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The first release from the folk-rock supergroup was a wild success, bringing together members of Buffalo Springfield and The Hollies in Crosby, Stills, and Nash after a meeting at a Laurel Canyon party.

Their self-titled debut, featuring the famous cover photo by Henry Diltz, features their trademark harmonies and guitar work, as well as memorable classics from "Marrakesh Express" to "Suite: Judy Blue Eyes," "Helplessly Hoping" to "Wooden Ships," all of which became canon of the folk-rock foundation that drove the cultural sea change out of Lauren Canyon in the latter half of the 60s.