After a 10-year hiatus, Balearic Mike and Kelvin Andrews return to continue the journey of the Balearic Beat with another edition of their distinguished Down To The Sea And Back compilation series, presenting a formidable new set of rare and obscure records.

With Vols. 1 and 2, the well loved duo showed us that not only are they serious collectors but chroniclers of a scene, assembling lost gems and unheard marvels into Balearic mythology. Reaping, along the way, accolades such as Piccadilly Records’ Compilation of the Year, and featured on Lauren Laverne’s BBC6 Music show. For Vol. Tres, Mike and Kelvin team up with Copenhagen-based Music For Dreams label – themselves no strangers to the Balearic archives. The compilation features 16 tracks, every selection accompanied by an essential background story in the liner notes of the gatefold vinyl and CD booklet.

As fellow comrade and beloved friend Luke Una puts it: “From Greek acid folk, Balearic bossa, outsider pop and electronic chug, to cosmic machine soul, majestic songs, odd numbers, proto-techno new wave to dubbed out 5am technoid, bass buggin deepness and ethereal outer-space Detroit via San Francisco. This album is a story. A story from the heart, with over three decades digging and grafting in the trenches. In a world of faux, pastiche, counterfeit and aggrorhythm fakes, it oozes a wholesome intuitive authenticity. Majestic songs, odd numbers, cosmic dreaming and late night astral travelling as we all hold on together.” 

TRACK LISTING

A1 Josete Ordonez - Objetos Perdidos (Dagobert Böhm Version)
A2 Robert Williams - I Believe You're The One
A3 Lee Ryda - Electro Eyes
A4 Francisco - Heal Yourself
B1 Vidderna - Villfarelser
B2 Meo - Cikuana
B3 The Emperor Machine - Dying By Wits (Original Mix)
B4 Tri Atma - Yummy Moon (Long Version)
B5 Pressure Drop - Unify /Rip Up (instrumental)
C1 Enzo Carella - Malamore
C2 Ad Vissar & Daniel Sahuleka - Giddyap A Gogo
C3 Le Couleur - Underage (Original Mix)
C4 Sunshine Jones - Fall In Love Not In Line (Extended Vocal Version)
D1 Car Crash Set - Fall From Grace
D2 Len - Steal My Sunshine (Version Idjut)
D3 Mcraft - She Sells Sanctuary

LAST REMAINING COPIES!!

The Flightpath Estate in association with the Golden Lion have compiled a double vinyl album.

'Sounds From the Flightpath Estate'

9 exclusive tracks plus a previously unavailable Two Lone Swordsmen track. An exclusive cover of 'Smokebelch' by Andy Bell plus one-off recordings by Hardway Bros, Timothy J. Fairplay, Justin Robertson, Richard Sen, Sons Of Slough, Rude Audio, 10:40 and a world renowned Belfast based DJ and producer.

The Flightpath Estate is a Facebook group dedicated to the music, art and work of Andrew Weatherall. It began life in 2013 and has become a virtual home to his fans, friends and family. It is also the host of the Weatherdrive - thousands of hours of recordings of Andrew Weatherall’s DJ sets, mixes and radio shows.

'Sounds From The Flightpath Estate' is a compilation celebrating people and places, the outlook, aesthetic and music Andrew Weatherall was known for, and the sense of community and love of music centered around The Golden Lion.

The sounds are forward thinking, created with a deep understanding of the music of the past but future facing, dance floor oriented and made with love.

----------

Limited edition double black vinyl, 500 copies only. Gatefold jacket with notes.

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Mastered by Andrew Liles

Sleeve art by Personality Crisis

Labels by Walter Russ

STAFF COMMENTS

Matt says: The first full length compilation to arrive from the creative hub / musical ashram that is The Golden Lion in Todmorden. Working with Andrew Weatherall’s friends, family and collaborators (plus two large online communities), the compilation even includes an unreleased Two Lone Swordman track and will likely be one of the most sought after releases on this incredibly strong and prolific label.

TRACK LISTING

A1 - Two Lone Swordsmen - The Crescents
A2 - Sons Of Slough - Red Machine (GL Soundcheck)
A3 - Timothy J. Fairplay - Centurion Version

B1 - Justin Robertson's Deadstock 33's - Curtains Twitch On Peaks
B2 - Richard Sen - Tough On Chug, Tough On The Causes Of Chug

C1 - Rude Audio - Running Wild
C2 - 10:40 - Three Rings

D1 - Hardway Bros - Theme For Flightpath Estate
D2 - The Light Brigade - Human : Remains
D3 - Andy Bell - Smokebelch II

Alex Kassian's extended rendition of E2–E4 promises a 12-minute electronic odyssey, tailor-made for diverse dancefloors from it’s spiritual home Ibiza and beyond. On the flip side, Mad Professor embarks on a club-oriented version excursion, a rare gem in its own right. This reimagining breathes new life into the classic, offering fresh perspectives for music aficionados everywhere. Hot tip for release of the Summer!

TRACK LISTING

A1. E2–E4
B1. E2–E4 (Mad Professor’s Qantas Crazy Remix)

“Writing this album, I opened up my closet, and a skeleton came out.” In a café just around the corner from his Edinburgh flat, Hamish Hawk is contemplating his extraordinary new record, A Firmer Hand. “The thing that links all of the songs is a sense of the unsaid, whether out of guilt, shame, repression, embarrassment, coyness, whatever it might have been. I realised: I am going to say these things, and not all of them are going to make me look good. The album made so many demands, and I just gave myself over to it.”

At this stage, where only a handful of close associates have heard the finished album, Hawk is still unsure of what the reaction might be from fans, critics, even family. He jokes that A Firmer Hand is the first of his records that his parents might not enjoy. “But the fact that it makes me nervous tells me it was the right thing to do.”

It takes only a couple of listens to be sure that it was a risk worth taking. And just a couple more to determine that A Firmer Hand is the best and boldest record Hamish Hawk has delivered to date. “It’s a bit of a coming of age record,” he says. And a record for the ages.

TRACK LISTING

1. Juliet As Epithet
2. Machiavelli’s Room
3. Big Cat Tattoos
4. Nancy Dearest
5. Autobiography Of Spy
6. You Can Film Me
7. Christopher St.
8. Men Like Wire
9. Questionable Hit
10. Disingenuous
11. Milk An Ending
12. The Hard Won

Recalibrating her singular journey in the British musical landscape with her most open-hearted, direct and intimate collection of material yet. Love In Constant Spectacle evokes spectacular imagery and distills the artists’ vision in its purest form, elevating her inimitable sound and poetic vision to new heights.

Recapturing the melancholy of her early work whilst propelling it forward, she sketches scenes as we watch new colours, shapes and languages emerge and fill the frame. Love In Constant Spectacle sees her take measured steps towards a vivid, dreamlike record, that offers resolve in the face of life’s inevitability.

The foundations of Weaver’s sound are still evident – lush motorik drums, pulsating bass, custom modded synths and exotic fuzz pedals - but the stream is awash with scrabble piece poetry and Letraset lullabies leading to lush escapism, the free abandon that you’d associate with free jazz and the avant-garde. But, as determined and visionary as Weaver might be, Love In Constant Spectacle wasn’t executed without assistance. Here we find a long mooted unison with Jane’s first ever producer, John Parish (PJ Harvey, Aldous Harding), who has shared Weaver’s process in the surrounds of Rockfield Studios and Geoff Barrow’s Invada studio.

Love In Constant Spectacle is otherworldly, it is both intimate yet distant, a surrealist interpretation of the foundations that make us human – the stories and landscapes it paints are habitats of their own. A voyage into undisclosed pastures, it’s a heartfelt manifesto from an artist that continues to boundlessly evolve with each chapter in her career.

STAFF COMMENTS

Barry says: We're big fans of Jane & co. here at Piccadilly, and 'Love In Constant Spectacle' takes everything we've known and loved from previous releases; her rich melodic thread and progressive instrumental leanings, and injects the pieces with perfectly extracted DNA from jazz, 60's psychedelic pop and art-rock.

TRACK LISTING

Side A
A1 Perfect Storm
A2 Emotional Components
A3 Love In Constant Spectacle -
A4 Motif
A5 The Axis And The Seed
Side B
B1 Is Metal
B2 Happiness In Proximity
B3 Romantic Worlds
B4 Univers
B5 Family Of The Sun

Fontaines D.C. announce details of their highly-anticipated fourth album, Romance. Romance is the band’s first album with producer James Ford and is without doubt their most assured, inventive and sonically adventurous record yet. It’s set to build on the success of the Dublin-made, now London-based band’s acclaimed 2022 album Skinty Fia, which reached number 1 in the UK and Irish album charts and saw the band receiving a host of accolades including “International Group of the Year” at the 2023 BRIT Awards.

Heralding Fontaines D.C.’s latest creative (r)evolution is the explosive lead single “Starburster”. Inspired by a panic attack lead singer Grian Chatten suffered in London’s St Pancras station, the song is punctuated by sharp feral intakes of breath. Its propulsive beat and unrelenting lyrics establish self-destruction as fantasy before a brief moment of sobering clarity when the drums fall away and Chatten moves from spitting, almost-rap into an almost-psalm, his baritone rich and dreamy. It’s accompanied by a cinematic music video from director Aube Perrie (Megan Thee Stallion, Harry Styles, The Hives) that captures the song’s cathartic intensity to brilliant effect.

Romance is Fontaines D.C.s most ambitious, expansive record yet, its 11 tracks constellating ideas that have been percolating among Grian Chatten (vocals), Carlos O’Connell (guitar), Conor Curley (guitar), Conor Deegan (bass), and Tom Coll (drums) since they released Skinty Fia in 2022. These ideas crystalised while touring the U.S. and Mexico with Arctic Monkeys as the five band members shared music and found a throughline with artists that deftly build out their own sprawling creative worlds: the attitude and aesthetic sheen of artists like Shygirl and Sega Bodega, the bolshy sonic palettes of hip hop and heavy metal, Mos Def, A$AP Ferg, OutKast and Korn. They had time apart to build more singular visions for what future music could be: O’Connell went to Spain’s Castile-La Mancha and later became a new father, while Chatten spent time in LA, and Deegan in Paris. They laid deeper roots in London. Each member spent time pushing their boundaries – experimental riffs, chord progressions, and far-flung lyrical references without intentions for a record. After wrapping up the US arena tour in Autumn 2023, they spent a month writing together again, three weeks of pre-production in a North London studio, and a month in a chateau close to Paris, sleeping among studio equipment, completely immersed.

Of the album’s title, Conor Deegan says, “We’ve always had this sense of idealism and romance. Each album gets further away from observing that through the lens of Ireland, as directly as (Mercury Prize-nominated debut) Dogrel. The second album (the GRAMMY-nominated A Hero’s Death) is about that detachment, and the third (Skinty Fia) is about Irishness dislocated in the diaspora. Now we look to where and what else there is to be romantic about.”

Expounding on the theme, Chatten recalls Katsuhiro Ôtomo’s anime Akira, where the embers of love develop despite a maelstrom of technological degradation and political corruption around its characters. “I’m fascinated by that - falling in love at the end of the world,” he says. “The album is about protecting that tiny flame. The bigger armageddon looms, the more precious it becomes,” while O’Connell adds “This record is about deciding what’s fantasy – the tangible world, or where you go in your mind. What represents reality more? That feels almost spiritual for us.”

The sonic evolution of the band, who bared their teeth in early records with antagonistic punk sensibilities, is an ascent into grungier breaks, dystopian electronica, hip-hop percussion, and dreamy Slowdive-esque textures that may surprise fans. The shoegaze touchpoints first pressed on Skinty Fia unfold on Romance like a purpling bruise. But any “retro aesthetic”, as Chatten describes it, is left behind. Reflecting on the impending release, Chatten says, “We say things on this record we’ve wanted to say for a long time. I never feel like it's over, but it’s nice to feel lighter.” The fantasy is felt for better or worse, and Fontaines D.C. welcome either end of oblivion.

TRACK LISTING

1. Romance
2. Starburster
3. Here's The Thing
4. Desire
5. In The Modern World
6. Bug
7. Motorcycle Boy
8. Sundowner
9. Horseness Is The Whatness
10. Death Kink
11. Favourite

Fat Dog are the most exciting breakthrough band of the past few years, conjurers of the sort of frenzied and wild live shows not seen in the capital for years and now the creators of ‘WOOF’., a brilliant and mind-bending debut album. A thrilling blend of electro-punk, rock’n’roll snarling, techno soundscapes, industrial-pop and rave euphoria, ‘WOOF’. is music for letting go to or, in the words of frontman Joe Love, “screaming-into-a-pillow music”.

TRACK LISTING

Side A
Vigilante
Closer To God
Wither
Clowns

Side B
King Of The Slugs
All The Same
I Am The King
Running
And So It Came To Pass

Khruangbin’s fourth studio album, A La Sala (“To the Room” in Spanish), is an exercise in returning in order to go further, and doing so on your own terms. It continues the mystery and sanctity that is the key to how bassist Laura Lee Ochoa, drummer Donald “DJ” Johnson, Jr. and guitarist Mark “Marko” Speer approach music. If 2020’s Mordechai, the last studio LP Khruangbin made without collaborators, was a party record that enhanced the band’s musical reputation far and wide, then A La Sala is the measured morning after. It’s a gorgeously airy record completed only in the company of the group’s longtime engineer Steve Christensen, with minimal overdubs. It’s a window onto the bounties powering Khruangbin’s vision, a reimagining and refueling for the long haul ahead. A La Sala scales Khruangbin down to scale up, a creative strategy with the future in mind.

The trio’s collective musical DNA, the years spent constructing it in Houston’s local-meets-global cultural stew, ensures the band continues to sound like no one but itself. A cascade of crisp melodies emanates from Marko’s reverb-heavy electric, dancing gently around Laura Lee’s minimalist almost-dub bass triangles, while DJ’s drums serve as the tightened-up pocket and unwavering dance-floor on which all this movement takes place. Yet there’s a freshness to A La Sala’s instrumental interactivity, less concerned with getting further out than going deeper in, a profound desire to celebrate the world’s external wonders. Where prior albums strived towards music’s polyglot edges, such inquiries now sound like beloved intimacies. Here, Khruangbin’s sonic touch-points — whether spaghetti-western film scores (on “Fifteen Fifty-Three”), West African discos (on “Pon Pón”), G-funk fantasias (“Todavía Viva”), living room dancing moments (the first single, “A Love International”), or even ambient found-sounds (on “Farolim de Felgueiras and throughout the album”) — are ingrained characteristics. This is who they are! Unique and huge (and growing), ambitious and driven.

Khruangbin’s aspirations and commitment to playful creativity even extends to A La Sala’s vinyl packages, of which there will be seven distinctive covers and color-sets. Designed by the band using Marko’s multitude of travelog photos, the images are windows from the band’s living room onto a set of daydreams, scenes of impossible skies, external glances that illuminate what is going on inside. Each cover image comes with a matching color vinyl. These too are all about looking out and looking back, in order to better look ahead.

STAFF COMMENTS

Barry says: The inimitable Khruangbin bring us another slice of beautifully rendered, loungey ambient jazz. Swimming with atmosphere and as perfectly performed as you'd expect from the Texan trio. Beautifully evocative and warmly hazy instrumental business.

TRACK LISTING

1.Fifteen Fifty-Three
2.May Ninth
3.Ada Jean
4.Farolim De Felgueiras
5.Pon Pón
6.Todavía Viva
7.Juegos Y Nubes
8.Hold Me Up (Thank You)
9.Caja De La Sala
10.Three From Two
11.A Love International
12.Les Petits Gris

Popstock was created by the surviving members of the Slates iteration of The Fall to present unusual and alternative versions of the brilliant records they helped create.

These records promise to be unique in that they are the only new Fall releases going forward where actual members of the group are consulted, involved and remunerated at all. Slate Live Again presents live versions of the six songs that make up the original mini- LP, with the incredible versions chosen in order to present the songs at every stage of their live performance, both pre and post recording.

Lovingly curated with input from band members at every stage, including sourcing, mastering and design, and with sleeve notes by Fall Uber- fan Stewart Lee, Slates Live is the type of release that Fall fans have been craving for years.

TRACK LISTING

1. Middle Mass
2. An Old Lover Etc.
3. Prole Art Threat
4. Fit And Working Again
5. Slags, Slates Etc.
6. Leave The Capitol

The arrival of Teething invites you to take a leap beyond seeing dance music as a genre, built from this type of kick or that type of snare, and instead as its own dimension: a place you can escape to. It pays homage to the language of sounds on the dancefloor which have encouraged generations to feel, not to think. While, lyrically, the record delves into the tangle of lived experience, musically, it will free you from it.

Since the beginning, Porij had self-produced, self-mixed and entirely self-made their music, and even after having signed to [PIAS], the record was still incubated in their bedrooms where they would sit together for hours giving colour, shape and texture to this new world. It was only then that they enlisted legendary producer David Wrench, famed for his work with era-defining artists including Frank Ocean, FKA Twigs and The XX. His mentorship allowed Teething to transform their music from a live-angled proposition to something folded in the arms of pop.

Vocalist and keyboardist Scout Moore (Egg), bassist James Middleton, guitarist Jacob Maguire and drummer Nathan Carroll are armed with hard-won experience, strengthened bonds and a renewed sense of passion. Their debut album Teething is both a coming-of-age story and a bottling of the particular magic that is unmistakably – and definitively – Porij.

TRACK LISTING

1. Marmite
2. Unpredictable
3. Don’t Talk To Me
4. Endlessly Waiting
5. My Only Love
6. Ghost
7. Stranger
8. Sweet Risk
9. Gutter Punch
10. You Should Know Me
11. Slow Down

THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.

‘Small Time Monsters’, the second full-length album from The Dream Machine, is set to be released this April on Run On Records/ Modern Sky.

If 2022’s critically-acclaimed debut album ‘Thank God! It’s The Dream Machine…’ was their first and most wild child, then ‘Small Time Monsters’ is its refined younger sibling. The psychedelia, euphoric choruses, flashes of surf guitar and B-movie references are all there, amongst the familiar reflections of life in their beloved and faded seaside town of New Brighton, but this time the wilder elements are controlled, the songs packed into three-minute pocket symphonies.

Lead single Frankenstein is an anthem for the sugar-rush generation, an infectious, rattling earworm that recalls everything from haunted rockabilly to the sun-drenched melodies of Blossoms. Elsewhere on the album, the pulsating surf-stomp of ‘Cindy’s Eyes’, a small-town story of unrequited love, has a chorus to fill the most cavernous arena.

Produced by The Coral’s James Skelly, the album was partially recorded at The Dream Machine’s rehearsal space, then stitched together in Skelly’s
Kempston Street Studios. There’s a refined, more literary quality to singer and primary songwriter Zak McDonnell’s lyrics; explorations of everyday life, teenage doom, B-movie monsters, family turmoil, and coming-of-age tales in the familiar backdrop of life in modern Britain. ‘Small Time Monsters’ is the sound of a band breaking free from the small town into the big world.

TRACK LISTING

Side A
1. Frankenstein
2. Cindy’s Eyes
3. My Father’s Son
4. Holding On
5. Cathedral
Side B
6. Tonight, I’ve Got Heaven In My Arms
7. Posters Of You
8. Wind-Up Bird
9. The Horse
10. Wolfman
11. Bring Back The Wonder

It All Comes Down to This is the brand new album from Manchester legends A Certain Ratio, produced by Speedy Wunderground’s Dan Carey.

This album takes A Certain Ratio back to their roots, featuring 10 straight-to-the-point tracks, with a sprinkling of electronics for good measure. It is the first time the band has recorded as the core 3-piece lineup of Jez Kerr, Martin Moscrop, and Donald Johnson, with no additional collaborators or members of the live setup. Following on from ACR's acclaimed 1982 album and the electrifying 2023 EP, It All Comes Down to This continues the lineage of constant progression demonstrated by the band.

STAFF COMMENTS

Barry says: A brilliant new album from Manchester's Certain Ratio and a stunning example of ACR's unique fusion of vibrant, groove-led indie music and post-punk adjacent stomp. 'It All Comes Down To This' could be their most definitive statement yet both wilfully celebratory, and brilliantly hefty. A perfect distillation of their hugely varied sound.

Laura says: Speedy Wunderground's Dan Carey, has managed a near perfect distillation of ACR's sound here, as the trio of Jez Kerr, Martin Moscrop and Donald Johnson draw on the post-punk-funk grooves of their early days while ruminating on the current state of the world. For me it's the best thing they've done in ages.

TRACK LISTING

Vinyl Tracklist
A1 All Comes Down To This
A2 Keep It Real
A3 We All Need
A4 Surfer Ticket
A5 Bitten By A Lizard
B1 God Knows
B2 Out From Under
B3 Estate Kings
B4 Where You Coming From
B5 Dorothy Says

CD Tracklist
1 All Comes Down To This
2 Keep It Real
3 We All Need
4 Surfer Ticket
5 Bitten By A Lizard
6 God Knows
7 Out From Under
8 Estate Kings
9 Where You Coming From
10 Dorothy Says

THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.

“Eat The Music” was scheduled to be the first release from the "Red Shoes" album, however the release was eventually cancelled in favour of "Rubberband Girl".

Kate has created a special version on 10” vinyl for Record Store Day 2024. The record features Kate’s preferred track list, and the original beautiful artwork, which was intended to be on the single's sleeve, is now on the disc as a UV print.

New lacquers were cut by Bernie Grundman from the 2018 James Guthrie remasters. The vinyl was pressed by Record Industry in The Netherlands. The record is released through Kate's own Fish People label as an exclusive Record Store Day edition.

TRACK LISTING

Side A
Eat The Music (Single Edit, From The Red Shoes - 4m55s)
Lily (From The Red Shoes - 3m52s)
Big Stripey Lie (From The Red Shoes - 3m28s)

Side B
Picture

Voucher information

From creator Steven Knight (Peaky Blinders, SAS Rogue Heroes) comes new drama This Town. A 6-part series set in 1981 Birmingham, which follows a bands formation amid the violence and social tensions of the time. The music from the Original BBC Series brings together the show’s genre-wide mix of timeless classics, brand new music, and iconic hits of the era. It features an eclectic, world-class mix of artists paying tribute to this hugely formative period and includes original covers from Self Esteem, Ray Laurél, Mercury-nominated breakthrough Olivia Dean, GRAMMY-winning powerhouse Gregory Porter, BRITs Rising Star nominee Sekou and Academy Award nominee Celeste. Additionally, the songs played by Fuck The Factory - the band at the heart of This Town - have been created by trailblazing producer Dan Carey (Fontaines D.C, Wet Leg) in collaboration with singer-songwriter ESKA and musician, novelist and poet Kae Tempest in work that adds another chapter to the story.

TRACK LISTING

1. Self Esteem - You Can Get It If You Really Want
2. Ray Laurél - Somewhere Over The Rainbow
3. Fuck The Factory - Estella
4. Olivia Dean - The Harder They Come
5. Fuck The Factory - Birdsong
6. Fuck The Factory - Pelicans
7. Celeste - Blue Moon
8. Fuck The Factory - Farewell To Matty And Her Flowers
9. Gregory Porter - The World’s Going Up In Flames
10. Fuck The Factory - This Town
11. Sekou - Wonderful World, Beautiful People

THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.

Curated by the band themselves this album includes a collection of rare B-Sides taken from their classic album Fuzzy Logic. Including the rebellious anthem 'The Man Don't Give A F-ck,' the whimsical 'Don't Be A Fool, Billy!,' and the anticipatory rhythms of 'Waiting To Happen. Plus, many more on bottle green vinyl.

###### COMPETITION TIME!!!!!######
Preorder the album on any format and you could win a pair of tickets for their show at New Century on Saturday 4th May.
NPN*

##################################################

The Sunset Violent began in a disused frat house in the American Yucca Valley. Kimbie’s founding members Dominic Maker & Kai Campos began work on their first proper album together since 2017’s Love What Survives – the decision was made to leave London. Campos and Maker relocated for a month to a town in the middle of a desert. The resulting album, finished in London with longtime confidante Dillip Harris and their band mates Andrea Balency-Béarn and Marc Pell, is 37 minutes of Mount Kimbie at simultaneously their most daring and their most giddily infectious.

*NPN - drop us an email - mail@piccadillyrecords.com with 'Mount Kimbie Comp' in the subject title.

STAFF COMMENTS

Barry says: Mount Kimbie have taken a little swerve with 'The Sunset Violent', taking their usual sound and injecting it with a concept that's both perfectly conceived and accomplished. While all the usual MK sounds are in-situ here, there outer reaches of their sound swerves into synth-pop, gritty electronics and moody post-punk.

TRACK LISTING

1. The Trail
2. Dumb Guitar
3. Shipwreck
4. Boxing (Feat. King Krule)
5. Got Me
6. A Figure In The Surf
7. Fishbrain
8. Yukka Tree
9. Empty And Silent (Feat. King Krule)

On her fourth album, west coast artist Jessica Pratt expands the scope of her artistry, placing her sharpest songs to date within an ever-broadening pool of influences including spectral '60s pop, Hollywood psychedelia and bossa nova. Whereas Pratt's 2019 record, Quiet Signs, floated elegantly in the ether, Here in the Pitch is entrenched in more earthen characteristics, as the title suggests, and her craft is emboldened with a newfound gravitas.

STAFF COMMENTS

Barry says: 'Here In The Pitch' takes Jessica Pratt's established sound (brittle folk and slow country balladry) and widens the net into slow hazy pop and soaring widescreen songwriting. Though she's not moved away from the more minimalistic pieces, there are a lot more moments of both jubilance and fear, it's a beautifully crafted and intensely personal creation.

TRACK LISTING

Side A
A1 Life Is
A2 Better Hate
A3 World On A String
A4 Get Your Head Out
A5 By Hook Or By Crook

Side B
B1 Nowhere It Was
B2 Empires Never Know
B3 Glances
B4 The Last Year

Leeds indie frontrunners English Teacher announce debut LP ‘This Could Be Texas’. Preceded by initial LP reveals ‘The World’s Biggest Paving Slab’, ‘Nearly Daffodils’ and ‘Mastermind Specialism’, which were all A-listed on the BBC 6 Music playlist, English Teacher’s remarkable ascent continues to reach new levels, having completed sold-out debut UK and US headline runs last autumn, following their thrilling debut appearance on Later With...Jools Holland. Announced as Independent Venue Week Artist Ambassador for 2024. Lead singer Lily Fontaine explains, “I want this album to feel like you’ve gone to space, and it turns out its almost identical to Doncaster. It’s about in-betweens, it’s about home, and it’s about Desire Paths." In several songs, Fontaine reflects on growing up as a mixed-race individual in a place, she says, “where many didn’t have any tolerance towards people who are different” in a post-Brexit landscape.

The debut album by Leeds frontrunners ‘This Could Be Texas’ will be released on 12th April 2023.

Lead singer Lily Fontaine explains, “I want this album to feel like you’ve gone to space, and it turns out its almost identical to Doncaster. It’s about in-betweens, it’s about home, and it’s about Desire Paths."

STAFF COMMENTS

Barry says: There's some brilliant music coming out of the London art/noise/garage rock scene at the moment and while i'm a big fan of pretty much all of it, there's nothing there that hits my feels quite as much as Leeds' English Teacher. Jagged, energetic instrumentation and moments of placid, drifting ambience abound, this is a startlingly cohesive and wonderfully deep debut.

It All Comes Down To This - Album Launch Ticket Bundle

In conjunction with Mute, we are excited to announce an exclusive event at Soup (31-33 Spear St, Manchester M1 1DF).
ACR will perform the new album live in full for the first time, answer questions and sign albums.

There are only 150 tickets available for this very special event, so don’t sleep on it, because it all comes down to this!

It All Comes Down to This is the brand new album from Manchester legends A Certain Ratio, produced by Speedy Wunderground’s Dan Carey.

This album takes A Certain Ratio back to their roots, featuring 10 straight-to-the-point tracks, with a sprinkling of electronics for good measure. It is the first time the band has recorded as the core 3-piece lineup of Jez Kerr, Martin Moscrop, and Donald Johnson, with no additional collaborators or members of the live setup. Following on from ACR's acclaimed 1982 album and the electrifying 2023 EP, It All Comes Down to This continues the lineage of constant progression demonstrated by the band.

TRACK LISTING

Vinyl Tracklist
A1 All Comes Down To This
A2 Keep It Real
A3 We All Need
A4 Surfer Ticket
A5 Bitten By A Lizard
B1 God Knows
B2 Out From Under
B3 Estate Kings
B4 Where You Coming From
B5 Dorothy Says

CD Tracklist
1 All Comes Down To This
2 Keep It Real
3 We All Need
4 Surfer Ticket
5 Bitten By A Lizard
6 God Knows
7 Out From Under
8 Estate Kings
9 Where You Coming From
10 Dorothy Says

THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

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blur - Parklife (30th Anniversary Zoetrope picture disc) Release date - Sat 20 April - Record Store Day Exclusive Format - half speed mastered, single vinyl zoetrope picture disc

Annie Clark made her recorded debut as St. Vincent in 2007 with Marry Me, quickly becoming regarded as one of the most innovative and fascinating presences in modern music. Her subsequent albums would include Actor (2009), Strange Mercy (2011), her self-titled fourth album and winner of the 2014 GRAMMY for Best Alternative Album. In 2017, her fifth album MASSEDUCTION would break St. Vincent into the U.S. and UK top 10s and win two more GRAMMYs (Best Rock Song for its title track, and Best Recording Package). 2021’s Daddy’s Home found St. Vincent channeling the hungover glamor and gritty sepia-toned soundtrack of 1970s downtown NYC to an ecstatic reception, ultimately winning her a second Best Alternative Album GRAMMY.

Following a 2021-2022 global tour that reaffirmed St. Vincent’s status as one of live music's preeminent forces with headline appearances at the likes of the Hollywood Bowl and Radio City Music Hall, Clark would begin work on album number seven: Her first fully self-produced album (having co-produced every one of her previous efforts), All Born Screaming is St. Vincent at her most primal. Featuring Clark leading “a curated group of rippers” through the brawny “Broken Man,” the mordant catwalk sashay through the deafening assault of self-loathing that is “Big Time Nothing,” the sublime, elegiac earworm “Sweetest Fruit," All Born Screaming is equal parts spiritual desolation and rapturous acceptance. “If you’re born screaming, that’s a great sign,” says Clark, “because it means you’re breathing. You’re alive. My god. It’s joyous. And then it’s also a protest. We’re all born in protest in a certain way. It’s terrifying to be alive, it’s ecstatic to be alive. It’s everything.” 

TRACK LISTING

1. Hell Is Near
2. Reckless
3. Broken Man
4. Flea
5. Big Time Nothing
6. Violent Times
7. The Power’s Out
8. Sweetest Fruit
9. So Many Planets
10. All Born Screaming

The visionary electronic music producer team Arnau Obiols and KAYYAK, known for blending cultural influences into captivating soundscapes, present two new tracks seamlessly fusing afro-inspired rhythms with groovy organic beats. Splendid remix works by the masterminds Prins Thomas, Medlar & Dele Sosimi and Rahaan are the icing on the cake.

Arnau Obiols and KAYYAK return to Compost Records with their third release for the esteemed German label. Following their debut EP, 'Chang'an', and the single 'Tunacheza', which was also featured in the compilation 'Future Sounds of Jazz Vol. 15', the duo presents their latest offerings: "Faith" and "San Diago". Recorded between Zurich and Barcelona, these tracks embody a fusion of disco, funk, and jazz infused with a strong West African influence drawn from genres such as highlife, afrobeat, and juju. Their passion for psychedelia and krautrock is evident in the recordings, characterized by raw tape echoes, primitive drum machines, heavily processed analog synthesizers and dream-like atmospheres. While the original tracks maintain an organic vibe, the remixes offer club-ready versions tailored for the dance floor. Featuring outstanding remixes by the Norwegian space disco pioneer Prins Thomas, the Chicago legend Rahaan, and the British house producer Medlar, along with Nigerian musician Dele Sosimi, renowned for his work as a keyboard player for Fela Kuti in the late 70s and early 80s. Don't miss your chance to experience these captivating tracks. Grab it while you can, as this release is expected to go fast!

TRACK LISTING

1. Faith
2. San Diago
3. San Diago (Prins Thomas Remix)
4. Faith (Medlar & Dele Sosimi Remix)
5. Faith (Rahaan Remix)

THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.

1LP, Picture Disc of the classic Rumours album released for RSD 2024

Orlando Weeks’ forthcoming new album ‘LOJA’ (Portuguese for ‘store’) was written in both London and Lisbon. Recording began in earnest in January 2023 at the beautiful Chale Abbey Studios with longtime live collaborator Sergio Maschetzko as producer, supported by co-producer and engineer David Granshaw. In its latter stages, Nathan Jerkins (BULLION) contributed additional production and mixing.

Lead single ‘Dig’, featuring Rhian Teasdale (Wet Leg), is 3 minutes of half argument, long worn-out promises being remade and road weary offences being retaken.

The record features a number of other key collaborators including Katy J Pearson, Tony Njoku, Oliver Hamilton (Caroline) and Alejandro Aranda (Scary Pool Party).

The core musical contributions come from long standing live collaborators Sami El-Enany, Luca Caruso, William Doyle and Alexander Painter.
A love letter to his new home, lyrically ‘Loja’ toys with both the fantastical and stark realism. There are sleeping giants in Track 2's 'Best Night' and the final song on the album, ‘Beautiful Place’, tells the story of a beach death.

The novelty of a new city afforded Weeks the opportunity to romanticise his present and reevaluate his past.

The first live performances in over a year will be at Copeland Gallery this June. During a 4 day/night residency, Weeks will preview music from 'Loja' alongside an exhibition of the prints and drawings that are the accompanying visual aspect of the album.

TRACK LISTING

Side A
1. Longing
2. Best Night
3. Wake Up
4. Dig Feat. Rhian Teasdale
5. You & The Packhorse Blues
6. Good To See You

Side B
1. My Love Is (Daylight Saving)
2. Please Hold
3. Sorry
4. Tomorrow
5. Beautiful Place

THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

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Interlude is a 1968 song written and composed by Georges Delerue and Hal Shaper and originally performed by American soul singer Timi Yuro. It is the title track for the 1968 film of the same name. In 1994, the song was covered in a duet by Morrissey and Siouxsie Sioux and released as a single in August of that year by EMI. It was presented under the banner of "Morrissey & Siouxsie".

Released to celebrate the 30th anniversary of Oasis’ seminal debut single Supersonic – limited-edition pearl coloured, numbered 7”.

STAFF COMMENTS

Liam says: Lovely reissue of the possibly the best debut single of all time! On limited pearl coloured vinyl, these bad boys won't stick around for long! Comes with the amazing and much overlooked 'Take Me Away' on the B-side, top top stuff!

TRACK LISTING

A1. Supersonic
B1. Take Me Away

THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

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Vinyl of live audio taken form the band's homecoming headline show (in Leeds 2023)Side A 1. Intro (Live at Brudenell Social Club) 2. The Worldís Biggest Paving Slab (Live at Brudenell Social Club) 3. Albatross (Live at Brudenell Social Club) 4. A55 (Live at Brudenell Social Club) 5. Mastermind Specialism (Live BrudenellSocial Club)6. You Blister My Paint (Live at Brudenell Social Club) 7. Broken Biscuits (Live at Brudenell Social Club) 8. Nearly Daffodils (Live at Brudenell Social Club) 9. R&B (Live at Brudenell Social Club) 10. Albert Road (Live at Brudenell Social Club) 11. This Could Be Texas (Live at Brudenell Social Club) 12. Good Grief (Live at Brudenell Social Club)

25th Anniversary Edition of the pioneering Bristol trio’s album, Roseland NYC Live; recorded and filmed at New York’s Roseland Ballroom with a 28-piece orchestra in 1997, and released in 1998.

The live album and concert film combined have sold over 1 million copies to date, and features performances of the most acclaimed tracks, ‘Glory Box’, ‘Sour Times’, and ‘Roads’, from their debut and sophomore albums, Dummy and Portishead.

Newly remastered, the tracklist has been expanded to include ‘Undenied’ and ‘Numb’ from the concert film, as well as the full length performance of ‘Western Eyes’, which played in part over the credits of the film.

‘Sour Times’ and ‘Roads’ are also now the original Roseland versions (previously substituted on the album release with recordings from other performances). All 5 of these tracks will be on CD and vinyl for the first time.

TRACK LISTING

Vinyl Tracklisting:
Side A
Humming
Cowboys
All Mine
Side B
Mysterons
Only You
Half Day Closing
Over
Side C
Glory Box
Sour Times
Roads
Side D
Strangers
Undenied
Numb
Western Eyes

CD Tracklisting:
Humming
Cowboys
All Mine
Mysterons
Only You
Half Day Closing
Over
Glory Box
Sour Times
Roads
Strangers
Undenied
Numb
Western Eyes

THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.

THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.

Record Store Day 2024 Exclusive.

Numbered, limited edition on yellow vinyl.

First time reissued on vinyl since its original release for Northside – key players in the ‘Madchester’ / baggy / indierave scene of the early 90s.

Top 20 album produced by The Lightning Seeds’ Ian Broudie (Echo & The Bunnymen, Shack, The Coral, Texas).

Featuring the indie dancefloor fillers ‘Take 5’, ‘Shall We Take A Trip’ and ‘My Rising Star’.

Vinyl cut from the original Factory Records masters.

Restored artwork by Central Station Design.

TRACK LISTING

A1. Take 5
A2. Weight Of Air
A3. Funky Munky
A4. A Change Is On Its Way
A5. Yeah Man
B1. Tour De World
B2. Wishful Thinking
B3. Shall We Take A Trip
B4. Who’s To Blame
B5. Practise Makes Perfect

When Bob Vylan won the first MOBO award for Best Alternative Music Act in 2022, the punk-grime duo took to the stage and used the platform to speak about how they managed to achieve the impossible as independent artists in a genre-defying space. “We released an album this year that we produced entirely, mixed entirely, recorded entirely, all from my bedroom…so everybody that’s here, bigging up Atlantic and bigging up Warner, fuck that, us man did it ourselves”.

It was an acceptance speech that rattled the room and built anticipation for their next projects.

Humble as the Sun, the forthcoming album from Bob Vylan continues with much of the rage and urgency that they have come to be known and loved for, but this latest project shows that they are now stronger and wiser, bolstered by the wins and learnings that they have fought hard for along the way. The resulting tracklist aims to leave the listener feeling power alongside their anger, and brings a fresh and compelling blend of punk, rock, grime and rap together in an experimental way.

Following on from the last album, Bob Vylan Presents the Price of Life, the message woven throughout Humble as the Sun remains dark in places but is high-energy, defiant and unapologetic in its critique of a broken social and political system that so many have fallen victim to, but feel powerless against.

This album is for the underdogs, the ones who come out swinging and those who refuse to be defeated in the face of injustice, and aims to remind listeners that anger is a fire that can be harnessed and put to use. The album creation started from a conversation with the sun, which is, after all, a big ball of fire that sustains life.

From masculinity to myths about the G Spot, the themes and topics explored on Humble As The Sun make for an often humorously empowering celebration of the people’s ability to endure, overcome and bring about change.

The lyricism on this album is even more layered than their previous projects, still darkly humorous, anti-establishment and unforgiving but at times pauses to deliver much-needed words of affirmation to listeners, “You are loved. You are not alone. You are going through hell but keep going.” Bobby assures the listener, offering an antidote to the state of the world, aiming to give some power and agency to those who hear it. At a time when so little trust or faith exists between the people and the powers that be, Bob Vylan offers out a hand in the despondent darkness that has overwhelmed so many in the shadow of a burning planet. They guides the listener to a place where they can see some light and feel empowered to do something, to fight back, to continue pushing forwards despite the challenges faced along the way.

Mixing all of the best quintessentially British - and Jamaican - musical elements from punk to drum and bass, grime and rock, Bob Vylan creates a sound that reflects the state of the nation, at once voicing the frustrations that normal people have, while also highlighting one’s ability to persevere, overcome hardship and to change.

STAFF COMMENTS

Barry says: Humble As the Sun is almost certain to bring Bob Vylan to the wider public consciousness. It's a momentum-filled, chaos embracing collection of grime-adjacent, punky rock pieces. Brilliantly propulsive and more than a little reminiscent of rap-rock superstars RATM.

TRACK LISTING

A1. Humble As The Sun
A2. Reign
A3. GYAG
A4. Dream Big
A5. Hunger Games
B1. Right Here
B2. Makes Me Violent
B3. He's A Man
B4. Ring The Alarm
B5. I'm Still Here 

Andy Votel says: "Working with Halo Maud's song came extremely naturally to me, and I thank Jeff [Barrett, of Heavenly] for recognising this connection. The contrast of her strong melodic songwriting combined with the fragility of her vocals is a real secret weapon and much more than just a breathy pastiche. I think Maud effortlessly captures many unique subtleties in French language music which so many contemporary bands seem to forget, and it's ingredients like these which gave me the confidence to take a more minimal route with this mix, which I appreciate.

"In the past I could only dream of finding a singer that comes close to Léonie Lousseau or Ann Sorel so working with Maud's vocals was an enjoyable experience and I already regard this short track as one of my personal favourite production achievements.... which I can't wait to play on the radio... off 7" vinyl naturally."

Maud says of the track, "I wrote the basis of the song in a few minutes, the day before a show. It was just the guitar and the voice, very simple. The rest of the track is a mix between a band jam, improvisations, ambient sounds, happy studio accidents, and all this material has been re-cut and tinkered with, until I felt it made sense. "It’s an amazing feeling to discover another vision of your own song, and Andy Votel’s version really overwhelmed me, in a good way. This is another song, but it’s still me. Thank you for this huge present.”

The original song features on Halo Maud's debut album, Je Suis Une île (which translates as "I Am An Island"), released on Heavenly Recordings last May.

Spanning the tracklist of the original album, the fresh, exciting, and utterly surprising reinterpretations create new content for longtime Talking Heads fans and introduce a new generation to the magic of the music. The brilliant selection of artists recontextualizes 'Stop Making Sense' in popular music and culture, with a focus on generational and stylistic breadth.

TRACK LISTING

1. Miley Cyrus - Psycho Killer
2. The National - Heaven
3. Blondshell - Thank You For Sending Me An Angel
4. The Linda Lindas - Found A Job
5. Él Mató A Un Policía Motorizado - Slippery People
6. Paramore - Burning Down The House
7. Dj Tunez - Life During Wartime
8. Teezo Touchdown - Making Flippy Floppy
9. Jean Dawson - Swamp
10. The Cavemen - What A Day That Way.
11. Bad Bad Not Good (Feat. Norah Jones) - This Must Be The Place (Naive Melody)
12. Kevin Abstract - Once In A Lifetime
13. Toro Y Moi (feat Brijean) - Genius Of Love
14. Girl In Red - Girlfriend Is Better
15. Lorde - Take Me To The River
16. Chicano Batman (Feat. Money Mark) - Crosseyed And Painless

THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.

The tracklisting for Waiting In The Sky (Before The Starman Came To Earth) runs differently from the Ziggy Stardust album and features four songs that didn’t make the final album.

On Side 1, in the place of ‘Starman’, one of the last three tracks recorded for the album in February 1972, is ‘Round and Round’, a Chuck Berry cover. The track was finally released on a single as the B-side to ‘Drive-In Saturday’ on 6th April, 1973. Initially, closing Side 1 of the album was Bowie's version of Jacques Brel’s ‘Amsterdam’, which would later appear as the B-side of ‘Sorrow’ on 12th October, 1973.

Side 2 of the 15th December, 1971 tracklisting features two long-time non-LP fan favourites, ‘Holy Holy’ and ‘Velvet Goldmine’. The former is a re-recording with The Spiders of David’s 1971 single. Again, this version of the track had to wait several years before surfacing as the B-side of ‘Diamond Dogs’ on 14th June, 1974.

The cover of Waiting In The Sky (Before The Starman Came To Earth) features a photo of David taken at an early Ziggy Stardust period session by Brian Ward, and the two sides of the inner bags are the fronts of the two Trident Studios tape boxes. The album’s title comes from the lyrics of ‘Starman’, which, along with ‘Rock ’N’ Roll Suicide’ and ‘Suffragette City’, had not yet been recorded when this variation of the album was compiled.

Waiting In The Sky (Before The Starman Came To Earth) was cut on a customised late Neumann VMS80 lathe with fully recapped electronics from 192kHz restored masters of the original Trident Studios master tapes, with no additional processing on transfer. The half-speed vinyl cut was by engineer John Webber at AIR Studios, London.

THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.

Ateez US number one album on exclusive RSD coloured vinyl including a bonus 7" with new exclusive tracks unavailable anywhere else Random coloured LP & 7" + 8 random photocards. Exclusive gatefold artwork

TRACK LISTING

We Know / Emergency / Crazy Form / Arriba / Silver Light / Crescent Part.2 / Dreamy Day / Matz / It's You / Youth / Everything / Fin: Will / Bonus Track / Bonus Track

The crucial Mr K is back with a special repress for Record Store Day 2024. This one throws it back to his two superb edits of Kratwerk's 'Trans Euro Express' which is cited often as the start of techno. Side A offers stripped-down, bare drum bones, with naked drums shaped into futuristic fusion, while Part II adds synthetic context. Deconstructing Kraftwerk's original sci-fi masterpiece at a slow, smouldering pace, it presents a classic in an entirely new light. This release unlocks doors of serious DJ creativity and should be snapped up quickly before it's gone again.

STAFF COMMENTS

Patrick says: You don't need me to tell you how good "Trans Europe Express" is. However, this cheeky little percussion edit from the masterful Danny Krivit extends the dancefloor ecstasy of that metallic drum break into THE GREATEST DJ TOOL ever. Buy two copies and lock into the robot rhythm.

TRACK LISTING

Trans-Europe Express (Mr K 7" Beats)
Trans-Europe Express (Mr K 7" Part II)

Iconic UK indie band Flowered Up, seen as London’s answer to Happy Mondays and The Stone Roses, reissue their debut album ‘A Life With Brian’ (from 1991) via London Records. The reissue follows a BFI documentary on the video of ‘Weekender’ and it’s legendary status in UK club culture of the time. The album remastering was overseen by Flowered Up keyboard player Tim Dorney.

TRACK LISTING

LP Tracklist:

A1. Sunshine
A2. Take It
A3. Crackerjack
A4. Mr Happy Reveller
A5. Hysterically Blue
B1. It's On
B2. Silver Pan
B3. Phobia
B4. Egg Rush
B5. Doris... Is A Little Bit Partial
C1. Weekender
D2. Weekender - Weatherall’s Weekender (Audrey Is A Little Bit Partial Mix)

CD Tracklist:

CD1
1. Sunshine
2. Take It
3. Crackerjack
4. Mr Happy Reveller
5. Hysterically Blue
6. It’s On
7. Silver Pan
8. Phobia
9. Egg Rush
10. Doris…..Is A Little Bit Partial
11. Weekender – Original Version
12. Weatherall’s Weekender (Audrey Is A Little Bit Partial Mix)

CD2
1. Weekender (BTWS Re-Animation)
2. It’s On (Feel Pain Mix)
3. Phobia (Paranoid Mix)
4. I’ll Be Your Dog
5. Take It (Pure Sexy Dub)
6. Flapping
7. Crackerjack – Clive Langer Version
8. Don’t Talk Just Kiss
9. Better Life
10. Take It (Edge Of The Box Mix)
11. Weatherall’s Weekender (Audrey Is A Little Bit More Partial Mix)
12. Crackerjack – Everyone You Know Naughty Remix

We Belong, is the eighth studio album from Sinkane, a band led by multi- instrumentalist Ahmed Gallab. And like much of Sinkane’s previous releases, it resists genre. It’s pop. It’s funk. It’s electronic. It blends the gritty punk newness of a 70s and 80s New York with the steady, foundational soul of the rhythms of his native Sudan. Though We Belong comes deep into the catalog of a long career, it also resists stagnation. It moves and travels—through words and eras, through emotion and healing. Gallab calls this album his “love letter to Black music,” and each track pulses with the energy of different eras and forms: the gospel-soaked “Everything Is Everything,” the dreamy, Quiet Storm-influenced Afro-beats of “Rise Above,” the 70s-funk of “We Belong” and its Sly Stone influence, the Stevie Wonder-edged “Another Day”—they tell a story about Black music and Black people.

TRACK LISTING

1. Come Together
2. Another Day (ft. STOUT & Bilal)
3. Rise Above
4. Invisible Distance (ft. Tru Osborne)
5. Everything Is Everything (ft. Tru Osborne)
6. We Belong (ft. STOUT)
7. How Sweet Is Your Love
8. Liming
9. Home (ft. Hollie Cook)
10. The Anthem (ft. STOUT)

'Field Theory' is the second studio album from Dublin four-piece MELTS, due for release April 12th 2024 on Fuzz Club. Recorded live to tape at Black Mountain Studios in Summer 2023 and produced by Gilla Band's Daniel Fox, it's a collection of turbulent electronic psych-rock shaped by bulldozing motorik synth lines, densely layered guitars, primal percussion and the cavernous vocals of frontman Eoin Kenny. While their highly-praised 2022 debut ‘Maelstrom’ dealt with forces on a larger scale affecting a whole city, ‘Field Theory’ explores connections on a smaller, interpersonal scale.

The title takes the scientific term ‘Field Theory’, which describes how forces interact and influence particles around them, and applies it to the interactions between people, to the space between all of us, how people interact and affect others around them. Expanding on the album’s themes, MELTS write: “Like gravity we are drawn to and miss people and like light waves we love people and are loved. We live in orbits of each other, drawn by unseen forces. The album explores these forces, how we relate to each other, the people we live with and the people we live without. At the heart of Field Theory lies the realisation that we inhabit each other's worlds as much as our own, through a field of wide-ranging forces, as important as the ones keeping the planets in place.”

TRACK LISTING

1. Figment
2. Waves Of Wonder
3. Clouded
4. WLDNG
5. Shelter Of The Shade
6. Main Sequence
7. Altered
8. The Never
9. Softly Breathes

NT is Nail aka Neil Holliday, one half of Bent and a master of UK tech house. But here he shows a different side across six majestically Balearic groovers. That draw on everything he has done before to send you out to sea on gentle waves of shining synth goodness, downtempo bliss and dreamy, chubby, soft focus drums. 'Beside Boa Linn' is a soothing summer sound to kick off then 'Going Out To Feel It' is a spiritual house cut for sundown, and 'Don't Hide Away' is slow motion disco brilliance. The trip continues with the star-gazing 'Evening Fixture', Eddie C style guitar licks of 'Walk In Romance' and romantic lullaby 'Dreams On Hold.'

STAFF COMMENTS

Mine says: The long awaited EP by NT, six dubby and balearic groovers with an ecstatic disco feel, does not disappoint. There is something instantly uplifting about this record which should tide you over nicely until summer...

TRACK LISTING

Side 1
1. Beside Boa Linn
2. Going Out To Feel It
3. Don’t Hide Away

Side 2
1. Evening Fixture
2. Walk In Romance
3. Dreams On Hold

Warrington-Runcorn New Town Development Plan's new album, Your Community Hub, compellingly continues his sonic exploration of the New Towns movement. The issues the councillors, planners, and architects set out to solve still resound and echo throughout society.

For the latest instalment in this unique project, Gordon Chapman-Fox turns his laser eye to focus on Community and the Community Centres that populated Warrington and Runcorn in order to provide all the facilities people needed within a five minute walk from their home. These planning ideas predated the current discussions of fifteen minute cities by fifty years.

Those 50 years have seen a decline in our community centres and services: handy access to a GP or dentist, Post Offices, youth clubs, local shops, banking and much more. Successive governments have undermined and eroded those basic services. The decline in community services has also been matched with a decline in community and shared experiences with a knock-on effect on the population's health and well-being. The disastrous austerity policies imposed over the last 15 years have exacerbated this long, slow reduction in available spaces for people to meet and communicate, with seemingly no recognition of the societal impact that causes. Short-termism at the expense of the community and how we live our lives.

Margaret Thatcher's statement that "there is no such thing as society" has been taken as a mission statement by successive Conservative governments who have aimed to remove as much support and communality from the citizens as possible. It continues now, the wrong-headed idea that everyone can be left to fend for themselves.

Chapman-Fox's latest album decries the cruelty of where we find ourselves in 2024 and his quiet incandescence about the loss of optimism for what communities should be and could be. It's his most powerful work, and as always, it will deeply resonate with those who tune in to his unique vision and unparalleled productions.

As ever, beautifully packaged and designed by Gordon, the album artwork features photographs from the archive of the architect Peter Garvin, which was kindly provided by his son Richard Garvin. The photographs show Peter's work on the Castlefield Community Centre, a sleek modernist structure clad in white ceramic tiles.

TRACK LISTING

1. A Shared Sense Of Purpose 
2. Rapid Transport Links 
3. Cul-de-Sac 
4. Summer All Year Round 
5. Facilities For All Ages 
6. Pedestrian Shopping Deck 
7. A New Town With An Old Sense Of Community

FINK, Long-established alt-folk trio, return with Fin Greenall’s eighth studio album under the genre-hopping moniker. Coalescing around the emergent urgency in each of the album’s ten tracks and intimate, closed-door sessions in picturesque Cornwall, the soul-reaching ‘Beauty In Your Wake’ is released on the band’s R’COUP’D label.

Now resident in Berlin, native Cornishman Greenall, one time collaborator with John Legend, Amy Winehouse, Colin Stetson and more, sought the solitude and back-to-earth atmosphere of the small village of Zennor, on the county’s picturesque Atlantic coast for the agenda-free, organic recording sessions. The band were invited to record at producer Sam Okell’s newly built studio and were the first band to create there. Okell is the Grammy Award-winning engineer and mixer of The Beatles’ Get Back and Sgt. Pepper's Lonely Hearts Club Band 50th Anniversary Release.

Imagining that those conditions could percolate a lo-fi, classic English folk album, the joint creative restlessness of the band and Okell instead pushed ‘Beauty In Your Wake’ into the expansive realms of FINK’s commercially and critically successful albums of the noughties and 2010’s, and is a triumphant return to self. FINK’s music has always been woven into a broader global tapestry, not least because the band’s music has featured on countless film and TV soundtracks such as Better Call Saul, The Walking Dead, and most recently on the latest series of True Detective.

Going ‘overground’ in the music world for the first time in 1997 as a dance-orientated signee to Ninja Tunes’ sister label N-Tone, Greenall’s life in music has travelled diverse roads and lit numerous corners of the international music business. The reformed, classic FINK line-up is the same as that which first recorded the band’s breakthrough album, Biscuits For Breakfast (2006), a release that proved to be a springboard for widespread international touring.

TRACK LISTING

A1. What Would You Call Yourself
A2. The Only Thing That Matters
A3. Be Forever Like A Curse
A4. It's Like You Ain't Mine No More
A5. Follow You Down
B1. I Don't See You As The Others Do
B2. One Last Gift
B3. Don't Forget To Leave
B4. So We Find Ourselves
B5. When I Turn This Corner

Only God Was Above Us is the fifth studio album from Vampire Weekend. The album is inspired by and infused with the essence of the band’s birthplace of New York City, though recorded all over the world, from New York to Los Angeles to London and Tokyo. The album was produced by Ezra Koenig, and longtime collaborator Ariel Rechtshaid. The album title is lifted directly from the album artwork, which is a photo taken from a Subway graveyard in New Jersey in 1988 by photographer Steven Siegel.

Only God Was Above Us includes universal themes ranging from the urge to question the world in which we live, and the quest for peace that can only be found through acceptance. The album is equal parts as direct yet complex as anything the band has ever released, as beautiful and melodic as they’ve ever sounded but also at their grittiest.

STAFF COMMENTS

Barry says: There's something unmistakeable about the way Vampire Weekend form their songs, and it's been the case since they first burst onto the scene with their debut LP in 2008. 'Only God...' has all of the pitch-shifted guitar lines and rolling basslines of their early work with Koenig's vocals working away beautifully over the top, but there's a sense of a more mature songwriting drive, and results in possibly their greatest work yet.

TRACK LISTING

1. Ice Cream Piano
2. Classical
3. Capricorn
4. Connect
5. Prep-School Gangsters
6. The Surfer
7. Gen-X Cops
8. Mary Boone
9. Pravda
10. Hope

London-based four-piece Adult Jazz announce their first full-length album in a decade, So Sorry So Slow, out 26 April 2024 via Spare Thought. Alongside the announcement comes lovesick new single ‘Suffer One’ featuring Owen Pallett, a cautious excavation of self and sexuality, clambering across a gorgeously shapeshifting, filmic five-minutes.

Containing some of the band’s most abrasive but gentle, beautiful and melismatic work to date, So Sorry So Slow has many defining characteristics: romance, panic, devotion and remorse, threaded together by an intentionally laser-focused love. It’s deeply personal, bruised and candid in its expressions of tenderness, and deeply pained in its concurrent reflections of ecological regret. Across its hour-long runtime, a delicate, frenetic energy and glacial heaviness coexist, the band pitting those paces against one another. In their richly experimental timbre, dancing strings and fluttering falsettos prang against a bed of brass drones like a wounded bird.

“We started writing in 2017 and began recording in 2018,” says vocalist Harry Burgess. “We genuinely thought it might be finished in 2018! But things kept developing and, having resolutely not struck while the iron was hot, there was no real external push to rush things after that, so we just kept letting things shift and unfold until it felt right. Listening back to my voice notes it’s nice to notice that there are fragments of ideas from the whole period 2017-2023 which have shaped the record.”

Recorded in bursts at studios across London and in the band members’ flats, at Konk, on the Isle of Wight and in Sussex, So Sorry is unambiguous in its evolution. Sonically, there are sparks of the arrhythmic brightness that afforded the band’s critically acclaimed debut album Gist Is its cult adoration, for fans of Arthur Russell and Meredith Monk, but with a blossoming, melancholic darkness often overhead. Piano sprees and luscious string sections appear like low-hanging stars on a night-time drive, whilst plunging vocal distortions and humming brass loops resurrect heavy limbs in a bad dream.

“I usually have objects as kind of totems for ideas,” explains Burgess. “The album initially started out to do with performance… [the totem] was a head mic, one of the subtle skin-tone ones, discreet on the forehead of a West End star. A number of the first songs in their original forms were almost musical theatre piano ballads. I think that was really a device to write about my life as the ‘main character’ (pre internet-speak reframing): regrets about romance, relationships - unsustainable relationships with the self and others.”

“However, once we started writing, the ideas about unsustainable personal relationships, loving unevenly and heartbreak conflated with a more expressly ecological regret. Like contending with big feelings of loss, endings, beauty, desolation, and with how much joy the earth contains in it. Feeling so much gratitude bound up in waves of sadness. Maybe witnessing a slow-motion goodbye to all that, or its last gasps. I love the earth and the life it supports so much. I love how ecosystems fit together - even the brutal stuff. It may be basic to say, but now is the time to be laser focused on that love. I was thinking about human centrality on earth, us as the ‘main character’, the way that is served by faith and romanticism, and the subsequent disingenuous understandings of our position in the ecosystem, as only stewards somehow, rather than subjects. The totems at this point: a herald’s horn, lorry inner tubes, archaeological tools. I guess from doom, industry, history respectively.”

“Now I would say the record is about gripping. Totems being: crampons, rope, drips, desalination equipment, accruing various survival tech. I think gripping sums up both of the threads. There’s the emotionally correct clinging to the earth that is the substrate of everything we value, or the delusional clinging to our imagined dominant position. But also the practical, technological aspects of creating a sustainable relationship, of remaining here. Then I think of romance again.”

So Sorry So Slow comes out 26th April 2024 on Spare Thought, mixed by Fabian Prynn at 4AD Studios and mastered by Alex Wharton at Abbey Road.

Adult Jazz is Harry Burgess, Tim Slater, Steven Wells and Tom Howe.

STAFF COMMENTS

Barry says: It always surprises me when a band can inoffensively arrhythmically skip between themes and motifs in their music, because It never strikes me as something that should be doable without a noticeable thematic shift. There's something about the staggered determination and swaying dreamlike haze of Adult Jazz's music that has always been seamless and so organic, and remains in abundance here.

TRACK LISTING

Side A
Bleat Melisma
Suffer One
Y-rod

Side B
No Relief
Plenary
Marquee

Side C
Dusk Song
Earth Of Worms
No Sentry

Side D
Bend
I Was Surprised
Windfarm

Missing out on that super-chill, uber-jittery minimal groove thing? Let’s get real, real Ghosted again.

An utterly unique guitar/bass/drums triad: the guitar sounds like anything but a guitar; bass and drums simultaneously insistent and relaxed. Telepathic group-think opens a window to fresh fields of fusion: funk-jazz heads, polyrhythmic skeletons, ambient pastorals, post-kraut drones and shimmering soundtrack reveries. A music of sustained tension and deep atmosphere, marked by subtle, shifting dynamics playing out in an open sound field.

Oren Ambarchi has been collaborating with the Fire! trio (Mats Gustafsson, Johan Berthling and Andreas Werliin) for over a decade – and both Johan and Andreas played on Oren’s Live Hubris as well. Oren and Johan began music-making together back in the early aughts – but it wasn’t until 2021 that the three of them got together to record music. That became the first Ghosted album. When they were done, it was clear they had founded a new group. A music of sustained tension and deep atmosphere marked by subtle, shifting dynamics, Ghosted was released in May of 2022 to psyched response everywhere; the trio embarked upon an ongoing series of concert bookings around Europe, with loads of other people in the world still hoping to have the chance to be in the room at the next show. Two years on, Ghosted has gone through several represses, now it’s time for the “dreaded follow up album”! Rather than go back to the well, the guys decided to tear everything down and start all over again, reimagining themselves from scratch.

Just kidding! As we’ve noted, Oren, Johan and Andreas have been playing together for years and years, developing an essential telepathy within their shared space. They get each other and feed each other’s music processes on an elemental level. Why change that? What made the most sense was to go back to Daneil Bengtsson at Studio Rymden in Stockholm for a couple days, then have Oren and Joe Talia mix and Joe master it at Good Mixture in Melbourne again, then get Pål Dybwik to do some well-distinctive cover art, and once more, call it a record.

That’s just what they did — and it should be no surprise at all that the new Ambarchi/ Berthling/Werliin album looks and sounds as engrossing as their debut, if not more so! Ghosted II has a definitively fresh quality radiating throughout. The mutual feeling among the three players goes deep, allowing for lots more to say every time they get together — a further recombination of elements, a new expedition through alternative angles... there’s always more, and incredibly, it’s all improvised, with next-to-nothing prepared going in and minimal overdubs after they’ve laid things down. References are shared in shorthand, with just a single word, like “Santana,” or “Police” acting as working titles for certain pieces on this record (have a guess!). It’s a disservice to call them jams: above and beyond the innate feel of the songs, there’s a strong sense of structure, informed by the band’s communal aesthetic, and edified immeasurably by their time spent in concert the last couple years.

As noted at the top, these guys balance their music improbably between a relaxed feel and a nervy resolve, as each member holds down their corner in an open sound field. Making Ghosted II, the band found that there’s a different kind of tension making something for an established project rather than the kind one feels making something for the first time — and they used this new variety, as before, as a kind of fuel — driving their terse minimalism fruit-fully through the process of succumbing to and then transcending guilty pleasures. Finding fresh territory in funk sketches, jazzy heads, ambient pastorals and droning soundtrack pieces, Ambarchi, Berthling and Werliin compellingly haunt a mad variety of spaces, leaving us wanting to get Ghosted II.

TRACK LISTING

En
Två
Tre
Fyra

In 2016, Foals frontman Yannis Philippakis was offered the opportunity of a lifetime: a two-day session working with the great drummer Tony Allen, who he admired intensely for his influential, multi-genre work with the likes of Fela Kuti, Sébastien Tellier and Jeff Mills.

Heading into a smoke-filled, ‘70s throwback studio in Paris, Yannis had expected them to make a nostalgic Afrobeat record. Yet something very different emerged. As the pair quickly established an intuitive telepathy, the music germinated from jams and loops, its varied touchpoints - rock, funk, jazz, dub and more - were complemented by a unique atmosphere of two cultures and creatives colliding, their expression liberated by making music in and for the moment itself.

Joined by Tony’s regular collaborators Vincent Taeger (percussion, marimba), Vincent Taurelle (keys) and Ludovic Bruni (bass, guitar) that first meeting resulted in a handful of near complete songs, which were further developed during a couple of subsequent sessions. But between scheduling issues and Covid restrictions, the recordings were never completed before Tony passed away in April 2020 at the age of 79.

Yannis felt a deep duty to complete the project, not only as a bittersweet way to honour and celebrate his friend, but also because Tony had been so eager to share these songs with the world. The result is the upcoming five-track EP, ‘Lagos Paris London’, under the Yannis & The Yaw umbrella - a project that he plans to return to in the future for further collaborations with inspiring musicians from across the globe.

‘Lagos Paris London’ EP is high-spirited, loose-grooved exuberance completed by the complex rhythms and unhurried style of the man who inspired it. It’s a communion with the past that provides an escape in the present day.

TRACK LISTING

1. Walk Through Fire
2. Rain Can't Reach Us
3. Night Green, Heavy Love
4. Under The Strikes
5. Clementine

In January it was revealed that Thom Yorke composed the original score for Daniele Luchetti’s film Confidenza, an adaptation of the Italian drama based on Domenico Starnone’s novel of the same name. XL Recordings announces that Thom Yorke’s Confidenza original soundtrack will be released digitally on April 26, with vinyl and CD to follow on July 12.

Confidenza follows Yorke’s previous full-length score and original soundtrack for Luca Guadagnino’s 2018 Suspiria remake, Suspirium receiving a GRAMMY-nomination for Best Song Written for Visual Media. Produced by Sam Petts-Davies (Suspiria, The Smile Wall Of Eyes), Confidenza sees Petts-Davies and Yorke working again with the London Contemporary Orchestra alongside a jazz ensemble which included Robert Stillman and fellow The Smile bandmate Tom Skinner. In 2019 Yorke contributed music to Edward Norton’s Motherless Brooklyn and in 2022 he wrote two original tracks for the series finale of Peaky Blinders.

As of late, Yorke has been touring with The Smile (Tom Skinner, Jonny Greenwood, Thom Yorke), who released their second studio-album Wall Of Eyes in January which follows the band’s 2022-debut album A Light For Attracting Attention.

TRACK LISTING

1. The Big City
2. Knife Edge
3. Letting Down Gently
4. Secret Clarinet
5. In The Trees
6. Prize Giving
7. Four Ways In Time
8. Confidenza
9. Nosebleed Nuptials
10. Bunch Of Flowers
11. A Silent Scream
12. On The Ledge

THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.

Previously unreleased in full, this celebrated live performance recorded live in 1977 for WCOZ that originally appeared on "The Name of This Band Is Talking Heads" is available as a 2LP collection. Cut at 45rpm and featuring fourteen tracks (seven are previously unheard from the original two-track tapes) recorded at Northern Studios on November 17, 1977, this blistering performances includes "Psycho Killer", "Pulled Up", "Uh-Oh, Love Comes to Town", "A Clean Break (Let's Work)" and more.

THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.

2024 marks the 40th Anniversary of The Cureís 5th studio album, 'The Top'. First Time on Picture Disc Remastered by Robert Smith and cut by Miles Showell at Abbey Road Studios, London. Released in May 1984 the album reached Number 10 in the UK albums chart and features the single "The Caterpillar" ( #14 in the UK Singles Chart) The Picture Disc is house in beautiful die-cut sleeve designed by the original designer, Andy Vella, and is printed both inside and out.

THIS IS A RECORD STORE DAY 2024 EXCLUSIVE,LIMITED TO ONE PER PERSON.

On the 1st February 2023, the 1975 played their debut album The 1975 in full for the first time since its 2013 release. The album debuted at number one on the UK charts in September 2013, is certified platinum (US) and 2 x platinum (UK), and set the path toward a solid run of international chart-topping, awards, and sell-out arena tours across their subsequent releases.

For the 10th anniversary in 2023, the band recorded the gig making this available on digital and CD. RSD2024 sees the album released on vinyl for the first time pressed on white vinyl with brand new artwork.

Fat White Family are back with the most sophisticated, vital and flamboyant creation of their career.

The cult south-London band’s resplendent fourth album Forgiveness Is Yours, like everything they’ve done, has pushed them to the limits not only of their creative talent, but of their health, their sanity, their very existence.

STAFF COMMENTS

Barry says: Another blistering outing from Fat White Family, their first since 2019's brilliant Serfs Up! We get a little more sleazy lounge groove this time around, and a little more synthesiser pulses among the instantly recognisable postpunk march and taut art-rock rhythms, but it's the same FWF at heart. Ace.

THIS IS A RECORD STORE DAY 2024 EXCLUSIVE, LIMITED TO ONE PER PERSON.

Originally released on September 30, 1991, Orbital’s eponymous debut album became known as ‘The Green Album’ to distinguish it from their second album (known as ‘The Brown Album’). 

‘The Green Album’ includes the seminal ‘Belfast’ and a live version of ‘Chime’, the landmark dance track that launched their career in 1990.

TRACK LISTING

Disc 1
A1 The Moebius
A2 Speed Freak
A3 Macrohead
B1 Oolaa
B2 Desert Storm
Disc 2
C1 Fahrenheit 303
C2 Steel Cube Idolatry
C3 High Rise
D1 Chime (Live)
D2 Midnight (Live)
D3 Belfast

THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.

As part of Record Store Day 2024 Polydor (UK) and Universal Music Recordings are releasing Siouxsie and the Bansheesí 1983 Live album Nocturne performed at the iconic Royal Albert Hall. Pressed on two 140g Black vinyl records, mastered and cut half speed from the original analogue tapes at Abbey Road Studios.November of 2023 saw Nocturne turn 40 years old and has not had an official vinyl press since. To celebrate this unique live album Siouxsie Sioux and Steven Severin have overseen a new direction of the already iconic artwork, 16 tracks taken from those two nights over the 30th September and 1st of October 1983, a new gatefold sleeve, printed inners and few extra surprises to discover.The Royal Albert Hall performances would see Sioux on vocals, Severin on bass guitar, Budgie ñ drums and Robert Smith (of the Cure) who at the time was a full time member of Siouxsie and the Banshees on guitar. Over the two nights the Banshees would play two different set lists, the songs making up Nocturne are hand picked by the band as their ideal setlist from the two gigs. With songs taken from Juju, it also features a few B-sides and live performances of Beatles covers Helter Skelter and Dear Prudence. The music heard in the introduction before ìIsraelî is an excerpt from The Rite of Spring, composed in 1913 by Igor Stravinsky Nocturne was lauded for its no-nonsense introduction to the bandís music for neophytes, while fans of the group will appreciate the tight, gutsy, stripped-down performances. In 2013, the album was included in The Quietusí list of its writersí 40 favourite live albums. Julian Marszalek wrote: ìNocturne stands as both a representation of where they were at that point in their career and their status as an incredible live band. Be it Budgieís precise and muscular rhythms, Steven Severinís flanged bass, Siouxsieís commanding presence or Robert Smithís interpretation of other guitaristsí material, the performance is magnificent and convincing throughout. By cherry picking their finest material, Nocturne was ñ and still is ñ a kind of alternate Greatest Hits that acts as a gateway to their kaleidoscopic world. Although forming on a punky whim in 1976 the Banshees remain one of the most influential and enigmatic bands of our time, worlds apart from their contemporaries and a cut above the rest. Unapologetically singular, confrontational, ever evolving yet all encompassing. The Banshees are as important now and even more so than they have ever been and continue to influence future generations by introducing their music and imagery through such hits as ëStranger Thingsí, Stephen Kings ëITí and Edgar Wrights ëLast Night in Sohoí.

222 Units Ltd as F*K.

Abstract wonky vibes from the mountain peaks with Luv*Jam & Maria Slovakova

++Plus++ Ridiculously advanced reversions from the one and only Ruf Dug

(as Ruffy himself says “Detroit going off in ya caravan for the weekend”)

++Plus++ A spaced out to the high hills take from sound pioneer Special Characters


3000.10 is the 10th instalment of 14 highly collectable records.

Carnedd Dafydd (David’s Cairn) - 3425ft (1044m).

OS grid SH6628 6305.

STAFF COMMENTS

Matt says: Everyone's favourite Welsh nipper, Luv Jam is joined by Manchester's No. 1 tropical cyberpunk for an exclusive mission into the mountains of Snowdonia. It's had a long hiatus, but the Legend Of Gelert series is back with a bang.

TRACK LISTING

A1. Mind Floating - Ruffys Pagan Renip
A2. Chcem Strongly - Ruffys Surf N’ Turf
B1. Mind Floating - Special Characters Peaky Renip
B2. Mind Floating - Original 2010 Secret Version

- Portable LP record storage carry case
- Robust vinyl covering
- Protective chrome effect trim on corners and all edges of the box
- Hinged lid with 2 closing clasps and carry handle in matching colours
- Holds approx up to 50 LPs / 12"s in their sleeves
- 3.8 KG

Beth Gibbons releases her debut solo album Lives Outgrown on Friday the 17th of May 2024. Featuring 10 beautiful new songs recorded over a period of 10 years, the album was produced by James Ford & Beth Gibbons with additional production by Lee Harris (Talk Talk).

Lives Outgrown is, by some measure, Beth’s most personal work to date, the result of a period of sustained reflection and change — “lots of goodbyes,” in Beth’s words. Farewells to family, to friends, even to her former self. These are songs from the mid-course of life, when looking ahead no longer yields what it used to, and looking back has a sudden, sharper focus.

TRACK LISTING

1. Tell Me Who You Are Today   
2. Floating On A Moment        
3. Burden Of Life        
4. Lost Changes          
5. Rewind
6. Reaching Out          
7. Oceans          
8. For Sale        
9. Beyond The Sun  
10. Whispering Love 

Keeley Forsyth is a singer, composer and actress from Oldham, UK. A frequent presence on primetime TV since the mid-'90s, over the past few years she has forged an unusual parallel career as a unique and uncompromising new presence in contemporary music. Described by Pitchfork as “arid and beautiful”, by Uncut as "astonishing" and The Sunday Times as "one of the most remarkable in years”, Keeley's debut LP 'Debris' (2020) and follow-up 'Limbs' (2022) drew unanimous critical praise, prompting comparisons with Nico, Beth Gibbons, Aldous Harding, Nick Cave, Anohni and even Scott Walker. It's often stated that no one else is making music quite like this.

The bleak and foreboding landscape surrounding Keeley's North Yorkshire home seems to inhabit her third LP, 'The Hollow'. The moors, visible from her studio window, impact upon a music that feels made of these places: windswept, rain-soaked and blinking through the low-lit landscape. The album's title derives from discovering a long-abandoned mining shaft whilst out walking - the past lurking within and haunting the present we now occupy. A connection to time that places us within it, facing what is gone and what may come. But also, perhaps that time has no concern as to whether we're here or not.

Keeley's unique elemental voice again sits centrally within this world-building. Her cathartic reflections are exorcisms in song. We hear an artist making sense of her life, willing to expose vulnerability without ever appearing weak. Working again with producer Ross Downes, the LP features Matthew Bourne and Colin Stetson, Forsyth sought to expand both her voice and music. Taking aspects of sacred music, minimalist post-classical, dark ambient, film and theatre soundtracks, she layers her vocals into chamber choirs, applies pitch shifts and other digital processing, moves from clear articulate intention to mumbled numb utterances.

Composer Mihály Vig's score to Bela Tarr’s film 'The Turin Horse' is reimagined as a pressurised outpouring, recasting the everyday within a mythical light of survival and hope. On ‘A Shift’, Mal Finch's protest song ‘We Are Women, We Are Strong ‘, originally sung by wives and daughters in support of the '80s miner’s strikes, is recontextualised in solidarity for an experience of creative labour.

A sought-after collaborator, Keeley is currently working towards new projects with Ben Frost, Teho Teardo, and Matthew Bourne. She has provided vocals for Louis Carnell; remixed both Gazelle Twin and Quin Quis; has soundtracked Maxine Peake’s directorial debut; and is currently developing a stage and studio project with Ben Frost and writer Robert MacFarlane.

A magnetic live performer able to create an immersive almost ritualistic experience, Keeley recently received a standing ovation at Unsound and supports the LP with shows at Bristol New Music, Rewire festival and London's ICA.

TRACK LISTING

Side A
1. The Answer
2. The Hollow
3. Come And See
4. Eve
5. Turning
6. A Shift
Side B
1. Slush
2. Drag Me Down
3. Do I Breathe
4. In The Corner
5. Horse
6. Creature

Teenagehood, brotherhood and a genuine love for alternative music has united The Goa Express from the off. Hailing from the industrial town of Burnley and adopted by the Manchester culture carriers, their teenage years can be viewed as something of a hedonistic pilgrimage into the underbelly of suburban rock and roll- their first gig having been 3 songs blasted out their mates garage, the next on top of a local vintage shop where the floor nearly caved in: “when there’s fuck all, you make do with what you got”.

The intensity of this friendship has resulted in the occasional bust up along the way, yet it only adds to the burning chemistry that the band offer on record and on stage. Together, brothers James Douglas Clarke (Guitar + Vocals) and Joe Clarke (Keys), along with Joey Stein (Lead Guitar), Naham Muzaffar (Bass) and Sam Launder (Drums) all contribute to a fuzzy wall of diverse sound, becoming harder to pin down with their constantly evolving, psych-umbrella’d, rock and roll. What sets The Goa Express apart from other musicians who sit comfortably within scenes is that their identity as a band has been growing organically long before the 5 of them decided to pick up instruments and teach themselves art of killing time.

Their genuine joy in the everyday; their attitude and antics seem to hark back to the glory days of the NME- if they talk about a night out, you want to be there because these lads ooze charm and wreak havoc. This purist, old school approach to creating music through unified experiences and stimulated good times is married with the plain fact that they are very much young people of this generation, and while they see its flaws its hyperreality, its sheep-like tendencies, they still understand the importance in the immediacy of pop music: of a banging riff, or a glorious chorus and how effective this can truly be, and they want everyone along for the ride.

With influences ranging from Spacemen 3 and The Brian Jonestown Massacre to French existentialism, from Beat Literature to long hours working at the Bookies to the journey into the sunrise on the night bus home, it is their ability to be all these things at once which makes The Goa Express a guitar band for the 21st Century. Nothing is ever a compromise because they are so unapologetically themselves in everything they do- proud Northerners with a DIY foundation that aren’t afraid to look into the often dim future and see themselves shining brightly in it, unforgiving and unpretentious.

So far, the band have released 3 singles with great success. The first: ‘Be My Friend’, produced by Ross Orton right next Sheffield’s famous ‘City Sauna’ brothel, presents itself to us as a cheeky, snarling pop song, holding undertones of raw cynicism laden with psychedelic sunshine. Ross Orton’s studio was also right next door to where the band recorded their last single ‘The Day’ with Nathan Saoudi of Fat White Family at ‘Champ Zone.’ Both these producers have been able to give these instant pop classics a grittier feel, capturing the essence of the unfettered lifestyle the band were living at the time that they were able to capture themselves in the music video for ‘Be My Friend’.

After signing with Ra-Ra Rok, (WU-LU/Bingo Fury) the band released anthemic summer hit ‘Second Time’, that went straight to the 6 music B-List before quickly heading up to the A-List 2 for 2 weeks. This was followed by the release of its B-Side ‘Overpass’ that almost immediately caught the eyes and ears of BBC Radio 1’s Jack Saunders, who had the band on his ‘Next Wave’ Segment. Closing the year that saw them play to thousand-strong crowds at festivals like Latitude and End of the Road, the band headlined their biggest headline show to date at Manchester’s Gorilla - its fair to say that this really is only the beginning.

TRACK LISTING

Side A - Everybody In The UK
Side B - Everybody In The UK (Demo)

THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.

The Verve's compilation album of B-sides and outtakes, No Come Down celebrates its 30th anniversary in 2024, to mark this UMR will be releasing it on vinyl for the very first time. With outtakes from the band's debut album A Storm in Heaven sessions. ìBlue" is a different (vocally upfront) "USA Mix" - released to coincide with Verve playing Lollapalooza Festival Chicago in 1994, this also features acoustic versions of "Make It Till Monday" & "Butterfly", "Gravity Grave" is the live recording from the bands first ever Glastonbury performance in 1993. This LP is pressed on black vinyl with printed inners.

THIS IS A RECORD STORE DAY 2024 EXCLUSIVE, LIMITED TO ONE PER PERSON.

Previously unreleased and unheard, this 2LP live concert will be available on limited edition colour vinyl and packaged in a numbered trifold gatefold.

I've Enjoyed As Much Of This As I Can Stand represents a singular moment in the band's history. Recorded on the final night of their '98 tour in support of the eponymous LP, Acetone was in peak form. recorded live on 16 track ADAT, the band pulled from all corners of their catalog in a nearly 80 minute set that veers from serenity to recklessness, culminating in an epic 13-minute medley of "I'm Gone / Miserlou" that should put to eternal rest the notion that this was a "slowcore" band.

TRACK LISTING

Rumble
Cindy
Another Minute
If You Only Knew
Every Kiss
I've Enjoyed As Much Of This As I Can Stand
All The Time
In The Light
All You Know
Waltz
Sunny Side Of Heaven
Barefoot On Sunday
I'm Gone
Miserlou
Come On
Endless Summer

From the psychedelic soaked streets of Stretford and the mind of Lewis Olsen aka Psychederek comes his next Sprechen E.P. as everyone's favourite cosmic cosmonaut returns with ALT! 4 tracks of spaced-out sound collages where electronic & rock music meet in the middle to create an explosion of avant-garde hypnotic rave soundscapes.

Title track ALT! has a massive doff of the cap to the driving forces of Krautrock, where Lewis' vocal soars atop stacks of guitars & synths and a solid drumbeat keeps you on track.

'Nowhere To Nowhere' breaks out of the gate with a full spin of the private psychedelic reel, a track that seemingly has no beginning, middle or end but which draws you in from the get-go with stacked guitars & synth lines, a thumping one note bass line, snappy percussion, and a totally far out vocal breakdown.

'Hapi' is a stunning stripped-back big bag of blissfullness with soaring synths & arp lines buddy up with a heart tugging 4 note key lines & guitar plucks alongside a reverb drenched vocal sound from heaven.
Coming across like the soundtrack as you reach the pearly gates whilst also harking back to the true balearic sound of the 70's. There are not enough sunsets in the world would do this justice.

What better way to finish things off than with a cover version of what is probably one of THE staples of the acid house 2nd Summer of love era as Psychederek gives the 808 State classic a full psych rework!
A fave from his live performances, the Manchester anthem is ripped right up to deliver a swoosh filled assault on the senses where pads, synths, guitars & even more synths all stacked and set firmly to 'wow man!' and kept tightly on track by the sublime drumming of Donald Johnson from A Certain Ratio.

STAFF COMMENTS

Matt says: Already causing a big stir on the local scene with DJs gifted upfront promos. It's all about that cover of "Pacific State" - absolute genius from this wildcard Stockport maverick. Get them orders in quick!

TRACK LISTING

A1. Alt!
A2. Nowhere To Nowhere
B1. Hapi
B2. Pacific State

‘Million Dollar Baby’ is Pixey’s most accomplished and ambitious pop project to date, written between her bedroom in Liverpool and studios in London over the course of a year and a half. Self-produced by Pixey herself, alongside Tom McFarland (Jungle, Olivia Dean, Alfie Templeman) and Rich Turvey (Rachel Chinouriri, Blossoms, The Coral), the record follows her journey of self-discovery as an artist and shedding the illusions surrounding it. Combining her love for 90s breakbeats with her pop prowess and skill as a producer, ‘Million Dollar Baby’ samples and interpolates some of her favourite tracks to not only bridge the gap between old sounds and new, but to craft an entirely new sound altogether.

“This album is more than just music to me,” she says, “it’s the final form of years of trying to prove myself. I’ve always felt as if I’m so close to something but never quite there. This is the story the album tells; navigating the perception of myself through the male gaze, whilst also trying to take some power back and form my truest identity. The sentiment of the album is this: the path to fulfilment isn’t a performance for others but instead, is a journey of becoming your authentic self.”

Across her career to date, Pixey has picked up acclaim from The Times, The Sunday Times Culture, Notion, The Forty Five, NME, The Independent, DIY, Dork, The Line Of Best Fit, CLASH and more. She has also received swathes of tastemaker support across national radio at the likes of BBC Radio 1, where she has received a plethora of accolades including Best New Pop, Poppest Record, Future Bop, two Tune Of The Week nods and over 100 plays and 20M impressions across her entire catalogue.

TRACK LISTING

Side A
1. Man Power
2. Million Dollar Baby
3. The Thrill Of It
4. Best Friend
5. Damage
Side B
6. Give A Little Of Your Love
7. Love Like Heaven
8. Bring Back The Beat
9. Oxygen
10. The War In My Mind

Dinked Edition Bonus 7":
SIDE A: MILLION DOLLAR BABY (PIANO VERSION)
SIDE B: OXYGEN (PIANO VERSION)

This rare take on the Bobby Caldwell classic will bring latin warmth to any dancefloor. Por Amor was the title track from the first ITTY release in 2021, after many requests for a repress it’s finally out again – now on a 7” with a new Comb dub version on the flip!

TRACK LISTING

A1. 7” Mix
B1. Dub Mix

Made in the wake of the end of a long relationship, this album is an intimate record that sees Fabiana Palladino confront complex questions about love, loneliness and normativity in relationships. The result is a 10-track full-length of shapeshifting sonics that draws inspiration from the big R&B, Soul, Pop and Disco studio productions of the 80s and 90s and filters them through a modern lens. Written and self-produced by Palladino, the album features performances from renowned musicians and close friends including Paul Institute co-founder Jai Paul, her father and legendary session bassist Pino Palladino, brother and Yussef Dayes bassist Rocco Palladino, renowned drummer Steve Ferrone and strings from Rob Moose.

Speaking on the new music Fabiana Palladino says:
“A central theme of the album is aloneness. Whether it’s a song where I’m searching for connection with someone else, or trying to embrace the aloneness, it tends to come back to me, who I am when I’m alone, what I feel when I really look inwards. I’d say it’s a pretty introspective record overall. The songs are often about trying to go deeper into yourself, exploring your true feelings and how they then relate to and affect your relationships with others.

“Stay With Me Through The Night” is the first song I wrote for the album. It was at the end of a tricky period where I hadn’t written music for nearly two years, and it came out in a bit of a flood, I barely even remember where or how I wrote it, but I knew it was going to be an important song for me. It ended up being the centrepiece of the album, a song that encapsulates a lot of the feeling and emotion of the rest of the record and musically it brings old together with new, which became a theme across the record…a way of combining my influences with a modern perspective.

Rhythmically the feeling of the song comes from funk and disco, I was thinking about the piano playing of Patrice Rushen and Michael McDonald, Chaka Khan’s ‘What Cha’ Gonna Do For Me’, Bernard Edwards bass playing on Chic’s ‘Good Times’, and The Bee Gees ‘Spirits Having Flown’ but we tried to take the track somewhere else in other aspects of the production to bring out the big feelings in the song. It situates us in the emotional world that I tried to create for the rest of the album.”

Fabiana Palladino first broke out in 2017 as one of Paul Institute’s founding artists after her shadowy R&B-influenced spectral pop reached Jai Paul, who founded the label alongside his brother A.K. Paul. Releasing three singles in four years, she caught the ear of critics - Pitchfork likened “Mystery” to “a scratch track from a big-budget 80s studio that’s been smuggled out on reel-to-reel tape” – but Palladino’s output remained slight. The intervening years have seen her working as an in-demand session musician for the likes of Jessie Ware, Sampha, SBTRKT and Laura Groves while intensely striving for pop perfection in her own music. Last year, she formed part of Jai Paul’s band for his live debut (which she also supported solo) on his hugely celebrated comeback tour.

TRACK LISTING

1. Closer
2. Can You Look In The Mirror?
3. I Can’t Dream Anymore
4. Give Me A Sign
5. I Care
6. Stay With Me Through The Night
7. Shoulda
8. Deeper
9. In The Fire
10. Forever

“Eggsistentialism” sees The Lovely Eggs return after a 4 year break since their Number One Independent Selling Album “I am Moron”. During that time they have made their own TV show Eggs TV (featuring Ian McKaye, Stewart Lee, Katie Puckrik, Maxine Peake, David Shrigley and more), dueted with Iggy Pop, played a load of sold-out gigs and festivals and fought a campaign to save Lancaster Music Co-op (a community rehearsal rooms and recording studio where they live).

Recorded at home in Lancaster, with production advice from Dave Fridmann, the album was mixed at Tarbox Road Studios, NY with Dave Fridmann and the band.

As the title suggests, “Eggsistentialism” explores a much more personal, introspective, and reflective side to The Lovely Eggs world and sees the Eggs explore new sounds and experiment in unventured musical territories.

“The new album is really a reflection on what has been happening to us these last couple of years, stewing up in Eggland in our own juices,” explains Holly. “It’s about loss and strength. On this album you’ll hear us at our lowest and most vulnerable. Daily life is hard. Realising everything you grew up with and loved is never coming back, alongside the responsibilities of caring for others is sometimes hard to take. The album is about life and death. Eggsistentialism. It’s about dragging yourself through all the shit to get to the other side.”

“It’s a bit of a ‘wilderness years’ album,” continues Holly. “We haven’t released a new record since 2020 and in the meantime, we’ve been here fighting shit and trying to defend a right to a lifestyle that we’ve enjoyed here in this town for the last 30+ years as working musicians who refuse to get a “normal” job and tow the line. It’s about believing in something and not letting go. But that unwillingness to give in ultimately takes its toll. It does start to destroy you and the album is kind of a documentation of that destruction and collapse as well as the strength we’ve got to get through it all. Ultimately, this is a hopeful record about survival.”

TRACK LISTING

1. Death Grip Kids
2. Nothing/Everything
3. Meeting Friends At Night
4. People TV
5. My Mood Wave
6. I Don't Fucking Know What I'm Gunna Do
7. Memory Man
8. Things
9. Echo You
10. I Am Gaia

At the close of a marathon year supporting their breakthrough album, "Con Todo El Mundo", Khruangbin return with an exciting addition - an update on Vince Guaraldi’s timeless “Christmas Time Is Here.”

'Growing up the three of us all had very different Christmases,' says bassist Laura Lee. 'But we recently discovered we all had the exact same favourite Christmas song. When we realized it, we sat down to play it and it came together instantly. In 15 minutes, we had this recorded. It was like the best Christmas present ever.'

With ambling sweetness and a fresh, beat-driven groove, Khruangbin have taken this oft-covered classic and made it wholly their own. It's not in-your-face festivity and cheer, more languid, by-the-fire snugness from our favourite Texan laid-back funk rockers.

TRACK LISTING

A1. Christmas Time Is Here
B1. Christmas Time Is Here (Version Mary)

THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.

More than four decades after it first appeared on their Hot Space album - QUEEN are releasing 1982's Cool Cat on limited edition 7" pink vinyl. Making its debut as an A-side - this marks the seventh single to be taken from the album. The B-side will be a brand-new previously-unreleased instrumental mix of the song. Cool Cat was co-written by bassist John Deacon and singer Freddie Mercury, and features a rare falsetto lead vocal performance from the flamboyant front man.

THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.


35th anniversary edition of The Durutti Column’s 1989 album ‘Vini Reilly’ on limited black vinyl.

Regarded as the seminal album from the Manchester post-punk legends, the album is presented in the famous (and as to now unseen) ‘rejected’ sleeve by 8vo, the influential London design studio of the late 80s & early 90s.

‘Vini Reilly’ was produced by Stephen Street (The Smiths, Blur, The Cranberries, New Order).

Record Store Day 2024 Exclusive

Numbered, limited edition on black vinyl.

Vinyl mastered by Peter Beckmann at Technology Works.

Especial Specials has recently helped to take the Japanese label Chill Mountain Record into the world of wax after it previously operated only in the digital world. Now it carries on with a similar MO as it works with Multi Culti label head, DJ and producer Dreems on a new set of limited-edition EPs. He has already landed on the likes of Kompakt, Pinchy & Friends and Futureboogie and now digs into his vaults to serve up some edits and dubs that are hard to pin down but often doused in psychedelic overtones, acid and dub. Each one is a unique work in its own right but they all add up to one helluva good EP.

STAFF COMMENTS

Mine says: Dreems provides all your psychedelic dancefloor needs across two new aurally and visually pleasing 12" compilations on Especial. This one is worth it alone for the addictive groove of 'Battaki'.

TRACK LISTING

An Ancient
Piska Power - Dumm Dumm ~ Ex Riemen (Dreems Rebirth)
Un Peu Sage
Eye-Mah, Yeah-Mah
Umeko Ando - "Battaki" (Dreems Luv It Dub It)

In celebration of 20th Anniversary of The Streets most iconic album: ' A Grand Don't Come For Free' - comes a limited edition coloured repress on double vinyl (dark red). Originally released in 2004, the record features legendary tracks such as 'Dry Your Eyes' + 'Fit But You Know it' and original artworks shot by counterculture photographer Ewen Spencer. A must-cop for any fan interested in relishing in the nostalgia of early 2000s Uk Garage, spoken word and hip-hop. 

THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.

The 40th anniversary of The Sisters Of Mercy's first two EPs from 1984, packaged together as one LP.

After putting down the saxophone, the instrument he has become synonymous with, Shabaka returns with his first full length album under his own name. Expanding off the meditative 2022 EP Afrikan Culture, his new album Perceive its beauty, Acknowledge its Grace is a deeply moving suite of primarily instrumental music. The listening experience is reflective and contemplative, with passages flowering from one musical concept to the next, encouraging deep attention that rewards the listener with throughlines and motifs throughout the record. Shabaka is found playing the flute on this album, and has enlisted key artists such as Andre 3000, Lianne La Havas, Moses Sumney, Floating Points, and more to help build this all-encompassing aural landscape.

STAFF COMMENTS

Barry says: I'm not typically a massive Jazz fan, I say this with some trepidation because the more I say it, the more I hear that I enjoy. While Hutchings has in the past, superbly done exactly the sort of Jazz I don't enjoy, 'Perceive It's Beauty, Acknowledge its Grace' is a beautiful collection of new-age leaning instrumentals and flute-heavy spiritual jazz. With a stellar lineup of guests too (Laraaji, Floating Points, and fellow flautist Andre 3000), you really need to give this masterwork time to develop in the ears.

TRACK LISTING

End Of Innocence
As The Planets And The Stars Collapse
Insecurities
Managing My Breath, What Fear Had Become
The Wounded Need To Be Replenished
Body To Inhabit
I’ll Do Whatever You Want
Living
Breathing
Kiss Me Before I Forget
Song Of The Motherland

She was born in Alabama, grew up near Waxahatchee Creek. Skipped town and struck out on her own as Waxahatchee. That was over a decade ago. Crutchfield says she never knew the road would lead her here, but after six critically acclaimed albums, she's never felt more confident in herself as an artist. While her sound has evolved from lo- fi folk to lush alt- tinged country, her voice has always remained the same. Honest and close, poetic with Southern lilting. Much like Carson McCullers's Mick Kelly, determined in her desires and convictions, ready to tell whoever will listen.

And after years of being sober and stable in Kansas City-after years of sacrificing herself to her work and the road- Crutchfield has arrived at her most potent songwriting yet. On her new album, Tigers Blood, Crutchfield emerges as a powerhouse-an ethnologist of the self-forever dedicated to revisiting her wins and losses. But now she's arriving at revelations and she ain't holding them back.

STAFF COMMENTS

Barry says: There's something timeless about a simple-yet-effective country ballad, and while that's not quite what Waxahatchee does, there's something about Cruthfield's writing that triggers the instant recognition and innate warmth of those tried and tested campfire classics. Beautifully bucolic melodies and warmly presented instrumentation, all wrapped in Waxahatchee's unmistakeable style. Stunning.

TRACK LISTING

1. 3 Sisters
2. Evil Spawn
3. Ice Cold
4. Right Back To It
5. Burns
6. Out At Midnight
7. Bored
8. Lone Star Lake
9. Crimes Of The Heart
10. Crowbar
11. 365 
12. The Wolves
13. Tigers Blood

The arrival of Teething invites you to take a leap beyond seeing dance music as a genre, built from this type of kick or that type of snare, and instead as its own dimension: a place you can escape to. It pays homage to the language of sounds on the dancefloor which have encouraged generations to feel, not to think. While, lyrically, the record delves into the tangle of lived experience, musically, it will free you from it.

Since the beginning, Porij had self-produced, self-mixed and entirely self-made their music, and even after having signed to [PIAS], the record was still incubated in their bedrooms where they would sit together for hours giving colour, shape and texture to this new world. It was only then that they enlisted legendary producer David Wrench, famed for his work with era-defining artists including Frank Ocean, FKA Twigs and The XX. His mentorship allowed Teething to transform their music from a live-angled proposition to something folded in the arms of pop.

Vocalist and keyboardist Scout Moore (Egg), bassist James Middleton, guitarist Jacob Maguire and drummer Nathan Carroll are armed with hard-won experience, strengthened bonds and a renewed sense of passion. Their debut album Teething is both a coming-of-age story and a bottling of the particular magic that is unmistakably – and definitively – Porij.

STAFF COMMENTS

Barry says: A syrup-smooth mix of airy Balearic beats and euphoric house-tinged synth-pop. Texturally varied, but without straying too far from dreamy front-room electronica or drifting dancefloor grooves.

TRACK LISTING

1. Marmite
2. Unpredictable
3. Don’t Talk To Me
4. Endlessly Waiting
5. My Only Love
6. Ghost
7. Stranger
8. Sweet Risk
9. Gutter Punch
10. You Should Know Me
11. Slow Down

Sometimes you have to move backwards to move forwards. Just ask punk cultural commentators BODEGA, whose new album sees them carve a new future from fuzz-soaked, consumerism-skewering shards of their past.

‘Our Brand Could Be YR Life’ is BODEGA's first album release through Chrysalis Records. “It’s something we’ve been wanting to do for years,” guitarist and vocalist Ben Hozie explains of ‘Our Brand Could Be Yr Life’ – a collection of catchy indie-rock ruminations on the slow-creep of corporate-think into youth culture, first written eight years ago.

‘Our Brand Could Be YR Life’'s 15 tracks explore indie-rock subgenres, self-critique and everything in between. "I think it’s our best- sounding record to date,” says Hozie, "I t’s got dance-punk. There's some shoegaze on there. There's slacker rock on there. There's psychedelic rock on there. R.E.M, too. We wanted to be another band in a long stream of missionaries, proselytising a certain type of rock subculture.” 

STAFF COMMENTS

Barry says: It's been a couple years since Bodega's last LP, and 'Our Brand...' shows that the Brooklyn band have honed their propulsive, soaring garage-adjacent rock and with it brought in a wealth of perfectly integrated influences. Brilliantly produced and beautifully performed, it's definitely the most exciting of their releases to date.

TRACK LISTING

Side A
1. Dedicated To The Dedicated
2. G.N.D. Deity
3. Bodega Bait
4. Tarkovski
5. Major Amberson
6. Stain Gaze
7. Webster Hall
Side B
1. ATM
2. Set The Controls For The Heart Of The Drum
3. Protean
4. Born Into By What Consumes
5. Cultural Consumer I
6. Cultural Consumer II
7. Cultural Consumer III
8. City Is Taken

Nico's third solo album, 1970's 'Desertshore', has long been out of print. This reissue includes audio mastered from the original tapes and previously unreleased photos of Nico by Guy Webster.

1970's 'Desertshore', co-produced by her Velvet Underground band mate John Cale, like much of Nico's early work, has grown in stature with the passing of time, and alongside 'Chelsea Girl' as some of her most accessible work.

TRACK LISTING

1. Janitor Of Lunacy
2. The Falconer
3. My Only Child
4. Le Petit Chevalier
5. Abschied
6. Afraid
7. Mütterlein
8. All That Is My Own

Super Spicy's Super Spicy Recipe series is back with a sixth mouthwatering offering and once again it's a super hot outing of party-ready house and disco sounds. First up is the irresistibly colourful disco charm of Birdee with the freewheeling 'Underground' and its groove-infused piano. Label boss Monsieur Van Pratt then adds his own spin to a rare groove classic with a lung-busting soul vocal and Pato Watson is in edit mode as he tweaks 'Ella Fue' to perfection. Italian don Paul Older brings some funky jazz fusion sounds to his steamy 'Turkish Lights, C. Da Afro keeps it a party with his 'Nothing But The Funk' and Mexican Juan Soto slips into a more deep and loved-up funk-house vibe on 'All Is Full Of Love'.

STAFF COMMENTS

Matt says: Brilliantly demonstrating that there's still plenty of life left in an edit, this motley crew of audio knife wielders get down to the guts and grooves of a track. Making this six track clutch a much needed gem for your disco / cosmic / Balearic leaning dancefloor.

TRACK LISTING

Birdee - Underground
Monsieur Van Pratt - My Love For You
Pato Watson - Ella Fue
Paul Older - Turkish Lights
C Da Afro - Nothing But The Funk
Juan Soto - All Is Full Of Love

The final U.S. show, a triumphant and blistering bookend to the storied career of one of the most influential bands in rock music, featuring a unique and expansive eighty-five minute set list that spans Sonic Youth’s nearly three decade catalog. Mixed from multitrack by longtime live engineer Aaron Mullan and mastered and cut by Carl Saff.

On August 12, 2011 Sonic Youth played their final US show on an outdoor stage overlooking the East River at the Williamsburg Waterfront in Brooklyn. Fitting that their storied career would bookend with a panoramic view of New York City where it all began 30 years before, having left in their wake one of one of the most powerfully influential careers in rock music.

Following incredible sets from Kurt Vile and Wild Flag, the band took the stage. As the sun went down over the city, Sonic Youth ripped through a 17 song set that spanned from deep cuts off their first studio album and highlighting many other albums all the way through to their last, like a band with everything to prove. Or as Brooklyn Vegan’s Andrew Sacher said at the time: “While most bands who are thirty years into their career are either fading away or living off of the nostalgia of their older material, Sonic Youth continue to sound and perform as fresh as ever.”

Steve Shelley explains the uniquely career spanning set list of Live in Brooklyn 2011 and how it came to be, as well as the importance of outdoor NYC summer shows in Sonic Youth’s legacy:

“This show was a culmination of a run of really special outdoor summertime shows in New York City for us, starting in ’92 with Summerstage in Central Park when we played with Sun Ra. For the Williamsburg Waterfront show I wrote out the set list to present to the band and it was a lot of material we hadn’t played in a while, a lot of deep cuts, so I wasn’t sure if everybody would feel like doing it. After worrying about which songs the band might say yes or no to, I threw those concerns out the window and I just made a list of songs that I thought would be a great set. We practiced the week of the show at our space in Hoboken and put the set together. First we’d try and make sure we had a guitar in the song’s tuning, then we’d try to remember the arrangement and try and put it together, sometimes re-learning bar by bar. In the end I think the whole song list made it through. Even as early as ’86 and ’87 we stopped playing ‘Death Valley 69’ and ‘Brave Men Run’ with any regularity. We’d just get excited about new material coming into the set and songs would get ‘retired’ and wouldn’t get played again for years. So on this particular night in Brooklyn a lot of those retired songs and deep cuts got dusted off and played for this show. It turned out to be a pretty special event with a really special song list.” The band would go on to fulfill a contracted festival run in South America a few months later but, by then, the group’s center was severed beyond repair and the festival appearances didn’t hold the same kind of weight.

“The stage was facing the East River from the Williamsburg, Brooklyn waterfront, and I recall the sun going down in the west during our set. It was a pretty magical, if kinda weird day. Fitting, somehow, that our ‘last show’ should be in New York City, our home and where it all began…” Lee Ranaldo

The Williamsburg Waterfront show would fondly become referred to as ‘The Last Show’ by fans and band alike, equally for its triumphant high energy performance, its unique and expansive set list and locale.

Newly remixed and remastered, Live in Brooklyn 2011 is presented for the first time on 2xLP, 2Xcd, August 18, 2023.

STAFF COMMENTS

Darryl says: The legendary Sonic Youth played an historic gig on the Williamsburg Waterfront overlooking the East River on August 12th 2011. It would prove to be their final U.S. show, and this double vinyl and double CD on Silver Current Records perfectly captures this raw and expansive 85 minute set.

Heavy on songs from their early years Sonic Youth powered through these tracks like a band full of teenage energy. The fact that this show was their U.S. swansong after around 30 years together makes this blistering set all the more remarkable.

Kicking off with the hypnotic “Brave Men Run (In My Family)”, before exploding into the sensational noise carnage of “Death Valley ‘69”. Sonic Youth continue to rip through the set with 80s classics; “Kotton Krown”, “Kill Yr. Idols”, “Eric’s Trip” and the awesome “Tom Violence” all dispatched with visceral vigour and punky power.

Interspersed with three tracks from their last album ‘The Eternal’ along with a brilliantly brutal “Sugar Kane” they finish off proceedings with an apocalyptic version of “Inhuman” complete with feedback and wailing guitars and then it’s all over with the line “… with the power of love anythin’ is possible”.

TRACK LISTING

1. Brave Men Run (In My Family)
2. Death Valley ’69
3. Kotton Krown
4. Kill Yr Idols
5. Eric’s Trip
6. Sacred Trickster
7. Calming The Snake
8. Starfield Rose
9. I Love Her All The Time
10. Ghost Bitch
11. Tom Violence
12. What We Know
13. Drunken Butterfly
14. Flower
15. Sugar Kane
16. Psychic Hearts
17. Inhuman

After more than 1 billion streams, 800k records sold and sold-out world tours, the duo with the mythical cross come back with 'One Night/All Night' starring Tame Impala and 'Generator' from their fourth album: 'Hyperdrama'. 

STAFF COMMENTS

Barry says: There are a lot of people since the mid 00's that have tried to sound like Justice, but though some have somewhat successfully replicated the rhythmically dense compositions and dj-mix motion of their instantly recognisable pieces, nobody sounds like justice. Hyperdrama proves the purveyors of the sound continue to be the frontrunners.

TRACK LISTING

1. Neverender With Tame Impala
2. Generator
3. Afterimage With RIMON
4. One Night/All Night With Tame Impala
5. Dear Alan
6. Incognito
7. Mannequin Love With The Flints
8. Moonlight Rendez-Vous
9. Explorer With Conan Mockasin
10. Muscle Memory
11. Harpy Dream
12. Saturnine
13. The End With Thundercat

THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.

1974 is the 50th anniversary of the Ramones, and these are their earliest studio recordings. First time on vinyl for RSD 2024

Nico's second solo album, 1968's 'The Marble Index', has long been out of print. This reissue includes audio mastered from the original tapes and previously unreleased photos of Nico by Guy Webster.

Nico's haunting vocals predicted the Gothic movement and co-producer and Velvet Underground's band mate John Cale's startingly modern classical production ensured 'The Marble Index's timeless appeal. The iconic music journalist Lester Bangs wrote, “The Marble Index is the greatest piece of 'avant-garde classical', 'serious' music of the last half of the 20th century so far,” and the New Yorker recently hailed both records as “austere miracles of will and invention.” 

TRACK LISTING

1. Janitor Of Lunacy
2. The Falconer
3. My Only Child
4. Le Petit Chevalier
5. Abschied
6. Afraid
7. Mütterlein
8. All That Is My Own

After two critically acclaimed albums (2020’s ‘Now Here’s An Echo From Your Future’ and 2022’s ‘The Rest Is Distraction’), and numerous mini-album, EP and single releases, London-based trio Girls In Synthesis return with their new statement; their third album ‘Sublimation’.

If you thought you knew GIS, think again… they have moved on and created a dark and intense, yet melodic, collection of songs; their take on an angular pop record. Opening song ‘Lights Out’ is split into two distinct sections; the opening a Barrett-esque vocal and guitar lament to sleep deprived anxiety which morphs, via a ‘Faust Tapes’ influenced freeform noise section, into a stomping, high intensity closing blitz.

Tracks such as ‘Deceit’, ‘We Are Here’ and ‘Picking Things Out Of The Air’ see the group at their most melodic to date, minimising some of the chaotic noise elements of their signature sound and bringing to the fore impassioned, soaring vocals and keys melodies. Their trademark, driving drums and bass foundation is particularly evident on songs ‘I Judge Myself’ and ‘Corrupting Memories’, but is counterbalanced by intense, early goth influenced keyboard lines, bringing influences from late 1970s/early 1980s into focus with the contemporary GIS intensity. Slow-burning tracks ‘I Was Never There’ and ‘The Prefix’ build up tension and atmosphere with sparse arrangements and circular, spiralling outros, while closer ‘A Damning Lesson’ sees the band return to their intense, bludgeoning wall of sound only to send it into a blur of echoing drum machine, reminiscent of the early work of Cabaret Voltaire.

Lyrically, GIS prove themselves head and shoulders above their contemporaries, leaving the pastiche sloganeering and lecturing to those wishing to preach to the converted, and reach inside to bring forth poetic and challenging analysis of the anxiety and emotional turmoil of self-reflection and human relationships. Booked in for extensive UK/EU touring throughout May and June, the band will be adapting their white-heat live show to bring subtlety and clarity to the new songs from ‘Sublimation’, losing none of their unique and intense performance in the process. Be ready…

TRACK LISTING

Lights Out
Deceit
Semblance Of Choice
We Are Here
Corrupting Memories
I Was Never There
Picking Things Out Of The Air
I Judge Myself
Subtle Differences
The Prefix
A Damning Lesson

The now infamous, still anonymous Soup cartel return with volume three of the cult series. 

Four more cuts that delve deep into low slung discoid deviance. Never letting the tempo dictate the energy, instead relying heavily on mood, obscurity and rhythm. The only one I recognize out of this lot is the Greg Wilson favourite "XR7 - xr7 instrumental"; but the other three cuts are equally enticing.

Essential stuff for those who like to get closer to the edit - RIYL: Andi Hanley, Greg Wilson, COMBI,  Eros etc etc. 

STAFF COMMENTS

Matt says: Swiftly onto their third dish, the illusive Soup collective dish out four more well blended bowls of sonic goodness. Tweaks and re-edits for the more adventurous DJ!

Who doesn't love a good edit, some nice Balearic, and especially some mystical Balearic edits? Well, that's just what we have here from Matsoaka who taps into several worldly flavours on this new six tracker courtesy of Magic Wand. 'Parlband Utmed Kusten' starts slow and steady, wet and dubby. 'Jah Banana' is a supremely horizontal and sun-kissed beach groove and 'Alligator' cuts loose on glistening melodies and playful chord vamps. Gentle breakbeats power the seductive 'Shish Balearic' and 'Asian Dance Groove' closes out with loose, percussive rhythms and funky guitar rifts. A truly global sonic trip.

TRACK LISTING

Parlband Utmed Kusten
Jah Banana
Alligator
Shish Balearic
Asian Dance Groove

Spell Blanket - Collected Demos 2006-2009 comprises songs and sketches drawn from Trish's extensive archive of 4-track tapes and MiniDiscs. The recordings lay the groundwork for what would have been Broadcast’s fifth album, offering a window into Trish and James’ creative process during the post-Tender Buttons period from 2006-2009.

Photography used in its artwork is by Trish and James and the artwork is designed by Broadcast's long-time collaborator Julian House.

STAFF COMMENTS

Barry says: There are few bands who could put out such an extensive collection of demos and sketches and have it be not only a great insight into their creative processes (it is definitely that), but a sonically imperfect but thematically impeccable collection. There's a reason Broadcast are so respected, and this is it.

TRACK LISTING

1. The Song Before The Song Comes Out
2. March Of The Fleas
3. Greater Than Joy
4. Mother Plays Games
5. My Marble Eye
6. Roses Red
7. Hip Bone To Hip Bone
8. Running Back To Me
9. I Blink You Blink
10. Infant Girl
11. I Run In Dreams
12. Luminous Image
13. A Little Light
14. Hairpin Memories
15. My Body
16. Follow The Light
17. Tunnel View
18. Where Are You?
19. Singing Game
20. I Want To Be Fine
21. The Games You Play
22. Grey Grey Skies
23. Puzzle
24. The Clock Is On Fire
25. Petal Alphabet
26. Tell Table
27. Fatherly Veil
28. Dream Power
29. Heartbeat
30. Call Sign
31. Crone Motion
32. Sleeping Bed
33. Join In Together
34. Colour In The Numbers
35. I Am The Bridge
36. Spirit House 

The excellent Minimal Wave serves up a long-awaited LP here that features unreleased treasures from the influential UK duo, Vicious Pink, who first met at The Warehouse night-club in Leeds in the late 1970s and went on to reshape synth-pop. They notoriously lent their backing vocals to friends Soft Cell but went on to have success as a duo with avant-garde singles that defied norms and climbed the UK dance charts between 1982 and 1986. Now, Unexpected offers glimpses into their creative process and is packed with pop experiments recorded on the fly, some of which are with Dave Ball of Soft Vell/Grid fame. A true collector's gem.

STAFF COMMENTS

Mine says: If I had to describe the perfect song it would probably contain the words catchy and weird. This compilation of previously unreleased Vicious Pink tracks is full of songs that match that description - some are more catchy than weird, some more weird than catchy, others find the perfect balance. Can't wait for this to land and annoy everyone by playing it to death.

TRACK LISTING

Side 1
So You Want To Love Me
Alien Patience
South Side
Chaos 303
Move Up Closer

Side 2
Undercover
Not Your Kind Of Girl
Slightly Ahead
Perpendicular
Night Drive

Irlam's infamous upstarts DJ Absolutely Shit are at it again with four more tracks to rattle yer spines and rupture yer spleens.
Utilizing the classic approach of sourcing a sick sample, adding a rugged breakbeat, then tweaking out the buzz for maximum enjoyment, the pair deliver an explosive EP of global hypercoloured mayhem that burns hotter than an oz of 'Ells Angels sputnik.

'Bridge To Your Heart' grabs Sade by the hand, shoves two purple doves down her throat and queue-jumps to the front of Bowlers for an endorphin-rushing hardcore workout full of modern beat engineering and sample manipulation.

Switching approach, 'Bolivia' shuns the dreamy feminism for an altogether more masculine affair - roping in the Wu for an argy-bargy, elbows-out speaker shaker full of hi-definition laser stabs and destructive, land mine subs.

Hitting the accelerator, 'Rocking You Eternally' traverses the jungle boarders in a blacked out Nova, Ab Shit's flair and panache at drum programming and contemporary production chops beautifully on show throughout this big system roller with a carp-hunting vocal hook.

'Gong' closes off proceedings, merging moods inna more seductive flavour. E-soaked pianos and a gentle throb coaxing us to that end-of-night climax that'll have us humming the piano line all the way down the M65 home.

No jokes cru, this is some of the best tackle to emerge outta the DJ Absolutely Shit studio to date. One of two, vinyl-only EPs and ahead of their debut album that follows on C90 tape.

Boing boing boing, boing boing boing, boing boing!!

STAFF COMMENTS

Matt says: The strongest stuff TO DATE from the DJ Absolutely Shit studio. The catchy hooks, the technical breaks mangle-age, the nods to hardcore - it's all there - but our Irlam renegade seems to have a reached a zenith in terms of mixing and mastering; meaning this (and part two following in a few weeks) are the heaviest, soundsystem ready wax platters to land from the RL camp. Watch ya bassbins!

TRACK LISTING

A. Bridge To Your Heart 
A2. Bolivia
B. Rockin' You Eternally 
B2. Gong

The Just What The World Needs label is back with its 15th EP from the eponymous production outfit behind the imprint and it carries right on from where the last one left off. 'Track 1' is a fiery and Latin-tinged Afro gem with funky rhythms and big horns that bring sunny and open-air party vibes. 'Track 2' has a hint of MPB to it with more low-slung funk grooves and steamy vocals while 'Track 3' then flips the script again with a more cosmic vibe and plenty of mad Rhodes chords. Last but not least is 'Track 4' with some lo-fi and light night melon twisting disco sounds.

STAFF COMMENTS

Matt says: Master splicer Jacques Renault with a quadruplet of disco, tropical funk and cosmic edits that are set to fly.

TRACK LISTING

Track 1
Track 2
Track 3
Track 4

Son of Todd Osborn (Soundmurderer/Ghostly) Kaito Ian makes a hugely impressing first outing on the Galaxy Sound Co label with a series of lo-fi hip-hop beat-strumentals that cannot fail to get your head nodding. He is a dedicated music lover and skater with a deep knowledge of his craft and that shows here with some refined sounds starting with the soul drenched 'Revert', then on to the warped angelic vocal samples of 'Sequoia' and the percussive jumbled and scratching of 'Trek'. 'Wait Up' is another excellently blissed out joint and 'Sloan' is a sunny, laid back, lazy vibe to close down a superb EP.

STAFF COMMENTS

Matt says: Phwoooar 'ave some of THAT! Todd Osborn's son (!!) drops a tidy package of hip-hop instrumentals which lands somewhere between DJ Dez (Andres), Madlib and some of the beat tapes we've had through Fat Beats. You'll be clambering after a whole LP once you've digested this 7"!

TRACK LISTING

Revert
Sequoia
Trek
Wait Up
Sloan

Joy O returns with a highly anticipated 10" double header. Now, I don't say the phrase: 'hang onto your underpants' very often, but in this case - 'HANG ONTO YOUR UNDERPANTS!!!'.

"Flight FM" sounds like a rocket powered by subwoofers is about to take off from the runaway. Niggly, granular synths breaking down as thrusters engage before soaring into the sky with jet-propelled bass. There's plenty of Joy O signatures - rickety hi-hats, rib-punch kicks; but the intensity has been ramped up to max velocity on this one... a true speaker testing watermark for the festivals and big rig raves this Summer.

"Shiloh's Revenge" is no wallflower either; with more intricate synthesis paired with jaw smashing drums, wubbing subs and a cavernous, warehouse-filling presence. There's even a bit of Overmono-esque vox towards the end of the track which sets the arrangement on fire.  

Likely to fly out faster than limited bottles of Prime on a tictok viral vid... Don't sleep on this absolute BEAST massive!

STAFF COMMENTS

Matt says: Underpant tearing business from modern bass luminary Joy Orbison which is certain to cause a whole manner of accidents during the festival season.

TRACK LISTING

Flight Fm
Shiloh’s Revenge

Gino Soccio's 'Dancer' is a standout record when thinking about the early days of disco, mainly thanks to the lush synths crafted by the Canadian producer. His magic on the keys helped set the sonic agenda of those times and led him to six hit singles and four albums. After all that success, though, he vanished in 1984 and left behind only a fine musical legacy. Random Vinyl pays homage to it with a revamped release of 'Remember,' featuring Fred Ventura's vocals and Ivy Sharrard's French verses. Producer Marc Hartman delivers a 2024 rendition, while Flemming Dalum adds a banging remix to make this a great tribute.

STAFF COMMENTS

Mine says: Wake up italo heads! Pax Romax and Fred Ventura pay tribute to an absolute classic and Flemming Dalum is on remix duties - sounds like a dream come true? Well it is. MEGA!

TRACK LISTING

Remember (Flemming Dalum Mix)
Remember (Master Mix)
2066

THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.

THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.

THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.

Side project from Gillian & Stephen of New Order - Remixes TBC

THIS IS A RECORD STORE DAY 2024 EXCLUSIVE, LIMITED TO ONE PER PERSON.

Recorded in 2005 at the legendary venue in Denver, an iconic venue where a number of legendary live recordings have taken place over the years from likes of U2, The Beatles, Jimi Hendrix, Depeche Mode, The Grateful Dead and Neil Young. This recording features the Pixies in their fullest form with the original lineup present and correct (David Lovering on drums, Joey Santiago on guitar, bassist Kim Deal, and Charles Michael Kittridge "Frank Black Francis" Thompson IV). The epic 27 song set features all of the Pixies classic material including Here Comes Your Man, Where Is My Mind?, Hey and Debaser.

This recording has never previously been available on vinyl and it's now pressed on orange marble 140g vinyl.

TRACK LISTING

Wave Of Mutilation
Allison
Broken Face
Monkey Gone To Heaven
Number 13 Baby
Cactus
The Sad Punk
Velouria
Bone Machine5
I Bleed
Caribou
Mr. Grieves
Tame
Hey
Stormy Weather
Gouge Away
Dead
Debaser
Gigantic
La La Love You
Here Comes Your Man
Holiday Song
Nimrod’s Son
Vamos
Where Is My Mind?
In Heaven
Wave Of Mutilation

Overmono first performed their version of The Streets’ seminal 'Turn The Page' at the 2022 edition of Lost Village Festival to a rapturous response. Hailed by Rolling Stone UK as a "glitchy techno banger”, it has since grown into a word-of-mouth phenomenon and a pinnacle moment in the duo’s critically acclaimed live show. From their Coachella debut to their viral Boiler Room and more recent sold-out headline show at London’s Roundhouse, the track continues to resonate across continents, solidifying its status as a timeless dancefloor anthem. Now available for pre-order on 12” black vinyl with laser etched lyrics on the b-side.

TRACK LISTING

1. Turn The Page