THIS IS A BLACK FRIDAY 2023 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON FRIDAY NOVEMBER 24TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8AM ON SATURDAY NOVEMBER 25TH).

Tuff City anthology of Old School DJ scratch classics with insert 7", half on red vinyl, half on blue featuring Davy DMX, Marley Marl, Cool DJAJ, Charlie Chase of the Cold Crush Brothers Tuff City is pleased to present the best possible reissue program of HipHop's first decade. These reissues were made as a tribute to Hip Hop’s 50th Anniversary. Each volume represents an important facet of performers on Tuff City: The Solo MC’s, The MC Crews, The DJ’s and The Female MC’s. Each volume features an inner sleeve with liner notes and bonus 7” insert. Each pressing consists of 750 on red vinyl and 750 of an opaque color specific to the volume (Yellow, Gold, Blue, Orange). A bonus 7” single is slipped in the cover encased in a Tuff City logo sleeve in the style of its iconic 12” singles. The series was also conceptualized as a multiset release to stand side by side with the classic Old School Rarities series (The Funky Drum Jams, The Electro Jams, The Linn Drum Jams & The Disco Jams) issued by our Ol’ Skool Flava imprint. The DJ’s get going with “Masters of The Scratch” from West Harlem duo Master OC & Krazy Eddie. Legendary Hollis, Queens multi-instrumentalist Davy DMX gives us the classic “One For The Treble.” Crash Crew DJ Darryl C is here with the previously unreleased “Party and Bullspit.” DJ Charlie Chase of the Cold Crush Brothers closes the first side with “We’re Gonna Need A Little Scratch.” Side Two opens with a master mix from the then 16 year old Hot Day from Queensbridge. Also from Queensbridge, genre archetype Marley Marl delivers his theme song “The Man Marley Marl.” DJ Quik aka Beatbox Master Quick delivers a “Scratch Attack.” The 1982 classic “Ah, That’s The Joint” by another early legend DJ AJ closes out the second side. The bonus includes a Ced Gee remix of “The 900 Number,” a signature track from The 45 King backed with “Marley Marl’s Scratch” from Marley Marl with a feature from MC Shan.

TRACK LISTING

1. Master O.C. And Krazy Eddie-Masters Of The Scratch;
2. Davy DMX-One For The Treble;
3. Daryl Cee AKA Julio- Party And Bullspit;
4. Charlie Chase-We're Gonna Need A Little Scratch;
5. Hot Day-Hot Day Master Mix;
6. Marley Marl-The Man Marley Marl;
7. Beatbox Master Quik-Scratch Attack;
8. Cool DJ AJ Aka DJ Scratch-Ah, That's The Joint;

Bonus 7" Single
A: The 45 King-The 900 Number (Ced Gee Remix);
B: Marley Marl-Marley Marl Scratch. 

THIS IS A BLACK FRIDAY 2023 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON FRIDAY NOVEMBER 24TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8AM ON SATURDAY NOVEMBER 25TH).

Tuff City anthology of Female MC's with insert single, half on red vinyl, half on orange vinyl featuring Queen Latifah, Roxanne Shanté, Wanda Dee, etc. Tuff City is pleased to present the best possible reissue program of Hip-Hop's first decade. These reissues were made as a tribute to Hip Hop’s 50th Anniversary. Each volume represents an important facet of performers on Tuff City: The Solo MC’s, The MC Crews, The DJ’s and The Female MC’s. Each volume features an inner sleeve with liner notes and bonus 7” insert. Each pressing consists of 750 on red vinyl and 750 of an opaque color specific to the volume (Yellow, Gold, Blue, Orange). A bonus 7” single is slipped in the cover encased in a Tuff City logo sleeve in the style of its iconic 12” singles. The series was also conceptualized as a multiset release to stand side by side with the classic Old School Rarities series (The Funky Drum Jams, The Electro Jams, The Linn Drum Jams & The Disco Jams) issued by our Ol’ Skool Flava imprint. The Female MCs commence with a greeting encompassing Dancehall, Rhythm and Patois from the superstar Queen Latifah. The classic Roxanne Wars are represented by Roxanne Shanté “Roxanne’s Revenge,” Sparky D’s “Sparky’s Turn” the pairs “Round One” and Sparky D’s “Sparky’s Profile.” Bronx teenager Traedonya is featured from both sides of her 1987 12” “The Boogaloo” and “Sixteen.” Sweet Tee’s feature on “The DMX Will Rock” closes out the first side. The Jazzy J produced “The Goddess” represents the Hip-Hop side of Wanda Dee, who had a UK House hit with “To The Bone.” New Jersey’s rare recording “(We Are) The Champs” produced by Ultramagnetic’s Ced Gee closes out the second side. The bonus single features Midnight Lace’s entry in the Run-DMC sweepstakes with “What’s Up (With These Girls)” and is backed with Harlem rapper Puffy Dee’s “Joe Blow.”

TRACK LISTING

1. Queen Latifah-Greetings From The Queen;
2. Roxanne Shanté-Roxanne's Revenge;
3. Sparky DSparky's Revenge (Roxanne You're Through);
4. Traedonya-The Boogaloo;
5. Davy DMX Feat. Sweet Tee-The DMX Will Rock (Rap Mix);
6. Roxanne Shanté With Sparky D-Round One;
7. Wanda Dee-The Goddess;
8. Traedonya-Sixteen;
9. Sparky D-Sparky's Profile 
10. Nasty Girls-We Are The Champs;

Bonus 7" Single
A: Midnight Lace-What's Up WIth These Girls;
B: Puffy Dee-Joe Blow

THIS IS A BLACK FRIDAY 2023 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON FRIDAY NOVEMBER 24TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8AM ON SATURDAY NOVEMBER 25TH).


Tuff City anthology of Old School group rap classics half on red vinyl, half on gold featuring Ultramagnetic MC’s, PHD featuring Havoc from Mobb Deep, Flavor Unit featuring Queen Latifah, Spoonie Gee with The Treacherous Three feat. Kool Moe Dee, etc. Tuff City is pleased to present the best possible reissue program of Hip-Hop's first decade. These reissues were made as a tribute to Hip Hop’s 50th Anniversary. Each volume represents an important facet of performers on Tuff City: The Solo MC’s, The MC Crews, The DJ’s and The Female MC’s. Each volume features an inner sleeve with liner notes and bonus 7” insert. Each pressing consists of 750 on red vinyl and 750 of an opaque color specific to the volume (Yellow, Gold, Blue, Orange). A bonus 7” single is slipped in the cover encased in a Tuff City logo sleeve in the style of its iconic 12” singles. The series was also conceptualized as a multiset release to stand side by side with the classic Old School Rarities series (The Funky Drum Jams, The Electro Jams, The Linn Drum Jams & The Disco Jams) issued by our Ol’ Skool Flava imprint. The MC Crews starts with the innovative scratch legend from the Bronx, Grand Wizard Theodore with the Fantastic Romantic 5. The classic “Can I Get A Soul Clap?” features a live rhythm section. Spoonie Gee with the Treacherous Three (including Kool Moe Dee) is a relentless tour-de-force that popularized the freestyle concept. A much sought-after 1986 remix of the 1980 “High Power Rap” from The Crash Crew closes out the first side. New Jersey is well represented with “Flavor Unit Assassination Squad.” The Flavor Unit produced by 45 King features Lakim Shabazz, Lord Alibaski, Apache, Double J and Queen Latifah at the turn of the 90’s. The Undefeated Three represent the Grand Concourse section of the Bronx with “U-N-D-E-F-E-A-T-E-D.” The bonus single features PHD from Queensbridge with an appearance from Havoc from Mobb Deep. The flip side is a freestyle from Bed-Sty's Freddy B & The Mighty Mic Masters.

TRACK LISTING

1. Grand Wizard Theodore & The Fantastic Romantic 5-Can I Get A Soul Clap;
2. Spoonie Gee With The Treacherous Three-New Rap Language;
3. Crash Crew-High Powered Rap (Remix);
4. Flavor Unit Feat Queen Latifah-Flavor Unit Assasination Squad;
5. Undefeated Three-U-N-D-E-F-E-A-T-E-D;

Bonus 7" Single
A: PHD Feat Havoc-Set It Pt. 3;
B: Freddy B & The Mighty Mic Masters-Bed Stuy Freestyle

THIS IS A BLACK FRIDAY 2023 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON FRIDAY NOVEMBER 24TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8AM ON SATURDAY NOVEMBER 25TH).

Tuff City anthology of early Hip-Hop solo performers with insert 7" half on red, half on yellow vinyl featuring Spoonie Gee, T-SkiValley, Ultramagnetic MC’s featuring Kool Keith, Grandmaster Caz, etc. Tuff City is pleased to present the best possible reissue program of Hip-Hop's first decade. These reissues were made as a tribute to Hip Hop’s 50th Anniversary. Each volume represents an important facet of performers on Tuff City: The Solo MC’s, The MC Crews, The DJ’s and The Female MC’s. Each volume features an inner sleeve with liner notes and bonus 7” insert. Each pressing consists of 750 on red vinyl and 750 of an opaque color specific to the volume (Yellow, Gold, Blue, Orange). A bonus 7” single is slipped in the cover encased in a Tuff City logo sleeve in the style of its iconic 12” singles. The series was also conceptualized as a multiset release to stand side by side with the classic Old School Rarities series (The Funky Drum Jams, The Electro Jams, The Linn Drum Jams & The Disco Jams) issued by our Ol’ Skool Flava imprint.

The Solo MC’s kicks off with Harlem’s pioneering Spoonie Gee’s influential “Spoonin’ Rap” from 1979. “Catch The Beat” from T-Ski Valley captures the post-Disco Bronx era of Rap. The side closes with the underground personality Funkmaster Wizard Wiz whose “Knucklehead Rappers” came after he broke from The Undefeated Three. Brooklyn’s Jimmy Spicer delivers a 14+ minute marathon “Adventures of Super Rhyme (Rap).” Grandmaster Caz from Cold Crush is paired with the Fantastic’s Whipper Whip for “To All The Party People” Captain G Whiz from Freddy B’s Mighty Mic Masters closes with his solo 12” track “All The Way Live.” The bonus single features a Kool Keith solo from the Ultramagnetic MCs backed with Grandmaster Caz by himself doing “I’m What Is and You’re What Wants To Be.”

TRACK LISTING

1. Spoonin' Rap-Spoonie Gee;
2. T-Ski Valley-Catch The Beat;
3. Funkmaster Wizard Wiz-Knucklehead Rappers;
4. Adventures Of Super Rhymes-Jimmy Spicer;
5. Grandmaster Caz With Whipper Whip-To All The Party People;
6. All The Way Live-Captain G. Whiz;

Bonus 7" Single
A: Ultramagnetic MC's-Kool Keith Wild;
B: Grandmaster Caz-I'm What Is Your What Wants To Be

THIS IS A BLACK FRIDAY 2023 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON FRIDAY NOVEMBER 24TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8AM ON SATURDAY NOVEMBER 25TH).


Double LP pressed on special limited edition ‘Smash Color’ wax. Non-Returnable. Featuring new cover art by renowned British artist Sophy Hollington. Booklet with track–by–track notes by Lydia Hyslop.

For more than 20 years, acclaimed reissue label Light in the Attic Records has shined a spotlight on some of music’s most unique — and often forgotten — voices. But reviving these long-out-of-print recordings is only half of the process. “We believe that an essential component of archival work, aside from simply honoring the music, is to seek ways in which to bring fresh perspectives, context, and reverence to the original artists and their work,” says LITAfounder, Matt Sullivan. Thus, LITA’s acclaimed cover series was born, in which contemporary acts pay homage to their favorite LITA artists and songs. Spanning more than a decade, 20 of these inspired cover songs will be available together for the very first time, exclusively for Black Friday (November 24) on the 2xLP Light in the Attic & Friends.

From Charles Bradley & The Menahan Street Band covering Detroit singer-songwriter Sixto Rodriguez and Mac DeMarco performing a song by Japanese icon Haruomi Hosono, to Iggy Pop & Zig Zags honoring funk queen Betty Davis, and Ethan & Maya Hawke covering country great Willie Nelson, these performances bridge the gap between generations, languages, and musical traditions.

TRACK LISTING

1. Charles Bradley & The Menahan Street Band - I'll Slip Away,
2. Sweet Tea - After Laughter (Comes Tears),
3. Vashti Bunyan & Devendra Banhart - How Could You Let Me Go
4. Barbara Lynn - We'll Understand
5. BADBADNOTGOOD Feat. Jonah Yano - Key To Love Is Understanding
6. Iggy Pop & Zig Zags - If I'm In Luck I Might Get Picked Up
7. Mozart Estate - Low Life
8. Leslie Winer & Maxwell Sterling - Once I Was
9. Ethan & Maya Hawke - We Don't Run
10. Gold Leaves - Won't You Tell Your Dreams
11. Swamp Dogg, John C. Reilly, Jenny Lewis & Tim Heidecker - The Kneeling Drunkard's Plea
12. Silas Short - You've Become A Habit
13. Mac DeMarco - Honey Moon
14. Cameron Bethany - Send It On
15. Roedelius - Le Chant Des Fauves
16. Roedelius - Same Old Man
17. Angel Olsen - Something On Your Mind
18. Mary Lattimore - Blink
19. Acetone - Plain As Your Eyes Can See
20. Steve Gunn & Bridget St. John - Rabbit Hills

THIS IS A BLACK FRIDAY 2023 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON FRIDAY NOVEMBER 24TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8AM ON SATURDAY NOVEMBER 25TH).

Soul Jazz Records’ new one-off limited-edition heavyweight special-edition coloured vinyl pressing + download code exclusively for Black Friday 2023 of Soul Jazz Records’ long out of print classic ‘Studio One Kings’.

Featuring a new striking alternative sleeve design (featuring the singer Freddie McKay) as well as a special yellow coloured vinyl pressing, ‘Studio One Kings’ is a 'who's who' of the world's greatest reggae artists.

Studio One’s list of singers launched at the famous label reads like a roll call of Jamaican music. Horace Andy, Alton Ellis, Ken Boothe, Freddie McGregor, Johnny Osbourne and more.

This album features classic and rare tracks that span the breadth of the legendary Studio One catalogue: Ska, Roots, Rocksteady, Lovers and more from the 1960s and 70s.

The album comes with sleeve-notes by the celebrated writer Chris Salewicz, author of Reggae Explosion, Rude Boy as well as notable books on Bob Marley, The Rolling Stones, Jimmy Page, Joe Strummer and more.

Limited to 1000 copies for the UK & Ireland.

TRACK LISTING

1. Larry Marshall - I've Got To Make It
2. Horace Andy - Every Tongue Shall Tell
3. Alton Ellis - The Well Run Dry
4. Johnny Osbourne - Water More Than Flour
5. Anthony Rocky Ellis - I'm The Ruler
6. Cornell Campbell - Pretty Looks Isn't All
7. Alexander Henry - Please Be True
8. Burning Spear - Them A Come
9. Joe Higgs - Change Of Plan
10. Devon Russell - Roots Natty
11. Ken Boothe - Be Yourself
12. Freddie Mcgregor - I Shall Be Released
13. Freddie Mckay - Father Will Cut You Off
14. The Ethiopian - Locust
15. George Philip - One One
16. John Holt - I Don't Want To See You Cry
17. Delroy Wilson - Won't You Come Home

THIS IS A BLACK FRIDAY 2023 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON FRIDAY NOVEMBER 24TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8AM ON SATURDAY NOVEMBER 25TH).

Collection of rare and previously unreleased demo recordings of some of Stax Records’ biggest hits, with the highlights from "Written In Their Soul: The Stax Songwriter Demos". Featuring original demos of the hit singles “634-5789 (Soulsville, USA),” “If You’re Ready (Come Go With Me),” “Woman to Woman,” and “Respect Yourself” . Pressed on Orange Crush vinyl.

Love Record Stores Edition available from 9am on Saturday June 20th.
Limited to one per person.

Includes cover versions of Warm Leatherette by Laibach, Terence Fixmer, Chicks On Speed, Non and the original version by The Normal.

THIS IS A RECORD STORE DAY 2019 EXCLUSIVE, LIMITED TO ONE PER PERSON.

After a twenty five year hiatus from music, Viv Albertine, lead guitarist and songwriter of the hugely-influential ‘punk’ band ‘The Slits’, released her first full-length album. ‘The Vermilion Border’ includes a prestigious guest line-up of guest bassists and even reunites her with Dennis Bovell - producer of The Slits seminal 1979 album ‘The Cut’. Featured bassists: Jack Bruce, Jenny Lee Lindberg, Tina Weymouth, Wayne Nunes, Glen Matlock, Richard Pike, Dennis Bovell, Norman Watt Roy, Danny Thompson. Plus guest guitar from Mick Jones! Now for RSD 2019 it will be available as a gatefold sleeved, 2LP 180g red & orange vinyl.

THIS IS A RECORD STORE DAY 2019 EXCLUSIVE, LIMITED TO ONE PER PERSON.

AA Sessions is a collaboration project helmed by producer Ben Hampson at his “Agricultural Audio” studio in the countryside of Lewes, Sussex. A revolving door policy of different artists coming and going led to these 6 songs, each with a different line up, with members of AKDK, Blood Red Shoes, Tigercub, Projector, Nancy, Sweet Williams, Charlottefield, Sick Joy and more featuring in different ways on different songs. The LP comes on pillar box red vinyl and is strictly limited to 500 copies. Release is via Jazz Life which is the label set up in 2014 by Blood Red Shoes.

THIS IS A RECORD STORE DAY 2019 EXCLUSIVE, LIMITED TO ONE PER PERSON.

30 year anniversary box seT of David byrne’s legendary brazil Classics series. This is one of the first compilations of pop music from Brazil, and one of the most important compilations of music from anywhere. It became the beginning of a shift to music in other languages and from places other than where you are now. And, it was the beginning of Luaka Bop, which we are pretty happy about. New sleeve notes from David Byrne!

THIS IS A RECORD STORE DAY 2019 EXCLUSIVE, LIMITED TO ONE PER PERSON.

180 gram audiophile vinyl PVC protective sleeve Gatefold sleeve with UV-spot Varnish (TBC) A selection of defining songs, featured in the five seasons of Breaking Bad Exclusive Breaking Bad postcard (TBC) Exclusive Breaking Bad sticker-sheet with logo’s (TBC) 4-page booklet with exclusive pictures and credits (TBC) 2 printed innersleeves with pictures (TBC) Secret inscriptions in run-out groove Essential Breaking Bad songs by Gnarls Barkley, Bob James, J.J. Cale, The Monkees, Beastie Boys, Badfinger, Fever Ray, Whitey, The Bambi Molesters and others Limited edition of 3000 individually numbered copies on crystal clear vinyl. 600 in UK Breaking Bad is one of the most critically acclaimed television shows of all time. Following its premiere in 2008, the show's five-season run won 16 Emmy Awards and earned 58 nominations and continues to appeal to new fans every day in over 170 territories worldwide. The series follows the story of Walter White, a desperate man who turns to a life of crime to secure his family's financial future, and is supported by an impressive soundtrack. Music from a variety of styles and decades can be heard throughout the 5 seasons of the series. Music On Vinyl releases a special Record Store Day 2LP soundtrack, containing a selection of defining songs from the series. The soundtrack includes tracks by Dave Porter, Gnarls Barkley, J.J. Cale, Los Cuates de Sinaloa, The Beastie Boys, Badfinger, Nat King Cole and The Monkees. The Breaking Bad release is housed in a gatefold sleeve with UV-spot varnish. The package includes an Breaking Bad postcard and sticker-sheet with logo’s. To understand the story behind the songs we including a 4-page booklet with exclusive pictures and extensive liner notes by Thomas Golubic, Breaking Bad's music supervisor

THIS IS A RECORD STORE DAY 2019 EXCLUSIVE, LIMITED TO ONE PER PERSON.

“Strut Records were there first, well before DFA recorded The Rapture’s Sub Pop debut. ‘Disco Not Disco’ preceded the punk funk revolution by two years.” - Resident Advisor For Record Store Day 2019, Strut present the first ever repress since 2000 of the influential first volume of ‘Disco Not Disco’ compiled by Joey Negro and Sean P as part of the label’s 20th Anniversary. ‘Disco Not Disco’ was a perfectly timed compilation back in 2000. Released when interest in the myths, history and playlists of original New York clubs like Paradise Garage and The Loft was at its peak, the album drew on the outer limits of leftfield disco championed by Levan and Mancuso, bringing together unlikely dancefloor anthems by rock acts like Yoko Ono and Ian Dury, obscurities from cottage labels like BC and Splash and selected oddities from the unique mind of avant-garde hero, Arthur Russell. It was essentially a celebration of the sonic melting pot in New York during the early ‘80s, an era when punk had burnt itself out and disco had become commercial and saccharine; in its place, the post-punk movement threw up brilliant oddities which tore up the accepted rulebook. Since its release, the compilation title has become a by-word for a whole genre of music and remains a landmark collection of its time. With original copies now changing hands for €100+, this new pressing is a welcome return for an essential celebration of disco’s difficult cousins. The album features full original artwork and Kris Needs’ sleeve notes and is remastered and cut by The Carvery. • First volume of the seminal compilation series repressed for the first time since 2000 for Record Store Day • Album title became known as a style of music in its own right, when rock bands and experimental NY artists aimed at the dancefloor • Major influence on the punk funk bands and labels of early 2000s including DFA • Album remastered by The Carvery and featuring full original artwork and sleeve notes by Kris Needs

THIS IS A RECORD STORE DAY 2019 EXCLUSIVE, LIMITED TO ONE PER PERSON.

Although gospel and disco music seem like polar opposites, one is secular while the other has embraced a hedonistic culture, the marriage of the two genres has birthed the uplifting spirituality and dance floor thump found in gospel disco. By the mid-'70s many established and independent gospel artists started creating records with a tight four-on-the-floor beat that touched both churchgoers as well as patrons of the drug-fueled establishments of the '70s. Cultures of Soul Records is proud to present the second installment of Greg Belson's Divine Disco. Belson is one of the world's leading authorities on the funky gospel sound; for this collection he dug deep into his crates to undercover the rarest independent and private press gospel disco records ever recorded. Greg Belson's Divine Disco sound is one that's been heard around the world from his DJ appearances at Glastonbury's NYC Donwlow stage to LA's Funky Sole to soul nights across Europe. Many tracks are under the radar or recently discovered such as Harrison Jones - On that Other Shore, Converters, I've Been Converted and the super limited self-released 45 by Mr Jesse R. McGuire – Jesus Is On the Mainline. Only 50 copies were ever pressed. This volume even includes gospel disco from the UK with Paradise's brilliant "Keep the Fire." This compilation also includes remixes and edits by Steve Cobby (who was a member of Fila Brazillia) and the Divine Situation production duo of Greg Belson and Paulo Fulci. Tracks : A1. Converters - I've Been Converted A2. Harrison Jones - On That Other Shore A3. Wisdom - Change A4. Johnson Family Gospel Singers – Imitations B1. Calvin B. Rhone - I Believe B2. Psalms - Praise The Lord B3. Mr. Jesse R. McGuire – Jesus Is On The Mainline B4. Paradise - Keep The Fire C1. Wisdom - Let The Lord Come In Your Life C2. Prophecy - Take It To The Streets C3. New Creation - Ain't No Right Way To Do Wrong D1. Calvin B. Rhone - That's How Much He Loves You D2. Harrison Jones & The Voices of Harmony - On That Other Shore (Divine Situation Way Over Yonder Rework) D3. Mr Jesse R. McGuire – Jesus Is On the Mainline (Steve Cobby Remix)

THIS IS A RECORD STORE DAY 2019 EXCLUSIVE, LIMITED TO ONE PER PERSON.

A special limited edition sample, comprising of 6 tracks by different artists. All tracks have never been released on vinyl, and 3 of the tracks are unreleased exclusive tracks. It will be a double vinyl LP on heavyweight 180g black vinyl. A collector's edition for the Balearic/Downtempo/Sunset DJ's & Collectors. Tracklist (**unreleased exclusive tracks) A1. The Swan & The Lake - Plastic Pacific Ocean ** A2. Troels Hammer - Infinita A3. Nordsø & Theill - Castanos Azules - 06:17 ** B1. Mike Salta - Hey Moloko - 08:13 B2. Ambala - Morning Lights - 05:20 B3. Dj Pippi - Hierba Buena - 05:51 **

THIS IS A RECORD STORE DAY 2019 EXCLUSIVE, LIMITED TO ONE PER PERSON.

The Mod Scene brings together 25 remarkable tracks, virtually all of them much sought after on original Decca/Deram 45. Save yourself £££s and buy this loving compiled 2LP set in heavyweight 180 gm vinyl. Contains 4-sided information sheet, replicating original album CD package notes. This compilation features 25 rare and influential that helped shape the Mod scene. Mixing rock, blues and soul with electrifying energy, the ‘mods’ were sharply dressed and ready to take their sounds to the streets and were warmly embraced by the music-obsessed ‘mod’ fans. Includes tracks from Tom Jones, Paul & Barry Ryan, the Poets, Amen Corner, Small Faces, Chris Farlow, Graham “10cc” Gouldman, Zoot Money’s Big Roll Band, Graham Bond Orchestra and many others.

THIS IS A RECORD STORE DAY 2019 EXCLUSIVE, LIMITED TO ONE PER PERSON.

The R&B Scene brings together 25 remarkable tracks, virtually all of them much sought after on original Decca/Deram 45. Save yourself £££s and buy this loving compiled 2LP set in heavyweight 180 gm vinyl. Contains 4-sided information sheet, replicating original album CD package notes. The British 1960s Rhythm & Blues music scene, was like no other, it borrowed the blues and rock & roll, and produced a sound that became a global success. Includes early recordings featuring David Bowie, Jack Bruce, Ginger Baker, Jimmy Page, Rod Stewart and Ron Wood.

THIS IS A RECORD STORE DAY 2019 EXCLUSIVE, LIMITED TO ONE PER PERSON.

This is a gatefold compliation album that will contain the DVD of the The Vinyl Revival, based on Graham Jones' book of the same title, within as a unique product for RSD19. They are a combined product and will only be sold this way for RSD so will form a unique collectors item at only 1000.

THIS IS A RECORD STORE DAY 2020 RELEASE AVAILABLE ONLINE ONLY AS PART OF THE AUGUST 29TH DROP DAY AT 6PM.
LIMITED TO ONE PER PERSON.

Yellow Vinyl.After the incredible success of the film Easy Rider, Dennis Hopper was given complete freedom to direct and star in the bizarre, surrealist The Last Movie ñ released in 1971.Filmed in a drug fuelled haze in Peru with Hopper, Peter Fonda, Kris Kristofferson, Dean Stockwell, Michelle Phillips, Russ Tamblyn, and Samuel Fuller ñ there has never been a soundtrack to this film until now! Featuring the first ever performances of Kristofferson's legendary "Me and Bobby McGee" plus sublime country-folk songs from John Buck Wilkin, Peruvian folk & dance music ñ all recorded live on set in Peru ñ nothing was overdubbed! Plus, provocative movie dialogue from Dennis Hopper, Sam Fuller and others ñ coupled with the ambient sounds of the mountains and villages of South America ñ reissue producer Pat Thomas and Hopper Estate archivist Jessica Hundley have assembled a groovy listening experience that will melt minds.Packaging includes rare vintage photos, detailed liner notes, et al.The Last Movie recordings are being released for the first time ever in any audio format ñ taken from the original movie reels!

THIS IS A RECORD STORE DAY 2020 RELEASE AVAILABLE ONLINE ONLY AS PART OF THE AUGUST 29TH DROP DAY AT 6PM.
LIMITED TO ONE PER PERSON.

Double pack coloured vinyl 7".4 track compilation of covers of the James Bond themes of Dame Shirley Bassey.Indie heroes pay tribute to Bond and Bassey just two weeks after the release of the 25th James Bond film.David Gedge (the Wedding Present) teams up with Louise Wener (Sleeper) on the unused Thunderball theme; Mr Kiss Kiss Bang Bang.The Left Outsides provide an atmospheric, pastoral, psychedelic take on Diamonds Are Forever.Darren Hayman (Hefner) re-imagines Goldfinger with his own chorus of Bond girls.DJ Downfall and Theoretical Girl's icy cool synthpop Moonraker will please fans of Ladytron, Black Box Recorder and Flying Lizards Tracks : 01 Mr Kiss Kiss Bang Bang - David Gedge & Sleeper.02 Diamonds Are Forever - The Left Outsides.03 Goldfinger - Darren Hayman.04 Moonraker - DJ Downfall & Theoretical Girl

THIS IS A RECORD STORE DAY 2020 RELEASE AVAILABLE ONLINE ONLY AS PART OF THE SEPTEMBER 26TH DROP DAY AT 6PM.
LIMITED TO ONE PER PERSON.

Kickin presents Hi Tide Groove, DJ's choice 1969 - 1981, selected by Daisuke Kuroda.A collection of Hi Records singles from the famous Al Green and Ann Peebles, to the obscure African and Jean Plum.180 gram color vinyl

THIS IS A RECORD STORE DAY 2021 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY JUNE 12TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 6PM ON THE SAME DAY (SATURDAY JUNE 12TH).

Record Store Day exclusive's Aphelion Vol.1 and Aphelion Vol.2 bring together a selection of rare remixes from the Rocket Recordings back catalogue - all but one track are being released on vinyl for the first time. The LP's bring together tracks by Rocket favourites like Pigs Pigs Pigs Pigs Pigs Pigs Pigs, Josefin Ohrn + The Liberation, Sex Swing, Gnoomes, Bonnacons of Doom and many more. These classic Rocket tracks have been pushed, pulled, stretched, dissected and some, completely re-imagined by an eclectic mix of incredible artists. These include some of the current leaders of electronic exploration like Nyege Nyegeís Nihiloxia, Bristolís Giant Swan and Oliver Ho's Broken English Club.

Remixes from the post-punk royalty of IDLES, to the untouchable, experimental sounds of Tomaga - the albums also includes contributions from two of NTS Radio's most acclaimed DJ's, Optimoís JD Twitch and the godlike Cherrystones, both exploring addictive bass churning sounds. The albums also see Rocket artists remixing their fellow label mates - Mexico's J. Zunz unexpected remix of Pigs Pigs Pigs Pigs Pigs Pigs Pigs, GNOD's Negra Branca remix of Greece's Kooba Tercu, and one of the stand out tracks, the 9 min+ Gnoomes remix of the Flowers Must Die song Hey, Shut Up. Aphelion Vol.1 also includes a brand new, unreleased remix by Cage And Aviaryís Jamie Paton and his krautdub take on J. Zunz track Four Women and Darkness.

The results are a cauldron of repetitive sounds across two LPs ñ taking in everything from psych, techno, krautrock, afro, noise, dub and all the other ingredients you would expect to find on a compilation released on the ever reliable Rocket Recordings. Each LP is ltd to 500 copies, with only 420 going to record shops (the other 80 are going to all artists/band members involved).

TRACK LISTING

01/ Gum Takes Tooth - No Walls, No Air (Broken English Club Remix) 02/ Bonnacons Of Doom - Esus (Jd Twitch Optimo Remix) 03/Josefin Ohrn + The Liberation ñ Rainbow Lollipop (Cherrystones Remix) 04/ Petbrick ñ Roadkill Ruby (Spooky J / Nihiloxia Remix) 05/ Mamuthones - Symphony For The Devil (Giant Swan Remix) 06/ J.Zunz - Four Women And Darkness (Jamie Paton Dub) 07/ Kooba Tercu ñ Qasan (Negra Branca Remix)

THIS IS A RECORD STORE DAY 2022 EXCLUSIVE, LIMITED TO ONE PER PERSON.

30th Anniversary Edition of the iconic 1992 "Earthbeat" collection with much sought after tracks from the series of "Pulse" EPs and 12" singles by The Future Sound Of London under their many guises.

This special limited to 1500 hand numbered edition comes in a gatefold sleeve with a unique centrefold featuring past artwork and images from the period of these classic, much sought after tracks and rare mixes. 

TRACK LISTING

Mental Cube “q” (original)
Yage “quazi”
Candese “you Took My Love” (earth Mix)
Fsol “papua New Guinea” (dumb Child Of Q)
Indo Tribe “owl”
Semi Real “people Livin’ Today”
Yage “theme From Hot Burst”
Indo Tribe “shrink”
Mental Cube “so This Is Love”
Mental Cube “chile Of The Bass Generation”
Smart Systems “tingler” (original)
Yage “coda Coma”
Indo Tribe “in The Mind Of A Child”
Humanoid “stakker Humanoid” (coby ’94 Mix)
Smart Systems “creator”
Indo Tribe “bite The Bullet Baby”

THIS IS A RECORD STORE DAY 2023 EXCLUSIVE.


Soul Jazz Records’ new Holy Church of the Ecstatic Soul: Gospel, Funk and Soul at the Crossroads 1971-83 is a one-off limited-edition heavyweight special-edition coloured vinyl pressing + download code exclusively for Record Store Day 2023.

The album draws upon the extensive links between black American gospel music and soul music, showing how the sensibilities of gospel artists such as Shirley Caesar, Dorothy Norwood, Andraé Crouch and others crossed over into secular soul music during this period.

Many of the most successful soul artists – from Aretha Franklin to Al Green, The Staple Singers to Sam Cooke – all drew upon their upbringing in the church for their musical inspiration. This album discusses how important the links between the black church and soul music were in creating soul music and spotlights some of the many important (and also little-known) gospel artists who walked this line between sacred music and soul, funk and disco in the 1970s and early 1980s.

Holy Church of the Ecstatic Soul shows how sacred gospel music was at home with Stevie Wonder, Blaxploitation-style funk and produced music celebrated both in New York’s underground discos (The Paradise Garage, Studio 54, etc) and later sampled by the likes of Jay-Z, Snoop Dogg and Mary J Blige.

TRACK LISTING

A
1. Andraé Crouch & The Disciples - Satisfied (3.07)
2. Shirley Caesar - Jesus Children Of America (4.19)
3. The Meditation Singers - Trouble's Brewin' (5.01)
B
1. The Clark Sisters - You Brought The Sunshine (5.49)
2. Dorothy Norwood - Let Your Feet Down Easy (2.42)
3. Shirley Caesar - Jesus Is Coming (3.50)
4. Swan Silvertones - If You Believe Your God Is Dead (3.11)
C
1. The Alvin Darling Ensemble - Is There Anybody Here? (3.24)
2. Roscoe Robinson - There's A Creator (3.10)
3. Destiny - Nothing Can Stop Me Now (2.57)
4. The Meditation Singers - Good Old Gospel Music (4.32)
5. Keith Barrow - Everything Is Gonna Be Alright (3.07)
D
1. Roscoe Robinson - Elijah (2.33)
2. Dyson's Faces - Till I've Got This Feelin' Of Love (3.45)
3. The Violinaires - The Upper Way (3.24)
4. Leomia Boyd And The Gospel Music Makers - Higher In Jesus' Love (2.53)
5. Keith Barrow - The Right Road Now (3.06)

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Their influence is widespread, international, continued. NEU! paved the road ahead, created a model of forward propulsion away from hidebound rock cliches. Which is why the NEU! Tribute volume is so especially appropriate. They show how much there is for subsequent generations to unpack in NEU!, how much is buried, implied in their sound.

And so, The National pull back and reveal the latent colours, rhythmic potentials and mental freeways of ‘Im Gluck’. Fink honours the beautiful, lapping waterscape of ‘Weissensee’. Mogwai and Man Man acknowledge the road much travelled laid by ‘Super’. Alexis Taylor’s ‘4+1 = 5’, enhances Rother´s melancholia on ‘Wave Mother’ while Stephen Morris and Gabe Gurnsey’s remix of ‘Hallogallo’ is acid-tipped, machinic, dripping with robot sweat. Yann Tiersen’s remix of ‘Lieber Honig’ plunges deep down into the waters atop which it originally floated, Idles tear up ‘Negativland’ inside out, exposes and rearranges its tangled wires and workings. Finally Guerilla Toss’s ‘Zum Herz’ and They Hate Change’s version of ‘After Eight’ are salutes from a band whose members were unborn in NEU!’s heyday. NEU!, für immer. NEU! forever.

TRACK LISTING

Im Glück (The National Remix) - NEU!
Weissensee (Fink Version) - NEU!, Fink
Super (Mogwai Remix) - NEU!
4+1=5 - NEU!, Alexis Taylor
Hallogallo (Stephen Morris And Gabe Gurnsey Remix) - NEU!
Lieber Honig (Yann Tiersen Remix) - NEU!, Yann Tiersen
Super (Man Man Remix) - NEU!, Man Man
Negativland (Idles Negative Space Rework) - NEU!
Zum Herz - Guerilla Toss, NEU!
After Eight (They Hate Change Cover) - NEU!, They Hate Change

THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

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‘The Endless Coloured Ways’ is a collection of songs by legendary singer/ songwriter, Nick Drake, performed and recorded by over 30 incredible artists from a range of different backgrounds, genres, age groups and audiences. 

From Fontaines D.C to Guy Garvey, and Aurora to Feist, each artist has offered their own incredible take on a timeless classic.

This RSD exclusive 7" Singles Boxset includes eleven tracks across six 7" singles from the original campaign and housed in a brand new exclusive and limited edition collector's box, including an exclusive double sided pullout poster insert Record Store Day UK exclusive for 2024.

TRACK LISTING

Single I
Fontaines DC - 'Cello Song
Let's Eat Grandma - From
The Morning
Single II
Mike Lindsay Featuring
Guy Garvey - Saturday Sun
Katherine Priddy - I Think
They're Leaving Me Behind
Single III
David Gray - Place To Be
Stick In The Wheel - Parasite
Single IV
Bombay Bicycle Club & The Staves - Road
Karine Polwart & Kris Drever - Northern Sky
Single V
Emeli Sandé - One Of These Things First
John Grant - Day Is Done
Single VI
Nick Drake - Tomorrow Is A Long Time (Bob Dylan Cover)

THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

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Blue Note Re:imagined was first released in 2020 featuring fresh takes on music from the illustrious Blue Note Records vaults recorded by a heavyweight line-up of the UK jazz, soul, and R&B sceneís most hotly-tipped rising stars. This incredible compilation includes artists such as Jorja Smith, Jordan Rakai, Ezra Collective, Poppy Ajudha and more. This new version of Blue Note Re:imagined, pressed exclusively for Record Store Day on Smokey Clear & Blue vinyl with new blue cover, includes an exclusive bonus track - Jorja Smith ñ Rose Rouge (Joy Orbison Remix). On itís original release Blue Note Re:imagined topped jazz charts around the globe and infuses the spirit of the new UK jazz generation into the legendary labelís iconic catalog, balancing the genreís tradition with its future and reflecting the melting pot of talent and diversity within the current scene.

TRACK LISTING

Side A: 1. Jorja Smith ñ Rose Rouge2. Ezra Collective ñ Footprints3. Poppy Ajudha - Watermelon Man (Under The Sun)4. JordanRakei ñ Wind Parade Side B:1. Skinny Pelembe - Illusion (Silly Apparition)2. Alfa Mist ñ Galaxy3. Ishmael Ensemble ñ Search For PeaceSide C:1. Nubya Garcia ñ A Shade Of Jade2. Steam Down, Afronaut Zu ñ Etcetera3. Blue Lab Beats ñ Montara 4. Yazmin Lacey - I'll Never Stop Loving You Side D:1. Fieh ñ Armageddon2. Mr Jukes - Maiden Voyage3. Shabaka Hutchings - Prints Tie4. Melt Yourself Down - Caribbean Fire Dance (Lewisham Drop)5. Emma-Jean Thackray - Speak No Evil (Night Dreamer) New Bonus Track: 6. Jorja Smith ñ Rose Rouge (Joy Orbison Remix)

THIS IS A RECORD STORE DAY 2025 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 12TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

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THIS IS A RECORD STORE DAY 2025 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 12TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

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The latest example of Knekelhuis' expert curation comes via this killer compilation of all new productions from a wealth of international talent. Featuring label mainstays alongside new friends, this sonic journey explores the spaces between ambient and experimental electronica rendered in tape manipulation and spectral synthesis.

Label Text "This is a story of friendship, about how it grows stronger through the years. But it’s just as much about fledgling togetherness and shared art in times of crisis. The result is an introspective document of contemporary music, in spirit of Eno and Hassell. A space where we embrace our differences and speak the language of collectivity together, where we reflect, adapt and value each artist's contribution equally. To witness a multitude of cultural backgrounds that speak one like-minded language. Soothing and illuminating. And felt like..."

TRACK LISTING

XIII - L’Abete Al Contrario
Ike Zwanikken - Bianca
Treasury Of Puppies - Himlen Den Vackraste
Avsluta - Mono No Aware
Troth - Calm Of The Shadow
Philipp Otterbach - When The Fish Travels..
Michel Banabila - E.T
Ayaz - Yuma
Bashar Suleiman - T7KINI Feat. Olan Monk & Lil Asaf

The brokntoys stable has been quietly breeding best-in-shows and podium winners for the techno, electro and breakbeat classes for some time now. BT25 brings together label regulars Marco Bernardi, Vertical67 and Exhausted Modern alongside debutante Robert Valera.

A1 marks the first appearance of NY-based analogue wizard Robert Valera with "Test 2", a track reminiscent of the deeper end of the West Coast sound - vintage oscillators rotating around fried drum machine kinetics.

Marco Bernardi returns with "Tokyo Sunrise", an epic journey joining Detroitian sequences with classic breakbeats for a very on-trend and captivating sound that should resonate with the majority of the global dance village right now.

Vertical67 proffers up a stylish and icy cold electro jaunt that's perfect for warming up aircraft hangers and warehouse spaces early doors.

Exhausted Modern's "The Last Minute On Earth" concludes with an introspective take on cinematic soundscapes. Helicopter blade rhythms rotate against an evocative backdrop of analogue synths and technoid textures which seems primed to soundtrack the next tense, alien dystopia / mutant massacre thriller.... someone call Blade!

Screenprinted sleeves, hand stamped and numbered labels - limited copies as per. 

TRACK LISTING

A1. Robert Valera - Test 2
A2. Marco Bernardi - Tokyo Sunrise
B1. Vertical67 - Out Of Sight
B2. Exhausted Modern - The Last Minute On Earth 

Texan Roky Erickson was one of the true mind-blowing pioneers of psychedelic music. The original leader of the Austin-based 13th Floor Elevators formed in 1965, Erickson and band invented a brand new style of rock & roll, one that was slightly unhinged while it explored the consciousness-expanding influence of LSD on music. After three years, the group imploded with mental issues and legal challenges, ending with Erickson being incarcerated for several years in the Hospital for the Criminally Insane in Rusk, Texas. When he was released in the early ’70s the musician continued on his own trail, recording songs that had come to him in his far-flung cerebral wanderings. Erickson, who passed away May 31, 2019, is now celebrated on this 12-track tribute to one of the most original rockers ever.

The participants range the whole world of modern music, and each chose one of Erickson’s originals to stamp their own imprint on. They include Lucinda Williams, Billy F Gibbons, The Black Angels, Margo Price, Mosshart Sexton (Alison Mosshart & Charlie Sexton), Neko Case, Mark Lanegan & Lynn Castle, Jeff Tweedy, Gary Clark Jr & Eve Monsees, Ty Segall, Chelsea Wolfe, and Brogan Bentley. With the full support of the Roky Erickson estate, the album is produced by Bill Bentley, executive producer of the 1990 Roky Erickson tribute album Where The Pyramid Meets The Eye on Sire Records, with associate producers Matt Sullivan, co-founder/co-owner of Light in the Attic, and Wyatt Bentley.

The songs range from Erickson’s debut iconic original, “You’re Gonna Miss Me,” recorded when he was a member first in The Spades and then the 13th Floor Elevators during the early ‘60s in Austin, to some of Erickson’s later songs, like “If You Have Ghosts,” which heard him exploring some of the outer limits of the human psyche. Each new recording is a stunning modern take on the sound that Roky Erickson gave the world over a half-century of writing, recording and touring. No one has ever equaled those explorations.
This truly is the music of the spheres, as Erickson once sang about his sound, as seen through the eyes and ears of those who are united in their love and respect for a person who dedicated his life to rock & roll. Roky Erickson, through the trials and tribulations of a man both imbued with greatness and haunted by darkness, never quit in his quest to share with others what he heard and saw. As he sang on the 13th Floor Elevators last recording, “May the circle remain unbroken.”

TRACK LISTING

Billy F Gibbons - (I've Got) Levitation
Mosshart Sexton - Starry Eyes
Jeff Tweedy - For You (I'd Do Anything)
Lynn Castle & Mark Lanegan - Clear Night For Love
The Black Angels - Don't Fall Down
Neko Case - Be And Bring Me Home
Margo Price - Red Temple Prayer (Two-Headed Dog)
Gary Clark Jr. & Eve Monsees - Roller Coaster
Ty Segall - Night Of The Vampire
Lucinda Williams - You're Gonna Miss Me
Chelsea Wolfe - If You Have Ghosts
Brogan Bentley - May The Circle Remain Unbroken

We are in 1987 and 2 years have passed since Vinicio Adames debut album “El Comienzo Del Camino” when Venezuelan painter Ernesto Leon asks Vinicio to compose music for his New York Art Exhibition at Lincoln Centre. The result is an exceptional composition and modern sound interpretation of their national heritage the Amazonas. Both Amazonia I + II, each version in its own way, honor the majesty and mystery of one of worlds greatest nature reservoirs. Both compositions were never intended for commercial release, and were only given out by hand in Flexidisc format during the exhibition. We at TrueClass Record felt, that the time has come to present this gem to all musiclovers worldwide. Short Info: Venezuelan Electronic Music Pioneer Vinicio Adames Synth-Pop Masterpiece from 1987. Vital Sales Points: 1st Official release. Quality Restoration and Re-Mastering by Calyx Mastering.

STAFF COMMENTS

Patrick says: Collectors of ambient, Balearic and 80s synth-scapes know you have to scour the exhibition catalogues, fashion collection promos and weird commercial tie-ins to find the deepest nuggets. This shamanistic masterpiece is no exception, created for an Ernesto Leon exhibition in NYC '87. Perfect fourth world tackle for play alongside Crelier, Hassell and Finis Africae.

TRACK LISTING

Amazonia I
Amazonia II

Vincent Arthur’s masterpiece LP ‘Esi Vivian’, originally inspired by and named in tribute to his daughter Vivian, was the work of a skilled group of musicians from Africa, The Caribbean and Germany. The record remained relatively unknown for 30 years, apart from a small circle of collectors, until a very well known DJ closing Dekmantel reached the climax of his set with an 'unknown' euphoric afro disco track. Taking to the forums, internet sleuths didn’t stop until it was found that this anthem was ‘Travel With The Music’!

Remastered by the ever patient and talented Frank at The Carvery, SFA002 breathes new life into the 3 standout tracks from Esi Vivian, allowing these timeless sounds to be shared on new dancefloors. All three tracks have been elevated whilst staying true to the original and cut at 45rpm for ideal club playback.

‘Travel With The Music’ takes pole position on the A-side, a piece of music perfect in every way. Mixing afro, disco and that euphoric gospel-like chorus, this is the record you want to hear played out with all your friends at once.
Leading the B-side is Afro Disco, a track that always works on the floor, it’s tempo shift injecting a playful energy that leads the party into it’s next stage. Closing out the release, ‘Jubilation’ takes us deeper and in the right dance, is a powerful end-of-the-nighter.

STAFF COMMENTS

Matt says: The modern disco scene is in fine fettle, but sometimes you can't beat the golden oldies, with certain tracks coming in and out of fashion in tune with the times. "Travel With The Music" has recently caused a stir at Dekmantel so Sweet Free Association felt it right to reissue the track with two extra cuts from Esi Vivian.

TRACK LISTING

Travel With The Music
Afro Disco
Jubilation

Introducing, the experimental violinist and performer Vanessa Bedoret.

The London-based French musician today announces that she’ll be joining, Scenic Route, a label renowned for selecting and nourishing rising stars for the release of her debut album, Eyes, due out on 8th of March 2024. Launching with a taste of what’s to come, today she also shares single “1/2”, a textural track that tells of the dichotomy between those who are selfless and those who are self-centered, and their need to merge as one. This duality is reflected in the industrial metallic echoes under Vanessa’s soaring vocals and the piercing strings of her chosen instrument, the violin.

Treating songwriting as an instinctive process, Bedoret transforms her deeply personal experiences into pure emotion. Not following any set narrative, Eyes takes the listener on a journey via their own experiences, prompting introspection through Bedoret’s hypnotic melodies.

STAFF COMMENTS

Matt says: New shit from the now-cult label that brought us Nourished By Time's debut album. Super hyped label, really interesting artist - these won't hang around long!

TRACK LISTING

01. Choice
02. Ballad
03. 1/2
04. Transition
05. Eyes
06. Pas
07. Eternal 

Vashti Bunyan’s legendary debut album from 1970 finally gets a UK vinyl repressing. Produced by Joe Boyd for Witchseason Productions and originally released on Philips in 1970, the album features contributions from Fairport Convention’s Simon Nicol and Dave Swarbrick and The Incredible String Band’s Robin Williamson.

The songs mostly concern the events that took place when Vashti and her lover travelled to the Hebrides in a horse and cart to join up with Donovan’s artistic community but by the time they got there that community had all left. 

Vashti Bunyan’s ‘Lookaftering’ is 20 years old. To mark the occasion, and also Vashti’s 80th birthday, an expanded edition is to be released. As well as the original studio album itself, the second disc features demo versions, an alternate take of ‘Wayward’, and a live performances of ‘Lately’. This edition also comes with sleeve notes from Vashti, producer Max Richter, Devendra Banhart and a 16-page lyric booklet featuring a collection of paintings by Vashti's daughter Whyn Lewis – paintings that closely, and coincidentally, reflected the lyrics of the album.

Vashti says “the beautiful photograph of Max in the studio playing wine glasses with his young daughter’s violin bow, brings it all back to me - how very fortunate I have been.”

Dating from 2001 to 2005, the demos were recorded at home by Vashti, accompanying herself on acoustic and electric guitar and experimenting with synths – from piano to strings, pipe organ, harmonium, recorders and accordion. The sound is, of course, stripped back compared to that of the finished album, but the live version of Lately recorded at an early “comeback” gig in L.A. in 2006, orchestrated as on the record, is absolutely pitch perfect. 

Listening to the demos and the final versions side-by-side while reading the sleeve notes is a wonderful experience, learning and hearing how the songs and the long-player evolved, with Vashti and Max Richter (who produced - and played on - the album), explaining how all of the artists involved (Devendra Banhart, Johanna Newson, Adem Ilhan, Robert Kirby and members of the band Vetiver), touched by Vashti’s original 1970 ‘Just Another Diamond Day’ album, jumped at the opportunity to be there. As Max Richter recalls, “It felt like a community project; a family of people coming together”.

TRACK LISTING

1. Lately

2. Here Before

3. Wayward
4. Hidden
5. Against The Sky
6. Turning Backs
7. If I Were
8. Same But Different
9. Brother

10. Feet Of Clay
11. Wayward Hum
12. Lately (Live, The Echo, Los Angeles, 2006)
13. Here Before (Demo, 2005)
14. Wayward (Alternative Take, 2005)
15. Hidden (Demo, 2002)
16.Against The Sky (Demo, 2004)
17. Turning Backs (Demo, 2003)
18. If I Were (Demo, 2001)
19. Same But Different (Demo, 2005)
20. Brother (Demo, 2002)
21. Feet Of Clay (Demo, 2002)

Brazilian poet, lyricist, essayist and playwright, Vinicius de Moraes (1913-1980) became a seminal figure in modern Brazilian music and literature. Along with his longtime collaborator, composer, arranger, singer, and pianist/ guitarist Antonio Carlos Jobim (1927-1994), known in Brazil as Tom Jobim, he composed hundreds of songs which have become true classics and have transcended the bossa nova, as they continue to be played and recorded by countless singers and instrumentalists within Brazil and throughout the world. This LP edition compiles some of Vinicius' earliest recordings.

TRACK LISTING

Berimbau
Mulher Carioca
Samba Em Preludio
Pela Luz Dos Olhos Teus
O Astronauta
Samba Da Bencao
Ouverture
Monologo De Orfeu
Um Nome De Mulher
Se Todos Fossem Iguais A Voce 
Mulher, Sempre Mulher
Eu E O Meu Amor
Lamento No Morro

Diggin deep, two treasured cuts from the John Collins vaults, remastered, reissued and sounding oh so weighty. The lush Lovers vibe of Victor Romero Evans - At The Club and the mind-bending, cosmic, space-echoed dub from The Detonators - Lift Off.

Both written and produced by the mighty John Collins, producer of some seminal tracks from the likes of Janet Kay and Rick Clarke, it was his production prowess on these two tracks that led Jerry Dammers to get Collins in to produce The Specials - Ghost Town / Why? / Friday Night, Saturday Morning after hearing the magic of this EP. With originals trading hands for £70 it's high time a reissue came around.

STAFF COMMENTS

Matt says: Delightful 12" showcasing a sozzled ska-reggae track perfect for drinking too much Dragon Stout this bank holiday weekend. On the flip a twisted, tape-echoed dub exercise so ganja-soaked I convinced myself it was already 4:20! Again, if you're aiming to get horizontal this weekend this is the disc for you!

TRACK LISTING

A1. Victor Romero Evans - At The Club
B1. The Detonators - Lift Off

Another of Ono's expansive and highly creative projects. "We Are For A While" is a fully realized multimedia experience, detailing the working process for Vitalija Glovackyte's sonic and visual tale about recycling. Vitalija first sourced a plethora of broken and salvaged instruments, their acquisition alone worthy of a tale (told in the accompanying booklet). After repairing instruments to a (somewhat) playable state, Glovackyte then set about recording the album you hear now - a collection of electro-folk meanderings, broken ambience and fairytales from industrial sites. It's a heartfelt homage to re-using instead of replacing and is highly evocative in the process. The booklet comes with photos detailing the process as well as a written narrative from Glovoackyte. It's another brilliant addition to the art / music cannon that is Ono records. Highly recommended.

Vin Gordon, also known as Don Drummond Jr, is a celebrated trombonist from Jamaica who now drops a second 12" on Finnish Dub & Sound International with the Dubsetters. It carries on the good work of their first outing with rootsy and organic reggae rhythms topped with the signature smooth sounds of Gordon's melodies up top. After the original version of 'Get On The Groove', the B-side keeps things sweet with a Groove Dub that is as deep as they come and stacked with echo and reverb for that lovely authentic sound and then closing it out is 'Groove 78 Style' which is more percussive, splashy and cavernous with some deft studio effects added in.

STAFF COMMENTS

Matt says: More unseasonably hot reggae sizzlers from Dub & Sound who nice up the vibes with three hea-vy cuts. Two inna dub style, and one that's more like a strict instrumental cut. Real nice style!

TRACK LISTING

Get On The Groove
Groove Dub
Groove 78 Style

With such iconic tracks as “Christmas Time is Here” and the instantly recognizable “Linus and Lucy”, the Vince Guaraldi Trio’s soundtrack to A Charlie Brown Christmas shares the title of best-selling jazz album in history, and was certified 4x Platinum by the RIAA in late 2016. 

TRACK LISTING

Side 1
1. O Tannenbaum
2. What Child Is This
3. My Little Drum
4. Linus & Lucy
5. Christmas Time Is Here (instrumental)
Side 2
1. Christmas Time Is Here (vocal)
2. Skating
3. Hark, The Herald Angels Sing
4. Christmas Is Coming
5. Für Elise
6. The Christmas Song

Deluxe Editions Bonus Tracks:
O Tannenbaum (Take 2/Recorded September 21, 1965)
O Tannenbaum (Take 3/Recorded September 21, 1965)
Greensleeves (Take 6/Recorded October 28, 1965)
Linus And Lucy (Take 1/Recorded September 17, 1965)
Christmas Time Is Here (Take 1/Recorded September 17, 1965)
Christmas Time Is Here (Vocal) (Rehearsal/Recording Date Unknown)
Christmas Time Is Here (Take 4/Recording Date Unknown)
Skating (Take 1/Recorded September 22, 1965)
Jingle Bells (Takes 1–4/Recorded September 21, 1965)
Christmas Is Coming (Take 3/Recorded September 17, 1965)
Christmas Is Coming (Take 3/Recorded September 21, 1965)
Für Elise (Takes 1–2/Recording Date Unknown)
The Christmas Song (Take 8/Recorded October 28, 1965)

For the first time ever, Vince Guaraldi's 1974 "It's the Easter Beagle, Charlie Brown (Original Soundtrack Recording - Peanuts 75th Anniversary Edition)" premieres, with the complete 19 track score.The holiday classic was written and created by Charles Schulz, directed by Phil Roman and produced by Bill Melendez and Lee Mendelson

Mixed and mastered for audiophiles, jazz lovers, and Peanutsr fans everywhere from the original 2" session tapes to a 192kHz/24bit master.

The record Includes Guaraldi hits like "Peppermint Patty," "Easter Theme," and "Snoopy and Woodstock". And includes a special bonus track: "Woodstock's Medley" performed by Guaraldi torch- bearer David Benoit (piano) with original Guaraldi sidemen Seward McCain (Bass) and Mike Clark (drums) - recorded 50 years later at the same Hyde Street studio where the soundtrack was recorded in San Francisco. From the elegant title theme, to some Guaraldified Beethoven, to the profoundly catchy central theme of "Woodstock's Dream," Guaraldi's indelible score has surprises for everyone to enjoy this spring and year round.

Beyond the composer's playing on piano, electric piano, harpsichord, and electric guitar, McCain plays electric bass, Robert Clare plays flute, Glenn Cronkhite and Eliot Zigmund play drums, and John Scott Trotter supervised the music.

This album is a wonderful Easter treat 50+ years in the making. The album was mixed by Clark Germain at WonderWorld Studio, and restored and mastered by Vinson Hudson, and produced by Sean and Jason Mendelson. 

TRACK LISTING

Peppermint Patty
Easter Theme
Easter Theme (Reprise)
Piano Sonata No. 3 In C Major, Op. 2 No. 3 - I. Allegro Con Brio
Snoopy And Woodstock
Linus And Lucy
Woodstock's Dream
Snoopy's Gumballs
Sally And Linus
Woodstock's Dream
Marcie's Song (Kitchen Music)
Linus And Lucy (Reprise)
Woodstock's Pad
Woodstock's Dream (2nd Reprise)
Music Box Dance (Minuet In G Major, BWV Anh. 116)
Woodstock's Dream (3rd Reprise)
Easter Egg Soup (Kitchen Music 2)
Linus And Lucy (2nd Reprise) 
Linus And Lucy (3rd Reprise)
Symphony No. 7 In A Major, Op. 92 - II. Allegreto
Symphony No. 7 In A Major, Op. 92 - I. Poco Sostenuto - Vivace
Salting Eggs
Linus And Lucy (4th Reprise)
Woodstock Medley (Woodstock's Wake- Up / Little Birdie / Woodstock's Dream / Thanksgiving Theme / Little Birdie (Reprise))

It’s The Great Pumpkin, Charlie Brown (Music from the Soundtrack) features some of the most iconic tracks in pop culture, including the instantly recognizable “Linus and Lucy,” as well as the languid, lyrical “Great Pumpkin Waltz.” The music was recorded on October 4, 1966 at Desilu’s Gower Street Studio in Hollywood, California by Guaraldi (piano) and his longtime friends and trio sidemen — bassist Monty Budwig and drummer Colin Bailey — joined by Emanuel Klein (trumpet), John Gray (guitar) and Ronald Lang (woodwinds). The entire scoring process was overseen by composer, arranger and conductor John Scott Trotter, well known for a three-decade run as Bing Crosby’s music director and close friend.

The slowdown of the pandemic gave the Mendelson family, (Lee Mendelson was the Executive Producer of the TV Special), an opportunity to dig deep through their archives and they discovered what were previously thought to be lost to time: the original analog session reels for It’s The Great Pumpkin, Charlie Brown. What you will hear on most tracks of this new and improved “best” version of It’s The Great Pumpkin, Charlie Brown are the musical cues as recorded by Vince and crew before they were edited for the television special, in show order, as well as a selection of alternate takes.

TRACK LISTING

Side A
1. Linus And Lucy
2. Graveyard Theme
3. Snoopy And The Leaf/Frieda (With The Naturally Curly Hair)
4. The Great Pumpkin Waltz
5. Linus And Lucy (Reprise)
6. Charlie Brown Theme/Charlie Brown Theme (Minor Theme)/Graveyard Theme (Reprise)
7. The Great Pumpkin Waltz (Reprise)
8. The Red Baron/Military Drum March
9. The Great Pumpkin Waltz (2nd Reprise)/The Great Pumpkin Waltz (3rd Reprise)
10. Graveyard Theme (Trick Or Treat) (2nd Reprise)
11. Fanfare/Breathless/ Graveyard Theme (Trick Or Treat) (3rd Reprise)
12. Charlie Brown Theme (Reprise)
Side B
1. Breathless (2nd Reprise)
2. It’s A Long Way To Tipperary/There’s A Long, Long Trail A-Winding/Pack Up Your Troubles In Your Old Kit Bag/Roses Of Picardy
3. Graveyard Theme (Trick Or Treat) (4th Reprise)
4. Linus And Lucy (2nd Reprise)/Linus And Lucy (3rd Reprise)
5. Charlie Brown Theme (2nd Reprise)
6. Linus And Lucy (Alternate Take 1)
7. Graveyard Theme (Alternate Take 1)
8. Charlie Brown Theme (Alternate Reprise Take 1)
9. Linus And Lucy (Alternate Take 2)
10. The Great Pumpkin Waltz (Alternate Take 2)
11. Linus And Lucy (Alternate Reprise Take 1)
12. Charlie Brown Theme (Alternate Reprise Take 2)

On LP for the very first time, the vivid musical cues that American jazz pianist and composer Vince Guaraldi wrote for the cast of Peanuts characters, adding new dimensions to beloved regulars like Peppermint Patty, Schroeder, Sally, and, of course, Charlie Brown. In addition to nine songs performed by Guaraldi, the album also includes two classic Peanuts tunes recorded by pianist George Winston. Eight of the selections on Peanuts Portraits (including Winston renditions of “Linus And Lucy” and “Masked Marvel”) make their vinyl debut.

TRACK LISTING

Linus And Lucy
Sally’s Blues
Blue Charlie Brown (Version #2)
Peppermint Patty
Charlie’s Blues (Alternate)
Joe Cool
Frieda (With The Naturally Curly Hair)
Schroeder (Alternate)
Little Birdie
Masked Marvel
Linus And Lucy

Premier release of Vince Guaraldi's soundtrack for "You're Not Elected, Charlie Brown" (1972)

Newly re-discovered in the vaults, the original recording sessions for Vince Guaraldi's soundtrack for "You're Not Elected, Charlie Brown" now remastered for audiophiles and Peanutsr fans and election lovers everywhere. All versions of this release include the original 15 tracks of cues from the special - with extended performances available for the first time ever - plus 10 extra bonus tracks never before heard since their recording in 1972.

Guaraldi brought Dixieland jazz, his classic favourites, and even his voice (for the first time in Peanutsr) to the soundtrack that provides the score for Linus's campaign for student body president. Some highlights include: the complete (over five minute) "Joe Cool" where Guaraldi sings about one of Snoopy's most famous alter egos; multiple versions of "Incumbent Waltz" written for the special; probably his saddest tune "Deserted Charlie Brown; classic Linus and Lucy updated for the 70s; and several of the eponymous "You're Not Elected, Charlie Brown" tunes. There are bonus tracks for "Joe Cool," alternate takes of songs like "Blue Charlie Brown" and a bonus of "African Sleigh Ride."

In addition to the composer's piano playing, guitar and vocals, the maestro's cabinet (band) is comprised of legends who lent their talents for this wonderful campaign. The music will get you in a great mood for any election. The album was remixed at Bones and Knives by Terry Carleton, and restored and mastered by Vinson Hudson, and produced by Sean Mendelson and Jason Mendelson.

TRACK LISTING

Incumbent Waltz (Not Elected)
You're Not Elected, Charlie Brown (Not Elected)
Oh, Good Grief! (Not Elected)
Cookin' Snoopy (Fast Piano Jazz) (Not Elected)
Blue Charlie Brown (Not Elected)
Incumbent Waltz (Reprise) (Not Elected)
Linus And Lucy
Poor Charlie Brown (Not Elected)
Joe Cool (Vocal) (Not Elected)
Incumbent Waltz (2nd Reprise) (Not Elected)
Elect Linus (Dilemma)
Woodstock's Wake Up (Not Elected)
Joe Cool (Unused Reprise) (Not Elected)
Oh, Good Grief! (Reprise) (Not Elected)
Deserted Charlie Brown (Not Elected)
You're Not Elected, Charlie Brown (Reprise) (Not Elected)
Linus and Lucy (Reprise) (Not Elected)
You're Not Elected, Charlie Brown (2nd Reprise - End Credits) (Not Elected)
Joe Cool (Alternate Take 1) (Not Elected - Bonus)
Joe Cool (Alternate Rehearsal Take) (Not Elected - Bonus)
Blue Charlie Brown (Alternate Take 1) (Not Elected - Bonus)
African Sleigh Ride (Not Elected - Bonus)
Cookin' Snoopy (Fast Piano Jazz - Alternate Take 1, 2 &3) (Not Elected - Bonus)
Incumbent Waltz (2nd Reprise Alternate Take 1) (Not Elected - Bonus)
Incumbent Waltz (2nd Reprise Alternate Take 3) (Not Elected - Bonus)
Incumbent Waltz (Unused Cue) (Not Elected - Bonus)
Linus And Lucy (Acoustic Piano Mix) (Not Elected - Bonus)

“If you were in the middle of a forest, surrounded by a thicket of unkempt plants, trees, and wild wonder at every turn, would you marvel at all of the paths and directions you could go?
If it were pitch black, dark, would you trust each step taken into the unknown?
If it were the brightest day, would you bask in the sunshine and fall in love?
Owls, Omens, and Oracles is a collection of songs that summon us to observe the roads we are traveling and how they might lead us through dark times, but we are never alone.
There’s always an inner light to guide the way.”
-Valerie June 

TRACK LISTING

1. Joy, Joy!
2. All I Really Wanna Do
3. Endless Tree
4. Inside Me
5. Trust The Path
6. Love Me Any Ole Way
7. Changed (ft. The Blind Boys Of Alabama)
8. Superpower
9. Sweet Things Just For You
10. I Am In Love
11. Calling My Spirit
12. My Life Is A Country Song
13. Missin’ You (Yeh Yeh)
14. Love And Let Go 

Conjuring a next-generation fusion of folk, soul, gospel, country and transcendental blues, The Moon and Stars, Prescriptions For Dreamers, Valerie June’s third full-length album for Fantasy Records is a deeply affecting work of genuine beauty and unassuming wonder.

Produced by Jack Splash (Kendrick Lamar, Alicia Keys, John Legend) and Valerie June and recorded at Fresh Young Minds in Los Angeles, CA and Hit Factory Criteria in Miami, FL., the new album is her first release since 2017’s highly acclaimed The Order of Time and features 11 songs and three musical interludes, all written by Valerie.

STAFF COMMENTS

Matt says: A nice mix of beautifully played instruments, delicate electronic flourishes and June's arresting and haunting voice make for a modern country-blues album that'll stand the test of time. Get those camera phones in the air folks!

TRACK LISTING

1. Stay
2. Stay Meditation
3. You And I
4. Colors
5. Stardust Scattering
6. African Proverb
7. Call Me A Fool
8. Fallin
9. Smile
10. Within You
11. Two Roads
12. Why The Bright Stars Glow
13. Home Inside
14. Starlight Ethereal Silence

Acclaimed GRAMMY-nominated singer-songwriter and multi-instrumentalist Valerie June presents Under Cover – a specially curated 8-track covers collection that contains singular interpretations of some of her favorite songs including previously unreleased versions of Mazzy Star’s “Fade Into You,” Frank Ocean’s “Godspeed,” Joe South’s “Don’t It Make You Want To Go Home,” Gillian Welch’s “Look At Miss Ohio,” and Nick Cave & The Bad Seeds’ “Into My Arms.”

Under Cover also includes two tracks from Valerie’s recently released (digital only) The Moon and Stars: Prescriptions For Dreamers Deluxe Edition: John Lennon’s “Imagine,” and Nick Drake’s “Pink Moon.” Dylan’s sublime “Tonight I’ll Be Staying Here with You,” which was only available as an Amazon Original exclusive, rounds out the set.

TRACK LISTING

Pink Moon (Nick Drake)
Fade Into You (Mazzy Star)
Look At Miss Ohio (Gillian Welch)
Godspeed (Frank Ocean)
Imagine (John Lennon)
Don’t It Make You Want To Go Home (Joe South)
Tonight I’ll Be Staying Here With You (Bob Dylan)
Into My Arms (Nick Cave & The Bad Seeds)

Following a spur-of-the-moment cross-country trip with a pair of fiery European girls, Vikesh Kapoor left school for a brief yet inspiring stint as a mason’s apprentice. The America he had previously known resided narrowly between his childhood home in rural Pennsylvania and the New England university he left home for. Alongside his parents’ own immigrant struggles, these experiences quickly witnessed Kapoor to the scope of the American dream.

A few years later, Kapoor performed at Howard Zinn’s memorial service in Boston, in front of Zinn’s family and colleagues (including Noam Chomsky). Roused by Zinn’s lifelong battle against class/race injustice, Kapoor spent the next two years in Portland, Oregon working on his full-length debut record. The Ballad Of Willy Robbins, a concept album loosely based on a newspaper article, chronicles the brutal but hopeful story of a working class man who slowly loses everything: ambitions, health, family and shelter. It’s a worker’s tale, less specific to the blue-collar life as it is about anyone struggling to make something of themselves.

Co-produced by Adam Selzer (M. Ward) and features Nate Query (Decemberists, Black Prairie), Jeff Ratner (Langhorne Slim) and Birger Olsen (Denver).

THE NEW YORKER: “a series of sharply etched portraits of struggling Americans that points back along a road of socially conscious songs. Woody Guthrie is standing at the head of that road”

More Than Words Can Tell is the new duets album from Victoria Liedtke and Jason Ringenberg. The project sees the duo deep dive into the early songwriting partnership of Dolly Parton and Porter Wagoner, cherry-picking musical gems and little heard tracks from their expansive back catalogue.

Coined the “Godfather of Americana” by Mojo magazine, the former Jason and The Scorchers frontman Jason Ringenberg was awarded a ‘Lifetime Achievement Award for Performance’ by the Americana Music Association in 2009 and was intrigued when Liedtke approached him with the project idea. As Ringenberg states, “When Victoria contacted me about being the ‘Porter’ in this project, I was super excited. The Dolly-Porter duets are some of the finest duets ever recorded in country music history. I am a huge fan of them. Once we dove into the project, I was supremely impressed by the production ethic and creative ambition that Victoria brought to the table. She didn’t slavishly copy the originals. In fact, she and her team created entirely new interpretations of those classic songs.”

Victoria and Jason recorded the album at Vale Studios in Worcester, UK in the Summer of 2022 with a predominantly UK based band. The band features CJ Hillman on electric guitar and slide guitar (Billy Bragg/Yola), John Parker on double bass (Nizlopi), Lewis ‘Burner’ Pugh on acoustic guitar and Tim Protey-Jones on drums (First Time Flyers) as well as a plethora of guest musicians throughout.

Originally from Oklahoma, Victoria moved to the UK eight years ago and now resides in the Yorkshire Dales.

“What made this project so fun was being able to bring together these incredible UK musicians that come from the worlds of Americana, Country, Folk and Pop and inject these 50 year old classic American country songs into this musical melting pot.”

Liedtke continues "Both Jason and I don’t traditionally sit in that world either, so all of that combined has resulted in a colourful and beautiful collection of songs.”

TRACK LISTING

Life Rides The Train
More Than Words Can Tell
Sounds Of Nature
Carolina Moonshiner
The Fire That Keeps You Warm
Come To Me
The Pain Of Loving You
The Last Thing On My Mind
Beneath The Sweet Magnolia Tree
You
Tomorrow Is Forever

Strut revives a lost recording from the archives in January with a 2002 collaboration between acclaimed South African folk singer Vusi Mahlasela, singer songwriter Norman Zulu and Swedish jazz / soul collective Jive Connection.

The links between South Africa and Sweden have long been strong with Sweden one of the most supportive European nations in the struggle against apartheid; the government helped to fund the ANC for decades and Mandela visited the country on one of his first European stops following his release from prison in 1990.

Sotho folk singer Vusi Mahlasela, dubbed “The Voice” Of South Africa, performed at Mandela’s inauguration in 1994 and has enjoyed his own long relationship with Sweden, regularly embarking on cultural exchanges and forging a strong bond with the Jive Connection band, featuring guitarist / bassist Stefan Bergman and Little Dragon drummer Erik Bodin within its line-up.

Although touring regularly, the collaboration has rarely been documented beyond a lone studio album in 1994. This “lost” recording, discovered in the archives of producer Torsten Larsson, also features songwriter / vocalist Norman Zulu and showcases their natural musical chemistry together. Vusi’s songs have traditionally addressed the struggle for freedom and the need for reconciliation and, here, his lyrics are as powerful as ever, ranging from parables (‘Prodigal Son’) to an unflinching lament on child abuse (‘Faceless People’). Jive Connection vary the soundtrack, bringing in hints of reggae, jazz and post-punk alongside traditional township arrangements.

Face To Face is mastered by The Carvery. Artwork features unseen photos from the album sessions along with full lyrics. Produced in association with Torsten Larsson. 

TRACK LISTING

1. PRODIGAL SON
2. UMZALA
3. FACELESS PEOPLE
4. INKOMO
5. FACE TO FACE
6. THEMBA LAMI
7. INTOMBI YE MBALI
8. PUSH
9. ABANTU ABANGANA BUSO
10. ANASTACIA
11. B4 THULULALELE
12. ROOTS
13. STILL
14. SON OF PRODIGAL SON

If ever an album could transport you to the hazy sunshine and imagined halcyon paradise of Southern California in the mid-1980s, could capture the early evening warmth of hanging at an inclusive boogie jam as it approaches “magic hour” in Santa Ana or Anaheim, then it’s Vaughan Mason and Butch Dayo’s Feel My Love. A brilliantly produced deep slung, low rider funk classic originally released on Salsoul in 1983. It’s a masterpiece of “funk love music”.

Yes, this is indeed a perfectly formed five track “mini LP” of unparalleled heat, but there’s one song here that, above the rest, represents Orange County boogie-funk. A straight killer beloved by all that have had the pleasure of moving to it. A track that can fill up a dance floor within seconds of its starting. That song is the eternal title track, “Feel My Love”.

This is a work of art that made people fall in love with the funk. It transcends the limitations of genre. “Feel My Love”’s deceptive simplicity makes it perfect to drop during a house set, a classic funk party or at a west coast rap jam. It’s sexy, deeply emotional, melancholic, hopeful, passionate and just radiates so, so much raw energy. This is music.

The rest of the record is hardly filler though. Opener “Oh, Love” is a dizzying, emotional slow jam. With heaven-sent vocals riding gorgeous, sweeping keys that alternate between sweet twinkling lines and funk-fuelled stabbing. It’s sensational. A rollerskating jam named “Rollalong Songs” is an ultra-swish piece of dance floor dynamite. Its slick drums, staccato piano and neck snapping claps underscore Dayo’s buoyant vocals. It’s essentially “Bounce, Rock, Skate, Roll Part II”.

The flip begins with “Party On The Corner”. Smoother than silk vocals, day-glo synths, a bubbling bassline and guitar licks that surely received the Prince seal of approval. It’s another example of how Vaughan Mason and Butch Dayo flirt with perfection so routinely. The most majestic closer, the kaleidoscopic, cow-bell-assisted synth-funk heater “You Can Do It” is a proto-rap groover that truly smokes.

This prized LP is a stone cold jam and finding original copies on vinyl at affordable prices has been tough for years. Mastered brilliantly by Simon Francis, cut by Pete Norman and with lovingly reproduced artwork, this fresh Be With reissue ensures this legendary LP now sounds, looks and feels as sensational as it should.

TRACK LISTING

A1: Oh, Love
A2: Rollalong Songs
A3: Feel My Love
B1: Party On The Corner
B2: You Can Do It

Vince Mole is one of the original members of The Apples In Stereo and he played on their debut single "Tidal Wave". This single was penned to be the last single to come out on Elephant 6 but the label folded. It's been in limbo until now. Three poptastic tracks, handmade sleeves, limited to 500 copies.

It's unusual for a decade-defining record to come out in that decade's first year, but that was clearly the case with "Moondance". While it would have been one of the finest albums of any decade, it clearly marked a turning point both for Van Morrison and for rock as a whole. Coming after 1968's expansive, acoustic, jazz-inflected "Astral Weeks", "Moondance" marks a complete about-face; instead of looking inward to the depths of his soul, Van turned his gaze towards sunnier climes, offering up a seamless disc of tightly composed and arranged tunes brimming with warmth and energy. Here the R&B influence that had been part of Morrison's toolkit since his days fronting Them truly came to the fore at last. "Crazy Love", "Caravan", and "Brand New Day" could have been covered by any great soul singer, even as they redefined 'soul' through the filter of Morrison's eclectic sensibilities. An openhearted record full of truly inspirational moments, "Moondance" is Van at the absolute top of his game, setting the pace for everyone else to follow. Nearly every song here is a stone-cold classic, and "Moondance" has become embedded in the collective pop consciousness as one of the most important touchstones of its time.

Van Morrison unveils his 45th studio album, ‘Accentuate the Positive’.

Like this year’s acclaimed ‘Moving On Skiffle’, ‘Accentuate The Positive’ sees Van Morrison returning to one of his childhood passions: this time rock ‘n’ roll. Growing up in Belfast shortly after World War II, he was immensely inspired by the heady sounds of 20th century blues and rock ‘n’ roll. Listening to artists such as Fats Domino, Chuck Berry and The Everly Brothers, it wasn’t long until Van was intuitively reinterpreting these sounds with his own band in local hometown venues.

Several decades later, Van Morrison now revisits the genre by reimagining some of his personal favourites for ‘Accentuate The Positive’, and infusing those timeless songs with an energy that constantly challenges and expands upon its traditions. Van’s inimitable voice combined with superb arrangements and highly accomplished brings a fresh zeal to such great songs as The Johnny Burnette Trio’s ‘Lonesome Train’, Johnny Kidd & The Pirates’ ‘Shakin’ All Over’ and Big Joe Turner’s pioneering rock ‘n’ roll hit ‘Flip, Flop and Fly’.

Contributors to the album include electric guitar from the late Jeff Beck and vocals from Chris Farlowe on ‘Lonesome Train’, plus guitar from Taj Mahal on ‘Lucille’ and ‘Shake, Rattle and Roll’.

TRACK LISTING

Side 1
1) You Are My Sunshine
2) When Will I Be Loved?
3) Two Hound Dogs
4) Flip, Flop And Fly
5) I Want A Roof Over My Head
Side 2
6) Problems
7) Hang Up My Rock & Roll Shoes
8) The Shape I’m In
9) Accentuate The Positive
10) Lonesome Train
Side 3
11) A Shot Of Rhythm And Blues
12) Shakin’ All Over
13) Bye Bye Johnny
14) Red Sails In The Sunset
15) Sea Of Heartbreak
Side 4
16) Blueberry Hill       
17) Bonaparte’s Retreat
18) Lucille
19) Shake Rattle And Roll

A triple LP Deluxe Edition of Van Morrison’s multi-platinum selling 1970 release Moondance with the original LP remixed by Steven Wilson.

TRACK LISTING

LP 1 The Original Album Remixed By Steven Wilson (2022)
Side A
1. And It Stoned Me
2. Moondance
3. Crazy Love
4. Caravan
5. Into The Mystic
Side B
1. Come Running
2. These Dreams Of You
3. Brand New Day
4. Everyone
5. Glad Tidings

LP 2 Outtakes And Remixes
Side C
1. Into The Mystic (Take 11)
2. Caravan (Take 4)
3. Glad Tidings (Remix 2)
4. These Dreams Of You (Remix)
Side D
1. Come Running (Take 2)
2. Brand New Day (Take 3)
3. Glad Tidings (Alt. Version)
4. Crazy Love (Alternate Mix)

LP 3 Outtakes And Remixes
Side E
1. Caravan (Redo: Take 3)
2. These Dreams Of You (Alt. Version)
3. Moondance (Take 22)
4. Glad Tidings (Take 9)
Side F
1. I Shall Sing (Take 7)
2. Nobody Knows You When You’re Down And Out (Outtake)
3. I’ve Been Working (Early Version, Take 5)

It should come as no surprise that Van Morrison has made an album inspired by skiffle. Van Morrison’s love of skiffle dates back to his childhood. He would hang out at the famed Belfast record store Atlantic Records, where he’d hear early 20th century folk, blues and jazz from the likes of Lead Belly and Jelly Roll Morton. So when he heard Lonnie Donegan’s take on ‘Rock Island Line’ he intuitively understood the music he was creating. Before long, Van Morrison was playing with a skiffle band in school. Several decades on, Van Morrison now revisits his love of the genre with his new album ‘Moving On Skiffle’, which will be released on 10th March 2023.

‘Moving On Skiffle’ finds him taking a homemade style that exploded across Britain in the mid-1950s and infusing it with a level of sophistication and soulfulness that it didn’t always possess the first time around. The 23-track album goes to the heart of the music Van Morrison has inhabited ever since he was six years old, hanging out in the smoky confines of Belfast’s Atlantic Records. It also contains songs that underline, in their messages on the importance of freedom and living on your own terms, his lifetime philosophy. 

TRACK LISTING

Freight Train
Careless Love
Sail Away Ladies
Streamline Train
Take This Hammer
No Other Baby
Gypsy Davy
This Loving Light Of Mine
In The Evening When The Sun Goes Down
Yonder Comes A Sucker
Travelin’ Blues
Gov Don’t Allow
Come On In
Streamlined Cannonball
Greenback Dollar
Oh Lonesome Me
I Wish I Was An Apple On A Tree
I’m So Lonesome I Could Cry
I’m Movin’ On
Cold Cold Heart
Worried Man Blues
Cotton Fields
Green Rocky Road

With ‘Remembering Now’, Van Morrison returns to the transcendent, uncategorisable rhapsodies that make him unique. Soul, jazz, blues, folk, country - this is music in conversation with all of them but limited by none. Its rich with hallmarks of classic Van Morrison, from dominant themes of love in spirit with the great ‘Someone Like You’ (the escapist romance of ‘Once In A Lifetime Feelings’, the self-deprecating candour of ‘The Only Love I Ever Need Is Yours’) to specific references to locations from his youth in the title track and ‘Stomping Ground’. The title of another song, ‘When the Rains Came’, echoes a lyric from his classic ‘Brown Eyed Girl’.

From the radiant opener, ‘Down to Joy’, to the joyously resilient ‘Haven’t Lost My Sense of Wonder’, Van Morrison’s voice, guitar and saxophone continue to mesmerise and he is surrounded, as always, by a fabulous band - Richard Dunn (Hammond organ), Stuart McIlroy (piano), Pete Hurley (bass) and Colin Griffin (drums and percussion) - who have worked with him since ‘Three Chords and the Truth’ in 2019.

The single ‘Down To Joy’ feels like he has gone back to his soul and gospel roots, its strong emphasis on an uplifting big band arrangement with evocative strings providing fans with a taste of timeless sounds which represents the rest of the album.

Beyond his key band members, ‘Remembering Now’ features an array of accomplished collaborators. Its strings were arranged and directed by Fiachra Trench (Paul McCartney, Elvis Costello), whose association with Van Morrison goes back to ‘Avalon Sunset’ in 1989. Those strings were performed by the Fews Ensemble led by Joanne Quigley.

Other contributions come from Michael Beckwith, the founder of the Agape International Spiritual Center, the renowned lyricist Don Black (Ennio Morricone, John Barry, Quincy Jones); and the acclaimed folk artist Seth Lakeman.

TRACK LISTING

1. Down To Joy
2. If It Wasn’t For Ray
3. Haven’t Lost My Sense Of Wonder
4. Love, Lover And Beloved
5. Cutting Corners
6. Back To Writing Love Songs
7. The Only Love I Ever Need Is Yours
8. Once In A Lifetime Feelings
9. Stomping Ground
10. Memories And Visions
11. When The Rains Came
12. Colourblind
13. Remembering Now
14. Stretching Out

This is the best Chilean album of all time according to Rolling Stone magazine.

It was recorded for RCA Víctor at the end of 1966, despite the artist had signed a deal with EMI Odeon and released her previous albums on this label.

After spending some time in Europe, Violeta Parra was back in Chile and wanted to record her most recent songs, filled with lyrics inspired by personal life’s disappointments and social topics. The album contains great songs such as ‘Run Run se fue pa'l Norte’, ‘Maldigo del alto cielo’, ‘Rin del angelito’ and the global hit ‘Gracias a la vida’.

This is the very last album released while Violeta Parra was still alive as she would kill herself only four months later, in February 1967.

In 1974 a new version of the album was released featuring string arrangements by Chilean composer Nino García and new artwork, a full-color illustration based on the black and white photo of the original album cover. This became the most popular version of the album available in decades. The ownership of the original master tapes has been the subject of judicial disputes since the late 1990s and until very recent times, which explains the difficulty in having access to the original work, as originally conceived, throughout this period.

We are now glad to present “Las últimas composiciones de Violeta Parra” as originally released in 1966, with remastered sound from the tapes and the original artwork.

TRACK LISTING

Side A
1. GRACIAS A LA VIDA
2. EL ALBERTIO
3. CANTORES QUE REFLEXIONAN
4. PUPILA DE AGUILA
5. RUN RUN SE FUE PA’L NORTE
6. MALDIGO DEL ALTO CIELO
7. LA CUECA DE LOS POETAS

Side B
1. MAZURQUICA MODERNICA
2. VOLVER A LOS 17
3. RIN DEL ANGELITO
4. UNA COPLA ME HA CANTADO
5. EL GILLATUN
6. PASTELERO A TUS PASTELES
7. DE CUERPO ENTERO

Manchester song-writing maverick, performance poet and Smiths associate Vinny Peculiar has cultivated an alternative music career spanning the past 10 years collaborating with a diverse range of artists from Bill Drummond to Bonehead. "Goodbye My Angry Friend", his 7th studio album, is an ambitious, vengeful, tuneful and intriguing collection of songs. Produced by sonic magpie Tim Browne it fuses influences that are, to many a pop music connoisseur, poles apart.. from Nick Cave to The Darkness.. from Johnny Cash to Queen. Here is a record that, for better or worse, plays by its own rules.

Subtitled "selected out-takes and inserts 1989 - 2003", "Whatever Happened to Vinny Peculiar?" is a superb collection of obscurities, alternate takes and lost gems which both hangs together brilliantly as an album in its' own right and - once again - begs the question: why is this guy not revered as one of England's finest singer / songwriters? Most of the cuts actually date from around the turn of the 21st Century and as usual Vinny's vivid, acerbic observations on life, love and failure are presented with rich, colourful and persuasive musical backdrops which usually suit the unlikely subject matters to perfection.

Fantastic acoustic and lyrical single on Manchester's very own Uglyman records, think of I Am Kloot as possible reference point.

Two major soul sides, one from the Twinight catalogue, one from Capsoul. Velma Perkins is the sister of guitarist, songwriter and producer Al Perkins (whose Atco 45, ‘Nothing Is Impossible’, was a big Northern sound). A successful songwriter in her own right under her married name Vee Allen, ‘Yes, My Goodness, Yes’ was the flipside of her only Twinight single, her 1970 debut 45 ,‘I’ll Always Love You’.

With more than a touch of Diana-era Supremes, it’s a gorgeous uptempo groove with typical Twinight horns and a funky guitar that could well be Al himself lending a hand. It’s a super rare 45 that never seems to come up for sale these days. Cut with Johnson, Hawkins, Tatum and Durr’s debut single for Capsoul, ‘You Can’t Blame Me’.

Signed to the label by DJ and singer Bill Moss (his ‘Sock It To ‘Em Soul Brother’ on Pama is a corker) as The Revelations, the band changed name and cut two 45s before disappearing. A super soulful funky mid-tempo tune that lets all five (even though there are just four names in their chosen name) vocalists lay down a super plush soundtrack. Punctuated with strings, it’s a magnificent full-on sound that goes for over £30 on seven inch.

TRACK LISTING

A1. Velma Perkins - Yes, My Goodness Yes
B1. Hawkins Johnson, Tatum & Durr - You Can't Blame Me

Victoria is a British singer/songwriter that's previously released two albums as half of electronic soul outfit Anushka (on Brownswood and Tru Thoughts respectively), with a third album from the duo scheduled for release later in 2025 on BBE. Now Victoria is finally making the move to showcase her music, in her own unique way, as a solo artist.

Her first solo single 'Cigarette' saw support from Cerys Matthews & Huey Morgan on BBC 6 Music, Gilles Peterson (Worldwide FM), Mi-Soul Radio ('One To Watch'), Dan Digs (NPR Music), Tony Minvielle (Jazz FM), Somewhere Soul, Soho Radio, Totally Wired, Global Soul (also as part of their live showcase at Koko, London) and many more, while her last Anushka project also received extensive support from tastemakers such as Annie Mac, Huw Stephens and Jamz Supernova, and saw her wowing crowds as a regular player on the UK and international festival circuit.

This debut 4-track EP is set to place her where she firmly belongs; as an exciting new talent in the vibrant, eclectic UK r&b/soul scene.

As well as the single 'Cigarette', the EP includes the beautiful follow-up single 'Haunting', and two more soulful tracks; the slow jam 'Keep Love For Me', and the title track 'Did It Again'. Production comes courtesy of Hemai and Shevlane, with all tracks written by Victoria herself, along with her trusted team of accomplices; JNR Williams, Dominic Martin & Louie Hemus.

'Did It Again' is largely inspired by the legacy of her Dominican grandmother, and the tales of all the powerful women she has known, and is yet to know, encompassing their vulnerability and their truth. This in turn with her own journey as a mother. "I found the journey into motherhood transformative", she says. "I felt lost and broken at times, but simultaneously the most capable and powerful I've ever been. I've had to do the work and face my own shortcomings, in order to be the person I want to be, for my child, and ultimately for myself".

Sonically, Victoria takes her influences from a lifelong appreciation of soul music, drawing inspiration from artists like Gladys Knight, Minnie Riperton, Diana Ross, Nine Simone, Ella Fitzgerald and Dionne Warwick, to contemporaries such as Cleo Sol and Jorja Smith. She adds "I'm particularly obsessed with the girl bands from the '60's. I love the stories and the harmonies. Motown was the soundtrack to my childhood. Songs that make you want to dance in your kitchen!".

This debut solo EP is a beautiful example of Victoria's prowess as a vocalist and composer alike.

TRACK LISTING

1. Cigarette
2. Haunting
3. Did It Again
4. Keep Love For Me

Virgil Shaw from San Francisco band Dieselhed with his Americana inspired new release on Munich Records. His compositions are striking and enigmatic, sometimes little more than sketches, and often difficult to decipher, but usually anchored with a telling chorus that manages to convey a fresh, novel observation with simplicity and immediacy.

Post-minimalist, post-ambient, post-something else.

History freely dilates and collapses on Valgeir Sigurðsson’s ‘Dissonance’, his first solo release since 2012. Its three largescale works are haunted by the old Western tradition, infused with the ethereal workings of electronics and sound manipulation.

Recorded and produced between September 2015 and November 2016 at Greenhouse Studios, ‘Dissonance’ is disarmingly human, reflecting the most extreme four years of Sigurðsson’s life full of ecstatic joy and deep sorrow.

‘Dissonance’ is a personal and collective musical treatise to explore and question a world that is collapsing under its internal dissonances.

TRACK LISTING

Dissonance
No Nights Dark Enough I. flow
No Nights Dark Enough II. Infamy Sings
No Nights Dark Enough IV. Fear And Grief And pain
No Nights Dark Enough V. Learn To Contemn Light
1875 I. Waterborne
1875 II. In The Dead Of winter
1875 III. Displaced

Valerie Smith is a top bluegrass vocalist and her band provides perfect instrumentation for her considerable talents. She is at the cutting edge of today's acoustic music scene and "No Summer Storm" is probably her best work to date. A natural performer, with a passion for country music "No Summer Storm" offers a fine introduction to Smith's music and will please anyone into good contemporary bluegrass.

During the last five years of his life, ex-Bonzo Dog Band solo artist Vivian Stanshall, was working on a final album of music to follow up his muchloved 1981 album 'Teddy Boys Don't Knit', which featured classics such as 'Terry Keeps His Clips On', 'The Cracks Are Showing' & 'Ginger Geezer'

Stanshall had spent his time in the 1980's working on his 'English Comic Opera in the Grand Tradition' Stinkfoot, which first ran at the Old Profanity Showboat in Bristol Harbour in 1985, with a later revival in London. He had also found success writing material with his friend Steve Winwood, co-writing the title track to 'Arc Of A Diver', working on Mike Oldfield's 'Tubular Bells 2' (he had been an integral part to the original 'Tubular Bells' as the narrator) & various advertising campaigns including 'Lemsip', 'Cadburys' & most famously 'Ruddles Beer'.For a considerable period, Vivian had wanted to record & release another rock album & had been collecting songs as far back as the 1970's. With money he earned from his advertising work, he funded various recording sessions & had interest from a major record label, but sadly he tragically died in a fire before an album could be completed.

The twelve tracks on this album are taken from a selection of sixty or so finished or nearly completed recordings on the tapes left by Vivian Stanshall, as his hitherto unpublished legacy.

Andy Frizell (The Wizards of Twiddly, The Coral & Kevin Ayers) is a musician & producer who worked with Vivian briefly in 1994. Using the surviving recordings, he has pieced back together Vivian's final album adding where required, the missing instrumentation but, at all times, paying reverence to the original vision. The collection includes the Beefheartian monster mash blues of 'Dog Howl In Tune' - also the title track - as well as the wistfully melancholic 'No Time Like The Future' on an album that wears its heart fully on its sleeve. It is by far the most biographical album Vivian ever made & draws on songs from 'Stinkfoot' & other projects. 'Goodbye Mother' is the poignant last song from the project 'Shackleton', based around the exploits of the Antarctic explorer Ernest Shackleton, which never saw the light of day whilst 'Boy In Darkness' was written by Vivian for a project with Steve Winwood - Winwood's version yet to be released.

Musicians include Jack Bruce (Cream), Ollie Halsall (Pato), Susie Honeyman (The Mekons), Neil Innes & Rodney Slater (The Bonzo Dog Doo-Dah Band), Mike Kellie (Spooky Tooth) & others.

TRACK LISTING

Dog Howl In Tune
Made Of Stone
I'd Rather Cut My Hands
A Good Woman
Goodbye Mother
No Time Like The Future
Strongth
Gecko
Landing On My Feet
Only Being Myself
Boy In Darkness

In 1978, Charisma Records released the 'Sir Henry At Rawlinson End' album, a forty-minute introduction to the eccentric custodian of the crumbling British country estate, which incorporated characters & music from the various episodes of the Sir Henry saga, originally broadcast on the BBC's John Peel show from October 1975 up until 1991.

The BBC regular re-broadcast Sir Henry even today.

In 1980, Sir Henry was also unleashed on the public as a film, starring the great Trevor Howard & was also issued as book published by Eel Pie Publishing, owned at the time by The Who's Pete Townshend.

The 1990's found Sir Henry used as the concept for a now legendary series of 'Ruddles Beer' adverts that cemented 'Rawlinson's End' in the National consciousness. Stanshall was a major Influence on the cream of the new wave of British comedy in the 1980's including Stephen Fry, Adrian Edmondson, Phil Jupitus & Paul Merton & he remains much loved nearly thirty years after his death.In the years just before his untimely death in 1995, Vivian intended to generate a new album based around the content of three of the final episodes broadcast by John Peel on the BBC; 'Crackpot At The End Of The Rainbow' recorded in February 1988, 'The Eating At Rawlinson End', from August 1988 & 'The Thing At Rawlinson End', from April 1991. For decades it has been rumoured that a new Sir Henry album would be released & now finally Madfish / Snapper Music in collaboration with the Stanshall Family have made that rumour a reality.

Using all the remaining tapes from Vivian's archive, Stanshall expert & performance artist Michael Livesley has managed to put back together the intended release, a process that he has described as like "putting back together a smashed vase". The results are a revelation with the final album now a double LP containing some of Vivian's finest work. Fans of Sir Henry, Old Scrotum, Mrs E & the various bizarre & evocative characters that inhabit the musty 'Rawlinson's End' will be thrilled at the imagined adventures that await them - Vivian's final vision has been realised - 'Rawlinson's End'.

TRACK LISTING

Lady Rawlinson's Lilt
Under The Sea ( Instrumental ) ( 06:08 )
Eggs Is Eggs ( Nice N Tidy ) ( 09:07 )
The Pipes ( Sir Henry ) ( 02:53 )
The Crackpot ( Instrumental ) ( 01:11 )
The Great Eating ( Instrumental ) ( 02:31 )
Buzzing ( Hubert ) ( 01:50 )
Spreading His Light ( Hubert & The Rev Slodden ) ( 04:39 )
Scrotum's Lullaby ( Scrotum ) ( 04:31 )
Under The Sea ( Reprise ) ( 01:15 )
Cackling Gas / Under The Sea ( 05:05 )
Octavia ( 04:04 )
Cul-de-Sac ( Mrs E ) ( 04:35 )
The Quiet That The Spider Knows ( Aunt Florrie ) ( 02:43 )
Tour De Farce ( Instrumental ) ( 00:41 )
Entre Act ( Instrumental ) ( 03:36 )
Diplodocus V Concreton ( 03:18 )
Achmedillo ( Scrotum ) ( 05:38 )
Peristaltic Waves ( The Patient ) ( 02:30 )

Ali Farka Touré trekked the world, bringing his beloved Malian music to the masses. Dubbed “the African John Lee Hooker,” one could hear strong connections between the two; both employed a bluesy style of play with gritty textures that elicit calm and fury in equal measure. While the influence of Black blues music prevailed, Touré created a West African blend of 'desert blues' that garnered Grammy awards and widespread reverence.

Though he transcended in 2006, Ali’s musical legacy lives on through his son, Vieux aka “the Hendrix of the Sahara,” an accomplished guitarist and champion of Malian music in his own right. On Ali, his collaborative album with Khruangbin, Vieux pays homage to his father by recreating some of his most resonant work, putting new twists on it while maintaining the original’s integrity. The result is a rightful ode to a legend. Ali isn’t just a greatest hits compilation. It’s a lullaby, a remembrance of Ali's life through known highlights and B-sides from his catalog. It is a testament to what happens when creativity is approached through open arms and open hearts. “To me, music is magic, it is spontaneous, it is the energy between people,” Vieux says. “I think Khruangbin understands this very well.” The genesis of the album dates back to 2019, when Khruangbin, coming off their breakthrough album Con Todo el Mundo, was beginning to play to bigger crowds. The record was finished in 2021, as a global pandemic shuttered businesses and forced us to take stock of what Earth was becoming. Indirectly, Ali captures this as a moment of peace within a raging storm, a conversation between past and present without allegiance to suffering. Now, given Khruangbin’s reach as a unit with legions of fans (including the likes of Jay-Z and Paul McCartney), they’re poised to bring Malian music to broader groups of listeners. Ali is a masterful work in which the love surrounding it is just as vital as the music itself, driving it to unforeseen places; Vieux and Khruangbin are spreading the good word to a completely new generation. “I hope it takes them somewhere new, or puts them in a place they haven't felt or heard,” Lee says. “It is about the love of new friendship and making something beautiful together,” Vieux continues. “It is about pouring your love into something old to make it new again. In the end and in a word it is love, that's all.”

After resurfacing in 2017 with Chicago Bee Records, label owner Mark Churcher has received a steady stream of interest for his old label Emote and in house band V-Neck (with Doug Martin). The repeated interest of the 90s label has sparked this re-issue.

Now a monstrous 25 years old it would appear this record is still very much appreciated by the few that bought it at the time. And until now extremely hard to find with only 500 pressed in 1995.

Side A fuses ambient, dub and techno at a time when this sound was still developing as a sub-genre.

Side B leans more towards dark electronica and techno with hints of Warp, in particularly their flagship act, Seefeel. Moody and esoteric. 

TRACK LISTING

A1. Auto
A2. Quasi
B1. Semi
B2. Uni

Vacant Gardens is Glenn Donaldson (of The Reds, Pinks and Purples and a hundred others) and Jem Fanvu, collaborating on music and with the latter responsible for vocals and lyrics. The project began with the idea of combining heavy fuzz and slow-mo drum machine beats with Fanvu's gentle almost trad-folk style vocals. Almost all of Donaldson's otherworldly sounds are achieved through layers of guitar fuzz and copious delay, while Fanvu offers an ideal counterpoint, taking the listener on a celestial melancholy trip with her opaque poetry and melodies.

So inspired were the duo by this blend of styles, they immediately recorded at least two albums of material, Under the Bloom and Obscene, released in quick succession in 2020 and 2021 in swiftly-disappearing micro editions on the secretive Tall Texan label. With those records close-to-impossible to find at an affordable price, Tough Love are now reissuing both LPs on May 20th, alongside a 7" containing two previously unheard songs recorded at the same time as the albums. The albums are pressed in editions of 500, and the 7" 300, and all on transparent vinyl.

Vacant Gardens is Glenn Donaldson (of The Reds, Pinks and Purples and a hundred others) and Jem Fanvu, collaborating on music and with the latter responsible for vocals and lyrics. The project began with the idea of combining heavy fuzz and slow-mo drum machine beats with Fanvu's gentle almost trad-folk style vocals. Almost all of Donaldson's otherworldly sounds are achieved through layers of guitar fuzz and copious delay, while Fanvu offers an ideal counterpoint, taking the listener on a celestial melancholy trip with her opaque poetry and melodies.

So inspired were the duo by this blend of styles, they immediately recorded at least two albums of material, Under the Bloom and Obscene, released in quick succession in 2020 and 2021 in swiftly-disappearing micro editions on the secretive Tall Texan label. With those records close-to-impossible to find at an affordable price, Tough Love are now reissuing both LPs on May 20th, alongside a 7" containing two previously unheard songs recorded at the same time as the albums. The albums are pressed in editions of 500, and the 7" 300, and all on transparent vinyl.

TRACK LISTING

1. World Inside The Ocean
2. Obscene
3. Whorl
4. Crimson Crush
5. Three Herons
6. Loose
7. As Horses
8. Untombed

Created under isolation, ‘Closure’ is the fourth album from Brooklyn duo The Vacant Lots and is Jared Artaud and Brian MacFadyen’s most fully realised work to date. Out September 30th on Fuzz Club Records, the record packs 8 minimal is maximal salvos into 23 minutes that coalesce into a stun-blast soundtrack for today’s shattered society. New York City’s artistic skyline may have changed immeasurably since the last century, yet the minimalist post-punk/synth-pop duo vividly gouge into the city’s immortal outsider spirit and underground cultural tropes, set against a pulsating backdrop of modern apocalypse.

Laced with evocatively concise and lacerating lyrics delivered detached and deadpan, ‘Closure’s spine-chilling onslaught of towering guitar shrapnel, ethereal metallic synth melodies and cold electronic turbulence comes infused with shades of New Order and Jesus And Mary Chain; the kind of modern disco and post-punk grooves that pillaged New York clubs in the 80s. Inevitably, the penetrating spirit of New York electronic trailblazers Suicide haunts the new record with its subterranean gravitational pull, having previously manifested physically when the two-piece befriended the late Alan Vega – leading to collaborations, support spots and Artaud now co-curating the ‘Vega Vault’ of unreleased material and co-producing and mixing the 2021 lost ‘Mutator’ LP.

TRACK LISTING

1 Thank You
2 Consolation Prize
3 Eyes Closed
4 Disintegration
5 Obsession
6 Chase
7 Red Desert
8 Burning Bridges

“Damage Control” LP is the double album that combines both EPs released by The Vacant Lots on Anton Newcombe's label A Recordings - "Berlin” EP and "Exit” EP. This is the first time all tracks will be made available on CD and including liner notes from the band. All tracks were produced and recorded by Anton Newcombe (Brian Jonestown Massacre) at Anton's Cobra Studio in Berlin.

Jared Artaud of The Vacant Lots says, "working with someone who made you want to make records is fucking inspiring. You not only learn a lot working with Anton in the studio – you become a better artist in the process. Through this collaboration we were able to distill ideas on the spot and turn fragments into songs. Anton pushes you further to get the best results and that really drives the process of making records.”

The Vacant Lots have recently released their critically acclaimed third album "Interzone" on Fuzz Club and have previously released singles with Mexican Summer and Reverberation Appreciation Society. The duo has collaborated on their debut album “Departure” with Spacemen 3’s Sonic Boom, and their second album “Endless Night” with Alan Vega. The group has toured with Suicide, Black Rebel Motorcycle Club, Brian Jonestown Massacre, The Growlers, Dean Wareham, The Dandy Warhols, and Spectrum.

Arriving off the back of their recent 'Interzone' LP, Brooklyn electro post-punk duo The Vacant Lots are putting out a new remixed song, titled 'Departure', which has been produced by Black Rebel Motorcycle Club's Robert Levon Been. A long-standing crowd-favourite, the track is now set for release for the very first time and is bolstered by the remixing duties of the BRMC guitarist and vocalist, whom The Vacant Lots became close friends with after both bands toured together on several occasions. Blending proto-punk and psych as effortlessly as you’d expect from a Vacant Lots release, the ‘Departure’ remix – due for release October 16th on Fuzz Club – sees throbbing 'Nightclubbing'-esque electronics interlaced with distorted, hard-hitting guitars and vocals that are just as snarling as they are detached. First conceived when The Vacant Lots were writing their 2014 ‘Departure’ LP but left unreleased and having now evolved over the years since, the song became a staple of the band’s visceral live performances and is now set for a long-overdue vinyl release in the form of a 7” with an etched B-side that’s limited to 500 copies. The remix is mastered by Maurizio Baggio (Boy Harsher, The Soft Moon, Merchandise) and housed in stark, minimalistic artwork by longtime visual collaborator Ivan Liechti