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IN THE RED


Tried and true methods mixed with tongue-twisting, teeth-shattering, seizure-inducing stabs at the norm. Who knows… maybe that’s wrong. Maybe it’s all done. Played out. Maybe it’s not for want of new but for lack of old. But probably not. Bathe in the heat wave that is Fuzz, and regret nothing in the time freeze. Necessity is the mother of creation; and devolution stakes its claim in the past as it continues to bind itself to the future. San Francisco, Los Angeles, heaven, hell, lunar fields, subterranean hallucinations, traffic jams, sleepless days, hazy nights, recollection or blind reflection. It is all there and so should be you. 2015 and 2016 will bring a new surge of slime, fuzz and otherwise bittersweet concoctions of earthly lettering. It will be heavy, chaotically controlled, softly serpentine and blindingly barbaric. To translate the auditory from ethereal to saliva- soaked semantics is to shatter a promise as it’s made. In the meantime, Ty, Charles and Chad walk on. It is what it is. Just like everything else. And if you don’t know, now you know. This message brought to you by In The Red Educational Services… as it was before and is it will be again.
FORMAT INFORMATION
2xColoured LP Info: Limited white / black marbled vinyl.2xColoured LP includes MP3 Download Code.
If you are not already aware of Segall, well, what’s up? He’s one of garage rock’s most prolific sons. He said he was going to take it easy this year, but by the time you finish reading this, the onesheet for his next record will have already arrived in your inbox. Moothart plays guitar in The Ty Segall Band and was also a member of The Moonhearts, which included Cosio on guitar. Way back in the early ’00s, all three played in the Epsilons.
Fuzz was formed a couple years ago as a collaboration between Segall and Moothart, but only recently did the pair have sufficient time to guide the band out of side-project limbo and into a recording studio. Since then, they have released two singles, “This Time I Got a Reason” (Trouble In Mind) and “Sleigh Ride” (In The Red). Around the time of the latter, Cosio joined on bass.
They are not dabblers or dilettantes. Fuzz flipped through used bins, hard drives and record collections of the world, seeking out the finest weirdo cuts. The band’s self-titled debut LP, which was recorded by Chris Woodhouse (Thee Oh Sees, The Intelligence), dives deep, drawing inspiration from the more esoteric reaches of heavy metal pre-history. There are Sabbath and Hendrix nods, obviously, but on “Sleigh Bells” you might also catch a whiff of UK progressive blues business like The Groundhogs, particularly when the song quits its 10/4-time intro and reboots into full-bore choogle. Maybe you’ll even glimpse the ghost of Australian guitar legend / sharpie guru Lobby Lloyde sniffing around “Raise.”
The mood is not light. The songs project a state of perpetual paranoia and eroding mental health. And as it should be, you know? It’s a record for the burners.
FORMAT INFORMATION
Coloured LP Info: Limited blue splatter vinyl.Coloured LP includes MP3 Download Code.

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- Love Record Stores LP
- u/avbl
- Cat Number
- ITR348GV
- Release date
- 5 Dec '20
- Format Info
Super limited green vinyl edition.
Super limited green vinyl... [ + ] -
- Coloured LP
- u/avbl
- Cat Number
- ITR348X
- Release date
- 23 Oct '20
- Format Info
Indies exclusive blue coloured vinyl. Very limited!!- Includes MP3 Download Code.
Indies exclusive blue... [ + ] -
- LP
- u/avbl
- Cat Number
- ITR348
- Release date
- 23 Oct '20
- Includes MP3 Download Code.
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- CD
- u/avbl
- Cat Number
- ITR348CD
- Release date
- 23 Oct '20
Keeping the focus on the live sounds of the band, the use of overdubs and studio tricks were kept to a minimum. Albini’s mastery in capturing sound gave the trio the ability to focus entirely on the playing while knowing the natural sounds would land. It takes the essential ingredients of “guitar-based music” and “rock and roll power trio” and puts them right out on the chopping block. It was a much more honest approach for the band—three humans getting primitive, staying primitive. The goal was never to reinvent the wheel. Sometimes it’s just about seeing how long one can hold on before getting thrown off. Three points reflected in three mirrors; a pyramid of sonic destruction and psychic creation. Nothing people feed the roots while the freaks fly free in the treetops—blind to vines, eyes closed, stuck in spit, triumphing the returning of beginnings and ends returning while beginning to see the time collapse. Love is the only way to annihilate hate, and sketchy freaks live to bleed. All shades of color, truth and lies, III is the pillar of unity and singularity. All is nothing, and only nothing can generate everything. Log out, drop thought, turn up.
STAFF COMMENTS
says: An absolutely essential meeting of the minds here from some of the most talented voices in psych rock royalty. Fuzz have always been a perfect melting pot of the talents of their respective members, and the aptly titled 'III' is no different. Pummelling, grooving and huge. A triumph.FORMAT INFORMATION
Love Record Stores LP Info: Super limited green vinyl edition.Coloured LP Info: Indies exclusive blue coloured vinyl. Very limited!!
Coloured LP includes MP3 Download Code.
LP includes MP3 Download Code.

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- LP
- £22.99
- Cat Number
- ITR342
- Release date
- 21 Aug '20

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- Ltd LP
- £22.99
- Cat Number
- ITR344
- Release date
- 6 Mar '20
- Includes MP3 Download Code.
“Barbarian Dust collects songs that move in and out of wobble and explosion, each pushing forever forward, just as the composers themselves do. Galaxies past cool-butcopyist trips, Lavender Flu—brothers Chris and Lucas Gunn, Scott Simmons and Ben Spencer—slaughter the trivial in favor of a newer, deeper, more meaningful sound, indifferent to any path other than their own. Time to transform, yet again.” —Mitch Cardwell
FORMAT INFORMATION
Ltd LP includes MP3 Download Code.
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- 7"
- £8.49
- Cat Number
- ITR340
- Release date
- 15 Nov '19

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- LP
- £20.99
- Cat Number
- ITR339
- Release date
- 15 Nov '19
- Includes MP3 Download Code.
Best known for their classic ‘Television Addict’, that song is but the tip of the iceberg of the band’s powers. Having self-released two godhead 7-inches during their brief existence, the seven songs on those singles are absolute cannon at this point. Quintessential, pure, unfuckwithable. And all that is just side one of the LP. “Side two contains a bounty of unreleased-for-decades demos of nine otherwise undocumented Victims originals. Demos in name alone, these properly recorded songs brim with all the identifying marks of the known Victims classics…irreverence, taking the piss, murderers and an invigorating youthful attitude. “The last thing to remember about punk as a theory, an aesthetic, is that its ‘ideas’ are all bullshit anyway. That’s easily proved by the 7-inch EP released alongside this release of new recordings of ‘Charlie’, ‘Horror Smash’, ‘I Wanna Be With You’ and ‘Everynite’ which proves that the Victims now (featuring Ray Ahn from the Hard-Ons on bass), some 40 years after their heyday, could still easily take on any au courant band half their age.” – Ben Blackwell
FORMAT INFORMATION
LP includes MP3 Download Code.
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- Mini LP
- £17.99
- Cat Number
- ITR345
- Release date
- 30 Aug '19
“The Skull Practitioners have been active since 2013, garnering a reputation for bodacious live skronk, although the only graspable evidence of their existence has been a 2014 cassette, which was not widely distributed. Now, with the mighty In The Red empire behind them, only a sucker would think they won’t go far.
“Victor’s explosive guitar shards are the most obvious element of the trio’s sound, but bassist Ken Kenneth Levine can conjure up a throb as thick as Al Feedtime’s, and Alex Baker’s drumming mixes propulsion and motorik circularity with reckless grace. There are only vocals on half the tracks here— Gun Club-seasoned blow-outs called “The Beacon” and “Grey No More”—but I didn’t miss them on their other two tunes. The richness of the band’s psychedelic inventions obviates the need for overt human lingo. The music here communicates on a molecular level.
“Remember when Tim Leary said Peter Walker was ‘playing celestial strings on the DNA of musical being’? It’s the same here. I’ve never heard much of Jason’s studio work (often with pop engines like the Silos or Matthew Sweet), but if he plays this great, I might have to check them out. In the meantime, these four songs will be enough. For me. For you. Even for the late Tim ‘Fuckin’ Leary. C’est la.” —Byron Coley.

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- Ltd LP
- £21.99
- Cat Number
- ITR327
- Release date
- 23 Aug '19
The rhythm section on this recording consists of two former members of Taiwan Housing Project (Adam Charles Cooper on bass and Pat Ganley on drums). They manage to lay down a solid but decidedly streamlined groove that perfectly compliments the songs. “This Is One” utilizes a re-discovered drum track laid down by the legendary Letha Rodman Melchior to great effect

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- Ltd LP
- £20.99
- Cat Number
- ITR335
- Release date
- 26 Jul '19
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- CD
- £12.99
- Cat Number
- ITR335CD
- Release date
- 26 Jul '19
“If I may speak completely for myself. It’s musicians like Charles, Ty, Chris Shaw, John Dwyer, Tim Presley and Mikal Cronin who are not only revitalizing Independent Music, but have forced the idea of the monolithic album, endless tour and then a year before another release to be but an antiquated and megaboring option. It’s a blast trying to keep up with their output. Super exciting. Lastly, all three CFM albums are great but Soundtrack To An Empty Room is the best one. It rips from start to finish.” - Henry Rollins.
STAFF COMMENTS
says: A brilliant outing from one of the core members of some of the alt-underground's most blazing acts, CFM finds our charles in full fuzzy force, ripping through mind-melting riffage, covered in distortion and with no shortage of groove. Awesome stuff.
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- Ltd LP
- £20.99
- Cat Number
- ITR234
- Release date
- 31 May '19
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- CD
- £12.99
- Cat Number
- ITR234CD
- Release date
- 31 May '19
King Khan summons the punk rock demons buried in his bodacious brown back side, lathers up the listeners in his mystical oils and leaves the audience thirsty, horny, riled up, ready to dance upon the apocalypse and punch it in the face all in one mighty fell swoop. King Khan on the other players: “I once saw Looch Vibrato take a pair of glasses off someone’s face and stick them in his mouth and crunch them into dust, all because he warned him not to drink a warm can of beer filled with his own piss. Aggy Sonora, is the love child of Peggy from the Gories and Anaïs Nin. She beats her drums as senselessly as sensually. The sound of lust and labour rammed into one mystical inauguration of the pleasure dome. Fredovitch (aka Freddie Rococco) was once mistaken for the son of Roky Erickson by Japanese music magazines. He is in fact a son of a gun and the greatest bass player since sliced brie. When he isn’t playing bass he is conducting orchestras in his mind and preparing to take over the world of classical music. His motto is : you slap my bass, I’ll slap yo’ face... and fuck your mom.”
Tired of the smoke and mirrors of the modern music world? Then trust in this Union of Lifers. They chose the path to enlighten lives with simple, pure, decadent ordering of chaos. They found the beat in the slow death of the human race, and they have come to save your uncool niece.

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- LP
- £20.99
- Cat Number
- ITR301
- Release date
- 3 May '19
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- CD
- £12.99
- Cat Number
- ITR301CD
- Release date
- 3 May '19
This three piece features Bob Bert (Sonic Youth, Pussy Galore, Lydia Lunch’s Retrovirus), Mick Collins (Gories, Dirtbombs) and Kid Congo Powers(Gun Club, The Cramps, Nick Cave & the Bad Seeds, Pink Monkey Birds) and their collective track record beats Blind Faith, West, Bruce & Laing and The Power Station’s resumes combined! All three members write, sing and play in this band and, for anyone familiar with the member’s other bands, this stuff is as twisted and great as one can hope for. Everyone involved brings flavors from their past efforts and it’s all mixed together into one unholy rock ’n’ roll gumbo. It’s sleazy, swampy, trashy, no-wavey, weird and rocking! Lydia Lunch even makes an appearance, which makes this album that much more super!

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- Ltd 7"
- £8.49
- Cat Number
- ITR332
- Release date
- 3 May '19

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- LP
- £20.99
- Cat Number
- ITR326
- Release date
- 26 Oct '18
- Format Info
Black vinyl edition.- Includes MP3 Download Code.
Black vinyl edition. -
- CD
- £12.49
- Cat Number
- ITR326CD
- Release date
- 26 Oct '18
Covers album includes songs by War, The Spencer Davis Group, John Lennon, Funkadelic, The Dils, Neil Young, Gong, Amon Düül, Rudimentary Peni, The Grateful Dead, and Sparks.
STAFF COMMENTS
says: As you'd expect from Ty Segall, this is a fuzzed-out, head-bobbing collection of throbbing jams and screaming vocals, what you possibly wouldn't expect is it to be songs originally written by a number of the worlds greatest rock and / or roll bands, all given that familiar and comforting Segall twist. Brilliant re-imaginings of some stone-cold classics.FORMAT INFORMATION
LP Info: Black vinyl edition.LP includes MP3 Download Code.

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- LP
- £19.99
- Cat Number
- ITR325
- Release date
- 28 Sep '18
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- CD
- £12.49
- Cat Number
- ITR325CD
- Release date
- 28 Sep '18
Singer Chris Shaw uses terms like “space rinse” and “roadside surgery” to inform the listener that this is a strange and different trip, far and away from the “Glendale Junkyard” he romanticized in 2016 on their self-titled album. In fact, all expectations brought on by that acclaimed debut are crushed into dust, revealing a new standard by which the GØGGS march thumps.

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- 2xLP
- £24.99
- Cat Number
- ITR323
- Release date
- 27 Jul '18
- Includes MP3 Download Code.
The band, related media artists and technicians includes: Heidi Alexander, Jamie Barron, Jamin Barton, Eric Bauer, Aylin Beyce, Emilee Booher, Ryan Browne, Tim Cohen, Grace Cooper, Dave Cousin, Brad Caulkins, Mikal Cronin, Bart Davenport, Brigid Dawson, John Dwyer, Chris Fallon, Lars Finberg, James Finch Jr., Davin Givhan, Dylan Hadley, Dustin Hamman, Kiran Harlow, Wilder Harlow, Graeme Gibson, Tahlia Harbour, Anna Hillburg, Douglas Hilsinger, Warren Huegel, Emmett Kelly, Nora Keys, Shannon Lay, Raven Mahon, Rusty Miller, Charlie Moonheart, Jack Name, Ethan Novikoff, Tim Presley, Ty Segall, Dave Sitek, Sean Smith, Sonny Smith, Kelley Stoltz, Enrique Tena, Alica Vanden Heuvel, Lida Vanden Heuvel and Mikey Young.
FORMAT INFORMATION
2xLP includes MP3 Download Code.
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- LP
- £18.99
- Cat Number
- ITR320
- Release date
- 6 Jul '18
- Includes MP3 Download Code.
The songs started with Chris Gunn (The Hunches) on a guitar or a synth or a bowl of cereal and were built up from there. A rotating cast of friends and family helped flesh out the material. It could have been made in deep space or at the bottom of the ocean. Transmissions from a bedroom at the bottom of Pill Hill. This new album is a reflection of the live experience. Four people playing together; working within the template of pop classicism. thirty-five minutes of music. This time, the Flu comes out of the water and spends a little more time on land: pop kicks, psychedelic derangement, beauty, spells cast via hate raga and rocker . The band moves backward, forward and sideways; often within the same piece. The music breathes. It doesn’t deal in nostalgic regression or self conscious futurism. It just sounds like the Lavender Flu.
FORMAT INFORMATION
LP includes MP3 Download Code.
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- Ltd LP
- £18.99
- Cat Number
- ITR321
- Release date
- 11 May '18
- Includes MP3 Download Code.
FORMAT INFORMATION
Ltd LP includes MP3 Download Code.
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- Ltd LP
- £17.99
- Cat Number
- ITR315
- Release date
- 4 May '18
- Includes MP3 Download Code.
FORMAT INFORMATION
Ltd LP includes MP3 Download Code.
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- 2xDeluxe LP
- £24.99
- Cat Number
- ITR300
- Release date
- 2 Mar '18
Now, In The Red is proud to release the definitive, remastered double album edition featuring new liner notes by band biographer Jesse Locke, unseen images, and the complete live recordings available as a second album for the first time ever. As a means to escape his oppressive experiences while living in a practice space surrounded by biker gangs, singer and fretboardshredding guitarist Edgar Breau wrote a set of songs filled with dystopian visions of the future, conjuring metalloid thugs, Eva Braun’s cyanide love affair, and “dancing the mutation.” With nimble-fingered bassist Kevin Christoff, clatterwauling drummer Neil DeMerchant, and electronic cosmonaut John “Ping Romany” LaPlante (Breau’s foster brother and answer to Pere Ubu’s Allen Ravenstine), his lyrics were launched into a sonic supernova.
Their first recording session took place in the basement of brothers Bob and future superstar producer Daniel Lanois and was initially intended as a demo. Naturally, interest was non-existent for the sneering six-song set. It’s shocking how anyone could have overlooked “Bullet Proof Nothing,” an undeniably catchy VU-swiping anthem for the used, abused, and confused. Shelving these sessions, the band ascended into the future with 15-year-old drummer Tony Cutaia. This set off a series of gigs before the band touched down on the roof of a local shopping center! Following their 2006 reformation, Simply Saucer continue to tour and perform to ecstatic fans while being celebrated with a belated wave of releases, reissues, and documentation, including a rarities compilation, Jesse Locke’s book Heavy Metalloid Music: The Story of Simply Saucer (Eternal Cavalier Press), and an upcoming 7-inch. At long lost and at the top of this towering stack, In The Red’s expanded reissue of Cyborgs Revisited gives the Canadian cult classic the deluxe treatment it so greatly deserves.

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- 2xColoured LP
- £26.99
- Cat Number
- ITR231
- Release date
- 20 Oct '17
• Upped the ante on past solo releases with a full-throttle, go-for-the-throat bombast
• Once on double 10-inch, now expanded to double 12-inch
A reissue of the 2012 debut release by the Ty Segall Band on In The Red, featuring a bonus song not on the original release! The Ty Segall Band is Ty Segall (obviously), Mikal Cronin, Charlie Moonheart and Emily Rose Epstein. While Segall has released many incredible solo releases, Slaughterhouse marks the first time he recorded with his touring band. For this mini-album (originally released as a double 10-inch, but now expanded to a double 12-inch) the band recorded with Chris Woodhouse at the Hangar, turned their amps all the way up, set their fuzz pedals on “obliterate” and commenced to kick ass and take names. Seriously, this record will melt your face. All of Segall’s usual psych-pop sensibilities are present but Slaughterhouse adds the fullthrottle, go-for-the-throat bombast that the band delivers in the live setting. The fuzz riffs, bratty howl and Cro-Magnon bashing culminate with a feedback freakout that’s clearly the only sensible way to end a workout of this magnitude in shit to announce the debut release by the Ty Segall Band.

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- CD
- £12.49
- Cat Number
- ITR310CD
- Release date
- 16 Jun '17
This band doesn’t care about grades, likes, traffic or hits. They don’t petition publicists for goofy hype or pander to the corrupt institutions who molest rock ’n’ roll and use it as their plaything. Chain & Co. don’t play that game. They want total destruction of the insipid rock ’n’ roll status quo and the foul system from which it purports to offer relief, but in fact keeps afloat. They’ve released five uncompromising records, each one a brilliant, tossed-off sketchbook of insolence and provocation: Down with Liberty … Up With Chains!, Music’s Not For Everyone, In Cool Blood, Minimum Rock ’n’ Roll, and Experimental Music.
Now only one is needed: Best Of Crime Rock. Just recorded, it’s easily the best record, with the most passion, the most accuracy, the most cunning, and the most vigor. Every song on these records is a classic, each lyric an anthem. The tunes are simplistic to the point of parody; call and response rhythm chants which infiltrate the consciousness and leave the listener forever transformed. Each group member is a star. But together they’re something greater than the parts. An irresistible combo that provides the best hope for the future and the only answer to the embarrassing slime pit called “culture.”

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- CD
- £12.49
- Cat Number
- ITR308CD
- Release date
- 14 Apr '17
This latest release is a toothy, swirling collection of songs that captures a variety of sonic moods—raucous, pastoral, pensive—while retaining an indelible melodic punch. The Laguna Beach-raised Moothart first picked up a guitar at 12 years old and got behind the drum kit for the Moonhearts at the age of 16 with fellow Cali six-string ripper Mikal Cronin. Since then, the 27-year-old journeyman has become a fixture in the West Coast community: he’s logged oodles of studio and stage time with Cronin and Ty Segall—both on his solo albums and as part of the ultra-heavy supergroup Fuzz, the latter experience driving him to make music on his own.
He struck out on his own with 2016’s solo debut, Still Life of Citrus and Slime; a year later, he’s back with this, which marks the first time Moothart’s written songs for the specific purpose of compiling them onto an album. This album embraces relative quiet alongside hardcharging riffs and bursts of incendiary color— there’s plenty of face-exploding moments on Dichotomy Desaturated as well, a sense of mischief that is nonetheless serious as all hell. Just listen to the record— the choice is obvious.

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- LP
- £19.99
- Cat Number
- ITR305
- Release date
- 7 Apr '17
- Includes MP3 Download Code.
Limited edition on green vinyl. First come, first served. No guarantees.
Starts shipping mid March.
FORMAT INFORMATION
LP includes MP3 Download Code.
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- Ltd LP
- £19.99
- Cat Number
- ITR304
- Release date
- 17 Mar '17
- Includes MP3 Download Code.
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- CD
- £12.49
- Cat Number
- ITR304CD
- Release date
- 17 Mar '17
2014 was the year Power stepped up, and immediately earned comparison to Melbourne’s Coloured Balls, sharing that edge of menace in their affection for boogie rock and the same air of familiarity with aforementioned greasy confines. Power hosted their own weekly residency in this city, kicking through backyard parties and seemingly hundreds of Tote Hotel shows with the collection of songs they recorded at the right moment and turned into Electric Glitter Boogie.
The result has the savage drive of their live sound , the bolts tightened to threadbare, and is carried by that supreme confidence and determination that allows the band to relax and let the songs happen when they need to, and to know when to kick it hard. Living in the age of power. The sound is raw but full, the band recorded live with minimal overdubs , and the songs continually disintegrate into white heat guitar noise before slamming back into manic amphetamine lockstep. In eight numbers, they traverse an entire history of hard rock, electric glitter boogie, thug glam, raw power punk. Strong character. Definite purpose. Something you just cannot control.
FORMAT INFORMATION
Ltd LP includes MP3 Download Code.
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- CD
- £12.99
- Cat Number
- ITR309CD
- Release date
- 27 Jan '17
This album serves as a little wink goodbye to any complexities past and a strong “welcome back” to the primitive, brusque and airy rock’n’roll which has made Sultan beloved since 2003. Forgoing lo-fi, BBQ is reinventing the one-man band, taking it back, for a loud, clear and raw sound; helmed by great songs, sung truly and passionately. Recorded by himself in his basement, live in one to two takes — twelve brand new killers.

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- CD
- £12.49
- Cat Number
- ITR297CD
- Release date
- 11 Nov '16
notebook during chemistry class. Four longtime friends
began passing the time playing music together—Kevin Boyer,
Larry Williams and Heath Heemsbergen were playing in
Tyvek; Glen Morren and Heath Moerland made sounds in
Detroit freakout ensemble Odd Clouds, and after many jams,
a band existed. Trying out song ideas, working on a ’60s cover,
expanding on sketches—a few local gigs and a few years pass.
The zero-pressure nature of how The Intended began shows
up in how the group progressed: a single materialized and the
band’s vibe was caught perfectly on four track by Chris Durham
in his basement practice space. More four track sessions
ensued until a bag of unlabelled cassettes made its way to the
studio to be transformed into the debut album: Time Will Tell.
Held together by a raw fidelity (those tape warbles and
wonky pitch changes aren’t plug ins), the songs twist through
diversions such as the ebullient blasting of “The Ineffable,” the
juvenile classroom anxieties of “Dirty Secret,” and the spoken
revelations of “Beast and the Priest.” Straying from Tyvek’s
punk tendencies, mellow ’60s rockers “Don’t Wait Too Long”
and the title track hit a jangling nerve. Time Will Tell shines a
spotlight on the blemishes of youth, somehow embraced with a
fearless yet awkward glance.

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- LP
- £20.99
- Cat Number
- ITR296
- Release date
- 11 Nov '16
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- CD
- £12.49
- Cat Number
- ITR296CD
- Release date
- 11 Nov '16
Working again with Fred Thomas who recorded their most recent album, 2012 burner On Triple Beams, band members from the earliest incarnations to its most recent showed up for various recording sessions, with initial tracks captured quickly. Later, far more extensive editing, mixing and overdubbing ensued, resulting in a fragmented production style that slowly disintegrates the standard punk fare until it starts to resemble dub experimentation before decaying even further. Tyvek’s future, like its origin, is up for grabs.

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- CD
- £12.49
- Cat Number
- ITR294CD
- Release date
- 16 Sep '16

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- CD
- £10.99
- Cat Number
- ITR290CD
- Release date
- 1 Jul '16
Chris Shaw smokes the microphone while Ty Segall and Charles Moothart trade lizardian licks and skin hits. Guest GØGGS include Cory Hanson, Mikal Cronin and Denée Petracek. Ten tracks of misanthropic noise to bring home to mom’s house on fire. Boots to your face after the high speed chase, Then! A death trip down memory lane. The lead actor dies first and the shotgun shooter flashes chipped teeth.
Created in Los Angeles in the middle of the summer of 2015: three years of planning, thirty days of writing, one week of ripping. A severed finger on the button, the player ends the game. Final notice has been served.
STAFF COMMENTS
says: GØGGS is the three headed noise monster comprising of Charles Moothart (guitarist with Ty Segall Band), Ty Segall himself, and Ex-Cults Chris Shaw on vocals. Ten tracks of scuzzy fuzzy fun.
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- CD
- £12.49
- Cat Number
- ITR291CD
- Release date
- 17 Jun '16
CCR’s hypnotic and malevolent psychedelia wasn’t faux-fun party-psych or disingenuously mellow Zen Center nature psych—it was more of a Jim Thompson’s Killer Inside Me psych with elective self-surgery K-hole romps and post-hate-fuck cuddle balladry. The band was possessed, the room was juiced, the audience transfixed. At points, CCR’s set was suffused with a prosaic evil vibe that reminded me of the Rembrandt Pussyhorse / Locust Abortion-era Butthole Surfers live shows. Musically, CCR are way different than the Buttholes—I’m referring more to the air of all-pervading cathartic menace. Shortly afterward, CCR went with Fuzz on a national tour (huge props to Fuzz for that act of public service) and I caught them a month later at Death By Audio in Brooklyn. They were in top road shape, which only underscored how special that show with Human Eye had been.” - Anthony Bedard, Bay Bridged.

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- CD
- £12.49
- Cat Number
- ITR292CD
- Release date
- 17 Jun '16
Big basement rock opens up “Bobby and Suzie” with its gluey, flypaper tempo changes bringing to mind Alex Chilton’s “Like Flies on Sherbert” and the Electric Eels mashed into a ball. Rhythm piano played with an icepick is next on “Meth” and though it may be a tale of warning, the track adds allure to having “got a weekend sack and it’s Saturday / Sunday my life is crumbling.” Under the moss-covered tremolo glam of “Wheeler” is a map to one of the catchiest choruses of the record. The smell of bleach in the bathroom leads to “Potter’s Daughter” with an invitation to relax and go “swimming in tampons” but in the last minute Rod Meyer’s and Rob Enbom’s scraping guitars peel back the skull again.
Sounding poppy, primal and carsick at once, drug mules and biblical references tiptoe sweetly onto the bus on “Merchants of Glue.” The windows steam up in the Rocket from the Tombs-eque “Slumber Party” as the garbage boogie slides into an early Butthole-Surfers-like stream of unconsciousness. “Hands Across America” continues to showcase singer Hart Gledhill as one of the most distressing throats since Captain Beefheart while competing with guitar solos louder than Teengenerate. These burns are soothed on “Southie,” evoking some kind of 13th Floor Elevators groove followed by the sad, warped, almost country-tinged “Addicted to Drugs.” This respite is short lived, however; the terrific push-pull / future-primitive rhythm section kicks in on “50’s Haircut / Gold Shoes.” After a while, the gutter puzzles start to make sense, like a schizophrenic does if you actually sit down and listen. When the last sands gently, mercifully slide through the hourglass on “South Eugene,” it’s over too soon.
It is exciting to see a new band in 2016 sing about their unique pain and pleasure, not hidden by delay pedals and not seeming to care if you like it or not. This record probably makes you smarter for listening to it, and the only problem is it erases your mind as well. - Lars Finberg, 2016.

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- LP
- £20.99
- Cat Number
- ITR288
- Release date
- 6 May '16
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- CD
- £12.49
- Cat Number
- ITR288CD
- Release date
- 6 May '16
Tales of gender-bending disembodied heads, gente from La Puente and even a TCB-era Elvis-inspired rave up on “Karate Monkey” are merely a smattering of the mythic magic on this platter! The world is a wild and wooly place and with the help of La Araña Kid Congo and The Pink Monkey Birds will continue to reflect it.

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- Ltd LP
- £17.49
- Cat Number
- ITR284
- Release date
- 22 Apr '16
- Includes MP3 Download Code.
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- CD
- £12.49
- Cat Number
- ITR284CD
- Release date
- 22 Apr '16
Redd Kross, The Mummies and Gary Glitter stand shoulder to shoulder with the band’s original jams. The Traditional Fools were a party band and this album is a rock ’n’ roll party!
“With speed, volume, great riffs, and a sloppy delivery, they breathe punk rock life into surf.”
—
Pitchfork
“Like Link Wray and Dick Dale on steroids, effortlessly marrying sun-soaked surf rock with the dirtier sounds of bands like the Dead Boys.”
FORMAT INFORMATION
Ltd LP includes MP3 Download Code.
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- CD
- £12.49
- Cat Number
- ITR289CD
- Release date
- 1 Apr '16
Moothart says, “Still Life of Citrus and Slime—the idea of creating something outside of the comfort zone. Blending basic elements of necessity, release and escape. An attempt to fuse reality with the elusions of the possible. The music represents an elevation beyond the barriers of linear motion and self-doubt. It is similar to looking in a mirror and realizing that time trails itself constantly by just a millisecond. You cannot kill time, and you cannot exist on both sides of the reflex. Yet, to bridge the gap is to eliminate instinct and output in their purest forms.
“This record is a portrait of a person navigating the mechanics of two distinct machines. The first—the brain. The second—the Tascam 388. Eight tracks and a quarter-inch path to maneuver to the summation. The songs simmer from rare to well done. No matter the cut, the meat is fresh and still vibrating with life. “Fast, slow, wonky and straight. There are moments of everything in these grooves. At times it feels like it could come apart at the seams, but it doesn’t. It grabs the thread, bites the end, pulls it tight and continues the experiment. It’s rock ’n’ roll, and that’s all. The greener grass is browning on the other side. The drought is here to stay. The only way out of this mess is to put your head down and do the right thing. Keep moving, keep trying, keep creating, and project any positivity possible. Of course it is much easier to succumb to the wolf. Just forget about it, and pretend it is out of your control. Thankfully the wolf let down his guard. Having found refuge in a blanket of heartache and a bottle of wine, he took a cat nap in a manger of confusion.”

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- Ltd 7"
- £5.99
- Cat Number
- ITR290
- Release date
- 22 Jan '16
Other participants in the project include Cory Hanson (Wand), Charles Moothart (Fuzz) and Mikal Cronin. This single features an original from the album on the A-side and an Iggy Pop cover on the B-side that’s exclusive to the 7-inch.

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- CD
- £12.49
- Cat Number
- ITR282CD
- Release date
- 4 Dec '15

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- CD
- £12.49
- Cat Number
- ITR279CD
- Release date
- 21 Aug '15
Now, after a ten-year hiatus, Melchior has reassembled the Broke Revue and (in record time) recorded a new album. Lords of the Manor takes a very different turn from the band’s last album. O Clouds Unfold! was an voluminous showcase of Melchior’s infectious and melodic songwriting, with layers of extra instrumentation spanning 23 songs. Lords of the Manor is an entirely different beast; song structure and instrumentation are stripped to the bare bones, melody is ditched in favor of repetition, Dan’s usual lyrical style is jettisoned for a far more minimal approach and the band’s previous penchant for tightly-crafted two-to-three-minute rock songs has given way to long, sprawling improvisations. The result is dark, relentless and incredible.

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- CD
- £9.99
- Cat Number
- ITR276CD
- Release date
- 6 Apr '15
Back in September 2013, Wand was quietly dismembered and ritually eaten in the hills near Dodger Stadium. Wand was reborn as “Wand”—an obese organ falsely organized as four overjoyous nerds. Four flesh balloons betting on a few aging amplifiers. Rumor has it they listen to Here Come the Warm Jets on loop all day and plot mail fraud. What’s more, they allegedely stole Dale Crover’s car and sacrificed it to the weather near the Los Angeles County Line. A few things, at least, are certain: Wand hears ghosts. Wand prefers serpents. The Sun is the mother of every fiction.
All phenomena will be consumed in alphabetical order, but desire will recirculate ad infinitum. If all else fails, Wand will just devour more hands. Wand is coming your way soon.
Sophomore full-length from California four-piece with connections to Ty Segall, Chad and the Meatbodies, etc.

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- CD
- £12.49
- Cat Number
- ITR249CD
- Release date
- 12 May '14
“Now, any right-minded corncob south of the Van Allen Belt knows them three precedin’ 7-inches via Richie, Siltbreeze and Negative Guestlist smacked kernels hard, and that smolderin’ ferocity has naturally been carried over here. The glow ’n’ throb what’s got got is as much the byproduct of the eternal bioluminescence of Iron Cross or Third World War as an appreciation for the corroded, fractoluminescence exuded once upon a time by Chain Gang, Slow Death EP-era Leather Nun ’n’ The Gordons. Sure, their environment might seem cold and uncarin’—even downright sociopathic— but behind that facade of David Goodis-like grimness are four sodbusters chompin’ to have a good time. When singer Richie Charles hollers “I’m a skull!” who among the masses would not rush headlong to get a lick off thatboney pate? It ain’t about Rofinol, people, it’s about the roof, and how far can Watery Love raise the fucker. Unlike you dickheads, I’m sittin’ pretty in the catbird seat (what part of me bein’ out to space did you miss?) so let me say, keep it comin’! Higher ’n’ higher, nose to the grindstone and all that. Don’t worry, I’ll stop ya when ya get here. And one more thing—don’t forget to bring a six pack. We’ll need it.” — Roland Seward Woodbe International Space Station, Outer Space Call Sign: Alphar

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- Ltd 7"
- £5.99
- Cat Number
- ITR250
- Release date
- 2 Dec '13

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- CD
- £3.99
- Cat Number
- ITR247CD
- Release date
- 25 Nov '13
Taking everything up a notch is new bassist Jessica McFarland (vocalist of Heavy Cream), whose voice is the perfect counterpoint to Novak’s Bailey / Devoto punk snarl. McFarland’s tight bass playing fits right in the pocket between Novak’s overblown guitar chords and drummer Ryan Sweeney’s endless, Moon-y drum fills. Sweeney is Cheap Time’s backbone, an integral part of the band since 2010’s Fantastic Explanations. His drumming is powerful and relentless, especially on songs like “Country and City.”
Where most bands drag or burn out around their second album, Cheap Time are students of rock history. They tread in the footsteps of their ’70s heroes—like Sparks or Alice Cooper—learning from the shortcomings of previous works and continuing to develop their craft. They’ve worn out their John Cale and Peter Hammill LPs, and finally delivered the classic punk album for 2013!

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- CD
- £12.49
- Cat Number
- ITR245CD
- Release date
- 28 Oct '13
“I only caught the last song of Pampers’ set and mainly remember them being very, very loud.” —Brooklyn Vegan “They’re awesome and you all are missing out by not seeing them perform. Seriously, they’re great.” - Impose.

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- CD
- £12.49
- Cat Number
- ITR243CD
- Release date
- 2 Sep '13
“TV Ghost’s 2009 debut LP, Cold Fish, is a maelstrom—10 hectic songs ripped out in 25 minutes. Stuffed to the seams with wiry guitars, trembling keyboards, crashing beats, and Tim Gick’s mad-man warble, it has the creepy tension of a post-punk haunted house where the Cramps, the Scientists, or Pere Ubu might leap out from the shadows at any moment. The band deftly balances precision and abandon—every moment sounds lunatic and unhinged, yet no track collapses into complete anarchy. “That abandon has subsided a bit on Mass Dream, which doubles the length of its predecessor despite having only one more track. That’s by design—Gick says that his intent was to “space things out more, let the songs breathe.” And while I miss Cold Fish’s farther-flung moments, the band has countered that loss with songs that are deeper and more open. Now, along with all the post-punk echoes rattling around, unexpected reference points pop up. At times I hear the enervated drama of Echo & the Bunnymen’s Ian McCulloch, or the stridency of Ian Svenonius during his Nation of Ulysses days. And TV Ghost prove as adept at stark dread as they are at fevered bedlam....” —Pitchfork.

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- CD
- £3.99
- Cat Number
- ITR242CD
- Release date
- 19 Aug '13
Adding in essential Chicago nutrients such as Seth Bohn from Mannequin Men on bass and Jeanine O’Toole from The 1900s on backups and tambourine, along with multi-talented friends Matt Holland on drums and Leslie Deckard on organ, Bare Mutants have come together as a tightly-wound, tense-yettranquil wall of sound that surges and ebbs within the raw emotion and gut-wrenching intensity of a band that’s on its way somewhere big. None of the heart-crushing tracks on this debut album are going to quicken anyone’s pulse, yet the solemn seduction that awaits within these celestial grooves is immeasurable in its trance-inducing tension. —Todd Novak, Victim of Time / HoZac Records.

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- CD
- £12.49
- Cat Number
- ITR230CD
- Release date
- 21 Jan '13
• Reissue of sole album from surf-garagepunk band featuring Ty Segall
• First time on CD; vinyl includes digital download coupon

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- CD
- £12.49
- Cat Number
- ITR229CD
- Release date
- 21 Jan '13
Equal parts danceable garage rock and effects-ridden psychedelia, Reverse Shark Attack is a mind-blowing explosion of loud guitars, pounding rhythms and signature vocal harmonies, and these eight shambolic, psychedelic jams are sure to please the most scrutinizing rocker. The centerpiece of the album is the title track, a side-long epic that goes from Beatlesesque melody to psych / folk weirdness before exploding into a Ventures-induced headache of smashed drums and wildly vibrant surf guitars. It’s a must-have release for fans of these two artists, and nothing like either of them have done on their own.
• Reissue of out-of-print 2009 collaboration, now highly sought-after
• First time on CD; vinyl includes digital download coupon
STAFF COMMENTS
says: Originally released in 2009 this is a total in the red rave-up with full on noise guitars and melodic vocals hidden under the molten sludge. Epic stuff!!
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- CD
- £12.49
- Cat Number
- ITR237CD
- Release date
- 12 Nov '12
True to their contrarian instincts, Tyvek won’t give any quarter to the well heeled (and no doubt well intentioned) drum circle that has invaded their hometown, but they also can’t help but feel a certain optimism. Their third album, On Triple Beams, picks up where the blistering proto-hardcore of the Nothing Fits record leaves off, but doesn’t tarry long in familiar zones. The melodies open up into a much more spacious musical headspace, channeling unexpected positivity on tracks like “Wayne County Roads,” “Say Yeah” and “Returns.” Produced by Fred Thomas, On Triple Beams is hard and direct but it doesn’t pummel. Likewise, the lyrics ain’t pedantic. Searing punk rock is still the order of the day, and the tunes are just bangin’. And in case there’s any doubt: these are tunes in a major way—the songwriting chops are on this album are completely out of place in the 2012 bumper crop of plastic platters.
Welcome to the strange path that Tyvek has trod for the past eight years: for every step forward, they take two steps to the side for good measure. This trip won’t be spoiled by the crass opportunism of the Nu-Detroiters: they have to keep it real. Sometimes the new jacks just gotta get put in check, and obviously Mommy and Daddy weren’t ever going to do it. In the midst of so much change, Tyvek is energized by the chaos of a city in flux, the crucial moments that make up everyday life, and the unfiltered reality of sensory experiences. Hear the sound and jump all around.

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- LP
- £20.99
- Cat Number
- ITR235
- Release date
- 17 Sep '12
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- CD
- £12.49
- Cat Number
- ITR235CD
- Release date
- 17 Sep '12
Yeah, that sounds about right. But it misses a more important point—how impossible Thee Oh Sees have been been to pin down since Dwyer launched it in the late ’90s as a solo break from such sorely missed underground bands as Pink and Brown and Coachwhips. That restlessness extends to everything from the towering, thirteen-minute title track of 2010’s Warm Smile LP to the mercurial moods of 2008’s The Master’s Bedroom Is Worth Spending a Night In. And then there’s the home-brewed symphonies of Castlemania and the high-wire hooks of Carrion Crawler / The Dream, which dropped a second drum set among sunburnt organs, dovetailing guitars and rail-jumping rhythms.
If one prefers a slightly more subtle musical awakening, there’s always Putrifiers II, the latest in a long line of Oh Sees albums that expands the group’s sound well past your friendly neighborhood garage band. So while the space-odyssey nods of “Wax Face” actually sound like they’re meant to melt one’s ears straight off, the record’s full of deviant detours, from the poison-tipped string parts and Eno-esque engineering of “So Nice” to the groove-locked Krautrock inclinations of “Lupine Dominus.”
The most noticeable element may be Dwyer’s melodies, however, as they reveal a softer side to his songwriting, one that makes perfect sense considering just how disparate his dust-clearing influences are. Scott Walker, The Velvet Underground, The Zombies and the experimental Japanese act Les Rallizes Denudes are but a small taste of what informed Thee Oh Sees this time around, as Dwyer returned to the multi-instrumental ways of Castlemania— full-band sessions for another record are already underway—and rounded out a fuller, drier sound with drummer / engineer Chris Woodhouse and special guests like Mikal Cronin (sax), Heidi Maureen Alexander (trumpet, vocals) and K Dylan Edrich (viola).

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- CD
- £12.99
- Cat Number
- ITR222CD
- Release date
- 21 Nov '11
Yeah, that sounds about right. But it misses a more important point—how impossible Thee Oh Sees have been to pin down since Dwyer launched the project in the late ’90s as a solo break from such sorely missed underground bands as Pink and Brown and Coachwhips. (While Dwyer still records songs on his own, Thee Oh Sees is now a five-piece featuring keyboardist / singer Brigid Dawson, guitarist Petey Dammit, drummer Mike Shoun and multi-instrumentalist / singer Lars Finberg.) That restlessness extends to everything from the towering, thirteen-minute title track of 2010’s Warm Slime LP to the mercurial moods of 2008’s The Master’s Bedroom Is Worth Spending a Night In.
Now, Thee Oh Sees chase the home-brewed symphonies of Castlemania with the scrappy, high-wire hooks of Carrion Crawler / The Dream. Originally envisioned as two EPs, it was cut live to tape in less than a week at Chris Woodhouse’s Sacramento studio in June, reflecting the battering-ram bent of the band’s live show better than any bootleg ever could. “As I’m sure most would agree,” explains Dwyer, “Castlemania was more of a vocal tirade. This one’s meant to pummel and throb.”
That it does, whether one blasts the slow, speaker-bruising build of “The Dream,” the sunburnt organs and dovetailing guitars of “Crack in Your Eye” or the interstellar instrumental “Chem-Farmer,” a perfect example of what happens when one takes a well-oiled machine—a gang of rabid road warriors, really—and adds a second, groove-locked drum set to the mix. To listen is to realize that Dwyer’s music is as manic as the underground comic inclinations of his artwork; colorful and confusing in a way that’s more than welcome. It’s downright refreshing, like a slap in the face at 5:00 in the morning. Or, as Dwyer puts it, “You have to leave a mark somehow.”

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- LP
- £13.99
- Cat Number
- ITR220
- Release date
- 21 Nov '11
- Includes MP3 Download Code.
The Lion has grown smarter and meaner with the addition of Lars Finberg (chief Intelligence officer, original pounder for the A-Frames, and current drummer #2 for Thee Oh Sees) nailing it behind the drum kit and adding rich, fucked-futurist guitar action. Recorded by the singular Chris Woodhouse (Mayyors, Karate Party, etc.), the LP sounds dense and purposeful, with clattering, duel-Telecaster strum, tubeamp hum and feel-it-in-your-chest kick drum. IVXLCDM is without a doubt one of the best records of 2011-not just from Los Angeles or the underground, but from the entire spectrum of activity of living things in the universe.
FORMAT INFORMATION
LP includes MP3 Download Code.
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- CD
- £12.49
- Cat Number
- ITR214CD
- Release date
- 24 Oct '11
A perfect distillation of punk's original open-ended weirdness and modern music's serrated salvation, The Spits have proven themselves to be no one to fuck with, over and over again. True headliners, never to be followed and for good reason. One of the only modern bands to have several of their songs covered by their contemporaries, The Spits have already done so much but still have so much more ahead, as they continue to influence anyone with a penchant for irresistible punk music, played like there's nothing to lose. o Twelve new throbbingly addictive tracks mix the synth work of early Devo with the best thug-punk grunt of the Ramones.

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- CD
- £16.99
- Cat Number
- ITR129
- Release date
- 12 Sep '11

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- 2xLtd LP
- £27.99
- Cat Number
- ITR 208
- Release date
- 9 May '11
- Format Info
The vinyl is a three-sided double LP housed in a beautiful gatefold sleeve with a fourth side featuring an etching by William Keihn, who also did the fantastic cover art.
The vinyl is a... [ + ]
Its release couldn’t be more perfectly suited to the time of the year when the sunny skies return and the flowers start blooming. Watch for Thee Oh Sees to return later this year with another full-length of pulverizing, heavy stomp. In the meantime, relax and enjoy "Castlemania".
FORMAT INFORMATION
2xLtd LP Info: The vinyl is a three-sided double LP housed in a beautiful gatefold sleeve with a fourth side featuring an etching by William Keihn, who also did the fantastic cover art.
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- CD
- £12.49
- Cat Number
- ITR206CD
- Release date
- 2 May '11
TV Ghost’s sophomore full-length was recorded by Greg Ashley (Gris Gris), and "Mass Dream" is by far their clearest and most coherent release to date. While sacrificing none of the band’s scuzz-punk dementia, this album is far less dense and impenetrable than its predecessor; Ghost frontman Tim Gick’s lyrics are clearer and his complex song structure a bit easier to get a handle on. That said, this is still blood-boiling, spastic and down right evil music by anyone’s standards. Live, there are few who can match them. Their sets are explosive, destructive and out of control. Gick howls as if his bowels are being extracted through his gluteus, while his eyes roll back in his head and the rest of the band pummels away in noisy ecstasy. Every show they play is psychotic and chaotic perfection. "Mass Dream" is the first time it’s been captured on wax to perfection.

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- CD
- £12.49
- Cat Number
- ITR205CD
- Release date
- 21 Mar '11

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- CD
- £12.49
- Cat Number
- ITR193CD
- Release date
- 8 Nov '10
Tyvek’s In The Red debut, "Nothing Fits", is a scalding collection of amped-up and thrust-out songs that cranks up the energy level far beyond their previous releases and decimates the detractors into the abyss. It’s Tyvek at their fiery, screaming best, and if this doesn’t curl your eyebrows and your toes simultaneously with excitement, then you might need to settle for something musically akin to hospital food or take another laxative, because this blast of new recordings might just flush out your system to the point of personal emergency.
STAFF COMMENTS
says: Superb dumb-ass garage punk, fiery and amped-up into the red.
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- CD
- £3.99
- Cat Number
- ITR190CD
- Release date
- 4 Oct '10

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- CD
- £12.99
- Cat Number
- ITR186CD
- Release date
- 10 May '10
'Thee Oh Sees incorporate the oft-referenced Nuggets stuff in a way that feels reverential. With grinding guitars and bah-bah-bah vocals, but with the punk and new-wave elements also at play, they don’t feel trite or plagiarized. This is like meat and potatoes prepared by a master chef -totally familiar but utterly delicious.' - Pitchfork.

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- CD
- £12.49
- Cat Number
- ITR178CD
- Release date
- 3 May '10
Inspired by The Velvets, The Cramps, The Clean and The Vaselines (as well as Credence Clearwater Revival and Kleenex), Wounded Lion is regularly seen at Los Angeles haunts such as Mr. T’s Bowl, The Smell, The Scene and Spaceland. Their hum-inducing, toe-tapping tunes wiggle their way into your brain and have you singing their choruses at the grocery store or waiting in line at the DMV. The band’s formula is relatively simple: shambling, alternately silly and poignant songs that bend and twist timeless pop hooks. The bass and guitars belch out raw distortion, lending the music a primitive quality, but a whimsical sensibility elevates the abrasiveness to a jubilant level. Wounded Lion writes pop songs that celebrate the unrefined, dispensing with ego and tapping into the primal areas of the brain.
'The LA-based quintet slams down the perfect prescription for your raw pop addiction with heavily contagious songs that break down the sophisticated strut of rock ’n’ roll’s simplest parts. It’s hard to dissect their exact frame of influence, but with severely effective songwrit-ing such as this, it really comes secondary, and you’ll soon see how a bleak environment can pull the best creativity out of a sterile gutter and come out with a handful of winners'. - Victim of Time.
Debut album from Los Angeles band follows a handful of singles on S-S, Gilgongo, and In The Red Records. Classic, no-frills American power-pop that blends 60s, 70s and 80s influences.

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- Ltd 7"
- £4.99
- Cat Number
- ITR184
- Release date
- 21 Dec '09

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- CD
- £12.49
- Cat Number
- ITR170CD
- Release date
- 12 Oct '09

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- CD
- £11.99
- Cat Number
- ITR153CD
- Release date
- 20 Oct '08

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- CD
- £11.99
- Cat Number
- ITR152CD
- Release date
- 19 May '08

-
- CD
- £12.49
- Cat Number
- ITR145
- Release date
- 24 Sep '07

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- CD
- £12.99
- Cat Number
- ITR102CD
- Release date
- 14 Apr '03

-
- CD
- £12.99
- Cat Number
- ITR093CD
- Release date
- 2 Dec '02

-
- CD
- £10.99
- Cat Number
- ITR090CD
- Release date
- 4 Nov '02

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- CD
- £12.99
- Cat Number
- ITR080CD
- Release date
- 28 May '01
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