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SOUL JAZZ RECORDS
THIS IS A RECORD STORE DAY 2025 EXCLUSIVE, LIMITED TO ONE PER PERSON.
Soul Jazz Records’ special new 18th anniversary one-off limited-edition heavyweight special-edition red coloured vinyl pressing (+ download code) exclusively for Record Store Day 2025 of their out of print classic Rumble In The Jungle.
This album is fully remastered, relicensed and with new tracks exclusively for RSD 25.
Soul Jazz Records journey in to early 1990s ragga, drum and bass and jungle. The album features all-time classic jungle anthems such as General Levy’s ‘Incredible’ alongside some serious Ragga heavyweight tunes like Cutty Ranks ‘Limb By Limb’ and Congo Natty’s classic re-make of Barrington Levy’s Under Me Sensi’.
The renowned album tells the story of how Jungle developed out of acid house but with its roots in the UK Dancehall scene of the 1980s and comes with extensive sleevenotes, exclusive interviews and photography.
Soul Jazz Records’ special new 18th anniversary one-off limited-edition heavyweight special-edition red coloured vinyl pressing (+ download code) exclusively for Record Store Day 2025 of their out of print classic Rumble In The Jungle.
This album is fully remastered, relicensed and with new tracks exclusively for RSD 25.
Soul Jazz Records journey in to early 1990s ragga, drum and bass and jungle. The album features all-time classic jungle anthems such as General Levy’s ‘Incredible’ alongside some serious Ragga heavyweight tunes like Cutty Ranks ‘Limb By Limb’ and Congo Natty’s classic re-make of Barrington Levy’s Under Me Sensi’.
The renowned album tells the story of how Jungle developed out of acid house but with its roots in the UK Dancehall scene of the 1980s and comes with extensive sleevenotes, exclusive interviews and photography.
Various Artists
Soul Jazz - 400% DYNAMITE! Ska, Soul, Rocksteady, Funk And Dub In Jamaica (RSD25 EDITION)
Soul Jazz Records
Never a group to wait around Trees Speak drop a brand new track 'Wave Healer' on this new hyper-limited unique individually hand-stamped white label - released just 8 weeks after their last album! Referencing as ever the group's fascination with late-60s exotic and twisted sci-fi sounds and German experimentalism - John Barry meets Cluster - complete with moogs, synths, vibes and featuring vocalist Ashley Edwards, 'Wave Healer' is a hypnotic, head-nodding sonic dreamlike thing of beauty.
TRACK LISTING
1. Wave Healer
2. Psychic State
THIS IS A BLACK FRIDAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON FRIDAY NOVEMBER 29TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.
IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8AM ON SATURDAY NOVEMBER 30TH).
Soul Jazz Records are issuing Tribe ‘Dedication’, a superb rare 1970s funk/soul/jazz album, as a one-off pressing special limited-edition orange coloured vinyl edition, fully remastered with exact reproduction artwork especially for Black Friday 2024.
In similar vein to groups such as Mandrill, Jimmy Castor Bunch, The Blackbyrds, Pleasure and Kool and the Gang, Tribe blend together elements of funk, jazz, rock, latin and soul music into a unique sound (their first album was aptly named ‘Ethnic Stew’).
‘Dedication’ is a fantastic long-lost album of deep funk, soul and jazz from the group, originally released independently in 1977 and out-of-print for over 45 years.
Tribe was the brainchild of multi-instrumentalist Earl J Foster, who put together the band along with producer Big Dee Ervin in 1974. Aside from Earl Foster the band features Clyde Jardine Powell on bass, Billy Soto on guitar, Jimmie A. Clapper on sax, Benjamin Taylor and Harold Clayton on vocals and Harold Davis on drums.
The group made three albums, but ‘Dedication’ remains their tour de force, a fantastic slice of spaced-out funk, jazz and soul.
IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8AM ON SATURDAY NOVEMBER 30TH).
Soul Jazz Records are issuing Tribe ‘Dedication’, a superb rare 1970s funk/soul/jazz album, as a one-off pressing special limited-edition orange coloured vinyl edition, fully remastered with exact reproduction artwork especially for Black Friday 2024.
In similar vein to groups such as Mandrill, Jimmy Castor Bunch, The Blackbyrds, Pleasure and Kool and the Gang, Tribe blend together elements of funk, jazz, rock, latin and soul music into a unique sound (their first album was aptly named ‘Ethnic Stew’).
‘Dedication’ is a fantastic long-lost album of deep funk, soul and jazz from the group, originally released independently in 1977 and out-of-print for over 45 years.
Tribe was the brainchild of multi-instrumentalist Earl J Foster, who put together the band along with producer Big Dee Ervin in 1974. Aside from Earl Foster the band features Clyde Jardine Powell on bass, Billy Soto on guitar, Jimmie A. Clapper on sax, Benjamin Taylor and Harold Clayton on vocals and Harold Davis on drums.
The group made three albums, but ‘Dedication’ remains their tour de force, a fantastic slice of spaced-out funk, jazz and soul.
TRACK LISTING
A
1. Share It (4.22)
2. Firesign (3.26)
3. Vulcan Voyage (4.01)
4. Love You Like A Brother (4.13)
B
1. Ain't Nothing But A Party (4.22)
2. Got To Be Something More (3.17)
3. Baby Feet (3.48)
4. Funky Reggae (3.21)
5. Celebrate Your Love (5.29)
Trees Speak return with 'TimeFold', their sixth release on Soul Jazz Records, further expanding their ever-evolving sonic universe. This new album builds on their signature blend of hypnotic krautrock rhythms, post-punk angularity, and experimental soundscapes while venturing into new terrain by blending influences from avant-garde electronics to ceremonial sound forms.
On 'TimeFold', Trees Speak (comprised of the Tucson-based duo Damian Diaz and Daniel Martin Diaz) push their musical boundaries from expansive, intergalactic landscapes to eerie, imagined 1970s Italian and French sci-fi horror film scores. The album seamlessly weaves John Carpenter-esque synthesizer motifs with ambient sound sculptures, conjuring immersive worlds that are both cinematic and otherworldly.
The album also incorporates the duo’s deep-rooted influences, which span across electronic pioneers like Jean-Michel Jarre (Oxygene), Tangerine Dream, and Karlheinz Stockhausen. Drawing on the revolutionary techniques of Musique Concrète, 'TimeFold' features experimental track splicing, looping, and collage work that harkens back to the golden age of avant-garde music. At times, the album channels the ceremonial tones and hypnotic rhythms reminiscent of early 1970s krautrock, fusing these sounds with organic instrumentation like dulcimers, adding an earthy, drone-like ritual quality to the experimental electronic framework.
A new element in this release is the inclusion of spoken word by Ashley Christine Edwards, which lends the album a haunting, apocalyptic edge. Her contributions evoke a tone reminiscent of the 1970s avant-garde scene, recalling literary and conceptual artists like Ruth White. The spoken words create a sensory experience akin to ceremonial chants, adding to the atmospheric intensity of the album. These vocal elements tie into the overall theme of 'TimeFold', which continues Trees Speak’s exploration of futuristic technologies and the communication of nature, with the evocative concept of trees and plants acting as organic hard drives storing data and knowledge.
Drawing further influence from Italian and French horror cinema, Trees Speak explore cinematic tension throughout 'TimeFold', creating a layered listening experience. The record transports the listener from the haunting, desolate beauty of Southwestern desert vast landscapes to an auditory space that melds early electronic experimentation with the contemporary urgency of conceptual art.
Since their debut 'Ohms' in 2020, Trees Speak’s prolific output on Soul Jazz Records has continually redefined genre boundaries. TimeFold solidifies their position as visionaries in experimental music, offering an album that is as much a meditation on future technologies as it is a tribute to the avant-garde traditions that have come before.
On 'TimeFold', Trees Speak (comprised of the Tucson-based duo Damian Diaz and Daniel Martin Diaz) push their musical boundaries from expansive, intergalactic landscapes to eerie, imagined 1970s Italian and French sci-fi horror film scores. The album seamlessly weaves John Carpenter-esque synthesizer motifs with ambient sound sculptures, conjuring immersive worlds that are both cinematic and otherworldly.
The album also incorporates the duo’s deep-rooted influences, which span across electronic pioneers like Jean-Michel Jarre (Oxygene), Tangerine Dream, and Karlheinz Stockhausen. Drawing on the revolutionary techniques of Musique Concrète, 'TimeFold' features experimental track splicing, looping, and collage work that harkens back to the golden age of avant-garde music. At times, the album channels the ceremonial tones and hypnotic rhythms reminiscent of early 1970s krautrock, fusing these sounds with organic instrumentation like dulcimers, adding an earthy, drone-like ritual quality to the experimental electronic framework.
A new element in this release is the inclusion of spoken word by Ashley Christine Edwards, which lends the album a haunting, apocalyptic edge. Her contributions evoke a tone reminiscent of the 1970s avant-garde scene, recalling literary and conceptual artists like Ruth White. The spoken words create a sensory experience akin to ceremonial chants, adding to the atmospheric intensity of the album. These vocal elements tie into the overall theme of 'TimeFold', which continues Trees Speak’s exploration of futuristic technologies and the communication of nature, with the evocative concept of trees and plants acting as organic hard drives storing data and knowledge.
Drawing further influence from Italian and French horror cinema, Trees Speak explore cinematic tension throughout 'TimeFold', creating a layered listening experience. The record transports the listener from the haunting, desolate beauty of Southwestern desert vast landscapes to an auditory space that melds early electronic experimentation with the contemporary urgency of conceptual art.
Since their debut 'Ohms' in 2020, Trees Speak’s prolific output on Soul Jazz Records has continually redefined genre boundaries. TimeFold solidifies their position as visionaries in experimental music, offering an album that is as much a meditation on future technologies as it is a tribute to the avant-garde traditions that have come before.
TRACK LISTING
1. TimeFold
2. Prodrome
3. Digital Oracle
4. Emotion Engine
5. Phenomena
6. Psychic State
7. Xenoworld
8. Post Truth
9. Chronosphere
10. Among Us
11. Entity System
12. Cybernetics
13. They Know
14. Synchrotron
15. Dreamless
16. Silicon Visions
17. Forever Chemicals
Various Artists
D-I-Y: Do-It-Yourself - Punk, Post Punk, Punk Funk & Beyond - 2024 Reissue
Soul Jazz Records
Out of print for 15 years, Soul Jazz Records’ ‘Do It Yourself’ features a host of post punk, punk, punk funk / dance and electronic experimentation from UK bands in the late 1970s and 80s that all arrived in the aftermath of punk. As well as loads of great music, the album also charts the rise of the independent music industry in Britain that similarly thrived during this time.
Featuring classic groups such as The Buzzcocks, A Certain Ratio, The Fire Engines, Glaxo Babies and a host of lesser known, rare and obscure tracks and artists, this new 2024 edition comes as a special coloured double vinyl pressing, complete with deluxe gatefold sleeve with two unique inner sleeves.
This fully remastered album comes with extensive sleeve notes and photography as well as interviews with key behind-thescene players - including studios, cutting rooms, print works - that together bring a fantastic insight into the DIY music and culture of this period and the explosion in the independent music industry after punk.
Featuring classic groups such as The Buzzcocks, A Certain Ratio, The Fire Engines, Glaxo Babies and a host of lesser known, rare and obscure tracks and artists, this new 2024 edition comes as a special coloured double vinyl pressing, complete with deluxe gatefold sleeve with two unique inner sleeves.
This fully remastered album comes with extensive sleeve notes and photography as well as interviews with key behind-thescene players - including studios, cutting rooms, print works - that together bring a fantastic insight into the DIY music and culture of this period and the explosion in the independent music industry after punk.
TRACK LISTING
Buzzcocks - Boredom
Fire Engines - Everything's Roses
Glaxo Babies - Shake (The Foundations)
Patrick Fitzgerald - Babysitter
Russ McDonald - Looking From The Cooking Pot
Artery - The Slide
A Certain Ratio - Si Fermir O Grido
Scritti Politti - Skank Bloc Bologna
APB - All Your Life With Me
Blurt - The Fish Needs A Bike
Icon A.D. - Fight For Peace
Throbbing Gristle - Distant Dreams (Part Two)
Krypton Tunes - Coming To See You
Windows - Creation Rebel
The Last Gang - Spirit Of Youth
Thomas Leer - Tight As A Drum
Red Lorry Yellow Lorry - Paint Your Wagon
Biting Tongues - You Can Choke Like That
Tom Lucy - Paris, France
Brand new collection of Studio One killer tunes, focussing on the late 70s, 80s and beyond.
Since the early 1960s Clement ‘Sir Coxsone’ Dodd had established Studio One as the unparalleled leader in reggae music in the world. In the years that followed he established the careers of countless reggae legends – Bob Marley & The Wailers, Marcia Griffiths, The Skatalites, Horace Andy, Dennis Brown, Burning Spear and many more.
From its inception Studio One had been at the forefront of every major development in reggae music – ska, rocksteady, roots, DJ, dub and, starting in the second half of the 1970s, dancehall.
Having attained such great success, by the late 1970s Clement Dodd was free to enjoy Studio One’s now firmly established supremacy in reggae music. He released a series of stunning new albums at the end of the decade by Sugar Minott, Johnny Osbourne, Freddie McGregor, and others that rode the wave of dancehall and set the path of Studio One’s output for the following 25 years.
During this period, long-established artists such as Alton Ellis, Jackie Mittoo and others returned to the label, recording some of their most creatively satisfying albums with new music that both celebrated the classic sound of Studio One while continuing to experiment, push boundaries and look forward to the future.
This release celebrates this sometimes-overlooked golden era at Studio One in the 1970s,1980s and beyond.
Since the early 1960s Clement ‘Sir Coxsone’ Dodd had established Studio One as the unparalleled leader in reggae music in the world. In the years that followed he established the careers of countless reggae legends – Bob Marley & The Wailers, Marcia Griffiths, The Skatalites, Horace Andy, Dennis Brown, Burning Spear and many more.
From its inception Studio One had been at the forefront of every major development in reggae music – ska, rocksteady, roots, DJ, dub and, starting in the second half of the 1970s, dancehall.
Having attained such great success, by the late 1970s Clement Dodd was free to enjoy Studio One’s now firmly established supremacy in reggae music. He released a series of stunning new albums at the end of the decade by Sugar Minott, Johnny Osbourne, Freddie McGregor, and others that rode the wave of dancehall and set the path of Studio One’s output for the following 25 years.
During this period, long-established artists such as Alton Ellis, Jackie Mittoo and others returned to the label, recording some of their most creatively satisfying albums with new music that both celebrated the classic sound of Studio One while continuing to experiment, push boundaries and look forward to the future.
This release celebrates this sometimes-overlooked golden era at Studio One in the 1970s,1980s and beyond.
TRACK LISTING
1. Otis Gayle - What You Won’t Do For Love
2. Earl Sixteen - Love Is A Feeling
3. Alton Ellis - Back To Africa
4. Prince Jazzbo - Apollo 16
5. Johnny Osbourne - Eternal Peace
6. Errol Dunkley - Don’t Do It
7. Omega - Bounty Hunter
8. Noel Bailey And Sound Dimension - Wiggles Diggles
9. Freddie McGregor - I Am Ready
10. Prince Jazzbo - Imperial I
11. Jackie Mittoo - Lovers Rock
12. Devon Russell - Swing And Dine
13. Sugar Minott - Guidance
14. Dolly Man - Trigger Happy
15. Nana McLean - A Little Love
16. Tyrone Taylor - Rightful Rebel
17. Wailing Souls - All Alone
18. Sugar Minott - Revelation
Various Artists
Electro Throwdown - Sci-Fi Inter-Planetary Electro Attack On Planet Earth 1982-89
Soul Jazz Records
Soul Jazz Records’ new collection, ‘Electro Throwdown - Sci-Fi Inter-Planetary Electro Attack on Planet Earth 1982-89’, is a journey into the outer reaches of electro, a galactic roller-coaster ride of turbo-charged sci-fi grooveology.
The album is comprised of mainly private-press and independent label electro jams of the highest calibre (with some as rare as spaceships landing on Mars) all created in the 1980s, at a time when a vocoder, a Roland TR-808 drum machine and a groove was all that was needed to get the party started.
With a few notable exceptions (Michael Jonzun’s Jonzun Crew and The Packman) the album features mainly under-the-radar killer tracks from a host of one-off artists and back-room electronic pioneers – including Pretty Tony, Planet Detroit (James McCauley, aka Maggotron) and Rich Cason – who together helped shape the sound of electro across the USA from Miami to New York, Los Angeles and beyond during the 1980s.
The album is comprised of mainly private-press and independent label electro jams of the highest calibre (with some as rare as spaceships landing on Mars) all created in the 1980s, at a time when a vocoder, a Roland TR-808 drum machine and a groove was all that was needed to get the party started.
With a few notable exceptions (Michael Jonzun’s Jonzun Crew and The Packman) the album features mainly under-the-radar killer tracks from a host of one-off artists and back-room electronic pioneers – including Pretty Tony, Planet Detroit (James McCauley, aka Maggotron) and Rich Cason – who together helped shape the sound of electro across the USA from Miami to New York, Los Angeles and beyond during the 1980s.
TRACK LISTING
1. The Rickie Clark Company - Time To Throw Down (6.32)
2. The Troids - Boogie Troids (5.49)
3. The Packman - I'm The Packman (6.37)
4. Pretty Tony - Fix It In The Mix (5.57)
5. Jazaq - All Systems Go (5.26)
6. Rich Cason - Killer Groove (4.07)
7. The Jonzun Crew - We Are The Jonzun Crew (6.24)
8. Ozone Layer - Planetary Deterioration (Electro Mix) (4.53)
9. Bill Williams And Bileo - Robot People (3.31)
10. Extra T's - E.T. Boogie (5.28)
11. Planet Detroit - Invasion From The Planet Detroit (4.21)
12. Professor X - Professor X (Saga) (4.24)
13. Mo-Jo - Jump, Stomp And Twist (Instrumental) (6.07)
Soul Jazz Records’ new Miami Sound 2 is a superlative collection of 70s soul, funk, disco and boogie featuring tracks from legendary artists such as Betty Wright, Timmy Thomas, Gwen McRae, Milton Wright, T-Connection and many more, all released on the mighty TK Records musical empire based in Miami, Florida.
Throughout the 1970s founder Henry Stone’s TK Records rose up to be one of the most important forces in black music, successfully pioneering the evolution in musical fashions from the early gritty funk and soul at the start of the decade to the arrival of disco in the mid-70s.
This album is a rollercoaster journey across soul, funk, disco and boogie, a party-rocking dancefloor-filling collection of monster tracks that includes million-selling hits such as Betty Wright’s classic ‘Clean Up Woman’, Timmy Thomas’s ‘Why Can’t We Live Together’, T-Connection’s ‘Do What You Wanna Do’, anthemic rare groove club hits including Gwen McCrae’s massive ‘All This Love I’m Giving’ and Milton Wright’s ‘Keep It Up’, plus a host of hard-to-find gems and rarities from the likes of Raw Soul Express, Chocolate Clay, Beginning of the End, Robert Moore, Clarence Reid, Little Beaver, Paulette Reeves and many more.
TK Records functioned more like a close-knit family than a typical record company. Based in the industrial Hialeah district of Miami, music man Henry Stone surrounded himself with a host of creative artists, musicians, songwriters and producers who created an immediately identifiable TK sound as well as making musical stars out of many of its artists.
Miami Sound 2 comes with extensive sleevenotes as well as an exclusive interview with Steve Alaimo, co-founder with Henry Stone of this musical empire. The album also features the photography of TK in-house photographer Larry Warmoth, whose rarely seen striking and unique images of Gwen McRae, Betty Wright, Clarence Reid and others offer a fascinating window into the pioneering record company.
Throughout the 1970s founder Henry Stone’s TK Records rose up to be one of the most important forces in black music, successfully pioneering the evolution in musical fashions from the early gritty funk and soul at the start of the decade to the arrival of disco in the mid-70s.
This album is a rollercoaster journey across soul, funk, disco and boogie, a party-rocking dancefloor-filling collection of monster tracks that includes million-selling hits such as Betty Wright’s classic ‘Clean Up Woman’, Timmy Thomas’s ‘Why Can’t We Live Together’, T-Connection’s ‘Do What You Wanna Do’, anthemic rare groove club hits including Gwen McCrae’s massive ‘All This Love I’m Giving’ and Milton Wright’s ‘Keep It Up’, plus a host of hard-to-find gems and rarities from the likes of Raw Soul Express, Chocolate Clay, Beginning of the End, Robert Moore, Clarence Reid, Little Beaver, Paulette Reeves and many more.
TK Records functioned more like a close-knit family than a typical record company. Based in the industrial Hialeah district of Miami, music man Henry Stone surrounded himself with a host of creative artists, musicians, songwriters and producers who created an immediately identifiable TK sound as well as making musical stars out of many of its artists.
Miami Sound 2 comes with extensive sleevenotes as well as an exclusive interview with Steve Alaimo, co-founder with Henry Stone of this musical empire. The album also features the photography of TK in-house photographer Larry Warmoth, whose rarely seen striking and unique images of Gwen McRae, Betty Wright, Clarence Reid and others offer a fascinating window into the pioneering record company.
TRACK LISTING
Side A
1. Betty Wright - Clean Up Woman (2.45)
2. Miami - Party Freaks (5.18)
3. Gwen McCrae - All This Love That I'm Giving (3.55)
4. Beginning Of The End - Monkey Tamarind (3.35)
5. Latimore - I Get Lifted (4.43)
Side B
1. Raw Soul Express - Burn The Candle (2.36)
2. Chocolateclay - Free (I'll Always Be) (4.38)
3. Betty Wright - I Love The Way You Love (3.03)
4. Little Beaver - Concrete Jungle (4.53)
5. Jimmy 'Bo' Horne - Clean Up Man (2.34)
Side C
1. Timmy Thomas - Africano (4.33)
2. Charles Allen - Winterman (3.16)
3. T-Connection - Do What Ya Wanna Do (7.03)
4. Robert Moore - Jimmie Bo Charlie (2.14)
5. Milton Wright - Keep It Up (4.11)
Side D
1. Clarence Reid - Ten Tons Of Dynamite (2.33)
2. Timmy Thomas - Why Can't We Live Together (4.37)
3. Little Beaver - We Three (4.07)
4. Paulette Reaves - Do It Again (5.33)
5. Lynn Williams - Kisses, Kisses, Kisses (2.22)
Various Artists
Delta Swamp Rock - Sounds From The South: At The Crossroads Of Rock, Country And Soul - 2024 Reissue
Soul Jazz Records
Soul Jazz Records’ classic, ‘Delta Swamp Rock’, features a killer all-star line-up of seminal artists who first blended rock, soul and country together to create a stunning new sound of southern American music in the 1970s.
Featuring the Allman Brothers, Dan Penn, Leon Russell, Tony Joe White, Johnny Cash, Bobbie Gentry, Big Star, Link Wray, Area Code 615 and loads more.
This album comes as a classic black vinyl edition complete with extensive original sleevenotes, interviews and exclusive photography, all spread over a 12-page fullsize magazine and two bespoke inner sleeves.
‘Delta Swamp Rock’ is an interstate southern road trip through the United States of America where country, rock and soul met at the crossroads - an exploration of the musical and cultural links between the cities of Memphis, Muscle Shoals and Nashville in the 1960s and 70s.
At the start of the 1970s, a new type of music emerged out of the southern states of Alabama, Tennessee, Georgia, Mississippi and Florida. Southern rock, the creation of young blue-collar white Americans, blended rock, soul, country and blues music together to present a new vision of the south - a post-civil rights southern identity complete with a celebration of the regions natural landscape and its way of life.
The Allman Brothers and Lynyrd Skynyrd epitomised the definitive southern rock groups - a mixture of blues-rock and country with a southern rebelliousness and attitude. Unfortunately, both The Allman Brothers and Lynyrd Skynyrd were to be struck by tragedy, which would affect the movement’s rise and fall.
The backstory to southern rock is the fact that a number of the people involved in its creation had been central to the production of southern soul music in the 1960s mainly in Memphis, Tennessee, and the small town of Muscle Shoals (population around 10,000) deep within the Bible Belt, liquor-free, deeply segregated state of Alabama, creating 100s of R&B hits on an almost daily basis.
Here in Muscle Shoals, with its proximity to Memphis and Nashville, an all-white group of in-house musicians, (famously referred to by Lynyrd Skynyrd in the song ‘Sweet Home Alabama’ as the ‘Swampers’), created countless classic soul records for the likes of Aretha Franklin, Wilson Pickett, Etta James, Clarence Carter and more during the 1960s.
This album charts the rise and fall of southern rock from its funky swamp roots in southern soul to its phenomenal success in the first half of the 1970s, including its influence on Nashville’s ‘outlaw’ country and tracing it right back to the arrival of rock and roll in the 1950s - the first meeting of black and white American music at the crossroads.
Featuring the Allman Brothers, Dan Penn, Leon Russell, Tony Joe White, Johnny Cash, Bobbie Gentry, Big Star, Link Wray, Area Code 615 and loads more.
This album comes as a classic black vinyl edition complete with extensive original sleevenotes, interviews and exclusive photography, all spread over a 12-page fullsize magazine and two bespoke inner sleeves.
‘Delta Swamp Rock’ is an interstate southern road trip through the United States of America where country, rock and soul met at the crossroads - an exploration of the musical and cultural links between the cities of Memphis, Muscle Shoals and Nashville in the 1960s and 70s.
At the start of the 1970s, a new type of music emerged out of the southern states of Alabama, Tennessee, Georgia, Mississippi and Florida. Southern rock, the creation of young blue-collar white Americans, blended rock, soul, country and blues music together to present a new vision of the south - a post-civil rights southern identity complete with a celebration of the regions natural landscape and its way of life.
The Allman Brothers and Lynyrd Skynyrd epitomised the definitive southern rock groups - a mixture of blues-rock and country with a southern rebelliousness and attitude. Unfortunately, both The Allman Brothers and Lynyrd Skynyrd were to be struck by tragedy, which would affect the movement’s rise and fall.
The backstory to southern rock is the fact that a number of the people involved in its creation had been central to the production of southern soul music in the 1960s mainly in Memphis, Tennessee, and the small town of Muscle Shoals (population around 10,000) deep within the Bible Belt, liquor-free, deeply segregated state of Alabama, creating 100s of R&B hits on an almost daily basis.
Here in Muscle Shoals, with its proximity to Memphis and Nashville, an all-white group of in-house musicians, (famously referred to by Lynyrd Skynyrd in the song ‘Sweet Home Alabama’ as the ‘Swampers’), created countless classic soul records for the likes of Aretha Franklin, Wilson Pickett, Etta James, Clarence Carter and more during the 1960s.
This album charts the rise and fall of southern rock from its funky swamp roots in southern soul to its phenomenal success in the first half of the 1970s, including its influence on Nashville’s ‘outlaw’ country and tracing it right back to the arrival of rock and roll in the 1950s - the first meeting of black and white American music at the crossroads.
TRACK LISTING
1. Lynyrd Skynyrd - The Seasons
2. Barefoot Jerry - Smokies
3. Joe South - Hush
4. Bobbie Gentry - Papa, Won’t You Let Me Go To Town With You
5. Area Code 615 - Stone Fox Chase
6. Cher - I Walk On Guilded Splinters
7. Cowboy - Please Be With Me
8. The Allman Brothers - Ain’t Wastin’ Time No More
9. Link Wray - Be What You Want To
10. Boz Scaggs - I’ll Be Long Gone
11. Lynyrd Skynyrd - Comin’ Home
12. Bobbie Gentry - Seasons Come, Seasons Go
13. Leon Russell - Out In The Woods
14. Tony Joe White - Polk Salad Annie
15. Barefoot Jerry - Come To Me Tonight
16. Dan Penn - If Love Was Money
17. Linda Ronstadt - I Won’t Be Hangin’ ‘Round
18. Waylon Jennings - Big D
19. Big Star - Thirteen
20. Bobbie Gentry - Mississippi Delta
21. Travis Wammack - I Forgot To Remember To Forget
22. Johnny Cash & June Carter - If I Were A Carpenter
23. Billy Vera - I’m Leavin’ Here Tomorrow, Mama
Various Artists
Soul Jazz Records Presents: In The Beginning There Was Rhythm - 2024 Reissue
Soul Jazz Records
Unavailable for over 20 years, ‘In The Beginning There Was Rhythm’ was Soul Jazz Records’ first foray into post-punk and punk-funk in the UK, capturing the groundbreaking, seminal groups that crossed the divide of punk and dance music for the first time.
First released in 2001, this album is fully remastered, remade and presented once more in its entirety and features A Certain Ratio, Cabaret Voltaire, Throbbing Gristle, The Human League, The Pop Group, Gang of Four, The Slits, 23 Skidoo and This Heat.
This album comes as a CD and as a double black vinyl edition with download code complete with two bespoke inner bags containing extensive sleevenotes and original photography.
As Muzik magazine noted on its initial release, ‘In The Beginning There Was Rhythm’ is a choice selection from the fertile post-punk period when bands thought nothing of combining politics and philosophy with imported dance rhythms and edgy industrial angst.
Most of the bands featured come from the then bleak postindustrial North of England - Manchester, Sheffield, Leeds as well as Bristol and London - and yet all show a fascination with Black American rhythms and an experimentation in sound that was completely unique at the time.
First released in 2001, this album is fully remastered, remade and presented once more in its entirety and features A Certain Ratio, Cabaret Voltaire, Throbbing Gristle, The Human League, The Pop Group, Gang of Four, The Slits, 23 Skidoo and This Heat.
This album comes as a CD and as a double black vinyl edition with download code complete with two bespoke inner bags containing extensive sleevenotes and original photography.
As Muzik magazine noted on its initial release, ‘In The Beginning There Was Rhythm’ is a choice selection from the fertile post-punk period when bands thought nothing of combining politics and philosophy with imported dance rhythms and edgy industrial angst.
Most of the bands featured come from the then bleak postindustrial North of England - Manchester, Sheffield, Leeds as well as Bristol and London - and yet all show a fascination with Black American rhythms and an experimentation in sound that was completely unique at the time.
TRACK LISTING
1. A Certain Ratio - Shack Up
2. 23 Skidoo - Coup
3. Gang Of Four - To Hell With Poverty
4. The Human League - Being Boiled
5. The Slits - In The Beginning There Was Rhythm (Early Version)
6. This Heat - 24 Track Loop
7. Throbbing Gristle - 20 Jazz Funk Greats
8. The Pop Group - She Is Beyond Good And Evil
9. Cabaret Voltaire - Sluggin' Fer Jesus
10. 23 Skidoo - Vegas El Bandito
11. A Certain Ratio - Knife Slits Water
Various Artists
Soul Jazz Records Presents PUNK 45: There’s No Such Thing As Society - 10th Anniversary Edition
Soul Jazz Records
Soul Jazz Records’ new 10th anniversary edition of their long-out-of-print Punk 45: No Such Thing As Society. This is a one-off limited-edition heavyweight special-edition coloured vinyl pressing and download code.
The album charts the rise of underground punk and post-punk in the UK from 1977-81.
This new edition is fully remastered, repackaged and includes five new tracks from 23 Skidoo, Notsensibles, Pretty Boy Floyd, The Astronauts and The Impossible Dreamers.
The album is a collection of seminal, classic, obscure and rare punk and post-punk singles from the likes of The Mekons, Johnny Moped, The Killjoys, The Rings and many more which all chart the rise of independent music and Do It Yourself culture that exploded in the wake of punk and during the years of Britain under Margaret Thatcher.
The album comes complete with text, biographies on each of the bands, exclusive photos and original record artwork. Limited-edition super-loud, super-heavy double gatefold-sleeve vinyl edition complete with full sleeve-notes plus download.
The album charts the rise of underground punk and post-punk in the UK from 1977-81.
This new edition is fully remastered, repackaged and includes five new tracks from 23 Skidoo, Notsensibles, Pretty Boy Floyd, The Astronauts and The Impossible Dreamers.
The album is a collection of seminal, classic, obscure and rare punk and post-punk singles from the likes of The Mekons, Johnny Moped, The Killjoys, The Rings and many more which all chart the rise of independent music and Do It Yourself culture that exploded in the wake of punk and during the years of Britain under Margaret Thatcher.
The album comes complete with text, biographies on each of the bands, exclusive photos and original record artwork. Limited-edition super-loud, super-heavy double gatefold-sleeve vinyl edition complete with full sleeve-notes plus download.
TRACK LISTING
1. The Users - Sick Of You
2. Johnny Moped - Incendiary Device
3. The Astronauts - Everything Stops For Baby
4. Pretty Boy Floyd And The Gems -
5. Rough, Tough, Pretty Too
6. 23 Skidoo - Last Words
7. Notsensibles - I'm In Love With Margaret Thatcher
8. The Rings - I Wanna Be Free
9. The Now - Development Corporations
10. The Killjoys - Johnny Won't Get To Heaven
11. The Impossible Dreamers - Spin
12. The Lines - White Night
13. 'O' Level - East Sheen
14. The Jermz - Power Cut
15. Roses Are Red - Can't Understand
16. Eric Random - 23 Skidoo
17. The Nerves - TV Adverts
18. The Mekons - 32 Weeks
19. The Freeze - For J.P.S. (With Love And Loathing)
20. The Scabs - Leave Me Alone
21. The Cravats - You're Driving Me
22. The Shapes - Wot's For Lunch Mum?
23. The Cigarettes - They're Back Again, Here They Come
24. Disturbed - I Don't Believe
25. Puncture - Mucky Pup
26. Josef K - Radio Drill Time
THIS IS A BLACK FRIDAY 2023 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON FRIDAY NOVEMBER 24TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.
IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8AM ON SATURDAY NOVEMBER 25TH).
Seminal rare groove funk and deep soul album originally released in 1973 on GRC Records now released 50 years later on Soul Jazz Records in this fully remastered edition of this CLASSIC album especially for RSD/Black Friday.
The album ‘Ripple’ contains the all-time classic ‘I Don’t know What It Is, But It Sure Is Funky’, one of the most memorable funk tunes of all time and sampled many times over.
Ripple’s unique blend of funk, soul, rock, proto-disco and more stood them alongside groups like Funkadelic, Brass Construction, Mandrill, Pleasure, Kool and the Gang and The Blackbyrds, who were all blending these styles while remaining firmly focused on the dancefloor. Like the group Funkadelic, Ripple hailed from Michigan and in 1976 opened for the group on their Parliament/Funkadelic Mothership Connection tour.
This classic album has been out of print for nearly 30 years on vinyl and is now fully remastered and presented here in its original artwork
Limited to 500 copies for the UK & Ireland.
IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8AM ON SATURDAY NOVEMBER 25TH).
Seminal rare groove funk and deep soul album originally released in 1973 on GRC Records now released 50 years later on Soul Jazz Records in this fully remastered edition of this CLASSIC album especially for RSD/Black Friday.
The album ‘Ripple’ contains the all-time classic ‘I Don’t know What It Is, But It Sure Is Funky’, one of the most memorable funk tunes of all time and sampled many times over.
Ripple’s unique blend of funk, soul, rock, proto-disco and more stood them alongside groups like Funkadelic, Brass Construction, Mandrill, Pleasure, Kool and the Gang and The Blackbyrds, who were all blending these styles while remaining firmly focused on the dancefloor. Like the group Funkadelic, Ripple hailed from Michigan and in 1976 opened for the group on their Parliament/Funkadelic Mothership Connection tour.
This classic album has been out of print for nearly 30 years on vinyl and is now fully remastered and presented here in its original artwork
Limited to 500 copies for the UK & Ireland.
TRACK LISTING
1. You Were Right On Time
2. Be My Friend
3. I Don't Know What It Is,
4. But It Sure Is Funky
5. I'll Be Right There Trying
6. Get Off
7. See The Light In The
8. Window
9. A Funky Song
10. Willie, Pass The Water
11. Dance, Lady Dance
12. Ripplin'
Various Artists
Soul Jazz Records Presents - Studio One Kings (Black Friday 23 Edition)
Soul Jazz Records
THIS IS A BLACK FRIDAY 2023 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON FRIDAY NOVEMBER 24TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.
IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8AM ON SATURDAY NOVEMBER 25TH).
Soul Jazz Records’ new one-off limited-edition heavyweight special-edition coloured vinyl pressing + download code exclusively for Black Friday 2023 of Soul Jazz Records’ long out of print classic ‘Studio One Kings’.
Featuring a new striking alternative sleeve design (featuring the singer Freddie McKay) as well as a special yellow coloured vinyl pressing, ‘Studio One Kings’ is a 'who's who' of the world's greatest reggae artists.
Studio One’s list of singers launched at the famous label reads like a roll call of Jamaican music. Horace Andy, Alton Ellis, Ken Boothe, Freddie McGregor, Johnny Osbourne and more.
This album features classic and rare tracks that span the breadth of the legendary Studio One catalogue: Ska, Roots, Rocksteady, Lovers and more from the 1960s and 70s.
The album comes with sleeve-notes by the celebrated writer Chris Salewicz, author of Reggae Explosion, Rude Boy as well as notable books on Bob Marley, The Rolling Stones, Jimmy Page, Joe Strummer and more.
Limited to 1000 copies for the UK & Ireland.
IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8AM ON SATURDAY NOVEMBER 25TH).
Soul Jazz Records’ new one-off limited-edition heavyweight special-edition coloured vinyl pressing + download code exclusively for Black Friday 2023 of Soul Jazz Records’ long out of print classic ‘Studio One Kings’.
Featuring a new striking alternative sleeve design (featuring the singer Freddie McKay) as well as a special yellow coloured vinyl pressing, ‘Studio One Kings’ is a 'who's who' of the world's greatest reggae artists.
Studio One’s list of singers launched at the famous label reads like a roll call of Jamaican music. Horace Andy, Alton Ellis, Ken Boothe, Freddie McGregor, Johnny Osbourne and more.
This album features classic and rare tracks that span the breadth of the legendary Studio One catalogue: Ska, Roots, Rocksteady, Lovers and more from the 1960s and 70s.
The album comes with sleeve-notes by the celebrated writer Chris Salewicz, author of Reggae Explosion, Rude Boy as well as notable books on Bob Marley, The Rolling Stones, Jimmy Page, Joe Strummer and more.
Limited to 1000 copies for the UK & Ireland.
TRACK LISTING
1. Larry Marshall - I've Got To Make It
2. Horace Andy - Every Tongue Shall Tell
3. Alton Ellis - The Well Run Dry
4. Johnny Osbourne - Water More Than Flour
5. Anthony Rocky Ellis - I'm The Ruler
6. Cornell Campbell - Pretty Looks Isn't All
7. Alexander Henry - Please Be True
8. Burning Spear - Them A Come
9. Joe Higgs - Change Of Plan
10. Devon Russell - Roots Natty
11. Ken Boothe - Be Yourself
12. Freddie Mcgregor - I Shall Be Released
13. Freddie Mckay - Father Will Cut You Off
14. The Ethiopian - Locust
15. George Philip - One One
16. John Holt - I Don't Want To See You Cry
17. Delroy Wilson - Won't You Come Home
“The word timeless is applied way too often in music, but here it is entirely justified.” - Fact
New one-off press silver coloured double vinyl edition of Soul Jazz Records’ long unavailable ‘Jamaica Soul Shake’ collection of tracks from The Sound Dimension, probably the funkiest reggae group to ever to exist on the planet. Features classic tracks recorded at Studio One.
This is the first ever collection of the music of The Sound Dimension - a mixture of classic tracks alongside super-rare singles only ever released in Jamaica.
Alongside The Skatalites, The Sound Dimension were perhaps the most important group in the history of reggae music. That they remain relatively unknown is explained by the fact that they mostly functioned as the in-house studio group at Studio One Records performing anonymously behind the stars of the day - the reggae equivalent of Motown’s Funk Brothers. In their relatively short-lived career, the group’s unique sound came to define reggae music.
During this period the group played on literally hundreds of hits with Jamaica’s finest vocalists - Alton Ellis, John Holt, Cornell Campbell, Dennis Brown, Horace Andy, The Heptones, Bob Andy, Marcia Griffiths, Freddie McGregor and many more.
Even more importantly, their countless addictive, super-tight, classic tracks at Studio One became the foundation rhythms of all reggae music, countlessly replayed in new forms by an endless list of Dancehall artists from the 1970s onwards, as producers such as Joe Gibbs, Sly & Robbie, Steely & Clevie re-interpreted these seminal tunes.
The group’s fluid line-up itself features a roll call of reggae legends - Jackie Mittoo, Leroy Sibbles, Cedric Brooks, Vin Gordon, Ernest Ranglin, Leroy Horsemouth Wallace and others.
New one-off press silver coloured double vinyl edition of Soul Jazz Records’ long unavailable ‘Jamaica Soul Shake’ collection of tracks from The Sound Dimension, probably the funkiest reggae group to ever to exist on the planet. Features classic tracks recorded at Studio One.
This is the first ever collection of the music of The Sound Dimension - a mixture of classic tracks alongside super-rare singles only ever released in Jamaica.
Alongside The Skatalites, The Sound Dimension were perhaps the most important group in the history of reggae music. That they remain relatively unknown is explained by the fact that they mostly functioned as the in-house studio group at Studio One Records performing anonymously behind the stars of the day - the reggae equivalent of Motown’s Funk Brothers. In their relatively short-lived career, the group’s unique sound came to define reggae music.
During this period the group played on literally hundreds of hits with Jamaica’s finest vocalists - Alton Ellis, John Holt, Cornell Campbell, Dennis Brown, Horace Andy, The Heptones, Bob Andy, Marcia Griffiths, Freddie McGregor and many more.
Even more importantly, their countless addictive, super-tight, classic tracks at Studio One became the foundation rhythms of all reggae music, countlessly replayed in new forms by an endless list of Dancehall artists from the 1970s onwards, as producers such as Joe Gibbs, Sly & Robbie, Steely & Clevie re-interpreted these seminal tunes.
The group’s fluid line-up itself features a roll call of reggae legends - Jackie Mittoo, Leroy Sibbles, Cedric Brooks, Vin Gordon, Ernest Ranglin, Leroy Horsemouth Wallace and others.
TRACK LISTING
Heavy Beat
Federated Backdrop
Baby Face
Rathid
Bitter Blood
Love Land
Full Up
Upsetters Dream
Soul Shake
The Thing
My Heart In Rhythm
Man Pon Spot
Holy Moses
Doctor Sappa Too
Hail Don D
Solas
“I think if a nuclear family could have a soundtrack, ours would be the Soul Jazz comp ‘Studio One Scorcher’. I wouldn’t say it’s the best record ever made, but if I heard it every single day for the rest of my life, I’d be 100% cool with it.” - DJ
New one-off press transparent orange coloured triple vinyl edition (with download code) of Soul Jazz Records’ long unavailable ‘Studio One Scorcher’, featuring a blistering collection of rare and classic cuts recorded at Studio One.
‘Studio One Scorcher’ is one of the most important collections in Soul Jazz Records’ ‘Studio One’ series, bringing together an unmissable collection of stand-out cuts from many of the finest players ever in Jamaica and in reggae music.
Featuring The Skatalites, Jackie Mittoo, Tommy McCook, Cedric Brooks, Tommy McCook, The Sound Dimension, Don Drummond, Brentford Road All Stars and more. Heavy, heavy tunes from start to finish! All killer no filler!
These tunes encompass ska, rocksteady, roots, dub and more. Studio One instrumentals are the foundation of reggae. They literally define reggae music. Many of these classic recordings became the basis for everything that followed in reggae music, replayed and versioned thousands of times.
Here you will find Jackie Mittoo’s seminal ‘Sidewalk Doctor’, Don Drummond Jnr’s classic ‘Heavenless’, The Soul Vendors’ ‘Ringo Rock’ and the Sound Dimension’s ‘Heavy Rock’. All original artists and original classic tunes, all on one album. Not to mention a host of utterly superb rarities from the mighty vaults of Studio One.
New one-off press transparent orange coloured triple vinyl edition (with download code) of Soul Jazz Records’ long unavailable ‘Studio One Scorcher’, featuring a blistering collection of rare and classic cuts recorded at Studio One.
‘Studio One Scorcher’ is one of the most important collections in Soul Jazz Records’ ‘Studio One’ series, bringing together an unmissable collection of stand-out cuts from many of the finest players ever in Jamaica and in reggae music.
Featuring The Skatalites, Jackie Mittoo, Tommy McCook, Cedric Brooks, Tommy McCook, The Sound Dimension, Don Drummond, Brentford Road All Stars and more. Heavy, heavy tunes from start to finish! All killer no filler!
These tunes encompass ska, rocksteady, roots, dub and more. Studio One instrumentals are the foundation of reggae. They literally define reggae music. Many of these classic recordings became the basis for everything that followed in reggae music, replayed and versioned thousands of times.
Here you will find Jackie Mittoo’s seminal ‘Sidewalk Doctor’, Don Drummond Jnr’s classic ‘Heavenless’, The Soul Vendors’ ‘Ringo Rock’ and the Sound Dimension’s ‘Heavy Rock’. All original artists and original classic tunes, all on one album. Not to mention a host of utterly superb rarities from the mighty vaults of Studio One.
TRACK LISTING
The Skatalites – Coconut Rock
Cedric Im Brooks & The Sound
Dimension – Mun-Dun-Go
Tommy Mccook, Richard Ace,
The Skatalites & Disco Height – Shockers Rock
Soul Vendors – Ringo Rock
Jackie Mittoo & Ernest Ranglin – Jericho Skank
New Establishment – The People Skanking
Karl Bryan & The Afrokats – Money Generator
Lester Sterling – Afrikaan Beat
Sound Dimension – Heavy Rock
Sugar Belly – In Cold Blood
Don Drummond & The Skatalites — Heavenless
Soul Bros. – Bugaloo
Vin Gordon – Red Blood
Pablove Black – Push Pull
Jackie Mittoo & Brentford Rockers – Sidewalk Doctor
Liberation Group – Namibia
Brentford Road All Stars – Last Call
Soul Defenders – Still Calling
Karl Bryan & Count Ossie – Black Up
Superb slice of super-rare electro funk grooviness originally released as a one-off small-run private press 12” single out of Ohio, USA in 1985.
Complete with vocoders, slap bass, drum machine, hand claps and space vocals, this electro boogie funk rarity is the jam.
This is a one-off pressing, exact reproduction single, remastered and restored by Soul Jazz Records, and is taken from Soul Jazz Records’ recent ‘Space Funk 2 - Afro-Futurist Electro Funk In Space 1976-84’ compilation.
This 12” comes in four-colour black and white original sleeve design and features both an extended and short version of ‘Music-A-Lizer’ plus two extra tracks, ‘World Of Ecstasy’ and ‘Computer’.
Complete with vocoders, slap bass, drum machine, hand claps and space vocals, this electro boogie funk rarity is the jam.
This is a one-off pressing, exact reproduction single, remastered and restored by Soul Jazz Records, and is taken from Soul Jazz Records’ recent ‘Space Funk 2 - Afro-Futurist Electro Funk In Space 1976-84’ compilation.
This 12” comes in four-colour black and white original sleeve design and features both an extended and short version of ‘Music-A-Lizer’ plus two extra tracks, ‘World Of Ecstasy’ and ‘Computer’.
TRACK LISTING
1. Music-A-Lizer (Short Version)
2. World Of Ecstasy
3. Music-A-Lizer (Long Verson)
4. Computer
“Vol 1 was mighty fine, presenting rare and deep recordings from Studio One’s mid-70s heyday. Hard to believe the Vol 2 is even better… As with all Soul Jazz material, the vinyl is heavyweight, with fine packaging and good liner notes. Reggae music doesn’t get much better than this: buy immediately and play loud” - David Katz, FACT
New one-off press transparent green double vinyl edition of Soul Jazz Records’ long unavailable ‘Studio One Roots 2’, which features classic tracks recorded at Studio One.
‘Studio One Roots 2’ delves deep into the vaults of the legendary Jamaican Reggae label and features rare and classic roots as well as an unprecedented seven unreleased tracks that up till now had never seen the light of day.
Roots and Rastafarian music was being recorded at Studio One by Clement ‘Sir Coxsone’ Dodd from the early 1960s onwards to the 1990s and this album reflects the depth and diversity of roots music at the label.
From the slow-ska of Dudley Sibbley, to the deep instrumental jazz cuts of Cedric Im Brooks over classic roots rhythms such as Satta Massagana to Winston Mathews stunning eerie version of Bob Marley and the Wailers’ ‘Sun Is Shining’. The Zion All Stars features the Burro Rastafarian drumming of Count Ossie and the Mystic Revelation of Rastafari.
This album features many of the classic Studio One artists - Willie Williams, Tommy McCook, Cedric Brooks, The Gladiators, Vin Gordon - as well as many less well known artists - all who produced classic roots music under the guidance of producer Clement ‘Sir Coxsone’ Dodd and recorded at the legendary Studio One Records.
New one-off press transparent green double vinyl edition of Soul Jazz Records’ long unavailable ‘Studio One Roots 2’, which features classic tracks recorded at Studio One.
‘Studio One Roots 2’ delves deep into the vaults of the legendary Jamaican Reggae label and features rare and classic roots as well as an unprecedented seven unreleased tracks that up till now had never seen the light of day.
Roots and Rastafarian music was being recorded at Studio One by Clement ‘Sir Coxsone’ Dodd from the early 1960s onwards to the 1990s and this album reflects the depth and diversity of roots music at the label.
From the slow-ska of Dudley Sibbley, to the deep instrumental jazz cuts of Cedric Im Brooks over classic roots rhythms such as Satta Massagana to Winston Mathews stunning eerie version of Bob Marley and the Wailers’ ‘Sun Is Shining’. The Zion All Stars features the Burro Rastafarian drumming of Count Ossie and the Mystic Revelation of Rastafari.
This album features many of the classic Studio One artists - Willie Williams, Tommy McCook, Cedric Brooks, The Gladiators, Vin Gordon - as well as many less well known artists - all who produced classic roots music under the guidance of producer Clement ‘Sir Coxsone’ Dodd and recorded at the legendary Studio One Records.
TRACK LISTING
Willie Williams & The Sound Dimension – Jah Righteous Plan
Al Campbell – Take A Ride
Cedric 'Im' Brooks – Satta
Ken Boothe & Joe Higgs – A Message Of Old
Jackie Bernard – Jah Jah Way
Devon Russell – Jah Hold The Key
Zoot Sims – Small Garden
The Saints – Sleeping Trees
Larry Marshall – Run Babylon
Vin Gorden – Babylon Rock
The Gladiators – Talawah
Prince Francis – African Skank
Cedric 'Im' Brooks – Full Time
Prince Lincoln – True Experience
Joseph Hill – Behold The Land
Winston Matthews – Sun Is Shining
Karl Bryan – LK Strut Count Ossie & The Zion All
Stars – Holy Mount Zion Tommy McCook & The
Discosonics – Tenor On The Call
Various Artists
Yo! Boombox - Early Independent Hip Hop, Electro And Disco Rap 1979-83
Soul Jazz Records
Yo! Boombox is the new instalment of Soul Jazz Records’ Boombox series on the early days of hip-hop on vinyl and features some of the many innovative underground first-wave of early rap and disco rap records made in the USA in the period 1979-83.
The album includes the first releases of seminal groups such as Grandmaster Flash & The Furious Five and The Funky Four Plus One More through to a host of rarities and little-known obscurities such as the Carver Area High School band’s ‘Get Live 83’, an awesome record made at a Chicago high school.
The album is released as a deluxe triple LP complete with 3x full inner sleeves of extensive sleeve notes, exclusive photography and original label artwork. There is also a very-limited one-pressing only special deluxe version that comes with an extra bonus super-rare 7” single of ‘Magic’s Rap’ by Magic’s Trick, aka ex-marine Magic Fraga, a record that was only ever available on US military bases! The album also comes as a deluxe double CD pack with 30-page booklet and slipcase.
Yo! Boombox also features the stunning photography of Sophie Bramly, one of a very select group of photographers (alongside Henry Chalfant, Martha Cooper, and Joe Conzo) who were allowed full access to document the exciting early days of hip-hop in New York.
These first exuberant wave of innocent, upbeat, party-on-the-block rap records were the first to try and create the sounds heard in community centres, block parties and street jams that first took place in the Bronx in the mid-1970s. Where the first DJs – Flash, Kool Herc and Bambaataa – were back-spinning, mixing and scratching together now classic breakbeat records like The Incredible Bongo Band’s Apache or Babe Ruth’s The Mexican, these first pre-sampling rap records were all made using live bands, often replaying then current disco tunes. As Chic’s ‘Good Times’ was to ‘Rappers’ Delight’, the songs here feature then-current dancefloor hits such as the Tom Tom Club’s ‘Genius of Love’, Cheryl Lynn’s ‘To Be Real’, MFSB’s ‘Love Is the Message’ while MCs rapped over the top, creating a unique new sound. In fact, the links between disco and rap date back earlier to the ‘party style’ MCing of figures such as the legendary DJ Hollywood or radio DJs like Frankie Crocker.
This new Soul Jazz Records collection celebrates these first old-school rap records, bringing together rare, classic and obscure tracks released in the early days of rap.
The album includes the first releases of seminal groups such as Grandmaster Flash & The Furious Five and The Funky Four Plus One More through to a host of rarities and little-known obscurities such as the Carver Area High School band’s ‘Get Live 83’, an awesome record made at a Chicago high school.
The album is released as a deluxe triple LP complete with 3x full inner sleeves of extensive sleeve notes, exclusive photography and original label artwork. There is also a very-limited one-pressing only special deluxe version that comes with an extra bonus super-rare 7” single of ‘Magic’s Rap’ by Magic’s Trick, aka ex-marine Magic Fraga, a record that was only ever available on US military bases! The album also comes as a deluxe double CD pack with 30-page booklet and slipcase.
Yo! Boombox also features the stunning photography of Sophie Bramly, one of a very select group of photographers (alongside Henry Chalfant, Martha Cooper, and Joe Conzo) who were allowed full access to document the exciting early days of hip-hop in New York.
These first exuberant wave of innocent, upbeat, party-on-the-block rap records were the first to try and create the sounds heard in community centres, block parties and street jams that first took place in the Bronx in the mid-1970s. Where the first DJs – Flash, Kool Herc and Bambaataa – were back-spinning, mixing and scratching together now classic breakbeat records like The Incredible Bongo Band’s Apache or Babe Ruth’s The Mexican, these first pre-sampling rap records were all made using live bands, often replaying then current disco tunes. As Chic’s ‘Good Times’ was to ‘Rappers’ Delight’, the songs here feature then-current dancefloor hits such as the Tom Tom Club’s ‘Genius of Love’, Cheryl Lynn’s ‘To Be Real’, MFSB’s ‘Love Is the Message’ while MCs rapped over the top, creating a unique new sound. In fact, the links between disco and rap date back earlier to the ‘party style’ MCing of figures such as the legendary DJ Hollywood or radio DJs like Frankie Crocker.
This new Soul Jazz Records collection celebrates these first old-school rap records, bringing together rare, classic and obscure tracks released in the early days of rap.
TRACK LISTING
Vinyl Tracklisting:
Side A:
1. The Carver Area High School Seniors - Get Live '83 (7.43)
2. Mike T - Do It Any Way You Wanna (6.53)
Side B:
1. Chapter III - Real Rocking Groove (Rap & Breaks) (6.34)
2. Sinister Two - Rock It, Don't Stop It (7.59)
Side C:
1. Sangria - To The Beat Y'all (5.18)
2. Funky Four Plus One More - Rappin' And Rocking The House (6.54)
3. The Just Four - Girls Of The World (Genius Rap & Breaks) (7.07)
Side D:
1. Eye Beta Rock - Super Rock Body Shock (8.42)
2. Funky Constellation - Street Talk (Madam Rapper) (9.49)
Side E:
1. Kool Kyle The Starchild - Do You Like That Funky Beat (Ahh Beat, Beat) (8.38)
2. The Just Four - Jam To Remember (6.56)
Side F:
1. Grandmaster Flash And The Furious Five - Super Rappin' No. 2 (7.18)
2. Silver Star - Eei Eei O (7.16)
7" Single (comes With LP Format SJRLP530-7 Only)
A. Magic's Trick - Magic's Rap (4.19) MONO VERSION
AA. Magic's Trick - Magic's Rap (4.19) STEREO VERSION
CD Tracklisting:
CD1
1. The Carver Area High School Seniors - Get Live '83 (The Senior Rap) (7.43)
2. Mike T - Do It Any Way You Wanna (6.53) Click At 0.43
3. Chapter III - Real Rocking Groove (Rap & Breaks) (6.34)
4. Sinister Two - Rock It, Don't Stop It (7.59)
5. Sangria - To The Beat Y'all (5.18)
6. Funky Four Plus One More - Rappin' And Rocking The House (6.54)
7. The Just Four - Girls Of The World (Genius Rap & Breaks) (7.07)
CD2
1. Eye Beta Rock - Super Rock Body Shock (8.42)
2. Funky Constellation - Street Talk (Madam Rapper) (9.49)
3. Kool Kyle The Starchild - Do You Like That Funky Beat (Ahh Beat, Beat) (8.38)
4. The Just Four - Jam To Remember (6.56)
5. Grandmaster Flash And The Furious Five - Super Rappin' No. 2 (7.18)
6. Silver Star - Eei Eei O (7.16)
7. Magic's Trick - Magic's Rap (4.19)
Unbelievably killer and super, super heavy brand new Psychedelic Rock/Krautrock album coming out of nowhere from the group Brown Spirits, new on Soul Jazz Records!
Brown Spirits are from Melbourne, Australia. Their stripped down and tight musical unit is a trio (think Cream or Hendrix!) of raw bass, drums and shared guitar/keyboards meets the D-I-Y attitude and punk/post-punk intensity giving them a unique hi-octane sound.
With a range of influences that range from Neu! to Soft Machine, Gang of Four, Miles Davis, Hendrix, Argent, Lonnie Liston Smith, King Crimson and beyond, their powerfully progressive hard and hypnotic sound is truly unforgettable.
After two exclusive 100-pressing white label 45s sold out in less 30-mins, Soul Jazz Records are now releasing this their first album for the label.
Like their labelmates Trees Speak, Brown Spirits have a love all things Krautrock - mixed with an overwhelmingly powerful lo-fi psych and punk attitude. The album features super heavy and raw drums, tough basslines, heavy fuzzed-out wah and psyche guitar and analog moog synthesizers, all recorded on analogue ¼ inch tape.
In short – they rock!
Brown Spirits are from Melbourne, Australia. Their stripped down and tight musical unit is a trio (think Cream or Hendrix!) of raw bass, drums and shared guitar/keyboards meets the D-I-Y attitude and punk/post-punk intensity giving them a unique hi-octane sound.
With a range of influences that range from Neu! to Soft Machine, Gang of Four, Miles Davis, Hendrix, Argent, Lonnie Liston Smith, King Crimson and beyond, their powerfully progressive hard and hypnotic sound is truly unforgettable.
After two exclusive 100-pressing white label 45s sold out in less 30-mins, Soul Jazz Records are now releasing this their first album for the label.
Like their labelmates Trees Speak, Brown Spirits have a love all things Krautrock - mixed with an overwhelmingly powerful lo-fi psych and punk attitude. The album features super heavy and raw drums, tough basslines, heavy fuzzed-out wah and psyche guitar and analog moog synthesizers, all recorded on analogue ¼ inch tape.
In short – they rock!
TRACK LISTING
1. Repeat Transmission
2. Space Race
3. Dead End Exits
4. Ode To Dorothy
5. Seven 8ths Of Madness
6. Solar Kollektiv
7. Who’s At The Door
A stone-cold classic conscious Lovers Rock tune from the seminal British reggae group Brown Sugar. ‘I’m In Love With A Dreadlocks’ was originally released in 1977, and is now pressed loud for the first ever time on this new one-off press edition 12” on Soul Jazz Records.
Brown Sugar formed in London in 1976, made up of teenagers Pauline Catlin, Caron Wheeler and Carol Simms. After Brown Sugar, Caron Wheeler became known worldwide as the vocalist in Soul II Soul. Carol Simms launched a successful solo career under the name Kofi.
I’m In Love With A Dreadlocks’ was originally released on the Lovers Rock label, a fledgling reggae label formed by Dennis Bovell, John Kpiaye and producer Dennis Harris.
Brown Sugar were unique - not only were they one of the most important of the first wave of lovers rock groups, they were the only group who managed to successfully blend together a reggae roots consciousness with a lovers rock sensibility.
Brown Sugar formed in London in 1976, made up of teenagers Pauline Catlin, Caron Wheeler and Carol Simms. After Brown Sugar, Caron Wheeler became known worldwide as the vocalist in Soul II Soul. Carol Simms launched a successful solo career under the name Kofi.
I’m In Love With A Dreadlocks’ was originally released on the Lovers Rock label, a fledgling reggae label formed by Dennis Bovell, John Kpiaye and producer Dennis Harris.
Brown Sugar were unique - not only were they one of the most important of the first wave of lovers rock groups, they were the only group who managed to successfully blend together a reggae roots consciousness with a lovers rock sensibility.
STAFF COMMENTS
Matt says: One of two loud-cut Soul Jazz reggae twelves this week. The lover's rock classic by Brown Sugar has become of the most enduring tracks of this homegrown sub-genre. Complete with dub version there's simply no better pressing of this currently available!TRACK LISTING
1. I’m In Love With A Dreadlocks
2. I’m In Love With A Dreadlocks (Version)
Hieroglyphic Being’s third solo album on Soul Jazz Records, a resolute and powerful statement of Jamal Moss’s raw, vital, pioneering, Afro-Futurist electronic (dance) music.
On his new album, Moss once again draws upon the vast scope of experimentation that has defined Chicago’s musical universe over the last half a century - from the birth of house music with the pioneers Ron Hardy, Marshall Jefferson, Lil Louis and others to the radical avant-garde jazz legacy of the city, The Association for the Advancement of Creative Musicians, The Art Ensemble of Chicago and Sun Ra.
Chicago’s musical universe continues to push-further forward today with artists such as Hieroglyphic Being, Angel Bat Dawid, Makaya McCraven, and labels such as International Anthem and Hieroglyphic Being’s own Mathematics, all continuing to explore radical new music while drawing upon the city’s decidedly Afro-futurist lineage.
Jamal Moss remains at all-times a radical one-off musical explorer, a resolute pioneer of an avant-garde dance music aesthetic taking lineage from the founding fathers of acid house such as Ron Hardy and Adonis, and pushing the musical form to its own limits, adding his own harder almost industrial edge to this unique sound, which Moss sometimes describes as ‘Outsider House’ or, referencing the earlier avant-garde musical resident and pioneer, Sun Ra, ‘Rhythmic Cubism’ and ‘Cosmic Be-Bop’.
Hieroglyphic Being’s music crosses many boundaries and has led to remixes of a wide and diverse list of artists, from St Vincent to Hans-Joachim Roedelius (the pioneering German electronic composer and member of Cluster), King Gizzard and the Lizard Gizzard to Adonis and many more. In similar fashion, his music has appeared on Ghostly / Spectral, Warp, Ninja, Axis and his own Mathematics Recordings.
On his new album, Moss once again draws upon the vast scope of experimentation that has defined Chicago’s musical universe over the last half a century - from the birth of house music with the pioneers Ron Hardy, Marshall Jefferson, Lil Louis and others to the radical avant-garde jazz legacy of the city, The Association for the Advancement of Creative Musicians, The Art Ensemble of Chicago and Sun Ra.
Chicago’s musical universe continues to push-further forward today with artists such as Hieroglyphic Being, Angel Bat Dawid, Makaya McCraven, and labels such as International Anthem and Hieroglyphic Being’s own Mathematics, all continuing to explore radical new music while drawing upon the city’s decidedly Afro-futurist lineage.
Jamal Moss remains at all-times a radical one-off musical explorer, a resolute pioneer of an avant-garde dance music aesthetic taking lineage from the founding fathers of acid house such as Ron Hardy and Adonis, and pushing the musical form to its own limits, adding his own harder almost industrial edge to this unique sound, which Moss sometimes describes as ‘Outsider House’ or, referencing the earlier avant-garde musical resident and pioneer, Sun Ra, ‘Rhythmic Cubism’ and ‘Cosmic Be-Bop’.
Hieroglyphic Being’s music crosses many boundaries and has led to remixes of a wide and diverse list of artists, from St Vincent to Hans-Joachim Roedelius (the pioneering German electronic composer and member of Cluster), King Gizzard and the Lizard Gizzard to Adonis and many more. In similar fashion, his music has appeared on Ghostly / Spectral, Warp, Ninja, Axis and his own Mathematics Recordings.
STAFF COMMENTS
Matt says: Our favourite sonic shaman returns! For new devotees expect - emotive acid, pointillist drum workouts, fried electrics, warped atmospheres and a total merger of machine and mind - taking cues from jazz, industrial and house music along the way. There's no-one else like him, yet he somehow manages to reflect 30+ years of dance music experimentation back at us through his own interplanetary lens. A feast for the ears, one of his best for a while - both a wonderful entry point for newcomers and a completely essential purchase for his existing cult fanbase.TRACK LISTING
1. Communion Of The Highest Order
2. We Are The Light Vessels
3. When Situations Get 2 Deep
4. Look Over There 9 O'Clock
5. Beyond The Outrage
6. Frantic Moments
7. Mephisto's Pulpit Of Stank
8. Deconstructing The Path
9. Nights Under The Nubian Sky
10. Dark Acidic Organs From The Void
11. Private Runner
12. Let Me Know How U Really Feel
13. There Is No Acid In This House (Just Emotions Remix)
14. Dogs Don't Wear Pants
Michigan and Smiley’s all-time Studio One anthem,the latest in the series of all-time classic Studio One party bombs available on super loud 12”. Michigan and Smiley’s ‘Nice Up the Dance’ issimply one of the biggest, wickedest dancehalltunes ever made.
Originally released in 1979, Michigan and Smiley’sclassic rhyming over the seminal ‘Real Rock’ has proved one of the most enduring tunes in reggaeever. 100% essential monster tunes that rock anydancefloor.
Originally released in 1979, Michigan and Smiley’sclassic rhyming over the seminal ‘Real Rock’ has proved one of the most enduring tunes in reggaeever. 100% essential monster tunes that rock anydancefloor.
STAFF COMMENTS
Matt says: Soul Jazz return to their loud-cut 12" classics series, giving another run to the dancehall staple, "Nice Up The Dance". You know the riddim - but doubt you'll have heard it this crisp n bassy! Update your scratchy 7" with this full fidelity 12" version! Niiiice up!TRACK LISTING
A1. Nice Up The Dance
B1. Michigan & Smiley & Sound Dimension - Nice Up The Dance (version)
Trees Speak
Vertigo Of Flaws: Emancipation Of The Dissonance And Temperaments In Irrational Waveforms
Soul Jazz Records
This new release is a vast leap into an ocean of space and sound, a quantum leap into cybernetics, biology, anti-gravity, time travel, dream speech and transfiguration. A seriously next step release! Showing no signs of slowing down their rapid creative pace – incredibly this is their fourth album in the space of just over one year – ‘Vertigo of Flaws’ is a mighty 29 tracks, one and a half hours of music across one double album that is surely going to be a defining point in their musical career, a giant leap into the sonic unknown, an epic exploration of intensity and sound.
Alongside their now trademark German krautrock motoric-beat rhythms, angular New York post-punk attitude, trippedout 60s spy soundtrack, psyche-rock, and 70s synthesizers and vocoders, here you will also hear a new cosmic spacial awareness (both personal inner space and galactic outer space) and a truly wilful pushing of sonic boundaries - as police sirens, static noise, alarms, radio signals, avant-garde voices, and orchestral string quartets, all collide to add beautiful dissonance to uber-powerful, intense, addictive and propulsive rhythms - in the process creating a truly unique soundscape that Trees Speak have made wholly their own.
If you ever wanted to hear Can, Hawkwind, Destroy All Monsters, Pere Ubu, electric eels, John Cage, Liquid Liquid, Tangerine Dream, Suicide, Neu!, Laurie Spiegel, Art Ensemble of Chicago, John Barry, Mother Mallard’s Portable Masterpiece Company, Sun Ra, Stockhausen, John Carpenter, Electro-Acoustic and Musique Concrete and Mars in one band - then this is it! Trees Speak are Daniel Martin Diaz and Damian Diaz from Tucson, Arizona and their music often draws on the cosmic night-time magic of Arizona’s natural desert landscapes.
‘Trees Speak’ relates to the idea of future technologies storing information and data in trees and plants - using them as hard drives - and the idea that Trees communicate collectively. Special guests from the hyper-creative hub of the Tucson music scene on this release are Gabriel Sullivan, Ben Nisbet, Saul Millan, Stephani Guilmette, and Davis Jones. The album Vertigo of Flaws was recorded in Brooklyn, New York, and Tucson, Arizona during the plague of 2021.
Alongside their now trademark German krautrock motoric-beat rhythms, angular New York post-punk attitude, trippedout 60s spy soundtrack, psyche-rock, and 70s synthesizers and vocoders, here you will also hear a new cosmic spacial awareness (both personal inner space and galactic outer space) and a truly wilful pushing of sonic boundaries - as police sirens, static noise, alarms, radio signals, avant-garde voices, and orchestral string quartets, all collide to add beautiful dissonance to uber-powerful, intense, addictive and propulsive rhythms - in the process creating a truly unique soundscape that Trees Speak have made wholly their own.
If you ever wanted to hear Can, Hawkwind, Destroy All Monsters, Pere Ubu, electric eels, John Cage, Liquid Liquid, Tangerine Dream, Suicide, Neu!, Laurie Spiegel, Art Ensemble of Chicago, John Barry, Mother Mallard’s Portable Masterpiece Company, Sun Ra, Stockhausen, John Carpenter, Electro-Acoustic and Musique Concrete and Mars in one band - then this is it! Trees Speak are Daniel Martin Diaz and Damian Diaz from Tucson, Arizona and their music often draws on the cosmic night-time magic of Arizona’s natural desert landscapes.
‘Trees Speak’ relates to the idea of future technologies storing information and data in trees and plants - using them as hard drives - and the idea that Trees communicate collectively. Special guests from the hyper-creative hub of the Tucson music scene on this release are Gabriel Sullivan, Ben Nisbet, Saul Millan, Stephani Guilmette, and Davis Jones. The album Vertigo of Flaws was recorded in Brooklyn, New York, and Tucson, Arizona during the plague of 2021.
STAFF COMMENTS
Barry says: Ridiculously prolific Arizona natives Trees Speak come out with their 4th album in just over a year, and it has all of the cosmic heft and swooning arpeggiated bliss of the previous (very well regarded) LP's. This time though, we get a little more grit, turning otherwise upbeat pieces into slightly more avant-ambient-jazz territory. A sound all of their own, but one they do perfectly.TRACK LISTING
1. Seventh Mirror (3.23)
2. Cybernetic Dreams (4.07)
3. Interference (3.40)
4. Computer Garden (0.46)
5. Pyramid (2.34)
6. Halide Crystals (2.08)
7. Integratron (4.20)
8. Imaginary Forces (3.26)
9. Phantom LFO (3.13)
10. Opticks (2.56)
11. Mannequin (2.17)
12. Mind In Light (3.10)
13. Palantír (1.28)
14. Vertigo Of Flaws (3.15)
15. Exit Syndrome (1.11)
16. Stasi (5.35)
17. Atomic Voyage (3.11)
18. Ultraviolet (2.51)
19. Violence Cascades (3.27)
20. Traumsprache (3.51)
21. Zeitgeber (2.04)
22. Prism (3.03)
23. Threnody (2.56)
24. Mind Oscillation (3.19)
25. Hidden Machine (3.00)
26. Transhuman (1.01)
27. Ionization (3.12)
28. Cloud Chamber (3.16)
29. Harmonic Oscillator (1.19)
Limited Bonus 7” (LP Format Only)
A. Transfiguration (3.34)
B. Urzeit (2.37)
THIS IS A RECORD STORE DAY 2021 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY JULY 17TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.
IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 6PM ON THE SAME DAY (SATURDAY JULY 17TH).
This album is released as a special one-off exclusive blue double vinyl edition for Record Store Day 2021. Out of print for nearly 15 years, this album was recorded at the start of the long-relationship between Kieran Hebden and drummer extraordinaire Steve Reid. Soul Jazz Records had begun to release Reidís music in 2000, reissuing much of his early catalogue of radical, deep and spiritual jazz music from the 1970s when an encounter between electronic music pioneer Kieran Hebden and Steve Reid effectively launched a new career for jazz drummer Reid - a man steeped in history having played with John Coltrane, Miles Davis, Fela Kuti, Motown and much more.
Kieran Hebden and Steve Reid released a set of ground-breaking albums together in London, New York and Africa (including four on Domino Records) and continued to work together up until Steve Reid died in 2010. This album launched the start of this new connection between the two very different and yet connected artists a mixture of electronic and jazz sensibilities like no other. The album Spirit Walk contains an updated version of Reidís seminal Lions of Judah (originally released on Reidís classic Nova in 1976), For Coltrane, and the stunning and epic 15-min Drum Song. The album comes with complete original artwork, including innersleeves (featuring an interview with Steve Reid by Gilles Peterson).
IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 6PM ON THE SAME DAY (SATURDAY JULY 17TH).
This album is released as a special one-off exclusive blue double vinyl edition for Record Store Day 2021. Out of print for nearly 15 years, this album was recorded at the start of the long-relationship between Kieran Hebden and drummer extraordinaire Steve Reid. Soul Jazz Records had begun to release Reidís music in 2000, reissuing much of his early catalogue of radical, deep and spiritual jazz music from the 1970s when an encounter between electronic music pioneer Kieran Hebden and Steve Reid effectively launched a new career for jazz drummer Reid - a man steeped in history having played with John Coltrane, Miles Davis, Fela Kuti, Motown and much more.
Kieran Hebden and Steve Reid released a set of ground-breaking albums together in London, New York and Africa (including four on Domino Records) and continued to work together up until Steve Reid died in 2010. This album launched the start of this new connection between the two very different and yet connected artists a mixture of electronic and jazz sensibilities like no other. The album Spirit Walk contains an updated version of Reidís seminal Lions of Judah (originally released on Reidís classic Nova in 1976), For Coltrane, and the stunning and epic 15-min Drum Song. The album comes with complete original artwork, including innersleeves (featuring an interview with Steve Reid by Gilles Peterson).
TRACK LISTING
A 1. Lugano (7.02) 2. Bridget (5.49) 3. For Coltrane (8.03)
B 1. Blind Tom (1.23) 2. Which One? (6:43) 3. Lions Of Juda (8.26)
C 1. It Cannot Be True (6.04) 2. Unity (9:10)
D 1. Drum Story (14.29)
THIS IS A RECORD STORE DAY 2021 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY JULY 17TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.
IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 6PM ON THE SAME DAY (SATURDAY JULY 17TH).
In the space of five short years (and as many albums) at the end of the 20th century, Add N To X caused havoc with their unique retro-futurist electronic music. Add N To Xís musical intensity proved too much for the group who split up in 2002. Their album On The Wires of Our Nerves, complete with its classic cover image, recorded on Soul Jazz Recordsí then new offshoot label Satellite Records, launched them into the spotlight and included two NME Singles of the Week ëBlack Regentí and ëKing Waspí. Over twenty years since it was first released and long out of print the album 'On The Wires of Our Nervesí stands up one of the most forward-looking electronic albums of then and now. This classic album is released in a very limited one-off pressing silver coloured vinyl edition as a Record Store Day exclusive title. A 1. The Black Regent 2. Planet Munich 3. Nevermind B 1. We Are Add N To X 2. Murmur One 3. Sound Of Accelerating Concrete 4. Gentle Germans C 1. King Wasp 2. Orgy Of Bubastus 3. Grey Body, Green Gun D 1. On The Wires Of Our Nerves 2. Hit Me 3. Sir Ape
IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 6PM ON THE SAME DAY (SATURDAY JULY 17TH).
In the space of five short years (and as many albums) at the end of the 20th century, Add N To X caused havoc with their unique retro-futurist electronic music. Add N To Xís musical intensity proved too much for the group who split up in 2002. Their album On The Wires of Our Nerves, complete with its classic cover image, recorded on Soul Jazz Recordsí then new offshoot label Satellite Records, launched them into the spotlight and included two NME Singles of the Week ëBlack Regentí and ëKing Waspí. Over twenty years since it was first released and long out of print the album 'On The Wires of Our Nervesí stands up one of the most forward-looking electronic albums of then and now. This classic album is released in a very limited one-off pressing silver coloured vinyl edition as a Record Store Day exclusive title. A 1. The Black Regent 2. Planet Munich 3. Nevermind B 1. We Are Add N To X 2. Murmur One 3. Sound Of Accelerating Concrete 4. Gentle Germans C 1. King Wasp 2. Orgy Of Bubastus 3. Grey Body, Green Gun D 1. On The Wires Of Our Nerves 2. Hit Me 3. Sir Ape
Various Artists
Soul Jazz Records Presents: Funk 70 - Collectors 7" Box Set (RSD21 EDITION)
Soul Jazz Records
THIS IS A RECORD STORE DAY 2021 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY JULY 17TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.
IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 6PM ON THE SAME DAY (SATURDAY JULY 17TH).
Soul Jazz Records are releasing Funk 70 Box Set, a limited-edition one-off pressing, exclusive for Record Store Day, collectors seven-inch box set, featuring ten superb, rare and classic funk cuts across five individual bespoke 7" singles housed in a hardbox set, with each single housed in individual innersleeves. Seriously rare, killer and classic funk tunes brought together here in this unique one-off Record Store Day box-set edition. This release features so many great singles. The super-rare Winstons MASSIVE 45 featuring Amen Brother (the drum break of all drum breaks for all jungle records ever!) as well as the soul anthem Color Him Father. A superb rare Detroit funk cut from Jackie Harris, Joe Bataanís Latin Strut - the best latin funk tune ever made that helped launch Salsoul Records, rare groove hi-adrenalin funk from Untouchable Machine Shop and finally a KILLER slice of New Orleans funk produced by Eddie Bo with the amazing drums of James Black in the mix. All tracks have been digitally re-mastered and the singles come housed in a thick, heavyweight deluxe card box. This box set is a one-off pressing exclusively for Record Store Day. Soul Jazz Records are releasing Funk 70 Box Set, a limited-edition one-off pressing, exclusive for Record Store Day, collectors seven-inch box set, featuring ten superb, rare and classic funk cuts across five individual bespoke 7" singles housed in a hardbox set, with each single housed in individual innersleeves. Seriously rare, killer and classic funk tunes brought together here in this unique one-off Record Store Day box-set edition. This release features so many great singles. The super-rare Winstons MASSIVE 45 featuring Amen Brother (the drum break of all drum breaks for all jungle records ever!) as well as the soul anthem Color Him Father. A superb rare Detroit funk cut from Jackie Harris, Joe Bataanís Latin Strut ñ the best latin funk tune ever made that helped launch Salsoul Records, rare groove hi-adrenalin funk from Untouchable Machine Shop and finally a KILLER slice of New Orleans funk produced by Eddie Bo with the amazing drums of James Black in the mix. All tracks have been digitally re-mastered and the singles come housed in a thick, heavyweight deluxe card box. This box set is a one-off pressing exclusively for Record Store Day.
IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 6PM ON THE SAME DAY (SATURDAY JULY 17TH).
Soul Jazz Records are releasing Funk 70 Box Set, a limited-edition one-off pressing, exclusive for Record Store Day, collectors seven-inch box set, featuring ten superb, rare and classic funk cuts across five individual bespoke 7" singles housed in a hardbox set, with each single housed in individual innersleeves. Seriously rare, killer and classic funk tunes brought together here in this unique one-off Record Store Day box-set edition. This release features so many great singles. The super-rare Winstons MASSIVE 45 featuring Amen Brother (the drum break of all drum breaks for all jungle records ever!) as well as the soul anthem Color Him Father. A superb rare Detroit funk cut from Jackie Harris, Joe Bataanís Latin Strut - the best latin funk tune ever made that helped launch Salsoul Records, rare groove hi-adrenalin funk from Untouchable Machine Shop and finally a KILLER slice of New Orleans funk produced by Eddie Bo with the amazing drums of James Black in the mix. All tracks have been digitally re-mastered and the singles come housed in a thick, heavyweight deluxe card box. This box set is a one-off pressing exclusively for Record Store Day. Soul Jazz Records are releasing Funk 70 Box Set, a limited-edition one-off pressing, exclusive for Record Store Day, collectors seven-inch box set, featuring ten superb, rare and classic funk cuts across five individual bespoke 7" singles housed in a hardbox set, with each single housed in individual innersleeves. Seriously rare, killer and classic funk tunes brought together here in this unique one-off Record Store Day box-set edition. This release features so many great singles. The super-rare Winstons MASSIVE 45 featuring Amen Brother (the drum break of all drum breaks for all jungle records ever!) as well as the soul anthem Color Him Father. A superb rare Detroit funk cut from Jackie Harris, Joe Bataanís Latin Strut ñ the best latin funk tune ever made that helped launch Salsoul Records, rare groove hi-adrenalin funk from Untouchable Machine Shop and finally a KILLER slice of New Orleans funk produced by Eddie Bo with the amazing drums of James Black in the mix. All tracks have been digitally re-mastered and the singles come housed in a thick, heavyweight deluxe card box. This box set is a one-off pressing exclusively for Record Store Day.
TRACK LISTING
Record 1 A: The Winstons - Amen Brother B: The Winstons - Color Him Father
Record 2 A: Jackie Harris & The Exciters - Do It, Do It B: Jackie Harris & The Exciters - Get Funk Sweet A Little Bit
Record 3 A: Joe Bataan - Latin Strut B: Joe Bataan - Peace, Friendship And Solidarity
Record 4 A: Untouchable Machine Shop - Machine Shop (Part 1) B: Untouchable Machine Shop - Machine Shop (Part 2)
Record 5 A: Inell Young - The Next Ball Game B: Inell Young - Part Of The Game
This is incredibly Trees Speak’s third album on Soul Jazz Records released in the space of one year – and it’s amazing! Trees Speak’s new album Post-Human once again blends 1970s German electronic and ‘motorik’ Krautrock instrumentals (think Harmonia, Can, Cluster, Popul Vuh, Neu!), haunting and powerful 1960s and 1970s soundtracks (think Italian prog-rock Goblin and John Carpenter horror movies, Morricone and existential John Barry spy movies), together with a New York No Wave electronic synth and guitar analogue DIY-ness (think Suicide, anything on Soul Jazz’s New York Noise series or Eno's New York No Wave)!
The new album Post-Human draws further upon German krautrock high-concept albums from the likes of Tangerine Dream and Klaus Schulze from the 1970s, as Trees Speak create their own powerful new landscapes of sound that manage to be at once contemporary as well as both timeless and with a sense of science-fiction futurism. Trees Speak’ seamlessly segue together all these musical elements into Post-Human, a conceptually expansive album which follows on from their critically-acclaimed debut LP Ohms, and the follow-up Shadow Forms released on Soul Jazz Records less than six months ago. This powerful new album is a high-concept collage of retro-futurist science-fiction music, which is fantastically illustrated by a specially commissioned cover design by the artist Eric Lee, a dramatic vision of life after humanity. Trees Speak are Daniel Martin Diaz and Damian Diaz from Tucson, Arizona and their music often draws on the cosmic night-time magic of Arizona’s natural desert landscapes. ‘Trees Speak’ relates to the idea of future technologies storing information and data in trees and plants - using them as hard drives – and the idea that Trees communicate collectively.
With Post-Human, Trees Speak take the listener deep into their unique musical world of unknown visions of the past and the future.
The new album Post-Human draws further upon German krautrock high-concept albums from the likes of Tangerine Dream and Klaus Schulze from the 1970s, as Trees Speak create their own powerful new landscapes of sound that manage to be at once contemporary as well as both timeless and with a sense of science-fiction futurism. Trees Speak’ seamlessly segue together all these musical elements into Post-Human, a conceptually expansive album which follows on from their critically-acclaimed debut LP Ohms, and the follow-up Shadow Forms released on Soul Jazz Records less than six months ago. This powerful new album is a high-concept collage of retro-futurist science-fiction music, which is fantastically illustrated by a specially commissioned cover design by the artist Eric Lee, a dramatic vision of life after humanity. Trees Speak are Daniel Martin Diaz and Damian Diaz from Tucson, Arizona and their music often draws on the cosmic night-time magic of Arizona’s natural desert landscapes. ‘Trees Speak’ relates to the idea of future technologies storing information and data in trees and plants - using them as hard drives – and the idea that Trees communicate collectively.
With Post-Human, Trees Speak take the listener deep into their unique musical world of unknown visions of the past and the future.
STAFF COMMENTS
Barry says: Trees Speak manage to forge the most intricate, spacey German inspired electronica I've heard in a long time. With echoes of Neu and Harmonia, but with a more languid, dusty folk influence. It's a heady and intoxicating combination and PostHuman is a great development of their tried and tested formula. Really lovely stuff.TRACK LISTING
1. Double Slit
2. Glass
3. Chamber Of Frequencies
4. Divided Light
5. Elements Of Matter
6. Magic Transistor
7. Scheinwelt
8. PostHuman
9. Synthesis
10. X Zeit
11. Incandescent Sun
12. Healing Rods
13. Steckdose
14. Amnesia Transmitter
15. Quantize Humanize
16. Gläserner Mensch
Soul Jazz Records’ new ‘Cold Wave’ is a collection of current electronic artists who have all been shaped by the early European cold wave artists of the late 70s and early 80s.
This is the first release of Soul Jazz Records’ new Cold Wave overview and a second volume will follow.
These first artists created new electronic musical landscapes as well as pursuing a stubborn DIY aesthetic, often releasing material on cassette and pioneering use of lo-fi technology, primitive drum machines and home recording techniques. As part of this continued evolution today many of the artists featured here also self-release their own material, run labels, publish fanzines, or are part of wider musical collectives.
Aside from the first electronic, no wave and post-punk artists cited as influences – Suicide, Patrick Cowley, The Normal, Martin Hannett, Laurie Anderson, Public Image – this new generation of artists also show an exquisitely open source of electronic and disparate influences, everything from Underground Resistance to Purcell, from Scientist to new beat and more besides.
Most of the featured artists are based in Europe and include Krikor, Dissemblance and VQOA from France, De Ambassade from the Netherlands, Moisture from Sweden, Kreidler from Germany, Céline Gillian and Carcass Identity from Belgium. One exception is FIT Siegel out of Detroit, connecting the electronic pathways of Europe to the Motor City.
All of the bands featured here make distinctive contemporary music out of the 80s roots of the first cold wave movement.
This first edition of ‘Cold Wave’ comes in two vinyl editions – a one-off pressing orange coloured vinyl edition and a black vinyl edition. Both come as heavyweight double vinyl housed in bespoke individual inner sleeves and the first pressing of this album comes with its own free pullout fanzine on the groups featured. The CD edition comes with artist booklet / fanzine and slipcase. All editions are printed in special dayglo colour finish.
This is the first release of Soul Jazz Records’ new Cold Wave overview and a second volume will follow.
These first artists created new electronic musical landscapes as well as pursuing a stubborn DIY aesthetic, often releasing material on cassette and pioneering use of lo-fi technology, primitive drum machines and home recording techniques. As part of this continued evolution today many of the artists featured here also self-release their own material, run labels, publish fanzines, or are part of wider musical collectives.
Aside from the first electronic, no wave and post-punk artists cited as influences – Suicide, Patrick Cowley, The Normal, Martin Hannett, Laurie Anderson, Public Image – this new generation of artists also show an exquisitely open source of electronic and disparate influences, everything from Underground Resistance to Purcell, from Scientist to new beat and more besides.
Most of the featured artists are based in Europe and include Krikor, Dissemblance and VQOA from France, De Ambassade from the Netherlands, Moisture from Sweden, Kreidler from Germany, Céline Gillian and Carcass Identity from Belgium. One exception is FIT Siegel out of Detroit, connecting the electronic pathways of Europe to the Motor City.
All of the bands featured here make distinctive contemporary music out of the 80s roots of the first cold wave movement.
This first edition of ‘Cold Wave’ comes in two vinyl editions – a one-off pressing orange coloured vinyl edition and a black vinyl edition. Both come as heavyweight double vinyl housed in bespoke individual inner sleeves and the first pressing of this album comes with its own free pullout fanzine on the groups featured. The CD edition comes with artist booklet / fanzine and slipcase. All editions are printed in special dayglo colour finish.
STAFF COMMENTS
Patrick says: Not content with rocking our Piccadilly socks with the angular energy of their contemporary post punk round up, Soul Jazz now take a tour through the modern age of Cold Wave, picking out former Piccadilly records of the week from Krikor, Wang Inc., De Ambassade, Celine Gillain and Krikor. As a result, this whole comp comes most highly recommended from your favourite vinyl hustlers.TRACK LISTING
1. Dissemblance – Capture
2. Carcass Identity – Reflexion Ocean
3. FIT Siegel – Wayne County Stomp
4. De Ambassade – Standhouden
5. Wang Inc. – Approdo
6. Krikor Kouchian – Niños Matadores
7. Céline Gillain – Fight Or Flight
8. Kreidler – Kannibal
9. Moisture – Gammut
10. Violent Quand On Aime – Of Course I’m A Liar
Various Artists
Soul Jazz Records Presents: Deutsche Elektronische Musik 4: Experimental German Rock And Electronic Music 1971-83
SOUL Jazz Records
This is the new instalment of Soul Jazz Records’ ground-breaking ‘Deutsche Elektronische Musik’ series, “a near-definitive guide to some of the world’s most extraordinary music” - The Guardian.
This new Soul Jazz release features many of the classic German electronic and Krautrock groups from the 1970s and 1980s, including Can, Amon Düül II, Harmonia, Conrad Schnitzler, Agitation Free and Roedelius, as well as a host of lesser known artists such as Dzyan, Klaus Weiss, Gruppe Between and many more.
Deutsche Elektronische rarities unearthed on the album include Kalacakra (whose fanbase included the great Moondog) and their superb ‘Nearby Shiras’, taken from their super-rare spiritual / psychedelic private press concept album ‘Crawling to Lhasa’ from 1972.
‘Deutsche Elektronische 4’ includes a wealth of German electronic experimental artists - the seminal pioneering group Harmonia (Roedelius, Moebius and Michael Rother) and avant-garde guru Conrad Schnitzler, as well as lesser known synthetic artists such as Klaus Weiss, Deutsche Wertarbeit, E.M.A.K. (Elektronische Musik Aus Köln), Günter Schickert and others.
Finally, the album also features an array of heavy and progressive German cosmic rock groups - Dzyan, Virus and the amazing Turkish/German tripped out sound of Alex’s ‘Patella Black’, recorded at Can’s Inner Space in 1973, produced by Holger Czukay and Jackie Liebezeit.
‘Deutsche Elektronische 4’ comes with extensive newly commissioned sleevenotes by David Stubbs, author of the seminal books ‘Future Days: Krautrock and the building of Modern Germany’, ‘Mars By 1980: The story of Electronic Music’ and ‘Krautrock: Cosmic Rock and its Legacy’.
This album comes as a deluxe double CD edition with outsize booklet and slipcase, as well as a heavyweight triple vinyl edition with full colour inner sleeves. Both formats include full liner notes and extensive rare photography.
This new Soul Jazz release features many of the classic German electronic and Krautrock groups from the 1970s and 1980s, including Can, Amon Düül II, Harmonia, Conrad Schnitzler, Agitation Free and Roedelius, as well as a host of lesser known artists such as Dzyan, Klaus Weiss, Gruppe Between and many more.
Deutsche Elektronische rarities unearthed on the album include Kalacakra (whose fanbase included the great Moondog) and their superb ‘Nearby Shiras’, taken from their super-rare spiritual / psychedelic private press concept album ‘Crawling to Lhasa’ from 1972.
‘Deutsche Elektronische 4’ includes a wealth of German electronic experimental artists - the seminal pioneering group Harmonia (Roedelius, Moebius and Michael Rother) and avant-garde guru Conrad Schnitzler, as well as lesser known synthetic artists such as Klaus Weiss, Deutsche Wertarbeit, E.M.A.K. (Elektronische Musik Aus Köln), Günter Schickert and others.
Finally, the album also features an array of heavy and progressive German cosmic rock groups - Dzyan, Virus and the amazing Turkish/German tripped out sound of Alex’s ‘Patella Black’, recorded at Can’s Inner Space in 1973, produced by Holger Czukay and Jackie Liebezeit.
‘Deutsche Elektronische 4’ comes with extensive newly commissioned sleevenotes by David Stubbs, author of the seminal books ‘Future Days: Krautrock and the building of Modern Germany’, ‘Mars By 1980: The story of Electronic Music’ and ‘Krautrock: Cosmic Rock and its Legacy’.
This album comes as a deluxe double CD edition with outsize booklet and slipcase, as well as a heavyweight triple vinyl edition with full colour inner sleeves. Both formats include full liner notes and extensive rare photography.
STAFF COMMENTS
Barry says: I really can't get enough of these compilations. Superb, unheard of gems mixed in with some undeniable classics, and presented beautifully in true Soul Jazz style. Unsurprisingly brilliant.TRACK LISTING
1. Alex – Patella Black
2. Klaus Weiss – Driving Sequences
3. Can – I'm So Green
4. Agitation Free – Laila, Part II
5. Deutsche Wertarbeit – Guten Abend, Leute
6. Amon Düül II – Wolf City
7. Michael Rother – Flammende Herzen
8. Klaus Weiss – Pink Sails
9. Virus – My Strand-Eyed Girl
10. Conrad Schnitzler – Ballet Statique
11. Kalacakra – Nearby Shiras
12. EMAK – Tanz In Den Himmel
13. Et Cetera – Mellodrama 2a
14. Between – Triumphzug Kaiser Maximilian I
15. Roedelius – Halmharfe
16. Dzyan – Dragonsong
17. Harmonia – Deluxe (Immer Wieder)
18. Günter Schickert – Suleika
19. Witthüser & Westrupp – Schöpfung (1. Mose 1)
Love Record Stores Edition available from 9am on Saturday June 20th.
Limited to one per person.
Here is our 2nd Killer New Orleans Funk £200+ Bomb!
Featuring Inell Young's searing vocal performance
+ James Black's seriously awesome drumming
+ Eddie Bo arrangement and production!
100% Essential!
Limited to one per person.
Here is our 2nd Killer New Orleans Funk £200+ Bomb!
Featuring Inell Young's searing vocal performance
+ James Black's seriously awesome drumming
+ Eddie Bo arrangement and production!
100% Essential!
Soul Jazz Records release flautist Lloyd McNeill’s album ‘Elegia’ (1980). Originally released on the artists’ own private press Baobab label in New York, the album is a serious collector’s piece, a heavyweight and fascinating fusion of deep spiritual jazz with Brazilian and rhythms and melodies. The album has been out of print for nearly 40 years.
This groundbreaking album is the culmination of Lloyd McNeill’s many years involved with Brazilian musicians and features the great percussionist Nana Vasconcelos alongside fellow Brazilian’s Portinho and Dom Salvador alongside US jazz musicians including bassist Cecil McBee.
In a 50-year musical career, McNeill has worked with many artists including Nina Simone, Eric Dolphy, Mulatu Asatke and Sabu Martinez.
McNeill grew up during the era of the Civil Rights Movement in the 1960s and his life and work is a reflection of those ideals. All of his music was only ever released on his own private-press record label, echoing the Civil Rights and African-American themes of the era - black economic empowerment and self-sufficiency - and there is a beautiful spirituality in all his music.
In the late 1960s McNeill became a teacher of both jazz and painting at the New Thing Art and Architecture Center in Washington and in 1969 was the first African-American professor hired to teach African-American Music History, at Rutgers University.
This is the fifth Lloyd McNeill album that Soul Jazz Records have released and follows on from the recent release of ‘Treasures’ (1976) and the earlier albums ‘Asha’ (1969), ‘Tanner Suite’ (1969) and ‘Washington Suite’ (1970), all of which are being re-pressed to coincide with this new release.
This groundbreaking album is the culmination of Lloyd McNeill’s many years involved with Brazilian musicians and features the great percussionist Nana Vasconcelos alongside fellow Brazilian’s Portinho and Dom Salvador alongside US jazz musicians including bassist Cecil McBee.
In a 50-year musical career, McNeill has worked with many artists including Nina Simone, Eric Dolphy, Mulatu Asatke and Sabu Martinez.
McNeill grew up during the era of the Civil Rights Movement in the 1960s and his life and work is a reflection of those ideals. All of his music was only ever released on his own private-press record label, echoing the Civil Rights and African-American themes of the era - black economic empowerment and self-sufficiency - and there is a beautiful spirituality in all his music.
In the late 1960s McNeill became a teacher of both jazz and painting at the New Thing Art and Architecture Center in Washington and in 1969 was the first African-American professor hired to teach African-American Music History, at Rutgers University.
This is the fifth Lloyd McNeill album that Soul Jazz Records have released and follows on from the recent release of ‘Treasures’ (1976) and the earlier albums ‘Asha’ (1969), ‘Tanner Suite’ (1969) and ‘Washington Suite’ (1970), all of which are being re-pressed to coincide with this new release.
TRACK LISTING
Samba For The Animals
Behind The Wind (Flute Solo)
Asha II
Elegiac Suite For Elizabeth
A) Time
B) The Mighty River
C) The Wind
Striped Pants (With Cadenza)
Memory Cycle