Mr Bongo keep the hits coming with a welcome reissue of Burnier & Cartier's self-titled LP, which has soared to the top of many a wantlist after appearing in many a setlist and sample-jam. A gorgeous set which touches on MPB, soul, jazz, disco and boogie, the LP has been championed by the likes of Jazzanova, Floating Points and Hunnee while Andres and KDJ and Kaytranada have all slammed it into the MPC and made good use of these exquisiste grooves. The perfect marriage of breezy South American rhythms, sunkissed melodies and smooth vocals, the album is a testament to the songwriting talents of the duo and the production and arrangement expertise of Arthur Verocai and Luis Bonfa.
Remastered for 2018 and presented in replica artwork, this Brazilian fusion gem is finally available without securing a second mortgage.

TRACK LISTING

So Tem Lugar Pra Voce
Aldeia Global
Lejos De Mi
Lembrando Ed Kleiger
Deixa Mudar
Parte Capital
Mirandolina
Ai E Que Ta
Aventura Espacial
Barranco
Europanema
Marcante

Released on Luke Una's E Soul Cultura label, in partnership with Mr Bongo, Crooked Man has remoulded, re-energised and completely reworked 'Everything' and 'My Shadow' from Transmission Towers' critically acclaimed debut LP, Transmission One . The result is a double dose of transcendental, tripped- out productions utilising every ounce of Crooked Man's experience and expertise. 

A key fgure in electronic dance music since the late '80s, Shefield-born Crooked Man aka Richard Barratt released one of bleep techno's defning records back in '89. Landing on Warp, it came under the alias Sweet Exorcist with the late great Richard H. Kirk. Since then, Barratt has put out a slew of exceptional productions under a variety of different monikers from Crooked Man and Parrot, to Earth Angel and Athletes of God. He has released on DFA, delivered countless remixes for Roisin Murphy and reimagined the likes of JIM and Joe Goddard.

For this release, Crooked Man frst takes 'Everything' and contorts it from a postpunk guitar trip into a cybertronic, new beat heater, aptly titled 'Everything (Gone Crooked)'. A percussive state of hypnosis leads the charge, building the tension for a rumbling kick drum and buzzing synth- line to twist their talons into your mind. Eleanor Mante's vocals take on a new vivacity, feeling like your head has been sucked into a psychedelic swirl away from reality. Afrofuturist, arresting and perfectly equipped to electrify any waning dancefoor into action.

On the B side, 'My Shadow (Crooked Shade)' sees Crooked Man morph the original into a frestarter of galactic proportions . The crunched- up breakbeat drives the journey and fips what was once a hallucinatory machine soul number, into an intoxicating slice of club- focussed heat from another dimension. Spiralling pads and astral synths coil around Eleanor's reverberating vocals, as your body is willed to move in a trancelike state of cosmic motion.

TRACK LISTING

1. Everything (Gone Crooked)
2. My Shadow (Crooked Shade)

For number 83 in the Brazil 45 series, Mr Bongo have pulled out a real treat. It features two tracks from Roberto De Melo Santos. Born in 1949 in Recife (Brazil), and despite a small discography, he is considered among the true icons of Brazilian soul music under his artist alias, Di Melo.

His self-titled debut album from 1975 has long been collectible for its irresistible Brazilian- funk sound, pleasing the Brazilian, B- Boy breaks, funk collectors, and sample hunters alike. With original copies for the album now fetching crazy sums, we felt these tracks needed another moment in the sun for all to enjoy.

For this release we selected two of our favourite cuts from this cult album, 'Kilario' and 'Pernalonga'. Coincidentally these two gems were released on Odeon Records in 1975 as a rare promo campacto (a Brazilian 7", which plays at 33rpm). 'Kilario' is a pure Brazilian-soul classic. All the right elements gel together, whilst Di Melo works his relaxed vocal magic over the top. 'Pernalonga', with its catchy guitar and horns intro, loose break- beat drum, has the feel- good factor which some may recognize as one of the samples behind N.A.S.A featuring David Byrne, & Chali 2na's 'The People Tree' from 2009.

TRACK LISTING

Kilario
Pernalongo

For number 93 in the Brazil45 series, Mr Bongo present two favourites from the Harmony Cats.

A female vocal quintet (who later became a trio) from So Paulo. They formed in 1976 and were most prolific in the disco period.

'Harmony Cats' Theme' from 1976 is probably the group's best- known track outside of Brazil. Owing a lot to Rhythm Heritage's version of 'Barretta's Theme (Keep Your Eye On The Sparrow)' its wonderfully spacey breakbeat and percussive production with lush, floaty vocals makes it a real crossover classic record.

'Seja Como Nos (De Pe No Chao)' is instantly recognisable. Tucked away on the B-side of their 1979 single 'Tem Dinheiro Nisso' on Young Records, it is a beast of a cover version of The Jacksons' classic ' Shake Your Body (Down To The Ground)'. Nothing subtle or sophisticated here. Just a song of pure disco joy, enhanced with awesome Brazilian production and the Cats' trademark vocal arrangements. A get-of-jail-free card for any DJ that finds themselves stuck with an empty dancefloor, but also one that will put smiles on the faces of the more discerning leftfield club crowds.

TRACK LISTING

Harmony Cats’ Theme
Seja Como Nos (De Pe No Chao)

You know it's going to be a heavy record when DJ / collector Mr Thing asks you to keep a look out for a copy on your next digging trip to Brazil

Add on top of that, being sampled by Madlib on the track 'Curls' on his Madvillain album!

Taken from Waldir Calmon's 'Waldir Calmon E Seus Multisons' album onCopacabana(1970), from looking at this unassuming record cover featuring a middle-aged man sporting an impressive pair of glasses you wouldn't expect it to become the fabric to one of the songs from the iconic 'Madvillain' album. But... like many things in life, you shouldn't judge a book by its cover. 'Airport Love Theme', like its name suggests, falls into full- on lounge territory. It is feel- good music made to be the soundtrack for a utopian world that never really was. Yet behind the silky-smooth groove is an addictive earworm waiting to be heard.

'Afro Som' taken from the same album, pushes things in a different direction towards a sound that is more firmly rooted in the Brazilian tradition. This quirky 60's-breakbeat-funk groove is reminiscent of French artist Jean Jacques Perrey's 'E.V.A.', also from 1970, in its melody and backbeat, where the Moog synthesizer of Perrey is replaced with a more orchestrated sound by Calmon. This track is magical, cinematic and breakbeat-laden with a hidden unknown exoticism.

Waldir Calmon had an active career in music working from the '50s right up until his passing in 1982. His career started early, forming his first ensemble at the age of fourteen, originally working in bands in nightclubs and writing jingles. He progressed in the early '50s to a long- running career working in television. In addition to his television work, he had success with his recording vocation, mixing in the same musical circles as greats such as Tom Jobi , Joao Gilberto and Doris Monteiro.

TRACK LISTING

Airport Love Theme
Afro Som

For number 84 in the Brazil 45 Series, Mr Bongo headed to the North of Brazil with these dancefloor monsters by Magalhaes and Os Panteras.

'Xango' by Magalhaes is taken from his 'E Sua Guitarra' album, from 1986, and originally released on Gravasom Records. A stunning, driving Lambada track with haunting vocals and a compelling gusto energy. It has been gaining popularity over recent years with DJs and is a sure-fire, get-out-of-jail dancefloor saver.

On the flip, we find another biggy from Os Panteras, 'Lambada Pauleira'. Also released on Gravasom Records, but a year later in 1987. It is best known for Joutro Mundo's fine re-edit of the track, but here we have it in its original form and with all its quirky brilliance. It is easy to see why, over the years, it has been a staple of some of Brazil's finest DJs' sets, such as Augusto Olivani (aka Trepanado).

TRACK LISTING

Magalhaes E Sua Guitarra - Xango
Os Panteras - Lambada Pauleira

A kingpin player of Miami's Cuban music scene, Ray Fernandez, brought together his 'court' for this sensational Afro-Cuban funk triumph. Largely a family affair, the album features his wife, two sons and a range of other talented musicians including Rickey Washington on saxophone, father of the contemporary jazz maestro Kamasi Washington. Originally released in 1973 on Manuel J. Mato 's iconic and collectible Sound Triangle Records, Ray & His Court is a dose of Miami heat fuelled by a Cuban fire, taking in salsa, soul, funk, calypsoand Afro-Cuban rhythms.

A kaleidoscopic album that draws influence from a range of different genres and scenes blended together in true Ray Fernandez style. Side A, showcases an array of traditional Latin workouts including the addictive enticing opener 'La Senorita Lola' and the pulsating 'Lo Sabia' with its punchy horns and Ray's wonderful, quirky bubbling organ groove. The tantalising 'Venimos Acabando' and bouncing organ stabs of 'El Alacran' are two further tickets to get a dancefloor vibing.

The B-side then steps things up, slipping a hit of heavy-weight Miami funk into the mix. Take the DJ favourite 'Cookie Crumbs' with its fiery bassline, tripped-out voiceovers and breakbeat drums. Or the amazing, memorable and truly unique funk instrumental 'Soul Freedom' with some mighty fine bass clarinet work courtesy of Gary Gottfried . Also featured is a seductive organ- led Cuban funk rework of Bobby Hebb's 'Sunny'(are there any bad versions of this song?), with a sumptuous female vocal that combine to serve up a seductive take us this muchloved classic.

'Ray And His Court' is a brilliant blend of Afro-Cuban gems and Miami funk heat from an influential group on Miami's Latin music scene. A majestic and magnetic classic where every track is a surefire winner.

TRACK LISTING

La Senorita Lola
Lo Sabia
Venimos Acabando
El Alacran
La Pena Pa'Goza
Cookie Crumbs
De Eso Nada Monada
Sunny
Soul Freedom

One of London's most loved underground parties, Tangent, celebrates its 10th birthday this year with a new compilation on Mr Bongo. Its residents, John Gomez and Nick the Record , have curated a selection of prized, rare and dancefloor-ready tracks that have soundtracked the past decade of their parties. Alongside remastered reissues of these original cuts, the CD version of the compilation also houses three incredible edits from Nick, John and Dan Tyler of the Idjut Boys. These were too good not to press onto vinyl, so we've given them the standalone 12"they deserve.

Contextualising their edits Nick states, "Tangent was not only the place for us to play the music we love the most, it also became the testing ground for our edits. It was really helpful being able to see the effect each of these had on a dancefloor before the records were released and many of them also became firm Tangent classics."

Up first, Nick is joined by Dan Tyler (Idjut Boys), who he runs the edit label Record Mission with, for a furiously feel-good re-edit of Leo Basel's 'Quelle Drole De Vie'. Basing their edit on the 1987 'Special Remix', it does what any great re-work does, dropping the sections from the original that don't quite hit the mark, whilst focussing on the gold in amongst it all. The result is a slice of peak-time, French boogie joy, that will warm even the coldest hearts.

John then joins Dan at the dials for a cosmic revamp of Love Isaacs 'Surprise Surprise'. A serving of '80s electro-funk, dripping in swagger with a highlife tinge. John and Dan extended the grooves for maximum dancefloor power, space echoing it into the stratosphere at all the juiciest points.

Lastly, Nick takes on Rick Asikpo and Afro Fusion 'Let's Get High' from the super sought- after 1980 album, Got To Be Me. Celestial, gospel- infused soul from Nigeria, Nick homes in on the energetic last 2 minutes of the original as the building block of his 12- minute edit . A completely reworked, feverishly paced creation, Nick switches the sections around, saving the slow, soulful segment for a brilliant cosmic breakdown before the track erupts back into its full flow. Synthesised, jazz-funk elation from start to finish!

TRACK LISTING

Leo Basel - Quelle Drole De Vie (Nick The Record & Dan Tyler Re- Edit)
Love Isaacs - Surprise Surprise (Joao Gomes & Dan Tyler Are Predictably Delayed Rework)
Rick Asikpo And Afro Fusion - Let's Get High (Nick The Record Re-Edit)

The seventh instalment of Mr Bongo's compilation series dedicated to sharing their latest musical discoveries and old favourites from the global stage.

Including a special track from SOYUZ, Asha Puthli and Sven Wonder recorded

"In this collection, we have curated new finds alongside old, treasured tracks that hold a special place in our hearts, selecting music inspiring us from the Brazilian, Latin, soul, disco, gospel, cosmic, dancehall and downtempo genres. We have chosen a diverse array of artists, including Os Panteras from Brazil, stomping underground disco by Claude Jay, the Danish soul sounds of Gitte & Inger and the gospel excellence of Truth & Devotion, to name a few.

Most of the selections in this volume are older vintage productions, however, there is one very special contemporary production, recorded exclusively for Mr Bongo Record Club 7. For 'Spring Has Sprung', we linked three of our cherished musical family together; the legendary cult artist Asha Puthli , the wonderous band SOYUZ and Swedish maestro Sven Wunder. The result, as you'd expect, is completely breathtaking.

Reflecting on Volume 7, it now feels like a record comprised of two themes. Firstly, we have gone quite heavy on the Brazilian selections . This saw us searching further afield and digging into other areas of the endlessly rich Brazilian musical tapestry. The refection of a more folk / Afro- Brazilian sound than presented in previous volumes in the series, can be heard in the songs of As Sublimes, Romeu Fernandes and Conjunto de Percussao Dora Pinto. The second theme is a representation of the tracks that we have been playing in our club DJ sets and are aimed more at the dancefloor. Disco tracks such as 'Come Inside' by The Shades of Love and The Duncans' 'Too Damn Hot' have been firmly tested favourites in recent years.

We hope these songs, by the sensational artists on display, inspire you as much as they do us. Music is the gift that keeps giving and there is so much more to learn, find, and share.exclusively for the compilation."

TRACK LISTING

CD Tracklist:
1. Dudu Moraes - Eloia
2. Yvette - Upa Neguinho
3. As Sublimes - Mangueira E Cancao
4. Os Panteras - O Espaco
5. Chico Evangelista - Frutas & Linguas
6. Roman Andren - Captain's Sword
7. Gitte & Inger - Ud Af Buret (Can't Hide Love)
8. Truth & Devotion - Bless My Soul
9. Judson Moore - Everybody Push And Pull
10. Willy Chirino - Africa
11. Chain Reaction - Search For Tomorrow
12. Claude Jay - Find Your Light
13. The Shades Of Love - Come Inside
14. The Duncans - Too Damn Hot
15. Thandi Zulu & The Young Five - Love Games
16. Tony Wilson - Hangin' Out In Space (Dub Mix)
17. JC Lodge - In Between The Sheets
18. SOYUZ Featuring Asha Puthli & Sven Wunder - Spring Has Sprung

LP Trackslist:
1. Dudu Moraes - Eloia
2. Yvette - Upa Neguinho
3. As Sublimes - Mangueira E Cancao
4. Os Panteras - O Espaco
5. Chico Evangelista - Frutas & Linguas
6. Roman Andren - Captain's Sword
7. Romeu Fernandes - Nago Nae
8. Conjunto De Percussao Dora Pinto - Noite De Temporal
9. Gitte & Inger - Ud Af Buret (Can't Hide Love)
10. Truth & Devotion - Bless My Soul
11. Judson Moore - Everybody Push And Pull
12. Willy Chirino - Africa
13. Chain Reaction - Search For Tomorrow
14. Claude Jay - Find Your Light
15. The Shades Of Love - Come Inside
16. The Duncans - Too Damn Hot
17. Thandi Zulu & The Young Five - Love Games
18. Tony Wilson - Hangin' Out In Space (Dub Mix)
19. JC Lodge - In Between The Sheets
20. SOYUZ Featuring Asha Puthli & Sven Wunder - Spring Has Sprung

The fertility of the Cuban music scene in the 1970s was rich and blooming.

FA-5's self-titled album from 1976 is a perfect example of the energy and vitality emanating from the country's musicians and marks the next release in Mr Bongo's Cuban Classics series. A unique musical fusion that encompasses Latin rock, funk, soul, disco and Afro- Cuban rhythms to form a diverse and alluring album.

The exquisite, funk- fuelled opener , 'Muevete Con Las Fuerzas Del Corazon', is maybe the most-known song on the album. It is a super catchy cut powered by a dynamite bassline, joy- filled horn playing and splashes of drum breaks that will ignite any dancefloor.

The record surfs through genres as it progresses. 'Di Tu Que Haras Sin Mi' and 'Paso Sin Mas' lean back with a West Latin rock / AOR flavour to their grooves. Elsewhere, the dreamy, cosmic, Balearic- tinged 'El Blue' and fuzzy funk- rock breaks of 'Pero Lo Cierto Es Que No Quise Mas' further show the breadth of styles at play on the LP. Another big highlight on the album is the Latin, discofunk sounds of 'Casa De Ladrillo', which morphs into a cover version of the Commodores 'Brick House' . The result is a superb alternative take on a muchloved classic.

Released on the state-owned Areito Records, the album was directed by Nestor Caballero , who arranged the songs alongside Aneiro Tano and Osvaldo Caraballoso . The prolific Tony Tano produced the album with the recording courtesy of Tony Lopez who worked with Juan Pablo Torres, Los Reyes 73, Grupo Los Yoyi, Raul Gomez and many other Cuban greats that we have featured in the Cuban Series.

A fabulous, under-the-radar classic, that will enrich any collection.

TRACK LISTING

Muevete Con Las Fuerzas Del Corazon
Di Tu Que Haras Sin Mi
Paso Sin Mas
El Blue
Casa De Ladrillo
Al Recordar No Dude
Salga Y Baile
Pero Lo Cierto Es Que No Quise Mas

"We can’t think of many artists that have had as diverse a career and who have been involved in as many different genres of music as Asha Puthli. A musical pioneer who forged a path through 60’s psych, free-jazz, pop, rock, disco, and more.

Asha’s 1976 album ‘The Devil Is Loose’ is maybe her most well-known record. Featuring the beautiful disco-funk-classic ‘Space Talk’, Asha’s ethereal soaring vocals take us on a journey that almost mirrors Asha’s eclectic career. The track was championed by a wide-range of musical scenes and movements, and over space and time it has been commandeered as their own.

Y ou would hear it played by David Mancuso at the now ‘mythical’ underground New York party ‘The Loft’, in the most discerning disco nightclubs across the globe, in the Rare Groove scene, and also being sampled by hip-hop heavyweights such as The Notorious B.I.G / P Diddy, and The Pharcyde. The appeal and lifespan of ‘Space Talk’ keeps on extending and morphing as new audiences gleefully discover it for the first time - it still sounds as relevant and fresh on the dancefloor today - a sign of a true classic.

Here at Mr Bongo we are thrilled to be releasing records by such an iconic musical maverick as Asha, from her roots in India to becoming a globe-trotting artist with a celebrated career in music and acting, whilst always staying true to her art. She has blazed a trail so that others could follow. Whether you are buying this album as a replacement for your worn-out original copy or it’s the first time you’ve heard of Asha Puthli and you’re just intrigued and drawn in by the cover, we hope you enjoy this quintessential slice of Asha’s world."

TRACK LISTING

Flying Fish
The Devil Is Loose
Hello Everyone
Wonder Why
My Buddy And Me
Say Yes
Space Talk
Our Love Is Making Me Sing
Good Night

Rio-born, Joyce Moreno, is one of the greatest Brazilian artists of all time The voice, the playing, the writing, they all combine to make her a true allrounder. She possesses the ability to transport, captivate and transcend listeners. With a career that has spanned more than 30 albums and over 50 years, she continues to record and tour the world.

'Aldeia de Ogum' is one of her most well- known songs . With a joyfully jazzy arrangement, building Latin percussion, Brazilian flute and tropical atmosphere, this full- bodied samba smash became an anthem amongst London's DJs and dancers in the Acid Jazz days. A favourite of Patrick Forge and Gilles Peterson, it was regularly spun at their legendary Dingwalls sessions.

Originally featured on her sought after Feminina LP from 1980, it also appears on our 'Essential' Joyce compilation from 1997. The original pressing of this Brazil 45 was the first time the track had been released on 7".

A fellow Rio native, Rosinha was a highly acclaimed composer, arranger and guitarist whoplayed with legends including Baden Powell , Sergio Mendes and Sivuca.

Here we present her stunning cover of the Gershwin classic, 'Summertime'. Rosinha's elegant, instrumental interpretation showcases her majestic guitar playing, and what a player she was! Backed with beautifully arranged, emotiondrenched strings, this track is guaranteed to stir your soul.

'Summertime' is taken from her 1975 RCA LP entitled Um Violao Em Primeiro Plano.The original pressing of this Brazil45 was the first timethe track had been released on 7".

TRACK LISTING

Joyce - Aldeia De Ogum
Rosinha Da Valencia - Summertime

In Mr Bongo's opinion, 'Imprevisto' is one of the most unmistakable Brazilian jazz records ever made.

Dramatic intro and hypnotic piano line, decorated with panned percussion before the hats come in. Then the upright bass. A true classic. Bossa Tres formed in 1961 in Rio. They spent most of their early years touring jazz clubs in the USA, before the original line up and their pianist (and perhaps most well-known band member) Luis Carlos Vinhas, returned to Brazil. This is the final track on their Em Forma! LP from 1965, released on Forma. The original pressing of this Brazil 45 was the first time 'Imprevisto' had been released on a 7".

We know very little about Ana Rosely. She released four 7" 2- track records between 1975 and 1984, the latter featuring the brilliant 'Skim Dum Dum Dum'. The original version was released by RGE Discos in 1984, which came as a surprise to usgiven the sound. It is very difficult to find an original copy in good condition and they are, as ever, increasing in price.

TRACK LISTING

Bossa Tres - Imprevisto
B.Ana Rosely - Skim Dum Dum Dum

Wilson Simonal and Trio Mocoto provide a double dose of Brazilian classics for this Brazil 45's 7 inch.First up, an infectious, samba-MPB hit from one of Brazil's most popular artists of the '60s and early '70s, Wilson Simonal.

Originally released on 7 inch by Odeon in 1967 and landing on Simonal's Alegria, Alegria !!! album in the same year, 'Nem Vem Que Nao Tem's fame had a new lease of life in 2002 when it was used as part of the soundtrack to the critically acclaimed film, 'City Of God'.

On the B side, one of Jorge Ben 's main backing bands and a group that was highly influential to his sound, Trio Mocoto. Alongside recording with Ben on the seminal Forca Bruta, Negro E Lindo and Tabua de Esmeralda LPs, they were also key figures in the development of the samba rock sound - a fusion of samba, soul and rock influenced by music from the USA.

First appearing on Trio Mocoto's self-titled 1977 Arlequim LP, 'Nao Adianta' is a dynamic orchestral-infused gem, laced with that sun-kissed, samba flavour.

TRACK LISTING

Nem Vem Que Nao Tem
Trio Mocoto - Nao Adianta

Mr Bongo's Brazil 45's series serves up another pair of Brazilian classics in the form of Rita Lee & Tutti Frutti 'Agora E Moda' and Pete Dunaway 'Supermarket'.

'Agora E Moda' is a psychedelic, disco- boogie- groove monster brought to our attention by Greg Caz and Sean Marquand aka Brazilian Beats Brooklyn . Originally released on Rita Lee's 1978 album Babilonia LP on Som Livre, this sublime track is drenched in squelching guitar licks, funk drums and sensuous cosmic vocal flavours.

Lee was the lead singer of Brazilian psychedelic rock band Os Mutantes and a hugely important figure in the Tropicalia movement . She sadly passed away in 2023 but her legacy well and truly lives on, loved both in and out of the music world.

On the flip side, Pete Dunaway's 'Supermarket' is a rare groove/AOR masterpiece with a killer bassline, swaggering guitar and luscious string section layered with a perfectly delivered English vocal.

Pete Dunaway, real name Otavio Cardosa was a singer, composer, arranger and multi- instrumentalist from Sao Paulo, who spent the majority of his time composing for TV themes and library instrumentals.

TRACK LISTING

Rita Lee & Tutti Frutti - Agora E Moda 
Pete Dunaway - Supermarket

Two classic cuts from Jorge Ben and Miriam Makeba take either side of this Mr Bongo Brazil 45 reissue.

'Xica Da Silva' is one of Jorge Ben's most well-known and well-loved cuts, housed on the legendary Africa Brazil LP that deserves a place in every collection. A magical MPB cut, it instantly transports you to the shores of Rio de Janeiro. With a low- slung funky samba flavour, Ben's absorbing vocal recounts the legend of one of Brazil's oldest black icons.

On the flip side, Miriam Makeba serves up an entrancing, slowed-down, groovedout version of 'Xica da Silva'. A highly influential singer, songwriter, and civil rights activist from South Africa, this low and slow interpretation is doused in strutting guitar, off-beat piano stabs and hypnotic drums providing the perfect platform to let Miriam's vocal shine through.

TRACK LISTING

Jorge Ben - Xica Da Salvi
Miriam Makeba - Xica Da Silva

Jorge Ben is a name that any lover of Brazilian music will be very familiar with.

He is widely regarded as the James Brown of Brazilian music and is famed for writing the Brazilian anthem 'Mas Que Nada'. For the duet 'Carolina, Carol Bela' he teamed up with the singer and guitarist Toquinho. Toquinhois best known for his collaborations, as composer and performer, with bossa nova poet Vinicius de Moraes.

'Carolina, Carol Bela' featured on the album Toquinho by Toquinho. It was originally released in 1970 on the small independent Brazilian label, RGE. The song was sampled by DJ Marky and XRS for their Drum & Bass track 'LK' (V Recordings, 2002). This went on to be a huge chart hit across the world, and a number one hit in the UK.

Joao Donato is a Brazilian jazz and bossa nova pianist. He has collaborated with many of the greats of Brazilian Music, including Tom Jobim, Astrud Gilberto and Gilberto Gil. He was one of the few Brazilian artists who went over to perform in the States during the bossa nova boom of the late 60's. The song 'A Ra' was originally released on his seminal albumQuem e quem, (EMI, 1973), an album that is full of great tracks andwas considered as one of the 100 best albums of all time by the Rolling Stone magazine.

TRACK LISTING

Jorge Ben & Toquinho - Carolina Carol Bela
Joao Donato - A Ra

Two 1980s Brazilian boogie bombs from Sandra de Sa and Equipe Radio Cidade get a remastered reissue as part of Mr Bongo Brazil 45's series

Sandra de Sa's 'Olhos Coloridos' is an '80s MPB/boogie jam, taken from her selftitled 1982 LP on RGE Brazil, that sits perfectly alongside the likes of Tim Maia, Marcos Valle, Robson Jorge and Lincoln Olivetti. No surprise then that Lincoln Olivetti and Robson Jorge feature on the track, backed by some of the members from Banda Black Rio . A joyous combination of funk basslines and dreamy Rhodes that marry with jubilant horns and Sa's incredible vocal tones.

On the B side, Equipe Radio Cidade 'Bons Tempo Sao Paulo (Good Times)' was originally released on a rare promo only 7 inch from 1980. Giving a Brazilian boogie makeover to Good Times by Chic / Rapper's Delight by Sugarhill Gang, the track is voiced by radio DJs from Sao Paulo wishing their listeners a Merry Christmas and Happy New Year.

This replayed version, heavy on the clavinet with a samba- infused, cuica- laced percussion breakdown, gives a true Brazilian spin on one of the most distinctive melodies out there.

TRACK LISTING

Sandra De Sa - Olhos Coloridos
Equipe Radio Cidade - Bons Tempo Sao Paulo (Good Times)

Continuing the Mr Bongo Cuban Classics Series, they shine a light on Los Reyes 73 and their sensational debut LP from 1975.

The album had multiple different pressings under various titles and artworks, but the music stayed the same and speaks for itself. The group set the bar high with this fiery Afro-Cuban-funk gem, letting loose a vibrant Latin workout combining psych rock trippiness with a heavy dose of deep funk . Elements that fuse to firmly cement this album as a '70s Cuban masterpiece and one of our favourites here at Mr Bongo HQ.

Releasing just two albums and a handful of 7- inch singles, the band were a popular and influential group in Cuba at the time. Since then, they have featured on several compilation albums across the 2000s that have helped raise their profile amongst new audiences worldwide.

Produced by the magical Raul Gomez, the album featured a list of heavyweight Cuban musicians. Directed by Santiago Reyes and Ovidio Guerra , with orchestration from greats including Ricardo Eddy Martinez who also released the much- loved album 'Expreso Ritmico' in 1978 alongside Ignacio Herrera, Mario Valdes and Gilberto Garcia. The album also features the writing prowess of Los Van Van's Miguel Angel Rasalps.

Blending traditional Cuban Son aesthetics with funk influences and psychedelic touches, the music housed within showcases a cosmic fusion that stands up on any modern dancefloor. The scintillating opener 'Grandes Amigos', the tripped out 'Adeoey' and the grooving 'Un Lamento Hecho Cancion' are just a handful of examples that exhibit the sheer musical melting pot of this album.

TRACK LISTING

Grandes Amigos
Ya Ves Te Quedaras
Necesito De Alguien Como Tu
Si, Llego La Primavera
Adeoey
Piensa Que No Has Cambiado
Finalizo Un Amor
Un Lamento Hecho Cancion
Si Llegara Alli
Baila Que Baila Mi Son

To celebrate 10 years of one of London’s most loved underground club nights, Tangent, Mr Bongo are thrilled to launch this new compilation series. Crafted by its two residents, John Gómez and Nick the Record, it aims to transmit a taste of Tangent’s spirit. A party rooted in inclusivity and open-mindedness, whose name captures the spontaneous switches in musical direction that are a defining element of their nights. For the compilation, the pair have cherry-picked a selection of their prized, rare and dancefloor-ready tracks from around the globe, that have soundtracked the past decade of parties.

Friends for close to 20 years, music lovers, record obsessives and internationally renowned DJs in their own right, John and Nick have two lifetimes worth of musical knowledge to draw from. John a long-standing NTS Radio resident and compiler for Music From Memory. Nick one of the UK’s go-to record dealers, resident DJ since the ‘90s at one of Japan’s pioneering parties, Life Force, and co-captain / co-edit-expert of Record Mission with Dan Tyler (Idjut Boys).

In 2014, the pair decided to bring some of Life Force’s grassroots principles to the UK, whilst channelling underground clubbing institution Plastic People’s meticulous attitude to sound. Tangent grew from being a small gathering of friends, to an established fixture in London’s nightlife, whilst always maintaining a strict no guest DJ policy. “As London’s clubs have become increasingly reliant on international guests, we wanted to emphasize the importance of a club night growing through its residents”, John and Nick reflect. With 10 years of the duo at the helm, an intimate connection between DJ and dancefloor has been built, allowing for freedom of expression on both sides of the decks.

Tangent reaches around the globe and across different eras to make connections that stimulate emotional reverberations in the unfamiliar. Where the blissfully Balearic ‘Laberinto’ by Miguel Perikás, goes hand-in-hand with the Cameroonian hip-house of King B.’s ‘Love is Crazy’. The thundering ‘Amek Amek’ by L'Innovateur Djoe Ahmed et le Zoukabyle, rubs shoulders with the soulful Caribbean-influenced touch of Champagn’s ‘Bel Ti Négress’. And Pellegrin El Kady’s afro-cosmic ‘Seiva de Carnaval’, crosses paths with Kajou’s Kompa disco anthem ‘Tet Chajé’.

Tangent’s longevity is in part down to it having always embraced contemporary sounds. The sub-rattling bass of Srirajah Sound System’s stunning Molam dub stepper ‘Si Phan Don Lovers Rock’ and the slow, woozy mantra of leftfield dancehall explorer Androo’s ‘Lyriso’, are two shining examples.

This compilation represents an ongoing dialogue between past and present, transporting listeners to the heart of a pure musical experience, where open minds and open hearts are eager to follow the tangent. 

STAFF COMMENTS

Matt says: Two of London's most decorated and respected music aficionados present a compilation of hits from their long running club night. Including plenty of new tweaks and twists by some well feted friends, as well as new tracks standing proud alongside the old, it's a brilliantly colourful and varied set which really paints a picture of this much celebrated London institution.

TRACK LISTING

1.  Srirajah Sound System - Si Phan Don Lovers Rock Feat. Molam Inteng Keawbuala
2.  PERIKAS - Laberinto
3.  Leo Basel - Quelle Drôle De Vie (Nick The Record & Dan Tyler Re-Edit)
4.  Mac Thornhill - No Way To Control It
5.  King B. - Love Is Crazy
6.  L'Innovateur Djoe Ahmed Et Le Zoukabyle - Amek Amek
7.  Champagn’ - Bel Ti Négress
8.  Androo - Lyriso
9.  Hidrogenesse - La Carta Era Muy Larga (Dub)
10.  Love Isaacs - Surprise Surprise (João Gomes & Dan Tyler Are Predictably Delayed Rework)
11.  Kajou - Tet Chajé 
12.  Conjunto Baluartes - Nira Gongo
13.  Land Shark - Tie Me Up (The Nas-T Version Instrumental)
14.  Rick Asikpo & Afro Fusion - Let’s Get High (Nick The Record Re-Edit)
15.  Pellegrin El Kady - Seiva De Carnaval
16.  Lee Jackson Band - Call On Me
17.  LTA (Love The Action) - What Comes To Ya?
18.  Urban Volcano Sounds - Ame No Uta (Rain Song) (Extended Version)

Ana Frango Eletrico's petit cult classic masterpiece 'Little Electric Chicken Heart' from 2019, which was only ever released on vinyl and CD in Brazil and Japan, has fast become a collector's item.

Well received by fans, DJs, and reviewers on release, the album's reputation has been slowly building ever since, gaining a Latin Grammy nomination in 2020, and now solidly cementing itself as a gem of contemporary Brazilian music.

Across the albums nine tracks, Ana blends elements and influences from MPB, Tropicalia, indie rock, punk and pop, forging them together with a sumptuous dose of their signature style. The finesse of 'Saudade' kicks off the LP, one of Ana's most known tracks to a non- Brazilian audience. A sublime opener, beginning with a spellbinding piano solo before transcending into a beautiful dream-laden slice of warmth, complete with luscious jazzy horns and deft vocal delivery. 'Promessa e previsoes' follows, the only track on the album not to be written by Ana, instead being penned by Chico Franca . It's a swelling and sweeping twilight groover, building and breaking across absorbing peaks.

Other highlights on the album include the anthemic 'Chocolate', which was a firm favourite with a packed sing- along crowd when we heard Ana perform it live. Elsewhere, 'Se No Cinema' hits with its quirky allure, charm and catchy melodies before transforming into a carnival spirit.

Tapping into the richness of Brazil's new wave of musical energy, the album also includes a heavyweight lineup of collaborations with artists such as Dora Morelenbaum (Bala Desejo), Tim Bernardes, Antonio Neves and Guilherme Lirio to name but a few.

A short, sweet and refreshing record, that leaves nothing to waste, marrying playful ideas with poignant themes. 'Little Electric Chicken Heart' is a future classic and will beguile fans of '70s Brazilian recordings, Gal Costa, Mac DeMarco, Stereolab, Superorganism, Caetano Veloso and more.

TRACK LISTING

Saudade
Promessa E Previsoes
Se No Cinema
Tem Certeza?
Chocolate
Vinheta
Torturadores
Devia Ter Ficado Menos
Caspa

Next up in Mr Bongo's Groove Merchant Records reissue series, sees an outing for a much-loved and heavily sampled funk/soul/blues album by Junior Parker

Originally issued under the title The Outside Man on Capitol Records in 1970 with an alternative cover, this reissue replicates the Groove Merchant release titled Love Ain't Nothin' But A Business Goin' On featuring the car cover released in 1971. The Mississippi- born, Memphis- based blues singer, harmonica player and songwriter Junior Parker (aka Little Junior Parker) had a stellar career in music. Since the early 1950s he released records on labels such as Duke, Mercury, United Artists Records and more. Sadly though, Parker died at the young age of 39 during surgery on November 18, 1971. Originally released under the alternate title a year before his untimely death, Love Ain't Nothin' But a Business Goin' On is drenched in Parker's trademark buttery vocals and soulful grooves, swaggering between smokey blues, raw funk outings and orchestrated soul ballads (with sublime arrangements by Horace Ott).

The album also features three Beatles cover versions in the form of 'Taxman', 'Lady Madonna' and 'Tomorrow Never Knows'. For 'Taxman', Parker completely reinterprets the song taking into a New Orleans funk realm, a sample of which was used as the main hook line on Cypress Hill's classic 'I Wanna Get High'. Elsewhere, 'Tomorrow Never Knows' is flipped into a tripped- out, psychedelic soul-swamp blues ballad, whilst 'Lady Madonna' is given a funky blues makeover.

As shown with Cypress Hill's use of 'Taxman', since the '70s Parker's legacy has been immortalised for future generations through the deep well of samples that his music has become a source of. Tracks from Love Ain't Nothin' But a Business Goin' On have been sampled by some of the biggest names out there, such as A Tribe Called Quest, DJ Shadow and De La Soul.

A seriously smooth album oozing with soul and emotion from a Blues Hall of Fame inductee, Junior Parker's Love Ain't Nothin' But A Business Goin' On is a superb example of the early '70s crossover funk/soul sound.

TRACK LISTING

Love Ain't Nothing But A Business Goin' On
The Outside Man
Darling Depend On Me
Taxman
Rivers Invitation
I Wonder Where Our Love Has Gone
Just To Hold My Hand
You Know I Love You
Lady Madonna
Tomorrow Never Knows

Announcing the debut album from one of London's most electrifying acts

An 18-piece Afro-Cuban big band, inspired by the musical melting pot of NYC in the 1950s, but with the punch and power of a whole host of London's best Latin and jazz musicians . Blowing new life into these compositions, the album is a reimagining of some of the finest music from that golden era. From early 1950s Rene Hernandez and Tito Puente, through to the 1970s salsa of Rafael Labasta and Orlando Marin, produced and performed with fresh fire.

NRO is the brainchild of its artistic director, and the man behind Total Refreshment Centre and Church of Sound , Lex Blondin . Through a long- held passion for jazz, Lex discovered the explosive Afro-Cuban rhythms of mid-1940s NYC via the godfather of Afro-Cuban jazz, Mario Bauza. A time when two musical worlds collided in a fusion of creativity and energy, jazz luminaries like Dizzy Gillespie and Charlie Parker joining forces with Cuban greats like Machito and Chano Pozo. This vibrant sound was music to dance to and found a home at The New York Palladium, a formative space of freedom and expression that was key to the scene's development.

Although dance- focussed in their makeup, those early recordings are not often heard in modern club environments and Lex dreamt of retelling their story with a contemporary dynamism . A slice of serendipity followed, as a slot at a new festival opened up and Lex jumped at the chance to make this idea a reality, an 18-piece big band breathing new life into these beloved songs.

Enlisting the expertise of some of the capital's finest talent, Lex and co-captain Andy Wood , of Como No fame, put together a world- class line- up of talent. Bringing in Eliane Correa as musical director and bandleader, a fluid and interchanging 18-piece band was formed.

This pure collective joy, shared experience and music you can't help but move to.

TRACK LISTING

Pregon
Sambaroco
Mambo Herd
Fiesta Time
Para Los Papines
Sahib & Tito
Scarlet Mambo Hour
Papa Boco
Labasta Llego
Mambo Rama (Lex Blondin Rework)
Mango Walk
Harlem Jamboree

Wonderful record of tripped- out rumbas, psych- Afro- Latin funk and quirky orchestrated tracks with a big band horn section courtesy of Torres' band, Algo Nuevo.

As well as being the director of Algo Nuevo and Cuban all-star ensemble Estrellas De Areito , the trombonist, bandleader, arranger and producer also released a wealth of albums under his own name predominately on the state-owned imprint Areito/EGREM.

Post- revolution, there was a contrast in Cuba's musical world. State censorship was at play, but professional musicians were on the government payroll which gave them an artistic freedom. Experimentation emanated in the '70s and '80s and Super Son is a prime example of that. 'Y Que Bien' kicks off the album taking you down a tripped- out, cosmic rabbithole , psych guitars and skat vocals opening up into a joyful funk groove laced with jazzy Afro- Cuban horns stabs. Tracks such as 'Pastel En Descarga' seem to come out of nowhere and are completely unique . Fuzzed- up guitar lines and percussion lay the groundwork, with those jubilant horns adding to the energy of this forever building track.

Elsewhere, there's the '70s TV theme-tune feeling of 'Con Aji Guaguao', a playful funk number that boils and bubbles with blistering trombone playing by Torres. Or 'Son A Propulsion' and 'Son Riendo', two more brilliant examples of psychedelic funk, wrapped up in a blanket of Afro-Cuban rhythms. The former sweeping you up in rushes of wind as trumpets, trombones and distorted guitars trade off, the latter, an intergalactic fiesta of tradition and exploration.

Super Son is up there as one of the funkiest Cuban records around , a playful fusion of ideas from a producer, player and group on fine form and, for us, one of our favourite gems to come out of Cuba in this period. A sheer masterpiece.

TRACK LISTING

Y Que Bien
Rico Melao
Pastel En Descarga
A Luna Llena
Con Aji Guaguao
Son A Propulsion
Si No Fuera Por Emiliana
Ey!...Op.1
Son Riendo
Super Son

Released on Cuba's state- owned Areito imprint , Algo Nuevo showcases trombonist, bandleader, arranger and producer Juan Pablo Torres' unique scope of sound. A melting pot of an album that weaves together jazz- funk and traditional Afro- Cuban genres with tripped- out synth touches and dancefloor grooves.

The opener 'Pan Caliente' is a fiery celebration, combining a driving groove with Latin percussion, feverish horns and infectious "la- la- la" vocals. The wild, squelching cosmic synthlines give an otherworldly touch to proceedings that sit nicely on a modern dancefloor. 'Guajira 2001' is perhaps Juan's future-focussed take on the vibrant style of Cuban dance- led music called guajira . Blistering bongos, congas and claves moving together with trumpets, trombones and twanging acoustic guitars that you can't help but bounce to.

Other highlights include, 'Cacao', a Cuban cosmic funk strutter that places the claves upfront, with a scatting vocal line and percussive climax reminiscent of George Kranz electronic disco anthem 'Din Daa Daa' from 1983. Elsewhere, 'Elvira' further showcases the psychedelic essence of many of the album's tracks. A deep Latin workout where tasty percussive breaks and scorching keys blend with trippy vocals and rumbling synths.

A varied album encompassing a variety of Afro- Cuban genres and rhythms entwined with flashes of mind-bending cosmic influence. Algo Nuevo is a further jewel in Cuba's musical crown of riches, with plenty of dancefloor treats and downtempo numbers held within.

TRACK LISTING

Pan Caliente
Son De Caramelo Para Ti
Guajira 2001
Cacao
Tatagua
Rumba De Cajon Op 1
Mangle
Elvira
Mayajigua
Asi Son Con El Son

For the next reissue in Mr Bongo's Cuban Classics series, we look to Raul Gomez's entrancing 1977 Instrumental album.

Presenting a unique blend of orchestral disco and jazz- funk , with Afro- Cuban flavours and soundtrack influences , it's rich with drum breaks, energy and evolving compositions. A record that forever keeps you guessing, powered by an exemplary orchestra at the top of their game.

Cuban composer and singer Raul Gomez is most known for featuring in the groups Mirtha Y Raul and Los Bucaneros alongside producing the Cuban classic Los Reyes 73 album, amongst a whole host of other incredible productions over the years. Released on Cuba's state-owned label Areito, Instrumental sees Gomez not only as an instrumentalist and author, but also as a producer and arranger.

It's an album that deftly evades pigeonholing. Floating between instrumental mood music and library/soundtrack mastery, followed by explosions of cosmic- Latin funk, psych guitar workouts and compositions that reflect the orchestrated disco coming out of the US at the time, from greats such as Love Unlimited or MFSB. Lace that together with a healthy serving of Afro-Cuban magic to underpin the tracks and it's a recipe for a record that captivates from start to finish.

Predominantly an instrumental album as the title suggests, the record showcases the Orquesta EGREM in full flow, soaring strings and vibrant horns at every turn. Highlights include 'Mi Samba Carnaval' with its breathtaking drum break, bubbling synths and sublime arrangements and the romantic film music impressions of 'Tema De La Sierra', that have been a sampling source for many a producer. Elsewhere, '6 Son' is a mind- melding psych guitar powerhouse, with 'Dacapo', written by Gilberto Peralta, offering up a slice of atmospheric and energetic Latin shuffle. One of only a handful of tracks where scat vocals compliment the orchestral tones, a Brazilian percussion theme marries with dancefloor sensibilities for a dose of feel-good, brilliance.

A wide- ranging, multi- dimensional release, Instrumental exhibits musicianship, composition and creativity at its finest and demonstrates another key example of the rich output of music that flowed from the island of Cuba post revolution.

TRACK LISTING

Preludio De Un Amor
Tema De La Sierra
Dacapo
Marinero Quiero Ser
Anatomia De Un Problema
Mi Samba Carnaval
Poema En La Playa
6 Son
El Sonido De La Montan\u0303a
Un Paseo A La Playa

Mr Bongo proudly presents the debut album from Tasmania-born, Melbourne-based, Finn Rees.

Gliding across a swirling palette of saturated hues, Dawn Is A Melody feels vintage yet vibrant, new but familiar at the same time. A spiritual, deep and textured jazz record, tipping its hat to greats from the past, capturing memories and reformulating them into new ideas with the help of some of Melbourne's finest talent.

Expert keys player for the likes of 30/70 and Elle Shimada, alongside one-half of Close Counters, this debut LP was Finn's conscious departure from the realm of groove-based jazz. Instead, Dawn Is A Melody places the piano and arrangements centre stage, giving Finn and his fellow Melbourne crew freedom to explore the spaces in between, new emotions and alternate soundscapes.

The album arcs between opening, middle and end. Beginning with the optimism of 'Looking Up' and 'Lagoon', the former a celestial, string and harp marbled slice of positivity, the latter a spiritual journey of exuberance and hope, Finn's fingers dancing across the '70s Yamaha grand piano . From there the songs blossom outwards with the cinematic soulful journey of 'It's Behind Me Now' and Brazilianinspired 'Expansion', as the divine 'Crossing' signals a transition to a new realm. The energy is transformed from the rich cosmic textures to a more intimate and personal feeling with 'Ablaze', 'Between Spaces' and 'As It Passes' which blissfully fades down to simply piano and strings to close out the record.

Recorded at Rolling Stock in Collingwood, Melbourne, Henry Jenkins was drafted in as recording and mix engineer, his minimal vintage mic setups giving a live aesthetic and warmth to the arrangements. Lucky Pereira and Blakely McLean Davies form the rock- solid rhythm section, with a hand- picked line- up of other Melbourne talent on display, including Cheryl Durongpitikul on tenor sax, Siwei Wong on harp, Audrey Powne on trumpet and Allysha Joy on vocals to name only a few.

Plotting a course from Alice Coltrane, through Herbie Hancock, to Arthur Verocai, this is a debut nourished by the past but firmly made in the present. A record unable to be age-stamped, casting ambiguity as to when, what era and by whom it has been crafted. Like a vintage lens capturing a current scene, Dawn Is A Melody is warm and familiar yet focused on the here now.

For fans of Alice Coltrane, Herbie Hancock and Arthur Verocai.

STAFF COMMENTS

Barry says: Moving tastefully between frenetic lounge jazz and shimmering spiritual business, offering many a moment of sublime weirdness amongst the richly orchestral backdrop, and resulting in a varied but hugely satisfying end result.

TRACK LISTING

Looking Up
Lagoon
Horizons
It's Behind Me Now
Expansion
End Of The Line
Crossing
Ablaze
Between Spaces
As It Passes

Dripping with groove and swagger, this album skates between jazz-funk, cosmic disco radiance, beat-laden slow-jams and conscious psychedelic soul. Having played with the likes of George Benson and Lou Donaldson in the '60s, alongside releasing a string of albums on Columbia and Blue Note, 'Funk Reaction' sees Smith move into late '70s disco-funk-tinged territory.

Originally released on Sonny Lester's Groove Merchant Records successor, Lester Radio Corporation, the album feels more like a collaborative band orientated project as opposed to a solo artist outing. Featuring some elite session players of the time, including Steve Gadd on drums, guitarist Lance Quinn and bassist Bob Babbitt , the album is tied together expertly by songwriter, arranger and conductor Brad Baker.

It's worth the price tag alone for the superb disco-funk nugget 'Funk Reaction'. Other highlights include the only Lonnie Smith penned track on the album 'All In My Mind', that shines with a beautiful Stevie Wonder-esque quality and the slick guitar- led floater 'When The Night Is Right', written by and featuring guitarist Richie Hohenburger. Elsewhere, 'For The Love Of It' and the Brad Babbitt written 'Babbitt's Other Song' serve up classic jazz funk favours, both featuring stellar tenor saxophone from Eddie Daniels.

As a whole, the album is a superb example of Lonnie Smith's ability to merge jazz with elements of funk, soul, disco and beyond, experimenting with ideas whilst broadening the scope of both his audience and appeal. Fans of The Blackbyrds, the CTI / Kudu stable and '70s George Benson will dig this!

TRACK LISTING

1. Funk Reaction
2. For The Love Of It
3. Babbitt's Other Song
4. It's Changed
5. When The Night Is Right
6. All In My Mind

Last year whilst DJing with miche at Shapes festival in the snow- capped mountains of Switzerland, a breathtaking yet ominous Alpine sky suddenly became a picture postcard moment. The clouds parted and a double rainbow formed, as miche dropped Studio Rio's bossa nova remake of Bill Withers' all-time classic 'Lovely Day'. From there, the dancefloor shifted gears and morphed into full- swing feel- good vibes, in a beautiful, spontaneous moment nobody could have planned for.

Mr Bongo now proudly presents a reissue of this brilliant, bossa-channelling Bill Withers reinterpretation from Studio Rio's 2014 release 'The Brazil Connection'. Masterminded by the German Grammy award- winning Berman Brothers , the project was born out of their deep love of Brazilian music. "Our goal was to bring the Brazilian joie de vivre to iconic performances by well- known artists. What would these classic songs sound like had they been recorded in the studios of Rio de Janeiro in the first place, with the best Brazilian musicians and arrangers?" the brothers reflect.

Capturing the life force of Brazil, the beating heart that is its music, they set out to find the musicians who would fit best with their concept. Landing in Rio in 2013 a series of coincidences led to them being introduced to their idols Marcos Valle and Roberto Menescal, who both agreed to come on board. The Berman Brothers also wanted to find some of the musicians who recorded with one of Brazil's most influential composers Tom Jobim. "Fifty years after Jobim made the music that really defines bossa nova, we found that many of his sidemen were still active, including Paulo Braga of Jobim's famed rhythm section. It was magic; everything just fell into place."

There's no question that the original of 'Lovely Day' is up there as one of the most feel-good, spirit-lifting anthems of all time. Here the brothers, with the help of a whole host of Brazil's finest musicians, rework Bill's soul- fuelled groove into a bossa nova slice of sunshine. With the blessing of Bill and Sony, they were given access to the original multitracks so they could incorporate Bill's vocals perfectly into the new arrangement.

Joy-injected horns and bouncing double bass blend with the smile- inducing samba flavour of Pretinho da Serrinha's cavaquinho playing. Tying it all together Torcuato Marinao who worked with the likes of Gal Costa, Gilberto Gil and Caetano Veloso, completes the line-up as arranger of the songs. The perfect end-of-the-night track, mood lifter or soul warmer, remakes don't get much better than this.

TRACK LISTING

Bill Withers & Studio Rio - Lovely Day (Studio Rio Version)
Bill Withers & Studio Rio - Lovely Day (Studio Rio Instrumental Version)

If 2022's The Children Of Scorpio was the debut album that turned people onto the world of Project Gemini aka Paul Osborne, Colours & Light is the body of work that will be buried deep into their hearts.

It is a majestic album, bringing together the worlds of folk rock, psych soundtracks and hazy cinematic funk.

A growing confidence and ease emanate from the writing and production of this sophomore LP, bolstered by the reception to his standout debut. "It's a more layered and diverse record" Paul mentions, "with a more outward-looking, global sound, born out of the records I was listening to and the musicians I was lucky enough to collaborate with". It feels relaxed yet self-assured, with a kaleidoscope of sounds that twist together in a mesmerising fashion.

The theme of the album developed naturally through the lyrics Paul began writing. A creative process both plagued and fed by insomnia, nourished by relationships, entwined in emotions, nights out, nights in and the after-effects on the human condition. Relatable themes yet seen through the prism of a soundscape that takes in many a different culture and scene. From acid folk to psych-funk, Francophile elements to Anatolian and Eastern inspirations, all interlocking and rotating as one.

Drawing inspiration from those he admires, Colours & Light radiates with collaborations. The title track, which tips its hat to a live 1973 TV version of Pentangle's 'Wedding Dress', features the folk rock, guitar brilliance of Jack Sharp from Wolf People/Large Plants.

Elsewhere, two tracks are blessed by the sultry, smokey French vocals of Gloria's Wendy Martinez, 'Extra Nuit' and 'Entre chien et loup'. The former echoes Paul's love of classic French psych-pop from the late '60s and early '70s and artists such as Laurance Vanay, Calcium, Leonie, and Serge Gainsbourg. Martinez's sublime vocal work nestles perfectly within Paul's psych-folk-funk productions, as her Gloria partner, Alexis Morel (aka Kid Victrola) sprinkles a dose of entrancing guitar line magic on proceedings.

The list of collaborations extends further with Raz and Markey Funk, drummer Tony Coote and percussionist Paul Elliott all featuring. Regular collaborator and underground icon Barrie Cadogan (Little Barrie) returns along with Bert Page from The Cromagnon Band, who between them provide a hit of whacked-out, fuzzed-up country guitar and Moog madness respectively on 'Lost In The Woods (Bacchanal)'.

Rounding off the record Paul's daughter, Olivia Osborne, supplies the keyboard intro on the penultimate track 'Twilight'. Dorian Conway from The Soundcarriers (whose bandmate Paul Isherwood returns on mixing duties) then layers echoing heavy flute parts to magically capture the psychedelic sunrise images brought to mind. Balancing light and shade on this record, there is beauty and tension all wrapped up in Paul's vivid and visceral, storytelling gift. A majestic album, bringing together the worlds of folk rock, psych soundtracks and hazy cinematic funk. The follow up to 2022's critically acclaimed debut album, The Children Of Scorpio.

TRACK LISTING

1. The Sun Devil Prelude
2. Colours & Light
3. Extra Nuit
4. The Last Midnight
5. Lost In The Woods (Paranoia)
6. The Sun Devil
7. Entre Chien Et Loup
8. Lost In The Woods (Bacchanal)
9. Seven Seconds To Sunrise
10. After The Dawn
11. Twilight
12. The Sun Devil Coda

Originally released in 1975, this much- loved album was produced by Groove Merchant label owner Sonny Lester and features the mysterious 'Compliments Of A Friend' on guitar. Considering Smith was part of George Benson's quartet in the '60s, that not so discreet veil appears to have been lifted on who this 'friend' might be. However, presumably due to contractual reasons, Benson had to remain covert for this recording. The lineup doesn't stop there though, with the likes of legendary bassist Ron Carter and Grammy award winning saxophonist Joe Lavano joining the outfit.

An album of two parts, the first side sees Lonnie Smith in a spaced-out, cosmic jazz funk setting. The opener 'Afrodesia' is a funk flexing, steamy groover. Greg Hopkins and Lavano trading off on trumpet and sax respectively, as that bassline walks its way over futtering jazz percussion and off- kilter electronics. 'Spirits Free' is an epic 15-minute free-wheeling jazz-funk workout. A mind melting trip that rises and falls, in parts spacey and serene, with Smith's organ playing complimented by stretched out horns. Before long it opens out into unconstrained fluid sections that do its title proud. Pure '70s jazz-funk at its most stellar.

Side B takes a more classic soul-jazz favour, with touches of Latin spice. 'Straight To The Point' kicks off with a carnival zing, full- frontal horn and organ lines providing a fiery party punch. It's a swinging jazz cut that used to receive spins by DJs at Russ Dewbury's Jazz Room's sessions in Brighton in the '90s.

Finally, 'Favors' and 'The Awakening' close out the release. Two sure shot, quintessential Lonnie Smith firing Hammond grooves. Each conjuring up images of packed out, smokey jazz bar jams, every player letting loose with masterful improv sections to whip the crowd up into a frenzy.

A truly wonderful album, and an archetypal release showcasing the height of Jazz musician excellence from this era.

TRACK LISTING

1. Afro-Desia
2. Spirits Free
3. Straight To The Point
4. Favors
5. The Awakening

The second in the Mr Bongo series opening the vault on classic recordings from the fabled Groove Merchant Records catalogue This time the spotlight turns to the Hammond B3 organ maestro Lonnie Smith, as Mr Bongo proudly present a reissue of his cosmic jazz-funk journey, 'Afro-Desia'.

Originally released in 1975, this much- loved album was produced by Groove Merchant label owner Sonny Lester and features the mysterious 'Compliments Of A Friend' on guitar. Considering Smith was part of George Benson's quartet in the '60s, that not so discreet veil appears to have been lifted on who this 'friend' might be. However, presumably due to contractual reasons, Benson had to remain covert for this recording. The lineup doesn't stop there though, with the likes of legendary bassist Ron Carter and Grammy award winning saxophonist Joe Lavano joining the outft.

An album of two parts, the frst side sees Lonnie Smith in a spaced-out, cosmic jazz funk setting. The opener 'Afrodesia' is a funk fexing, steamy groover. Greg Hopkins and Lavano trading off on trumpet and sax respectively, as that bassline walks its way over futtering jazz percussion and off- kilter electronics. 'Spirits Free' is an epic 15-minute free-wheeling jazz-funk workout. A mind melting trip that rises and falls, in parts spacey and serene, with Smith's organ playing complimented by stretched out horns. Before long it opens out into unconstrained fuid sections that do its title proud. Pure '70s jazz-funk at its most stellar.

Side B takes a more classic soul-jazz favour, with touches of Latin spice. 'Straight To The Point' kicks off with a carnival zing, full- frontal horn and organ lines providing a fery party punch. It's a swinging jazz cut that used to receive spins by DJs at Russ Dewbury's Jazz Room's sessions in Brighton in the '90s.

Finally, 'Favors' and 'The Awakening' close out the release. Two sure shot, quintessential Lonnie Smith fring Hammond grooves. Each conjuring up images of packed out, smokey jazz bar jams, every player letting loose with masterful improv sections to whip the crowd up into a frenzy. A truly wonderful album, and an archetypal release showcasing the height of jazz musician excellence from this era.

TRACK LISTING

Afro- Desia
Spirits Free
Straight To The Point
Favors
The Awakening

For the third release in our Mr Bongo Cuban Classics series, we reissue the iconic 1974 debut album by the mighty Grupo Irakere. Led by Chucho Valdes, son of Cuban pianist and bandleader Bebo Valdes, the band would go on to become of the most influential and successful groups emanating from Cuba in this period. Their debut 'Teatro Amadeo Roldan Recital' is an in-demand and incredible Afro-Cuban, jazz-funk masterpiece originally landing on Cuba's state-owned imprint, Areito.

One of the jewels of the album is the beast of an opener, 'Bacalao Con Pan'. A heavy dancefloor Latin-funk burner, with ripping Wah-Wah guitar, a blistering mix of Latin percussive elements and horns firing on all cylinders. It's a song which builds and breaks with an energy and power that still lights up the dance to this very day.

The album is a varied bag of tricks, traversing moods, styles and genres whilst melding traditional rhythms with more contemporary mindsets. Take the delectable downtempo ballad 'Danza Naniga' or 'Valle Picadura' that starts on a similar tip, before erupting into a horn heavy heater. Move through to find 'Taka Taka Ta' where Afro-Cuban jazz, call and response vocals and brain-busting organs marry in steamy unison.

Elsewhere, continuing this melting pot of musical influences, the prog/psychedelic rock leaning 'Quindiambo', expertly combines traditional Latin music with psych rock in a similar way to Santana. 'Misaluba' is another highlight, a cover version of a song by the British-Italian based group Cyan, written by Mario & Giosy Capuano, making it their own with this tripped-out, percussion-rich makeover.

As debuts go, Grupo Irakere's 'Teatro Amadeo Roldan Recital' is about as good as it gets and gives a snapshot of Cuba in the mid '70s, with a band that were destined for big things.

TRACK LISTING

Side 1
1. Bacalao Con Pan
2. Danza Naniga
3. Valle Picadura
4. Taka Taka Ta

Side 2
1. La Verdad
2. Luisa
3. Quindiambo
4. Misaluba

Mr Bongo reissue series exploring the incredible back catalogue of Sonny Lester's iconic Groove Merchant record label. First up, the spellbinding funk-fuelled, soul jazz album 'Simba', by guitar maestro O'Donel Levy.

Baltimore-born, Levy was already well regarded as one of the best up-and-coming jazz guitarists at the time of Simba's release. Having toured with George Benson and Jimmy McGriff, as well as featuring on McGriff's Black Pearl album on Blue Note, he went on to sign with Sonny Lester's Groove Merchant. Produced by Lester himself and recorded over two back-to-back days of sessions in 1973, Simba features a who's who of '70s session players. The album features the legendary studio drummer Steve Gadd, Cecil Bridgewater on Flugelhorn, bass by Tony Levin and arrangements by Manny Albam.

A masterclass in tight yet effortlessly funk-driven rhythms, the tracks showcase these musicians at their zenith. Album opener 'Bad, Bad, Simba' wouldn't have been out of place on a Lalo Schifrin '70s car chase soundtrack. Levy's playing is brilliant, bright and slick, with an infectiously exuberant energy that is complimented perfectly by Gadd's supreme drumming. 'Playhouse' serves up another vibrant offering, Wah Wah guitars, horns and flutes duelling it out in a fast-paced fashion.

The cinematic thread continues throughout, yet with the tempo taken down a notch. 'Sierra Lonely' and 'Sad, Sad, Simba' head into lush ballad territory, with superb arrangements by Albam and beautiful playing by Collins and Bridgewater on Flugelhorn. Here Levy shines without taking any limelight, as the players synergize to a relaxed perfection. 'Nigerian Knights' closes the album flawlessly, showcasing once more Levy's understated yet magnetic flow on the guitar.

Every track on 'Simba' is a winner. As with CTI Recordings of the same era, the feel and textures of Sonny Lester's productions have that pre-emptive, hip-hop aesthetic, which later producers would rework and reimagine. This album is expertly balanced, deftly arranged and magically executed, ebbing and flowing with a cool buoyancy that just grooves and grooves.

TRACK LISTING

1. Bad, Bad, Simba
2. Kilimanjaro Cookout
3. Playhouse
4. Sierra Lonely
5. Sad, Sad, Simba
6. Joni
7. Nigerian Knights

For this offering, originally released in 1972 on Toshiba Records, Akira Ishikawa takes us on a deep tripped- out journey. 'Uganda (Dawn of Rock)' is a fusion of progressive and psych rock with African percussion workouts, dergy- wah wah blues-funk, and jazzy sensibilities; with different genres morphing and uniting as they progress.A long way from his funk and afrobeat album 'Back To Rhythm', reissued on Mr Bongo in 2019, this record has a darker, deeper, abstract and experimental stoned tone with the listener being pulled into its vortex for the ride. This record doesn't pull any punches.

For this album, Akira is joined by Hideaki Chihara on bass, guitarist Kimio Mizutani, sounding at times like an early 70s Peter Green, percussionist Larry Sunaga and composer Takeru Muraoka.

The album has become highly sought- after amongst psych, prog and acid rock collectors and due to the rare nature of original copies they come at a hefty price tag.

We are delighted to present an officially licensed re- issue of this underground Japanese rock rarity.

TRACK LISTING

1. Wanyamana Mapambazuko
2. Na Tu Penda Sana
3. Vita
4. Pygmy

For the second instalment in our Cuban Classics series, we proudly present this sought-after slice of sublime Afro-Cuban jazz from 1976. It comes courtesy of one of Cuba's most influential acts, Grupo Irakere. Foundedin 1973 by Chucho Valdes (son of the Cuban pianist and bandleader Bebo Valdes) the group was home to many of Cuba's finest musicians over the years. With an electrifying style and sound, they mixed traditional Cuban music with jazz, funk, and rock.

This self-titled album includes the much-loved, dancefloor heavy-hitter 'Chequere-Son', a Latin- jazzfunk masterpiece with Cubanized bebop- flavoured horn lines, lush keys, and '70s hip swagger.

Though 'Chequere- Son' is the keystone of the record, the album is laced with brilliance at every turn, from the Carlos Santanaesque channelling 'Iya' with its percussive Latin power, to the sultry, slick and passionate '38 1/2'. Elsewhere, the absorbing, ever- building energy of 'Juana 1600' and steamy vocal dancer 'Xiomara' are also highlights of this incredible album.

Pressed on Cuba's state led Areito Records, the album was well received internationally, garnering distribution in Finland on Love Records, in Italy on Phase 6 Super Stereo, and also in the Dominican Republic, Mexico and Venezuela. A cherished Afro-Cuban triumph, this album has been crying out for a reissue and we're delighted to make that happen.

TRACK LISTING

1. Chequere- Son
2. 38 1/2
3. En Nosotros
4. Juana 1600
5. Moja El Pan
6. Este Camino Largo
7. Xiomara
8. Iya

This Brazilian library funk beauty is the soundtrack to Carlos Imperial's 1975 film of the same title. Echoing European soundtrack maestros such as Roy Budd and Ennio Morricone, but with a Brazilian swagger, Ze Rodrix's score is a sublime gem that needs rediscovery.

Rich in 70's soundtrack cool, the score is packed with orchestrated jazz, chase scene- funk, breaks, psychedelic freakouts and plenty of drama. The loose and quirky break- beat jazz- funk of 'Assalto' feels almost tailor- made for today's hiphop production aesthetic. The opening drum break of 'Esconderijo' is a sampler's dream and has already been reinterpreted by the Turkish Rapper Anil Piyanci, as well as Brazil's DJ Caique.

Carlos Imperial wrote liner notes and was an actor, filmmaker, television presenter, and media figure. His film 'O Esquadrao da Morte' is a violent heist movie starring Beto Bandeira, Claire Chevalier, and Baby Conceicao; in the vein of exploitation films and gritty, raw B- Movie cinema of the day. Both the film and album share striking, macabre artwork by artist Benicio. The instrumentalist, arranger, and singer- songwriter Ze Rodrix has worked with the cream of Brazilian music, having written songs covered by the greats, including Quarteto Em Cy, Ronald Mesquita, Elis Regina, Karma, and Celia, to name just a few. His written arrangements have graced the music of Luli Lucinha E O Bando and Helio Matheus. He was a member of the iconic group Som Imaginario and played piano and synthesizer on Secos & Molhado's classic 1973 album.

Mr. Bongo are super pleased to make this dusty treasure available again. It is a wonderful soundtrack score that more than holds its own with its European and American counterparts of the era.

TRACK LISTING

1. Esquadrao Da Morte
2. Um Homem E Um Homem E Um Homem 
3. Chorinho Pro Tio
4. Tema De Amor
5. Bolero De Mangaratiba
6. Motoqueiros 
7. Mundo!
8. Assalto
9. Esconderijo
10. Rhumba

A fusion of traditional Latin and Afro-Cuban rhythms meets disco, jazz, and funk, with hints of 70s soundtrack productions, this much- loved cult album featuring nine predominantly instrumental tracks is a real treasure that deserves a much wider appreciation. One look at the trippy artwork and you know it is going to be special.

Originally released in 1977 on Areito Records, a sub-label of the state-owned label Egrem, it has become one of the rarest (even in Cuba) and most in- demand albums to come from the label. It is the sole album from Grupo Los Yoyi and was composed, orchestrated, and produced by the mysterious, Jorge Soler Leo.

After Castro ring-fenced Cuba with an embargo on, among other things, Western music, the 'Yoyi' album had a sound more left of centre than what was normally allowed to be recorded there at the time. It subtly and covertly flirts with disco, jazz-funk, and electronic sounds coming from the US and Europe. It is probably best known for the space funk, bubbly club cut 'Paco La Calle'. A track that was edited in 2008 by the fantastic DJ / producer, Nick the Record, and one that is guaranteed to set a discerning dancefloor alight. However, 'Yoyi' is far from a onetrack album. Other highlights include, 'Banana', with its call and response trombone and horn section, squelchy keys, pulsating breaks and percussion, and a loose, floating vocal arrangement. 'Tu No Me Puedes Conquistar' is a beautiful, bouncing plodder with a variety of instruments interchanging as the track progresses. 'Ruta 30' takes things in a straighter Latin direction, which we are accustomed to from Cuba at that time, yet it is still full of personality, treats and vigour. Take our word for it, this album is strong throughout.

This is one of our favourites and most beloved albums to come out of Cuba and is the perfect flagship for our Cuban Classics Series. Look out for plenty more to come real soon.

TRACK LISTING

Minas 'Num Dia Azul' is a sublime slice of private press bossa nova meets jazzy MPB perfection.

Warm and bubbling with youthful spirit, the music is simultaneously loose in swagger, yet slick and tight. The album was originally released in 1983 and reflects the great music coming out of Rio at the time, yet 'Num Dia Azul' wasn't recorded in Rio, but actually in the USA.

Recorded in North Carolina just after Patricia and Orlando Haddad had graduated from the North Carolina School of the Arts, the record was only released for the Brazilian market on their own Blueazul Records imprint. As with most private press labels, they could only afford to have it pressed in small quantities. To add to its later obscurity, hundreds of copies were also destroyed in a house fire. They say cream always rises to the top, and fast forward to the 2010s, the word amongst collectors and DJs was spreading about this mythical under-the-radar recording. People from across the globe were contacting Patricia and Orlando for more information, hoping to secure themselves a copy. Luckily the original tapes had remained with the artists and were in great condition, so in 2016 the pair ran a successful Kickstarter campaign to have it remastered and repressed.

For this Mr Bongo 2023 re-issue, we have tried to keep it as close to the original 1983 version as possible, both in the packaging and audio presentation. The CD version comes with bonus tracks. We are super proud to keep Patricia and Orlando's serene recordings in the circulation that they deserve to be. One for fans of Brazilian artists such as Burnier & Cartier, Edu Lobo and Joyce. We are sure those fans will lose themselves in the alluring textures of 'Num Dia Azul'.

Lush, private press bossa nova & jazzy MPB from 1983.

For fans of Burnier & Cartier and Joyce. Audio.

TRACK LISTING

Num Dia Azul
Sinal Verde
So Danco Samba
Calma Mulher
Cancao Da Chuva
Samba Walk
Choro Sambaiao
Ipanema (1981)
Samba Walk (1981)

With two critically acclaimed albums and a swathe of award-winning production turns under their belt, Ana Frango Eletrico present their most confident and accomplished work to date: "Me Chama De Gato Que Eu Sou Sua / Call Me They That I'm Yours"

Gesturing to a tradition of Brazilian boogie music, but bouncing with modern pop ebullience, the album sees the Rio artist evolve from a captivating upstart into a surefooted scene leader in full stride.

At just 25, the prolific artist and producer has already garnered worldwide admirers. Ana's sophomore "Little Electric Chicken Heart" was nominated at the 2020 Latin Grammys. Since then, standalone singles have received the WME Best Music Producer Award, recognising Ana's deep passion for music production - a passion which has led to collaborations with nascent Brazilian stars Dora Morelenbaum, Illy and Sophia Chablau. Most recently, Ana was hailed for their co-production of Bala Desejo's 2022 Latin Grammy-winning album "Sim Sim Sim".

The new album finds Ana at their most assured and full voiced. Album opener "Electric Fish", with funky bass and shimmering backing vocals, sets a buoyant tone. "Boy of Stranger Things" is its bombastic counterpart. It's the grooviest Ana has ever sounded. And the most brazen. Lyrically, where Ana was once oblique on personal matters, they are now forthright - lucidly exploring their gender identity, citing accessible cultural references, and often singing in English.

'I started this album in 2021 with the intention of showing, in means of sound, understandings and feelings about queer love, subjectively exposing myself,' the non- binary artist states - before qualifying that though 'feeling was its driving force, the album is really about musical production.'

'There's so many references to different decades,' Ana explains. 'Seventies drums with eighties processing ... Going back, getting beyond ... Testing the limits of organic sounds'. Characteristically playful, on Me Chama, Ana takes vivid and rewarding detours through funk-inflected R&B ("Dela") and art pop ("Dr. Sabe Tudo"). "Nuvem Vermelha" is a cinematic chanson with lush strings that recalls Arthur Verocai. Then, "Coisa Maluca" loafs with the indie insouciance of Canadian slacker Mac Demarco. Later, "Let's Go Before Again", is a full-on drum machine workout evocative of Stereolab.

TRACK LISTING

Electric Fish
Dela
Nuvem Vermelha
Coisa Maluca
Boy Of Stranger Things
Camleo Azul
Insista Em Mim
Let's Go To Before Again
Debaixo Do Pano
Dr. Sabe Tudo

The Brazilian composer, pianist and producer, Mario Castro Neves and his group, Samba S A's self-titled album from 1967 is oozing with class.

It possesses that archetypal 60's bossa nova, jazz, samba sound. We'd place it up there with Sergio Mendes at his finest, Tambo Trio or Milton Banana. It's a breezy ride that touches on easy listening at times, but it holds it together with a cool swagger. Biba and Thais Do Amaral's vocals are on point, with a relaxed delivery that compliments the tracks with the sublime beauty a la vocal groups such as Quarteto Em Cy, who Biba also sang with, as well as with Antonio Adolfo's e A Brazuca. Also appearing on the record is bassist extraordinaire, Novelli who worked with Milton Nascimento, Nelson Angelo E Joyce, Airto, and many of the greats of Brazilian music of the time.

The album has long been a favourite with DJs and collectors over the years, with songs selected for compilations by Gilles Peterson and Nicola Conte. One of the centrepieces of the album, 'Candomble', has been sampled by Cut Chemist on his track 'Povo De Santo'. The song 'Nana' is punchy and light with dancefloor- jazz appeal. The gloriously catchy 'Vem Balancar' is a brilliant bossa shuffler. A superb listen throughout, the album sticks to a framework but delivers in spades.

Though released on the major- label RCA Victor, original copies are elusive, sought-after items with a price tag to match. For this reissue, we have opted for the Mono master, mirroring the original 1967 Brazilian pressing. Instantly familiar, the album has a welcoming feeling of nostalgia and is something that stays with you from the first listen.

A sublime bossa nova and samba rarity from 1967.

Includes 'Candomble', as sampled by Cut Chemist.

For fans of early Sergio Mendes and Quarteto em Cy.

TRACK LISTING

Candomble
Yearning Lovers
Nana
De Brincadeira
Bye Bye Blackbird
E Nada Mais
Keep Talking
Vem Balancar
Once More
Morte De Um Deus De Sal
Ta Por Fora
Corcovado

Compiling the follow-up to a very successful first album is always a tricky task, but just 12 months since the release of volume one in the 'With Love' series, miche has excelled himself once again with another glorious, deep dive into the world of rare soul0

15 tracks of independently released music, created by magnificent artists with stories to tell and primed for rediscovery.

The ambition to celebrate under-the-radar artists has remained, but instead of a facsimile of volume one, what we have here is a selection shaped by life changes. Volume two is for the dancers; still soulful, still ultra- rare and slept- on records from the USA, Chile, Brazil and beyond, but the dynamics of the collection have shifted slightly. It represents a move from being immersed in a week in week out environment of beautiful, soulful music in a cosy, dimly lit hi- fi bar to playing livelier, more energetic, dancefloor-focused music in nightclubs. This volume will get you on your feet, make you move and unleash whatever it is that makes you get down.

One of the jewels in the crown of this compilation is a joyous, anthemic gospel version of Stevie Wonder's 'As' by The Family Tree (a project produced by the fantastic Julius Brockington). We are also treated to a rare and sought- after Pennsylvanian funk / AOR bomb by Maxwell, a stunning modern soul tune 'High On You' by Freedom, and self-released Brazilian 45s by Banda 22 and Ze Da Lata. P.J. City's 'Straight Forward (Non- Stop)' is gospel- disco perfection, and we also have 'Dame Solamente Amor', a sublime, soul beauty from Chile by Rogers Mitchell. Many of these artists featured in this compilation aren't household names, but they deserve their moment to shine, to be heard, loved and appreciated for their artistry.

As miche says it, "I hope this compilation helps in some way to keep this glorious music alive and play a part in connecting generations of music lovers from the worldwide soul family. As always, it has been made 'With Love'."

A connoisseur's selection of lost and rare modern soul, disco gospel, boogie, jazzy AOR, and Brazilian gems.

TRACK LISTING

Billy Boomer - I Like What She's Doing
P.J. City - Straight Forward (Non-Stop)
Maxwell - Realize
Cecil Lyde - I'll Make It On My Own
Mixed Generation Enterprize - Take To The Sky
Mark Meadows - You And Me
Alice Cohen & Fun City - Save The Best 'Til Last
Banda 22 - A Luz Que Brilha Meu Viver
Ze Da Lata - Misterio Brilhante
Rogers Mitchell - Dame Solamente Amor
The Eleventh Commandment - Then I Reach Satisfaction
Billy Boomer - You Can't Hide
Freedom - High On You
The Lost Family - Blow My Mind
The Family Tree - As 

Singer-songwriter Dora Morelenbaum is one of the stunning voices at the forefront of Brazil's exciting new musical wave Her sublime 'Vento De Beirada' EP takes you on a trip into the sensuous sounds of Dora's world. On first hearing her music, we were reminded of the transformational moment when we first discovered the Brazilian singersongwriter, Joyce. The music is completely new to you, yet instantly familiar, like rediscovering a past love.

Dora is a member of the Brazilian Latin-Grammy-winning superstar quartet Bala Desejo; a trailblazing light opening up Brazilian music to a whole new audience outside of the country. 'Vento De Beirada' EP showcases a different sound to the riotous, joyful, avant-garde Tropicalia sound of Bala Desejo. This solo set takes a more dream- like, downbeat, MPB stance. It is firmly contemporary, yet you can also trace the lines of influence back to idols such as Gal Costa and Maria Bethania.

The EP is comprised of four tracks that have already garnered critical acclaim following their digital release. It starts with the tender and gentle 'Japao', which was inspired by the melodies of the legendary Japanese composer, Ryuichi Sakamoto. Sakamoto once collaborated with Dora's musician parents, Paula and Jaques Morelenbaum, when she was young. 'Do a Do' is drenched in lush, sweeping strings that were arranged by her father himself, and is co- written by Dora and Tom Veloso of the band, Donica. There's further collaboration on the EP, including production from one of the lynchpins and stars of the current Rio scene, Ana Frango Eletrico. Fellow Bala Desejo band member, Lucas Nunes, contributes towards the production, writing, and guitar with Guilherme Lirio also on production, guitar, and bass. Whilst Bala Desejo's Ze Ibarra penned the song 'Vento De Beirada' with Lucasand Victor Vasconcellos. The four- track EP has been cut to 12" and mastered for vinyl by Joker (Liam McLean). With crystalline beauty and a breezy sense of ease and serenity, sounding classic yet contemporary. This release serves as the perfect introduction to an extraordinary talent.

The sublime solo EP from a member of the Latin-Grammy award winning superstar quartet, Bala Desejo.

Taking us on a sensuous ride into the world of one Brazil's most exciting new voices.

For fans of Gal Costa, Joyce, Maria Bethania.

TRACK LISTING

Japao
Vento De Beirada
Avermelhar
Do A Do

Daniel Ogren is one of the key artists in Sweden's contemporary, underground music scene. He has already accrued quite the back catalogue, both as a member of the sensational quartet Dina Ogon and also as a solo artist with eight albums already under his belt.

'Fastingen-92' was originally released as a limited-edition vinyl pressing in 2020 on the independent label Sing A Song Fighter Records (the same label that first introduced us to Dina Ogon's music). The album came to our attention after hearing Daniels' solo band performing live at the Stockholm Jazz Club, Fasching. The band featured Love Orsan and Christopher Cantillo of Dina Ogon fame (who also records with the incredible Sven Wunder), and their sensational genrebusting set blew us away. It convinced us that this now out-of-print album needed to reach a wider audience.

'Fastingen-92' doesn't sit in one genre, it draws from Daniels's love of South American folk music, soul, Nordic folk music and film soundtracks, resulting in something unique, dreamlike and transformational.

It features 'Idag', an epic, beautiful, cinematic song that introduces the ethereal vocalist Anna Ahnlund. 'Idag' has gained a cult following and Daniel has stated that it was the spark that started the Dina Ogon project. Tracks like 'Annalena' and 'Kristinehamn by Night (for Christopher)' sound like a new club sound that hasn't yet been invented (which Nicola Cruz would spin in his DJ sets), mysterious, hypnotic, and engaging. Other songs like 'Maj (for Tintin)' and 'Picasso' venture into blissed- out Scando- Balearic realms. Daniel's love of nature and the inspiration he draws from the geographic environment of the Swedish countryside can be felt in these tracks, they take you to other places and times and are simultaneously familiar, ancient and alien.

Alongside the collaborations with Anna and Christoper, the album features Josefin Runsteen playing the drums on 'Idag' and Swedish musicians Edvin Nahlin and Ulrik Ordin. The majority of the album was played, recorded and mixed by Daniel. For the Mr Bongo edition, we have added the bonus track 'April' which was previously only available digitally. 'Fastingen - 92' is a truly remarkable record that gets into your soul, so please delve in!

TRACK LISTING

Annalena
Hjalmarsfjorden
Idag
Kristinehamn By Night (for Christopher)
Maj (For Tintin)
Picasso
Levi
Oktober (For Lo)
April

In partnership with London-based DJ and digger, Miche, the series will feature his latest discoveries, as well as choice cuts, taken from his 'With Love' compilations. For the inaugural offering, we take a trip to hazy San Francisco, California, in 1977. Smoke, Inc. were an emerging band in the Greater San Francisco Bay area and a regular fixture in the buzzing live music scene. They had a strong following and were in rotation in most of the Bay area clubs, as well as opening for numerous prestigious acts such as Sly & The Family Stone, Taj Mahal, The Pointer Sisters and Toots and The Maytals. Members of the group worked with Jimi Hendrix, Stevie Wonder, Frank Zappa, Martha Reeves & The Vandellas, and many others considered the cream of the crop of the music world.

Smoke, Inc. featured Roy Schmall on keyboards and vocals, Stan Terry on lead vocals and harmonica, Michael 'Ollie' Schotka, on bass and vocals, Keith Stafford on drums and vocals, and Archie Williams Jr on guitar. They went on to release one 12" EP and two 7" singles. One of those 7's included 'Waitin' For Love'. It was first released in 1977 and came out on the band's own self-titled imprint. It has gone on to become their rarest and most sought-after recording, now fetching up to an astonishing GBP2,500 on Discogs. It is a breezy, feel- good, modern/ crossover soul beauty, with an infectious sing-along chorus, floaty flute solo, and packed with pure, uplifting dancefloor energy. The B-side features a cover version of the Holland Dozier & Holland- penned classic 'It's the Same Old Song', made famous by the Four Tops.

Miche enthuses, "I included this gem on my first 'With Love' compilation and knew that it deserved its own dedicated reissue complete with original artwork. I'm delighted to get the chance to make that happen for this incredible, soulful AOR glide from a band that is well due another round of appreciation. It's very rare, and consequently very expensive, so here it is for you all to spin and add to your record collections."

46 years since its original release, it is our privilege to help Roy and the gang's light shine once again and let a whole new audience relish the beautiful sounds of 'Waitin' For Love'.

TRACK LISTING

Waitin' For Love
It's The Same Old Song

"Curating and ordering the tracks for a Mr Bongo Record Club is always special You're reminded of the feelings you had when sitting at home with a cassette player on pause trying to compile the perfect mixtape to impress the latest object of your affection, or that friend with whom you share a musical kinship and spark off each other's latest discoveries. Hearing old tracks for the first time or diving into the most upfront selections keeps the fires burning and passions alight.

Here, for volume six, we present recent finds and treasured classics from Brazil, Sweden, the USA, South Africa, Portugal, Japan, Trinidad and Tobago, and Canada. We have included selections by the Brazilian rising star Dora Morelenbaum as well as from heritage-Brazilian musicians and vocalists Hareton Salvanini, Copa 7, and Mirna. There's also the wonderful Brazilian- not- Brazilian take of 'Ye Me Le' by Hazel Scott And The Braza Brasil, plus sublime gospel from the New York Community Choir. We've picked disco and soul rarities by General Lee and Ash Soul, Inc., and for the first time on vinyl, an incredible psych- pop song by the illustrious Matthew Tavares. There are cuts from some of our favourite contemporary Swedish musicians, Sven Wunder and Dina Ogon too."

TRACK LISTING

Dora Morelenbaum - Japao
New York Community Choir - I'll Keep My Light In My Window (12" Mix)
General Lee - Pleasure
The Drive - Africa Bossa
Chiemi Eri - Okosa-Bushi
Manny Corchado And His Orchestra - Pow-Wow
Sven Wunder - Easy Going
Dina Ogon - Bakom Glaset
Vee Gees - Talkin
Mave & Dave - Do You Really Want My Love
Hazel Scott And The Braza Brasil - Ye-Me-Le
Ines Soares - Um Amor Para Toda A Vida
Hareton Salvanini - Estrada
Copa 7 - Copa Sete No Samba
Mirna - A Volta
Dina Ogon - Tombola 94
Unknown Artists - I Do You Love
Ash Soul, Inc. - I Do Love You
Ponderosa Twins Plus One - Bound
Matty - Blood
Shira Small - Eternal Life

A pianist, songwriter, producer, and vocalist from New York he is a mystical figure for record collectors, one of those artists where if you found an old dusty record with Don's name on it, you'd buy it on sight. He is best known for his 1982 magnum-opus, the eponymous album that featured the all-time classics 'Heart's Desire' and 'Holding You, Loving You'. He also collaborated with other greats such as Bernard Wright, Weldon Irvine, Roy Ayers, and Lenny White.

We couldn't believe it when Chicago DJ/ digger/ producer, Marc Davis, told us there was a vault of unreleased Don Blackman material. Marc had reached out to Don's children, Irene and Kyle, in 2019, building a relationship with Kyle with whom he shared a musical affinity. To Marc's delight, Kyle confirmed that there was indeed a treasure trove. As Kyle described it, "In 2013, shortly after my dad's passing, my sister and I collected all of his possessions and put them in a storage unit. I came across forty years' worth of music history. Hundreds of cassettes, CDs, Disks, reel- to- reels, paperwork, photos and VHS tapes. It took about ten years to organise and digitise everything. All of this magic was almost thrown away in the trash, never to be seen, never to be heard forever."

Two tracks were selected, 'Your Love Makes Me Crazy' and 'Say You'll Be Mine'. 'Your Love Makes Me Crazy' is as funky as it gets, with infectiously catchy vocal hooks, and a serious jam, whereas 'Say You'll Be Mine' is a classy, soulful boogie, instrumental number, that shows off Don's masterful piano playing. Both tracks warrant full attention and capture a master at work. He was also a one-man show when it came to production, playing all of the instruments when recording these tunes in his home studio in South Jamaica, Queens.

On first hearing the tracks, Marc knew he wanted to extend the songs and enlisted fellow Chicago legend, Tone B. Nimble, to work on the project with him. Their extension/ edit of the songs was conducted in a way that was respectful and true to how the tracks were originally recorded by Don. They extended and resequenced the groovy parts of the songs organically for the DJs and dancers.

The final words on this release are best coming from Kyle, "We are very excited and thrilled to continue to share all of this unreleased magic with the world. We hope that this music will help, heal, and inspire a new generation of artists to never give up, and to strive for what their hearts desire."

TRACK LISTING

Say You'll Be Mine
Your Love Makes Me Crazy

We are proud to present the Mr Bongo pressing of Guilherme Coutinho E O Grupo Stalo's self-titled mythical album.

Blending lo- fi, Brazilian tropicalia, jazz, funk and MPB with a unique aroma, this record is pure perfection.It was originally released in 1978 on Erla - Estudio Rauland, an obscure record label from Belém in Brazil, that only released 7" singles, with this album being one of two exceptions. During the 1970s, Belém had a thriving nightclub scene, but it is thousands of miles away from the music industry hubs of Rio de Janeiro and São Paulo, making this record insanely difficult to find, even in Brazil. Added to the scarcity factor is the magical nature of the recording, which has naturally resulted in a hefty price tag to match. Original copies have become a prized, collector's item.

The elusive Brazilian band leader and keyboard player, Guilherme Coutinho is a true cult artist. He passed away in 1983, at the age of just 41, and during his career he only seems to have appeared on a handful of marvellous records, which makes them all the more special. This album feels individualistic and distinctive from other albums of the day. Listening back to vocalist Elinho's (aka Hélio Rubens de Oliveira) delivery, it sounds not too dissimilar to some of Belle & Sebastian's songs. 'Guilherme Coutinho E O Grupo Stalo' is rich in charm, quirky and playful. It feels cinematic, soothing and benefits from being heard in its entirety. A proper album experience.

A mythical album from 1978, blending Lo-Fi Brazilian tropicalia, jazz, funk and MPB to unique perfection.

A prized, collector's item.

TRACK LISTING

Atalaia
As Feras
Foicera
Rio Corrente
Macareu
Fuga
Flauta de Bambu
Tema Pro Alvarito

É Soul Cultura Vol. 1 seemed to land at exactly the right moment. Post-lockdown, optimism was back on the rise and the dance floors swelled again. For many listeners, Manchester based DJ Luke Una's intriguingly woven pattern of new, old, rare and under-discovered music from around the world became the soundtrack to rejuvenated positivity. Piccadilly Records (that's us!) made the release their top compilation of the year, with Rough Trade placing it as their number two. The enthusiasm from the industry was mirrored by record buyers and demonstrated that in the right hands, moving through genres, tempos and decades can make perfect musical sense.

This second volume gives another opportunity for Luke to share his journey of the past four decades of staying up late and getting transcendental whilst listening to holy grail music as the city slept. It at times ventures into the deeper, spiritual, soulful, downtempo, experimental aspects of his tastes. From the conscious, street soul fusion gospel of Veronica Mickie's 'Lost Children', to an excursion into Swiss, psych, progressive rock in the form of Pyranha, then onto the classic Indian music-inspired electronic workout of Andi Otto's 'Bangalore Whispers'. Luke hints at his softer side in Avis; a sweet, obscure cover version of Minnie Riperton's 'Baby, This Love I Have', as well as championing local heroes in the shape of Manchester's Yargo and their driving, obscure, proto-house belter, 'Marimba'. There's also Japanese, electronic, slo-mo heaviness from 1979, courtesy of Bach Revolution. House music is integral to the É Soul sound and is represented by Nav Aktah's deep remix of Mr Scruff, and then there's Isis 'In Essense'; a track of such majestic brilliance that it has never left Luke's record bag.

The selection is eclectic, global, and plucked from different times and spaces. In theory, perhaps they shouldn't work together, but there is a mysterious link that makes them gel as a whole. That's what Luke does best. He creates a sort of musical alchemy, unifying the diverse.

STAFF COMMENTS

Barry says: There's a reason Luke's first compilation was such a massive hit in the shop, and Volume 2 takes all of the afterparty energy of the first and stretches the outer limits of the sound field into more spiritual, off-piste excursions. Perfectly collated, researched and presented.

TRACK LISTING

Real Thing - Children Of The Ghetto
Avis - Baby, This Love I Have 
Veronica Mickie - Lost Children
Rare Silk - Storm (Arp Duppy Chip Mix)
LFO - Shove Piggy Shove
Bach Revolution - D.E 108
Andi Otto - Bangalore Whispers (feat. MD Pallavi)
Unnayanaa & Irfan Rainy Feat Ibtisam - Taht Min Aini (Alberghina Remx)*
Michael De Albuquerque - We May Be Cattle But We All Got Names
Pyranha - Clepsydre
Yargo - Marimba
Okyerema Asante & Black Fire - Play A Sweet Rhythm On Them Drums (feat. Plunky)
Mr. Scruff Feat. Nke - Giffin (Taken Re-edit Speechless Dub Mix)
Isis - In Essense
Frank Hatchett - Malibu Nites

* Vinyl Only Track.

A band who are at the forefront of Rio de Janeiro's artistic renaissance, they channel influences of Brazilian 60s Tropicália, 70s psychedelia and MPB to create a nostalgic, yet joyfully, avant-garde sound. The band is comprised of four distinct characters, each one an incredible talent in their own right and each with impressive credentials in the Brazilian Independent music scene. Central to the resurgent Rio de Janeiro musical community, the quartet of Dora Morelenbaum, Julia Mestre, Lucas Nunes and Zé Ibarra thrive in a group dynamic. They formed Bala Desejo to play collaboratively for a festival date in 2021, but when that show became a victim of pandemic shutdowns the idea for an album project materialised.

'Sim Sim Sim', which translates into English as 'Yes Yes Yes', weaves through a fusion of genres, taking twists and turns as it progresses. There is Tropicália, MPB, rock, samba-canção soul-funk and reggae in the mix. It possesses many of the qualities of a classic album from Brazilian music's golden era of the 60s and 70s, but also manages to sound very now, which is not an easy task to pull off. As solo musicians, they have worked and collaborated with Brazilian icons Gal Costa, Caetano Veloso and Milton Nascimento to name but a few. Bala Desejo feels like a natural extension of what came before, taking the baton from these luminaries, adding their unique spin and moving the sound forward. When we first heard Bala Desejo, we were blown away. Their epic theatrical live shows leave audiences stunned and they are the band we had always been hoping to find. A modern- day Novos Baianos or Mutantes, but definitely not an imitation. They celebrate their influences, but are an innovative group, and consequently, they have created one of the finest records to come out of Brazil in recent years. A truly sensational debut!

TRACK LISTING

1. Embala Pra Viagem
2. Baile De Mascaras (Recarnaval)
3. Lua Comanche
4. Clama Floresta
5. Dourado Dourado
6. Nana Del Caballo Grande
7. Nesse Sofa
8. Lambe Lambe
9. Passarinha
10. Sim Sim Sim
11. Muito So
12. Cronografia (O Peixe)

Jorge Ben is surely one of the world's greatest all-round musical artists He is internationally renowned and vastly influential as a vocalist, musician, performer and phenomenal songwriter. Famed for penning 'Taj Mahal', which was the source for Rod Stewart's 'Do You Think I'm Sexy?', and also 'Mas Que Nada', one of Brazil's most iconic anthems, Jorge Ben is a powerful musical force. A simple glance at his impressive back catalogue reveals a master of his craft, with a depth and quality that is seldom paralleled. For 'Tudo Ben' we take a side-step, focusing on Jorge Ben's songs that have been performed by other artists. Complied by Mr Bongo, Greg Caz and Sean Marquand, this collection features the Brazilian legends Elza Soares, Claudette Soares, and Wilson Simonal, alongside prodigious artists such as Marijô, Os Brazoes, and Doris Monteiro to name but a few. The selection covers a wide range of genres including samba, bossa nova, MPB and batacuda workouts. Many of the songs featured have become staples in Mr Bongo DJ sets over the years and are some of our most loved classics. As with many of history's great songwriters, Jorge Ben's songs transcend genres and styles, they can be covered and reinterpreted, yet the quality of the writing holds up to the standard of the original. In the dark days of the mid to late 2000s when the end of vinyl seemed inevitable, Mr Bongo released 'Tudo Ben' on CD only. Years later, they finally get to put this right and present it for the first time on vinyl with alternative artwork by Mr Krum.

TRACK LISTING

Tracks: Salinas - Tenha Fé, Pois Amanhã Um Lindo Dia Vai Nascer
Elza Soares - Pulo, Pulo
Sonia Santos - Speed
Osmar Milito - Rita Jeep
Wilson Simonal - Zazueira
Osmar Milito - Quem Mandou
Doris Monteiro - Se Você
Quiser Mas Sem Bronquear
Wilson Simonal - Que Pena
Osmar Milito - Morre O Burro, Fica O Homem
Os Originais Do Samba - Lá Vem Salgueiro
Os Brazões - Carolina, Carol Bela
Wilson Simonal - Crioula
Claudette Soares - Eles Querem É Amar
Os Incríveis - Vendedor De Bananas
Wilson Simonal - Brasil, Eu Fico
Cyro Aguiar - Rei Do Maracatu
Wilson Simonal - Resposta
Elza Soares - Mas Que Nada
Wilson Simonal - País Tropical
Os Originais Do Samba - Cadê Tereza
Marijô - Fio Maravilha
Os Originais Do Samba - Tenha Fé, Pois Amanhã Um Lindo Dia Vai Nascer
Os Brazões - Que Maravilha
Os Mutreteiros Grilados - Cosa Nostra
Os Originais Do Samba - Falador Passa Mal

Originally released under the title 'Samba Esporte Fino', its release and
subsequent international acclaim dovetailed with Seu Jorge's ascent into movie stardom. He is probably best known outside of Brazil for his work on Wes Anderson's 2004 flm 'The Life Aquatic with Steve Zissou', in which he played a starring role and his Portuguese covers of David Bowie records were a highlight of the soundtrack. Having initially found fame thanks to his standout performance as Knockout Ned in the revered movie 'City of God'. 'Carolina' would cement his global fame and launch an illustrious musical career that has earnt him a Grammy nomination. Co-produced by Mario Caldatto of Beastie Boys and Planet Hemp fame, the album presented a vibrant, contemporary combination of samba and funk, backed by guitar, bass, drums, percussion, and horns. It kicks off with one of Seu's most loved tracks 'Carolina', an anthemic feel-good classic with timeless energy, ending in a sing-along crescendo. Other highlights included the Brazilian- Funk of 'Mangueira' reminiscent in places of Tim Maia with its 80s inspired vibe, and the catchy jazzy-samba of 'Tu Queria' which always ignites the dance foor.

The enticing and exotic samba 'Redondo Sambao' is pure Brazilian fire. With beautiful female vocal-group arrangements, floating flutes and vibrating rhythms, this song oozes charm. Its only downside being that it is over far too soon. Originally released in 1967 on a compact 7" on the Som Maior imprint, to our knowledge, the group sadly only had a couple of releases. 'Brasileiro' is taken from Jorginho Telles' self- titled 1971 album and also featured on a 7", both released on Copacabana Records. The track switches between a hoarse male vocal crooner and a rough and raw psych-guitar, RnB dancer: totally magic!

TRACK LISTING

1. As Meninas - Redondo Sambao
2. Jorginho Telles - Brasileiro

Rubinho E Mauro Assumpção's 'Perfeitamente, Justamente Quando
Cheguei' has to be up there as one of the fnest Brazilian-psych-folk-MPB
records we know. Unfortunately, it's very hard to fnd in the wild; even on digging trips to Brazil, an original copy rarely shows up, and when it does, it comes with a hefty price tag.

This highly sought- after rarity was released on the Brazilian label Tapecar
Records in 1972 and is the one and only album by the sensational pairing of
Rubinho and Mauro Assumpção. Effortlessly blending folk, MPB, funky- psych, rock, and relaxed, swaggering samba, this record ought to be heralded as a true Brazilian classic. However, maybe due to its scarcity and the previous reissue predominantly being only available to the Brazilian market, it has not had a chance to fully shine and fnd the wider audience it deserves.

Through our reissuewe hope to put things right. Fans of records by Milton Nascimento and Lô Borges are sure to enjoy the same magic and allure in 'Perfeitamente, Justamente Quando Cheguei'.

In addition to being the album's songwriters, Mauro Assumpção took on the role of producer and Rubinho was co- producer as well as playing piano, organ, acoustic guitar and performing vocals. The record features the drummer Gegê who worked with Milton Nascimento, Edu Lobo, Nana Caymmi, Dom Um Romão and more. It also features guitarist Rick Ferreira, who played with Erasmo Carlos, Gal Costa and other greats. Rounding off the players on the album are Darcy Da Cruz and Formiga who have graced many a fne recording on horns. 'Perfeitamente, Justamente Quando Cheguei' is a truly stunning work that washes over you with beauty. Delve in and savour.
Brazilian-psych-folk-MPB at its finest - this highly sought-after rarity from 1972 is the one and only album by the sensational pairing of Rubinho and Mauro
Assumpção. A true Brazilian classic.

TRACK LISTING

1. A Montanha
2. Bloco Da Visao
3. Os Olhos
4. Sozinho Nao Estou
5. Dobra A Esquina Para Ver O Sol
6. Debandada Geral
7. Quero Companheira
8. Voce Falou
9. Quale A Sua
10. Pe Na Estrada
11. Ta Tudo Ai
12. No Mundo Da Lua
13. Quando Cheguei

This one takes us back! We originally reissued Waltel Branco's 'Meu
Balanço' in 1995, it was one of the frst releases to come out on Mr Bongo
It is a much-requested title with original copies becoming ever more-scarce and the price tag increasingly rising, so it feels ftting to present this stunning record once again for all to enjoy. Waltel Branco was born in Paranaguá, Brazil in 1929 and died in Rio de Janeiro in 2018. During his triumphant career he accumulated an impressive musical portfolio. A true maestro who from the 1950s onwards appeared on productions as a guitarist, writer, conductor, composer, and arranger. He worked with some of the greats of Brazilian music including Elis Regina, Dom Um Romao, Bossa Três, Marcos Valle and Tony Bizarro to name just a few. 'Meu Balanço' was originally released on CBS Records Brazil in 1975. It is Brazilian big band, orchestrated jazz-funk at its finest. Echoing the library and film productions created in Europe and the USA at the time, it also displays the hallmarks of Waltel's heritage with distinct threads of Brazilian favour running throughout. The musicians on the record include under- the- radar players that were the backbone of the Brazilian music industry in the 1970s including Luizão Maia on bass, Edmundo Maciel on trombone and Paulinho Braga on drums. The album firts between jazz-funk, cinematic library excursions, breaks and beats, easy- listening, and 70s cop show instrumentals. It is a breezy ride into Waltel's world, wonderfully nostalgic and of another time and place, yet snippets of the production echo the beats of contemporary hip-hop iconic artists such as Madlib, knxwledge and The Alchemist. Brazilian jazz-funk at its finest from an iconic composer.

TRACK LISTING

1. Luar Do Sertão
2. Sonho No Céu
3. Meu Balanco
4. Lady Samba
5. Apenas Um Coração Solitário
6. Jael
7. Walking
8. Satiricon
9. Carmen
10. Meiguice
11. Petit Fils
12. Zoraia

Number 95 in the Brazil45 series sees things take an excursion into samba.

'Mar Afunda', what a track! Instantly addictive with its relaxed guitar and Cuica samba- rock beauty and mighty- fine vocal arrangements by Os Novos Crioulos. Taken from their collectible self-titled album that was released on Pirata Records in 1976. Its a track that always works its magic on the dancefloor.

Supersom T.A. keeps things uplifting with its female/ male paired vocal arrangements, key stabs and Cuica. 'Brasileira Roxa' is rich in breezy sunshine vibes. A beautiful slice of feel-good samba that was originally released in 1972 on a compacto 7" via Fermata Records.

TRACK LISTING

Os Novos Crioulos – Mar Afunda
Supersom T.A. - Brasileira Roxa

Number 94 in the Brazil45 series is one for the Brazilian boogie lovers out there.The vocal and instrumental group Os Carbonos from Sao Paulo had a long career that straddled the 60s, 70s and 80s

'Pássaro Selvagem' is taken from the latter years of their career. Its a bass driven, boogie- funk groove (with a bassline not too dissimilar to Queen 'Another One Bites The Dust') that is Brazilian boogie at its finest. Taken from the B-side to a 7" campacto released in 1981 on Copacabana records, its proven to be a favourite of Luke Una and we foresee it becoming a staple in your DJ box for years to come too.The B-side comes from one of our all-time favourite artists, the mighty Sandra Sa. Sandra is a wonderful vocalist, her intense and recognisable style is one of THE voices of the Brazilian boogie golden era. Check out her classic album 'Vale Tudo' (MRBLP230) on Mr Bongo for further proof of her credentials here. 'Palco Azul' is also taken off a 7" single from 1981 and is a feel-good dancefloor groover with punchy brass stabs, warm keys and uplifting chord changes. It contains all the right elements that we have come to associate with that knockout late 70s / early 80s Brazilian sound.

TRACK LISTING

Os Carbonos - Passaro Selvagem
Sandra De Sa - Palco Azul

Hailing from 1964 and originally released on the iconic Copacabana
Records, 'Um Balanco Pra Voce' by Os Rouxin is is one of the oldest releases featured in the Brazil45 series. This quirky, shufing bossa nova / exotic number was penned by the fabulous Arnaud Rodrigues and is taken from a fve-track 7" Compacto that features tracks that the group performed on television shows.The funky, soulful MPB 'O Viajante' by Wal Sant'ana is a long-time favourite here at Mr Bongo. Originally released on 7" by RGE Records in 1974, this male lead with female backing vocals groover is a sure- fre hit on the dancefoor and is equally enjoyable on headphones or at home. Uplifting, good vibes by the amazing Wal Sant'ana, whose vinyl output may have been small, but was certainly mighty.

TRACK LISTING

1. Os Rouixinois - Um Blanco Pra Voce
2. Wal Sant'Ana - O Viajante

We have to be honest, we don't know much about the mysterious Brazilian artist, Guto, we stumbled upon his 'Para Viver' album on Arlequi Records from 1979, by chance, during a digging trip to Sao Paulo. Once the needle dropped, we were hooked by 'Transito Livre', a charming MPB number with cool chorus changes and all-round soothing vibes. Light and breezy, and all the better for it. Tony Nunes' 'Por Favor' shifts things up a few gears. It's a racing Hammond organ and wah-wah guitar-led funky groover. At just over two minutes long, 'Por Favor' doesn't mess about. It's pure energy fring on all cylinders. It was originally released in 1973 on Odeon Records, but the track has more of a 60s psyche ModRnB feel and sensibility to it.

TRACK LISTING

1. Guto - Transito Livre
2. Tony Nunes - Por Favor

With some of the best DJs and selectors there is a certain mysterious sound or underlying feeling which unites the music they play, regardless of genre, year or tempo. Luke Una is a master of telling a story through music and this compilation is a perfect example of his musical alchemy in action. Featuring tracks from Yusef Lateef, Airto Moreira, Crooked Man, Henri Texier and many more, it is a collection of new, old, rare and under-discovered music from around the world, all united by Luke under the banner of "E-Soul Cultura".

It's best described by Luke himself, who writes: "As the 5AM city sleeps and the strobe lights are slowly turned off, we gather on the wrong side of town in a transcendental journey alone together. We are the late night disenfranchised holding on in various after parties, flats, lofts, random kitchens and basements into the outer cosmos with É Soul Cultura. Music from exotic tear jerkers, Afro-spiritual jazz, cosmic Brazilian celestial grooves, machine street soul, dark horses, lost B-sides, £1 bargain-bin bombs, hidden gems, late night Italo dubbing, deep velvet N.Y.C garage, bass buggin sonic futurism, wrong speed 33BPM pitched up +8 new beat, majestic sunset strings, sweet vocals from heaven, no half steppin jazz dancing in outer-space and odd numbers. Yes… magical moments, together, holding on in witness protection suburban cul-de-sacs and Castle Court flats. Cosmic É high, 3000ft above the city getting evangelical to murky, wonky timeless beautiful music. This thing of ours dreaming of better days. Fail we may, sail we must, the sun will come up again." For anyone who has enjoyed his epic 5 hour shows on Worldwide FM, you know what to expect from the man who is Luke Una. Variety and quality all the way. 

TRACK LISTING

1. Robson Jorge & Lincoln Olivetti – Eva
2. Chene Noir - Le Train
3. Metropolis - Every Time I See Him
4. The Brand New Heavies Featuring N'Dea Davenport – Stay This Way (The Lunar Dub)
5. Typesun - The P.L. (Extended Edit)
6. King Errisson - Space Queen
7. Yusef Lateef - Robot Man
8. Daniel Humair, Francois Jeanneau, Henri Texier - Le Cyclope
9. Airto Moreira - O Galho Da Roseira (The Branches Of The Rose Tree)
10. Francisco – Wache
11. Nar'Chiveol - Apocalypse Now Ho
12. On - Southern Freeez
13. Soylent Green - After All

On this 7" Mr Bongo presents two lost jazz tracks by the trombonist and Horace Tapscott-collaborator, Lester Robertson

Lester has worked with some of the greats of jazz including Gerald Wilson, Anita O'Day, Lionel Hampton and Roy Porter Sound Machine on the classic 'Jessica' album. Lester was a member of Horace Tapscott's The Pan- Afrikan Peoples Arkestra and features on the iconic underground jazz albums 'The Call' and 'Live At I.U.C.C.'. The Arkestra was set up in 1961 in Los Angeles and over the years has included wonderful, inspirational musicians such as Adele Sebastian, Kamasi Washington, Dwight Trible, Phil Ranelin, Arthur Blythe, Jesse Sharps and Nate Morgan.

These two recordings have recently been discovered on an archived master tape that little information on it other than Lester's name and the track titles. Sadly, the other players on the tracks aren't credited on the tape, so a line-up can't be 100% confirmed. Still, the magic of what they laid down in the session pays testament to their artistry. First up is the lively popping track 'Akirfa' in which Lester gets space to let rip and exercise his talents. On the flip is the euphonious 'Untitled Ballad', a mellifluent lullaby for an end-of-the-day wind-down.

Lost for a while, but thankfully not forgotten, these beautiful recordings finally get their chance to shine.

TRACK LISTING

Akirfa
Untitled Ballad

Some records just stop you in your tracks, they resonate with you and feel instantly familiar like an old friend, even on the frst listen SOYUZ's third album 'Force of the Wind' is one of those records.

It holds all the trademarks, beauty, and eccentricities of classic Brazilian recordings, from the 60s and 70s, that we have come to love. Think artists such as Milton Nascimento, Lô Borges, Burnier e Cartier, Arthur Verocai et al. But this record wasn't made in Brazil and is in fact a brand-new release.

SOYUZ (which translates as 'union') is a creative collective from Minsk, Belarus, led by composer, arranger, and singer, Alex Chumak, multi-instrumentalist, Mikita Arlou, and drummer, Anton Nemahai. SOYUZ's previous albums explored and reimagined the legacy of jazz-oriented, non-English-language pop music of the 20th century.

For their third album, there is a stronger focus, and it is infuenced by 70s Música popular Brasileira and building bridges from it to present-day Belarus. Alex notes that from the moment he frst encountered Brazilian music, he found in it a kind of concentrated emotion that felt as if it were familiar to him from his childhood. This non- verbal emotion and connection between the listener and musician echoes in the music, regardless of understanding of the language the album is recorded in.

TRACK LISTING

1. Song With No Words
2. Offscreen
3. I Knew It (feat Kate NV)
4. Glance
5. How Are You (Como E Que Vai Voce) (feat Sessa)
6. Beige Days
7. Morning Moon
8. Force Of The Wind
9. Weather Report

The respected Japanese jazz drummer Akira Ishikawa was not messing around when he recorded the 'Uganda (Dawn of Rock)' album with his band the Count Buffaloes

For this offering, originally released in 1972 on Toshiba Records, Akira Ishikawa takes us on a deep tripped- out journey. 'Uganda (Dawn of Rock)' is a fusion of progressive and psych rock with African percussion workouts, dergy- wah wah blues-funk, and jazzy sensibilities; with different genres morphing and uniting as they progress.A long way from his funk and afrobeat album 'Back To Rhythm', reissued on Mr Bongo in 2019, this record has a darker, deeper, abstract and experimental stoned tone with the listener being pulled into its vortex for the ride. This record doesn't pull any punches.

For this album, Akira is joined by Hideaki Chihara on bass, guitarist Kimio Mizutani, sounding at times like an early 70s Peter Green, percussionist Larry Sunaga and composer Takeru Muraoka.

The album has become highly sought- after amongst psych, prog and acid rock collectors and due to the rare nature of original copies they come at a hefty price tag.

TRACK LISTING

Wanyamana Mapambazuko
Na Tu Penda Sana
Vita
Pygmy

A new compilation series kicks off with an absolutely belting double LP that features a selection of hard-to-find records (some impossible to find) and some that have been hiding in plain sight all along.

They all share common qualities, being that they are beautiful, soul quenched songs that sing of love, peace and unity."With Love: Volume 1" has been compiled by Miche and presents a curated selection of rare Brazilian, gospel, modern soul and jazz-fusion fire. We have Brazilian rarities by Alcione and Quientaessencia, UFO gospel by Keith Chism & Light, the jazz-funk / AOR sounds of City Lites taken from a Radio Station album, and the anthemic feel-good emotional soul of Belita Woods to name but a few.

Tracking down artists and musicians from the past is an art form. Like a seagull swooping for treats, sometimes the prizes are easily found, and at other times, it's the result of very late nights trolling through Facebook profiles, message boards, hitting dead ends and following red herrings, and yet still the search goes on. This compilation is a true labour of love with all the artists tracked down and licensed by Miche. It has long been an ambition of the London based musical connoisseur to compile an album, and like anything that requires craft, care, and knowledge - it takes time. There are many twists and turns in the hunt for those records that make your jaw drop.

A sublime selection of glorious modern soul, Brazilian rare gems and groovefuelled gospel. Featuring hard-to-find records, some impossible to find, and some that have been hiding in plain sight all along.

TRACK LISTING

South Funk Blvd. - Skying High (Getting Off On Your Lovin')
Ad Libs - Don't Need No Fortune Teller
Atlantis - Hung Up About You
Smoke Inc. - Waitin' For Love
Mandisa - Summer Love
City Lites - Now You've Gone Away
Papaya - Favela
Alcione - Este Mundo Tem
Quintaessencia - Serrado
Superior Elevation - It Was September
Keith Chism & Light - My Life And Song
Belita Woods - Magic Corner
Spare Hare - Ain't No Doubt About It
Sammy Acuna - Never Found A Girl
Sweet Mixture - House Of Fun And Love

Sounding simultaneously from the past, the present, and the future, the debut album 'MLDE' by Marxist Love Disco Ensemble seeks to eradicate both the trite from disco and the sobriety from political music.

Half poetic, half tongue-in-cheek, this stunning compact eight-track album is infuenced by Eastern European and Mediterranean 70s disco records.

In the words of band member Paolo, ''it was written in response to hearing 'I love America' by Patrick Juvet. The song prompted the question: why does disco, a genre originally created by oppressed minorities, eventually become synonymous with American capitalist excess?" MLDE seeks to break this connection.

Merging disco, post-disco 80s pop, and boogie into the fold, 'MLDE' was recorded using only analogue instruments, giving it warmth and space. Recorded on cassette, ¼ and ½ inch tape, this gives moments of lo-fi abstraction between the beats of an aggressive, tight drum kit. Instruments used for this recording range from saxophone, trumpet, harpsichord, guitar, and rare analogue synthesisers. The bass sound is shaped by early 80s boogie records, whilst the influence of artists such as Hamlet Minassian can be heard in some of MLDE's more driving disco outings, such as 'Hues of Red'. In the tradition of Soviet vocal group records, which the band has studied, some songs are sung by a vocal quartet in homage to this tradition.

The format and message of pop and disco are commonly viewed just to entertain and move bodies around a dancefloor; however, lyrically, the subjects range from dialectical and historical materialism, class struggle, Marxist theory and praxis, as well as the concept of Marxist disco music.

Adding the icing to the cake, mastering don Joker aka Liam McLean dusted the album with his magic, giving the songs space where the room is needed, as well as the kick and punch demanded by the modern dancefloor.

Recorded using only analogue instruments and mastered by Joker

TRACK LISTING

1. Dust
2. Brumaire
3. Material
4. Manifesto
5. 1905
6. Hues Of Red
7. Hide And Seek
8. Engineers

This previously unreleased album by the Horace Tapscott Quintet was unearthed from master tapes in the Flying Dutchman archives. Recorded in 1969 it was intended to be a follow-up album to the classic 'The Giant Is Awakened' which was released that year.

The iconic pianist and composer Horace Tapscott was one of the most unique and important figures in LA's jazz world. This lost recording was produced by one of the pivotal figures in jazz, Bob Thiele, a leading behind-the- scenes star who worked with many of the greats in jazz, such as Quincy Jones, Duke Ellington, John Coltrane, Della Reese, Shirley Scott, Gil Scott-Heron, the list goes on. His name can be seen gracing, arguably the best, Impulse! releases and those released on his own Flying Dutchman imprint set up in 1969.

Joining Horace for this three-track, deep, heavy, avant-garde session is the same stellar cast featured on 'The Giant Is Awakened'; Arthur Blythe on Alto Sax, Everett Brown Jr on Drums, with David Bryant and Walter Savage Jr. on Bass. Kicking things off we have 'World Peace', which starts with an almost baroque- esque melody, leading to an eruption in sound, it then ends in the same manner it began. The beautiful 'Your Child' is the jewel in the crown, skirting modal, deep jazz and introducing elements of free jazz. 'For Fats' with its bow bass and piano intro takes you on a journey, dropping into, at times dark, stormy melodies and developing a driving energy as the composition progresses.

TRACK LISTING

1. World Peace
2. Your Child
3. For Fats

Sometimes the best things take time to come into fruition, and here we are, ready to finally unleash Brazil45 number 88 - the missing 7"! Featuring two Mr Bongo favourites that we have been longing to share with the world

First up is a lesser-known Brazilian Boys track titled 'Super Herois'. This slightly trippy and quirky funk-rock groove is taken off an obscure 7" on CID records and was originally released in 1975. 'Super Herois' is super catchy, addictive and a guaranteed complete earworm. It's a muti genre, crossover nugget that will branch scenes and tick all sorts of boxes.

On the flip is the driving, jazz-rock-samba dancefloor joint 'Tudo Ai', a cut taken from Rubinho E Mauro Assumpcao's highly sought after 1972 album 'Perfeitamente, Justamente Quando Cheguei'. Originally released on Tapecar Records, this short in stature track packs a real punch!

TRACK LISTING

Brazilian Boys - Super Herois
Rubinho E Mauro Assumpcao -Tudo Ai

Born in Japan in 1947, Ryo had a long and stellar career recording and releasing music up until his passing on 13 April 2020, in Tallinn, Estonia. Ryo is one of the pioneers of the jazz fusion genre, with the Japanese jazz fusion / funk sound becoming extremely influential within the 80s UK club scene and amongst its DJs. His track 'Trinkets & Things' became a bonafide underground classic. In the US he worked with some of the greats of jazz, such as Elvin Jones, Chico Hamilton and Bobbi Humphrey, to name but a few. A forward-thinking and ever-evolving musician,

Ryo collaborated with the Roland Corporation and Korg on the 'guitar synthesizer' and later wrote music software for computers. Later in life he relocated to Estonia and worked there, as well as Finland, Sweden, and the Baltic states.

'Juice' has become a much-loved album for crate diggers and jazz-funk enthusiasts, with its tracks frequently being sampled and re-imagined in hip-hop. The smoky, beat- down, spiritual funk jam 'Bamboo Child' has been flipped by Diamond D, Puff Daddy, and Kool G Rap. The album was released in 1976 on RCA Records and features the musicians' drummer Jimmy Young, rhythm guitarist Hugh McCracken, and bassist Stu

Woods amongst other luminaries. A solid album throughout that incorporates a heavy dose of tripped-out synths alongside the emerging disco sound of the time. Tracks such as the opener 'Raisins', with its drum beat intro and bubbling bass-line, rivals The Headhunters at their finest. A superb album from an underground legend.

TRACK LISTING

1. Raisins
2. Sometime
3. The Breeze And I
4. East Side Boogie
5. El Toro
6. Bamboo Child
7. Andes

Thirty years after its original release, Main Source's debut album Breaking Atoms has lost none of its capacity to surprise or delight

It remains a prime example of a classically styled hip-hop LP - two DJs, one MC, 11 tracks, no flab or filler. It wasn't a slow burner - it was adored on release and hasn't left the top ten of any serious rap fan ever since.What makes it so special? Perhaps it's in the group's ear for a hook and sample, with Large Professor mounting a whole, celebrated career off the back of this gem. Perhaps it's in the way he manages to balance bragging with more political, thematic tracks such as 'Just a Friendly Game of Baseball' and 'Peace is not the Word to Play' without ever coming across as preachy.

Few albums of this length are able to spawn four singles - all of them must-haves - while still having material galore on the album that could have been pressed as a 12". 'Snake Eyes' 'Vamos a Rapiar' and 'He Got So Much Soul (He Don't Need No Music) could have been singles in their own rights, an embarrassment of riches.

Sample-wise, it's all about the skillfully woven mixture of the obvious and the obscure, with a tapestry of samples approach that's just not legally possible anymore. So while you might recognise a snatch of Donald Byrd's 'Think Twice' on the timeless 'Looking at the Front Door', it's layered with elements from Ken Lazarus, Detroit Emeralds, The Third Guitar and more. It's an approach that pays constant dividends and rewards repeated listens. Presented in its original format, this is the essence of Breaking Atoms, one of the best albums in the long history of this genre.

TRACK LISTING

Snake Eyes
Just Hangin' Out
Lookin' At The Front Door
Large Professor
Just A Friendly Game Of Baseball
Scratch & Kut
Peace Is Not The Word To Play
Vamos A Rapiar
He Got So Much Soul (He Don't Need No Music)
Live At The Barbeque
Watch Roger Do His Thing

It comes as no surprise to discover we are massive fans of Marcos Valle here at Piccadilly Records but this forgotten and obscure gem from the Brazilian maestro has proven to remain elusive to us until very recently

'Girassol' is a lost Brazilian-boogie stunner from 1983. It was originally released as an ultra-rare promo only 7". Composed by Marcos Valle, Paulo Sergio Valle and Ribeiro José Francisco, this all-too-short nugget (under 2 minutes) was recorded and pressed on the Valle, Ribeiro & Associados Ltda. imprint for Rede CB De Supermercados. It was a promotional item to be distributed to customers of a supermarket chain as a gift. Due to not having any conventional distribution channels this resulted in the 7" becoming a slippery customer to find.

It's a smooth AOR / Brazilian boogie joint with an uplifting chorus. The vibe is reminiscent of the much loved 'Estrelar' era of Marcos Valle's glorious recording career, and certainly one for fans of the Lincoln Olivetti, Robson Jorge production sound.

Ultra-rare Brazilian boogie from Marcos Valle.

Reminiscent of 'Estrelar' era Valle.

For fans of Lincoln Olivetti productions.

STAFF COMMENTS

Matt says: Thought you had dug all the Marcos Valle from the seams? Mr. Bongo have unearthed a supremely rare offering from a free supermarket promo! The stuff of Balearic legend until now and thankfully matching its unquestionable rarity with high musicality.

TRACK LISTING

Girassol
Girassol (playback)

The Mankunku Quartet's 1968 album 'Yakhal' Inkomo' clocks in at just over 30 minutes of jazz perfection. This compact, and to-the-point, album would sit comfortably in amongst some of the best works in the catalogues of any of the quintessential jazz labels such as Blue Note, Prestige and Impulse.

Originally released on the South African record label World Record Co., which resulted in it becoming an elusive and sought-after piece for jazz collectors. First press copies sometimes fetch as much as £1,000 on the collectors' market. It has been long regarded as one of the finest South African jazz albums and DJ / broadcaster Gilles Peterson cemented this when he included it in his 'best of genre' focussed radio show, 'The 20 - South African Jazz'. On the sleeve notes, Ray Nkwe the producer and the President of the Jazz Appreciation Society of South Africa writes 'This is the LP that every jazz fan has been waiting for' and Ray was not wrong, it's a stone-cold timeless jazz classic.

Half-speed mastering at Abbey Road Studios.

TRACK LISTING

1. Yakhal Inkomo
2. Dedication (To Daddy Trane And Brother Silver)
3. Doodlin'
4. Bessie's Blues

Wild Style remains the most seminal soundtrack in hip-hop history, a snapshot of the scene as it evolved from the streets to the recording studio. But it's not just a vital document, it's also a damn good listen. The line-up is a who's who of those who stood out from hip- hop's nascent block party days. The Double Trouble pairing of Rodney Cee and KK Rockwell, The Chief Rocker himself, Busy Bee, the mighty line-ups of both The Cold Crush Brothers and The Fantastic Freaks. The music captures the free-form, roaming nature of the film – it's rough at the edges, it's occasionally amateurish, but it's completely, utterly glorious. The original Animal tracklisting, of which this is a reissue, is full of recurring sounds and motifs, all of them co-produced by Chris Stein and Fab Five Freddy, stepping away from breakbeats to produce a sound that reminds you of them, while being totally unique. The epic drums are courtesy of Lenny 'Ferrari' Ferraro, a Vietnam vet and punk drummer whose career spanned stints backing Aretha Franklin and Lou Reed. Over time, those sounds – the Charlie Chase and Grand Wizard Theodore scratches, the indelible lyrics - have become hip- hop touchstones, endlessly sampled and referenced, the bedrock of so much music to follow. That's because the soundtrack perfectly encapsulated the essence of the film, the scene and hiphop's emergence from The Bronx to the attention of the wider world. Presented in this reissue with the original artwork, it remains the blueprint.

TRACK LISTING

A1. Wild Style Theme
A2. MC Battle
A3. Basketball Throwdown
A4. Fantastic Freaks At The Dixie
A5. Military Cut (Scratch Mix)
A6. Cold Crush Bros At The Dixie
B1. Stoop Rap
B2. Double Trouble At The Amphitheatre
B3. Wild Style Subway Rap
B4. The Chief Rocker Busy Bee, DJ AJ At The Amphitheatre
B5. Gangbusters (Scratch Mix)
B6. Rammellzee & Shock Dell At The Amphitheatre

Curating these compilations, where Mr Bongo share their latest musical discoveries and old favourites from the global stage, is always a labour of love. This selection is less dancefloor driven than their previous volumes, as fewer opportunities for live events drove them to explore other paths and styles in the musical spectrum. But, whether you're DJing for a kitchen or a club, there is still a generous serving of spicy dancefloor magic.

For Volume 5, Mr Bongo looked to a broad church - from Brazil to Cuba, Ghana, Jamaica, Japan, Mauritania, South Africa, Sweden, Trinidad and Tobago, the UK, and the US. They pulled songs from the 70s up to the present day and feature a stellar cast of artists. There's an exclusive track from Sven Wunder which was recorded solely for this compilation. There's also a track from Admin which was released as a private press 7" at the start of 2021 and one they felt was far too good to only be available for the lucky few. You'll also discover one of their most treasured Gyedu Blay Ambolley productions, a full-force African disco colossus!

TRACK LISTING

1. John Barry-Moore - Abertura De "Os Inocentes”
2. Willy Chirino - Sing A Song (Canten Mi Canción)
3. Malouma – Nebine
4. Yasuaki Shimizu - Karachi
5. Mariah - Shinzo No Tobira
6. Mave & Dave - You Are Delicious
7. Mark Capanni - I Believe In Miracles
8. Admin - Step Into Light
9. Phillip Malela – Tiba Kamo
10. Gyedu Blay Ambolley - Let's Be Happy (Disco Mix)
11. Tyrone Evans - Rise Up (Discomix)
12. Stimela – I Hate Telling A Lie
13. Eamon - Ready For War
14. Sven Wunder – Mosaic
15. Hiroshi Suzuki – Romance
16. Tetê Da Bahia – Duplo Sentido
17. Malouma – Yarab

2021 saw the release of 'The Globefower Masters Vol.1' An album released on Mr Bongo and born from the fruitful collaboration between Glenn Fallows (The Impellers / Andres y Xavi) and Mark Treffel (Blue States / The Soul Steppers).Taking inspiration from classic 60s and 70s soundtrack and cinematic composers such as Axelrod, Morricone, Gainsbourg, Jean- Claude Vannier and Piero Umiliani, the album was very well received upon its release and struck a chord with the scene's connoisseurs.

The next logical step was to make their music available on 45 too. The release features an album track 'Fear Me Now' on the A-side and is paired on the B-side with two new tracks that channel the sound of library music giants such as Hawkshaw and Bennett. Three lush, warm and timeless productions.Inspired by classic 60s and 70s soundtrack composers such as Axelrod and Morricone, and library music giants including Hawkshaw and Bennett.

TRACK LISTING

Fear Me Now
All So Simple
Slurred And Blurred

A cinematic musical journey that plays out like a long-lost soundtrack (think cult B-movies of the 60s and 70s); 'The Children of Scorpio' was formed from Paul's love of a myriad of genres; from European library music, acid folk, psych-funk, vintage soundtracks and the contemporary breaks scene. The album draws on iconic classics such as the masterful cinematic funk of Lalo Schifrin's 'Dirty Harry', Ennio Morricone's 'Vergogna Schifosi' and Luis Bacalov's 'The Summertime Killer', to name but a few.

You can also hear the folk sounds of Mark Fry's iconic 'Dreaming With Alice', the Britsh folk-jazz of The Pentangle and the David Axelrod-produced 'Release Of An Oath' by The Electric Prunes, woven into the cultural tapestry of this gem. The influence of these vintage productions of the 60s and 70s is evident; however, it could be argued that there's also echoes of the funkier psychedelic moments of bands such as The Stones Roses and The Charlatans, alongside contemporaries such as The Heliocentrics and Little Barrie, thus giving the album a broader crossover potential beyond the world of crate digging and vintage soundtracks. We are delighted to be releasing this slowly- brewed timeless classic that manages to achieve that rare feat of keeping one foot firmly in the past whilst still sounding totally contemporary.

TRACK LISTING

1. The Children Of Scorpio
2. The Road Through The Hills
3. Path Through The Forest
4. Searching For June (Interlude)
5. June
6. Scorpio's Waltz
7. The Invitation (interlude)
8. The Ritual '70
9. Scorpio's Garden
10. The Turning
11. Plan Your Escape
12. The Deserted Compound (interlude)
13. Buried In The Woods
14. Closing Theme

Two tracks from the album were featured on our 2017 compilation 'The Original Sound Of Mali' (MRBLP135, still available), and we subsequently released the track 'Nissodia' on its own 12" (MRB12053 & MRB12053NO, both still available) in 2020, complete with a blistering dancefloor re-edit by Mike D of The Beastie Boys. 'Le Tioko-Tioko' is one of the rarest vinyl albums from the already scarce Malian vinyl discography, partly as the album was never released commercially, only independently distributed via the Malian Association for the Blind in Bamako. Though recorded at Radio Mali under the aegis of master engineer Boubacar Traoré; the album was originally released in East Germany.

The tapes had been taken by some Malian students to East Berlin as part of a student exchange program. It was then manufactured and released on the East German state owned label Eterna with only a few boxes of records being shipped back to Bamako. A true masterpiece, this legendary LP offers some devastating songs such as 'Djama' (society), 'Nissodia' (joy of optimism), and 'Fama Allah' (an ode to god). Hypnotic organ riffs and breakbeats convey an unknown funk quality in Malian music, it now stands as a loving tribute to an unsung Malian golden age. Sadly, like many of the other now desired and prized vinyl rarities, at the time of release, it almost immediately disappeared without a trace due to a lack of promotion, and distribution. So, it feels fitting to share this gem of a record again, and hopefully it with reach the wider audience it deserved over 45 years ago. A funky masterpiece packed with organ-driven riffs and incredible drum breakbeats. A sought-after rarity from the Malian golden age.

TRACK LISTING

1. Fama Allah
2. Djama
3. Beni Inikanko
4. Nissodia
5. Ben
6. Bimoko

With some of the best DJs and selectors there is a certain mysterious sound or underlying feeling which unites the music they play, regardless of genre, year or tempo. Luke Una is a master of telling a story through music and this compilation is a perfect example of his musical alchemy in action. Featuring tracks from Yusef Lateef, Airto Moreira, Crooked Man, Henri Texier and many more, it is a collection of new, old, rare and under-discovered music from around the world, all united by Luke under the banner of "E-Soul Cultura".

It's best described by Luke himself, who writes: "As the 5AM city sleeps and the strobe lights are slowly turned off, we gather on the wrong side of town in a transcendental journey alone together. We are the late night disenfranchised holding on in various after parties, flats, lofts, random kitchens and basements into the outer cosmos with É Soul Cultura. Music from exotic tear jerkers, Afro-spiritual jazz, cosmic Brazilian celestial grooves, machine street soul, dark horses, lost B-sides, £1 bargain-bin bombs, hidden gems, late night Italo dubbing, deep velvet N.Y.C garage, bass buggin sonic futurism, wrong speed 33BPM pitched up +8 new beat, majestic sunset strings, sweet vocals from heaven, no half steppin jazz dancing in outer-space and odd numbers. Yes… magical moments, together, holding on in witness protection suburban cul-de-sacs and Castle Court flats. Cosmic É high, 3000ft above the city getting evangelical to murky, wonky timeless beautiful music. This thing of ours dreaming of better days. Fail we may, sail we must, the sun will come up again." For anyone who has enjoyed his epic 5 hour shows on Worldwide FM, you know what to expect from the man who is Luke Una. Variety and quality all the way. 

STAFF COMMENTS

Barry says: One of Manchester's most well known DJ's and personalities brings his impeccable music taste and curation skills to stalwart label, Mr Bongo for a silky-smooth collection of crepuscular serenades, hazy dancefloor grooves and tropical bliss. A seamless, nuanced musical journey.

TRACK LISTING

1. Robson Jorge & Lincoln Olivetti – Eva
2. Chene Noir - Le Train
3. Metropolis - Every Time I See Him
4. The Brand New Heavies Featuring N'Dea Davenport – Stay This Way (The Lunar Dub)
5. Typesun - The P.L. (Extended Edit)
6. King Errisson - Space Queen
7. Yusef Lateef - Robot Man
8. Daniel Humair, Francois Jeanneau, Henri Texier - Le Cyclope
9. Airto Moreira - O Galho Da Roseira (The Branches Of The Rose Tree)
10. Francisco – Wache
11. Nar'Chiveol - Apocalypse Now Ho
12. On - Southern Freeez
13. Soylent Green - After All

Some things take time to happen, some things perhaps take a bit longer than they should but, finally, we are delighted to present an issue of the iconic, and sought-after, Brazilian album 'Alucinolândia' by Zito Righi e Seu Conjunto from 1969.

The trippy, surrealist 60s cover design with hands holding eyeballs is somewhat confusing. Rather than the stoner acid rock record that the art may suggest, 'Alucinolândia' is actually a quintessential 60s gem, mixing samba, MPB, bossa nova, quirky organ-led mod-jazz groovers and easy-listening crooners with a relaxed cool swagger.

Zito Righi aka Isidoro Righi, the Brazilian saxophonist, instrumentalist, conductor and composer brought together an illustrious cast for this masterpiece, including the much-loved vocalist Sônia Santos. Sônia delivers a masterclass on the album's opener, and maybe its crown-jewel 'Poema Ritmico Do Malandro'. The song is fierce and driving with an enticing funk intro that bursts into a Samba / Batucada workout. A real monster that works magic on the dancefloor. Sônia would later re-visit this track in 1971 on a recording for Copacabana Records, which Mr Bongo released as part of the Brazil45 series. The Brazilian songwriter Roberval penned three tracks on the record, including another highlight and the far too short 'Birimbau'; a catchy Brazilian jazzy-samba dancer at its finest. Other musicians include the drummer Fernando who also recorded with the greats Dila & Guilherme Coutinho.

The fact the record was released in 1969 meant it was probably a bit out of step with its contemporaries in comparison to the works of artists such as Os Mutantes, Gilberto Gil et al. The core of 'Alucinolândia' is that of a more optimistic early to mid-sixties party feelgood vibe rather than the angsty, psychedelia, and rebellion of the Tropicália movement. Over 50 years since its release, the work can finally be judged on its own merit; and what a beauty it is.

TRACK LISTING

Poema Ritmico Do Malandro
Somos Todos Irmãos
Once In A While
Birimbau
Primeira Conjugacao
Bye Bye
Love Is Here To Stay
Isnt' A Dream
Sou Feliz Aqui
Adeus Amor
Alvorada
Hert

When it comes to the pantheon of hip-hop movies, ‘Wild Style’ is number one.

While the actual plot carries about as much weight as ‘Beat Street’ or even the Fat Boys vehicle ‘Disorderlies’ – and the acting is also nothing to write home about – the soundtrack is an indelible classic.What the film and its soundtrack caught was a moment in time and some key performances from genuine pioneers instrumental in the nascent hip- hop scene. And the influence has passed down through the ages, with rhyming couplets from the ‘Wild Style’ album still cited today, and Nas drawing on a snippet of the film for the opening track of his one true classic album, ‘Illmatic’.What’s unusual about the soundtrack – and evidenced on the tracks showcased here, available for the time on 7” since a 1983 Japanese release – is that it didn’t draw on the tried-and-tested breakbeats that many of the artists featured on it would have cut their chops on. Charlie Chase, whose slithery scratches adorn both sides of this record, would have been used to going back to back on the records captured later on the ‘Ultimate Breaks & Beats’ compilations. Instead, the music is produced by Chris Stein of Blondie in collaboration with Fab 5 Freddy, drawing inspiration from those earlier breakbeats, with drums provided by one Lenny Ferrari. Here, Grandmaster Caz of the legendary Cold Crush Brothers is at ease over both sides, the music evoking the sound he would have rhymed over at the block parties where he built his reputation. It’s a moment trapped in amber – you can’t listen to this 7” without imagining a graffiti strewn subway car in New York.

From the legendary hip hop movie ‘Wild Style’.

Produced by Chris Stein of Blondie in collaboration with Fab 5 Freddy.

Available for the time on 7” since a 1983 Japanese release.

TRACK LISTING

Wild Style Theme Rap 1
Wild Style Theme Rap 2

The original Wild Style soundtrack is such a landmark that it has spread its DNA throughout hip-hop ever since.

So many artists found inspiration in it, so many producers fished for samples among its choppy waves. If you haven’t played it for a while, it still has the power to surprise – hook after hook that fed into hip-hop history. That countdown from Public Enemy’s ‘Louder than a Bomb’? The chorus from Cypress Hill’s ‘A to the K’, vocal samples that underpin MF Doom classics and A Tribe Called Quest gems? All here.Phat Kev – aka Kev Luckhurst – teases out some of those notable moments in his superb cut- up from the 2007 reissue. The Brighton- born DJ subjects the Wild Style OST to a classic ‘Lesson-style’ cut and paste, teasing out some of the most classic moments, taking you on a whirlwind tour of the finest beats and most indelible rhymes. Here you’ll find ‘Stoop Rap’ interwoven with ‘Basketball Throwdown’ and ‘Fantastic Freaks at the Dixie’.The temptation to overcomplicate matters is wisely resisted – Phat Kev lets the guitar of Chris Stein, the drums of Lenny Ferrari and the lyrics of legends such as Grand Master Caz, Busy Bee and Rammellzee shine in their own right. Available for the first time on 7”, this is an outstanding tribute to one of the key records in hip-hop history.

TRACK LISTING

Lesson Part 1
Lesson Part 2

Originally released on the Vertigo label, complete with collectable 'swirl' record centre design, this sought-after jazz-rock-fusion rarity features some of the cream of the UK jazz musicians of the 70's. Comprised from groups such as Nucleus, Brian Auger's band, Soft Machine, Stan Tracy group, the players included Brian Smith (tenor and soprano s axophones, alto and bamboo flutes), legendary guitarist Allan Holdsworth, Dave MacRae (Fender electric piano), and bassist Roy Babbington, to name but a few. Seen as a benchmark point in Ian Carr's career, 'Belladonna' is awash with atmospheric excursions and ethereal qualities, as well as a darker fusion aesthetic and prog-rock sensibility from Holdsworth's exceptional guitar playing. The moody, yet funky, vibe of the album has echoes of Miles Davis' electronic era à la 'In A Silent Way'.

The album is best enjoyed played in its entirety. There are ebbs and flows with certain tracks shining along the way. Standouts include the beautiful down-tempo track 'Summer Rain', which has a soundtrack / library style brilliance and emotional electric piano soloing. Though recorded in the 70's, the track has a timeless sound, a melancholic funk so often used in hip-hop and beat tape productions to this day. 'Mayday's Shaft-like long extended intro builds the drama until the percussive release when the drums drop at over three minutes in. To give a record of such quality the treatment it deserves, we have once again been lucky to enlist the service of mastering and lacquer cutting engineering don Miles Showell at Abbey Road Studios, to cut a brand-new half-speed master and let the music speak for itself.

TRACK LISTING

1. Belladonna
2. Summer Rain
3. Remadione
4. Mayday
5. Suspension
6. Hector’s House

Nico Gomez, a Belgian orchestra leader of Dutch roots, has long been a favourite with Latin fans, record diggers, DJs, and collectors alike

His blend of bossanova, latin jazz, and easy listening always turns up a few choice nuggets and surprises; what is perhaps most remarkable is that it was recorded in Europe. Back in 2013, Mr Bongo re-issued Nico Gomez's sought-after 'Ritual' album from 1971, and now we follow it up with another jewel from his catalogue his 1972 album 'Soul Of Samba'. For this re- issue, we have opted to present it with the cover art originally used on the Trio Records version released in Japan. In the Netherlands and Belgium, the album was released with different cover art under the title 'Bossa Nova’, on Omega International and International Bestseller Company records, respectively. We loved the beautiful psychedelic design of the Japanese version and wanted to use it for this re- issue. 'Soul Of Samba' features several euro-bossa-jazz favourites such as the catchy 'Rio'; which was a firm DJ choice cut at jazz dance nights, including Brighton's 'Jazz Rooms' in the 90s. It also featured in Rainer Trüby's classic ‘Glücklich' compilation series which explored European-Brazilian-inspired music. The beguiling ‘Aquarela', with its engaging latin shuffle, entices feet to the dancefloor and is not one to miss. 'Agua’ has a lazy-quirky latin-funk feel with breathy-stoned vocals floating in the background. The album additionally features numerous breezy latin, Brazilian, and easy listening joints, some of which are ripe for sampling.

TRACK LISTING

Aquarela
Tristeza
Desafinado
Agua
Orpheu Negro
The Girl From Ipanema
One

This sublime funky Samba joint has always ignited the dancefloor for us. It featured on the band’s 1978 album, ‘O Conjunto Que Faz Voce Vibrar’, which originally saw release on EMI. No crazy hype needed for this one, just a fantastic straight-up, no messing Samba Funk made for dancing. We only know of four albums by Os Devaneios and for the A-side of this 45, we have selected one of our more recent discoveries with a track entitled ‘A Beleza e Voce Menina’.

Taken from their 1979 album ‘Ra a Suor E Suingue’ (also originally released on EMI), it was recorded only a couple of years after ‘Embalo Diferente’. Whilst it remains in that Samba mold, it has also taken on some of the vibe and characteristics of Soul, Brazilian Boogie and AOR from that late 70s and early 80s period.

A feel-good and uplifting record, yet one which simultaneously has a hint of melancholy and is all the more beautiful for it. It’s always good to discover a new song by an old favourite, and we hope you grow to love it too.

TRACK LISTING

A Beleza E Voce Menina
Embalo Diferente

When discussing the landmark artists of that era - Public Enemy, Boogie Down Productions, Eric B & Rakim - the duo of Erick Sermon and Parrish Smith are certainly in the conversation. And when it comes to all-time duos, they might be at the head of the table.The original release of 'I'm Housin' came in 1989, and the only previous 7" release was confined to the UK - it now fetches sky-high prices. Hence this reissue couldn't be more timely, showcasing just how fresh E Double E and PMD sound over even the most rudimentary but feverishly catchy of beats.

That was their genius - trading 'slow flow' punchlines over deceptively simple backings - and that's exactly what you get here. The loop of Aretha Franklin's indelible 1971 gem 'Rock Steady' does all the heavy lifting musically, the only adornment a brief vocal snippet taken from their own 'It's My thing' - EPMD is a world premiere.

At a time when sampling was still in its infancy, and before producers started to pride themselves on obscurity, and on chopping up samples creatively, this was the approach of many a hip-hop song, and rap was none the poorer for it. When you have voices as distinctive and strong as EPMD, less is more.

TRACK LISTING

I’m Housin’ (LP Vocal)
I’m Housin’ (Instrumental)

EPMD's initial success in 1987 seemed to take a lot of people by surprise. Without build-up or fanfare, they launched this stunning debut record and, so illprepared were people for it, that the label was still misspelling their name! The early 12" copies of 'It's My Thing' - and the hard to find UK 7" that followed shortly after - have them billed as EPEE MD. Before they were signed, they were going by EEPMD, but they decided to drop an E due to the success of the west coast's Eazy E. The one person not surprised by their success, however, was hip-hop pioneer and producer Kurtis Mantronik, who actually signed them to Fresh Records. It's fitting that he's the man that saw their promise, as he himself was one to go against the grain. His electro-influenced productions for Mantronix and Just Ice were ahead of their time, and perhaps in EPMD he saw kindred spirits. Because, at the time this dropped, hip-hop was going up tempo, taking its cue from James Brown samples and picking up the pace.

On both 'It's My Thing' - underpinned by the languorous 'Seven Minutes of Funk' by The Whole Darn Family - and 'You're a Customer', with its combination of ZZ Top and Steve Miller Band - Erick Sermon and Parrish Smith slow things right down. It gives their vocals time to breathe and allows us to enjoy the interplay of their metaphor and simile-heavy lyrics. As calling cards go, they don't come any better than this.

Stunning debut that has become a bona fide classic. The  originakl 7" release very hard to find so props to Mr. Bongo for dishing us out a legit reissue. 

TRACK LISTING

It's My Thing
You're A Customer

"The Architecture of Oppression Part 1" represents Ferguson's debut as a bandleader and orchestrator, and manifests as a committed and soulful response to ongoing and systemic anti-black racism, social oppression and state violence both at home in London and across the globe. Combining poetry, testimony and song with rich and cinematic backdrops, Ferguson has produced a sui generis sound that conjures flavours of Arthur Verocai, Ennio Morricone, classic library productions, Madlib-style deep-jazz beat science, and psychedelic soul.

With bandmate Malcolm Catto on drums, Ferguson draws on their long years of collaborative experience in the Heliocentrics to build an album of striking texture and depth. But the album does not only reflect Ferguson's full-spectrum musical prowess, experience and vision. It is equally a manifestation of his longstanding and high-profile work as a frontline activist for racial justice and social equity in London and beyond.

Alongside Malcom Catto, contributors to the album are drawn from the intersecting worlds of community activism, cultural education, politics and music, and include singer and political activist Jermain Jackman, Zara MacFarlane; Chicagoan activist, poet and singer Ugochi Nwaogwugwu; Lee Jasper, longstanding worker for racial justice and former advisor on equalities to the Mayor of London; acclaimed performance poet Dylema; Hackney community leader Janette Collins MBE and Leroy Logan MBE, founder and former chair of the Black Police Association, and the subject of Steve McQueen's Small Axe episode 'Red, White and Blue'.

The Architecture of Oppression Part 1 is a singular and urgent chronicle of the black British experience, an upful expression of Pan-African creative unity and community solidarity, and a militant and unbending missive from the frontline in the great tradition of The Impressions' This Is My Country, Irreversible Entanglements Who Sent You?, Max Roach's We Insist - Freedom Now Suite, or Linton Kwesi Johnson's Bass Culture. A broken record repeats itself, and never plays through – the music is interrupted or trapped in a cycle by damage to the grooves. But The Brkn Record is a work of healing and protection, and a chance to let the full story be heard – all the way to the end, no skips.

STAFF COMMENTS

Matt says: Political and personal, this LP narrates the Black experience with a sound palette somewhere between Axelrod, Madlib, MPB and soul.

TRACK LISTING

1. Assimilation (Ft. Dylema)
2. His Mother’s Eyes (Ft. Jermain Jackman)
3. Brother Andrew – The Investigator (Ft. Brother Andrew Muhammad)
4. Break The Chains
5. A Police Service, Not A Police Force (Ft. Lee Jasper)
6. Hackney Ain’t Innocent (Ft. Yolanda Lear)
7. On The Daily (Ft Ugochi Nwaogwugwu)
8. Say Black (Ft. Dylema)
9. The Babylon Encounter (Ft. Janette Collins & Leroy Logan)
10. Witness The Whiteness (Ft. Adam Elliot Cooper)
11. Lifeline (Ft. Zara McFarlane)

Volume 86 in the Brazil45 series featuring a pair of stellar 1970s Brazilian-Funk / Black Rio nuggets by two of the greats of the genre, Toni Tornado & Zeca Do Trombone.

‘Sou Negro’ (I’m Black) is taken from Toni Tornado’s (aka Ant nio Viana Gomes) sought after 1970 four-track compacto EP on Odeon Records. Already having had some experience in show business as a dancer in the 1960s, Toni started his musical career in 1970 and adopted the stage name Toni Tornado.

The influence of James Brown flowed through his music, with Toni becoming one of the first Brazilian artists (alongside Tim Maia) to introduce the soul and funk sound into Brazilian music. Together with other contemporary musicians and bands such as Banda Black Rio, Gerson King Combo and Cassiano, this new sound led to DJ’s throwing soul parties. This unique Brazilian take on soul and funk (and later on disco) became coined as ‘Black Rio’. A movement that celebrated pride in its Black identity and consciousness.

Zeca Do Trombone has an impressive repertoire which has seen him releasing a handful of solo albums and working with some of the greats of Brazilian music, such as Tim Maia, Ivan Lins, Joyce, and Luis Vagner. The track ‘Coluna Do Meio’ is taken from his 1976 collaboration project ‘Z Do Trombone E Roberto Sax’ with saxophonist Roberto Sax, which additionally features the heavyweight Wilson das Neves on percussion.

This catchy wah-wah guitar-led dancer has become a favourite with DJ’s over the years and will continue to be championed for years to come.

TRACK LISTING

Toni Tornado - Sou Negro
Zeca Do Trombone & Roberto Sax - Coluna Do Meio

Second album from Kit Sebastian, the captivating duo of Kit Martin and Merve Erdem. Those familiar with the band's cult classic 2019 debut,”Mantra Moderne” will instantly recognize their unique sound that blurs the boundaries of world music, jazz and psychedelia. However, “Melodi” sees the band evolve with even more diversity, effortlessly strolling between moods and influences.

“Melodi” is imbued with Kit Sebastian's love of vintage records and world cinema, but it is not a retro homage. It celebrates its influences but is very much a modern record, being simultaneously brand new and retro. This is a credit to the duo's craft as musicians and songwriters, presenting their influences as a circular interaction between the present and the past rather than a linear one.

The album’s range of instrumentation has expanded from the previous record to include zithers, harpsichords, congas, bongos, bulbul tarang, and a mock-up choir on top of the synthesizers, balalaikas, organs, and saxophones. Session musicians and friends were also booked to introduce trumpet and string sections giving the album an added depth and orchestral texture. Despite the added complexity, the album was recorded using the same techniques employed for the previous album with various tape machines, bouncing back between cassette and ¼” tape for practicality and sonic abstraction. To pierce through this abstraction, the vocals are intentionally more expressive. Merve took cues from the Turkish singers of her youth, adding a slightly more melancholic, darker and more reflective style than “Mantra Moderne”. Rooted in observations from everyday life, they speak often about the worlds and thoughts that arise from the end of the night.

Like with many of the best albums, the record seems over all too soon and has you instantly wanting to play it again. On each listen you decide on a track that you think is your favourite from the album only for it to be replaced with a different one on the next listen. The songs and production have hidden depths that seem to evolve and morph the more you devour them. Moments of pure pop, moments to fall in love, moments to contemplate. This journey is rich in musical vitamins and nourishment, but like all the best things still leaves you wanting more.

STAFF COMMENTS

Barry says: Melodi is a wonderfully evocative mash-up of European pop, classic psychedelia and shimmering easy-listening, brought together with beautifully sung vocal lines, rich production values and hazy, lounge-jazz saturation. A warm and intoxicating listen, bringing to mind any number of cinematic accompaniments.

TRACK LISTING

Side 1
1. Yalvarma (Don't Beg) (5:11)
2. Agitate (4:37)
3. Yeter (Enough) (3:42)
4. Melodi (Melody) (part 1) (4:11)
5. Melodi (Melody) (part 2) (1:26)
Side 2
1. Elegy For Love (3:40)
2. Affet Beni (Forgive Me) (3:38)
3. Inertia (3:40)
4. Ahenk (Harmony) (3:30)
5. Please, Don't Take This Badly (4:13)

Created during Summer 2020, this album is the product of a fruitful collaboration between Brighton-based musicians Glenn Fallows (The Impellers/Andres y Xavi) and Mark Treffel (Blue States/The Soul Steppers). These seasoned performing and recording artists have put their abundance of experience and skilful musicianship into effect with aplomb on this album. This is as accomplished a debut release as you will ever hear, and dare we say, a future classic in the making. The Globeflower Masters project was borne from an idea Glenn had to create an album that leant on the influence of soundtrack and library composers - particularly of the late 60s and early 70s. This rich sonic palette had previously been innate in his writing and composition but, for this album, the direct inspiration was placed front and centre. After penning several sketches, Glenn contacted Mark to fulfil the vision he had for a complete sound. Mark had an arsenal of vintage synths, pianos and other fun toys which could supplement the drums, guitars and bass that Glenn had been working on.

As the album progressed, the pair worked increasingly collaboratively, with each of them starting and sharing ideas to curate the final eight finished tracks. The results are an album of lush, warm, timeless productions that are drenched in strings and classical instrumentation. Awash with atmospheric excursions, it is a listening experience that moves you through moods whilst transporting you to a world of deeply evocative settings and imagined scenarios. The Globeflower Masters Vol. 1 resonates equally as well on a dark melancholic Winter's day as it does sound-tracking a halcyon Summer day. Though influenced by 60s and 70s productions the record is not a simple pastiche, feeling both simultaneously brand new as well as authentically retro.

STAFF COMMENTS

Barry says: The Globeflower Masters mix the perfect ratio of slo-mo funk and lounge jazz with wonderful organic percussion and library synth business. It's woozy and hazy, while being both immediate and intoxicatingly atmospheric.

TRACK LISTING

1. Faith In Time
2. Scene In Roma
3. Who Knows When
4. Hidden In The Pampas
5. Fear Me Now
6. How It Shimmers
7. El Ejido
8. Arise

For number 93 in the Brazil45 series, Mr Bongo present two favourites from the Harmony Cats. A female vocal quintet (who later became a trio) from Sao Paulo. They formed in 1976 and were most prolific in the disco period. ‘Harmony Cats’ Theme’ from 1976 is probably the group best known track outside of Brazil. Owing a lot to Rhythm Heritage’s version of ‘Barretta’s Theme (Keep Your Eye On The Sparrow)’ it’s wonderfully spacey breakbeat and percussive production with lush, floaty vocals makes it a real crossover classic record. ‘Seja Como Nos (De Pe No Chao)’ is instantly recognisable. Tucked away on the b-side of their 1979 single ‘Tem Dinheiro Nisso’ on Young Records, it is a beast of a cover version of The Jacksons’ classic ‘ Shake Your Body (Down To The Ground)’. Nothing subtle or sophisticated here. Just a song of pure disco joy, enhanced with awesome Brazilian production and the Cats’ trademark vocal arrangements. A get-of-jail-free card for any DJ that finds themselves stuck with an empty dancefloor, but also one that will put smiles on the faces of the more discerning leftfield club crowds.

STAFF COMMENTS

Matt says: Nice, late 70s Tropicalia-styled moments which are much more appropriate to play than their original incarnations. I've heard The Jacksons-penned, "Seja Como N S" out and about in town, so some upfront DJs out there know what's right.

TRACK LISTING

1. Harmony Cats’ Theme
2. Seja Como N S (De P No Ch O)

Hailing from south-east London, Joel Culpepper is an artist who’s been on Mr Bongo's radar for some time now. With a unique soulful voice and explosive showmanship, Joel’s star is rising. His sonic palette blends an array of genres and influences, that looks back to the greats whilst simultaneously absorbing London’s contemporary musical landscape.

Joel's debut album, 'Sgt Culpepper’, is an incredible modern soul album and the product of a two-year undertaking which saw him attract an array of respected producers and musicians from the UK and beyond, a testament to the reputation he had already built as a dynamic songwriter and performer among his contemporaries. With executive production from Swindle (Ezra Collective, Mahalia), mastering from Joker (Stormzy, Kojey Radical) and with co-productions that include the likes of legendary pop producer Guy Chambers, Raf Rundell (The 2 Bears), Shawn Lee (Saint Etienne, Kelis), and Tom Misch, Sgt Culpepper is a demonstration of the power of community, mingling self-reflection with wider social commentary. The record is split into four chapters: The Battle, which includes previous singles ‘W.A.R’ and ‘Return’, The Surrender, embodied by recent single ‘Poetic Justice’; The Love and The Lesson.

Joel’s desire to forge a sense of collectivism was the lifeblood for 'Sgt Culpepper', resulting in the diverse roster of talent attached to the project. As well as the aforementioned names, the record includes production from the likes of British multi-instrumentalist Redinho, South London rapper and Roc Nation signee Kay Young, Linden Jay (Poppy Ajudha, Rejjie Snow), and Grammy-award winning songwriter Jimmy Hogarth. "I've been inspired by how the UK jazz and grime scene supports each other, it’s similar to what happens in the states. Collectives like Odd Future, Aftermath and the earliest being Motown. It’s soul’s turn to band together here, likeminded independent musicians working to support the scene and each other as a whole.”

Through charismatic storytelling, personal epiphanies, and the formation of a new creative collective that underpins his craft, 'Sgt Culpepper' ushers in a new era for Joel as an artist.

STAFF COMMENTS

Barry says: Though it's clear where Culpepper's myriad influences lie (the athletic vocals could be favourably compared to Prince pretty easily for example), 'Sgt Culpper' never comes across as anything but a brilliantly unique and wonderfully written whole. From psychedelic funk, hip-hop and the groove of the burgeoning UK jazz scene, this has it all, and brought together with style.

TRACK LISTING

1. Tears Of A Crown
2. Return
3. W.A.R
4. Bodies
5. Poetic Justice
6. Thought About U
7. Kisses
8. In Your Sex
9. Remember
10. Break
11. Black Boy

Rio-born pianist and organist Lafayette’s career started in the mid-60s and saw him become a prominent member of the Brazilian musical movement entitled ‘Jovem Guarda’. For his inclusion on this selection in the Brazil45 series the Bongoteam move things along a few years to 1982 and the Brazilian boogie gem ‘Sol De Ver o’.

Taken from his album ‘Edi o Especial’ and originally released on Copacabana Records, ‘Sol De Verao’ was written by Jorginho Gomes from one of Brazil’s greatest bands Os Novos Baianos. It’s a superb slice of 80s boogie/funk brilliance with a super catchy ear-worm of a vocal - definitely one for the dancers!

For the flip, there's an absolute monster from the fantastic Marisa Rossi, who we featured previously on number 38 in the Brazil45 series. ‘Quem Vem L ‘ is a heavy driving Samba Rock / MPB groove track with female and male call and response vocals. Originally released on a very rare and exclusive 7” also on Copacabana Records, but this time in 1971. Marisa would go on to work with the legendary Arthur Verocai in the 1980s. Two very different slices and styles of Brazilian music, but both absolute gems.

TRACK LISTING

Lafayette - Sol De Verao
Marissa Rossi - Quem Vem La

A pure vintage that features the ultimate Brazilian-boogie cult-classic ‘Estrelar’ and iconic 80s cover art that sees a gloriously sun-drenched Marcos dressed in a pink v-neck t-shirt surrounded by a generous selection of deadly-looking neon cocktails.

The album was produced by the legendary Lincoln Olivetti and Marcos’ brother Paulo S rgio Valle. It showcases a real who’s who of Brazilian music at the time, with stellar performances from vocalists and musicians such as Rosana, Serginho Do Trombone, Robson Jorge and Oberdan Magalh es to name but a few.

This was Marcos’ second album, after having moved back to Brazil from his time living in Los Angeles, and that US influence is evident through its prominent boogie, soul and funk sounds. It also features collaborations with the US singer-songwriter, composer, pianist, keyboardist, and record producer, Leon Ware, who co-penned three tracks including ‘Estrelar’.

To complete the album there are tracks such as ‘Fogo Do Sol’, which is pure AOR / Balearic vibes, and tracks that are more MPB and pop-inspired, making a well-balanced track list for both home-listening pleasure and dancefloor business.

To celebrate the release we have pressed up several vinyl versions; both standard master, and half-speed mastering editions on Black vinyl, alongside special limited edition Rose and Mint-Green coloured vinyl variants that were inspired by the audacious-looking cocktails on the cover - sheer 80s excess! 

TRACK LISTING

1. Estrelar
2. Fogo Do Sol
3. Samba De Verao
4. Para Os Filhos Abraao
5. Naturalmente
6. Tapa No Real
7. Tapetes, Guardanapos, Cetins
8. Dia D
9. Mais
10. Que Amor
11. Viola Enluarada

It is drenched in the essence of the Brazilian 80s boogie and funk sound. A driving force behind this is the writing, arrangement, and musicianship of Lincoln Olivetti, who was instrumental in forging this unique sound within Brazilian production at the time. It is heightened even further by the astonishing team that feature on the record. Brazilian icon and heavyweight Tim Maia, Robson Jorge, Serginho Trombone, Oberdan Magalh es, Claudio Stevenson and Jamil Joanes (of Banda Black Rio fame), Junior Mendes, the list goes on. This crew of musicians synergised perfectly with Sandra’s vocal style, all complementing each other to create a classic. One of our favourites from the album is the opening track ‘Trem Da Central’, an infectious groove that when paired with Sandra’s cool and relaxed swaggering vocal resulted in an essential dancefloor jam! Equally delightful and dancefloor summoners are the catchy boogie funk of ‘Candura’, and the Earth, Wind & Fire sounding ‘Pela Cidade’. Tim Maia features on the fast-paced duet ‘Vale Tudo’, which was written especially for Sandra to sing with Tim, who at the time was one of the biggest stars in Brazilian music. These boogie and funk compositions are balanced by fine slow jams giving the album a satisfyingly well-rounded feel. Sandra had been working in music since the 70s and continues to do so to this day, but this period of the early 80s was a rich and prolific time for her. If you are a fan of Robson Jorge & Lincoln Olivetti’s self-titled album from 1982 or Marcos Valle’s 1983 album featuring the song ‘Estrelar’, then this one is definitely for you. ‘Vale Tudo’ is a must-have record from a talent

STAFF COMMENTS

Patrick says: Not that I want to play favourites between my Brazilian boogie crew, but in my most humble opinion, this total groove-a-thon from Sandra Sa wipes the floor with that Marcos Valle reissue. Sunkissed, light and totally joyful, 'Vale Tudo' deserves a place in every good collection.

TRACK LISTING

1. Trem Da Central
2. Candura
3. Pela Cidade
4. Onda Negra
5. Gama O
6. Vale Tudo
7. Guarde Minha Voz
8. Terra Azul / Musa
9. S As Estrelas

Official half-speed mastered re-issue of British trumpeter and bandleader Ian Carr's iconic jazz-fusion-rock hybrid ‘Belladonna’ from 1972.

Originally released on the Vertigo label, complete with collectable ‘swirl' record centre design, this sought-after jazz-rock-fusion rarity features some of the cream of the UK jazz musicians of the 70’s. Comprised from groups such as Nucleus, Brian Auger's band, Soft Machine, Stan Tracy group, the players included Brian Smith (tenor and soprano saxophones, alto and bamboo flutes), legendary guitarist Allan Holdsworth, Dave MacRae (Fender electric piano), and bassist Roy Babbington, to name but a few.

Seen as a benchmark point in Ian Carr's career, 'Belladonna’ is awash with atmospheric excursions and ethereal qualities, as well as a darker fusion aesthetic and prog-rock sensibility from Holdsworth's exceptional guitar playing. The moody, yet funky, vibe of the album has echoes of Miles Davis' electronic era à la 'In A Silent Way'.

The album is best enjoyed played in its entirety. There are ebbs and flows with certain tracks shining along the way. Standouts include the beautiful down-tempo track 'Summer Rain’, which has a soundtrack / library style brilliance and emotional electric piano soloing. Though recorded in the 70’s, the track has a timeless sound, a melancholic funk so often used in hip-hop and beat tape productions to this day. ‘Mayday's Shaft-like long extended intro builds the drama until the percussive release when the drums drop at over three minutes in.

To give a record of such quality the treatment it deserves, we have once again been lucky to enlist the service of mastering and lacquer cutting engineering don Miles Showell at Abbey Road Studios, to cut a brand-new half-speed master and let the music speak for itself.

TRACK LISTING

A1. Belladonna
A2. Summer Rain
B1. Remadione
B2. Mayday
B3. Suspension
B4. Hector’s House

As long-time fans of this sublime four-track compacto 7” by the illustrious Brazilian duo Luli Lucinha e O Bando, we have floated the idea of re-issuing this beauty for several years now. So finally, the time feels right to release this beloved gem back into the world.

Originally issued on Som Livre Records in Brazil in 1972, this rarity has long been lost to only but the most hardened Brazilian record collectors and those lucky few who own an original copy.

The four genre-defying compositions blend elements of psychedelic rock, MPB and folk, and are glued together by the synergy of Luli and Lucinha’s vocals and the outstanding arrangements by Z Rodrix. Whether it be the lost Brazilianpsych anthem of ‘Flor Lil s’, or the tripped out folk-funk of ‘Dourado Da Manh ‘, the EP oozes magic and brilliance. The record also features the Brazilian percussionist, Alyrio Lima, who later became a member of the iconic Weather Report.

Luli (Heloisa Orosco Borges da Fonseca) and Lucinha’s (Lucia Helena Carvalho e Silva) records have become extremely sought-after in recent years. Their inclusion on John G mez’s superb 2017 ‘Outro Tempo’ compilation helped spread the gospel about their beautiful folky, MPB, private press albums from the late ‘70s and ‘80s.

Prior to their musical partnership back in 1965, Luli released a heavenly Bossa Nova 7” nugget entailed ‘Baleiro’ and a self-titled solo album on Philips Records, which are now also highly-prized by collectors. Here at Mr Bongo we feel Luli and Lucinha’s names should be more widely recognised and break out of their cult artist status.

They should be rated up there amongst some of the progressive, left-field greats of Brazilian music of their era. Sadly Luli passed away in 2018, but left behind an inspiring musical legacy for us all to savour.

TRACK LISTING

Flor Lil S
O Rato Roeu
Floresta Encantada
Dourado Da Manh

When the film ‘White Men Can’t Jump’ was released in 1992, an EP of music from the film was dropped almost simultaneously.

That EP, cheekily titled ‘White Men Can’t Rap’, featured a couple of exclusive gems, notably Gang Starr’s ‘Now You’re Mine’ and a cut from Main Source called ‘Fakin’ the Funk’. The only single borne of that six-track EP was the Main Source track, released in remixed form on Wild Pitch records the same year.

No surprise, it was head and shoulders above the rest. Opening with those unmistakable harmonies from Main Ingredient’s ‘Magic Shoes’, the intro segues into a crisp beat borrowed from Grady Tate’s frequently sampled ‘Be Black Baby’ from 1969.

Throw in a sprinkle of Kool & The Gang and you’ve got a track that would fit seamlessly onto Main Source’s masterpiece of an album, ‘Breaking Atoms’. Instead, it’s the group’s last hurrah, the final collaboration between K-Cut, Sir Scratch and Large Professor before the latter departed the trio.

It’s fitting that he saves one of his best vocal performances for last, railing at sell-outs with the assistance of his long-term collaborator Neek the Exotic.

Never released before on an official 7”, it’s a track that has lost none of its appeal, and the remix is the definitive version of this classic.

TRACK LISTING

Fakin’ The Funk (Remix)
Fakin’ The Funk (Instrumental)

Official replica re-issue of a South African jazz-funk rarity from Teaspoon & The Waves.

Released in 1977 on Soul Jazz Pop, a subsidiary label of Mavuthela Music Company / Gallo, Teaspoon & The Waves’ self-titled album is an absolute masterpiece.

Best known for the song ‘Oh Yeh Soweto’, which is an astonishing adaptation of Lamont Dozier’s anthem ‘Going Back to My Roots’, this track has become a contemporary underground club classic in recent times and has been featured in sets from a cross-section of DJs.

With such a massive calling card song, it could be easy to write off the album as a typical one-tracker (like so many records often are), but that is a long way from the truth. Each of the remaining four tracks are super strong and, for us here at Mr Bongo, this has to be our favourite South African record of this era. ‘Saturday Express’ is a jazz-funk/disco stomper which will soon be lighting up dancefloors again.

‘Wind and Fire’ is true afro-jazz-funk excellence, with great spacey synths and reggae-inspired guitar grooves riding throughout. The opener, ‘Friday Night’, also has a slightly reggae-tinged tropical groove, whilst ‘Got Me Tight’ finishes off the session with a feel-good jazz-funk workout that features cool, quirky, Patrick Adams-esque synths.

Saxophonist Teaspoon Ndlela has had an amazing and rich musical career. Releasing albums on records labels Soul Jazz Pop, Hit Special, Gallo GRC, alongside working with and writing for South African artists such as Mpharanyana, Stimela, Sipho Gumede and Sgu. He also features on the Paul Simon track ‘Gumboots’ taken from the iconic ‘Graceland’ project.

Though best known for ‘Oh Yeh Soweto’ we hope this re-issue helps demonstrate that there is much more magic in this wonderful musician’s repertoire to discover.

TRACK LISTING

Friday Night
Wind And Fire
Saturday Express
Oh Yeh Soweto
Got Me Tight

Large Professor being a prodigy on the SP-1200 is well established, but the way he flips parts of MFSB’s ‘TLC’ and Milly and Silly’s obscure ‘Gettin’ Down for Xmas’ with a sprinkling of Lyn Collins here establishes his credentials in the top tier.

Lyrically, it’s a tour de force, with Main Source taking exception with the misuse of the word ‘peace’ by the hip-hop fraternity. With even the most homicidal of gangster rappers dropping it at the end of tracks at the time, time was overdue for some regulation.

The album version makes its point pithily in a single verse, while the remix, included on the flip of this first ever 7” release, expands on the topic with new verses and some new samples too. It’s a welcome reminder of the time when remixes were remixes - not just the identical track with the latest hot rappers joining in.

Most of all, Main Source once again walk the fine line between lyrical lecture and head-nodding banger - the rare example of a track with a point to make that can still fill a dancefloor and get necks snapping.

STAFF COMMENTS

Patrick says: Glorious golden age hip hop from Large Pro, Sir Scratch and K-Cut. Though the lyrical message is pointed and on point, it's the sampler sophistry which makes this a classic.

TRACK LISTING

Peace Is Not The Word To Play (Remix)
Peace Is Not The Word To Play (Album Version)