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TEMPORAL DRIFT

Hiroshi Yoshimura

Surround - 2023 Reissue

    "If Surround can be listened to as music that’s as close to air itself, allowing us to enter each listener’s sound scenery, or as something that exists within a new perspective, expanding the middle ground between sound and music, and transforming it into a comfortable space, it would be much appreciated."
    — Hiroshi Yoshimura

    Originally released as an album in January 1986, Surround was recorded by Yoshimura as a commission from home builder Misawa Homes as part of their Soundscape series, intended to function as an “amenity” designed to enhance the company’s newly built living spaces.

    In his original notes for the album, Yoshimura recommends that Surround be placed in the same family of sounds “as the vibration of footsteps, the hum of an air conditioner, or the clanging of a spoon inside a coffee cup.” And, as he suggests, “with the addition of city noise from outside the window,” you may hear Surround in a completely new way.

    A pioneer in the field of environmental music, Yoshimura’s previous works included Music For Nine Post Cards (1982), originally produced to be played back inside a museum space, and designing sound environments for public spaces and subway systems. Surround was recorded almost concurrently with the acclaimed and popular GREEN (1986); the two albums are described by Hiroyoshi Shiokawa in his liner notes as being Yoshimura’s yin and yang.

    TRACK LISTING

    1. Time After Time
    2. Surround
    3. Something Blue
    4. Time Forest
    5. Water Planet
    6. Green Shower

    Les Rallizes Denudes

    CITTA '93

      In 1991, Les Rallizes Denudes released three full length albums on CD, the band’s first-ever recordings to be made available since their formation in Kyoto more than two decades prior. In 1993, the band appeared in front of an audience for the first time since 1988.

      Their February 17 appearance at Club Cittaʼ, which came four days after their “comeback” gig at Baus Theater, turned out to be one of the most notable out of all the Rallizes performances thus far. The show has been talked about in some circles as the stuff of legend. With guitars roaring at colossal levels, even surpassing the immense volume of their earlier gigs, the doors were vibrating as some audience members were said to have run out to the lobby to find respite from the sonic assault.

      This shattering (in almost a literal sense) performance, in its entirety, was recorded and preserved on a 8-channel digital recorder. Discreetly kept in storage for thirty years, these multi-track masters form the basis of CITTAʼ ʻ93, a brand new album that accurately captures the transcendental roar that shook the walls of the venue in Kawasaki that one night. Carefully and sympathetically mixed by former Rallizes member Makoto Kubota, CITTAʼ ʼ93 presents a Rallizes sound that has never before been heard in any official capacity.

      The Rallizes lineup that night consisted of Takashi Mizutani (vocals, guitar), Katsuhiko Ishii (guitar), Yokai Takahashi (bass), Kodo Noma (drums). Album jacket artwork features photography by Takehiko Nakafuji; liner notes by Shinya Matsuyama.


      TRACK LISTING

      Ť�、暗殺者の夜 / The Night
      Assassin's Night 
      Ȩ�憶は遠い / Memory Is Far Away
      Ť�より深く / Deeper Than The Night
      ư�遠に今が / Eternally Now
      Ǚ�い目覚め_1993 / White Awakening 1993
      ɳ�の声 / Bird Calls In The Dusk
      Darkness Returns 2
      The Last One 1993

      Les Rallizes Denudes

      '67- '69 Studio Et Live

        Temporal Drift presents the first-ever officially sanctioned reissue of celebrated Japanese cult band Les Rallizes Dénudés’ three albums, originally compiled and released in limited quantities on CD in 1991. These reissues follow the label’s release of The OZ Tapes in 2022, as part of the label’s ongoing series of Les Rallizes Dénudés reissues.

        Led by the enigmatic Takashi Mizutani, Les Rallizes Dénudés has gained an almost mythical status the world over with their delicate balancing act between transcendent psychedelia and pure sonic assault, maintaining its status as an underground phenomenon throughout their three decade existence and beyond.

        ‘67-’69 STUDIO et LIVE, MIZUTANI / Les Rallizes Dénudés, and ‘77 LIVE are the only albums released during Les Rallizes Dénudés’ lifetime, between its formation in 1967 at Doshisha University in Kyoto to its last-ever show in 1996 at Club Citta in Kawasaki. Produced by Mizutani, the three discs collectively provide a window into the (in)famously impenetrable band’s first decade of existence.

        ‘67-’69 STUDIO et LIVE features early recordings that capture the reckless energy of the band’s formative years in Kyoto. Includes early takes of Rallizes staples “Memory is Far Away” and “The Last One,” the rare tender ballad “Bid Calls in the Dark,” possibly Mothers of Invention-inspired (complete with a kazoo solo) “Vertigo otherwise My Conviction.” CD edition includes two previously unreleased bonus tracks, including a take on the classic stomper “Tobacco Road” (more Blues Magoos than Nashville Teens.)

        Produced in collaboration with The Last One Musique, the new label set up by former members and associates of Les Rallizes Dénudés, ‘67-’69 STUDIO et LIVE features newly remastered audio by former Rallizes member Makoto Kubota and new liner notes by Manabu Yuasa.


        TRACK LISTING

        Smokin’ Cigarette Blues (live Version)
        La Mal Rouge , ǜ

        Les Rallizes Denudes

        Mizutani / Les Rallizes Denudes

          Temporal Drift presents the first-ever officially sanctioned reissue of celebrated Japanese cult band Les Rallizes Dénudés’ three albums, originally compiled and released in limited quantities on CD in 1991. These reissues follow the label’s release of The OZ Tapes in 2022, as part of the label’s ongoing series of Les Rallizes Dénudés reissues.

          Led by the enigmatic Takashi Mizutani, Les Rallizes Dénudés has gained an almost mythical status the world over with their delicate balancing act between transcendent psychedelia and pure sonic assault, maintaining its status as an underground phenomenon throughout their three decade existence and beyond.

          Led by the enigmatic Takashi Mizutani, Les Rallizes Dénudés has gained an almost mythical status the world over with their delicate balancing act between transcendent psychedelia and pure sonic assault, maintaining its status as an underground phenomenon throughout their three decade existence and beyond. ‘67-’69 STUDIO et LIVE, MIZUTANI / Les Rallizes Dénudés, and ‘77 LIVE are the only albums released during Les Rallizes Dénudés’ lifetime, between its formation in 1967 at Doshisha University in Kyoto to its last-ever show in 1996 at Club Citta in Kawasaki. Produced by Mizutani, the three discs collectively provide a window into the (in)famously impenetrable band’s first decade of existence.

          MIZUTANI / Les Rallizes Dénudés includes a set of intimate, contemplative acoustic-based tracks from a transitional period at the turn of the decade. Recorded in 1970 at Doshisha University’s student broadcast studio, this session featured the band mostly as a duo, with Mizutani accompanied by Makoto Kubota, who also handled recording duties. Few of the tracks featured Tadanaka Makino on percussion. CD edition includes “黒い悲しみのロマンセ / Romance of the Black Pain otherwise Fallin’ Love With,” a live recording by the 1973 lineup of Les Rallizes Dénudés.

          Produced in collaboration with The Last One Musique, the new label set up by former members and associates of Les Rallizes Dénudés, MIZUTANI / Les Rallizes Dénudés features newly remastered audio by former Rallizes member Makoto Kubota and new liner notes by Shinya Matsuyama.


          Les Rallizes Denudes

          '77 LIVE

            Temporal Drift presents the first-ever officially sanctioned reissue of celebrated Japanese cult band Les Rallizes Dénudés’ three albums, originally compiled and released in limited quantities on CD in 1991. These reissues follow the label’s release of The OZ Tapes in 2022, as part of the label’s ongoing series of Les Rallizes Dénudés reissues.

            Led by the enigmatic Takashi Mizutani, Les Rallizes Dénudés has gained an almost mythical status the world over with their delicate balancing act between transcendent psychedelia and pure sonic assault, maintaining its status as an underground phenomenon throughout their three decade existence and beyond.
            ‘67-’69 STUDIO et LIVE, MIZUTANI / Les Rallizes Dénudés, and ‘77 LIVE are the only albums released during Les Rallizes Dénudés’ lifetime, between its formation in 1967 at Doshisha University in Kyoto to its last-ever show in 1996 at Club Citta in Kawasaki. Produced by Mizutani, the three discs collectively provide a window into the (in)famously impenetrable band’s first decade of existence.

            ‘77 LIVE is an explosive live set from Tokyo that captures the glorious noise of the Rallizes at their full potential. Recorded on March 12, 1977 at Tachikawa Social Education Hall in Tachikawa, Tokyo, ‘77 LIVE showcases Mizutani’s unmistakable, overdriven, feedback-drenched guitar, played on a newly purchased Gibson SG, soon to become his signature ax. Includes wholly transformed versions of “Memory is Far Away” and “The Last One” reaching the kind of highs that no unsuspecting listener could have imagined coming from Mizutani or the Rallizes just a few years prior, as heard on ‘67-’69 STUDIO et LIVE and MIZUTANI / Les Rallizes Dénudés.

            Produced in collaboration with The Last One Musique, the new label set up by former members and associates of Les Rallizes Dénudés, ‘77 LIVE features newly remastered audio by former Rallizes member Makoto Kubota and new liner notes by Manabu Yuasa.


            TRACK LISTING

            The Weight
            Living Lonely (prod Simon Jefferis)
            Living Lonely (reprise)
            Ego
            Delilah
            You Weren’t Supposed To Be Here
            Air
            Sitting This One Out (feat Alice Auer)
            Beyond My Limits
            No Other Way
            Driveway Thoughts

            Various Artists

            OZ Days Live: '72 -'73 Kichijoji The 50th Anniversary Collection

              OZ DAYS LIVE was originally released in 1973 as a private press two-disc set, packaged in a brown paper bag with its album title hand-stamped in rainbow-colored ink. The self-distributed record was made to commemorate the closure of OZ, the now-legendary venue located in the Kichijoji neighborhood of Tokyo.

              Operating out of a small upstairs space just around the corner from the train station, OZ was a scruffy, DIY affair that lasted not much more than a year. Over the course of its short existence from June 1972 to September 1973, the cafe and performance space became the nerve center for the city’s burgeoning underground and counterculture set. The OZ DAYS LIVE LP, now an incredibly rare collector’s item, featured five different artists spread over four vinyl sides, on recordings made right at OZ.

              Now, 50 years after OZ first opened its doors, we are incredibly excited to offer OZ DAYS LIVE ‘72-’73 Kichijoji: The 50th Anniversary Collection, a reconfigured special edition of the original LP. Available as a 3CD set, the new collection includes all the tracks from the recently released Les Rallizes Dénudés’ The OZ Tapes, plus bonus tracks from the same sessions that were first released in 2022 on a limited edition 12”. The set also includes newly remastered versions of the Masato Minami and Miyako Ochi tracks from the original release, plus over 40 minutes of previously unreleased OZ recordings from Acid Seven, newly unearthed from reel-to-reel tapes that had been stored away for half a century by OZ manager Minoru Tezuka. A newly written 100-page oral history, compiled from hours of interviews, provides first-hand accounts of what made the OZ scene so special.

              “I think that a record is a nutrient for the soul, and each one allows people to see (and hear) a particular situation,” Tezuka told The Shinpu Journal (The New Music Journal) at the time of OZ DAYS LIVE’s release.

              “That makes it ‘music’ purely by definition, and it can’t possibly be anything else.” It may be a bit difficult to decipher what he meant by these existential musings, but one thing is clear: that music is timeless, and records like OZ DAYS LIVE allow us to participate in an experience that would otherwise be lost to time.


              TRACK LISTING

              OZ Days - Les Rallizes Dénudés 
              Ń


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