THIS IS A BLACK FRIDAY 2023 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON FRIDAY NOVEMBER 24TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8AM ON SATURDAY NOVEMBER 25TH).

Tuff City anthology of Old School DJ scratch classics with insert 7", half on red vinyl, half on blue featuring Davy DMX, Marley Marl, Cool DJAJ, Charlie Chase of the Cold Crush Brothers Tuff City is pleased to present the best possible reissue program of HipHop's first decade. These reissues were made as a tribute to Hip Hop’s 50th Anniversary. Each volume represents an important facet of performers on Tuff City: The Solo MC’s, The MC Crews, The DJ’s and The Female MC’s. Each volume features an inner sleeve with liner notes and bonus 7” insert. Each pressing consists of 750 on red vinyl and 750 of an opaque color specific to the volume (Yellow, Gold, Blue, Orange). A bonus 7” single is slipped in the cover encased in a Tuff City logo sleeve in the style of its iconic 12” singles. The series was also conceptualized as a multiset release to stand side by side with the classic Old School Rarities series (The Funky Drum Jams, The Electro Jams, The Linn Drum Jams & The Disco Jams) issued by our Ol’ Skool Flava imprint. The DJ’s get going with “Masters of The Scratch” from West Harlem duo Master OC & Krazy Eddie. Legendary Hollis, Queens multi-instrumentalist Davy DMX gives us the classic “One For The Treble.” Crash Crew DJ Darryl C is here with the previously unreleased “Party and Bullspit.” DJ Charlie Chase of the Cold Crush Brothers closes the first side with “We’re Gonna Need A Little Scratch.” Side Two opens with a master mix from the then 16 year old Hot Day from Queensbridge. Also from Queensbridge, genre archetype Marley Marl delivers his theme song “The Man Marley Marl.” DJ Quik aka Beatbox Master Quick delivers a “Scratch Attack.” The 1982 classic “Ah, That’s The Joint” by another early legend DJ AJ closes out the second side. The bonus includes a Ced Gee remix of “The 900 Number,” a signature track from The 45 King backed with “Marley Marl’s Scratch” from Marley Marl with a feature from MC Shan.

TRACK LISTING

1. Master O.C. And Krazy Eddie-Masters Of The Scratch;
2. Davy DMX-One For The Treble;
3. Daryl Cee AKA Julio- Party And Bullspit;
4. Charlie Chase-We're Gonna Need A Little Scratch;
5. Hot Day-Hot Day Master Mix;
6. Marley Marl-The Man Marley Marl;
7. Beatbox Master Quik-Scratch Attack;
8. Cool DJ AJ Aka DJ Scratch-Ah, That's The Joint;

Bonus 7" Single
A: The 45 King-The 900 Number (Ced Gee Remix);
B: Marley Marl-Marley Marl Scratch. 

THIS IS A BLACK FRIDAY 2023 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON FRIDAY NOVEMBER 24TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8AM ON SATURDAY NOVEMBER 25TH).

Tuff City anthology of Female MC's with insert single, half on red vinyl, half on orange vinyl featuring Queen Latifah, Roxanne Shanté, Wanda Dee, etc. Tuff City is pleased to present the best possible reissue program of Hip-Hop's first decade. These reissues were made as a tribute to Hip Hop’s 50th Anniversary. Each volume represents an important facet of performers on Tuff City: The Solo MC’s, The MC Crews, The DJ’s and The Female MC’s. Each volume features an inner sleeve with liner notes and bonus 7” insert. Each pressing consists of 750 on red vinyl and 750 of an opaque color specific to the volume (Yellow, Gold, Blue, Orange). A bonus 7” single is slipped in the cover encased in a Tuff City logo sleeve in the style of its iconic 12” singles. The series was also conceptualized as a multiset release to stand side by side with the classic Old School Rarities series (The Funky Drum Jams, The Electro Jams, The Linn Drum Jams & The Disco Jams) issued by our Ol’ Skool Flava imprint. The Female MCs commence with a greeting encompassing Dancehall, Rhythm and Patois from the superstar Queen Latifah. The classic Roxanne Wars are represented by Roxanne Shanté “Roxanne’s Revenge,” Sparky D’s “Sparky’s Turn” the pairs “Round One” and Sparky D’s “Sparky’s Profile.” Bronx teenager Traedonya is featured from both sides of her 1987 12” “The Boogaloo” and “Sixteen.” Sweet Tee’s feature on “The DMX Will Rock” closes out the first side. The Jazzy J produced “The Goddess” represents the Hip-Hop side of Wanda Dee, who had a UK House hit with “To The Bone.” New Jersey’s rare recording “(We Are) The Champs” produced by Ultramagnetic’s Ced Gee closes out the second side. The bonus single features Midnight Lace’s entry in the Run-DMC sweepstakes with “What’s Up (With These Girls)” and is backed with Harlem rapper Puffy Dee’s “Joe Blow.”

TRACK LISTING

1. Queen Latifah-Greetings From The Queen;
2. Roxanne Shanté-Roxanne's Revenge;
3. Sparky DSparky's Revenge (Roxanne You're Through);
4. Traedonya-The Boogaloo;
5. Davy DMX Feat. Sweet Tee-The DMX Will Rock (Rap Mix);
6. Roxanne Shanté With Sparky D-Round One;
7. Wanda Dee-The Goddess;
8. Traedonya-Sixteen;
9. Sparky D-Sparky's Profile 
10. Nasty Girls-We Are The Champs;

Bonus 7" Single
A: Midnight Lace-What's Up WIth These Girls;
B: Puffy Dee-Joe Blow

THIS IS A BLACK FRIDAY 2023 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON FRIDAY NOVEMBER 24TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8AM ON SATURDAY NOVEMBER 25TH).


Tuff City anthology of Old School group rap classics half on red vinyl, half on gold featuring Ultramagnetic MC’s, PHD featuring Havoc from Mobb Deep, Flavor Unit featuring Queen Latifah, Spoonie Gee with The Treacherous Three feat. Kool Moe Dee, etc. Tuff City is pleased to present the best possible reissue program of Hip-Hop's first decade. These reissues were made as a tribute to Hip Hop’s 50th Anniversary. Each volume represents an important facet of performers on Tuff City: The Solo MC’s, The MC Crews, The DJ’s and The Female MC’s. Each volume features an inner sleeve with liner notes and bonus 7” insert. Each pressing consists of 750 on red vinyl and 750 of an opaque color specific to the volume (Yellow, Gold, Blue, Orange). A bonus 7” single is slipped in the cover encased in a Tuff City logo sleeve in the style of its iconic 12” singles. The series was also conceptualized as a multiset release to stand side by side with the classic Old School Rarities series (The Funky Drum Jams, The Electro Jams, The Linn Drum Jams & The Disco Jams) issued by our Ol’ Skool Flava imprint. The MC Crews starts with the innovative scratch legend from the Bronx, Grand Wizard Theodore with the Fantastic Romantic 5. The classic “Can I Get A Soul Clap?” features a live rhythm section. Spoonie Gee with the Treacherous Three (including Kool Moe Dee) is a relentless tour-de-force that popularized the freestyle concept. A much sought-after 1986 remix of the 1980 “High Power Rap” from The Crash Crew closes out the first side. New Jersey is well represented with “Flavor Unit Assassination Squad.” The Flavor Unit produced by 45 King features Lakim Shabazz, Lord Alibaski, Apache, Double J and Queen Latifah at the turn of the 90’s. The Undefeated Three represent the Grand Concourse section of the Bronx with “U-N-D-E-F-E-A-T-E-D.” The bonus single features PHD from Queensbridge with an appearance from Havoc from Mobb Deep. The flip side is a freestyle from Bed-Sty's Freddy B & The Mighty Mic Masters.

TRACK LISTING

1. Grand Wizard Theodore & The Fantastic Romantic 5-Can I Get A Soul Clap;
2. Spoonie Gee With The Treacherous Three-New Rap Language;
3. Crash Crew-High Powered Rap (Remix);
4. Flavor Unit Feat Queen Latifah-Flavor Unit Assasination Squad;
5. Undefeated Three-U-N-D-E-F-E-A-T-E-D;

Bonus 7" Single
A: PHD Feat Havoc-Set It Pt. 3;
B: Freddy B & The Mighty Mic Masters-Bed Stuy Freestyle

THIS IS A BLACK FRIDAY 2023 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON FRIDAY NOVEMBER 24TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8AM ON SATURDAY NOVEMBER 25TH).

Tuff City anthology of early Hip-Hop solo performers with insert 7" half on red, half on yellow vinyl featuring Spoonie Gee, T-SkiValley, Ultramagnetic MC’s featuring Kool Keith, Grandmaster Caz, etc. Tuff City is pleased to present the best possible reissue program of Hip-Hop's first decade. These reissues were made as a tribute to Hip Hop’s 50th Anniversary. Each volume represents an important facet of performers on Tuff City: The Solo MC’s, The MC Crews, The DJ’s and The Female MC’s. Each volume features an inner sleeve with liner notes and bonus 7” insert. Each pressing consists of 750 on red vinyl and 750 of an opaque color specific to the volume (Yellow, Gold, Blue, Orange). A bonus 7” single is slipped in the cover encased in a Tuff City logo sleeve in the style of its iconic 12” singles. The series was also conceptualized as a multiset release to stand side by side with the classic Old School Rarities series (The Funky Drum Jams, The Electro Jams, The Linn Drum Jams & The Disco Jams) issued by our Ol’ Skool Flava imprint.

The Solo MC’s kicks off with Harlem’s pioneering Spoonie Gee’s influential “Spoonin’ Rap” from 1979. “Catch The Beat” from T-Ski Valley captures the post-Disco Bronx era of Rap. The side closes with the underground personality Funkmaster Wizard Wiz whose “Knucklehead Rappers” came after he broke from The Undefeated Three. Brooklyn’s Jimmy Spicer delivers a 14+ minute marathon “Adventures of Super Rhyme (Rap).” Grandmaster Caz from Cold Crush is paired with the Fantastic’s Whipper Whip for “To All The Party People” Captain G Whiz from Freddy B’s Mighty Mic Masters closes with his solo 12” track “All The Way Live.” The bonus single features a Kool Keith solo from the Ultramagnetic MCs backed with Grandmaster Caz by himself doing “I’m What Is and You’re What Wants To Be.”

TRACK LISTING

1. Spoonin' Rap-Spoonie Gee;
2. T-Ski Valley-Catch The Beat;
3. Funkmaster Wizard Wiz-Knucklehead Rappers;
4. Adventures Of Super Rhymes-Jimmy Spicer;
5. Grandmaster Caz With Whipper Whip-To All The Party People;
6. All The Way Live-Captain G. Whiz;

Bonus 7" Single
A: Ultramagnetic MC's-Kool Keith Wild;
B: Grandmaster Caz-I'm What Is Your What Wants To Be

THIS IS A BLACK FRIDAY 2023 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON FRIDAY NOVEMBER 24TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8AM ON SATURDAY NOVEMBER 25TH).


Double LP pressed on special limited edition ‘Smash Color’ wax. Non-Returnable. Featuring new cover art by renowned British artist Sophy Hollington. Booklet with track–by–track notes by Lydia Hyslop.

For more than 20 years, acclaimed reissue label Light in the Attic Records has shined a spotlight on some of music’s most unique — and often forgotten — voices. But reviving these long-out-of-print recordings is only half of the process. “We believe that an essential component of archival work, aside from simply honoring the music, is to seek ways in which to bring fresh perspectives, context, and reverence to the original artists and their work,” says LITAfounder, Matt Sullivan. Thus, LITA’s acclaimed cover series was born, in which contemporary acts pay homage to their favorite LITA artists and songs. Spanning more than a decade, 20 of these inspired cover songs will be available together for the very first time, exclusively for Black Friday (November 24) on the 2xLP Light in the Attic & Friends.

From Charles Bradley & The Menahan Street Band covering Detroit singer-songwriter Sixto Rodriguez and Mac DeMarco performing a song by Japanese icon Haruomi Hosono, to Iggy Pop & Zig Zags honoring funk queen Betty Davis, and Ethan & Maya Hawke covering country great Willie Nelson, these performances bridge the gap between generations, languages, and musical traditions.

TRACK LISTING

1. Charles Bradley & The Menahan Street Band - I'll Slip Away,
2. Sweet Tea - After Laughter (Comes Tears),
3. Vashti Bunyan & Devendra Banhart - How Could You Let Me Go
4. Barbara Lynn - We'll Understand
5. BADBADNOTGOOD Feat. Jonah Yano - Key To Love Is Understanding
6. Iggy Pop & Zig Zags - If I'm In Luck I Might Get Picked Up
7. Mozart Estate - Low Life
8. Leslie Winer & Maxwell Sterling - Once I Was
9. Ethan & Maya Hawke - We Don't Run
10. Gold Leaves - Won't You Tell Your Dreams
11. Swamp Dogg, John C. Reilly, Jenny Lewis & Tim Heidecker - The Kneeling Drunkard's Plea
12. Silas Short - You've Become A Habit
13. Mac DeMarco - Honey Moon
14. Cameron Bethany - Send It On
15. Roedelius - Le Chant Des Fauves
16. Roedelius - Same Old Man
17. Angel Olsen - Something On Your Mind
18. Mary Lattimore - Blink
19. Acetone - Plain As Your Eyes Can See
20. Steve Gunn & Bridget St. John - Rabbit Hills

THIS IS A BLACK FRIDAY 2023 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON FRIDAY NOVEMBER 24TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8AM ON SATURDAY NOVEMBER 25TH).

Collection of rare and previously unreleased demo recordings of some of Stax Records’ biggest hits, with the highlights from "Written In Their Soul: The Stax Songwriter Demos". Featuring original demos of the hit singles “634-5789 (Soulsville, USA),” “If You’re Ready (Come Go With Me),” “Woman to Woman,” and “Respect Yourself” . Pressed on Orange Crush vinyl.

THIS IS A BLACK FRIDAY 2025 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON FRIDAY NOVEMBER 28th FROM 10AM ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8AM ON SATURDAY NOVEMBER 29th).

This collector's edition of Vince Guaraldi Trio’s 'A Charlie Brown Christmas' is housed in a special pop-up gatefold sleeve and is released to celebrate the 75th anniversary of PEANUTS and the 60th anniversary of the iconic album and TV special. Still one of the most beloved holiday albums of all-time, this 5x RIAA platinum selling perennial classic continues to introduce generations of children and adults to the joys of jazz, with songs like 'Christmas Time is Here' and 'Linus and Lucy'. This edition of the album comes in a special gatefold sleeve featuring a pop-up scene of Charlie Brown, Snoopy and the gang singing around a Christmas Tree, from the PEANUTS holiday special.

THIS IS A BLACK FRIDAY 2025 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON FRIDAY NOVEMBER 28th FROM 10AM ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8AM ON SATURDAY NOVEMBER 29th).

The third release in our psychedelic/garage rock RSD trilogy (previous releases were the Poppies and Double Whammy titles), this time focusing on rare, unreleased and hard to find sunshine pop from the late '60s. Includes an extensive new essay from producer Alec Palao and pressed on "Sunshine" Translucent Orange vinyl.

THIS IS A BLACK FRIDAY 2025 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON FRIDAY NOVEMBER 28th FROM 10AM ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8AM ON SATURDAY NOVEMBER 29th).

Gas, grass, or jazz, nobody rides for free. Jazz Dispensary presents 'Green Bullets', a new compilation of high-octane funk and fusion-soaked heaters, soundtracking an imaginary 1970’s action film about a heist gone very, very wrong. Featuring tunes from Dizzy Gillespie, Isaac Hayes Movement, Merl Saunders, Bill Summers, and more. Pressed on “Green Thunder” vinyl.

THIS IS A BLACK FRIDAY 2025 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON FRIDAY NOVEMBER 28th FROM 10AM ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8AM ON SATURDAY NOVEMBER 29th).

Released exclusively for Record Store Day, this Picture Disc 2 LP set features alternate cover art, printed inner sleeves and 12” x 14” poster included. 'Wicked: For Good – The Soundtrack' features performances by the stars of the electrifying conclusion to Universal Pictures’ global cinematic Wicked sensation, Wicked: For Good. With music and lyrics by legendary Grammy and Oscar® winning composer and lyricist Stephen Schwartz, the soundtrack includes two new original songs featured in the film: 'No Place Like Home' performed by 3x Academy Award® nominee, Grammy-winning Cynthia Erivo as Elphaba, and 'The Girl In The Bubble' performed by Academy Award® nominee, Grammy-winning Ariana Grande as Glinda. In addition, 'The Wicked Witch of the East' is exclusively featured on the film soundtrack, as it was not previously released as part of the Original Broadway Cast Recording. The soundtrack also features fan-favorites 'Thank Goodness', 'As Long As You’re Mine', 'No Good Deed', and the title track 'For Good'.

Love Record Stores Edition available from 9am on Saturday June 20th.
Limited to one per person.

Includes cover versions of Warm Leatherette by Laibach, Terence Fixmer, Chicks On Speed, Non and the original version by The Normal.

THIS IS A RECORD STORE DAY 2019 EXCLUSIVE, LIMITED TO ONE PER PERSON.

Although gospel and disco music seem like polar opposites, one is secular while the other has embraced a hedonistic culture, the marriage of the two genres has birthed the uplifting spirituality and dance floor thump found in gospel disco. By the mid-'70s many established and independent gospel artists started creating records with a tight four-on-the-floor beat that touched both churchgoers as well as patrons of the drug-fueled establishments of the '70s. Cultures of Soul Records is proud to present the second installment of Greg Belson's Divine Disco. Belson is one of the world's leading authorities on the funky gospel sound; for this collection he dug deep into his crates to undercover the rarest independent and private press gospel disco records ever recorded. Greg Belson's Divine Disco sound is one that's been heard around the world from his DJ appearances at Glastonbury's NYC Donwlow stage to LA's Funky Sole to soul nights across Europe. Many tracks are under the radar or recently discovered such as Harrison Jones - On that Other Shore, Converters, I've Been Converted and the super limited self-released 45 by Mr Jesse R. McGuire – Jesus Is On the Mainline. Only 50 copies were ever pressed. This volume even includes gospel disco from the UK with Paradise's brilliant "Keep the Fire." This compilation also includes remixes and edits by Steve Cobby (who was a member of Fila Brazillia) and the Divine Situation production duo of Greg Belson and Paulo Fulci. Tracks : A1. Converters - I've Been Converted A2. Harrison Jones - On That Other Shore A3. Wisdom - Change A4. Johnson Family Gospel Singers – Imitations B1. Calvin B. Rhone - I Believe B2. Psalms - Praise The Lord B3. Mr. Jesse R. McGuire – Jesus Is On The Mainline B4. Paradise - Keep The Fire C1. Wisdom - Let The Lord Come In Your Life C2. Prophecy - Take It To The Streets C3. New Creation - Ain't No Right Way To Do Wrong D1. Calvin B. Rhone - That's How Much He Loves You D2. Harrison Jones & The Voices of Harmony - On That Other Shore (Divine Situation Way Over Yonder Rework) D3. Mr Jesse R. McGuire – Jesus Is On the Mainline (Steve Cobby Remix)

THIS IS A RECORD STORE DAY 2020 RELEASE AVAILABLE ONLINE ONLY AS PART OF THE AUGUST 29TH DROP DAY AT 6PM.
LIMITED TO ONE PER PERSON.

Yellow Vinyl.After the incredible success of the film Easy Rider, Dennis Hopper was given complete freedom to direct and star in the bizarre, surrealist The Last Movie ñ released in 1971.Filmed in a drug fuelled haze in Peru with Hopper, Peter Fonda, Kris Kristofferson, Dean Stockwell, Michelle Phillips, Russ Tamblyn, and Samuel Fuller ñ there has never been a soundtrack to this film until now! Featuring the first ever performances of Kristofferson's legendary "Me and Bobby McGee" plus sublime country-folk songs from John Buck Wilkin, Peruvian folk & dance music ñ all recorded live on set in Peru ñ nothing was overdubbed! Plus, provocative movie dialogue from Dennis Hopper, Sam Fuller and others ñ coupled with the ambient sounds of the mountains and villages of South America ñ reissue producer Pat Thomas and Hopper Estate archivist Jessica Hundley have assembled a groovy listening experience that will melt minds.Packaging includes rare vintage photos, detailed liner notes, et al.The Last Movie recordings are being released for the first time ever in any audio format ñ taken from the original movie reels!

THIS IS A RECORD STORE DAY 2020 RELEASE AVAILABLE ONLINE ONLY AS PART OF THE AUGUST 29TH DROP DAY AT 6PM.
LIMITED TO ONE PER PERSON.

Double pack coloured vinyl 7".4 track compilation of covers of the James Bond themes of Dame Shirley Bassey.Indie heroes pay tribute to Bond and Bassey just two weeks after the release of the 25th James Bond film.David Gedge (the Wedding Present) teams up with Louise Wener (Sleeper) on the unused Thunderball theme; Mr Kiss Kiss Bang Bang.The Left Outsides provide an atmospheric, pastoral, psychedelic take on Diamonds Are Forever.Darren Hayman (Hefner) re-imagines Goldfinger with his own chorus of Bond girls.DJ Downfall and Theoretical Girl's icy cool synthpop Moonraker will please fans of Ladytron, Black Box Recorder and Flying Lizards Tracks : 01 Mr Kiss Kiss Bang Bang - David Gedge & Sleeper.02 Diamonds Are Forever - The Left Outsides.03 Goldfinger - Darren Hayman.04 Moonraker - DJ Downfall & Theoretical Girl

THIS IS A RECORD STORE DAY 2020 RELEASE AVAILABLE ONLINE ONLY AS PART OF THE SEPTEMBER 26TH DROP DAY AT 6PM.
LIMITED TO ONE PER PERSON.

Kickin presents Hi Tide Groove, DJ's choice 1969 - 1981, selected by Daisuke Kuroda.A collection of Hi Records singles from the famous Al Green and Ann Peebles, to the obscure African and Jean Plum.180 gram color vinyl

THIS IS A RECORD STORE DAY 2022 EXCLUSIVE, LIMITED TO ONE PER PERSON.

The third volume in our "Brazil 45 Boxset Curated by" series comes courtesy of Master At Work and legendary producer / DJ, Kenny Dope. It features 10 knockout tracks and exclusive edits from Kenny, and is a selection of some of his favourites from the golden era of Brazilian music. A 5 x 45 set, it comes packaged in a limited edition and highly collectible BRZ45 box.

TRACK LISTING

Luli Luchinha E O Bando - Flor Lilas (kenny Dope Remix)
Jayme Marques - Berimbao
Di Melo - Perlonga (kenny Dope Remix)
Toni Tornado - Sou Negro
Milton Banana Trio - Primitivo
Milton Banana Trio - Cidade Vazia
Papete - Procissao Dos Mortos
Papete - Domingo No Parque
Antonio Carlos & Jocafi - Quem Vem La (kenny Dope Remix)
Miguel De Deus - Black Soul Brothers (kenny Dope Edit)

THIS IS A RECORD STORE DAY 2024 EXCLUSIVE.

Their influence is widespread, international, continued. NEU! paved the road ahead, created a model of forward propulsion away from hidebound rock cliches. Which is why the NEU! Tribute volume is so especially appropriate. They show how much there is for subsequent generations to unpack in NEU!, how much is buried, implied in their sound.

And so, The National pull back and reveal the latent colours, rhythmic potentials and mental freeways of ‘Im Gluck’. Fink honours the beautiful, lapping waterscape of ‘Weissensee’. Mogwai and Man Man acknowledge the road much travelled laid by ‘Super’. Alexis Taylor’s ‘4+1 = 5’, enhances Rother´s melancholia on ‘Wave Mother’ while Stephen Morris and Gabe Gurnsey’s remix of ‘Hallogallo’ is acid-tipped, machinic, dripping with robot sweat. Yann Tiersen’s remix of ‘Lieber Honig’ plunges deep down into the waters atop which it originally floated, Idles tear up ‘Negativland’ inside out, exposes and rearranges its tangled wires and workings. Finally Guerilla Toss’s ‘Zum Herz’ and They Hate Change’s version of ‘After Eight’ are salutes from a band whose members were unborn in NEU!’s heyday. NEU!, für immer. NEU! forever.

TRACK LISTING

Im Glück (The National Remix) - NEU!
Weissensee (Fink Version) - NEU!, Fink
Super (Mogwai Remix) - NEU!
4+1=5 - NEU!, Alexis Taylor
Hallogallo (Stephen Morris And Gabe Gurnsey Remix) - NEU!
Lieber Honig (Yann Tiersen Remix) - NEU!, Yann Tiersen
Super (Man Man Remix) - NEU!, Man Man
Negativland (Idles Negative Space Rework) - NEU!
Zum Herz - Guerilla Toss, NEU!
After Eight (They Hate Change Cover) - NEU!, They Hate Change

Third in a trilogy from Now-Again Records with Forge Your Own Chains (2009), Tickets for Doomsday (2021), Pale Shades of Grey is a Various Artists compilation of rare, largely un-compiled, and sometimes barely heard heavy psych-rock. Pounding drums, scathing fuzz guitar and morose, contemplative lyrics will bring you up on a downer.

Pale Shades of Grey, as the title hints, is and perhaps the most contemplative of the series, ruminations dark themes of love, death, pain and triumph, as performed by high school and college bands, Brazilian intellectuals, Nigerian rockers and even an Irish pub band from Michigan. A unique and compelling listen, and surely a worthy companion for these times.

THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.


Soul Jazz Records’ new 10th anniversary one-off limited-edition heavyweight special-edition orange coloured vinyl pressing (+ download code) exclusively for Record Store Day 2024 of their long out of print ‘Punk 45: Kill the Hippies! Kill Yourself!’

Soul Jazz Records’ debut ‘Punk 45’ album charts the rise of underground punk across the United States of America in the years 1973-1980.

This album is fully remastered, relicensed with new tracks exclusively for RSD 24 and includes new tracks from Iggy & The Stooges, Nervous Eaters, Angry Samoans and more.

The ‘Punk 45’ album features a collection of seminal, classic, obscure and rare punk and proto-punk 45 singles from the likes of Electric Eels, The Pagans, The Deadbeats, The Randoms, The Lewd and many more – a lightning-rod journey across the states of America: Cleveland, Detroit, Los Angeles, Akron, New Orleans, Philadelphia – tracing the rise of punk music in these various towns and cities.

The album comes complete with extensive text, biographies on each of the bands, exclusive photos and original record artwork.

THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.

‘The Endless Coloured Ways’ is a collection of songs by legendary singer/ songwriter, Nick Drake, performed and recorded by over 30 incredible artists from a range of different backgrounds, genres, age groups and audiences. 

From Fontaines D.C to Guy Garvey, and Aurora to Feist, each artist has offered their own incredible take on a timeless classic.

This RSD exclusive 7" Singles Boxset includes eleven tracks across six 7" singles from the original campaign and housed in a brand new exclusive and limited edition collector's box, including an exclusive double sided pullout poster insert Record Store Day UK exclusive for 2024.

TRACK LISTING

Single I
Fontaines DC - 'Cello Song
Let's Eat Grandma - From
The Morning
Single II
Mike Lindsay Featuring
Guy Garvey - Saturday Sun
Katherine Priddy - I Think
They're Leaving Me Behind
Single III
David Gray - Place To Be
Stick In The Wheel - Parasite
Single IV
Bombay Bicycle Club & The Staves - Road
Karine Polwart & Kris Drever - Northern Sky
Single V
Emeli Sandé - One Of These Things First
John Grant - Day Is Done
Single VI
Nick Drake - Tomorrow Is A Long Time (Bob Dylan Cover)

THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.

Blue Note Re:imagined was first released in 2020 featuring fresh takes on music from the illustrious Blue Note Records vaults recorded by a heavyweight line-up of the UK jazz, soul, and R&B sceneís most hotly-tipped rising stars. This incredible compilation includes artists such as Jorja Smith, Jordan Rakai, Ezra Collective, Poppy Ajudha and more. This new version of Blue Note Re:imagined, pressed exclusively for Record Store Day on Smokey Clear & Blue vinyl with new blue cover, includes an exclusive bonus track - Jorja Smith ñ Rose Rouge (Joy Orbison Remix). On itís original release Blue Note Re:imagined topped jazz charts around the globe and infuses the spirit of the new UK jazz generation into the legendary labelís iconic catalog, balancing the genreís tradition with its future and reflecting the melting pot of talent and diversity within the current scene.

TRACK LISTING

Side A: 1. Jorja Smith ñ Rose Rouge2. Ezra Collective ñ Footprints3. Poppy Ajudha - Watermelon Man (Under The Sun)4. JordanRakei ñ Wind Parade Side B:1. Skinny Pelembe - Illusion (Silly Apparition)2. Alfa Mist ñ Galaxy3. Ishmael Ensemble ñ Search For PeaceSide C:1. Nubya Garcia ñ A Shade Of Jade2. Steam Down, Afronaut Zu ñ Etcetera3. Blue Lab Beats ñ Montara 4. Yazmin Lacey - I'll Never Stop Loving You Side D:1. Fieh ñ Armageddon2. Mr Jukes - Maiden Voyage3. Shabaka Hutchings - Prints Tie4. Melt Yourself Down - Caribbean Fire Dance (Lewisham Drop)5. Emma-Jean Thackray - Speak No Evil (Night Dreamer) New Bonus Track: 6. Jorja Smith ñ Rose Rouge (Joy Orbison Remix)

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The brokntoys stable has been quietly breeding best-in-shows and podium winners for the techno, electro and breakbeat classes for some time now. BT25 brings together label regulars Marco Bernardi, Vertical67 and Exhausted Modern alongside debutante Robert Valera.

A1 marks the first appearance of NY-based analogue wizard Robert Valera with "Test 2", a track reminiscent of the deeper end of the West Coast sound - vintage oscillators rotating around fried drum machine kinetics.

Marco Bernardi returns with "Tokyo Sunrise", an epic journey joining Detroitian sequences with classic breakbeats for a very on-trend and captivating sound that should resonate with the majority of the global dance village right now.

Vertical67 proffers up a stylish and icy cold electro jaunt that's perfect for warming up aircraft hangers and warehouse spaces early doors.

Exhausted Modern's "The Last Minute On Earth" concludes with an introspective take on cinematic soundscapes. Helicopter blade rhythms rotate against an evocative backdrop of analogue synths and technoid textures which seems primed to soundtrack the next tense, alien dystopia / mutant massacre thriller.... someone call Blade!

Screenprinted sleeves, hand stamped and numbered labels - limited copies as per. 

TRACK LISTING

A1. Robert Valera - Test 2
A2. Marco Bernardi - Tokyo Sunrise
B1. Vertical67 - Out Of Sight
B2. Exhausted Modern - The Last Minute On Earth 

Texan Roky Erickson was one of the true mind-blowing pioneers of psychedelic music. The original leader of the Austin-based 13th Floor Elevators formed in 1965, Erickson and band invented a brand new style of rock & roll, one that was slightly unhinged while it explored the consciousness-expanding influence of LSD on music. After three years, the group imploded with mental issues and legal challenges, ending with Erickson being incarcerated for several years in the Hospital for the Criminally Insane in Rusk, Texas. When he was released in the early ’70s the musician continued on his own trail, recording songs that had come to him in his far-flung cerebral wanderings. Erickson, who passed away May 31, 2019, is now celebrated on this 12-track tribute to one of the most original rockers ever.

The participants range the whole world of modern music, and each chose one of Erickson’s originals to stamp their own imprint on. They include Lucinda Williams, Billy F Gibbons, The Black Angels, Margo Price, Mosshart Sexton (Alison Mosshart & Charlie Sexton), Neko Case, Mark Lanegan & Lynn Castle, Jeff Tweedy, Gary Clark Jr & Eve Monsees, Ty Segall, Chelsea Wolfe, and Brogan Bentley. With the full support of the Roky Erickson estate, the album is produced by Bill Bentley, executive producer of the 1990 Roky Erickson tribute album Where The Pyramid Meets The Eye on Sire Records, with associate producers Matt Sullivan, co-founder/co-owner of Light in the Attic, and Wyatt Bentley.

The songs range from Erickson’s debut iconic original, “You’re Gonna Miss Me,” recorded when he was a member first in The Spades and then the 13th Floor Elevators during the early ‘60s in Austin, to some of Erickson’s later songs, like “If You Have Ghosts,” which heard him exploring some of the outer limits of the human psyche. Each new recording is a stunning modern take on the sound that Roky Erickson gave the world over a half-century of writing, recording and touring. No one has ever equaled those explorations.
This truly is the music of the spheres, as Erickson once sang about his sound, as seen through the eyes and ears of those who are united in their love and respect for a person who dedicated his life to rock & roll. Roky Erickson, through the trials and tribulations of a man both imbued with greatness and haunted by darkness, never quit in his quest to share with others what he heard and saw. As he sang on the 13th Floor Elevators last recording, “May the circle remain unbroken.”

TRACK LISTING

Billy F Gibbons - (I've Got) Levitation
Mosshart Sexton - Starry Eyes
Jeff Tweedy - For You (I'd Do Anything)
Lynn Castle & Mark Lanegan - Clear Night For Love
The Black Angels - Don't Fall Down
Neko Case - Be And Bring Me Home
Margo Price - Red Temple Prayer (Two-Headed Dog)
Gary Clark Jr. & Eve Monsees - Roller Coaster
Ty Segall - Night Of The Vampire
Lucinda Williams - You're Gonna Miss Me
Chelsea Wolfe - If You Have Ghosts
Brogan Bentley - May The Circle Remain Unbroken

We are in 1987 and 2 years have passed since Vinicio Adames debut album “El Comienzo Del Camino” when Venezuelan painter Ernesto Leon asks Vinicio to compose music for his New York Art Exhibition at Lincoln Centre. The result is an exceptional composition and modern sound interpretation of their national heritage the Amazonas. Both Amazonia I + II, each version in its own way, honor the majesty and mystery of one of worlds greatest nature reservoirs. Both compositions were never intended for commercial release, and were only given out by hand in Flexidisc format during the exhibition. We at TrueClass Record felt, that the time has come to present this gem to all musiclovers worldwide. Short Info: Venezuelan Electronic Music Pioneer Vinicio Adames Synth-Pop Masterpiece from 1987. Vital Sales Points: 1st Official release. Quality Restoration and Re-Mastering by Calyx Mastering.

STAFF COMMENTS

Patrick says: Collectors of ambient, Balearic and 80s synth-scapes know you have to scour the exhibition catalogues, fashion collection promos and weird commercial tie-ins to find the deepest nuggets. This shamanistic masterpiece is no exception, created for an Ernesto Leon exhibition in NYC '87. Perfect fourth world tackle for play alongside Crelier, Hassell and Finis Africae.

TRACK LISTING

Amazonia I
Amazonia II

Vashti Bunyan’s legendary debut album from 1970 finally gets a UK vinyl repressing. Produced by Joe Boyd for Witchseason Productions and originally released on Philips in 1970, the album features contributions from Fairport Convention’s Simon Nicol and Dave Swarbrick and The Incredible String Band’s Robin Williamson.

The songs mostly concern the events that took place when Vashti and her lover travelled to the Hebrides in a horse and cart to join up with Donovan’s artistic community but by the time they got there that community had all left. 

Vashti Bunyan’s ‘Lookaftering’ is 20 years old. To mark the occasion, and also Vashti’s 80th birthday, an expanded edition is to be released. As well as the original studio album itself, the second disc features demo versions, an alternate take of ‘Wayward’, and a live performances of ‘Lately’. This edition also comes with sleeve notes from Vashti, producer Max Richter, Devendra Banhart and a 16-page lyric booklet featuring a collection of paintings by Vashti's daughter Whyn Lewis – paintings that closely, and coincidentally, reflected the lyrics of the album.

Vashti says “the beautiful photograph of Max in the studio playing wine glasses with his young daughter’s violin bow, brings it all back to me - how very fortunate I have been.”

Dating from 2001 to 2005, the demos were recorded at home by Vashti, accompanying herself on acoustic and electric guitar and experimenting with synths – from piano to strings, pipe organ, harmonium, recorders and accordion. The sound is, of course, stripped back compared to that of the finished album, but the live version of Lately recorded at an early “comeback” gig in L.A. in 2006, orchestrated as on the record, is absolutely pitch perfect. 

Listening to the demos and the final versions side-by-side while reading the sleeve notes is a wonderful experience, learning and hearing how the songs and the long-player evolved, with Vashti and Max Richter (who produced - and played on - the album), explaining how all of the artists involved (Devendra Banhart, Johanna Newson, Adem Ilhan, Robert Kirby and members of the band Vetiver), touched by Vashti’s original 1970 ‘Just Another Diamond Day’ album, jumped at the opportunity to be there. As Max Richter recalls, “It felt like a community project; a family of people coming together”.

TRACK LISTING

1. Lately

2. Here Before

3. Wayward
4. Hidden
5. Against The Sky
6. Turning Backs
7. If I Were
8. Same But Different
9. Brother

10. Feet Of Clay
11. Wayward Hum
12. Lately (Live, The Echo, Los Angeles, 2006)
13. Here Before (Demo, 2005)
14. Wayward (Alternative Take, 2005)
15. Hidden (Demo, 2002)
16.Against The Sky (Demo, 2004)
17. Turning Backs (Demo, 2003)
18. If I Were (Demo, 2001)
19. Same But Different (Demo, 2005)
20. Brother (Demo, 2002)
21. Feet Of Clay (Demo, 2002)

Equally adept on the decks and in the studio, Victor Calderone has travelled the world playing for thousands and created some of the electronic music industry’s most seminal tracks and remixes. His new double sided release on Nervous Recprds is a collaboration with highly respected producer / DJ Mykol. They have a created an EP that has the driving percussive force needed to move a dancefloor in 2025, and through its inspired usage of vocal and musical elements highlights their background as born and bred New Yorkers who grew up enmeshed in New York’s nightlife and musical culture.

'What You Want' features the legendary Byron Stingily, a Chicago house singer and Ten City vocalist with a famous falsetto. Here he serves up a moody spoken word sermon over chunky house drums with a dark energy and late-night sense of soul. Electric synth patterns wave in and out to bring great drama to this full-flavour groove. 'What You Want' also comes as a more pared-back but still jacking dub with plenty of smart studio effects.

'Take You Back' is a surging house sound with deep bass and drums and whimsical synth patterns that dance over the beats. Alluring female vocal pulls you in ever closer to a track that is both emotive and physical, steamy but sensuous.

STAFF COMMENTS

Matt says: Where there's a _NRV there's also a Nervous. Two new joints from the sibling house stables this week. This one, featuring house royalty Byron Stingily screams of 4AM hedonism. Loose, free-spirited and refusing to slow down.

TRACK LISTING

A1. What You Want Ft. Byron Stingily
A2. What You Want Ft. Byron Stingily (Dub)
B1. Take You Back 

As the album title suggests, Songs of Silence is a lyric-less, instrumental album, and is hugely evocative for that. Unlike anything you’ve previously heard from Vince Clarke, as an artisan of dynamic electropop, (Erasure, Depeche Mode, Yazoo), Songs of Silence has about it a more sober ambient electronic beauty, its unique characteristics put it in a category of its own.

For the creation of the record Vince set himself two rules – first that the sounds he himself generated for the album would come solely from Eurorack (a modular synthesizer format introduced in the mid-90s) and secondly that each track would be based around one note, maintaining a single key throughout. The resultant pieces, with the Eurorack sound clay then manipulated on Logic Pro, amount to wordless narratives, in which a sense of synth-generated, cosmic remoteness is often jolted by stark interventions, reminders of the human hand at work amid this machinery.

This album sees Vince Clarke not content to rest on his considerable pop legacy, and instead open up for himself, and for the rest of us, exciting new electronic vistas in which the permutations and possibilities are limitless.

TRACK LISTING

1. Cathedral
2. White Rabbit
3. Passage
4. Imminent
5. Red Planet
6. The Lamentations Of Jeremiah
7. Mitosis
8. Blackleg
9. Scarper
10. Last Transmission

Brazilian poet, lyricist, essayist and playwright, Vinicius de Moraes (1913-1980) became a seminal figure in modern Brazilian music and literature. Along with his longtime collaborator, composer, arranger, singer, and pianist/ guitarist Antonio Carlos Jobim (1927-1994), known in Brazil as Tom Jobim, he composed hundreds of songs which have become true classics and have transcended the bossa nova, as they continue to be played and recorded by countless singers and instrumentalists within Brazil and throughout the world. This LP edition compiles some of Vinicius' earliest recordings.

TRACK LISTING

Berimbau
Mulher Carioca
Samba Em Preludio
Pela Luz Dos Olhos Teus
O Astronauta
Samba Da Bencao
Ouverture
Monologo De Orfeu
Um Nome De Mulher
Se Todos Fossem Iguais A Voce 
Mulher, Sempre Mulher
Eu E O Meu Amor
Lamento No Morro

Another of Ono's expansive and highly creative projects. "We Are For A While" is a fully realized multimedia experience, detailing the working process for Vitalija Glovackyte's sonic and visual tale about recycling. Vitalija first sourced a plethora of broken and salvaged instruments, their acquisition alone worthy of a tale (told in the accompanying booklet). After repairing instruments to a (somewhat) playable state, Glovackyte then set about recording the album you hear now - a collection of electro-folk meanderings, broken ambience and fairytales from industrial sites. It's a heartfelt homage to re-using instead of replacing and is highly evocative in the process. The booklet comes with photos detailing the process as well as a written narrative from Glovoackyte. It's another brilliant addition to the art / music cannon that is Ono records. Highly recommended.

Vin Gordon, also known as Don Drummond Jr, is a celebrated trombonist from Jamaica who now drops a second 12" on Finnish Dub & Sound International with the Dubsetters. It carries on the good work of their first outing with rootsy and organic reggae rhythms topped with the signature smooth sounds of Gordon's melodies up top. After the original version of 'Get On The Groove', the B-side keeps things sweet with a Groove Dub that is as deep as they come and stacked with echo and reverb for that lovely authentic sound and then closing it out is 'Groove 78 Style' which is more percussive, splashy and cavernous with some deft studio effects added in.

STAFF COMMENTS

Matt says: More unseasonably hot reggae sizzlers from Dub & Sound who nice up the vibes with three hea-vy cuts. Two inna dub style, and one that's more like a strict instrumental cut. Real nice style!

TRACK LISTING

Get On The Groove
Groove Dub
Groove 78 Style

With such iconic tracks as “Christmas Time is Here” and the instantly recognizable “Linus and Lucy”, the Vince Guaraldi Trio’s soundtrack to A Charlie Brown Christmas shares the title of best-selling jazz album in history, and was certified 4x Platinum by the RIAA in late 2016. 

TRACK LISTING

Side 1
1. O Tannenbaum
2. What Child Is This
3. My Little Drum
4. Linus & Lucy
5. Christmas Time Is Here (instrumental)
Side 2
1. Christmas Time Is Here (vocal)
2. Skating
3. Hark, The Herald Angels Sing
4. Christmas Is Coming
5. Für Elise
6. The Christmas Song

Deluxe Editions Bonus Tracks:
O Tannenbaum (Take 2/Recorded September 21, 1965)
O Tannenbaum (Take 3/Recorded September 21, 1965)
Greensleeves (Take 6/Recorded October 28, 1965)
Linus And Lucy (Take 1/Recorded September 17, 1965)
Christmas Time Is Here (Take 1/Recorded September 17, 1965)
Christmas Time Is Here (Vocal) (Rehearsal/Recording Date Unknown)
Christmas Time Is Here (Take 4/Recording Date Unknown)
Skating (Take 1/Recorded September 22, 1965)
Jingle Bells (Takes 1–4/Recorded September 21, 1965)
Christmas Is Coming (Take 3/Recorded September 17, 1965)
Christmas Is Coming (Take 3/Recorded September 21, 1965)
Für Elise (Takes 1–2/Recording Date Unknown)
The Christmas Song (Take 8/Recorded October 28, 1965)

Released to celebrate the 75th anniversary of PEANUTS and the 60th anniversary of 'A Charlie Brown Christmas'. This best-selling perennial classic continues to introduce generations of children and adults to the joys of jazz, featuring songs like 'Christmas Time is Here' 'O Tannenbaum', and 'Linus and Lucy'. 

TRACK LISTING

1. O Tannenbaum
2. What Child Is This
3. My Little Drum
4. Linus And Lucy
5. Christmas Time Is Here (Instrumental)
6. Christmas Time Is Here (Vocal)
7. Skating
8. Hark, The Herald Angels Sing
9. Christmas Is Coming
10. Für Elise
11. The Christmas Song
12. Greensleeves

'PEANUTS GREATEST HITS' features 12 of the most memorable recordings from the beloved animated PEANUTS television specials, all with the sophisticated, yet accessible jazz stylings of the Vince Guaraldi Trio, including such classics as 'Linus and Lucy', 'Christmas is Coming' and 'Little Birdie'. This new picture disc format of the album is released to celebrate the 75th anniversary of PEANUTS and features a classic image of Linus and Lucy on one side and the album cover image on the other.

TRACK LISTING

1. Linus And Lucy
2. Charlie Brown Theme
3. Baseball Theme
4. Oh, Good Grief
5. Happiness Is
6. Little Birdie
7. Great Pumpkin Waltz
8. Thanksgiving Theme
9. Christmas Is Coming
10. Christmas Time Is Here (Instrumental)
11. Skating
12. Christmas Time Is Here (Vocal)

On LP for the very first time, the vivid musical cues that American jazz pianist and composer Vince Guaraldi wrote for the cast of Peanuts characters, adding new dimensions to beloved regulars like Peppermint Patty, Schroeder, Sally, and, of course, Charlie Brown. In addition to nine songs performed by Guaraldi, the album also includes two classic Peanuts tunes recorded by pianist George Winston. Eight of the selections on Peanuts Portraits (including Winston renditions of “Linus And Lucy” and “Masked Marvel”) make their vinyl debut.

TRACK LISTING

Linus And Lucy
Sally’s Blues
Blue Charlie Brown (Version #2)
Peppermint Patty
Charlie’s Blues (Alternate)
Joe Cool
Frieda (With The Naturally Curly Hair)
Schroeder (Alternate)
Little Birdie
Masked Marvel
Linus And Lucy

“If you were in the middle of a forest, surrounded by a thicket of unkempt plants, trees, and wild wonder at every turn, would you marvel at all of the paths and directions you could go?
If it were pitch black, dark, would you trust each step taken into the unknown?
If it were the brightest day, would you bask in the sunshine and fall in love?
Owls, Omens, and Oracles is a collection of songs that summon us to observe the roads we are traveling and how they might lead us through dark times, but we are never alone.
There’s always an inner light to guide the way.”
-Valerie June 

STAFF COMMENTS

Barry says: Shining, uplifting rhythmic soul music that's imbued with bright streaks of gospel and country, all topped with the beautifully jubilant lyrics and soaring register of VAlerie June. Beautifully celebratory and full of moments of genuine joy.

TRACK LISTING

1. Joy, Joy!
2. All I Really Wanna Do
3. Endless Tree
4. Inside Me
5. Trust The Path
6. Love Me Any Ole Way
7. Changed (ft. The Blind Boys Of Alabama)
8. Superpower
9. Sweet Things Just For You
10. I Am In Love
11. Calling My Spirit
12. My Life Is A Country Song
13. Missin’ You (Yeh Yeh)
14. Love And Let Go 

Conjuring a next-generation fusion of folk, soul, gospel, country and transcendental blues, The Moon and Stars, Prescriptions For Dreamers, Valerie June’s third full-length album for Fantasy Records is a deeply affecting work of genuine beauty and unassuming wonder.

Produced by Jack Splash (Kendrick Lamar, Alicia Keys, John Legend) and Valerie June and recorded at Fresh Young Minds in Los Angeles, CA and Hit Factory Criteria in Miami, FL., the new album is her first release since 2017’s highly acclaimed The Order of Time and features 11 songs and three musical interludes, all written by Valerie.

STAFF COMMENTS

Matt says: A nice mix of beautifully played instruments, delicate electronic flourishes and June's arresting and haunting voice make for a modern country-blues album that'll stand the test of time. Get those camera phones in the air folks!

TRACK LISTING

1. Stay
2. Stay Meditation
3. You And I
4. Colors
5. Stardust Scattering
6. African Proverb
7. Call Me A Fool
8. Fallin
9. Smile
10. Within You
11. Two Roads
12. Why The Bright Stars Glow
13. Home Inside
14. Starlight Ethereal Silence

Acclaimed GRAMMY-nominated singer-songwriter and multi-instrumentalist Valerie June presents Under Cover – a specially curated 8-track covers collection that contains singular interpretations of some of her favorite songs including previously unreleased versions of Mazzy Star’s “Fade Into You,” Frank Ocean’s “Godspeed,” Joe South’s “Don’t It Make You Want To Go Home,” Gillian Welch’s “Look At Miss Ohio,” and Nick Cave & The Bad Seeds’ “Into My Arms.”

Under Cover also includes two tracks from Valerie’s recently released (digital only) The Moon and Stars: Prescriptions For Dreamers Deluxe Edition: John Lennon’s “Imagine,” and Nick Drake’s “Pink Moon.” Dylan’s sublime “Tonight I’ll Be Staying Here with You,” which was only available as an Amazon Original exclusive, rounds out the set.

TRACK LISTING

Pink Moon (Nick Drake)
Fade Into You (Mazzy Star)
Look At Miss Ohio (Gillian Welch)
Godspeed (Frank Ocean)
Imagine (John Lennon)
Don’t It Make You Want To Go Home (Joe South)
Tonight I’ll Be Staying Here With You (Bob Dylan)
Into My Arms (Nick Cave & The Bad Seeds)

Kalita Records proudly return to the vaults of South Africa’s trailblazing Music Team label to present five essential, long-lost disco and boogie gems. Lovingly remastered and primed for today’s dance floors, these carefully curated cuts from Maurice Horwitz’s pioneering imprint showcase the very best of Music Team’s output - finally sparing DJs and collectors the sky-high prices and endless hunts for elusive original copies.

Spanning both disco and boogie, the EP opens with Linda’s highly sought-after 1986 anthem ‘I Love Soweto’, before shifting to Abigail Kubheka’s irresistible 1978 disco burner ‘Charisma’, originally released on Music Team’s Spinner subsidiary.

Flipping to the B-side, the spotlight remains on Spinner with Jappie Lebona’s mythical 1984 boogie cut ‘You’ve Got It’, produced by the legendary Tom Mkhize, whose touch also graced Norma T’s 1987 dancefloor bomb ‘Move To The Beat’. Both vocal and instrumental versions of the latter are included here for the first time since their original release.

With this collection, Kalita shines a light once more on the phenomenal creativity of Music Team and its artists during South Africa’s vibrant disco and boogie era of the late ’70s and ’80s, ensuring these treasures continue to receive the attention they deserve.

TRACK LISTING

1. Linda - I Love Soweto
2. Abigail Kubheka – Charisma
3. Jappie Lebona – Youʼve Got It
4. Norma T – Move To The Beat
5. Norma T – Move To The Beat (inst.) 

Following a spur-of-the-moment cross-country trip with a pair of fiery European girls, Vikesh Kapoor left school for a brief yet inspiring stint as a mason’s apprentice. The America he had previously known resided narrowly between his childhood home in rural Pennsylvania and the New England university he left home for. Alongside his parents’ own immigrant struggles, these experiences quickly witnessed Kapoor to the scope of the American dream.

A few years later, Kapoor performed at Howard Zinn’s memorial service in Boston, in front of Zinn’s family and colleagues (including Noam Chomsky). Roused by Zinn’s lifelong battle against class/race injustice, Kapoor spent the next two years in Portland, Oregon working on his full-length debut record. The Ballad Of Willy Robbins, a concept album loosely based on a newspaper article, chronicles the brutal but hopeful story of a working class man who slowly loses everything: ambitions, health, family and shelter. It’s a worker’s tale, less specific to the blue-collar life as it is about anyone struggling to make something of themselves.

Co-produced by Adam Selzer (M. Ward) and features Nate Query (Decemberists, Black Prairie), Jeff Ratner (Langhorne Slim) and Birger Olsen (Denver).

THE NEW YORKER: “a series of sharply etched portraits of struggling Americans that points back along a road of socially conscious songs. Woody Guthrie is standing at the head of that road”

On the record "New Chapter", sound from all directions of the sky is transformed as it flows through the bodies of the musicians. The source material is Viola Klein’s solo record "Confidant" and the collaboration with the Sabar Ensemble Diop from Saint Louis, titled "We". Whodat in Detroit, Kassem Mosse in Leipzig, Nídia in Lisbon, and Viola Klein in Cologne and Dakar reshape the places where deep house, leftfield, kuduro, and mbalax originated and/or continue to thrive: the USA, Germany, Portugal, and Senegal.

STAFF COMMENTS

Barry says: Jagged, deep dub from Kassem Mosse, scattered incidental percussion and MSP-manipulation from Oiseaux De La Nuit and heavy-hitting machinated percussion loops from Nidia, plus a whole lot more. An impeccable set of progressive electronica reworks.

TRACK LISTING

Whodat's Confidence Mix
Rely On The Key Of A Flat
Kassem Mosse's Snooze Mix
Snooze Seashore Korg X5d Mix
Snooze Oiseaux De La Nuit Mix
Nídia’s Love In Life Mix
Sabar Ensemble Diop & 808 - We Another Part Mix 1
Picci Bis Bi Ci Dakar
Sabar Ensemble Diop & 808 - We Another Part Mix 2

South Street International return with the house goodness once again, reissuing Vick Lavender’s house anthem “The L.O.V.E. Song (From Chicago To New York)”. Originally self-released on his label Sophisticado Recordings by the Chicago producer and musician, this is one of those timeless deep house gems that’s become an underrated weapon for discerning DJs worldwide.

Lavender – known for his work with Glenn Underground as part of the legendary Strictly Jaz Unit – has been shaping deep and soulful house for over three decades, blending world music, jazz fusion, R&B and more into a sound that’s both spiritual and deeply rooted in the dancefloor. Here he brings the best of both cities into one track: the soulful musicality of Chicago, the cosmopolitan polish of New York. Warm Rhodes, fluid percussion, and vocal refrains ride over a groove that’s equally at home in a dark basement session or a sunrise terrace set.

With originals changing hands for eye-watering prices on Discogs, this official reissue makes this must have record accessible again. Lovingly remastered by The Bakehouse and presented on South Street International, This record is a must-have for fans of deep house, and anyone who believes in the eternal conversation between Chicago and New York.

TRACK LISTING

A1. The L.O.V.E. Song (From Chicago To New York) (Main Mix)
B1. The L.O.V.E. Song (From Chicago To New York) (The Sophisticado Reloaded Mix) 

This record is a Chicago collaboration between Vick Lavender and a legendary singer and producer, Ron Carroll. Ron is best known as the voice of timeless winners like Back Together, Angel and Lucky Star. Vick Lavender is a high profile producer and remixer and a regular on Cataleya Music. He runs his own Sophisticado Recordings label and has recently released two LPs, Beyond and Time Traveler. All I Got For You (Is Love) is a proper vocal anthem. It features funky guitars, star kissed keys and a committed vocal delivery. This is classic Soulful House from Carroll and Lavender! Paint A Picture is a key driven winner that will put you in a positive mood. Modern House songs that really deliver like the classics are rare, but Vick and Ron are on point with the memorable All I Got For You (Is Love).

TRACK LISTING

A. All I Got For You (Is Love)
B. Paint A Picture

Daybreakers return with another one for the deep heads, welcoming Chicago legend Vick Lavender to the fold for Essential Traxx Vol. 1. A musician, producer and DJ with over three decades in the game, Vick’s music lives in that space where house, jazz, and soul connect.

Back in the 90s, Vick came up alongside Glenn Underground and Boo Williams as part of the influential Strictly Jaz Unit, helping shape a sound that still echoes through dancefloors today. In the years since, he’s built his own world through Sophisticado — music rooted in live musicianship, deep feeling, and that unmistakable Chicago soul. It’s real house music.

On the A side, 1.4.4.5 (Where It Started) lays down that signature Chicago pulse — rolling percussion, Rhodes chords, and basslines that unfold like a live jam. Deep, patient, the real Vick Lavender sound.

Flip it for Tiano Nuevo featuring Spike Rebel, a lush meeting of house, Latin, and jazz sensibilities. Guitars, percussion, and keys come together, the kind of tune that keeps a dark room or a sunrise session dancing.

Essential Traxx Vol. 1 captures what Daybreakers is all about. Deeper than deep house.

TRACK LISTING

A1. 1.4.4.5 (Where It Started)
B1. Tiano Nuevo (Feat. Spike Rebel)

More Than Words Can Tell is the new duets album from Victoria Liedtke and Jason Ringenberg. The project sees the duo deep dive into the early songwriting partnership of Dolly Parton and Porter Wagoner, cherry-picking musical gems and little heard tracks from their expansive back catalogue.

Coined the “Godfather of Americana” by Mojo magazine, the former Jason and The Scorchers frontman Jason Ringenberg was awarded a ‘Lifetime Achievement Award for Performance’ by the Americana Music Association in 2009 and was intrigued when Liedtke approached him with the project idea. As Ringenberg states, “When Victoria contacted me about being the ‘Porter’ in this project, I was super excited. The Dolly-Porter duets are some of the finest duets ever recorded in country music history. I am a huge fan of them. Once we dove into the project, I was supremely impressed by the production ethic and creative ambition that Victoria brought to the table. She didn’t slavishly copy the originals. In fact, she and her team created entirely new interpretations of those classic songs.”

Victoria and Jason recorded the album at Vale Studios in Worcester, UK in the Summer of 2022 with a predominantly UK based band. The band features CJ Hillman on electric guitar and slide guitar (Billy Bragg/Yola), John Parker on double bass (Nizlopi), Lewis ‘Burner’ Pugh on acoustic guitar and Tim Protey-Jones on drums (First Time Flyers) as well as a plethora of guest musicians throughout.

Originally from Oklahoma, Victoria moved to the UK eight years ago and now resides in the Yorkshire Dales.

“What made this project so fun was being able to bring together these incredible UK musicians that come from the worlds of Americana, Country, Folk and Pop and inject these 50 year old classic American country songs into this musical melting pot.”

Liedtke continues "Both Jason and I don’t traditionally sit in that world either, so all of that combined has resulted in a colourful and beautiful collection of songs.”

TRACK LISTING

Life Rides The Train
More Than Words Can Tell
Sounds Of Nature
Carolina Moonshiner
The Fire That Keeps You Warm
Come To Me
The Pain Of Loving You
The Last Thing On My Mind
Beneath The Sweet Magnolia Tree
You
Tomorrow Is Forever

Drummer, percussionist and composer Valentina Magaletti (Moin, Holy Tongue, Vanishing Twin) has combined forces with musician, producer and composer YPY (aka Koshiro Hino of Goat) for their LP, Kansai Bruises.

The pair crash through Osaka’s neon-lit streets with abrasive drums and handcrafted Japanese electronics that hit like pavement against skin. This is bliss carved from bruises—hope and fear tangled in metallic percussion while dreams of pesto float through sake-soaked alleyways.

TRACK LISTING

A1. One Hour Visa
A2. Kansai Bruises
A3. Float
A4. Lantern Lit Run
B1. Her Own Reflection
B2. Silhouette
B3. Interlude For Fog Days
B4. Pesto

Strut revives a lost recording from the archives in January with a 2002 collaboration between acclaimed South African folk singer Vusi Mahlasela, singer songwriter Norman Zulu and Swedish jazz / soul collective Jive Connection.

The links between South Africa and Sweden have long been strong with Sweden one of the most supportive European nations in the struggle against apartheid; the government helped to fund the ANC for decades and Mandela visited the country on one of his first European stops following his release from prison in 1990.

Sotho folk singer Vusi Mahlasela, dubbed “The Voice” Of South Africa, performed at Mandela’s inauguration in 1994 and has enjoyed his own long relationship with Sweden, regularly embarking on cultural exchanges and forging a strong bond with the Jive Connection band, featuring guitarist / bassist Stefan Bergman and Little Dragon drummer Erik Bodin within its line-up.

Although touring regularly, the collaboration has rarely been documented beyond a lone studio album in 1994. This “lost” recording, discovered in the archives of producer Torsten Larsson, also features songwriter / vocalist Norman Zulu and showcases their natural musical chemistry together. Vusi’s songs have traditionally addressed the struggle for freedom and the need for reconciliation and, here, his lyrics are as powerful as ever, ranging from parables (‘Prodigal Son’) to an unflinching lament on child abuse (‘Faceless People’). Jive Connection vary the soundtrack, bringing in hints of reggae, jazz and post-punk alongside traditional township arrangements.

Face To Face is mastered by The Carvery. Artwork features unseen photos from the album sessions along with full lyrics. Produced in association with Torsten Larsson. 

TRACK LISTING

1. PRODIGAL SON
2. UMZALA
3. FACELESS PEOPLE
4. INKOMO
5. FACE TO FACE
6. THEMBA LAMI
7. INTOMBI YE MBALI
8. PUSH
9. ABANTU ABANGANA BUSO
10. ANASTACIA
11. B4 THULULALELE
12. ROOTS
13. STILL
14. SON OF PRODIGAL SON

If ever an album could transport you to the hazy sunshine and imagined halcyon paradise of Southern California in the mid-1980s, could capture the early evening warmth of hanging at an inclusive boogie jam as it approaches “magic hour” in Santa Ana or Anaheim, then it’s Vaughan Mason and Butch Dayo’s Feel My Love. A brilliantly produced deep slung, low rider funk classic originally released on Salsoul in 1983. It’s a masterpiece of “funk love music”.

Yes, this is indeed a perfectly formed five track “mini LP” of unparalleled heat, but there’s one song here that, above the rest, represents Orange County boogie-funk. A straight killer beloved by all that have had the pleasure of moving to it. A track that can fill up a dance floor within seconds of its starting. That song is the eternal title track, “Feel My Love”.

This is a work of art that made people fall in love with the funk. It transcends the limitations of genre. “Feel My Love”’s deceptive simplicity makes it perfect to drop during a house set, a classic funk party or at a west coast rap jam. It’s sexy, deeply emotional, melancholic, hopeful, passionate and just radiates so, so much raw energy. This is music.

The rest of the record is hardly filler though. Opener “Oh, Love” is a dizzying, emotional slow jam. With heaven-sent vocals riding gorgeous, sweeping keys that alternate between sweet twinkling lines and funk-fuelled stabbing. It’s sensational. A rollerskating jam named “Rollalong Songs” is an ultra-swish piece of dance floor dynamite. Its slick drums, staccato piano and neck snapping claps underscore Dayo’s buoyant vocals. It’s essentially “Bounce, Rock, Skate, Roll Part II”.

The flip begins with “Party On The Corner”. Smoother than silk vocals, day-glo synths, a bubbling bassline and guitar licks that surely received the Prince seal of approval. It’s another example of how Vaughan Mason and Butch Dayo flirt with perfection so routinely. The most majestic closer, the kaleidoscopic, cow-bell-assisted synth-funk heater “You Can Do It” is a proto-rap groover that truly smokes.

This prized LP is a stone cold jam and finding original copies on vinyl at affordable prices has been tough for years. Mastered brilliantly by Simon Francis, cut by Pete Norman and with lovingly reproduced artwork, this fresh Be With reissue ensures this legendary LP now sounds, looks and feels as sensational as it should.

TRACK LISTING

A1: Oh, Love
A2: Rollalong Songs
A3: Feel My Love
B1: Party On The Corner
B2: You Can Do It

Van Morrison unveils his 45th studio album, ‘Accentuate the Positive’.

Like this year’s acclaimed ‘Moving On Skiffle’, ‘Accentuate The Positive’ sees Van Morrison returning to one of his childhood passions: this time rock ‘n’ roll. Growing up in Belfast shortly after World War II, he was immensely inspired by the heady sounds of 20th century blues and rock ‘n’ roll. Listening to artists such as Fats Domino, Chuck Berry and The Everly Brothers, it wasn’t long until Van was intuitively reinterpreting these sounds with his own band in local hometown venues.

Several decades later, Van Morrison now revisits the genre by reimagining some of his personal favourites for ‘Accentuate The Positive’, and infusing those timeless songs with an energy that constantly challenges and expands upon its traditions. Van’s inimitable voice combined with superb arrangements and highly accomplished brings a fresh zeal to such great songs as The Johnny Burnette Trio’s ‘Lonesome Train’, Johnny Kidd & The Pirates’ ‘Shakin’ All Over’ and Big Joe Turner’s pioneering rock ‘n’ roll hit ‘Flip, Flop and Fly’.

Contributors to the album include electric guitar from the late Jeff Beck and vocals from Chris Farlowe on ‘Lonesome Train’, plus guitar from Taj Mahal on ‘Lucille’ and ‘Shake, Rattle and Roll’.

TRACK LISTING

Side 1
1) You Are My Sunshine
2) When Will I Be Loved?
3) Two Hound Dogs
4) Flip, Flop And Fly
5) I Want A Roof Over My Head
Side 2
6) Problems
7) Hang Up My Rock & Roll Shoes
8) The Shape I’m In
9) Accentuate The Positive
10) Lonesome Train
Side 3
11) A Shot Of Rhythm And Blues
12) Shakin’ All Over
13) Bye Bye Johnny
14) Red Sails In The Sunset
15) Sea Of Heartbreak
Side 4
16) Blueberry Hill       
17) Bonaparte’s Retreat
18) Lucille
19) Shake Rattle And Roll

A triple LP Deluxe Edition of Van Morrison’s multi-platinum selling 1970 release Moondance with the original LP remixed by Steven Wilson.

TRACK LISTING

LP 1 The Original Album Remixed By Steven Wilson (2022)
Side A
1. And It Stoned Me
2. Moondance
3. Crazy Love
4. Caravan
5. Into The Mystic
Side B
1. Come Running
2. These Dreams Of You
3. Brand New Day
4. Everyone
5. Glad Tidings

LP 2 Outtakes And Remixes
Side C
1. Into The Mystic (Take 11)
2. Caravan (Take 4)
3. Glad Tidings (Remix 2)
4. These Dreams Of You (Remix)
Side D
1. Come Running (Take 2)
2. Brand New Day (Take 3)
3. Glad Tidings (Alt. Version)
4. Crazy Love (Alternate Mix)

LP 3 Outtakes And Remixes
Side E
1. Caravan (Redo: Take 3)
2. These Dreams Of You (Alt. Version)
3. Moondance (Take 22)
4. Glad Tidings (Take 9)
Side F
1. I Shall Sing (Take 7)
2. Nobody Knows You When You’re Down And Out (Outtake)
3. I’ve Been Working (Early Version, Take 5)

It should come as no surprise that Van Morrison has made an album inspired by skiffle. Van Morrison’s love of skiffle dates back to his childhood. He would hang out at the famed Belfast record store Atlantic Records, where he’d hear early 20th century folk, blues and jazz from the likes of Lead Belly and Jelly Roll Morton. So when he heard Lonnie Donegan’s take on ‘Rock Island Line’ he intuitively understood the music he was creating. Before long, Van Morrison was playing with a skiffle band in school. Several decades on, Van Morrison now revisits his love of the genre with his new album ‘Moving On Skiffle’, which will be released on 10th March 2023.

‘Moving On Skiffle’ finds him taking a homemade style that exploded across Britain in the mid-1950s and infusing it with a level of sophistication and soulfulness that it didn’t always possess the first time around. The 23-track album goes to the heart of the music Van Morrison has inhabited ever since he was six years old, hanging out in the smoky confines of Belfast’s Atlantic Records. It also contains songs that underline, in their messages on the importance of freedom and living on your own terms, his lifetime philosophy. 

TRACK LISTING

Freight Train
Careless Love
Sail Away Ladies
Streamline Train
Take This Hammer
No Other Baby
Gypsy Davy
This Loving Light Of Mine
In The Evening When The Sun Goes Down
Yonder Comes A Sucker
Travelin’ Blues
Gov Don’t Allow
Come On In
Streamlined Cannonball
Greenback Dollar
Oh Lonesome Me
I Wish I Was An Apple On A Tree
I’m So Lonesome I Could Cry
I’m Movin’ On
Cold Cold Heart
Worried Man Blues
Cotton Fields
Green Rocky Road

With ‘Remembering Now’, Van Morrison returns to the transcendent, uncategorisable rhapsodies that make him unique. Soul, jazz, blues, folk, country - this is music in conversation with all of them but limited by none. Its rich with hallmarks of classic Van Morrison, from dominant themes of love in spirit with the great ‘Someone Like You’ (the escapist romance of ‘Once In A Lifetime Feelings’, the self-deprecating candour of ‘The Only Love I Ever Need Is Yours’) to specific references to locations from his youth in the title track and ‘Stomping Ground’. The title of another song, ‘When the Rains Came’, echoes a lyric from his classic ‘Brown Eyed Girl’.

From the radiant opener, ‘Down to Joy’, to the joyously resilient ‘Haven’t Lost My Sense of Wonder’, Van Morrison’s voice, guitar and saxophone continue to mesmerise and he is surrounded, as always, by a fabulous band - Richard Dunn (Hammond organ), Stuart McIlroy (piano), Pete Hurley (bass) and Colin Griffin (drums and percussion) - who have worked with him since ‘Three Chords and the Truth’ in 2019.

The single ‘Down To Joy’ feels like he has gone back to his soul and gospel roots, its strong emphasis on an uplifting big band arrangement with evocative strings providing fans with a taste of timeless sounds which represents the rest of the album.

Beyond his key band members, ‘Remembering Now’ features an array of accomplished collaborators. Its strings were arranged and directed by Fiachra Trench (Paul McCartney, Elvis Costello), whose association with Van Morrison goes back to ‘Avalon Sunset’ in 1989. Those strings were performed by the Fews Ensemble led by Joanne Quigley.

Other contributions come from Michael Beckwith, the founder of the Agape International Spiritual Center, the renowned lyricist Don Black (Ennio Morricone, John Barry, Quincy Jones); and the acclaimed folk artist Seth Lakeman.

STAFF COMMENTS

Barry says: A new one from one of the most legendary voices in music, 'Remembering Now' sees Morrison tone down the political and ideological campaigning of the past few albums to great effect, sounding like a beautifully relaxed version of his smoothly delivered best and accompanied by a host of impactful orchestrations.

TRACK LISTING

1. Down To Joy
2. If It Wasn’t For Ray
3. Haven’t Lost My Sense Of Wonder
4. Love, Lover And Beloved
5. Cutting Corners
6. Back To Writing Love Songs
7. The Only Love I Ever Need Is Yours
8. Once In A Lifetime Feelings
9. Stomping Ground
10. Memories And Visions
11. When The Rains Came
12. Colourblind
13. Remembering Now
14. Stretching Out

Following the success of his critically acclaimed album 'Remembering Now', which soared into the Top 10 and earned widespread praise, Van Morrison is back with a bold new release.

'Somebody Tried To Sell Me A Bridge' marks a confident return to the sounds and traditions that shaped much of his musical identity. The album pays homage to the legends who defined the blues genre with fresh interpretations of classics made famous by B.B. King, Buddy Guy, Lead Belly and more.

'Somebody Tried To Sell Me A Bridge' delivers a spirited, unfiltered blues experience from an artist whose connection to the genre runs deep. The album blends Morrison's trademark grit and lyricism with the emotional weight of classic blues, resulting in a collection that feels timeless and fiercely alive.

A standout feature of the album is its extraordinary roster of collaborators. Morrison is joined by Taj Mahal, Buddy Guy, Elvin Bishop, John Allair, David Hayes, Bobby Ruggerio, Mitch Woods, Anthony Paule and Larry Vann, whose contributions bring depth, character and authenticity, each adding their own distinctive twist to the record.

TRACK LISTING

1. Kidney Stew Blues
2. King For A Day Blues
3. Snatch It Back And Hold It
4. Deep Blue Sea
5. Ain't That A Shame
6. Madame Butterfly Blues
7. Can't Help Myself
8. Betty And Dupree
9. Delia's Gone
10. On A Monday
11. Monte Carlo Blues
12. When It's Love Time
13. Loving Memories
14. Play The Honky Tonks
15. (Go To The) High Place In Your Mind
16. Social Climbing Scene 
17. Somebody Tried To Sell Me A Bridge
18. You're The One
19. I'm Ready
20. Rock Me Baby

Manchester song-writing maverick, performance poet and Smiths associate Vinny Peculiar has cultivated an alternative music career spanning the past 10 years collaborating with a diverse range of artists from Bill Drummond to Bonehead. "Goodbye My Angry Friend", his 7th studio album, is an ambitious, vengeful, tuneful and intriguing collection of songs. Produced by sonic magpie Tim Browne it fuses influences that are, to many a pop music connoisseur, poles apart.. from Nick Cave to The Darkness.. from Johnny Cash to Queen. Here is a record that, for better or worse, plays by its own rules.

Subtitled "selected out-takes and inserts 1989 - 2003", "Whatever Happened to Vinny Peculiar?" is a superb collection of obscurities, alternate takes and lost gems which both hangs together brilliantly as an album in its' own right and - once again - begs the question: why is this guy not revered as one of England's finest singer / songwriters? Most of the cuts actually date from around the turn of the 21st Century and as usual Vinny's vivid, acerbic observations on life, love and failure are presented with rich, colourful and persuasive musical backdrops which usually suit the unlikely subject matters to perfection.

Fantastic acoustic and lyrical single on Manchester's very own Uglyman records, think of I Am Kloot as possible reference point.

Two major soul sides, one from the Twinight catalogue, one from Capsoul. Velma Perkins is the sister of guitarist, songwriter and producer Al Perkins (whose Atco 45, ‘Nothing Is Impossible’, was a big Northern sound). A successful songwriter in her own right under her married name Vee Allen, ‘Yes, My Goodness, Yes’ was the flipside of her only Twinight single, her 1970 debut 45 ,‘I’ll Always Love You’.

With more than a touch of Diana-era Supremes, it’s a gorgeous uptempo groove with typical Twinight horns and a funky guitar that could well be Al himself lending a hand. It’s a super rare 45 that never seems to come up for sale these days. Cut with Johnson, Hawkins, Tatum and Durr’s debut single for Capsoul, ‘You Can’t Blame Me’.

Signed to the label by DJ and singer Bill Moss (his ‘Sock It To ‘Em Soul Brother’ on Pama is a corker) as The Revelations, the band changed name and cut two 45s before disappearing. A super soulful funky mid-tempo tune that lets all five (even though there are just four names in their chosen name) vocalists lay down a super plush soundtrack. Punctuated with strings, it’s a magnificent full-on sound that goes for over £30 on seven inch.

TRACK LISTING

A1. Velma Perkins - Yes, My Goodness Yes
B1. Hawkins Johnson, Tatum & Durr - You Can't Blame Me

'Barefoot In The Garden' is a 5-track selection merging classic soul with contemporary sounds.

Put together from sessions recorded at the world famous Abbey Road Studios in London, and Victoria's home studio Candle Shop, this project exemplifies her talents as a singer-songwriter, developing upon the building blocks of her debut EP 'Did it Again' and Victoria's work as one half of electronic-soul duo, Anushka (BBE / Tru Thoughts / Brownswood).

On this EP, Victoria is accompanied by a wealth of talented artists in their own right, including frequent collaborators Hemai and JNR Williams, the highly-acclaimed drummer Moses Boyd, and vocalists such as Lea Lea, to name just a few.

The sonic tapestry stitched together on this EP epitomises the quality of British soul music of modern times; a vintage symphonic feel approach with modern-day production techniques, encompassing the Ronson-era of the late great Amy Winehouse, to the pack leaders of nowadays such as SAULT and Jungle. It's a logical progression considering Victoria's lifelong influences of US luminaries like Minnie Riperton, Gladys Knight, Nina Simone and Dionne Warwick.

Her fanbase includes Gilles Peterson (BBC 6 Music / Worldwide FM) who has tipped her as "an exciting emerging new artist whose sound fits alongside current successful acts like Cleo Sol, Lynda Dawn and Yazmin Lacey."


Victoria's previous EP had support from a wide range of tastemakers, including Cerys Matthews, Huey Morgan, Somewhere Soul, Mo Ayoub (Selector Radio), Ronnie Herel (Mi-Soul Radio's "One to Watch"), Tony Minvielle (Jazz FM) and across platforms like Rinse FM, NTS, Soho Radio and Global Soul, whilst her work with Anushka also received airplay from Annie Mac, Jamz Supernova, Huw Stephens and BBC Radio 1.

Victoria says "this EP comes from a place of nostalgia. It's kind of reflective of parts of life up to this moment, culminating in 'Barefoot in the Garden'. I guess it's me starting to understand the things that are truly important to me. How I want to love and be loved, the way I want to spend my time, and just me starting to filter out a lot of the noise. Sonically it's been such a dream to explore elements of old soul and jazz with so many incredible musicians, and to put our own unique spin on the genre."

Already a seasoned live perfomer, additionally to various live appearances solo past & forthcoming including We Out Here, Jazz Cafe, Koko and the London Jazz Festival, Victoria Port is set to be one of the leading lights in the world of British soul music. This EP provides some solid examples as to why.

TRACK LISTING

1. I Won't Wait
2. Willow Tree
3. What We Become
4. Don't Let Me Fall
5. Barefoot In The Garden

Virgil Shaw from San Francisco band Dieselhed with his Americana inspired new release on Munich Records. His compositions are striking and enigmatic, sometimes little more than sketches, and often difficult to decipher, but usually anchored with a telling chorus that manages to convey a fresh, novel observation with simplicity and immediacy.

Post-minimalist, post-ambient, post-something else.

History freely dilates and collapses on Valgeir Sigurðsson’s ‘Dissonance’, his first solo release since 2012. Its three largescale works are haunted by the old Western tradition, infused with the ethereal workings of electronics and sound manipulation.

Recorded and produced between September 2015 and November 2016 at Greenhouse Studios, ‘Dissonance’ is disarmingly human, reflecting the most extreme four years of Sigurðsson’s life full of ecstatic joy and deep sorrow.

‘Dissonance’ is a personal and collective musical treatise to explore and question a world that is collapsing under its internal dissonances.

TRACK LISTING

Dissonance
No Nights Dark Enough I. flow
No Nights Dark Enough II. Infamy Sings
No Nights Dark Enough IV. Fear And Grief And pain
No Nights Dark Enough V. Learn To Contemn Light
1875 I. Waterborne
1875 II. In The Dead Of winter
1875 III. Displaced

Valerie Smith is a top bluegrass vocalist and her band provides perfect instrumentation for her considerable talents. She is at the cutting edge of today's acoustic music scene and "No Summer Storm" is probably her best work to date. A natural performer, with a passion for country music "No Summer Storm" offers a fine introduction to Smith's music and will please anyone into good contemporary bluegrass.

During the last five years of his life, ex-Bonzo Dog Band solo artist Vivian Stanshall, was working on a final album of music to follow up his muchloved 1981 album 'Teddy Boys Don't Knit', which featured classics such as 'Terry Keeps His Clips On', 'The Cracks Are Showing' & 'Ginger Geezer'

Stanshall had spent his time in the 1980's working on his 'English Comic Opera in the Grand Tradition' Stinkfoot, which first ran at the Old Profanity Showboat in Bristol Harbour in 1985, with a later revival in London. He had also found success writing material with his friend Steve Winwood, co-writing the title track to 'Arc Of A Diver', working on Mike Oldfield's 'Tubular Bells 2' (he had been an integral part to the original 'Tubular Bells' as the narrator) & various advertising campaigns including 'Lemsip', 'Cadburys' & most famously 'Ruddles Beer'.For a considerable period, Vivian had wanted to record & release another rock album & had been collecting songs as far back as the 1970's. With money he earned from his advertising work, he funded various recording sessions & had interest from a major record label, but sadly he tragically died in a fire before an album could be completed.

The twelve tracks on this album are taken from a selection of sixty or so finished or nearly completed recordings on the tapes left by Vivian Stanshall, as his hitherto unpublished legacy.

Andy Frizell (The Wizards of Twiddly, The Coral & Kevin Ayers) is a musician & producer who worked with Vivian briefly in 1994. Using the surviving recordings, he has pieced back together Vivian's final album adding where required, the missing instrumentation but, at all times, paying reverence to the original vision. The collection includes the Beefheartian monster mash blues of 'Dog Howl In Tune' - also the title track - as well as the wistfully melancholic 'No Time Like The Future' on an album that wears its heart fully on its sleeve. It is by far the most biographical album Vivian ever made & draws on songs from 'Stinkfoot' & other projects. 'Goodbye Mother' is the poignant last song from the project 'Shackleton', based around the exploits of the Antarctic explorer Ernest Shackleton, which never saw the light of day whilst 'Boy In Darkness' was written by Vivian for a project with Steve Winwood - Winwood's version yet to be released.

Musicians include Jack Bruce (Cream), Ollie Halsall (Pato), Susie Honeyman (The Mekons), Neil Innes & Rodney Slater (The Bonzo Dog Doo-Dah Band), Mike Kellie (Spooky Tooth) & others.

TRACK LISTING

Dog Howl In Tune
Made Of Stone
I'd Rather Cut My Hands
A Good Woman
Goodbye Mother
No Time Like The Future
Strongth
Gecko
Landing On My Feet
Only Being Myself
Boy In Darkness

In 1978, Charisma Records released the 'Sir Henry At Rawlinson End' album, a forty-minute introduction to the eccentric custodian of the crumbling British country estate, which incorporated characters & music from the various episodes of the Sir Henry saga, originally broadcast on the BBC's John Peel show from October 1975 up until 1991.

The BBC regular re-broadcast Sir Henry even today.

In 1980, Sir Henry was also unleashed on the public as a film, starring the great Trevor Howard & was also issued as book published by Eel Pie Publishing, owned at the time by The Who's Pete Townshend.

The 1990's found Sir Henry used as the concept for a now legendary series of 'Ruddles Beer' adverts that cemented 'Rawlinson's End' in the National consciousness. Stanshall was a major Influence on the cream of the new wave of British comedy in the 1980's including Stephen Fry, Adrian Edmondson, Phil Jupitus & Paul Merton & he remains much loved nearly thirty years after his death.In the years just before his untimely death in 1995, Vivian intended to generate a new album based around the content of three of the final episodes broadcast by John Peel on the BBC; 'Crackpot At The End Of The Rainbow' recorded in February 1988, 'The Eating At Rawlinson End', from August 1988 & 'The Thing At Rawlinson End', from April 1991. For decades it has been rumoured that a new Sir Henry album would be released & now finally Madfish / Snapper Music in collaboration with the Stanshall Family have made that rumour a reality.

Using all the remaining tapes from Vivian's archive, Stanshall expert & performance artist Michael Livesley has managed to put back together the intended release, a process that he has described as like "putting back together a smashed vase". The results are a revelation with the final album now a double LP containing some of Vivian's finest work. Fans of Sir Henry, Old Scrotum, Mrs E & the various bizarre & evocative characters that inhabit the musty 'Rawlinson's End' will be thrilled at the imagined adventures that await them - Vivian's final vision has been realised - 'Rawlinson's End'.

TRACK LISTING

Lady Rawlinson's Lilt
Under The Sea ( Instrumental ) ( 06:08 )
Eggs Is Eggs ( Nice N Tidy ) ( 09:07 )
The Pipes ( Sir Henry ) ( 02:53 )
The Crackpot ( Instrumental ) ( 01:11 )
The Great Eating ( Instrumental ) ( 02:31 )
Buzzing ( Hubert ) ( 01:50 )
Spreading His Light ( Hubert & The Rev Slodden ) ( 04:39 )
Scrotum's Lullaby ( Scrotum ) ( 04:31 )
Under The Sea ( Reprise ) ( 01:15 )
Cackling Gas / Under The Sea ( 05:05 )
Octavia ( 04:04 )
Cul-de-Sac ( Mrs E ) ( 04:35 )
The Quiet That The Spider Knows ( Aunt Florrie ) ( 02:43 )
Tour De Farce ( Instrumental ) ( 00:41 )
Entre Act ( Instrumental ) ( 03:36 )
Diplodocus V Concreton ( 03:18 )
Achmedillo ( Scrotum ) ( 05:38 )
Peristaltic Waves ( The Patient ) ( 02:30 )

Ali Farka Touré trekked the world, bringing his beloved Malian music to the masses. Dubbed “the African John Lee Hooker,” one could hear strong connections between the two; both employed a bluesy style of play with gritty textures that elicit calm and fury in equal measure. While the influence of Black blues music prevailed, Touré created a West African blend of 'desert blues' that garnered Grammy awards and widespread reverence.

Though he transcended in 2006, Ali’s musical legacy lives on through his son, Vieux aka “the Hendrix of the Sahara,” an accomplished guitarist and champion of Malian music in his own right. On Ali, his collaborative album with Khruangbin, Vieux pays homage to his father by recreating some of his most resonant work, putting new twists on it while maintaining the original’s integrity. The result is a rightful ode to a legend. Ali isn’t just a greatest hits compilation. It’s a lullaby, a remembrance of Ali's life through known highlights and B-sides from his catalog. It is a testament to what happens when creativity is approached through open arms and open hearts. “To me, music is magic, it is spontaneous, it is the energy between people,” Vieux says. “I think Khruangbin understands this very well.” The genesis of the album dates back to 2019, when Khruangbin, coming off their breakthrough album Con Todo el Mundo, was beginning to play to bigger crowds. The record was finished in 2021, as a global pandemic shuttered businesses and forced us to take stock of what Earth was becoming. Indirectly, Ali captures this as a moment of peace within a raging storm, a conversation between past and present without allegiance to suffering. Now, given Khruangbin’s reach as a unit with legions of fans (including the likes of Jay-Z and Paul McCartney), they’re poised to bring Malian music to broader groups of listeners. Ali is a masterful work in which the love surrounding it is just as vital as the music itself, driving it to unforeseen places; Vieux and Khruangbin are spreading the good word to a completely new generation. “I hope it takes them somewhere new, or puts them in a place they haven't felt or heard,” Lee says. “It is about the love of new friendship and making something beautiful together,” Vieux continues. “It is about pouring your love into something old to make it new again. In the end and in a word it is love, that's all.”

Vacant Gardens is Glenn Donaldson (of The Reds, Pinks and Purples and a hundred others) and Jem Fanvu, collaborating on music and with the latter responsible for vocals and lyrics. The project began with the idea of combining heavy fuzz and slow-mo drum machine beats with Fanvu's gentle almost trad-folk style vocals. Almost all of Donaldson's otherworldly sounds are achieved through layers of guitar fuzz and copious delay, while Fanvu offers an ideal counterpoint, taking the listener on a celestial melancholy trip with her opaque poetry and melodies.

So inspired were the duo by this blend of styles, they immediately recorded at least two albums of material, Under the Bloom and Obscene, released in quick succession in 2020 and 2021 in swiftly-disappearing micro editions on the secretive Tall Texan label. With those records close-to-impossible to find at an affordable price, Tough Love are now reissuing both LPs on May 20th, alongside a 7" containing two previously unheard songs recorded at the same time as the albums. The albums are pressed in editions of 500, and the 7" 300, and all on transparent vinyl.

Vacant Gardens is Glenn Donaldson (of The Reds, Pinks and Purples and a hundred others) and Jem Fanvu, collaborating on music and with the latter responsible for vocals and lyrics. The project began with the idea of combining heavy fuzz and slow-mo drum machine beats with Fanvu's gentle almost trad-folk style vocals. Almost all of Donaldson's otherworldly sounds are achieved through layers of guitar fuzz and copious delay, while Fanvu offers an ideal counterpoint, taking the listener on a celestial melancholy trip with her opaque poetry and melodies.

So inspired were the duo by this blend of styles, they immediately recorded at least two albums of material, Under the Bloom and Obscene, released in quick succession in 2020 and 2021 in swiftly-disappearing micro editions on the secretive Tall Texan label. With those records close-to-impossible to find at an affordable price, Tough Love are now reissuing both LPs on May 20th, alongside a 7" containing two previously unheard songs recorded at the same time as the albums. The albums are pressed in editions of 500, and the 7" 300, and all on transparent vinyl.

TRACK LISTING

1. World Inside The Ocean
2. Obscene
3. Whorl
4. Crimson Crush
5. Three Herons
6. Loose
7. As Horses
8. Untombed

Vacant Gardens is Glenn Donaldson (of The Reds, Pinks and Purples and a hundred others) and Jem Fanvu, collaborating on music and with the latter responsible for vocals and lyrics. The project began with the idea of combining heavy fuzz and slow-mo drum machine beats with Fanvu's gentle almost trad-folk style vocals. Almost all of Donaldson's otherworldly sounds are achieved through layers of guitar fuzz and copious delay, while Fanvu offers an ideal counterpoint, taking the listener on a celestial melancholy trip with her opaque poetry and melodies.

So inspired were the duo by this blend of styles, they immediately recorded at least two albums of material, Under the Bloom and Obscene, released in quick succession in 2020 and 2021 in swiftly-disappearing micro editions on the secretive Tall Texan label. With those records close-to-impossible to find at an affordable price, Tough Love are now reissuing both LPs on May 20th, alongside a 7" containing two previously unheard songs recorded at the same time as the albums. The albums are pressed in editions of 500, and the 7" 300, and all on transparent vinyl.

TRACK LISTING

1. Waves On Waves
2. Slow Diamonds
3. Sunlight On Dry Grass
4. Night Bloom
5. Shorebirds
6. Open Air
7. Under The Bloom
8. Eucalyptus

“Damage Control” LP is the double album that combines both EPs released by The Vacant Lots on Anton Newcombe's label A Recordings - "Berlin” EP and "Exit” EP. This is the first time all tracks will be made available on CD and including liner notes from the band. All tracks were produced and recorded by Anton Newcombe (Brian Jonestown Massacre) at Anton's Cobra Studio in Berlin.

Jared Artaud of The Vacant Lots says, "working with someone who made you want to make records is fucking inspiring. You not only learn a lot working with Anton in the studio – you become a better artist in the process. Through this collaboration we were able to distill ideas on the spot and turn fragments into songs. Anton pushes you further to get the best results and that really drives the process of making records.”

The Vacant Lots have recently released their critically acclaimed third album "Interzone" on Fuzz Club and have previously released singles with Mexican Summer and Reverberation Appreciation Society. The duo has collaborated on their debut album “Departure” with Spacemen 3’s Sonic Boom, and their second album “Endless Night” with Alan Vega. The group has toured with Suicide, Black Rebel Motorcycle Club, Brian Jonestown Massacre, The Growlers, Dean Wareham, The Dandy Warhols, and Spectrum.

‘Interiors’ is the fifth studio album by Brooklyn-based minimalist post-punk/synth-pop duo The Vacant Lots. The 8 songs on ‘Interiors’ synthesise all of the band’s past work while pushing forward into the future. It’s Jared Artaud and Brian MacFadyen’s darkest and most visionary work yet. Ethereal metallic synths and blistering electronics are driven by disco-on-downers dance beats lashed with gutter-rock guitar riffs and icy detached vocals with evocatively concise and lacerating lyrics.

Recorded over many sleepless nights and amphetamine-fueled mornings in the project’s isolated Brooklyn bunker home studios, the album follows the band’s minimal is maximal aesthetic coalescing into dark bedroom anthems for loners and lovers with nods to 70s/80s punk and nightclub music ala Joy Division, Iggy Pop’s The Idiot, Depeche Mode, and New Order. On the lead single “Amnesia,” Jared Artaud says "It’s about dealing with duality and integrating the conflicting feelings within a relationship. It’s about feeling dissociative and getting burned by the fire. Then coping with how this inevitably leads to the dissolution of the relationship. This is a mantra for all the songs on the album."

TRACK LISTING

1. Amnesia
2. Paradise
3. Ashes
4. Evacuation
5. Destruction
6. Scars
7. Endgame
8. Damaged Goods

THIS IS A RECORD STORE DAY EXCLUSIVE, LIMITED TO ONE PER PERSON.

"Live From London" official bootleg.

Torchbearers for British guitar music, The Vaccines - Justin Young (lead vocals, guitars), Árni Árnason (bass, vocals), Timothy Lanham (guitars, keys, vocals) and Yoann Intonti (drums) - are back with their sixth studio album Pick-Up Full of Pink Carnations. The title comes from a misheard lyric from Don McClean's "American Pie," a song that for Young fittingly evokes the death of innocence and the American Dream. After he moved to Los Angeles - a city the band has grown up being captivated by - he was forced to wrestle with the disillusionment that comes when expectations, dreams, and reality don't quite meet. Yet, though Pick-Up Full of Pink Carnations is an album about reconciling with loss, it's also filled with gratitude for the people and places we once loved. "Pink carnations symbolise gratitude and tell a person they’ll never be forgotten," says Young. "So whether it's the loss of a lover, or a friend, or even just a dream, the record is a reminder that they’ll live on in whatever capacity the mind allows them to. And it's a reminder to keep on dreaming.” Produced by Andrew Wells (Halsey, Phoebe Bridgers) with Mixing from Dave Fridmann (Tame Impala, The Flaming Lips), Pick-Up Full of Pink Carnations is an immediately anthemic addition to the band's discography. With a mammoth five UK Top 5 albums – including a Number 1 with 2012’s Come of Age – and a fierce live reputation forged through arena-filling headline shows and unforgettable slots at Glastonbury and Reading/Leeds, The Vaccines continue to be a vital band in the British rock canon.

STAFF COMMENTS

Barry says: A brilliantly produced ode to the follies of human existence and joys of persistence from London indie-rockers, The Vaccines. Bright guitars and snappy synths punctate the wry delivery of vocalist, Justin Hayward-Young. It's a brilliantly nuanced and uplifting return for the band.

TRACK LISTING

1. Sometimes, I Swear
2. Heartbreak Kid
3. Lunar Eclipse
4. Discount De Kooning (Last One Standing)
5. Primitive Man
6. Primitive Man
7. Another Nightmare
8. Love To Walk Away
9. The Dreamer
10. Anonymous In Los Feliz 

The biggest-selling UK debut album of 2011, What Did You Expect From returns as a special pressing on white vinyl. The album spawned no less than six singles and, as noted by the NME at the time: “It’s the sound of youth… It’s indie rock, and The Vaccines do it better than any young British band has done in years.”

For most bands who have been going for a few years, there comes a time when the quality of their output starts to wane a little. After 16 albums and more than 30 years, Vader still haven't hit that point. A genuine contender for the most consistent band in metal, the Polish death metal stalwarts released their debut full-length on Earache Records back in 1992, combining high-speed thrash metal with the brutality of death metal in a way few ever come close to. An essential purchase for hardcore fans and budding death metal historians alike.

TRACK LISTING

CD Tracklisting:
1. Creation (Intro)
2. Dark Age
3. Vicious Circle
4. The Crucified Ones
5. Final Massacre
6. Testimony
7. Reign Carrion
8. Chaos
9. One Step To Salvation
10. Demon's Wind
11. Decapitated Saints
12. Breath Of Centuries Track List LP

LP Tracklisting:
1. Creation (Intro)
2. Dark Age
3. Vicious Circle
4. The Crucified Ones
5. Final Massacre
6. Testimony
7. Chaos
8. One Step To Salvation
9. Demon's Wind
10. Decapitated Saints
11. Breath Of Centuries

D album ‘Taiyō’ by Vādin, a new collaborative project from Lucie Štěpánková (Avsluta) and Christian Duka.

They describe the record:
“Vādin is a shapeshifter formed through sound, a seismic energy. ‘Taiyō’ is Vādin’s first word. It was improvised and recorded in the Welsh wilderness over three days within a makeshift yurt studio using analogue and digital synthesizers, voice, location field recordings and amplified objects. ‘Taiyō’ is an entity emerging from the process of opening up, inviting, curiously exploring and being vulnerable; it is inspired by the flow of life in all its finite magic, intangibility and imperfection.

The album opens with the drizzling drone scenery interweaved with shivering whispers of ‘The Seven Laws’ followed by the disintegrated rhythms and warm ripples of ‘First Contact’. ‘Merging’ is a multi-layered organism of spiralling undulations, astral droplets and hypnotic pulsations while ‘The Forest’ narrates a sensuous connection with the world where the suggestive monologue and extra-terrestrial pearls float atop galloping liquid rhythms. ‘Sufi Trance’ is a slow-burning cyclone, an ecstatic rite, a hypnotic pilgrimage into the centre of the Sun - ‘Taiyō’ - which brings the journey to a stirring climax with its morphing drops and electrifying trills.”

Mixed at SAE Institute by Christian Duka and mastered by Rashad Becker at Clunk.
Transferred and cut by Helmut Erler at D&M.

Artwork designed by Marco Maldarella.

STAFF COMMENTS

Matt says: RIYL: Demdike Stare, the XPQ? Label and synthesized hauntology in general; this scarily good, witching-hour release is full of late nite, nocturnal voodoo; and should be the go-to play for your next black magik mushroom ritual. Recommended!

TRACK LISTING

A1. The Seven Laws
A2. First Contact
B1. Merging
B2. The Forest
C. Sufi Trance
D. Taiyō

Infi nite Worlds via House Anxiety Records is the reissue of Vagabon’s criti cally acclaimed debut album.

The renowned label that launched everyone from King Krule to Courtney Barnett, amongst many others, has announced itself as the European home for the heralded record, which garnered numerous accolades including Pitchfork’s Best New Music tag earlier in 2017.

TRACK LISTING

The Embers
Fear & Force
Minneapolis
Mal L’aise
100 Years 
Cleaning House
Cold Apartment
Alive And A Well

Infi nite Worlds via House Anxiety Records is the reissue of Vagabon’s criti cally acclaimed debut album.

The renowned label that launched everyone from King Krule to Courtney Barnett, amongst many others, has announced itself as the European home for the heralded record, which garnered numerous accolades including Pitchfork’s Best New Music tag earlier in 2017.

TRACK LISTING

The Embers
Fear & Force
Minneapolis
Mal L’aise
100 Years 
Cleaning House
Cold Apartment
Alive And A Well

Disco Mind heads all the way to South America for this next outing with Colombian duo Vagabundo Club Social at the helm, having previously impressed on the likes of Razor n Tape. 'El Gato' kicks off with bright, expressive disco horns and fat, low-slung drums that draw your hips right in. 'Yim Zalzedo' has another thick-set rhythm and this time the horns take a back seat to the percussion and jazzy keys and congas. 'Tabu' flips the vibes and taps into a revivalist 90s house sound with piano chords getting hands in the air, then 'Adicto Al Limon' shuts down with a perfect uplifting and feel good Balearic house sound with a classic Chic bassline.

TRACK LISTING

El Gato
Yim Zalzedo
Tabu
Adicto Al Limon

Moog Recordings Library is the record arm of Moog Sound Lab which was created and loaned by Moog Music Inc as a celebration of the life and work of Dr Robert Moog. Across 2015 and 2016 the project invited a who's who of contempory electronic artists for a 'conference' around the celebrated synthesizer. This week we see the fruits of these sessions via releases by Mika Vainio, Hieroglyphic Being and The Grid.

Mika visited the Moog Sound-Lab in April 2015. He made one his last known solo studio recordings in the form of two vinyl sized side long pieces. Entitled "Lydspor" - Danish for ‘Soundtrack’. Mika worked almost exclusively with the lab’s Moog Modular System 55. This UK sound-lab instrument is the sole protoype model (containing several golden filters) of Moog’s recent sold out reverse-engineered edition (55 units only) recreating the 1970’s classic. On completion of his sessions Mika announced ‘I could work with this machine for the rest of my life….I would need nothing else”. A second Moog session was planned but tragically Mika died in an accident in April 2017, shortly after he had approved the vinyl mastering. 

STAFF COMMENTS

Barry says: The late, great electronic genius Mika Vainio brings his imitable ambient electronics to Moog Recordings Library for his superb suite of simmering industrial electronics and crushing, static drone.

TRACK LISTING

Lydspor (Part 1) 20:00 
Lydspor (Part2) 19:37

Wolfgang Valbrun carries the torch for all great soul musicians with an incredible debut album, which looks at human frailty that's shaped by his lived experiences and perception of current affairs. Straddling the lines between soul, rock and blues, Wolfgang provides introspective insights through raw unapologetic lyrics, married with the incredible musicianship of his band. Nothing is off the table as 'Flawed By Design' examines relationships, money, religion, greed, growing civil unrest and the antagonism by authorities towards the marginalised. Institutional and social matters are addressed with this refreshing body of work, which calls for humanity to reflect on who we are, and where our actions will lead us. This LP/CD comes with two extra tracks not found on the digital version of the album.

TRACK LISTING

1. Sun Don't Shine
2. Cyclone
3. Love Yourself
4. Keep Your Head Up
5. Some Day
6. Where Is The Peace
7. I'll Be Your Prey
8. Almighty $$
9. Paris
10. Shadows
11. Baptist
12. Flawed By Design

Acid Jazz presents a very special collaboration with Flying Dutchman – the first new music from the iconic US label since the ’70s. Billy Valentine is one of the great soul voices working in America (‘the secret weapon of almost every songwriter in L.A.’) – with a history as deep and varied as the Young-Hold Trio, the original touring company of ‘The Wiz’, in collaboration with his brother as ‘The Valentine Brothers’, right up to credits that include Swedish House Mafia.

Collaborator Bob Thiele Jr. is the son of legendary producer and Flying Dutchman founder Bob Thiele (John Coltrane, Gil Scott-Heron and many others), and an acclaimed producer and songwriter in his own right. Having worked together for over three decades, his vision was to produce a Billy Valentine record to reflect our times.

Conceived in the summer of 2020, it is a response to the throes of a global pandemic and the aftermath of the murder of George Floyd. More than a covers album, this record uncovers the works of the likes of Curtis Mayfield, Gil Scott-Heron, and Pharaoh Sanders in a new setting. Recorded at EastWest Studios (formally the historic United Western Recorders), produced and mixed by Dave Way, and featuring a stella cast of session musicians, the album is as sonically stunning as it is moving.

TRACK LISTING

1. We The People Who Are Darker Than Blue
2. Home Is Where The Hatred Is
3. My People… Hold On
4. You Haven’t Done Nothin’
5. The Creator Has A Master Plan
6. Sign Of The Times
7. Wade In The Water
8. The World Is A Ghetto 

"We can already see that this band has a lot to offer the world and we haven’t seen the half of yet” MTV.

"Watch this lot because they're going all the way" Spindle Magazine.

This new material marks an expansion of the duo’s dynamics, which represents another musical leap forward for the band, adding new textures and further honing a sound that has been theirs since their inception. In the process of embracing this evolution, the band enlisted the help of award-winning songwriter and producer, Tarek Musa (of Spring King / Dead Nature) as well as bringing in Claudius Mittendorf (Weezer, Parquet Courts, LIFE) for mixing duties. From the hook-heavy lead single “Rita”, a song about “a hard-working woman who defies the negative surroundings that try to stop her from doing what she is truly passionate about.” Through to alt-pop anthem “Let Me Go”, and darker, psych-inflected “Change Your Mind”, the band’s new material is simultaneously more cutting, energetic and melodically encapsulating than anything else they have released to-date.

Tracks from ‘Tell Me Now’ have been heavily supported by BBC Introducing and have received plays on Radio 1 and BBC 6 Music including support from Steve Lamacq and Tom Robinson. About their EP, VALERAS say: ‘This EP is the proudest VALERAS moment for the both of us. It’s made up of the first songs we wrote together as a duo in which we explored a dynamic we hadn’t before due to having a different line-up of members of the band in the past. This body of work marks a moment of growth for us as a musicians and individuals, and represents our ability to be able to co-write music that came so naturally that means so much to us. The songs were also co-written and produced by Tarek Musa, a musical hero of ours and great friend who we are so proud to say we worked beside.’

TRACK LISTING

Side A

1. Rita
2. The Other Side

Side B

3. Let Me Go
4. Change Your Mind 

Kranky's run of superlative albums continues (3 albums in The Wire's Top 50 Records Of The Year 2007) with the second solo release from Portland artist Valet, aka Honey Owens, following up her widely lauded "Blood Is Clean" album from early 2007, another trip through the fertile garden of her imagination. From the gentle narcotic haze of the album opener "We Went There", which is dissected by Honey's trademark incendiary guitar work, to the lazy alien country blues of "Fuck It", and through the hyperventilating rhythmic distortion of the closer "Streets", "Naked Acid" is a fever dream of ghostly incantation and smudged psychedelia. Honey Owens has collaborated with a number of well-known and obscure artists including Jackie-O Motherfucker and Nudge and has been an important figure in the Portland, Oregan experimental music scene for more than 10 years. 'A beguiling, meandering combination of trance-like chants, pulsating drones and frazzled guitar doodles'. - The Wire.