ONE OFF RSD 2017 PRESSING OF 700 COPIES / BLACK VINYL
School Daze and RPM proudly present a compendium of the demo cassette generation from the early 1980’s, filtered through (principally British) independent women of the post-punk era.
‘Sharon Signs To Cherry Red’ began life as the archetypal independent single released on the obscure Lowther International label by archetypal independent act, The Kamikaze Pilots, the review of whom by Danny Kelly in the NME gives us the starting point: “Disturbingly, also from Norwich…comes this plaintive tribute to/assassination of all the earnest misery gobs ever signed to Cherry Red’s roster, with particular reference to the Tracey Thorn pantheon”. What was a gentle mocking of The Marine Girls et al is now the starting point for this meander through the 80s’ underground, a period which enabled more involvement from women in independent music, a slight, if not complete, freeing up of the male-dominated hegemony that had existed before punk. Many of these artists were night-time John Peel session regulars, fighting for daytime coverage in the press, walking the fine line of questioning from the NME (hip young gunslingers asking sexual politics) and Smash Hits (Milton Keynes readers asking which hairspray they used).
‘Sharon…’ is but an overview of a fertile time, when the democratization of music through punk had resulted in new viewpoints, talents and perspectives finding their voice. The breadth here is a joy: from the sugary Dorothy (originally on Throbbing Gristle’s Industrial Records) to ex-Dolly Mixture Debsey Wykes’s Coming Up Roses, from the punked scrawl of The Petticoats to the avant funk of Bristol’s Scream & Dance, the one thread all these groups have in common is their fierce independence. That and their XX chromosomes. Some of these recordings are surfacing for the first time on “Sharon Signs To Cherry Red,” while others are from rare 7”s and compilation releases.
School Daze is a new imprint from the Glasgow-based Night School, focusing on discovering and sharing the past.
In 1963, visionary producer Phil Spector, then at the peak of his creativity and cultural influence, created one of the first-and still one of the greatest-rock 'n' roll Christmas albums. Using the artist roster of his Philles label - the Ronettes, the Crystals, Darlene Love and Bob B. Soxx and the Blue Jeans - and the legendary studio musicians of the Wrecking Crew, Spector applied his fabled Wall of Sound to a set of Christmas pop standards and holiday-themed originals. The resulting album brilliantly merges the holiday spirit with the singular sonic uplift of the Spector sound. Highlights include the Ronettes' bubbly reworkings of "Sleigh Ride", "Frosty the Snowman" and "I Saw Mommy Kissing Santa Claus", the Crystals' upbeat renditions of "Santa Claus Is Coming to Town" and "Rudolph the Red-Nosed Reindeer" and Darlene Love's soulful readings of "Winter Wonderland", "White Christmas" and the Ellie Greenwich / Jeff Barry / Phil Spector composition "Christmas (Baby Please Come Home)". "A Christmas Gift For You" originally had the misfortune of being released on November 22, 1963, the same day as the assassination of President John F. Kennedy, and was not a major commercial success. In the years since, however, it has been embraced as a beloved pop-culture touchstone, with many of its tracks becoming holiday airplay favourites.
• Back in May/June 1986, the New Musical Express released one of their regular mail-order cassettes. Reflecting the latest trends in Indie music, C86 was a 22-track cassette which was inspired by the NME’s C81 tape from half a decade earlier.
• Aside from a few name bands (The Pastels, Primal Scream, the Wedding Present, the Mighty Lemon Drops), most acts were relatively unknown beyond the back pages and gig listings of the weekly music press. A few hadn’t even issued a record!
• C86 slowly but surely became the NME’s best-selling ever compilation, selling an estimated 40,000 copies and eventually being reissued on LP and cassette by Rough Trade the following year. C86 prompted a week of shows at the ICA and would come to embody a whole musical style and era.
• C86 is now reissued on vinyl as a deluxe, gatefold sleeved double-LP edition. The music has been re-mastered, with better sound quality due to not being ‘groove crammed’, with picture inner sleeves depicting original artwork and photos and detailed sleeve-notes by C86 compiler Neil Taylor.
• This long-overdue reissue follows the spectacular acclaim which followed Cherry Red’s 3-CD expanded edition of C86 in 2014.
• C86 is now widely regarded as catching the birth of a certain type of Indie music…
UK QUANTITY: 1000
Record Store Day 2017 exclusive release. The ten specially selected double AA side 7" singles in this box pull together twenty of the biggest and most icon tracks of the golden era of ROCK.
Forty years later it is inevitably impossible to find mint copies of these great songs on vinyl. Includes Boston, Blue Oyster Cult, Heart, Cheap Track and Lou Reed. Housed in hard slipcase, the ten 7" singles are 'dinked' as juke-box singles and the box includes a 'spider' centre for play.
Features four brand new tracks, all of which are appearing on vinyl for the first time!
Alice Russell hooks up with USA soul legend Darondo for 'Breakdown', a track recently featured on Steven Soderburgh’s Magic Mike.
Natural Self produces a sublime cover of Electrelane’s 'The Valleys'.
The Hot 8 Brass Band continue their rich vein of tributes with their version of the Stevie Wonder classic 'All I Do'.
Plus previously unreleased and completely exclusive 'Enough Now' from 23 year old soul singer and new signing to Tru Thoughts Harleighblu (that’s her real name!)
LIMITED TO 500 COPIES FOR THE UK
A four-way split featuring the cream of London's vibrant indie scene. The 12" EP, limited to 1000 pressings, includes the acid-fried rock of Gross Magic, the scuzzed-up pop of The History Of Apple Pie, an ethereal, ambient take from Echo Lake and a grunge pop anthem from Novella. This 12" is a repressing of the original sold-out 2011 release.
LIMITED TO 500 COPIES IN THE UK
Until now, for some unknown reason, the psychedelic rock movement in Singapore and Malaysia, aka Pop Yeh Yeh, has never been given the worldwide attention it deserves. This compilation -- Pop Yeh Yeh - Psychedelic Rock from Singapore and Malaysia - 1964-1970: Vol. 1 -- is the first of its kind to focus solely on the Malay rock groups of this region. The Pop Yeh Yeh era, which took place roughly between the years of 1964 to 1970, coincided with the rapid modernization happening at the time in Singapore and Malaysia. Sublime Frequencies has already released many incredible compilations from neighboring Indonesia, so it's about time that the Malaysian groups got some attention! Pop Yeh Yeh artists instinctively cross-pollinated electric sounds of the West with Malay melodies, and added their own local poetic voice to the lyrics they wrote -- sung in Malay (and sometimes Bawean). The Pop Yeh Yeh musicians started out playing in styles inspired by Western groups like the Beatles and Cliff Richard, but they eventually succeeded in creating a sound all their own -- a sound that is not only accessible to the Western ear, but also retains an undeniable Malay personality. Nearly eight years in the making, this compilation was exhaustively researched and compiled by Carl Hamm and features 26 classic tracks of the very best bands and singers from Singapore and Malaysia's Pop Yeh Yeh era, including M. Osman, Orkes Nirwana, Adnan Othman, A. Halim, Roziah Latiff, and the Jayhawkers, J. Sham, Hasnah Haron, Zaleha Hamid, and many more. This 2LP deluxe edition comes in a gorgeous heavy-duty gatefold jacket with a full-size 12-page full-color booklet packed with insanely extensive liner-notes including band/artist bios, an overview of the era, translated lyrics, and plenty of rare photos taken from vintage magazines, album covers, and the artists' own personal collections.
For the lowriders, the souleros, or just anyone with a still-working CD player in their hooptie and a penchant for driving with even a slight gangster lean. Numero pays tribute to the aftermarket sounds of “sweet” soul music still emanating from the West coast, or East Side, depending on your perspective. Inspired by, and paying tribute to the countless cruising compilations, legitimate and (mostly) otherwise, that provide the soundtrack for lowrider and soulero culture, South Side Story is the latest in the Numbero line of takes its aesthetics from the timeless East Side Story series, and its music from Chicago soul groups (mostly, of course, from our mythic South Side). Included here are songs that are completely unreleased, others that are never before issued other than in minuscule pressings on 45, and a few chrome-coated classics, already seen on scads of flash-in-the-pan boots. The Numero Group’s crack team of researchers cut loose on the city of Chicago to assemble the perfect lowriding companion, and the results are unparalleled. From high school rivals The Si-Berians and The Intentions, who both feature their sole recordings here, to unheard material from the original Calvin Harris, to the elite Latino ensemble known as The Mystics, to the missing link in “sweet-as-sugar” Renaldo Domino’s lonely post-Twinight recording, this dazzling collection slices out a delectable cross-section of the city’s sweetest sounds. 13 perfect “souldies” as they are occasionally called, allowing you to throw away any of your many volumes of Gangster Soul Harmony, Lost Soul Oldies, East Side Story, Hood Dreams, Shady Side of Town (or any of the thousands of other similar iterations)
Four of Sun Records' biggest names on one superb EP highlighting the label's finest Rockabilly cuts. Featuring Billy Riley's clarion call 'Flyin' Saucers Rock'n'Roll' together with Carl Perkins' hipster anthem 'Put Your Cat Clothes On', the EP also features an alternate version of Jerry Lee Lewis' 'Drinkin' Wine Spo-Dee-O-Dee' and Warren Smith's magnificent 'Red Cadillac And A Black Moustache'. All four tracks came to prominence during the mid-70s European Rock'n'Roll revival.
Thus these prophets of thee party provide both a banquet of new and strange delights and a guaranteed recipe for all night partying and vandalism!! Yes that’s right pilgrim! This is a doctrine for the new world order! And no matter where you dig that underground bunker there’s no escaping the new rock ’n’ roll gospel cause these zealots come from all over pal!! From fromage fried France: LES LULLIES!! From sangria-soaked Spain: NAVE NODRIZA!! From jungle jivin’ Japan: THE FADEAWAYS!! From prozac usin’ USA: BLACK MAMBAS!! From nuclear New Zealand via lugubrious London: THE CAVEMEN!! And from maniacal Mars: The SCANERS!! Yep! Like it or not this sonic pestilence has gone global so do yourself a favour: grab a six-pack, pick yourself up a copy and study it like the bible cause this is the NEW TESTAMENT baby and the end times are near!!
FORMAT INFORMATIONLP includes MP3 Download Code.
Rare are the free flowing, fluid compilations that flow effortlessly as opposed to some hastily cobbled together assorted odds n’ sods full length. This -much like it’s predecessor label collection “They Make No Say” that sold out 2 pressings in 2017- does exactly that. A heady mix of full on synth pop, darker more industrial electronic textures through kosmische / kraut grooves to whacked out electronic pop then back; ie styles may alter but it enhances the seamless feel, the free flowing vibe in no small part and quality remains incredibly high throughout.
Highlights include exclusives from Australian Testing Labs Inc who follow their ‘underground hit’ full length “Music for Air-Cooled Motoring” with their first new music in 2 years, (the majestic motorik of “Alpenstrasse”) to smash 6music ‘hit’ “Tisch Tennis” from Matt Hookworms’ side project Xam Duo (Gideon Coe’s single of 2017 no less, and a £70 discogs 7” A side made available again), East London’s mysterious Karen Novotny X with a previously unreleased gem straight outta’ Mute / Blackwing studios 1980 territory, teasers to future PY full lengths from Canada based Gabe Knox with ace LP opener “Look and Listen”, and Bernard Grancher, Stephen Buckley’s fab Polypores project, PY old hands Detox Twins with another Germanic nugget of minimal synth- alongside many more treasures culminating in the -wait for it, as you’d never guess- trombone freakout of closer by Kendo Nagasaki (all be it heavily treated, synth aficionados rest easy!)
A fabulous album, which on one hand acts as a perfect intro to the label for newcomers, it also more than pleases older hands in equal measure; and comes in a sleeve designed by label head Dom with tasty Nick Taylor designed insert. One time Pressing of 500 copies on vinyl only.
FORMAT INFORMATIONLtd LP Info: Only one copy unearthed! Awesome Comp from the venerable Polytechnic Youth. Long gone at source.
The now legendary Beck, Song Reader - twenty Beck compositions previously released exclusively as stunningly illustrated sheet music in partnership with McSweeney’s - receives a long awaited traditional release when Warby Parker/Capitol Records issues the Beck Song Reader compilation album, produced by Beck and Randall Poster, known for his music supervision work with directors Wes Anderson, Martin Scorsese, Sam Mendes and many others. Warby Parker will commemorate the release of Song Reader by reissuing limited-edition Carmichael frames created in collaboration with Beck, this time in Black Cherry—as well as a new edition of the Song Reader book, featuring two new prints from artist Marcel Dzama.
The 20-track all-star collection features exclusively recorded versions of Song Reader charts by the likes of Jack White, Jeff Tweedy, David Johansen, Jason Isbell, Fun., Eleanor Friedberger, and several more including Beck himself.
The Warby Parker release of Beck Song Reader marks the first officially recorded incarnation of the project, which has already inspired interpretations from hundreds of musicians the world over. The record includes the studio-quality debut of songs previously only played live either by Beck himself or at one of the handful of Song Reader concerts staged over the last two years. The most recent of these was presented by the L.A. Philharmonic in partnership with McSweeney’s and Warby Parker at the Walt Disney Concert Hall in Los Angeles on November 24, 2013. Described by The Los Angeles Times as an “expertly delivered and received night… another big step in Beck's long, fascinating evolution,” the show’s highlights included Jarvis Cocker’s interpretively danced “Why Did You Make Me Care?" and Jack Black’s borderline frightening “We All Wear Cloaks,” the latter of which makes its recorded debut on the Beck Song Reader album.
FORMAT INFORMATION2xCD Info: 2CD set containing 39 exclusive tracks including a 106-page hardback book of Shrigley's work!
Still considered by PY label head, Dom, as the best intro point to the label for newcomers, his plan is to keep this one in print for a while. 2016’s “They Make No Say” sold out 2 pressings upon its release in 2016 and features 13 fabulous tracks of minimal and experimental electronica, including tracks from the PY01 Volume Groop lathe cut 45 (now reaching £120+) alongside other small run, sold out 45s and especially recorded new tracks. Lots of PY favourites here: Detox Twins, Middex, Home Current etc -several of which attained BBC6music plays and amassed a number of “album of the week” write ups across the country and in Europe, at the time of release.
Part 2 to the set is the equally wonderful “Popcorn Lung” collection, again reissued for a first time here. Released in 2018, the album charts the consistently steady rise of the label in the two years since the first collection, with another killer comp of electronic pop and exploratory synth tracks; and featuring perhaps, a more diverse line up taking in German and French artists who had recorded for the label at this point. Once again, several acts have now become PY favourites: Polypores, Gabe Knox, Bernard Grancher, Australian Testing Labs Inc etc, all feature and this set again was many key UK stores “album of the week” and had cuts featured on 6music programmes at the time.
The album features brand new Musta Fior collage sleeve, with “…Make No Say” released on “Deep Red” vinyl and “Popcorn” on “Mustard” wax. Released as a pressing of 300 and hugely recommended to all fans of The Normal, early Mute, early Cabs, Fad Gadget, John Bender, Transparent Illusion, Dark Entries | Minimal Wave | Peripheral Minimal output and minimal synth / DIY electronics in general….
(The Microcosm): Visionary Music Of Continental Europe, 1970-1986
Three years in the making, The Microcosm: Visionary Music Of Continental Europe, 1970-1986 is the first major overview of key works from cosmically-taped in artists needing little introduction — Vangelis, Ash Ra Tempel, and Popol Vuh — and and unknown masterpieces by criminally overlooked heroes like Bernard Xolotl, Robert Julian Horky and Enno Velthuys...
Whereas I Am The Center called for a reconsideration of an entire maligned genre, The Microcosm requests nothing more than an open mind to consider this ambient, new age, neuzeit, prog, krautrock, cosmic, holistic stuff, whatever one calls it — as a pulsating movement unto itself, a mirror refracting the American new age scene in unexpected, electrifying ways, proving beyond a shadow of a doubt the universality of the timeless quest to express “the Ineffable” through music.
Drawing from major label budgets and homemade cassette distributed circumstances alike, The Microcosm demonstrates a depth of peace profound to behold, and clearly expands the boundaries. Lovingly conceived and lavishly presented by producer Douglas Mcgowan (Yoga Records) and liner notes contributor Jason Patrick Woodbury (Pitchfork, Aquarium Drunkard), The Microcosm features stunning cover paintings by Étienne Trouvelot, and labels by Finnish savant Aleksanda Ionowa.
STAFF COMMENTSPatrick says: Chakras fully aligned after their expansive introduction to America's new age movement, 'I Am The Center', Light In The Attic hop across the pond to explore the cosmic vibrations and healing frequencies of Europe's spirit guides. Floating through German kosmische, Italian ambient and prog Français, '(The Microcosm)' resonates deep within your soul, courses through your body and opens your mind wider than an orgonite overdose.
FORMAT INFORMATION3xLP Box Set Info: 3xLP with deluxe Stoughton “tip-on” jackets and slipcase.
Written and produced by BOT1500, D'Arcangelo, Mause, Jessica Walrus, fxbip, Velum break
Digital Mastering by Julian Tardo from Church Road Studios
Vinyl Mastering and Cutting by Keith Tenniswood from Curve Pusher curvepusher.co.uk/engineer/keith-tenniswood/
Massage Brain Cult 2019
It's a beautiful package in itself, but focusing on that is obviously doing an injustice to the superb work put in by all the producers to create this mindblowing excercise in cohabitational production and community-minded collaboration.
We kick things off with the glitched hip-hop aestetics and stoner haze of the Mad Wash rework of Zen The Sharpshooters' 'Every Lil' Bit', bringing the hot-boxed haze and relaxing the muscles before The Fire Beneath The Sea's 'Error Correction' sees a pitch-bent funked-out remix, grounded with insistent shuffled hi-hats and wah'd out guitars, before the legendary Galactic Funk Milita's festival vibe is chopped into a syncopated latin stomp for a rubberlips rework.
On the flipside, David J Boswell's haunting electro-folk goes full dubstep in the more than capable hands of the forward-facing electronic euphorics of Liverpool electronic virtuoso, Afternaut before Denham Audio bring forth a clattering industrial fractalisation of Hang Syem's 'Frontier J'.
The following track is possibly my favourite on the compilation (but with enough material on here to keep even the most diverse of tastes more than happy, I expect yours will be different), and comes from Sheffield wunderkind, Yak. Snappy percussion and perfectly measured electronic stabs bring a disphoric syncopation to the already excellent 'Wicked Sound' by Grievous Angel.
Onto the final side now, (the last being blank for you to admire the gorgous sky-blue marbling) and R. Lyle takes Apta's 'Tides' and breaks it down into a simmering futuristic haze of reversed reverbs and hazy throbs, before the arshaw remix of my personal favourite release of the lot, in Bemp's 'Minotaur', culminating in a psychedelic propulsive stomper, courtesy of the aforementioned Yak and YAKONA. A match made in heaven.
STAFF COMMENTSBarry says: Black Beacon have culminated their journey in a fittingly epic and ridiculously efficacious summary of their dedication to the independent music industry with this stunning double LP. A journey in every sense of the word, and a superb flipside to their already mindblowing releases.
Many of the year’s major breakthrough acts and cult favourites are included, including The Jam, The Damned, The Boomtown Rats, Buzzcocks, The Stranglers, Generation X, Sham 69, The Only Ones, The Rezillos, Ultravox!, 999, X-Ray Spex, ATV, The Boys and The Vibrators. The older guard – variously labelled Pub Rock, New Wave or Art Rock – are represented by Doctors Of Madness, Eddie & The Hot Rods, Deaf School, The Tyla Gang, Graham Parker & The Rumour, The Gorillas, The Count Bishops, Radio Stars, Spider and Alberto Y Lost Trios Paranoias. Other key names include Motorhead (Lemmy’s new venture after splitting with Hawkwind, a metal band loved by punks) and The Heartbreakers, Johnny Thunders’ band who recorded in London. Also present are a host of obscure indie Punk 45s and other rarities. The deluxe clamshell package includes a weighty booklet full of illustrations, with a 15,000-word sleeve-note and band-by-band biographies by compiler David Wells.
Featuring Nirvana, The Ramones, Dinosaur Jr., Babes In Toyland and Gumball. It was filmed just prior to the release of Nirvana's 'Nevermind' in 1991 - includes the last footage of Nirvana before the band's meteoric success. Including them performing 'Smells Like Teen Spirit','Polly', 'Negative Creep' and a very rare and unseen performance of 'In Bloom'.
Packed with 65 minutes of unseen bonus material.
All footage has been fully restored with audio re-synced and re-mastered in uncompressed PCM stereo.
fabric is widely acknowledged to have long supported the underground London house and techno scene. The breadth of talent here displays the far-reaching arms of the night that includes the the melodic techno of Nina Kraviz, the shuddering electro of Steffi and evolving experimental house of Margaret Dygas. New resident IMOGEN drives darko techno whilst Marcel Dettmann’s is a classic late-night sound. Houndstooth’s Call Super takes things down a deep melodic notch and Maya Jane Coles steps up with a playful slice of house. British dance music pioneer Sasha closes out on a euphoric high with layers of building vocal and melody.
FABRICLIVE represents the finest in dubstep, drum n bass, jungle, breaks and experimental beats. Houndstooth’s Special Request opens in trademark jungle style leading on to drum & bass luminaries Source Direct and J Majik. Shackleton and Pinch & Trim started playing the club during the birth of the UK dubstep scene and give a taste of the evolution of bass music. Daniel Avery and B.Traits show off their dancefloor versatility, while Rupture founder Mantra plants a flag for London’s vibrant musical future. Closing are two of the club’s longest associates Groove Armada and original resident James Lavelle as UNKLE.
FORMAT INFORMATION2xLP 1 Info: LP1 is the 'Fabric' compilation.
2xLP 2 Info: LP2 is the 'Fabriclive' compilation.
FORMAT INFORMATION2xDVD Info: The double DVD is a tour de force mythology of some of Manchester's most important musical events during the last quarter of the 20th century. Focusing on Factory Records and the bands, faces and places associated with it, it's the history of the musical arc from punk to acid house, Joy Division to New Order, Russell Club to the Hacienda, Sean Ryder's drug consumption and all the anarchy in between. Steve Coogan IS Tony Wilson and there's considerable support from Paddy Considine, Sean Harris, John Simm, Peter Kay, Ralf Little and many more (including Lord of the Rings' Gollum as legendary producer Martin Hannett!). Includes eight hours of extras including many deleted scenes and the all important commentaries.
For the 20 years anniversary they published a book - five years later, they put the music into focus even more again: The idea was to ask esteemed artists to reinterpret their favorite Compost tunes. So they are excited about getting both talented young artists and many of their all-time favorite producers involved in this project. Alongside the remixes and sold out vinyl label-classics, there are a few exclusive tracks in this strongly limited, hand numbered 10x12'' box. In addition, you can explore the impressive label history and background stories in the liner notes written by Michael Reinboth himself. On top of this, the anniversary box includes some Compost-gimmicks, a download code (for all vinyl tracks and some bonus ones) and a mixtape by each Michael Reinboth and Thomas Herb.
FORMAT INFORMATION12" Box Set Info: Strictly limited, hand-numbered 10 x 12” box set + 2 mix tapes + Compost logo metal pin + jute bag + sticker pack + liner notes.
FREE SHIPPING This item has FREE UK shipping!
STAFF COMMENTSMatt says: Excellent DIY tape comp of some hi-end audio abuse. Combined with ghosts of warehouse parties from the past, this is brilliant post-rave music, sitting beside labels like Death Of Rave and Blackest Ever Black. Great stuff.
FORMAT INFORMATIONCassette Info: Limited cassette with full colour printed sleeve
FORMAT INFORMATION3xCD Info: Triple CD includes 50 exclusive tracks. One CD is breaks, one chill out and one drum 'n' bass.
1. Bongo Herman – Chairman Of The Board
2. Tenor Saw And Buju Banton – Ring The Alarm Quick
3. Prince Buster – Girl, Why Don't You Answer Me
4. Barrington Levy – Under Me Sensi
5. Cimarons – We Are Not The Same
6. Lloyd Robinson – Cuss Cuss
7. King Tubby – King Tubby Dub
8. Honey Boy Martin – Dreader Than Dread
9. Dennis Alcapone – Cassius Clay
10. Toots & The Maytals – 54-46 Was My Number
11. General Degree – Pot Cover
12. Paris Connection – Who's That Lady
13. Granville Williams – Hi-Life
14. Lynn Taitt – Soul Food
15. U Roy – Stick Together
50 Weapons No. 30-39
The vinyl version features mostly out of print titles, plus 2 the unreleased exclusive bonus tracks by Truncate and datei42. 2012 was 50 Weapons most successful year so far. Voted as the number 1 label of the year by XLR8R (USA), number 2 label of the year by the readers of De:Bug (Germany) and ranked in the Top 10 of Top Labels 2012 by Resident Advisor (UK), amongst listenings in many other “Best Of The Year” categories in media around the world, never before has the label gained so much attention.
“50 Weapons of Choice # 30-39” aims to present some of the 12” single highlights of the past months in a cohesive manner. Label regulars Cosmin TRG, Phon.o, Anstam, Bambounou, Dark Sky, Addison Groove, Benjamin Damage, Marcel Dettmann are accompanied by A Made Up Sound and Thom Yorke-led group Atoms For Peace.
On the series' fourth installment of the series two new guests contribute exclusive bonus tracks: US techno veteran Truncate and mysterious Berlin based youngster duo datei42. Dive into the colourful worlds of 50 Weapons with this action packed adventure tale!
90's House & Garage Compiled By Joey Negro
Through various compilations, Mr Lee has consistently delved deep into the heart of a specific genre or era and selecting a lesser-known series of tracks that give a real insight into the spirit and energy that made that point in time special. Whether it's been gogo, Brit-funk, boogie, Italo house or straight up disco, he has mined deep into his extensive bank of influences and also enlisted the help of some of his most clued-up comrades in offering some unforgettable collections of classics. Next up - he pulls together a collection of his favourite moments across a definitive decade for house and garage: the 90’s. Inclusive of material from Kerri Chandler, Robert Owens and MAW as well as remixes from Mood II Swing and Ron Trent - the compilation is packed with sultry vocal lines and the sort of slick, irresistible grooves that defined the era. Sticking with the ethos of his series, Joey Negro has dug out an olio of music that may have until now ‘slipped under the garage doors’ meaning a lot of the material on this compilation is being digitised for the very first time. In searching deeper and wider than the average compilation, the package provides a thorough insight into why this was such a fertile period for production and gives a nod to the sort of drum patterns, sampling techniques and vocal lines that have inspired the likes of Bicep, Brawther and Huxley amongst many more.
‘The Wizards Of Oz’ is devoted exclusively to the rich heritage of cosmic space music of our Antipodean brothers and sisters and in common with previous volumes traces the lineage from the sixties to the present day with sonic delights from every decade in between.
Once again the Amorphous Androgynous show themselves dab hands at unearthing the absurd, the obscure and the downright wonder filled from over four decades. The tracks are expertly woven and mashed together to form a trip as enjoyable as it is both enlightening and educational. As has always been their want they reappraise what the 'psychedelic' might mean in the present day adopting the role of the DJ in the process rather than as band or producers / remixers as has been known, showing that a new 'psychedelia' exists as much in the surprising juxtaposition of style and variety of song as it does in the individual songs themselves.
Unlike previous volumes 'The Wizards Of Oz' majorly features music and bands that the Amorphous Androgynous had never previously heard (though some like Tame Impala rose meteorically within the album's two year inception) and as the collection evolved the question that arose with increasing regularity was 'How and why have we not heard this before?!" and then 'if this band had been from the UK or the USA would they have been unheard and unknown?" The answer to this was a resounding no so an almost political fervor was born to bring the treasure of ‘The Wizards Of Oz' forth so that ‘A Monstrous Psychedelic Bubble’ could continue its ongoing legacy to reinvigorate the psychedelic potential of both now and future generations by bringing and tracing the timeless psychedelic music through the years together in order to activate future revolutions of cosmic space music.
STAFF COMMENTSBarry says: A fittingly beautiful and diverse requiem for a killer label, 'A Short Illness...' features a host of superb electronic acts, burning ambience and gloom abound. Unmissable, much like the rest of their considerable catalog.
A Slight Disturbance In My Mind - The British Proto-Psychedelic Sounds Of 1966
The release that August of “Revolver” – whose cataclysmic closing track ‘Tomorrow Never Knows’ landed amongst the record-buying public like an impenetrable missile from outer space – brought the concept of psychedelic music out of the margins and into the mainstream.
However, psychedelia – condemned by national newspaper The Sun as “the new and dangerous sound in pop music” – had been percolating throughout the year. The word was already in subterranean use in America, adapted by the likes of The 13th Floor Elevators and Hollywood hustler Kim Fowley, who in late 1965 had become the first person to promote a record with the term “psychedelic”.
Arriving in London in March 1966, Fowley became a proselytising influence for the new sound, instructing bemused young British bands to “act psychedelically”. His sojourn coincided with the relocation of Californian band The Misunderstood, whose incendiary sound and stage act was a major influence on a new generation of British acts.
Meanwhile, serial pioneers The Yardbirds were making increasingly audacious music, their new manager Simon Napier-Bell instructed the young John’s Children to become “the first psychedelic group”, while mod band The Creation developed an intriguing pop-art approach.
Featuring 84 tracks, A Slight Disturbance In My Mind: The British Proto-Psychedelic Sounds Of 1966 examines the “experimental pop” element of the British music scene during that epochal twelvemonth period with a dizzying, dazzling mix of nascent psychedelia, introspective pop and what’s been retrospectively labelled freakbeat.
We feature vital contributions from some of the era’s biggest names (The Kinks, The Yardbirds, The Hollies, The Animals etc), a bunch of highly collectable cult classics, a huge stash of unissued-at-thetime nuggets and early outings for such future legends as Bowie, Bolan, Slade and The Bee Gees.
Housed in a clamshell box containing a 52-page booklet crammed with biographical information and priceless period photos and memorabilia, A Slight Disturbance In My Mind is a glorious snapshot of British pop storming the gates of a new, strange and wonderful dawn.
40 years on and, as the song says, we got to get right back where we started from. That was and still is the 7-inch vinyl 45rpm single. This traditional “album” contains seven 45s that could never fully represent the Ace story so far, but they touch on numerous aspects of what we have been doing all this time. There are unissued versions, highlights from our career, lost gems and an error corrected, but all truly terrific music. A small jukebox worth of recordings spanning the 20 years from which the bulk of Ace releases have been drawn. It is hard to believe only 20 years separate Etta James’ release for Modern from Joe Strummer’s first recording made for our Chiswick label, which in turn is now nearly 40 years old.
After our dalliance with pop and rock, which lasted until the early 80s and wasn’t without its highpoints, we shifted our attention to recording London’s garage and psychobilly bands in the wake of licensing the Cramps’ catalogue. But the blues, its more active little brother rhythm & blues, even more active grandchild soul and wayward second cousin who got the funk have always been a major strand in what we do. We heard some of that rock’n’roll music, liked it and put a lot of it out, alongside its sweeter pop counterpart and teenage rebel nephew 60s psych and garage that contributed to the backbone of the past 40 years of releases.
During that time, we have danced to many different tunes in many different styles. We jived, we twisted, then we shimmied (and shaked), glided elegantly across the northern soul dancefloor, pogoed and all the time shook a tail feather. These days it is more likely to be a soft shoe shuffle but the enthusiasm hasn’t dimmed. The dedicated team of Ace staff, engineers and consultants are still turning out a regular flow of great-sounding, handsomely packaged, articulately annotated CDs, with the odd LP and 45 thrown in for good measure. You can even download a lot of it, but unfortunately without the pretty pictures and sweet words as yet.
They say the future is online and they may be right, but nothing can match that warm fuzzy feeling the whiff of wax brings.
Green Water - The Curtains
Henney Buggy Band - Sufjan Stevens
High Life - Shapes And Sizes
Adventurers - Rafter
Eyes Peeled - Half-Handed Cloud
We Were Sparkling - My Brightest Diamond
Sold To The Nice Rich Man - Welcome Wagon
So Gentle Your Arms - Shannon Stephens
Poison & Snakes - Liz Janes
Strong Animal - Castanets
Twilight And Ghost Stories (excerpt) - Chris Schlarb
Year Of The Boar - Osso
Encouragement - Rafter
Say You Will - Cryptacize
Future Past Perfect - Future Rapper
Sampler Song - Rafter
Sailing The Veil-Boat - Half-Handed Cloud
Climbing Texas - Belltower
Christmas In July - Sufjan Stevens
Dancing With Someone (Privilege Of Everything) - Castanets
A Feast - Royal City
Goldenhead - Shapes And Sizes
Yes/No - Bunky
Quail - Half-Handed Cloud
Careless Love - Liz Janes & Create
Golden Star (Alias Remix) - My Brightest Diamond
As You Do - Castanets
“ACID LP” was originally released on Mickey Oliver’s Hot Mix 5 Records in Chicago, 1988.
Ada - Mixtape #1 - Adaptions
1. Tracey Thorn's Grand Canyon (Ada remix)
2. Ada - Fizzmann (Dee Pulse Remix)
3. Booka Shade Vertigo vs. Cha (Ada Remix)
4. Brant Feat. Mr. Roper - Last Night I Dreamt That Somebody Loved Me (Ada Remix)
5. Ada - Maps (Thomas / Mayer Remix)
6. Alex Smoke - Never Want To See You Again (Ada Remix)
7. Ada - Eve (DJ Koze Mix)
8. Ada Feat. Raz Ohara - Lovestoned
9. Andi Teichmann - Tape (Ada Remix)
10. Ada - Living It Up
11. Ada - Forty Winks
12. Ada Feat. Cosmic DJ - Our Blindhouse
The last decade has seen the un-tapping of an apparent endless well of music from the mother continent and this compilation (in our not so biased opinion) uncovers some of the cream of the crop and stands as one of the finest exponents of the African take on the music that it directly influenced, that being the funk and disco from the USA.
Featuring music from Cameroon, Nigeria, South Africa and the international African diaspora with artists including Manu Dibango, Jo Tongo and Jake Sollo this a truly pan-African affair, full of analogue synths, polyrhythms, rich vocals, jangling guitars and production slicker than oil. For lovers of music to get down to, this will make your rubber soled shoes burn.
The original pressing of the vinyl compilations sold out so quickly that another two represses had to be made to keep up with demand. For those not to latch on to the vinyl resurgence and prefer the old school CD format, this compilation is the one for you!!!
Ten years on, intrepid crate-digger and Analog Africa founder Samy Ben Redjeb unveils a new treasure-trove of Vodoun-inspired Afrobeat heavy funk crossover greatness, featuring 14 tracks from 1963 - 1980. Right from the laceratingly raw guitar fanfare which kicks off Les Sympathics’ pile-driving opener, the previously unreleased “A Min We Vo Nou We”, it’s clear that ‘African Scream Contest 2’ is going to be every bit as joyous a voyage of discovery as its predecessor.
Where some purveyors of vintage African sounds seem to be strip-mining the continent’s musical heritage with no less rapacious intent than the mining companies and colonial authorities who previously extracted its mineral wealth, Samy Ben Redjeb’s determination to track this amazing music to its human sources pays huge karmic dividends. Like every other Analog Africa release, ‘African Scream Contest 2’ is illuminated by meticulously researched text and effortlessly fashion-forward photography supplied by the artists themselves.
The scene documented here couldn’t have been born anywhere else but in the Benin Republic, and the prime reason for that is Vodoun. It’s one of the world’s most complex religions, involving the worship of some 250 divinities, where each divinity has its own specific set of rhythms, and the bands introduced on the ‘African Scream Contest’ series and other compilations from that country were no less diverse than that army of different Gods. At once restless pioneers and masters of the art of modernising their own folklore, the mystic sound of Vodoun was their prime source of inspiration.
FORMAT INFORMATIONCD Info: CD with 44-page booklet.
Africa Seven as a label has been lucky enough to be able to explore some of the best music that West Africa produced during that period via a whole host of label catalogues, but Afro-Exotique (Vol 1) seeks to looks beyond Afrobeat, Funk and Disco, exploring some of the gaps in between, and a good few areas well outside of these established genres, often involving lesser known name and less familiar formats, but with the spirit of Africa ever present.
We wish had more info regarding the LP opener 'Black Reggae's "My Girl", but other than us discovering it on French - African label Fiesta's 1975 "Bols Brandy Presents Black Reggae" compilation, we don't.... so just sit back and enjoy the warm, lolloping, instrumental rocksteady cover of the Temptations' classic.
South African emigre, Apartheid dissident, and eventual partner of the Black Panthers' Stokely Carmichael, Miriam Makeba needs little introduction, but the elegant 1974 swing of "L'Enfant Et La Gazelle" has to figure pretty high in any "top anti war lounge songs of the 70's involving heartrending animal metaphors" list.
Benin studio owner Nel Oliver's "Let My Music Take You" (1976 ) boasts exuberant horns, shuffly shaker and a late arriving squelchy Moog. Whilst Cameroonian musician, sculptor, and writer Frances Bebey's "The Coffee Cola Song"(1982) is based around a traditional pygmy flute and local guitars, but with added fizzing drum machine percussion alongside prominent synths, all nodding to emergent Western pop of the day.
Switching gears a bit, Cameroonian Uta Bella's "Eben Reggae" is more quietly instrumental 70's cocktail reggae: lighter on the bottom end, heavier on the Hammond organs, easy on the ear.
Keeping it breezy, the infectious bossa nova groove of Togolese favourite Yta Jourais' 1977 "Pesse Mi Buntare" wanders off on a pleasing jazz sax excursion mid song, while Amara Toure' and Orchestre Masako's "Lamento Cubano" combines solid grooves and free form guitar solos with the plaintive lament.
Veering off on another late tangent, we get the heavy, leftfield, psyche funk of "On My Way" from Nigeria's shortlived but kinda explosive Aura (Aspiritual Emanation) outfit (1976), before Chakachas "Soledad" rounds things off in mellifluous style with it's gentle cosmic lounge vibes.
After School Special - 123s Of Kid Soul
STAFF COMMENTSPatrick says: Numero have done it again! Risking respiratory disease and a bad case of diggers knee (you know what I'm talking about) the reissue masters teach us a lesson with their second excursion into the strange and beautiful world of grade school funk.
Electro legend Dexter kicks off proceedings, remixing the sci-fi electro of Old Boy's "Tracer". With unique, modular perc swirls and a fluttery, space station aesthetic this kicks off the EP and label with a finesse and style that instantly elevate it above the current electro renaissance also-rans.
Next up is James Shinra taking turns on Actor's emotive techno monolith "Memory Gene". A slow, tectonic piece capable of shifting moods and breaking down personal barrier with its overwhelmingly harmonic vibrations.
Patrick Walker revisits vintage late 90s acid techno as he morphs Actor's "Selfish Lover" into a concentric tribal techno slammer somewhere between James Rushkin, Oliver Ho and Ben Sims - wheeeee!
Finally, rising Hungarian producer David Harleydson injects "The Gulf" (also by Actor) with some face paced electro funk vibes. Making his intent known on the scene, this relatively under-the-radar producer is defo one 2 watch.
The album opens with two blistering debut releases: the afro-funky psychedelic bootyshake of ‘Theme’ by Lightning Orchestra and newly christened Soul Revivers with their Ethiopiques-meets-Kingston groove on ‘Harder’ which features 87 year old reggae legend Ernest Ranglin’s shimmering guitar hooks. Argentinian mega-producer Kevin Fingier takes time out of the Aggrotones to launch his soul / jazz Project and label friends at Unique in Germany lend the cosmic garage of Suzan Kötcher. The oldies are courtesy of UK producer Graham Dee and the Orchestre Picoby Band D’Abomey’s ‘Dahomy’, the latter with a 1970s funky stew from Benin previously only available on a rare 7” from the Albarika Stores label from Benin. Dee’s Sampaguita is a take on a song that the UK- based producer wrote for a Moacir Santos Blue Note album and is being released for the first time.
Originating as far back as the 15th Century through folkloric ceremonial music and an a cappella chanting style called antsa, salegy emerged as a fast-tempoed local dance style based on 6/8 and 12/8 rhythms. By the ‘60s, radio was bringing in new sounds from the Congo, Mozambique, South Africa and Kenya and Jean Francois de Comarmond’s Discomad label championed a new generation of artists breaking the mould with their own new fusions of styles as electric instruments replaced the traditional. The strong call-and-response dialogues, rich vocal choruses and rolling triplet feel in the rhythm sections all boasted a unique Malagasy sensibility and singles started selling tens of thousands of copies, rivalling any foreign music at the time. Local pop was sometimes referred to as tapany maintso (half-green) a reference to the stickers on singles from the other key label in Madagascar, Kaïamba, many of them produced by Charles Maurin Poty whose work was crucial in shaping the emerging genre.
‘Alefa Madagascar’ showcases the rich variety of sounds during this heyday of Malagasy music: Roger Georges’ ‘Mama’ and Jean Kely et Basth’s ‘Andosy Mora’ bring the raw energy of salegy, influential band Los Matadores drop military drums and Hammond soul in the classic ‘Andeha Hanarato’; Mahaleo’s ‘Izahay Mpamita’ showcases the band’s powerful folk sound, a crucial voice emerging from the Rotaka farmer and student protests of 1972, while Terak’Anosy Group work around a stomping Congolese guitar groove. The era paved the way for many of the household names of Malagasy music today including Jaojoby, D’Gary and Lego. Mastered by The Carvery and featuring cover artwork by top illustrator Lewis Heriz, ‘Alefa Madagascar’ is released on 16th August 2019 and is compiled by Réunionese DJs La Basse Tropicale and Percy Yip Tong (Mauritius). Physical formats feature sleeve notes by influential producer Charles Maurin Poty and Banning Eyre of Afropop Worldwide.
First ever compilation documenting the heyday of Malagasy music during the 1970s and 1980s. All tracks officially licensed in conjunction with the Discomad and Kaïamba labels. Includes sleeve notes by legendary producer Charles Maurin Poty and writer Banning Eyre. Latest instalment in Strut’s ongoing series documenting some of the best original music from the Indian Ocean region.
STAFF COMMENTSSil says: Heart warming and with plenty of exotic soul and funk to fill your cold nights ahead. These are rarities for us westerners and sound as fresh as when they were created. Recommended to those who like 'world music' - like me!
FORMAT INFORMATION2xLP Info: Limited edition red vinyl pressing. 1000 copies only.
The Release / Sustain imprint has gone from strength to strength over the years, welcoming the likes of Alton Miller, DJ Aakmael, Benjamin Brunn, Losoul, Norm Talley and many more respected names in underground house and techno over its past twenty nine releases.
Cult Spanish maestro, Eduardo De La Calle kicks us off with concentric technoid tension of "The Protosoul"; helicopter synth shards spiraling again a taut, discordant pattern that's very much in line with what Surgeon or Jeff Mills might twat out mid-session (albeit possibly at +8%!!).
XDB then offers up heady, subtly blooming leads, pulsing subs and shuffled drums with "Another Night" next. Certain to set forward-learning floors alight with its unrivaled sound design and mind-expanding palette. Proper techno this.
Opening the flip is New York’s Joey Anderson with "Drum Play" which as the name suggest sees the percussive aspects dynamically evolve throughout amongst choppy bass hits, stuttered arpeggio blips and warm string melodies. Moody Waters then teams up with Carolina Damas, vocalist on anthemic house cut "Sueno Latino" (!!!) for "Acid Lovin", edging into deeper territory with ethereal pads, crunchy drums and squelching 303 licks while Damas’ soft, spoken-word Latin vocals wander within. Essential? Youbetcha.
FORMAT INFORMATIONCD Info: The CD includes an exclusive track from Yo La Tengo.
This volume opens with some DIY electro stealers, first with Dee Nasty's "Orientic Groove", where the early French hip-hop pioneer lays down a battle cry of beats, slapped bass and YMO keys, before the second offering from Scoop! and their rap attack, juxtapositions the past series and leads to label heads Vox Populi! & Man and their continued look at the rudiments of cut up manipulation and scratch techniques. The avant rappears with 3M's percussive marker and legendary Amus Tietchens' is ever challenging, before Melsjest's post-punk meets the Weirmar possibly steals the side as Vox Pop spoken outro joins those (micro)dots.
The cult of Randall Kennedy returns with another garage-fuzz gem. His stories for wackos'n'weirdos end all too soon and are followed by Liquid Liquid's Dennis Young, diving deep with Intuition, before Stanalis returns with another winner. Bene Gesserit is a killer and welcome addition, before Kosa return with more industrial clippings and volume 2 heads to the door with Capital Funk's electro-punk bomb - possibly the series champion - while the slap bass-scratch of California's Psyclones leads to a music hall end in the homage to mum's favourite, Chukk.
What these Volumes again highlight is how the DIY aesthetic of so many independent labels was supplemented and spread via collections of friends, contemporaries and often, literally pen pals, to mail in their offerings that are then picked for wider ears. While some of these artists have become known, just as many are who and whats, but they sit side-by-side as warranted and often killing the scene of what Axel and co sought to be...the Alternative Funk.
While American Noise: Vol 1 shared the earliest Butch Vig recordings of local, unsigned bands, Vol 2 includes artists who traveled from other scenes in the US to record at the fledgling studio between 1987 and 1993.This era coincides with the growing reputation of producers Butch Vig and Steve Marker—two self-taught, DIY studio owners whose skills took the raw sound of local bands and created polished, powerful analog recordings.
Through touring bands, college radio, and The Sub Pop Singles Club, their early work, most notably with Killdozer and Die Kreuzen, caught the attention of credible indie labels like Sub Pop, Touch And Go, and Alternative Tentacles.Following the release of Nirvana’s pivotal Nevermind, both Vig and the studio received an explosion of attention.
More and more artists sought to record with him and many of them wanted to do it in the crumbling, two-story red brick building on East Washington Avenue. All of the tracks on American Noise Vol. 2 come out of this period. Sonically, it spans the broad spectrum of Smart’s clientele at the time. Pop, acoustic, beat and the heaviest of heavy, chuck full of dirt, growl and thump the way Smart was always able to deliver.
The historic gathering was presented by a small group of blues-obsessed University of Michigan students determined to give their blues heroes a public spotlight where they might shine before it was too late. Among those enterprising student-promoters was John Fishel, whose teenage brother Jim Fishel, gathered some friends to help record the festival as a personal memento. Taking advantage of their all-access pass and juggling a small Norelco tape recorder from set to set, the friends let the 1⁄4” tape roll. Though field recordings in the literal sense of the term, they capture the brilliance of the musicians, the excitement of the crowd and the loose, convivial nature of the entire festival. Those tapes, long thought to be lost, have now been lovingly restored to capture the electric energy of the landmark concert. Both volumes include never-before-seen photographs, an exclusive reminiscence from Jim Fishel, and extensive liner notes by Parker Fishel, Sophie Abramowitz and David Beal.
STAFF COMMENTSDarryl says: Released on Jack White’s Third Man label, this is a 50th anniversary documentation of the historic and legendary blues festival. Sprawling across a double CD and two volumes of vinyl this epic compilation features previously unheard material from the likes of Muddy Waters, Son House, Howlin’ Wolf, Lightnin’ Hopkins and many many more.
Yet, even among small scenes that were creating unique sounds, a number of artists seemed to be making music that was neither here nor there, often meshing together numerous genres and influences to create anomalous sounds. Artists like Olev Muska along with Ingrid Slamer meshed traditional folk songs of their Estonian heritage with cutting edge computer technology. Ngahiwi Apanui used his native language of Te Reo and a “cheap drum machine” to create a pulsating tale that highlights the creation of Aotearoa (the Maori name for New Zealand); while the Free Radicals would sing through PVC pipes to construct their vision of post-apocalyptic tribal music. Sydney’s Nic Lyon used his classical training to craft a distinctive gem which matched eastern and African influenced instruments with synchopated drum machines, while artists like Delaney Venn and Toy Division managed to challenge their post-punk sensibilities by blending both dub and atmospheric sounds respectively.
STAFF COMMENTSPatrick says: Much like the frankly absurd menagerie which makes up Australia and New Zealand's wildlife, the Antipodean music scene evolved in isolation from the rest of the world, brilliantly throwing up the odd dub meets white funk funk diy madness captured on this Left Ear comp. Audio platypodes the lot of them!
“What possible appeal could AOR have for the street wise hip-hop producer? Well for a start these records were very common. Many sold in their millions, and even those that didn’t, at a time when the record industry was in very rude health were pressed in great numbers. If you were an impoverished would be hip hop producer they would be available for cents in thrift stores and other repositories of vinyl ephemera. Once they had bought the record they were in for a surprise. These records could contain a hell of a lot of soul.”
Archeo Recordings 2014-2017 Vol 01
Archeo Recordings is a reissue record label that regenerates old, lost, obscure and forgotten rare gems of predominantly Italian music but also all over the world of the 70s, 80s and 90s.
All outputs are licensed by the artists and the vintage labels; audio tracks are remastered in their original form; the sleeves and center labels are graphically recreated for today but all based on the original images.
Archeo would like to make the music available to a wider audience of collectors, DJs, music lovers of a forgotten time.
All releases are hand-numbered limited edition vinyl. The first copies of each release are pressed in coloured vinyls.
First up Joey brings one of his signature reworks to Delia Renee’s - "You're Gonna Want Me Back", pure uplifting female energy with all the pizzazz of the ‘80s. Dr Packer then steps up to give a fiery re-shake of (funky house classic) Foreal People's "Shake".
On the B side the UK Garage royalty Grant Nelson takes the classic Z Factor "Gotta Keep Pushin" to another dimension, turning it into a fist pumping disco-house hit that again, works the soundsystem in completely desirable ways.
Joey Negro lights up the last slot with a trademark Redemption Mix of Four80East & CeCe Peniston's "Are You Ready", drenched in spiritual organs and CeCe’s untouchable vocal prowess.
Another indispensable ATDF 12", destined to cause waves across dancefloors worldwide and ripples of investment across the discogs stock exchange. Get in there first to avoid tears later!
Attack The Dancefloor Vol. 15 Inc. The O'jays / Joey Negro / Doug Willis / Sunkids / Chance / Double Exposure
First up is his thunderous rework of the O’Jays boogie classic "Put Our Heads Together" done from the original multitracks in RWL style. The 2020 update of Doug Willis "Dancin" features rattling percussion and full live disco sound.
Sunkids soulful house staple featuring Aretha soundalike Chance receives a powerful bassline driven remix. Whilst the much sampled '"Everyman" by Double Exposure (as heard in Salsoul Nugget) has been give a more up-tempo make over that emphasizes the familiar sections of the instrumentation whilst still using the full vocal.
An Essential 12 Inch that's for sure.
FORMAT INFORMATIONLtd CD Info: Strictly limited CD comes in silver bubble wrap sleeve with poster insert. 500 copies only, all individually numbered. LAST FEW COPIES - SELLING FOR £20+ ON DISCOGS!
Over the last decade Aus Music has never really had a certain sound, but has always operated on the more underground, bass driven end of the house spectrum. It has worked with big names and has excelled at peak time tracks, but has also helped break upcoming artists from Joy Orbison to Dusky via Midland and George Fitzgerald. As a result, it has become one of the most prominent and on point labels of the day, and is now supported by infrastructure from !K7 such is the volume of its output.
We hope you like these auteur jams!
Written and directed by Edgar Wright, Baby Driver tells the story of Baby, a talented, young getaway driver (Ansel Elgort) who relies on the beat of his personal soundtrack to be the best in the game. When he meets the girl of his dreams (Lily James), Baby sees a chance to ditch his criminal life and make a clean getaway. But after being coerced into working for a crime boss (Kevin Spacey), he must face the music when a doomed heist threatens his life, love and freedom.
FORMAT INFORMATION2xCD Info: Double CD includes 10 exclsuives as well as a collection of essentials from Hotflush's recent catalogue.
Back From The Canigo - Garage Punks Vs Freakbeat Mods: Perpignan 1989-1999
15 cuts from: WARLOCKS, RAEVINS, EMERALDS, WHY-NOTS, TURNCOATS, SHAKLES, KNOLL ALLEN & THE NOBLE SAVAGES, ETC!
The collection includes an exclusive track from Jungle themselves and takes the listener on an eclectic musical journey. From 90s disco by Merle to more recent house tracks by Manuel Darquart and Drumtalk. Bristol DJ Admin provides the percussion heavy ‘Space Cadet’ and the irrepressible Mocky supplies good vibes on ‘How It Goes’. There’s sophisticated pop from The Marias and Sam Evian and there’s some spotlight for modern jazz with tracks by Kamaal Williams, Mansur Brown and BadBadNotGood featuring Kaytranada. There’s also room for some gospel influenced soul by The Flying Stars of Brooklyn NY, lo-fi dream pop from Paul Cherry before ending with the always impressive HNNY.
“When asked what genre of music we like or create we always answer explaining that we try not to hear music in genre but more in sonic and emotion, and if it feels good then it is good. By that merit, we have conjured a list of far-reaching tracks and brought them together to sit harmoniously on this Back to Mine mix. Put together mostly in the confines of our London based garden studio, where many a late night gathering has taken place, the mix makes its was through psych, Afro-beat, house and soul with some of our favourite tracks of the moment, Have fun and enjoy.” - Jungle
STAFF COMMENTSMillie says: Jungle’s compilation is a close replica of what I’d include on my own selection of favourite songs featuring BadBadNotGood, Kaytranada, Sly5thAve and Mansur Brown. A fantastic mixture of contemporary jazz spins into broad horizons from house, soul and Afro-beat, leaving no stone unturned when it comes to genre inclusivity. Jungle include their very own exclusive track “Come Back A Different Day” which is drenched in electronic beats with their signature sleek vocals.
FORMAT INFORMATION2xColoured LP Info: Indies exclusive clear vinyl. Limited edition heavyweight vinyl and extra thick cardboard sleeves with full coloured bespoke artwork, commissioned from illustrator Rich Fairhead, depicting the artist’s influences alongside personal sleeve notes from Jungle.
Back To Mine - Nightmares On Wax
The collection includes three exclusive tracks, one new track from Nightmares on Wax, along with a remix from the man himself of seminal band Fat Freddy’s Drop and brand new project Creative Principle. The album is impeccably mixed and blended, as you’d expect from a DJ and collector of George’s pedigree. His selection includes a strong representation from his roots in Northern England. Opening with respected Manchester soul duo Children of Zeus, Hull’s Steve Cobby provides his own "Lefthanded Books" featuring Crazy P’s Danielle Moore and also introduces his chuggy-disco project Chieftain. There’s also room for the recent Nightmares on Wax recent single "Look Up". Moving internationally; there’s Greek producer Dim Zach who doffs a cap to Imagination on the synth-heavy "Innocence", US-born / Colombian based Afro / Latin / disco / funk producer Bosq, Italy’s Massimo Vanoni with the slo-mo funk "Exciting Groove", the deep and jazzy "Gotta Have It" by Berlin’s SoulPhiction side project SBM and two tracks by New Zealander Ladi6.
This first re-installment of "Back to Mine" is a triumphant return for the iconic and music loved series. Nightmares on Wax delivers an incredible selection of tracks that gives the listener a real insight into the artists personal and extensive taste. 'I always hoped that when the time was right I would be asked to do a Back To Mine release and so when the call came there was absolutely no hesitation'. - Nightmares on Wax.
STAFF COMMENTSBarry says: The iconic album series Back to Mine returns in 2019, to mark it’s 20th anniversary, inviting the indomitable Nightmares on Wax to share his personal collection of music for after hours grooving. Dig in for Piccadilly faves Children Of Zeus and Steve Cobby along many other jamz!
FORMAT INFORMATION2xCD Info: CD1 mixed, CD2 un-mixed.
Brit Funk was essentially the UK’s answer to underground disco & boogie , with musicians at first imitating and eventually developing the sounds they heard on the US imports that made it across the pond. And like disco, the Brit Funk scene was significant in reducing racial boundaries in the clubs and raising the profile of black and white musicians who worked together. Back in 2010 Joey Negro complied the first volume of Back Street Brit Funk: a collection of obscure and forgotten gems of the scene that found favour across the board. The fact that it’s taken eight years for Volume 2 to see the light of day is a testament to the both the obscurity of the records included, and the logistical challenges involved in digitizing what started life as vinyl-only releases, with only a handful of 12”s remaining in some cases.
'I hadn’t planned a Volume 2 of BSBF when putting together the first, but after a while, I started to wonder if there was potential for a follow-up. Over the past 8 years I’ve kept my ears peeled for interesting UK productions that for some reason hadn’t come to my attention before.' Joey Negro.
STAFF COMMENTSMatt says: We've had 'nuff resurgences in disco, Italo and boogie thus far, but no-one's really popped the lid off the whole Brit Funk cannon. Save for that wonderful "In The Red" comp on Chuwanaga (and Volume 1 of this series of course) the scene has gone relatively 'Un-comp'ed'... until now! Maestro Joey Negro can always be relied upon to present to us the first sift off the crop. Here showing us the dizzying delights of this very British operation... High energy, high musicianship - high vibe! I used to roller-skate to this shit!! ;)
While its predecessor sticks mainly to the more hallucinatory and left-field elements, this one has a wider remit, ranging from mad techno-style tracks such as DJ Metro’s “Tekno Bangz” or DJ T-Why’s immense “Juice” and ‘Finished” to those that sound like musique concrete gone footwork, like Young Smoke’s “Space Muzik Part 3.” Others like Traxman’s “Funky Block” and DJ Clent’s “DJ Clent #1” display the obvious influence of flipping samples, hip hop style to the rhythms of footwork, while DJ Rashad & Gant-Man’s amazing “Heaven Sent” shows the influence of P-Funk and Detroit’s hi-tech soul. On the whole, footwork’s synapse-snapping intensity is ever present, but this selection shows an even wider diversity to the genre’s independent and unique production focus.
Widely regarded as a major influence on the development of electronic music worldwide, BBC Radiophonic Music is a compilation of short works, often composed as intros to various radio or television programs. Conceived in a time when analogue sampling meant hours of slicing tape with razor blades, BBC Radiophonic Music is brimming with zippy themes, unsettling atmospherics, riffs, loops, clicks and beeps. Insanely catchy yet deeply sinister, this is ‘collage music’, produced, according to Desmond Briscoe of BBC Radiophonic Workshop, “with the intention of entertaining rather than informing”.
This is an essential album for analogue and TV theme obsessives, and anyone with an interest in contemporary electronica; mysterious, eccentric and celestial, it is a celebration of one of the UK's most treasured and unique institutions.
FORMAT INFORMATIONColoured LP Info: Limited Edition Pink Vinyl
BC35 refers to the weekend of performances and resulting album marking the 35 year anniversary of BC Studio in Gowanus, Brooklyn. Musicians were invited to participate by Martin Bisi, and were assembled by Genevieve Fernworthy into improv ensembles. There were also some long-awaited reunions. Recorded with a live audience comprised of sound pioneers, social deviants, and studio fans, these tracks were mixed and edited with care over several months by Martin Bisi and by veterans of the studio throughout the decades.
FORMAT INFORMATIONDeluxe LP Info: LP +7".
Deluxe LP includes MP3 Download Code.
This 24-track collection positively effervesces with eccentricity. Again the vinyl only double-10" is divided into 4 themes: 'Life’s A Scream', 'Crazy Guys, Food, Prison And A Guide To The Female Persuasion', 'Welcome To The Jungle' and 'Wild And Wilder Boppin’ Girls'. Every track pirouettes dangerously and at times hap hazardly around the expected. These are songs for strange times by what can definitely be considered strange people. Gems and nuggets that sparkle even more bright in today's manufactured music maelstrom. The population of Badsville welcomes you aboard.
The keen eared selectors at Beauty & The Beat cherry picked the four finest cuts, had them remastered by Frank Merritt at the Carvery then pressed them onto a crystal clear vinyl.
North Eastern boy George Robertson opens proceedings under his Boys Ride Bikes alias, transforming a traditional South African chant into an emotional rich slice of synthetic house flavoured with 21st century pop tropes, autotune and ecstatic chord progressions. Shop favourite Nabihah Iqbal continues the journey into yearning, conjuring thrilling cinematic synths, drifting ambient guitar licks and a soft focus shimmer around folk whistles and clapping patterns for "Wonderful Sushi". Over on the B1 South African artist Thor Rixon cooks up the kind of slow, mournful and moving trip we've come to expect from a BATB release, gently shifting focus from spidery guitar to glassy key, soulful vocal or mind bending effect, while the stately rhythm and subtle bassline roll underfoot. Finally, The Happy Show rinse the filter and fire up the high hats, tripping a Gumboots original into a driving bit of Afro-centric psychedelia I can imagine mixing into that Noir Desire edit on Mindless Boogie.
Not only does this 12" give you four diverse and dope tracks, it features wicked artwork from Peter McDonald, a dope sleeve design from Gina, and a donation to charity! Proceeds support gender equality in South Africa through the Women’s Legal Centre, as well as helping to teach music production skills to kids at Grahamstown’s Access Music Project.
STAFF COMMENTSPatrick says: Party with a purpose! Beauty & The Beat return with four heart melting tracks based around 50s field recordings from South Africa. If you want yearning synth pop, shimmering psychedelia and nuanced grooves then this is the platter for you!
Beautiful Freaks - Waving Our Flag High, Wave On, Wave On: Music From The Original Counter Culture
A compilation for the heads, not a playlist.
“This is a journey … into Sound” ….
..…a different maverick sound one million light years from either the classic rock of the late 60s West Coast, the psychedelic pop of the UK, the primal shriek of the Vietnam soundtrack, or the wah wah powered protest of Blaxploitation. This is a journey into a new scene “THE ALTERNATIVE OF THE ALTERNATIVE”. This music is too abstract for the soldiers, and too square for the Panthers. This is a journey into the sound of the Freak Left and into an early DIY, powered by acid and humour, that is in many ways a true precursor of punk rock. It’s a journey into a cosmic mash up of folk, country, busking, comedy, music hall, raga percussion, chanting and the occasional spiked acid guitar solo. Music created communally and without commercial expectation over bottle after bottle of LSD laced soft drinks and free trips! But as much as it’s a journey into an alternative sound, it’s a journey into a different world .. the world of the Heads, the Freaks and Humbeads’ Map, a map created in a Berkeley coffee house and reworking the world to connect up the “Turned On” universe – a 5 boroughs type world dominated by a huge San Francisco & Berkeley and embracing New York, Cambridge, and LA and by implicit extension “hip” outposts in London, Paris, Berlin, Sydney and Sao Paulo.
Ten years after it had started the counterculture seemed almost done – washed away in a tide of punk rock nihilism, and economic hardship.
These artists represent something else, and something else important. Ideas of self made, of freedom and of protest through provocation live across these grooves. It’s time to give them a place in the pantheon and respect what they tried to achieve, because they did achieve change. The world we live in today is different and the Rainbow coalition is a valid and vibrant political force – it is the wave that gave us Obama and hope. And maybe the one that will bring further change in the future. “Sticking it to the man” was a state of mind and an ideal. Maybe we can give it a small voice again.
STAFF COMMENTSDarryl says: Curated by the team that brought us 2018’s ‘Running The Voodoo Down’, this compilation charts the original counter-culture. A journey through the acid laced and cosmically mashed-up world of the Heads and the Freaks, from Timothy Leary and Allen Ginsberg to Hawkwind, Grateful Dead and Bonzo Dog Doo Dah Band.
Beautiful Swimmers Present: The Sound Of Love International 002
So even when shit gets somewhat darker, the tempos higher and sounds gnarlier ("Analogous Doom") the world is never grey. When we’re stone cold Balearic in the Adriatic ("Plunky") the vibe is up, young and fun. Banging them B’more house beats? Well, you’re probably going to be recognising a welcoming RnB sample (KW Griff). We’ve also been blessed with some Swimmer’s specials in the shape of "Blow Up Girl" and "Living in a Zone". Exclusive.
Ari and Andrew have previously worked in dog and childcare respectively. If this compilation were a dog it’d be a 'rascal', if it were a kid it’d be 'spirited'. We can’t think of anyone better to be your guides, as they themselves might say, 'it’s a vibe'.
STAFF COMMENTSMatt says: The first compilation from emergent festival / brand / record label Love International and it's a pretty cutting edge selection, highlighting the maverick and hedonistic spirit that epitomizes much of the brand's ethos. Takes me back to those raucous nights with Swimmers at Wet Play.
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