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BACK CATALOGUE - M

After Vox Populi!'s "Half Dead Ganja Music" and Frank Dommert's "Kiefermusik", we have a hand picked compilation by the Hamburg artist Maat. Maat is a solo project by Dorte Marth, who created two secretly powerful and underappreciated records in 1993. They were released on two labels (Dragnet, Dom Elchklang) run by Achim P. Li Khan, the co-founder of the Greatest Band On Eearth, H.N.A.S. Maat's musical pallette is at once, strikingly, a more dark and brooding occult version of Anima and Limpe Fuchs. One can hear classical music references much like Coil's Unnatural History, but played further, blurring the shadowy lines between sampling and virtuoso playing.

Maat's dark and glisteningly illustrated use of electronic drums, Pan-Asian arrangements, and classical styles, invent a private world where she uncovers and projects forth, a new and ancient female energy. Its almost as if she is orchestrating her pallette and shooting it through star-clusters beneath the world. Probably Typhonian Highlife's and 4th World Magazines greatest influence. 

TRACK LISTING

1. Krypt
2. She
3. Sie
4. Shaku
5. Monoton
6. Duster
7. Sphare
8. Quer
9. Tudelo
10. Vopice
11. Kurz Davor 

It's the 21st Century and the cult of mass information has finally vanquished the allure of mystery. Reality TV, live blogging, social media and iCloud leaks - we don't wanna see our idols airbrushed, we wanna see them before they zip their skin up. We want the process dammit, the 4 a.m. burnout, the smudged ink and the pencil shavings. 
Melody As Truth know what we want, and the Amsterdam label duly give it to us with their new MATstudio series. Inviting us into their workspace, Jonny Nash and Suzanne Kraft catalogue some of the experiments, explorations, accidents and fortuitous events that regularly take place. Each record will feature two compositions created from a collage of works created using guitar, bass, synth, piano, chime and fx.
This first offering treats us to a pair of drifting dreamscapes, both strange, beautiful and organic. Imagine floating down a river in a land of divergent DNA.

STAFF COMMENTS

Patrick says: Jonny Nash and Suzanne Kraft serve up the first in a series of recordings taken from live jams, improvised sessions and machine experiments. Floral beauty on the A-side, seismic power on the flip.

TRACK LISTING

A1. In Strange Company He Spoke Softly
B1. The Land Through Which We Pass

There's no shortage of heat emanating from the Neapolitan scene right now, and Periodica's latest must have masterpiece comes from the expanded mind of E. Fierro, otherwise known as Space Garage and Mystic Jungle Tribe member Milord. Switching up the format for spectacular 7" to luxurious LP, the Italian keeps the palate reassuringly spacey, tripping us out with library-style synthesis, twisted space echo and killer funk arte facts. Ambient opener "Mnemonic Induction" chimes wonderfully with the retro-futurist sleeve art, bringing to mind Superman's Fortress of Solitude or that trippy crystalline bit in Bill & Ted. "Onironauta" introduces rhythm in the most syrupy cosmic style, serving up spaced out slow mo complete with churning sequencers and tasty FX. We take another plunge into the symphonic and synthetic with the soundscaping of "Sub-aquatic level" before "Virus Of Time" takes us on a subtle glide through sparkling circuitry and dub delay. Flipping the disc, we're instantly unhinged by the library-styled techno of "The Glass Maze", scattershot electro of "Third Layer" and deliriously disorienting synth squelch of "Static Rain". All that remains is for "False Awake" to fling us through an interdimensional portal of sleek sequencing, proggy tones and tripped out FX and we're entirely enlightened by another amazing Periodica release.

STAFF COMMENTS

Patrick says: Naples in the house! The Italian city is totally killing it at the moment, dominating our staff picks with releases from Nu Guinea, Mystic Jungle Tribe, Space Garage and Whodamanny. Now Milord goes solo on Periodica with a killer LP of spaced out sounds, proggy electro funk and A-grade cosmic. As usual, it's buy on sight tackle.

TRACK LISTING

Mnemonic Induction
Onironauta
Sub-aquatic Level
Virus Of Time
The Glass Maze
Third Layer
Static Rain
False Awake

'I wrote this album in prison. I went to the music room every week to play on their keyboards. I studied different styles of beat patterns and sound recording to be a recording engineer. I wanted to create this new sound, so I took go-go, hip-hop, house, and drum and bass to blend up a new pattern of beats with a DJ sway. So I rapped on it. I need a perfect mix sound so I used a reverb gate, small room because I was in a small room. I used my mom's blankets to trap the sound waves in the room. I use a digital mic from radio shack and was rapping with a blanket over my head to trap the sound waves. I played my keys in F flat to deepen the tone. I put tom toms on it to fill the spaces with handclaps to have that snap. Then I put a reverb gate on every instrument to get the lo-fi audio sound. I mastered it with all knobs on zero. Equalizer on zero. I mastered my own sound by tweeking and listening with cheap headphones. So that's why I call myself Mix-0-Rap because I master my mix and DJ rap style with a touch go-go rapping. Thank you for supporting me and my music, I hope you enjoy this.' - Mix-O-Rap

Who'd have thought when we were getting all creep to "For Thugz" way back in '15 that it was the product of a spell in the slammer! Mix-O-Rap finally delivering his full length for PPU. Standing out completely on its own but I guess its nearest reference would be the strung out, DIY minimal wave of 80s San Francisco in that it shuns fidelity and polish for grit, attitude and ruthless experimentation. A guttural, concrete distortion covers the whole record in a kind of sandblasted patina while Mix-O-Rap's unique, staccato rap phrases are pushed right to the foreground. It's an interesting and arresting listen and one of the more out-there releases from Tom Noble's exquisite label. 


STAFF COMMENTS

Matt says: Kickstarting the whole 'prison-rap' movement. Mix-O-Rap claustrophic, lo-fi take on the genre is both arresting and unique and gritty as any time spent in the slammer.

TRACK LISTING

Busting Off (4:13)
Eyes Of A Key (4:15)
Writing With A Pen (4:37)
Can You Represent (3:17)
Breaking Off (4:15)
I Get Paid (4:11)
I Am The DMR (3:35)
Spitting Game (4:24)
I Don't Play (4:04)
Stop Sweating Me (4:31)
Leaving Scars (3:53)
I Got That Fire (3:43)

Marvin Gaye

Sexual Healing: The Remixes

    THIS IS A RECORD STORE DAY 2018 EXCLUSIVE, LIMITED TO ONE PER PERSON.

    Red smoke coloured Vinyl. 35th anniversary package of remixes, including Kygo club hit.

    Mastodon

    Stairway To Nick John

      THIS IS A RECORD STORE DAY 2019 EXCLUSIVE, LIMITED TO ONE PER PERSON.

      10" Black Vinyl single

      Moules Frites

      I Should Care B/w I'm Glad

        THIS IS A RECORD STORE DAY 2019 EXCLUSIVE, LIMITED TO ONE PER PERSON.

        "Moules Frites is perhaps the inevitable denouement for two ‘seasoned’ musicians, Rose Elinor Dougall and Louis Eliot. After a brief and ultimately disastrous stint on various European cruise ships, (erasing memories of that final performance aboard the Plymouth to Santander back in 2009, has proved difficult for the few unfortunate witnesses), the unlikely pair retreated to the studio, to produce what was intended as their opus magi, a work of unparalleled ambition and genius. A decade later that somewhat unwieldy project is apparently ‘still cooking’ according to Eliot, so in the meantime they have offered up a couple of stripped back versions of two of their favourite songs from the old set. Recorded to tape, late at night, at Vacant TV Studios by cohort Euan Hinshelwood, these tracks are intended as an homage to two of the greats, Julie London and Barney Kessel."

        Miles Davis

        Live In Montreal, July 7, 1983 (RSD22 EDITION)

          THIS IS A RECORD STORE DAY 2022 EXCLUSIVE, LIMITED TO ONE PER PERSON.

          This double LP release includes one of Miles Davis' final great bands including John Scofield on guitar, Bill 'The Other Bill Evans' Evans on saxophones, flute and electric piano, Darryl Jones on bass, Al Foster on drums and percussionist Mino Cinelu. Miles was back in amazing form (ìincandescent and iridescent as ever as Greg Tate noted), when he mounted the stage at the Theatre St-Denis during theFestival International De Jazz De Montreal in July 1983 and this release is the first time this revelatory performance will be released. It has been lovingly mixed and mastered and will be included on CD and digitally in the next edition of the Miles Davis Bootleg series that focuses on the 1981-1985 period, coming later in the year, but the Record Store Day release would be it's exclusive release on vinyl.What It Is includes tracks from that year's release Star People, the Marcus Miller tune Hopscotch and the song Jean-Pierre that appeared on 1982's We Want Miles. The recordings of What It Is and That's What Happened were so well thought of by Miles that he utilized them for his 1984 release Decoy, but in heavily edited form and this release would include the first release of them in complete form. Packaged in beautiful gatefold packaging, the album features liner notes penned by the incomparable music journalist Greg Tate and represent some of his final writing.

          Marianne Faithfull

          A Secret Life (RSD23 EDITION)

            THIS IS A RECORD STORE DAY 2023 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 22ND ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

            IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 24TH).


            First global vinyl pressing for Marianne Faithfull’s final album for Island records. 1995’s ‘A Secret Life’ received its only vinyl issue in Greece, and copies are hard to come by with collectors now expected to pay anywhere between £50 and £200 for a copy.

            The album was a new direction for Marianne and was written with the Italian composer Angelo Badalamenti, known for his atmospheric scores to David Lynch’s films. The result successfully marries his multi-layered orchestral production style with Marianne’s trademark voice and poetic lyrics to create a wholly original and timeless album.

            Marianne’s other 90's albums ‘20th Century Blues’ and ‘Vagabond Ways’ have recently appeared on vinyl, so this could join the dots for collectors.

            • Album never pressed on vinyl outside of Greece
            • Greek second hand copies sell for between £50-£100
            • One of Marianne's most original collaborations essentially available on vinyl for the first time



            TRACK LISTING

            1. Prologue
            2. Sleep
            3. Love In The Afternoon
            4. Flaming September
            5. She
            6. Bored By Dreams
            7. Losing
            8. The Wedding
            9. The Stars Line Up
            10. Epilogue
            11. You're Not In London Anymore
            12. Losing – Bonus Track
            13. Bored By Dreams – Bonus Track

            Marianne Faithfull

            A Secret Life (RSD23 EDITION)

              THIS IS A RECORD STORE DAY 2023 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 22ND ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

              IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 24TH).


              First global vinyl pressing for Marianne Faithfull’s final album for Island records. 1995’s ‘A Secret Life’ received its only vinyl issue in Greece, and copies are hard to come by with collectors now expected to pay anywhere between £50 and £200 for a copy.

              The album was a new direction for Marianne and was written with the Italian composer Angelo Badalamenti, known for his atmospheric scores to David Lynch’s films. The result successfully marries his multi-layered orchestral production style with Marianne’s trademark voice and poetic lyrics to create a wholly original and timeless album.

              Marianne’s other 90's albums ‘20th Century Blues’ and ‘Vagabond Ways’ have recently appeared on vinyl, so this could join the dots for collectors.

              • Album never pressed on vinyl outside of Greece
              • Greek second hand copies sell for between £50-£100
              • One of Marianne's most original collaborations essentially available on vinyl for the first time.


              TRACK LISTING

              Side A)
              1. Prologue
              2. Sleep
              3. Love In The Afternoon
              4. Flaming September
              5. She
              Side B)
              1. Bored By Dreams
              2. Losing
              3. The Wedding
              4. The Stars Line Up
              5. Epilogue
              6. You're Not In London Anymore

              Marvin Gaye / Shorty Long

              This Love Starved Heart Of Mine (It's Killing Me?) / Don't Mess With My Weekend (RSD23 EDITION)

                THIS IS A RECORD STORE DAY 2023 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 22ND ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

                IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 24TH).


                A limited edition red coloured vinyl version of the Marvin Gaye's Northern Soul classic.

                Marcel King

                Reach For Love - Singles 1983-1988 (RSD23 EDITION)

                  THIS IS A RECORD STORE DAY 2023 EXCLUSIVE, LIMITED TO ONE PER PERSON.

                  Factory Benelux presents a limited edition 180gm vinyl singles collection by Marcel King, best known for his sparkling 1984 dance single ‘Reach For Love’ on Factory Records, as well as the youthful vocalist on ‘Sad Sweet Dreamer’ by Sweet Sensation, a UK number one back in 1974

                  Limited to just 1000 copies, Reach For Love: Singles 1983-88 features both sides of the infectious electro single co-produced by Bernard Sumner (New Order) and Donald Johnson (A Certain Ratio) and released as Fac 92 in April 1984, as well as a previously unreleased demo for ‘Love To Shine’, the planned follow-up single on Factory produced by Tony Henry of 52nd Street. (NON-RETURNABLE)

                  The album also features ‘Hollywood Nights’, a later single cut by Marcel with Gee Bello of Light of the World, along with a rare US remix of ‘Reach For Love’ by noted New York DJ Mark Kamins, and extended dub and instrumental versions.

                  King was invited to record for Factory in 1983 by Joy Division/New Order manager Rob Gretton, a devotee of soul and black music, and prime mover behind the famous Hacienda nightclub. ‘Rob was a massive fan of Marcel and thought he was as good a singer as Michael Jackson,’ explains Tony Henry. Not just a gifted and plaintive soul singer, King also wrote both sides of his Factory single, ‘Reach For Love’ and ‘Keep On Dancin’, both paeans to perseverance and enduring Hacienda classics.

                  A classic video clip for the single, filmed at The Hacienda with local breakdancing crews, is available in YouTube: www.youtube.com/watch?v=-h7X3z8JghY

                  Alas ‘Reach For Love’ was destined to remain an underground hit rather than a chart topper. Rob Gretton blamed Factory’s disdain for conventional promotion. ‘At Factory we still basically believe that you don’t have to hype a group in any way, and that a record should success on its own. But it’s getting increasingly difficult. We put a record out by Marcel King and it’s hardly sold at all. The charts are wide open to hyping and marketing.’

                  Adds Bernard Sumner: ‘Marcel was an incredibly talented guy, but a tragic figure. He used to sleep in a car in Moss Side and was a bad heroin addict.’ A troubled but pioneering artist, Marcel sadly passed away in 1995 after suffering a brain haemorrhage.


                  1000 copies only of FBN 47 will be available on Record Store Day on 22 April 2023, pressed on 180gm black vinyl. The sleeve is based on original artwork for the Factory single and also includes a press interview with Marcel from 1984.


                  M / Robin Scott

                  Pop Muzik / Baby Close The Window (RSD23 EDITION)

                    THIS IS A RECORD STORE DAY 2023 EXCLUSIVE, LIMITED TO ONE PER PERSON.

                    Tracklisting comprises: Recently unearthed unreleased track from 1982 (Baby Close The Window) and new unreleased Latin version of Pop Muzik alongside classic 12” version of the worldwide 1979 number one. Final track M Factor (UK 7”) is available for first time since its appearance on the original British version of Pop Muzik 45.

                    M.E.B.

                    That You Not Dare To Forget (RSD23 EDITION)

                      THIS IS A RECORD STORE DAY 2023 EXCLUSIVE, LIMITED TO ONE PER PERSON.

                      Opaque Pink Coloured LP Vinyl - M.E.B. (formerly Miles Electric Band) led by Vince Wilburn, Jr collects a progressive All-Star ensemble featuring Miles Davis alumni and the players Miles inspired. This brand new, never-released studio recording captures a multi-generational whoís who of acclaimed artists performing new Miles-inspired compositions. Two tracks of the five on the album include unreleased trumpet performances by Miles and the album, produced by Miles' alumni Lenny White and Wilburn, features music legends including Ron Carter, Marcus Miller, Stanley Clarke, Donald Harrison, Darryl Jones, Vernon Reid and John Scofield. This album is dedicated to the memory of Wallace Roney and Bernard Wright and contains some of their final recordings. The cover is an original painting from artist and Milesí associate Mikel Elam. Pressed on hot pink vinyl, this is the exclusive vinyl release.

                      Madonna

                      American Life Mix Show Mix (RSD23 EDITION)

                        THIS IS A RECORD STORE DAY 2023 EXCLUSIVE, LIMITED TO ONE PER PERSON.

                        1LP 8-song collection around the 20th Anniversary of American Life Mix Show Mix

                        Mansun

                        Before The Grey Lantern (RSD23 EDITION)

                          THIS IS A RECORD STORE DAY 2023 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 22ND ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

                          IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 24TH).



                          A COMPREHENSIVE COLLECTION OF THE PRE-ATTACK OF THE GREY LANTERN ERA SINGLES & B-SIDES, RELEASED ON LP FOR THE FIRST TIME FOR RECORD STORE DAY 2023.

                          In 1995, Mansun signed to the legendary record label Parlophone (home to The Beatles & Radiohead) & headed to the studio to record their seminal #1 album 'Attack Of The Grey Lantern'

                          The debut album topped the charts & remains one of the classic brit pop albums of the 90's. Formed in Chester in 1994, the band wrote & released a collection of songs before the album sessions, released on CD/7-inch vinyl leading up to their debut album. Now, for the first time, these pre- Grey Lantern tracks has been compiled on this essential album - 'Before The Grey Lantern'.

                          Included in the compilation is 'Take It Easy Chicken' (1995 Original Self Released Version), the band's first ever single & a song Mansun famously closed sets with, right up until they disbanded in 2003. Elsewhere on the record, stand- out moments include tracks from the bands One, Two, Three, Four & Five EP's & Bsides from the 'Stripper Vicar' & 'Wide Open Space' singles.

                          The exclusive LP is available as a Record Store Day 2023 release on black vinyl.

                          Kscope, having acquired this impressive catalogue, are running a thorough reissue series that delves into a treasure trove of previously unreleased audio & visual material, including the much- awaited 21st- anniversary remaster of their experimental Top 10 album 'Six', which jumped back into the UK charts in 2019, as #1 Vinyl album, #5 Indie album, #12 Physical album & #36 Album. Meanwhile the label's reissue of 'Attack Of The Grey Lantern' reached #28 in the UK album chart & ultimate 25- disc box set 'Closed For Business' (which chronicled the band's entire career) gained critical acclaim upon its release in 2020 with Record Collector describing it as a "truly monolithic collection".

                          TRACK LISTING

                          Take It Easy Chicken (1995 Original Self Released Version )
                          Flourella
                          The Greatest Pain
                          The Edge
                          Rebel Without A Quilt ( 2018 Remaster )
                          No One Knows Us
                          The Holy Blood & The Holy Grail
                          Skin Up Pin Up
                          Ski Jump Nose
                          Things Keep Falling Off Buildings
                          Lemonade Secret Drinker ( Acoustic Version - 2018 Remaster )
                          Drastic Sturgeon
                          Moronica
                          The Most To Gain

                          Maria McKee

                          Late December / Live Acoustic (RSD23 EDITION)

                            THIS IS A RECORD STORE DAY 2023 EXCLUSIVE, LIMITED TO ONE PER PERSON.

                            First time on vinyl for the gorgeous 'Late December', with a second LP featuring rare recordings from her Live Acoustic LA tour in 2006, the package includes new liner notes and a download of the studio album and live show. An album thatís broader than Broadway, a panoramic view of life, love and loss filled with drama and theatricality. Plus a live set thatís heart-on-sleeve time, bringing together songs from Lone Justice, plus covers of the traditional country anthem 'The World Is Not My Home', Richard Thompson's 'Has He Got A Friend For Me' and three songs that show the bittersweet beauty of her brother Bryan MacLeanís song writing. In total, it's Kurt Weill, Springsteen, itís the million-selling global hit 'A Good Heart' delivered by the songwriter herself in all its Phil Spector-like baroque beauty.

                            Metronomy

                            Small World Special Edition (RSD23 EDITION)

                              THIS IS A RECORD STORE DAY 2023 EXCLUSIVE, LIMITED TO ONE PER PERSON.

                              Metronomy’s last studio album "Small World" revisited : new version of each track with a guest . This 1 x Black LP will be the only physical edition and features an exclusive artwork. 

                              TRACK LISTING

                              A1. Life And Death - Metronomy X Porij
                              A2. Things Will Be Fine - Metronomy X PPJ
                              A3. It’s Good To Be Back - Metronomy X Panic Shack
                              A4. Loneliness On The Run - Metronomy X Nadeem Din Gibisi & Tony Njoku
                              B1. Love Factory - Metronomy X Katy J Pearson
                              B2. I Lost My Mind - Metronomy X Jessica Winter
                              B3. Right On Time - Metronomy X Haich Ber Na
                              B4. Hold Me Tonight - Metronomy X Bolis Pupul
                              B5. I Have Seen Enough - Metronomy X Sebastien Tellier

                              Midlake

                              Live At The Roundhouse (RSD23 EDITION)

                                THIS IS A RECORD STORE DAY 2023 EXCLUSIVE, LIMITED TO ONE PER PERSON.

                                Denton, TX indie folk-rock pioneers Midlake announce their first catalogspanning double live album, ‘Live At The Roundhouse’.

                                Recorded at London’s historic Roundhouse in April 2022, the album includes material from their latest album For The Sake Of Bethel Woods, fan favorites from 2013’s exploratory Antiphon, dark psych-folk thickets of 2010’s The Courage of Others, and the highly wondrous and critically acclaimed modern classics of 2006’s The Trials of Van Occupanther.

                                A pivotal city to the band’s success and their dedicated fanbase, London was the obvious show to record during their most recent tour. Midlake’s Eric Pulido shares, “Since our early days, London has been like a second home. We’ve been embraced so warmly all of these years and knew our show at The Roundhouse would serve as the perfect night to celebrate our 20-year relationship with our first live album.”

                                A long overdue retrospective, Live at Roundhouse includes 75+ minutes of music including Midlake classics “Roscoe,” “The Old and the Young,” “Head Home,” and “Acts of Man,” featuring vocals from singer/songwriter Bess Atwell.

                                The packaging showcases a gorgeous matte-board double album, printed on Translucent Red (Side A) and Translucent Orange (Side B) 180-gram vinyl, with expansive artwork by photographer Andy Little.

                                ‘Live At The Roundhouse’ is a true collector's item for any fan of the band.

                                TRACK LISTING

                                Commune
                                Bethel Woods
                                Glistening
                                We Gathered In Spring
                                Young Bride
                                Acts Of Man
                                Children Of The Ground
                                Antiphon
                                Aurora Gone
                                Meanwhile…
                                Feast Of Carrion
                                Roscoe
                                Noble
                                The Old And The Young
                                Head Home

                                Motörhead

                                Lost Tapes Vol:4 (RSD23 EDITION)

                                  THIS IS A RECORD STORE DAY 2023 EXCLUSIVE, LIMITED TO ONE PER PERSON.

                                  Cassette tapes. Remember those? Those things with the dual spools and loads of wide brown plastic recording string that’d occasionally unravel and hang out of the shell, requiring a pencil and firm wrist to spin back into place? Yeah, well, once upon a time, old-school sound systems contained cassette decks for the express purpose of recording shows, and these “cassette” things were a standard part of every tour. Motörhead were certainly no exception, recording show after show. They contain gold, pure aural gold, and had for many years sat in storage. There were loads of them gathered, with the likes of Lyon, Liverpool, Hamburg and Chippenham (!!) scrawled in biro on the tiny labels alongside a date…and thus we are delighted to announce that this unique collection of live gems will now be heard by the world, via carefully digitized transfers, in this series titled The Löst Tapes. Volume four has been hand-picked by the increasingly deaf, but well-meaning Motörhead team, and sees the then quartet play a monstrous live set from the ‘No Remorse’ album tour, recorded at Sporthalle, Heilbronn, Germany on 29th December 1984. 

                                  TRACK LISTING

                                  Side A
                                  Iron Fist
                                  Stay Clean
                                  Heart Of Stone
                                  The Hammer
                                  Metropolis
                                  Side B
                                  Shoot You In The Back
                                  Jailbait
                                  Killed By Death
                                  Ace Of Spades
                                  Side C
                                  Steal Your Face
                                  Nothing
                                  Up My Sleeve
                                  Road Crew Introduction
                                  (We Are) The Road Crew
                                  Bite The Bullet
                                  The Chase Is Better Than The Catch
                                  Side D
                                  No Class
                                  Motörhead
                                  Bomber
                                  Overkill

                                  Mr Benn

                                  The Music - Repress

                                    Mr Benn The Music. For the first time, all the music from the iconic Mr Benn TV cartoon is available on a picture disc as seen at the beginning of every adventure. Featuring the talents of Jazz Legend Duncan Lamont who wrote the music, and a band full of renowned musicians, the music as recorded at Olympic Studios in 1970, and Gateway Studios in 2004 is together on this 180 gram high quality 12" picture disc, complete with a stunning gatefold sleeve containing notes compiled by Mr Benn producer Clive Juster, and featuring words by Duncan Lamont and David McKee. These are the full sessions: 18 musical pieces on side one, and 19 on side two. We have also included an insert featuring a game where you can match Mr Benn with the outfits and souvenirs from his adventures. This is a must have souvenir. Be quick though, as there are only 1000 copies available of this extemely special Record Store Day 2023 exclusive release'.

                                    Max Romeo

                                    Every Man Ought To Know (RSD23 EDITION)

                                      THIS IS A RECORD STORE DAY 2023 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 22ND ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

                                      IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 24TH).



                                      First time on vinyl in at least 30 years, this underground collectable from producer Bunny Lee features early '70s productions with Max Romeo The album was originally distributed by (VP Records family) Chin Randy's in North America.

                                      The accomplished and uniquely characteristic world-builder Mart Avi delivers his most complete body of work yet with Vega Never Sets. His fifth full-length solo release, a record of abstract soul and spectral electronic textures finds him evolving further into a state of hyperkinetism and timeless grandeur. Like the great storyteller, Mart Avi blends the familiar and comforting with the new and the unpalatable, to seduce the unawares with a bold new record that veers between folkloristic tech-noir and melodic, post-digital ballads; a movement of electronic pulses, gently held together by his finely composed worlds. Pulling at deeper contexts, he expresses an unstrained defiance of gravity through his playful character — one that is smartly dressed, charming and full of boyish anarchism. As The Quietus wrote, Avi is “like a David Foster Wallace of pop”, cerebral and hot-blooded, with plenty of fervour and a lust for living.

                                      STAFF COMMENTS

                                      Patrick says: Porridge Bullet play host to Mart Avi's fifth full length solo release, revelling in every second of its uncanny beauty. Reminiscent of both the chamber pop of Dutch Uncles, James Blake's electronic ballads and the synthesised shimmer of Rex Orange County, this is Avi's most honed release to date.

                                      TRACK LISTING

                                      A1. Feather
                                      A2. Wire
                                      A3. Soul Reaver
                                      A4. Avirex
                                      A5. Firefly
                                      B1. The Fifth Season
                                      B2. Spark
                                      B3. Endsville
                                      B4. Milton
                                      B5. Vega

                                      Originally released as one side of a split E.P on Firewire Recordings back in 2002 “Venting Steam” and “Solid Gear” get a fresh remaster on Varial Records.

                                      Featuring alongside are two additional unreleased tracks created and recorded at The Cube in the same time period, "Muted Point" and "Tallon Drive" provide a more lo-fi 4/4 techno workout. Inspired by the other worlds we escape into through sci-fi and video game culture. Both original tracks have become sought artefacts amongst devote techno and electro collectors whilst the new ones on offer here have plenty of kinetic energy nestled within their grooves to power a dancefloor when the doors reopen in June. 


                                      TRACK LISTING

                                      A1. Venting Steam
                                      A2. Solid Gear
                                      B1. Muted Point
                                      B2. Tallon Drive

                                      Mikal Cronin

                                      Switched-On Seeker

                                        THIS IS A RECORD STORE DAY 2020 RELEASE AVAILABLE ONLINE ONLY AS PART OF THE AUGUST 29TH DROP DAY AT 6PM.
                                        LIMITED TO ONE PER PERSON.


                                        Limited edition companion piece to Mikal Cronin's 2019 Seeker album, Switched-On Seeker is a completely synth-based, full-length reworking of 2019's Seeker in the vein of Wendy Carlos' "Switched-On" series.Mikal Cronin will continue his world tour across the calendar in 2020, including a confirmed BBC 6 Music session with Marc Riley at the end of February.

                                        Maria McKee

                                        La Vita Nuova

                                          Maria McKee has been out of the proverbial spotlight for some time, her creative talents re-engaging with her first love of acting, performance and the musical tapestries that accompany such activities.

                                          Candid and passionate, she’s, quite simply, had a beatific awakening and in a crescendo of prose, her new album ‘La Vita Nuova’ unlocks her story, sketching out her journey that started many moons ago when she sang in her bedroom with her older brother, the late, great musical innovator Bryan MacLean. Along the way she retooled punk and country in Lone Justice, released a string of evocative and eclectic solo records, wrote chart topping hits and touched millions of people before seemingly disappearing…

                                          Some of the new album sounds like modern show tunes for musical extravaganzas that are still to be penned.

                                          ‘Little Beast’ is almost Disney-esque and ‘I Should Have Looked Away’ has a real stagey feel to it. Title track ‘La Vita Nouva’ and ‘Let Me Forget’ are all beautifully written stories of relationships in various states of evolution or disrepair. And, ‘However Worn’ is like a slice of American gothic.

                                          A homage to new life, the completion of ‘La Vita Nuova’ saw Maria’s life entirely change and illustrates an important period in the artist’s life.

                                          “It’s a really personal record; all I can do is tell my story. People can find their own meaning in it, taking them deeper, perhaps, into something they need to experience, I think that’s what music and art does.”

                                          TRACK LISTING

                                          Side A:
                                          A1 Effigy Of Salt
                                          A2 Page Of Cups
                                          A3 Let Me Forget
                                          A4 I Should Have Looked Away

                                          Side B:
                                          B1 Right Down To The Heart Of London
                                          B2 La Vita Nuova
                                          B3 Little Beast

                                          Side C:
                                          C1 Courage
                                          C2 Ceann Bró
                                          C3 The Last Boy

                                          Side D:
                                          D1 I Never Asked
                                          D2 I Just Want To Know That You're Alright
                                          D3 Weatherspace
                                          D4 However Worn

                                          Michael Price

                                          Eternal Beauty - Original Motion Picture Soundtrack

                                            Michael Price, one of the UK’s most sought after composers (Unforgotten, Sherlock, Dracula), releases the original soundtrack from director Craig Roberts’ (Submarine, Just Jim) latest feature Eternal Beauty, starring Sally Hawkins.

                                            The Eternal Beauty soundtrack will be released on vinyl as the 73rd Dinked Edition, exclusive to the Dinked network of the UK’s best independent record shops.

                                            The 16 track Première edition LP - exclusive to the Dinked network - is a limited edition on blue vinyl with multi-colour splatter and includes a signed and numbered print.

                                            It becomes available to pre-order from October 2nd, coinciding with the cinema release and on demand première of the film. It will also be available exclusively on Bandcamp from the same date, before arriving on all other digital platforms in November.

                                            Recorded and mixed by Andrew Dudman at Abbey Road Studios and The Control Room.
                                            Mastered by Oli Morgan at Abbey Road Mastering.

                                            Price’s score, as his so often do, serves as a narrator, a character helping to guide us through the true highs and lows of Jane’s (Sally Hawkins) rarely uneventful life. Price’s signature sweeping strings, underpinned by piano and a beautifully restrained use of sound design ensures that whilst the score drives the story forwards it never distracts from that which is unfolding before our eyes.

                                            “A soundtrack that provides the rocket fuel for a story that unzips our understanding of ’normal’ " Adrian Bates, Eternal Beauty Producer

                                            When Jane (Sally Hawkins) is dumped at the altar she has a breakdown and spirals into a chaotic world, where love (both real and imagined) and family relationships collide with touching and humorous consequences.

                                            The reality we see through Jane’s eyes is vividly different, heightened in the film by the stylized palette, camera work and intoxicating score - a reality that the film celebrates and treats with dignity, humour and affection.

                                            On writing the music, Michael Price explains:

                                            "Finding a musical voice for Jane was a little daunting at first. Craig Roberts' kaleidoscopic writing, and Sally Hawkins' blazing performance seemed to fill so much of the air around me, that the first few notes to emerge were tiny and bird-like. In fact, there is literally bird-song, an Irish nightingale, that stayed in the score, early in the film when Jane sits and feeds the pigeons in the park. That became a key to unlocking Jane's interior world, as did using snippets of her vocalisations, which became percussion instruments and stretched into more ambient pads. Once I had opened the door to her world, though, the music came tumbling out - rich, romantic, delicate and tender, and sometimes terrifying. All of it brought into life by the writing and performance, and the opportunity to celebrate Jane's "superpower", as Craig described it.”

                                            Shot in and around writer/director Craig Robert’s native South Wales, the inspiration for the character of Jane at the heart of Eternal Beauty came from people Craig was close to when growing up. He explains “The character came fully formed. I just kind of knew those people, to be honest.

                                            On the recording, Michael Price recalls:

                                            When we finally recorded the orchestra at Abbey Road Studios, I was touched to see that Craig had brought some of his family down to listen too. I think this is an incredibly personal film for him, and there was something about hearing the orchestra sounding majestic and noble, which seemed as if we had done musical justice to both the characters, and the people who had inspired their creation."


                                            STAFF COMMENTS

                                            Barry says: There's something inherently soundtracky about Michael Price's work for the decidedly soundtracky Erased Tapes records, so it's no giant surprise that this soundtrack of his for Craig Roberts' 'Eternal Beauty'. It's the perfect score, and displays wonderfully how talented a composer Price is.

                                            TRACK LISTING

                                            Side A
                                            1. A Walk And A Wedding
                                            2. Eternal Beauty
                                            3. Different Dose
                                            4. Where Have You Been
                                            5. Cannibals
                                            6. Beauty Pageant
                                            7. Marry Me

                                            Side B
                                            8. Pot Plant
                                            9. Unpacking
                                            10. Making You Better
                                            11. The Other Side
                                            12. Towards The Light
                                            13. Time To Go
                                            14. More Friends Than You
                                            15. Nice Or Really Nice?
                                            16. The End

                                            Michael Price

                                            Eternal Beauty - Original Motion Picture Soundtrack

                                              Michael Price, one of the UK’s most sought after composers (Unforgotten, Sherlock, Dracula), releases the original soundtrack from director Craig Roberts’ (Submarine, Just Jim) latest feature Eternal Beauty, starring Sally Hawkins.

                                              The Eternal Beauty soundtrack will be released on vinyl as the 73rd Dinked Edition, exclusive to the Dinked network of the UK’s best independent record shops.

                                              The 16 track Première edition LP - exclusive to the Dinked network - is a limited edition on blue vinyl with multi-colour splatter and includes a signed and numbered print.

                                              It becomes available to pre-order from October 2nd, coinciding with the cinema release and on demand première of the film. It will also be available exclusively on Bandcamp from the same date, before arriving on all other digital platforms in November.

                                              Recorded and mixed by Andrew Dudman at Abbey Road Studios and The Control Room.
                                              Mastered by Oli Morgan at Abbey Road Mastering.

                                              Price’s score, as his so often do, serves as a narrator, a character helping to guide us through the true highs and lows of Jane’s (Sally Hawkins) rarely uneventful life. Price’s signature sweeping strings, underpinned by piano and a beautifully restrained use of sound design ensures that whilst the score drives the story forwards it never distracts from that which is unfolding before our eyes.

                                              “A soundtrack that provides the rocket fuel for a story that unzips our understanding of ’normal’ " Adrian Bates, Eternal Beauty Producer

                                              When Jane (Sally Hawkins) is dumped at the altar she has a breakdown and spirals into a chaotic world, where love (both real and imagined) and family relationships collide with touching and humorous consequences.

                                              The reality we see through Jane’s eyes is vividly different, heightened in the film by the stylized palette, camera work and intoxicating score - a reality that the film celebrates and treats with dignity, humour and affection.

                                              On writing the music, Michael Price explains:

                                              "Finding a musical voice for Jane was a little daunting at first. Craig Roberts' kaleidoscopic writing, and Sally Hawkins' blazing performance seemed to fill so much of the air around me, that the first few notes to emerge were tiny and bird-like. In fact, there is literally bird-song, an Irish nightingale, that stayed in the score, early in the film when Jane sits and feeds the pigeons in the park. That became a key to unlocking Jane's interior world, as did using snippets of her vocalisations, which became percussion instruments and stretched into more ambient pads. Once I had opened the door to her world, though, the music came tumbling out - rich, romantic, delicate and tender, and sometimes terrifying. All of it brought into life by the writing and performance, and the opportunity to celebrate Jane's "superpower", as Craig described it.”

                                              Shot in and around writer/director Craig Robert’s native South Wales, the inspiration for the character of Jane at the heart of Eternal Beauty came from people Craig was close to when growing up. He explains “The character came fully formed. I just kind of knew those people, to be honest.

                                              On the recording, Michael Price recalls:

                                              When we finally recorded the orchestra at Abbey Road Studios, I was touched to see that Craig had brought some of his family down to listen too. I think this is an incredibly personal film for him, and there was something about hearing the orchestra sounding majestic and noble, which seemed as if we had done musical justice to both the characters, and the people who had inspired their creation."


                                              STAFF COMMENTS

                                              Barry says: There's something inherently soundtracky about Michael Price's work for the decidedly soundtracky Erased Tapes records, so it's no giant surprise that this soundtrack of his for Craig Roberts' 'Eternal Beauty'. It's the perfect score, and displays wonderfully how talented a composer Price is.

                                              TRACK LISTING

                                              Side A
                                              1. A Walk And A Wedding
                                              2. Eternal Beauty
                                              3. Different Dose
                                              4. Where Have You Been
                                              5. Cannibals
                                              6. Beauty Pageant
                                              7. Marry Me

                                              Side B
                                              8. Pot Plant
                                              9. Unpacking
                                              10. Making You Better
                                              11. The Other Side
                                              12. Towards The Light
                                              13. Time To Go
                                              14. More Friends Than You
                                              15. Nice Or Really Nice?
                                              16. The End

                                              Mori Ra strikes back at MM Discos with “Gaia Edits"! After the successful release back in May on the label, Da Silva and DJ Katah welcome again Osaka’s best record collector with 4 new high quality editions. Staying loyal to his eclecticism, Mori Ra approaches the dancefloor with a hedonistic direction; more exuberant than his previous release on MM Discos. Mixing unknown sources with ethnic references, wicked percussion, charming marimbas and an endless reel of psychedelic elements, this is a record done for the soul - spiritual, mystic, highly addictive and 100% danceable. A very special release where the Japanese artist has involved his son who helped with choosing the source material for the record. Enjoy the trip!

                                              STAFF COMMENTS

                                              Matt says: Osaka's cosmic wonder boy Mori Ra graces us with a quadruple clutch of cosmic power edits. Completely new source material given that psychedelic twist we love. Essential.

                                              TRACK LISTING

                                              Side 1
                                              1. Gaia Chaos (8:34)
                                              2. Goreate (5:29)
                                              Side 2
                                              1. Gaia Disco (5:05)
                                              2. Penguins Repair (5:13)

                                              Matt Sweeney & Bonnie 'Prince' Billy

                                              Superwolves

                                                Where once was Superwolf, now roam Superwolves, the new album and demon spawn of Matt Sweeney and Bonnie ‘Prince’ Billy

                                                The songs that make up Superwolves, the duo’s second album and first since 2005’s Superwolf, go boldly into undreamed-of places, and go deep, as Matt and Bonny take all the musics they know to make songs that penetrate. In classic Garcia-Hunter style, Sweeney and the ‘Prince’ first work separately, finding a path to each other in their solitary imaginings. Bonnie lyric sets delivered to Matt spark Sweeney’s guitar brain; chords and a melody are shaped, recorded fast and loose and sent back to the Prince, then the two parties meet up to sing, stitch, strengthen and finally perform them together in front of a small unsuspecting audience. Then new sets of lyrics are sent, animated and played in a high wire style until the shared songs and experiences are ready to commit to record. This is just the beginning of their fusion process, as words imply vocalizations to counter and support, and guitar lines suggest harmonic fields to subtly push into. In this process, a new creature grows out of the old one. In this name of this partnership, the guitar shares an open and fluid space with the vocals, the voices sing with the guitars—every moment in the life of Superwolves is an extravaganza, guided only by its need.

                                                “The chemistry comes from lives, lived separately, in which music is crucial sustenance. We listen with gratitude and awe, knowing that we belong in there. We construct our dream selves with the faith that these selves will have their chance at life. We know what we are capable of doing and just need each other’s support to bring the imagined languages to life.” — Will Oldham

                                                “I love the challenge to write melodies for Will to sing. Struggle with that challenge too. Knowing that Will’s voice will elevate the melody makes me reach higher and dig deeper for the tune. Makes me want to match it with a guitar part that holds his voice like a chalice holds wine (or blood, or whatever is needed to live the best life). I also love singing harmonies and responses to this voice of his.” — Matt Sweeney

                                                As far as this record, as in when and how it came together, the two man crew started working on it five years ago. The first actual session, however, went down about a year ago at Brooklyn’s Strange Weather and the next took place at the Butcher Shoppe in Nashville. Sweeney oversaw the mixing of the Brooklyn sessions with Oldham overseeing the Nashville mixes. On the album, Sweeney sings harmonies along, with, and around his favorite singer, and plays all electric, acoustic, and bass guitars, joined in places by David Ferguson on stand-up bass, Mike Coltun on electric bass, Mdou Moctar on electric lead, Ahmoudou Madassane on rhythm guitar, Souleyman Ibrahim, Ryan Sawyer and Peter Townsend on drums and Mike Rojas on keys. The Bonnie ‘Prince’ sings. Does he ever. And Superwolves rules over all.

                                                STAFF COMMENTS

                                                Barry says: This is a perfect collaborative effort from Sweeney & Oldham here, offsetting BPB's sometimes saccharine vocal style with Sweeney's brilliantly dynamic guitar playing. There are moments of stunning minimalistic bliss ('Resist The Urge') or more psychedelic grooving force ('Hall Of Death') but this is a constantly confounding and rewarding listen.

                                                TRACK LISTING

                                                1. Make Worry For Me
                                                2. Good To My Girls
                                                3. God Is Waiting
                                                4. Hall Of Death
                                                5. Shorty’s Ark
                                                6. I Am A Youth Inclined To Ramble
                                                7. My Popsicle
                                                8. Watch What Happens
                                                9. Resist The Urge
                                                10. There Must Be A Someone
                                                11. My Blue Suit
                                                12. My Body Is My Own
                                                13. You Can Regret What You Have Done
                                                14. Not Fooling

                                                Minds expanded and bodies soothed by Krakatau’s deep spiritual eruptions, Growing Bin take us back to the beginning with three impressionistic jazz landscapes from the magical Merge. Inspired by childhood memories of an Iranian oasis, Jo Lienen let his fingers breeze over the keys like a warm shamal, leading him back through dusty streets and covered markets to his long forgotten Kashan. As the needle nestles into the well pressed groove we gaze through Lienen‘s eyes upon an ancient beauty, the sapphire skies and tan sands which surround the endless domes and lush gardens of his childhood home. Focusing on the bustling market in the morning sun, ‚Part I‘ races down the narrow alleys to a bright bossa rhythm, weaving past the crowds with a swaying bassline and lithe guitar. The soothing air carries the faint heat of spice and the voices of the bazaar, while the delicate piano falls like a warm desert rain. As afternoon prayer leads the crowds to mosque, ‚Part II‘ strolls through the empty streets, following mystical melodies to a moment of trascendent beauty. Hissing snare rolls leap above subtle percussion, carrying the earthy bass and airy piano as emotive guitar drifts through the city like smoke in the wind. A dervish solo erupts with spiritual fervour and the crowds flood back through the streets bringing Kashan back to life once again.
                                                ‚Part III‘ finds us at sunset, drinking spiced tea with red dust underfoot. Taking a slower, more sedate pace, this bass led beauty rolls on restrained but rhythmic percussion, flooding the senses with synth harp and dreamy guitar. The music might stop and the mirage may disappear, but thanks to Growing Bin we can visit any time we want.

                                                STAFF COMMENTS

                                                Patrick says: Basso rounds off a spectacular year of Growing Bin goodness with some brand new material from German jazz troupe Merge. Swapping coastal breeze for the heat of Iran, the desert jazz of 'Kashan' is as warm, refreshing and intoxicating as an afternoon aperitif.

                                                TRACK LISTING

                                                A1. Kashan I
                                                A2. Kashan II
                                                B1. Kashan III

                                                "Naive overlooked New Beat / New Age project from 1989"

                                                Sometimes in life, a certain incentive is needed to convert talent into productivity. As for the case of MKS, the enigmatic and musical disguise of Nicolas Aubard, it was a merely coincidental encounter at the end of the 80s that set the stone rolling. For Nico, it all began in his hometown of Saint-Quentin in Northern France. At a young age, he got obsessed with Japanese and American cartoon culture. Being a devoted collector of cartoon-related toys and widgets, he spent hours watching anime series on TV and creating scale models of science fiction and horror-related sceneries. Growing up in a musical household, young Nico took on stringent training in classical and jazz piano. But, frustrated with the fact of not being the technical virtuoso he wanted to be, he turned away from his training at the age of 16. “I had no choice, as I felt as if my creativity got limited by my piano. That’s when I got drawn into the world of synthesizers.” Not long after, Nico put together a home studio and started to experiment with ambience and sound-inserts. Despite years of experimentation and music making, all Nico’s productions stayed between the 4 walls of his modest home studio. Something that would change in 1988, when Nico bumped into Emmanuel “Manu” Prevost.

                                                “We met on a night out in Lille”, Nico recalls. “I usually just stood by the dj booth, as I wasn’t a good dancer. So instead of throwing shapes at the dancefloor, I started a conversation with the dj, who happened to be Manu. By the end of the night, I handed him a demo tape of the album I was wanting to do.” Propelled by good fate, a fruitful collab happened between Nico and this dj. For Manu, everything also fell in place: “At the time, I was looking for a composer to work on producing a new beat record. As a dj, I often crossed the Belgian border for gigs and this new style was in full explosion over there. I heard Nico’s songs and naively told him: “Let’s make an album”, without knowing how.” Despite the high hopes for the new alliance, the project turned out to be a shot in the dark. “I assumed Manu already had some experience, as he proposed to do the mastering himself. But funnily he only told me after the release of the record that it was his first time too. But you know, we managed.” Not willing to release under his own name, Nico came up with Musical Keyboard System, abbreviated as MKS. The alias was born and the journey ready to take off.

                                                The album finally released in September 1989. After the release, Nico went on a low-key promo tour together with Manu in Northern France. “We aired a video clip on FR3 for two songs, together with a short interview. In their studio, we created a scrimpy décor with some green plants to resemble the Vietnam jungle (as for the track Nam Revelation) and we shot the clip. Manu even lay down behind a screen operating the fog machine.” As a live act, MKS’ career was rather short-lived, with a first and final gig in the Theatre of Saint-Quentin a few months after the release. “In France, we would remain illustrious strangers. Yet in the meantime, our music got played on new age radios in the USA.” After the end of MKS, Nico moved to Paris and Manu took on his military duty. In the army, Manu met movie animator Jacques Rouxel (the man behind French cult series Les Shadoks) and got him in touch with Nico. The duo collaborated with Rouxel on some compositions, before they went their separate ways at last. Nico went on to pursue his childhood dream, as a pioneer in France for integrating 3D animations into classical cartoons. Manu in turn became a producer for feature films.

                                                TRACK LISTING

                                                A1. The New Age Of House
                                                A2. Twilight Zone
                                                B1. Figure
                                                B2. The Dream
                                                B3. Nam Revelation

                                                MKWAJU Ensemble (Midori Takada)

                                                MKWAJU

                                                  WRWTFWW Records is proud to announce the highly anticipated official reissue of holy grail album MKWAJU by acclaimed Japanese percussionist Midori Takada's MKWAJU ensemble, sourced from the original masters and available in two versions: a vinyl LP cut at Emil Berliner Studios (formerly the  in-house recording department of Deutsche Grammophon) and a digipack CD.

                                                  Originally recorded in February and March 1981 and released by fabled Japanese avant-garde label Better Days (home of Ryuichi Sakamato's debut album, Yasuaki Shimizu's Kakashi, Colored  Music self-titled LP and many more) MKWAJU is the fruit of the collaboration between Takada's crew and world-famous composer/musical director Joe Hisaishi, the man behind most of of Hayao Miyazaki's Studio Ghibli anime soundtracks and over 100 other films scores, including Takeshi Kitano's Sonatine, Hana-Bi, and Kikujiro. The ensemble's transcendental wonder is, in fact, the first-ever Midori Takada album and the first-ever Joe Hisaishi-produced album. Historic.

                                                  Led by Midori Takada on marimba, gong, vibraphone, and tom tom, MKWAJU is an inventive and riveting take on Eastern and Western minimalist traditions, African rhythms, and early electronica. Drawing from its jazz-rooted polyrhythmic improvisations in the most inventive ways, the album covers a wide spectrum of sounds, from colorful dance floor-ready percussion pieces that stand somewhere between proto-techno and experimental synth-pop, to cinematic ambient landscapes and ethereal drone delicacies. The feverishly sought-after full-length is a stepping-stone in Midori Takada's career and an all-around pioneering album.

                                                  Alongside Takada and Hisaishi (who not only produced the album but also played synthesizers), personnel on MKWAJU includes famed Japanese musicians Yoji Sadanari and Hideki Matsutake of KI-Motion fame, Junko Arase (heard on Satoshi Ashikawa's legendary Still Way - Wave Notation 2), and Pecker (whose stacked resume boasts collaborations with Ryuichi Sakamoto and Jun Fukamachi).

                                                  TRACK LISTING

                                                  01. Mkwaju
                                                  02. Shak Shak
                                                  03. Lemore
                                                  04. Tira-Rin
                                                  05. Pulse In The Mind
                                                  06. Flash-Back

                                                  Mouth Congress

                                                  Ahhh The Pollution

                                                    THIS IS A RECORD STORE DAY 2020 RELEASE AVAILABLE ONLINE ONLY AS PART OF THE AUGUST 29TH DROP DAY AT 6PM.
                                                    LIMITED TO ONE PER PERSON.


                                                    Color vinyl.Never before released three track 7" from Mouth Congress, the musical comedy duo of Scott Thompson and Paul Bellini, best known for Kids in the Hall.Captured Tracks plans to release a 2LP Compilation of the band's music later in 2020.

                                                    Mike Adams At His Honest Weight

                                                    Oscillate Wisely (10th Anniversary Edition)

                                                      Recommended If You Like: Pedro The Lion, The Sea and Cake, David Bazan, Major Murphy, Kurt Vonnegut & Guided by Voices. For ten years now, I’ve understood “Oscillate Wisely” as a play on the Smiths’ instrumental “Oscillate Wildly”--itself, of course, a pun on Morrissey’s muse, Oscar Wilde. This is not to say that anything about Mike Adams and his band reminds me of the Smiths (especially­Morrissey), as much as the idea that rock bands like Mike Adams At His Honest Weight take shape more or less as a thesaurus of past ideas--winking at them, borrowing them like a library book, checking them out from across the room, cloning them.

                                                      But the best stuff is more ineffable, far more than just cut-and-paste. There’s a weird grandeur to Adams' music, starting with that fully formed, geekily majestic 2011 debut LP Oscillate Wisely, that I don’t hear in anything else, before or since. A sense that Adams is guiding his listeners toward a cosmic joke so personal, so inscrutable, so funny (“funny”), if you give him your attention. It's in his blood, I think. He's not Oscar Wilde, but a uniquely Midwestern type of deeply sincere romantic and dyed-in-the-wool goofball cast from the mold of Hoosier icons like Letterman and Vonnegut.

                                                      He doesn’t want to believe in anything, he didn’t create this body, he­loves­a parade.­ It’s all in fun, but it gets so personal. Onstage, Adams is gregarious and playfully self-effacing, a college town denizen telescoping backwards to the brief early 90s moment when “college rock” entered the corporate suite, and performers forced to become showmen retreated to the comfort of their native tongue: irony.­And­Oscillate Wisely­has demonstrated for a decade that earnestness and sarcasm are as intricately bound in rock and roll's­lingua franca­as hang-ups and chill hangs. I’ve never heard any musician summon everything I love about being from Indiana so perfectly. And I’m­fucking­old. Eric Harvey.

                                                      TRACK LISTING

                                                      1 Bad Weather
                                                      2 Skeletons In The Cloner
                                                      3 I Don’t Want To Believe In Anything
                                                      4 I’m Not Worried
                                                      5 Sunrise
                                                      6 Don’t You Blanket When That Happens
                                                      7 I Did Not Create This Body
                                                      8 IIIIIIIII Love A Parade
                                                      9 It’s All Been Done You Said
                                                      10 You’ll Have Me As Long… 

                                                      Matias Aguayo & The Desdemonas

                                                      Sofarnopolis

                                                        Renowned electronic music producer & DJ Matias Aguayo presents his new project, which will unfold on several levels. The Desdemonas are a 4-piece rock band, fronted by Aguayo (who sings and plays a variety of instruments). It’s also a fictional story about a group of teenagers in a dystopian world (the story will be told in the lyrics, and in cartoons and videos based on Aguayo’s drawings). And it’s of course an album, in which Matias digs deep into some dark forms of rock music which inspired him as a teenager, and brilliantly revisits them in a moody, compelling, post-electronic 2017 style. Based in Berlin, the band will be touring around Europe and beyond, starting before the album’s release and continuing through 2018. Their line-up consists of drummer Matteo Scrimali from Italy, keyboard player Henning Specht from Germany, guitarist/bass player Gregorio Gomez from Colombia, and Matias Aguayo on vocals, keys etc. Matias Aguayo in a nutshell: born in Chile and raised in Germany, he’s created a varied body of genre-defying work since the early 00s, including several albums with legendary Cologne-based electronic music label Kompakt. A much in-demand DJ, he’s constantly been performing all around the world, appearing in the most prestigious festivals. Matias Aguayo has always been an original, iconoclastic artist: starting out “the man who helped popularize and expand minimal [techno]” (Pitchfork).

                                                        Marc Almond

                                                        The Velvet Trail

                                                          Marc says of ‘The Velvet Trail’: “Some of the songs have a more personal melancholy, reflective and evocative, like the title track ‘The Velvet Trail’, a song about memories, nostalgia, childhood and death. So it is too with the song ‘The Pain of Never’ (Chris Braide’s personal favourite). Chris wanted to create his ultimate Marc Almond record, electric, lush, emotional, dark and sexy and I felt inspired by his tunes and production to deliver just that”. He then explains the seamless format of the album: “Chris saw the record as one journey, one record you put on from beginning to end, linking tracks with musical interludes. This a reaction against the downloaded digital age, where individual tracks are taken or albums re-arranged in different orders. I always see my records as a show running from beginning to end that takes you on a ride”.

                                                          The Velvet Trail is an album that wasn’t supposed to exist - born from a spontaneous, organic inspirational process. It wasn’t just written and recorded, but felt and created. For all those who love Marc Almond’s work and those who just love true music and the emotions it generates, this is one not to be missed.

                                                          Marisa Anderson & William Tyler

                                                          Lost Futures

                                                            Guitarists Marisa Anderson and William Tyler distil deeply rooted and varied traditions into distinctive voices all their own. Anderson and Tyler are each unyielding in their desire to extend through those traditions and the confines of ‘guitar music’ to craft music at once intimate and expansive, conversational and transcendent.

                                                            The duo’s debut collaborative album tethers together their singular voices into unified narratives that glisten, drive and sway. On ‘Lost Futures’, Anderson and Tyler’s guitars dance through lush arrangements and pastoral duets serpentine and reverent. 

                                                            ‘Lost Futures’ takes its name from writer Mark Fisher’s cultural theory of the loss of potential futures, the hopes and ideals which once felt inevitable but have since been interrupted. Anderson and Tyler’s use of textural drones, rhythmic repetition and harmonic shifts embody the building tensions of uncertainty created by profound loss: loss of life, experience, companionship, compassion. Across ‘Lost Futures’, Anderson and Tyler mold their instruments into breathtaking panoramas of blight and bliss. Each movement contains a dense biome of transportive sound. 

                                                            The duo’s music together reckons with mounting pressures as well as the joy of newfound friendship and gratitude for being able to play together. In tandem, Marisa Anderson and William Tyler have composed a work of remarkable breadth, brimming with resplendent odes of solace.

                                                            Marisa Anderson and William Tyler are both prolific solo artists. Tyler has also toured with groups including Lambchop and Silver Jews and Marisa has contributed to recordings by Beth Ditto, Sharon Van Etten and Circuit Des Yeux among others. 

                                                            ‘Lost Futures’ features guests Gisela Rodriguez Fernandez on violin and Patricia Vázquez Gómez playing quijada.

                                                            Package features artwork by Sam Smith. LPs include artworked inner-sleeve featuring photography by Marisa Anderson.

                                                            STAFF COMMENTS

                                                            Barry says: Both Marisa Anderson and William Tyler have impeccable form for crafting gorgeous acoustic guitar anthems, ranging from the beautiful simplicity of Anderson's plucked acoustic to Tyler's country-tinged Americana anthems, so I really couldn't imagine a better combination than the two of them. It works perfectly here with each artist's own voice coming through wonderfully while accentuating each-other perfectly.

                                                            TRACK LISTING

                                                            1. News About Heaven
                                                            2. Lost Futures
                                                            3. Pray For Rain
                                                            4. Something Will Come
                                                            5. At The Edge Of The World
                                                            6. Hurricane Light
                                                            7. Life And Casualty
                                                            8. Haunted By Water

                                                            Marisa Anderson

                                                            Still, Here

                                                              ‘Still, Here’ emphatically makes the case for Marisa Anderson’s profound artistry, each piece intimately revealing a new aspect of Anderson as a player and as a human being navigating the path laid before her.

                                                              Marisa Anderson’s ‘Still, Here’ is for the listener an alchemical salve, the work of a gifted player with an exceptional ability to convey the complexities of the human experience through composition.

                                                              Marisa Anderson is one of the most eminent guitarists working today. Her lucid, eloquent approach to guitar music and composition has established her as an unparalleled artist and an insightful, coveted collaborator. Anderson’s work draws on a mosaic of folk musics and lives in conversation with myriad musical traditions.

                                                              “[Anderson] the solo guitarist creates truly borderless music, fusing the diverse global traditions she favors without drawing too much attention to the act of juxtaposition.” - Pitchfork

                                                              TRACK LISTING

                                                              In Dark Water
                                                              The Fire This Time
                                                              The Low Country
                                                              Night Air
                                                              Waking
                                                              The Crack Where The Light
                                                              Gets In
                                                              La Llorona
                                                              Beat The Drum Slowly

                                                              Periodica offshoot Futurible continue to treat us more than kindly with a wonderous bit of Balearic boogie / sublime soft synth serenade (delete as appropriate) from Chilean musician Marcelo Antonio Galleguillos Torres. Though he may sound like the kind of South American midfield enforcer you'd expect to cause a career threatening injury after boshing too much pre-match powder, Marcelo's actually a sensative soul with a musical mind. "Suspension" shifts through sunblushed PPU guitar licks and Roland claves, two steps around late 80s George Michael synth riffs and weaves a spell with wonderful Spanish vocals. Light as you like, the track trots the same saccharine streets as the more uptempo moments of the Menage A Trois catalogue, always a good thing in my book. Over on the flip, "Males De Otro Lugar" drops in with dreamy DX7 leads, breathy Berlin pads and divine pop vocals, hurting my heart but making me smile.

                                                              STAFF COMMENTS

                                                              Patrick says: Futurible's fresh 7" comes all the way from Valparaiso Chile, where Marcelo Antonio wanders the streets, trading in the most sensual synth pop around. Absurdly Balearic and totally limited, this is A-grade buy on sight tackle.

                                                              TRACK LISTING

                                                              A. Suspension
                                                              B. Males De Otro Lugar

                                                              A stunning survey of the 1970s heyday of this great Japanese singer and countercultural icon. Deep-indigo, dead-of-night enka, folk and blues, inhaling Billie Holiday and Nina Simone down to the bone. A traditional waltz abuts Nico-style incantation; defamiliarised versions of Oscar Brown Jr and Bessie Smith collide with big-band experiments alongside Shuji Terayama; a sitar-led psychedelic wig-out runs into a killer excursion in modal, spiritual jazz. Existentialism and noir, mystery and allure, hurt and hauteur. With excellent notes by Alan Cummings and the fabulous photographs of Hitoshi Jin Tamura. Hotly recommended.

                                                              TRACK LISTING

                                                              Nemuru No Ga Kowai
                                                              Chicchana Toki Kara (Live)
                                                              Blue Spirit Blues
                                                              Fushiawase To Lu Na No Neko
                                                              Govinda
                                                              Chicchana
                                                              Toki Kara
                                                              Boro To Furutetsu
                                                              Aisa Nai No Aise Nai No
                                                              Uramado
                                                              Kamome
                                                              Machi
                                                              Gogo
                                                              Zenkamono No
                                                              Christmas
                                                              Hikkoshi
                                                              Cabaret
                                                              Konna Fūni Sugite Iku No
                                                              Nara
                                                              Onna
                                                              Yuki Ga Furu

                                                              Mulatu Astatke

                                                              New York - Addis - London: The Story Of Ethio Jazz 1965-1975 - 2023 Repress

                                                                Vibraphone and keyboard player, master arranger and bandleader, Mulatu Astatke is one of the all-time greats of Ethiopian music and the creator of his own original music form, Ethio jazz. Through the acclaimed Ethiopiques album series and through featuring on the soundtrack to the Jim Jarmusch film Broken Flowers, his music has belatedly reached a global audience and a new, younger generation of fans. In November of last year, he recorded an inspired new album with London psych jazz band The Heliocentrics for Strut’s ‘Inspiration Information’ studio collaboration series. Now, Strut are proud to present, for the first time anywhere, the definitive Mulatu career retrospective covering his landmark ‘60s and ‘70s recordings.

                                                                Mulatu is a true pioneer of African music. He was the first Ethiopian musician of his generation to travel extensively and to record abroad – he studied in the UK in Wales and at Trinity College Of Music in London, cutting his teeth on the buoyant London jazz scene of the early ‘60s. He became the first African student to attend Harvard and he lived and recorded in New York, developing a unique sound that fused Western jazz with traditional Ethiopian melodies.

                                                                Tracing the progression of his Ethio jazz experiments with full access to all of the labels for whom he recorded, Mulatu Astatke: New York-Addis-London is the essential Mulatu. Covering his first recordings in the UK during 1965, his groundbreaking fusions for the small Worthy label in New York and his key ‘70s recordings back in Addis on Amha, Phillips and Axum, the album features comprehensive sleeve notes by Miles Cleret, boss of the excellent Soundway Records imprint, and rare, previously unseen photos from Mulatu’s personal archive.

                                                                TRACK LISTING

                                                                A1. Yèkèrmo Sèw
                                                                A2. I Faram Gami I Faram
                                                                A3. Shagu
                                                                A4. Emnete
                                                                A5. Mulatu
                                                                B1. Yègelé Tezeta
                                                                B2. Asiyo Bellema
                                                                B3. Ebo Lala
                                                                B4. Fikratchin
                                                                B5. Yefikir Tizita
                                                                C1. Dèwèl
                                                                C2. Yèkatit
                                                                C3. Girl From Addis Ababa
                                                                C4. Mascaram Setaba
                                                                C5. Ené Alantchie Alnorem
                                                                D1. Nétsanét
                                                                D2. Kasalèfkut Hulu
                                                                D3. Wubit
                                                                D4. Lanchi Biye
                                                                D5. Tezeta

                                                                Miguel Atwood-Ferguson

                                                                Les Jardins Mystiques Vol.1

                                                                  Limited edition 4LP black vinyl in 8mm spined gatefold sleeve with OBI strip. Half-speed cut by Miles Showell at Abbey Road Studios. Includes MP3 downloads. Artwork by David Crunelle. Photography by Miguel Atwood-Ferguson. Layout by Adam Stover.


                                                                  3CD digipak. Includes booklet. Artwork by David Crunelle. Photography by Miguel Atwood-Ferguson. Layout by Adam Stover.

                                                                  TRACK LISTING

                                                                  Disc 01:
                                                                  1. Kiseki
                                                                  2. Persinette
                                                                  3. Narva
                                                                  4. Eudaimonia
                                                                  5. Porpita
                                                                  6. Nazo No Tenkai (Ernok)
                                                                  7. Mångata
                                                                  8. Ano Yo
                                                                  9. Zarra
                                                                  10. Kairos (Amor Fati)
                                                                  11. Magnolia (Aisling)
                                                                  12. Cho Oyu
                                                                  13. Matumaini
                                                                  14. Zoticus

                                                                  Disc 02:
                                                                  1. Légäsi
                                                                  2. Votivus
                                                                  3. Querencia
                                                                  4. Kundinyota
                                                                  5. Dragons Of Eden
                                                                  6. Eunoia
                                                                  7. Znaniya (Falkor)
                                                                  8. Tzedakah
                                                                  9. Apocrypha
                                                                  10. Asherah
                                                                  11. Plotinus
                                                                  12. Kairos (Kefi)
                                                                  13. Qumran
                                                                  14. Makaria
                                                                  15. Kupaianaha
                                                                  16. Taijasa
                                                                  17. Vesta
                                                                  18. Ziggurat

                                                                  Disc 03:
                                                                  1. Ziya
                                                                  2. Scar
                                                                  3. Let The Light Shine In
                                                                  4. Komorebi
                                                                  5. Daydream
                                                                  6. Dream Dance
                                                                  7. Apotheosis
                                                                  8. Magnolia (Astronomia Nova)
                                                                  9. Moksha
                                                                  10. Datsuzoku
                                                                  11. Hypatia
                                                                  12. Kuleana
                                                                  13. Aldous
                                                                  14. Jijivisha
                                                                  15. Paititi
                                                                  16. Airavata
                                                                  17. Znaniya (Ahura Mazda)
                                                                  18. Nag Hammadi
                                                                  19. Halcyon
                                                                  20. Sweet Invitation

                                                                  Moriah Bailey

                                                                  I Tried Words

                                                                    I Tried Words began with words, mostly words. Moriah Bailey laid the lyrics out on several pages. The words were crafted over many months with feedback from Bailey’s sister and input from the growing melodies and body of music that began to take shape around those words. The contributing musicians, Sarah Reid (violin), Ryan Robinson (percussion), and Ricky Tutaan (guitar), recorded their own parts and sent them to Bailey. The result is lush, intricate arrangements that complement a solid base of harp and vocals.

                                                                    The album explores dualities: yes/no, future/past, darkness/light, giving/taking, masculinity/femininity, wants/needs. It is in part about Moriah Bailey’s struggle to learn healthy boundaries but also about the harmfulness, complexity, and entanglement of many social boundaries.

                                                                    With I Tried Words, Bailey relies less on experimental sounds, and instead, lyrically focuses on her struggles to understand and make sense of definitions and expectations of femininity. It explores these themes through an intimate narrative of losing oneself in a relationship and struggling to find a way out of the relationship.

                                                                    The album ends with a triumphant goodbye and joyous new beginning in “Not Staying”. She sings: “I contorted my body and stretched myself thin to form a bridge between now and when. So, as I'm gathering my strength to say goodbye, please quit saying I should've tried.”

                                                                    TRACK LISTING

                                                                    SIDE A:
                                                                    1. Wishful Thoughts
                                                                    2. A Late Spring
                                                                    3. The Downpour
                                                                    4. So You Say…
                                                                    SIDE B:
                                                                    5. The Ocean LIfe
                                                                    6. My Father’s Words
                                                                    7. My Mother’s Words
                                                                    8. Not Staying

                                                                    "Laughing Boy", the second solo album from Matteah Baim, was recorded in Chicago, where it was produced, arranged, and mixed by Baim with engineer Jamie Carter. Expanding on the sounds hinted at with her previous band, Metallic Falcons, and her first solo record, "Death of The Sun", Baim has created her most lush and beautiful recordings yet with "Laughing Boy". Matteah Baim was born and raised in Milwaukee, Wisconsin. In 1996, at the age of 17, she moved to California to study painting and drawing at the San Francisco Art Institute. After graduating, Baim moved to New York where she met Sierra Casady. In 2005, the duo began to write music together and formed the 'soft metal' Metallic Falcons. Voodoo Eros released their first record, "Desert Doughnuts", in 2006, recorded in Brooklyn, New Mexico, and Chicago, with performances by Antony, Devendra Banhart, Jana Hunter, and Greg Rogove. After the Metallic Falcons disbanded, Baim moved to Los Angeles and began writing and recording material (both at her Venice Beach home and at Chicago's CarterCo studio) for "Death Of The Sun". She spent the next two years touring and writing material for "Laughing Boy", working on music for several films, and exhibiting drawings.

                                                                    Meg Baird

                                                                    Furling

                                                                      Meg Baird’s songs are rarely made up of tidy stories. In fact, for Meg, mystery itself is often the medium. With ‘Furling’, Meg’s fourth album under her own name, she explores the breadth of her musical fascinations and the environments around them - the edges of memory, daydreams spanning years, loose ends, loss, divergent paths, and secret conversations under stars. ‘Furling’ moves through these varied spaces with the slippery, misty cohesiveness of a dream - guided by an ageless, stirring voice that remains singular and unmistakable.

                                                                      Since co-founding the beguiling and beautiful Espers in the mid-aughts amid Philadelphia’s fertile underground music community, Meg’s solo recordings have constituted just a fraction of her work.

                                                                      Her first solo LP, the disarmingly out-of-time ‘Dear Companion’ (2007), saw her carve a quiet, sunlit space away from the flickering swirl of Espers. Since her last solo releases, ‘Seasons on Earth’ (2011) and ‘Don’t Weigh Down the Light’ (2015), Meg has lent thunderous drumming, lead vocal, and poetry to Heron Oblivion (Sub Pop) on an album that garnered praise from the New York Times and made Mojo’s Top Ten Albums Of 2016 list. She collaborated with harpist Mary Lattimore on the mesmerizingly hazy ‘Ghost Forests’ (2018). She’s played drums with Philadelphia scuzz-punks Watery Love (In The Red, Richie Records) and explored her deep familial folk roots in the Baird Sisters (Grapefruit Records). She also contributed her vocal arrangements to albums from Sharon Van Etten, Kurt Vile, Will Oldham and Steve Gunn, and toured with Angel Olson, Dinosaur Jr., Bill Callahan, Thurston Moore and Bert Jansch, among others.

                                                                      Yet ‘Furling’ is the album that most irreverently explores the span of her work and musical touchstones. It showcases her natural tether to 1960s English folk traditions. But it also reveals her deep love for soul balladry, the solitary musings of Flying Saucer Attack and Neil Young shackled to his piano deep in the foggy pre-dawn, dubby Bristol atmospherics, the melancholy memory collage of DJ Shadow’s ‘Endtroducing’, and the delicious, Saturday night promise of St. Etienne.

                                                                      ‘Furling’ was primarily recorded at Louder Studios by Tim Green (Bikini Kill, Nation of Ulysses, Melvins, Wooden Shjips). Additional piano and vocal recording were captured at Panoramic Studios in Stinson Beach, CA with Jason Quever (Papercuts). It was mastered in Brooklyn by Heba Kadry, who mixed Bjork’s ‘Utopia’ and mastered albums for Slowdive, Cass McCombs and Beach House.

                                                                      For all its adornments, ‘Furling’ remains deeply intimate. The entire album was performed by Meg and her long-time collaborator, partner, and Heron Oblivion bandmate Charlie Saufley. While her prior solo work hinted at more expansive horizons, ‘Furling’ explores the idea of Meg Baird as a band much more freely. Venturing beyond the musical confines of fingerstyle guitar, she plays drums, mellotron, organs, synths, and vibraphone over her piano and guitar foundations. Her distinctive, simultaneously elegiac and uplifting vocals, meanwhile, connect surreal dream montages, graft sunshine sonics to swooning mediations on romantic solidarity in trying times, and weave odes to the simple gestures of friendship - and the loss of family and friends.

                                                                      This rich sound world makes the songs a varied bunch: ‘Twelve Saints’ mates Pacific sunset ambience and Pink Floyd pastoral to a meditation on mortality and escape. The infectious and kinetic ‘Will You Follow Me Home’ contemplates hope and longing through the looking glass of a Jimmy Miller-era-Stones strut. And in the closing piece, ‘Wreathing Days’, language disintegrates over tone clusters that feel somewhere between falling and flying.

                                                                      ‘Wreathing Days’ also reveals much about Meg’s mastery of contrast - situating the dear and delicate adjacent to chaos. And while it’s true that some songs on ‘Furling’ grapple with humanity’s existential unknowns in stark terms, they primarily revel in the mysteries that hide in nature and humanity at their most ordinary. ‘Furling’ lives in the notion that whole universes of experience, enlightenment, elation and ecstasy can bloom in these corners.

                                                                      TRACK LISTING

                                                                      Ashes, Ashes
                                                                      Star Hill Song
                                                                      Ship Captains
                                                                      Cross Bay
                                                                      Twelve Saints
                                                                      Unnamed Drives
                                                                      The Saddest Verses
                                                                      Will You Follow Me Home?
                                                                      Wreathing Days

                                                                      Matt Baldwin

                                                                      Paths Of Ignition

                                                                        One of the more unexpected - if worthwhile - by products of the 21st-century underground American folk revival is a renewed interest in solo acoustic guitar music. Spare, haunting, pastoral sounds have struck a new chord, and the names John Fahey and Takoma are hip again. Matt Baldwin, raised in California's rustic Pacific Grove, educated in the alternative mecca of Berkeley, sits in the center of this quiet, swirling scene. He is the visionary wildcard of today's solo guitar music, the ambitious fever dreamer, the serpent in the grass. Unlike many of his peers, he looks beyond the traditions of Fahey (whom he calls 'a teacher', not a god), bringing portentous and progressive elements into his music, alongside a dreamy country lilt. He covers krautrock legends Neu! ("Weissensee") and metal Vikings Judas Priest ("Winter"), and culls inspiration from prog heroes yes on the closing epic "Rainbow". His music comes on like a creeping moss, verdant but threatening, comforting yet unsettling.

                                                                        Marty Baller

                                                                        Baller Nation

                                                                          A$AB Mob affiliate Marty Baller, started his career out as A$AP Ferg’s hype man, before becoming a serious solo artistic his own right. The last year and a half has seen Baller steadily building up to the release of ‘Baller Nation’ with co signs from A$AP Mob and support tours with the likes of Future. ‘Baller Nation’ is Marty’s second mixtape, following 2016’s ‘Marty G Raw.’ The concise 10 track tape sees Marty upping the stakes, with confident lyrics, big trap beats and an all start features list including A$AP FERG, Rich The Kid, Rob $tone and Smooky Margeilaa. Omerta Inc will be bringing Marty Baller’s ‘Baller Nation’ to vinyl for the very first time, to celebrate the 1st anniversary of the albums original release. Limited to 150 copies pressed onto 180gm cocaine white vinyl. Each copy will be individually hand numbered in gold pen and come housed in a high quality matte finish sleeve with original artwork

                                                                          TRACK LISTING

                                                                          1. First Quarter
                                                                          2. Gladys Knight (ft 5Am & Reese LAFLARE)
                                                                          3. Do My Thing (ft Madein-TYO)
                                                                          4. I'm On The Moon
                                                                          5. Slick Talk (ft Rob $tone)
                                                                          6. Like Mike (ft A$AP Ferg, SMOOKY Margielaa & Aexyz)
                                                                          7. Send Em My Way (ft A$AP Ferg)
                                                                          8. Rambo (ft Rich The Kid)
                                                                          9. Nothing Wasted
                                                                          10. Throw The Money Away

                                                                          Michel Banabila

                                                                          Wah-Wah Whispers

                                                                            Ever since he released his music in the early '80s Michel Banabila has been hard to pinpoint to a specific genre or style. His musical output includes jazz, experimental cut-up electronics, world music (especially influenced by the Fourth World music as developed by Jon Hassell), New Age, eclectic pop tunes, music for dance or other stage projects, and soundtracks for TV. Some listeners may have found it difficult throughout the years to find their way in this versatile output.

                                                                            For this particular release, Bureau B chose a different approach. Instead of archiving early works from the 1980s, Wah-Wah Whispers focuses on Banabila's more recent output. It is a collection of works showcasing many facets of his music: a journey visiting the minimal and cinematic sample scape, contemplative ambient / fourth world scenes and more. The album ends with a kaleidoscope of atmospheres gradually building up to a noise climax.

                                                                            Most music does not come out of nowhere. Arising and appearing in a pre-existing system of influences, cross-references, roots, memories and desires, it either directly points towards a heritage or into the future. Mark Barrott’s "Nature Sounds of the Balearics" is a bit of both. The mastermind behind the International Feel label and the Sketches from an Island series presents an intermediary.

                                                                            Technically, it’s his departure from a software based workflow and onto (or back to) a hardware driven creative point of view. Philosophically, it deals with the schizophrenia of our times: the late Paul Virgilio’s dromology and logistics of perception versus a decelerated life outside of cities, internet algorhythmics (sic!) versus meditation, the excessive stock market (all track titles are derivates of that world) against a tactile way of living.
                                                                            Musically, it is the outcome of what Barrott himself described as his "techno album". For people whose definition of techno has to do with speed (again) and kick drums that might seem like a misinterpretation. Listeners who remember the Artificial Intelligence and Freezone compilations, various chill out channels or Detroit’s mellow moments, will tend to agree. "Nature Sounds of the Balearics" miraculously evokes those days and times, without breaking his neck. It is as much at home in a Caribbean water utopia between dolphins and old fishing boats as it feels current and applicable in a Ridley Scott dystopia. And if meta levels aren't your thing: it’s just a beautiful album.

                                                                            STAFF COMMENTS

                                                                            Barry says: Moving away slightly from the beach-bound cocktail-fuelled halcyon lysergia of the previous outings, Barrott opts for off-kilter melodies and hardware-based sequencing to create a more rhythmically diverse offering, as fascinating as it is engrossing. Lovely stuff.

                                                                            TRACK LISTING

                                                                            A1. Aroon
                                                                            A2. Morning Star
                                                                            A3. Point & Figure
                                                                            A4. Heikin-Ashi
                                                                            A5. TRIX
                                                                            B1. Keltner & Chalkin
                                                                            B2. Ichimoku
                                                                            B3. Donchian Reprise
                                                                            B4. Boolean Hawks
                                                                            B5. Evening Star 

                                                                            Mario Batkovic

                                                                            Introspectio

                                                                              Mixing classical and contemporary sound, Mario Batkovic seeks to explore the sonic possibilities of the accordion, without effects or loops, rather through a mutualist symbiotic relationship between man and instrument. Challenging, hypnotic and grandiose; Batkovic’s symphonic vision is unique and he has received widespread critical acclaim, including Rolling Stone magazine who voted his self-titled debut album in the Top 10 ‘Best Avant Albums of 2017’

                                                                              ‘Introspectio’ is a self-questioning, self-examination of society and the meaning of sound. Featuring collaborations with electronic sorcerer James Holden and former BEAK> member Matthew Williams aka MXLX, in addition to drummer Clive Deamer (Radiohead/Portishead/Robert Plant/Roni Size), saxophonist Colin Stetson and concert choir Cantus Domus, Batkovic questions the place of sound, clichés and prejudices, taking the listener on a journey through infinite universes of sound.

                                                                              Musical contrasts run throughout the album. Sound aesthetics versus compositional ethics play out, it all about creation and destruction as our sound researcher creates his very own macrocosm of music and sound. Whether solo or in collaboration, ‘Introspectio’ invites us on a rhythmically pulsating trip somewhere between dissolution and new beginnings.

                                                                              TRACK LISTING

                                                                              SANATIO
                                                                              REPERTIO (w/ Clive Deamer & MXLX)
                                                                              CHOREA DUPLEX (w/ James Holden)
                                                                              QUIS EST QUIS (w/ Colin Stetson)
                                                                              SURROGATUM
                                                                              PRIMORDIUM FINALE

                                                                              Michael Beach

                                                                              Dream Violence

                                                                                Dream Violence, Michael Beach’s fourth full-length, is an epic album that explores the duality of the human condition. Or, as Beach himself puts it, the album is about “human futility, passion, desire, anger, frustration, and the struggle to maintain hope in a somewhat hopeless time.” Dream Violence, then, addresses the existential crisis of being an artist in 2020. Known for his work touring with the Australian guitar pop band Thigh Master and the late, brilliantly eccentric Israeli guitarist Charlie Megira, currently the focus of a number of reissues by the Numero Group, Beach is the architect of a sound that is both well-built and ramshackle, straightforward and indeterminably complex, out of the norm yet familiar in all the best ways. Dream Violence unfolds like a revelation, filled with sonic tumbleweeds that reference Neil Young’s On the Beach, Bruce Springsteen’s Nebraska, the Velvet Underground’s Loaded, and the Go Betweens’ Before Hollywood. Influences ranging from the enigmatic outlier Megira to Glenn Branca to the Oblivians are combined to create a new, exhilarating sound, part of the path that Beach has been on since 2008’s Blood Courses. A veteran of year-end indie rock round ups beginning with Golden Theft in 2013 and continuing with Gravity/Repulsion, released in 2017, Beach distills the best of those early albums and adds sharpened intent.

                                                                                TRACK LISTING

                                                                                1. Irregardless
                                                                                2. De Facto Blues
                                                                                3. The Tower
                                                                                4. Metaphysical Dice
                                                                                5. You Know, Life Is Cheap
                                                                                6. Spring
                                                                                7. Curtain Of Night
                                                                                8. You Found Me Out
                                                                                9. Dream Violence
                                                                                10. Sometimes I Get That Cold Feeling

                                                                                Lovers rock cover of the 80’s classic complete with killer Dub version, originally released in a very small run of 7”s in 1985. Performed by the late Melody Beecher and produced by her husband Paul Beecher the 7” has been re-mastered from the original two track session tape. Hand stamped in a kraftboard sleeve and limited to 300 copies.

                                                                                STAFF COMMENTS

                                                                                Matt says: Who'da thunk a George Michael reggae version could be so divisive?! We're torn here at Picc HQ between genius and cat shit. Me and Pasta Paul are onboard though, which is all that matters really ;)

                                                                                TRACK LISTING

                                                                                Side A:
                                                                                Careless Whisper

                                                                                Side B:
                                                                                Careless Whisper (Dub)

                                                                                An extended 12” ‘Club Mix’ of the 1980’s classic covered in true lovers rock style by the late Melody Beecher. Produced by husband Paul and remastered from the original two track session tape. Jura Soundsystem delivers a ‘Lovers Version’ combining snippets of vocal from the original with the dub mix, going heavy on the reverb to create a more dubbed out excursion.

                                                                                The 12” is housed in a black and yellow IOJ Island disco sleeve with sticker designed by Bradley Pinkerton. 


                                                                                STAFF COMMENTS

                                                                                Matt says: Nice extended version and dub of this brilliantly genius 80s cover version inna reggae stylee. The Jura Soundsystem Lovers Version is worthy of some attention here - swamping the mix with reverb and delay for a monstrous slice of island dub!

                                                                                TRACK LISTING

                                                                                Careless Whisper (Club Mix)
                                                                                Careless Whisper (Jura Soundsystem Lovers Version)

                                                                                A stunning cover version of Errol Dunkley’s ‘Movie Star’ originally released on Brooklyn label Witty in 1987. Produced by Paul Beecher, the 707 drums are phat & crisp and the keys shine brightly in the mix to complement the incredibly soulful vocal from Melody Beecher. Backed with Dub Version and an extended 12” mix, housed in a sky blue and red IOJ Island Disco sleeve with sticker designed by Bradley Pinkerton.

                                                                                STAFF COMMENTS

                                                                                Paul says: Another cover from Beecher! I've been seriously digging her versions of these 80s hits. "Movie Star" is a true classic - but it works so well as a reggae-rub-down!

                                                                                TRACK LISTING

                                                                                Movie Star
                                                                                Movie Star (Dub)
                                                                                Movie Star (Extended 12" Mix)

                                                                                "Zeus" is the first ever full-length album by Max Beesley's High Vibes ensemble, who released two classic 12inches on Boogie Back Records at the height of the Acid Jazz movement in 1993/1994. For "Zeus" Beesley set out to create something very special and reached out to some of the greatest session players in the world to play on the record.

                                                                                Steve Gadd was a friend from many years ago when the two played on George Benson's 1996 album "That's Right". Steve came on board and suggested his good friend Walt Fowler would be a great addition for soloing on flugel and trumpet. Walt said he would love to be a part of the record and was terrific to work with. His tone is unsurpassable and perfect for the High Vibes record. Max then reached out to renowned guitarist Dean Parks who is one of the most recorded player in the 21st century. Dean also loved the tracks and wanted to record. Max has admired Luis Conte for many years and he has worked extensively with Steve, Dean and Walt in the James Taylor band among virtually every artist in the world, so it was great to add him to the line-up.

                                                                                Jerry Meehan is Max's close school friend. Together they have produced and written songs, film scores and toured together with many artists. Jerry also served as a co-producer on the record: "Jerry's my fav bass player in the world and his musicianship unsurpassable". Finally, Max's good friend Christian Sands plays keyboards on the album. Max cites him as one of the greatest players of his generation today and was very eager to have him on the record. Christian's contribution is phenomenal. The Horn House rounded the musicians off. Nichol Thomson on trombone, Tom Walsh trumpet and Mike Davis also adding trumpet on some tracks. They are Max's fav horn section. Nichol and Max arranged all horns and the result is electrifying.

                                                                                TRACK LISTING

                                                                                1. Zeus
                                                                                2. Snake Oil
                                                                                3. Saturn's Dust
                                                                                4. Juice
                                                                                5. We'll Always Have Yesterday
                                                                                6. Fire
                                                                                7. Sergio's Bag
                                                                                8. Ice

                                                                                Matt Berninger

                                                                                Serpentine Prison

                                                                                  Serpentine Prison is the debut solo record from Matt Berninger front man of The National. The album, produced by renowned Memphis multi-instrumentalist Booker T. Jones (of Booker T. & The MG’s fame) will be released via Book Records, a new imprint formed by Berninger and Jones in conjunction with Concord Records.

                                                                                  “The song ‘Serpentine Prison’ was written in December 2018, about a week after recording The National’s I Am Easy to Find,” Berninger explains about the new track. “For a long time, I had been writing songs for movies and musicals and other projects where I needed to get inside someone else’s head and convey another person’s feelings. I liked doing that, but I was ready to dig back into my own garbage and this was the first thing that came out.”

                                                                                  Berninger continues, “The title is from a twisting sewer pipe that drains into the ocean near LAX. There’s a cage on the pipe to keep people from climbing out to sea. I worked on the song with Sean O’Brien and Harrison Whitford and recorded it about six months later with Booker T. Jones producing. It feels like an epilogue, so I named the record after it and put it last.”

                                                                                  The album features contributions from a wide array of notable artists, including Matt Barrick (The Walkmen, Jonathan Fire*Eater), Andrew Bird, Mike Brewer, Hayden Desser, Scott Devendorf (The National), Gail Ann Dorsey (David Bowie, Lenny Kravitz), Booker T. Jones, Teddy Jones, Brent Knopf (EL VY, Menomena), Ben Lanz (The National, Beirut), Walter Martin (The Walkmen, Jonathan Fire*Eater), Sean O'Brien, Mickey Raphael (Willie Nelson, Bob Dylan), Kyle Resnick (The National, Beirut), Matt Sheehy (EL VY, Lost Lander) and Harrison Whitford (Phoebe Bridgers). Additional production on the album was provided by Sean O’Brien.


                                                                                  STAFF COMMENTS

                                                                                  Barry says: Matt Berninger has had our attention for a long time, fronting and writing songs for The National. It comes as a little surprise then, that he's smashed out a solo album with the band still fully intact (just not the done thing is it?). Anyway, he's forgiven because what we have here is a beautifully emotive but comfortingly different creative path than his 'Day Job'. How the songs keep flowing at this quality is beyond me, let's just hope they keep flowing.

                                                                                  TRACK LISTING

                                                                                  1. My Eyes Are T-Shirts
                                                                                  2. Distant Axis
                                                                                  3. One More Second
                                                                                  4. Loved So Little
                                                                                  5. Silver Springs
                                                                                  6. Oh Dearie
                                                                                  7. Take Me Out Of Town
                                                                                  8. Collar Of Your Shirt
                                                                                  9. All For Nothing
                                                                                  10. Serpentine Prison

                                                                                  Whether you’re familiar with Matt’s Live shows or want to understand what they are like, this album takes you there! From the excited audience chatter to the clarity of his pulsing KORG, each element resonates with perfect clarity. Berry and The Maypoles' musical prowess shines through their prog-folk excursions and trombone flairs which are reminiscent of an early Acid Jazz release, all with the a nod to Berry's surreal and panoramic world-view.

                                                                                  TRACK LISTING

                                                                                  1. The Innkeeper’s Song
                                                                                  2. So Low
                                                                                  3. October Sun
                                                                                  4. Take My Hand
                                                                                  5. Sorry (Theme From)
                                                                                  6. Solstice
                                                                                  7. Snuff Box
                                                                                  8. Song For Rosie
                                                                                  9. Medicine
                                                                                  10. Devil Inside Me
                                                                                  11. The Pheasant

                                                                                  Having recently completed a Christmas special of The IT Crowd (Channel 4), his own series Toast Of London (Channel 4) Matt Berry currently features in Vic Reeves and Bob Mortimer’s new series House Of Fools (BBC) – which has seen Matt described as “probably – the funniest person on television right now.“ by The Guardian. 

                                                                                  Far from being content with just acting, Matt released two critically-acclaimed records of idiosyncratic folklore pop 2011’s Witchazel and 2013‘s Kill The Wolf (an ablum descibed as “equal parts serious, beautiful, English & charming” by Josh Homme) It’s of little surprise that Matt‘s forever fertile mind has been affecting his sleep. About a year ago, found himself suffering from insomnia... but he turned the deprivation into a new expressive outlet: Music For Insomniacs. 

                                                                                  An album on which every note was recorded by Matt in solitary only during the nights at his flat. 

                                                                                  Cover art originally painted by Matt Berry.

                                                                                  TRACK LISTING

                                                                                  A. Music For Insomniacs Part I 
                                                                                  B. Music For Insomniacs Part II

                                                                                  Matt Berry

                                                                                  Gather Up - Box Set Editions

                                                                                    Gather Up is the culmination of ten years on Acid Jazz for Matt Berry. Gather Up comes as a beautifully packaged 5LP Box set with a 64 page booklet or 4CD Hardback book-set with a 28 pages of illustrations and notes.

                                                                                    The 55 tracks are split between an anthology compilation that tracks the very best tracks from his 8 albums and associated singles for the label over the last decade, an album of unreleased tracks and rarities, a demo version of his 2020 album Phantom Birds and the previously unreleased Live At A Festival LP which showcases Matt & his band the Maypoles in full flight.

                                                                                    The book included in both formats has an extended essay by Chris Catchpole which review Matt’s musical career and an exclusive set of photo images culled from the archive of Matt’s long time photographic collaborator Ben Meadows.

                                                                                    The LP Box is strictly limited to 1500 copies and comes with a certificate of authenticity signed by Matt.


                                                                                    TRACK LISTING

                                                                                    CD 1 - Gather Up
                                                                                    1. Take My Hand
                                                                                    2. Something In My Eye
                                                                                    3. Medicine
                                                                                    4. Badger's Wake
                                                                                    5. World In Action
                                                                                    6. One By One
                                                                                    7. Take A Bow
                                                                                    8. October Sun
                                                                                    9. So Low
                                                                                    10. Summer Sun
                                                                                    11. Gather Up
                                                                                    12. Theme From Snuff Box
                                                                                    13. Middle Of The East
                                                                                    14. Like Stone
                                                                                    15. Phantom Birds
                                                                                    16. Music For Insomniacs Part IV
                                                                                    17. Say It Again
                                                                                    18. The Innkeepers Song Live
                                                                                    19. Obsessed & So Obscure
                                                                                    20. Woman
                                                                                    21. Solstice

                                                                                    CD 2 - Rare & Unreleased
                                                                                    1. Bigger Than A Dog - Original Witchazel Intro
                                                                                    2. Take My Hand - Live On Absolute Radio
                                                                                    3. Autumn - Witchazel Outtake
                                                                                    4. The Dawn - From Myspace EP 'Summer Sun' 2010
                                                                                    5. Snuff Box - Live Loop Used Live Between 2005 - 2012
                                                                                    6. Catch Me In Time
                                                                                    7. Dark Beach - From Myspace EP 'Summer Sun' 2010
                                                                                    8. The Hangman - Acoustic Version 2007
                                                                                    9. Wonder Theme - Became 'Something In My Eye’
                                                                                    10. Music For Insomniacs - Alternative Intro
                                                                                    11. Theme From 'Sorry’ - Live From Charlie Brooker's Screenwipe 2007
                                                                                    12. Music For Insomnaics - Rejected Theme
                                                                                    13. Walk With Samuel - Devil Inside Me’
                                                                                    14. Blankety Blank - Vocal Intro
                                                                                    15. The Blue Elephant - Trip Two
                                                                                    16. Sweet Velvet - Became 'Seasons On Fire’
                                                                                    17. The Blue Elephant - Alternative

                                                                                    CD 3 - Phantom First
                                                                                    1. Covered In Clowns
                                                                                    2. Get Her Out Of My Mind
                                                                                    3. I'm Going
                                                                                    4. Make It Go Away
                                                                                    5. Peter Cleopatra And The Windmill
                                                                                    6. Play On
                                                                                    7. Take A Bow
                                                                                    8. The Preacher's House
                                                                                    9. A Shot Rang Out In The Forest
                                                                                    10. The Wrong House
                                                                                    11. Where's My Love?
                                                                                    12. You Danced All Night

                                                                                    CD 4 - Live At A Festival
                                                                                    1. Medicine / So Low
                                                                                    2. Silver Sun
                                                                                    3. Theme From Snuffbox
                                                                                    4. Solstice
                                                                                    5. The Pheasant

                                                                                    Matt Berry

                                                                                    Gather Up (Ten Years On Acid Jazz)

                                                                                      Following the huge acclaim earlier this year for Matt Berry’s eighth studio album The Blue Elephant, Acid Jazz Records release Gather Up, a compilation album encompassing the singular musical adventures this extraordinary musician has taken over the past decade, offering a revelatory and fascinating insight into the working process of a genuine musical maverick and sonic explorer.

                                                                                      Over 10 years with Acid Jazz Records Berry has released nine incredibly diverse albums (including one live album). From the tangled-folk rock thickets of Witchazel and Kill The Wolf (which features the song from which this box gets its name), to the out-there explorations of Music For Insomniacs or TV Themes’ retro-kitsch delights, through the soul power in Matt Berry & The Maypoles Live or the twilight grooves of The Small Hours to the classic pedal-steel songwriting of Phantom Birds and the smorgasbord of psychedelic sounds on The Blue Elephant, Berry’s journey has produced a feast for the ears that twists and turns down more unexpected avenues than most artists could manage over several careers. 

                                                                                      Gather Up pulls together an excellent 21-track career spanning collection expertly compiled by Berry, available as a separate, standalone release on 2LP or single CD, including non-album tracks such as ‘Snuff Box Theme’. No easy achievement considering the sheer breadth, diversity and volume of his exceptional musical output. 




                                                                                      TRACK LISTING

                                                                                      1. Take My Hand
                                                                                      2. Something In My Eye
                                                                                      3. Medicine
                                                                                      4. Badger's Wake
                                                                                      5. World In Action
                                                                                      6. One By One
                                                                                      7. Take A Bow
                                                                                      8. October Sun
                                                                                      9. So Low
                                                                                      10. Summer Sun
                                                                                      11. Gather Up
                                                                                      12. Theme From Snuff Box
                                                                                      13. Middle Of The East
                                                                                      14. Like Stone
                                                                                      15. Phantom Birds
                                                                                      16. Music For Insomniacs Part IV
                                                                                      17. Say It Again
                                                                                      18. The Innkeepers Song Live
                                                                                      19. Obsessed & So Obscure
                                                                                      20. Woman
                                                                                      21. Solstice 

                                                                                      Matt Berry

                                                                                      Kill The Wolf: 10th Anniversary Edition

                                                                                        In 2013, Matt Berry released his second album on Acid Jazz, ‘Kill The Wolf’, introducing progressive music, 1970s pop and psychedelic experimentation for a critically acclaimed album that established him as a musician in his own right. 

                                                                                        The original release plan saw a short run of a box set that included exclusive music and has inevitably become a sought after rarity since. 

                                                                                        For the album’s tenth anniversary, special edition deluxe versions make these tracks availableagain, in some formats for the very first time.

                                                                                        TRACK LISTING

                                                                                        CD
                                                                                        Gather Up
                                                                                        Devil Inside Me
                                                                                        Fallen Angel
                                                                                        Medicine
                                                                                        Wolf Quartet
                                                                                        Solstice
                                                                                        October Sun
                                                                                        The Signs
                                                                                        Knock Knock
                                                                                        Bonfire
                                                                                        Village Dance
                                                                                        Farewell Summer Sun
                                                                                        The Dawn
                                                                                        You That I See
                                                                                        Fire Chant
                                                                                        Food Chain Blues
                                                                                        Early Knock
                                                                                        October
                                                                                        To The Floor
                                                                                        Sea Chant
                                                                                        Devil Inside Me (Walk With Samuel)
                                                                                        Honky Knock
                                                                                        Venison Sketch
                                                                                        Wolf Quartet (‘Original’ Mix)

                                                                                        2LP
                                                                                        Gather Up
                                                                                        Devil Inside Me
                                                                                        Fallen Angel
                                                                                        Medicine
                                                                                        Wolf Quartet
                                                                                        Solstice
                                                                                        October Sun
                                                                                        The Signs
                                                                                        Knock Knock
                                                                                        Bonfire
                                                                                        Village Dance
                                                                                        Farewell Summer Sun
                                                                                        The Dawn
                                                                                        Devil Inside Me (Walk With Samuel)
                                                                                        Fire Chant
                                                                                        You That I See
                                                                                        Early Knock
                                                                                        To The Floor
                                                                                        Wolf Quartet (‘original' Mix)
                                                                                        Ukenwhistle
                                                                                        Venison Sketch
                                                                                        On A High
                                                                                        October
                                                                                        Honky Knock
                                                                                        An Electric Hero
                                                                                        Food Chain Blues
                                                                                        Sea Chant

                                                                                        Matt Berry

                                                                                        Phantom Birds

                                                                                          BAFTA Award-winning actor Matt Berry has been the star of a number of high profile TV series including Toast Of London, The IT Crowd and most recently What We Do In The Shadows. Concurrently he has cultivated a career as a musician that has seen him release six solo albums and collaborate with the likes of Bond composer David Arnold, Jean-Michel Jarre and most recently Josh Homme, who invited him to perform on the Desert Sessions.

                                                                                          His most recent album ‘TV Themes’ was a UK Top 40 hit and was awarded four stars by Will Hodgkinson writing for The Times. His reinterpretation of British TV themes of the past was no mere wallow in nostalgia but an exploration of recording techniques and a joyous celebration of the music.

                                                                                          ‘Phantom Birds’ was inspired by a fascination with Bob Dylan’s ‘John Wesley Harding’, the way it was recorded with the minimum of musicians to draw attention to the songs. For the recording Matt worked with drummer Craig Blundell - known for his work with Steven Wilson and Steve Hackett - and legendary pedal steel player BJ Cole, yet the tinges of Americana are never allowed to overwhelm Matt’s own distinctive style.

                                                                                          TRACK LISTING

                                                                                          Something In My Eye
                                                                                          You Danced All Night
                                                                                          Phantom Birds
                                                                                          Moonlight Flit
                                                                                          Man Of Doom
                                                                                          Where’s My Love?
                                                                                          Take A Bow
                                                                                          Intermission
                                                                                          Hail To The King
                                                                                          In My Mind
                                                                                          That Yellow Bird
                                                                                          Waving Goodbye
                                                                                          Covered In Clowns

                                                                                          Matt Berry

                                                                                          Simplicity

                                                                                            This November Matt Berry will release a unique collaboration with esteemed Library Music label KPM. KPM is renowned for providing the musical bedrock for so many classics of British TV and international cinema, using the best British composers - such as Keith Mansfield, Alan Hawkshaw, John Cameron and Alan Moorhouse - to do so. ’Simplicity’ follows in the footsteps of these giants, and is a worthy successor to them. Alongside his formidable acting career, Matt Berry has released a series of acclaimed albums on the Acid Jazz label. Ranging from the folk stylings of ‘Kill The Wolf’, the ambient electronica of ‘Music For Insomniacs’, to the psych rock of ‘Blue Elephant’, these have marked Berry out as an impressive musician and recording artist in his own right. Embodying the form of KPM’s original LPs geared towards film and television pitching, the album consists of 11 sharp and vibrant instrumentals, which will no doubt be heard productions for many years to come. released in special collaboration with Acid Jazz, the album is presented in a beautiful graphic sleeve, with notes that allude to the original KPM releases, for something that is instantly hip and familiar, yet unmistakably new.

                                                                                            TRACK LISTING

                                                                                            1. Top Brass
                                                                                            2. Driving Seat
                                                                                            3. Rising Bass
                                                                                            4. Set The Scene
                                                                                            5. Good Sport
                                                                                            6. Transition To…
                                                                                            7. Simple Basics
                                                                                            8. Widescreen
                                                                                            Features
                                                                                            9. Too Many Hats
                                                                                            10. Telescopic
                                                                                            11. Top Brass Two 

                                                                                            Matt Berry

                                                                                            Summer Sun / Like Stone - Sean Ono Lennon Remixes

                                                                                              After a busy, successful and critically acclaimed year Matt Berry offers one final salvo to his fans. A unique 12” single featuring his two collaborations with Sean Ono Lennon.

                                                                                              Sean worked on two tracks from ‘The Blue Elephant’ album and applied his mind to give us distinctive re-interpretations of ‘Summer Sun’ and ‘Like Stone’. Psychedelics mixed with a stomping beat for ‘Summer Sun’ and something a little bit weird and reflective for ‘Like Stone’.

                                                                                              TRACK LISTING

                                                                                              Summer Sun (Sean Ono Lennon Remix)
                                                                                              Like Stone (Sean Ono Lennon Remix)

                                                                                              Matt Berry

                                                                                              Television Themes

                                                                                                BAFTA award winning actor Matt Berry looks to his formative years in this fascinating and unique take on the TV themes that have influenced and inspired him in his life.

                                                                                                Recorded in his brand new studio with his regular band The Maypoles, Matt tackles eleven classic themes including well known titles such as Are You Being Served, Rainbow, The Liver Birds & The Good Life alongside some less obvious choices such as Picture Box, Wildtrak & World In Action.




                                                                                                STAFF COMMENTS

                                                                                                Barry says: Quite often, I find myself sitting in front of the tele, watching some TV classics and wondering how good this theme would be if it was covered by Steven Toast. Turns out that as ridiculous as it sounds, it's actually REALLY good. A little odd, perhaps but the combination of Berry & The Maypoles' ear for melody along with the classic and unmistakeable collection of tunes here, we have a definite win.

                                                                                                TRACK LISTING

                                                                                                1. Are You Being Served?
                                                                                                2. The Good Life
                                                                                                3. LWT
                                                                                                4. Blankety Blank
                                                                                                5. Top Of The Pops
                                                                                                6. Picture Box
                                                                                                7. The Liver Birds
                                                                                                8. Thames Television
                                                                                                9. Rainbow
                                                                                                10. Doctor Who
                                                                                                11. Wildtrak
                                                                                                12. World In Action
                                                                                                13. Sorry
                                                                                                14. Open University 

                                                                                                Matt Berry

                                                                                                The Blue Elephant

                                                                                                  In his tenth year with Acid Jazz, the ever-prolific Matt Berry has crafted a psych masterpiece. Once again proving his artistic progression and ambition knows no bounds

                                                                                                  Recorded during the summer of 2020, ‘Blue Elephant’ is testament to Matt’s exceptional musicianship, production skills and songwriting prowess with every instrument played by Matt including, guitars, bass, a variety of keyboards and synthesizers (piano, Wurlitzer, mellotron, Moog, Hammond, Vox and Farfisa organs), with the exception of drums – supplied by Craig Blundell, on arguably his best album to date. 

                                                                                                  This music soundtracks an album that explores themes surrounding today’s close scrutiny in all its bewildering, objectifying and unnerving experiences. Very much a conceptual and, therefore, continuous long-player, the album’s infectious grooves come to the fore on standout tracks ‘Summer Sun’, heavy-psych instrumental ‘Invisible’, the three-part ‘Blues Inside Me’, which encompasses a psych journey through a late ‘60s and early glam filter mixed with the propulsive ‘Like Stone’.

                                                                                                  TRACK LISTING

                                                                                                  1. Aboard
                                                                                                  2. Summer Sun
                                                                                                  3. Safe Passage
                                                                                                  4. Now Disappear
                                                                                                  5. Alone
                                                                                                  6. Invisible
                                                                                                  7. Blues Inside Me
                                                                                                  8. I Cannot Speak
                                                                                                  9. The Blue Elephant
                                                                                                  10. Life Unknown
                                                                                                  11. Safer Passage
                                                                                                  12. Like Stone
                                                                                                  13. Story Told
                                                                                                  14. Forget Me
                                                                                                  15. Now Disappear (Again)

                                                                                                  Cello player and electronic artist Martina Bertoni returns with her 2nd album for Karl: Hypnagogia delivers six new, masterfully crafted tracks between experimental ambient, drone and modern composition.

                                                                                                  Cellist and composer Martina Bertoni started playing the cello at a very young age. Classically trained, her career further developed around experimental and film music, for which her cello has been featured in numerous records, works and soundtracks for films and series. After two EPs and her debut full length All The Ghosts Are Gone (2020), Bertoni joined the Karl roster where she released Music For Empty Flats in January 2021 to critical acclaim (a.o. one of the Top Ten drone albums of 2021 / Acloserlisten.com).

                                                                                                  On her new album Hypnagogia she continues to explore the sonic possibilities of her cello which she uses as primary source for composition and sound processing through reverbs, feedbacks and sub-bass frequencies, thus crafting sonic sculptures, rich of atmospheres and frictions, fed by ambient as much as drone and modern composition.

                                                                                                  In the words of Martina Bertoni:
                                                                                                  "The six tracks that constitute Hypnagogia have been written during 2021 and partially inspired by the reading of Stanislaw Lem's book Solaris. The title refers to a transitional state of consciousness from wakefulness to sleep, during which one might experience sensorial hallucinations and lucid dreaming, and can tap into the pristine structures of the subconscious. Hypnagogia portraits an imaginary cosmic journey of the Self that crash ends into a blinding sun."

                                                                                                  TRACK LISTING

                                                                                                  1. Inversion
                                                                                                  2. Collided
                                                                                                  3. From E To W
                                                                                                  4. Orchid
                                                                                                  5. Hemisphere
                                                                                                  6. Your Sun

                                                                                                  Mary Black

                                                                                                  The Best Of 1991 - 2001

                                                                                                    Though her music is firmly based in the Irish tradition, Mary Black is equally at home with Lennon & McCartney, country, pop, jazz, show tunes and American gospel too. Her first influences included Sandy Denny and the bonus disc of this compilation of her best work recorded between 1991 - 2001 is a haunting version of the Denny classic "Who Knows Where The Time Goes".

                                                                                                    First official release in nearly five years from the rapper, poet, and trailblazer Mykki Blanco, since their debut full-length "Mykki." Features special guests Blood Orange (Dev Hynes), Big Freedia, Kari Faux and is produced by FaltyDL.

                                                                                                    Opening with the groovy yet ethereal "Trust A Little Bit" - seared with soulful auto-tune and huge harmonies - we move into the anthemic boom-slap of "Summer Ride" which has vintage Outkast vibes beamed via a hologram of Justin Timberlake. It's clear that Blanco's hear is in big tunes that fill the room.

                                                                                                    Elsewhere we get drank-fueled, slo-mo RnB, cut with trap beats and rich with FaltyDL's glassy, refracted production aesthetic. Somehow perfectly bridging the gap between pop and RnB's hooky ephemera, gritty street rap and the overwhelming stimulus of bass music and future beats. There's some quirky, idiosyncratic skits that tie tracks together that really, you're only gonna dig if you follow the artist's whole social profile (that's followers grandad - Ed) but they do provide some light yet beautifully timed, and sometimes comedic relief between the attitude-riddled songs that pepper the album.

                                                                                                    Includes the 6Music A-listed single "Free Ride" co-produced with Hudson Mohawke.



                                                                                                    TRACK LISTING

                                                                                                    1. Trust A Little Bit (God Colony Version)
                                                                                                    2. Free Ride
                                                                                                    3. Summer Fling (feat. Kari Faux)
                                                                                                    4. It’s Not My Choice (feat. Blood Orange)
                                                                                                    5. Fuck Your Choices
                                                                                                    6. Love Me (feat. Jamila Woods And Jay Cue)
                                                                                                    7. Want From Me (feat. Bruno Ribeiro)
                                                                                                    8. Patriarchy Ain’t The End Of Me
                                                                                                    9. That’s Folks (feat. Big Freedia)

                                                                                                    Mykki Blanco

                                                                                                    Mykki

                                                                                                       A singular artist who has made an indelible mark on the pop music landscape with a string of street-level releases and mixtapes, Mykki Blanco releases his debut album “Mykki“. Produced by Woodkid and Jeremiah Meece, the album finds Blanco simultaneously at his most fearless and his most accessible.

                                                                                                      “I realised as an artist I need to focus on myself and on my work. Arguments with people online distract from that. I used to have a problem with the media trying to define me, either as a drag queen, or a transvestite, as a homosexual rapper, a transsexual or an HIV positive pop star, but most people need labels and my true fans know who I am and what I'm about".

                                                                                                      Mykki Blanco’s referential framework is both archival and futuristic; a myriad of culture references, spiritual anecdotes, designer labels, make-up brands, hippie jargon, Fendi here and Snapchat there, all perfectly reflecting the reative dialogue digital landscape we live in.


                                                                                                      TRACK LISTING

                                                                                                      01 / A1 I'm In A Mood
                                                                                                      02 / A2 Loner Feat. Jean Deaux
                                                                                                      03 / B1 High School Never Ends
                                                                                                      04 / B2 Interlude 1
                                                                                                      05 / B3 My Nene
                                                                                                      06 / C1 The Plug Won't
                                                                                                      07 / C2 Hideaway Feat. Jeremiah Meece
                                                                                                      08 / C3 Interlude 2
                                                                                                      09 / C4 You Don't Know Me
                                                                                                      10 / D1 Fendi Band
                                                                                                      11 / D2 For The Cunts
                                                                                                      12 / D3 Shit Talking Creep
                                                                                                      13 / D4 Rock N Roll Dough

                                                                                                      “Stay Close To Music”, the new studio album from Mykki Blanco, is unlike anything they have released before. Adventurous and expansive, it shatters any previously held assumptions about Mykki’s artistry, leaving them free to define their sound for themselves.

                                                                                                      Throughout their evolution, poet, artist, musician Mykki Blanco has continuously blurred genres - pulling rave, trap, grunge and punk influences into a swirling pool of experimental hip hop that celebrated queer and trans experiences.

                                                                                                      Ultimately Mykki concluded they wanted to create their own sonic universe from scratch. To facilitate this, they collaborated with producer and multi-instrumentalist FaltyDL, who allowed them to envision new soundscapes built from lush, live instrumentation.

                                                                                                      The songs spun together through numerous jam sessions, with writing taking place in Lisbon, Paris, New York, Chicago and Los Angeles. By 2019, Mykki realized that they were working on two different records concurrently. The first became 2021’s lauded mini-album Broken Hearts & Beauty Sleep and now Mykki readies the second collection of the sessions via Stay Close To Music.

                                                                                                      “I wanted to see what it would be like to go back and be a musician from another time where you had to start every ingredient raw from scratch. That process, ideology and that way of making has not only changed me as a musician, it has creatively changed me as a person.”

                                                                                                      “Stay Close To Music” features contributions from from Michael Stripe, Saul Williams, ANOHNI, Dianna Gordon, Devendra Banhart, Jónsi and more.

                                                                                                      Mykki Blanco is an artist revered for their fearless ability to evolve, placing their creative exploration at the forefront of their career. With “Stay Close To Music”, Mykki Blanco is leveling up. By stepping into unchartered territory untethered and free, they have fulfilled their ambitions and created a rich, complex and accomplished sound that belongs entirely to them and which only solidifies their status as one of the world’s most innovative musical pioneers.


                                                                                                      TRACK LISTING

                                                                                                      01 - Pink Diamond Bezel
                                                                                                      02 - Steps (feat. Saul Williams And MNEK)
                                                                                                      03 - French Lessons (feat. ANOHNI And Kelsey Lu)
                                                                                                      04 - Ketamine (feat. Slug Christ)
                                                                                                      05 - Your Love Was A Gift (feat. Diana Gordon)
                                                                                                      06 - Family Ties (feat. Michael Stipe)
                                                                                                      07 - Your Feminism Is Not My Feminism (feat. Ah-Mer-Ah-Su)
                                                                                                      08 - Lucky
                                                                                                      09 - Interlude
                                                                                                      10 - Trust A Little Bit
                                                                                                      11 - You Will Find It (feat. Devendra Banhart)
                                                                                                      12 - Carry On (feat. Jónsi)
                                                                                                      13 - French Lessons [Single Version] (feat. Kelsey Lu)

                                                                                                      Marcel Bontempi

                                                                                                      Crawfish, Troubles, Cats & Ghosts

                                                                                                        The (second) single compilation 2015 – 2021. Here is the second compilation of the wizard of rhythm - full-packed with his 7" output (all limited and sold out by now) from 2015 until 2021 and some unreleased songs and muscial themes for theatreplays among others.

                                                                                                        The vinyl comes in a gatefold cover with lots of infos and photos and with an extra bonus 7" of unreleased material inc a cover of Nick Cave’s Red Right Hand.

                                                                                                        Michael Boothman & Family Tree

                                                                                                        Tabu

                                                                                                          Band from Trinidad & Tobago, led by the internationally renowned lead guitarist guitarist and songwriter Michael Boothman. Tabu and So Dey Say were recorded in 1972 and would remain Family Tree’s only recordings. Limited edition of 500 copies worldwide!
                                                                                                          .
                                                                                                          Family Tree represented a new generation re-discovering Trinidadian folk music forms and giving them a contemporary treatment. Family Tree infused old Shango rhythms in their new sound and were the first to experiment with steel pan fused with standard instrumentation.

                                                                                                          Tabu is a cover of a Cuban standard made popular in Trinidad by 1950s calypso musicians Cyril Diaz and his Orchestra and So Dey Say was an original composition by David Boothman.

                                                                                                          Although they only ever recorded these two songs, the band toured with Derek Walcott's Trinidad Theatre Workshop and forged long standing musical connections with some of the country's leading musicians. 

                                                                                                          Marco Bosco

                                                                                                          Fragmentos Da Casa - 2021 Reissue

                                                                                                            Reissued for the first time, "Fragmentos da Casa" by Brazilian percussionist Marco Bosco, was originally released in 1986, by Carmo, owned by Egberto Gismonti. Carmo also released albums by Gismonti, Piry Reis, Fernando Falcão, Nando Carneiro and André Geraissati, among others.

                                                                                                            Brazilian percussion is a universe apart. The fusion of African and Brazilian cultures and rhythms has generated many talented musicians who have gone deep into Brazilian roots to search for its essence and thoroughly research all of our diversity. Many of the percussionists have been transformed into an "export products” worshiped worldwide: Airto Moreira, Naná Vasconcelos, Djalma Corrêa, Fernando Falcão, Pedro “Sorongo” Santos and Marco Bosco, among many others. Marco Bosco started his personal journey in the 70s, but the biggest impact happened when he released his first solo work, Metalmadeira (1983), a journey made up of acoustic and electronic textures, sons of nature, vocoders, synthesizers and sequencers.

                                                                                                            Fragmentos da Casa, his second solo album, had a striking concept, explained by the artist himself, from the original press release : “Antagonizing the synthesized universe of digital equipment and instruments to an acoustic aesthetics; plus emphasizing the timbristic characteristics of percussion: Fragmentos da Casa is a musical interpretation of a journey - one night and one day - through the rooms of an imaginary house”In 1986, Marco Bosco's percussive arsenal was unique and extremely peculiar, containing chizanzhi, caxixis, purrinhola, requo-requo, shequeres, berimbaus and lingo drum, among other instruments.This fusion of acoustic and synthetic, promoted by some Brazilian artists in the 80's and celebrated worldwide, still brings memories to the percussionist. For him, the arrival of those electronic gadgets "was the best thing that happened on the planet".

                                                                                                            This reissue includes a reproduction of the original artwork, new testimonies by Marco Bosco and a a long article signed by Bento Araujo, author of the series of books "Lindo S onho Delirante", which investigates audacious and fearless music produced in the Brazilian underground.

                                                                                                            The track "Sol da Manhã" was included in "Outro Tempo"(Electronic and Contemporary Music from Brazil 1978-1992), compilation by DJ John Gomez released by Dutch music From Memory.

                                                                                                            TRACK LISTING

                                                                                                            SIDE A
                                                                                                            A1. Fragmentos
                                                                                                            A2. Sol Da Manhã
                                                                                                            A3. Dia Claro
                                                                                                            SIDE B
                                                                                                            B1. Tua Casa, Minha Casa
                                                                                                            B2. Quarto
                                                                                                            B3. Sala
                                                                                                            B4. Cozinha
                                                                                                            B5. Pela Janela

                                                                                                            With Wolves The Lamb Will Lie is M G Boulter’s second full-length solo release, following 2013’s The Water & the Wave. Relocating this time from the shores of the Thames Delta in Essex to the peak district of Sheffield, Boulter has worked closely with award-winning producer Andy Bell (Bellowhead, Seasick Steve and Teenage Fanclub) to produce an album of lyrical depth and quiet brilliance. As with former projects, Boulter has surrounded himself with an array of musicians from different genres to help forge his vision; here one finds Ben Nicholls (The Full English, Seth Lakeman), Toby Kearney (These New Puritans), Sheffield songwriter Neil McSweeney and folk artist Lucy Farrell, among others. With Wolves The Lamb Will Lie reaffirms M G Boulter’s ability to conjure up compelling stories and mesmeric musical arrangements.

                                                                                                            M G Boulter is the principle songwriter and lead singer of Southend-based roots-rock band The Lucky Strikes and is a much sought after session musician who has toured with The Duke and the King, Simone Felice and Blue Rose Code, as well as recording with Dirk Powell, Rosalie Deighton and Vera Van Heeringan among many others. He has most recently been touring as a member of BBC Folk Award winner Emily Portman’s band.

                                                                                                            TRACK LISTING

                                                                                                            01. Sean Or Patrick
                                                                                                            02. In Sight Of The Cellar
                                                                                                            03. His Name Is Jean
                                                                                                            04. Carmel Oakes
                                                                                                            05. Lalita
                                                                                                            06. The Last Song
                                                                                                            07. Defeatist Hymn
                                                                                                            09. Brother Uncles
                                                                                                            10. Starlings
                                                                                                            11. Love Trees
                                                                                                            12. Let Light In

                                                                                                            Matthew Bourne

                                                                                                            Irrealis

                                                                                                              Matthew Bourne follows 2017’s Isotach album, and recent collaborations with Keeley Forsyth and Nightports, with a collection of prepared piano pieces.

                                                                                                              Irrealis was recorded in a single session, each take played as live without any overdubs. Having taught himself the basics of prepared piano by throwing confectionary into his school’s instrument, elements of these experimentations played a key role in Bourne’s early performances. This culminated in an infamous performance piece which saw the explosive musical demolition of an upright piano with a sledgehammer.

                                                                                                              Far from the staid academic process the discipline is often approached with, Irrealis sees a restless improvisational musician explore the possibilities of his instrument with a box of nuts, bolts and Blu-Tak, and a sense of playfulness and spontaneity.


                                                                                                              TRACK LISTING

                                                                                                              Shri
                                                                                                              Asaf
                                                                                                              Dušan
                                                                                                              Jane
                                                                                                              Laurent
                                                                                                              Alice
                                                                                                              Armando

                                                                                                              Matthew Bourne

                                                                                                              Isotach

                                                                                                                Following his celebrated 'Moogmemory' project, Matthew Bourne returns to the piano for Isotach. Once again, spontaneity is the keyword where Bourne is concerned, catching on tape that pregnant moment when a piece begins to form. Skeletal piano motifs, an aching use of space and sparin g cello arrangements are deployed to devastating effect.

                                                                                                                Recorded in his rural North Yorkshire home, Bourne’s piano placed to overlook the moors while he works, the album title is a nod to the weather, which played a part in its creation. The recordings took place during what Bourne describes as “extreme weather” . If you listen carefully you can hear the wind and rain picked up on the microphones, the sparse instrumentation providing the calm in the eye of the storm. Isotach is Bourne’ s first full length solo piano album since 2012’s Montauk Variations The audiophile vinyl edition is half-speed mastered and pressed at Optimal in Germany.

                                                                                                                Vinyl also includes a CD of the album. Both vinyl and CD editions feature a spot varnished sleeve, picking out the weather symbols that represent each track on the album. The title track was originally conceived for the first Piano Day in 2015. Nils Frahm had asked for a contribution, to which Bourne agreed and promptly forgot. 'Isotach ’ was written and recorded with a single microphone, the night before Piano Day. It has now been streamed over 275k times on SoundCloud . 'Candela (For Sascha Heeney)’ was released for Piano Day 2017 .

                                                                                                                The album follows the critical success of the synth-focused works 'moogmemory' and Radioland: Radio-Activity Revisited , a visceral live audio/visual experience created to mark the 40th anniversary of Kraftwerk's seminal album, with Franck Vigroux and video artist Antoine Schmitt. Bourne’s first solo studio album, Montauk Variations (The Sunday Times’ Leftfield Album of the Year in 2012), was celebrated for its sense of stillness and serenity, marking an important musical turning point.

                                                                                                                STAFF COMMENTS

                                                                                                                Barry says: Like the haunted prepared piano works of Hauschka or the paddling rolling beauty of Nils Frahm's more ambient works, Matthew Bourne takes the framework of modern classical and injects it with a spontaneity through rhythmic about-turns and fluid time-signature shifts, leading to a truly beguiling wonder. Top stuff.

                                                                                                                Matthew Bourne

                                                                                                                Montauk Variations

                                                                                                                  Matthew Bourne is the latest signing to The Leaf Label, and Montauk Variations is his first ever solo studio album.

                                                                                                                  A phenomenal live performer, Bourne brings a breathtaking physicality to the piano that, once witnessed, is hard to forget (try searching for ‘Matthew Bourne piano’ on YouTube).

                                                                                                                  A genuinely unique pianist and composer, whose music straddles jazz, classical and rock, Bourne uses every imaginable technique to wring the last drop of inspiration from his chosen instrument.

                                                                                                                  Montauk Variations represents something of a change of direction for him – an album of beautiful, lyrical solo piano compositions, punctuated by visceral percussive pieces.

                                                                                                                  The album was recorded in The Great Hall at Dartington College, Devon in May 2011, with additional recordings at St Margaret’s Rectory in Manchester and Rebel Elements studio close to his Yorkshire home.

                                                                                                                  A restless, endlessly exploratory musician, don’t expect him to stand still - this is the first in a series of albums under the ‘Matthew Bourne presents’ banner, with future releases to include an audio-visual project recorded with his beloved Memorymoog analogue synthesizer, and an album with vocalist Seaming To under the name Billy Moon.

                                                                                                                  'Moogmemory' is the latest album from multi-award winning pianist and composer Matthew Bourne, who has turned his considerable talents to the world of analogue synthesizers.

                                                                                                                  Very much in demand as a collaborator and co-conspirator, Bourne has his fingerprints on a huge number of projects, having worked with artists as diverse as John Zorn, Annette Peacock, Nils Frahm, Nostalgia 77, Amon Tobin and Broadway Project.

                                                                                                                  Growing from spontaneous improvised live performances, the album took shape in the studio as Bourne explored and moulded the vast sonic possibilities of voltage-controlled oscillators, creating beautiful, brooding landscapes of thick impasto and translucent sunbursts.

                                                                                                                  The seed for this project was planted when Bourne acquired an uncooperative 1982 Memorymoog, having it painstakingly modified and upgraded by Rudi Linhard in Germany .

                                                                                                                  Created without the use of computers or sequencers,Moogmemory is the first album to be recorded using only the Lintronics Advanced Memorymoog.

                                                                                                                  Bourne will tour moogmemory in collaboration with brilliant visual artist Michael England, who has worked with Autechre, Bola, Leila, Demdike Stare and many more.

                                                                                                                  STAFF COMMENTS

                                                                                                                  Barry says: Bringing to mind the more ambient, beat-less works of Alessandro Cortini (or indeed Nine Inch Nails), or the early electronics-heavy compositions by Nils Frahm ; Moogmemory is unsurprisingly, unashamed synth-worship. Through the impeccably textured compositions and characteristic, classic sound of a legendary instrument, this collection is breathtaking.

                                                                                                                  TRACK LISTING

                                                                                                                  1. Somewhere I Have Never Travelled
                                                                                                                  2. Alex
                                                                                                                  3. Nils
                                                                                                                  4. On Rivock EdgeE
                                                                                                                  5. B2 Sam
                                                                                                                  6. B3 Andrew
                                                                                                                  7. A3 Horn And Vellum
                                                                                                                  8. B4 Daniziel
                                                                                                                  9. I Loved Her, Madly

                                                                                                                  'Moogmemory' is the latest album from multi-award winning pianist and composer Matthew Bourne, who has turned his considerable talents to the world of analogue synthesizers.

                                                                                                                  Very much in demand as a collaborator and co-conspirator, Bourne has his fingerprints on a huge number of projects, having worked with artists as diverse as John Zorn, Annette Peacock, Nils Frahm, Nostalgia 77, Amon Tobin and Broadway Project.

                                                                                                                  Growing from spontaneous improvised live performances, the album took shape in the studio as Bourne explored and moulded the vast sonic possibilities of voltage-controlled oscillators, creating beautiful, brooding landscapes of thick impasto and translucent sunbursts.

                                                                                                                  The seed for this project was planted when Bourne acquired an uncooperative 1982 Memorymoog, having it painstakingly modified and upgraded by Rudi Linhard in Germany .

                                                                                                                  Created without the use of computers or sequencers,Moogmemory is the first album to be recorded using only the Lintronics Advanced Memorymoog.

                                                                                                                  Bourne will tour moogmemory in collaboration with brilliant visual artist Michael England, who has worked with Autechre, Bola, Leila, Demdike Stare and many more.

                                                                                                                  STAFF COMMENTS

                                                                                                                  Barry says: Bringing to mind the more ambient, beat-less works of Alessandro Cortini (or indeed Nine Inch Nails), or the early electronics-heavy compositions by Nils Frahm ; Moogmemory is unsurprisingly, unashamed synth-worship. Through the impeccably textured compositions and characteristic, classic sound of a legendary instrument, this collection is breathtaking.

                                                                                                                  TRACK LISTING

                                                                                                                  1. Somewhere I Have Never Travelled
                                                                                                                  2. Alex
                                                                                                                  3. Nils
                                                                                                                  4. On Rivock EdgeE
                                                                                                                  5. B2 Sam
                                                                                                                  6. B3 Andrew
                                                                                                                  7. A3 Horn And Vellum
                                                                                                                  8. B4 Daniziel
                                                                                                                  9. I Loved Her, Madly

                                                                                                                  'Dark Matter’ is a landmark record, a producer album by a young auteur, threading several thrilling musical traditions into a bold new tapestry: the raw energy of grime and afrobeats and the rolling club rhythms of the London underground, combined with the freewheeling creativity and collaborative spirit of his jazz training. With that mentality in mind, it’s no surprise that his talents have trickled over into fashion, producing original compositions for the Louis Vuitton Foundation x MoMa Archive film (2017) and most recently scoring the Men's Dunhill Paris Fashion shows in both 2018 and 2019.

                                                                                                                  A double MOBO & Jazz FM Award winner, Boyd’s live and studio collaborations have been as varied as they have been prolific, from touring with Sampha & Kelsey Lu, to drumming on Sons of Kemet’s Mercury-nominated album, to his recent collaboration with South African Gqom king DJ Lag, which made its way onto Beyonce’s official soundtrack for The Lion King. He produced Zara McFarlane 's 2017 full-length, Arise, in its entirety, for Gilles Peterson’s Brownswood label, and released several acclaimed solo projects though his Exodus record label. Boyd has produced original scores for major Paris fashion shows, and with saxophonist Binker Golding, he’s co-leader and co-producer of the ferocious semi-free group Binker and Moses.

                                                                                                                  STAFF COMMENTS

                                                                                                                  Laura says: Sitting at the heart of the British Nu-Jazz scene, Moses Boyd steps forward to bring us ‘Dark Matter’. An upbeat album with amazing depth and complexity, featuring the likes of Nathaniel Cross, Joe Armon Jones, Theon Jones, Nubya Garcia and Ife Ogunjobe.

                                                                                                                  TRACK LISTING

                                                                                                                  A.
                                                                                                                  Stranger Than Fiction
                                                                                                                  Hard Food Interlude
                                                                                                                  B.T.B

                                                                                                                  B.
                                                                                                                  Y.O.Y.O
                                                                                                                  Shades Of You (ft. Poppy Ajudha)

                                                                                                                  C.
                                                                                                                  Dancing In The Dark (ft. Obongjayar)
                                                                                                                  Only You
                                                                                                                  2 Far Gone (ft. Joe Armon Jones)

                                                                                                                  D.
                                                                                                                  Nommos Descent (ft. Nonku Phiri)
                                                                                                                  What Now?

                                                                                                                  Moses Boyd

                                                                                                                  Displaced Diaspora

                                                                                                                    Moses Boyd is at the forefront of the New British jazz scene having worked and recorded with like of Giles Peterson, Four Tet, Sons Of Kemet, Zara McFarlane and more. With 2 MOBO Awards to his name and Multiple Releases via his Label Exodus Records. Moses has established himself as one of the leaders in bringing the worlds of Jazz and Electronic music together.

                                                                                                                    This latest release is taken from the same sessions that brought us Rye Lane Shuffle. Displaced Diaspora is a collection of music from Moses Boyd recorded in 2015 that features some of the now leaders of the New British Jazz Scene Such as Theon Cross, Nubya Garcia and Nathaniel Cross. As well as the Iconic British Soul Vocalist Terri Walker, Saxophonist and Bata Player Kevin Haynes and his group, Grupo Eleggua and Rapper Louis VI. The music is a mix of Jazz, Yoruba chants with Hip Hop and electronica influenced beats.

                                                                                                                    TRACK LISTING

                                                                                                                    1. Rush Hour/Elegua (feat. Kevin Haynes Grupo Eleggua)
                                                                                                                    2. Frontline (feat. Kevin Haynes Grupo Eleggua)
                                                                                                                    3. Rye Lane Shuffle
                                                                                                                    4. Drum Dance
                                                                                                                    5. Axis Blue
                                                                                                                    6. City Nocturne (feat. Zara McFarlane)
                                                                                                                    7. Waiting On The Night Bus (feat. Terri Walker & Louis VI)
                                                                                                                    8. Marooned In S.E.6 (feat. Kevin Haynes Grupo Eleggua)
                                                                                                                    9. Ancestors (feat. Kevin Haynes Grupo Eleggua) 

                                                                                                                    Blink-and-you'll-miss-it, imported underground acid house music from the US... Matthew Brian hails from San Diego, CA. He is resident DJ & founder of House Music Fridays at Air Conditioned Lounge. "My Name Is" is a vintage acid jacker, but executed with needle-point precision and ferrocious intent. The vocal refrain: 'my name is jack, I make the acid' is the obliviously cliched vox needed to nestle into this intertwined and serpentine 303 licks. With fizzy drum boxes and a snare roll that'll melt your face off, this is high grade warehouse music that many try to replicate but few achieve such dizzying greatness as this!

                                                                                                                    An essential addition to any club DJs weaponry...

                                                                                                                    Limited import copies! 


                                                                                                                    STAFF COMMENTS

                                                                                                                    Matt says: Tasty warehouse bubbler from this San Diego talent. RIYL: Paranoid London, Posthuman, Luke Vibert etc.

                                                                                                                    TRACK LISTING

                                                                                                                    A. My Name Is
                                                                                                                    B. My Name Is Dub

                                                                                                                    Mansur Brown

                                                                                                                    NAQI Mixtape

                                                                                                                      Mansur Brown returns with ‘NAQI Mixtape’ - a vinyl release that combines both ‘NAQI’ EPs from earlier in the year.

                                                                                                                      Side A was made for the summer - hard hitting drums and low-end sub, whereas Side B is more for the winter - introspective songs that are cinematic and otherworldly in sound.

                                                                                                                      TRACK LISTING

                                                                                                                      No Way
                                                                                                                      My Luck
                                                                                                                      Fever
                                                                                                                      Rise
                                                                                                                      Me And You
                                                                                                                      Mission
                                                                                                                      Naqi
                                                                                                                      Path
                                                                                                                      Touch
                                                                                                                      Meikai

                                                                                                                      Mel Brown

                                                                                                                      Chicken Fat - Verve By Request Series

                                                                                                                        Guitarist Mel Brown’s 1967 Impulse! debut is possibly both the funkiest and most unique album ever released on the label. Brown’s clean blues picking style—honed while playing in John Lee Hooker’s and T-Bone Walker’s bands—marinates funkily with the swinging soul-jazz organ of Gerald Wiggins. Especially noteworthy are the title track, “Greasy Spoon” and the simmering lament of “I’m Goin’ to Jackson”. Audio transferred from the analog tapes.

                                                                                                                        Verve By Request Series features 180-gram vinyl, pressed at Third Man in Detroit.

                                                                                                                        TRACK LISTING

                                                                                                                        1. Chicken Fat (Side A)
                                                                                                                        2. Greasy Spoon (Side A)
                                                                                                                        3. Home James (Side A)
                                                                                                                        4. Anacrusis (Side A)
                                                                                                                        5. Hobo Flats (Side B)
                                                                                                                        6. Shanty (Side B)
                                                                                                                        7. Sad But True (Side B)
                                                                                                                        8. I’m Goin’ To Jackson (Side B)
                                                                                                                        9. Slalom (Side B)

                                                                                                                        Molly Burch

                                                                                                                        Romantic Images

                                                                                                                          Romantic Images, Molly Burch’s third album, marks a distinct evolution for Burch, both emotionally and sonically. Recorded in Denver with Tennis’ Alaina Moore and Pat Riley producing, the collection celebrates the timeless delights of a well-crafted pop song, flirting with Blondie, Madonna, and even Mariah Carey as it forges a joyful soundtrack to liberation and self-discovery.

                                                                                                                          Burch deliberately worked with more women collaborators than ever before on the album, and the results are transcendent, reveling in the passion and the power of the divine feminine. The collection prioritizes ecstasy and escape, and Burch’s commitment to collective catharsis in her lifted, airy delivery manages to exude both thoughtful introspection and carefree abandon all at once. The shadow still lurks on the album, to be sure, but the light ultimately wins, and the result is an intoxicating collection all about coming into our truest selves.

                                                                                                                          When it came to mixing and mastering the material, Burch put her faith in Gloria Kaba (Lauryn Hill, A Tribe Called Quest), Mikaelin “Blue” Bluespruce (Solange Knowles), and Heba Kadry (Bjork, Beach House) to truly understand where she was coming from with the music.

                                                                                                                          Burch designed the record to mirror the emotional journey that went into creating it, sequencing the music to work its way from jittery indecision to poised certainty over the course of ten mesmerizing tracks. Exhilarating opener “Control” takes a leap of faith as it learns to make peace with letting go, while the infectious “Heart Of Gold” grapples with wanting what you can’t have. By the time the silky “New Beginning” rolls around, Burch begins settling into a newfound sureness that dominates the collection’s second half, with the addictive “Emotion” (a collaboration between Burch and her Captured Tracks labelmate Wild Nothing) celebrating a spectrum of emotions as fuel for creativity.

                                                                                                                          “I’ve written quite a bit about anxiety and heartbreak in the past,” Burch reflects, “but this record is more inspired by confidence and self-love. This is the most me I’ve ever sounded on an album.”

                                                                                                                          STAFF COMMENTS

                                                                                                                          Barry says: With a pretty legendary lineup of collaborators and producers working in conjunction with Burch, this was never going to be anything but superb. It's with a great deal of pleasure then, that I can confirm her singular writing style and unmistakeable vocal direction is at it's peak here. A brilliantly enjoyable and gorgeously evocative selection, drenched in nostalgic production and clever writing.

                                                                                                                          TRACK LISTING

                                                                                                                          1. Control
                                                                                                                          2. Games
                                                                                                                          3. Heart Of Gold
                                                                                                                          4. Romantic Images
                                                                                                                          5. New Beginning
                                                                                                                          6. Took A Minute
                                                                                                                          7. Emotion
                                                                                                                          8. Honeymoon Phase
                                                                                                                          9. Easy
                                                                                                                          10. Back In Time

                                                                                                                          Molly Burch

                                                                                                                          Romantic Images

                                                                                                                            Romantic Images, Molly Burch’s third album, marks a distinct evolution for Burch, both emotionally and sonically. Recorded in Denver with Tennis’ Alaina Moore and Pat Riley producing, the collection celebrates the timeless delights of a well-crafted pop song, flirting with Blondie, Madonna, and even Mariah Carey as it forges a joyful soundtrack to liberation and self-discovery.

                                                                                                                            Burch deliberately worked with more women collaborators than ever before on the album, and the results are transcendent, reveling in the passion and the power of the divine feminine. The collection prioritizes ecstasy and escape, and Burch’s commitment to collective catharsis in her lifted, airy delivery manages to exude both thoughtful introspection and carefree abandon all at once. The shadow still lurks on the album, to be sure, but the light ultimately wins, and the result is an intoxicating collection all about coming into our truest selves.

                                                                                                                            When it came to mixing and mastering the material, Burch put her faith in Gloria Kaba (Lauryn Hill, A Tribe Called Quest), Mikaelin “Blue” Bluespruce (Solange Knowles), and Heba Kadry (Bjork, Beach House) to truly understand where she was coming from with the music.

                                                                                                                            Burch designed the record to mirror the emotional journey that went into creating it, sequencing the music to work its way from jittery indecision to poised certainty over the course of ten mesmerizing tracks. Exhilarating opener “Control” takes a leap of faith as it learns to make peace with letting go, while the infectious “Heart Of Gold” grapples with wanting what you can’t have. By the time the silky “New Beginning” rolls around, Burch begins settling into a newfound sureness that dominates the collection’s second half, with the addictive “Emotion” (a collaboration between Burch and her Captured Tracks labelmate Wild Nothing) celebrating a spectrum of emotions as fuel for creativity.

                                                                                                                            “I’ve written quite a bit about anxiety and heartbreak in the past,” Burch reflects, “but this record is more inspired by confidence and self-love. This is the most me I’ve ever sounded on an album.”

                                                                                                                            STAFF COMMENTS

                                                                                                                            Barry says: With a pretty legendary lineup of collaborators and producers working in conjunction with Burch, this was never going to be anything but superb. It's with a great deal of pleasure then, that I can confirm her singular writing style and unmistakeable vocal direction is at it's peak here. A brilliantly enjoyable and gorgeously evocative selection, drenched in nostalgic production and clever writing.

                                                                                                                            TRACK LISTING

                                                                                                                            1. Control
                                                                                                                            2. Games
                                                                                                                            3. Heart Of Gold
                                                                                                                            4. Romantic Images
                                                                                                                            5. New Beginning
                                                                                                                            6. Took A Minute
                                                                                                                            7. Emotion
                                                                                                                            8. Honeymoon Phase
                                                                                                                            9. Easy
                                                                                                                            10. Back In Time

                                                                                                                            Molly Burch

                                                                                                                            Daydreamer

                                                                                                                              For Molly Burch, the age 13 was a seminal moment in life that has shaped the path that she is on now. Burch's fourth album, Daydreamer, explores the feelings and insecurities of this critical stage. Burch has recently relocated to her hometown of Los Angeles, but while she was still residing in Austin, she visited home and did that thing our parents love to have us do: rummage through old boxes to see what shit we can throw away. Upon finding her old diaries from age 13 and younger, Burch was brought to tears. Realizing how cruel she was to herself then, and how she still harbors many of those same self-critiques. It was this visit that forced her to take responsibility for where she was currently at in life, anxiety and body issues and all, and to try to let go of old habits.

                                                                                                                              The thematic territory mined on Daydreamer makes it her most personal album yet, and though yes, she says that about all of her albums, this one in particular is a conversation between Burch's state of being when she was younger and how she feels currently as an adult. Daydreamer boasts a sharper, much cleaner production approach and a bit more pop than Burch's previous records, thanks to producer Jack Tatum (Wild Nothing). The result is music that feels stirring and sweeping, pulling in sounds and influences of the past, while also propelling Burch into a further development of herself as an artist.

                                                                                                                              On the surface, lead single "Physical" is a dark and sultry '80s mid-tempo jam with an intro that could very well be on the soundtrack to a John Carpenter horror film. It's also about Burch's public struggles with PMS. The album also returns to themes that have become somewhat of a signature for Burch, such as unrequited love on "Unconditional." And then there's "Tattoo," one of the more emotional songs on the album, where Burch writes an ode to her best friend in high school who took her own life in 2009. It's the longest Burch has ever taken to write a song, an ethereal ballad featuring sweeping harp and backup vocals from Luna Li (Hannah Kim).

                                                                                                                              Though the album spends time with mournful, anxious reflections, the songs on Daydreamer never feel bogged down in bleakness or morbidity. Burch's ability to take the darkest moments of her life and translate them to a universal language lays the ground for her most masterful pop writing to-date. Daydreamer is dedicated not only to her thirteen year-old self, but the thirteen year-old selves of listeners that still lingers within them. As children, we escape the world and our scariest thoughts through daydreaming. When Burch was a kid, she would daydream about how life would look when she was older, when she'd presumably have all her shit together. Now, as an adult, she finds herself daydreaming about what's next in life, what she'll create in the future, and the person she wants to be.

                                                                                                                              STAFF COMMENTS

                                                                                                                              Barry says: Molly Burch has always been a big hit in the shop, with her 2021 LP 'Romantic Images' proving a bit hit with customers too, so it's exciting to get her latest for Captured Tracks, the captivating 'Daydreamer'. With heartfelt lyrical emotion bombs like 'Tattoo' interspersed with less emotionally wrought, but equally beautiful 50's adjacent lounge-pop swooners. It's a beautifully written, deeply emotional journey.

                                                                                                                              TRACK LISTING

                                                                                                                              1. Made Of Glass
                                                                                                                              2. Physical
                                                                                                                              3. Baby Watch My Tears Dry
                                                                                                                              4. 2003
                                                                                                                              5. Tattoo
                                                                                                                              6. Unconditional
                                                                                                                              7. Heartburn
                                                                                                                              8. Champion
                                                                                                                              9. Beauty Rest
                                                                                                                              10. Bed

                                                                                                                              Molly Burch

                                                                                                                              Emotion

                                                                                                                                Austin singer and songwriter Molly Burch returns this new year with a fresh sound on “Emotion’’, a disco-tinged, dynamic shot of adrenaline produced by Captured Tracks label-mate Wild Nothing (Jack Tatum).

                                                                                                                                In January 2020, Burch headed to Tatum’s hometown of Richmond, Virginia, looking to write new material with a distinct pop sound and production in mind. Sharing some of her latest demos and a playlist of her favorite pop bangers with Tatum, they set out to make a heart-pumping dance track of their own.

                                                                                                                                On “Emotion”, Burch’s voice is as strong and masterful as ever, pairing a lighter, polished vocal performance - a surprising, but captivatingdeparture from her signature smoky delivery - with Tatum’s compelling bass lines, beats, and shimmering synths. Burch says, “for me, the theme of the song is about feeling a spectrum of emotions, embracing that sensitivity, and using it as fuel to create something positive. “Emotion” is a celebration of being alive.”


                                                                                                                                TRACK LISTING

                                                                                                                                Side A: Emotion Feat. Wild Nothing
                                                                                                                                Side B: Needy

                                                                                                                                Molly Burch

                                                                                                                                The Molly Burch Christmas Album

                                                                                                                                  On this collection of holiday songs, Austin chanteuse Molly Burch does Christmas with a twist. Quite an omnibus, the album features classics like “I’ll Be Home for Christmas” and “Auld Lang Syne” alongside heartland hits like “Hard Candy Christmas” and “Snowqueen of Texas”.

                                                                                                                                  “This is the most fun I’ve had making a record yet,” Burch says. And you can hear that joy on tracks like ABBA’s “Happy New Year” as well as a playful cover of Wham’s “Last Christmas” with two special guests: actor / comedians John Early (Search Party, Wet Hot American Summer) and Kate Berlant (Sorry to Bother You) add a blithe intro and backing vocals throughout.

                                                                                                                                  Recorded by Will Paterson (RF Shannon, Jesse Woods) and Jarvis Taveniere (Woods, Martin Courtney, Purple Mountains), the album also features two beautiful originals penned by Burch to add to your holiday canon. “I hope it’s a Christmas album for people who love Christmas music and people who don’t love Christmas music. May these songs welcome in a fresh new year and many warm, happy nights.”


                                                                                                                                  STAFF COMMENTS

                                                                                                                                  Barry says: It's November.

                                                                                                                                  TRACK LISTING

                                                                                                                                  1. The Secret Of Christmas
                                                                                                                                  2. Hard Candy Christmas
                                                                                                                                  3. Snowqueen Of Texas
                                                                                                                                  4. Holiday Dreaming
                                                                                                                                  5. Last Christmas Ft. John Early & Kate Berlant
                                                                                                                                  6. I’ll Be Home For Christmas
                                                                                                                                  7. The Coldest Night Of The Year Ft. Jesse Woods
                                                                                                                                  8. What Do The Lonely Do At Christmas?
                                                                                                                                  9. New Year Love
                                                                                                                                  10. Have Yourself A Merry Little Christmas
                                                                                                                                  11. Happy New Year
                                                                                                                                  12. Auld Lang Syne

                                                                                                                                  Mary Chapin Carpenter

                                                                                                                                  Time . Sex . Love

                                                                                                                                    A mature and accomplished set of 14 songs on the timeless subjects of love, sex and the passage of time, with Chapin Carpenter at the peak of her powers writing with an assurity and vision seldom found in the more disposable aspects of today's music industry.

                                                                                                                                    Martin Carr

                                                                                                                                    The Breaks

                                                                                                                                      "The Breaks is an album of staggering neo-classic rock ambitions" - Uncut - 7/10 October 2014.

                                                                                                                                      Martin Carr was the main songwriter of The Boo Radleys. He was the force behind their position as stars of Alan McGee's Creation Records, their chart hits and NME front covers, and also retains an indelible pop sense and great song craftsmanship.

                                                                                                                                      Martin Carr

                                                                                                                                      New Shapes Of Life

                                                                                                                                        The former Boo Radleys artist released previous album 'The Breaks' a few years back now, an intriguing document that dealt with the songwriter's increased feeling of isolation from the world around him.

                                                                                                                                        Spending time working - unsuccessfully, he adds - on pop projects for other acts, the death of David Bowie left an enormous impact on Martin Carr.
                                                                                                                                        Sparking a period of re-analysis, he emerged stronger and definitely reinvigorated. He explains: "I was wasting my time scrabbling around in the dirt for pennies, making myself more and more miserable. I reflected on how many years I'd wasted chasing smoke and mirrors, living the life of an artist but neglecting the art."

                                                                                                                                        "I ditched everything else I was working on and decided to write a new album rather than waiting until I had a few songs. I started completely from scratch, writing and recording, often at the same time, in my home studio in Cardiff. I was looking for a sound and a voice to call my own. That was the starting point. The theme was to be myself, to attempt to discover what made me tick, to work out why I behaved the way I did. I wanted to go deeper and find more room in the depths."



                                                                                                                                        Martin Carthy With Dave Swarbrick

                                                                                                                                        Selections

                                                                                                                                          Two giants of the English folk scene with a canny selection of tracks from their early years together. Carthy has never been better than on "Lucy Wan", "Davy Lowston" and the equally haunting "Long Lankin" all songs dripping in blood and death. The understanding between the two players is there for all to see and the intervening years has simply enhanced these tracks.

                                                                                                                                          M. Caye Castagnetto

                                                                                                                                          Leap Second

                                                                                                                                            Influenced by a life split between Lima, London, and Twentynine Palms, Peru-born M. Caye Castagnetto’s Leap Second is an intriguingly personal and hard to classify debut album. The album is a thick collage of samples Caye recorded with different artists and musicians, including Beatrice Dillon and the late Aileen Bryant, that spans five years in the making. There is something in Leap Second that tracks the speed of bodies, how they approach and retreat. The ten tracks are speedy and languid, thick ruffles, and dirges. In parts it feels like one’s stumbled upon a forgotten incredible ’70s folk record but that feeling gets broken quickly by clever sleights of hand. Caye’s balladry is angular, time is elastic. Each song is a fresh cape. How dandies really mean it, so masc- that it’s fay, how the only moment is this one and it’s just passed, etcetera.

                                                                                                                                            “While it doesn’t really sound like anything else, there are moments that feel like a Latin-flavored Nico, that’s edging its way towards some of the outings of the Sun City Girls. In my opinion it checks all the boxes, by checking none of them.” —Bjorn Copeland, Black Dice. 

                                                                                                                                            “A truly interesting conglomeration of loose inspirations and conjurings. A hard to decipher sound all together which makes it worth every moment...a sprinkling of Catherine Ribeiro, Dr. John, Terje Rypdal and Nico. Far-out sun-soaked odysseys and moon-dappled woodland night creepers...” —John Dwyer.

                                                                                                                                            TRACK LISTING

                                                                                                                                            1. I Invented Disco
                                                                                                                                            2. Stopping You
                                                                                                                                            3. Slippery Snakes
                                                                                                                                            4. Mi Mentira
                                                                                                                                            5. All Points North
                                                                                                                                            6. Amor Cabra
                                                                                                                                            7. Hands On The Business
                                                                                                                                            8. Until
                                                                                                                                            9. Street Trees, Evening Green
                                                                                                                                            10. Chase Water, Blue Moon

                                                                                                                                            Mario Castro & Samba S.A

                                                                                                                                            Mario Castro & Samba S.A

                                                                                                                                              The Brazilian composer, pianist and producer, Mario Castro Neves and his group, Samba S A's self-titled album from 1967 is oozing with class.

                                                                                                                                              It possesses that archetypal 60's bossa nova, jazz, samba sound. We'd place it up there with Sergio Mendes at his finest, Tambo Trio or Milton Banana. It's a breezy ride that touches on easy listening at times, but it holds it together with a cool swagger. Biba and Thais Do Amaral's vocals are on point, with a relaxed delivery that compliments the tracks with the sublime beauty a la vocal groups such as Quarteto Em Cy, who Biba also sang with, as well as with Antonio Adolfo's e A Brazuca. Also appearing on the record is bassist extraordinaire, Novelli who worked with Milton Nascimento, Nelson Angelo E Joyce, Airto, and many of the greats of Brazilian music of the time.

                                                                                                                                              The album has long been a favourite with DJs and collectors over the years, with songs selected for compilations by Gilles Peterson and Nicola Conte. One of the centrepieces of the album, 'Candomble', has been sampled by Cut Chemist on his track 'Povo De Santo'. The song 'Nana' is punchy and light with dancefloor- jazz appeal. The gloriously catchy 'Vem Balancar' is a brilliant bossa shuffler. A superb listen throughout, the album sticks to a framework but delivers in spades.

                                                                                                                                              Though released on the major- label RCA Victor, original copies are elusive, sought-after items with a price tag to match. For this reissue, we have opted for the Mono master, mirroring the original 1967 Brazilian pressing. Instantly familiar, the album has a welcoming feeling of nostalgia and is something that stays with you from the first listen.

                                                                                                                                              A sublime bossa nova and samba rarity from 1967.

                                                                                                                                              Includes 'Candomble', as sampled by Cut Chemist.

                                                                                                                                              For fans of early Sergio Mendes and Quarteto em Cy.

                                                                                                                                              TRACK LISTING

                                                                                                                                              Candomble
                                                                                                                                              Yearning Lovers
                                                                                                                                              Nana
                                                                                                                                              De Brincadeira
                                                                                                                                              Bye Bye Blackbird
                                                                                                                                              E Nada Mais
                                                                                                                                              Keep Talking
                                                                                                                                              Vem Balancar
                                                                                                                                              Once More
                                                                                                                                              Morte De Um Deus De Sal
                                                                                                                                              Ta Por Fora
                                                                                                                                              Corcovado

                                                                                                                                              Treehouse 44 release the first known recordings by British folk guitar hero Michael Chapman. Previously unreleased, these are the earliest known recordings of this great British guitar hero, or as Michael Chapman calls it "The album I had no idea I had made!" This follows on the heels of Light in The Attic'c catalogue re-issue programme.

                                                                                                                                              The story of how Michael Chapman turned pro as a musician, walking into a Cornish pub and offering to play a gig in return for shelter from the rain outside is both well known and well told. These "lost" recordings catch up with our hero of the piece some eight months later as he played a show at Folk Cottage, Mitchell near Newquay in Cornwall on Good Friday, 24th March 1967.

                                                                                                                                              The Folk Cottage was established in 1963 and the former granite built farm workers building had secured it's reputation as a seminal venue on the circuit, with a host of talented local folk artists such as John The Fish and Brenda Wotton performing there as well as it proving to be a haven for the likes of Wizz Jones and Ralph McTell.

                                                                                                                                              At the time Chapman was being billed as "exciting new blues artist" and that is reflected in some of the material captured in these recordings ("Baby Please Don't Go", "Parchman Farm" and "Kansas City") but there is also the odd surprise in store for Chapman fans, including a cover of Buddy Holly's "That'll Be The Day" as well as three original instrumentals that highlight the emergence of Chapman's innovative and instantly recognisable guitar style that we know today.

                                                                                                                                              The original recordings are quite remarkable given the equipment and set up at their disposal. With the exception of editing out some re-tuning of guitars (sorry Michael!) we have preserved the performance in its entirety, providing a unique insight into the emergence of Michael as the artist we know today as well as a vivid soundtrack of a venue pivotal to the British folk and roots scene.

                                                                                                                                              TRACK LISTING

                                                                                                                                              Take Me Home Whiskey
                                                                                                                                              Woke Up This Morning
                                                                                                                                              Instrumental Number 1
                                                                                                                                              The Prisoners Song
                                                                                                                                              Going Down The Road Feeling Bad
                                                                                                                                              When Did You Leave Heaven
                                                                                                                                              All Night Worker
                                                                                                                                              I Thought About You
                                                                                                                                              That'll Be The Day
                                                                                                                                              Parchman Farm
                                                                                                                                              Baby Please Don't Go
                                                                                                                                              Conceited
                                                                                                                                              Instrumental Number 2
                                                                                                                                              I've Been Around
                                                                                                                                              Dindi
                                                                                                                                              Instrumental Number 3
                                                                                                                                              Ace In The Hole
                                                                                                                                              Kansas City

                                                                                                                                              Michael Chapman

                                                                                                                                              Americana

                                                                                                                                                The legendary Guitarist chooses tracks from his two Americana albums and releases them on 180 gram 12” vinyl, featuring extensive sleevenotes.

                                                                                                                                                Michael also took the photograph for the front cover.

                                                                                                                                                TRACK LISTING

                                                                                                                                                Swamp
                                                                                                                                                Ponchateulah
                                                                                                                                                Caddo Lake
                                                                                                                                                Anything But The Blues
                                                                                                                                                Blues For The Mother Road
                                                                                                                                                When Dottie Goes Dancing
                                                                                                                                                Apache Creek
                                                                                                                                                Looking For Charlie In Nogales
                                                                                                                                                Dust Devils
                                                                                                                                                So Many Echoes

                                                                                                                                                Martin Christie, beat-box poet and purveyor of electronic music open mic's across the country brings us his newest outing, 'The End Of All Things', brimming with snappy chiptune percussion, bitcrushed wordsmithery and tongue-in-cheek political commentary. We kick things off with the pocket-operated pinging envelopes and panned percussive glitches of 'No Stranger To Controversy', as hypnotic and propulsive a beginning as you could hope for. The machinated and industrious instrumental backline providing a stark contrast to the warmingly frank lyrical themes. 

                                                                                                                                                The following duo of 'All The Worlds Strangers' and 'Smells Of London' clearly owe a little more to classic singer-songwritery than the opener, with the former holding a frankly jaw-dropping falsetto amongst it's warmingly full-sounding folky soundscapes and perfectly recorded sparkling acoustic guitar, and the latter edging more towards mellow indica-dominant downbeat, flecked with spikes of snares punctuating the solid synth bassline. 

                                                                                                                                                As we move into the latter half of this delightful mini-album, Christie shows his diverse range of skills, with minimalistic vocal synth-pop (Hurricane Desmond) and pulsing, machinated synth swirls coupled with bit-crushed squeals and blipping, off-kilter percussives (Fighting Men). Finishing things off with the killer closing duology of 'Silent Spring', redolent of classic folk-pop moving slowly and gracefully into the end of all things, 'The End Of All Things' moving back into glitched-out Italo territory for a finishing and frankly spine-tinglingly effective closing salvo. 


                                                                                                                                                STAFF COMMENTS

                                                                                                                                                Barry says: Christie is both a clear talent and undeniable bastion of the DIY electronic scene, offering a keen ear for melody and an understated and frankly astounding vocal accompaniment. Superb stuff.

                                                                                                                                                TRACK LISTING

                                                                                                                                                1. No Stranger To Controversy
                                                                                                                                                2. All The Worlds Strangers
                                                                                                                                                3. Smells Of London
                                                                                                                                                4. Hurricane Desmond
                                                                                                                                                5. Fighting Men
                                                                                                                                                6. Silent Spring
                                                                                                                                                7. The End Of All Things


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