What happens after happily ever after? And how do you make forever count? These are the preoccupations at the heart of The Big Moon’s buoyant yet beautifully bittersweet fourth album, Forever.

Four years on from last LP Here Is Everything – and a further eight since frontwoman Juliette Jackson first laid the foundations for the band – the London-formed four-piece find themselves in a very different, if similarly challenging, headspace. Where that record was conceived in the context of COVID and found Jackson processing the life-altering experience of new motherhood, Forever examines what’s left when you’ve already checked off many of the major milestones, and is tempered by a first-hand understanding of life’s fragility.

The truth is, the past couple of years have been a big readjustment for Jackson. In 2024, she was diagnosed with a cholesteatoma – a benign but destructive cyst inside the eardrum which has to be removed with surgery. Jackson explains, “I permanently lost most of the hearing on one side, which was pretty much existential, because writing songs is my job and my identity.”

Stoic by nature, Jackson forged forward with songwriting regardless but found herself faltering. “I couldn't hear properly, everything sounded out of tune and I was just struggling to find a point at all, just writing these miserable songs I couldn't really hear.” The answer was to shift her outlook completely, manifesting “a happy ending that didn’t exist yet.”

“I just decided to write songs for this imaginary time, one or two years in the future, when I would be all healed and happy again. I didn’t know if I would ever get to that point but, by projecting and almost tricking myself into it, it actually became a really nice way of writing.”

It proved an extremely fruitful approach, producing some of the brightest songs of The Big Moon’s career to date. Recorded over three weeks at Norfolk’s Bam Bam Studios, with Kevin Morby-collaborator Sam Cohen co-producing alongside the band, Forever is brimming with hook-heavy alt-pop gems, not least because Jackson had fallen out of love with writing verses. “Over the years I've got more impatient with music,” Jackson explains with a grin. “I just like getting straight to the point.”

As bandmate Celia Archer explains, they hope the album proves uplifting. “They're not trivial songs lyrically or thematically or musically, but Jules has shown us you can face all this stuff and choose to be hopeful and find power from it. Hopefully other people can apply that to their own lives.”

TRACK LISTING

Side A
1. Gravity
2. Three Things
3. Fun
4. F.O.R.E.V.E.R
5. Sounds

Side B
6. You Remind Me That I'm Dying (and that it’s good to be alive)
7. Speed Bump
8. Can I Get A Reading Please
9. I See You, Honey
10. Chill

‘Cannonball’ is the highly anticipated debut album from Man/Woman/Chainsaw. Produced by Margo Broom (Fat White Family, Big Joanie), and Seth Evans (Geordie Greep, Black Midi), it includes the singles ‘Only Girl’, and ‘Nosedive’. Grand and exuberant, rich with unconventional structures and world-beating choruses, the long-awaited record makes good on the band’s years of hard touring while unearthing new dimensions and unlikely facets in their songwriting; It is a sharp, smart first record, one which presents Man/Woman/Chainsaw exactly as they are right now.

STAFF COMMENTS

Barry says: A brilliantly inventive mix of warm, melodic indie music and more off-piste outsider influences like post-rock's soaring orchestral flourishes or the layered harmonies of ASMZ's more punky works, resulting in an album that's as ambitious as it is unique. A wonderfully fullscreen affair.

TRACK LISTING

1. Only Girl
2. Canyons
3. Goddamn, Lizard Man!
4. Lighter
5. Nosedive
6. Get Up And Dance
7. Snakebite
8. Flick Of The Wrist
9. The Thing
10. Still Angry
11. Something Else To Give

With “Creature of Habit”, Courtney Barnett leans further into the quietly transportive charm that has always defined her songwriting - the ability to turn the mundane into something intimate, profound, and strangely luminous in just a few lines. Recorded in the expansive openness of Joshua Tree, the album doesn’t push Barnett’s voice into the background so much as let it float within a noticeably wider sonic space, where atmosphere becomes as important as lyricism.

There’s a strong sense of place running through the record: faint silences between instruments, unhurried pacing, and arrangements that stretch outward rather than rush toward resolution. “Creature of Habit” often feels meditative, cohesive, and unforced, with tracks built less around traditional verse-chorus structures and more around steady, evolving grooves that reward patient listening.

Sonically, this is perhaps Barnett’s most textured work to date. While guitar remains central, it’s frequently softened, with warm, rounded basslines layering underneath and subtly guiding each track without ever dominating it. The rhythm of the album tends to breathe - building, receding, and circling back - creating a hypnotic quality that makes the record feel less like a collection of songs and more like a continuous emotional environment.

The opening track, "Stay in Your Lane", sets the tone with a hazy, dreamlike drift, establishing the album’s preference for atmosphere over immediacy. It’s followed by "Mostly Patient", which feels like a love song viewed from a distance: gentle guitar strums cradle Barnett’s restrained vocal delivery, which carries an ease and comfort that feels newly settled. Across the record, her voice is notably more restrained than in earlier work, favouring spaced-out phrasing and repetition over her once more rapid-fire delivery. At its most effective, it takes on a mantra-like quality - calming rather than confrontational.

This shift in vocal approach deepens the album’s emotional palette. When she sings lines like “The sky stretches wider than I thought it could,” they land less as literal observation and more as shifts in perspective - moments where external landscape and internal state quietly blur into one another.

Compared with earlier records like “Sometimes I Sit and Think, and Sometimes I Just Sit”, “Tell Me How You Really Feel”, and “Things Take Time, Take Time”, this is a more expansive, patient iteration of Barnett’s voice - less focused on immediacy, more willing to linger in ambiguity. Even the sharper edges of earlier releases like “The Double EP: A Sea of Split Peas” feel reinterpreted here through a slower, more reflective lens, while her collaboration with Kurt Vile on “Lotta Sea Lice” feels like a distant precursor to this looser, more spacious sensibility.

If there’s a challenge, it’s also the album’s defining trait: its patience. “Creature of Habit” doesn’t chase instant hooks or immediate gratification. Instead, it unfolds gradually, layer by layer, revealing emotional weight that only becomes fully visible with time.

STAFF COMMENTS

Barry says: A stunning new album, replete with soaring melodies and clever, incisive lyrics delivered in a typically laid-back, jangling bed of woozy indie. There are hints of off-piste electronics and experimental leanings (Thanks Floating Points) but in all, a wholly melodic, reliably brilliant Barnett outing.

TRACK LISTING

Side A
Stay In Your Lane
Wonder
Site Unseen (featuring Waxahatchee)
Mostly Patient
One Thing At A Time

Side B
Mantis
Sugar Plum
Same
Great Advice
Another Beautiful Day

There’s a direct connection between the tension in Telenova’s music and the people who create it. The light and the dark, the sky and the dirt: these aren't just sonic motifs of their forthcoming sophomore album, 'The Warning', but reflections of the band's reality. 'The Warning' strips away their cinematic mystique to reveal raw, chaotic, yet deeply human truths. Gritty, uneasy, vulnerable — the sound of three people holding together as their world fell apart, finding unity despite their differences.

'The Warning' expands Telenova's universe into something more urgent and exposed. It's the sound of faith colliding with failure, beauty forged in exhaustion, and three distinct voices finding harmony in chaos.

TRACK LISTING

1. THE DEEP
2. BITCRUSH
3. VAPOR // SLOW DANCE
4. IN THE NAME OF YOUR LOVE
5. PARALYSIS GHOSTS
6. MOUNTAIN LION // ADORE
7. FAULT LINE
8. HEARTBEATS
9. EMPIRE
10. WAITING FOR A MIRACLE

Chilli Jesson found acclaim with his band Palma Violets, who skyrocketed to fame, landing on NME covers and topping charts, but when the band unexpectedly ended in his early twenties, Jesson was left disoriented. He tried to rebuild with a new project, Crewel Intentions, and later ventured into pop songwriting out of financial necessity.

Feeling disillusioned and creatively lost, Jesson stopped listening to the music that once defined him—until Fontaines DC invited him on tour. This rekindled his passion for raw, honest music. Inspired, he began crafting his most personal project yet alongside Rupert Greaves: Dead Dads Club, with ‘Don’t Blame The Son For The Sins Of The Father’ being the first fruits from this new incarnation.

TRACK LISTING

1. It’s Only Just Begun
2. Volatile Child
3. Humming Wires
4. Goosebumps
5. Junkyard Radiator
6. Running Out Of Gas
7. That’s Life
8. Don’t Blame The Son For The Sins Of The Father
9. Need This Around
10. Hospital Pillow
11. Need You So Bad

“An ensnaring combination of ethereal melodies, precise enunciation and haunting, up-close vocals.” - Sunday Times Culture

‘Re-Open The World’ is the debut album from Lily Lyons, released by Fiction. Produced with Joel Pott (Athlete, George Ezra, London Grammar), ‘Re-Open The World’ is a collection of ten immaculately crafted songs.

Lily’s songwriting across the album captures beautiful vignettes of her experiences in life so far. Perceptive lyrics, delivered in a voice for the ages, examine the multiplicities of self, giving space to it all whilst believing in the power of music to soothe and to heal.

For Lily, music feels like hope - or perhaps possibility. Growing up split between London and Somerset, making weekly eight-hour drives across the country between the base she knew with her mother and the faraway town her father had left for, she remembers the comfort of the car stereo on the open road. As she grew older, struggling to fully realise herself in the world, music was the thing that offered a window to an alternative.

Lily cites Simon and Garfunkel, Nick Drake and Joni Mitchell as formative influences, whilst for her debut album, Lisa Marchiano’s feminist text ‘The Vital Spark’ provided huge inspiration. The book celebrates Lilith, the woman said to have come before Eve, who refused to be of Adam and was thus labelled the ‘anti-mother’.

“The book is about celebrating when it’s quite good to let your inner Lilith come out: to say, ‘No, I’m not gonna take care of you and take on your crap because I also have dreams and things I want to do in the world’,” she says. “I’m not seeing my life as a vehicle for someone else. It’s its own thing, and it’s for me.”

TRACK LISTING

Cover The Trails
Can’t Be The One
57
Weightless
Reaching
Re-Open The World
Trip My Step Up
Look At You
Only Lonely Person
Here With You, Jo

Former frontwoman of English rock band Savages, Jehnny Beth is back with her new album 'You Heartbreaker, You'. Since her debut solo album ‘To Love Is To Live’ in 2020, Beth has toured with Queens of the Stone Age, Depeche Mode, Idles and has collaborated with Gorillaz, Sextile, Bobby Gillespie and Idles.

STAFF COMMENTS

Barry says: Absolute industrial heft from Jehnny beth here effortlessly mixing Downward Spiral-era NIN with the throbbing post-apocalyptic decay of Haxan Cloak or Ministry. Beautifully produced, fiercely creative and absolutely uniquely modern, 'You Heartbreaker, You' is a triumph.

TRACK LISTING

1. Broken Rib
2. No Good For People
3. Obsession
4. Out Of My Reach
5. I Still Believe
6. Reality
7. Stop Me Now
8. High Resolution Sadness
9. I See Your Pain

The prolific British singer-songwriter headed to New York in the summer of 2024 to record with producer Phil Weinrobe (Adrianne Lenker, Buck Meek, Laura Veirs) at his Sugar Mountain studio, alongside an all-star cast of musicians. The likes of Catalan singer-songwriter/guitarist Núuria Graham, bassist Josh Crumbly, virtuosic guitarist Mike Haldeman, multi-instrumentalist Shahzad Ismaily, revered indie-rock musician Sam Evian, former Dirty Projectors vocalist/folk musician Maia Friedman, Brazilian percussionist Mauro Refosco, drummer/multi-instrumentalist Vishal Nayak, and acclaimed folk musician Sam Amidon sprinkle their gold dust over 'Dog Eared'. A band packed with talent and cumulative credits across records by Cassandra Jenkins, Kamasi Washington, Moses Sumney, Robert Glasper, Tune-Yards, Empress Of, Nick Hakim, David Byrne, Atoms for Peace, Feist, Bonnie “Prince” Billy, and now Billie Marten.

'Dog Eared' is a warm, rich, and textured record that bristles with confidence and self-belief, with Billie already approaching the prolificacy of a ‘lifer’ with so much life left to live. It’s a left turn from her previous recordings, albeit a subtle one, taken with a deftness of touch. A musician embracing change, while staying true to her core self. There’s a certain strength of conviction here that finds its voice more prominently in the extensive pool of her acclaimed American contemporaries, of which she now surely stands shoulder to shoulder with. With 'Dog Eared', Billie calmly posits herself at the top of the tree of not just British contemporary folk artists, but with British songwriters at large. 

STAFF COMMENTS

Barry says: Stunningly organic sounding, beautifully cohesive and written with Marten's unmistakeable ear for melody and structure. There are a number of big collaborations here, but the core of the experience is a widening of Billie Marten's already stunning musical range. A stunning journey throughout.

TRACK LISTING

1. Feeling
2. Crown
3. Clover
4. No Sudden Changes
5. The Glass
6. Leap Year
7. Goodnight Moon
8. Planets
9. You And I Both
10. Swing

After nearly 20 years making music, there are few bands who’ve created a canon as determinedly innovative and consistently critically-acclaimed as The Horrors. Emerging as zeitgeist-shaking garage-goths on their 2007 debut ‘Strange House’, before taking a sharp left turn for their Mercury-nominated follow up ‘Primary Colours’, since the beginning they’ve roamed freely between genres. 2011’s ‘Skying’ won the NME Award for Best Album; ‘V’ was heralded as “a triumph” in a five-star Guardian review, while 2021’s pair of EPs - ‘Lout’ and ‘Against The Blade’ - marked a new chapter with their most industrial, uncompromising output yet.

Whilst the end results have changed, however, at their core has always been the same unbending commitment and bloody-minded allegiance to the cause. The Horrors are not and will never be a band that approach the job lightly. They’re musicians who’ll funnel everything they are into the process, at the expense of health, wealth and sometimes sanity. And so, whilst sixth album ‘Night Life’ sees the band once more shapeshift into a new form, with a new sonic outlook and - this time - a new line up, in some ways The Horrors are still as they ever were.

STAFF COMMENTS

Mine says: There aren't many other bands that have been as consistently present in my life over the last 20 years as The Horrors. I vividly remember the big hair and the raucous live shows that accompanied their debut in 2007; but with every release they changed (sometimes a little, sometimes a lot) and with every release they matured (and so did I!) And while I didn't love every new album immediately, those I initially disliked are now among my all-time favourites. In a way, it feels like The Horrors, like a big brother who has seen the world, ready to pass on their wisdom, were showing me the way during my arguably most formative years. The haunting ‘Night Life', more industrial and electronic than its predecessor, has also been a grower, but it wouldn't be The Horrors if they didn't manage to convince me that it was time for them to move on - and that it was worth it! Here's to the next 20 years.

TRACK LISTING

SIDE A
1. Ariel
2. Silent Sister
3. The Silence That Remains
4. Trial By Fire
5. The Feeling Is Gone

SIDE B
6. Lotus Eater
7. More Than Life
8. When The Rhythm Breaks
9. L.A. Runaway 

Steven Wilson releases his eighth studio album, 'The Overview'. The two track, forty-two-minute album is his most audacious to date, inspired by the “overview effect” experienced by astronauts looking back at the Earth from space.

'The Overview' sees Wilson return to expansive, progressive music, a genre he helped redefine and repopularise with both his solo and Porcupine Tree releases. The two wildly ambitious tracks are each made up of distinctive musical sections that flow from one to the other, playing out as unique and continuous pieces. Wilson’s 21st-century progressive music updates the classic ‘prog’ musical palette to incorporate everything from glistening electronics to post-rock and beyond, which brings the genre right into the beating heart of the current musical landscape.

STAFF COMMENTS

Barry says: It's a thematically massive concept isn't it, the ol' space. The concept album also isn't something Wilson is averse to (If you haven't heard Porupine Tree's 'Sky Moves Sideways' or 'Up The Downstair' you need to) but rarely has his work been as overwhelmingly evocative and as beautifully poised as this. The Man's a genius.

TRACK LISTING

1. Objects Outlive Us
2. The Overview

Despite the whirlwind that has been sweeping her away since the spring of 2023, Zaho de Sagazan has kept writing and is now set to release an enhanced version of her first album, La Symphonie des éclairs.

This extended version includes seven intimate and previously unreleased songs charged with an undeniable electro energy. While attentive listeners had already caught the very tragic “Dernier des voyages” during her shows, nothing was yet known of “L'Envol” and its existential impulse, the post-breakup tenderness of “Est-ce que tu vas bien?”, the artistic profession of faith on “Ô travers”, the explicit sensuality of “Hab Sex”, or even “Parler l'amour” and lastly “Old Friend” written and recorded with the very one who had given rise to her desire and urgency to make music...”

TRACK LISTING

1. La Fontaine De Sang
2. Aspiration
3. Les Dormantes
4. La Symphonie Des éclairs
5. Les Garçons
6. Langage
7. Dis-moi Que Tu M'aimes
8. Mon Inconnu
9. Je Rêve
10. Tristesse
11. Suffisamment
12. Mon Corps
13. Ne Te Regarde Pas
14. Le Dernier Des Voyages
15. Old Friend
16. Ô Travers
17. Est-ce Que Tu Vas Bien ?
18. Hab Sex
19. Parler L’amour

Orlando Weeks’  new album ‘LOJA’ (Portuguese for ‘store’) was written in both London and Lisbon. Recording began in earnest in January 2023 at the beautiful Chale Abbey Studios with longtime live collaborator Sergio Maschetzko as producer, supported by co-producer and engineer David Granshaw. In its latter stages, Nathan Jerkins (BULLION) contributed additional production and mixing.

Lead single ‘Dig’, featuring Rhian Teasdale (Wet Leg), is 3 minutes of half argument, long worn-out promises being remade and road weary offences being retaken.

The record features a number of other key collaborators including Katy J Pearson, Tony Njoku, Oliver Hamilton (Caroline) and Alejandro Aranda (Scary Pool Party).

The core musical contributions come from long standing live collaborators Sami El-Enany, Luca Caruso, William Doyle and Alexander Painter.
A love letter to his new home, lyrically ‘Loja’ toys with both the fantastical and stark realism. There are sleeping giants in Track 2's 'Best Night' and the final song on the album, ‘Beautiful Place’, tells the story of a beach death.

The novelty of a new city afforded Weeks the opportunity to romanticise his present and reevaluate his past.

The first live performances in over a year will be at Copeland Gallery this June. During a 4 day/night residency, Weeks will preview music from 'Loja' alongside an exhibition of the prints and drawings that are the accompanying visual aspect of the album.

STAFF COMMENTS

Barry says: Insistent Kosmische percussion, whimsical fantastical imagery and beautifully constructed vocal harmonies, including a host of guest musicians to boot. Orlando Weeks' newest builds beautifully on 2022's brilliant 'Hop Up'. Particular mention to the brilliant single 'Dig' featuring Rhian Teasdale of Wet Leg.

TRACK LISTING

Side A
1. Longing
2. Best Night
3. Wake Up
4. Dig Feat. Rhian Teasdale
5. You & The Packhorse Blues
6. Good To See You

Side B
1. My Love Is (Daylight Saving)
2. Please Hold
3. Sorry
4. Tomorrow
5. Beautiful Place

Liana Flores is a London-based English-Brazilian singer-songwriter influenced by Bossa Nova, 60s British folk, and the Romantic poets, calling to mind artists from Nick Drake and Astrud Gilberto to contemporaries like Laufey and Faye Webster.

With her music, Liana aims to open a window to the sublime in the everyday, simplicity, emotional candor, and the rhythms of the seasons - inviting each listener into what she describes as a “fantastical realm.”

TRACK LISTING

1. Hello Again
2. Orange-coloured Day
3. Nightvisions
4. Crystalline
5. Now And Then
6. Halfway Heart
7. I Wish For The Rain Intro
8. I Wish For The Rain
9. Cuckoo
10. Butterflies (ft. Tim Bernardes)
11. Slowly

The Mysterines are a four piece alternative rock band from Liverpool, England.

Formed in 2016, the angst-ridden, grunge-inspired indie quartet are fronted by vocalist, guitarist, and primary songwriter Lia Metcalfe.

Their imposing frontwoman melds together more than her lifetime’s worth of experiences with the kind of deep, impassioned vocal you won’t forget in a hurry. In her songs and stagecraft you’ll see and hear everything from PJ Harvey’s raw and ragged stomp to the crazed carnival energy of Tom Waits and eviscerating poetics of Patti Smith.

The first great British rock band of the post-pandemic era, The Mysterines let us in on Lia’s unfiltered look at life, the universe and everything, complete with serious riffs and an unflinching honesty. 

TRACK LISTING

1. The Last Dance
2. Stray
3. Another Another Another
4. Tired Animal
5. Jesse You're A Superstar
6. Hawkmoon
7. Sink Ya Teeth
8. Junkyard Angel
9. Goodbye Sunshine
10. Inside A Matchbox
11. So Long
12. Afraid Of Tomorrows

Armed with an already extensive back-catalogue of stunning music, Palace return with the announcement of their brand new, deeply personal, fourth studio album, Ultrasound - out April 5th, 2024. The record’s production sees the band reunited with Adam Jaffery, 8 years after working together on their debut album, and arrives off the back of ‘Part I - When Everything Was Lost’ and ‘Part II - Nightmares & Ice Cream’, the band’s 2023 companion EPs. While writing the first batch of songs for the album, frontman Leo Wyndham’s partner suffered a late miscarriage, which left the band’s chief song-writer bereft and adrift. Ultrasound naturally became an open diary of their year-long struggle from devastation to deliverance.

“It was incredibly hard to comprehend what had happened, how to deal with it and how to move forward,” Leo says. “The album is the journey of that absolutely earth-shattering experience - starting with a loss, then a period of processing, and then finally acceptance, release and growth. And being in awe of women within that. Their dignity, strength and courage in how they can deal with these things that feel beyond a man.”

The Cure’s 30th anniversary re-issue of ‘Paris’ has now been expanded with the addition of 2 Previously Unreleased Live tracks “Shake Dog Shake” and “Hot Hot Hot!!!”

‘Paris’: 2LP Live set was recorded at Le Zenith de Paris in October 1992: Released October 1993

Includes the singles “Lovesong”, “Catch”, “A Letter To Elise”, “Charlotte Sometimes”, “Close To Me” and fan favourite “Play For Today”

Remastered by Robert Smith and Miles Showell at Abbey Road Studios, London.

TRACK LISTING

1CD
Shake Dog Shake
The Figurehead
Play For Today
At Night
In Your House
One Hundred Years
Apart
Lovesong
A Letter To Elise
Catch
Charlotte Sometimes
Dressing Up
Close To Me
Hot Hot Hot!!!

2LP Black Vinyl
Side One
Shake Dog Shake
The Figurehead
Play For Today

Side Two
At Night
In Your House
One Hundred Years

Side Three
Apart
Lovesong
A Letter To Elise

Side Four
Catch
Charlotte Sometimes
Dressing Up
Close To Me
Hot Hot Hot!!!

In 2023 Another Sky have made their long-awaited return to music since the release of their critically acclaimed debut album “I Slept On The Floor” in 2020.

The London-based band’s return is met with a new sound, which has received widespread acclaim across media including support at Radio 1, 6 Music and Radio X. Their comeback song Psychopathexplodes with a bass and guitar riff reminiscent of the 90s and 00s music the band grew up with.

Lead singer Catrin Vincent, described by NME as a “once-in-a-generation voice”, uses heranger and unique vocals in a sonic rampage. According to the band, Their new album is tryingto convey the human journey from fear and anger through to love and acceptance.

TRACK LISTING

1. Beach Day
2. The Pain
3. A Feeling
4. Uh Oh!
5. I Never Had Control
6. Death Of The Author
7. Burn The Way
8. Psychopath
9. Playground
10. City Drones
11. I Caught On Fire
12. Star Roaming
13. Swirling Smoke

The Big Moon are excited to announce the deluxe edition of their third album Here Is Everything. The album features remixes from Marika Hackman and Art School Girlfriend, brand new tracks ‘Summer Still Comes’ and ‘Round Forever’ (which sees bassist Celia Archer on lead-vocals duty for the first time), as well as some exclusive live versions of album tracks.

Celia Archer on ‘Round Forever’ –
"Round Forever is about all the time and energy we spend trying to understand ourselves and other people so that we can properly communicate and what a gift that can be. It’s also about how sometimes that’s all a total waste of time and you need to stop working and overthinking and let it go!"

Following a storming summer of festivals, including a packed slot at Glastonbury in June, The Big Moon recently announced a run of UK + EU shows for December this year. The tour kicks off in Genk on 5th December, taking in Paris, Glasgow, Manchester, Leeds, Birmingham, Bristol and Oxford, finishing up at London’s Union Chapel for a very special stripped-back performance on 18th December. Tickets are on sale now.

Here is Everything focuses on motherhood, with lead vocalist Jules Jackson giving birth during its inception. The rest of the band doubled-down in the studio, taking Jules’ embryonic song frameworks and stepping forward as one, revelling in an innate, giddy togetherness and with a clutch of genuinely fantastic tunes.

Here Is Everything was mostly self-produced, with the expert guidance and expertise of co-producers CECIL (Self Esteem, Jehnny Beth, PJ Harvey) and the Grammy Award winning producer Ben Allen (Gnarls Barkley, Deer Hunter, and the producer of Walking Like We Do).

TRACK LISTING

1. 2 Lines
2. Wide Eyes
3. Daydreaming
4. This Love
5. Suckerpunch
6. My Very Best
7. Ladye Bay
8. Trouble
9. High And Low
10. Magic
11. Satellites

BONUS TRACKS
1. Summer Still Comes
2. Round Forever
3. 2 Lines (Live At The HAC Bow)
4. This Love (Live At The HAC Bow)
5. Satellites (Live At The HAC Bow)
6. Suckerpunch (Marika Hackman Remix)
7. Trouble (Art School Girlfriend Remix)

Back to Moon Beach (Verve Records) is an EP by no one’s definition but Kurt Vile’s. For Kurt, this collection is an expression of just how deep his well of non-album material runs.

The vinyl edition includes six tracks culled from various sessions over the last four years, representing a wide swath of the inspirational musical community Kurt surrounds himself with.

“[Kurt Vile is] the beloved and reliable purveyor of a hazy, zoned-out, weirdo brand of classicist rock.” - Stereogum.

“Vile remains our era’s great inheritor of the Neil Young/Meat Puppets/Dinosaur Jr. tradition of bending chords, spooling out hypnotic solos, and chilling with your demons until they start feeling like drinking buddies.” - Rolling Stone.

“Loose, sprawling, and filled with spacey but intimate jams that couple drum machines, smoke-curled guitars, and off the cuff vocals, [(watch my moves)] feels like being invited into Vile’s head to sit down and hang out a spell.” - Aquarium Drunkard.

“Vile’s sprawling new album captures the magic, loss and wonderment of being alive.” - AV Club

STAFF COMMENTS

Barry says: Is it an EP? Is it'nt? It really doesn't matter, it's classic Vile, lagging instrumental groove and slow guitar twangs below KV's stoned drawl. Rich, melodic and heartfelt.

TRACK LISTING

CD (9 Tracks)
1. Another Good Year For The Roses (5:34)
2. Touched Somethin (caught A Virus) (6:31)
3. Back To Moon Beach (8:15)
4. Like A Wounded Bird Trying To Fly (5:29)
5. Blues Come For Some (5:09)
6. Tom Petty’s Gone (but Tell Him I Asked For Him) (8:15)
7. Must Be Santa (5:12)
8. Passenger Side (3:10)
9. Cool Water (Single Mix) (4:29)

VINYL (6 Tracks)
Side A:
1. Another Good Year For The Roses (5:34)
2. Touched Somethin (caught A Virus) (6:31)
3. Back To Moon Beach (8:15)
Side B:
1. Like A Wounded Bird Trying To Fly (5:29)
2. Blues Come For Some (5:09)
3. Tom Petty’s Gone (but Tell Him I Asked For Him) (8:15)

Alt rock wunderkinds The Mysterines have returned with their new single ‘Begin Again’, an enthralling precursor to their monumentous support slots with the Arctic Monkeys on their stadium tour this summer. 

‘Begin Again’ is the first single to be taken from The Mysterines’ forthcoming LP, and sees the four piece build on their signature introspective lyricism, stripping instrumentation back for an incredibly powerful set up and delivery. It’s the sound of a band truly refining and maturing their craft, and speaking further about the single Lia Metcalfe says: “Written during a full moon in a barn in the West Country, ‘Begin Again’ felt like finding a key to the spirit realm the evening it arrived. It felt like I was embarking on a surreal journey of self dissolution; think of the first verse as a set of instructions, and see how far reality stretches.”

TRACK LISTING

Side A - Begin Again
Side B - Etching

Art School Girlfriend, Aka Polly Mackey releases her second album Soft Landing, via Fiction Records. The album is self-described as a series of “small euphorias”, it is an album that finds Mackey shifting her sound towards tactile electronics whilst retaining the floating melodies of her debut.

With the announcement, Mackey has released one of her strongest tracks to date, titled “Close To The Clouds”, which follows the success of standalone single “A Place To Lie” earlier this year. “Close To The Clouds” is an integral part of Soft Landing, with the central refrain providing the album with its title, and the song unfurling into climbing, arpeggiated synths amidst acid-house indebted drums.

Soft Landing follows Mackey’s 2020 debut album, Is It Light Where You Are? an album made in the wake of a tumultuous time and released during one. Soft Landing feels like Mackey’s true debut, a record of curiosity and playfulness with songs that sound like they are falling effortlessly into place.

STAFF COMMENTS

Barry says: A hypnotic trip through percussion-heavy minimal wave, airy IDM and shoegazing dancefloor electronics, 'Soft Landing' is a wonderfully evocative and beautifully rendered whole, and a huge leap for Mackey from her already stellar debut.

TRACK LISTING

1. A Place To Lie
2. Close To The Clouds
3. Real Life
4. Waves
5. Blue Sky Feat. Tony Njoku
6. The Weeks
7. Laugh My Head Off
8. Out There
9. Heaven Hanging Low
10. How Do You Do It
11. Too Bright

2022 marked the 10th anniversary of Lonerism. To celebrate, Tame Impala present fans with a deluxe 3LP reissue of the album that features previously unreleased demos from the era.

Recorded in both Western Australia and Paris between 2010 and 2012, Lonerism was Tame Impala’s breakout record. It received critical acclaim from the likes of Pitchfork and NME and is regarded as one of the best albums of 2012.

This expanded deluxe edition of the album features the singles ‘Feels Like We Only Go Backwards’ and ‘Elephant’ amongst the original album track list, plus:
• 2 previously unreleased demos
• A full side of album demos
• Deluxe 24-page booklet

Lonerism’s artwork is by Leif Podhajsky and Kevin Parker, and the album was mixed by Dave Fridmann. Anniversary edition artwork designed by Erin Knutson and Immanuel Yang, with additional photography by Matt Sav and Kevin Parker. 

TRACK LISTING

Side A:
Be Above It
Endors Toi
Apocalypse Dreams
Side B:
Mind Mischief
Music To Walk Home By
Why Won’t They Talk To Me?
Side C:
Feels Like We Only Go Backwards
Keep On Lying
Elephant
Side D:
She Just Won’t Believe Me
Nothing That Has Happened So Far Has Been Anything We Could Control
Sun’s Coming Up
Side E:
Retina Show (Unreleased Demo)
Sidetracked Soundtrack (Unreleased Demo)
Side F:
Assorted Sketches, 2010-2012

Multi-Award winning, hugely influential musician Feist returns with Multitudes, her sixth solo album and first since 2017’s Pleasure.

Multitudes was produced by Feist with longtime collaborators Robbie Lackritz (The Weather Station, Bahamas, Robbie Robertson) and Mocky (Jamie Lidell, Vulfpeck, Kelela). Blake Mills (Bob Dylan, Fiona Apple, Perfume Genius) and Joseph Lorge came in to mix, with Mills as a co-producer in the final stages.

Multitudes took shape soon after the birth of her daughter and sudden death of her father, a back-to-back convergence of life-altering events that left the Canadian singer/songwriter with “Nothing performative in me anymore.” As she cleansed her songwriting of any tendency to obscure unwanted truths, Feist slowly made her way toward a batch of songs rooted in a raw and potent realism which is touched with otherworldly beauty.

Largely written and workshopped during an intensely communal experimental show of the same name through 2021 and 2022, the songs on Multitudes developed in parallel with and were deeply influenced by the mutuality of the unconventional experience. The production, developed by Feist with legendary designer Rob Sinclair (David Byrne’s American Utopia, Peter Gabriel, Tame Impala) was formulated to bring people together as they re-emerged from lockdown while providing an outlet for connection between artist, art, and community.

TRACK LISTING

1. Hiding Out
2. In Lightning
3.Love Who We Are Meant To
4. Forever Before
5. Red Wing
6. Rings Off
7. Borrow Trouble
8. Of Womankind
9. Become The Earth
10. Martyr Moves
11. Calling All The Gods
12. Song For A Sad Friend

The Mysterines have enjoyed some incredible success to date. This includes a sold-out tour just before lockdown in February 2020 a 2nd sold out tour coming in autumn, playlists at BBC Radio 1 and BBC 6 Music.

A note from Lia on the first single off the album:
In My Head appears to be a love song but that was not the original intention. I did want it to superficially be seen as that but in reality, it's a song about people who struggle with their mental health. Partly autobiographical it is about how sometimes life can feel like you’re being haunted by something out of your control. The song was produced and mixed by Catherine Marks.

NME: "The Mysterines have all the makings for a breakout rock band. Stomping riffs, a brilliant leader in Lia Metcalfe (head-turning vocal range) and the playful mythology-toying that builds their own legend...This
Liverpool gang want it all – and they’re probably going to get it."

TRACK LISTING

1. Life’s A Bitch (But I Like It So Much)
2. Hung Up
3. Reeling
4. Old Friends Die Hard
5. Dangerous
6. On The Run
7. Under Your Skin
8. The Bad Thing
9. In My Head
10. Means To Bleed
11. All These Things
12. Still Call You Home
13. The Confession Song

THEMES: Motherhood, parenthood, birth, lockdown, friendships, love.

The last time you heard them it was welcoming the release of their dazzling second album, Walking Like We Do, back in January 2020, when life was very different to how it is now. That was a coming-of-age record, bold songs for Saturday nights and sad songs for Sunday mornings. So much has changed, continues to change, and promises to change some more. And in this world of constant change, we yearn for the familiarity of a constant. Thankfully, one constant remains the unique, jubilant, unassailable bond that sews this brilliant London band together and what that does for their music, too. Another such constant is their collective ear for melody and knack for writing smart, sharp, and infectious indie-pop knockouts.

Like so many records landing in store and on streaming services right now, Here Is Everything was conceived during the weight and worry of lockdown in a pandemic. Worlds were turned upside down and inside out. Lives became seismically different, whilst every day a carbon copy of the last. So, whilst Covid pulled the duvet tightly up over our heads and sat on it whilst we muffle-screamed that we could not breathe, it was also the unlikely backdrop to welcoming new life. Vocalist Juliette Jackson might have started lockdown teaching fans how to play guitar on Zoom to help pay the rent (including, to her eternal bemusement, one Courtney Love), she ended it as mother to a super little human being.

Here is Everything documents the arrival of that fragile but mighty baby in real time, and the excitement and fear felt by this fragile but mighty mother. Meanwhile, the rest of the band doubled-down in the studio, taking Jules’ embryonic song frameworks and stepping forward as one, revelling in an innate, giddy togetherness and with a clutch of genuinely fantastic tunes.

The record is introduced today by Wide Eyes, a pure, uplifting song of collective jubilance. It sounds like a band in the form of their lives, having the time of their lives, and against all the odds. It sounds instantly like The Big Moon whilst sounding unlike any of the music that’s gone before it.

Here Is Everything was mostly self-produced, with the expert guidance and expertise of Adam Cecil Bartlett (Self Esteem, Jehnny Beth, PJ Harvey) and the Grammy Award winning producer Ben Allen (Gnarls Barkley, Deer Hunter, and the producer of Walking Like We Do).

TRACK LISTING

1. 2 Lines
2. Wide Eyes
3. Daydreaming
4. This Love
5. Sucker Punch
6. My Very Best
7. Ladye Bay
8. Trouble
9. High & Low
10. Magic
11. Satellites

Hello

Matt here. Just wanted to reach out and let you know a few things about the record you’re about to, or are already listening to!

How Will I Know If Heaven Will Find Me is a record largely inspired by the long distance relationship I’ve been in over the last couple years, and more specifically, the 7 months spent apart in 2020. The album was largely written in the converted attic I live in, in the centre of Brighton.

The songs that went on to make up this record were originally only to be shared between me and my girlfriend. You can imagine, after a few months, that phone calls and Whatsapp and FaceTime begin to wear a little thin, especially in the face of not knowing when we’d be reunited. Writing and sharing music became a way for me to feel like I retained some kind of power, to bridge the distance between us.

As a band we were already halfway through writing a very different record, but it became apparent, the more and more I shared these songs with the boys, that this was the story we wanted to tell.
Sonically, we wanted to make a record that kicked back against the confines of our houses and bedrooms. We wanted to make music powerful enough blow the roof off and transport us somewhere else. Lots of artists made records to match the slower pace of life over the last couple years which was cool, but we never stopped dreaming about festivals and life and energy and community. I hope that’s reflected in the music.

We’ve been incredibly lucky to work with some of our heroes on this album. I expressed to Jim Abbiss (who produced the record) and Craig Silvey (who mixed it) that The Amazons wouldn’t exist without their work, so many times, I’m sure it became slightly irritating. But it’s true and it feels kind of full circle for us.

We’ve been in the Fiction and Universal family now for nearly 7 years. We’ve worked with a lot of incredible minds and huge hearts and we are so grateful to have had the opportunity to grow as artists. Each of the last 2 records we’ve released up to this point have been unique adventures and we’ve learnt so much. For us, this record represents the accumulation of all that work and experience, but also the start of a new adventure, that we hope will be the best yet. We’re so excited to have you on the journey and we hope you like the record!

See you soon.
Matt, Joe, Chris and Elliot. 

To arrive at this album, the acclaimed artist and songwriter has come a long way – both experientially, musically and philosophically. Musician, composer and producer, Nick’s work pushes boundaries in songwriting and sound, music both traditional and experimental, acoustic and electronic. A founding member of the award-winning British collective Portico Quartet, he left in 2011 to concentrate on his own material. Once solo, he released the Mercury Prize nominated debut album First Mind in 2014, and 2017’s celebrated Wake Up Now, along with a number of EPs. On New Mythology, our shared humanity becomes common sense and this humanity and the natural world are enmeshed. The possibility of flourishing futures becomes real. The album explores the vulnerability of the everyday human experience; becoming a father, sickness and death, navigating the pandemic, but also Nick’s journey to compute the scope and scale of his feelings: an attempt to embody the personal all the way to the planetary – and grasp their true inseparability. ‘Star Nation’, and ‘Begin Again’ - released during the pandemic - both sow the seeds of this interconnected space.

New Mythology was recorded during the pandemic in Paris with renowned producer Renaud Letang [Manu Chao, Feist, Connan Mockasin] at Studio Ferber – which miraculously remained open whilst the city was in lockdown. Nick also credits his friends and family, teachers past and present who’ve helped him arrive at this point – from mentors like the Polynesian ambassador and elder Aunty Ivy, the life’s work of Thich Nhat Hanh, Thomas Berry’s collection of essays evening thoughts and Mac Macartney’s book The Children’s Fire. Further inspiration Nick credits to his beloved homeland of Britain, his ever deepening kinship to the land, ancestors and the living world. Now, Mulvey finds himself at the precipice of change and is ready to share his raw musings with the world.

TRACK LISTING

1. A Prayer Of My Own
2. Star Nation
3. Mecca
4. Brother To You
5. Shores Of Mona
6. The Gift
7. Sea Inside (Third Way)
8. Causes
9. Another Way To Be
10. Mona
11. Interbeing Part 1
12. Begin Again (Love You Just The Same)

• Lift Off Artwork Box (like Currents Collector’s Edition)
• Regular Album 2LP w/ new colour (transparent red) & different artwork elements to original press
• Remix 12" #1 – ‘One More Year (NTS Extended Version)’ // ‘Patience (Maurice Fulton Remix)’ & ‘Patience’ (Original Version)
• Remix 12" #2 – ‘Is It True (Four Tet Remix’) // ‘Breathe Deeper (Lil Yachty Remix)’ & Borderline (Blood Orange Remix)’
• 7" – 2 x B-sides
• Deluxe Booklet
• The Slow Rush 2050 Calendar`

TRACK LISTING

1. The Boat I Row
2. No Choice
3. Breathe Deeper (Lil Yachty Remix)
4. One More Year (NTS Version)
5. Patience (Maurice Fulton Remix)
6. Is It True (Four Tet Remix)
7. Borderline (Blood Orange Remix)
8. Patience

‘Is It Light Where You Are’ is the debut album from Art School Girlfriend, moniker of Welsh producer, multi-instrumental musician and song writer Polly Mackey. Mostly written over a two week period of 14-hour solo studio sessions, the bulk of her album is torn straight from a journal kept throughout 2019. Those pages chronicle the end of a US tour, the tumultuous ending of a six-year relationship and Mackey’s journey back to London from Margate, where she lived and co-owned a book shop with her then girlfriend.

“The record starts with that feeling of being on the precipice of change,” she explains. “Before deciding to pull everything apart, go through it all and come out the other side.” While the lyrics are autobiographical, the full story can be heard in the album’s sonic relief map. “The main theme is duality between light and dark, lightness and heaviness. The production sort of mimics human emotions: there’s a lot of beauty buried underneath these uncomfortable-to-listen-to sounds.”

Lyrical abstractness / concrete meaning. Danceability / lying down ability. Minimalism / fullness. Introspective melancholy / playfulness. Lo fi / hi fi. Drug Store Romeos play with the senses and flip the expectations, finding the sweet spot every time. 

TRACK LISTING

1. In The Middle
2. Is It Light Where You Are
3. Softer Side
4. Give
5. Low Light
6. Colour Me
7. Helm
8. Good As I Wanted
9. Bored Of Myself
10. Eyes On You

Fryars - dubbed the “mad professor of pop” by the FADER - is the musical brainchild of Benjamin Garrett, whose peerless sound has won him fans from Kanye West to Lily Allen to Depeche Mode. Following the buzz around his early work, Fryars released his debut album Dark Young Hearts in 2009, while his second studio album Power - a journey through the imagination built around a story that spans three continents and deals with all the deliciousness of life; love, greed, loss and death - arrived 5 years later through a plethora of difficulties to critical acclaim. Dazed called it “a dazzling electro-pop construct”, while The Guardian praised Fryars for “mixing regret and basic human desires to create something strangely uplifting”. Since the release of Power, Garrett has worked extensively with Lily Allen, co-writing tracks on her number one album Sheezusand 2018’s Mercury nominated No Shame, as well as writing and producing for Rae Morris’ acclaimed 2018 record Someone Out There.

TRACK LISTING

1. God Melodies
2. Moscow (feat. Rae Morris)
3. 49
4. Pair Of Dancers
5. Lionel
6. Orange Juice
7. I Won’t Hurry Love
8. Your Parade
9. Wonder
10. Feeling Lonely Is A Shadowy Glow
11. Quail’s Egg No. 1 In C Sharp Major

Flora Fauna is the forthcoming third album from Billie Marten.

Raised in the rolling hills of North Yorkshire on artists such as Nick Drake, Joni Mitchell, Joan Armatrading, and Kate Bush, Marten’s critically acclaimed debut album Writing of Blues and Yellows, was released in 2016 when she was still just 17, while its follow-up Feeding Seahorses By Hand was similarly lauded in 2019 (# 53 in UK album chart).

Flora Fauna, was recorded with Rich Cooper in London. Marten’s new material blends those signature hushed, resonant vocals with a rapid pulse and rich instrumentation, her inspirations now stretching from krautrockers Can, to Broadcast, Arthur Russell, and Fiona Apple.

Built on the minimalist acoustic folk foundations she made a name for herself with, Flora Fauna is a more mature, embodied album fostered around a strong backbone of bass and rhythm. Shedding the timidity of previous work in favour of a more urgent sound, the songs mark a period of personal independence for Marten as she learned to nurture herself and break free from toxic relationships - and a big part of that was returning to nature.

“I wasn’t really treating myself very well, it was a bit of a disruptive time. All these songs are about getting myself out of that hole - they’re quite strong affirmations. The name Flora Fauna is like a green bath for my eyes. If the album was a painting, it would look like flora and fauna - it encompasses every organism, every corner of Earth, and a feeling of total abundance.”

STAFF COMMENTS

Barry says: An uplifting and verdant mix of acoustic guitar, boisterous percussion and bursts of orchestral heft. Martin's voice soars above it all providing a beautifully grounding counterpoint to the jubilant instrumentation. Wonderfully textured and celebratory songwriting throughout.

TRACK LISTING

1. Garden Of Eden
2. Creature Of Mine
3. Human Replacement
4. Liquid Love
5. Heaven
6. Ruin
7. Pigeon
8. Kill The Clown
9. Walnut
10. Aquarium

"Future Dust" is an album that retools rock’s dark past for the present day while having an absolute blast. Loose blues grooves, religious references and falsetto backing vocals abound on songs that explore issues including social media witch hunts, eating disorders and depression, but never lose sight of a singalong. The Amazons were the most hotly tipped band of 2017 and followed through with their debut album reaching #8 in the official chart.

STAFF COMMENTS

Mine says: Big melodies, big vocals, The Amazons are bound for big things... 'Future Dust' is stadium rock in the making.

TRACK LISTING

Side 1
1. Mother
2. Fuzzy Tree
3. 25
4. The Mire
5. Doubt It
6. All Over Town

Side 2
1. End Of Wonder
2. Dark Visions
3. 25 (reprise)
4. Warning Sign
5. Georgia

Currents was written, recorded, produced and mixed by Kevin Parker in Fremantle, West Australia. Lyrically the record finds Parker in a very different place in 2015 to where he was seven years ago. Transitions in life, relationships, perspectives, mindsets – Currents maps Parker’s evolution through these and finds him a brand new person.

Musically, Currents sounds like the work of a player on top of his game and having a blast, Parker indulging his whims and unafraid to dive down the rabbit hole after an idea. Again operating as a one man studio band, Parker’s resultant record calls to mind contemporary hip hop production, Thriller, fried 70s funk, the irreverent playground Daft Punk presented on Discovery, swathes of future pop and emotional 80s balladry, all filtered through a thoroughly modern psychedelic third eye. A genre-bending soundscape fuelled equally by curiosity as it is consciousness; it’s an exhilarating new territory for Tame Impala. 

TRACK LISTING

1. Let It Happen
2. Nangs
3. The Moment
4. Yes I’m Changing
5. Eventually
6. Gossip
7. The Less I Know The Better
8. Past Life
9. Disciples
10. ‘Cause I’m A Man
11. Reality In Motion
12. Love/Paranoia
13. New Person, Same Old Mistakes

The Head on the Door is the sixth studio album by English rock band The Cure, released in August 1985. Preceded by the single "In Between Days" which had reached #15 on the UK singles chart, The Head on the Door was described by Melody Maker as "a collection of pop songs". With it's variety of styles, it allowed the group to reach a wider audience in both Europe and North America. In the United Kingdom, it quickly became their most successful album to date, climbing to #7 on the albums chart. The album is the first to feature drummer Boris Williams. Bassist Simon Gallup, who had previously worked on three major Cure albums of the early 80's, was called back before the recording. In 1985, the band became a quintet with instrumentalist Porl Thompson as fifth official member. The Head on the Door is the first Cure album where all the songs are composed by singer and guitarist Robert Smith only, now available on 180g vinyl.

24 year old Benjamin Garrett, aka Fryars, has always bucked trends. His startling new album Power has been more than just a labour of love, it's been a near-five year journey of the imagination built around a story that spans three continents and deals with all the deliciousness of life; love, greed, loss and death.

ULTRA LIMITED SIGNED COPIES.

Born in Bristol, Jamie N Commons moved to Chicago with his family when he was six and it was there that he developed a deep love for American music. The first gig his father took him to was the Allman Brothers: "I have strong memories of strange-smelling smoke and the guy next to us howling like a wolf," recalls Jamie.

Working at Westlake Studios, where Michael Jackson recorded Thriller, inspired a new sonic approach, combining gritty beats, arresting vocals and rousing melodies which, together with experimental arrangements, make these 4 songs unique and inspiring. Alex Da Kid, Eg White (Adele, Florence and the Machine) and Ed Harcourt are on production duties, giving a taste of things to come.

Cheeky title, but what do you expect? This collects all his singles plus his two excellent collaborations with UNKLE. There's also three re-recorded, and far superior takes on a couple of B-sides and the gorgeous "Forever And A Day." As a romantic lover of the old '45' this is probably Ian's favourite LP that he's done. The photos and artwork are lush and the songs themselves are super-vibrant, catchy and groovy. If you only get one IB album then you better make it this. If you're a fan you'll be made-up with the new versions, and you can finally get to offload that dodgy second UNKLE LP!

10,000 Things are rock'n'roll. Their debut album is full of songs about bad relationships, crap jobs, avoiding your landlord on rent day and having a laugh - basically a snapshot of the bands lives.