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Daniel Rossen

You Belong There

    Daniel Rossen, the lead vocalist and instrumentalist of era-epitomizing act Grizzly Bear, announces his first-ever solo LP, You Belong There, via Warp Records. 

    The landscape surrounding You Belong There is Daniel Rossen’s sophisticated and visceral consideration of what comes after the restless enthusiasm and public fanfare of your youth. It's a riveting 10-song reintroduction to a voice that sounds both entirely familiar and fully re-energized by the act of unfettered expression and newfound self-sovereignty. These songs explore the personally uncharted territory of adulthood, including the troubles left behind and the possibilities that wait ahead.

    For nearly two decades, Rossen had been a crucial component of Grizzly Bear, whose shared harmonies and interlaced textures reimagined music of the early aughts. He is also a founding member of the acclaimed folk and electronica outfit Department of Eagles. Rossen left the close-knit nest of Brooklyn many years ago, first for an isolated patch of land in upstate New York and then for Santa Fe, where he slowly built the world that is You Belong There largely in his high desert home. Rossen bought himself an upright bass (one of his instruments as a kid), along with the cello and performed almost all of the parts on the album himself, with Chris Bear of Grizzly Bear contributing as a rare guest on “Tangle.” Best known as a guitarist, Rossen took up woodwinds, too, buying several cheap student models and learning just enough to understand the rudiments.

    You Belong There follows Rossen’s 2012 EP, Silent Hour/Golden Mile, critically acclaimed and rated an 8.0 by Pitchfork, who called it a “majestic song cycle full of fingerpicked notes that babble like tributaries.”

    TRACK LISTING

    A1. It's A Passage
    A2. Shadow In The Frame
    A3. You Belong There
    A4. Unpeopled Space
    A5. Celia
    B1. Tangle
    B2. I'll Wait For Your Visit
    B3. Keeper And Kin
    B4. The Last One
    B5. Repeat The Pattern

    Oneohtrix Point Never

    Renditions I - Black Friday Edition

      AVAILABLE ONLINE ON SATURDAY NOVEMBER 27TH FROM 8AM.

      LIMITED TO ONE PER PERSON.


      Oneohtrix Point Never announces an exclusive release for Record Store Day’s Black Friday – a 10” featuring re-workings of album tracks “Nothing’s Special” with ROSALÍA and ”Tales From The Trash Stratum” with Elizabeth Fraser of Cocteau Twins.

      Both tracks are available as bonus tracks on the recent Blu-Ray edition release of Magic Oneohtrix Point Never, originally released 20th November 2020 but are now available here for the first time on limited 10” vinyl.

      10” in paper inner in printed outer sleeve with spot gloss to cover, includes download card insert.

      Limited to 750 copies for the UK and Ireland.

      TRACK LISTING

      A. Nothing’s Special (Oneohtrix Point Never & ROSALÍA)
      AA. Tales From The Trash Stratum (Oneohtrix Point Never & Elizabeth Fraser)

      "absent origin" is the latest album by multi-disciplinary artist Mira Calix released via Warp Records.

      After periods when many things break down, new things need to be made from fragments. absent origin uses the process of collage to make sense of such fragments. Burrowed deep in rolling hills of books and magazines of her source material, Mira Calix’s studio took shape of a Scandi-Noir detectives office but in place of suspect is Calix herself cut and pasted into the artworks that circle this album. Immersing herself into the history of collage, she researched the various processes applied by artists, as well as the medium's history in relation to the 20th century and political upheaval.

      Every song on the album was created by applying a different collage process relating to a different visual artist, spanning the history of collage to contemporaries of the practice. The sonic materials are subjected to a myriad of processes; layered, synthesised, constructed and assembled into electronic melodies, textures and complex, frisky dance rhythms that are constantly shifting in surprising ways. absent origin employs collage to make sense of the current moment of displaced voices, disjunction and political unrest.

      On mark of resistance the collage works of Hannah Wilke have been used as inspiration; Wilke’s work is known for exploring feminist issues and aesthetics which is a fitting source of power and solidarity for the first female signee to Warp. The shredding and recreating continues on silence is silver where Matisse’s later works are referenced and on GARGLE (command V) Hannah Höch’s pioneering collage form techniques can be heard as Calix draws our attention back to the present chaos of politics and media. Syncopated and manipulated voices of rap, poetry and found sound jitter through like Jenga, fractions fractured factions and GARGLE. Although an album of sonic splinters, the consistent form is a stance on changing society for the better through art - an ethos she shares with her muses.

      Calix’s recording sessions are from all over the world are the many fragments we hear across the record; from India to Tasmania, Jordan to Belgium, China to Uganda, her former home of South Africa, to her current home in Britain. Slicing into these are further recordings of vocalists, percussionists, choirs, orchestras, quartets and soloists, never appearing in the form in which they were originally intended. The record is a polyphony of predominantly diverse female voices held together by pulsating baselines, haunting electronic sounds and orchestrated melodies and with them, we travel.

      As we travel, we glimpse artifacts, as if from the train window; a familiar voice, an image we once knew, but by the time we are able to focus it is long gone. The album fizzes with a political energy and the interconnectedness of everything. At this moment in time, there is an impossibility of separating one thing from another; the effect is strange and not exactly reassuring. Collage suggests infinite possibilities and each track here is a singularly unique compositional combine, a dizzying hall of mirrors with its own unlikely harmony, it’s own distinctive rhythm. On absent origin, collage becomes the tool to make sense of a present that is often anything but.

      *Please note that the strike-through and lower casing are deliberate in the album title and track names*

      TRACK LISTING

      01. A Mark Of Resistance
      02. There Is Always A Girl With A Secret
      03. Silence Is Silver
      04. Bower Of Bliss
      05. Wooddrifts
      06. Nkosezane - For My Daddy
      07. Like Jenga (only It Reaches All The Way To The Sky And It’s Made Of Knives)
      08. Doggerland (between The Acts)
      09. Fundamental Things
      10. Fractions Fractured Factions
      11. I’m In Love With The End
      12. Surrender
      13. GARGLE (command V)
      14. Dishàng Shuãng (edit)
      15. Transport Me
      16. An Infinite Thrum (archipelago)
      17. The Abandoned Colony Collapsed My World

      Squid

      Near The Westway (RSD21 EDITION)

        THIS IS A RECORD STORE DAY 2021 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY JULY 17TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

        IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 6PM ON THE SAME DAY (SATURDAY JULY 17TH).


        Live To Vinyl Exclusive

        All formats come with a free Piccadilly Records EOY Sampler CD whilst stocks last.

        Manchester’s LoneLady has been a firm favourite with most of our rotating assembly over the last decade. Her infectious mix of kinetic drum rhythms, thin and funky, picked guitar lines and completely distinctive vocal style has proven a winning formula for lovers of post-punk, (any)wave and electro-indie hybrids alike. Her intrepid DIY approach sees her writing and playing all instrumental and vocal parts herself, furthering her credentials as an all-in-one modern studio songstress. On Former Things the blueprint reaches its natural zenith – seeing her galvanized grooves emanate from a modest arsenal of instruments with a spontaneous magic. Whereas previous outings were inspired by the industrial Victorian warehouses which once populated the Manchester cityscape, this new set sees her move location to a shooting range in Somerset, offering up expansive, shiny, dare-I-say-it, playful territories within her music. There’s a degree of sonic affluency which reflects her journey from urban to rural.

        A detailed equipment list accompanies the LP, going someway to explain how she creates these twangy, bass-banging, arp-studded mechanics. Each arrangement evolves from a basic beat to an unignorable earworm within a typical 16-bar period; the familiarity of her solid construction meaning every single track on the album gets its hook right underneath your skin. Her nonchalant yet candy-covered yearnings remain anthemic across every track; there’s no denying Julie Campbell’s mastery of the chorus!

        Huge with indie disco heads AND electronic aficionados this LP has remained a constant feature of my record bag throughout 2021 and garnered rightful accolades from the sincerest corners of the creative community.


        STAFF COMMENTS

        Barry says: An absolutely top tip for any fans of machine funk or disco, this newest LoneLady outing sees Campbell brilliantly offsetting the more hefty synth grooves with an acoustic levity and lightness of touch. It's dynamic and exciting, filled with moments of clever production and every bit the deserving follow-up to 2015's 'Hinterland'.

        TRACK LISTING

        Vinyl Tracklisting:
        Side A
        A1. The Catcher / (There Is) No Logic
        A2. Former Things / Time Time Time
        Side B
        B1. Threats / Fear Colours
        B2. Treasure / Terminal Ground

        CD Tracklisting:
        1. The Catcher
        2. (There Is) No Logic
        3. Former Things
        4. Time Time Time
        5. Threats
        6. Fear Colours
        7. Treasure
        8. Terminal Ground

        Squarepusher

        Feed Me Weird Things - 25th Anniversary Edition

        Warp Records reissue Squarepusher’s debut album "Feed Me Weird Things", virtually 25 years to the day from its original release in ‘96. First released on the now inactive Rephlex label, the album has not been available on streaming platforms until now and has been out of print for more than a decade. This complete edition has been remastered from the original DATs and features two extra tracks which were first released on the B-side of the “Squarepusher Plays… EP” and later featured on the original Japanese release of this album. The edition also includes a 16 page booklet with personal photographs, ephemera and candid notes from Tom Jenkinson, throwing light on the early days of his career.

        The release follows “Be Up A Hello”, Squarepusher’s 2020 album that was filled with buoyant, dancefloor driven tracks which featured some of the same analogue and digital hardware that was used on “Feed Me Weird Things”. “Be Up A Hello” was also driven by the same hedonistic energy which is perfectly encapsulated in this pioneering album, the first tracks of which he recorded when he was only 19 years old.

        Musically, “Feed Me Weird Things” is more expansive than the electronic sub-genres it was hemmed into at the time, as it was the first release where Tom Jenkinson highlighted his virtuosic bass playing. Like much of his output after, it also showcases disarmingly intricate melodic composition like on “Squarepusher Theme” and extraordinarily complex rhythmic sequences i.e. on “Tundra” whilst retaining an impressive cadence.

        The album was a key release for Richard D. James (Aphex Twin) and Grant Wilson-Claridge’s Rephlex label and has gone on to be regarded as one of Squarepusher’s best. As well as a close friendship there was perhaps a bit of healthy competition between Squarepusher and Aphex Twin at the time (!Hangable Auto Bulb” was released in ‘95 and is cited as an influence). However, strong jazz influences and accomplished bass playing set Tom apart from his contemporaries. Richard curated the track list for “Feed Me Weird Things” from tapes that Tom had given him and the record includes sleeve notes written by him too, the only time he has done so for another artist.

        “The Squarepusher is someone who wonders what the holes of a flute sound like without the flute. Sound like sound never sounded before, Richard Rodgers and Julie Andrews gave us the Sound of music, John Cage and Simon and Garfunkel gave us the Sound of silence and now the Squarepusher gives us the SOUND of SOUND.” - PRichard.D.Jams (taken from the original ‘Feed Me Weird Things’ sleevenotes)


        TRACK LISTING

        01 Squarepusher Theme
        02 Tundra
        03 The Swifty
        04 Dimotane Co
        05 Smedleys Melody
        06 Windscale 2
        07 North Circular
        08 Goodnight Jade
        09 Theme From Ernest Borgnine
        10 U.F.O.'s Over Leytonstone
        11 Kodack
        12 Future Gibbon
        13 Theme From Goodbye Renaldo
        14 Deep Fried Pizza

        All formats come with a free Piccadilly Records EOY Sampler CD whilst stocks last.

        If the album’s title conjures tranquil melodies evoking some misty pastoral idyll, that impression isn't immediately dispelled by the dark rock ambience of opener “Resolution Square”. That is abruptly followed, however, by a series of dystopian dreams strewn across a bed of staccato post punk-funk with more in common with The Fall, Gang Of Four and punk cacophony than Vivaldi. There isn’t necessarily a single coherent centre to the album, either musically or thematically, both subject matter and genre co-opted and discarded with abandon, but there is an obvious dig at cold corporate capitalism in “G.S.K.”, inspired by the monolithic slab that is GlaxoSmithKline’s HQ in Brentford and “Global Groove”, a swipe at the detachment of newscast war voyeurism. Alongside these Bright Green Fields presents clipped portraits of modern life’s grinding banality, but it really needs to be experienced as a whole to appreciate its exquisitely crafted and well targeted power. 


        STAFF COMMENTS

        Barry says: I can't think of a single band that sound like Squid. Four or five maybe, but no other single band could sound this varied, this coherently i'm sure of it. Meandering math-rock, snarling post-punk and arrythmic indie business coalesce into a wildly inventive and completely unique whole. Staggeringly brilliant.

        TRACK LISTING

        1. Resolution Square
        2. G.S.K.
        3. Narrator Ft. Martha Skye Murphy
        4. Boy Racers
        5. Paddling
        6. Documentary Filmmaker
        7. 2010
        8. The Flyover
        9. Peel St.
        10. Global Groove
        11. Pamphlets

        Lorenzo Senni

        Scacco Matto

          Lorenzo Senni returns with a new album on Warp Records. Nearly 4 years since his well-acclaimed ‘Persona’ EP, the Milan-based multi-disciplinary artist, makes his first move with the momentous single DISCIPLINE OF ENTHUSIASM. In keeping with his distinctive pointillistic style and no drum beat etiquette, this is the next part in Senni’s process, accelerating and expanding his idea of Rave Voyeurism.

          TRACK LISTING

          A1.  Discipline Of Enthusiasm
          A2.  XBreakingEdgeX
          A3.  Move In Silence (Only Speak When It’s Time To Say Checkmate)
          A4.  Canone Infinito 
          B1.  Dance Tonight Revolution Tomorrow
          B2.  The Power Of Failing
          B3.  Wasting Time Writing Lorenzo Senni Songs
          B4.  THINK BIG

          After a 5 year hiatus that has seen him delve into a range of diverse musical projects, Squarepusher returns with a long awaited album, "Be Up A Hello".

          With this new album, Tom Jenkinson has returned to using a bewildering array of vintage analogue and digital hardware, the same equipment that first helped him develop his sound in the early '90s. Something of a 180 degree turn, these synths, effects units and even a Commodore Vic20 are in complete contrast to the tools he used to create 2015’s "Damogen Furies" - cutting edge software that Tom developed over the course of 15 years. The result is "Be Up A Hello", an album that is celebratory with rinsing breakbeat tracks such as "Nervelevers" and "Terminal Slam" - classic floor fillers - as well pieces loaded with visceral atmosphere and melody in Squarepusher’s inimitable style. Darker moments such as "Vortrack" and "Mekrev Bass" illustrate Tom's continuing fascination with finely balanced psychological overload. As such, "Be Up A Hello" gives a nod to the mayhem, joyousness and abandon of the DIY Essex rave scene that was a strong determinant in Tom's work. 


          TRACK LISTING

          01. Oberlove
          02. Hitsonu
          03. Nervelevers
          04. Speedcrank
          05. Detroit People Mover
          06. Vortrack
          07. Terminal Slam
          08. Mekrev Bass
          09. 80 Ondula 

          Kelela

          Take Me Apart

            With great anticipation, Kelela's debut album emerges as an epic portrait of an artist spanning the past and future of R&B. In her hands, however, the genre knows no boundaries and so Take Me Apart exists as an absolutely singular and fearless addition to a canon of recent classics. From her very earliest work, honesty and vulnerability have been cornerstones of Kelela's art - even when clad in the armor of the avant-garde electronics she so deftly inhabits - and Take Me Apart sees her double down on both the emotional intensity and resonance of her message as well as the sonic seeking she is renowned for.

            On 2015's acclaimed Hallucinogen EP, Kelela swept listeners along in the rush of ecstasy and the melancholic vapor trail of a hopeful, but ultimately doomed liaison. Hallucinogen would prove to be a turning point, and The New York Times would name it's single, "Rewind", one of the "25 Songs That Tell Us Where Music Is Going". The EP's oversized impact would ignite a period of kinetic worldwide live shows culminating in Kelela crisscrossing the globe on tour with The xx. In parallel with this, 2016 and early 2017 would see Kelela grace a handful of crucial records as a feature vocalist - from longtime ally Solange's majestic A Seat At The Table, to Danny Brown's immense Atrocity Exhibitionand most recently, the star-studded Humanz from Gorillaz. These appearances would be tantalizing signs leading the way to Take Me Apart.

            Amplifying the ideas explored on Hallucinogen, here Kelela treats relationships and their effects like a Matryoshka doll, unveiling layer after layer to find herself at the center. Expressing an honest vision of how we navigate dissolving ties with each other and yet remain sanguine for the next chance at love, the emotional ricochet is traced across the album's narrative. Take Me Apart stands not only as an intensely personal chronicle, but also a defiant and turbulent statement direct from Kelela; "Despite it being a personal record, the politics of my identity informs how it sounds and how I choose to articulate my vulnerability and strength. I am a black woman, a second-generation Ethiopian-American, who grew up in the 'burbs listening to R&B, Jazz and Björk. All of it comes out in one way or another."

            STAFF COMMENTS

            Barry says: Heartfelt synthy soul, modern beatplay and smooth-as-silk vocal melodies, this is modern R&B at it's very finest. Intricate, evolving and brilliantly written odes.

            TRACK LISTING

            1. Frontline
            2. Waitin
            3. Take Me Apart
            4. Enough
            5. Jupiter
            6. Better
            7. LMK
            8. Truth Or Dare
            9. S.O.S.
            10. Blue Light
            11. Onanon
            12. Turn To Dust
            13. Bluff
            14. Altadena

            One of the world’s most celebrated alternative bands return with the bold and breathtaking follow-up to their international breakthrough record.

            Grizzly Bear will follow their US Top 10 and UK Top 25 breakthrough record ‘Veckatimest’ with ‘Shields’, a bold yet textured masterpiece.

            The album comes as a result of the band writing and recording in a more cohesive way than ever before, delivering anthemic singles (‘Yet Again’, ‘Speak In Rounds’) and stunning orchestral climaxes (‘Sun In Your Eyes’) across the space of its ten tracks.

            Asked which tunes on ‘Shields’ belong to which songwriter, every member balks and explains that, for the first time, these are actually full-band numbers. Both in process and product, this is Grizzly Bear as they’ve never been. The words come matched by a sound that is more passionate than proper, a quality earned by spending less time on the perfect take than on the proper feeling. “This has a different energy behind it,” concludes Ed Droste (vocals). “‘Veckatimest’ was a little more of a polite album; the desire to keep the vocals smooth might have kept a little distance between us and the audience. This one feels a bit more rough and exposed, so that on ‘Shields’, everything speaks for itself.”

            STAFF COMMENTS

            Martin says: The ornately wrought ironwork of "Veckatimest" was always going to be a very tough act to follow, but, in my humble opinion, Grizzly Bear have quietly surpassed it with "Shields". The rhythmic twists and turns are still there, as are the intricately crafted, angular song structures and Ed Drost’s aching vocal harmonies; but if in its predecessor’s overreaching ambition emotion and overall direction were occasionally lost, with "Shields" the expression has been honed, and to an exquisite degree. Grizzly Bear are the sum of divergent parts and that’s reflected in their complex, hard to pin down sound – if you need references (and they are loose) then, maybe Jeff Buckley’s muscular anguish and the melodic end of Animal Collective might serve. Best not to take my word for it though, investigate them for yourself; there’s a very, very good chance you’ll find it worth the effort.

            TRACK LISTING

            1. Sleeping Ute
            2. Speak In Rounds
            3. Adelma
            4. Yet Again
            5. The Hunt
            6. A Simple Answer
            7. What's Wrong
            8. Gun-shy
            9. Half Gate
            10. Sun In Your Eyes


            Latest Pre-Sales

            197 NEW ITEMS

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            Mon 27th - 3:04
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