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SOUL JAZZ

Jackie Mittoo

Get Up And Get It / Keep On Dancing

Jackie Mittoo makes it clear why he’s the funkiest reggae musician ever.

‘Get Up And Get It’ is simply one of the toughest reggae / funk tunes ever committed to vinyl.

Similarly, ‘Keep On Dancing’ shows why Jackie Mittoo was the ‘Keyboard King’ at Studio One.

TRACK LISTING

Get Up And Get It
Keep On Dancing

Jerry Jones

There's A Chance For Me / Trying Times

Soul Jazz Records present two hardcore bomb dancefloor fillers from Jerry Jones, originally released on Studio One in 1970.

‘There’s A Chance For Me’ gives Aretha Franklin's ‘Rocksteady’ a serious run for its money, while ‘Trying Times’ is Jerry Jones’s skanking version of Roberta Flack’s classic tune written by the mighty Donny Hathaway and Leroy Hutson.

TRACK LISTING

There’s A Chance For Me
Trying Times

Various Artists

Soul Jazz Records Presents 'JUNGLIST! Old Skool Ragga, D&B, Jungle 1993-95'

Soul Jazz Records’ new ‘Junglist!’ is a heavyweight new selection of classic and rare original jungle and features Krome & Time, Cutty Ranks, M-Beat, Bizzy B, Lemon D, Top Cat and more.

‘Junglist!’ tells the story of how jungle and reggae came together to produce some of the heaviest tunes ever made.

Get ready for more pounding basslines, fierce Amen breaks and heavyweight ragga vocals - strictly original jungle style from the earliest days of drum and bass.

All these tracks date from 1993-95, at the height of jungle. Rarities include Bizzy B & TDK’s ‘Big Things’ (currently £350 on certain internet auction sites), only ever released on white label.

Aside from first generation jungle producers such as M-Beat, Krome & Time, Lemon D, DJ Vern and DJ Ash, the album includes super heavy jungle mixes of hardcore original dancehall legends like Cutty Ranks, Beenie Man, Josey Wales, Poison Chang and more.

This album follows on from earlier jungle and hardcore releases on Soul Jazz Records, including ‘Rumble in the Jungle’, Ragga Twins ‘Step Off’ and ‘Black Riot - Early Jungle, Rave and Hardcore’.

STAFF COMMENTS

Matt says: Following up their iconic "Rumble In The Jungle" compilation, Soul Jazz shine a light on the more adventurous tear-outs and early blueprints of the genre that would soundtrack the countless pirate radio stations and soundsystems through the embryonic period of this globally adored, UK export. A real expansive snapshot of arguably one of the most innovative periods of dance music.

TRACK LISTING

M-Beat - Surrender
Cutty Ranks - Original Ranks (Just Jungle Remix)
DJ Vern And DJ Ash - Squeeze
Bizzy B - Big Things
Redrose - Jungle Tempo
Krome & Time - Ruffneck Scouts
Terror Fabulous - Ragga Ragga Ragga (Whitehouse Crew Remix)
M-Beat - Rumble (Original Mix)
Brain Killers - Screw Face
Poison Chang - Love The Woman (DJ Rap Remix)
Bizzy B & M.T. - Dub Select
Top Cat - Bunn The Sensi (Dub Hustlers Remix)
Josey Wales, Beenie Man & Ini Kamoze - Build Me 3 Coffins (New Blood Crew Remix)
Lemon D - Jah Love

Gilles Peterson & Stuart Baker

Freedom, Rhythm & Sound Chapter Two: Revolutionary Jazz Cover Art

‘Freedom, Rhythm & Sound’ showcases the stunning graphic works of independently published jazz record cover designs in the 1960s, 1970s, 1980s and beyond, from radical jazz musicians such as Sun Ra, John Coltrane, Pharoah Sanders, The Art Ensemble of Chicago and others.

This second ‘Freedom, Rhythm & Sound’ book is a new chapter, featuring hundreds more unique, rare and beautiful jazz record cover designs. This book documents the continued development in jazz as African-American artists set out on new journeys to enlightenment, heading out into Europe at the end of the 1960s.

The artwork of these (often self-produced) record cover designs during this era reflected their radical agenda, spiritual awareness and singular search for musical and personal freedoms. From raw, DIY aesthetics to lyrical and poetic illustrations, sometimes containing futuristic worlds and ancient landscapes, the designs are always bold, strikingly graphic, and most importantly capture the spirit of the music, giving them a unique beauty.

The book also includes sections on African-American poets and writers, Civil Rights and Black Power Movement leaders (Martin Luther King, Malcolm X) and early musical pioneers (Yusef Lateef, Max Roach, Art Blakey and others), all of which helped influence and shape the world of radical and spiritual jazz from the 1960s and onwards to its rebirth today.

Since the 1980s, Gilles Peterson has been a pivotal figure in the club scene, renowned for his genre-defying approach to music with jazz at its core. As one of the UK’s most iconic DJs, he has spent over 40 years shaping music trends as a radio presenter, club DJ, producer and festival curator. He hosts a flagship show on BBC Radio 6 Music and, in 2016, launched Worldwide FM. He is founder of the Worldwide Festival in the South of France and We Out Here festival in the UK. He runs the label Brownswood Recordings, dedicated to discovering and promoting new talent and bringing fresh voices to the global stage.

Stuart Baker founded Soul Jazz Records in 1992. For more than 30 years the record company has released over 500 records covering a genre-defying array of non-mainstream musical worlds - Jazz, Reggae, Punk, Latin, Brazilian, Disco, African, Gospel, Acid House and more. In 2017, part of Stuart Baker’s jazz record collection (much of which appears in ‘Freedom, Rhythm & Sound’) was featured and displayed as part of the Soul of a Nation: Art in the Age of Black Power exhibition at Tate Modern in London and subsequently at The Broad in Los Angeles (2019) and Brooklyn Museum (2019).

Soul Jazz Books launched in 2007, a similarly diverse and critically acclaimed publishing house with graphic art, culture and photography titles that include ‘Voguing and The House Ballroom Scene of New York’, ‘Dancehall - The Rise of Jamaican Dancehall Culture’, ‘Yo! The Early Days of Hip-Hop’, ‘Freedom, Rhythm & Sound - Revolutionary Jazz Cover Art 1965-83’, ‘Punk 45 - The Singles Cover Art of Punk 1976-80’ and others.

Various Artists

Soul Jazz Records Presents 'Soul Jamaica'

Soul Jazz Records’ new ‘SOUL JAMAICA’ brings together a wicked selection of reggae funk and soul tracks from the legendary Studio One stable, featuring a stellar line-up of artists including Jackie Mittoo, The Heptones, The Gladiators, Sim Smith, Peter Tosh and The Wailers, Cedric ‘Im’ Brooks and many more.

For a short period of time at the end of the 1960s and early 1970s, nestled between the end of rocksteady and the arrival of roots reggae, Studio One released a small stream of superb soul and funk reggae tunes - covering everyone from Sly and The Family Stone, Diana Ross and The Supremes, Nina Simone, Gene Chandler, Tyrone Davis and more.

Most of the tracks featured on ‘SOUL JAMAICA’ were only ever released on Studio One’s UK subsidiary label Bamboo in small-run pressings and are now consequently extremely hard to find.

The cover photograph features images of Air Jamaica, the new airline created by the Jamaican government at the end of the 1960s, showing how, in the years following independence, the country assumed its place on the world stage, with reggae music playing a key role in creating the island’s new cultural identity.

TRACK LISTING

Alton Ellis - Tumbling Tears
Winston Francis - Turn Back The Hands Of Time
Sound Dimension - Sing A Simple Song
The Gladiators - Fling It Gimme
Jackie Mittoo - Soul Finger
Winston Francis - Groovy Situation
Calvin Marshall - La La 69
Soul Defenders - Way Back Home
The Heptones - Young, Gifted and Black
Im And David - Up Fully
Slim Smith - Keep That Light
Sound Dimension - Give It Away
Zoot Simms - Real Gone Loser
Sound Dimension - Soul Bowl
Peter Tosh - Can’t You See
Joy Roberts - Someday We’ll Be Together
The Freedom Singers - Give Peace A Chance

Various Artists

Soul Jazz Records Presents 'Latin Fire!"

Soul Jazz Records delve into the vast vaults of Discos Fuentes, one of the oldest and largest record companies in Latin America, known as ‘the Motown of Colombia’. Discos Fuentes played a major role in spreading Afro-Latin sounds both to Colombia and around the world and this album explores that legacy.

‘LATIN FIRE! Cumbia–Salsa–Afro-Funk: Tropical Dance Music from Discos Fuentes, Colombia 1956-83’ features legendary Colombian artists such as Fruko, The Latin Brothers, Michi Sarmiento, Afrosound, Pedro Laza, Wganda Kenya and more, and showcases the wide-ranging variety of styles that Discos Fuentes made unique to their sound.

The album features music from the golden era of Fuentes; from late 1950s and 1960s Cumbia through to the emergence of heavyweight and hardcore salsa and Afro-funk in the 1970s and up to the early 1980s.

Discos Fuentes pioneered the sound of ‘Tropical’ music - Afro-Colombian dance music that originated in the north coast of Colombia bringing it to a new worldwide audience. This album shows how Colombian music was also influenced by New York barrio-style hard Latin and salsa and Caribbean styles such as soka and zouk, to create a truly unique dance music sound.

TRACK LISTING

Fruko Y Sus Tesos - El Vidriero
Climaco Sarmiento Y Su Orquesta - Guiro Y Guacharaca
Afrosound - El Regresso De E.T.
Los Corraleros De Majagual - Cumbia Campesina
Wganda Kenya - Shakalaode
Afrosound - La Sampuesana
Peregoyo Y Su Combo Vacana - Descarga Vacana
Fruko Y Sus Tesos - Salsa Na Ma
Wganda Kenya - Fiebre De Lepra
Latin Brothers - Duelo De Picoteros
Pedro Laza Y Sus Pelayeros - Navidad Negra
Afrosound - Carruseles
Los Alegres Diablos - La Magdalena
Latin Brothers - No Es Negra Es Morena
La Sonora Cienaguera - La Piojosa
Fruko Y Sus Tesos - Cantando Mi Son Muero
Juan Piña Y Sus Muchachos - La Nena
Afrosound - La Danza De Los Mirlos
Michi Sarmiento Y Su Combo Bravo - Salsa Con Monte
Conjunto Lirico Vallenato - Cumbia Cienaguera

Various Artists

Soul Jazz Records Presents 300% DYNAMITE! Ska, Soul, Rocksteady, Funk And Dub In Jamaica' - 2025 Reissue

New edition of this most popular and highly acclaimed of all Soul Jazz Records’ ‘Dynamite!’ series. ‘300% Dynamite’ is packed with reggae tunes that crossed-over to become dancefloor hits and are 100% guaranteed to rock any party.

This album is fully remastered, relicensed and with new tracks. Wayne Smith’s booming anthem ‘Sleng Teng’, Althea & Donna’s worldwide hit ‘Uptown Top Ranking’, Sister Nancy’s classic ‘Bam Bam’, Augustus Pablo, Lee Perry - it's all here as ‘300% Dynamite’ joins the dots between reggae, jazz, funk, dub and soul.

TRACK LISTING

Wayne Smith - Under Mi Sleng Teng
Big Youth - Cool Breeze
Sister Nancy - Bam Bam
The Freddie Munnings Orchestra - Coconut Woman
Bobby Ellis - Step Softly
Althea And Donna - Uptown Top Ranking
Jah Lloyd - Lama 
Culture - Stop The Fussing and Fighting
Lee Perry And The Upsetters - Jungle Lion
Johnny And The Attractions - Let's Get Together
Augustus Pablo - Viva Tirado
Archie And Lyn - Rat In The Centre
Jackie Paris - Make Me Smile
Bobby Ellis - Shank I Sheck
Winston Wright And The Upsetters - Jam #1
The Ethiopians - The Whip
Chaka Demus & Pliers - The Boom
Glen Adams - Can't Hide Love
Johnny Clarke - Rebel Soldering
Dee Sharp - Let's Dub It Up

Various Artists

Soul Jazz Records Presents Queen Dem

‘Queen Dem’ brings together a global selection of all powerful, maverick female artists, all creating new musical forms and re-writing the rules of expression to educate, entertain and empower.

Featured artists include Yaya Bey, Sudan Archives, Yaeji, COUCOU CHLOE, Georgia Anne Muldrow, Miso Extra, Aunty Rayzor, TeeZandos, Queenie, MC Yallah, Dizzy Fae, Vanessa the Finessa, Nira and Warrior Queen.

From Lagos to Brooklyn, London to Hong Kong, these artists’ widely diverse music is connected through an all-encompassing self-awareness of both self and musical identity and a collective fierceness in attitude.

‘Queen Dem’ features multi-talented artists writing, singing, producing and creating new genres of sound. This album offers a snapshot of the current writing of musical history by women who embody confidence and conviction in their art - whether they are firmly-established artists such as Yaya Bey, Yaeji, Dizzy Fae, Sudan Archives, COUCOU CHLOE and Georgia Anne Muldrow, or under the radar rising stars such as Queenie, Aunty Rayzor, Vanessa Tha Finessa, MC Yallah or Nira.

TRACK LISTING

COUCOU CHLOE - Nobody 
Yaeji Featuring Nappy Nina - Money Can’t Buy
TeeZandos - Lioness
Sudan Archives - Selfish Soul
Miso Extra - 1013
Aunty Rayzor - Kuku Corona
Yaya Bey - Meet Me In Brooklyn
COUCOU CHLOE - Pokerface
Queenie - Okay Twin
Yaya Bey - Best Thang
MC Yallah X Debmaster - Kubali
Dizzy Fae - Solo
Vanessa Tha Finessa - Bad Bitch Steppin’
Dubbing Sun & Blue Hill featuring Warrior Queen - Armageddon
Georgia Anne Muldrow - Big Mama Africa Jam
Miso Extra Featuring NAYANA IZ - Great Taste
Nira - Train Of Love

Various Artists

Soul Jazz Records Presents Studio One Showcase 45: Expanded Edition

Soul Jazz Records’ ‘Studio One Showcase 45’ features a roll call of classic Studio One reggae legends including Horace Andy, Cornell Campbell, Bob Marley and The Wailers, Jackie Mittoo, The Heptones, The Skatalites and more - seminal reggae artists who all launched their careers at the legendary Studio One label.

Featuring seminal cuts like Bob Marley and The Wailer’s original version of ‘One Love’, Freddie McGregor’s take on the classic ‘Beat Down Babylon’, Judah Eskender Tafari’s re-version of ‘Danger In Your Eyes’ plus tracks from The Skatalites, Lone Ranger, Johnny Osbourne and more.

The album was previously only ever released as a long-deleted limited edition 7” box set for Record Store Day. This album has now been expanded into a lavish double vinyl album edition as well as a first-time release on CD, with both formats featuring a massive eight bonus tracks of wicked Studio One classics and rarities. The album also comes with newly commissioned sleeve and track notes by Noel Hawks.

TRACK LISTING

Freddie McGregor - Beat Down Babylon
Cornel Campbell - No Man's Land
Judah Eskender Tafari - Danger In Your Eyes
Tony & Howie - Fun It Up
Liberation Group - Namibia
Winston Francis - Love Me Today, Not Tomorrow
Roland Alphonso - Jah Shakey
Joe Higgs - Dinah
Brown Eagle - Natural Living
Freddie McKay - So Long, Farewell
Jackie Mittoo - Mixing
The Heptones - How Can I Leave You
The Skatalites - Sudden Destruction
Lone Ranger - Dance A Fe Cork
Horace Andy - Mamie Blue
Johnny Osbourne - Run Up Your Mouth
Bob Marley And The Wailers - One Love
The Cables - What Am I To Do

Various Artists

Soul Jazz Records Presents: Secret Superstar Sounds

Soul Jazz Records’ new ‘Secret Superstar Sounds - Scraping Bubblegum Off My Soul 1977-80: Punk - Powerpop - New Wave - DIY’ brings together a wealth of incredibly catchy tunes from late 1970s / early 1980s British groups that you have probably never heard of! Power pop mixed together a love of lyrical and melodically beautiful 1960s pop and garage sounds, together with the energy and attitude of 1970s punk. Almost completely out of kilter with the fashions of the day (punk, new wave and post-punk) these bands managed to fall between the musical cracks at almost every step of the way, leaving them practically unknown to all but a few.

Inspired by the DIY messaging of bands like The Desperate Bicycles, Sniffing Glue fanzine and early UK punk labels like Stiff, Chiswick and Rough Trade, these bands chose mainly to go into a studio and make their own private press / DIY records themselves - then try to work out everything else (promotion, marketing, etc.) afterwards. As mainly outsiders to the mainstream music industry, and usually unable to make any inroads into it, save for sending their own record to John Peel, most of these bands fell at the first hurdle.

These records remain both beautifully crafted three-minute musical gems and long-lost micro-histories of an essentially hidden genre.

Featured bands here include The Squares, The Meanies, The Monitors, Plummet Airline, Tours, Gobblinz, Krypton Tunes and more. Most of these records were selfpublished DIY releases made in very limited editions and were often the only tracks ever released by these groups.

TRACK LISTING

Gooblinz - London
Plummet Airlines - It’s Har
Xdreamysts - Right Way Home
Tours - Language School
The Squares - No Fear
The Monitors - Compulsory Fun
The Meanies - It’s True
Jeff Hill Band - Something’s Wrong With My Baby
The Squad - 24 Hours
Krypton Tunes - Limited Vision
The Zeros - Hungry
The Wardens - Do So Well
The Letters - Nobody Loves Me
The Tunnelrunners - Forever Crying At Love Songs
Comic Romance - Cry Myself To Sleep

Juliet Lawson

Boo! The Early Recordings 1971-73

Singer songwriter Juliet Lawson’s album, ‘Boo’, was released on the Sovereign label in the UK in 1972. The album was the confident debut of a young British artist and featured twelve of Lawson’s own compositions.

In the same wave of early 1970s English singer songwriters such as Nick Drake, Vashti Bunyan and Christine McVie and despite being described at the time as ‘Britain’s answer to Joni Mitchell’, ‘Boo’ was to prove her only major label release, with limited commercial success.

Over the next 50 years, the album’s reputation has slowly grown and is today an expensive and collectible item. ‘Boo’ is presented here in its entirety.

TRACK LISTING

Dear Fool
Igloo
Nothing New
I Won’t Get My Feet Wet
Again
Who Is India?
Let Me Not Put You Down
Only A Week Away
Playing Is No Song
You’re So Right,
September
The Weeds In The Yard
Rolling Back
Frog In The Jam
Rincón De Luna *
Voices *
* = CD / 7”

Hawksmoor

Oneironautics

Hawksmoor’s new album ‘Oneironautic’ on Soul Jazz Records follows on from last year’s critically acclaimed ‘Telepathic Heights’, as well as a re-release of his album ‘Saturnalia’ on the Library of the Occult label earlier this year.

James McKeown, aka Hawksmoor, continues his fascination with the sounds and sensibilities of 1970s / 80s German electronic groups - think early Cluster, Harmonia, CAN, NEU!, Hans-Joachim Roedelius and Michael Rother.

On new album ‘Oneironautic’, James McKeown successfully combines these pulsating ripples of Germanic electronica with a number of decidedly English references: the soaring, hypnotic and pastoral qualities of Brian Eno, circa ‘Another Green World’; the long, sustained lines of Robert Fripp’s Frippertonics; and the poetic feel of early Durutti Column.

McKeown combines all of these elements while also remaining with one foot firmly in the British melodic hauntological modular synth aesthetic of hauntology - Ghost Box, Mount Vernon Arts Lab, Focus Group et al.

Once again using strictly modular synths, electronic drum rhythms, and guitars, Hawksmoor has created an electronic landscaped music world that is both new and old, immediately identifiable and yet utterly unique.

TRACK LISTING

Parallelograms
The Transcendentalist
Glass Teeth
Galadali
Traumzeit
Salpêtrière
Nereides
A Forest In The Sky
Yourcelium
The Oneironaut

Various Artists

Soul Jazz Records Presents 'Studio One Soul 2' - 2024 Reissue

New 18th anniversary edition of the long out of print ‘Studio One Soul 2’, the long-awaited second volume of one of the largest selling Soul Jazz Records Studio One collections.

‘Studio One Soul 2’ takes us deep into Jamaica’s long-standing fascination with American soul and funk music.

Featuring a host of seminal Reggae artists who all first established their careers at Studio One before finding worldwide success. Featured artists include Horace Andy, The Heptones, Cornell Campbell, Ken Boothe, Jackie Mittoo, Jacob Miller and many more Studio One legends interpreting both classic and little-known American soul and funk tunes by the likes of Curtis Mayfield, Bill Withers, The Five Stairsteps, Marvin Gaye, The Stylistics, Lee Dorsey, Al Green, Syl Johnson and more.

Curtis Mayfield is without a doubt the main soul influence for many reggae groups in the 1960s and 1970s. Cornell Campbell’s ‘Ten to One’ is a stunning recut of the original Studio One single by The Mad Lads, who first covered this Curtis-penned hit for the Impressions. Another great Curtis Mayfield production, The Five Stairsteps and Cubie’s ‘Don’t Change’ is interpreted by Studio One soul man Winston Francis. Similarly, Devon Russell’s superb ‘Make Me Believe in You’ is, if anything, superior to Curtis Mayfield’s ground-breaking original.

While American soul and funk remain a constant source of inspiration on this album, classic DJs such as Prince Jazzbo and Little Joe also used these rhythms to ride vocal toasts over to serious effect.

This selection features a mixture of classics, rare and unreleased tracks from Studio One, all lovingly digitally re-mastered for this release.

TRACK LISTING

Jacob Miller - Westbound Train
Hortense Ellis - People Make The World Go
Round
Horace Andy - Aint’ No Sunshine
Soul Vendors - Swing Easy
The Heptones - Choice Of Colours
Jackie Mittoo And The Brentford Disco Set -
Choice Of Music Part 2
Prine Jazzbo - Fool For Love
Conrnell Campbell - Ten To One
Winston Francis - Don’t Change
Jackie Mittoo - Jumping Jeshosophat
Tony Gregory - Get Out Of My Life Woman
Dub Specialist - Darker Block
Little Joe - Red Robe
Devon Russell - Make Me Believe In You
Jerry Jones - Compared To What
Ken Boothe - Thinking
Anthony Creary - Land Call Africa
Jackie Mittoo - Fancy Pants

Various Artists

Soul Jazz Presents: Rastafari - The Dreads Enter Babylon 1955-83 - 2024 Repress

Spanning nearly 30 years of revolutionary music, and featuring the music of Count Ossie, Johnny Clarke, The Mystic Revelation of Rastafari, Bongo Herman, Earth & Stone and many more, this is an in-depth look at some of the heaviest and righteous music ever made.

The album charts the many links between reggae music and Rastafarianism. The album comes complete with full gatefold, plus bespoke inner sleeves containing stunning exclusive photography and extensive sleevenotes.

Rastafarianism had its roots at the start of the 20th century and became widespread in Jamaica following the visit of Haile Selassie, the King of Ethiopia, to Kingston in 1966. By the 1970s, Rastafarianism become practically synonymous with reggae, as many roots reggae artists became known throughout the world, notably spearheaded by the success of Bob Marley and The Wailers.

As ‘roots reggae’ artists in the 1970s continued to spread the word of Jah in their music, Rastafari reggae became the ultimate rebel sound throughout the world.

"This may be the most righteous compilation to come from the Soul Jazz stable to date, as they focus on links between the Rastafarian religion and reggae music." - Irish Times

TRACK LISTING

Count Ossie's Rasta Family - Africa We Want Fe Go
Johnny Clarke - None Shall Escape The Judgment
Laurel Aitken - Haile Selassie
Count Ossie & The Mystic Revelation Of Rastafari - Tales Of Mozambique
Mutabaruka - Say
Bongo Herman & Jah Lloyd - African Drums
Count Ossie & The Mystic Revelation Of Rastafari - Sam's Intro
Bongo Herman, Les & Bunny - Salaam
Techniques All Stars - Zion I Version
Lord Lebby & The Jamaican Calypsonians - Ethiopia
Hugh Mundell - One Jah, One Aim, One Destiny
The Heaven Singers - Rasta Dreadlocks
Count Ossie & Leslie Butler - Soul Drums
Cornel Campbell - Conscious Rastaman
QQ - Betta Must Come
Roy Shirley - Israelites Leave Babylon
Count Ossie & The Mystic Revelation Of Rastafari - Narration
Ronald Downer & Count Ossie - A Ju Ju Wa

Various Artists

Soul Jazz Records & Arthur Baker Presents Breaker's Revenge -

Compiled by legendary producer Arthur Baker, ‘Breakers Revenge’ is a near definitive collection of original funk, soul, latin, disco and electro classic tracks from 1970 to 1984.

These tracks, a combination of classics and obscurities, have all since become legendary to breakdancers everywhere. First played at South Bronx block parties, community halls and park jams in the 1970s and 80s, spun endlessly by the first three major hip-hop DJs - Kool Herc, Grandmaster Flash and Afrika Bambaataa - and found in the record crates of any DJ of note ever since.

Seminal funk and soul tracks such as Dennis Coffey’s ‘Scorpio’, The Jimmy Castor Bunch’s ‘It’s Just Begun’, James Brown’s ‘Get on the Good Foot’ and The Mohawks’ ‘Champ’ sit side-by-side with the ground-breaking, classic electro of Afrika Bambaataa’s ‘Planet Rock’ and Arthur Baker’s own definitive ‘Breaker’s Revenge.’

Breakdancing has come a long way from its New York roots to its respected position as an art form today where, for the first time ever, it is to be featured in the Olympics held in Paris this August 2024.

The breakbeat remains at the very heart of hip-hop - the mercurial funk, soul and disco tracks, always 100% guaranteed to get B-Boys, B-Girls and breakdancers moving at any block party, with the percussive breakdown of each track the pinnacle to any dance / battle between breakdancers.

Similarly, these tracks have been sampled many times over by every hip-hop artist and producer of note. KRS-ONE, Marley Marl, Kanye West, Jay-Z, Public Enemy, Eric B, The Fugees, Outkast, Mos Def, Main Source, Jungle Brothers, LL Cool J, De La Soul and, well, everyone.

Compiler Arthur Baker played a pivotal role in hip-hop history when, in 1982, he produced Afrika Bambaataa’s seminal ‘Planet Rock’ (as featured here), introducing electronic instruments into hip-hop for the first time ever and in the process creating electro. After ‘Planet Rock’, Arthur Baker went on to remix or produce every major artist of note - from New Order to the Rolling Stones, Al Green to the Pet Shop Boys.

Both formats come complete with an introduction by Arthur Baker and extensive sleevenotes, including a track-by-track breakdown by hip-hop historian JayQuan, and striking images from photographer Sophie Bramly.

“What I truly loved about early hip-hop was that the music thrown down by ‘Bam, Grandmaster Flash, Jazzy Jay and Kool DJ Herc was genre-less, multi-cultural, music from all ends of the world. This is the definitive collection, including all the classics (other than a couple that alas we couldn’t get the rights to), and some real hard to find obscurities.” - Arthur Baker

TRACK LISTING

Dennis Coffey And The Detroit Guitar Band - Scorpio
The Jimmy Castor Bunch - It's Just Begun 
B.T. Express - Energy Level
James Brown - Get On The Good Foot
Afrika Bambaataa & The Soul Sonic Force - Planet Rock
Manu Dibango - Soul Makossa
Esther Williams - Last Night Changed It All
The Mohawks - The Champ
Herman Kelly & Life - Dance To The Drummer’s Beat
Spanky Wilson - Sunshine Of Your Love
James Brown - Give It Up Or Turnit A Loose
Candido - Soulwanco
Arthur Baker - Breaker's Revenge
Manu Dibango - The Panther
Abaco Dream - Life And Death In G & A
The Jackson 5 - Dancing Machine
Mongo Santamaria - Cloud Nine
Edwin Starr - I Just Wanna Do My Thing
Badder Than Evil - Hot Wheels
Johnny Bristol - Lusty Lady *

* = CD Only Track

Various Artists

Soul Jazz Records Presents Studio One Down Beat Special: Expanded Edition

Soul Jazz Records’ ‘Down Beat Special’ is a rollercoaster Greatest Hits ride through many of the alltime classic tunes hand-picked from across the mighty vaults of, without doubt, Jamaica’s finest ever record label and pioneering powerhouse of reggae music.

Seminal tracks such as Michigan and Smiley’s ‘Nice Up The Dance’, Dawn Penn’s ‘No, No, No’, The Wailers’ ‘Simmer Down’, The Eternals’ ‘Queen of the Minstrels’… and on it goes. Non-stop big tunes - ‘Down Beat Special’ is an essential primer to Studio One Records.

Originally released as a one-off pressing limited edition (long-since deleted) 7” box set, this new edition is fully remastered and expanded to a massive 18 rare and killer cuts from the Studio One empire.

Featuring The Skatalites, Jackie Mittoo, Bob Marley & The Wailers, Horace Andy, Alton Ellis, Lone Ranger and many more, the album features rare and classic tracks throughout.

Newly commissioned sleevenotes by Noel Hawks (History of the Jamaican Recording Industry) featuring a track by track historical and musical analysis, label scans and more added to this fantastic collection.

TRACK LISTING

The Eternals - Queen Of The Minstrels
Michigan And Smiley - Nice Up The Dance
The Mad Lads - Ten To One
Jackie Mittoo - Totally Together
Horace Andy - Just Say Who
The Skatalites - Addis Ababa
Sugar Minott - Live Loving
Lone Ranger - Can't Stand It
Wailing Souls - I've Got A Burning Fire
Bob Marley And The Wailers - Simmer Down
Dub Specialist - Hooligan
Alton Ellis - Your Heart Is Gonna Pay
Roland Alphonso - Do It Good
Wailing Souls - You Should Have Known
Dawn Penn - No No No 
Freddie McKay - You'll Be Sorry
Alton Ellis - We Need Love
Cornel Campbell - Best To Be Free

Various Artists

Soul Jazz Records Presents: Studio One DJ's - 2024 Repress

For this Studio One release we return to the roots of Reggae music-The Soundsystem. Throughout the late 1950s and 1960s Soundsystems played throughout the city of Kingston, Jamaica. As well as Sir Coxsone's Downbeat Soundsystem other famous Soundsystem operators included Duke Reid (the Trojan), Prince Buster, Tom the Great and King Edwards.

These Soundystems were the birthplace of much of Jamaica's musical culture ­ Soundclashes, Dancehall and the idea of the Toaster who sang over records- theDJ. As ever Clement "Sir Coxsone" Dodd led the field and so for this release the focus is on DJ's at Studio One and features legendary toasters such as Denis Alcapone, Dillinger and Prince Far I as well as a host of rare material by lesser known artists. Also included is Count Machuki ­ the original DJ- the first man ever to speak over the mic-at Sir Coxsone¹s Downbeat Sound System- from where it all began.

As Steve Barrow (author of The Rough Guide to Reggae/Blood and Fire Records) writes in the sleevenotes, Jamaican deejay music is the source for all Rap music: From Count Machuki talking over records on Sir Coxsone's legendary Downbeat Sound System this style would eventually travel to America when the Jamaican-born Kool Herc began playing at Block parties (a version of the Kingston Soundsystem parties) in the Bronx. Cutting up rare-groove classics for the first B-Boys to rap over, Hip-Hop was born and theDJ music that had started on the early Soundsystems of Kingston would go on to conquer the world!

Studio One Records is the original Jamaican record label. Studio One Records started the career of hundreds of Jamaican artists from Bob Marley to The Skatalites, from Horace Andy to The Heptones. Studio One DJs (compiled by Mark Ainley) is the next in the series of releases where Soul Jazz Records are showcasing the music of Studio One, the label that literally defines Reggae.

TRACK LISTING

1. Count Machuki – More Scorcha
2. Prince Francis – Rock Fort Shock
3. Dennis Alcapone – Power Version
4. Dillinger – Natty Kung Fu
5. Jah Scotchie – Man Of Creation
6. Jim Brown – Seen Him
7. Jah Buzz – Love In The Arena
8. Prince Francis – Street Doctor
9. Lone Ranger – The Answer
10. Prince Jazzbo – Crime Don't Pay
11. Brigadier Jerry – Every Man A Me Brethren
12. Big Joe – Version Of Rights
13. Lone Ranger – The Big Match
14. Jah Jesco – Warning
15. Prince Far I – Natty Farmyard
16. Charlie Ace & Scorcher – Father And Dread Loc

Various Artists

Soul Jazz Records Presents: Studio One Disco Mix - 2024 Repress

Studio One's music in the 1970s took the label to new heights. The new style of Disco Mix brought many areas of Reggae together ­ Roots, Lovers, Disco and Dub all came together in extended form, re-versioning classic hits, experimenting with new studio technology, over-dubbing, syn-drums and more producing what many fans describe as the most creative and innovative phase in the history of the legendary Studio One Records.

This Studio One Disco Mix album includes many sought after classic tunes only ever released in very small quantities (on Studio One's very first 12" records as well as it's infamous Music Lab 10"s out of New York) and consequently many of these track s have been unavailable since their day of release. Studio One Disco Mix features many of the classic Studio One artists such as Alton Ellis, Sugar Minott, Jackie Mittoo and Willie Williams (with his classic re-versioning of his own "Armigideon Time") alongside less well artists such as Doreen Schaeffer, Judah Eskender Tafari and George Dudley and many more.

TRACK LISTING

1. Lloyd & Devon – Push Push
2. Judah Eskender Tafari – Rastafari Tell You
3. Doreen Schaefer – Ain't Gonna Change My Mind
4. Dub Specialist – Kampala
5. George Allen – Be Wise Brethren
6. Jackie Mittoo – Night In Ethiopia
7. George Dudley – Gates Of Zion
8. The Silvertones – Come Forward
9. The Ethiopian – Muddy Water
10. Willie Williams & Brentford Disco Set – Armagideon Time
11. Willie Williams & Brentford Disco Set – Armagideon Time (version)
12. Norma White & Brentford Disco Set – I Want Your Love
13. Norma White & Brentford Disco Set – I Want Your Love (version)
14. Alton Ellis – You Make Me Happy
15. Suagr Minott – Love And Understanding
16. Winston Francis, Jackie Mittoo & Brentford Roc

Various Artists

Soul Jazz Records Present: Studio One Lovers - 2024 Repress

Lovingly compiled, this album features only the finest Lovers from Jamaica’s finest label. From Blues parties in London, Birmingham, Bristol etc Lovers Rock quickly became one of the UK’s finest-ever musical movements.

Sweet harmonies, soulful reggae, love songs – the key ingredients of Lovers Rock - were all based on the revival of many of the classic Rocksteady harmony groups of the late 60s and early 70s, such as The Heptones, Carlton and The Shoes, Larry & Alvin, The Paragons, that Clement "Sir Coxsone" Dodd’s Studio One and rival Duke Reid’s Treasure Isle label produced hit after hit with as they fought for dominance in the dancehalls of Kingston.

As well as these classic harmony groups, this album also features fine contributions from many of the reggae greats – Horace Andy, Alton Ellis, Bob Marley and The Wailers, Delroy Wilson – All artists who became stars at the legendary Studio One Records which Chris Blackwell, founder of Island Records, describes as "The University of Reggae".

TRACK LISTING

1. Delroy Wilson – I Don't Know Why
2. Basil Daley – Hold Me Baby
3. Myrna Hague – Touch Me Baby
4. John Holt & The Paragons – Darling, I Need Your Loving
5. The Sharks – How Could I Live (1st Cut)
6. The Mad Lads – Ten To One
7. Jackie Mittoo – Reggae Magic (2nd Cut)
8. Larry & Alvin – Your Love
9. Freddy & Jenny – Too Long Will Be Too Late
10. Alton Ellis – Let Him Try
11. Albert Tomlinson – Don't Wait For Me
12. Horace Andy – Got To Be Sure
13. Carlton & His Shoes – Never Give Your Heart Away
14. The Heptones – Ready To Learn
15. Bob & Marcia – Really Together (No Strings)
16. Ernest Wilson – Undying Love
17. Bob Marley & The Wailers – I'm Still Waiting (1st Cut)
18. Doreen Schaeffer – We're All Alone

Various Artists

Soul Jazz Records Presents - 200% Dynamite! Ska, Soul, Rocksteady, Funk & Dub In Jamaica - 2024 Edition

Soul Jazz Records’ ‘200% DYNAMITE!’ set the benchmark for reggae-meets-funk compilations that has never been bettered. Jam-packed with reggae tunes that crossed over to become dancefloor hits, such as Tenor Saw’s soundboy anthem, ‘Ring the Alarm’, K.C. White’s classic cut of the seminal ‘No, No, No’ and Augustus Pablo’s ‘Rockers Rock’, ‘200% DYNAMITE’ explores the links between reggae, jazz, funk and soul.

Carrying on perfectly from ‘100% DYNAMITE’, this second compilation continues to trace the history of Jamaican reggae and the influence of American styles such as funk and jazz had on this music.

Featured here are serious funk and rocksteady tunes from the likes of The Skatalites and Johnny Osbourne through to Jamaican jazz from masters such as Tommy McCook and Byron Lee, as well as some serious dub from the likes of Augustus Pablo, King Tubby and Jackie Mittoo.

New bonus tracks on this updated 2023 edition include seminal dancehall party cuts Sister Nancy’s ‘One Two’ and Chaka Demus and Pliers’ ‘Murder She Wrote’, alongside classic soul to reggae covers including cuts of Marlena Shaw’s ‘Women of the Ghetto’ and Odyssey’s ‘Don’t Tell Me Tell Her’.

“In Soul Jazz’s outstanding ‘DYNAMITE!’ series, ‘200%’ is the head turner. The label has its finger on the pulse of the now just as surely as it does on that of the past.” - Pitchfork

TRACK LISTING

Augustus Pablo - Rockers Rock
K.C. White - No No No
Tenor Saw - Ring The Alarm
Johnny Osbourne - Bewitched
Pinchers - Agony
The Abyssinians - Mandela
Sister Nancy - One, Two
King Tubby Meets Tommy McCook And The
Aggrovators - King Tubby Dub
Chaka Demus & Pliers - Murder She Wrote
Johnny Osbourne - Ready Or Not
Jackie Mittoo - Earthquake
Sandra Reid - Don't Tell Me Tell Her
The Skatalites Meet King Tubby - Herb Man Dub
Kim Harriott - Woman Of The Ghetto

Various Artists

Soul Jazz Records Present - Space Funk 2: Afro Futurist Electro Funk In Space 1976-84

You are about to embark on a new intergalactic journey into black space, fuelled by funk, powered by computers.

Soul Jazz Records’ new second collection of twisted hyperspace electro / funk ‘Space Funk 2: Afro Futurist Electro Funk in Space 1976-84’, continues its intergalactic journey. Featuring rare and off-the-wall space funk and electro rarities and obscurities, all released on small independent USA record labels in the late 1970s and 1980s.

Artists on this release include Alien Starr, Bobby Demo, Maggatron, Mid-City Crew, Tribe, Junie, Rich Cason and the Galactic Orchestra, and many more intergalactic space warriors.

The CD / 2LP comes in striking deluxe artwork featuring the radical African American model Pat Evans, who graced numerous album covers for The Ohio Players in the 1970s.

The space shuttle program has been altered, there are no star wars - only electro jam joyriders in space! Reactors are reacting, boosters are boosting, the countdown has started. This is space age bionic funk, programmed to make you dance.

TRACK LISTING

Alien Starr - Music-A-Lizer
Chance - Master Groove (Instrumental)
The Bobby Deemo Band - More Ounce Rap
Mack Simmons - Skin Tight
Maggotron - Computer Pop
Tribe - Vulcan Voyage
Command Performance - Breakdance
Junei - Let's Ride
The Graingers - Shine Your Light
Mid City Crew - Get Right
Chapter Three - Smurf Trek
X-Ray Vision - Video Control
Rich Cason And The Galactic Orchestra - Year 2001 Boogie
Frank James And Shadow - Summer Time

Various Artists

Soul Jazz Records Presents Holy Church Of The Ecstatic Soul - A Higher Power: Gospel, Funk & Soul At The Crossroads 1971-83

Soul Jazz Records’ ‘Holy Church of the Ecstatic Soul - A Higher Power - Gospel, Funk & Soul at the Crossroads 1971-83’ draws upon the extensive links between black American gospel music and soul music, showing how the sensibilities of gospel artists such as Shirley Caeser, Dorothy Norwood, Andrae Crouch and others crossed over into secular soul music during this period.

The album was first available as a long-sold out coloured vinyl edition for RSD 2023 and is now available on black double vinyl and for the first time on CD.

Many of the most successful soul artists - from Aretha Franklin to Al Green, The Staple Singers to Sam Cooke - all drew upon their upbringing in the church for their musical inspiration. This album discusses how important the links between the black church and soul music were in creating soul music and spotlights some of the many important (and also little-known) gospel artists who walked this line between sacred music and soul, funk and disco in the 1970s and early 1980s.

‘Holy Church Of The Ecstatic Soul’ shows how sacred gospel music was at home with Stevie Wonder, Blaxploitation-style funk, and produced music celebrated both in New York’s underground discos (The Paradise Garage, Studio 54, etc) and later sampled by the likes of Jay-Z, Snoop Dogg and Mary J Blige.

“Curated with an obvious passion and sense of history, ‘Holy Church Of The Ecstatic Soul’ serves as the perfect intro to the funky spirituals that once served as the foundation for various schools of sound (Philly R&B, disco, soul) over the last 50 years.” - The Wire

TRACK LISTING

Andraé Crouch & The Disciples - Satisfied
Shirley Caesar - Jesus Children Of America
The Meditation Singers - Trouble's Brewin'
The Clark Sisters - You Brought The Sunshine
Dorothy Norwood - Let Your Feet Down Easy
Shirley Caesar - Jesus Is Coming
Swan Silvertones - If You Believe Your God Is Dead
The Alvin Darling Ensemble - Is There Anybody Here?
Roscoe Robinson - There's A Creator
Destiny - Nothing Can Stop Me Now
The Meditation Singers - Good Old Gospel Music
Keith Barrow - Everything Is Gonna Be Alright
Roscoe Robinson - Elijah
Dyson's Faces - Till I've Got This Feelin' Of Love
The Violinaires - The Upper Way
Leomia Boyd And The Gospel Music Makers - Higher In Jesus' Love
Keith Barrow - The Right Road Now

Electric Chairs

So Many Ways

One-off Soul Jazz Records’ collectors Punk 45 pressing. Comes in fold out paper sleeve and specially silk-screened Punk 45 outer sleeve.

Electric Chairs’ ‘So Many Ways’ is post-punk / funk at its height in 1979 - tough rhythms, avant-garde, addictively hypnotic and hypnotic. Two hard to find bomb tunes.

Superb exact reproduction of this excellent postpunk / funk mini masterpiece by the Electric Chairs, who were Wayne / Jayne County and the Electric Chairs until Wayne / Jayne County, true to their own song, ‘Fucked Off’. The Electric Chairs included in their line-up Henry Padovani, who joined the group after being chucked out of a new band called The Police (replaced by Andy Summers).

However, it’s the production skills of David Cunningham that sets this apart from most punk / post-punk singles. At the time Cunningham was working with a stunning array of avant-garde artists including This Heat, Michael Nyman, David Toop and his own ‘experimental pop group’, The Flying Lizards.

Electric Chair’s ‘So Many Ways’ features on Soul Jazz Records’ ‘Punk 45: I’m A Mess’.

TRACK LISTING

So Many Ways
J’Attends Les Marines

Various Artists

Soul Jazz Records Presents 'Studio One 007 - Licenced To Ska' Expanded Edition

Soul Jazz Records release a new expanded version of ‘Studio One 007 - Licenced to Ska: James Bond and other Film Soundtracks and TV Themes’, originally only available as a long deleted 7” RSD box set.

This new edition is fully remastered and expanded to a massive 18 super rare and killer cuts from the Studio One empire.

Featuring The Skatalites, Lee Perry, Jackie Mittoo, Bob Marley, The Wailers, Roland Alphonso and The Soul Brothers - rare and classic tracks from Jamaica’s no.1 record label, Studio One.

Extensive sleevenotes discuss the connections between James Bond, Jamaica and Ska music. Jamaica was the setting for ‘Dr. No’, ‘Live and Let Die’, ‘The Man with the Golden Gun’ and the recent ‘No Time to Die’, and the home for Bond’s creator, Ian Fleming. There is also an extended essay on The Skatalites and their post modern love and ska-ification of all styles of music, from classical music to TV themes, from detective movies to ‘Fiddler on the Roof’.

Aside from the James Bond-related cuts, this album also includes killer tracks from the secret agent 1969 spoof, ‘Our Man Flint’, the Clint Eastwood-starring Spaghetti Western, ‘Hang ‘Em High’, the Brazilian movie masterpiece, ‘Black Orpheus’, and more besides.

TRACK LISTING

Jackie Mittoo And The Soul Brothers - James Bond
The Skatalites - Dick Tracy
The Soul Brothers - James Bond Girl
The Skatalites - Guns Of Navarone Roland Alphonso And The Studio
One Orchestra - From Russia With Love
The Soul Brothers - Thunderball
Jackie Mittoo - Hang 'Em High
The Soul Brothers - Mr Kiss Kiss Bang Bang
The Soul Brothers - 007
Lee Perry And The Wailers - Pussy Galore
The Soul Brothers - Mr. Flint
The Skatalites - Ball Of Fire
The Soul Brothers - James Bond Danger Man
The Soul Brothers - Lawman
The Skatalites - Black Orpheus
The Skatalites - Exodus
The Skatalites - Dr. Kildare
The Soul Brothers - Fiddler On The Roof

Carver Area High School Seniors

Get Live '83 (The Senior Rap)

Out of print for over 40 years, this is a true rare 12” party hip-hop classic, reissued by Soul Jazz Records.

Absolutely stunning very rare old school party disco rap 12” performed by members of the Chicago public high school, Carver High.

Originally released in 1982 on their own private press label, Challenger Records.

The track is the opening highlight of Soul Jazz Records’ recent ‘Yo! Boombox’ collection and is featured here in its full glorious seven and a half minutes and comes complete with exact replica of the striking original hand-drawn artwork.

TRACK LISTING

Get Live ’83 (The Senior Rap)
The Carver Senior Song (Class Of ’83)

Hawksmoor

Telepathic Heights

This incredible new release follows a path along the electronic skyways first created by the German Krautrock electronic pioneers of the 1970s, such as Cluster, Ash Ra Tempel, Roedelius and Michael Rother.

Hawksmoor is James McKeown. He first created Hawksmoor five years ago as an imaginary hauntological soundtrack, inspired by the six Hawksmoor churches in London. Further releases have followed on Environmental Studies, the cassette-only label Spun Out of Control, Castles in Space and The Library of The Occult.

For his debut on Soul Jazz Records, Hawksmoor has created a fascinating blend of these two sensibilities – a love of German electronic music of the 1970s alongside the British retrofuturism and cultural memory bank aesthetic of hauntology - Ghost Box, Mount Vernon Arts Lab, Advisory Circle, Focus Group, etc.

Using strictly modular synths (Moog Sub37), electronic drum rhythms and guitars, Hawksmoor creates an electronic landscaped music world that is both new and old, immediately identifiable and yet utterly unique.

TRACK LISTING

Cycloid
Nuclear Kites
Praxis
Telepathic Heights
Athanasia
A Neural Interval
Synesius
The City Ships Of Alpha
Dream Logic
Abstract Machines

Various Artists

Soul Jazz Records Presents Studio One Rocksteady - 2023 Reissue

‘Studio One Rocksteady’: With excellent sleevenotes by Lloyd Bradley (author of the classic book ‘Bass Culture: When Reggae Was King’), this album is dedicated to rocksteady at Studio One, as well as covering reggae soul and the birth of reggae. Featuring an all-star selection of artists: Ken Boothe, Marcia Griffiths, Jackie Mittoo, The Heptones, John Holt, Alton Ellis, Dennis Brown and more. “Soul Jazz’s excellent collection… even without the history, the importance, and the ins and outs, this music isn’t as much of an intellectual pursuit as it is a pleasure in every note… tremendously tight vocal arrangements… just chock full of creativity, developing a unique sound in every single.” - Pitchfork

Dansette Damage

The Only Sound / New Musical Express

Super cool one-off collector’s pressing in a fold out paper sleeve and specially silk-screened ‘Punk 45’ outer sleeve.

Exact reproduction of this excellent two-sider (double B-side) ‘The Only Sound’ / ‘New Musical Express’, the debut punk single by Dansette Damage from Birmingham, originally released on the tiny Shoestring Records in early 1978.

The tracks were produced incognito by Robert Plant from Led Zeppelin. “Robert put all needles in the red which is why it sounds so raw! Also, we couldn’t sing and you can hear Robert’s high falsetto at the top end, trying to keep us lot in tune!” said the band.

Original copies of this record sell for over £100, so here is a chance to see and hear what all the fuss is about.

Dansette Damage’s ‘NME’ features on Soul Jazz Records’ ‘Punk 45: I’m A Mess’.

TRACK LISTING

The Only Sound
New Musical Express

Trees Speak

Mind Maze

‘Mind Maze’ is the new album by Trees Speak on Soul Jazz Records.

‘Mind Maze’ is, amazingly, Trees Speak’s fifth album to be released on Soul Jazz Records in the space of little over two years - an output matched only by the intensity of their music created during this short time.

As with all their previous releases, ‘Mind Maze’ is a mind-boggling tightrope walk across an array of musical influences that seamlessly create the unique present-day world of Trees Speak.

The band’s sound is characterized by a combination of German Krautrock motoricbeat rhythms, angular New York post-punk attitude, 60s spy soundtracks, psych, rock, jazz, and 70s synthesizers and vocoders. There is also a cosmic spatial awareness to their sound, both personal inner space and galactic outer space, as well as a wilful pushing of sonic boundaries.

Trees Speak are a musical duo based in Tucson, Arizona, composed of Daniel Martin Diaz and Damian Diaz. Their music is heavily influenced by the cosmic magic of the natural desert landscapes of Arizona, creating a unique and captivating sound that is both experimental and innovative. ‘Mind Maze’ was recorded in Brooklyn, New York with special guests Gabriel Sullivan, Alex Pope, Craig Dreyer, Ben Nisbet and Stephani Guilmette.

Here you will find the myriad sounds of 1970s German electronic music (everything from CAN to Cluster, Popul Vuh to Tangerine Dream); 1980s New York post-punk and synthcore (from No Wave to Suicide); John Barry’s 1960s movies, John Carpenter’s 1970s horror. You will also hear the influences of French and Italian progressive rock (Magma, Goblin) as well as cosmic, new age and experimental space soundscapes … an almost endless list of diverse influences that ebb and flow like an ocean of sound, in the process creating a truly unique soundscape that Trees Speak have made wholly their own.

The name Trees Speak reflects their interest in the concept of using future technologies to store information and data in trees and plants, with the idea that trees communicate collectively. This interest in nature and technology, combined with their passion for experimentation, has led Trees Speak to create a truly one-of-a-kind listening experience that is both unique and engaging.

If you ever wanted to hear CAN, Neu!, Destroy All Monsters, Pere Ubu, electric eels, John Cage, Liquid Liquid, Tangerine Dream, Suicide, Laurie Spiegel, Art Ensemble of Chicago, John Barry, Mother Mallard’s Portable Masterpiece Company, Sun Ra, Stockhausen, John Carpenter, Electro-Acoustic and Musique Concrète and Mars in one band, then this is it! Trees Speak are a band that defies categorization and offer an eclectic listening experience, both exciting and memorable.

STAFF COMMENTS

Barry says: Despite their blistering work rate, Trees Speak manage to consistently come up with the goods for 'Much More Known For A Great Compilation' behemoth Soul Jazz records. Their latest treads similar ground to the past few for the label but as ever branch out beautifully into a few subsidiaries of their extremely well-heeled kosmische groove.

TRACK LISTING

Mind Maze
Minotaur
Syndrome
Sospetto
Illusions
Scanner
Burner
Rare Earth
Pathways
Skip Breath
Odyssey
Passage
Signals
Black Phone
Mirror
Stone Tape

Bonus 7” (SJRLP527 Only)
Seraphim
Orpheus

Various Artists

Soul Jazz Records Presents Studio One Funk - 2023 Reissue

18 years on from its original release, ‘Studio One Funk’ remains one of Soul Jazz Records’ most in demand Studio One titles.

‘Studio One Funk’ is made up of rare and unreleased reggae funk from the vaults of Studio One. Ever since the birth of funk in America, the sound has been an ever-present ingredient in the melting pot of Studio One’s musical output.

The music on this release is a combination of originals, US covers and versions of existing Studio One cuts. Jackie Mittoo shows his appreciation for Booker T and The MGs, the studio group at Memphis’ famous Stax Records, with ‘Hang ‘Em High’, itself a cover of a film soundtrack by Dominic Frontiere. Incredibly this version has never before been released. Booker T’s super funky ‘Melting Pot’ is also covered by the little-known Underground Vegetables.

Other versions include Isaac Hayes’ classic Blaxploitation soundtrack ‘Shaft’, again by Cedric Im Brooks, another unreleased gem, straight from the tape master. Motown gets a look in with Alton’s stripped-down version of the Spinners classic, ‘It’s A Shame’, written by Stevie Wonder and Syreeta.

James Brown is apparent in spirit with the JBs-inspired groove on the super rare cut, ‘Now’, by Lee Arab. Lloyd Williams similarly does a fine Kingston-style version of the hardest-working man in showbusiness on ‘Reggae Feet’.

Version-wise, we have ‘Idleberg’, Cedric Im Brooks’ tough instrumental cut on Horace Andy’s seminal ‘Skylarking’. The little-known Prince Moonie gives us a rare DJ cut of another Horace Andy classic, ‘See A Man’s Face’.

Pablove Black’s cut of Sidewalk Doctor (aka Poco Tempo) is one of a handful of Studio One releases featuring Augustus Pablo’s trademark instrument, the melodica, played by Black himself.

Add to these original cuts from Studio One’s heavyweight session players, including Leroy Sibbles, Jackie Mittoo, Leroy Sibbles, Eric Frater, Leroy ‘Horsemouth’ Wallace, Richard Ace, Vin Gordon and more, and you have one of the finest selections of reggae and funk you will ever hear.

“An absolute treasure trove for the collector as well as being great for the ears and feet. Jackie Mittoo's 'Hang Em High' is worth the price of the album on its own.” - Echoes

“A superb collection that shows how much many Jamaican musicians were influenced by the heavy funk belting out of American studios from the early seventies onwards.” - Touch

“The most satisfying listening experience so far in the Studio One series.” - The Wire

TRACK LISTING

Cedric Im Brooks - Shaft
Alton Ellis - African Descendants
Pablove Black - Poco Tempo
Lloyd Williams – Reggae Feet
Jackie Mittoo - Hang ‘Em High
Cedric Im Brooks - Idleberg
Prince Francis - Beat Down Babylon
Lee Arab - Now
Soul Bros - 007
Prince Moonie - See A Man’s Face
Im And Sound Dimension - Love Jah
Leroy Sibbles - Do Your Thing
The Sharks - Music Answer
Underground Vegetables - Melting Pot
Devon Russell - You Found Heaven
Vin Gordon - Steady Beat
Alton Ellis - It’s A Shame
Roy Richards - Another Day
Delroy Wilson - Funky Broadway

Count Ossie & The Mystic Revelation Of Rastafari

Tales Of Mozambique - 2023 Reissue

Count Ossie is the central character in the development of Rastafarian roots music, nowadays an almost mythical and iconic figure. His importance in bringing Rastafarian music to a populist audience is matched only by Bob Marley’s promotion of the faith internationally in the 1970s.

Count Ossie’s drummers performed on the first commercially released single to integrate Rastafarian traditional music with popular music: the vocal group The Folkes Brothers’ groundbreaking song ‘Oh Carolina’, recorded for producer Prince Buster in 1959. In 1966 his drummers greeted the momentous arrival of Haile Selassie at Kingston airport.

His legendary jam sessions up in his Rastafarian compound in the hills of Wareika, Kingston, are famous for the many Jamaican musicians who attended including The Skatalites players - Roland Alphonso, Don Drummond, Johnny Moore, Lloyd Knibbs - and many others.

The Mystic Revelation of Rastafari formed in Kingston, Jamaica, in 1970, a union of Count Ossie’s Rastafarian drummers - variously known as his African Drums, Wareikas or his Afro-Combo - and the saxophonist Cedric Im Brooks’ horns group, The Mystics.

The Mystic Revelation of Rastafari are the defining group in bringing authentic Rastafarian rhythms into the collective consciousness of popular music, their unique music is at once rooted in the deep traditions and rituals of traditional drumming and chanting alongside a forward-thinking, even avant-garde, artistry influenced by the likes of John Coltrane, Sun Ra, Pharoah Sanders and other pioneering African-American jazz artists radicalised and charged by the civil rights movement of the 1960s.

TRACK LISTING

Sam's Intro
Tales Of Mozambique
Selam Nna Wadada (Peace
And Love)
No Night In Zion
I Am A Warrior
Wicked Babylon
Let Freedom Reign
Lock, Stock & Barrell
Nigerian Reggae
Run One Mil
Rasta Reggae
Samia

Willie Williams

No One Can Stop Us Now

Willie Williams’ seminal ’No One Can Stop UsNow’ is a cover of Ashford and Simpson’s soul /disco classic ‘Ain’t No Stopping Us Now’, and is simply one of the greatest, most soulful reggae / disco cuts ever made. This is the latest in the series of special edition 12”s of all-time classic Studio One party bombs available on super loud 12”. First released on Studio One in 1979, this party anthem features the sublime keyboards of Jackie Mittoo alongside the awesome studio group, The Brentford All Stars (here working under the name The Brentford Disco Set). 100% essential monster Studio One tunes that rock any dancefloor

TRACK LISTING

No One Can Stop Us Now
No One Can Stop Us Now (Version)

Various Artists

Soul Jazz Records Presents Punk 45: I'm A Mess - 2022 Reissue

Initially released in a deluxe vinyl-only edition (now totally sold out), Soul Jazz Records’ ‘Punk 45: I’m A Mess!’ is now released in standard double album vinyl (and for the first time on CD).

Soul Jazz Records’ long lasting ‘Punk 45’ series are high quality editions of early punk 45s. While previous editions have focused on the early days of punk in Los Angeles, Cleveland, Akron, France, and proto-punk, this new edition focuses on mainly do-it-yourself, or self-released 45s, all made in the UK in the early days of punk.

While only a handful of Punk 45s were released in 1976, the following two years produced an avalanche of them. Aside from the few punk bands who signed to major labels, many of these singles were self-released private press 45s or independent label 45s. With limited distribution and access to the media, many of these sunk without trace and were lost in history. This album features many of these independent punk 45 gems, lost nuggets of gold from the sea of time.

The bands featured here come from all across the United Kingdom. Here you will find The Drive, Scotland’s answer to the New York Dolls, Dansette Damage from Newcastle, Stormtrooper from the Isle of Wight and many more - a snapshot of some of the finest private press 45s ever made. Other bands include Cybermen, The Exile and Neon, as well as the early punk incarnations Johnny and The Self-Abusers (who later became Simple Minds) and The Killjoys (led by Kevin Rowland, who later formed Dexy’s Midnight Runners).

These are all one-off and super rare releases from bands that you have probably never heard of - totally hidden gems from the wastelands of the early days of punk. Totally in keeping with the spirit of the time, this is high octane and righteously independent.

TRACK LISTING

The Art Attacks - I Am A Dalek
The Drive - Jerkin
Johnny And The Self Abusers - Saints And Sinners
Trash - Priorities
The Carpettes - Help I'm Trapped
Stormtrooper - I'm A Mess
The Electric Chairs - So Many Ways
Social Security - I Don't Want My Heart To Rule My Head
Neon Hearts - Venus Eccentric
The Cybermen - Cybernetic Surgery
The Killjoys - Naive
The Reducers - Things Go Wrong
Johnny Moped - No One
Neon - Bottles
V2 - Speed Freak
The Exile - Fascist DJ
Lucy - Feel So Good
Machines - True Life
Dansette Damage - N.M.E.

Steve Reid

Odyssey Of The Oblong Square - 2022 Reissue

New special one-off pressing gold CD / gold vinyl edition of this deep spiritual jazz classic.

Drummer legend extraordinaire, Vietnam conscientious objector, ex- Black Panther, Steve Reid has played with everyone from James Brown to Sun Ra, Fela Kuti and Miles Davis, was a friend of John Coltrane, worked at Motown and, in the latter part of his career, worked extensively with Kieran Hebden, following his path of a radical, revolutionary music up until his untimely death in 2010.

Soul Jazz Records are re-releasing this rarest release of deep heavyweight jazz by Steve Reid and The Master Brotherhood, entitled ‘Odyssey of the Oblong Square’, first released over thirty five years ago on Steve Reid’s own Mustevic Sound record label (where it came out in an edition of 1000 copies) and has been a serious collector’s album ever since.

Steve Reid became known worldwide for his radical collaborations with Kieran Hebden after they first recorded together on the Steve Reid Ensemble album, ‘Spirit Walk’, released on Soul Jazz in 2005, releasing five joint releases together in the following years.

Steve Reid is steeped in musical history and a true pioneer of US deep leftfield jazz. He played in Sun Ra’s Arkestra, was a Motown session drummer and backed James Brown at the Apollo. He was a Black Panther, imprisoned during the Vietnam war as a conscientious objector and lived in Africa in the early 1970s. Reid worked with Freddie Hubbard, Gary Bartz, Ornette Coleman, Lester Bowie, Fela Kuti, Leon Thomas, Miles Davis and many more in his long illustrious and groundbreaking career.

TRACK LISTING

1. Odyssey Theme
2. Deacon’s Son
3. Odyssey Sweet
4. Ginsameng

Various Artists

Soul Jazz Records Presents - Disco Reggae Rockers

‘Disco Reggae Rockers’ features wicked reggae disco versions of funk, soul and disco classics.

This new album follows on from Soul Jazz Records’ earlier highly successful ‘Hustle: Disco Reggae’ and features reggae covers of classic songs by Earth, Wind and Fire, Michael Jackson, The Isley Brothers, Candi Staton, Curtis Mayfield and more, as performed by Derrick Harriott, Devon Russell, Hortense Ellis, Glen Adams, Dave Barker and others.

The most straightforward definition of ‘Disco Reggae’ is to describe it as American disco and soul songs covered by reggae artists. But the relationship is binary – this is no mere subservient island appreciation of North American dominant culture but instead an example of the interweaving thread of Jamaican and American music that travels back and forth between the major cities of Kingston, London, Toronto, New York, Chicago and Philadelphia.

TRACK LISTING

Devon Russell - Move On Up
Crashers - Flight To Jamaica
Valerie Harrison - Fool’s Paradise
Bill Campbell - For The Love Of You
Risco Connection - It’s My House
Dave Barker - Glow Of Love
Derrick Harriott - Caught You In A Lie
Hortense Ellis - Young Hearts Run Free
Ed Watson And Brass Circle - Wanna Be Startin’ Somethin’
Devon Russell - We The People Who Are Darker Than Blue
Seventh Extension - Reasons
Derrick Harriott - Brown Baby
Ed Watson And Brass Circle - Let’s Groove
Pete Campbell & The Sunshine Girls - Don’t Let Love Get You Down
Webby Jay - In The Rain
Glen Adams Affair - Just A Groove

The Mystic Revelation Of Rastafari

Grounation - 2022 Reissue

Like Sun Ra’s Arkestra and John Coltrane are to jazz, the Mystic Revelation of Rastafari are to reggae - the ultimate expression of roots music and Rastafarian ideology in reggae music, music functioning at a high level of spiritual consciousness combined with an equally avantgarde and forward-looking approach to sound.

The group’s stunning, unique and groundbreaking 1973 album, ‘Grounation’, a mighty conceptual triple album (the first ever reggae triple) is, similar to Marvin Gaye’s ‘What’s Going On’, a definitive all-encompassing cultural statement of its time and place. A sprawling album of raw and unique cultural expression that combined Rastafari consciousness with deep spiritual jazz music - an absolute and essential classic of Reggae music.

The Mystic Revelation of Rastafari group came into existence at the start of 1970s, the union of two artists (and groups) of equal repute - Count Ossie and his African Drums and saxophonist Cedric ‘Im’ Brooks’ and his group, The Mystics. Both Ossie and Brooks were alumni from the great Studio One Records.

Master drummer Count Ossie and his collective of Rastafarian drummers performed for Haile Selassie on his momentous visit to Jamaica in 1966. Cedric Brooks came out of the Alpha Boys School - the fertile breeding ground of musicians who dominated the Jamaican music scene from the 1960s onwards: Tommy McCook, Don Drummond, Johnny Moore, Headley Bennett, Johnny Osbourne, Yellowman, Leroy Smart, Bobby Ellis, Joe Harriott, Eddie Thornton, Vin Gordon, Rico Rodriguez, Owen Gray, Leroy ‘Horsemouth’ Wallace and more.

The Mystic Revelation of Rastafari’s ‘Grounation’ is a massive opus, a work of profound musical genius that tells the story of Jamaica through music and words. The album is a cornerstone in the history of reggae, a unique and other-worldly album the like of which has never been made since.

TRACK LISTING

2CD / 3LP
Bongo Man
Narration
Narration Continued
Mabrat (Passin Thru)
Poem
Four Hundred Years
Poem II
Song
Lumba
Way Back Home
Ethiopian Serenade
Oh Carolina
So Long
Grounation
Grounation Continued
Bonus 7” Single (With Box Set Version Only)
Blacker Black
Grounation

Fast Eddie

Shake A Tail Feather

Collection of the lost recordings of Fast Eddie, one of the most exciting live bands of the early 1980s Rhythm ‘n’ Soul-fuelled Mod Revival.

From Billericay, the band followed in the wake of Thames Delta Blues pioneers Dr. Feelgood, originally playing raw, authentic R&B before expanding their sound to incorporate club soul and a broader palette of influences and sounds.

Originally produced and managed by legendary label man and broadcaster Eddie Piller, founder of Acid Jazz, who released their first single on his first own Well Suspect marque in 1982.

An exciting collection of Mod-Revival-era tunes, and an important document of the wider Mod Revival and Acid Jazz Records story.

TRACK LISTING

Shake A Tail Feather
I Don’t Need No Doctor
Sugar Coated Love
Sweet Sensation
Turn On Your Love Light
Vicinity
My Babe
Ninety-Nine & A Half
Out Of Sight
Fever
Keep Your Hands Off It
Teenie Bit Of Your Love *
Barefootin’
Hit The Road Jack
36-22-36
Homework
Treat Her Right *
Land Of 1000 Dances *
Little Suzy (Instrumental) *
Help Me *
* = CD Only Track

Various Artists

Soul Jazz Records Presents Studio One Music Lab

This new Studio collection on Soul Jazz Records delves deep into a melting pot world of reggae and funk and dub created at the music laboratory of 13 Brentford Road, Kingston in the 1970s - an intense collaboration of crack musicians, singers, DJs and engineers under the guidance of producer Clement ‘Coxsone’ Dodd.

Here you will find some of the deepest and rawest cuts to emanate out the Studio One factory - truly hypnotic rhythms, powerful funk guitar and bass, soaring horns and more interspersed with occasional vocals and toasting as musicians reach for the highest heights and deepest roots of reggae music.

Some of these tunes here are rare and classic versions to seminal Studio One vocal cuts from the likes of Horace Andy and Hortense Ellis. There is also a wealth of cuts from simply the greatest musicians ever to come out of Jamaica (let alone Studio One). These include Jackie Mittoo, Roland Alphonso, Cedric Brooks, Ernest Ranglin and the Brentford All-Stars. You’ll find straight up funk bombs such as Lennie Hibbert’s mindblowing ‘Go For Yourself’ (sounding like The Meters meets James Brown), the Brentford All-Stars covering War’s classic ‘The World is a Ghetto’, and Jackie Mittoo showing how to make Cream’s ‘Sunshine of Your Love’ into a reggae funk bomb.

All of these sit beside super-deep roots and dub cuts that exemplify together how Studio One was unique in Clement Dodd’s pioneering vision of reggae, the music created functioning with a continuous level of experimentation that blurred the lines between genres and pushed the outer limits of reggae music at all times. This album is deep.

The album comes with extensive sleeve notes by Steve Barker

TRACK LISTING

Hortense And The Sound Dimension -
People Make The World Go Round Version
Leroy Wallace And The New Establishment -
Far Beyond Version
Sound Dimension - Face Man Version
Fabian & The Vibes - Mother And Child (Part
2)
Lennie Hibbert - Go For Yourself
Dub Specialist - Chainey Roots
Brentford All Stars - The World Is A Ghetto
The Jay Tees And Brentford Rockers -
Forward To Jah (Part 2)
Roy Richards - Summertime
Lennie Hibbert - Snow Bird
Pablov Black - Dread Head
Cedric Im Brooks - Glory To Sound
Jackie Mittoo - Lazy Bones
Dub Specialist - Message From Dub
Jackie Mittoo - Sunshine Of Your Love
Roland Alphonso - Tenor Man Trip
Ernest And The Sound Dimension - Surfin’

Various Artists

Soul Jazz Records Presents: Deutsche Elektronische Musik 2 - Part B

"A near-definitive guide to some of the world's most extraordinary music." - The Guardian

Soul Jazz Records’ ‘Deutsche Elektronische Music Volume 2’ is now available as two separate double LPs for the first time in over 10 years.

‘Deutsche Elektronische Musik 2’ is the second voyage into the world of Krautrock and German electronic music from the 1970s and early 1980s.

Two double LPs (with over 2½ hours of amazing music) featuring a stunning line-up of seminal German groups, including Can, Faust, Popul Vuh, Neu!, Cluster, Amon Düül II and La Düsseldorf, as well as a host of lesser known and more obscure groups and artists, such as Agitation Free, Bröselmaschine, Niagara and many more.

As well as the original pioneers, ‘Deutsche Elektronische Musik 2’ also features many of the second wave of German electronic artists and groups from the late 70s and early 80s (DAF, Asmus Tietchens, Rolf Trostel), who successfully connected new wave, minimal synth and a European post punk avant-gardism with the earlier more established Krautrock pioneers who began at the start of the 70s.

Influenced as much by the electronic experimentalism of Stockhausen as the progressive rock of USA and UK underground rock, young German artists seamlessly created a new music with its own unique identity, which they ironically entitled Krautrock. By the end of the 1970s, with the arrival of new wave synthetics and complex drum machines, this music had mutated once again into new electronic visions reflecting a new Germany.

The vinyl edition comes in two volumes of heavyweight, superloud vinyl double LPs, featuring full sleevenotes and text.

TRACK LISTING

A.R. & Machines - Als Hätt Ich
Das Alles Schon Mal Gesehen
Gila - Sundance Chant
Neu! - Isi
Pyrolator - Danger Cruising
Sergius Golowin - Die Weisse Alm
You - Electric Day
Niagara - Gibli
Rolf Trostel - Der Prophet
Electric Sandwich - China
Asmus Tietchens - Zeebrugge
Faust - Krautrock

Various Artists

Soul Jazz Records Presents: Deutsche Elektronische Musik 2 - Part A

"A near-definitive guide to some of the world's most extraordinary music." - The Guardian

Soul Jazz Records’ ‘Deutsche Elektronische Music Volume 2’ is now available as two separate double LPs for the first time in over 10 years.

‘Deutsche Elektronische Musik 2’ is the second voyage into the world of Krautrock and German electronic music from the 1970s and early 1980s.

Two double LPs (with over 2½ hours of amazing music) featuring a stunning line-up of seminal German groups, including Can, Faust, Popul Vuh, Neu!, Cluster, Amon Düül II and La Düsseldorf, as well as a host of lesser known and more obscure groups and artists, such as Agitation Free, Bröselmaschine, Niagara and many more.

As well as the original pioneers, ‘Deutsche Elektronische Musik 2’ also features many of the second wave of German electronic artists and groups from the late 70s and early 80s (DAF, Asmus Tietchens, Rolf Trostel), who successfully connected new wave, minimal synth and a European post punk avant-gardism with the earlier more established Krautrock pioneers who began at the start of the 70s.

Influenced as much by the electronic experimentalism of Stockhausen as the progressive rock of USA and UK underground rock, young German artists seamlessly created a new music with its own unique identity, which they ironically entitled Krautrock. By the end of the 1970s, with the arrival of new wave synthetics and complex drum machines, this music had mutated once again into new electronic visions reflecting a new Germany.

The vinyl edition comes in two volumes of heavyweight, superloud vinyl double LPs, featuring full sleevenotes and text.

TRACK LISTING

A.R. & Machines - Globus Im Selben Boot
Can - Halleluwah
Roedelius - Le Jardin
Michael Rother - Karussell
Michael Hoenig - Sun And Moon
Agitation Free - You Play For Us Today
D.A.F. - Co Co Pino
Harald Grosskopf - Emphasis
Amon Düül II - A Morning Excuse
Conrad Schnitzler And Wolf Sequenza - Fata Morgana
Bröselmaschine - Nossa Bova
Eno, Moebius And Roedelius - Base & Apex
Gila - In A Sacred Manner
Wolfgang Riechmann - Himmelblau

Inell Young

The Next Ball Game

One of three monster New Orleans Funk 45s rereleased by Soul Jazz Records.

Only ever exclusively available on the Soul Jazz Records site and long out of print, these new 45s are pristine loud dancefloor fillers housed in a Soul Jazz recycled card house bag.

Inell Young’s searing vocal performance backed by the unbelievably funky James Black’s seriously awesome second-line syncopated drumming. The three funkiest drummers in the world are the Meters’ Zigaboo Modeliste, James Brown’s Clyde Stubblefield, and James Black.

An awesome Eddie Bo arrangement and production. 100% essential.

TRACK LISTING

The Next Ball Game
Part Of The Game

Inell Young

What Do You See In Her

One of three monster New Orleans Funk 45s rereleased by Soul Jazz Records.

Only ever exclusively available on the Soul Jazz Records site and long out of print, these new 45s are pristine loud dancefloor fillers housed in a Soul Jazz recycled card house bag.

A stone-cold classic tune. Simply one of the most soulful New Orleans tunes ever to come out on record from Eddie Bo vocalist Inell Young.

Rare New Orleans bullet. Original pressings go up to £900 if you ever see one.

TRACK LISTING

What Do You See In Her
I Remember The Summer

Brown Sugar

Black Pride

‘Black Pride’ is the seminal Lovers Rock tune from Brown Sugar, pressed loud for the first ever time on this new one-off press edition 12” on Soul Jazz Records.

Brown Sugar formed in London in 1976, made up of teenagers Pauline Catlin, Caron Wheeler and Carol Simms. After Brown Sugar, Caron Wheeler became known worldwide as the vocalist in Soul II Soul, and Carol Simms launched a successful solo career under the name Kofi. 

‘Black Pride’ was originally released on the Lovers Rock label, a fledgling reggae label formed by musicians Dennis Bovell and John Kpiaye and producer Dennis Harris. Brown Sugar were unique - not only were they one of the most important of the first wave of lovers rock groups, they were also the only group who managed to successfully blend together a reggae roots consciousness with a lovers rock sensibility. The classic ‘Black Pride’ perfectly reflects this unique sound.

STAFF COMMENTS

Martin says: As lover's rock fever takes over one of the seminal hits of the genre is given a timely repress from the good folks at Soul Jazz

TRACK LISTING

A. Black Pride
B. Proud

The Winstons

Color Him Father

What do Tyler the Creator, Mantronix, Stetsasonic, DJ Shadow, Eric B and Rakim, Brand Nubian, Jay-Z and N.W.A. have in common? How about UK Apachi and Shy FX, DJ Zinc, Bukem, Ganja Kru, Lemon D Ice, Dillinga, Photek, 4-Hero, Congo Natty, Krome and Time, Roni Size, Skream and Shut Up and Dance? Not to mention The Prodigy, Squarepusher, Leftfield, Oasis, Aphex Twin, Calvin Harris, Dua Lipa, David Bowie, Primal Scream, Lady Gaga and Dizzee Rascal?

Answer: They have all sampled The Winstons’ ‘Amen, Brother’, the most sampled drum break in the history of music (over 5000+ according to whosampled.com), it has shaped the history of electronic music ever since its creation in 1969.

This is the official release of the Winston’s ‘Color Him Father’ album, out of print for fifty years on vinyl, a glorious, break-heavy album of soul, funk and gospel featuring the tracks ‘Color Him Father’, ‘Amen, Brother’ and loads more.

The fully remastered album is housed in exact-reproduction original sleeve and design and comes with 4 extra bonus tracks that the group released only as singles. There is also a very special one-off, first pressing only of this album that comes with an exclusive one-sided dubplate special 12” of ‘Amen, Brother’ featuring a specially extended break mix of the classic tune.

The Winstons’ ‘Amen, Brother’ was originally the B-side to ‘Color Him Father’, a superb soul tune released by a multi-racial group from Washington, DC, in 1969. The drum break was played by George GC Coleman, and the song was based on a Curtis Mayfield guitar riff. The soul connection was no coincidence. The Winstons were formed from the backing groups to both Otis Redding and Curtis Mayfield and the Impressions before they came into their own spotlight. The Winstons signed to Mayfield’s Curtom Records in Chicago in 1968. Drummer extraordinaire GC Coleman had already played with The Marvelettes, Otis Redding and Curtis Mayfield (and in the 1970s would play with the funk group Brick).

‘Color Him Father’ became a million-selling Number 1 R&B hit single in the US and the following year The Winstons released their debut (and only) album, also entitled ‘Color Him Father’, on Metromedia Records, featuring both sides of the single alongside nine other excellent soul, funk, gospel and R&B cuts. Unfortunately, the group split up the following year, citing difficulties in touring the southern US due to their inter-racial line-up, and their sole album has long-since sunk into obscurity.

Fast forward nearly 20 years and the ‘Amen, Brother’ break was discovered by hip-hop producers after the song appeared on the seminal ‘Ultimate Breaks & Beats’ series of original breaks (alongside ground-breaking tracks such as James Brown’s ‘Funky Drummer’, The Incredible Bongo Band’s ‘Apache’ and Herman Kelly’s ‘Dance to the Drummers Beat’) in 1986. The track became the staple of hip-hop, with countless songs based on George GC Coleman’s epic six-second drum break.

Fast forward once more, this time to the UK at the start of the 1990s, and 100s of drum and bass producers began sampling and speeding up the ‘Amen, Brother’ break, adding reggae bass lines to create first jungle and then drum and bass, and by the 1990s the ‘Amen’ drum break dominated this new musical genre.

The Winstons’ ‘Color Him Father’ is a superb rare slice of soul, funk and gospel music that has changed the course of music over the last fifty years.

TRACK LISTING

CD / LP
Color Him Father
I’ve Gotta Be Me
The Chokin’ Kind
The Greatest Love
A Handful Of Friends
Everyday People
Love Of The Common People
Wheel Of Fortune
The Days Of Sand And Shovels
Birds Of A Feather
Only The Strong Survive
Traces
Amen, Brother
Say Goodbye To Daddy
Mama’s Song

Bonus 12” (SJRLP497 only)
Amen Brother (Extended Mix)

Various Artists

Soul Jazz Records Presents - Life Between Islands - Soundsystem Culture: Black Musical Expression In The UK 1973-2006

Soul Jazz Records’ new ‘Life Between Islands’ collection is inspired by the launch of Tate Britain’s exhibition of the same name. This landmark exhibition explores the links between Caribbean and British art and culture from the 1950s to now. ‘Soundsystem Culture: Black Musical Expression in the UK 1973-2006’, focuses on the most important Black British musical styles to emerge out of the distinctly Caribbean world of sound systems. The album features an all-star line-up including Dennis Bovell, Shut Up and Dance, Cymande, Digital Mystikz, Brown Sugar, Funk Masters, Janet Kay, Ragga Twins and more.

The album is a lightning-rod journey across Roots Reggae, Jungle , Jazz- Funk, Lovers Rock, Jazz, Dubstep and more. Much of Soul Jazz Records’ catalogue comes out of these genres and this album is partly an overview of some of Soul Jazz’s earlier releases (including Digital Mystikz’ long-deleted groundbreaking and now highly collectible single ‘Misty Winter’) alongside some choice rare and classic tunes that span over 30 years of sound system culture.

Many of the tracks represent how Black British artists defined their own identity, with songs such as Brown Sugar’s righteous ‘Black Pride’, ‘I’m In Love with A Dreadlocks’ and Tabby Cat Kelly’s powerful ‘Don’t Call Us Immigrants’. Aside from being musically rooted in the distinctly Jamaican-born phenomenon of the sound system, much of this identity is also shaped by the triangular relationship of being British-born, of Caribbean heritage, and with an equal love of African-American Jazz, Funk and Soul, as evidenced with many Lovers Rock reggae covers of American soul tunes (such as those of Jean Carn, William de Vaughan and Rose Royce featured here). This stateside influence can also be heard in groups such as the Funk Masters, a group formed by reggae radio DJ Tony Williams, whose jazz-funk music successfully crossed over into New York’s clubland, as well as the great Cymande, whose unique street-funk became staple material for numerous US hip-hop artists in the years that followed.

In the early 1990s, jungle and drum and bass artists took the essence of reggae’s soundsystem culture - MCs, dubplates, crews - and applied them to their own music, applying heavy reggae bass lines to intense double-speed drum breakbeats. At the forefront of this new movement were the duo Shut Up and Dance, working closely with The Ragga Twins, aka Deman Rocker and Flinty Badman, both MCs for North London’s infamous Unity reggae soundsytem. In the early 2000s, dubstep, spearheaded by Digital Mystikz, became the latest instalment in this ever evolving soundsystem culture.

STAFF COMMENTS

Matt says: Dang this is good! Skilfully joining the dots of sound system culture from its very beginning till now would seem like a daunting task for anyone. But guided by the Black identity of the majority of Sounds, Soul Jazz offer up a catch-all release that takes us from roots reggae and soul to jungle and dubstep without ever losing sight of the subwoofer. A phenomenal collection which, by way of a few choicely licensed joints ("Misty Winter", "RK1" especially), should be a instant-buy for anyone with a penchant for UK dance music.

TRACK LISTING

Black Slate - Sticks Man
Dee Sharp - Rising To The Top
Asher Senator - One Bible 
Cymande - Fug
Digital Mystikz - Misty Winter
Winston Curtis - Be Thankful For What You’ve Got
Trevor Hartley - It Must Be Love
Shut Up And Dance featuring The Ragga Twins - Java Bass
Brown Sugar - Black Pride
The Terrorist - RK1
Black Harmony - Don’t Let It Go To Your Head
Pebbles - Positive Vibrations
The Ragga Twins - Ragga Trip
Janet Kay And Alton Ellis - Still In Love
Funk Masters - Love Money
Cosmic Idren - Compelled
Harry Beckett - No Time For Hello
Sandra Reid - Ooh Boy
Tabby Cat Kelly - Don’t Call Us Immigrants
Brown Sugar - I’m In Love With A Dreadlocks

Lloyd McNeill

Tori

Soul Jazz Records’ CD / LP reissue of this very rare album, first released as a private-press LP in 1978 on flautist Lloyd McNeill’s own Baobab Record label in Washington, DC. The album has been out-of-print for 43 years and is lovingly remastered by Soul Jazz Records.  ‘Tori’ is a stunning album that blends Brazilian and Latin flavours with deep Spiritual Jazz. The album features a strong line up which includes legendary Brazilian figures such as Dom Um Romao, Nana Vasconcelos and Dom Salvador alongside jazz heavyweights such as Buster Williams, Howard Johnson, John La Barbera and more. These A-team musicians were all regulars in McNeill’s long-running and highly successful resident live group in New York, all set up to blend deep jazz, Brazilian and Latin music together. 

Lloyd McNeill is an African-American flautist, painter, poet, and photographer born in Washington, D.C. in 1935. His multidisciplinary creative life led to encounters and friendships with Nina Simone, Picasso, Eric Dolphy, Nana Vasconceles and other legendary cultural figures. 

Lloyd McNeill’s hypnotic ‘Washington Suite’ was originally commissioned as a piece of music for the Capital Ballet Company, in Washington DC. McNeill grew up through the era of the Civil Rights Movement in the 1960s and his life and work is a reflection of those ideals. In the mid-1960s he moved to France where he became friends with Picasso, working with a number of émigré-jazz musicians whilst living in Paris. In the late 1960s he taught jazz and painting workshops at the New Thing Art and Architecture Center in Washington. In the 1970s he travelled throughout Brazil and West Africa studying music and taught music anthropology in the US.

TRACK LISTING

1. O Mercado (Brazilian Market)
2. Tori (Segment One)
3. Tzigane
4. Tori (Segment Two)
5. Sambinha
6. Time Still / Passaro - Pifaro (Flute Bird)
7. Tori (Segment Three)
8. Tranquil

Various Artists

Soul Jazz Records Presents Cold Wave #2

Soul Jazz Records new ‘Cold Wave #2’ is a new collection of current electronic artists who have all been shaped by the early European cold wave artists of the late 70s and early 80s.

These first artists created new electronic musical landscapes as well as pursuing a stubborn D-I-Y aesthetic, often releasing material on cassette and pioneering use of lo-fi technology, primitive drum machines and home-recording techniques. As part of this continued evolution today many of the artists featured here also self-release their own material, run labels, publish fanzines, or are part of wider musical collectives.

Aside from the first electronic, no wave and post-punk artists cited as influences - Suicide, Patrick Cowley, The Normal, Martin Hannett, Laurie Anderson, Public Image - this new generation of artists also show an exquisitely open source of electronic and disparate influences, everything from Underground Resistance to Purcell, from Scientist to New Beat and more besides.

Most of the featured artists are based in Europe and include Krikor from France, Beta Evers and L.F.T. from Germany, Lena Willikens, Job Sifre and De Ambassade from the Netherlands, Toulouse Low Trax from Germany, Dave I.D. and Broken English Club from the UK and V.C.V.S from Georgia. All of the bands featured here make distinctive contemporary music out of the 80s roots of the first cold wave movement.


STAFF COMMENTS

Patrick says: If you've been paying attention to the fringe shit Matt and I have been pushing for the last five or so years, you should be well acquainted with the cuts on this killer Soul Jazz comp. Part 2 is just as its twin, boasted certified bangers from Lena, Tolouse Low Trax. De Ambassade and Job Sifre.

TRACK LISTING

Lena Willikens - Howlin Lupus
Beta Evers - Hiding
L.F.T. - Stay Away From The Light
Job Sifre - At Least We Try
De Ambassade - Niet Van Mij
Tolouse Low Trax - Rushing Into Water
V.C.V.S. - Hum
Dave I.D. - Help Starts
Broken English Club - Vacant Cars
Krikor Kouchian - Deserver Dub

Various Artists

Soul Jazz Records Presents - Fire Over Babylon: Dread, Peace And Conscious Sounds At Studio One

Soul Jazz Records’ new Studio One collection ‘Fire Over Babylon: Dread, Peace and Conscious Sounds at Studio One’ features a stellar selection of 70s roots music - classic and rare tracks recorded at Clement Dodd’s musical empire at 13 Brentford Road in the 1970s.

Rastafarian-inspired Roots music was an ever-important aspect of Studio One’s output from the start of the 1970s onwards and this album features many of the groundbreaking groups and artists that established the sound of Jamaica during this decade and beyond.

Featured here are seminal artists such as Freddie McGregor, The Wailing Souls, The Gladiators, Horace Andy, Devon Russell, Cedric Brooks, Count Ossie and Judah Eskender Tafari alongside a host of lesser-known rare cuts made at Studio One from artists such as The Prospectors, Viceroys and Pablove Black.

Studio One and founder Clement Dodd’s connection with Rastafarianism dates back to the early 1960s, with Dodd accompanying members of the Skatalites up to the hills of Kingston to listen to the music of the Rastafarian Count Ossie and his drummers. The album sleevenotes discuss how Clement Dodd’s musical links, as well as his role in heading the most important record label in Reggae, are in many ways linked to the beliefs of Rastafarianism.

TRACK LISTING

Freddie McGregor - I Am A Revolutionist
The Silvertones - Burning In My Soul
Wailing Souls - Without You
Devon Russell - Jah Jah Fire
Trevor Clarke - Sufferation
The Gladiators - Sonia
Judah Eskender Tafari - Always Trying
The Viceroys - Ya Ho
Im And Count Ossie - Give Me Back Me Language And Me Culture
The Gladiators - Serious Thing
The Prospectors - Glory For I
Wailing Souls - Things And Time
Pablove Black - Inner Peace
The Gladiators - Peace
Horace Andy - Mr. Jolly Man
Wailing Souls - Rock But Don’t Fall
Albert Griffiths And The Gladiators - Righteous Man
So Many Problems - The Viceroys

Enrique Rodríguez & The Negra Chiway Band

Fase Liminal

Enrique Rodríguez and the Negra Chiway Band group have an instantly powerful and unique sound that is reminiscent of the ensembles of Sun Ra and his Arkestra as well as Horace Tapscott and his Pan-Afrikan Peoples Arkestra, one that channels the righteous spirits of Alice Coltrane, John Coltrane, Pharoah Sanders, Archie Shepp and McCoy Tyner together with a stunning Latin rhythmical and new consciousness and percussive energy. Added to this are elements of the Samurai film soundtracks of Akira Kurosawa, Popol Vuh’s musical spirituality (especially their work with film director Werner Herzog), Tibetan Buddhism and over-blowing chants, all combining to give a truly unique new sound.

Enrique Rodríguez is a composer, percussionist, keyboardist and producer from Santiago, Chile, whose work shows many similarities with the music featured on Soul Jazz Records’ recent collection ‘Kaleidoscope - New Spirts Known and Unknown’, featuring new forward-looking jazz artists including Mathew Halsall, Theon Cross, Emma-Jean Thackray and Makaya McCraven.

Like all these artists, Rodríguez’s work is a progressive and experimental fusion of earlier influences that combine into a new and definitely 21st Century ground-breaking sound that, on account of its South American setting, give the group its truly unique feeling. Hypnotic modal piano riffs, powerful brass and flutes, an army of Latin percussion instruments and addictive vocal chants all combine in this powerful mix of radical 60s Afro-centric jazz, Eastern spirituality and cosmology and Latin American rhythmical movement.

TRACK LISTING

Dónde?
Descenso
Vindakalla-Welukan (Autoconfrontación)
No Quiero Seguir Así
Acabar De Conocerse
Paso Firme
Dónde? (Alt. Take)

Trees Speak

Shadow Forms

Trees Speak are Daniel Martin Diaz and Damian Diaz from Tucson, Arizona and their music often draws on the cosmic night-time magic of Arizona’s natural desert landscapes. ‘Trees Speak’ relates to the idea of future technologies storing information and data in trees and plants - using them as hard drives - and the idea that Trees communicate collectively.

Trees Speak’s new album ‘Shadow Forms’ is a blend of 1970s German electronic and ‘motorik’ Krautrock instrumentals (think Harmonia, Can, Cluster, Popul Vuh, Neu!), haunting and powerful 1960s and 1970s soundtracks (think Italian prog rock Goblin and John Carpenter horror movies, Morricone and existential John Barry spy movies), together with a New York no wave electronic synth and guitar analogue DIY-ness (think Suicide, anything on Soul Jazz’s ‘New York Noise’ series or Eno’s ‘No New York’). Trees Speak segue together all these elements into ‘Shadow Forms’, which follows on from their critically acclaimed debut album ‘Ohms,’ released on Soul Jazz Records less than six months ago.


STAFF COMMENTS

Barry says: 'Shadow Forms' is a perfectly balanced juxtaposition of grooving, angular kosmische and haunty, soundtrack sort of business. We get little bursts of jazzy instrumentation and smooth-flowing psychedelia, all brought together with a deftness of touch and a keen ear for melody.

TRACK LISTING

‘Shadow Forms’
Large Array
Tear Kisser
Those Who Know
Transforming
Automat
False Ego
Communication
Crystal System
Agonize Signal
Magick Knives

Bonus 7” (SJRLP457)
Outtake
Transmitter

Soul Jazz Records’ new album ‘Kaleidoscope – New Spirits Known and Unknown’ brings together many of the groundbreaking artists involved in the new jazz scene that has developed in the UK over the last few years.

Featured artists include Matthew Halsall, Yazmin Lacey, Ill Considered, Tenderlonious, Theon Cross, Emma-Jean Thackray and many, many more in this ground-breaking release.

As well as sharing a pioneering spirit in these new artists’ approach to frontier-crossing musical boundaries, a further theme of this album is that many also share a determination to independent practices – and most of these artists’ recordings featured here are either self-published or released on independent labels. While the attention of this new wave of jazz artists up until now has been London-based, this album shows how this movement is spread across the whole of Britain (and indeed beyond).

‘Kaleidoscope – New Spirits Known and Unknown’ shows that while there is commonality in these artists’ approach to music, there is a wide variety of styles – from deep spiritual jazz, electronic experimentalisation, punk-edged funk, uplifting modal righteousness, deep soulful vocals and much more.

STAFF COMMENTS

Emily says: It’s been a breathless few years for British jazz, with essential new artists appearing by the day on a plethora of labels up and down the country. Thankfully Soul Jazz are here to help us keep track, taking stock of the scene on this bumper triple vinyl collection.

TRACK LISTING

A
1. Matthew Halsall & The Gondwana Orchestra - When The World Was One (7.38)
2. Yazmin Lacey - 90 Degrees (4.16)
3. Hector Plimmer - Communication Control (3.04)

B
1. Ill Considered - Long Way Home (Live At The Crypt) (8.03)
2. The Expansions - Mosaic (6.58)
3. Chip Wickham - Red Planet (5.44)

C
1. Levitation Orchestra - Odyssey (9.26)
2. Emma-Jean Thackray’s WALRUS - Walrus (2.47)
3. Tenderlonious And The 22a Arkestra - The Shakedown (6.18)

D
1. Joe Armon-Jones & Maxwell Owin Featuring Nubya Garcia - Tanner's Tango (4.48)
2. Collocutor - Gozo (6.02)
3. Makaya McCraven - Untitled (3.14)

E
1. Nat Birchall - Ancient World (9.50)
2. Ruby Rushton - Moonlight Woman (9.05)

F
1. Ebi Soda - Dimmsdale (3.11)
2. The Cromagnon Band - Thunder Perfect (5.12)
3. SEED Ensemble - Mirrors (7.38)

BONUS 7" SINGLE (With Indies Exclusive Vinyl Only)
A. Vels Trio - Yellow Ochre (Part 1) (3.04)
AA. Ishmael Ensemble - Kito's Theme (4.15)

Trees Speak

Ohms

When the band Trees Speak, coming out of nowhere, released an exclusive one-off 100-pressing white label 45, described as Can/Neu! meets Liquid Liquid, it sold out so quickly (in less than 30 minutes) that Soul Jazz Records decided to release their album almost immediately. Soul Jazz Records rarely release new music but found the music of Trees Speak’s album ‘Ohms’ so stunning and to have so many elements of music that they admired that they felt compelled to release it. The group Trees Speak are from Tucson, Arizona and create new music that sounds like German Krautrock meets no wave/post-punk and psych rock - music for fans of Cluster, Tangerine Dream, Can, Neu!, Silver Apples and early Kraftwerk.

The album ‘Ohms’ sounds at times like a tripped out and moody John Carpenter/Goblin/Morricone soundtrack that seamlessly segues into propulsive, ‘motorik’ Krautrock instrumentals loaded with fuzzy, hypnotic mellotron, synths and analogue effects, as well as elements of Art Ensemble free jazz, and all at times reaching a kind of post-rave psychedelia. More recent comparisons would include Beak> and Ghost Box who draw upon similar themes and styles. Trees Speak are Daniel Martin Diaz and Damian Diaz plus musicians from the Tucson, Arizona scene such as Giant Sand, XIXA and James Hunter. 

STAFF COMMENTS

Barry says: A very rare 'New Album' outing from the venerable Soul Jazz here with the thumping, krautrock majesty of 'Ohms'. Like if Kraftwerk got off those bloody podiums long enough to rail a significant slug of ketamine and break the cones on their amplifiers. ACE.

TRACK LISTING

CD
Soul Sequencer
Nitrous Cross
Shadow Circuit
Blame Shifter
Spirit Duplicator
Nobody Knows
Sadness In Wires
State Of Clear
Sleep Crime
Knowing
Splendid Sun
Ohms
Out Of View
Psychic Wounds
Silicone Emotions
Octave Cycle
Witch Wound

LP
Soul Sequencer
Nitrous Cross
Shadow Circuit
Blame Shifter
Spirit Duplicator
Nobody Knows
Sadness In Wires
State Of Clear
Sleep Crime
Knowing
Splendid Sun
Ohms
Out Of View
Psychic Wounds
Silicone Emotions
Octave Cycle

Kollington Ayinla And His Fuji €

Blessing

Kollington Ayinla’s celebrated 1978 album "Blessing" is a rare lost classic of Nigerian Fuji music and features Ayinla’s sharp political lyrics together with his new band Fuji ’78. "Blessing" blends the heavily percussive style of Fuji music with a stunning array of modern instruments, including synthesizers, Bata drums and guitars, to create one of the most forward-thinking and heavily danceable sounds ever to come out of Nigeria - a highly successful mixture of profound Fuji rhythms and Fela Kuti-style Afrobeat.

Kollington Ayinla ranks alongside his friend and competitor Ayinde Barrister as the two most important artists to dominate Fuji music from its inception in the 1970s through to the 1990s by which time it had grown to become one of the most popular dance genres in Nigeria. At the start of the 1980s Ayinla started his own record company, Kollington Records, to release his music and remains to this day an extremely prolific artist, having recorded over 50 albums, most of which have never been released outside of Nigeria.

This is a one-off pressing (1000 copies) of this unique piece that has only ever previously been released in Nigeria. 

TRACK LISTING

E Ye Ika Se
Oromo Adie Fo
Ko S’Ohun Tan O Le Fi Gberaga
Adio Shile
Won Ti Gbe Oye Fun Mi
Pataki L’Omo
To Ba Jisoro Mi
Engineer Olatunji / Iya Suna
Odun Titun De
Ao Toro Emi Gesa Fun Enia
Ki Aiye Ma Gbagbe Mi

Jackie Mittoo

Oboe / Wall Street

Two highly sought-after tracks from Jackie Mittoo’s legendary "Showcase"album, originally released on Studio One in 1980.

Hypnotic, blissed-out funky reggae from Jamaica's finest - Bagga Walker on bass, Leroy ‘Horsemouth’ Wallace on drums, Ernest Ranglin on guitar and, of course, the inimitable Jackie Mittoo on keyboards. 

Cut super loud, it’s almost impossible to find a copy of this album and if you did it would set you back hundreds of pounds.

Housed in a heavyweight card Studio One sleeve, these won’t be around for long.

STAFF COMMENTS

Matt says: Two super rare instrumental cuts pressed so f***ing loud!! Reggae 12" singles don't come much hotter than this. Form an orderly queue....

TRACK LISTING

Oboe
Wall Street

Steve Reid

Rhythmatism

Drummer and composer extraordinaire Steve Reid’s ‘Rhythmatism’ is one of his deepest and most radical of albums of all time and features some of the heaviest jazz players - Arthur Blythe AKA Black Arthur, Charles Tyler, David Wertman and others. The album was originally released on Reid’s own Mustevic Sound label in 1976.

As a radical jazz artist, Steve Reid played with an extraordinary group of artists, including Miles Davis, Sun Ra, Fela Kuti, James Brown, Ornette Coleman, Lester Bowie, Freddie Hubbard, Jackie McLean, Dionne Warwick, Archie Shepp, Chief Bey, Olatunji, Arthur Blythe, Dextor Gordon, Gary Bartz, Dee Dee Bridgewater, Sam Rivers, Leon Thomas, Lonnie Smith and Horace Silver.

Reid was born in the South Bronx and grew up in Queens, New York. He played in the house band at Harlem's Apollo Theatre, accompanying James Brown as well as playing in Sun Ra’s Arkestra. He lived next to John Coltrane, worked in a department store with Ornette Coleman and had a son who played drums with NWA. He began his career as a teenager in the 1960s as a drummer at Motown when he played on Martha and The Vandellas’ ‘Heatwave’ (aged 14).

At the end of the 1960s Reid was sentenced to four years in jail as a conscientious objector of the Vietnam war. On his release from prison in 1974 he formed the Legendary Master Brotherhood and started the independent record label Mustevic Sound to release his debut LP, ‘Nova’, in 1976.

This album is released in its entirety and with full original cover art. ‘Rhythmatism’ is the second in a series of stunning independent records he released in the 1970s.

At the start of the 21st Century his career took a new twist when Steve Reid began a successful collaboration with Kieran Hebden (Four Tet). Hebden referred to Reid as his “musical soul mate,” resulting in a number of joint albums.

Steve Reid died in New York in 2010. Subsequently, the Steve Reid Foundation was set up in his name, to help aspiring musicians and artists.

TRACK LISTING

Kai
Rocks (For Cannonball)
Center Of The Earth
C You Around
One Minute Please

Airto Moreira

Soul Jazz Records Presents Airto: Samba De Flora

Soul Jazz Records re-release Airto Moreira’s classic album ‘Samba de Flora’, out of print for 30 years ever since its original release in 1988.
The impact of Airto Moreira in both the world of American jazz and in Brazilian music is unparalleled. At the start of the 1970s Airto was invited to join Miles Davis’ groundbreaking ‘electric’ group, which with albums such as the seminal ‘Bitches Brew’ helping Davis regain his title from John Coltrane as the most important jazz artist of all time.
Two years later Airto helped establish two of the most important jazz fusion groups of all time: Weather Report, with Wayne Shorter, Joe Zawinul and Miroslav Vituous; and Return to Forever, with Chick Corea, Stanley Clarke and Flora Purim.
Airto Moreira also began his solo career in the USA in 1970 and alongside his wife, the singer Flora Purim and Brazilian artists such as Hermeto Pascoal, Sivuca, Deodato, Raul de Souza, Azymuth, all played a major part in the Latinised sound of American jazz fusion throughout the 1970s. By this time Airto established himself in the USA in the 1970s, he had already had a formidable career back in Brazil in the 1960s as an important figure in the Bossa Nova movement, which soon after spread throughout the world. Airto played in a number of important groups during this time - Quarteto Novo Sambalanco Trio and Sambrassa Trio (all of with Hermeto Pascoal) - which proved to be three of the most ground-breaking groups of this era.
The album ‘Samba de Flora’, including the seminal jazz dance title track, is a masterpiece of jazz and Brazilian fusion and features Airto Moreira alongside Flora Purim, fellow Brazilian artist Raul de Souza and heavyweight USA jazz musicians Alphonso Johnson, percussionist Don Alias (from Stone Alliance), Cuban conga player Cachete and Argentinian pianist Jorge Dalto.
The album was originally released on the small independent Montuno Record label (which was run out of the unassuming Record Mart record store situated in the Times Square underground subway station!) and has been unavailable for many, many years.
This album is fully remastered and re-released by Soul Jazz Records for the first time ever.

TRACK LISTING

Parana
Samba De Flora
La Puerta
Dedos
Yanah Amina
El Fiasco
Mulambo
Latin Woman

Various Artists

Soul Jazz Records Presents Fashion Records: Style & Fashion

Soul Jazz Records present this new collection of music from the great Fashion Records, one of the most important and iconic, independent reggae labels to come out of the UK, running from 1980 for nearly 20 years. In that time Fashion released hundreds of records that successfully reflected - and indeed set - the changing styles and perspectives of reggae music in the UK, from UK dancehall and lovers rock in the 1980s through to the mighty rise of jungle in the second half of the 1990s.

While nearly all other UK reggae labels focused on releasing Jamaican music, from the early days of Island and Trojan in the 1960s, through Island and Virgin in the 1970s and Greensleeves that came up in the 1980s, Fashion’s focus was firmly on music produced in the UK. This unique British perspective shaped both lyrical content and musical fashion. And like all the great music labels, from Studio One to Blue Note, Fashion was able to create a significant roster of its own artists. Amazingly for a small independent label, a number of Fashion artists achieved mainstream UK chart and crossover success, including Laurel & Hardy, Smiley Culture and General Levy. But although this success was welcomed, crossing over into the mainstream was never the main focus for label owners Chris Lane and John McGillivray (who also runs the successful Dub Vendor record shop), whose starting point was always primarily focused on producing quality music first.

In the early 1980s, Fashion Records captured the rise of the emerging British dancehall scene in its ascendency. The large roster of first generation British-born artists and MCs on the label, including General Levy, Papa Face, Smiley Culture, Bionic Rhona, Asher Senator, Laurel & Hardy, Top Cat and many more, often gave a unique and sometimes humorous British lyrical perspective to Fashion releases, discussing everyday subjects, from police harassment to road safety.

Throughout much of the 1980s and into the 1990s Fashion continued to release an almost relentless array of UK dancehall releases as well as continuing with lovers rock and the occasional dub releases. Then, in the mid-90s, with the dancehall and reggae releases still coming on strong, Fashion released a superb series of early jungle tracks linking Jamaican and British MCs and dancehall artists with young jungle mixers, remixers and producers. By this time dancehall artists General Levy and Cutty Ranks had become the staple vocal samples of literally hundreds of white label jungle records and Fashion took advantage of this, often getting young producers to work in exchange for sample clearances.

This album is a subjective and scatter-gun ride through some of the many unique and heavyweight tracks to come out of the Fashion stable - some classics, some lesser-known, all 100% killer.


TRACK LISTING

Papa Face Featuring Red Man - Dance Pon De Corner
Dee Sharp - Let’s Dub It Up
Cutty Ranks - Limb By Limb (DJ SS Remix)
General Levy - Mad Them
Laurel & Hardy - You’re Nicked
Bunny General - Played By This Ya Sound
General Levy & Hard ‘n’ Pure - Wikkeda!!
Carlton Lewis - Small Talking
Poison Chang - Shot Fe Bust (Marvellous Cain Remix)
Dee Sharp - Rising To The Top
Papa Face With Keith Douglas - DJ Jamboree
General Levy - Heat
Carlton Lewis - Sweet Soul Rocking
Top Cat - Ruffest Gun Ark (DJ Rap Mix)
Papa San - DJ Business
Papa Face & Bionic Rhona - To The Bump
Cutty Ranks - As You See It
Janice Walker - You’ll Never Need Somebody
Asher Senator - Bubble With I

This new edition of Soul Jazz Records’ ‘The World Of Arthur Russell’, the seminal collection of Arthur Russell’s essential music, is released on heavy deluxe triple vinyl and deluxe tip-on Japanese style CD edition.
This album brings together some of Russell’s best-loved and most accessible works including his wide-ranging music, both solo and in groups, including Dinosaur L (the essential ‘Go Bang’), Loose Joints (the equally classic ‘Is It All Over My Face’) as well as rarities such as the 7” only ‘Pop Your Funk’, Indian Ocean’s ‘Schoolbell / Treehouse’, Lola’s ‘Wax The Van’ and more.

Arthur Russell’s music effortlessly crossed musical boundaries making it timeless. His dance music credentials are faultless and this collection features mixes from Larry Levan, Françcois Kevorkian and Walter Gibbons. Similarly, his songwriting, musicality and performance skills are equally cherished, as composer Philip Glass wrote, “this was a guy who could sit down with a cello and sing with it in a way that no one on earth has ever done before or will do again.”

When Soul Jazz Records’ ‘The World Of Arthur Russell’ first came out in 2003, Russell’s music had slipped into near obscurity. Nearly 15 years later there are over a dozen releases of his music, reissues of his original albums and more. ‘The World Of Arthur Russell’ is the classic first collection of his work available once more.


TRACK LISTING

Dinosaur L - Go Bang (Francois Kevorkian Mix)
Lola - Wax The Van
Loose Joints - Is It All Over My Face (Larry Levan Mix)
Arthur Russell - Keeping Up
Arthur Russell - In The Light Of The Miracle
Arthur Russell - A Little Lost
Loose Joints - Pop Your Funk
Arthur Russell - Let's Go Swimming (Walter Gibbons Mix)
Dinosaur L - In The Cornbelt (Larry Levan Mix)
Arthur Russell - Treehouse
Indian Ocean - Schoolbell/Treehouse (Walter Gibbons Mix)

Konkere Beats

Yoruba! Songs & Rhythms For The Yoruba Gods In Nigeria

Soul Jazz Records’ latest album ‘Yoruba! Songs & Rhythms For The Yoruba Gods In Nigeria’ is newly recorded in Lagos, Nigeria. The album is co-produced by Soul Jazz Records label head Stuart Baker and Laolu Akins (founding member of the legendary 1970s Nigerian Afro-Funk/Rock group Blo).

‘Yoruba!’ features an array of local master drummers led by Olatunji Samson Sotimirin and singers (featuring the lead vocals of Janet Olufanmilayo Abe) performing heavyweight Afro-rhythms, with talking drums, Bata and Dundun drums and a mass of percussion in these deep spiritual and sacred songs used to honour and worship the traditional and ancient Yoruba gods in Nigeria, West Africa.

The enormous impact of Yoruba and West African music and culture is worldwide - from the first Afro-centric explorations of African- American jazz musicians in the 1950s such as Art Blakey, Randy Weston and Dizzy Gillespie, the explosion of Nu Yorican Latin music in New York City starting in the 1960s - Mambo, Boogaloo, Latin funk and soul - through to the sacred and powerful Afro-derived music of the religions of Santería in Cuba, Candomblé in Brazil and Voodoo in Haiti, which all came into existence on account of the Atlantic slave trade which began over 400 years ago. On a wider scale West African music remains the primary root of all African-American musical forms - from New Orleans jazz to Bronx rap, gospel, soul and more.

This album features songs honouring the Nigerian gods of the Yoruba traditional religion - Yemoja, Obatala, Ogun, Sango and others - as well as a selection of instrumental cuts focusing on the Bata and Dundun drums.

The album comes complete with extensive text and photography. 40- page outsize booklet / gatefold double vinyl and inners showing the influence of Yoruba culture throughout the world and the social and historical context for the music contained here.

TRACK LISTING

Homage To Yemoja
Homage To Esu
Sakara Instrumental
Ensemble
Homage To Obatala
Eulogy To Amila
Homage To Sango
Agbe Gbe-Wadele
Eulogy To Ori-Ola
Bata Drums Ensemble
Homage To Osun
Eshere
Dundun Instrumental
Ensemble
Homage To Ogun

‘Black Man’s Pride’ is the striking new Studio One collection of deep righteous reggae, featuring Horace Andy, Alton Ellis, The Gladiators, Sugar Minott, The Heptones, Freddie McGregor, Cedric Brooks & more.

While the righteousness of blackness is at the heart of the Rastafarian faith, this collection illustrates how black pride remained a central theme, if not the defining essence, at the very core of all the music created at Studio One Records under the direction of Clement ‘Sir Coxsone’ Dodd.

In order to understand the centrality of black identity in the music created at Studio One, we need look no further than Clement ‘Sir Coxsone’ Dodd who created the first black-owned record company in Jamaica.

In similar fashion Alton Ellis’s defining ‘Black Man’s Pride’ brings up emotions that are at the heart of many of these uplifting songs. Alton Ellis’ birthplace was the Trench Town ghetto of Kingston, also the birthplace of The Wailers, Ken Boothe and many other Studio One luminaries.

Clement Dodd established a musical empire firmly rooted by the core musicians working at Studio One, many of whom came out of the Alpha School for Wayward Boys, essentially an orphanage run by Roman Catholic nuns, whose luminaries include Don Drummond, Johnny Moore, Leroy ‘Horsemouth’ Wallace, Cedric Brooks, Vin Gordon, Tommy McCook & more.

Many of the songs featured here come from the transitory phase in reggae at the start of the 1970s, after the exhilaration of Ska and following the cooling down of Rocksteady.

While reggae awaited the arrival of roots, Studio One’s vocalists were already producing some of the moodiest music imaginable.

Here are 18 heavyweight tunes, both classic cuts and super-rare tunes.

TRACK LISTING

Alton Ellis - Black Man's Pride
Horace Andy - Child Of The Ghetto
Dennis Brown - Created By The Father
The Gladiators - Roots Natty
The Classics - Got To Be Cool
The Nightingales - Rasta Is Calling
Glen Miller - Love & Understanding
Sugar Minott - Woman Shadow
Lloyd Jones & The Super Natural Six - Red In A Babylon
Dudley Sibley & The Soul Gang - Love In Our Nation
The Heptones - Equal Rights
Glen Miller - You Must Be Love
Winston Jarrett - Up Park No Mans Land
Cedric Im Brooks - Why Can’t I
Larry Marshall - Let's Make It Up
Freddie McGregor - Children Listen To Wise Words
John Holt - Build Our Dreams
Johnny Osbourne – Forgive Them

Various Artists

Soul Jazz Records Presents: Soul Of A Nation

Soul Jazz Records’ new release ‘Soul Of A Nation: Afro-Centric Visions In The Age Of Black Power - Underground Jazz, Street Funk & The Roots Of Rap 1968-79’ is released in conjunction with a major worldwide art exhibition, ‘Soul Of A Nation: Art In The The Age Of Black Power’, which takes place at the Tate Modern, London, UK (July-Oct 2017) and The Brooklyn Museum, New York, USA.

The album shows how the ideals of the civil rights movement, black power and black nationalism influenced the evolvement of radical African-American music in the United States of America in the intensely political and revolutionary period at the end of the 1960s following the assassinations of Malcolm X and Martin Luther King and the rise of the Black Panther party.

Featuring ground-breaking artists such as Gil Scott-Heron, Roy Ayers, Don Cherry, Oneness Of Juju, Sarah Webster Fabio, Horace Tapscott, Phil Ranelin and many others, ‘Soul Of A Nation’ shows how political themes led to the rise of ‘conscious’ black music as new afro-centric styles combined the musical radicalism and spirituality of John Coltrane and radical avant-garde jazz music alongside the intense funk and soul of James Brown and Aretha Franklin and the urban poetry and proto-rap of the streets.

The ‘Soul Of A Nation’ exhibition draws on the links between Black art forms - art, music, poetry - and how they came together during the civil rights and black power era as part of the wider black arts movement across the United States.

Iconic African-Amercian revolutionary figures such as Martin Luther King, Malcolm X and Angela Davis, John Coltrane and Muhammad Ali all appear in the radical artworks of Barkley L. Hendricks, Romare Bearden, Norman Lewis, Lorraine O’Grady and Betye Saar.

Stuart Baker (founder of Soul Jazz Records) will appear on the panel for a ‘Soul Of A Nation: Art In The Age Of Black Power’ discussion at the gallery as part of the show.

STAFF COMMENTS

Barry says: This really is a fascinating and varied look into the start of an international appreciation of hip-hop, soul and funk. With more mellow afrobeat pieces segueing beautifully into more traditional fare, and even including some highly politically charged spoken-word accompaniments, this is yet another win for the Soul Jazz camp.

TRACK LISTING

Gil Scott-Heron - The Revolution Will Not Be Televised
Mandingo Griot Society With Don Cherry - Sounds From The Bush
Roy Ayers Ubiquity - Red, Black And Green
Philip Cohran And The Artistic Heritage Ensemble - Malcolm X
Sarah Webster Fabio - Sweet Songs
Phil Ranelin - Vibes From The Tribe
Horace Tapscott With The Pan Afrikan Peoples Arkestra - Desert Fairy Princess
David Mcknight - Strong Men
Joe Henderson - Black Narcissus
Oneness Of Juju - African Rhythms
Doug Carn - Suratal Ihklas
Duke Edwards And The Young Ones - Is It Too Late?
Carlos Garnett - Mother Of The Future

Featured here is a new collection spanning Studio One’s dancehall period - singers and deejays on classic Studio One rhythms, studio and electronic wizardry from the Brentford Road headquarters, lots of rare 12” singles, all effortlessly brought together to nice up the dance.

When Clement ‘Sir Coxsone’ Dodd first ruled the dancehalls of Kingston in the 1950s, fighting off the soundsystem competition of Duke Reid, King Edwards and others, few could imagine how far the reign of Studio One would last. However, the emergence of dancehall as a distinct style of reggae at the end of the 1970s, as upstart competing producers began recording vocalists and deejays performing over replayed classic Studio One rhythms, in many ways made the influence of Clement Dodd’s vision more omnipotent than ever before (and lasting to this day).

Not surprisingly, Clement Dodd’s creativity and business acumen made him quick to respond to this musical phenomenon - he soon began voicing the new stable of Studio One singers and deejays, such as Sugar Minott and Lone Ranger, over original classic Studio One rhythms recorded in the late 1960s - by producing some of the most innovative, time-bending and creative music of his career.

This album comes as CD with slipcase, super-loud, super-heavy triple vinyl with free download code.

TRACK LISTING

Ernest Wilson - Why Oh Why
Johnny Osbourne - Lend Me The Sixteen
Windel Haye - Haunted House
Green Tea & Chassy - Ghetto Girl
Johnny Osbourne - Time A Run Out
Lone Ranger - Noah In The Ark
Devon Russell - Thanks And Praise
Brentford Disco Set - Rebel Disco
Doreen Schaffer - I Don’t Know Why
Slim Smith - Lonely Lover
Field Marshall Haye - Roots And Herb Style
DJ Dawn & The Ranking Queens - Peace Truce Thing
Jim Brown - Cure For The Fever
Sugar Minott - Peace Treaty Style
Lloyd Robinson - It Deep
Barry Brown - Far East
Windel Haye & Captain
Morgan - Flood Victim
Ernest Wilson - Pick Them Up

Various Artists

Invasion Of The Mysteron Killer Sounds

Kevin Martin (aka The Bug / King Midas Sound) and Stuart Baker (Soul Jazz Records) have put together a unique project bringing together new, exclusive and in demand digital music by electronic futurists Harmonic 313, Diplo, Roots Manuva, South Rakkas Crew,The Bug and more, alongside a killer selection of Jamaican digital and electronic scientific dub and dancehall. Exclusive new tracks and mixes by Harmonic 313, Stereotyp, Federation; in demand tracks from the likes of Roots Manuva, Diplo and South Rakkas Crew; the toughest digital and twisted rhythms from legendary producers King Jammy, Steely and Clevie, Sly Dunbar, Prince Jazzbo, King Tubby, Firehouse Crew and more all feature on this unique release.

The double album comes in special edition heavyweight deluxe hardcover 2CD card casing complete with a deluxe graphic novel by Italian comic book designer Paolo Parisi (whose books include subjects as diverse as John Coltrane and Chernobyl). This specially commissioned graphic novel is a science fiction vision of the future of digital music, featuring King Tubby, Steely & Clevie, Jammy, Jazzbo, complete with Alien Sound Lord Abductors, Aural Freedom Fighters and Digi-Dub Voyagers.


TRACK LISTING

CD ONE:
1. Steely & Clevie ‘Streetsweeper’
2. Lenky & Sly ‘Now Thing’
3. Ricky Ranking Ft. Roots Manuva ‘Doogoo Dub’
4. Dave Kelly ‘The Return’
5. Annex Crew ‘Summerbounce’
6. Federation Sound ‘Flatlands (Brooklyn Dub Mix)’
7. Lenky ‘Diwali Riddim’
8. Team Shadatek ‘Yoga Riddim’
9. Stereotyp Ft. Alley Cat ‘Modern Times’
10. The Grynch Ft. Tippa Irie ‘Electro Agony In Dub’
11. Fira ‘Hummer Version’
12. Diplo ‘Diplo Rhythm’
13. Harmonic 313 ‘Bazooka Riddim’
14. Ward 21 Productions ‘Pit Bull’
15. Redlight ‘M.D.M.A’.
16. The Bug ‘Aktion Dub’

CD TWO:
1. Fat Eyes ‘Clothes Pin Rhythm’
2. Steven Ventura 4 Kings Of Kings ‘Throw Your Hands Up Version’
3. Sly Dunbar And Christopher Birch ‘Corners Boy’
4. David Jahson ‘King Of Kings Dub’
5. Fat Eyes ‘Steel Plate’
6. South Rakkas Crew ‘Red Alert’
7. Parara And McCoy ‘Them Can’t Hold Yuh Gal Version’
8. King Tubby ‘Fat Thing Version’
9. World Beat ‘Gold Mine’
10. Andre ‘Suku’ Gray (Jammys) ‘Sign Rhythm’
11. Henfield And Shadowman ‘Babatunde’
12. Firehouse Crew ‘No False Hair’
13. Computer Paul ‘World Talk’
14. Fat Eyes ‘Overdose’
15. Prince Jazzbo ‘Great Stone Version’
16. Kickin’ Productions ‘What You Gonna Do’
17. Pliers (Bonner Productions)’ I’m Your Man Dub’
18. Wiz Kidz ‘Team In My Heart Version’
19. Jammys ‘Jam 2’ James (Jammys) ‘Peenie Peenie’


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