ONE OFF RSD 2017 PRESSING OF 700 COPIES / BLACK VINYL
School Daze and RPM proudly present a compendium of the demo cassette generation from the early 1980’s, filtered through (principally British) independent women of the post-punk era.
‘Sharon Signs To Cherry Red’ began life as the archetypal independent single released on the obscure Lowther International label by archetypal independent act, The Kamikaze Pilots, the review of whom by Danny Kelly in the NME gives us the starting point: “Disturbingly, also from Norwich…comes this plaintive tribute to/assassination of all the earnest misery gobs ever signed to Cherry Red’s roster, with particular reference to the Tracey Thorn pantheon”. What was a gentle mocking of The Marine Girls et al is now the starting point for this meander through the 80s’ underground, a period which enabled more involvement from women in independent music, a slight, if not complete, freeing up of the male-dominated hegemony that had existed before punk. Many of these artists were night-time John Peel session regulars, fighting for daytime coverage in the press, walking the fine line of questioning from the NME (hip young gunslingers asking sexual politics) and Smash Hits (Milton Keynes readers asking which hairspray they used).
‘Sharon…’ is but an overview of a fertile time, when the democratization of music through punk had resulted in new viewpoints, talents and perspectives finding their voice. The breadth here is a joy: from the sugary Dorothy (originally on Throbbing Gristle’s Industrial Records) to ex-Dolly Mixture Debsey Wykes’s Coming Up Roses, from the punked scrawl of The Petticoats to the avant funk of Bristol’s Scream & Dance, the one thread all these groups have in common is their fierce independence. That and their XX chromosomes. Some of these recordings are surfacing for the first time on “Sharon Signs To Cherry Red,” while others are from rare 7”s and compilation releases.
School Daze is a new imprint from the Glasgow-based Night School, focusing on discovering and sharing the past.
Soul Jazz Records’ Record Store Day exclusive 7” box set comprising five heavyweight 70s Afro- Funk, Afro-Disco and Afro-Rock 7” singles with unique bespoke label artwork and all digitally remastered.
Seriously rare, killer and classic Nigerian 70s Afro- Funk, Afro-Disco and Afro-Rock tunes bought together here in this unique one off Record Store Day box set edition.
Soul Jazz Records’ Record Store Day exclusive 7” box set comprising five fantastic 70s soul 7” singles reproduced here in exact replica bespoke label artwork and all digitally re-mastered.
Seriously rare, killer and classic soul tunes brought together here in this unique one off Record Store Day box set edition.
Unique Soul Jazz Records Record Store Day 7” collector’s box set comprising five separate singles featuring ten killer rare tracks from Studio One Records, featuring ska, roots, rocksteady, dub and more from the greatest reggae label of all time.
Seminal, rare and classic tunes collected together here for the first time ever.
In 1963, visionary producer Phil Spector, then at the peak of his creativity and cultural influence, created one of the first-and still one of the greatest-rock 'n' roll Christmas albums. Using the artist roster of his Philles label - the Ronettes, the Crystals, Darlene Love and Bob B. Soxx and the Blue Jeans - and the legendary studio musicians of the Wrecking Crew, Spector applied his fabled Wall of Sound to a set of Christmas pop standards and holiday-themed originals. The resulting album brilliantly merges the holiday spirit with the singular sonic uplift of the Spector sound. Highlights include the Ronettes' bubbly reworkings of "Sleigh Ride", "Frosty the Snowman" and "I Saw Mommy Kissing Santa Claus", the Crystals' upbeat renditions of "Santa Claus Is Coming to Town" and "Rudolph the Red-Nosed Reindeer" and Darlene Love's soulful readings of "Winter Wonderland", "White Christmas" and the Ellie Greenwich / Jeff Barry / Phil Spector composition "Christmas (Baby Please Come Home)". "A Christmas Gift For You" originally had the misfortune of being released on November 22, 1963, the same day as the assassination of President John F. Kennedy, and was not a major commercial success. In the years since, however, it has been embraced as a beloved pop-culture touchstone, with many of its tracks becoming holiday airplay favourites.
• Back in May/June 1986, the New Musical Express released one of their regular mail-order cassettes. Reflecting the latest trends in Indie music, C86 was a 22-track cassette which was inspired by the NME’s C81 tape from half a decade earlier.
• Aside from a few name bands (The Pastels, Primal Scream, the Wedding Present, the Mighty Lemon Drops), most acts were relatively unknown beyond the back pages and gig listings of the weekly music press. A few hadn’t even issued a record!
• C86 slowly but surely became the NME’s best-selling ever compilation, selling an estimated 40,000 copies and eventually being reissued on LP and cassette by Rough Trade the following year. C86 prompted a week of shows at the ICA and would come to embody a whole musical style and era.
• C86 is now reissued on vinyl as a deluxe, gatefold sleeved double-LP edition. The music has been re-mastered, with better sound quality due to not being ‘groove crammed’, with picture inner sleeves depicting original artwork and photos and detailed sleeve-notes by C86 compiler Neil Taylor.
• This long-overdue reissue follows the spectacular acclaim which followed Cherry Red’s 3-CD expanded edition of C86 in 2014.
• C86 is now widely regarded as catching the birth of a certain type of Indie music…
UK QUANTITY: 1000
Record Store Day 2017 exclusive release. The ten specially selected double AA side 7" singles in this box pull together twenty of the biggest and most icon tracks of the golden era of ROCK.
Forty years later it is inevitably impossible to find mint copies of these great songs on vinyl. Includes Boston, Blue Oyster Cult, Heart, Cheap Track and Lou Reed. Housed in hard slipcase, the ten 7" singles are 'dinked' as juke-box singles and the box includes a 'spider' centre for play.
It's decades since these tracks appeared as singles on vinyl so mint copies are rare. Housed in hard slipcase, the ten 7" singles are 'dinked' as juke-box singles and the box includes a 'spider' centre for play.
Superstar artists don't get much bigger than this, and these in particular are quite rightly commonly referred to as 'legends'. The ten specially selected 7" singles in this box - all double AA sides - present some of the best known classic hits by these artists.
Record Store Day 2017 exclusive release. The ten specially selected double AA side 7" singles in this box pull together twenty of the most iconic tracks of the Peace & Love generation.
Fifty years later it is inevitably impossible to find mint copies of these great songs on vinyl. Includes The Byrds, Jefferson Airplane, Janis Joplin, Fleetwood Mac, Procol Harum and The Move. Housed in hard slipcase, the ten 7" singles are 'dinked' as juke-box singles and the box includes a 'spider' centre for play.
Creation Artifact 45
• NEWLY REMASTERED
• FEATURING FACSIMILIES OF THE FIRST TEN CREATION RECORDS SINGLES, AS RELEASED BETWEEN 1983 AND 1984.
• PRESENTED IN A DELUXE LIFT OFF LID BOX AND REPLICA SLEEVES WITH BOOKLET CONTAINING REMINISCENCES FROM THE ARTISTS.
• PRODUCED IN CONJUNCTION WITH THE ARTISTS AND WITH THE APPROVAL OF ALAN MCGEE.
In the summer of 1983, Creation Records released its first seven inch single, and one of the most influential labels in the history of British pop music was born.
The label blazed a trail of critically acclaimed ‘Single Of The Week’ releases in the UK music press and gained a reputation for collectability and quality. These releases still hold a legendary position in the canon of British independent music and many of these artists are still performing and recording today.
Newly remastered especially for this package and sounding remarkable! This set of recordings encapsulate that time and place like no other.
Several artists have contributed thoughts and sleevenotes to this wonderful set.
The ten specially selected double AA side 7" singles in this box present twenty of the most varied and exciting tracks spanning those crucial few years. It's nearly forty years since many of these tracks appeared on vinyl so it is inevitably very difficult to find mint copies.
From the initial burst of energy of the Damned, X-Ray Spex, and The Lurkers, the hardcore spirit of likes of The Exploited, to the punk poetry of Patrik Fitzgerald and John Cooper Clarke. Housed in a hard slipcase, the ten 7" singles are 'dinked' as juke-box singles and the box includes a 'spider' centre for play.
The Alive Naturalsound 20th Anniversary album is a double LP of rare & unreleased material with exclusive art by William Stout. Gatefold Double-LP limited-edition Record Store Day exclusive of 900 copies on colored vinyl. As part of Record Store Day, Alive Naturalsound is celebrating its 20th anniversary as a label with an exclusive vinyl-only double album entitled ROCK & ROLL IS A BEAUTIFUL THING. But instead of being just another label compilation of previously released material slapped together, we’re bringing you newly recorded tracks, unreleased studio outtakes, spirited cover songs, and tracks available on vinyl for the first time, all carefully mastered, and complete with a cover by illustrator William Stout.
Features four brand new tracks, all of which are appearing on vinyl for the first time!
Alice Russell hooks up with USA soul legend Darondo for 'Breakdown', a track recently featured on Steven Soderburgh’s Magic Mike.
Natural Self produces a sublime cover of Electrelane’s 'The Valleys'.
The Hot 8 Brass Band continue their rich vein of tributes with their version of the Stevie Wonder classic 'All I Do'.
Plus previously unreleased and completely exclusive 'Enough Now' from 23 year old soul singer and new signing to Tru Thoughts Harleighblu (that’s her real name!)
LIMITED TO 500 COPIES FOR THE UK
A four-way split featuring the cream of London's vibrant indie scene. The 12" EP, limited to 1000 pressings, includes the acid-fried rock of Gross Magic, the scuzzed-up pop of The History Of Apple Pie, an ethereal, ambient take from Echo Lake and a grunge pop anthem from Novella. This 12" is a repressing of the original sold-out 2011 release.
LIMITED TO 500 COPIES IN THE UK
DJ Andy Smith is a well-known British DJ who spent many years DJing alongside Keb Darge at Madame JoJo's and also sourced samples for Portishead and the Prodigy. Deano Sounds is the head honcho of Cultures of Soul Records as well as a DJ and lover of rare soul and R&B. Together here they have selected classic and exclusive tracks from their collections including the rare Northern soul track 'Ever Again" by Gene Woodbury, classic Rockabilly from Eddie Cash and Sonny West, a handful rare of R&B tracks - some of which were reissued here for the first time including Ernie Washington and Willie Jones, and many other great tracks. The 45 box set version comes in a heavy collectible case with 7 x 45s, an official Jam Up Twist club night poster, and a booklet on printed thick paper. On this deluxe 7 x 7” box set, Deano Sounds and DJ Andy Smith team up for a great compilation of 50s and 60s sounds including R&B Rockers, Rockabilly, Northern Soul and Sleazy Shakers, much like you would find at Andy's Jam Up Twist club night in the UK.
FORMAT INFORMATION7" Box Set Info: 7x7" box set bundled with a full colour 21” x 7” Jam Up Twist flyer & an 8-page glossy book!
Until now, for some unknown reason, the psychedelic rock movement in Singapore and Malaysia, aka Pop Yeh Yeh, has never been given the worldwide attention it deserves. This compilation -- Pop Yeh Yeh - Psychedelic Rock from Singapore and Malaysia - 1964-1970: Vol. 1 -- is the first of its kind to focus solely on the Malay rock groups of this region. The Pop Yeh Yeh era, which took place roughly between the years of 1964 to 1970, coincided with the rapid modernization happening at the time in Singapore and Malaysia. Sublime Frequencies has already released many incredible compilations from neighboring Indonesia, so it's about time that the Malaysian groups got some attention! Pop Yeh Yeh artists instinctively cross-pollinated electric sounds of the West with Malay melodies, and added their own local poetic voice to the lyrics they wrote -- sung in Malay (and sometimes Bawean). The Pop Yeh Yeh musicians started out playing in styles inspired by Western groups like the Beatles and Cliff Richard, but they eventually succeeded in creating a sound all their own -- a sound that is not only accessible to the Western ear, but also retains an undeniable Malay personality. Nearly eight years in the making, this compilation was exhaustively researched and compiled by Carl Hamm and features 26 classic tracks of the very best bands and singers from Singapore and Malaysia's Pop Yeh Yeh era, including M. Osman, Orkes Nirwana, Adnan Othman, A. Halim, Roziah Latiff, and the Jayhawkers, J. Sham, Hasnah Haron, Zaleha Hamid, and many more. This 2LP deluxe edition comes in a gorgeous heavy-duty gatefold jacket with a full-size 12-page full-color booklet packed with insanely extensive liner-notes including band/artist bios, an overview of the era, translated lyrics, and plenty of rare photos taken from vintage magazines, album covers, and the artists' own personal collections.
For the lowriders, the souleros, or just anyone with a still-working CD player in their hooptie and a penchant for driving with even a slight gangster lean. Numero pays tribute to the aftermarket sounds of “sweet” soul music still emanating from the West coast, or East Side, depending on your perspective. Inspired by, and paying tribute to the countless cruising compilations, legitimate and (mostly) otherwise, that provide the soundtrack for lowrider and soulero culture, South Side Story is the latest in the Numbero line of takes its aesthetics from the timeless East Side Story series, and its music from Chicago soul groups (mostly, of course, from our mythic South Side). Included here are songs that are completely unreleased, others that are never before issued other than in minuscule pressings on 45, and a few chrome-coated classics, already seen on scads of flash-in-the-pan boots. The Numero Group’s crack team of researchers cut loose on the city of Chicago to assemble the perfect lowriding companion, and the results are unparalleled. From high school rivals The Si-Berians and The Intentions, who both feature their sole recordings here, to unheard material from the original Calvin Harris, to the elite Latino ensemble known as The Mystics, to the missing link in “sweet-as-sugar” Renaldo Domino’s lonely post-Twinight recording, this dazzling collection slices out a delectable cross-section of the city’s sweetest sounds. 13 perfect “souldies” as they are occasionally called, allowing you to throw away any of your many volumes of Gangster Soul Harmony, Lost Soul Oldies, East Side Story, Hood Dreams, Shady Side of Town (or any of the thousands of other similar iterations)
Four of Sun Records' biggest names on one superb EP highlighting the label's finest Rockabilly cuts. Featuring Billy Riley's clarion call 'Flyin' Saucers Rock'n'Roll' together with Carl Perkins' hipster anthem 'Put Your Cat Clothes On', the EP also features an alternate version of Jerry Lee Lewis' 'Drinkin' Wine Spo-Dee-O-Dee' and Warren Smith's magnificent 'Red Cadillac And A Black Moustache'. All four tracks came to prominence during the mid-70s European Rock'n'Roll revival.
Mandrill / Jeff Perry
Too Late / Love Don't Come No Stronger
The now legendary Beck, Song Reader - twenty Beck compositions previously released exclusively as stunningly illustrated sheet music in partnership with McSweeney’s - receives a long awaited traditional release when Warby Parker/Capitol Records issues the Beck Song Reader compilation album, produced by Beck and Randall Poster, known for his music supervision work with directors Wes Anderson, Martin Scorsese, Sam Mendes and many others. Warby Parker will commemorate the release of Song Reader by reissuing limited-edition Carmichael frames created in collaboration with Beck, this time in Black Cherry—as well as a new edition of the Song Reader book, featuring two new prints from artist Marcel Dzama.
The 20-track all-star collection features exclusively recorded versions of Song Reader charts by the likes of Jack White, Jeff Tweedy, David Johansen, Jason Isbell, Fun., Eleanor Friedberger, and several more including Beck himself.
The Warby Parker release of Beck Song Reader marks the first officially recorded incarnation of the project, which has already inspired interpretations from hundreds of musicians the world over. The record includes the studio-quality debut of songs previously only played live either by Beck himself or at one of the handful of Song Reader concerts staged over the last two years. The most recent of these was presented by the L.A. Philharmonic in partnership with McSweeney’s and Warby Parker at the Walt Disney Concert Hall in Los Angeles on November 24, 2013. Described by The Los Angeles Times as an “expertly delivered and received night… another big step in Beck's long, fascinating evolution,” the show’s highlights included Jarvis Cocker’s interpretively danced “Why Did You Make Me Care?" and Jack Black’s borderline frightening “We All Wear Cloaks,” the latter of which makes its recorded debut on the Beck Song Reader album.
FORMAT INFORMATION2xCD Info: 2CD set containing 39 exclusive tracks including a 106-page hardback book of Shrigley's work!
10 Years Of Full Pupp - Selected, Edited And Mixed By Prins Thomas
Additional overdubs, fx and edits done @K16 Studios Oslo In addition to plenty of artists who have featured on Full Pupp down the years - Andre Bratten, Blackbelt Andersen and Oyvind Morken - Thomas's production sparing partner Lindstrom also appears. The label boss is on hand to chip in an original cut ("Alpha Tanga Lama"), an edit of Skatebard and a Diskomix of Mental Overdrive's "Spooks."
It's a beautiful package in itself, but focusing on that is obviously doing an injustice to the superb work put in by all the producers to create this mindblowing excercise in cohabitational production and community-minded collaboration.
We kick things off with the glitched hip-hop aestetics and stoner haze of the Mad Wash rework of Zen The Sharpshooters' 'Every Lil' Bit', bringing the hot-boxed haze and relaxing the muscles before The Fire Beneath The Sea's 'Error Correction' sees a pitch-bent funked-out remix, grounded with insistent shuffled hi-hats and wah'd out guitars, before the legendary Galactic Funk Milita's festival vibe is chopped into a syncopated latin stomp for a rubberlips rework.
On the flipside, David J Boswell's haunting electro-folk goes full dubstep in the more than capable hands of the forward-facing electronic euphorics of Liverpool electronic virtuoso, Afternaut before Denham Audio bring forth a clattering industrial fractalisation of Hang Syem's 'Frontier J'.
The following track is possibly my favourite on the compilation (but with enough material on here to keep even the most diverse of tastes more than happy, I expect yours will be different), and comes from Sheffield wunderkind, Yak. Snappy percussion and perfectly measured electronic stabs bring a disphoric syncopation to the already excellent 'Wicked Sound' by Grievous Angel.
Onto the final side now, (the last being blank for you to admire the gorgous sky-blue marbling) and R. Lyle takes Apta's 'Tides' and breaks it down into a simmering futuristic haze of reversed reverbs and hazy throbs, before the arshaw remix of my personal favourite release of the lot, in Bemp's 'Minotaur', culminating in a psychedelic propulsive stomper, courtesy of the aforementioned Yak and YAKONA. A match made in heaven.
STAFF COMMENTSBarry says: Black Beacon have culminated their journey in a fittingly epic and ridiculously efficacious summary of their dedication to the independent music industry with this stunning double LP. A journey in every sense of the word, and a superb flipside to their already mindblowing releases.
Featuring Nirvana, The Ramones, Dinosaur Jr., Babes In Toyland and Gumball. It was filmed just prior to the release of Nirvana's 'Nevermind' in 1991 - includes the last footage of Nirvana before the band's meteoric success. Including them performing 'Smells Like Teen Spirit','Polly', 'Negative Creep' and a very rare and unseen performance of 'In Bloom'.
Packed with 65 minutes of unseen bonus material.
All footage has been fully restored with audio re-synced and re-mastered in uncompressed PCM stereo.
FORMAT INFORMATION2xDVD Info: The double DVD is a tour de force mythology of some of Manchester's most important musical events during the last quarter of the 20th century. Focusing on Factory Records and the bands, faces and places associated with it, it's the history of the musical arc from punk to acid house, Joy Division to New Order, Russell Club to the Hacienda, Sean Ryder's drug consumption and all the anarchy in between. Steve Coogan IS Tony Wilson and there's considerable support from Paddy Considine, Sean Harris, John Simm, Peter Kay, Ralf Little and many more (including Lord of the Rings' Gollum as legendary producer Martin Hannett!). Includes eight hours of extras including many deleted scenes and the all important commentaries.
For the 20 years anniversary they published a book - five years later, they put the music into focus even more again: The idea was to ask esteemed artists to reinterpret their favorite Compost tunes. So they are excited about getting both talented young artists and many of their all-time favorite producers involved in this project. Alongside the remixes and sold out vinyl label-classics, there are a few exclusive tracks in this strongly limited, hand numbered 10x12'' box. In addition, you can explore the impressive label history and background stories in the liner notes written by Michael Reinboth himself. On top of this, the anniversary box includes some Compost-gimmicks, a download code (for all vinyl tracks and some bonus ones) and a mixtape by each Michael Reinboth and Thomas Herb.
FORMAT INFORMATION12" Box Set Info: Strictly limited, hand-numbered 10 x 12” box set + 2 mix tapes + Compost logo metal pin + jute bag + sticker pack + liner notes.
STAFF COMMENTSMatt says: Excellent DIY tape comp of some hi-end audio abuse. Combined with ghosts of warehouse parties from the past, this is brilliant post-rave music, sitting beside labels like Death Of Rave and Blackest Ever Black. Great stuff.
FORMAT INFORMATIONCassette Info: Limited cassette with full colour printed sleeve
FORMAT INFORMATION3xCD Info: Triple CD includes 50 exclusive tracks. One CD is breaks, one chill out and one drum 'n' bass.
1. Bongo Herman – Chairman Of The Board
2. Tenor Saw And Buju Banton – Ring The Alarm Quick
3. Prince Buster – Girl, Why Don't You Answer Me
4. Barrington Levy – Under Me Sensi
5. Cimarons – We Are Not The Same
6. Lloyd Robinson – Cuss Cuss
7. King Tubby – King Tubby Dub
8. Honey Boy Martin – Dreader Than Dread
9. Dennis Alcapone – Cassius Clay
10. Toots & The Maytals – 54-46 Was My Number
11. General Degree – Pot Cover
12. Paris Connection – Who's That Lady
13. Granville Williams – Hi-Life
14. Lynn Taitt – Soul Food
15. U Roy – Stick Together
50 Weapons No. 30-39
The vinyl version features mostly out of print titles, plus 2 the unreleased exclusive bonus tracks by Truncate and datei42. 2012 was 50 Weapons most successful year so far. Voted as the number 1 label of the year by XLR8R (USA), number 2 label of the year by the readers of De:Bug (Germany) and ranked in the Top 10 of Top Labels 2012 by Resident Advisor (UK), amongst listenings in many other “Best Of The Year” categories in media around the world, never before has the label gained so much attention.
“50 Weapons of Choice # 30-39” aims to present some of the 12” single highlights of the past months in a cohesive manner. Label regulars Cosmin TRG, Phon.o, Anstam, Bambounou, Dark Sky, Addison Groove, Benjamin Damage, Marcel Dettmann are accompanied by A Made Up Sound and Thom Yorke-led group Atoms For Peace.
On the series' fourth installment of the series two new guests contribute exclusive bonus tracks: US techno veteran Truncate and mysterious Berlin based youngster duo datei42. Dive into the colourful worlds of 50 Weapons with this action packed adventure tale!
90's House & Garage Compiled By Joey Negro
Through various compilations, Mr Lee has consistently delved deep into the heart of a specific genre or era and selecting a lesser-known series of tracks that give a real insight into the spirit and energy that made that point in time special. Whether it's been gogo, Brit-funk, boogie, Italo house or straight up disco, he has mined deep into his extensive bank of influences and also enlisted the help of some of his most clued-up comrades in offering some unforgettable collections of classics. Next up - he pulls together a collection of his favourite moments across a definitive decade for house and garage: the 90’s. Inclusive of material from Kerri Chandler, Robert Owens and MAW as well as remixes from Mood II Swing and Ron Trent - the compilation is packed with sultry vocal lines and the sort of slick, irresistible grooves that defined the era. Sticking with the ethos of his series, Joey Negro has dug out an olio of music that may have until now ‘slipped under the garage doors’ meaning a lot of the material on this compilation is being digitised for the very first time. In searching deeper and wider than the average compilation, the package provides a thorough insight into why this was such a fertile period for production and gives a nod to the sort of drum patterns, sampling techniques and vocal lines that have inspired the likes of Bicep, Brawther and Huxley amongst many more.
One super limited, clear vinyl pressing.
STAFF COMMENTSMatt says: Three styles and flavours to cater for the different moods and feels of a good weekend on the rocks.
‘The Wizards Of Oz’ is devoted exclusively to the rich heritage of cosmic space music of our Antipodean brothers and sisters and in common with previous volumes traces the lineage from the sixties to the present day with sonic delights from every decade in between.
Once again the Amorphous Androgynous show themselves dab hands at unearthing the absurd, the obscure and the downright wonder filled from over four decades. The tracks are expertly woven and mashed together to form a trip as enjoyable as it is both enlightening and educational. As has always been their want they reappraise what the 'psychedelic' might mean in the present day adopting the role of the DJ in the process rather than as band or producers / remixers as has been known, showing that a new 'psychedelia' exists as much in the surprising juxtaposition of style and variety of song as it does in the individual songs themselves.
Unlike previous volumes 'The Wizards Of Oz' majorly features music and bands that the Amorphous Androgynous had never previously heard (though some like Tame Impala rose meteorically within the album's two year inception) and as the collection evolved the question that arose with increasing regularity was 'How and why have we not heard this before?!" and then 'if this band had been from the UK or the USA would they have been unheard and unknown?" The answer to this was a resounding no so an almost political fervor was born to bring the treasure of ‘The Wizards Of Oz' forth so that ‘A Monstrous Psychedelic Bubble’ could continue its ongoing legacy to reinvigorate the psychedelic potential of both now and future generations by bringing and tracing the timeless psychedelic music through the years together in order to activate future revolutions of cosmic space music.
STAFF COMMENTSPatrick says: Described by our own Silvestre as a 'difficult vinyl', this dope double pack is the most experimental thing you're ever gonna enjoy dancing to. It may be madder than a wet hen, but it will make you move!
40 years on and, as the song says, we got to get right back where we started from. That was and still is the 7-inch vinyl 45rpm single. This traditional “album” contains seven 45s that could never fully represent the Ace story so far, but they touch on numerous aspects of what we have been doing all this time. There are unissued versions, highlights from our career, lost gems and an error corrected, but all truly terrific music. A small jukebox worth of recordings spanning the 20 years from which the bulk of Ace releases have been drawn. It is hard to believe only 20 years separate Etta James’ release for Modern from Joe Strummer’s first recording made for our Chiswick label, which in turn is now nearly 40 years old.
After our dalliance with pop and rock, which lasted until the early 80s and wasn’t without its highpoints, we shifted our attention to recording London’s garage and psychobilly bands in the wake of licensing the Cramps’ catalogue. But the blues, its more active little brother rhythm & blues, even more active grandchild soul and wayward second cousin who got the funk have always been a major strand in what we do. We heard some of that rock’n’roll music, liked it and put a lot of it out, alongside its sweeter pop counterpart and teenage rebel nephew 60s psych and garage that contributed to the backbone of the past 40 years of releases.
During that time, we have danced to many different tunes in many different styles. We jived, we twisted, then we shimmied (and shaked), glided elegantly across the northern soul dancefloor, pogoed and all the time shook a tail feather. These days it is more likely to be a soft shoe shuffle but the enthusiasm hasn’t dimmed. The dedicated team of Ace staff, engineers and consultants are still turning out a regular flow of great-sounding, handsomely packaged, articulately annotated CDs, with the odd LP and 45 thrown in for good measure. You can even download a lot of it, but unfortunately without the pretty pictures and sweet words as yet.
They say the future is online and they may be right, but nothing can match that warm fuzzy feeling the whiff of wax brings.
Green Water - The Curtains
Henney Buggy Band - Sufjan Stevens
High Life - Shapes And Sizes
Adventurers - Rafter
Eyes Peeled - Half-Handed Cloud
We Were Sparkling - My Brightest Diamond
Sold To The Nice Rich Man - Welcome Wagon
So Gentle Your Arms - Shannon Stephens
Poison & Snakes - Liz Janes
Strong Animal - Castanets
Twilight And Ghost Stories (excerpt) - Chris Schlarb
Year Of The Boar - Osso
Encouragement - Rafter
Say You Will - Cryptacize
Future Past Perfect - Future Rapper
Sampler Song - Rafter
Sailing The Veil-Boat - Half-Handed Cloud
Climbing Texas - Belltower
Christmas In July - Sufjan Stevens
Dancing With Someone (Privilege Of Everything) - Castanets
A Feast - Royal City
Goldenhead - Shapes And Sizes
Yes/No - Bunky
Quail - Half-Handed Cloud
Careless Love - Liz Janes & Create
Golden Star (Alias Remix) - My Brightest Diamond
As You Do - Castanets
Ada - Mixtape #1 - Adaptions
1. Tracey Thorn's Grand Canyon (Ada remix)
2. Ada - Fizzmann (Dee Pulse Remix)
3. Booka Shade Vertigo vs. Cha (Ada Remix)
4. Brant Feat. Mr. Roper - Last Night I Dreamt That Somebody Loved Me (Ada Remix)
5. Ada - Maps (Thomas / Mayer Remix)
6. Alex Smoke - Never Want To See You Again (Ada Remix)
7. Ada - Eve (DJ Koze Mix)
8. Ada Feat. Raz Ohara - Lovestoned
9. Andi Teichmann - Tape (Ada Remix)
10. Ada - Living It Up
11. Ada - Forty Winks
12. Ada Feat. Cosmic DJ - Our Blindhouse
It's that time again. The skies are calling and its time to board our trusty jet for the 5th outing of Africa Seven's premiere class compilation Africa Airways. For volume 5 its time to brace yourselves for 10 slices of Afro boogie goodness.
We up the boogie time groove with The Black Bells Group (the first band of lead singer Sidney 'Patrick Duteil' who went on to become the godfather of French hip-hop and a well know TV presenter. Here the groove is swinging... the perfect opener. Next up is German-based Cameroonian musician and cousin of Manu Dibango, Charly Kingson with this bass-synth boogie stomper. Big brass and jazzy trumpets add layers of sparkle too.
Next its time for some highlife inspired boogie from Ghanian Gyedu Blay Amboley. Highlife fused with reggae, disco, boogie and jazz just as the lyrics say.
Next we pair up with Africa Seven friend Eko once more under his Dikalo guise. The Cameroonian master musician is on fine form with his heavy brass and deep percussion with a driving afro boogie groove. To round off Side A its off to Cameroon again to groove with Jean 'Mekongo President'. Think Bernard 'Chic' Edwards on the bass with some African style and you can see it's the bottom end groove and afrobeat drums that power this gem along.
We open the second side slowly and purposefully with the highly sought after 'French Girl' from Fotso. Drippy bass synth grooves and a wondrous percussion and drum shuffle pair with piano riffs to make this a unique sounding track. Our friend Tala AM is next with the foot-stomping 'Sugar Lump'. JK Mandengue is next with most definitely the catchiest chorus you will hear today. Nigerian Jide Obe gets synth and clavinet rich with his doe to sensible dating advice 'Too Young'. We close off the album with a track from label good friend Jo Bisso under his Mulamba guise. Sounding like a long lost TV theme from a late night TV show circa 1977. Let's get down and boogie with the brand new dance in town folks... the Dashiki.
Until Volume Six takes flight it is time to unbuckle those seat belts folks.
Your flight opens with a punchy disco funk assault from Paris based Cameroonian Tala AM with his 1981 stomper "Get Up Tchmassi". Next up and staying with the Cameroonian connection is Eko with "Bowaa Mba Ngebe". Uta Bella began singing in the 60's and by the time disco hit in the 70's she was already established a singer in her native Cameroon, here the locked on groove of "Nassa Nassa" is a perfect snapshot of the Afro disco vibe we've all grown to love.
Charly Kingson (cousin of Manu Dibango) is next up with his "Nimele Bolo". Recorded in Germany with the cream of Munich's session musicians the bass synth is out in force on this one. Keeping it in the family, cousin Manu is next up with his 1978 Disco, jazz funk masterpiece "Sun Explosion".
Side two opens with a blast of Elvis Kemayo and his piano and guitar funk bomb "Biram". Next Momo Joseph gives us "Africain". Best known in France as an actor, this disco funk groover was released on his self pressed LP "War For Ground" in 1983. A true gem indeed. Nigerian, ex Funkees member Jake Sollo is next with "Tinni Yanana". Recorded in the UK in 83 it's slick and smooth with a hint of "at the car wash" groove. Pierre Didy Tchakounte follows on with his soul funk 'golden years' style groover "Soul Magabe". Produced by Slim Pezin. We close off the journey with the tribal chant disco-funk special from the Monstars "Funny Saga". As always, completely unmissable stuff.
The last decade has seen the un-tapping of an apparent endless well of music from the mother continent and this compilation (in our not so biased opinion) uncovers some of the cream of the crop and stands as one of the finest exponents of the African take on the music that it directly influenced, that being the funk and disco from the USA.
Featuring music from Cameroon, Nigeria, South Africa and the international African diaspora with artists including Manu Dibango, Jo Tongo and Jake Sollo this a truly pan-African affair, full of analogue synths, polyrhythms, rich vocals, jangling guitars and production slicker than oil. For lovers of music to get down to, this will make your rubber soled shoes burn.
The original pressing of the vinyl compilations sold out so quickly that another two represses had to be made to keep up with demand. For those not to latch on to the vinyl resurgence and prefer the old school CD format, this compilation is the one for you!!!
Ten years on, intrepid crate-digger and Analog Africa founder Samy Ben Redjeb unveils a new treasure-trove of Vodoun-inspired Afrobeat heavy funk crossover greatness, featuring 14 tracks from 1963 - 1980. Right from the laceratingly raw guitar fanfare which kicks off Les Sympathics’ pile-driving opener, the previously unreleased “A Min We Vo Nou We”, it’s clear that ‘African Scream Contest 2’ is going to be every bit as joyous a voyage of discovery as its predecessor.
Where some purveyors of vintage African sounds seem to be strip-mining the continent’s musical heritage with no less rapacious intent than the mining companies and colonial authorities who previously extracted its mineral wealth, Samy Ben Redjeb’s determination to track this amazing music to its human sources pays huge karmic dividends. Like every other Analog Africa release, ‘African Scream Contest 2’ is illuminated by meticulously researched text and effortlessly fashion-forward photography supplied by the artists themselves.
The scene documented here couldn’t have been born anywhere else but in the Benin Republic, and the prime reason for that is Vodoun. It’s one of the world’s most complex religions, involving the worship of some 250 divinities, where each divinity has its own specific set of rhythms, and the bands introduced on the ‘African Scream Contest’ series and other compilations from that country were no less diverse than that army of different Gods. At once restless pioneers and masters of the art of modernising their own folklore, the mystic sound of Vodoun was their prime source of inspiration.
FORMAT INFORMATIONLP Info: 2xLP set with a 24-page booklet + download code.
CD Info: CD with 44-page booklet.
After School Special - 123s Of Kid Soul
STAFF COMMENTSPatrick says: Numero have done it again! Risking respiratory disease and a bad case of diggers knee (you know what I'm talking about) the reissue masters teach us a lesson with their second excursion into the strange and beautiful world of grade school funk.
Electro legend Dexter kicks off proceedings, remixing the sci-fi electro of Old Boy's "Tracer". With unique, modular perc swirls and a fluttery, space station aesthetic this kicks off the EP and label with a finesse and style that instantly elevate it above the current electro renaissance also-rans.
Next up is James Shinra taking turns on Actor's emotive techno monolith "Memory Gene". A slow, tectonic piece capable of shifting moods and breaking down personal barrier with its overwhelmingly harmonic vibrations.
Patrick Walker revisits vintage late 90s acid techno as he morphs Actor's "Selfish Lover" into a concentric tribal techno slammer somewhere between James Rushkin, Oliver Ho and Ben Sims - wheeeee!
Finally, rising Hungarian producer David Harleydson injects "The Gulf" (also by Actor) with some face paced electro funk vibes. Making his intent known on the scene, this relatively under-the-radar producer is defo one 2 watch.
FORMAT INFORMATION10" LP Info: 10” (Clear Vinyl).
Alex Attias got his start in back in ’88 playing funk, house, jazz, and disco, as well as producing under various monikers such as Mustang, Freedom Soundz or Beatless. Moving to London in ’97 he started his ‘Visions’ label and found himself at the epicentre of the emerging West London ‘Broken Beat’ scene which grew around his studio at Goya. Releases on People, Planet E, Ubiquity, Neroli, Archive and Compost followed, as well as remixes for Incognito, 4Hero, Ennio Morricone, Sun RA, Art Blakey, Roni Size and Laurent Garnier among others.
FORMAT INFORMATION2xLP Info: Limited edition red vinyl pressing. 1000 copies only.
The Release / Sustain imprint has gone from strength to strength over the years, welcoming the likes of Alton Miller, DJ Aakmael, Benjamin Brunn, Losoul, Norm Talley and many more respected names in underground house and techno over its past twenty nine releases.
Cult Spanish maestro, Eduardo De La Calle kicks us off with concentric technoid tension of "The Protosoul"; helicopter synth shards spiraling again a taut, discordant pattern that's very much in line with what Surgeon or Jeff Mills might twat out mid-session (albeit possibly at +8%!!).
XDB then offers up heady, subtly blooming leads, pulsing subs and shuffled drums with "Another Night" next. Certain to set forward-learning floors alight with its unrivaled sound design and mind-expanding palette. Proper techno this.
Opening the flip is New York’s Joey Anderson with "Drum Play" which as the name suggest sees the percussive aspects dynamically evolve throughout amongst choppy bass hits, stuttered arpeggio blips and warm string melodies. Moody Waters then teams up with Carolina Damas, vocalist on anthemic house cut "Sueno Latino" (!!!) for "Acid Lovin", edging into deeper territory with ethereal pads, crunchy drums and squelching 303 licks while Damas’ soft, spoken-word Latin vocals wander within. Essential? Youbetcha.
FORMAT INFORMATIONCD Info: The CD includes an exclusive track from Yo La Tengo.
Known for the highly heralded "Folie Distinguee" album in 1985, what is often over looked is the fact there accompanied 2 further 'Alternative Funk' cassette compilations that same year. Coming within the Audiologie series on Vox Man Records, these V/A selections were indicative of labels that sprung up in the early 80s around the DIY post-punk scene.
As founders of Vox Populi!, Axel Kyrou and Francis Man, working with close associate Pierre Jolivet's (aka Pacific 231) VP 231 label, released a number of cassettes, 7" and LPs between 1982 and 1988, as much to self-release their own music as to push new or contemporary artists.
Here then is a snapshot of the Alt Funk albums, selecting songs that avoid recent or upcoming reissues, to dive deep in the series from industrial to cold wave, proto-dub percussion to avant spoken word pieces. Featuring the likes of Son Of Sam, Philippe Laurent, Fist Of Facts - with a long lost first ever recording - and Human Backs, stepping out from semi-cult name dropping to sit alongside unknowns and never heard from again in Scoop!, Kosa, Zoohtee and the wonderful Randall Kennedy.
What is apparent is an idiosyncratic nature to the selections. In the same way many independent labels of the time - such as Auxilio De Cientos' Terra Incognita volumes or Final Image's Nightlands - created a label snapshot by pulling together far and wide contributions but retaining an overall 'sound'.
The Volume 1 and 2 reissue achieve that, mixing experimental with electro, post punk with noise, to offer more than the sum of their parts - an Alternative Funk.
While American Noise: Vol 1 shared the earliest Butch Vig recordings of local, unsigned bands, Vol 2 includes artists who traveled from other scenes in the US to record at the fledgling studio between 1987 and 1993.This era coincides with the growing reputation of producers Butch Vig and Steve Marker—two self-taught, DIY studio owners whose skills took the raw sound of local bands and created polished, powerful analog recordings.
Through touring bands, college radio, and The Sub Pop Singles Club, their early work, most notably with Killdozer and Die Kreuzen, caught the attention of credible indie labels like Sub Pop, Touch And Go, and Alternative Tentacles.Following the release of Nirvana’s pivotal Nevermind, both Vig and the studio received an explosion of attention.
More and more artists sought to record with him and many of them wanted to do it in the crumbling, two-story red brick building on East Washington Avenue. All of the tracks on American Noise Vol. 2 come out of this period. Sonically, it spans the broad spectrum of Smart’s clientele at the time. Pop, acoustic, beat and the heaviest of heavy, chuck full of dirt, growl and thump the way Smart was always able to deliver.
Yet, even among small scenes that were creating unique sounds, a number of artists seemed to be making music that was neither here nor there, often meshing together numerous genres and influences to create anomalous sounds. Artists like Olev Muska along with Ingrid Slamer meshed traditional folk songs of their Estonian heritage with cutting edge computer technology. Ngahiwi Apanui used his native language of Te Reo and a “cheap drum machine” to create a pulsating tale that highlights the creation of Aotearoa (the Maori name for New Zealand); while the Free Radicals would sing through PVC pipes to construct their vision of post-apocalyptic tribal music. Sydney’s Nic Lyon used his classical training to craft a distinctive gem which matched eastern and African influenced instruments with synchopated drum machines, while artists like Delaney Venn and Toy Division managed to challenge their post-punk sensibilities by blending both dub and atmospheric sounds respectively.
STAFF COMMENTSPatrick says: Much like the frankly absurd menagerie which makes up Australia and New Zealand's wildlife, the Antipodean music scene evolved in isolation from the rest of the world, brilliantly throwing up the odd dub meets white funk funk diy madness captured on this Left Ear comp. Audio platypodes the lot of them!
“What possible appeal could AOR have for the street wise hip-hop producer? Well for a start these records were very common. Many sold in their millions, and even those that didn’t, at a time when the record industry was in very rude health were pressed in great numbers. If you were an impoverished would be hip hop producer they would be available for cents in thrift stores and other repositories of vinyl ephemera. Once they had bought the record they were in for a surprise. These records could contain a hell of a lot of soul.”
Half of the compilation’s tracklist is naturally coming from the US, homeland of this music style, but the other half is made of productions from all over the globe, from France, Belgium, Italy, to Mexico. And for most of these beautiful songs, it came from artists and bands rather unknown and often released as private press.
As an example, “Come Back” is the result of a music talent competition won by a student band named Parenthèse, gaining a full recording session in a professional studio and the production of a limited promotional 7inch vinyl, which still completely obscure til now. “Mellow Out” comes from the only album by Pacific Dreams, which was fully self-produced and released by its leader Tommy Sweet. Fernando Toussaint, however having quite a solid career and discography as a drummer and with his brother forming the Mexican Jazz-Funk band Sacbé, had solely one solo album released in very limited quantities on Discos Alebrije, a label directed by Alain Derbez. As for “Never Was Love” by Russ Long, despite becoming quite famous when recorded and sang by Judy Roberts, it’s still surprisingly undiscovered in its original version, taken from Russ’ beautiful album from 1982, Long On Jazz In Kansas City.
And we could detail stories like this for each of the titles included in AOR Global Sounds Vol.4, but our guessing is the best way to learn more about all these gems is to listen to it, fully remastered from originals, and whether your preference is for vinyl or CD formats.
Archeo Recordings 2014-2017 Vol 01
Archeo Recordings is a reissue record label that regenerates old, lost, obscure and forgotten rare gems of predominantly Italian music but also all over the world of the 70s, 80s and 90s.
All outputs are licensed by the artists and the vintage labels; audio tracks are remastered in their original form; the sleeves and center labels are graphically recreated for today but all based on the original images.
Archeo would like to make the music available to a wider audience of collectors, DJs, music lovers of a forgotten time.
All releases are hand-numbered limited edition vinyl. The first copies of each release are pressed in coloured vinyls.
Featured talents on this EP are the vocalist Darrius Willrich, Leandro P. Feat. Anthony Poteat, DJ Qu, DJ Jus-Ed, Zulus At Work, M. Carporale and Nylon himself.
Traversing between all corners of the Nylon Trax diaspora, the club-ready "Archv 1"leaves no rock unturned. Proving the perfect introduction to those unfamiliar with the labels hyper-global sound, Nylon Trax return to vinyl is nothing short of timely.
What do they do different? Mostly they concentrate on the dancefloor effect. You will not find hard to find rarities in this series, but you will find bombs that once drop, you will get everyone moving. That is what this four killer tracker is about. Disco, irreverent house beats and a dancer focused attitude. If you dig the Dimitri from Paris or Danny Krivit approach to editing, you need this. My personal winner is Joey Negro edit of Harvey Mason's 'Groovin' You' is of anthemic proportion (and so is the original!).
There is a reason why they carry attacking the dancefloor and hitting volume 11. Seriously folks, this is dynamite and you should dig the other 10 volumes if this is your thing. They are all as good as each other. Essential addition to any discerning disco collection.
STAFF COMMENTSSil says: The titles of the series implies serious business. The content is par with it. The formula? Gigantic heavyweights of disco treated by another gigant in the biz, Joey Negro, who applies gentle and smart touches to make dancefloor tunes into disco edit anthems. Effective and full of happiness and positive vibes. Dig Dimitri, dig Mr Krivit et al? This is for you!
FORMAT INFORMATIONLtd CD Info: Strictly limited CD comes in silver bubble wrap sleeve with poster insert. 500 copies only, all individually numbered. LAST FEW COPIES - SELLING FOR £20+ ON DISCOGS!
Over the last decade Aus Music has never really had a certain sound, but has always operated on the more underground, bass driven end of the house spectrum. It has worked with big names and has excelled at peak time tracks, but has also helped break upcoming artists from Joy Orbison to Dusky via Midland and George Fitzgerald. As a result, it has become one of the most prominent and on point labels of the day, and is now supported by infrastructure from !K7 such is the volume of its output.
We hope you like these auteur jams!
Originally released on Sandwich Records in May 1981, B9 featured 10 exclusive tracks by luminaries such as Digital Dance, Polyphonic Size, Kid Montana, Pseudo Code and Prothese, the latter the first recording project by Daniel Bressanutti of Front 242. Now digitally remastered, with 10 additional tracks on the second disc, this new deluxe vinyl edition also features Front 242, The Names, Marine, Siglo XX, The Neon Judgement, Berntholer, Allez Allez, Isolation Ward and more.
Cover op-art by Victor Vasarely. Design by Benoît Hennebert, based on a poster for The First Belgian Rhythm Box Contest (1981). Liner notes by James Nice.
Written and directed by Edgar Wright, Baby Driver tells the story of Baby, a talented, young getaway driver (Ansel Elgort) who relies on the beat of his personal soundtrack to be the best in the game. When he meets the girl of his dreams (Lily James), Baby sees a chance to ditch his criminal life and make a clean getaway. But after being coerced into working for a crime boss (Kevin Spacey), he must face the music when a doomed heist threatens his life, love and freedom.
FORMAT INFORMATION2xCD Info: Double CD includes 10 exclsuives as well as a collection of essentials from Hotflush's recent catalogue.
15 cuts from: WARLOCKS, RAEVINS, EMERALDS, WHY-NOTS, TURNCOATS, SHAKLES, KNOLL ALLEN & THE NOBLE SAVAGES, ETC!
Back To Mine - Nightmares On Wax
The collection includes three exclusive tracks, one new track from Nightmares on Wax, along with a remix from the man himself of seminal band Fat Freddy’s Drop and brand new project Creative Principle. The album is impeccably mixed and blended, as you’d expect from a DJ and collector of George’s pedigree. His selection includes a strong representation from his roots in Northern England. Opening with respected Manchester soul duo Children of Zeus, Hull’s Steve Cobby provides his own "Lefthanded Books" featuring Crazy P’s Danielle Moore and also introduces his chuggy-disco project Chieftain. There’s also room for the recent Nightmares on Wax recent single "Look Up". Moving internationally; there’s Greek producer Dim Zach who doffs a cap to Imagination on the synth-heavy "Innocence", US-born / Colombian based Afro / Latin / disco / funk producer Bosq, Italy’s Massimo Vanoni with the slo-mo funk "Exciting Groove", the deep and jazzy "Gotta Have It" by Berlin’s SoulPhiction side project SBM and two tracks by New Zealander Ladi6.
This first re-installment of "Back to Mine" is a triumphant return for the iconic and music loved series. Nightmares on Wax delivers an incredible selection of tracks that gives the listener a real insight into the artists personal and extensive taste. 'I always hoped that when the time was right I would be asked to do a Back To Mine release and so when the call came there was absolutely no hesitation'. - Nightmares on Wax.
FORMAT INFORMATION2xLtd LP Info: Limited edition heavyweight vinyl.
2xCD Info: CD1 mixed, CD2 un-mixed.
Both Vol.1 (2010) and Vol.2 (2018) of the Brit Funk albums tell the story of the underground scene from the late 70’s through to the mid-80’s in the UK when punk and disco were giving way to a new blend of jazz, soul and funk, heavily influenced by the American big hitters of the day but re-worked by the UK pioneers for the British dance floors.
Both volumes contain a unique selection of high quality music, which will have a shelf life lasting well beyond the currents trends and fads. All tracks have been Cedared and re-mastered to a very high standard and now sound better than ever before. Joey Negro re-edited some of the tracks for the original album, updating them with a fresh new approach.
Brit Funk was essentially the UK’s answer to underground disco & boogie , with musicians at first imitating and eventually developing the sounds they heard on the US imports that made it across the pond. And like disco, the Brit Funk scene was significant in reducing racial boundaries in the clubs and raising the profile of black and white musicians who worked together. Back in 2010 Joey Negro complied the first volume of Back Street Brit Funk: a collection of obscure and forgotten gems of the scene that found favour across the board. The fact that it’s taken eight years for Volume 2 to see the light of day is a testament to the both the obscurity of the records included, and the logistical challenges involved in digitizing what started life as vinyl-only releases, with only a handful of 12”s remaining in some cases.
'I hadn’t planned a Volume 2 of BSBF when putting together the first, but after a while, I started to wonder if there was potential for a follow-up. Over the past 8 years I’ve kept my ears peeled for interesting UK productions that for some reason hadn’t come to my attention before.' Joey Negro.
STAFF COMMENTSMatt says: We've had 'nuff resurgences in disco, Italo and boogie thus far, but no-one's really popped the lid off the whole Brit Funk cannon. Save for that wonderful "In The Red" comp on Chuwanaga (and Volume 1 of this series of course) the scene has gone relatively 'Un-comp'ed'... until now! Maestro Joey Negro can always be relied upon to present to us the first sift off the crop. Here showing us the dizzying delights of this very British operation... High energy, high musicianship - high vibe! I used to roller-skate to this shit!! ;)
Drinking songs straight from the jukejoint - Part 2 - songs about booze, being drunk and bad hangovers. 14 classic songs that make you move your hips.
Hep cats and kool kittens dig this mighty fine mess of stone cold classic rhythm and blues tunes. We're riding the caboose to Boozeville. Have no fear, drink some beer, drink some wine, it ain't no crime, drink some gin, it ain't no sin. All "great shakes-no fakes" here, guaranteed to knock your socks off!
This edition features exclusives aplenty. There are two album-only tracks; Tommy Awards gets an Ambient remix from Balearic's Jim Breese. Then The Madrigal blasts off with 'Ride To The Moon,' a completely unique track that's refreshing to hear.
Three tracks were previously unavailable digitally, including the debut from Nancy Noise, Olefonken's spacey remix of Hubbabubbaklubb, and Steve Cobby's tropical-jazz remix of Penelope Antena's Tradewinds.
Other highlights include Cantoma's 'Abando,' plus an incredible, modern interpretation of the 80's classic Southern Freeez from Paul Murphy.
BALEARIC 3 captures the ineffable spirit of Ibiza - perfectly accompanying that unique moment when the golden sun meets the gleaming sea. It's destined to be a classic, go-to album you'll reach for again and again
FORMAT INFORMATION2xLP Info: One copy in stock
STAFF COMMENTSBarry says: Another summer stormer from the Breese camp, this time featuring Manchester's J-Walk with a propulsive cocktail-supping anthem, Max Essa for the later nocturnal relaxation, and a dubbed out upbeat beach number on Fuga Ronto's Kay Zee rework. Add this to the other, equally excellent 9 tracks and you have a comp worthy of the Balearic name. Stunning stuff.
Master Editor KB leads the charge kicking things off with an off kilter track (Pheew Position) from the Parade Album which has been maximized for longer dancefloor steel drum-funk, reminiscent of his eighties DJ sets where he used 2 copies of the original 2 min track.
Hamburg‘s frequency without control gives us a sleazy, soulful, boogie, German Balearic gem.
Found by KB in a dusty & dirty basement in Aarus, Denmark on his global travels, a finger plucking flamingo fiesta of a track!
On the flip comes New Yorks finest Balearic Bastardo, with a monster disco-edit which was hammered by DJ Harvey at his Mercury Rising residency at Pikes, Ibiza.
KB slows things down for the final cut, another find on his travels, this time in Amsterdam where it was lurking behind a Red Lighted radiator in a notorious coffee shop. Maximized editing for your aural pleasure.
While its predecessor sticks mainly to the more hallucinatory and left-field elements, this one has a wider remit, ranging from mad techno-style tracks such as DJ Metro’s “Tekno Bangz” or DJ T-Why’s immense “Juice” and ‘Finished” to those that sound like musique concrete gone footwork, like Young Smoke’s “Space Muzik Part 3.” Others like Traxman’s “Funky Block” and DJ Clent’s “DJ Clent #1” display the obvious influence of flipping samples, hip hop style to the rhythms of footwork, while DJ Rashad & Gant-Man’s amazing “Heaven Sent” shows the influence of P-Funk and Detroit’s hi-tech soul. On the whole, footwork’s synapse-snapping intensity is ever present, but this selection shows an even wider diversity to the genre’s independent and unique production focus.
New signing Monotronique delivers a 118bpm, sample heavy bopper in the form of "Baggage With A Secret". Peppered with loose breaks and reverb-heavy brass, it possesses a dark, cinematic mood whilst ensuring enough dancefloor focus through its sub-heavy kicks and sharp snare hits.
Freerotation resident Tom Ellis contributes a sublime almost-micro-house offering. Utilizing those Akufen-esque vocal chops, a skitty, swung house beat and warm Rhodes it recalls the golden years of glitch whilst keeping up to date with the current players. Mega!
Filip Szostak drops a beautifully eyes-down dnb flavoured roller with subtle touches of footwork and electrofunk thrown in for good measure.
Finally the firm invite Lyssna Records own Flord King with another micro-inspired gem for the head bopping late nights on “Shanti”; which should tickle the fancy of fans of Jan Jelinek and vintage Matthew Herbert. Another sterling set of sizzlers from Banoffee Pies!
STAFF COMMENTSMatt says: It's almost getting tiresome how frequenty these cats are appearing in our ROTW lists. But you can't ignore good talent; and these four producers offer exactly that.
194 NEW ITEMS
184 NEW ITEMS
Sister Sledge / Sheila B. DevotionGot To Love Somebody / Your Love Is So Good - Dimitri From Paris Mixes
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Mon 22nd - 5:55