…And You Will Know Us By The Trail Of Dead (also known as Trail Of Dead) is an American band best known for their wild, energetic live shows. The main members of the band are Jason Reece and Conrad Keely, who alternate between drumming, guitar and lead vocals, both on recordings and live shows. Since their formation in 1994, they have released ten studio albums, including IX from 2014. During the time of these recordings, the band also featured Autry Fulbright II on bass and vocals and Jamie Miller on drums and guitar.

TRACK LISTING

Side A
1. The Doomsday Book
2. Jaded Apostles
3. A Million Random Digits
4. Lie Without A Liar
5. The Ghost Within
6. The Dragonfly Queen
7. How To Avoid Huge Ships

Side B
1. Bus Lines
2. Lost In The Grand Scheme
3. Like Summer Tempests Came His Tears
4. Sound Of The Silk

…And You Will Know Us By The Trail Of Dead (also known as Trail Of Dead) is an American band best known for their wild, energetic live shows. The main members of the band are Jason Reece and Conrad Keely, who alternate between drumming, guitar and lead vocals, both on recordings and live shows. Their eighth studio album Lost Songs was originally released in 2012 and its lyrics are themed around war, tyranny and apathy, no unfamiliar grounds for the band. It features 12 tracks and four additional bonus tracks; “Skywhaling”, “Mountain Battle Song”, “Verschollene Songs” and “Idols Of Perversity”. Just like several predecessors, the album was produced by Chris “Frenchie” Smith, who worked with Meat Puppets, Jet and The Dandy Warhols amongst others.

TRACK LISTING

Side A
1. Open Doors
2. Pinhole Cameras
3. Up To Infinity

Side B
1. Opera Obscura
2. Lost Songs
3. Flower Card Games
4. A Place To Rest

Side C
1. Heart Of Wires
2. Catatonic
3. Awestruck
4. Bright Young Things

Side D
1. Time And Again
2. Skywhaling
3. Mountain Battle Song
4. Verschollene Songs
5. Idols Of Perversity

A Date With Elvis was originally released in July 1959, the second year of Elvis’ two-year stint in the army. Worried that being drafted would ruin his career, RCA Victor released three compilation albums featuring shelved recordings from the vaults and recordings previously only available on 7” singles. The goal of these compilations was twofold: keeping Elvis in the public eye awaiting his return to the spotlight and taking advantage of the fast-growing LP market.

This album consists of material from multiple sessions at the famous Sun Studio in Memphis, an August 1956 session at 21th Century Fox’ Stage One, and two from Radio Recorders in Hollywood, Los Angeles, and reached #32 on the Billboard Top Pop Albums chart.

TRACK LISTING

Side A
1. Blue Moon Of Kentucky
2. Young And Beautiful
3. (You’re So Square) Baby I Don’t Care
4. Milkcow Blues Boogie
5. Baby Let’s Play House

Side B
1. Good Rockin’ Tonight
2. Is It So Strange
3. We’re Gonna Move
4. I Want To Be Free
5. I Forgot To Remember To Forget

In the beginning of 1973 Elvis Presley released the extremely successful live album Aloha From Hawaii Via Satellite, after which he spent the first half of that year on tour. The second half of 1973 would have to be spent in the studio recording new material and he decided to find a space closer to home to do so: the legendary Stax, in Memphis. And while typically only Stax artists were making use of the studio, they were happy to accommodate the King.

Over two recordings sessions at Stax in July and December, Elvis ended up recording many hits such as “It’s Midnight” and “Promised Land”, which was originally written by Chuck Berry. This compilation collects the best of these sessions on two LPs, remastered from the original master tapes, and includes newly mixed outtakes.

TRACK LISTING

SIDE A
1. Promised Land
2. I've Got A Thing About You Baby
3. If You Talk In Your Sleep
4. Raised On Rock
5. Help Me

SIDE B
1. I Got A Feelin' In My Body (Take 4)
2. For Ol' Times Sake (Take 4)
3. Talk About The Good Times (Take 3)
4. Good Time Charlie's Got The Blues (Take 8)

SIDE C
1. You Asked Me To (Take 3A)
2. Loving Arms (Take 2)
3. Your Love's Been A Long Time Coming (Take 4)
4. Spanish Eyes (Take 2)

SIDE D
1. It's Midnight (Take 7)
2. Find Out What's Happening (Takes 8-7)
3. Three Corn Patches (Take 14)
4. My Boy (Take 1)

Elvis Presley was a supernatural force of raw, natural talent. But he couldn’t scale the Mount Olympus of rock and roll without an arsenal of extraordinary songs supplied by an army of gifted songwriters all dedicated to writing for “The King.”. Here for your listening pleasure are 23 prime examples of Elvis’ consummate interpretive skills navigating a wide swath of genres. The gifted writers on Elvis Sings truly helped cement Elvis’ indelible mark on music history.

TRACK LISTING

Side A
1. Promised Land
2. What'd I Say
3. Early Mornin' Rain
4. You've Lost That Loving Feeling
5. My Babe
6. Don't Think Twice, It's All Right (Jam Edit)

Side B
1. Got My Mojo Working / Keep Your Hands Off Of It
2. Bridge Over Troubled Water
3. Help Me Make It Through The Night
4. Gentle On My Mind
5. Funny How Time Slips Away

Side C
1. Sweet Caroline
2. You Don't Have To Say You Love Me
3. Proud Mary
4. I Got A Woman
5. Words
6. Something

Side D
1. You Don't Know Me
2. I'm So Lonesome I Could Cry
3. Danny Boy
4. My Way
5. Tomorrow Is A Long Time
6. Only The Strong Survive

In C is a musical piece by the composer and performing musician Terry Riley. As one of the first minimalist compositions and a masterpiece of this genre it’s a response to the modern music that dominated the scene in 1968. The piece inspired a lot of famous composers, like Philip Glass and Steve Reich. In C consists of repeating cells and different rhythms, loosely based on the musical structures he had heard and loved in north African music and is comprised of 53 short musical phrases.

TRACK LISTING

Side A
1. In C Part 1

Side B
1. In C Part 2

Lee ‘Scratch’ Perry & The Upsetters’ Return of Django is a classic. Lee Perry had already been making a name in the Jamaican music scene for about a decade before Return of Django hit the UK charts in 1969. It was released after Trojan released a hugely popular collection of Perry’s biggest instrumentals. This album is a must for everyone that enjoys that good old vintage reggae sounds.

TRACK LISTING

Side A
1. Return Of Django
2. Touch Of Fire
3. Cold Sweat
4. Drugs And Poison
5. Soulful I
6. Night Doctor

Side B
1. One Punch
2. Eight For Eight
3. A Live Injection
4. Man From M.I.5
5. Ten To Twelve
6. Medical Operation

Griffiths & Andy achieved international fame with their rendition of Nina Simone’s “Young, Gifted and Black.” The song resonated deeply with audiences in the UK, selling over half a million copies and earning Bob & Marcia a place on Top of the Pops. It reached the number #5 spot in the UK charts.

This album is packed with classic tracks & cover versions - gems like “It ain’t me babe”, “Keep The Customers Satisfied” & “Put A Little Love In Your Heart”. Their popularity soared, and the duo continued with hits like “Pied Piper,” bringing reggae to European audiences during a time when the genre was still emerging on the global stage. Their success was not just commercial but symbolic, as they inspired pride and cultural appreciation among Jamaican communities worldwide.

TRACK LISTING

Side A
1. Young Gifted And Black
2. Private Number
3. United We Stand
4. We've Got To Get Ourselves Together
5. Peace Of Mine
6. It's A Rocking Good Way

Side B
1. It Ain't Me Baby
2. Ain't Nothing But The Real Thing
3. Put A Little Love In Your Heart
4. Onion Song
5. Gee Baby
6. Keep The Customers Satisfied

Released in 1997, Uptown Saturday Night is the acclaimed debut album by Bronx hip-hop duo Camp Lo. Known for its smooth blend of jazz-influenced production and 1970s-inspired flair, the album stands as a standout in East Coast hip-hop. Produced primarily by Ski Beatz, the album features lush, nostalgic beats that complement Camp Lo’s unique slang, stylish delivery, and cinematic storytelling.

The lead single, "Luchini AKA This Is It", became a cult classic, praised for its infectious groove and sophisticated wordplay. Other highlights like "Coolie High" and "Black Nostaljack AKA Come On" showcase the duo’s charismatic chemistry and retro vibe.

Uptown Saturday Night received critical acclaim for its originality and timeless aesthetic, cementing Camp Lo's place in hip-hop history. Its fusion of golden-era rap and soulful funk makes it a must-listen for fans of classic 90s hip-hop and genre-defying creativity.

TRACK LISTING

Side A
1. Krystal Karrington
2. Luchini AKA This Is It
3. Park Joint
4. B-Side To Hollywood (featuring Trugoy The Dove Of De La Soul)

Side B
1. Killin' Em Softly
2. Sparkle
3. Black Connection
4. Swing

Side C
1. Rockin' It AKA Spanish Harlem
2. Say Word
3. Negro League
4. Nicky Barnes AKA It's Alright

Side D
1. Black Nostaljack AKA Come On
2. Coolie High
3. Sparkle (Mr. Midnight Mix)

The Jamaican musical group The Maytals can be considered as one of the best known and most important ska and rocksteady groups of all time. Frontman Toots Hibbert penned an impressive catalogue of songs during his time in jail, and after he did his time he reunited with his bandmates and entered the studio with the brilliant producer Leslie Kong. Some of the great tracks he recorded during that time are included on this record, like “Monkey Man” (covered by the legendary Amy Winehouse) and “Pressure Drop”. The quality and energy of this band is very well captured on this release.

TRACK LISTING

Side A
1. Peeping Tom
2. Revival Reggae
3. Give Peace A Chance
4. Gold And Silver
5. The Preacher
6. Bla Bla Bla

Side B
1. African Doctor
2. Sun Moon And Star
3. She's My Scorcher
4. Monkey Man
5. Pressure Drop
6. I Shall Be Free

Hip Hop Collected - The Next Chapter continues to honour the pioneers of the genre, which officially celebrated its 50th birthday in 2023. Featuring groundbreaking artists and pioneers of hip hop including De La Soul, Cypress Hill, gangsta- rap by N.W.A, Dr. Dre ft. Snoop Dogg, party-tracks by Digital Underground, Heavy D & The Boyz, female rappers and groups Da Brat, Monie Love, Salt-N-Pepa and many more covering the broad spectrum of Hip Hop.

TRACK LISTING

Side A
1. Stetsasonic - Talkin' All That Jazz
2. N.W.A. - Straight Outta Compton
3. Salt-N-Pepa - Shake Your Thing (It's Your Thing)
4. De La Soul - Say No Go
5. Younc MC - Bust A Move
6. Heavy D & The Boyz - We Got Our Own Thang

Side B
1. Digital Underground - The Humpty Dance
2. Monie Love - Monie In The Middle
3. Cypress Hill - How I Could Just Kill A Man
4. Ice Cube - It Was A Good Day
5. Black Sheep - The Choice Is Yours (Revisited)
6. The Pharcyde - Passin' Me By

Side C
1. Wreckx-N-Effect - Rump Shaker
2. Redman - Tonight's The Night
3. Onxy - Slam
4. Digable Planets - Rebirth Of Slick (Cool Like Dat)
5. Lords Of The Underground - Chief Rocka
6. Da Brat - Funkdafied
7. House Of Pain - Same As It Ever Was

Side D
1. Method Man - Bring Da Pain
2. Rakim - Guess Who's Back
3. Jeru The Damaja - Me Or The Papes
4. Bahamadia - Uknowhowwedu
5. Outkast - ATliens
6. Ol' Dirty Bastard - Shimmy Shimmy Ya
7. Dr. Dre Ft. Snoop Dogg - Still D.R.E.

Celebrated session guitarist Willie Lindo steps from behind the scenes and into the spotlight to deliver some top class original compositions and sublime cover versions. A sumptuous piece of gourmet music: Timeless dub, executed to perfection. The B-Side sees Lindo cover Al Green and Bobby Womack, converting their slow jams into stoney instrumental masterpieces, a sort of precursor to the hip-hop way of sampling and reinterpreting our collective heritage. Far & Distant was recorded at 220 Marcus Garvey Drive, eight years prior to Rita Marley relocating Tuff Gong International to that address. A relic from an era where being “in the studio” actually meant something.

TRACK LISTING

Side A
1. Drum Song
2. Darker Shade Of Black
3. Midnight Train To Georgia
4. Samba Pa Ti
5. Chopper

Side B
1. Here I Am Baby
2. Charmers Mood
3. Mystic Mood
4. Breezing
5. Holly Holy

Few Jamaican music makers have demonstrated greater versatility or proficiency than Lloyd Charmers, who first made his name on the Jamaican music scene as a youthful singer-songwriter in the early 60s. His output as both a performer and producer included multiple major reggae hits. After his international break through, he produced work for keyboard maestro Harold Butler. Butler’s widely sought-after ‘Gold Connection’ album, an instrumental collection from 1976 features nine superior reggae and soul instrumentals, including popular versions of ‘That’s The Way I Like It’ and the title track. This album is an essential acquisition for both completists and all those who prefer their reggae with a little bit of soul.

TRACK LISTING

1. Darling I Like It
2. I Love Music
3. Latin Hustle Reggae
4. Do It Anyday
5. Gold Connection (Disco Version)
6. Thats The Way I Like
7. Love’s Theme
8.Ire Rocker
9. Fly Robin Reggae

Acclaimed jazz artist Bill Evans’ Momentum album is the 1972 live album recorded at a concert at Stadsschouwburg in Groningen, the Netherlands. The trio includes, next to Bill Evans on piano, Eddie Gomez on bass and Marty Morell on drums. The ensemble plays compositions by Bill Evans, Miles Davis’ “Nardis” and Michel Legrand’s “What Are You Doing The Rest Of Your Life”. The album received the prestigious German award Preis Der Deutschen Schallplattenkritik. The 2LP Momentum is available on vinyl for the first time.

TRACK LISTING

Side A
1. Re: Person I Knew
2. Elsa
3. Turn Out The Stars

Side B
1. Gloria's Step
2. Emily
3. Quiet Now

Side C
1. My Romance
2. Sugar Plum
3. The Two Lonely People

Side D
1. Who Can I Turn To
2. What Are You Doing The Rest Of Your Life
3. Nardis

Playing with a Different Sex was the debut album by seminal post-punk band Au Pairs, released in 1981. Described retrospectively by AllMusic as ‘one of the great post-punk records’, a review by Record Mirror on its release said the band’s ‘critique of all forms of possession and sexual stereotyping assumes a devastating power’. Themes include sexual politics and the torture of women imprisoned in Northern Ireland during The Troubles of the 1970s, as well as a stunning cover of David Bowie’s ‘Repetition’ about domestic violence. It peaked at No. 33 in the UK, and features the single ‘It's Obvious’, which reached No. 37 on the US Club Play Singles chart.

TRACK LISTING

Side A
1. We're So Cool
2. Love Song
3. Set Up
4. Repetition
5. Headache For Michelle

Side B
1. Come Again
2. Armagh
3. Unfinished Business
4. Dear John
5. It's Obvious

Released in 2015, Get To Heaven is the third studio album by British art-rock band Everything Everything. The album blends elements of indie rock, electronic, and experimental pop, showcasing the band’s signature complex rhythms, sharp lyricism, and dynamic vocal performances by frontman Jonathan Higgs. Featuring standout tracks like Distant Past, Regret, and No Reptiles, the album explores themes of political unrest, media influence, and societal anxiety, wrapped in vibrant, high-energy production. Get To Heaven received widespread critical acclaim for its bold sound and thought-provoking lyrics, solidifying Everything Everything as one of the most innovative bands of the 2010s. With its infectious hooks, intricate instrumentation, and emotionally charged songwriting, Get To Heaven remains a defining album in modern alternative music, appealing to fans of intelligent, genre-blending rock. This much sought-after cult classic is now reissued on vinyl for the first time in a decade, newly expanded with 12 bonus tracks,B-sides and previously unreleased outtake demos.

TRACK LISTING

VINYL:
Side A
1. To The Blade
2. Distant Past
3. Get To Heaven
4. Regret
5. Spring / Sun / Winter / Dread
6. The Wheel (Is Turning Now)

Side B
1. Fortune 500
2. Blast Doors
3. Zero Pharaoh
4. No Reptiles
5. Warm Healer

Side C
1. We Sleep In Pairs
2. Hapsburg Lippp
3. President Heartbeat
4. Brainchild
5. Yuppie Supper
6. Only As Good As My God

Side D
1. Pressure
2. Magnetophone
3. Live Intro
4. To The Blade (To The Bone)
5. Indigo (Demo)
6. Give Me Your Blood (Demo)

CD:
1. To The Blade
2. Distant Past
3. Get To Heaven
4. Regret
5. Spring / Sun / Winter / Dread
6. The Wheel (Is Turning Now)
7. Fortune 500
8. Blast Doors
9. Zero Pharaoh
10. No Reptiles
11. Warm Healer
Bonus Tracks:
12. We Sleep In Pairs
13. Hapsburg Lippp
14. President Heartbeat
15. Brainchild
16. Yuppie Supper
17. Only As Good As My God
18. Pressure
19. Magnetophone
20. To The Blade (To The Bone)

Fun Fun was an Italian Euro disco band produced by Dario Raimondi Cominesi and Alvaro Ugolini. The group was fronted by models, while the vocals were recorded by original singers Antonella Pepe, Angela Parisi, and Ivana Spagna. Spagna left after the release of their first album in 1983. Their breakthrough came with the hit “Happy Station (Scratch Remix)” by Ben Liebrand which climbed the charts in several European countries, including the Netherlands, Germany, and Belgium. The track became a staple in the hottest discos of the era. The Greatest Fun compilation album is available on vinyl for the first time and brings together their biggest hits, including “Happy Station (Scratch Remix),” “Give Me Your Love,” “Baila Bolero,” and “Living in Japan.” Additionally, the album features the Fun Fun “Mega Hit Mix,” a special mix by Dutch producer and DJ Martin Boer of 2 Brothers on the 4th Floor fame, along with many more Euro disco tracks.

STAFF COMMENTS

Mine says: Just in time for the heatwave comes this gem full of cheesy (the good kind!!) italo disco and euro pop bangers. If this doesn't get you in the mood for summer I don't know what will...

TRACK LISTING

Side 1
1. Happy Station (Scratch Remix) By Ben Liebrand
2. Color My Love
3. Give Me Your Love
4. Baila Bolero (Remix)
5. One Day
6. Psychedelic Vision
7. Lonely Feeling
8. Give A Little Love Again

Side 2
1. Fun Fun "Mega Hit Mix"
2. Living In Japan
3. Gimme Some Loving (House Mix)
4. Could This Be Love (House Mix)
5. I'm Needing You
6. Sing Another Song
7. Tell Me

Music For Pleasure is the 1997 debut studio album by Monaco, a side project of New Order bassist Peter Hook. When New Order went on a hiatus after 1993’s Republic, Hook took the group’s sound and spirit with him and founded Monaco together with David Potts. Hook’s distinctive pulsating bass lines united New Order’s marriage of post-punk and pop, creating an identity so recognizable that Monaco’s first single, “What Do You Want From Me?”, was often mistaken for a New Order track. Upon its release, the album hit #11 on the UK album charts and sold more than 500.000 copies worldwide Music For Pleasure is for the first time available as an expanded edition featuring 6 bonus tracks, including remixes by Joey Negro and Farley & Heller.

TRACK LISTING

Side A
1. What Do You Want From Me?
2. Shine (Someone Who Needs Me)
3. Sweet Lips
4. Buzz Gum

Side B
1. Blue
2. Junk
3. Billy Bones
4. Happy Jack

Side C
1. Tender
2. Sedona
3. Bicycle Thief *Bonus Track
4. Ultra *Bonus Track

Side D
1. Coming Around Again *Bonus Track
2. Shattered *Bonus Track
3. Sweet Lips (Farley & Heller’s Ambient Mix) *Bonus Track
4. Sweet Lips (Joey Negro Aka Dave Lee Main Slice) *Bonus Track

Agharta was recorded in the afternoon in 1975, at one of two concerts Miles Davis performed at the Osaka Festival Hall in Japan. He performed with his septet—flautist and saxophonist Sonny Fortune, bassist Michael Henderson, drummer Al Foster, percussionist James Mtume, guitarist Reggie Lucas, and Pete Cosey, who played guitar, synthesizer, and percussion. Produced and recorded by Teo Macero, the album’s four seemingly unstructured segments emphasize the playing of Davis’ sidemen rather than his own trumpet. It eschews both melody and harmony in favor of a combination of riffs, crossing polyrhythms, and Funk-oriented grooves for soloists to improvise throughout. The album has received retrospective acclaim as an important and influential Jazz-Rock record. Its abrasive music and Cosey’s innovative playing influenced a generation of young musicians, including those in the British Jazz scene.

TRACK LISTING

SIDE A
Prelude (Part 1)

SIDE B
Prelude (Part 2)

SIDE C
Interlude / Maiysha

SIDE D
Theme From Jack Johnson

Dom Salvador, released in 1969, is a landmark album by Brazilian pianist and composer Dom Salvador. This instrumental jazz record showcases Salvador’s mastery of blending Brazilian rhythms with American jazz influences. The album features a mix of samba, bossa nova, and hard bop, highlighting Salvador’s innovative approach and technical prowess. Known for tracks like “Samba do Malandrinho” and “Tio Macrô,” the album stands out for its vibrant, sophisticated arrangements and improvisational flair. “Dom Salvador” is celebrated for its contribution to the evolution of Brazilian jazz and remains a significant work in Salvador’s extensive discography.

TRACK LISTING

Side A
1. Tio Macrô
2. Asa Branca
3. Moeda, Reza E Cor
4. Cantinflas
5. Barumba
6. Folia De Reis

Side B
1. Sambaloo
2. O Tempo Será Tua Paz
3. O Rio
4. País Tropical
5. Be By My Side
6. Cantiga Por Luciana

Monaco was a side project (1995–2000) of Joy Division and New Order bass player Peter Hook, alongside David Potts, the sole remaining member of Revenge. "Monaco" (originally released in 2000) is the self-titled second and final studio album by Monaco, following their debut album Music for Pleasure (1997). Now, 25 years after its original release, the album is finally available again on CD and, for the first time ever, on vinyl. 

TRACK LISTING

Vinyl:

Side A
1 I've Got A Feeling
2 A Life Apart
3 Kashmere
4 Berts Theme

Side B
1 Ballroom
2 See-Saw
3 Black Rain
4 It's A Boy

Side C
1 End Of The World
2 Marine
3 A Life Apart (Instrumental)
4 Black Rain (Instrumental

Side D
1 See Saw (Lab Rats Let Loose On The See Saw)
2 See Saw (Solaris Dub Mix)
3 See Saw (Lab Rats Vocal Mix)

CD:

Disc 1
1. I’ve Got A Feeling
2. A Life Apart
3. Kashmere
4. Berts Theme
5. Ballroom
6. See Saw
7. Black Rain
8. It’s A Boy
9. End Of The World
10. Marine

Disc 2
1. I’ve Got A Feeling (Edit)
2. Heaven 7
3. Barfly
4. I’ve Got A Feeling (Instrumental)
5. A Life Apart (Instrumental)
6. Kashmere (Instrumental)
7. Black Rain (Instrumental)
8. It’s A Boy (Original Air Mix)
9. End Of The World (Instrumental)
10. See Saw (Solaris Club Mix Edit)
11. See Saw (Solaris Dub Mix)
12. See Saw (Lab Rats Vocal Mix)
13. Saw (Lab Rats Let Loose On The See Saw)

Don Blackman’s self-titled debut album, released in 1982, is a funk and jazz-fusion masterpiece that has gained a cult following over the years. As a talented keyboardist, vocalist, and composer, Blackman was already well-regarded in the music scene for his work with artists like Parliament-Funkadelic, Roy Ayers, and Weldon Irvine. His debut album showcases his unique blend of smooth jazz, funk, and R&B, highlighted by tracks like “Yabba Dabba Doo,” “Heart’s Desire,” and “Holding You, Loving You,” which became underground hits

TRACK LISTING

Side A
1. Yabba Dabba Doo
2. Heart's Desire
3. Holding You, Loving You
4. Deaf Hook-Up Connection

Side B
1. You Ain't Hip
2. Let Your Conscience Be Your Guide
3. Since You Been Away So Long
4. Never Miss A Thing

Following the success of All the Young Dudes (1972), the album showcases the band’s signature blend of glam rock, hard rock, and thoughtful lyricism. Featuring standout tracks like “All the Way from Memphis”, “Whizz Kid”, and “I Wish I Was Your Mother”, the album explores themes of fame, disillusionment, and rock ‘n’ roll excess. Frontman Ian Hunter’s introspective songwriting and the band’s powerful instrumentation make Mott one of their most critically acclaimed releases. The album solidified Mott the Hoople’s place in rock history, influencing future generations of artists. With its mix of anthemic rockers and reflective ballads, Mott remains a defining album of the glam rock era and a must-listen for fans of classic rock.

TRACK LISTING

Side A
1. All The Way From Memphis
2. Whizz Kid
3. Hymn For The Dudes
4. Honaloochie Boogie
5. Violence

Side B
1. Drivin' Sister
2. Ballad Of Mott The Hoople
3. I'm A Cadillac/El Camino Dolo Roso
4. I Wish I Was Your Mother

Compton's Most Wanted's 1991 album Straight Checkn 'Em is a classic in West Coast gangsta rap, delivering hard-hitting lyrics and gritty beats that capture the essence of early 90s Los Angeles street life. Led by MC Eiht, the group’s sophomore album, features standout tracks like "Growin' Up in the Hood" and "They Still Gafflin'," which offer raw commentary on urban struggles and survival. With its deep basslines, funky grooves, and unflinching storytelling, Straight Checkn 'Em solidified Compton's Most Wanted's place in the gangsta rap movement alongside pioneers like N.W.A. Known for its realism and authenticity, the album is a must-listen for fans of West Coast rap history. Explore Straight Checkn 'Em for a raw, unapologetic glimpse into the streets of Compton during a pivotal era in hip-hop.

TRACK LISTING

Side A
1. Intro
2. They Still Gafflin
3. Growin' Up In The Hood
4. Wanted
5. Straight Checkn' Em
6. I Don't Dance
7. Raised In Compton

Side B
1. Driveby Miss Daisy
2. Def Wish
3. Compton's Lynchin
4. Mike T's Funky Scratch
5. Can I Kill It?
6. Gangsta Shot Out

Wallace & Gromit: Vengeance Most Fowl is a stop-motion animated film released in 2024. It was directed by Nick Park, creator of Wallace & Gromit, and met with critical acclaim. The movie received two BAFTA awards and was also nominated for an Academy Award. The film music was composed by Emmy nominated composer Lorne Balfe (known for his work on The Dark Knight, Iron Man, The Lego Batman Movie and Sherlock Holmes) and by BAFTA-nominated composer Julian Nott (known for his previous work on Wallace & Gromit).

TRACK LISTING

SIDE A
1. Wallace & Gromit: Vengeance Most Fowl
2. Good Morning Gromit
3. Guilty As Charged
4. Neat And Tidy
5. Gnome Improvements
6. Norbot Recharge Time
7. Reprogrammed For Revenge
8. March Of The Norbots
9. The Gnome Song
10. Up To Gnome Good

SIDE B
1. The Wallaby Street Mob
2. The Zoo
3. Rush To The Museum
4. The Blue Diamond
5. Leaf It To Me
6. The Fast And The Furnished
7. A Crazed Inventor
8. Nun In A Tunnel
9. Plant Pot Pummeling
10. Wallace & Gromit Theme
11. 8 Bit Cheese

“Beyond a Dream” is a live jazz album by saxophonist Pharoah Sanders and drummer Norman Connors, recorded on July 22, 1978, at the Montreux Jazz Festival in Switzerland and released in 1981 by Arista Novus. The album showcases a blend of spiritual and free jazz elements characteristic of Sanders’ style, complemented by Connors’ dynamic drumming. A reviewer from Dusty Groove described it as “a dream of a record from this legendary spiritual jazz duo.”

TRACK LISTING

Side A
1. Babylon (Live)
2. Beyond A Dream (Live)
3. Montreux Overture (Live)

Side B
1. The End Of The Beginning (Live)
2. Casino Latino (Live)

"Return of the Giant Slits” is the second studio album by the English punk band The Slits, released in October 1981 by CBS Records. This album marked a departure from their earlier punk sound, embracing a more experimental approach influenced by afro-pop, dub, and world music. The album was produced by Dennis Bovell, Dick O’Dell and The Slits. Upon its release, “Return of the Giant Slits” received mixed reviews, with some listeners finding its experimental nature challenging. However, over time, it has been re-evaluated and appreciated for its innovative fusion of genres. Pitchfork described it as “a slippery, glorious mess that will infuriate anyone expecting the Slits to revisit their debut."

TRACK LISTING

Side A
1 Earthbeat (7" Version)
2 Or What Is It?
3 Face Place
4 Walkabout

Side B
1 Difficult Fun
2 Animal Space / Spacier
3 Improperly Dressed
4 Life On Earth

“Disguise In Love” released in 1978, is the debut album of British punk poet John Cooper Clarke. Renowned for his quick-witted delivery and sharp humor, Clarke fuses punk rock with spoken word, resulting in a one-of-a-kind sonic experience. The album includes tracks such as “I Don’t Want To Be Nice,” “Valley of the Lost Women,” and “(I Married a) Monster from Outer Space,” highlighting Clarke’s talent for social commentary and dark comedy. Produced by Martin Hannett, known as one of the creators of the ‘Manchester sound’, the album captures the unrefined energy of the late ‘70s punk scene. “Disguise In Love” stands out not only for its incisive, observational poetry but also for its stripped-down and edgy musical accompaniment, solidifying its status as a pivotal work in Clarke’s career and a significant contribution to the punk genre.

TRACK LISTING

Side A
1. I Don't Want To Be Nice
2. Psycle Sluts
3. (I've Got A Brand New) Tracksuit
4. Teenage Werewolf
5. Readers Wives
6. Post-War Glamour Girl

Side B
1. (I Married A) Monster From Outer Space
2. Salome Maloney
3. Health Fanatic
4. Strange Bedfellows
5. Valley Of The Lost Women

Harold Melvin & The Blue Notes played and recorded for a few decades, but the musical highlight of their career must have been when Teddy Pendergrass joined ranks between 1972 and 1975. Wake Up Everybody from 1975 is the last album on which you can hear his sultry vocals before he went solo. This audiophile vinyl version has a special bonus track: an 11-minute remix of “Don’t Leave Me This Way” by inventor of the remix and the 12”: Tom Moulton!

TRACK LISTING

SIDE A
1. Wake Up Everybody
2. Keep On Lovin' You
3. You Know How To Make Me Feel So Good
4. Don’t Leave Me This Way

SIDE B
1. Tell The World How I Feel About ‘Cha Baby
2. To Be Free To Be Who We Are
3. I’m Searching For A Love
4. Don’t Leave Me This Way [Tom Moulton Mix]

THIS IS A RECORD STORE DAY 2025 EXCLUSIVE, LIMITED TO ONE PER PERSON.

THIS IS A RECORD STORE DAY 2025 EXCLUSIVE, LIMITED TO ONE PER PERSON.

Collection of jazz favourites from the Dutch jazz label Timeless Records (which celebrates its 50th Anniversary in 2025)compiled by world reknown jazz collector, labelboss, radio-jock and DJ Gilles Peterson. Featuring tracks by Louis Hayes, Machito And His Salsa Big Band, Mike Nock Quartet, George Adams - Don Pullen Quartet a.o.

This edition includes an previously unreleased version of "Morning Song" (Live In Bremen 1978) by Eric Kloss & Barry Miles and bonus track "La Pacita" by the Marion Brown Quartet. 

THIS IS A RECORD STORE DAY 2025 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 12TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 14th.

THIS IS A RECORD STORE DAY 2025 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 12TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 14th.

THIS IS A RECORD STORE DAY 2025 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 12TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 14th.

THIS IS A RECORD STORE DAY 2025 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 12TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 14th.

THIS IS A RECORD STORE DAY 2025 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 12TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 14th.

By the close of the 1960s, Lloyd ‘Charmers’ Tyrell was firmly established as one of Jamaica’s premier talents, having previously made his mark as a key member of leading vocal outfits, The Charmers and The Uniques. His move into record production in 1968 swiftly resulted in numerous Jamaican hits, with his success attracting the attention of London-based reggae music giant, Trojan Records, with whom he swiftly signed a licensing deal in 1969. As the ‘60s drew to a close, Trojan released ‘Reggae Is Tight’, on which the multi-talented Charmers demonstrated his keyboard-playing talents over a dozen fast-passed rhythm tracks. This is from the golden age of boss reggae sounds. A must for all true fans of vintage Jamaican sounds.

TRACK LISTING

Side A
1. 5 To 5
2. Follow This Sound
3. Golden Moon
4. Higher Heights
5. Psychedelic Reggae
6. Summer Face

Side B
1. Crimson And Clover
2. Rat Trap
3. Everybody Needs Love
4. Safari
5. Reggae Is Tight
6. Stronger

Irma Thomas, born Irma Lee and widely celebrated as the Soul Queen of New Orleans, is a Grammy-nominated artist who recorded her first single in 1959. Her second solo album, released in 1966, features the song “Anyone Who Knows What Love Is (Will Understand),” co-written by Randy Newman and country music star Jeannie Seely. The single peaked at #52 at the Billboard Top 100 chart and this iconic track has been featured in multiple episodes of the acclaimed science fiction television series Black Mirror.

TRACK LISTING

Side A
1. Take A Look
2. Teasing, But You're Pleasing
3. I Haven't Got The Time To Cry
4. You Don't Miss A Good Thing (Until It's Gone)
5. Some Things You Never Get Used To
6. Anyone Who Knows What Love IS (Will Understand)

Side B
1. It's Starting To Get To Me Now
2. Times Have Changed
3. He's My Guy
4. Baby Don't Look Down
5. What Are You Trying To Do
6. Wait, Wait, Wait

Dennis Brown was a Jamaican reggae singer and one of the most popular artists in the history of Jamaican recorded music. Bob Marley cited Brown as his favourite singer, dubbing him “The Crown Prince of Reggae”, and Brown would prove influential on future generations of reggae singers. In 2023, Rolling Stone ranked Brown at number 67 on its list of the 200 Greatest Singers of All Time. This album includes the classic tracks “Silhouettes “, “Lips of Wine”, “Changing Times” and “I Didn’t Know”.

TRACK LISTING

Side A
1. Concentration (Ver 1)
2. Concentration (Ver 3)
3. Silhouettes
4. Wichita Lineman
5. He Can't Spell
6. Musical Heatwave

Side B
1. I Didn't Know (Ver 1)
2. I Didn't Know (Ver 3)
3. How Could I Let You Get Away
4. Lips Of Wine
5. Let Me Down Easy
6. Changing Times

The record you have in your hands is the sound of dreams fulfilled, dashed, then fulfilled again. Candy McKenzie, a young singer from North West London, had endured a hard life before she flew to Jamaica in pursuit of a dream that she didn’t fully understand. Candy McKenzie was a young talent in need of an experienced producer. Who better than Lee Perry, who had created international hits for another raw female talent, Susan Cadogan, not to mention his brilliant work with Max Romeo, Junior Murvin and the Heptones? All the magic of Perry’s classics are here. Candy sadly passed away in 2003, and it might appear she was an unfulfilled talent, but she and Lee Perry left us this beautiful hidden gem of an album.

TRACK LISTING

Side A
1. Disco Fits
2. Someone To Love Me
3. Breakfast In Bed
4. Walking In The Sun
5. Jah Knows

Side B
1. Ice Cream
2. Sky At Night
3. Keep Him Strong
4. Tell Me A Lie
5. When The Big Day

This is the eponymous debut studio album by the American band the Modern Lovers, originally released in 1976. Six tracks (“Roadrunner”, “Astral Plane”, “Old World”, “Pablo Picasso”, “She Cracked” and “Someone I Care About”) were produced by John Cale. The Modern Lovers were formed in 1970 by teenage singer, songwriter, guitarist Jonathan Richman, augmented with Jerry Harrison (keyboards) later of Talking Heads, Ernie Brooks (bass) and David Robinson (drums) later of The Cars, with Richman’s friend and original band member John Felice joining them occasionally. The Modern Lovers influenced numerous aspiring punk rock musicians on both sides of the Atlantic, including the Sex Pistols, whose early cover of “Roadrunner” was placed on The Great Rock ‘n’ Roll Swindle. In 2003, the album was listed on Rolling Stone magazine’s list of the 500 greatest albums of all time.

STAFF COMMENTS

Andy says: Sounding like a chunkier Velvet Underground, blasted into the Seventies, this is crammed full of classic songs and incredible words. One of the best albums ever!

TRACK LISTING

Side A
1. Roadrunner
2. Astral Plane
3. Old World
4. Pablo Picasso

Side B
1. She Cracked
2. Hospital
3. Someone I Care About
4. Girl Friend
5. Modern World

Garage punk band The Cramps returned in 1994 with their EP Ultra Twist. Its title track was released as a single and was a rugged update of the Sixties dance craze. This 12-inch also contains “Confessions of a Psycho Cat” and “No Club Lone Wolf”, which both perfectly showcase their unique blend of punk, rockabilly, and garage rock.

TRACK LISTING

Side A
1. Ultra Twist

Side B
1. Confessions Of A Psycho Cat
2. No Club Lone Wolf

Sense and Sensuality (1982) was the second and final album by seminal British post-punk band Au Pairs. The four-piece group from Birmingham were very much in tune with the early 80s growth pangs from the first punk explosion – stripping down their music from their debut LP to a funkier, more rhythmic essence, and shifting the focus of their lyrics to the personal rather than the political. Despite only reaching #79 in the UK when first released, it’s now widely seen as one of the best post-punk albums ever.

TRACK LISTING

Side A
1. Don't Lie Back
2. (That's When) It's Worth It
3. Instant Touch
4. Sex Without Stress
5. Fiasco

Side B
1. Intact
2. Tongue In Cheek
3. Stepping Out Of Line
4. Shakedown
5. America

Chuck Berry, often hailed as the godfather of rock 'n' roll, revolutionized music with his pioneering style and storytelling. His 1955 hit "Maybellene," blending country with rhythm & blues, marked the dawn of rock and roll. Berry's knack for crafting relatable, youth-centric songs like "School Day," "Johnny B. Goode," and "Sweet Little Sixteen" spoke to the heart of teenage life, celebrating themes like love, rebellion, and music.

"Johnny B. Goode," often seen as autobiographical, features one of the most iconic guitar licks in history, inspiring generations of musicians. Berry's influence extended to legends like The Beatles and The Rolling Stones, who covered his work, ensuring his legacy endured through the British Invasion. Despite his fame, Berry's storytelling also resonated with older audiences, as seen in poignant tracks like "Memphis, Tennessee." His live performances remained electrifying, culminating in a global hit with "My Ding-A-Ling" in 1972.

Spanning seven decades, Berry’s career concluded with a final album, Chuck, released posthumously in 2017. Celebrated as a songwriter, guitarist, and performer, Berry's impact on rock and roll remains immeasurable. The compilation Chuck Berry Collected showcases his groundbreaking work, cementing his status as a music legend and includes newly written liner notes.

TRACK LISTING

Side A
1. Maybellene
2. Thirty Days
3. No Money Down
4. Roll Over Beethoven
5. Brown Eyed Handsome Man
6. School Day (Ring! Ring! Goes The Bell)
7. Rock And Roll Music
8. Sweet Little Sixteen
9. Reelin' And Rockin'
10. Johnny B. Goode

Side B
1. Carol
2. Run Rudolph Run
3. Almost Grown
4. Little Queenie
5. Memphis, Tennessee
6. Let It Rock
7. Bye Bye Johnny
8. Too Pooped To Pop
9. Route 66
10. Come On
11. I'm Talking About You

Side C
1. No Particular Place To Go
2. You Never Can Tell
3. St. Louis Blues
4. It Wasn't Me
5. Club Nitty Gritty
6. Back To Memphis
7. Louis To Frisco
8. Tulane
9. Oh Louisiana

Side D
1. My Ding-A-Ling (Live At The Lancaster Arts Festival)
2. Bio
3. Shake, Rattle And Roll
4. Oh What A Thrill
5. Big Boys

I’ll Be Your Rainbow is the only recorded album by classic soul singer Bobby Wilson. Originally released in 1975, the album is a perfect blend of the styles of soul that were running through the east coast underground of the early 70s. It includes elements of the burgeoning club scene on the more up-tempo songs, and sweet warm vocals on the strong mellow cuts. The album was recorded in Detroit, Philadelphia and Miami, produced by Vernon Bullock and orchestrated by Paul Riser. It features the UK soul scene hit “Deeper and Deeper”. It is the first time the record is pressed on coloured vinyl and the first repress since its original release in 1975.

TRACK LISTING

SIDE A
1. Deeper And Deeper
2. Hey, Girl (Tell Me)
3. Let Me (Put Love Back In Your Life)
4. I'll Be Your Rainbow
5. Here Is Where The Love Is

SIDE B
1. Don't Shut Me Out
2. You Make Me Feel Good All Over
3. I'll Take Good Care Of You
4. All I Need (I've Got)
5. When I Don't See A Smile On Your Face

Time Is Slipping Away is an album by American R&B/jazz fusion producer, composer, keyboardist and vocalist Dexter Wansel. It is the last of four studio albums released at Philadelphia International Records. The album contains songs with different styles from P-funk to sophisticated quiet storm music to instrumental jazz-funk. It features the two popular songs “The Sweetest Pain” and “I’ll Never Forget (My Favorite Disco)”. The former song features vocals by soul singer Terri Wells.

TRACK LISTING

Side 1
1. I'll Never Forget (My Favorite Disco)
2. The Sweetest Pain
3. Funk Attack
4. Time Is Slipping Away

Side 2
1. It's Been Cool
2. Let Me Rock You
3. New Beginning
4. One For The Road

After releasing their debut album "(I’m) Stranded" to both critical and commercial success, The Saints followed up with the 1978 album Eternally Yours. The set features some of their most popular tracks to this day, including “Know Your Product”, “Private Affair”, and “This Perfect Day”.

TRACK LISTING

Side A
1. Know Your Product
2. Lost And Found
3. Memories Are Made Of This
4. Private Affair
5. A Minor Aversion

Side B
1. This Perfect Day
2. Run Down
3. Orstralia
4. New Centre Of The Universe
5. Untitled
6. (I’m) Misunderstood
7. International Robots

Following the success of Dance Classics Volume 1, Music On Vinyl, in collaboration with Warner Music Benelux, presents Dance Classics Volume 2. Once again, all tracks have been newly selected and remastered, offering a broad selection of dance classics and hit songs. This collection features hidden gems, rare tracks, and deeper cuts, including full-length 12”/album versions. All tracks are un-mixed and DJ-friendly. Dance Classics Vol. 2 includes floor-fillers from The Trammps, Chic, Rufus & Chaka Khan, Womack & Womack, Michael McDonald, and nine other tracks.

TRACK LISTING

Side A
1. The Trammps - Disco Inforeno (A Tom Moulton Mix)
2. Chic - Good Times (12" Version)
3. Hot Chocolate - Every 1's A Winner (Ben Liebrand Extended Groove Mix)

Side B
1. Rufus & Chaka Khan - Ain't Nobody
2. Narada - I Shoulda Loved Ya
3. Sister Sledge - Thinking Of You
4. Marc Sadane - One Minute From Love

Side C
1. Michael McDonald - I Keep Forgettin' (Every Time You're Near)
2. Womack & Womack - Love Wars (Extended Vocal)
3. Steve Arrington - Feel So Real (Vocal/Extended Version)
4. Stacy Lattisaw - Jump To The Beat

Side D
1. Sheila E. - The Glamorous Life (12" Club Edit)
2. Gwen McCrae - All This Love That I'm Giving
3. Larry Wu - Let Me Show You (Long Vocal)
4. Serge Ponsar - Out In The Night

The End Of An American Dream is the 2007 album by Lee "Scratch" Perry (born Rainford Hugh Perry), who was a Jamaican record producer, composer and singer noted for his innovative studio techniques and production style. Perry was a pioneer in the 1970s development of dub music with his early adoption of remixing and the use of studio effects to create new instrumental or vocal versions of existing tracks. From his Black Ark Studio in Kingston Jamaica, he worked with and produced a wide variety of artists, including Bob Marley and the Wailers, Junior Murvin, Susan Cadogan, The Congos, and Max Romeo.

Later, he moved to Switzerland and reinvented himself as a performance and visual artist but continued to produce innovative music – collaborations include The Beastie Boys, The Clash, Keith Richards, George Clinton, and Adrian Sherwood. The End Of An American Dream Scratch is the first in a series of three albums he made with English musician and producer Steve Marshall a.k.a. John Saxon and will be available for the very first time on vinyl.

TRACK LISTING

Side A
1. Disarm
2. Are You Ready?
3. The End Of An American Dream
4. One God Rain

Side B
1. So Be It
2. I Will Be There
3. I Am The God Of Fire
4. The Lord’s Prayer
5. I Am New Yorker

Side C
1. Teddy Bear
2. Hallo Jamaica
3. Shazam

Side D
1. Memories
2. Vooba Skooba
3. Cats Bats Rats
4. Disco Cats

Frank Sinatra was one of the greatest performers and first musical superstar of the last century. His voice, timing and performance created the standards for vocalists ever since. Even today’s performers like Michael Bubble, Jamie Cullum and Robbie Williams are highly inspired by “Ol’ Blue Eyes.” On Frank Sinatra Collected, his career and musical legacy is celebrated on 2 LPs, spanning over 5 decades. In association with Frank Sinatra Enterprises, the 31 recordings on Collected include not just his most famous songs, it also delves into some of his best album tracks and collaborations with Count Basie, Quincy Jones and his daughter Nancy, all showcasing the versatile artist he was.

TRACK LISTING

Side A
1. My Funny Valentine
2. I Get A Kick Out Of You
3. All Of Me
4. Love And Marriage
5. You Make Me Feel So Young
6. Night And Day
7. The Lady Is A Tramp
8. Come Fly With Me
9. April In Paris

Side B
1. Saturday Night (Is The Loneliest Night Of The Week)
2. A Fine Romance
3. I’ve Got You Under My Skin
4. Bewitched
5. Swinging On A Star
6. Fly Me To The Moon (In Other Words) With Count Basie
7. It Was A Very Good Year
8. That’s Life

Side C
1. Strangers In The Night
2. All Or Nothing At All
3. Somethin’ Stupid With Nancy Sinatra
4. Sunny Ft. Duke Ellington
5. The Girl From Ipanema With Antônio Carlos Jobim
6. Both Sides Now
7. My Way

Side D
1. For A While
2. Send In The Clowns
3. Bad, Bad Leroy Brown
4. Theme From New York, New York
5. It Had To Be You
6. L.A. Is My Lady With Quincy Jones
7. Mack The Knife With Quincy Jones

Influential DJ, producer, radio-DJ and founder of the Acid Jazz and Talkin' Loud labels Gilles Peterson has handpicked his jazz favourites from the immense catalog of the Dutch jazz Timeless label. Included are Pharaoh Sanders' cosmic jazz "Moonchild”, vocal jazz from Carter Jefferson's "Why", danceable jazz from Tom Grant "No Me Esqueca" and Art Blakey & The Jazz Messengers' "In Case You Missed It". In 2015, Peterson put together a Japan-only CD compilation of 10 of his favourite tracks, but for this version, the CD track list has been augmented with the previously unreleased version of "Mode For Joe" by Cedar Walton Trio and “World Peace” by Timeless All Stars, and on the vinyl version you'll find the previously unreleased version of “Gibraltar (Alternate Take)” by Kirk Lightsey Trio feat. Freddie Hubbard as well as “World Peace” by Timeless All Stars.

TRACK LISTING

CD:
1. Pharoah Sanders – Moonchild
2. Carter Jefferson – Why
3. Tom Grant – No Me Esqueca
4. Eddie Harris – La Carnival
5. Rodney Jones – Articulations
6. Art Blakey & Jazz Messengers – In Case You Missed It
7. Eastern Rebellion – Bolivia
8. Joanne Brackeen – Haiti B
9. Brian Melvin Feat Jaco Pastorius – Zen Turtles
10. Timeless All Stars – World Peace (Bonus Track)
11. Cedar Walton Trio – Mode For Joe (Previously Unreleased Bonus Track)

LP:
1. Pharoah Sanders - Moonchild
2. Kirk Lightsey Trio Ft. Freddie Hubbard - Gibraltar (Alternate Take)
3. Carter Jefferson - Why
4. Tom Grant - No Me Esqueca
5. Eddie Harris - La Carnival
6. Rodney Jones - Articulation
7. Art Blakey & The Jazz Messengers - In Case You Missed It
8. Eastern Rebellion - Bolivia
9. Joanne Brackeen - Haïti B
10. Brian Melvin Feat. Jaco Pastorius - Zen Turtles
11. Timeless All Stars – World Peace (Bonus Track)

Recorded at the same Feb. 12, 1964 New York concert that yielded the more balladic album My Funny Valentine, Four & More showcases the Miles Davis quintet at their blistering best. The great trumpeter and bandleader (1926-1991), and his stellar group, which was less than a year old at the time of this recording, mostly essayed tempos that ranged from Indianapolis 500 to Bonneville Salt Flats. Offering a well-balanced, albeit reconfigured, repertoire featuring the familiar hard-bop strains of “Four” and “Walkin’,” newer, original free bop compositions like “Joshua” and “Seven Steps To Heaven,” and the standard “There Is No Greater Love,” which the ensemble performed relatively infrequently and is the only tune herein not taken at a supersonic pace, the quintet electrified a sold out Philharmonic Hall. Spurred on consistently by the mercurial rhythm section of pianist Herbie Hancock (23 years old at the time), bassist Ron Carter (then 26), and especially by the cross rhythms of 18-year old genius drummer Tony Williams, Davis’ work, particularly in the upper register, was seldom more commanding. As for his front line partner, tenor saxophonist George Coleman, Davis would write in his autobiography that he “played better that night than I ever heard him play.”

TRACK LISTING

SIDE A
1. So What
2. Walkin'
3. Joshua/Go-Go (Theme And Announcement)

SIDE B
1. Four
2. Seven Steps To Heaven
3. There Is No Greater Love/Go-Go (Theme And Announcement)

Affectionate Punch is the debut studio album by the Scottish post-punk and new wave band the Associates; it was released on 1 August 1980. From the album, “The Affectionate Punch” and “A” were released as singles. Upon its release, The Affectionate Punch was declared “a kind of masterpiece” by Paul Morley of the NME, who described it as “a passionate cabaret soul music, a fulfilment of the European white dance music Bowie was flirting with back then.” None other than Robert Smith (The Cure) can be heard doing backing vocals on “The Affectionate Punch” and “Even Dogs in the Wild” and Nigel Glockler (Saxon) is the drummer on the album.

TRACK LISTING

Side A
1. The Affectionate Punch
2. Amused As Always
3. Logan Time
4. Paper House
5. Transport To Central

Side B
1. A Matter Of Gender
2. Even Dogs In The Wild
3. Would I… Bounce Back
4. Deeply Concerned
5. A.

La Cuna is one of the best moves in producer Taylor Creed’s career, bringing together Ray Barretto, Tito Puento (timbales) and Joe Farrell (tenor and soprano saxophones, flute), to produce a fine Latin jazz album. The album also moves into soul territory with an interpretation of Stevie Wonder’s “Pastime Paradise”.

TRACK LISTING

Side A
1. La Cuna
2. Doloroso
3. Mambotango

Side B
4. The Old Castle
5. Pastime Paradise

"Population Four" is the fourth studio album by Cranes, originally released in 1997. This album marks a major change in the lineup. With bassist Cope leaving the band, Jim Shaw took on the role of lead guitar, Francombe transitioned to bass, and new member Manu Ros joined as the drummer. The album showcases a more traditional sound, as Cranes move away from stark and mysterious vocals toward acoustic guitars and standard drums, while maintaining their distinctive ethereal blend of dream pop and gothic rock. Alison Shaw's haunting vocals continue to take center stage, as the band embraces a more mature and refined sound. Tracks such as "Brazil" and "Angel Bell" demonstrate their ability to blend lush melodies with introspective lyrics. The single “Can’t Get Free” is a haunting and atmospheric track that encapsulates the band's unique ethereal style, cementing their status as a cult favorite.

TRACK LISTING

Side A
1. Tangled Up
2. Fourteen
3. Breeze
4. Can't Get Free
5. Stalk
6. Sweet Unknown

Side B
1. Angel Bell
2. On Top Of The World
3. Brazil
4. Let Go
5. To Be

This Brazilian soul and funk album from the 70s features smooth vocals, rich harmonies, and vibrant rhythms, capturing the essence of the era’s musical Innovation. Each track is a testament to the trio’s talent, blending traditional Brazilian sounds with contemporary influences. Standout songs include “Sol Quarenta Graus” and ”Sempre Existe Alguém,” which highlight the group’s dynamic range. The production quality is excellent, Raul Seixas really did a marvelous job! This is truly one of those undiscovered gems in Brazilian music!

TRACK LISTING

Side A
1. Sol Quarenta Graus
2. Sempre Existe Alguém
3. Uma Sombra Na Estrada
4. Liz
5. A Garota Do Sorriso De Marshmellow
6. Por Isso Eu Digo: Brasil Eu Fico

Side B
1. Manequim
2. Vou Morar No Teu Sorriso
3. Vê Se Dá Um Jeito Nisso
4. Cartão Postal
5. Tenho Amor Comigo
6. Ah! Se Eu Pudesse

Music On Vinyl, in collaboration with Warner Music Benelux, presents the new versions of the Dance Classics series. Originally released between 1988 and 1990 as a series of CD compilations which included soul, funk, and classic disco tracks. Dance Classics Vol. 1 includes floor fillers by Chaka Khan, Change, Sheila & B. Devotion, Sister Sledge, Zapp, Chic, Jenny Burton, Starpoint, Lace, George Ben-son, Sheila E. and more. All songs have been newly selected, remastered and feature a broad selection of dance classics, including hidden gems and rare tracks. This collection includes full length 12”/album versions and unmixed dj friendly tracks.

TRACK LISTING

Side A
1. Chaka Khan - I Feel For You (Remix)
2. Change - The Glow Of Love (Long Version)
3. Sheila & B. Devotion - Spacer (Previously Unreleased Tom Moulton Mix)

Side B
1. Sister Sledge - Lost In Music (1984 Bernard Edwards & Nile Rodger Remix)
2. Gwen McCrae - Keep The Fire Burning (Original 12" Version)
3. Zapp - More Bounce To The Ounce

Side C
1. Chic - You Are Beautiful
2. Jenny Burton - Bad Habits (Vocal/Long Version)
3. Starpoint - Object Of My Desire (Vocal/12" Version)
4. Lace - Can't Play Around (Vocal/12" Version)

Side D
1. George Benson - Give Me The Night (Long Version)
2. Sheila E. - A Love Bizarre (Parts I And II)
3. Kleeer - Tonight's The Night (Good Time)
4. Rose Royce - Is It Love You're After (12" Version)

Ken Boothe released his album Blood Brothers in 1976 but was picked up by Trojan Records two years later to be distributed internationally. The album features some of his more laid-back and mellow style, as can be heard on “Walk Away From Love”, “Mamy Blue” and “Love Don’t Love Nobody”. Blood Brothers also features several cover versions of Bob Marley Classics, including “No Woman No Cry” and “I Shot The Sheriff”.

TRACK LISTING

Side A
1. Mamy Blue
2. Silver Words
3. Freedom Day
4. Walk Away From Love
5. Love Don't Love Nobody

Side B
1. Blood Brothers
2. No Woman No Cry
3. I Shot The Sheriff
4. I Don't Want To See You Cry
5. I'm Singing Home

Let’s Get It On is the 7th album of reggae pioneer Ken Boothe. The album is produced by Lloyd Charmers and was originally released by Trojan Records in 1974. The record includes the well-known Syl Johnson cover of “Is it Because I’m Black”, plus Marvin Gaye’s “Let’s Get it On’”.

TRACK LISTING

Side A
1. That's The Way Nature Planned It
2. Leaving Me
3. My Love
4. Come Back Baby
5. Playground Of My Mind
6. Let's Get It On

Side B
1. African Lady
2. Is It Because I'm Black
3. Down By The River
4. Dum Dum
5. Whole World's Down On Me
6. That's The Way Nature Planned It - Pt. 2

The Commodore Master Takes offers an amazing overview of Billie Holiday’s legendary Commodore sessions. These sessions, recorded between 1939 and 1944, are considered by many to be Holiday’s finest recordings. The album opens with the impressive “Strange Fruit”, which was considered too controversial for its time by other labels and became part of these sessions. The album also includes classics such as “I’ll Be Seeing You” and “As Time Goes By”.

TRACK LISTING

Side A
1. Strange Fruit
2. Yesterdays
3. Fine And Mellow
4. I Gotta Right To Sing The Blues
5. How Am I To Know?
6. My Old Flame
7. I'll Get By (As Long As I Have You)
8. I Cover The Waterfront

Side B
1. I'll Be Seeing You
2. I'm Yours
3. Embraceable You
4. As Time Goes By
5. He's Funny That Way
6. Lover, Come Back To Me
7. Billie's Blues

Black Gold & Green was the first of three albums Ken Boothe would record together with producer Lloyd Charmers to take his Memphis-via-Kingston aesthetic to the next level. Black Gold & Green includes some serious social-political material and these heavy tones permeate every note of this album. It also includes his great cover version of Bill Withers’ “Ain’t No Sunshine.”

TRACK LISTING

Side A
1. Out Of Love
2. Missing You
3. Look What You Have Done To Me
4. Ain't No Sunshine
5. Hallelujah
6. Train/I Don't Want To See You Cry

Side B
1. Thinking
2. Second Chance
3. Have I Sinned
4. Black Gold & Green
5. Suzie
6. You're Feeling And Mine

Ronnie McNeir’s self-titled debut album, released in 1972, showcases his soulful voice and songwriting talent, blending R&B, soul, and funk. In 1999, McNeir joined The Four Tops as their musical director and keyboardist. Ronnie McNeir is a soulful debut that captures the essence of early ‘70s R&B, partly due to the production by acclaimed Motown producer William “Mickey” Stevenson.

TRACK LISTING

Side A
1. Extra, Extra
2. Daddy’s Coming Home
3. The Tears In My Heart
4. Gone Away
5. Troubles’ A Loser

Side B
1. Young Girl
2.You Better Make Sure
3. I’m So Thankful
4. In Summertime
5. Keep Your Hands Off My Lady
6. Girl You’re Gonna Lose Your

King Yellowman is the 1984 Columbia Records debut album by Yellowman. The artist, whose real name is Winston Foster, is a Jamaican reggae and dancehall artist who first became popular in Jamaica in the 80s. After he rose to prominence in his home country, he released this record under the Columbia label. Yellowman is considered to be one of the pioneers in reggae and hugely contributed to Jamaican musical culture and the internationalization of reggae.

TRACK LISTING

SIDE A
1. Jamaica Nice/Take Me Home Country Roads
2. Strong Me Strong
3. Mi Believe/Summer Holiday
4. Wha Dat
5. Moving On/Keep On Moving

SIDE B
1. Disco Reggae
2. Still Be A Lady/Girls Can't Do What The Guys Do
3. Reggae Calypso
4. Ooh We/Sea Cruise
5. If You Should Lose Me/You'll Lose A Good Thing

Quill was a Boston-based rock band that had national exposure when they played the Woodstock festival in August of 1969. The quintet got together in 1967 and played New England and New York over the next few years, getting some positive regional press for their combination of high-wattage rock with elements of psychedelia and jazz, and what would later be identified as performance art. Most of the songwriting was handled by John and Dan Cole, who tended to deliver fairly complex pieces that lent themselves to elaborate performances, sometimes involving some heavy audience participation as well.

TRACK LISTING

Side A
1. Thumbnail Screwdriver
2. The Tube Exuding
3. They Live The Life

Side B
1. BBY
2. Yellow Butterfly
3. Too Late
4. Shrieking Finally

After releasing their early punk classic Pure Mania and touring with Iggy Pop, The Vibrators continued with the follow-up album V2 ten months later. V2 was a commercial success, landing in the UK album top 40. The single “Automatic Lover” even led to a Top of the Pops appearance. The album also contains the punk classic “Troops Of Tomorrow”, which became a highly acclaimed cover by Scottish punk band The Exploited.

TRACK LISTING

Side A
1. Pure Mania
2. Automatic Lover
3. Flying Duck Theory
4. Public Enemy No. 1
5. Destroy
6. Nazi Baby

Side B
1. Wake Up
2. Sulphate
3. 24 Hour People
4. Fall In Love
5. Feel Alright
6. War Zone
7. Troops Of Tomorrow

Star People is a 1983 album by the famous jazz trumpeter and composer Miles Davis. It is the first to feature electric guitarist John Scofield, who was recommended by saxophonist Bill Evans, and the last to be produced by long-standing collaborator Teo Macero. Bassist Marcus Miller plays on five of the tracks. Electric guitarist Mike Stern features on most of the pieces, and drummer Al Foster and percussionist Mino Cinelu round out the rhythm section. Davis played trumpet and Oberheim synthesizer simultaneously (without using overdubs), and on separately recorded interludes for the over-18-minute-long blues composition “Star People”.

TRACK LISTING

Side A
1. Come Get It
2. It Gets Better
3. Speak

Side B
1. Star People
2. U 'n' L
3. Star On Cicely

The Modulations released their album It’s Rough Out Here in 1975. This album featured the singles “Rough Out Here”, “I Can’t Fight Your Love”, and the title track. The singles received considerable airplay and managed to chart on Billboard’s R&B single chart. The Modulations recorded extensively with MFSB, the house band of the famed record label Philadelphia International. These sessions yielded to this album, which is considered a gem of 1970s soul music. The group reached the pinnacle of its career with an appearance on Don Cornelius’ popular TV show Soul Train in 1976.

TRACK LISTING

Side A
1. Rough Out Here
2. Head On Collision With Heartbreak
3. Love At Last
4. I'll Always Love You

Side B
1. I'm Hopelessly In Love
2. I Can’t Fight Your Love
3. Worth Your Weight In Gold
4. Those Were The Best Days Of My Life
5. Share What You Got, Keep What You Need

Fourth Drawer Down is a compilation album by the Scottish post-punk and new wave band the Associates, released in October 1981. It compiles the A- and B-sides from the six singles the band released that year. The songs that appeared on Fourth Drawer Down had a notably darker and more experimental edge than their debut studio album The Affectionate Punch. The album was well received by music critics, with reviewers commenting on the band's increased experimentalism. Alastair McKay of Uncut called Fourth Drawer Down "an extraordinary document on which the sense of mystery deepens, and the commitment to sonic experiment becomes more pronounced."

STAFF COMMENTS

Mine says: Worth it alone for the opening song... What a tune!!

TRACK LISTING

Side A
1. White Car In Germany
2. A Girl Named Property
3. Kitchen Person
4. Q Quarters

Side B
1. Tell Me Easter's On Friday
2. The Associate
3. Message Oblique Speech
4. An Even Whiter Car

After releasing their first EP Fuse, Cranes expanded to a four-piece band and recorded their debut full-length album Self-Non-Self in 1989. Their sound has been described as “gothic minimalism” and “dreampop”, and also became part of the shoegazing movement in the early Nineties. This 1989 album showed their progression with the increased textures in sound and drum slams. The album contains a darker sound and is a mixture of industrial and post-punk music. Originally only six tracks, the band’s label Dedicated Records added a further two tracks upon its re-release in 1992: “Reach (Live)” and “Nothing In The Middle, Nothing At The End”. In that same year, Cranes went on a world tour with The Cure, which increased their popularity.

TRACK LISTING

SIDE A
1. One From The Slum
2. Joy Lies Within
3. Heaven Or Bliss
4. Beach Mover

SIDE B
1. Focus Breathe
2. Fuse
3. Reach (Live) *bonus Track
4. Nothing In The Middle, Nothing At The End *bonus Track

Decoy is the 1984 album by the famous jazz musician Miles Davis, re- corded in 1983. Robert Irving III on keyboards took over the role that Miles had assumed with a true sense of harmony and only a rudi- mentary mastery of synthetic sounds and movements. Irving shared the responsibilities of directing with the trumpet player’s nephew Vince Wilburn, Jr., but Al Foster continued to lead the tempo. John Scofield drew the funk of bassist Darryl Jones in the direction of chromatic abstraction. The two tracks that he cowrote with Miles are fragments of solos, “That’s What Happened” reprising the beginning of his solo on “Speak” (Star People).

Decoy offered a good balance between the dominant funk that sub- sequently took over and the jazz tradition, reflected by Scofield’s angularities, Marsalis’ freedom of tone, and the breadth of Miles’ playing that had recovered its full power.

TRACK LISTING

Side A
1. Decoy
2. Robot 415
3. Code M.D.
4. Freaky Deaky

Side B
1. What It Is
2. That's Right
3. That's What Happened

Blue Day is a compilation album by English shoegaze band Slowdive. It was originally released in 1992 and compiles the first three Slowdive EPs:

TRACK LISTING

1. Slowdive
2. Avalyn 1
3. Morningrise
4. She Calls

SIDE B
1. Losing Today
2. Shine
3. Albatross

Pop Music by Iggy Pop is the 1996 compilation featuring the 20 best tracks released through BMG between 1979 and 1981, including “Bang Bang”, “I Need More”, “I’m Bored”, “New Values” and “Five Foot One”. Iggy Pop was associated with Virgin Records for much of his post-Stooges solo career, but for a brief spell during the late ‘70s and early ‘80s he called Arista Records (BMG) his home. This era saw punk’s godfather stray away from the primal style he is known for, as he experimented largely with new wave sounds.

TRACK LISTING

Side A
1. Loco Mosquito
2. Bang Bang
3. Tell Me A Story
4. Pumpin' For Jill
5. Take Care Of Me

Side B
1. I Need More
2. I'm Bored
3. Knocking 'Em Down (In The City)
4. I Snub You
5. Sea Of Love

Side C
1. Play It Safe
2. Dog Food
3. Happy Man
4. Time Won't Let Me
5. Five Foot One

Side D
1. Angel
2. Girls
3. New Values
4. Pleasure
5. Houston Is Hot Tonight

Som, Sangue e Raça is still one of the milestones in Brazilian music. The music of Dom Salvador e Abolição is a funky and smooth blend of samba, soul, rock, jazz, forro and baião. The band’s sound was a major influence on the successful group Banda Black Rio. Som, Sangue e Raça still stands out for its catchy and groovy melodies and shows the wide range of the band. All this makes this samba/soul classic a must for all mu- sic collectors.

TRACK LISTING

SIDE A
1. Uma Vida
2. Guanabara
3. Hei! Você
4. Som, Sangue E Raça
5. Tema Pro Gaguinho
6. O Rio

SIDE B
1. Evo
2. Number One
3. Folia De Reis
4. Moeda, Reza E Cor
5. Samba Do Malandrinho
6. Tio Macrô

Monk’s Blues is an album by Thelonious Monk, accompanied by a big band arranged and conducted by Oliver Nelson. Produced by Teo Macero, the album was recorded in Los Angeles by Monk‘s working quartet augmented by a group of top Hollywood studio musicians. The Monk Quartet included Monk on the piano, Charlie Rouse on Tenor Saxophone, Larry Gales on Bass and Ben Riley on the Drums. Additional musicians a.o. Tom Scott, Buddy Collette, Bobby Bryant and Conte Candoli.

TRACK LISTING

SIDE A
1. Let’s Cool One
2. Reflections
3. Rootie Tootie
4. Just A Glance At Love
5. Brilliant Corners

SIDE B
1. Consecutive Seconds
2. Monk’s Point
3. Trinkle Tinkle
4. Straight, No Chaser

In 1980, The Only Ones released their third and final studio album Baby’s Got A Gun. While they produced the previous two albums, for Baby’s Got A Gun they joined forces with the acclaimed producer Colin Thurston, who is best known for his work with Duran Duran, Talk Talk, and The Human League among others. The album features guest performances by lead vocalist of Penetration, Pauline Murray, on the tracks “Fools” and “Me And My Shadow”. “Fools” is the only time that the band had released a cover version, which is originally a song by American country musician Johnny Duncan. Two years after the album release, The Only Ones officially disbanded.

STAFF COMMENTS

Andy says: The Only One's third and final album may well be their best. What a shame this most influential of bands never managed to make it. Incredible songs like Why Don't You Kill Yourself (droll and funny put down to top them all!), Trouble In The World (an incredible encapsulation of the perils of heroin addiction), and the adorable Oh Lucinda fell by the way side in the real world of pop, but were hugely loved by the band's devoted fan base, and still loved and cherished to this day. What a brilliant band.

TRACK LISTING

SIDE A
1. The Happy Pilgrim
2. Why Don’t You Kill Yourself?
3. Me And My Shadow
4. Deadly Nightshade
5. Strange Mouth
6. The Big Sleep

SIDE B
1. Oh Lucinda (Love Becomes A Habit)
2. Re-union
3. Trouble In The World
4. Castle Built On Sand
5. Fools
6. My Way Out Of Here

A year after their acclaimed self-titled debut album, The Only Ones followed up with Even Serpents Shine. The sophomore album was met with positive reviews like "Even Serpents Shine doesn’t boast an out-of-the-box classic tune along the lines of 'Another Girl, Another Planet' from the debut, but in many respects, this is the more consistent album, achieving a similar degree of thematic and melodic variety while generating a more coherent sound and feeling”.

STAFF COMMENTS

Andy says: Another moody but exhilarating outing which mixed heavy, brooding numbers with simply gorgeous pop in the likes of Flaming Torch, Out There In The Night and the exquisite Someone Who Cares. Just ask Johnny Marr!!

TRACK LISTING

SIDE A
1. From Here To Eternity
2. Flaming Torch
3. You’ve Got To Play
4. No Solution
5. Inbetweens
6. Out There In The Night

SIDE B
1. Curtains For You
2. Programme
3. Someone Who Cares
4. Miles From Nowhere
5. Instrumental

Soul artist Bettye Swann was born in Shreveport, USA on October 24, 1944 and spent her first nineteen years in Louisiana. She moved to California and signed a deal with Money Records, recording her breakthrough hit "Make Me Yours" in 1967, which is still her biggest selling record. After the contract expired, she signed to Capitol Records and teamed up with producer Wayne Shuler and recorded a R&B version of Hank Cochran's country song "Don't Touch Me".

On this comprehensive self-titled double album, compiled by Mark Ainley, classic songs such as "Tell Me Like It Is", "Stand By Your Man", "(My Heart Is) Closed For The Season", "Willie & Laura Mae Jones" plus 18 heartfelt soul songs showcase Bettye's unique voice.

TRACK LISTING

SIDE A
1. Don't You Ever Get Tired (Of Hurting Me)?
2. (My Heart Is) Closed For The Season
3. I'm Lonely For You
4. Don't Touch Me
5. Little Things Mean A Lot

SIDE B
1. Cover Me
2. Just Because You Can't Be Mine
3. Then You Can Tell Me Goodbye
4. Sweet Dreams
5. You're Up To Your Same Old Tricks Again

SIDE C
1. No Faith No Love
2. Ain't That Peculiar
3. Don't Let It Happen To Us
4. Today I Started Loving You Again
5. Words
6. These Arms Of Mine

SIDE D
1. Tell It Like It Is
2. Stand By Your Man
3. Chained & Bound
4. Willie & Laura Mae Jones
5. Angel Of The Morning
6. Traces

This One Is For The Party is the final studio album by The Trammps, originally released in 1984. The Trammps, hailing from Philadelphia, were a prominent fixture in the disco scene of the 1970s. Consisting of Earl Young, Harold Wade, Jimmy Ellis, Robert Upchurch, and Stanley Wade, they were known for their infectious grooves and energetic live performances. The Trammps earned their place in music history with hits like “Disco Inferno” and “Hold Back the Night”, but also “Shout” and “Move” became disco classics.

40 years after its original release, the tracks of This One Is For The Party continue to fill dance floors at parties and their influence can be heard in modern dance and pop music. The album also features a guest performance by the Dutch female group Mai Tai on “I Don’t Know (One For The Party)”.

In celebration of its 40th anniversary, This One Is For The Party is available as an expanded edition, including the extended version of the Top 40 hit “Move” as a bonus track. Also, the album has been completely remastered at Artone Studio in Haarlem, The Netherlands.

TRACK LISTING

SIDE A
1. Are You Ready
2. I Will Be Here For You
3. Twenty-Five Miles
4. Truly Wonderful
5. Shout

SIDE B
1. Move
2. Shine A Light
3. I Don't Know (One For The Party)
4. Fantacity
5. Move (Extended Version) (bonus Track)

Loved is the third album by the British band Cranes, released in 1994. Siblings Alison and Jim Shaw formed the band back in 1989. They recorded several successful albums, including the 1991 Wings Of Joy and 1994 Loved. Loved combines elements of alternative rock, shoegaze, dream-pop, and darkwave. Their gothic elements made a return, while they retained the feeling of their previous album Forever. It was another artistic experience, with nicely orchestrated and constructed songs.

TRACK LISTING

Side A
Shining Road
Pale Blue Sky
Rêverie
Lilies
Are You Gone?

Side B
Loved
Beautiful Friend
Bewildered
Come This Far
Paris And Rome
In The Night (Hidden Track)

Following the success of Curve's debut full-length Doppelgänger, which nearly hit the U.K. Top 10, the British group went in a darker, moodier direction with 1993 follow-up Cuckoo. Opener "Missing Link" is furious and aggressive, coming closer to Ministry-style industrial than the group's previous work, but other songs are slower, more atmospheric, and a bit more experimental. "Superblaster" is a bit closer to the poppiness of Doppelgänger's highlights and was released as a single.

TRACK LISTING

Side A
1. Missing Link
2. Crystal
3. Men Are From Mars Women Are From Venus
4. All Of One
5. Unreadable Communication

Side B
1. Turkey Crossing
2. Super Blaster
3. Left Of Mother
4. Sweetest Pie
5. Cuckoo

Miles Davis is regarded to be one of the most influential and acclaimed figures in the history of jazz and 20th-century music. At the request of Columbia Records executive George Avakian, he formed his first regular quintet in 1955. After all members of the first quintet left Davis a few years later, he hired the core of the second quintet in 1963 and the final member in late 1964. The second quintet would record and play together until the end of the 60s. Sorcerer is the third album by the Second Great Miles Davis Quintet. The quintet consisted of Miles Davis on trumpet, Wayne Shorter on tenor saxophone, Herbie Hancock on piano, Ron Carter on bass and Tony Williams on drums. It was recorded in May 1967 and contains a darker sound. The last song on the album, "Nothing Like You", features vocals by Bob Dorough.

TRACK LISTING

Side A
1. Prince Of Darkness
2. Pee Wee
3. Masqualero
4. The Sorcerer

Side B
1. Limbo
2. Vonetta
3. Nothing Like You

We Started Nothing is the debut studio album by English indie pop duo The Ting Tings. Jules & Katie's combination of dance, indie pop and new wave proved to be one of the hottest things in 2008. The result being the album peaking at #1 in the UK Albums Chart. We Started Nothing spawned no less than six hit singles, including "That's Not My Name", which reached #1 on the UK Singles Chart. Eventually, the band, the album and several singles and videos were nominated for a variety of NME, MTV, Grammy Award and Brit Awards. The Ting Tings won the MTV Award for Best UK Act and "Shut Up and Let Me Go" won the award for Best UK Video.

TRACK LISTING

Side A
1. Great DJ
2. That's Not My Name
3. Fruit Machine
4. Traffic Light
5. Shut Up And Let Me Go

Side B
1. Keep Your Head
2. Be The One
3. We Walk
4. Impacilla Carpisung
5. We Started Nothing

Dead Elvis is the debut studio album by British band Death in Vegas, which was originally released in 1997. It featured a blend of musical genres, but most of the tracks are mainly based in dub and electronic dance music. This was the only Death in Vegas album to feature original member Steve Hellier. A limited vinyl run of Dead Elvis was released in 1997 but didn't feature the complete album. The complete Dead Elvis album, including the singles "Dirt", "Rocco" & "Rekkit" is now for the first time available on vinyl.

TRACK LISTING

Side A
1. All That Glitters
2. Opium Shuffle
3. GBH

Side B
1. Dirt
2. Rocco
3. Rekkit

Side C
1. I Spy
2. Amber

Side D
1. Rematerialised
2. 68 Balcony
3. Sly

Man in Black may be the 38th album by Johnny Cash, but it is definitely one of the most memorable album in his discography. Man in Black is perhaps one of Cash's most political albums and the title refers to Cash's tendency to wear only black during his live shows. This was to reflect the turbulent times during the Vietnam War. This message is also reflected in the album's lyrics. The singles “Man in Black” and “Singin' in Viet Nam Talkin' Blues” can be seen as his most important protest songs. Both singles were successful on the Billboard Country charts. All this makes the album a unique milestone in his career and still a must for all Johnny Cash fans

TRACK LISTING

Side A
1. The Preacher Said, “Jesus Said” (With Billy Graham)
2. Orphan Of The Road
3. You’ve Got A New Light Shining In Your Eyes
4. If Not For Love
5. Man In Black

Side B
1. Singin’ In Viet Nam Talkin’ Blues
2. Ned Kelly
3. Look For Me (With June Carter Cash)
4. Dear Mrs.
5. I Talk To Jesus Every Day (With June Carter Cash)

It's Great When You're Straight... Yeah contains 10 catchy songs with influences from indie-pop, alternative, funk, disco, with rough guitar, rapping all glued together and produced by American Danny Saber. Upon release in 1993, the debut album immediately charted #1 in the UK Albums chart and was certified Platinum. It's Great When You're Straight... Yeah includes the UK Top 2- singles "Reverend Black Grape", "In the Name of The Father" and "Kelly's Heroes".

Black Grape was founded by former members of The Happy Mondays, Shaun Ryder and Bez (a.k.a. Mark Berry). New band members included rappers Paul "Kermit" Leveridge, Carl "Psycho" McCarthy, drummer Ged Lynch (all three from the first wave of UK hip-hop, and influential Hulme, Manchester act Ruthless Rap Assassins), guitarist Paul Wagstaff (from the Paris Angels), and Oli "Dirtycash" Dillon on ocarina.

TRACK LISTING

Side A
1. Reverend Black Grape
2. In The Name Of The Father
3. Tramazi Parti
4. Kelly's Heroes
5. Yeah Yeah Brother

Side B
1. A Big Day In The North
2. Shake Well Before Opening
3. Submarine
4. Shake Your Money
5. Little Bob

Through his operas, his symphonies, his compositions for his own ensemble, and his wide-ranging collaborations with artists ranging from Twyla Tharp to Allen Ginsberg, Woody Allen to David Bowie, Philip Glass has had an extraordinary and unprecedented impact upon the musical and intellectual life of his times.

The operas - Einstein on the Beach, Satyagraha, and Akhnaten among many others - play throughout the world's leading houses, and rarely to an empty seat. Glass has written music for experimental theater and for Academy Award-winning motion pictures. Glass is the first composer to win a wide, multi-generational audience in the opera house, the concert hall, the dance world, in film and in popular music - simultaneously. Much of his early work was based on the extended reiteration of brief, elegant melodic fragments that wove in and out of an aural tapestry. Or, to put it another way, it immersed a listener in a sort of sonic weather that twists, turns, surrounds, develops.

In the past 30 years, Glass has composed more than twenty-five operas, large and small; twelve symphonies; three piano concertos and concertos for violin, piano, timpani, and saxophone quartet and orchestra; soundtracks to films ranging from new scores for the stylized classics of Jean Cocteau to Errol Morris's documentary about former defense secretary Robert McNamara; string quartets; a growing body of work for solo piano and organ.

TRACK LISTING

Side A
1. Lightning (Songs From Liquid Days)
2. Facades (Glassworks)
3. A Gentleman's Honor (The Photographer)
4. Primacy Of Number (Naqoyqatsi)

Side B
1. Metamorphosis IV (Liquid Days, Part II)
2. Open The Kingdom (Liquid Days, Part II)
3. Dance II (In The Upper Room)
4. Dance VIII (In The Upper Room)

Side C
1. Glasspiece #1 (Rubric From Glassworks)
2. Changing Opinion (Songs From Liquid Days)
3. Opening (Glassworks)

Side D
1. Floe (Glassworks)
2. Funeral Of Amenhotep Iii (Akhnaten)
3. Point Blank (Naqoyqatsi)

Side E
1. Wichita Vortex Sutra
2. Forgetting (Songs From Liquid Days)
3. Dance IX (In The Upper Room)

Side F
1. The Dam (Itaipú)
2. Definition (Naqoyqatsi)
3. Protest (Satyagraha)
4. Evening Song (Satyagraha)

Side G
1. Hymn To The Sun (Akhnaten)
2. Trial – Prison (Einstein On The Beach)
3. Akhnaten And Nefertiti (Akhnaten)
4. Kuru Field Of Justice (Satyagraha)
5. Knee Play 1 (Einstein On The Beach)

Side H
1. Tolstoy Farm (Satyagraha)
2.Window Of Appearances (Akhnaten)
3. Bed (Einstein On The Beach)
4. Epilogue (Akhnaten)
5. Knee Play 5 (Einstein On The Beach)

Cosmic Sounds is a collaborative concept album, based on the signs of the Zodiac and originally released in 1967 by Elektra Records. Mort Garson, who is known for his collaborations with Doris Day and Glen Campbell, was asked to compose the psychedelic rock music and record it together with producer and The Limeliters co-founder Alex Hassilev. Different session musicians were brought in to contribute to the recordings, including most notably Moog synth guru Paul Beaver and narrator Cyrus Faryar.

TRACK LISTING

Side A
1. Aries - The Fire-Fighter
2. Taurus - The Voluptuary
3. Gemini - The Cool Eye
4. Cancer - The Moon Child
5. Leo - The Lord Of Lights
6. Virgo - The Perpetual Perfectionist

Side B
1. Libra - The Flower Child
2. Scorpio - The Passionate Hero
3. Sagittarius - The Versatile Daredevil
4. Capricorn - The Uncapricious Climber
5. Aquarius - The Lover Of Life
6. Pisces - The Peace Piper

The Primitives emerged from the UK independent music scene of the mid-1980s, with a sound that distilled the shimmering guitar chime of The Byrds, the buzzsaw style of The Ramones and 60's girl group melodies into two-and-a-half-minute pop gems. After topping the indie singles chart several times, their widely acclaimed first album, Lovely, made them one of the UK's most revered alternative rock acts, while the international success of the single "Crash" saw them cross over to a mass audience. Further chart success followed, along with two more studio albums, Pure and Galore, plus extensive tours of Europe and the US, before the band called it a day in 1992. The band were reunited in 2009. The Best Of The Primitives is available on vinyl for the first time and features the hit singles "Crash", "Put Of Reach", "Way Behind Me", "Sick Of It", "Secrets" and many more classic hits.

TRACK LISTING

Side A
1. Crash
2. Spacehead
3. Shadow
4. Thru' The Flowers
5. Nothing Left
6. Out Of Reach

Side B
1. Summer Rain
2. Sick Of It
3. All The Way Down
4. Secrets
5. Can't Bring Me Down

Side C
1. Way Behind Me
2. Noose
3. I Almost Touched You
4. You Are The Way
5. Lead Me Astray

Side D
1. Slip Away
2. Give This World To You
3. Empathise
4. Earth Thing
5. All The Way Down (Beat Version)

Forever, originally released in 1993, continues the trend of Crane's previous albums, revolving largely around Alison Shaw's distinctive vocals. The album contains elements of shoegaze, dream pop and gothic rock, and features the singles "Adrift" and "Jewel".

The album starts with hypnotizing acoustic guitar chords on the first track "Everywhere". Songs like "Cloudless", "And Ever" and "Far Away" show the band taking an extremely minimalist approach to their songwriting with sometimes nothing more than a piano accompanying Alison's voice. The songs "Adrift" and "Clear" are heavy post-punk rockers and "Jewel" is one of the brightest and most colorful songs that Cranes have ever produced.

"Jewel" ended up being an underground hit in the U.K. and U.S., thanks to a somewhat transformed remix courtesy of longtime Cranes fan Robert Smith (Forever takes its name from a The Cure rarity of the same title) and Forever turned out to be a favorite amongst fans and critics. It's a lost treasure of early 90s dream pop, delivering unique and mesmerizingly beautiful music. The hidden track "Shine Like Stars" is included on the LP.

TRACK LISTING

Side A
1. Everywhere
2. Cloudless
3. Jewel
4. Far Away
5. Adrift

Side B
1. Clear
2. Sun And Sky
3. And Ever
4. Golden
5. Rainbows
6. Shine Like Star (Hidden Track)

Moloko's album I Am Not A Doctor was released in 1998 and features the hit track "Sing It Back". The album showcases Moloko's unique blend of electronic, dance, and experimental pop music with drum and bass and downbeat elements. The title of the album refers to the fact that neither Murphy nor Brydon have medical training, highlighting their focus on creating music rather than pursuing traditional careers.

TRACK LISTING

Side A
1. The Flipside
2. Knee Deepen
3. Blink
4. Stylophone Pet

Side B
1. Downsized
2. Sorry
3. Sing It Back
4. Pretty Bridges

Side C
1. Be Like You
2. Caught In A Whisper
3. Dr. Zee

Side D
1. The Id
2. Tatty Narja
3. Over My Head
4. Should've Been Could've Been

Miles Davis is regarded to be one of the most influential and acclaimed figures in the history of jazz and 20th-century music. Quiet Nights is the fourth and last studio album that Davis collaborated on with Gil Evans. The 1963 release took inspiration from the bossa nova genre that rose to popularity during the time.

Quiet Nights is a mix of situations and sources: Brazilian folk (“Prenda Minha”, titled “Song #2” on the album), Spanish classical (“Adelita” by guitar pioneer Francisco Tárrega, here called “Song #1”), and a few ballads, including one that stands out from the rest of the big band album: “Summer Night,” a quintet take featuring Miles playing muted then open trumpet and the start of a new band: tenor saxophonist George Coleman, pianist Victor Feldman, bassist Ron Carter, and drummer Frank Butler.

The album was produced by Teo Macero. Some of the additional performers on this album include Paul Chambers, Bill Barber, Steve Lacy, Jimmy Cobb, Willie Bobo, and George Coleman amongst others.

TRACK LISTING

Side A
1. Song #2
2. Once Upon A Summertime
3. Aos Pes Da Cruz
4. Song #1

Side B
1. Wait Till You See Her
2. Corcovado
3. Summer Night

Sly & The Family Stone’s Anthology is an essential collection for any fan of funk, soul, or R&B music. The 1981 compilation album features the band’s greatest hits, including US Billboard chart-topping “Family Affair”, “Everyday People” & “Thank You (Falettinme Be Mice Elf Agin)”.

The music of Sly & The Family Stone has influenced countless artists over the years and this anthology is a testament to their enduring legacy. A compilation album full of infectious grooves, catchy hooks and powerful messages of unity and positivity.

Anthology spans the band’s career, from their early recordings in the mid-1960s to their later hits in the 1970s.

TRACK LISTING

Side A
1. Dance To The Music
2. M'lady
3. Life
4. Fun
5. Sing A Simple Song
6. Everyday People

Side B
1. Stand!
2. I Want To Take You Higher
3. Don't Call Me Nigger, Whitey
4. You Can Make It If You Try
5. Hot Fun In The Summertime

Side C
1. Thank You (Falettinme Be Mice Elf Agin)
2. Everybody Is A Star
3. Family Affair
4. Runnin' Away
5. (You Caught Me) Smilin'

Side D
1. Thank You For Talkin' To Me Africa
2. Babies Makin' Babies
3. If You Want Me To Stay
4. Que Sera, Sera (Whatever Will Be, Will Be)

This classic album from 1973 saw its creator, Lee 'Scratch' Perry exploring synths and starting to develop his Black Ark sound - the enigmatic producer was at the time in the process of building his famous studio and honing his ideas about dub as a musical form.

The LP opens with the eerie “Kentucky Skank”, Perry's ode to KFC, complete with frying chicken sounds, spliced between winding tapes, a ghostly trumpet, and futuristic moog synthesizer, overdubbed at London's Chalk Farm studios.

U Roy's “Double Six” and I Roy's “High Fashion” & “Hail Stones” illustrate just how strong The Upsetter's deejay material had become, while versions of the Chi-Lites' “We Are Neighbours”, Sam & Dave's “Soul Man” and a re-working of Al Green's “Love and Happiness” (retitled “Jungle Lion”) all betray the funky soul influence that was increasingly shaping his work.

The backing tracks illustrate the producer at his best; the audio spectrum is fully differentiated while spatial placement an important component - something it would take years for him to achieve at the Black Ark.

TRACK LISTING

Side A
1. Kentucky Skank - The Upsetters
2. Double Six - U Roy
3. Just Enough To Keep Me Hanging On - David Isaacs
4. In The Iaah - The Upsetters
5. Jungle Lion - The Upsetters
6. We Are The Neighbours - David Isaacs

Side B
1. Soul Man - The Upsetters
2. Stick Together - U Roy
3. High Fashion - U Roy
4. Long Sentence - The Upsetters
5. Hail Stones - The Upsetters
6. Ironside - The Upsetters
7. Cold Weather - The Upsetters
8. Waap You Waa - The Upsetters

The original Jamaican extra-terrestrial marked a return to the power of Lee “Scratch” Perry’s most spaced-out work. On Jamaican E.T., Perry created a contemporary and challenging set by applying his psychedelic dub to roots reggae, modern reggae, Hip-hop, and dazed, otherworldly exotica. The riddims are groovy, but Perry’s greatest strength has always been his mixology. On this album, instead of his usual dub mixes full of insane rhythmic effects, Perry utilizes the voice as his primary instrument of dub: laid-back toasting, singing, mumbling, and gospel backups come in and out, crisscrossing and swirling, truly setting a new mark. In 2003 it won the Grammy award for Best Reggae Album.

TRACK LISTING

Side A
1. 10 Commandments
2. I'll Take You There
3. Message From The Black Ark Studios
4. Holyness, Righteousness, Light

Side B
1. Babylon Fall
2. Mr. Dino Koosh Rock
3. Hip Hop Reggae
4. Evil Brain Rejector

Side C
1. Jah Rastafari, Jungle Safari
2. Love Sunshine, Blue Sky
3. Clear The Way
4. Congratulations

Side D
1. Shocks Of Mighty
2. Jamaican E.T.
3. Telepathic Jah A Rize

The English-Irish electronic/dance duo Moloko released their first album Do You Like My Tight Sweater? in 1995. It's one of their most experimental records, before moving on to a more mainstream approach. Róisin Murphy is carrying the album with her versatile vocals, both in range and style, while Mark Brydon created the breakbeats, sound effects, and groovy disco lines. This is electronica at its best, danceable and funky. The album includes their hits “Fun for Me" and "Dominoid", besides fan favorites like “Day for Night” and “Where Is the What If the What Is in Why?”. They never slow down in their exciting music and absurd lyrics, but that's exactly what makes this record unforgettable. A pure joy to dance to all night.

TRACK LISTING

Side A
1. Fun For Me
2. Tight Sweater
3. Day For Night
4. I Can't Help Myself
5. Circus

Side B
1. Lotus Eaters
2. On My Horsey
3. Dominoid

Side C
1. Party Weirdo
2. Tubeliar
3. Ho Humm
4. Butterfly 747
5. Dirty Monkey

Side D
1. Killa Bunnies
2. Boo
3. Where Is The What If The What Is In Why?
4. Who Shot The Go Go Dancer?

Shuggie Otis' three solo releases from the 1970s are now regarded as some of the most essential and sought-after soul/funk albums, but that wasn't always the case. In the 70s, Shuggie Otis' most commercially successful moment was probably the top 10 hit The Brothers Johnson had with "Strawberry Letter 23". It took until the mid-90s for a wider audience to get to know Shuggie. This compilation brings together ten seminal track from Shuggie Otis's core catalog: Here Comes Shuggie Otis (1969), Freedom Flight (1971), and Inspiration Information (1974).

TRACK LISTING

Side A
1. Hurricane
2. Baby, I Needed You
3. Ice Cold Daydream (Album Version)
4. Strawberry Letter 23
5. Sweet Thang
6. Me And My Woman

Side B
1. Inspiration Information
2. Island Letter
3. Sparkle City
4. Aht Uh Mi Hed

After Larry Weinstein heard the 1985 tribute album Lost In The Stars - The Music of Kurt Weill, he was inspired to film the follow-up, September Songs – The Music of Kurt Weill. This 94-minute music video was recorded in an abandoned warehouse in Toronto where musicians performed a series of songs by Kurt Weill. The lineup included Lou Reed, Nick Cave, PJ Harvey, Elvis Costello, Charlie Haden, Betty Carter, and David Johansen amongst others. September Songs was nominated for an Emmy Award for Outstanding Cultural Program and won five Gemini Awards.

TRACK LISTING

Side A
1. Nick Cave - Mack The Knife (From The Threepenny Opera)
2. PJ Harvey - Ballad Of The Soldier's Wife
3. David Johansen - Alabama Song (From The Rise And Fall Of The City Of Mahagonny)

Side B
1. Teresa Stratas - Youkali Tango (From Marie Galante)
2. Elvis Costello - Lost In The Stars (From Lost In The Stars)
3. Lotte Lenya - Pirate Jenny (From The Threepenny Opera)
4. Charlie Haden - Speak Low (From One Touch Of Venus)

Side C
1. The Persuasions - Oh, Heavenly Salvation (From The Rise And Fall Of The City Of Mahagonny)
2. Betty Carter - Lonely House (From Street Scene)
3. Teresa Stratas - Surabaya Johnny (From Happy End)

Side D
1. Mary Margaret O'Hara - Don't Be Afraid (From Happy End)
2. Lou Reed - September Song (From Knickerbocker Holiday)
3. Bertolt Brecht - Mack The Knife (From The Threepenny Opera)
4. William S. Burroughs - What Keeps Mankind Alive? (From The Threepenny Opera)

Rock 'n Roll With The Modern Lovers is the second album released by The Modern Lovers. The band was formed in 1970 by singer, songwriter, and guitarist Jonathan Richman, augmented with Jerry Harrison (keyboards), Ernie Brooks (bass), and David Robinson (drums). Richman's friend John Felice joined them occasionally. Their sound almost totally focusses on the sound from the Fifties. The lo-fi record breathes folky roots music and rock 'n roll as it would sound ages ago. The album features the popular tracks "Ice Cream Man", "Roller Coaster By The Sea", and "Egyptian Reggae". The latter was a cover version of Earl Zero "None Shall Escape The Judgement" and became a UK Top 5 hit.

TRACK LISTING

Side A
1. The Sweeping Wind (Kwa Ti Feng)
2. Ice Cream Man
3. Rockin' Rockin' Leprechauns
4. Summer Morning
5. Afternoon
6. Fly Into The Mystery

Side B
1. South American Folk Song
2. Roller Coaster By The Sea
3. Dodge Veg-O-Matic
4. Egyptian Reggae
5. Coomyah
6. The Wheels On The Bus
7. Angels Watching Over Me

I Want Candy is a compilation album by Bow Wow Wow featuring their biggest hit "I Want Candy". The album consists of all four tracks from their EP The Last of the Mohicans, four tracks from their debut album See Jungle! See Jungle! Go Join Your Gang Yeah, City All Over! Go Ape Crazy!, and the track "El Boss Dicho", that comes from the B-side of the single "Go Wild in the Country". The song "I Want Candy" was the band's most successful one and became an enduring new wave classic. It was a smash hit in the US, Europe and Australia and featured on VH1's "100 Greatest Songs of the '80s" list. The track was produced by Kenny Laguna who is known for his work with Joan Jett.

TRACK LISTING

Side A
1. I Want Candy
2. Baby, Oh No
3. Louis Quatorze
4. Cowboy
5. Mile High Club

Side B
1. Go Wild In The Country
2. Jungle Boy
3. El Boss Dicho
4. (I'm A) T.V. Savage
5. King Kong

The Fall were an English post-punk group, formed in 1976 in Prestwich, Greater Manchester. They underwent many line-up changes, with vocalist and founder Mark E. Smith as the only constant member. A journalist once described them as "a kind of Northern English magic realism that mixed industrial grime with the unearthly and uncanny," voiced through a "one-note delivery somewhere between amphetamine-spiked rant and alcohol-addled yarn." It was the favourite band from the legendary BBC disc jockey John Peel. The Light User Syndrome is The Fall's 18th album. The crisp live edge to the recording is very well done, and its one of their most abbrasive and hardhitting album of the 90's. It features the popular tracks "Spinetrap", "Oleano", "Hostile", and "He Pep!". In addition, they recorded a cover version of Johnny Paycheck's "Stay Away (Old White Train)".

TRACK LISTING

Side A
1. D.I.Y. Meat
2. Das Vulture Ans Ein Nutter-Wain
3. He Pep!
4. Hostile
5. Stay Away (Old White Train)

Side B
1. Spinetrak
2. Interlude/Chilinism
3. Powder Keg

Side C
1. Oleano
2. Cheetham Hill
3. The Coliseum

Side D
1. Last Chance To Turn Around
2. The Ballard Of J. Drummer
3. Oxymoron
4. Secession Man