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MUSIC ON VINYL

Misfits

Famous Monsters

    The Misfits are often recognized as the progenitors of the horror punk subgenre. Their fifth studio album Famous Monsters is the second one without singer and founder Glenn Danzig. As the follow-up of American Psycho they’re focusing on the some aspects from the punk and metal music. The vocal parts are in the hands of Michale Graves and the songs are all well written. Doyle Wolfgang Von Frankenstein brings out some of his famous guitar riffs, while Dr. Chud is hitting his drums. You can hear their punk roots, but also the heavier sounds of their bass and guitar melodies. The album has aged very well and is now available again on vinyl.

    The Misfits are founded in 1997 by Glenn Danzig. They were hitting the stages the first couple of years with their hardcore punk. Later on they changed their style to the heavy metal and punk rock. Consistent during the years is the influences from horror and sci-fi films, which can be seen by the clothing they wear, the visuals in the live shows and in the lyric they write.

    The package of Famous Monsters includes a collectable sticker sheet and a 4 page booklet. The release is available as a limited edition of 2.500 individually numbered copies on transparent green & yellow mixed coloured vinyl.

    FORMAT INFORMATION

    Coloured LP Info: Transparent Green & Yellow numbered vinyl.

    Todd Rundgren

    A Wizard, A True Star

      Todd Rundgren’s masterpiece A Wizard, A True Star has everything to offer from the American multi-instrumentalist and singer-songwriter. The studio genius recorded an album which was a significant departure from his previous album Something/Anything? With the money from the hit singles of this previous record he had built his own studio in New York, Secret Sound, and began recording A Wizard, A True Star. It’s pure greatness packed in 19 tracks, which just sporadically clocks above 2 minutes each. Psychedelic drugs had a big influence on the recording process. The beauty and hysteria of the music fits the bill perfectly. Humour and superior recording techniques going together in optima forma. Yes, this is one of those rare recordings which goes into history, and it still stand the test of time.

      Todd Rundgren is an American multi-instrumentalist, singer-songwriter, and record producer who has performed a diverse range of styles as a solo artist and as a member of the band Utopia. He is known for his stage outfits, experimental music and adopting computer technologies to describe his musical ideas.



      STAFF COMMENTS

      Andy says: Todd's undisputed masterpiece, blends psych, soul and beautiful melody, in an explosive, mind bending manner.

      FORMAT INFORMATION

      Coloured LP Info: A Wizard, A True Star is available as a limited edition of 1000 individually numbered copies on coloured (gold & white & transparent green mixed) vinyl.

      Nina Simone

      To Love Somebody - 180g Coloured Vinyl Edition

      No slouch as a songwriter herself, Nina Simone ably picked a variety of compositional classics from the new Rock era for her 1969 LP To Love Somebody. Opening with a beautiful, introspective version of Leonard Cohen’s “Suzanne”, Simone shows an obvious affinity for social statements with the Byrds’ “Turn! Turn! Turn! (To Everything There Is a Season)” and a trio of Dylan standards: “I Shall Be Released”, “Just Like Tom Thumb’s Blues”, plus a dramatic, meditative “The Times They Are A-Changin’”.

      The album title is taken from the Bee Gees song “To Love Somebody”. Her cover of the song became her second British hit single after “Ain’t Got No-I Got Life”. Also “I Can’t See Nobody” is a song by the Bee Gees. “Revolution” (parts 1 & 2) was Simone’s third subsequent single released in the UK, after “Ain’t Got No-I Got Life” and “To Love Somebody” both became hits. The song was released around the time of the same titled song by The Beatles and, although it has a similar hook (“Don’t you know it’s gonna be - all right”) and structure, most of the lyrics differ.

      FORMAT INFORMATION

      Coloured LP Info: Available as a limited 50th anniversary edition of 1500 individually numbered copies on purple & black marbled vinyl.

      Lee Scratch Perry

      Battle Of Armagideon

        Battle of Armagideon is one of the essential albums by Jamaican reggae artist Lee ‘Scratch’ Perry. His backing group by that time were The Upsetters. This album will get you to the heart of Perry’s unique work as a mixer and producer. He explores the music by adding a lot of sound effects to the different tracks. “I’m a Madman” is the best known album track, where Perry is going to the max. It’s pure craziness at its best.

        Lee ‘Scratch’ Perry was a pioneer in the 1970s development of dub music and worked together with artists such as Bob Marley and the Wailers, The Clash and The Beastie Boys. Nowadays he’s still performing and recording music.

        FORMAT INFORMATION

        Coloured LP Info: Battle Of Armagideon is available as a limited edition of 1000 individually numbered copies on orange coloured, 180 gram vinyl. There's only 300 available in the UK!

        Moloko

        Things To Make And Do

          Moloko’s third album Things to Make and Do marks a shift in the sound of the duo, with tracks more reliant on live musicians. The first single “The Time Is Now” became Moloko’s biggest hit, peaking at number two in the UK.

          Roisin Murphy’s singing style, combining a variety of voices and textures, is as impressive as ever before. Mark Brydon’s musical palette is versatile and powerful, going from rock/dance to electro and hip-hop.

          It is a great album from start to finish, including fan favourites “The Time Is Now”, “Pure Pleasure Seeker” and “Sing It Back (Boris Musical Mix)”. As masters of their own domain they created another excellent piece of music. Things to Make and Do held the record as Echo’s (label) fastest-selling UK platinum record for six years.

          FORMAT INFORMATION

          2xColoured LP Info: Available as a limited edition of 3000 numbered copies on pink transparent coloured vinyl. The package includes a 4-page booklet.

          Terry Riley

          A Rainbow In Curved Air

            Keyboard virtuoso Terry Riley started experimenting with different instruments in the ‘50s. One of his electronic music landmarks is his third album A Rainbow in Curved Air. Through the use of overdubbing, he recorded all the instruments to feature on the title track. The composition consists of three movements, each representing another part of his musical influences. As the song progresses, its structure goes through frequent changes. It’s an colorful, psychedelic, atmospheric and revolutionary song. The second track consists of a loop of saxophones and is the dreamy and calm opposite of the title track. Fans of electronic music, such as Tangerine Dream and Klaus Schulze, would love this record. Taking inspiration from Hindustani classical music and jazz techniques, Riley’s masterpiece influenced many musicians, from the likes of Brian Eno to Emeralds.

            A Rainbow in Curved Air 50th anniversary limited edition is available as 500 individually numbered copies on transparent vinyl.

            Melvins

            Houdini

              The iconic fifth album Houdini by the Melvins captures the band’s power, vision, and musical strangeness. It’s an essential ‘90s release, combining elements of grunge with hard rock and sludge metal. Their biggest commercially success and first major label release is an album where they displaying the full width of their musical abilities. Buzz Osbourne’s guitar sound is deep and heavy and combined with Dale Crover’s powerful drum rolls and fills it sounds really impressive. Kurt Cobain (Nirvana) added his guitar skills to the track “Sky Pup” and plays the part of percussionist on “Spread Eagle Beagle”. It’s one of the most accessible Melvins albums and the gateway to explore more records by the band. Houdini is the ultimate Melvins classic and a must have for every grunge and music fan in general. 

              Slowdive

              Souvlaki

                The English shoegaze band Slowdive formed in 1989 and primarily consisted of Nick Chaplin (bass), Rachel Goswell (vocals, guitar), Christian Savill (guitar) and the band’s primary songwriter Neil Halstead (vocals, guitar).

                Souvlaki is Slowdive’s second studio album, originally released in 1993. It’s considered as one of the best Shoegaze albums of all time, but didn’t receive much credit during its release. The album contains synthesizer contributions from Brian Eno on “Sing” (which he co-wrote) and “Here She Comes”

                It was a joy to witness a record which was given no hope (by the snide music press) gather genuine grass roots, word of mouth praise over the ensuing decades until it ended up being seen as a classic pop record, Shoegaze or otherwise.

                STAFF COMMENTS

                Andy says: One of my favourite albums given a beautiful reissue on glorious coloured vinyl. I loved their comeback LP but for me, this is their best record.

                FORMAT INFORMATION

                Coloured LP Info: Souvlaki is available as a limited edition of 4000 individually numbered copies on transparent & black (smoke-coloured) swirled vinyl. The package includes an insert and the cover jacket has a special airbrush finish.

                The Wannadies

                Be A Girl

                  Swedish rockers The Wannadies reached internationally stardom by releasing their third album Be A Girl. Single “You and Me Song” became the group’s biggest hit, peaking at number eighteen in the United Kingdom. The song featured on the soundtrack of Baz Luhrmann’s film Romeo + Juliet (starring Claire Danes and Leonardo DiCaprio). But the magic of the album goes further, “Might Be Stars” became another UK hit, and sounds exactly like the Britpop from that time. The sound of summer is what makes this record so wonderful, from the start to the end.

                  Be A Girl is available as a limited 25th anniversary edition of 1.000 individually numbered copies on transparent yellow vinyl.

                  FORMAT INFORMATION

                  LP Info: 180 gram audiophile vinyl with insert
                  Includes the massive pop single "You And Me Song"

                  Boo Radleys

                  Wake Up!

                    The Boo Radleys’ third album Wake Up! reached the number one spot in the UK album charts. Although their previous albums received critical acclaim, this was the album which opened the doors to a much bigger audience. One of the factors was the release of the sunny Britpop Top 10 single “Wake Up Boo!”. It became their biggest hit internationally and it was the most-played song on the UK radio in 1995. The second an third single, “Find The Answer Within” and “It’s Lulu”, also charted in the UK Top 40. Different styles of British pop can be found in their music, but most of the darkness of their previous records are replaced by the grand pop with big choruses and bright melodies. 

                    FORMAT INFORMATION

                    Coloured LP Info: Wake Up! is available as a limited edition of 1000 individually numbered copies on 180 gram, audiophile, turquoise vinyl.

                    Haircut 100

                    Pelican West Plus

                      Fun but clever ’80s New Wave pop act Haircut One Hundred scored a gigantic hit with their 1982 single “Love Plus One”. It was featured on their successful debut album Pelican West, peaking at 2 in the UK Album Chart and 31 in the Billboard 200. The pop rock record showcases their refreshing music with Conga and Brazilian percussion and woodwind and brass instruments. It contains a couple of outstanding tracks which defined the music of the New Wave acts. Feel good music as it should be

                      FORMAT INFORMATION

                      2xColoured LP Info: Pelican West Plus is available as a limited edition of 1000 individually numbered copies on yellow vinyl. This special edition includes a bonus LP with 5 extra tracks; “Nobody’s Fool (12” Version)”, “Ski Club”, “October Is Orange (Day 1& 2)”, “Boat Party”, “Favourite Shirts (Boy Meets Girl) (12”
                      Version)”. The package contains a 4-page booklet

                      Various Artists

                      Fear And Loathing - Original Soundtrack

                        Hunter S. Thompson’s weird and hallucinatory book Fear and Loathing in Las Vegas was in 1998 translated to the screen by director Terry Gilliam, and stars Johnny Depp and Benicio del Toro as Raoul Duke and Dr. Gonzo. The film details the duo’s journey through Las Vegas as their initial journalistic intentions devolve into an exploration of the city under the influence of psychoactive substances. The music is perfectly fitting in the psychedelic story of the movie. It contains songs used in the film with sound bites of the film before each song. The psychedelic and classic rock songs on the soundtrack includes songs from Big Brother and the Holding Company, Jefferson Airplane, Bob Dylan, Buffalo Springfield, and the Dead Kennedys. The movie Fear and Loathing in Las Vegas was a financial failure, but later gained a cult following and was eventually included in many “best of” movie lists. 

                        STAFF COMMENTS

                        Patrick says: I'm still not entirely sure how Terry Gilliam managed to successfully translate Hunter S. Thompson's lysergic literary trip to celluloid, but the killer soundtrack played an integral part. Alongside a proper hit parade of acid rock classics, and a deranged Elvis cover by The Dead Kennedys, there are three hallucinatory original compositions by Tomoyasu Hotei and Ray Cooper including the floating and Floyd-ian (Acid Spill).

                        FORMAT INFORMATION

                        LP 2 Info: The 21st anniversary Fear and Loathing in Las Vegas edition is available for the first time on vinyl, as a limited individually numbered edition of 2500 copies pressed on “Bat Country” black vinyl. This release got a laser etched D-side and secret inscriptions in the run-out grooves. Besides it contains an exclusive fold-out movie poster.

                        Moloko

                        Do You Like My Tight Sweater?

                          The English-Irish electronic/dance duo Moloko released their first album Do You Like My Tight Sweater? in 1995. It’s one of their most experimental records, before moving on to a more mainstream approach. Roisin Murphy is carrying the album with her versatile vocals, both in range and style, while Mark Brydon created the breakbeats, sound effects and groovy disco lines. This is electronica at its best, danceable and funky. The album includes their hits ““Fun for Me” and “Dominoid”, besides fan favourites like “Day for Night” and “Where Is the What If the What Is in Why?”. They never slow down in their exiting music and absurd lyrics, but that’s exactly what makes this record unforgettable. Pure joy to be danced on all night.

                          FORMAT INFORMATION

                          2xColoured LP Info: Do You Like My Tight Sweater? is available as a limited edition of 3000 numbered copies on turquoise vinyl. It's the first release of the Music On Vinyl Moloko series.

                          Todd Rungdren

                          Something/Anything?

                            Music On Vinyl presents Todd Rundgren the The A Wizard, A True Star series. The third album by the American musician is one of his all time highlights. Something / Anything? showcased how he managed to play all instruments on three sides of the record and produces the whole record as well. The album peaked at number 29 on the Billboard 200 and the single “Hello It’s Me” was a top-five hit in the US. What he created is a journey through time, with each side exploring other musical ideas. The first side is filled with catchy pop melodies, while side two is a more complex approach. During the third part it gets kind of heavy, and the last part is an operetta with a full band. The feature-length masterpiece remains the definitive showcase of all the talents he was born with.

                            Todd Rundgren is an American multi-instrumentalist, singer-songwriter, and record producer who has performed a diverse range of styles as a solo artist and as a member of the band Utopia. He is known for his stage outfits, experimental music and adopting computer technologies to describe his musical ideas. 

                            FORMAT INFORMATION

                            Coloured LP 2 Info: Something / Anything? is available as a limited edition of 1000 individually numbered copies on coloured (purple & solid red mixed) vinyl, and includes an 8 page folded insert.

                            Todd Rungdren

                            Runt

                              Reluctant to start a full-fledged solo career after leaving the Nazz, Todd Rundgren formed Runt, a band that was a front for what was in effect a solo project. Such isolationism lends Runt its unique atmosphere -- it is the insular work of a fiercely talented artist finally given the opportunity to pursue his off-kilter musical vision.

                              From the moment the slow, bluesy psychedelic grind of "Broke Down and Busted" starts the album, it's apparent that Rundgren could never have made Runt with the Nazz -- and that's before the introspective ballads or the willfully strange stuff kicks in. Throughout the record, Rundgren reveals himself as a gifted synthesist, blending all manners of musical styles and quirks into a distinctive signature sound. He's as interested in sound as he is in song and while he would later pursue these tendencies to extremes, Runt finds him learning how to create an effective sound with the studio, which may be the reason why the album runs the gamut from hard rockers like "Who's That Man?" to ballads like "Once Burned."

                              Although these songs are instantly appealing, the album really gets interesting when he reaches between those two extremes, whether it's in the classic pop medley "Baby Let's Swing," the bizarrely tongue-in-cheek "I'm in the Clique," or the equally impish "We Gotta Get You a Woman," which gave Rundgren his first hit. All the details buried within these songs -- not only in the deceptively direct productions, but within the writing itself -- confirm Rundgren's exceptional skill at songcraft. He occasionally slips on Runt, delivering tracks that rely on production instead of a blend of studiocraft and songcraft, but it remains a thoroughly impressive debut and one of his finest pop records--All Music

                              FORMAT INFORMATION

                              Coloured LP Info: 180 gramaudiophile vinyl
                              Includes insert
                              First release of Music On Vinyl/ Utopia series
                              Limited edition of 1,000 individually numbered copies on gold vinyl.

                              Melvins

                              Stag

                                The popular and influential American rock band The Melvins recorded their eight studio album Stag in 1996. It doesn’t sound like anything they recorded before, because they exploring new fields of music. The first notes of opener “The Bit” make it clear that they’re experimenting by bringing together the drone sounds of the sitar with the greatness of King Buzzo’s guitar riffs. The schizophrenia can be heard in the introductions of noise and ambience. The album even includes prog based music, like in the epic “Buck Owens”. It’s one hell of a ride, from sludge metal and experimental grunge to blues rock and pop. Another classic tune is “Bar-X and The Rocking M”, which explores the power of the trombone.

                                Starting at the early days of The Melvins guitarist Buzz Osborne and drummer Dale Crover created some influential pieces and are releasing records nowadays on a yearly basis. The variety of different musical styles they explored during their career made them popular in different fanbases. 

                                FORMAT INFORMATION

                                Coloured LP Info: 180g audiophile silver coloured vinyl, limited to 1000 numbered copies.

                                Melvins

                                Stoner Witch

                                  The true gods of the stoner underground music, the Melvins, released their album Stoner Witch in 1994. The album is one of their most successful releases and one where their musical capacities can be felt in the depth, powerful and experimental sounds. It melds the sound of their earlier records with some ambient and hardcore melodies. The monster anthem “Revolve” is a true masterpiece that breathes the southern rock and brings a handful of well crafted riffs. Another epic track and one of the best recordings by the Melvins is “At the Stake”. “Queen” is a much more radio friendly approach, but even in this song you’ll feel their traditional sound.

                                  The Melvins can be classified as one of the most versatile bands. They recorded albums which mixed influences from blues, pop, metal, rock, grunge and doom music. Even now they’re still performing and recording music like there’s no time to waste.

                                  FORMAT INFORMATION

                                  Coloured LP Info: 180g audiophile silver coloured vinyl, limited to 1000 numbered copies.

                                  The Modern Lovers

                                  Rock 'N' Roll With The Modern Lovers

                                    Rock ‘n Roll with the Modern Lovers is the second album released as Jonathan Richman and The Modern Lovers. The band, which is build around singer-songwriter and guitarist Jonathan Richman, almost totally focuses on the sound from the ‘50s. The lo-fi record breathes folky roots music and rock ‘n roll as it would sound ages ago. “Ice Cream Man”, “Egyptian Reggae” (earning them a UK Top 5 hit) and “Roller Coaster by the Sea” are all superb songs, uncomplicated and wonderful. This is one of the most remarkable projects recorded by Jonathan.

                                    The Modern Lovers were formed in 1970 by teenage singer, songwriter, guitarist Jonathan Richman, augmented with Jerry Harrison (keyboards), Ernie Brooks (bass) and David Robinson (drums), with Richman’s friend and original band member John Felice joining them occasionally.

                                    FORMAT INFORMATION

                                    Coloured LP Info: 180 gram audiophile.
                                    Limited edition of 1500 audiophile turquoise coloured vinyl.

                                    The Cramps

                                    Flamejob

                                      The garage punk band The Cramps returned in 1994 with their sixth studio album Flamejob. Wild vocals from Lux Interior and the creepy guitar work from Poison Ivy marks one of their most energetic performances in quite a long time. The whole album centres on the subjects sex, drugs and rock ‘n roll. Most of the tracks clocking just beneath the 3 minutes and the album contains multiple covers. The most famous one of them is “Route 66”, which is infused with the famous Cramps sound. 

                                      FORMAT INFORMATION

                                      Coloured LP Info: Flamejob is available as a limited 25th anniversary edition of 2000 individually numbered copies on flaming (orange & yellow swirled) vinyl. The package includes an insert.

                                      The Dandy Warhols

                                      The Dandy Warhols Come Down

                                        The Dandy Warhols released their second album ...The Dandy Warhols Come Down in 1997. The album spawned three singles “Not If You Were the Last Junkie on Earth”, “Every Day Should Be a Holiday” and “Boys Better”. The final album featuring drummer Eric Hedford consists of excellent chord progressions and brilliantly produced tracks. It’s modern indie rock in which they blend different layers of music. In 2001, the band rose to new levels of fame after their song “Bohemian Like You” was included in a Vodafone advertisement.

                                        The Modern Lovers

                                        The Modern Lovers - Coloured Vinyl Version

                                          This is the eponymous debut studio album by the American Rock band The Modern Lovers, originally released in 1976. Six tracks (“Roadrunner”, “Astral Plane”, “Old World”, “Pablo Picasso”, “She Cracked” and “Someone I Care About”) were produced by John Cale. They influenced numerous aspiring punk rock musicians on both sides of the Atlantic, including the Sex Pistols, whose early cover of “Roadrunner” was placed on The Great Rock ‘n’ Roll Swindle. The album was included in Robert Dimery’s 1001 Albums You Must Hear Before You Die. In 2003, the album was listed on Rolling Stone magazine’s list of the 500 greatest albums of all time.

                                          The Modern Lovers were formed in 1970 by teenage singer, songwriter, guitarist Jonathan Richman, augmented with Jerry Harrison (keyboards), Ernie Brooks (bass) and David Robinson (drums), with Richman’s friend and original band member John Felice joining them occasionally.

                                          The Modern Lovers is available as a limited edition of 3500 individually numbered copies on silver coloured vinyl.

                                          STAFF COMMENTS

                                          Andy says: Sounding like a chunkier Velvet Underground, blasted into the Seventies, this is crammed full of classic songs and incredible words. One of the best albums ever!

                                          FORMAT INFORMATION

                                          LP Info: 180 GRAM AUDIOPHILE VINYL
                                          LIMITED EDITION OF 3500 INDIVIDUALLY NUMBERED COPIES ON SILVER COLOURED VINYL

                                          Richard Hawley

                                          Lowedges - Clear Vinyl Edition

                                            More gorgeous, late night, storytelling songs by the erstwhile Pulp and Longpigs guitarist. Hawley croons lovelorn words which evoke the late 50s in their charm and sweetness. Musically it's pretty and melodic, acoustic guitar ballads, lushly fleshed out with lapsteel, vibes, Mellotron and shimmery, echoey electric (guitar). Warm, poetic and inviting, this is a beautiful record and a balm for aching hearts everywhere!

                                            To celebrate his new album "Further" our good friends at Music On Vinyl have presented to us the three Setanta albums from their back catalogue. A super limited one off pressing with just 275 of each available on clear wax - gotta move quick on these pop pickers!

                                            Richard Hawley

                                            Richard Hawley - Clear Vinyl Edition

                                              Before the release of this 7 track mini album in 2001, Richard Hawley was solely know as a guitarist, having been a member of The Longpigs and touring guitarist for Pulp. With this album though, he demonstrated his knack for writing a killer tune and it was our first introduction to THAT VOICE.

                                              Both this and the following full length album, "Late Night Final" are absolutely timeless albums that draw on a rich musical history and could have as easily been written in the middle of the 20th century as the start of the 21st: His rich baritone vocals crooning over gorgeous guitar melodies and hushed drums.

                                              To celebrate his new album "Further" our good friends at Music On Vinyl have presented to us the three Setanta albums from their back catalogue. A super limited one off pressing with just 275 of each available on clear wax - gotta move quick on these pop pickers!

                                              Morphine was an American alternative rock group formed by Mark Sandman, Dana Colley, and Jerome Deupree in Cambridge, Massachusetts in 1989. The band combined blues and jazz elements with more traditional rock arrangements, giving the band an unusual sound. The band enjoyed positive critical appraisal. In the United States the band was embraced and promoted by the indie rock community, including public and college radio stations and MTV’s 120 Minutes. Internationally the band enjoyed high-profile success, especially in Belgium, Portugal, France and Australia.

                                              Cure for Pain is the second album by Morphine, originally released in 1993. The tracks “Sheila” and “In Spite of Me” were prominently featured on the soundtrack of the 1994 independent film Spanking the Monkey. The video for “Thursday” appeared on an episode of Beavis and Butt-head and the track “Buena” appears in the first season of The Sopranos.

                                              STAFF COMMENTS

                                              Laura says: Guitars replaced by tenor sax and two string bass, sounds like an unlikely recipe for rock success, but on their second album, Cure For Pain, Morphine delivered on the promise that their debut had hinted at. Merging upbeat, jazz-infused blasts and gloomy slo-mo bluesy Americana, the unconventional instruments work perfectly to create a unique sound and atmosphere. At the time of it's release - at the height of grunge, this album stayed largely under the mainstream radar, but it still stands up today as a great alternative rock album.

                                              FORMAT INFORMATION

                                              Coloured LP Info: 180 GRAM AUDIOPHILE COLOURED VINYL
                                              4 PAGE INSERT

                                              Various Artists

                                              Breaking Bad OST

                                                THIS IS A RECORD STORE DAY 2019 EXCLUSIVE, LIMITED TO ONE PER PERSON.

                                                180 gram audiophile vinyl PVC protective sleeve Gatefold sleeve with UV-spot Varnish (TBC) A selection of defining songs, featured in the five seasons of Breaking Bad Exclusive Breaking Bad postcard (TBC) Exclusive Breaking Bad sticker-sheet with logo’s (TBC) 4-page booklet with exclusive pictures and credits (TBC) 2 printed innersleeves with pictures (TBC) Secret inscriptions in run-out groove Essential Breaking Bad songs by Gnarls Barkley, Bob James, J.J. Cale, The Monkees, Beastie Boys, Badfinger, Fever Ray, Whitey, The Bambi Molesters and others Limited edition of 3000 individually numbered copies on crystal clear vinyl. 600 in UK Breaking Bad is one of the most critically acclaimed television shows of all time. Following its premiere in 2008, the show's five-season run won 16 Emmy Awards and earned 58 nominations and continues to appeal to new fans every day in over 170 territories worldwide. The series follows the story of Walter White, a desperate man who turns to a life of crime to secure his family's financial future, and is supported by an impressive soundtrack. Music from a variety of styles and decades can be heard throughout the 5 seasons of the series. Music On Vinyl releases a special Record Store Day 2LP soundtrack, containing a selection of defining songs from the series. The soundtrack includes tracks by Dave Porter, Gnarls Barkley, J.J. Cale, Los Cuates de Sinaloa, The Beastie Boys, Badfinger, Nat King Cole and The Monkees. The Breaking Bad release is housed in a gatefold sleeve with UV-spot varnish. The package includes an Breaking Bad postcard and sticker-sheet with logo’s. To understand the story behind the songs we including a 4-page booklet with exclusive pictures and extensive liner notes by Thomas Golubic, Breaking Bad's music supervisor

                                                Ian Brown

                                                Unfinished Monkey Business

                                                  Ian Brown was left high and dry when the Roses split in April '96 and rumours spread that he'd left the music industry for good. Truth is: he almost had! Ian had considered gardening or even selling Roses bootlegs, he felt so disenchanted with  what he'd described as the filthiest business in the world. Apparently it was the will of the people, fans he'd bump into on the street, that constantly encouraged him to get back to it. So it was that 18 months later, around Christmas of 97, his first single as a solo artist was riding our airwaves. It did not disappoint!

                                                  The new tunes were superb, but the sound was a refreshing if not puzzling surprise:warm, fuzzy, ocassionally distorted, analogue even lo-fi sounds; clanking drum machines and bashed on acoustic guitars. This was the kind of groovy curio you'd be more likely to find on (Beastie Boys' cool as fuck) Grand Royale than on Ian's new major label. Apparently they begged him for a "name" producer or remixer, but ever his own man, Ian refused.

                                                  Mani from The Roses played over a classic Reni shuffle on Can't See Me, which along with My Star (the previously mentioned debut single) and the glorious  Corpses In Their Mouths , smashed into the Uk Top 20, in the days when these things mattered! Elsewhere, the wah-wah laden What Happened To Ya (pure Roses, apparently about the Roses) and epic Ice Cold Cube (one of his greatest ever songs: heavy, dark and mega-melodic) nicely completed the Massive Tune Quota whilst the bluesy and bonkers Lions and squelchy and sleezy Deep Pile Dreams offered texture and variety to an already varied palette. Sunshine sounds like Syd, smashing a song out on an acoustic guitar, one to one in a bedroom. The title track recalls Lee Perry in its cute'n' wonky catchiness.

                                                  All in all: a triumph, then. Not shouting from the rooftops, like in his "first band on the moon" pomp, but a small and very satisfying step in what would turn out to be a very succeesful and much loved solo career.

                                                  STAFF COMMENTS

                                                  Andy says: Hilariously (and aptly) christened King Monkey by the drummer of Dodgy, of all people, this was the first installment of Ian Brown solo music. Independent and original, it's still one of his best records, after all these years.

                                                  FORMAT INFORMATION

                                                  Ltd LP Info: 180 gram audiophile edition.
                                                  Printed inner sleeve.

                                                  Matthew Sweet

                                                  Altered Beast

                                                    Matthew Sweet is an American singer-songwriter and rock musician. He was part of the burgeoning music scene in Georgia during the ‘80s, before gaining commercial success in the ‘90s. His fourth album Altered Beast was recorded together with some famous musicians, like Mick Fleetwood (Fleetwood Mac), Jody Stephens (Big Star) and Richard Lloyd (Television). It covers all sides of his musical personality, going from country-rock to punk. It’s a quite dark album, presenting Sweet’s pain in different aspects of life. “I don’t like knowing people. I don’t like people knowing about me” he sings. The best part is just to see this album grow after a few listens and that’s when it all falls together.

                                                    Altered Beast is available as a first pressing of 1.000 individually numbered copies on transparent blue coloured vinyl.

                                                    FORMAT INFORMATION

                                                    Coloured LP Info: Limited numbered copies on transparent blue coloured vinyl.

                                                    Hawkwind

                                                    Hawkwind

                                                      Hawkwind’s debut album is an extensive mix of psychedelic and progressive rock, resulting in the so called space-rock. As one of the pioneers in this genre they recorded a bunch of deep soundscapes, combining the best of different genres. The sound of the band is original and the approach is naive in a good sense. This debut can be seen as the highlight of their career, capturing the true spirit of this raw and communal musical movement. The Pretty Things guitarist Dick Taylor produced the debut album by Hawkwind, after he had left his former group.

                                                      FORMAT INFORMATION

                                                      LP Info: 180 gramaudiophile vinyl
                                                      Gatefold sleeve

                                                      Bernard Hermann

                                                      Taxi Driver

                                                        You talkin’ to ME?’; undeniably one of the most famous quotes from movie history and from one of its most memorable characters. Travis Bickle, the frustrated Vietnam veteran in Taxi Driver; the lonely nut obsessed with sex and violence who takes a job as a cabbie to battle his insomnia. Robert De Niro’s legendary performance ensured that this Scorcese classic ended up on many a ‘best movie of all time’ lists.

                                                        Bernard Hermann’s score is comprised primarily of a brass section mixing with a saxophone theme. The music swings back and forth, to amplify Travis’ deteriorating mental state. Layered atop the two key components are harps, woodwinds, and even noises of the city, like a nearby drum kit or the music of a theater. It was also Bernard Hermann’s last ever soundtrack. He died just a few hours after completing the score. Like no other he composed a dark and threatening atmosphere that drags you into Bickle’s twisted mind.

                                                        FORMAT INFORMATION

                                                        Coloured LP Info: Limited yellow coloured LP, only 600 copies in UK

                                                        Pentangle

                                                        Basket Of Light

                                                          Basket of Light is the most progressive and complex release by the British folk-rock group Pentangle. Traditional English folk songs are reinterpreted with a mix of jazz, pop and rock influences. Everything their previous works promised is fulfilled here. The album opener “Light Flight” has become their signature song. If there is a prog folk masterpiece then it is Basket Of Light. Pentangle proved they could release a progressive, ground-breaking work without keyboards, much studio trickery or even electric instruments.

                                                          The original Pentangle was active in the late 1960s and early 1970s. The original line-up includes Bert Jansch (vocals & guitar) and John Renbourn (vocals & guitar).


                                                          Cranes

                                                          Wings Of Joy

                                                            Cranes’ first full-length album Wings of Joy was released back in 1991. The strange combination between gothic sounds on one side and the dream pop on the other side marked a new decennia of music.

                                                            It’s one of those debut releases which throws you straight into the deep end. The varied tracks alternated between the heavier and lighter songs. It is gloomy, haunting and almost sinister in its atmosphere despite being made up almost entirely of piano and synth melodies.

                                                            Siblings Alison and Jim Shaw formed the band Cranes back in 1989. They recorded several successful albums, including 1991s Wings of Joy and 1994s Loved.

                                                            FORMAT INFORMATION

                                                            Coloured LP Info: First pressing of 1,500 individually numbered copies on 180 gram audiophile vinyl!

                                                            I Am Kloot

                                                            I Am Kloot

                                                              I am Kloot is the second album of the band by the same name. Their music is haunting, melodic and smooth. This second piece yielded five singles, including the hits “Life in a Day” and “3 Feet Tall”. It’s much more than just a standard rock album as it’s expanse their dark and fractured sound. Songs like “From Your Favourite Sky” and “Proof” are just brilliant and shows how they developed after their first release from two years earlier. It’s all a bit more streamlined than before but that’s the strength of the band. John Bramwell is a fine songwriter who created this beautiful marvel.

                                                              I am Kloot was as one of the most interesting bands of its time. Formed from the ashes of The Mouth they stood up and released some very successful releases

                                                              FORMAT INFORMATION

                                                              Coloured LP Info: 180 gram audiophile vinyl.
                                                              Gatefold sleeve including insert.
                                                              Limited edition of 1000 individually numbered copies
                                                              on transparent vinyl.

                                                              Death In Vegas

                                                              The Contino Sessions

                                                                Scorpio Rising is the third album by British electronica band Death in Vegas, which features guest vocalists Liam Gallagher, Hope Sandoval, Nicola Kuperus, and Paul Weller. Death in Vegas’ Richard Fearless and Tim Holmes created one of their finest records by combining synths with guitar rock and psychedelia. A taste of “My Bloody Valentine” and some electro pulses are thrillingly constructed in the different parts of the album. They’re using different samples in their sounds, so you can hear classics like “Rock Around the Clock” (Bill Haley & His Comets) and “Goin’ Back” (The Byrds). Several songs on the album have appeared on film soundtracks, “Girls” is featured on the soundtrack to the 2003 film Lost in Translation and “Hands Around My Throat” is featured on the Animatrix soundtrack.

                                                                Richard Fearless is the only active member of the original Death in Vegas line-up. Their sound is influenced by rock, dub and industrial music.

                                                                .

                                                                STAFF COMMENTS

                                                                Andy says: Iggy Pop, the Mary Chain's Jim Read and Primal Scream's Bobby Gillespie all feature on this classic genre-busting album.

                                                                FORMAT INFORMATION

                                                                2xColoured LP Info: The first pressing of Scorpio Rising is available as 2.500 individually numbered copies on red vinyl.


                                                                Cranes

                                                                Self-Non-Self

                                                                  After releasing their first EP Fuse, Cranes expanded to a four-piece band and recorded Self-Non-Self. The increased textures and drum slams showing their improvements. The dark sounds are a combination of industrial and post-punk music. “One From The Slum” is an instrumental piece and one of the highlights of this versatile record. Alison Shaw’s lonely voice is setting the tone on this breathtaking album. She’s singing with deeper tones on a track like the industrial “Focus Breathe”. The re-release bonus tracks include the live song “Reach” and the rough and doomy “Nothing In The Middle, Nothing At The End”.

                                                                  Siblings Alison and Jim Shaw formed the band Cranes back in 1989. They recorded several successful albums, including 1991s Wings of Joy and 1994s Loved.

                                                                  Self-Non-Self limited 30th anniversary edition of 1.000 individually numbered copies is pressed on coloured (black & pink mixed) vinyl.

                                                                  Aphrodite's Child

                                                                  666

                                                                    Aphrodite’s Child last album 666 is a masterpiece and their most critically acclaimed album. It took more than a year to finish, and by the time it was released, in 1972, the band had already split up. The psychedelic atmosphere of their early work in combination with their search through new music territories are done well. This true classic became recognized as one of the most important efforts in early progressive rock. The three band members showing their variety and the little twists they putted in the songs. Greek influences playing an important role in the long jams and greater use of electronic keyboards, studio experimentation and expanded instrumentation.

                                                                    666 is an odyssey through the realms of progressive music and one where all their talents ultimately blended together.

                                                                    FORMAT INFORMATION

                                                                    2xColoured LP Info: Red coloured vinyl

                                                                    Death In Vegas

                                                                    Scorpio Rising

                                                                      Scorpio Rising is the third album by British electronica band Death in Vegas, which features guest vocalists Liam Gallagher, Hope Sandoval, Nicola Kuperus, and Paul Weller.

                                                                      Death in Vegas’ Richard Fearless and Tim Holmes created one of their finest records by combining synths with guitar rock and psychedelia. A taste of “My Bloody Valentine” and some electro pulses are thrillingly constructed in the different parts of the album. They’re using different samples in their sounds, so you can hear classics like “Rock Around the Clock” (Bill Haley & His Comets) and “Goin’ Back” (The Byrds).

                                                                      Several songs on the album have appeared on film soundtracks, “Girls” is featured on the soundtrack to the 2003 film Lost in Translation and “Hands Around My Throat” is featured on the Animatrix soundtrack. Richard Fearless is the only active member of the original Death in Vegas line-up. Their sound is influenced by rock, dub and industrial music

                                                                      FORMAT INFORMATION

                                                                      Coloured LP 2 Info: 180 gram audiophile double vinyl.
                                                                      Gatefold sleeve.
                                                                      Printed innersleeve.
                                                                      Featuring Liam Gallagher an Paul Weller.
                                                                      First pressing of 2,500 individually numbered copies.
                                                                      Red vinyl.

                                                                      Various Artists

                                                                      OST - Breaking Bad (Music From The Original Series)

                                                                        First time on vinyl the10th Anniversary of the Breaking Bad TV Series

                                                                        5 x 10” vinyl in 5 different jackets, 1 relating to each season

                                                                        Each 10” is the same colour, Strictly Limited Edition Albuquerque Crystal

                                                                        Coloured (transparent with a hint of turquoise) Vinyl!

                                                                        Lift off box-set with Breaking Bad logo on front with special drip-off varnish

                                                                        Exclusive Breaking Bad Poster & Pollos Hermanos plastic ID badge

                                                                        Booklet with exclusive pictures and extensive liner notes by Thomas, the musical supervisor of Breaking Bad

                                                                        All the essential Breaking Bad songs by Badfinger, Calexico, Far East Movement, America, Fever Ray, Apparat, Whitey, Knife Party, The Peddlers and others Various dialogies by Walter, Jesse, Skyler, Mike, Gus, Saul and many more. This release will be heavily promoted on social media, including the social media accounts of Breaking Bad (facebook, over 11 million followers!!!).


                                                                        So far only the score music has been released on vinyl and now finally, for the very very first time, the original soundtrack music is released on vinyl! Breaking Bad is widely regarded as one of the greatest television series of all time and celebrates its 10th anniversary in 2018.The legion of fans have been waiting for this to be released for a long time. There will be a huge demand for this exclusive BOX-SET!This release was never released in any other format (CD, vinyl, digital) before and will only be available on vinyl!

                                                                        OST Breaking Bad (Music From The Orginal Series) is presented in a beautiful Lift off box-set with Breaking Bad logo on front with special drip-off varnish. The box-set includes a selection of defining songs, devided in five 10” records on coloured vinyl, each representing a season with accessory artwork. The numbered box-set also includes a booklet, poster and Pollos Hermanos plastic ID Badge. Next to all essential Breaking Bad songs by Badfinger, Calexico, Far East Movement, America, Fever Ray, Apparat, Whitey, Knife Party, The Peddlers and others, the 10” records also include various dialogies by Walter, Jesse, Skyler, Mike, Gus, Saul and many more. 

                                                                        FORMAT INFORMATION

                                                                        5x10" Info: 5x10" limited boxset .

                                                                        FREE SHIPPING This item has FREE UK shipping!

                                                                        The Meters

                                                                        The Meters

                                                                          The Meters is the debut studio album by the band of the same name. It’s an essential album in the funk scene and one that contains a lot of energy and soul. Organist Art Neville led the quartet which consisted of guitarist Leo Nocentelli, the rhythm section of bassist George Porter and drummer Joseph “Zigaboo” Modeliste. New Orleans funk in their beauty of simplicity, it’s what makes this album so remarkable. Each and every songs is brimming with hooks, melody and variety. Deep grooves on the single hit “Cissy Strut” and guitar riffs echoing throughout “Ease Back”.

                                                                          The Meters are considered the true originators of funk along with artists like James Brown. Their work is influential on many other artists. They have been nominated for the Rock and Roll Hall of Fame four times, the last time in 2017. 

                                                                          The 1973 album continues in the same vein as Ball of Eyes, though it’s definitely more funky and head boppin’ than the debut. The real ear grabber is the superb Moog soloing by Moulin. Placebo is grooving your socks off in the first half of the album and a more concentrated jazzy swing can be found on the second half. Original copies of 1973 are in short supply and overwhelming demand, making this official reissue a much needed one!

                                                                          Marc Moulin (1942 - 2008) was a Belgian musician and journalist. In the early Seventies he was the leader of the Jazz-Rock group Placebo. Moulin was one of Belgium’s jazz legends, making jazz-influenced records for over 30 years. Marc Moulin’s three Placebo albums are the ‘Holy Grail’ for the rare groove crowd, a sector of music fans who love that unique 70s style of cool.

                                                                          In memory of the death of Marc Moulin 10 years ago 1973 is now available as a limited edition of 1.000 individually numbered copies on white coloured vinyl.

                                                                          FORMAT INFORMATION

                                                                          Coloured LP Info: 180 gram on limited edition white vinyl

                                                                          Placebo’s eponymous third album is glossy, elaborate Benelux Jazz-Rock which could be labelled Library music as well - having themes that could easily accompany a cult 70’s detective series. Its seductive rhythms, combined with tasteful arrangements, make this LP difficult to walk away from. The grooves go deeper compared to their earlier works and the solos are intense and unique.

                                                                          Marc Moulin (1942 - 2008) was a Belgian musician and journalist. In the early Seventies he was the leader of the Jazz-Rock group Placebo. Moulin was one of Belgium’s jazz legends, making jazz-influenced records for over 30 years. Marc Moulin’s three Placebo albums are the ‘Holy Grail’ for the rare groove crowd, a sector of music fans who love that unique 70s style of cool.

                                                                          In memory of the death of Marc Moulin 10 years ago Placebo is now available as a limited edition of 1.000 Individually numbered copies on white coloured vinyl.

                                                                          FORMAT INFORMATION

                                                                          Coloured LP Info: 180 gram on limited edition white vinyl

                                                                          Swervedriver

                                                                          Ejector Seat Reservation

                                                                            The Oxford based alternative rock band Swervedriver released their third studio album Ejector Seat Reservation in 1995. Despite the little promotion and disappointing sales the album is widely considered as one of their strongest records. While listening to this record you’ll hear the true quality of this hidden gem. Besides the alternative rock the shoegaze and even bluesy influences are woven into their music. The fusion and variety of the songs which they recorded for this album are a little less on the shoegaze side compared to their previous two albums Raise and Mezcal Head. Ejector Seat Reservation is the band’s most complete record, best experienced as a whole.

                                                                            The Ejector Seat Reservation package includes a 4-page booklet and is available as a first pressing of 2.500 individually numbered copies on coloured (silver & black mixed) vinyl. 

                                                                            FORMAT INFORMATION

                                                                            Coloured LP Info: Silver & Black mixed-colour vinyl, also includes a 4-page booklet.

                                                                            Swervedriver

                                                                            Raise

                                                                              The Oxford based alternative rock band Swervedriver continued to develop themselves by implementing different music into their alternative rock and shoegaze sound. Their first album Raise can be categorized as an album with a heavy sound, but also some melodic parts. Their direct approach of the shoegaze sound can be heard by listening to a song like “Rave Down”. But they’re mainly focusing on the noisy and distortion guitar lines. While listening to the classic “Son of Mustang Ford” you feel the roaring engine run and are drifting back into the American landscape. It’s one out of the fascinating 9 tracks, with solid hooks and shiny guitar riffs. Twisted relationships get’s their punchline on the epic “Deep Seat”. The great debut album meant the start of a great career which haven’t been finished to this date.

                                                                              Swervedriver’s heavy days have not yet been gone. Since their reformation in 2008 they’re touring all around the world and in 2018 they hit the stage again. There latest release “I Wasn’t Born to Lose You” dated from 2015 and meant their return in the shoegaze revival

                                                                              STAFF COMMENTS

                                                                              Andy says: Incredible debut album from 1991 finally gets a reissue. This lot were so untypical of the Creation "sound", and all the better for it!

                                                                              FORMAT INFORMATION

                                                                              Coloured LP Info: 180 gram audiophile vinyl, including insert.
                                                                              First pressing of 2,500 individually numbered
                                                                              copies on transparent red vinyl.


                                                                              The album was the first (and only) The Art of Noise album to spawn two UK top 20 hit singles; “Peter Gunn” and “Paranoimia”.

                                                                              The original album is remastered and this reissue features 17 extra tracks above the very original vinyl LP edition of In Visible Silence. The second LP features some previously unreleased tracks.

                                                                              All tracks are taken from the original master tapes and the remastering sessions were overseen by Anne Dudley, JJ Jeczalik and Gary Langan.

                                                                              It’s beautiful packed and we went full out for this one: gatefold, coloured, numbered, 4 page insert, 

                                                                              FORMAT INFORMATION

                                                                              2xColoured LP Info: 180g audiophile vinyl, gatefold sleeve, printed innersleeves, 4 page booklet. Remastered and expanded edition of 1500 individually numbered copies on transparent blue vinyl.

                                                                              Mohawks

                                                                              The Champ

                                                                                THIS IS A RECORD STORE DAY 2018 EXCLUSIVE, LIMITED TO ONE PER PERSON.

                                                                                50 years ago, The Mohawks, a group of session musicians assembled by Alan Hawkshaw, released The Champ. This Hammond infused dance groove went on to be one of THE essential Hip-Hop samples of all time. Originally released in 1968, the legend of The Champ has continued to grow, there is a Wikipedia page dedicated to the track, and WhoSampled lists 641  tracks that have used it’s groove – an A list of Hip-Hop and Rap royalty including Eric B & Rakim, Mantronix, Afrika Bambaataa, Onyx, Nas, DJ Shadow, Method Man, Ice Cube, Easy E… and many more!  If it’s good enough for them, it’s good enough for you! Grab a slice of Hip Hop history for RSD 2018

                                                                                Roy Harper

                                                                                Return Of The Sophisticated Beggar

                                                                                  Roy Harper’s first solo album was originally released in 1966, The Sophisticated Beggar, and by 1970 he had met up with Pink Floyd manager Peter Jenner and re-released his debut as Return Of The Sophisticated Beggar.

                                                                                  Roy Harper’s music can be best defined as progressive folk, but as his work is so varied there are many instances where his music transgressed these genre confinements.

                                                                                  He worked alongside greats like Jimmy Page of Led Zeppelin, David Gilmour of Pink Floyd, The Nice, Kate Bush and Ian Anderson of Jethro Tull. Roy Harper is also recognized for his vocal contribution on “Have A Cigar”, the third track on Pink Floyd’s 1975 album Wish You Were Here.

                                                                                  FORMAT INFORMATION

                                                                                  LP Info: 180g audiophile vinyl re-issue of his debut folk rock album.

                                                                                  Tasty, seven tune set from jazz maestro and be-bop pioneer Thelonious Monk. Joined by Larry Gales on bass, Ben Riley on drums and Charlie Rouse on tenor sax it features tracks from Monk's songbook throughout the 40s and 50s and is produced by Teo Macero. It finds the group in proficient and accessible form, with melodic solos and easy to absorb arrangements; yet exciting, energetic and inventive enough to garner praise from more avant stars like John Coltraine. A great glimpse into this monolith of jazz... 



                                                                                  Tindersticks

                                                                                  Simple Pleasures - Expanded Vinyl Edition

                                                                                    Tindersticks is an English alternative rock band formed in 1991 by Stuart Staples, Dave Boulter, Neil Fraser, Dickon Hinchliffe, Al Macaulay and John Thompson. In 1993 they released their first self-titled album, and the following years they recorded several albums, documentaries and film soundtracks. During the 90s Tindersticks stood apart with their dark, literary lyrics and melancholy orchestrations and were a different breed as both the British indie scene and the Brit-Pop sound dominated the UK charts.

                                                                                    Their fourth album Simple Pleasures steered the group into snappier and lighter songs, however the liner notes proved that the recording process was a painstaking experience. The respectful cover of Odyssey’s “If You’re Looking For A Way Out” is a perfect example of their new influences by soul, gospel and jazz music.

                                                                                    This Music On Vinyl Expanded Edition features the original album (9 Tracks) and no less than 12 bonus tracks, including “Twisted Wheel” (which is the demo version of “Can We Start Again”) and the Adrian Sherwood remix of “I Know That Loving”. 

                                                                                    FORMAT INFORMATION

                                                                                    2xLP Info: 180 Gram vinyl and 12 bonus tracks

                                                                                    The Ting Tings

                                                                                    We Started Nothing

                                                                                      We Started Nothing is the debut studio album by English indie pop duo The Ting Tings. Jules & Katie’s combination of dance, indie pop and new wave proved to be one of the hottest things in 2008. The result being the album peaking at number one in the UK Albums Chart.

                                                                                      We Started Nothing spawned no less than six hit-singles, including “That’s Not My Name”, which reached number one on the UK Singles Chart.

                                                                                      Eventually, the band, the album and several singles and videos were nominated for a variety of NME, MTV, Grammy and Brit awards. The Ting Tings won the MTV Award for best UK act and “Shut Up and Let Me Go” won the award for best UK video.

                                                                                      For the first time since its original release, both international and UK front covers are brought together in one package. The latter being the innersleeve. This package also contains a 6-panel insert, including pics, credits and lyrics.

                                                                                      To top it off, the first pressing is a strictly limited 10th Anniversary edition. 1.000 individually numbered copies are pressed on silver & blue mixed vinyl. A very cool combination for one of the coolest albums of the last decade. We ain’t fakin’ this!

                                                                                      FORMAT INFORMATION

                                                                                      LP Info: Limited edition coloured vinyl, blue and silver mixed

                                                                                      Idris Muhammad

                                                                                      Power Of Soul

                                                                                        Idris Muhammad was an American jazz drummer who recorded extensively with many musicians, including Bob James, Ahmad Jamal, Lou Donaldson, Pharoah Sanders, John Scofield, George Benson, Lonnie Smith and Tete Montoliu.

                                                                                        Power of Soul is his best known album and is one of the reasons that Idris Muhammad is regarded as the drumming king of groove. Featuring the arrangements and keyboards of Bob James, the saxophone punch of Grover Washington, Jr., guitarist Joe Beck, trumpeter Randy Brecker, percussionist Ralph MacDonald, and the knife-edge slick production of Creed Taylor, this 1974 album is a burning piece of deep, jazzy soul and grooved-out bliss.

                                                                                        The album includes the tune “Loran’s Dance”, which received considerable airplay on jazz radio stations and was sampled by Beastie Boys (“To All The Girls” and “B-Boy Bouillabaisse”) and Fatboy Slim (“The Weekend Starts Here”). “Power Of Soul” was sampled by Notorious BIG (“Ready To Die”) and The Game featuring Anderson.Paak (“80s and Cocaine”).

                                                                                        FORMAT INFORMATION

                                                                                        LP Info: 180 gram vinyl

                                                                                        The Coral

                                                                                        Magic And Medicine

                                                                                          The Coral are an English rock band, formed in 1996 by Ian Skelly, Paul Duffy, James Skelly, Lee Southall and Bill Ryder-Jones. The band first emerged during the early 2000s and found success with their debut album The Coral [MOVLP338]. Their self-titled debut album was nominated for the 2002 Mercury Music Prize and later voted the fourth best album of the year by NME Magazine.

                                                                                          Magic and Medicine is the second album by The Coral, released in 2003 in the United Kingdom, where it debuted at number 1 in the charts. The singles “Don’t Think You’re the First” and “Pass It On” entered the top ten in the UK.

                                                                                          The album title originates from a lyric in Time Travel, the hidden track on the band’s debut album: “Well there’s a war going on, ain’t the obvious one. It’s between magic and medicine”.

                                                                                          This is The Coral’s last album with Bill Ryder-Jones, who departed in 2008 to start a very successful solo-career.



                                                                                          FORMAT INFORMATION

                                                                                          Coloured LP Info: 180 GRAM AUDIOPHILE VINYL
                                                                                          PRINTED INNERSLEEVE
                                                                                          INCLUDES 4 PAGE BOOKLET
                                                                                          FEATURING THE SINGLES “PASS IT ON”,
                                                                                          “DON’T THINK YOU’RE THE FIRST” AND“SECRET KISS”
                                                                                          FIRST PRESSING OF 1.500 NUMBERED
                                                                                          COPIES ON ‘FLAMING’ VINYL

                                                                                          Catherine Wheel

                                                                                          Chrome

                                                                                            Long before groups like Oasis and Blur provoked cross-Atlantic media hype, Catherine Wheel were evolving the Britpop style that typifies the genre’s distinction. With the release of Chrome in 1993, they advanced their dreamy pop to the rock sound.

                                                                                            It’s not like Catherine Wheel established their sound with Chrome, either. Ferment [MOVLP1880] was considered their supposed magnum opus, with the extremely successful lead-single “Black Metallic”. Chrome is more appropriately described as a perfection of their established sound, as the band’s metallic shoegaze is refined in terms of both intensity and melodic-content. Every element that made Ferment so memorable and enjoyable is amplified in this release. Rob Dickenson sings with perfect tenor appeal on tracks like “Kill Rhythm” and “Crank,” highlighting the personal temperaments which shape the album.

                                                                                            There are quite a few album covers out there that flawlessly encapsulate the atmosphere and/or mood of the music contained. Chrome has one of those covers. It’s design came from the collective Hipgnosis, who gained international prestige for the cover of Dark Side Of The Moon by Pink Floyd.

                                                                                            Sit back, listen and experience this album. You might feel emotions you didn’t even know you had.

                                                                                            FORMAT INFORMATION

                                                                                            Coloured LP Info: 180 GRAM AUDIOPHILE VINYL
                                                                                            INCLUDES INSERT
                                                                                            COVER DESIGN BY HIPGNOSIS
                                                                                            FIRST PRESSING OF 1500 NUMBERED
                                                                                            COPIES ON SILVER VINYL

                                                                                            Ltd LP Info: Black vinyl edition.

                                                                                            Comus

                                                                                            First Utterance

                                                                                              First Utterance is the debut album of the progressive folk band Comus. It was released in 1971, with the opening song “Diana” being released as a single.

                                                                                              The album was notable for its unique blend of progressive rock, folk, psychedelia, and elements of paganism and the macabre. The overall thematic tone of the album is of vulnerable innocence facing abusive power, the songs dealing with violence (“Drip Drip”), rape (“Diana”, “Song to Comus”), and insulin shock therapy (“The Prisoner”). These themes contrast starkly with the acoustic sound of the record, featuring acoustic guitar, violin, flute, and lyrical, almost Arcadian, female harmonies.

                                                                                              References to Comus by other bands and artists include Opeth, citing its lyrics in album and song titles and tattoos. Experimental outfit Current 93 also covered “Diana” as the opening song on their 1997 LP Horsey.

                                                                                              The cover artwork was drawn in ball point pen by Roger Wootton, lead singer and songwriter of the band. The centrefold artwork was painted by guitarist Glenn Goring.

                                                                                              Reviews were favourable, such as the NME praised the album’s “highly unusual but fascinating sound” and Time Out said “the overall effect is unique”.

                                                                                              FORMAT INFORMATION

                                                                                              Coloured LP Info: UK silver coloured vinyl. Limited to only 150 copies.

                                                                                              There is funk, and there is Funk. This here is of course the latter. Struttin’ is the third studio album by the funk group The Meters, originally released in 1970. The first single was the song “Chicken Strut”. It reached #11 on the U.S. R&B Singles chart. It may not appear to be drastically different than its predecessors, at least not on the surface. After all, the title of the lead single “Chicken Strut” intentionally recalls their previous biggest “Cissy Strut,”and it has the same basic Meters groove. And if the essential sound remains unchanged, that’s because that organic, earthy funk is The Meters’ signature. Other groups have tried to replicate it, but nobody ever played it better. It was on this album The Meters introduced vocals to their style as well, with Art Neville’s leads on covers of Ty Hunter’s soulful uptown shuffle “Darling, Darling, Darling,” Jimmy Webb’s groovy ballad “Wichita Lineman,” and Lee Dorsey’s “Ride Your Pony” (the Meters provided support on the original recording).

                                                                                              FORMAT INFORMATION

                                                                                              LP Info: 180 Gram Vinyl

                                                                                              Captain Beefheart

                                                                                              Safe As Milk

                                                                                                Captain Beefheart's 1967 debut album Safe As Milk introduced the world to a one-of-a-kind visionary whose unique output had no precedent in contemporary music. Beefheart, aka Don Van Vliet, filtered the raw influence of the blues and R&B through his own singular musical sensibility and left-field lyrical wordplay, and surrounded himself with some of the most talented and inventive young musicians around. The result was an album that, even in the heady year in which it was released, sounded like nothing else, and the stage for one of rock's most iconoclastic and idiosyncratic careers.

                                                                                                With backup from the first, and perhaps finest, incarnation of Beefheart's legendary Magic Band (including future solo star Ry Cooder on guitar and teenage drum prodigy John "Drumbo" French), and production from future studio superstar Richard Perry, Beefheart unveils his fully-formed sound and vision on such landmark tracks as "Zig Zag Wanderer," "Abba Zaba," "Dropout Boogie," "I'm Glad" and "Electricity".

                                                                                                This Music On Vinyl edition includes a whole extra album featuring 7 bonus tracks.

                                                                                                Swervedriver

                                                                                                Mezcal Head

                                                                                                  Swervedriver are an English alternative rock band formed in Oxford in 1989 around core members Adam Franklin and Jimmy Hartridge.

                                                                                                  Mezcal Head is their second album, originally released in 1993. The album includes their most successful single “Duel”, which was awarded NME’s Single of the Week. The album turned out to be one of the hottest albums in 1993 and was recognized a masterpiece from start to finish of vintage dream-pop/shoe gaze on AllMusic with a 9/10 rating.

                                                                                                  Mezcal Head was ranked at number 265 on Spin’s “The 300 Best Albums of the Past 30 Years (1985-2014)” list. Alternative Press also ranked it #39 and #90 on their “90 Greatest Albums of the 90s” and “Top 99 Albums of ‘85 to ‘95” lists respectively. Pitchfork Media ranked the album #10 in their list of the top 50 shoegaze albums in 2016.

                                                                                                  Finally, for the first time since its original release in 1993, Mezcal Head is available on European soil. 

                                                                                                  Catherine Wheel

                                                                                                  Ferment

                                                                                                    The heavily sought after debut album Ferment by Catherine Wheel is finally pressed on vinyl again!

                                                                                                    In 2016, Pitchfork ranked the album at number 23 in their list of “The 50 Best Shoegaze Albums of All Time,” with Ben Cardew of the website commenting that “a good half of the songs on Ferment, their debut, are enduring shoegaze-disco classics, while “Black Metallic”, in its full seven-minute glory, makes a strong claim to being the genre’s ‘Stairway to Heaven’.”

                                                                                                    Ferment is the band’s most unique record; it serves as a fitting lens through which to view the group’s work throughout the 1990s. The album displays Catherine Wheel’s early attempts to meld drone-drenched shoegaze with heavy rock.

                                                                                                    After all these years, it is the record’s twin epics, “Black Metallic” and “Salt”, that immediately illustrate why Catherine Wheel was so meaningful to so many of the bands that came after them. “Black Metallic”, perhaps the group’s most famous single, is absolutely otherworldly.

                                                                                                    STAFF COMMENTS

                                                                                                    Andy says: Superb LP from the early nineties which was cruelly overlooked in the fallout from shoegaze. This is actually one of the greatest albums from that whole era, and time has born that out as it's gone on to garner massive cult status. If you're a fan of that genre (loved by the peeps, derided by the press) then you need this record.

                                                                                                    FORMAT INFORMATION

                                                                                                    LP Info: 180 gram audiophile vinyl with insert.
                                                                                                    25th year anniversary edition of the debut album.
                                                                                                    Includes “Black Metallic”, “Salt” and “I Want To Touch You”.

                                                                                                    Cowboy Junkies

                                                                                                    The Trinity Session

                                                                                                      The multi-platinum album The Trinity Session by Cowboy Junkies is the prove it’s possible to create a fantastic album overnight; it was recorded in the night of 27th November 1987 using just one microphone, a DAT recorder and the wonderful acoustics of the Holy Trinity in Toronto.

                                                                                                      The album includes a mixture of original material by the band and covers of classic folk, rock and country songs, including the band’s most famous single, a cover of The Velvet Underground’s “Sweet Jane”.

                                                                                                      The Trinity Session is completely remastered and includes 2 tracks that were previously not included on the album; “Blue Moon Revisited” and “Working On A Building”. The records are packed in a newly designed gatefold with additional photos and features new liner notes written by author and music editor Jason Schneider.

                                                                                                      The first pressing is an exclusive limited edition of 1.000 numbered copies on transparent red vinyl.

                                                                                                      FORMAT INFORMATION

                                                                                                      2xColoured LP Info: EXPANDED AND REMASTERED WITH ADDITIONAL PHOTOS
                                                                                                      AND 2 BONUS TRACKS,
                                                                                                      LIMITED EDITION OF 1.000 COPIES ON
                                                                                                      TRANSPARENT RED VINYL. JUST 300 IN UK!!

                                                                                                      2xLP Info: EXPANDED AND REMASTERED WITH ADDITIONAL PHOTOS
                                                                                                      AND 2 BONUS TRACKS

                                                                                                      The Coral

                                                                                                      Roots And Echoes

                                                                                                        The Coral are an English rock band, formed in 1996.
                                                                                                        The band first emerged during the early 2000s and found success with their debut album The Coral  and follow up Magic and Medicine . Their selftitled debut album was nominated for the 2002 Mercury Music Prize and later voted the fourth best album of the year by NME Magazine.

                                                                                                        Roots & Echoes is their fourth full-length studio album. It was originally released on 6 August 2007, and debuted in the UK Albums Chart at No. 8. The album spawned three hit singles; “Who’s Gonna Find Me”, “Jacqueline” and “Put the Sun Back”.

                                                                                                        This is The Coral’s last album with Bill Ryder-Jones, who
                                                                                                        departed in 2008 to start a very successful solo-career.

                                                                                                        FORMAT INFORMATION

                                                                                                        Coloured LP Info: The first (limited) run of this tenth anniversary edition is pressed on 180 gram transparent red vinyl. Only 1,500 copies are available. ONLY 500 IN UK!!!

                                                                                                        This classic album from 1973 saw its creator, Lee ‘Scratch’ Perry exploring synths and starting to develop his Black Ark sound - the enigmatic producer was at the time in the process of building his famous studio and honing his ideas about dub as a musical form. The LP opens with the eerie “Kentucky Skank”, Perry’s ode to KFC, complete with frying chicken sounds, spliced between winding tapes, a ghostly trumpet, and futuristic moog synthesizer, overdubbed at London’s Chalk Farm studios. U Roy’s “Double Six” and I Roy’s “High Fashion” and “Hail Stones” illustrate just how strong The Upsetter’s deejay material had become, while versions of the Chi-Lites’ “We Are Neighbours”, Sam & Dave’s “Soul Man” and a re-working of Al Green’s “Love and Happiness” (retitled “Jungle Lion”) all betray the funky soul influence that was increasingly shaping his work.

                                                                                                        The backing tracks illustrate the producer at his best; the audio spectrum is fully differentiated while spatial placement an important component - something it would take years for him to achieve at the Black Ark.

                                                                                                        FORMAT INFORMATION

                                                                                                        Coloured LP Info: 180 GRAM AUDIOPHILE VINYL
                                                                                                        FIRST PRESSING OF 750 NUMBERED COPIES PRESSED
                                                                                                        ON ORANGE VINYL

                                                                                                        808 State

                                                                                                        Gorgeous

                                                                                                          808 State are an English electronic music group, formed in 1987 in Manchester, taking their name from the Roland TR-808 drum machine. 808 State’s style has been labelled as techno and house, and the band are regarded as pioneers of the acid house sound.

                                                                                                          Martin Price was the owner of a record store, Eastern Bloc, and was also the founder of the independent record label, Creed. Customers Graham Massey and Gerald Simpson joined Price to form a hip hop group called Hit Squad Manchester. Soon after, the band shifted to acid house, using the name 808 State for the first time.

                                                                                                          Gorgeous is their fourth studio album. The album has some new wave influences; sampling Joy Division’s track “She’s Lost Control” in “Contrique”, Ian McCulloch as guest vocalist on “Moses” and “10 X 10” a gospel-house track built on the foundation of The Jam’s “Start!”.
                                                                                                          You will also find a reworking of UB40’s “One in Ten”. Furthermore the album features guest vocalists Barrington Stuart, Rachel McFarlane and Caroline Seaman.

                                                                                                          The Music On Vinyl expanded edition is now available as a limited edition of 750 copies on Purple Vinyl. 

                                                                                                          FORMAT INFORMATION

                                                                                                          2xColoured LP Info: 180 GRAM AUDIOPHILE VINYL
                                                                                                          GATEFOLD SLEEVE
                                                                                                          INCLUDES INSERT WITH TEXT WRITTEN BY IAN PEEL
                                                                                                          PRINTED INNERSLEEVES
                                                                                                          EXPANDED EDITION INCLUDES “CONTRIQUE”,
                                                                                                          “10 X 10” PLUS 7 BONUS TRACKS
                                                                                                          FIRST PRESSING OF 750 INDIVIDUALLY NUMBERED
                                                                                                          COPIES ON PURPLE VINYL

                                                                                                          Despite garnering favourable reviews and even though the artist performed doggedly as an opening act for a number of established artists, Judee Sill's eponymous 1971 debut album sold poorly and failed to propel the Californian musician to stardom. Undeterred, she returned with 1973's 'Heart Food' backed by engineer Henry Lewy and a band of stellar musicians and vocalists for a record altogether livelier and more confident than her debut. 'Heart Food' is similar to its predecessor in that it features Sill's multi-tracked vocals prominently, and that guitar and piano are prevalent, but other than that it's a forward step. Sill's songs have a gospel purity to them at times, as on the solo piano piece "When the Bridegroom Comes," written with then-boyfriend David Bearden. The best of these hymnal songs is surely "The Kiss," a timeless and beautiful celebration of romantic union with painstaking orchestration. It has an eerie, ethereal quality, and is renowned as one of Sill's finest compositions. The arrangements and orchestrations, done by Sill herself, complement the songs and the music and if there were any doubts about her abilities she certainly proves herself an expert songwriter and visionary with this album. Listen out, for example, for the ebullient backing vocals on "Down Where the Valleys Are Low," her most gospel-inspired song replete with organ licks and vocalists evoking a gospel choir.

                                                                                                          Elsewhere, the themes of the first album are recalled on "The Vigilante" and "The Pearl," although they're less fragile and more forthright. The opening "There's A Rugged Road" is possessing of a memorable melody and strong structure, which is the case with every song here. The delicacy of the first album is replaced by something beefier (the rollicking "Soldier of the Heart," which should have been a major hit, which rocks harder than Sill's previous pop attempt, the glorious "Jesus Was A Cross Maker") but the subtle intricacies remain: on the surface, this sounds simple and effortless, and that's testament to Sill's amazing abilities.

                                                                                                          The album's defining moment, however, must be the epic "The Donor," which displays the majority of Sill's many talents. The first four minutes or so are devoted to choral chanting and haunting piano lines, and the song becomes a beautiful, grand choral requiem. The chorus of "Kyrie Eleison" is stunning, but the dynamics of the song make it more like a suite and one of the defining moments on any record by any singer-songwriter. It's hard to imagine anybody else even daring to attempt something as grand and opulent as this and having the audacity and skills to pull it off.

                                                                                                          Jim O'Rourke (Sonic Youth) describes her music on the sleeve, 'take a listen to Judee Sill now, some 30 years after she was captured on two timeless masterpieces: Her overwhelming songs of love and loss, both earthly and divine; a voice which alone could melt all defenses and when in harmony, could create heaven, right here on earth.'

                                                                                                          STAFF COMMENTS

                                                                                                          Andy says: Very similar sound but even better songs than on her debut. Includes "The Kiss", which is absolutely gorgeous and for some, her best ever composition. If you don't already know Judee Sill well you won't believe how amazing her music is!

                                                                                                          FORMAT INFORMATION

                                                                                                          LP Info: 180 GRAM AUDIOPHILE VINYL
                                                                                                          GATEFOLD SLEEVE
                                                                                                          INCLUDING 4 PAGE LYRICS INSERT

                                                                                                          Could you think of any other film producer that picks better soundtracks than the widely revered Quentin Tarantino? Inventing a genre on his own, his string of best-selling nouvelle violence movies started out in 1992 with the low budget cult classic Reservoir Dogs.
                                                                                                          The film follows a band of criminals preparing for a diamond heist and follows the characters in the crime’s aftermath. Its cast consists of sublime actors such as Harvey Keitel (whose comeback was a direct result of this film), Tim Roth, Michael Madsen, Chris Penn (Sean’s brother) and Steve Buscemi as the legendary character of Mr. Pink. The film’s sparkling dialog catapulted Reservoir Dogs to eternal cult status and remains a favourite among movie fans all over the world, a fame to which its soundtrack contributed a great deal.
                                                                                                          Music On Vinyl is proud to release these so called ‘Super Sounds Of The Seventies’, a selection of unusual and sometimes wacky hits by artists such as Stealers Wheel, Harry Nilsson (“Coconut” is included on Nilsson Schmilsson [MOVLP279]) and Joe Tex. The movie also raised public interest in the Dutch band George Baker Selection, due to the use of his “Little Green Bag” in the film’s opening titles. Keep On Truckin’!
                                                                                                          Exactly 25 years ago this cult film was released in theatre. To celebrate this classic soundtrack a 25th year anniversary limited edition of the album is released on mixed Red and Clear Vinyl.

                                                                                                          FORMAT INFORMATION

                                                                                                          Coloured LP Info: 180 GRAM AUDIOPHILE VINYL
                                                                                                          25TH ANNIVERSARY EDITION
                                                                                                          LIMITED PRESSING OF 2.000 NUMBERED COPIES ON
                                                                                                          MIXED RED AND CLEAR VINYL

                                                                                                          Slowdive

                                                                                                          Pygmalion - 180g Audiophile Vinyl Edition

                                                                                                          You'll know them as 'shoegazers' but as the title suggests, their third and final LP was about change. Where the band attempted to put more song structures in place on "Souvlaki", they began to incorporate more elements of ambient electronica on "Pygmalion". Which resulted in a more complete album than the two previous albums. Tracks like "Blue Skied An' Clear" and "Crazy For You" demonstrate that the songs are still there, somewhere - they're just buried under more abstract sounds than before. It's still super-atmospheric, echoey and Cocteau's-ish, but this time things have really drifted and unravelled. Influenced by techno and built on loops it is a stark, haunted record, ambient and experimental. They ditched songs in favour of sounds, and this is a desolate yet strikingly beautiful record. If you like Sigur Ros then you'll love this.



                                                                                                          FORMAT INFORMATION

                                                                                                          Ltd LP Info: 180g audiophile pressing.

                                                                                                          Slowdive

                                                                                                          Souvlaki - 180g Audiophile Vinyl Edition

                                                                                                            1993 and Slowdive, kings and queens of the shoegazers, release their masterpiece. Nobody was listening. They'd had all the hype and (inevitable) backlash around their debut, but now when they totally and convincingly deliver the goods, in a world consumed by Suede (at home) and Nirvana (abroad), apart from a few diehards, it was shrugs all round. How wrong they were! This is a stunningly beautiful album with a direct pop nous that's more Mary Chain than Cocteaus. It's full of yearning and dreams but also in "Souvlaki Space Station" a proper ambient/dub arse-quaker. Not one bad song: it's all brilliant. It's the ultimate in dreampop!

                                                                                                            Slowdive

                                                                                                            Blue Day - 180g Audiophile Vinyl Edition

                                                                                                              Originally released on CD in Japan circa 1992 "Blue Day" is a seven track collection of the the best tracks from the first three Slowdive EPs; "Slowdive", "Morningrise" and "Holding Our Breath". This shoegaze nugget features some of the band's best-loved tracks on the run up to their classic "Souvlaki" album.

                                                                                                              After the success of Nas' superlative third album "I Am", the Queensbridge rapper had a slew of high impact rhymes and hard hitting beats left over in the can, ready to reload for a quickfire follow up. The stars had something different in mind and some unscrupulous engineer leaked the tracks to the bootleggers, leaving Nas back at square one with a release date rapidly approaching. All of which makes the flawless rap, high octane delivery and coherent message of "Nastradamus" all the more impressive. Musically the LP rolls through a succession of louche and low slung pimp-funk beats, while Nas spits that pure NY shit, doing it nice with the hooks and nasty with the take-no-prisoners gangsta flow. The album also includes one of the earliest shots fired in the soon-to-be epic Jay-Z/Nas feud. On Nastradamus’ title track, Nas raps “You wanna ball till you fall? / I can help you with that / You want beef? / I could let a slug melt in your hat”. Shit was poppin off all over the shop in '99, and this bad boy was right at the heart of it all.


                                                                                                              FORMAT INFORMATION

                                                                                                              LP Info: 180 GRAM AUDIOPHILE VINYL.
                                                                                                              4 PAGE INSERT.


                                                                                                              Judee Sill was an American singer and songwriter. She released two albums and partially completed a third album before her death in 1979. Sill encountered Graham Nash and David Crosby and toured with them for a time as their opening act, a year before the release of her debut album. She was hired by the Turtles to write songs, on which a few of them appeared on her debut album, such as “Lady-O”. Two of Sill’s biggest influences were Bach and Ray Charles.

                                                                                                              Judee Sill’s eponymous debut album of the same name was originally released in late 1971. Backing musicians include John Beck and Jim Pons from the Leaves. The majority of the album was produced by Henry Lewy, noted for his work with Joni Mitchell throughout the 70s. Graham Nash handled the duties for the single “Jesus Was a Cross Maker” with his production designed to aim for radio airplay before the release of the album. Judee Sill featured Sill’s voice in multiple overdubs, often in a four-part chorale or fugue. The songs are delivered in an acoustic style on guitar and, for “Jesus was a Cross Maker” and “Enchanted Sky Machines,” on piano. The songs on the album feature elements of folk, country, and gospel, but also strong classical influences.

                                                                                                              STAFF COMMENTS

                                                                                                              Andy says: Gorgeous, often multi-tracked vocals, gently cosmic singer/songwriter, country and folk vibes coupled with brilliant songs make this a genuine Lost Classic from early 70's LA. Incredible.

                                                                                                              FORMAT INFORMATION

                                                                                                              LP Info: 180 GRAM AUDIOPHILE VINYL
                                                                                                              GATEFOLD SLEEVE

                                                                                                              Official Queensbridge murderers, Mobb Deep kept heads nodding and bass bins shaking throughout the nineties and noughties with their dark beats and hardcore rhyming style. Their fourth album, "Murda Muzik" dropped in 1999 and went on to become their most successful release, selling over a million copies and charting high all over the globe. The platinum certified LP finds Prodigy and Havoc expertly weaving a variety of samples around their tough beats, even incorporating snippets of a speech by Ronald Reagan. “Quiet Storm” dexterously fuses Liquid Liquid's "Cavern" and “A Quiet Storm” by soul crooner Smokey Robinson while Prodigy spits fire - e.g. "Fuck rhymes, I write prescriptions." Raekwon, Big Noyd and Lil' Kim all bring it on a feature tip, while Nas and Kool G go hard as hell on "It's Mine" and "The Realest" respectively. Gangsta shit 4 lyf.

                                                                                                              FORMAT INFORMATION

                                                                                                              2xLP Info: 180 GRAM AUDIOPHILE VINYL
                                                                                                              INCLUDES “QUIET STORM (REMIX)” FEATURING LIL’ KIM, “IT’S MINE” FEATURING NAS AND “U.S.A.”

                                                                                                              Culture Club

                                                                                                              Kissing To Be Clever

                                                                                                                'Kissing To Be Clever' is the debut album by Culture Club. Originally released in 1982, it immediately put the band on the musical map. Turning the flamboyant Boy George into a star, the soulful outing incorporated elements of pop, rock, new wave, dance and Caribbean rhythms and sprouted several international hit songs.

                                                                                                                “Do You Really Want To Hurt Me” hit the #1 spot in several countries and turned out to be a song that resonates to this day with its universal feel of heartache. All in all, this set is a highlight of 80s pop music, that set the stage for one of the decade’s most loved and oft-remembered bands.

                                                                                                                Amid all the tales of Rock'n'Roll excess, bankruptcy and larger-than-life lunacy, it's easy to lose sight of Sly's music. As frontman of the Family Stone, Sly played a crucial role in the development of soul, funk, rock an psychedelia throughout the sixties and seventies. A proficient keyboardist by the age of 7, multi-instrumentalist by 11 and electrifying guitarist by his teens, Sly Stone was made of different stuff to the rest of us air-breathing Earth folk. Taking a break from his duties with the Fam, Stone stepped out alone with this debut solo-stormer in 1975. Doing it for himself, Sly performed most of the instrumentation on the LP with some heavy duty multitracking, enlisting vocalist Rudy Love to lend his pipes to some of the bigger numbers. Singles "I Get High On You", "Le Lo Li" and "Crossword Puzzle" pack that trunk with a whole load of funk, but in truth any one of this fine tracklisting could have lit up the airwaves. This fresh reissue comes remastered and officially licensed, so you know all the mulah's going to the main man.

                                                                                                                FORMAT INFORMATION

                                                                                                                LP Info: 180 GRAM AUDIOPHILE VINYL

                                                                                                                Miles Davis

                                                                                                                Black Beauty - Miles Davis At Fillmore West

                                                                                                                "Black Beauty, Miles Davis At Fillmore West", was recorded on April 10, 1970 at Fillmore West, San Francisco, when Davis performed as the opening act for the Grateful Dead. The recording took place shortly after the release of Miles’ classic album Bitches Brew. The album was released in 1973, originally in Japan only. "Black Beauty", a true jazz-rock album, captured one of Davis’ first performances at a rock venue during the early stages of his electric period. At the concert, he led his band (saxophonist Steve Grossman, bassist Dave Holland, keyboardist Chick Corea, drummer Jack DeJohnette, and percussionist Airto Moreira) through one continuously performed set list.
                                                                                                                The songs in the band’s set list were as followed: “Directions”, “Miles Runs the Voodoo Down”, “Willie Nelson”, “I Fall In Love Too Easily”, “Sanctuary”, “It’s About That Time”, “Bitches Brew”, “Masqualero”, “Spanish Key”, and “The Theme”. They were performed as one continuous and uninterrupted piece of music, a practice Davis had begun in 1967. He later explained in his autobiography that performing these kinds of long musical suites without breaks allowed more space for improvisations in concert.

                                                                                                                The original Japanese booklet is included in this vinyl package.


                                                                                                                FORMAT INFORMATION

                                                                                                                2xLP Info: 180g audiophile vinyl.

                                                                                                                Blind Willie McTell

                                                                                                                Atlanta 12-String

                                                                                                                  Blind Willie McTell (May 5, 1898 - August 19, 1959) was a Piedmont blues and ragtime singer and guitarist. He played with a fluid, syncopated fingerstyle guitar technique, common among many exponents of Piedmont blues. Unlike his contemporaries, he came to use twelve-string guitars exclusively. McTell was also an adept slide guitarist, unusual among ragtime bluesmen. His vocal style, a smooth and often laid-back tenor, differed greatly from many of the harsher voices of Delta bluesmen such as Charley Patton.

                                                                                                                  McTell’s influence extended over a wide variety of artists, including the Allman Brothers Band, who covered his “Statesboro Blues,” and Bob Dylan, who paid tribute to him in his 1983 song “Blind Willie McTell,” the refrain of which is “And I know no one can sing the blues like Blind Willie McTell.” Other artists influenced by McTell include Taj Mahal, Alvin Youngblood Hart, Ralph McTell, Chris Smither and the White Stripes

                                                                                                                  FORMAT INFORMATION

                                                                                                                  LP Info: 180g audiophile vinyl pressing.

                                                                                                                  Pentangle

                                                                                                                  The Pentangle

                                                                                                                    The Pentangle was the 1968 debut album of the band Pentangle: Terry Cox, Bert Jansch, Jacqui McShee, John Renbourn and Danny Thompson. It brought together their separate influences of folk, jazz, blues, early music and contemporary song-writing. One of the band’s most commercially successful albums, it reached number 21 in the British charts.

                                                                                                                    By the time that the album was produced, the members of Pentangle were already accomplished musicians, in their own fields, and had played together in various combinations. Jansch and Renbourn were recognised as solo artists and played together regularly, including their recording of the Bert And John album. McShee had sung folk and blues in pubs and clubs, and had recorded with Renbourn on Another Monday. Cox and Thompson were experienced session musicians and had played together in Alexis Korner’s band.

                                                                                                                    STAFF COMMENTS

                                                                                                                    Andy says: The debut album by what would become one of the most revered British folk (and psych, and jazz!) bands of all time. Essential.

                                                                                                                    FORMAT INFORMATION

                                                                                                                    LP Info: 180 GRAM AUDIOPHILE VINYL

                                                                                                                    Stankonia is the fourth studio album by André 3000 and Big Boi, known together as OutKast. While OutKast’s previous albums were considered to be laid-back, mellow efforts, Stankonia contains faster, more high-energy tempos, partially to reflect the “chaotic times” and drug-related incidents at the turn of the 21st century.

                                                                                                                    “B.O.B”, “So Fresh, So Clean” and “Ms. Jackson” were huge hit singles. “Ms. Jackson” became the group’s first single to reach number one on the Billboard Hot 100. At the 2002 Grammy Awards, OutKast won Best Rap Album for Stankonia and Best Rap Performance by a duo or group for “Ms. Jackson”.

                                                                                                                    Throughout the years, Stankonia has been regarded by many to be one of the greatest hip-hop albums of all time and went certified platinum throughout the globe.


                                                                                                                    FORMAT INFORMATION

                                                                                                                    2xLP Info: 180 GRAM AUDIOPHILE VINYL
                                                                                                                    INCLUDES INSERT

                                                                                                                    In 2001 Queensbridge rap duo Mobb Deep returned with their fifth album, moving away from the stripped-down violence-heavy gangsta rap of previous release "Murda Muzik".  At the time of "Infamy's" release, all eyes were on the beef between Jay-Z and Prodigy following Hov's diss track “The Takeover”, and Mobb Deep duly responded with the track “Crawlin”. Tracks like “The Learning (Burn)” featuring Noyd, “Kill That Nigga” and productions from Scott Storch (Dr. Dre/Nas/50 Cent) for “Live Foul” still display the dark beats and straight-up street rhymes Mobb Deep is known for. The first single of the album was the track “Hey Luv” featuring R&B group 112. Infamy sold over 800.000 copies in the USA alone, reached #26 in the US Top R&B/Hip-Hop Albums chart and has been certified Gold by the RIAA.

                                                                                                                    FORMAT INFORMATION

                                                                                                                    2xLP Info: 180 GRAM AUDIOPHILE VINYL.

                                                                                                                    Ruth Brown

                                                                                                                    Rock And Roll - Music On Vinyl Edition

                                                                                                                      Ruth Brown was an American singer-songwriter and actress, sometimes known as the “Queen of R&B”. She was noted for bringing a pop music style to R&B music in a series of hit songs for Atlantic Records in the 50s, such as “So Long”, “Teardrops from My Eyes” and “(Mama) He Treats Your Daughter Mean”. For these contributions, Atlantic became known as “The house that Ruth built” (alluding to the popular nickname for Old Yankee Stadium).

                                                                                                                      In Brown’s first audition, in 1949, she sang “So Long,” which ended up becoming a hit. This was followed by “Teardrops from My Eyes” in 1950. Written by Rudy Toombs, it was the first upbeat major hit for Brown. It was Billboard’s R&B number one for 11 weeks. The hit earned her the nickname “Miss Rhythm” and within a few months Brown became the acknowledged queen of R&B.

                                                                                                                      Ruth Brown Rock & Roll is an album featuring tracks recorded between 1949 and 1956.

                                                                                                                      Culture Club

                                                                                                                      Kissing To Be Clever

                                                                                                                        'Kissing To Be Clever' is the debut album by Culture Club. Originally released in 1982, it immediately put the band on the musical map. Turning the flamboyant Boy George into a star, the soulful outing incorporated elements of pop, rock, new wave, dance and Caribbean rhythms and sprouted several international hit songs.

                                                                                                                        “Do You Really Want To Hurt Me” hit the #1 spot in several countries and turned out to be a song that resonates to this day with its universal feel of heartache. All in all, this set is a highlight of 80s pop music, that set the stage for one of the decade’s most loved and oft-remembered bands.


                                                                                                                        Bob Dylan

                                                                                                                        World Gone Wrong - 180g Vinyl Edition

                                                                                                                          'World Gone Wrong' is the 29th Bob Dylan studio album, released in 1993. It was Dylan’s second consecutive collection of only traditional folk songs, performed acoustically with guitar and harmonica. The songs tend to deal with darker and more tragic themes than the previous outing, 'Good As I Been To You'.

                                                                                                                          'World Gone Wrong' is an exceptional album, boasting a strong set of songs given performances so fully realized that they seemed like modern protest songs. Much of this record is fairly obscure to anyone outside of dedicated folk fans; “Delia” (covered by Johnny Cash the following year) and “Stack-A-Lee” are the most familiar items, yet they’re given traditional readings, meaning that the latter doesn’t quite seem like “Stagger Lee.”

                                                                                                                          But even if these are traditionalist, they’re spirited and lively renditions, and Dylan seems more connected to the music than he has in years. That sense of connection, plus the terrific choice of songs, makes this one of his best, strongest albums of the second half of his career.

                                                                                                                          Wally Badarou

                                                                                                                          Echoes - 180g Vinyl Edition

                                                                                                                          Badarou was one of the Compass Point All Stars (with Sly and Robbie, Barry Reynolds, Mikey Chung and Uziah “Sticky” Thompson), the in-house recording team of Compass Point Studios responsible for a long series of albums of the 1980s recorded by Grace Jones, Tom Tom Club, Joe Cocker, Mick Jagger, Black Uhuru, Gwen Guthrie, Jimmy Cliff and Gregory Isaacs. His keyboard playing can also be heard on albums by Robert Palmer, Marianne Faithfull, Herbie Hancock, Talking Heads, Foreigner, Melissa Etheridge, Manu Dibango and Miriam Makeba.

                                                                                                                          Limited 180g vinyl reissue of synth maestro Wally Badarou’s classic futuristic instrumental album ‘Echoes’ from 1983. Superb from start to finish, this electronic tour de force spawned several monster tracks including the wonderful Joe Claussell and Larry Levan favourite ‘Chief Inspector’, a bumping bouncing Korg and Moog-laden bomb which made its mark in the charts as well as on the dancefloor, showcasing the strong jazz-funk sensibility you’d expect from long-term Level 42 collaborator Badarou. Also features the hauntingly beautiful ‘Mambo’, a mesmerizing slo-mo epic instantly recognisable for its enormous contribution to Massive Attack’s hit ‘Daydreaming’ as well as hitting big for DJs such as Kevorkian at the time. Other gems on this amazing instrumental-only album include the sophisticated funk of big Baldelli play ‘Endless Race’, quirky afro-funky delight ‘Hi-Life’ and the cool and elegantly mellow ‘Waltz’ amongst others. Not to be missed!

                                                                                                                          Miles Davis

                                                                                                                          Live Evil - 180g Vinyl Edition

                                                                                                                          The first in a continuing series of double-LP extravaganzas released only in Japan in the early '70s, 'Live Evil' mixes four studio tracks from 1970 with four live ones taken from a Washington, DC performance in December of that year. Amidst heavy competition, the live tracks - including "What I Say," "Sivad" and "Gemini Double Image" - are the highlights, featuring some of Miles' best playing of the decade, plus aggressive work on extended solo spots by John McLaughlin on guitar, Keith Jarrett on keyboards, and Jack DeJohnette on drums.




                                                                                                                          FORMAT INFORMATION

                                                                                                                          2xLP Info: 180 gram audiophile vinyl pressing in gatefold sleeve.

                                                                                                                          Janis Joplin

                                                                                                                          Pearl - 180g Vinyl Edition

                                                                                                                          "Janis Joplin's second masterpiece (after 'Cheap Thrills'), 'Pearl' was designed as a showcase for her powerhouse vocals, stripping down the arrangements that had often previously cluttered her music or threatened to drown her out. Thanks also to a more consistent set of songs, the results are magnificent - given room to breathe, Joplin's trademark rasp conveys an aching, desperate passion on funked-up, bluesy rockers, ballads both dramatic and tender, and her signature song, the posthumous number one hit "Me and Bobby McGee". The unfinished "Buried Alive in the Blues" features no Joplin vocals - she was scheduled to record them on the day after she was found dead. Its incompleteness mirrors Joplin's career: 'Pearl''s power leaves the listener to wonder what else Joplin could have accomplished, but few artists could ask for a better final statement." - All Music

                                                                                                                          MGMT

                                                                                                                          Oracular Spectacular - 180g Vinyl Edition

                                                                                                                            Newly remastered from the original analog tapes, this edition of MGMT’s million-selling major label debut album from 2007 includes the generational anthems “Kids,” “Time To Pretend” and “Electric Feel.”

                                                                                                                            It's a sign of true quality that something that displays it's influences so very obviously on it's sleeve, and steals so shamelessly from it's references still manages to sound fresh and inventive. Perhaps it's in their eccentric combination, perhaps also in the irreverence and humour with which these post-apocalypse beach bums treat icons they obviously still love. Their starting point is, of course, the 70s, and off-kilter visionaries such as T-Rex and David Bowie, fused with the very much kilter pop rock of Fleetwood Mac, all gleefully forced into a blender with Vangelis, Sparks, the primitive new wave electronics of early OMD and Human League, and a good fistful of Suicide's darker preoccupations. The result? It's hard to say (which is always a good thing) but it works beautifully. What they do have beyond any doubt, what pulls "Oracular Spectacular" so exuberantly, is an ear for an insanely catchy tune; and, for all their playful irony, a genuine and engaging warmth.

                                                                                                                            Yellow Magic Orchestra

                                                                                                                            Service - Clear Vinyl Edition

                                                                                                                              'Service' was the sixth and, at the time, final studio album by Yellow Magic Orchestra. The band dissolved the following year after a world tour, but would later reform in 1993 for a one-off reunion album, 'Technodon'. Each member would continue their already established solo careers, while Haruomi Hosono and Yukihiro Takahashi also formed the band Sketch Show (with Ryuichi Sakamoto assisting), which later turned into YMO.

                                                                                                                              Like '×-Multiplies', it contains a mixture of YMO songs and comedy sketches performed by Super Eccentric Theater, or SET Service features “You’ve Got to Help Yourself”, which was previously featured in instrumental form on the previous album, 'Naughty Boys Instrumental'.

                                                                                                                              FORMAT INFORMATION

                                                                                                                              LP Info: 180g clear audiophile vinyl edition. 1000 numbered copies only. Includes 4-Page Insert and PVC protective sleeve.

                                                                                                                              Yellow Magic Orchestra

                                                                                                                              BGM - Clear Vinyl Edition

                                                                                                                              180 gram audiophile vinyl
                                                                                                                              4-page insert
                                                                                                                              PVC protective sleeve
                                                                                                                              First pressing of 1000 numbered copies on transparent vinyl

                                                                                                                              On their fourth album 'BGM' (1981), YMO continued where they left off with 'X∞ Multiplies', by venturing further into synthesizers, drum computers and experimentation with rhythm, sequences and speeds.

                                                                                                                              This album is more focused on atmosphere and mood, some even say this album is a turning point for YMO and the international pop music scene. They successfully merged lyrics, sound bites and their signature electriconically programmed music on 'BGM'.

                                                                                                                              "1000 Knives" and "Cue" are the most famous; the hand clap on "1000 Knives" is probably one of the most used samples in the 80s, early 90s.

                                                                                                                              Lauryn Hill

                                                                                                                              The Miseducation Of...

                                                                                                                              "Though the Fugees had been wildly successful, and Lauryn Hill had been widely recognized as a key to their popularity, few were prepared for her stunning debut. The social heart of the group and its most talented performer, she tailored 'The Miseducation of Lauryn Hill' not as a crossover record but as a collection of overtly personal and political statements; nevertheless, it rocketed to the top of the album charts and made her a superstar.

                                                                                                                              She found a hit single with "Doo Wop (That Thing)," an intelligent dissection of the sex game that saw it from both angles. "Superstar" took to task musicians with more emphasis on the bottom line than making great music, while her collaborations with a pair of sympathetic R&B superstars (D'Angelo and Mary J. Blige) also paid major dividends. And if her performing talents, vocal range, and songwriting smarts weren't enough, Hill also produced much of the record, ranging from stun-gun hip-hop to smoother R&B with little trouble." - All Music

                                                                                                                              Magazine

                                                                                                                              Secondhand Daylight - 180g Vinyl Edition

                                                                                                                              After leaving the Buzzcocks in 1977, vocalist Howard Devoto formed Magazine with guitarist John McGeoch, bassist Barry Adamson, keyboardist Bob Dickinson, and drummer Martin Jackson. Acknowledged by Radiohead as an important influence, Magazine wilfully ignored the prevailing musical orthodoxy of the punk era - which is what makes these albums timeless. "Secondhand Daylight" was released in March 1979. Magazine's ambitious second album was produced by Colin Thurston, the engineer on two era-defining albums: David Bowie's "Heroes" and Iggy Pop's "The Idiot". Reviewing "Secondhand Daylight", Nick Kent said that 'there is now an austere sense of authority to the music. Magazine are a force to be reckoned with'. The chilly majesty of "Back To Nature" and "Permafrost" attest to that.

                                                                                                                              STAFF COMMENTS

                                                                                                                              Philippa says: Again, not something I bought at the time, but an album that got played a huge amount on the shop record player when I started working here. A dark and menacing record that side-stepped punk's three chord orthodoxy in favour of pre-punk inspirations.

                                                                                                                              FORMAT INFORMATION

                                                                                                                              LP Info: 180g vinyl pressing in gatefold sleeve with insert.

                                                                                                                              Sly And The Family Stone

                                                                                                                              Life - 180g Vinyl Edition

                                                                                                                              Originally released in late 1968, Sly And The Family Stone's third album, "Life", is the forgotten jewel of the band's illustrious catalogue. If the first two albums can be seen as Sly Stone's fine-tuning, "Life" was fully realised music, alive and vibrant. While "Life" got lost in the tidal wave intensity of the band's breakthrough a year later with "Stand!", now nearly four decades later, we can listen without distraction, savor the richness of its musical tapestry, and marvel.

                                                                                                                              Many of its songs, including “M’Lady”, “Fun”, “Love City”, as well as the title track, became popular staples in the Family Stone’s live show. A middle ground between the fiery A Whole New Thing and the more commercial Dance To The Music, Life features very little use of studio effects, and is instead more driven by frontman Sly Stone’s compositions.

                                                                                                                              Yellow Magic Orchestra

                                                                                                                              Public Pressure - Clear Vinyl Edition

                                                                                                                              • 180 gram audiophile vinyl
                                                                                                                              • PVC protective sleeve
                                                                                                                              • Insert
                                                                                                                              • Limited edition of 1000 numbered copies on transparent vinyl

                                                                                                                              This is YMO’s first live recorded album and their second number 1 album in Japan. Several concerts were recorded for 'Public Pressure', all in 1979 (at the Venue in London, Greek Theater in LA, Bottom Line in NYC, Sun Plaza in Nakano). The best of each of these live shows was collected together for this release.

                                                                                                                              This album contains first class recordings, clear and sparkling; YMO is arguably at its best with an audience. Akiko Yano is a welcomed addition to YMO, as she completes the band with sublime vocals.

                                                                                                                              This live album has a much more relaxed approach to the music, as it feels like they’re jamming on stage and clearly enjoying themselves!

                                                                                                                              Yellow Magic Orchestra

                                                                                                                              Solid State Survivor

                                                                                                                              • 180 gram audiophile vinyl
                                                                                                                              • Insert
                                                                                                                              • PVC protective sleeve

                                                                                                                              'Solid State Survivor' was the second album by Japanese electronic music band Yellow Magic Orchestra, released in 1979. Featuring Haruomi Hosono (bass, keyboards, vocals), Yukihiro Takahashi (drums, lead vocals) and Ryuichi Sakamoto (keyboards, vocals), the trio hit their stride with this second long player, a brisk and confident set of synth-disco pop tracks that continues along the line drawn five years before by Kraftwerk. Fun-loving and breezy where Kraftwerk had been ponderous and statuesque, the album sets out YMO's template for electronic pop with less minimalism and a more varying use of synthesizer lines. The English lyrics, written by Chris Mosdell but sung by YMO themselves, make for hilarious listening especially on a cover of the Beatles' "Day Tripper".

                                                                                                                              Ella Fitzgerald

                                                                                                                              Lullabies Of Birdland - 180g Vinyl Edition

                                                                                                                              Ella Fitzgerald is widely heralded for her clean phrasing, scat-singing and a confident sense of swing. Viewed as one of the world's most popular jazz singers, she performed alongside Louis Armstrong, Dizzy Gillespie, Frank Sinatra and Duke Ellington. Her outstanding performances on record and live yielded both critical and popular success during her lifetime.

                                                                                                                              'Lullabies Of Birdland' consists of recordings from 1945 to 1955. It offers a wonderful set of Swing-era standards, impossible to listen to without imagining yourself sipping cognac in a smoky jazz club on Broadway!

                                                                                                                              STAFF COMMENTS

                                                                                                                              Millie says: I can’t resist some lively jazz, especially the fabulous Ella Fitzgerald. Oh what a voice! I first discovered the music of Ella Fitzgerald in a small bookshop and had to know what was playing – It was ‘Under a Blanket of Blue’ with Louis Armstrong; it’s been a favourite of mine ever since. This incredible and powerful album is a treat to the ears.

                                                                                                                              Captain Beefheart & His Magic Band

                                                                                                                              Mirror Man Sessions

                                                                                                                                When Captain Beefheart went into the studio in late 1967 to record the follow-up to their debut album 'Safe As Milk' which had been released earlier that year, it was with the intention of producing a double album. Three of the tracks they recorded were long, psychedelic blues jams. These were intended to fill one of the set's two LPs.

                                                                                                                                This concept, however, was at some point abandoned, and many of the tracks from the sessions were left unfinished and without any vocals. A number of the abandoned tracks were re-recorded in 1968, and released as 'Strictly Personal'.

                                                                                                                                The original session tapes, however, remained the property of Buddha Records, who released them under the title 'Mirror Man' in 1971. In 1999, Buddha Records issued an expanded version of the album entitled 'The Mirror Man Sessions', which features five additional tracks taken from the abandoned tapes.

                                                                                                                                Music On Vinyl is proud to pay homage to the late Don Van Vliet by re-releasing these 'Mirror Man Sessions' as a double album on 180g audiophile vinyl.

                                                                                                                                Wrapped in soul, blending poetry and polyrhythms, the music of Hiatus Kaiyote is in a lane all by itself. The Grammy-nominated four-piece band returns to stereos with their new album "Choose Your Weapon" via Flying Buddha / Sony Music Masterworks. The 18-track, 70-minute odyssey from the Melbourne, Australia-based band takes listeners on a journey through the group's self-created ecosystem, populated with songs each embodying its own mini-cinematic sonic soundscape. The album is the hotly anticipated follow-up to their celebrated 2013 debut album "Tawk Tomahawk". Fans have already gotten a taste of what's to come on Choose Your Weapon by way of their December 2014 EP, By Fire, which featured three of the album's 18 tracks. ""By Fire" is a burial song," says frontwoman Nai Palm, about the personal track. "It discusses the creative and destructive forces of fire and uses this element as a reference point to express about my father passing away in a house fire."

                                                                                                                                FORMAT INFORMATION

                                                                                                                                2xLtd LP Info: 180 gram vinyl.

                                                                                                                                2xLtd LP includes MP3 Download Code.

                                                                                                                                Nina Simone

                                                                                                                                Nuff Said! - 180g Vinyl Edition

                                                                                                                                'Nuff Said!' Is an album by jazz, blues and gospel singer / pianist / songwriter Nina Simone. It was recorded in front of a capacity crowd at the Westbury Music Fair in April 7, 1968, just a day after the murder of Dr. Martin Luther King. The track 'Why? (The King Of Love Is Dead)' was written by Simone's bass player Gene Taylor especially for the occasion, and the whole program that night was dedicated in his memory. Elsewhere the set includes classics like 'I Loves You Porgy' and 'Ain't Got No; I Got Life', while 'The Backlash Blues' was penned for Simone by the great Langston Hughes. 

                                                                                                                                 In 1969, the album was placed on peak 44 in R&B Albums Chart. The album received an Emmy nomination.




                                                                                                                                Love

                                                                                                                                Four Sail - Expanded Vinyl Edition

                                                                                                                                'Four Sail' is the fourth album by the American rock band Love, released in 1969. By mid-1968, Arthur Lee was the only remaining member of the 'Forever Changes' line-up of Love. Three LPs worth of material were recorded in a makeshift studio in a Los Angeles warehouse, released as 'Four Sail' and the Blue Thumb LP 'Out Here'.

                                                                                                                                Guitarist Jay Donnellan plays a heavy lead guitar and gets lots of solo space in the arrangements. The rhythm section favors a leaden sound, particularly drummer George Suranovich, who soaks the barbecue with Keith Moon and Mitch Mitchell licks. The tracks are deep in feeling and performed with an emotional fervor that sometimes approaches anguish.

                                                                                                                                Lee’s lyrics and performances have been compared to Jimi Hendrix, certainly a compliment. This album is such a good example of these strengths that it rises above the garage band sound to communicate a sense of time and place as well as some truly sincere feelings.

                                                                                                                                “Always See Your Face” was featured in the 2000 film High Fidelity and was included on the official soundtrack. This expanded edition of 'Four Sail' includes three bonus tracks.

                                                                                                                                Bush

                                                                                                                                Sixteen Stone - Copper Coloured Vinyl Edition

                                                                                                                                  Sixteen Stone is the debut album of British rock band Bush, released in 1994. Widely regarded as the band’s most popular album, it peaked at No. 4 on the Billboard 200 and boasted numerous successful singles. “Comedown” and “Glycerine” remain two of the band’s biggest hits to date, each reaching No. 1 on the Billboard Modern Rock Tracks chart. Both tracks also entered the Billboard Hot 100, reaching No. 30 and No. 28, respectively.

                                                                                                                                  Sixteen Stone received mostly positive feedback from music critics, calling their sound impressive, not unlike their Seattle Grunge counterparts. In later years Bush would distance themselves from the familiar Grunge sounds with experimental releases such as Deconstructed and The Science Of Things.

                                                                                                                                  In April 2014 Rolling Stone placed the album at No. 39 on its “1994: The 40 Best Records From Mainstream Alternative’s Greatest Year” list. A month later, Loudwire placed Sixteen Stone at number eight on its “10 Best Hard Rock Albums of 1994” list. In July 2014, Guitar World placed the album on its “Superunknown: 50 Iconic Albums That Defined 1994” list.

                                                                                                                                  FORMAT INFORMATION

                                                                                                                                  LP Info: 20th anniversary edition with remastered audio. 180g audiophile vinyl pressing. first pressing of 1000 numbered copies on copper coloured vinyl. Gatefold sleeve + insert.

                                                                                                                                  Third Eye Blind

                                                                                                                                  Third Eye Blind - Yellow Vinyl Edition

                                                                                                                                    Third Eye Blind is the eponymous debut for the American alternative rock band Third Eye Blind, originally released in 1997. It spawned several singles, including top 10 charting “Semi-Charmed Life”, “Jumper”, and “How’s It Going to Be”. While Third Eye Blind peaked at #25 on the Billboard 200, it spent 104 weeks on the charts. It is the group’s bestselling album, having been certified 6x Platinum.

                                                                                                                                    Third Eye Blind is catchier than the average post-grunge album, and that fact alone reveals a lot about the band. Instead of relying on standard, plodding grunge influences, Third Eye Blind draw heavily from the simple hook-laden traditions of classic Arena Rock, which makes the album more immediate. Third Eye Blind is easy on the ears, and its straight-ahead professionalism makes it a pleasurable listen for post-grungers.

                                                                                                                                    Mr. Bungle

                                                                                                                                    Mr. Bungle - Purple Vinyl Edition

                                                                                                                                      Mr. Bungle is the eponymous debut studio album album by American band Mr. Bungle, released in 1991. The album contains many genre shifts which are typical of the band, and helped increase the band’s popularity, gaining them a reasonable following and fanbase.

                                                                                                                                      Critics deem the album a ‘dizzying, disconcerting, schizophrenic tour through just about any rock style the group can think of, hopping from genre to genre without any apparent rhyme or reason, and sometimes doing so several times in the same song.’ Mike Patton’s lyrics are even more bizarrely humorous than those he used in Faith No More, and they’re also less self-censored, as titles like “Squeeze Me Macaroni,” “My Ass Is on Fire,” and “The Girls of Porn” indicate. This is a difficult, not very accessible record, and the band wouldn’t have it any other way.

                                                                                                                                      Incredibly, the original vinyl version of Mr. Bungle was pressed on a single LP, which – with an album duration of 75 minutes – had a rather dull dynamic sound as a result. For the Music On Vinyl version, we’ve added another LP side to give the music more space to breathe. To top it off, it boasts a unique etch on the D-side.


                                                                                                                                      FORMAT INFORMATION

                                                                                                                                      2xLP Info: 180g audiophile vinyl pressing. First pressing of 2000 numbered copies on purple vinyl. Etched on side D. Includes insert.

                                                                                                                                      Herbie Hancock

                                                                                                                                      Secrets - 180g Vinyl Edition

                                                                                                                                      'Secrets' (1976) is a Jazz-Funk fusion album by acclaimed keyboard player Herbie Hancock. Following up on his previous album 'Man-Child', the album again features Paul Jackson on bass, and reedist Bennie Maupin continued to provide most of the solos alongside Hancock. 'Man-Child' had seen the addition of electric guitar to Hancock's sound, and 'Secrets' saw the guitar's place in the arrangements rise to crucial importance throughout. The flamboyant rhythm guitar contributions of top Motown session musician Wah Wah Watson are a particularly notable feature of the album.

                                                                                                                                      Where 'Man-Child' was evenly divided between up-tempo and laid-back tracks, 'Secrets' emphasised the more mellow, softly rounded mood. Even the more up-tempo tracks, "Doin' It" and "Cantaloupe Island", are suffused with a relaxed Caribbean influence, and overall the album tends towards restrained, rolling grooves rather than overtly high-energy funk. Appropriately, Hancock spent much of his time using the mellow tones of the Rhodes piano, and took advantage of the new polyphonic synthesizers to contribute thick pads, foreshadowing ambient music.

                                                                                                                                      Fernando Velázquez

                                                                                                                                      Hercules OST - Blue Vinyl Edition

                                                                                                                                        Hercules (2014) is a riveting adventure blockbuster directed by Brett Ratner and starring Dwayne Johnson (aka The Rock), Joseph Fiennes, John Hurt and more. It is based on the graphic novel Hercules: The Thracian Wars.

                                                                                                                                        The film was a pleasant surprise to critics. The chief film critic for Variety wrote: “it’s a grandly staged, solidly entertaining, old-fashioned adventure movie that does something no other Hercules movie has quite done before: it cuts the mythical son of Zeus down to human size (or as human as you can get while still being played by Dwayne Johnson)” and further added that “[Hercules’s] strongest asset is surely Johnson, who continues to foster one of the most affable, guileless screen personas in movies today.”

                                                                                                                                        The music epic, driving, classic and cool. All of these adjectives were used to describe the music desired by the creative team making Hercules. Composer Fernando Velázquez rose to the occasion and delivered a fantastic score. The recording sessions took place at Air Studios and Abbey Road Studios in London, with Fernando conducting the tremendous London Philharmonic Orchestra.

                                                                                                                                        Elvis Presley

                                                                                                                                        Bossa Nova Baby - Green Vinyl Edition

                                                                                                                                          Originally featured in the Elvis movie (& soundtrack) Fun In Acapulco and released as a single in 1963, “Bossa Nova Baby” was recorded by Elvis with a legendary vocal group backing him up; The Jordanaires.

                                                                                                                                          Fast forward 47 years. In 2010, the third official posthumous album of Elvis Presley created from scratch was released: the Viva Elvis album [MOVLP233]. This highly energetic remix album of famous Elvis soundtrack songs was specially produced for the Cirque du Soleil show Viva Elvis, complete with dance, acrobatics, live music, and video clips.

                                                                                                                                          Another four years down the line, a large global beer company decided to feature the Viva Elvis remix for “Bossa Nova Baby” in one of their epic commercials.

                                                                                                                                          This calls for an exclusive Elvis Presley 45 on beer bottle green vinyl, featuring both the original and remix of “Bossa Nova Baby”! Strictly limited to 1500 numbered copies. Party on!

                                                                                                                                          FORMAT INFORMATION

                                                                                                                                          7" Info: 45 RPM 7” single with large dinked jukebox hole. Includes original and new remix. 1500 numbered copies on beer bottle green vinyl. Just 250 for the UK


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