis Bacon’s Arena’, Directed By Adam Low, 2005
‘Under’ From ‘Cool World’, Directed By Ralph Bakshi, 1992
‘Decline And Fall’ From ‘O Nome Da Morte’, Directed By Henrique Goldman, 2017
‘Prophecy Theme’ From ‘Dune’, Directed By David Lynch, 1984
‘Reasonable Question’ From ‘We Are As Gods’, Directed By David Alvarado / Jason Sussberg, 2020
‘Late Evening In Jersey’ From ‘Heat’, Directed By Michael Mann, 1995
‘Beach Sequence’ From ‘Beyond The Clouds’, Directed By Michelangelo Antonioni, 1995
‘You Don’t Miss Your Water’ From ‘Married To The Mob’, Directed By Jonathan Demme, 1988
‘Deep Blue Day’ From ‘Trainspotting’, Directed By Danny Boyle, 1996
‘The Sombre’ From ‘Top Boy’ - Series 2, Directed By Jonathan Van Tulleken, 2013
‘Dover Beach’ From ‘Jubilee’, Directed By Derek Jarman, 1978
‘Design As Reduction’ From ‘Rams’, Directed By Gary Hustwit, 2018
‘Undersea Steps’ From ‘Hammerhead’, Directed By George Chan, 2004
‘Final Sunset’ From ‘Sebastiane’, Directed By Derek Jarman, 1976
‘An Ending (Ascent)’, From ‘For All Mankind’, Directed By Al Reinert, 1989

2LP
Side A
‘Top Boy (Theme)’ From ‘Top Boy’ - Series 1, Directed By Yann Demange, 2011
‘Ship In A Bottle’ From ‘The Lovely Bones’, Directed By Peter Jackson, 2009
‘Blood Red’ From ‘Francis Bacon’s Arena’, Directed By Adam Low, 2005
‘Under’ From ‘Cool World’, Directed By Ralph Bakshi, 1992
‘Decline And Fall’ From ‘O Nome Da Morte’, Directed By Henrique Goldman, 2017
Side B
‘Prophecy Theme’ From ‘Dune’, Directed By David Lynch, 1984
‘Reasonable Question’ From ‘We Are As Gods’, Directed By David Alvarado / Jason Sussberg, 2020
‘Late Evening In Jersey’ From ‘Heat’, Directed By Michael Mann, 1995
‘Beach Sequence’ From ‘Beyond The Clouds’, Directed By Michelangelo Antonioni, 1995
Side C
‘You Don’t Miss Your Water’ From ‘Married To The Mob’, Directed By Jonathan Demme, 1988
‘Deep Blue Day’ From ‘Trainspotting’, Directed By Danny Boyle, 1996
'The Sombre’ From ‘Top Boy’ - Series 2, Directed By Jonathan Van Tulleken, 2013
‘Dover Beach’ From ‘Jubilee’, Directed By Derek Jarman, 1978
Side D
‘Design As Reduction’ From ‘Rams’, Directed By Gary Hustwit, 2018
‘Undersea Steps’ From ‘Hammerhead’, Directed By George Chan, 2004
‘Final Sunset’ From ‘Sebastiane’, Directed By Derek Jarman, 1976
‘An Ending (Ascent)’, From ‘For All Mankind’, Directed By Al Reinert, 1989

When Paul Weller announced The Style Council’s arrival in March 1983, he’d come a very long way.

In fact, at the age of just 24, he was already a musical veteran with six albums and nine Top 10 singles under his belt with The Jam. As their leader he had become a deity-like figure and for his fans, The Jam’s split was unimaginable. But creatively restless and of inquisitive mind, Paul jettisoned them at their height to form a collective with an eventual core line-up of Paul with Mick Talbot, Dee C Lee and Steve White. In a quest for new sounds, the group travelled to realms previously unchartered for a pop group incorporating musical influences as wide ranging as Blue Note jazz and Chicago soul, Claude Debussy and Erik Satie, Chicago House and Jacques Brel.At the same time, as battle lines were drawn in a decade under Margaret Thatcher culminating in the miner’s strike of 1984-85, Paul’s lyrics spoke with the language of the activist and his state of the nation addresses were both fierce and eloquent. Over four albums and 17 singles, The Style Council made a stand and became the standard bearers of progressive soulful pop and social comment.

The Style Council was emblematic of its creator. Paul Weller, smart, fearless, audacious, with a social conscience and totally unafraid to push the possibilities of pop.

This is their story…

TRACK LISTING

3x LP Set
Side A
1. Headstart For Happiness
2. Long Hot Summer
3. My Ever-Changing Moods
4. Walls Come Tumbling Down!
5. Party Chambers
Side B
1. Wanted (or Waiter, There's…)
2. Shout To The Top!
3. It Just Came To Pieces In My Hands
4. Come To Milton Keynes
5. Why I Went Missing
6. Waiting
Side C
1. Ghosts Of Dachau
2. Down In The Seine
3. The Paris Match
4. Life At A Top People's Health Farm
5. Dropping Bombs On The Whitehouse (Extended Version)
Side D
1. Speak Like A Child
2. The Lodgers (Or She Was Only…)
3. Money Go Round
4. You're The Best Thing
5. How She Threw It All Away
Side E
1. A Man Of Great Promise
2. The Piccadilly Trail
3. A Solid Bond In Your Heart
4. Sweet Loving Ways
5. Promised Land
6. It Didn't Matter
Side F
1. Have You Ever Had It Blue
2. Spin' Drifting
3. Here's One That Got Away
4. Changing Of The Guard
5. My Ever-Changing Moods (Demo)

2CD / Digital
Disc 1
1. Headstart For Happiness
2. Long Hot Summer
3. My Ever-Changing Moods
4. Walls Come Tumbling Down!
5. Party Chambers
6. Wanted (or Waiter, There's…)
7. Shout To The Top!
8. It Just Came To Pieces In My Hands
9. Come To Milton Keynes
10. Why I Went Missing
11. Waiting
12. Ghosts Of Dachau
13. Down In The Seine
14. The Paris Match
15. Boy Who Cried Wolf
16. Life At A Top People's Health Farm
17. Homebreakers
18. Dropping Bombs On The Whitehouse (Extended Version)
Disc 2
1. Speak Like A Child
2. The Lodgers (Or She Was Only…)
3. Money Go Round
4. You're The Best Thing
5. How She Threw It All Away
6. A Man Of Great Promise
7. The Piccadilly Trail
8. A Solid Bond In Your Heart
9. All Gone Away
10. Sweet Loving Ways
11. Promised Land
12. Have You Ever Had It Blue
13. It Didn't Matter
14. Spin' Drifting
15. Here's One That Got Away
16. A Woman's Song
17. Changing Of The Guard
18. My Ever-Changing Moods (Demo)
19. Shout To The Top (Instrumental)

Flaming Pie is the tenth solo studio album by Paul McCartney, first released in 1997.

Having been heavily involved in The Beatles’ Anthology project, Paul had time to reflect on the standards he and his bandmates had set during their career, and applied these to what would become his first album in four years. Made in a much more spontaneous style, with songs recorded here and there, mostly on holiday, it’s an album that luxuriates in its own sense of fun.

Featuring producers George Martin and Jeff Lynne, as well as musicians including Steve Miller, Ringo Starr and his own son, James McCartney, Flaming Pie would go on to become one of Paul’s most acclaimed albums. Sales were brisk, with the album only kept from the Number 1 slot on both sides of the Atlantic by the cultural phenomenon that was the Spice Girls’ Spice album.

TRACK LISTING

LP1
Side A - Remastered Album
The Song We Were Singing
The World Tonight
If You Wanna
Side B - Remastered Album
Somedays
Young Boy
Calico Skies
Flaming Pie

LP2
Side A - Remastered Album
Heaven On A Sunday
Used To Be Bad
Souvenir
Side B - Remastered Album
Little Willow
Really Love You
Beautiful Night
Great Day

LP3 Side A - Home Recordings
The Song We Were Singing [Home Recording]
The World Tonight [Home Recording]
If You Wanna [Home Recording]
Somedays [Home Recording]
Young Boy [Home Recording]
LP3 Side B - Home Recordings
Calico Skies [Home Recording]
Flaming Pie [Home Recording]
Souvenir [Home Recording]
Little Willow [Home Recording]
Beautiful Night [1995 Demo]
Great Day [Home Recording

808s & Heartbreak is the fourth studio album by Kanye West. It was released on 24th November 2008 through Def Jam Recordings and Roc-A-Fella Records, re-issued in 2016 for the US, and is now being made available ex-US. Conceived in the wake of several distressing personal events, 808s & Heartbreak marked a major musical departure from West’s previous rap records, instead featuring a sparse, electronic sound and West singing through an Auto-Tune vocal processor. His lyrics explore themes of loss, alienated fame, and heartache, while the album’s production abandons conventional hip hop sounds in favor of a minimalist sonic palette, which includes prominent use of the titular Roland TR-808 drum machine.

Despite varying responses from listeners, the album received positive reviews from most music critics, who generally commented on West’s experimentation, and was named one of 2008’s best records in several year-end lists. Four singles were released in promotion, including the hit singles “Love Lockdown” and “Heartless”. 808s & Heartbreak has since been cited as a prominent influence on subsequent hip hop, pop, and R&B music. This was due to a new wave of rappers, singers, and producers coming to adopt aspects of its style and thematic content.

'The Rolling Stones’ groundbreaking multi-platinum selling album Let It Bleed was originally issued in late 1969, charting at #1 in the UK and #3 in the US. In celebration of the album’s original release a half-century ago, UMC/ABKCO Records is offering Let It Bleed (50th Anniversary Limited Deluxe Edition).

1LP:The Rolling Stones' groundbreaking multi-platinum selling album 'Let It Bleed' was originally issued in late 1969, charting at #1 in the UK and #3 in the US. The album has been remastered here in stereo by GRAMMY-winning engineer Bob Ludwig to mark the 50th anniversary of its original release. Features three of the band’s greatest songs – Gimmie Shelter, Midnight Rambler & the anthemic You Can’t Always Get What You Want

1CD: This version of Let It Bleed was remastered and released in 2006 but still features the artwork of previous versions. Features three of the band’s greatest songs – Gimmie Shelter, Midnight Rambler & the anthemic You Can’t Always Get What You Want

Released on the 22nd September, 1969, the eponymous second studio effort by The Band is a concept album, with the songs focusing on people, places and traditions associated with an older version of Americana. It was recorded in the pool house of a home rented by the group in the Hollywood Hills which was once owned by Judy Garland, Wally Cox and, at the time the group worked there, Sammy Davis, Jr. According to Robbie Robertson, the location was chosen to give the songs a Basement Tapes–like feel in what was termed “a clubhouse concept.”

The album includes many of The Band’s best-known and critically acclaimed songs, including “The Night They Drove Old Dixie Down,” which Rolling Stone named the 249th greatest song of all time. The magazine also ranked the album number 45 in their list of the 500 greatest albums of all time. Time magazine included it in their unranked 2006 list of the 100 greatest albums.

Robert Christgau, who spent 37 years as the chief music critic and senior editor for The Village Voice, declared it better than Abbey Road, which had been released four days following, writing that The Band’s LP is an “A-plus record if I’ve ever rated one.”

The album is preserved in the National Recording Registry and is also included in the book 1001 Albums You Must Hear Before You Die.

TRACK LISTING

1 Across The Great Divide
2 Rag Mama Rag
3 The Night They Drove Old Dixie Down
4 When You Awake
5 Up On Cripple Creek
6 Whispering Pines
7 Jemima Surrender
8 Rockin’ Chair
9 Look Out Cleveland
10 Jawbone
11 The Unfaithful Servant
12 King Harvest (Has Surely Come)

Peaky Blinders is a British crime drama television series primarily set in Birmingham, England following aftermath of World War I. Starring Cillian Murphy as ‘Tommy Shelby’ – the gang’s leader, the show follows the exploits of the Shelby crime family. The fictional gang is loosely based on the Peaky Blinders, a real urban youth gang who were active in the city from the 1890’s and early twentieth century. The show is known for its dark and dramatic soundtrack. The soundtrack is a window into the mind of Tommy – a tortured ex-soldier with a sensitive side who appears to be suffering from PTSD after fighting in the trenches during World War One.

This 3LP set will feature music and key clips of dialogue from all 5 series the show, the 5th series aired late 2019 to critical acclaim. The album will feature Nick Cave’s title opening track Red Right Hand and PJ Harvey’s cover recorded exclusively for the show. Other artist’s music featured on the show and set to appear on this release are The White Stripes, Laura Marling, Arctic Monkeys, Royal Blood, Radiohead, The Last Shadow Puppets, Queens of the Stone Age, David Bowie, Foals, Black Sabbath, Idles, Joy Division and Richard Hawley who has covered Bob Dylan’s “Ballad Of A Thin Man”.

STAFF COMMENTS

Mine says: A soundtrack that features not one but three Nick Cave songs can only be a winner if you ask me. This sometimes pensive but often raucous collection of songs perfectly soundtracked the many dramatic scenes in Peaky Blinders, or, as Cillian Murphy better describes it: 'The sound has this “peakiness” to it.'
Includes the iconic 'Red Right Hand', the one Bad Seeds song even Barry admits he likes!

TRACK LISTING

LP1 - Side A

*Tommy: 'It’s Not A Good Idea…'
Nick Cave And The Bad Seeds - Red Right Hand
The White Stripes - St James Infirmary Blues
Truce - From 'Peaky Blinders' Original Soundtrack / Series 1 (Score)
*Tommy: 'Right I Have Bought You Hear Today…'
Dan Auerbach - The Prowl
*Polly: 'There’s Only One Thing…'
Jack White - Love Is Blindness
PJ Harvey - To Bring You My Love

LP1 - Side B

Alfie: 'I’ve Heard Very Bad, Bad, Bad Things…'
Black Rebel Motorcycle - River Styx
Post Irish Meeting - From 'Peaky Blinders' Original Soundtrack / Series 2 (Score)
PJ Harvey - Red Right Hand
Laura Marling - What He Wrote
Arthur: 'Do You Wanna Tell ‘Em…'
Royal Blood - Come On Over
Arctic Monkeys - Do I Wanna Know?

LP2 - Side A

Tommy: 'I Love You…'
Nick Cave And The Bad Seeds - Breathless
Radiohead - You And Whose Army?
Polly: 'A Woman Of Substance…'
PJ Harvey - This Is Love
Sons - From 'Peaky Blinders' Original Soundtrack / Series 3 (Score)
Tommy: 'You Can Change What You Do…'
Queens Of The Stone Age - Burn The Witch
The Last Shadow Puppets - Bad Habits
David Bowie - Lazarus

LP2 - Side B
Tommy: 'Sex, Freedom, Whiskey Sours…'
Savages - Adore
Nick Cave And The Bad Seeds - The Mercy Seat (Live From KCRW)
Rachel Unthank & The Winterset - I Wish
Ballad Of Polly Gray - From 'Peaky Blinders' Original Soundtrack / Series 4 (Score)
Tommy: 'I’m Not A Traitor To My Class…'
Frank Carter And The Rattlesnakes - Devil Inside Me

LP3 - Side A
Foals - Snake Oil
Polly: 'It's In Our Gypsy Blood…'
Radiohead - Pyramid Song
Laura Marling - A Hard Rain’s A-Gonna Fall
Ada: 'So, Tommy Shelby, MP…'
Black Sabbath - The Wizard
Anna Calvi - Papi Pacify

LP3 - Side B
Joy Division - Atmosphere
Tommy: 'You Need To Understand…'
You’re Not God - From 'Peaky Blinders' Original Soundtrack / Series 5 (Score)
Arthur: 'There’s A Bentley Outside…'
Jehnny Beth - I'm The Man
Idles - Never Fight A Man With A Perm
Tommy: 'I Will Continue…'
Richard Hawley - Ballad Of A Thin Man

London – August 8, 2019 – It was 50 years ago today, on August 8, 1969, that the world’s most famous band stepped out from London’s EMI Recording Studios to stride, single-file, across the black and white stripes of Abbey Road’s nearby zebra crossing. With photographer Iain Macmillan balanced on a stepladder and one policeman stopping the street’s light traffic, The Beatles crossed back and forth three times, led by John Lennon, followed by Ringo Starr, Paul McCartney, and George Harrison. Just six photos were taken, with the fifth selected as the cover shot for The Beatles’ penultimate studio album, Abbey Road, named after the tree-lined street in which the studios are located. Released September 26, 1969, Abbey Road was not The Beatles’ final album, as Let It Be followed in 1970, but it was the last one John, Paul, George, and Ringo recorded together as a band. The Beatles will celebrate Abbey Road’s anniversary with a suite of beautifully presented packages to be released worldwide on September 27 by Apple Corps Ltd./Capitol/UMe.

This is the first time Abbey Road has been remixed and presented with additional session recordings and demos. The album’s sweeping new edition follows the universally acclaimed remixed and expanded anniversary editions of Sgt. Pepper’s Lonely Hearts Club Band and The BEATLES (‘White Album’) released in 2017 and 2018, respectively. To create Abbey Road’s new stereo, 5.1 surround, and Dolby Atmos mixes, Martin and Okell worked with an expert team of engineers and audio restoration specialists at Abbey Road Studios. All the new Abbey Road releases feature the new stereo album mix, sourced directly from the original eight-track session tapes. To produce the mix, Giles was guided by the album’s original stereo mix supervised by his father, George Martin.

“The magic comes from the hands playing the instruments, the blend of The Beatles’ voices, the beauty of the arrangements,” Giles Martin explains in his written introduction for the new edition. “Our quest is simply to ensure everything sounds as fresh and hits you as hard as it would have on the day it was recorded.”

STAFF COMMENTS

Andy says: Their final album, and it's a beauty! This is a gorgeous, opulent, warm rock record that set the tone for FM seventies music. And for its 50th Anniversary, ‘Abbey Road’ gets remixed and presented with additional session recordings and demos across six different formats.

TRACK LISTING

DELUXE 2CD

CD ONE: 2019 Stereo Mix
1. Come Together
2. Something
3. Maxwell’s Silver Hammer
4. Oh! Darling
5. Octopus’s Garden
6. I Want You (She’s So Heavy)
7. Here Comes The Sun
8. Because
9. You Never Give Me Your Money
10. Sun King
11. Mean Mr Mustard
12. Polythene Pam
13. She Came In Through The Bathroom Window
14. Golden Slumbers
15. Carry That Weight
16. The End
17. Her Majesty

CD TWO: Sessions
1. Come Together (Take 5)
2. Something (Studio Demo)
3. Maxwell’s Silver Hammer (Take 12)
4. Oh! Darling (Take 4)
5. Octopus’s Garden (Take 9)
6. I Want You (She’s So Heavy) (Trident Recording Session & Reduction Mix)
7. Here Comes The Sun (Take 9)
8. Because (Take 1 Instrumental)
9. You Never Give Me Your Money (Take 36)
10. Sun King (Take 20)
11. Mean Mr Mustard (Take 20)
12. Polythene Pam (Take 27)
13. She Came In Through The Bathroom Window (Take 27)
14. Golden Slumbers/Carry That Weight (Takes 1–3 / Medley)
15. The End (Take 3)
16. Her Majesty (Takes 1–3)

STANDARD [1CD; Digital; 1LP Vinyl
2019 Stereo Mix
1. Come Together
2. Something
3. Maxwell’s Silver Hammer
4. Oh! Darling
5. Octopus’s Garden
6. I Want You (She’s So Heavy)
7. Here Comes The Sun
8. Because
9. You Never Give Me Your Money
10. Sun King
11. Mean Mr Mustard
12. Polythene Pam
13. She Came In Through The Bathroom Window
14. Golden Slumbers
15. Carry That Weight
16. The End
17. Her Majesty

During an all too short four-year run that spanned 1968 to 1972, Creedence Clearwater Revival crafted some of the most popular, influential and enduring music that the world has ever known. Californian-based John Fogerty, Tom Fogerty, Doug Clifford and Stu Cook fused the raw, organic honesty of country music with the fire and urgency of rock ‘n’ roll to create a catalogue that even five decades later still sounds fresh and vibrant. This collection brings together some of Creedence’s biggest and best recordings and also features two live tracks to showcase what a formidable live act the group were. 

A whole disc of new music, plus Eno’s seminal original album re-mastered.

"Apollo: Atmospheres & Soundtracks" was written, produced and performed by Brian Eno together with his brother Roger and Daniel Lanois. The music was originally recorded in 1983 for the landmark feature-length documentary ‘For All Mankind’, which was directed by American journalist, film director and screenwriter Al Reinert. The film features 35mm footage of the Apollo 11 moon landing with real-time commentary, as well as the Apollo astronauts sharing their recollections of the momentous events surrounding it. An extended edition of the album will be released on July 19th in celebration of the 50th Anniversary of the Apollo 11 moon landing. This very special anniversary release features the original album remastered by Abbey Road's Miles Showell, as well as an accompanying album of 11 new instrumental compositions that reimagine the soundtrack to ‘For All Mankind’.

The music from the original album is highly recognizable, and tracks from it have been streamed in excess of 300 million times. Since its release, many of the songs from "Apollo" have found a life of their own, featuring in any number of films, television shows and commercials – most notably ‘Trainspotting’, ‘Traffic’, ‘28 Days Later, ‘Drive’ and ‘Love’. ‘An Ending (Ascent)’ was also used in the 2012 London Olympics opening ceremony. The 11 new tracks on "Apollo: Atmospheres & Soundtracks" find Brian Eno, Daniel Lanois and Roger Eno working collectively for the first time since the original album in 1983. Lanois contributed 3 compositions; "Capsule", "Last Step From The Surface" and "Fine-grained", while Roger Eno’s are "Waking Up", "Under The Moon" and "Strange Quiet".

STAFF COMMENTS

Barry says: There aren't many things in this world that can compete with me for “The Best Things To Have Come Out On The 30th Of June 1983”, but 'Apollo...' is one of them. In classic Eno fashion, this is a well balanced juxtaposition of plaintive piano, expertly crafted walls of tectonic synth (both monolithic and near-weightless) and Eno's legendary skill at balancing the two. This extended edition is without a doubt, an essential item for fans or ambient explorers alike. Stunning.

TRACK LISTING

CD/LP 1

01. Under Stars ( 4:29 )
02. The Secret Place ( 3:31 )
03. Matta ( 4:20 )
04. Signals ( 2:47 )
05. An Ending (Ascent) ( 4:24 )
06. Under Stars II ( 3:23 )
07. Drift ( 3:05 )
08. Silver Morning ( 2:40 )
09. Deep Blue Day ( 3:58 )
10. Weightless ( 4:35 )
11. Always Returning ( 4:04 )
12. Stars ( 8:02 )

CD/LP 2

01. The End Of A Thin Cord ( 4:08 )
02. Capsule ( 3:13 )
03. At The Foot Of A Ladder ( 3:35 )
04. Waking Up ( 2:29 )
05. Clear Desert Night ( 3:11 )
06. Over The Canaries ( 4:41 )
07. Last Step From The Surface ( 3:58 )
08. Fine-grained ( 3:34 )
09. Under The Moon ( 3:10 )
10. Strange Quiet ( 4:09 )
11. Like I Was A Spectator ( 4:23 )

"If Day at the Races was a sleek, streamlined album, its 1977 successor, News of the World, was its polar opposite, an explosion of styles that didn't seem to hold to any particular center. It's front-loaded with two of Queen's biggest anthems -- the stomping, stadium-filling chant "We Will Rock You" and its triumphant companion, "We Are the Champions" -- which are quickly followed by the ferocious "Sheer Heart Attack," a frenzied rocker that hits harder than anything on the album that shares its name (a remarkable achievement in itself). Three songs, three quick shifts in mood, but that's hardly the end of it. As the News rolls on, you're treated to the arch, campy crooning of "My Melancholy Blues," a shticky blues shuffle in "Sleeping on the Sidewalk," and breezy Latin rhythms on "Who Needs You." Then there's the neo-disco of "Fight from the Inside," which is eclipsed by the mechanical funk of "Get Down, Make Love," a dirty grind that's stripped of sensuality. That cold streak on "Get Down, Make Love" runs through the album as a whole. Despite the explosion of sounds and rhythms, this album doesn't add up to party thanks to that slightly distancing chilly vibe that hangs over the album. Nevertheless, many of these songs work well on their own as entities, so there is plenty to savor here, especially from Brian May. Whether he's doing the strangely subdued eccentric English pop "All Dead, All Dead" or especially the majestic yet nimble rocker "It's Late," he turns in work that gives this album some lightness, which it needs. And that's the reason News of the World was a monster hit despite its coldness -- when it works, it's massive, earth-shaking rock & roll, the sound of a band beginning to revel in its superstardom." - Allmusic.

"In every sense, A Day at the Races is an unapologetic sequel to A Night at the Opera, the 1975 breakthrough that established Queen as rock & roll royalty. The band never attempts to hide that the record is a sequel -- the two albums boast the same variation on the same cover art, the titles are both taken from old Marx Brothers films and serve as counterpoints to each other. But even though the two albums look the same, they don't quite sound the same, A Day at the Races is a bit tighter than its predecessor, yet tighter doesn't necessarily mean better for a band as extravagant as Queen. One of the great things about A Night at the Opera is that the lingering elements of early Queen -- the pastoral folk of "39," the metallic menace of "Death on Two Legs" -- dovetailed with an indulgence of camp and a truly, well, operatic scale. Here, the eccentricities are trimmed back somewhat -- they still bubble up on "The Millionaire Waltz," an example of the music hall pop that dominated Night, the pro-Native American saga "White Man" is undercut somewhat by the cowboys 'n' indians rhythms -- in favor of a driving, purposeful hard rock that still could have some slyly hidden perversities (or in the case of the opening "Tie Your Mother Down," some not-so-hidden perversity) but this is exquisitely detailed hard rock, dense with minutiae but never lush or fussy. In a sense, it could even function as the bridge between Sheer Heart Attack and Night at the Opera -- it's every bit as hard as the former and nearly as florid as the latter -- but its sleek, streamlined finish is the biggest indication that Queen has entered a new phase, where they're globe-conquering titans instead of underdogs on the make." - Allmusic.

"Queen were straining at the boundaries of hard rock and heavy metal on Sheer Heart Attack, but they broke down all the barricades on A Night at the Opera, a self-consciously ridiculous and overblown hard rock masterpiece. Using the multi-layered guitars of its predecessor as a foundation, A Night at the Opera encompasses metal ("Death on Two Legs," "Sweet Lady"), pop (the lovely, shimmering "You're My Best Friend"), campy British music hall ("Lazing on a Sunday Afternoon," "Seaside Rendezvous"), and mystical prog rock ("'39," "The Prophet's Song"), eventually bringing it all together on the pseudo-operatic "Bohemian Rhapsody." In short, it's a lot like Queen's own version of Led Zeppelin IV, but where Zep find dark menace in bombast, Queen celebrate their own pomposity. No one in the band takes anything too seriously, otherwise the arrangements wouldn't be as ludicrously exaggerated as they are. But the appeal -- and the influence -- of A Night at the Opera is in its detailed, meticulous productions. It's prog rock with a sense of humor as well as dynamics, and Queen never bettered their approach anywhere else." Allmusic.

"Queen had long been one of the biggest bands in the world by 1980's The Game, but this album was the first time they made a glossy, unabashed pop album, one that was designed to sound exactly like its time. They might be posed in leather jackets on the cover, but they hardly sound tough or menacing -- they rarely rock, at least not in the gonzo fashion that's long been their trademark. Gone are the bombastic orchestras of guitars and with them the charging, relentless rhythms that kept Queen grounded even at their grandest moments. Now, when they rock, they'll haul out a clever rockabilly pastiche, as they do on the tremendous "Crazy Little Thing Called Love," a sly revival of old-time rock & roll that never sounds moldy, thanks in large part to Freddie Mercury's panache. But even that is an exception to the rule on The Game. Usually, when they want to rock here, they wind up sounding like Boston, as they do on John Deacon's "Need Your Loving Tonight," or they sound a bit like a new wave-conscious rocker like Billy Squier, as they do on the propulsive "Coming Soon." But even those are exceptions to the overall rule on The Game, since most of the album is devoted to disco-rock blends -- best heard on the globe-conquering "Another One Bites the Dust," but also present in the unintentionally kitschy positivity anthem "Don't Try Suicide" -- and the majestic power ballads that became their calling card in the '80s, as they reworked the surging "Save Me" and the elegant "Play the Game" numerous times, often with lesser results. So, The Game winds up as a mixed bag, as many Queen albums often do, but again the striking difference with this album is that it finds Queen turning decidedly, decisively pop, and it's a grand, state-of-the-art circa 1980 pop album that still stands as one of the band's most enjoyable records. But the very fact that it does showcase a band that's turned away from rock and toward pop means that for some Queen fans, it marks the end of the road, and despite the album's charms, it's easy to see why." - Allmusic.

"Famously tagged as "fascist" in a Rolling Stone review printed at the time of its 1978 release, Jazz does indeed showcase a band that does thrive upon its power, thrilling upon the hold that it has on its audience. That confidence, that self-intoxication, was hinted at on News of the World but it takes full flower here, and that assurance acts as a cohesive device, turning this into one of Queen's sleekest albums. Like its patchwork predecessor, Jazz also dabbles in a bunch of different sounds -- that's a perennial problem with Queen, where the four songwriters were often pulling in different directions -- but it sounds bigger, heavier than News, thanks to the mountains of guitars Brian May has layered all over this record. If May has indulged himself, Freddie Mercury runs riot all over this album, infusing it with an absurdity that's hard to resist. This goofiness is apparent from the galloping overture "Mustapha," and things only get a lot sillier from that point out, as the group sings the praises of "Fat Bottomed Girls" and "Bicycle Races." May and Mercury have an unspoken competition on who can overdub the most onto a particular track, while Roger Taylor steers them toward their first disco song in the gloriously dumb "Fun It." But since over-the-top campiness has always been an attribute in Queen, this kind of grand-scale exaggeration gives Jazz a sense of ridiculousness that makes it more fun than many of their other albums." - Allmusic.

"Step in the Arena" is the second studio album by hip-hop duo Gang Starr, printed as a 1990 release and commercially released on January 15, 1991. The album received critical acclaim and was also included in the book 1001 Albums You Must Hear Before You Die.

The Source magazine stated: 'Step in the Arena stands alone on a musical level, yet it also remains true to hip-hop’s underground heritage.' In 1998, the album was selected as one of The Source’s 100 Best Hip Hop Albums. 

TRACK LISTING

Side 1
1. Name Tag (Premier & The Guru) (0:38)
2. Step In The Arena (3:33)
3. Form Of Intellect (3:42)
4. Execution Of A Chump (no More Mr Nice Guy Pt 2) (2:43)
5. Who's Gonna Take The Weight? (3:54)
Side 2
1. Beyond Comprehension (3:14)
2. Check The Technique (3:53)
3. Love Sick (3:21)
4. Here Today, Gone Tomorrow (2:19)
5. Game Plan (1:03)
Side 3
1. Take A Rest (4:17)
2. What You Want This Time?? (2:40)
3. Street Ministry (1:20)
4. Just To Get A Rep (2:39)
5. Say Your Prayers (1:20)
Side 4
1. As I Read My S-A (2:55)
2. Precisely The Right Rhymes (3:17)
3. The Meaning Of The Name (2:50)
4. Credit Is Due (4:51)
5. Check The Technique (remix) (4:21)

In Time: The Best Of R.E.M. 1988-2003 is more than a greatest hits compilation, it’s an opportunity to reflect on the astonishing creative and cultural influence of one of the most innovative bands of modern rock history.

With “Losing My Religion,” “Man On The Moon,” “Nightswimming,” “What’s The Frequency, Kenneth?,” “Orange Crush,” “Everybody Hurts” and many more, In Time serves as a reminder of R.E.M.’s key role in shaping the sound of the last three decades. The set also features the tracks “Bad Day” and “Animal,” both originally released for the first time as part of this collection. 

STAFF COMMENTS

Andy says: It's ridiculous how many classic songs there are on this LP. Even as latter records faded in impact, they still had top lead tracks, top singles. They were one of my favourite ever bands.

Tears for Fears debut album The Hurting was released on 7 March 1983, and peaked at No. 1 on the UK Albums Chart in its second week of release. The album reached Platinum status in January 1985 and contains Tears for Fears’ first three hit singles – “Mad World”, “Change”, and “Pale Shelter” – all of which reached the top five in the UK. 

THIS IS A RECORD STORE DAY 2019 EXCLUSIVE, LIMITED TO ONE PER PERSON.

This release is a double A side 7” single, comprising of previously unreleased versions by Dave Fridmann of the singles ‘Sovereign Light Café’ and ‘Disconnected’ from Keane’s fourth studio album ‘Strangeland’. It will be released on limited edition green vinyl, has brand new artwork exclusive for Record Store Day and comes with a digital download card.

The Specials, one of the most electrifying, influential and important bands of all time, release “Encore”, their first new music for 37 years.

2019 marks the 40th anniversary of the formation of The Specials and the legendary Two-Tone label in Coventry in 1979, and also marks 10 years since the band reformed to play some of the most vital and joyous live shows in recent memory.

The 10-song “Encore” was produced by Specials founding members Terry Hall, Lynval Golding and Horace Panter alongside Danish musician/producer Torp Larsen and indeed is the first time Hall, Golding & Panter have recorded new material together since the band’s 1981 No.1 single Ghost Town.

TRACK LISTING

CD1
Black Skin Blue Eyed Boys
B.L.M.
Vote For Me
The Lunatics Have Taken Over The Asylum
Breaking Point
Blam Blam Fever
The Ten Commandments
Embarrassed By You
The Life And Times Of A Man Called Depression
We Sell Hope

CD2
The Best Of The Specials Live – Tracklisting TBC

LP Tracklisting
Side One
Black Skin Blue Eyed Boys
B.L.M.
Vote For Me
The Lunatics Have Taken Over The Asylum
Breaking Point

Side Two
Blam Blam Fever
The Ten Commandments
Embarrassed By You
The Life And Times Of A Man Called Depression
We Sell Hope

Three years after changing the musical landscape with the stoned and soulful majesty of "Blue Lines", Massive Attack returned to the airwaves and turntables with the afterhours cool of "Protection". A natural successor to their stratospheric debut (even down to the sleeve design), "Protection" finds the group in confident mode, continuing to fuse hip hop, reggae and soul, but adding elements of R&B and chilled out electronica. The LP opens in emotive fashion with Tracey Thorn collaboration "Protection", before the thumping bass and relaxed rhymes of "Karmacoma" begin to test your speakers. The infectious, undulating groove of "Weather Storm" is one of the finest sample flips ever, while the menacing piano and robust breakbeats of "Heat Miser" rival the introspective quality of anything on DJ Shadow's "Endtroducing". Peppered with irresistible melodies and irrepressible rhythms throughout, all the while maintaining a subtle melancholy, "Protection" is the perfect soundtrack to those lonely moments very late in the night.

TRACK LISTING

A1. Protection
A2. Karmacoma
A3. Three
A4. Weather Storm
A5. Spying Glass
B1. Better Things
B2. Euro Child
B3. Sly
B4. Heat Miser
B5. Light My Fire (Live)

UMC are proud to announce the final batch of Siouxsie and the Banshees vinyl reissues. Remastered from the original ¼” tapes and cut at half speed at Abbey Road studios, London. Both artwork and audio have personally been overseen and orchestrated by Siouxsie Sioux and Steven Severin.

The Banshees’ third studio album landed in summer 1980 and introduced two new members ‘Budgie’ on drums and ‘McGeoch’ on guitar. Kaleidoscope would give the group their first hit album peaking at No’5 in the charts. Hits such as ‘Happy House’ and ‘Christine’ are atmospheric and dripping with sarcasm, the album swirls with synths and programmed drum loops for the first time. 

‘Undun’ is the 10th studio album from legendary hip-hop band The Roots originally released on 2nd December, 2011. The Grammy® nominated album (best rap album) incorporates neo soul and indie music elements. It is an existential concept album about the short, tragic life of fictional character Redford Stevens, set in urban poverty, and is told through a reverse-chronological narrative. Undun received widespread acclaim from critics, who praised its existential subject matter, production quality, and the band’s musicianship. It was included on several critics’ year-end lists of best albums. Previously released as a 2LP set, this version has now been converted to 1LP.

TRACK LISTING

1. Dun 1:17
2. Sleep 2:16
3. Make My 4:27
4. One Time 3:56
5. Kool On 3:49
6. The OtherSide 4:03
7. Stomp 2:23
8. Lighthouse 3:44
9. I Remember 3:15
10. Tip The Scale 4:18
11. Redford Suite
 - Redford (For Yia-Yia & Pappou) 1:52
 - Possibility (2nd Movement) 0:55
 - Will To Power (3rd Movement) 1:04
 - Finality (4th Movement) 1:31

UMC / Virgin EMI present vinyl editions of the seminal Brian Eno albums ‘Discreet Music, ‘Music For Films, ‘Music For Airports’ and ‘On Land’. 

Although originally released interspersed with other albums and thus not fully sequential, these landmark records chart 4 key points in a fascinating journey that saw Eno explore generative music, found-sound ‘non instruments’, studio experimentation, ‘figurative music’ and–most notably–building upon Erik Satie’s concept of ‘furniture music’, eventually coining the now vernacular-standard term ‘ambient’. 

In November 1968, millions of double LPs were shipped to record stores worldwide ahead of that tumultuous year’s most anticipated music event: the November 22nd release of The BEATLES (soon to be better known as ‘The White Album’). With their ninth studio album, The Beatles took the world on a whole new trip, side one blasting off with the exhilarating rush of a screaming jet escorting Paul McCartney’s punchy, exuberant vocals on “Back In The U.S.S.R.” “Dear Prudence” came next, John Lennon warmly beckoning his friend and all of us to “look around.” George Harrison imparted timeless wisdom in “While My Guitar Gently Weeps,” singing, “With every mistake we must surely be learning.” Ringo Starr’s “Don’t Pass Me By” marked his first solo songwriting credit on a Beatles album. For 50 years, ‘The White Album’ has invited its listeners to venture forth and explore the breadth and ambition of its music, delighting and inspiring each new generation in turn.

For it’s 50th anniversary, The Beatles release a suite of lavishly presented ‘White Album’ packages. The album’s 30 tracks are newly mixed by producer Giles Martin and mix engineer Sam Okell in stereo and 5.1 surround audio, joined by 27 early acoustic demos and 50 session takes, most of which are previously unreleased in any form.

“We had left Sgt. Pepper’s band to play in his sunny Elysian Fields and were now striding out in new directions without a map,” says Paul McCartney in his written introduction for the new ‘White Album’ releases.

This is the first time The BEATLES (‘White Album’) has been remixed and presented with additional demos and session recordings. The album’s sweeping new edition follows 2017’s universally acclaimed Sgt. Pepper’s Lonely Hearts Club Band Anniversary Edition releases. To create the new stereo and 5.1 surround audio mixes for ‘The White Album,’ Martin and Okell worked with an expert team of engineers and audio restoration specialists at Abbey Road Studios in London. All the new ‘White Album’ releases include Martin’s new stereo album mix, sourced directly from the original four-track and eight-track session tapes. Martin’s new mix is guided by the album’s original stereo mix produced by his father, George Martin.

“In remixing ‘The White Album,’ we’ve tried to bring you as close as possible to The Beatles in the studio,” explains Giles Martin in his written introduction for the new edition. “We’ve peeled back the layers of the ‘Glass Onion’ with the hope of immersing old and new listeners into one of the most diverse and inspiring albums ever made.”

The minimalist artwork for ‘The White Album’ was created by artist Richard Hamilton, one of Britain’s leading figures in the creation and rise of pop art. The top-loading gatefold sleeve’s stark white exterior had ‘The BEATLES’ embossed on the front and printed on the spine with the album’s catalogue number. Early copies of ‘The White Album’ were also individually numbered on the front, which has also been done for the new edition’s Super Deluxe package. The set’s six CDs and Blu-ray disc are housed in a slipsleeved 164-page hardbound book, with pull-out reproductions of the original album’s four glossy color portrait photographs of John, Paul, George, and Ringo, as well as the album’s large fold-out poster with a photo collage on one side and lyrics on the other. The beautiful book is illustrated with rare photographs, reproductions of handwritten and notated lyrics, previously unpublished photos of recording sheets and tape boxes, and reproduced original ‘White Album’ print ads. The book’s comprehensive written pieces include new introductions by Paul McCartney and Giles Martin, and in-depth chapters covering track-by-track details and session notes reflecting The Beatles’ year between the release of ‘Sgt. Pepper’ and recording sessions for ‘The White Album,’ the band’s July 28 1968 “Mad Day Out” photo shoot in locations around London, the album artwork, the lead-up and execution of the album’s blockbuster release, and its far-ranging influence, written by Beatles historian, author and radio producer Kevin Howlett; journalist and author John Harris; and Tate Britain’s Senior Curator of Modern and Contemporary Art Andrew Wilson.

The Deluxe 3CD is presented in an embossed digipak with the fold-out poster and portrait photos, plus a 24-page booklet abridged from the Super Deluxe book. Presented in a lift-top box with a four-page booklet, the limited edition Deluxe 4LP vinyl set presents the 2LP album in a faithful, embossed reproduction of its original gatefold sleeve with the fold-out poster and portrait photos, paired with the 2LP Esher Demos in an embossed gatefold sleeve.

Much of the initial songwriting for ‘The White Album’ was done in Rishikesh, India between February and April 1968, when John Lennon, Paul McCartney, George Harrison, and Ringo Starr joined a course at the Maharishi’s Academy of Transcendental Meditation. In a postcard to Ringo, who had returned to England before the others, John wrote, “we’ve got about two L.P.s worth of songs now so get your drums out.”

During the last week of May, The Beatles gathered at George’s house in Esher, Surrey, where they recorded acoustic demos for 27 songs. Known as the Esher Demos, all 27 recordings are included in the new edition’s Deluxe and Super Deluxe packages, sourced from the original four-track tapes. Twenty-one of the demoed songs were recorded during the subsequent studio sessions, and 19 were ultimately finished and included on ‘The White Album.’

The Beatles’ studio sessions for The BEATLES (‘White Album’) began on May 30, 1968 at Abbey Road Studios. In the 20 weeks that followed, The Beatles devoted most of their time to sessions there for the new album, with some recording also done at Trident Studios. The final session for the album took place at Abbey Road on October 16, a 24-hour marathon with producer George Martin to sequence the double album’s four sides and to complete edits and cross-fades between its songs. The Beatles’ approach to recording for ‘The White Album’ was quite different from what they had done for ‘Sgt. Pepper.’ Rather than layering individually overdubbed parts on a multi-track tape, many of the ‘White Album’ session takes were recorded to four-track and eight-track tape as group performances with a live lead vocal. The Beatles often recorded take after take for a song, as evidenced by the Super Deluxe set’s Take 102 for “Not Guilty,” a song that was not included on the album. This live-take recording style resulted in a less intricately structured, more unbridled album that would shift the course of rock music and cut a path for punk and indie rock.

The Beatles’ newly adopted method of recording all through the night was time consuming and exhausting for their producer, George Martin. Martin had other duties, including his management of AIR (Associated Independent Recording), and he had also composed the orchestral score for The Beatles’ animated feature film, Yellow Submarine, released in July 1968. After the first three months of ‘White Album’ sessions, Martin took a three-week holiday from the studio, entrusting the control room to his young assistant Chris Thomas and balance engineer Ken Scott. Scott had taken the place of engineer Geoff Emerick, who left the sessions in mid-July. On August 22, Ringo Starr also left the sessions, returning 11 days later to find his drum kit adorned with flowers from his bandmates. While the sessions’ four and a half months of long hours and many takes did spark occasional friction in the studio, the session recordings reveal the closeness, camaraderie, and collaborative strengths within the band, as well as with George Martin.

The BEATLES (‘White Album’) was the first Beatles album to be released on the group’s own Apple Records label. Issued in both stereo and mono for the U.K. and in stereo for the U.S., the double album was an immediate bestseller, entering the British chart at number one and remaining there for eight of the 22 weeks it was listed. ‘The White Album’ also debuted at number one on the U.S. chart, holding the top spot for nine weeks of its initial 65-week chart run. In his glowing ‘White Album’ review for Rolling Stone, the magazine’s co-founder Jann Wenner declared: “It is the best album they have ever released, and only The Beatles are capable of making a better one.” In the U.S., ‘The White Album’ is 19-times platinum-certified by the RIAA and in 2000, it was inducted into the Recording Academy’s GRAMMY® Hall of Fame, recognizing “recordings of lasting qualitative or historical significance.”

TRACK LISTING

Super Deluxe [6CD+1Blu-ray Set / Digital Audio Collection]
CD 1: The BEATLES (‘White Album’) 2018 Stereo Mix
Back In The U.S.S.R.
Dear Prudence
Glass Onion
Ob-La-Di, Ob-La-Da
Wild Honey Pie
The Continuing Story Of Bungalow Bill
While My Guitar Gently Weeps
Happiness Is A Warm Gun
Martha My Dear
I’m So Tired
Blackbird
Piggies
Rocky Raccoon
Don’t Pass Me By
Why Don’t We Do It In The Road?
I Will
Julia

CD 2: The BEATLES (‘White Album’) 2018 Stereo Mix
Birthday
Yer Blues
Mother Nature’s Son
Everybody’s Got Something To Hide
Except Me And My Monkey
Sexy Sadie
Helter Skelter
Long, Long, Long
Revolution I
Honey Pie
Savoy Truffle
Cry Baby Cry
Revolution 9
Good Night

CD 3: Esher Demos
Back In The U.S.S.R.
Dear Prudence
Glass Onion
Ob-La-Di, Ob-La-Da
The Continuing Story Of Bungalow Bill
While My Guitar Gently Weeps
Happiness Is A Warm Gun
I’m So Tired
Blackbird
Piggies
Rocky Raccoon
Julia
Yer Blues
Mother Nature’s Son
Everybody’s Got Something To Hide
Except Me And My Monkey
Sexy Sadie
Revolution
Honey Pie
Cry Baby Cry
Sour Milk Sea
Junk
Child Of Nature
Circles
Mean Mr. Mustard
Polythene Pam
Not Guilty
What’s The New Mary Jane

CD 4: Sessions
Revolution I (Take 18)
A Beginning (Take 4) / Don’t Pass Me By (Take 7)
Blackbird (Take 28)
Everybody’s Got Something To Hide
Except Me And My Monkey (Unnumbered Rehearsal)
Good Night (Unnumbered Rehearsal)
Good Night (Take 10 With A Guitar Part From Take 5)
Good Night (Take 22)
Ob-La-Di, Ob-La-Da (Take 3)
Revolution (Unnumbered Rehearsal)
Revolution (Take 14 – Instrumental Backing Track)
Cry Baby Cry (Unnumbered Rehearsal)
Helter Skelter (First Version – Take 2)

CD 5: Sessions
Sexy Sadie (Take 3)
While My Guitar Gently Weeps (Acoustic Version – Take 2)
Hey Jude (Take 1)
St. Louis Blues (Studio Jam)
Not Guilty (Take 102)
Mother Nature’s Son (Take 15)
Yer Blues (Take 5 With Guide Vocal)
What’s The New Mary Jane (Take 1)
Rocky Raccoon (Take 8)
Back In The U.S.S.R. (Take 5 – Instrumental Backing Track)
Dear Prudence (Vocal, Guitar & Drums)
Let It Be (Unnumbered Rehearsal)
While My Guitar Gently Weeps (Third Version – Take 27)
(You’re So Square) Baby, I Don’t Care (Studio Jam)
Helter Skelter (Second Version – Take 17)
Glass Onion (Take 10)

CD 6: Sessions
I Will (Take 13)
Blue Moon (Studio Jam)
I Will (Take 29)
Step Inside Love (Studio Jam)
Los Paranoias (Studio Jam)
Can You Take Me Back? (Take 1)
Birthday (Take 2 – Instrumental Backing Track)
Piggies (Take 12 – Instrumental Backing Track)
Happiness Is A Warm Gun (Take 19)
Honey Pie (Instrumental Backing Track)
Savoy Truffle (Instrumental Backing Track)
Martha My Dear (Without Brass And Strings)
Long, Long, Long (Take 44)
I’m So Tired (Take 7)
I’m So Tired (Take 14)
The Continuing Story Of Bungalow Bill (Take 2)
Why Don’t We Do It In The Road? (Take 5)
Julia (Two Rehearsals)
The Inner Light (Take 6 – Instrumental Backing Track)
Lady Madonna (Take 2 – Piano And Drums)
Lady Madonna (Backing Vocals From Take 3)
Across The Universe (Take 6)

Blu-ray: The BEATLES (‘White Album’)
Audio Features:
: PCM Stereo (2018 Stereo Mix)
: DTS-HD Master Audio 5.1 (2018)
: Dolby True HD 5.1 (2018)
: Mono (2018 Direct Transfer Of ‘The White Album’ Original Mono Mix)

 Deluxe [3CD Digipak / 180-gram 4LP Vinyl Box Set (limited Edition)
The BEATLES (‘White Album’) 2018 Stereo Mix
Esher Demos

Standard 2LP Vinyl [180-gram]
The BEATLES (‘White Album’) 2018 Stereo Mix

Siouxsie And The Banshees – The Scream debuted in November 1978 born out of part sweet suburbia and part grey Orwellian uber state. The Scream was unlike anything else released that year.

Remastered from the original ¼” tapes and cut at half speed at Abbey Road studios, London. Both artwork and audio have personally been overseen and orchestrated by Siouxsie Sioux and Steven Severin.

TRACK LISTING

SIDE ONE
1. Pure
2. Jigsaw Feeling
3. Overground
4. Carcass
5. Helter Skelter

SIDE TWO
1. Mirage
2. Metal Postcard
3. Nicotine Stain
4. Suburban Relapse
5. Switch

On August 24, The Marley Family, Island Records, and UMC celebrate 40 years of "Kaya", Bob Marley & The Wailers’ historic March 1978 release. This most special anniversary edition to date will feature Stephen 'Ragga' Marley’s exciting and vibrant new "Kaya 40" mixes of all ten tracks from the original album alongside its original mixes in 2CD and 180-gram 2LP configurations.

Bob Marley’s artistic legacy forever endures, and the 40th anniversary edition of "Kaya" only serves to reinforce just how much we all share the shelter of this special music.

TRACK LISTING

Disc 1
Easy Skanking
Kaya
Is This Love
Sun Is Shining
Satisfy My Soul
She's Gone
Misty Morning
Crisis
Running Away
Time Will Tell


Disc 2
Easy Skanking
Kaya (Kaya 40 Mix)
Is This Love (Kaya 40 Mix)
Sun Is Shining (Kaya 40 Mix)
Satisfy My Soul (Kaya 40 Mix)
She's Gone (Kaya 40 Mix)
Misty Morning (Kaya 40 Mix)
Crisis (Kaya 40 Mix)
Running Away (Kaya 40 Mix)
Time Will Tell (Kaya 40 Mix)

“GREASE” - THE ORIGINAL SOUNDTRACK FROM THE MOTION PICTURE celebrates its 40th anniversary with a very special vinyl release over two 180g LPs.

Mastered from the original tapes and cut at Half-Speed for a superior sound - tracks such as the Academy Award Nominated ‘Hopelessly Devoted To You’ and All Time Top 20 Best Selling Singles ‘You’re The One That I Want’ and ‘Summer Nights’ will once again be available in vinyl format along with the original artwork not fully replicated since released 40 years ago.

Comes with a download voucher.

Originally release in 1986, this is one of four albums released by UMC from the Siouxsie And The Banshees extensive studio catalog, each album appearing as it should on glorious 180-gram black vinyl.

An absolute classic from 1981. Budgie’s tribal drums and John McGeoch’s swirling guitars provide the perfect backdrop for Siouxsie’s distinctive vocals.

This is one of four albums released by taken from the Siouxsie And The Banshees extensive studio catalog, each album appearing as it should on glorious 180-gram black vinyl.

The major label massive come through with something for the heads here, hooking us up with f-f-f-fresh reissues of Eric B & Rakim's four iconic studio albums. First in the series is the NYC duo's game-changing debut "Paid In Full", a perfect example of Eric B's break-fuelled, lo-fi beats and scratch prowess and Rakim's revolutionary flow. Though the mighty and mega title track may be the stand out track here (crossover classics don't come much better), the boombox fire of "I Ain't No Joke", slow and sludgy "My Melody" and neck-snapping groove of "I Know You Got Soul" would be standouts on any other record.

TRACK LISTING

I Aint No Joke
Eric B In On The Cut
My Melody
I Know You Got Soul
Move The Crowd
Paid In Full
As The Rhyme Goes On
Chinese Arithmetic
Eric B Is President
Extended Beat

Double LP gold here, The Beastie Boys finest fifteen tracks throughout their incredible career. This record features some of the best tunes such as ‘Fight For Your Right’ and ‘An Open Letter to NYC’ but is filled to the brim with all the best of beasties. The Beasties consistent 'triple trouble' MC style is the thread that runs through each track here, creating cohesion to this whole LP, which presents us with a great overview of their career so far.

TRACK LISTING

A1. So What'Cha Want
A2. Brass Monkey
A3. Ch-Check It Out
A4. No Sleep Till Brooklyn
B1. Hey Ladies
B2. Pass The Mic
B3. An Open Letter To NYC
C1. Root DowN
C2. Shake Your Rump
C3. Intergalactic
C4. Sure Shot
D1. Body Movin' (Fatboy Slim Remix)
D2. Triple Trouble
D3. Sabotage
D4. Fight For Your Right

Back To Black vinyl reissue of Nico's debut full solo album Chelsea Girl, originally released in 1967.

The album famously features the then-unknown singer/songwriter Jackson Browne (guitar), Lou Reed (guitar), Sterling Morrison (guitar/bass), and John Cale (piano/bass/viola).

Pressed on 180gram vinyl with digital download code.

TRACK LISTING

1 The Fairest Of The Seasons
2 These Days
3 Little Sister
4 Winter Song
5 It Was A Pleasure Then
6 Chelsea Girls
7 I'll Keep It With Mine
8 Somewhere There's A Feather
9 Wrap Your Troubles In Dreams
10 Eulogy To Lenny Bruce

Produced by Giles Martin for this year’s universally heralded ‘Sgt. Pepper’ Anniversary Edition releases, the album’s new stereo mix was sourced directly from the original four-track session tapes and guided by the original, Beatles-preferred mono mix produced by Giles’ father, George Martin. Praised by fans and music critics around the world, The Beatles’ ‘Sgt. Pepper’ Anniversary Edition is 2017’s most celebrated historical music release and an ideal gift for Beatle People here, there, and everywhere.

Double Vinyl re-press with download code.
180g black vinyl.
Double LP of the original album.

TRACK LISTING

1. Tomorrow
2. Los A Friend
3. Waltzing Along
4. She's A Star
5. Greenpeace
6. Go To The Bank
7. Play Dead
8. Avalanche
9. Homeboy
10. Watering Hole
11. Blue Pastures

Double Vinyl with download code.
180g black vinyl.
First time available on vinyl. 

TRACK LISTING

1. Crash
2. Just Like Fred Astaire
3. I Know What I'm Here For
4. Shooting My Mouth Off
5. We're Going To Miss You
6. Strangers
7. Hello
8. Afro Lover
9. Surprise
10. Dumb Jam
11. Someone's Got Ity In For Me
12. Vervaceous

Double Vinyl re-press with download code.
180g black vinyl.
First time available on vinyl with this specific track-list.

TRACK LISTING

1.Come Home (Flood Mix)
2.Lose Control
3.Government Walls
4.God Only Knows
5.You Can't Tell How Much Suffering (On A Face That's Always Smiling)
6.How Was It For You?
7.Sit Down
8.Walking The Ghost
9.Gold Mother
10.Top Of The World
11.Come Home (Album Version)
12.Crescendo
13.Hang On

Double Vinyl with download.
180g black vinyl.
First time available on vinyl. 

TRACK LISTING

1. Space
2. Falling Down
3. English Beefcake
4. Junkie
5. Pleased To Meet You
6. The Shining
7. Senorita
8. Gaudi
9. What Is It Good For
10. Give It Away
11. Fine
12. Getting Away With It (All Messed Up)
13. Alaskan Pipeline

One of the most enigmatic figures in pop music history Scott Walker (nee Scott Engel) first saw massive success in England with his band The Walker Brothers in 1965. Not really brothers, nor were they British, the trio left Hollywood seeking fame in England, and they found it here for a time with their particular brand of orchestrated pop.

Following the groups demise in 1967 Walker set our to pursue solo stardom in perhaps the most peculiar way possible, with over-the-top baroque pop songs owing more to his idol Jacques Brel, Tony Bennett and Frank Sinatra than they did to the Beatles or the Stones.

This is his first solo LP from 1967 and features three of his own compositions along with covers of songs by Brel, Tim Hardin, and the Brill Building team of Cynthia Weil and Barry Mann. A true original.

Despite being the first of his solo albums not to reach the British Top 10, "Scott 4" was perhaps his best, and most ambitious album to date. Originally released in 1969 it is the first record to feature only Scott Walker originals. It is also the first to back off a bit from the heavily string laden production of past releases, allowing other sonic influences to shine through, from country to folk to soul. The lyrical content remains intense as Walker tackles everything from War to Stalinism to heartbreak with equal success. A classic.

Originally released in 1968, "Scott 2" made it all the way to number one on the UK pop charts, perhaps the strangest number one hit in pop history. Continuing with his orchestral obsession, "Scott 2" features over-the-top string and horn arrangements, occasionally veering into dangerously schmaltzy territory. This production style is in drastic contrast to the lyrical content, songs of despair, prostitution, homosexuality, and brutal honesty, indicting the same glamorous and glitzy lifestyle that his baroque pop style emblemizes. Along with many originals "Scott 2" features songs by Jacques Brel, Tim Hardin, and Bacharach/David.

"Scott 3", originally released in 1969, marked a big change in Walker's approach to albums as, for the first time, the record is dominated by his original compositions. In fact, the only other songwriter that makes it onto the album is Walker's idol, Belgium's legendary singer/songwriter Jacques Brel.

"Scott 3" again features string heavy production courtesy of Wally Scott, though it occasionally moves out of pop ballad territory into a more cinematic feel influenced by Ennio Morricone among others. An huge influence on folks like David Bowie and Nick Cave, as well as just about anybody on the 4AD label.

Set to the backdrop of Awesome Mixtape 2, Guardians of the Galaxy Vol. 2 continues the team's adventures as they unravel the mystery of Peter Quill's true parentage - featuring Chris Pratt, Vin Diesel , Zoe Saldana and Bradley Cooper. The 14-track mix features songs by David Bowie (The Prettiest Star), The Rolling Stones (Gimme Shelter), and Paul Simon (The Obvious Child), among others.

This Deluxe edition features the entire soundtrack plus the 16-piece original score by Tyler Bates, filling (most) of the second LP. The true compendium of music from this highly regarded and immensely enjoyable duology. 

TRACK LISTING

LP1:

1. Mr. Blue Sky- Electric Light Orchestra
2. Fox On The Run- Sweet
3. Lake Shore Drive - Aliotta Haynes Jeremiah
4. The Chain- Fleetwood Mac
5. Bring It On Home To Me- Sam Cooke
6. Southern Nights- Glen Campbell

1. My Sweet Lord- George Harrison
2. Brandy (You're A Fine Girl)- Looking Glass
3. Come A Little Bit Closer- Jay And The Americans
4. Wham Bam Shang-a-Lang- Silver
5. Surrender- Cheap Trick
6. Father And Son- Yusef / Cat Stevens

LP2:

1. Flash Light- Parliament
2. Guardians Inferno- The Sneepers (Featuring - David Hasselhoff
3. Showtime, A-holes- Tyler Bates
4. Vs. The Abilisk- Tyler Bates
5. Space Chase- Tyler Bates
6. Family History- Tyler Bates
7. Groot Expectations- Tyler Bates
8. Mammalian Bodies- Tyler Bates

1. Two- Time- Galaxy Savers- Tyler Bates
2. I Know Who You Are- Tyler Bates
3. Ego- Tyler Bates
4. Kraglin And Drax- Tyler Bates
5. The Expansion- Tyler Bates
6. Mary Poppins And The Rat- Tyler Bates
7. Gods- Tyler Bates
8. Dad- Tyler Bates
9. A Total Hasselhoff- Tyler Bates
10. Guardians Of The Fricken' Galaxy

First time on vinyl for the 2001 compilation. Mastered by Robert Smith and housed in a die-cut gatefold sleeve. Artwork by the original design team at Stylo Rouge and features out-takes from the original photo shoot for the front cover. Features 4 Top 10 hit singles plus 4 Top 20s.

First time on vinyl for the Cure's acoustic rendition of their Greatest Hits. This was a limited edition CD which accompanied the 2001 Greatest Hits compilation and has never appeared on vinyl. 2LP set housed in a die-cut gatefold sleeve.

Two years on from the end of The Stooges, Iggy returned, older, wiser and perhaps a little more world weary. The Idiot is his debut solo album and the first of two LPs released in 1977 which Pop wrote and recorded in collaboration with David Bowie. Style-wise the album sits nicely alongside Bowie’s Berlin period albums, gone is the raw proto-punk of The Stooges, instead we have fractured guitar sounds and discordant keyboards, and whereas previously his vocals were delivered with a defiant snarly, he instead adopts his now trademark baritone drawl.

Released less than a year after "The Idiot", "Lust For Life" is a return to the sloppy, sleazy, blues-y, swagger of the Stooges. Though the record is, again produced by David Bowie, he takes much more of a backseat musically, allowing for Iggy Pop to take center stage in his return to form. An absolute classic from this total legend.

The fifth - and second for a major label - album from Elliott Smith is a much more kaleidoscopic affair than before. Partly recorded in Abbey Road studios, this album can be looked on as Smith's "White Album", such is the variety. Quality and quantity abounds here; "Son Of Sam" is his poppiest moment while there is also material here familiar to fans of "Either/Or" etc. In between we are treated to baroque chamber pop, honky-tonk whimsy, rockier tracks and much more. Oft-overlooked in favour of "XO", this is a modern classic.

Vinyl reissue on a Gatefold 180g 2LP of Nirvana’s 1992 rarities collection. Celebrating its 25th anniversary in 2017. Incesticide was originally released in December 1992, collecting unreleased and non-album tracks to follow up on the success of 1991’s Nevermind. 

Hoping to reinvigorate her flagging late 60s career, Dusty Springfield was signed to Atlantic and sent to record an album in Memphis, Tennessee with the Memphis Cats studio band, Jerry Wexler and Arif Mardin, all of whom had worked with her hero Aretha Franklin. Including tracks like "Son Of A Preacher Man", "Just A Little Lovin'", "Don't Forget About Me", "Breakfast In Bed" and "Windmills Of Your Mind" amongst other deep soul numbers, the album was Released in 1969 but didn't take off as hoped and had disappointing sales. However, since that time it has come to be seen as Springfield's definitive work and regularly appears in 'best ever records' charts. It's a perfect soul / pop moment from one of the UK's finest singers.

Repress of Wild Wood, Paul Weller's second solo record. Released in September 1993, it made it to number 2 in the UK charts, and contained three UK hits: "Wild Wood", "Sunflower", and "Hung Up”.

As with his solo debut, there’s more than a nod to classic British mod rock here, but there’s also a heavy dose of pastoral folk that combined with the introspective lyrics makes this a wonderfully timeless album.

• Gatefold LP sleeve with colour sticker
• 20 x 30” single sided poster
• Colour inner sleeve with photos and lyrics

Recorded in Neneh Cherry's nursery by a group of self-proclaimed "lazy Bristol Twats", 'Blue Lines" took the hip hop rulebook, ripped it up and used it for roaches. Generally considered the first trip hop album, though the term wasn't coined until several years later, "Blue Lines" was a runaway in the United Kingdom, though sales were limited elsewhere. A fusion of electronic music, hip hop, dub, '70s soul and reggae, the album established Massive Attack as one of the innovative British bands of the 1990s and the founder of trip hop's Bristol Sound. Shifting the 'dance-music' focus from the feet to the head, "Blue Lines" saw hip hop beats collide head on with lilting dub grooves, while dusty samples were dexterously chopped and scratched into fresh rhythms. While tracks like "Blue Lines", "Five Man Army" and "Daydreaming" feature free-flowing rhymes from Daddy G, 3D and Tricky in ATCQ style, Massive Attack approached the American-born hip hop movement from an underground British perspective, packing their innovative beats with elements of jazz-funk and dub. Elsewhere, reggae legend Horace Andy lent his unique voice to the revolutionary grooves of "One Love" and "Hymn Of The Big Wheel" (also featuring Neneh Cherry), while Shara Nelson's soulful vocal capped off album standout "Unfinished Sympathy" perfectly. Now back in press on pristine black wax, "Blue Lines" sounds every bit as good today as it did on its release 25 years ago - timeless.

TRACK LISTING

A1. Safe From Harm
A2. One Love
A3. Blue Lines
A4. Be Thankful For What You've Got
A5. Five Man Army
B1. Unfinished Sympathy
B2. Daydreaming
B3. Lately
B4. Hymn Of The Big Wheel

The albums Traveling Wilburys Vol. 1 and Traveling Wilburys Vol. 3 feature music's greatest singer-songwriters - George Harrison, Jeff Lynne, Roy Orbison, Tom Petty and Bob Dylan - as the legendary band The Traveling Wilburys. 

3 popular studio albums by The Verve are being made available again as deluxe formats and on vinyl. A Storm In Heaven, the bands debut album from 1993, gets a thorough overhaul with this wonderful 4-disc boxed Super Deluxe Edition.

Remastered by Chris Potter (co-producer of the band’s ‘Urban Hymns’) the original album comes amply augmented by all of the legendary pre-album EP tracks, associated acoustic versions, as well as two previously unreleased BBC radio sessions and two excellent previously unreleased studio albums – ‘South Pacific’ and ‘Shoeshine Girl’.

The album will also be available on vinyl.

STAFF COMMENTS

Andy says: There was a lot of excitement around the release of (the)Verve's debut album. This was because they were a completely unique proposition back at the dawn of the nineties. There were elements of Shoegaze, but mainly this was drifting, blissed-out psyche rock. A classic band was born!

A Northern Soul spawned three Top 40 singles – ‘This Is Music’, ‘On Your Own’ and ‘History’.

Absolutely massive album in our shop back in the day. This has deep, heavy grooves, ballads and sky-scraping believer-anthems. It's an incredible record.

Released in May 1980, this record is the place where The Cure really started to develop their unique early 80's sound. It's sparse, precise and rhythmic, with those gorgeous melodies always on top. This album features 'A Forest' which is still regarded as one of The Cure's greatest ever songs.

STAFF COMMENTS

Martin says: My favourite Cure album. A giant leap forward from the post punky snarl of "Three Imaginary Boys", "Seventeen Seconds" set the scene for the brooding majesty that was to follow. Sombre, stripped back and with a quiet power that was to bettered only (maybe) by Joy Division. While it the features such stark beauty as "A Forest", "M", "In Your House" and "At Night", the whole is a thing of cold magnificence that, in my humble opinion, few, if anyone, ever surpassed.

TRACK LISTING

1. A Reflection
2. Play For Today
3. Secrets
4. In Your House
5. Three
6. The Final Sound
7. A Forest
8. M
9. At Night
10. Seventeen Seconds

Released in May 1987, 'Kiss Me, Kiss Me, Kiss Me' was a double album that veered delightfully all over the place with horns, strings and even funky arrangements. 'Why Can't I Be You' provided their now de rigeur zany pop hit (with accompanying video to boot) but it was 'Just Like Heaven' which really hit the sweet spot.  Here was a band at the peak of their powers doing exactly as they pleased. Splendid stuff.

This is a heavy, dark, churning, spiralling (whisper it) Goth Rock record that is unremittingly doomy but always melodic. Released in 1982, this is The Cure at their most dramatic.

STAFF COMMENTS

Andy says: The sound of one man having a break down. His pain is our pleasure. Sort of!

TRACK LISTING

1 One Hundred Years
2 A Short Term Effect
3 The Hanging Garden
4 Siamese Twins
5 The Figurehead
6 A Strange Day
7 Cold
8 Pornography

The Cure's debut album came out in the summer of 1979 and unlike their subsequent doom and darkness period, it is a fine, catchy piece of clipped, new wave pop. There's a youthful exhuberance here that would slowly dissipate as the band developed.

TRACK LISTING

1 10:15 Saturday Night
2 Accuracy
3 Grinding Halt
4 Another Day
5 Object
6 Subway Song
7 Foxy Lady
8 Meat Hook
9 So What
10 Fire In Cairo
11 It's Not You
12 Three Imaginary Boys
13 The Weedy Burton

Released in April 1984, 'The Top' was The Cure's transitional record from their darker, dare I say Gothier past, towards the pure pop of ''Head On The Door'. Robert Smith had spent time in Siouxsie and The Banshees and was apparently quite fond of alternate/enhanced states, so the resultant album is quite playful and experimental whilst still having those dark moods too.

STAFF COMMENTS

Andy says: Gleefully messy pop that features 'The Caterpillar' which was a big radio hit in the early 80's.

On Hole’s second album they rounded off some of the raw edges found on “Pretty On The Inside”. Rumours at the time were that Courtney Loves’ husband Kurt Cobain had ghost written the album. Whether this is true or not, there are nod’s to Nirvana’s sound but Courtney’s rage, cynicism and distinctive vocals make it unmistakeably a Hole album, and arguably their best.

TRACK LISTING

1 Violet
2 Miss World
3 Plump
4 Asking For It
5 Jennifer's Body
6 Doll Parts
7 Credit In The Straight World
8 Softer, Softest
9 She Walks On Me
10 I Think That I Would De
11 Gutless
12 Rock Star

'The Slim Shady LP' is the second studio album and first commercial release from the American rapper Eminem. It was released on February 23, 1999, under Interscope Records and Dr. Dre's Aftermath Entertainment. Recorded in Ferndale, Michigan following Eminem's recruitment by Dr. Dre and Jimmy Iovine, the album features production from Dr. Dre, the Bass Brothers, and Eminem himself. The majority of the record's lyrical content is written from the perspective of the rapper's alter ego Slim Shady, whom the rapper created on 'Slim Shady EP' (1997).

TRACK LISTING

1 Public Service Announcement
2 My Name Is 
3 Guilty Conscience [feat. Dr. Dre] 
4 Brain Damage 
5 Paul (Skit)
6 If I Had
7 '97 Bonnie & Clyde
8 Bitch (Skit)
9 Role Model 
10 Lounge (Skit)
11 My Fault 
12 Ken Kaniff (Skit) 
13 Cum On Everybody 
14 Rock Bottom 
15 Just Don't Give A Fuck 
16 Soap (Skit)
17 As The World Turns 
18 I'm Shady
19 Bad Meets Evil [feat. Royce Da 5'9'']
20 Still Don't Give A Fuck

The best Beach Boys album, and one of the best of the 1960s. The group here reached a whole new level in terms of both composition and production, layering tracks upon tracks of vocals and instruments to create a richly symphonic sound. Conventional keyboards and guitars were combined with exotic touches of orchestrated strings, bicycle bells, buzzing organs, harpsichords, flutes, Theremin, Hawaiian-sounding string instruments, Coca-Cola cans, barking dogs, and more. It wouldn't have been a classic without great songs, and this has some of the group's most stunning melodies, as well as lyrical themes which evoke both the intensity of newly born love affairs and the disappointment of failed romance (add in some general statements about loss of innocence and modern-day confusion as well). The spiritual quality of the material is enhanced by some of the most gorgeous upper-register male vocals (especially by Brian and Carl Wilson) ever heard on a rock record. "Wouldn't It Be Nice," "God Only Knows," "Caroline No," and "Sloop John B" (the last of which wasn't originally intended to go on the album) are the well-known hits, but equally worthy are such cuts as "You Still Believe in Me," "Don't Talk," "I Know There's an Answer," and "I Just Wasn't Made for These Times."

TRACK LISTING

1. Wouldn't It Be Nice
2. You Still Believe In Me
3. That's Not Me
4. Don't Talk (Put Your Head On My Shoulder)
5. I'm Waiting For The Day
6. Let's Go Away For Awhile
7. Sloop John B
8. God Only Knows
9. I Know There's An Answer
10. Here Today
11. I Just Wasn't Made For These Times
12. Pet Sounds
13. Caroline, No

Forming in New York in 1981, "Goo" was Sonic Youth's major label debut when it was released by DGC in June 1990. An important stepping stone in bringing underground 'alternative' rock to mainstream America, the band were also instrumental in Nirvana signing to Geffen the following year. Probably best known for the single "Kool Thing", sung by bass guitarist Kim Gordon, a 4 star review in Rolling Stone hailed the record as 'a brilliant, extended essay in refined primitivism.' The album's other key tracks are "Tunic (Song For Karen)", a tribute to the late Karen Carpenter, and "Dirty Boots".

TRACK LISTING

1. Dirty Boots
2. Tunic (Song For Karen)
3. Mary-Christ
4. Kool Thing
5. Mote
6. My Friend Goo
7. Disappear
8. Mildred Pierce
9. Cinderella's Big Score
10. Scooter + Jinx
11. Titanium Exposé

"You Know You're Right" was the last song Nirvana recorded and whilst it's far from their best (see: other 13 tracks) it shows just how great they really were. How so? Because it's simply got IT, the 'X' factor, the magic, secret ingredient. All those ensuing years of imitators, all slain in three minutes of glory.You simply believe him, and believe in him.  Yep: 4 Real! Tight but loose, raw and powerful, you know the script. You need to own that song and this is the only place to get it. If you are young or they passed you by before - here's 14 catchy, noisy, perfect songs by one of the greatest bands ever.

TRACK LISTING

1. You Know You're Right
2. About A Girl
3. Been A Son
4. Sliver
5. Smells Like Teen Spirit
6. Come As You Are
7. Lithium
8. In Bloom
9. Heart - Shaped Box
10. Pennyroyal Tea
11. Rape Me
12. Dumb
13. All Apologies
14. The Man Who Sold The World

Remastered from the original analogue masters in 2010, by Yoko Ono and a team of engineers led by Allan Rouse at Abbey Road Studios in London and by George Marino at Avatar Studios in New York. This LP has been newly cut to vinyl from those 96k digital files. Comes as an authentic reproduction of its UK original, in its sound and visual presentation.

STAFF COMMENTS

Andy says: Superb second solo album, produced by Phil Spector.

TRACK LISTING

1. Imagine
2. Crippled Inside
3. Jealous Guy - John Lennon, The Plastic Ono Band, The Flux Fiddlers
4. It's So Hard
5. I Don't Wanna Be A Soldier Mama
6. Gimme Some Truth
7. Oh My Love
8. How Do You Sleep?
9. How?
10. Oh Yoko!

'Voodoo' hit store shelves on January 25th 2000, just a few weeks after the New Year celebrations to end them all. But the first great album of the new millennium was born in the 1990s, and its muggy grooves capture the sound of premillennial anxiety. The album is the product of perfectionism, obsession and paranoia. 1995’s debut 'Brown Sugar' had already strategically positioned D’Angelo - born Michael Eugene Archer and Virginia-raised to a Pentecostal preacher father - as the next Hendrix-like deity in black music, after Prince and maybe Lenny Kravitz. But since its release, D’Angelo had become distracted by weed and weightlifting, he’d been shaken by the deaths of Tupac Shakur and The Notorious BIG and debilitated by sophomore pressure. In the interim he’d fathered two children, switched managers and jumped to a new record label.

Though inspired by the birth of his children and trips back to Virginia, 'Voodoo'’s roots are in 1960s, 70s and 80s funk and soul; a nostalgic nod to the ideas and inventions of black music trailblazers powered by avant-garde hip-hop and jazz-influenced rhythms. D’Angleo’s aim, he said, was to reclaim R&B. He wanted to be like Sly Stone, George Clinton and Al Green. And most of all, he wanted to be like Jimi Hendrix. Where does a potently focused young man go to remake 'Electric Ladyland'? New York’s Electric Lady studios, of course: in the same rooms in which Hendrix and Stevie Wonder reinvented music decades earlier, and on the same equipment too. In an era in which soul musicians were obsessing over all things synthetic, D’Angelo was looking to the warm sounds of the past. Electric Lady’s Studio C became D’Angelo’s brand new creative laboratory.

TRACK LISTING

Playa Playa
Devil's Pie
Left & Right
The Line
Send It On
Chicken Grease
One Mo' Gin
The Root
Spanish Joint
Feel Like Makin' Love
Greatdayndamornin' / Booty
Untitled (How Does It Feel)
Africa

D'Angelo's debut album breathed new life into the mid-90s soul / R&B scene, taking inspiration from 70s soul classics, but reinvigorating the sound with hip hop swagger. Recorded using vintage instruments the album ushered in the more organic neo-soul sound, moving away from the crisp electronics of the late 80s / early 90s new jack swing era. Includes the smash hit "Brown Sugar" (has there been a better love song to Mary J?), a cover of Smokey Robinson's "Cruisin'", or the bluesy "Shit, Damn, Motherfucker". A perfect after hours soul seduction album.

This is the first time 'Brown Sugar' has been reissued since 2006!

TRACK LISTING

A1. Brown Sugar 4:22
A2. Alright 5:15
A3. Jonz In My Bonz 5:56
B1. Me And Those Dreamin' Eyes Of Mine 4:46
B2. Shit, Damn, Motherfucker 5:14
B3. Smooth 4:18
C1. Crusin' 6:28
C2. When We Get By 5:48
D1. Lady 5:47
D2. Higher 5:27

Lynyrd Skynyrd is best known for popularizing the southern hard-rock genre during the 1970s. The band rose to worldwide recognition on the basis of its driving live performances and signature tunes "Sweet Home Alabama" and "Free Bird".

Following on from the vinyl box set released in January; the six albums are now available individually with exact reproductions of original artwork to retain authenticity pressed on 180 gram heavyweight audiophile vinyl with download card included.

TRACK LISTING

1. I Ain't The One
2. Tuesday's Gone
3. Gimme Three Steps
4. Simple Man
5. Things Goin' On
6. Mississippi Kid
7. Poison Whiskey
8. Free Bird
9. Mr. Banker
10. Down South Jukin'
11. Tuesday's Gone
12. Gimme Three Steps
13. Free Bird