Macadam Mambo put pay to any misty memories of the season of goodwill with their first release of 2017, a very special EP of radical dance music by the German band The Blech revisited by Hamburg's Wosto. Working industriously and industrially between 1985 and 1996, The Blech released 6 fizzing LPs of the dark wired sound. These cult recordings have become a treasure-trove of extravagant, groovy dancefloor artistry, at once hypnotic, irritating and erotic. Here, Hamburg's Wosto (one half of Fallbeil) selects two tracks from 1987's "Zip Zip" LP, "Nichts Wie Vorher" and "Zip Zip", and "Die Einame Trane" from 1989's "Ich Wollte Meine Schuhe Zerschneiden", and transforms them into bristling metal dance cuts. "Die Einsame Trane" dives off at the NDW deep-end in search of rusty industrial wreckage. Churning bass, squealing horrorscore synth-strings and guttural vocals set a queasy tone, occasionally punctured by brief outbursts of metallic percussion. The steady intro of "Nichts Wie Vorher" grows from post punk dirge into a weird and warped mutant disco cut, alive with undead orchestral samples, snapping drum rolls and arabesque vocals. It's already an unhinged winner, but you'll be punching the ceiling and stomping like a berserker when Wosto drops the 303! The B-side belongs to Wosto's "Power Dance Mix" of "Zip Zip", a teutonic technoid slammer which sees tough beats punctuated by cut and paste sampler work, yelped German vocals and dreamy synth work. If Yello had pursued a career in the scuzzy world of the new beat underground, then this would be their "Oh Yeah". All hailz the Dark Wired Sound...

TRACK LISTING

A1. Die Einsame Trane (Wosto Edit) 5 :56
A2. Nichts Wie Vorher (Wosto RMX) 8 :29
B. Zip Zip (Wosto’s Power Dance Mix) 8 :23

Hailing from the Ruhr Area in Germany, the Homewreckers (Johannes Ehmann, Gregor Pottmeier and Krischan Wesenberg) have 20 years of musical background - meandering between jazz, blues, soul, house and techno (!!!). Moving between electronically powered dancefloor music to film soundtracks with ease, the trio of self confessed music obsessive's present an excerpt from their upcoming album, "Machine Kiss". "Confusion" sends old jazz loops through an audio tumble drier before layering up some rich, fervent male vox. "Rotthausen" sees delicate piano notes demolished by thudding perc hits and torn up electrics. Serene and psychedelic in equal nature it recalls the crazed rhythmic power of Where 2 Now? or some of Boomkat's recent forays. As we flip the disc the mood remains constant - the lights are low, the time is late, smoke and heady atmosphere fills the air. It reminds me of sipping classy cocktails in places like Fitzgerald's - prohibition themed jazz bars with sexy lighting and even sexier bartenders. Finally "Guestlist" concludes the trip, possibly the most 'modern' sounding track on the EP. Disjointed and with a nod to glitchy hip-hop (or wonky-hop as we call it here), it squelches and squeals as various elements are mashed and mangled, reconstructed into something resembling a groove. Challenging, innovative and definitely not for the faint hearted! 

TRACK LISTING

A1. Confusion
A2. Rotthausen
B1. If I Should Loose You Part I
B2. Guestlist

Love Record Stores Edition available from 9am on Saturday June 20th.
Limited to one per person.

Clear vinyl.

THIS IS A RECORD STORE DAY 2018 EXCLUSIVE, LIMITED TO ONE PER PERSON.

As per the previous PR for the Talamanca System Tribal Persuasion mix, part of the true spirit of Balearic/Ibiza has always been slightly left field pop - Prefab Sprout, It’s Immaterial, Talk Talk and of course TFF, so TFF are always held in high regard by the Balearic brigade and this song (Head over Heels) in particular. Whilst a slightly daunting prospect to remix, across the 4 remixes (two by Talamanca and two by Mark Barrott) the aim was to capture the original spirit of Ibiza across it’s different moods, from the dance floor to Sunset via the early poly-rhythms of Underworld, the dramatic majesty of Padilla’s Cafe Del Mar and the dubbed out vibe’s of Larry Heard inspired slo mo house.Whilst these are to be enjoyed by all, in many ways their natural home is on vinyl, as they capture that original spirit and re-frame it in a modern context, taking the atmosphere of the original track and intertwining it with all the aforementioned elements of Ibiza’s musical heritage. Packaging will be black in colour. 

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‘Closer To God’, as with all TVP albums, is mightily personal. Dan Treacy provides the antidote to the opening of the ill-fated Disneyland Paris and the first McDonald’s in China – it’s a white knuckle ride through his innermost hopes and fears with off stage giggling, half heard dialogue and feedback that sounds like an opera is expiring in an adjoining L-shaped room. ‘Closer To God’ is a spiritual rollercoaster that sounds as poignant and pressing as ever. Remastered double LP on limited edition on marbled black and white vinyl. 1500 copies.

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Neon orange colour vinyl edition for Record Store Day2019. 1000 pressing worldwide.Long time unavailable debut album from The Delines. Special RSD 2019 edition pressed in neon orange colour vinyl."Evocative country-noir vignettes" 4**** Q "Sublime effort from alt.country supergroup" 4.5/5 Hot Press"Richmond Fontaine's Willy Vlautin is back with a new band, a new female singer and a rich collection of songs... A sublime suite of Americana heartbreak" 9/10 UNCUT Neon orange colour vinyl edition for Record Store Day2019. 1000 pressing worldwide.Long time unavailable debut album from The Delines.

THIS IS A RECORD STORE DAY 2019 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 13th ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON. IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 12.01AM SATURDAY APRIL 20th.

2000 only. Expanded version of seminal debut from cult band, includes unheard extras and a bonus 7” by 15 Minutes. “The Days Of Wine And Roses’ is as timelessly potent as the records that inspired it.” Uncut // Debut album from the hugely inspirational Dream Syndicate. An exceptional early ‘80s guitar-powered gem, remastered in full and includes the band’s debut indie EP and both tracks from main protagonist Steve Wynn’s earlier combo 15 Minutes. Central to the hugely influential Paisley Underground scene of the early 1980s that spawned Green On Red, The Bangles, Long Ryders and Rain Parade. “Arguably the finest LP to come out of the Paisley Underground's salad days.” AllMusic // With a nod to the Velvet Underground, Quicksilver Messenger Service and Dylan, packed into an incendiary slow-burn punk fuse, ‘The Days Of Wine And Roses’ is a glorious, upbeat sprawl, everything that rock ‘n’ roll should be. “One of the most lasting alternative rock albums made during an explosive time for left-of-centre music.” Psychedelic Baby // Track List Disc One - Side A A1 Tell Me When It's Over A2 Definitely Clean A3 That's What You Always Say A4 Then She Remembers A5 Halloween Disc One - Side B - B1 When You Smile B2 Until Lately B3 Too Little, Too Late B4 The Days Of Wine And Roses… Disc Two - Side C. A1 Sure Thing A2 That's What You Always Say Disc Two - Side D B1 When You Smile B2 Some Kinda Itch. Bonus 7" Single - "15 Minutes" A1 That's What You Always Say B1 Last Chance For You

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One of the UK's most dearly cherished indie bands THE HIT PARADE releases a new single on 7" vinyl for Record Store Day 2019.

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SEMINAL 1980 POST PUNK UK TREASURE. LIMITED 180GRM VINYL FROM THE ORIGINAL MASTERS + LYRIC SHEETS ON INNER SLEEVE + DIE-CUT A4 STICKER. INCLUDES PAINT IT BLACK, WHITE MOUSE DISCO & KRAY TWINS - Originally released in 1980 on Deram Records (a division of Decca), this is the first time this seminal UK post-punk album has been reissued on vinyl. The Mo-dettes were an all-female band, formed in 1979 by guitarist Kate Korris (The Slits), Jane Crockford (Bank of Dresden), Ramona Carlier (Kleenex) and June Miles-Kingston. They were in the heart of the late 70s London art, film & punk scene with some of the members assisting Malcolm McLaren on the set of the film, The Great Rock ‘n’ Roll Swindle, as well as living in a community squat with Joe Strummer and Sid Vicious. Their branding was eye catching too, perhaps helping to pull in a wider audience, or it could have been influenced by some of the band members’ art backgrounds too. The album features a version of The Rolling Stones’ Paint It Black, a remake of their debut single White Mice (renamed White Mice Disco), plus a cover of Edith Piaf’s Milord, along with other original penned songs.The band toured for four years and they supported two-tone ska bands such as Madness and The Specials before breaking up finally in 1982. When the members went their separate ways, many continued to work and be associated with artists such as Fun Boy Three, Everything But The Girl, and The Communards, a.o.

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Following on from ‘Roxanne’ – RSD 2018, we celebrate the 40th anniversary of the band’s first international no. 1 single, originally released September 1979. Brand new exclusive edition for RSD 2019, packaged in bespoke 2 x 7” special double pack gatefold sleeve. Utilising original green UK sleeve for front and incorporating blue US ‘poster’ sleeve inside the gatefold. Two colour inner bags –A&M ‘company’ bag design. Features the original single and B-side. Disc 2 features Message In A Bottle ‘Classic Rock Mix’, originally exclusive to ‘Every Breath You Take: The Classics’ collection (1995) –now deleted, and the previously unreleased instrumental version of Message In A Bottle. Remastered at Abbey Road Studios, London and pressed on coloured vinyl: Disc 1 – ‘bottle’ green vinyl, Disc 2 – blue vinyl

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exclusive coloured ltd. Ed white vinyl in gategold sleeve from indie legends, and founders of the Fierce label.

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The first Redskins release for many years, this is a 4-track celebration of their 1985 Top 40 hit, “Bring It Down! (This Insane Thing!)”. Featuring their distinctive hybrid of rock and soul complete with their signature brass section and their unmistakable ‘call to arms’ socialist sensibility. It kicks off with an exclusive 7” remix which is an alternative EQ’d mix of the original hit single found among the archived master tapes. The release also includes the original extended 12” version of “Bring It Down! (This Insane Thing)” as well as the 12” single’s B-side “You Want It? They’ve Got It!”. The final track is a previously unreleased ‘live edit’ of their track “Let’s Make It Work” recorded at the Polytechnic of Central London in December, 1985 at the height of the band’s critically acclaimed live shows. Packaging : 10" colored red vinyl in gatefold sleeve.

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Reissue of the long out of print UK vinyl edition of the Rolling Stones’ very first ‘best of’ LP, from 1966–the collection was many people’s first foray into the world of the Stones! A top 3 chart album on both sides of the Atlantic, on release -featuring six number one singles! Includes original 14-track album on heavyweight green vinyl.Features UK edition artwork –gatefold sleeve and colour insert. Ironically, the iconic UK, ‘fish-eye’ cover shot was taken in New York by Jerry Schatzberg. Mono edition cut by Sean Magee at Abbey Road Studios, London. Includes (I Can’t Get No) Satisfaction, Paint It Black, The Last Time, 19th Nervous Breakdown & many other classic hits! “One of the most potent collections of singles that one can find” AMG

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The Rolling Stones release a special, limited edition of "She's A Rainbow" (Live) at U ARENA, PARIS 25/10/17.

THIS IS A RECORD STORE DAY 2019 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 13th ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON. IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 12.01AM SATURDAY APRIL 20th.

2000 only. Gatefold Sleeve, Double LP + Bonus DL tracks. Singles collection. “Television Personalities have been England's great forgotten band for too long.” Melody Maker // A comprehensive remastered collection of all of the Television Personalities’ ground-breaking single releases from the evocative ‘Strangely Beautiful’ EP through to the dark introspective terrain of ‘Far Away And Lost In Joy’. Includes the super rare ‘Favourite Films’ 12-inch (only previously available on12-inch vinyl) plus the exquisite ‘Goodnight Mr Spaceman’ and ‘You, Me And Lou Reed’ EPs. Sequenced in chronological release order including every track and remix, embracing a host of pop culture threads from art, music and writing with all the ironic wit and wisdom of a master tunesmith – a veritable L-shaped room of pop desire. A further celebration of the songwriting of Dan Treacy. Track List Side One 1. Strangely Beautiful (7" mix) 2. Reaching For The Stars 3. Not Even A Maybe 6. The Day The Dolphins Leave The Sea 7. Christ Knows I Have Tried Side Two 8. She's Never Read My Poems (12" mix) 9 - Favourite Films 10 - The Dream Inspires 11 - Happy All The Time (Ten Years Ahead Of Its Time Version) 12. We Will Be Your Gurus (7” mix) 13. An Exhibition By Joan Miro 14. Love Is Better Than War Side Three 15. Goodnight Mr Spaceman (12” mix) 16. If I Was Your Girlfriend 17. She Loves It When He Sings Like Elvis 19. You, Me And Lou Reed.

THIS IS A RECORD STORE DAY 2020 RELEASE AVAILABLE ONLINE ONLY AS PART OF THE AUGUST 29TH DROP DAY AT 6PM.
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"Originally pressed as a four track promo 12" in 1995, and again as a five track CD for the US market in 2000, this is the first time all five Charlatans' Chemical Brothers remixes have been available together on vinyl.The remix of Patrol was originally released as a b-side of the Jesus Hairdo in 1994, whilst Nine Acre Dust and Chemical Risk Dub appeared on the Just When You're Thinking Things Over single in 1995.Available for Record Store 2020 on translucent yellow vinyl" 1. Toothache (Chemical Risk Mix) 2. Chemical Risk Dub (Toothache Mix) 3. Nine Acre Dust (Chemical Brothers Remix) 4. Toothache (Instrumental Mix) 5. Patrol (Chemical Brothers Mix)

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A track so huge it has it's own Wikipedia page! The Mar-Keys, formed in 1958, were an American studio session band for Stax Records, in Memphis, Tennessee, in the 1960s.As the first house band for the label, their backing music formed the foundation for the early 1960s Stax sound.Their first and most famous recording was the organ- and saxophone-driven single "Last Night", it reached #3 Pop and #2 in the R&B charts in the United States.It also appeared on Last Night!, the first LP released by the Stax label.Selling over one million copies, earning certification as a gold disc.The lineup for this recording included the Royal Spades' Steve Cropper (normally a guitarist, here playing second keyboard; producer Chips Moman did not want a guitar part on the song), Packy Axton (tenor sax), Wayne Jackson (trumpet), and Jerry Lee "Smoochy" Smith (main keyboards), augmented by horn players Floyd Newman (baritone sax), Gilbert Caple (tenor sax) and others.The EP contains four tracks in total, Last Night, Sticks & Stones, Sit Still and Pop Eye Stroll

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The debut release on Rick Rubin and Russell Simmons now seminal Def Jam label that shook the world with its evil bass and percussion. Never released on 7" before, this is a true Hip Hop collectors dream. Featuring the ground-breaking "Scratch Party Death Mix". Complete with full iconic sleeve.

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Toto’s well-honed musical craftsmanship helped sell more than 40 million albums in their four decades together.

In 1980, the band embarked on their first tour of japan, forming a lifelong bond with fans in that country who adored their polished west coast rock style. for the first time as a standalone release, the live in tokyo 1980 ep captures the original line-up of the band – vocalist bobby kimball, guitarist steve lukather, keyboardists david paich and steve porcaro, bassist david hungate and drummer jeff porcaro – performing four tracks from their then-new sophomore album hydra (plus the unreleased track “runaway”) during that historic trek.

Pressed on Red LP Vinyl.

TRACK LISTING

“st. George And The Dragon”
“mama”
“tale Of A Man”
“white Sister”
“runaway”

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Masked breakthrough Country artisit, Orville Peck, joins Paul Cauthen for two jukebox classics.As The Unrighteous Brothers, the duo of hardcore troubadours make an updated classic that showcases both artists' booming baritone.Produced by Butch Walker and Beau Bedford, the songs were cut in Nashville at the legendary RCA Studio A.Available for the first time on any physical format.

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Full printed sleeve - black 12" vinyl remastered reissue of this rare cosmic, funked out go-go boogie bomb, full of rapping gold from Washington D.C's The 3 Pieces.Includes remixes from Dan Idjut / The Idjut Boys & LEXX

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The Amorphous Androgynous unite their award winning psychedelic compilation series ' A MONSTROUS PSYCHEDELIC BUBBLE ( Exploding In Your Mind ) ' with their symphonic new single ' We Persuade Ourselves We Are Immortal' ( taken from the forthcoming album ' LISTENING BEYOND THE HEAD CHAKRA ' ) to create this latest installment of the Monstrous Psychedelic Bubble series . Featuring a host of luminaries such as Peter Hammill -vocals ( Van Der Graaf Generator ) Paul Weller -piano and guitar and erstwhile members of the SPENCER DAVIS GROUP/ Ian Gillan Band AND SOFT MACHINE on lead guitar and sax among a plethora of other musicians ( including the Chesterfield Philharmonic choir and a full string section ! ) alongside collaboration & remixes with a host of bands ( ATOMIC SIMAO / HIGHER PEAKS / REGAL WORM / COBALT CHAPEL plus others ) to create one helluva progtronic psychedelic trip through the Amorphous Androgynous samplerdelic multiverse for this special numbered 180g RSD vinyl release .LTD 1k RSD 2020 release.Machine Numbered Sleeve

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To celebrate 20 years of the Australian funk and soul band, The Bamboos present a collection of their most loved tracks on dinked black 7" vinyl in a full colour double gatefold sleeve.Featuring tracks from 'Rawville' (2007) and '4' (2010), this limited release is an essential item to any fan collection.

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The Big Moon are the Official Ambassadors for Record Store Day UK 2020. The band will be recording 3 tracks live to vinyl at Metropolis Studios on 5th March, to an audience of fans and media. The recording will be released exclusively for Record Store Day UK 2020.

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Special edition of The Black Keys album, "Let's Rock" ñ a "45 RPM edition", on double 180g vinyl, limited edition (numbered).

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In the summer of 2001 The Charlatans embarked on a huge tour of the UK and North America, the penultimate live show in December that same year would be a grand homecoming to the Manchester Evening News Arena "This is a fine old place! Let's do the show right here!" proclaimed Tim Burgess to the 21,000 strong crowd! A set list with such enduring songs as 'Love Is The Key', 'One To Another', 'North Country Boy' and Manchester staples 'Weirdo' and 'Sproston Green' just go to show that this is more than a set-list it's a scrapbook of memories and rock 'n' roll preservation.The blood of a band that means so much to so many.Released for the very first time on double gatefold 180g coloured vinyl this very special package comes loaded with a set of original Tom Sheehan live archive photographs beautifully restored as individual art prints to cherish.Complete with SoV Download code.

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Following their sold out UK arena tour, the release of their double Grammy winning album 'No Geography' and the 20th Anniversary of their Seminal 1999 album Surrender, The Chemical Brothers are releasing a very special vinyl product exclusively for Record Store Day 2020. The limited edition 180g 12 inch will contain two tracks never before released on vinyl. The first is 'Surrender To Love' is a brand new and unreleased mix by Australian electronic pioneers The Avalanches featuring tracks from Surrender + the brand new remix of their 1999 classic 'Out Of Control'. Artwork is derived from a brand new screen print of the original 'Out Of Control' single art created by original Surrender artwork designer Kate Gibb art. Side A Surrender To Love ñ A Mix By The Avalanches Side B Out Of Control ñ The Avalanches Surrender To Love Mix

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Released for the first time on vinyl ñ The Crimson Wing ñ Mystery of The Flamingos by the Cinematic Orchestra.Originally released in 2009 on CD and download, Record Store Day will see the soundtrack issued for the first time on 2LP coloured vinyl - pink! The soundtrack accompanied The Crimson Wing: Mystery of the Flamingos a 2008 British-American nature documentary that explored the massive gathering of lesser flamingos in Tanzania.It was the very first movie released under the Disneynature label.In what may have seemed an unusual move at the time the producers of the film wanted to find a popular artist they liked and combine them with the truly striking imagery the film would produce.This led them to the critically acclaimed British jazz-electronic group Cinematic Orchestra who would go on to compose and perform the soundtrack.Produced by The Cinematic Orchestra and Steve McLaughlin with score orchestration by Teese Gohl it was performed at Air Lyndhurst by The Cinematic Orchestra and the London Metropolitan Orchestra.A deeply evocative soundtrack the multi-layered instrumentation captures beautifully the story of these mysterious creatures.In 2019 the track "Transformation" is being used as the accompanying music for the Ford Focus.Watch advert here: https://www.youtube.com/watch?v=ZrcxA2nUJTM&feature=emb_logo.In December 2012, the song "Arrival of the Birds"" from the soundtrack for The Crimson Wing: Mystery of the Flamingos appeared in a commercial for the women's perfume Acqua di Gioia by Giorgio Armani.The song also appears at the end of the 2014 film The Theory of Everything and in the short film Together Apart from the Cornetto Cupidity Series.A fan made video of The Arrival Of The Birds and Transformation has had over 27 million Youtube views https://www.youtube.com/watch?v=n88MReEC27k.Spotify Arrival of the Birds ñ 26 Million, Transformation ñ 5 Million

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Bloodflowers - First time on Picture Disc for this 20th Anniversary - RSD 2020 Exclusive, Grammy Nominated 2LP set featuring 10 tracks - Contains a Download Card

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Seventeen Seconds - First time on Picture Disc for this 40th Anniversary - RSD 2020 Exclusive, Features the single "A Forest".Contains a Download Card

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1LP 12 Inch Coloured12 Inch Trans Green, due to the success of the 40th Anniversary singles collection by BMG and their sold out London Palladium show, we have decided to celebrate the bands latest release with a limited 666 UK trans green release. The Damned were the first British punk band, formed in 1976 and have released 11 albums since their inception. Their 2018 album 'Evil Spirits', was the first album in 10 years and also comprised of the original lineup of the band and was produced by famed producer Tony Visconti (Bowie, T. Rex).

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Blue colour vinyl edition for RSD2020. 500 copies only! Led by vocalist Amy Boone (The Damnations, TX), Cory Gray on keyboards, & horns, Tucker Jackson (The Minus 5) on pedal steel, as well as former Richmond Fontaine members: Sean Oldham, Freddie Trujillo, and Willy Vlautin. Vlautin, the acclaimed novelist and songwriter for Richmond Fontaine, has penned all ten tracks. Recorded in Portland, Oregon and produced by John Morgan Askew, The Imperial shows us again why songwriter, Willy Vlautin became so enamored with Amy Boone's voice. The combination of Vlautin's songs and Boone's voice creates a late night country soul world full of hopefulness and heartbreak. Americana-UK.com Readers poll 2019 - Best Band - Winners. Best Live Act - winners. Best album - winners. Q Magazine "better than ever...well worth the wait" ., Mojo 'Classy second album' , Metro "Vlautin is one of pop's outstanding storytellers..Amy Boone's voice is equal parts double cream and liquid smoke."

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To celebrate the first Wild Honey Records Record Store Day release ever, and a great 1-month longEuropean tour with the band few months prior of the release.This a steady hit in every Detroit Cobras live set, that somehow never got released on a phisical format.As Detroit Corbas always loved B-Sides songs, FEEL GOOD will be cut in the B-Side of the single, while the art will be on the A side.Includes a beautiful silkscreened S side of the single, with art of Rachel Nagy from the band.

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Reissue of long deleted covers EPs (Mary Chain, The Fall, Miles Davis) plus the great lost EP of Cure covers which never got an official release on vinyl.Also includes the punk rock trilogy of Damned, Pistols and Clash covers.Part of the 2020 Diamond Edition of releases and concerts celebrating Terry Edwards' 60th birthday.

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40 years on from its original 500 only pressing, the Debut 7î by the enduring and always EXcellent Dutch band, the EX gets a ReproÖ we wont get many, we will share it out.. this is a cracker!

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• Originally released in February 2001 on the band’s Cog Sinister label.
• Recorded at the band’s show on May 6, 1983 in Austurbæjarbíó, Reykjavik, Iceland, the gig showcases some new material that would surface on Perverted By Language later the same year.
• It is an exemplary document of the band at that time, featuring the fabled line-up of Mark E. Smith / Steve Hanley / Paul Hanley / Karl Burns & Craig Scanlon.
• This vinyl version is the first time this album has been released in this format and has been re-mastered by long term Fall engineer Andy Pearce.
• “Austurbæjarbíó, Reykjavik Live 1983” will be available exclusively on Record Store Day 2020 and pressed in limited quantity on orange & yellow splatter vinyl.

TRACK LISTING

Tempo House
The Classical
Eat Y'self Fitter
Hexen Definitive
I Feel Voxish
The Man Whose Head Expanded
Garden
Kicker Conspiracy
Look, Know
Backdrop

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Available exclusively to RSD2020, 'Cerebral Caustic' was the seventeenth studio album by British post-punk legends the Fall. First released in 1995, the album marked the return of former guitarist Brix Smith to the line up.Often an overlooked release in the Fall's catalogue, Cerebral Caustic finds Mark E.Smith and co embracing the 'wonderful and frightening' sound of their earlier, critically-acclaimed Brix-era albums The Frenz Experiment and I Am Kurious, Oranj. Demon Records marks the 25th anniversary of Cerebral Caustic with the first reissue since it's release in 1995. Exclusively pressed on 180g heavyweight, bonkers splatter-effect vinyl

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First released in 1993 reaching a chart position of 27.26 years later FSOL rebuild and create 10 new compositions inspired by the original. LTD 1k RSD 2020 release.180g Heavyweight Vinyl.Machine Numbered Sleeve

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The Andrew Weatherall 7" Edit has never before been available as an individual release on 7" vinyl. This edition is a limited edition hand numbered release on coloured vinyl, 750 copies only. The release, as stated on the label, is in tribute to Andrew Weatherall (1963-2020) who lost his life in February due to a lung condition. He was one of the key DJs on the acid house dance scene and this mix is one of his most highly regarded works next to Happy Mondays, New Order and Bjork.

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Double Red Vinyl.The second of three ground-breaking albums by the ultimate power trio who morphed blues into hard rock and spawned punk.Remastered and packaged with a second disc of out-takes from the original sessions that spawned this spontaneous monster.'Split' is released on double red vinyl for Record Store Day.

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2020 is the 30th Anniversary of the release of The High's debut LP on London Records.This release presents an alternative version of that album, taken from sessions produced by legendary Factory producer Martin Hannett.Sessions.A feast of unreleased mixes and unreleased songs.These were the final sessions ever produced by Hannett before his untimely death.The band was formed in 1989 by former Turning Blue singer John Matthews, along with former Buzzcocks F.O.C.members Andy Couzens (guitar, also formerly of The Stone Roses and pre-Roses bands The Patrol and Waterfront), Simon Davies (bass), and drummer Chris Goodwin (also formerly of the Waterfront as well as the Inspiral Carpets), They were signed by London Records and had three UK Singles Chart hits in 1990 before breaking into the top 30 in 1991 with a revamped version of their debut single, the Martin Hannett-produced "Box Set Go"

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This limited edition, gatefold, red vinyl 2LP is a reproduction of the sought-after, 28 track, 1972 Reprise US LP compilation (1966-1971).Contains hits, album tracks, US-only versions, non-album singles and B-sides.Featuring original sleeve-notes."This limited edition, gatefold, red vinyl 2LP is a reproduction of the sought-after, 28 track, 1972 Reprise US LP compilation (1966-1971).Contains hits, album tracks, US-only versions, non-album singles and B-sides.Featuring original sleeve-notes.SIDE 1 1 Victoria 2 The Village Green Preservation Society 3 Berkeley Mews 4 Holiday In Waikiki 5 Willesden Green 6 This Is Where I Belong 7 Waterloo Sunset SIDE 2 1 Lola 2 Mindless Child Of Motherhood 3 Polly 4 Big Black Smoke 5 Susannah's Still Alive 6 She's Got Everything 7 Days SIDE 3 1 David Watts 2 Dead End Street 3 Shangri-La 4 Autumn Almanac 5 Sunny Afternoon 6 Get Back In Line 7 Did You See His Name? SIDE 4 1 Fancy 2 Wonderboy 3 Apeman 4 King Kong 5 Mr.Pleasant 6 God's Children 7 Death Of A Clown"

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Single black vinyl 12" LP.Ambient LP from north London kosmische dream pop ensemble.The Leaf Library play an intricate and playful game with lush guitar drones and soundscapes, layering dreamy vocals and field recordings."About Minerals" will please fans of Pendant, Biosphere, Laurie Spiegel, Pan American, Chihei Hatakeyama, Eliane Radigue, Noveller, Fennesz or Matthew Shaw.Tracks : 01 Weather Wires 02 About Minerals 03 High Light 04 Lichen and Moss 05 Layers Of Regret 06 Surface Decisions 07 Beach Loom 08 An Edge An Ending 09 Blue Green Sequence.

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The Lottery Winners! What can we say? They have certainly done their 10,000 hours.Starting in the pubs and working mens clubs of Lancashire (including the legendary Pheonix Nights) this fab foursome have truly grafted and reaped the rewards with support slots for the likes of Catfish and the Bottlemen, Madness, Larkins, The Libertines, Circa Waves, Sleeper, Cassia, Paul Heaton, Tom Odell and even, after a stormingly successful Glastonbury debut in June, Sir Tom Jones on his recent stadium tour ('I loved your set, especially the a cappella, you don't half get the audience going' - Tom Jones.) All of this has resulted in a live show that is completely nailed down, filled to brim with passion, personality and most importantly, banging tunes! Lead singer Thom Rylance is never happier than when entertaining a crowd, whether their own or someone else's, and this summer Thom, Kate, Rob and Joe are winning over new fans young and old, and gladdening the hearts of festival audiences all over the UK and Europe.So driven, so engaging, so smashing at promo and so spectacularly compelling on stage.By the end of any gig they become the audience's favourite new band, if you want proof of that, scroll down any of their socials! The band will be releasing their debue album on 13th March 2020 via Modern Sky whitch will include the singles Hawaii, Little Things and 21. Sometimes life can be laborious.Sometimes it's hard to think and hard to be, but I honestly believe the cure for mundanity and sadness of everyday life is love.We drew influence from our musical mothers and fathers and tried to create something exciting.

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Another inimitable Lovely Eggs handmade release. This time this limited RSD edition features (in typical eggs style) a cheeky and irreverant special reflective mirrored "moron" cover, posing the question: Who is moron? Could it be you?? 1000 copies only. Designed by TLE and Casey Raymond. Following on from their 2018 RSD release of "This is Eggland" on giant fried egg vinyl which sold out instantly, TLE return with another unique creation for RSD 2020! Cooking up another special release with collaborator Casey Raymond the band will release a very special edition of their new album "I am Moron" in a special reflective collectible cover on neon pink vinyl. ìI am Moronî is the follow up to their critically acclaimed 2017 album ìThis is Egglandî. It is their second album co-produced and mixed by Dave Fridmann (The Flaming Lips, MGMT, Tame Impala) and continues their journey through Eggland into the unknown. Throughout their 13 year career, TLE have embraced isolation. Both metaphorically and geographically the married couple have chosen to shun the social conventions of normal life and dedicated their band and their life to the pursuit of what feels right. Operating out of their hometown of Lancaster TLE are lonely pioneers and self confessed kings of idiocy. Working in an industry whose currency is money, success and nepotism, TLE want none of it. They call out everything fake and plastic about the music industry and demand you to re-evaluate on their terms. Theyíre undoubtedly the most real band in Britain, operating in a world when true authenticity is hard to find. They have also spent more time on hold to the Working Tax credit hotline than any other band on the planet. ìI Am Moronî was self recorded by the band in Lancaster (ìThe Twin Peaks of Northern Englandî) between Lancaster Musicians Co-op and their home. During the recording, Lancaster Musicians Co-op was threatened with closure so the band put their album on hold to fight the eviction. Continuing the heaviness of ì This is Egglandî ìI am Moronî brings more depth to their sound bringing with it a mix of heavy psych, pop and strangeness. Some songs flicker between an earthly realism and the otherworldly loneliness of a one way space mission. While in contrast, Insect Repellent launches a gonzo-style attack against the middle classes and Bearpit questions the essence of working class freedom. With no booking agent, manager, record label or publisher TLE are truly independent. And support for them is snowballing. They are selling out bigger and bigger venues and more eggheads are joining them in their crusade against bullshit. TLE say it how it is. Theyíve never been afraid to swim against the current and now theyíve got an army of fans behind them. Don't miss out on the most collectible record of the year! Tracks: 1. Long Stem Carnations 2. You Can Go Now 3. This Decision 4. You've Got The Ball 5. Bear Pit 6. I Wanna 7. 24 Eyes 8. The Mothership 9. Insect Repellent 10. The Digital Hair 11. Still Second Rate 12. New Dawn

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The 15th anniversary of the debut Magic Numbers album.Released in it's orginal limited format, including the one sided limited 7".The vinyl is Crystal Clear 2LP + 7î Time creates it's own mirror and within it comes new reflections.Fifteen years later I find myself listening and reflecting on our debut album in a way that has also made me reflect upon my life.Just who was I making that record, writing those songs, what did we want, what did we achieve? Perhaps you too will be thinking similar things as you listen and reflect upon your own personal journey, especially if this record soundtracked your life all those years gone by....If you are listening to this for the very first time, may I introduce you to... The Magic Numbers Two families. The Stodart's & The Gannon's. We wanted to create music that was timeless. We wanted to create a band that you could believe in. We wanted to break your heart whilst lifting your spirit. We wanted to make a classic debut album. In 2004 The Magic Numbers were playing live almost every other night around London, making friends that soon grew into a following that spread the word the old school way, by word of mouth.People telling people about this new group comprising of two sets of brothers and sisters, who were singing a kind of country-soul-pop music with three part harmonies.From the outside things seemed to be happening very quickly, but I'd been writing songs and playing empty venues with our drummer Sean for 10 years before this momentum started building, and for us it really was always just a matter of time...but it sure took it's sweet time.Honestly though, it was only when our sisters Michele & Angela brought their magic to the band did anyone start taking notice, as then we discovered a sound.There was an energy between us that was somewhat frenetic, it was powerful, we knew we had something special and unique and because of that it also made us very cautious and protective. Fifteen years ago it felt like we were on top of the world, capable of anything, full of promise, full of innocence but also full of anxiety, still recovering from loss and having nothing.We literally had nothing but each other and this music.So many dreams of ours started coming true, from selling out shows and hearing people sing along to our songs in the crowd, to being given the opportunity to go into the studio by Heavenly.The biggest dream was to make a record.Jeff Barrett & Martin Kelly's belief in the band and myself as a songwriter at that time really gave us that extra confidence and boost that I think every artist needs whether they'd like to admit it or not.So there we were, about to make this record. Going into the studio can be a very daunting experience for a band, especially when the only real experience you've ever had was some home recording with a 4 track.We chose to work with Craig Silvey because we loved him straight away as a person and felt like he understood what we wanted to achieve.He was amazing at putting us at ease and not having us react to that red light fever that sometimes creeps up on you.He wanted to stay true to what he'd seen us do live and just try and enhance that sonically as best as he could. We had a shared vision of not wanting there to be too many overdubs on the record, as the core elements between the four of us when we played live was already telling the story in the way we had arranged the songs.It's funny now to think that we ended up playing these huge festivals with literally a guitar tuner between us as we didn't want anything else to colour the sound of our guitars being plugged straight into our amplifiers. It's always the songs for me that make a great record and we had the songs. My sister Michele & I sat at our mum and dad's and said "Right let's write a song in D major" and I started pulsing on that opening chord and Michele's bass line took us on a journey like they always do, that melodic hooky driving thing that she does is key to what makes this music.We had so much fun writing 'Mornings Eleven' that I feel the spirit of that moment was captured in the song.We never really said it out loud to each other at the time but we both knew we were trying to write our very own 'Good Vibrations' We'd have never thought that it would be the opening song on our debut album. Some of the songs on this album just appeared fully formed.'This Love' in particular was written pretty soon after I had learnt of our grandmother's death in New York, I was heartbroken that I wasn't there for her in those last days especially as she had raised me as a little boy.I can clearly remember playing that opening triplet guitar figure and the words and melody just came pouring out like they were always there, the same thing with 'Which Way To Happy' I remember the feeling of playing catch up to what was coming out.Over the years I've learnt that it's a very rare thing, songs appearing fully formed like that, it still surprises me when they do arrive like a memory of some kind.'Love's A Game' felt like it had always existed, in fact for a very long time I would ask people "But does it remind you of anything?" I don't remember writing 'Forever Lost' at all.I remember playing it to the band and us rehearsing it, having fun with the arrangement but no recollection of writing it. So many songs came from such sad places, the end of a long term relationship, death in the family, feeling so lost and vulnerable, this yearning for something else, to be someone else but I guess unknowingly we disguised it with harmonies and hooks. 'Love Me Like You' was definitely one of those, no one spoke of the meaning of the song when I first played it, we all just dived straight in and started having fun with hooks and skips in the rhythm.It was the baby of the bunch, as it was only written a few months before we began recording, whereas 'Try' was probably the eldest of almost 2 years.Then there's the duet between Angie and myself 'I See You You See Me'.My mum and dad were arguing downstairs and I knew it would only be a matter of time before they would make up and laugh about how ridiculous they were both being.I based the song on that kind of love, one that sees through everything.Angela's voice on that still melts my heart. I'd bought a set of these glockenspiel tone bars from a charity shop in Hanwell one afternoon walking home from signing on at the job-centre and all the way back I was thinking about this much more tender arrangement of a song I'd written called 'Hymn For Her'.The climax of the song on the third chorus was originally how it was all throughout.I remember that day working on it with Michele and Angela as we were so excited about how it turned out we decided to play it live that night to a small few. There's so much love and hope and joy and honesty in this album.So much fun in the arrangements, so much youth and innocence in our voices.It encapsulates a very precious time within the four of our lives.I'm still our biggest fan. Fifteen years later. We're still wanting to create music that is timeless. We're still wanting to be a band that you can believe in. We're still wanting to break your heart whilst lifting your spirit. But we can't ever make that first album again, this is it, we captured that moment in timeÖ..and upon reflection it surpassed all of our wildest expectations. Hope you enjoy listening. Romeo Stodart

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Thelonious Monk (1917 ñ 1982) was an American jazz pianist and composer who needs little introduction.He had a unique improvisational style and made numerous contributions to the standard jazz repertoireÖMonk is the second-most-recorded jazz composer (after Duke Ellington) and received prestigious awards for his career achievements (including a Grammy, a Pulitzer Prize and an induction into the Music Hall of Fame).Thelonious Monk is one of five jazz musicians to have been featured on the cover of Time magazine.Monk was highly regarded by his peers and by critics, but often his music was regarded as too "difficult" for more mainstream acceptance. Thelonious Monk's compositions/improvisations feature dissonances with complicated melodic twists and are consistent with his unorthodox approach to the piano (which combined a highly percussive attack with abrupt, dramatic use of switched key releases, silences, and hesitations).Monk was known for a distinct look which included suits, hats, and sunglasses.He was also noted for an idiosyncratic habit during performances: while other musicians continued playing, Monk would stop, stand up, and dance for a few moments before returning to the piano. Thelonious started playing the piano at the age of six and was largely self-taughtÖat 17, he was playing the church organ, and in his late teens he began to find work playing jazz.In the early to mid-1940s, he was already a house pianist in several Manhattan nightclubs.In 1944 Thelonious Monk made his first studio recordingsÖand since then he recorded classic albums for labels such as Blue Note (1947-1952), Prestige (1952-1954), Riverside (1955-1961) and Columbia (1962-1968). By the mid-1970s Monk had disappeared from the scene and made only a small number of appearances during the final decade of his life.Thelonious Monk died of a stroke in 1982, leaving us with an unparalleled legacy. In 1963 Monk was at the top of his game.With his steady quartet of veteran collaborators, he had landed himself a new contract with Columbia and recorded 2 milestone albums for them (Monk's Dream and Criss-Cross).Soon after Thelonious Monk started touring in Europe to promote his freshly recorded materialÖand he brought his critically acclaimed line-up with him on tour: Charlie Rouse on saxophone, John Ore on double bass, and Frankie Dunlop on drums. On the album we are presenting you today (Palais Des Beaux-Arts 1963) you'll find unearthed Belgian concert-recordings from that era.The show consisted of 2 partsÖboth were recorded by the national Belgian broadcast company BRT/RTB who had the best recording-equipment on the market at the time.The set we unearthed here (the BRT recordings part) consists of tracks from said Columbia albums which have now become omnipresent Jazz standards. Monk took the stage in his unique style with a grey wool Papakha as his hat choice.At that point unseen for the attending crowdÖthe showman shuffled across the stage, waving his arms as if he was about to lift off.He would take the crowd on a ride they would never forget.It was the first time Thelonious Monk played the prestigious Palais des Beaux-Arts venue in Brussels to an enthusiastic crowd of Belgian Jazz fans.Full house! The quartet delivers their set with true tight mastership (mixed with Monk's trademark improvisational avant-garde flair) and leaving room for a jaw dropping minute long drum solo mid-set.All this...and as an encore, the famous Monk solo rendition of the classic song Just a GigoloÖmake this a must-have for any self-respecting Jazz aficionado. This release is the product of a labor of love from a dedicated professional team of archivists and musical technicians who have spent the last 15 years carefully restoring and cleaning more than 80 years of Belgian audiovisual culture, bringing these audio-gems from their vaults in Brussels into the digital world and preserving them for future generations. Tidal Waves Music now proudly presents the FIRST ever vinyl release (these recordings were never issued on ANY format before) of Thelonious Monk 'Palais Des Beaux-Arts 1963'.This unique piece of musical history is a collaboration between the Tidal Waves Music label, the VRT (Flemish Radio and Television organization) and Bozar (Centre for Fine Arts Brussels) with full approval of the Thelonious Monk Estate.This concert album comes as a deluxe 180g vinyl edition (strictly limited to 2000 copies worldwide) with obi strip.Also included is an exact reproduction of the original concert poster from 1963Öreleased exclusively for Record Store Day 2020 and available in participating stores on April 18.

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The Murder Capital released their debut album When I Have Fears on their own label Human Season Records to much critical claim in August of 2019.The band played a string of headlining shows around Europe and the UK and this 45rpm 12" highlights the broody "Love, Love, Love" and "On Twisted Ground" from their show at The Dome, Tufnell Park in London from October 2019.

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First reissue of the 1967 original proto-funk Miami Sound mastermind.

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New enhanced, remastered vinyl edition of the long-deleted, much sought-after Pale Fountains compilation "Longshot For Your Love" - originally released in 1998 - covering the band's early years from 1982 to 1984."Longshot For Your Love" is a collection of rarities, radio sessions and previously unreleased tracks by Liverpool's second best band ever - fronted by Michael Head ("Our greatest living songwriter" - NME).Seven cuts are released here for the first time ever - incl.the superb John Peel and Old Grey Whistle Test BBC Sessions ('82/'83).The album comes with enhanced artwork - in a beautiful gatefold cover plus inner sleeve feat.lots of unseen band photos and extensive linernotes by former Pale Fountains manager Patrick Moore.

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The tracks are previously unreleased Peels Session from 1997.Advice To The Graduate is a cover of the Siler Jews song from the album Starlite Walker.Oversized 7" sleeve (non-spined) Black 7" vinyl in paper inner sleeve Labels Download card Shrinkwrap

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Limited edition 500 pressing in ORANGE colour double vinyl.Some of the hottest numbers in Puente's legendary repertoire beautifully remastered by Mr.Nick Robbins at Sound Mastering..Summer nights in NYC, pre Rock'n' Roll, pre everything, when MAMBO Kings ruled A Nuyorican aristocracy of the beautiful and sexy Spanish Harlem-ites who just went dancing every chance they got...summer nights of the 1950s belonged to Tito Puente....fusing progressive jazz with the hottest dance musics of the time and supreme showmanship, the King Of The Timbales was a combination of pop megastar, cultural don, avant-gardist and so much more.Here we have some of his greatest numbers, sure to cause DANCE MANIA all over again....you know you want to!

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Both "I Wanna Destroy You" and "Near the Soft Boys" were first released on Armageddon Records in 1980.Both have been out of print for nearly 40 years.This release would combine both into one double gatefold 7".

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Tangerine Dreams first release after signing the Richard Branson's Virgin Records.Released on 20 February 1974, it unveiled a brooding title track that was spread across the whole of side A.Phaedra was recorded at the Manor, the studio inside a manor house in Shipton-on-Cherwell in Oxfordshire, England, which was already celebrated by early 1974 as the location in which Mike Oldfield had created Tubular Bells, It was produced by Tangerine Dream founder Edgar Froese who also painted the image on the album cover.With audio taken from 2019's boxset In Search Of Hades and bonus tracks not on the original album this has been made in a double LP for the first time, pressed on 180g heavyweight tangerine coloured vinyl.

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Purple coloured heavyweight 180 gram audiophile double vinyl LP Not previously released on vinyl The Telescopes are an English noise, space rock, dream pop and psychedelic band, formed in 1987 by Stephen Lawrie, and drawing influence from artists such as Suicide, The Velvet Underground and The 13th Floor Elevators.They have a total of eleven released albums including their debut, Taste, released in 1989. 'Altered Perception' collects 15 of their most intricate workings from their first two albums with the odd rarity and b-side thrown in for good measure. Never before released on vinyl but now re-mastered by John Rivers at Woodbine Street Studio especially for vinyl release for RSD 2020.

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I WANT 2 B U' and 'Velvet Muscle Scream' are taken from the forthcoming feature film Muscle, the critically acclaimed new film by Gerard Johnson which recently premiered at the London Film Festival.Lead actor Cavan Clerkin picked up the best actor award at the prestigious Tallinn Film Festival in November 2019.'I WANT 2 B U' is the first song Matt Johnson has written and recorded using the quirky Omnichord instrument since 1983's 'This Is The Day'. 'I WANT 2 B U' is the first song Matt Johnson has written and recorded using the quirky Omnichord instrument since 1983's 'This Is The Day'. The single features artwork by Matt's late brother Andy Dog who also designed all of the early THE THE single and album sleeves. This is the first single THE THE have released since 2017's 'We Can't Stop What's Coming', which proved to be one of the big successes of RSD17.

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Double Black Vinyl.Throwing Muses released their long awaited Purgatory/Paradise in 2013, 10 years after their previous studio album - a 32 track opus of tangible bliss.Initially devised as both an album and as a book, with writing by Hersh and art by Narcizo, this vinyl reissue features all 32 tracks from the alt-rock heroes.

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Timeless Legend are Jackie Hogg, Allen B.Burney, Donald Harmon, and Michael Harmon from Columbus, Ohio.Their music is among the most elusive on the rare funk/soul scene with "I Was Born To Love You" a huge crossover club anthem and with 'timeless' appeal.The 'Synchronised' album from 1980 is iconic and one of the rarest 'rare grooves' and original copies currently sell for over £1,000 a copy.LTD 1k RSD 2020 release.Machine Numbered Sleeve

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Double, Coloured LP Vinyl format of this classic album, in a gatefold sleeve.Previously unreleased on LP Vinyl.Though it was released with almost no advance promotion, Tyler, The Creator's 2015 release Cherry Bomb was anything but unplanned.The fourth album from the Odd Future co-founder remains one of his most ambitious, featuring everything from lush orchestras to hard-driving guitars across its grooves (plus standout guest verses from Kanye West, Lil Wayne, ScHoolboy Q and others).Now, the album Tyler told Billboard was "the music I've always wanted to make" is available on vinyl for the first time

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First time on coloured vinyl for the 3rd Tyrannosaurus Rex album from 1969 Produced by Tony Visconti, the album features such Bolan favourites as ""Cat Black ( The Wizards Hat)"", ""She Was Born To Be My Unicorn"", ""Nijinksi Hind"" and the children's story, ""Romany Soup"", narrated by John Peel.Contains a Download Card.

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The Weeknd's No. 1 album My Dear Melancholy, available for the first time ever on vinyl. The six songs from this project, including the hit single "Call Out My Name" are featured on Side A of the 180-gram vinyl. Side B features an etched design to make this record a true collector's item. 

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One of the very first ëraritiesí collections, released to try and defeat the bootleggers, the original 11-track album was released on the Track Records label in September 1974. Compiled in band down-time by bass guitarist John Entwistle, it includes the single ëLong Live Rockí, the unedited unreleased version of ëThe Seekerí, the studio version of ëYoung Man Bluesí, alternative versions of ëDogs Part Twoí and ëWaterí, amongst many other gems. This reissue includes the original LP sequence on disc one and adds 14 bonus tracks ñ B-sides, rarities & extras on disc two, ëOdds & Sods Tooí ñ to create a definitive, 25-track double LP. The stunning artwork and design restore the original ëdie-cutí front sleeve and includes all Pete Townshendís original track annotation.

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Limited Edition clear colour vinyl with 7î. Limited to 2000. Celebrating the 40 year Anniversary of the debut LP by the Wipers. Includes individually AUTOGRAPHED concert poster by Greg Sage. Bonus 45 with four songs from the original 4 track sessions. Transparent Clear Audiophile Vinyl pressed at RTI with custom reflective mirror board jacket. Unquestionably Portland's most well-loved punk group, the Wipers formed in the late 1970s and in 1980 released their debut LP, "Is This Real?"- twelve songs of stabbing, jittery guitar, snapped vocals, and unabashed teen angst. Full of desperation and yearning, the LP has stood as a blueprint for wretched youth for over 25 years. In the early 1990s "Is This Real?" was given mainstream attention when Nirvana covered two tracks off the record and Cobain announced it was one of the primary influences on his group.

Track listing 1. Return Of The Rat 2. Mystery 3. Up Front 4. Letís Go Letís Go Away 5. Is This Real? 6. Tragedy 7. Alien Boy 8. D-7 9. Potential Suicide 10. Donít Know What I Am 11. Window Shop For Love 12. Wait A Minute 13. Mystery (Original 4 Track Sessions) 14. Tragedy (Original 4 Track Sessions) 15. Letís Go Away (Original 4 Track Sessions) 16. Is This Real? (Original 4 Track Sessions)

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This one will be a real surprise for both Wolfgang Press and 4AD fans.Featuring 7 never before heard tracks, Unremembered, Remembered is essentially the final album from The Wolfgang Press that never was.Having exhumed the tracks, the band have mastered their final studio sessions at Abbey Road and they sound magnificent.Art for this release has been done by long-time 4AD collaborator Chris Bigg and news of the album's existence will drop with the RSD 2020 announcement.Red vinyl 1.You Say You Love Me 2.God, Let It Shine On 3.My Mother Told Me 4.Black Hole Star 5.Liar 6.Miss H.I.V.

Recorded in Gold Dust Studios with a new sense of optimism and a fuller sound down to lots of extra energy (Nick believed it might be their last ever record) and the addition of piano and keyboards brings an instrumental direction.

Released on double LP with gate-fold sleeve for Record Store Day.

Originally released in 2002, two years after Valedictory Songs, The Bevis Frond returned with a more progressive sound with complex structures and instrumentation.Bursting with their trademark guitar licks, impeccable songwriting and a more upbeat sound.

Out on double LP with gatefold sleeve for Record Store Day.

Ltd edition BOOKBACK Double LP, black vinyl with DL Code (2000 worlwide).
Deluxe reissue of The Lemonheads ‘Lovey’ for Record Store Day 2020, housed in a bookback sleeve with expanded liner notes and unseen photos – this is the definitive document of Dando’s first steps towards the mainstream. The lovingly repackaged LP is accompanied by a second vinyl, ‘Triple J Live at the Wireless’, an unearthed radio session taken from their 1991 trip to Australia.

The major label debut for Evan Dando’s Lemonheads from 1990, following three “ramshackle punk” (©Select magazine) albums for Taang! Pivoted on a more approachable set of sweet melodies still rife with punky spirit. A light and dark album, polished in the arrangements, nodding to the excess of American culture (Manson and Gummi Bears), hectoring Reagan’s drug laws (‘Lil’ Seed’), riffing on everyday life. Remastered with a freshly-dusted off second album featuring a full radio session recorded during their trip to Australia to promote the album and their gorgeous cover of Gram Parsons’ ‘Brass Buttons’. “Like Hüsker Dü when they were at their most ferocious or REM when they were at their most Byrdsian hypnotic.” NME. 

TRACK LISTING

Disc One: The Lemonheads – Lovey:
A1 Ballarat
A2 Half The Time
A3 Year Of The Cat
A4 Ride With Me
A5 Lil Seed
B6 Stove
B7 Come Downstairs
B8 Left For Dead
B9 Brass Buttons
B10 (The) Door
B11 Untitled.

Disc Two: The Lemonheads - Live At The Wireless:
C1 Come Back D.A.
C2 Stove
C3 A Song For You
C4 Come Downstairs
D5 Nighttime (Big Star Cover)
D6 Year Of The Cat
D7 Ride With Me
D8 Die Right Now

THIS IS A RECORD STORE DAY 2020 RELEASE AVAILABLE ONLINE ONLY AS PART OF THE OCTOBER 24TH DROP DAY AT 6PM.
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The first official Rolling Stones’ rarities collection originally released in June 1975 to try and outwit the bootleggers. The release combines some legendary out-takes and rarities as well as focusing on the wealth of demos that Jagger & Richards composed for other artists (produced by Andrew Loog Oldham or Jimmy Miller). Some of these tracks were subsequently re-recorded by the Stones themselves, as these versions largely featured session musicians like Big Jim Sullivan on guitar, Clem Cattini on drums, and Jimmy Page on guitar. The collection starts with an orchestrated version of “Out of Time”, featuring Jagger singing over the same backing track used for Chris Farlowe's 1966 version that would later give Chris Farlowe a U.K. number one hit. “Out of Time” was released by The Rolling Stones as a single in 1975, and most recently was featured in Quentin Tarantino’s Once Upon a Time In Hollywood.

Metamorphosis features a terrific version of “Memo From Turner,” a 1964 Chess studio out-take “Don't Lie to Me” is a stellar Chuck Berry cover, while “Family”, the rocking “Jiving Sister Fanny”, Bill Wyman's “Downtown Suzie” and a version of Stevie Wonder's “I Don't Know Why” are out-takes from two of the Stones' finest-ever albums, Beggars Banquet and Let It Bleed. Also included – “Each and Every Day of the Year” (covered by Bobby Jameson), “I'd Much Rather Be With the Boys” (by obscure British beat group The Toggery Five), “Some Things Just Stick in Your Mind” (Vashti Bunyan), “(Walkin’ Through The) Sleepy City” (the Mighty Avengers), and “We're Wastin’ Time” (Jimmy Tarbuck). Remastered by Bob Ludwig (Gateway Mastering) and Lacquer cutting by Sean Magee (Abbey Road Studios)

Released exclusively on 180g HUNTER GREEN vinyl. Includes exclusive iron-on t-shirt transfer of the sleeve design, which alludes to Franz Kafka's ‘The Metamorphosis’ (the story of a man who wakes up one morning to find himself inexplicably transformed into a huge insect!). This release replicates the U.K. version, with two extra songs, “Some Things Just Stick In Your Mind” and “We're Wastin' Time” that were not on the original U.S. release.

TRACK LISTING

Out Of Time
Don't Lie To Me
Some Things Just Stick In Your Mind
Each And Every Day Of The Year
Heart Of Stone
I'd Much Rather Be With The Boys
(walkin' Thru The) Sleepy City
We're Wastin' Time
Try A Little Harder
I Don't Know Why
If You Let Me
Jiving Sister Fanny
Downtown Suzie
Family
Memo From Turner
I'm Going Down

Exclusive 10" vinyl for RSD.This is a new half-speed master and part of the Two Tone Records 40th Anniversary celebrations.

Containing dub mixes of three classic Specials tracks that were recorded at the time but remain unreleased.

TRACK LISTING

Gangsters (clangsters Dub / Half-speed Master)
Too Much Too Young (piano Instrumental / Half-speed Master)
Why? (dub / Half-speed Master)

THIS IS A RECORD STORE DAY 2020 RELEASE AVAILABLE ONLINE ONLY AS PART OF THE OCTOBER 24TH DROP DAY AT 6PM.
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40th Anniversary newly re-mastered edition of Chinatown which comes with a second LP of previously unheard demos housed in an embossed sleeve.

"The Who's incendiary live performance at the legendary 1967 Monterey International Pop Festival, available for the first time on vinyl LP: Red/white/blue striped vinyl.

Fancy old fashioned high-gloss tip-on style jacket. Printed inner sleeve."

TRACK LISTING

1. Substitute
2. A Quick One While He's Away
3. Summertime Blues
4. Happy Jack
5. Pictures Of Lily
6. My Generation

THIS IS A RECORD STORE DAY 2020 RELEASE AVAILABLE ONLINE ONLY AS PART OF THE SEPTEMBER 26TH DROP DAY AT 6PM.
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"40th Anniversary reissue of the first album featuring Nick Cave, before the band's name morphed into The Birthday Party and prior to the formation of his next band, Nick Cave and the Bad Seeds.Includes the classic "Shivers," which has recently been covered by the likes of Cat Power & Courtney Barnett, to name a few; Tracklisting- The Nightwatchman Brave Exhibitions Friends Of My World The Voice Roman Roman Somebody's Watching After A Fashion Dive Position I Mistake Myself Shivers "

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1-LP, 180-gram, numbered edition, of "The Soft Parade: Doors Only Mixes" pressed on vinyl for the first time, (previously only available on CD for the first time on The Soft Parade 50th Deluxe Edition) Tracklisting: Side One: 1.Tell All The People (Doors only mix), 2.Touch Me (Doors only mix), 3.Runnin' Blue (Doors only mix), 4.Wishful Sinful (Doors only mix) Side Two: 1.Touch Me (Doors only mix w/new Robby Krieger guitar overdub), 2.Runnin' Blue (Doors only mix w/new Robby Krieger guitar overdub), 3.Wishful Sinful (Doors only mix w/new Robby Krieger guitar overdub), 4.Who Scared You (Doors only mix)

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Available exclusively to RSD2020, Demon Records is proud to present 'Idiot Savants' on vinyl for the very first time. First released in 2007, the album is an overlooked gem in the Durutti Column's back catalogue.Featuring guest vocals by Poppy Roberts and the captivating guitar sounds of Vini Reilly. Pressed on 180g heavyweight white vinyl.

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The lone 1969 album from Nashville's first all-female rock band, complete with a second LP of demos and originally unissued rarities! Originally released on Athena Records in 1969.This release has been reissued previously on Teenbeat Records in 1996 (CD) and on Gear Fab Records in 2001 (limited LP).This new resissue contains bonus material that is previously unreleased.1.Hide And Seek 2.Now I Need You 3.Are You Lonesome Like Me? 4.I Won't Run 5.Six O'Clock In The Morning 6.Run That Thru Your Mind 7.It's Magic 8.I Don't Want Another Man 9.Forgetting 10.I've Been Workin' On You 11.Time Slips By 12.Hold My Hand 13.Love Love Love 14.I've Been Workin' On You (Demo) 15.Hold Me 16.Now I Care 17.A Summer Morning 18.The Warmth Of Your Smile 19.Are You Lonesome Like Me? (Demo) 20.Time Slips By (Demo) 21.Is This A Dream? 22.Movin'

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Exclusive to RSD2020, Demon Records celebrates the 10th anniversary of 'Turn Ons'.The Hotrats (aka Supergrass's Gaz Coombes and Danny Goffey) first released this collection of covers in 2010 and it has gone on to become a fan favourite.Produced by Nigel Godrich and re-issued for the first time, the album showcases the band's classic rock influences with takes on David Bowie, The Kinks, Pink Floyd, Beastie Boys and more. Pressed on double 10" hot pink vinyl, this new collection brings together the original studio album plus a selection of bonus tracks available on vinyl for the first time including "Mirror In the Bathroom" (The Beat), "West End Girls" (Pet Shop Boys" and The Beatles "Drive My Car".It also includes a brand new track at the time of this still unrecorded, and exclusive to RSD2020.100 copies will randomly have inserted a signed print of Gaz and Danny.

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The Lilac Time is Stephen Duffy, Claire Duffy and Nick Duffy, This exclusive coloured vinyl 12î single features the delightful and best track from the recent album, ìReturn To Usî plus two never before released cover versions of ìThere Comes A Timeî (Bert Jansch) and ìPancho And Lefty (Townes Van Zandt). Limited edition for Record Store Day of 500.

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Indispensable 1981 cosmic funk business from Tommy McGee, remastered and reissued on black 12" with replica artwork that has been calling out for an official reissue due to it's eye watering £250+ price tag.

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Pink/Green swirl vinyl.Band recorded songs in 2019 specifically for RSD//Side One:Track One: I Don't Track Two: Sugar Finger Side Two: Track One: Big Rock Candy Mountain Track Two: Multiply Track One: I Don't Track Two: Sugar Finger Side Two: Track One: Big Rock Candy Mountain Track Two: Multiply

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Wobbly aka Jon Leidecker has remixed two versions of HASHISH for this limited cannabis WE-ED THE PEOPLE 7-inch

TRACK LISTING

A/ TikTokMix (vocals)
B/ Version (Space)

THIS IS A RECORD STORE DAY 2020 RELEASE AVAILABLE ONLINE ONLY AS PART OF THE SEPTEMBER 26TH DROP DAY AT 6PM.
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3LP Breakout of Discs 3 and 4 of Dead Man's Pop featuring complete live show recorded at University of Wisconsin in 1989.180-gram black vinyl.Features tracks: Alex Chilton, Bastards of Young, I'll Be You, Can't Hardly Wait, I Will Dare

THIS IS A RECORD STORE DAY 2020 RELEASE AVAILABLE ONLINE ONLY AS PART OF THE SEPTEMBER 26TH DROP DAY AT 6PM.
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FIRST TIME EVER RELEASE FOR THE COMPLETE ALTERNATIVE SOUNDTRACK TO THE GROUP'S SEMINAL 2001 VIDEO COLLECTION BRILLIANT STUDIO RE-INTERPRETATIONS OF CLASSIC MATERIAL, INCLUDING 'HELLO SKINNY', 'CONSTANTINOPLE', 'THIS IS A MAN'S MAN'S MAN'S WORLD', THE 'ONE MINUTE MOVIES' AND MORE 2LP SET PRESSED ON ORANGE AND YELLOW VINYL AVAILABLE IN LIMITED QUANTITIES WORLDWIDE Released to mark the turn of the new millennium in 2001, the "Icky Flix" DVD showcased The Residents award winning videos in glorious technicolour.To accompany those icky old films, the group also produced brand new recordings of each of the twenty songs, providing an alternate new soundtrack to some otherwise ancient visual material. Inspired in places, plain ridiculous in others, "Icky Flix ñ The Original Soundtrack Recording" now brings together those Residential classics in their unedited entirety, as reworked by the group and singer Molly Harvey in the year 2000. Familiar to fans, enticing to the curious and just too damn weird to everybody else, this is The Residents up to their old tricks again, reworking some of their favourite old tunes in their own style.Whether or not some members of the group ever realised they'd recorded the originals of those tunes in the first place is anybody's guess. Available exclusively for Record Store Day 2020, on coloured vinyl and in limited quantities worldwide.

THIS IS A RECORD STORE DAY 2020 RELEASE AVAILABLE ONLINE ONLY AS PART OF THE SEPTEMBER 26TH DROP DAY AT 6PM.
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For Record Store Dayís September drop date this year, The Rolling Stones will release ëSteel Wheels Liveí, a special limited edition double A-side 10î picture disc featuring two standout tracks from their upcoming concert film release. The concert was filmed in Atlantic City, New Jersey in December 1989, and a limited 6-disc format including a further full concert performance from the Tokyo Dome (February 1990) will be available from September 25th. The artwork for the Record Store Day 10î has been designed by the same artist who created the original Steel Wheels album cover.

THIS IS A RECORD STORE DAY 2020 RELEASE AVAILABLE ONLINE ONLY AS PART OF THE SEPTEMBER 26TH DROP DAY AT 6PM.
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Double Black Vinyl.A two-disc retrospective of every single track released by The Television Personalities between the tail end of 1994 and 1999.Featuring legendary songwriter Dan Treacy, a gifted storyteller who places the world in his own hazy shade of focus, heading deep into introspection.

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This release brings to a (temporary) close the releases of BBC Sessions recorded by The Wedding Present /Cinerama since Summer 2006 for Marc Riley, Huw Stephens and now Shaun Keaveny.These tracks were recorded for Shaun 5th August 2019.The release comes on blue coloured vinyl with a download code.

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Available exclusively to RSD2020, 'Roger The Engineer' is the 1966 studio album by the Yardbirds.Featured in both Rolling Stone's list of the '500 greatest albums of all time' and Robert Dimery's book '1001 Albums You Must Hear Before You Die'. Recorded by the classic era line up of Jeff Beck, Keith Relf, Jim McCarty, Chris Dreja and Paul Samwell-Smith, the band began exploring new sonic territories, pushing their blues-rock sound into the realms of avant-garde, psychedelia and Indian music. This newly expanded edition includes the classic studio album on LP1 and a collection of 1966 studio recordings on LP2, housed together in an alternate sleeve inspired by an ultra-rare 1966 EP cover.Among the highlights are the vocal track from 'Ever Since The World Began' and an earlier version of 'Farewell', both of which are previously unreleased..Pressed on 180g heavyweight White vinyl.

Classic sounding but contemporary hip-hop here from beatmakers Tagi & Steven Beatberg who, after previously producing instrumentals finally get round to presenting a comprehensive, multi-voice album with a wealth of collaborators. Falling in the same vein as the conscious, chilled and weed-friendly styles of DJ Food, Mr. Scuff, Dilated People's, Blackalicious, DJ Shadow, The Roots etc. The album features rapper Big Pooh, former member of the Little Brother group, the contemporary soul star Lisa Spada, alongside, Georgia Anne Muldrow, Tiemoko from Paris and many many more. Boom-bap beats; dusty, sample heavy grooves and smooth-ass vocal deliveries that encourage the listener to pay attention and explore the lyrical content. I really like this, it brings back fond memories of days spent skateboard and smoking weed, late afternoons catching the bus home as the sun sets on an industrial landscape. Of hanging out in small terrace house bedrooms and backyards. There's a real emotion, spirit and flavour to nearly every track. 

TRACK LISTING

1. Youaresurrounded (The Intro)
2. This Is Life (Featuring Rapper Big Pooh & Sly Johnson)
3. Boom Bap Love (Featuring Lisa Spada)
4. Leiho (Featuring Pumpkin & Sly Johnson)
5. N.T. (Featuring Georgia Anne Muldrow)
6. Lost Art (Featuring Finale & Sly Johnson)
7. Danceonitifucan
8. Ame Son (Featuring Tiemoko)
9. F___ It (Featuring Sly Johnson & Saga)
10. Raponitifucan
11. Retrograde (Steven Beatberg's Raw Mixxx With Sly Johnson)
12. Run To The Sun (Featuring Elodie Rama) D.B.B.S.M. REMIX
13. La Dune Noire (With Dilouya) 

Now for a trip into an impossible land, generated on a hacked copy of Populous, wrought out of melting circuitry and bootlegged YMO LPs, projected on early green screen and filled with failed CGI from the Waterworld era. Panagiotis Melidis and Stathis Kalatzis are Territroy, the newest member of the Dekmantel family, and the creative insanity behind the newest UFO release, "Skulls & Plants". Now, I don't recall taking a massive dose of 4-AcO this morning with my cornflakes, but that may well have happened, as this is one trippy listen. At various points EBM, tropical house, machine voodoo and shamanic breaks are twisted, warped and frazzled, all achieving the demented sound signature of this lunatic Grecian duo. Rhythms collapse, stutter skip and slur, crispy distortion coats otherwise healthy melodies and oddly exotic idents flutter across the landscape, though you could never be certain they were there. Highly psychoactive electronics and primal rhythms for fans of Helena Hauff, Detlef, Lena Willikens and the Silk Road.

TRACK LISTING

Delirium Vivens
Wax Smiles
Non Sayers
Sleeping Fury
Instar
Upside Down Sinner
I Meant You, Not You
Their Menads
Bold Like A New Sun (Ft. Olympia)
Prosopagnosia

Analogue powered music here from TSC on the fledging Supergenius imprint. Big gated drums, even bigger synthlines and a nice organic sway and flutter characterize the four productions as they touch on house, freestyle and boogie stylings, galvanized and ready for heavy speaker damage. Image if Hidden Groove had, instead of living in Glasgow, grown up around the pinnacle period of Chi-town house music and you'll be some way to grasping the sound contained within. Really strong!

LIES' experimental noize merchant and high concept artist, Torn Hawk, is back with another slurry of mechanized freakouts, electro-static discharge and industrialized chaos. A producer who manages to impart his own sense of impending collapse onto whatever style or genre he's working in there's also a fragile sense of personality he oft manages to convey through dark electronic ballads and avant-garde soundscapes.

Across eleven tracks for LIES we see further into the mind and soul of this exploratory and fearless producer. At times painfully bleak, at others aurally arresting, it takes no prisoners and compromises on nothing. A truly personalized rendition of environment, mood and feeling from a unique and out there artist of the 21st century. 

TRACK LISTING

1. Come To Be
2. I Took What You Did To Me And Made A Sword Out Of It
3. Jade City
4. Books Smell Good
5. Lenny Dykstra
6. The Dreams Hurt
7. I Hate Weed
8. Weaponized Loss
9. Breaking Down The Gates
10. Crows Everywhere
11. Find Me In The Rain 

Tourist Kid's first release for Melody As Truth. Recorded in Perth and Melbourne between 2016 and 2017. Though the idea of movement between two places could be a somewhat romantic afterthought, a more palpable sense of dislocated unease creeps up on the listener throughout the album.

On "Discourse II", stutters of digital trash segue seamlessly into a plateau of serene, glassy ambience – and on "Bacterial", the hiss and sting of rehashed foley seems to dance around a plaintive, oh-so delicate piano solo. These striking contrasts are deftly managed, playing upon notions of digital noise and ambient, while never feeling weighed down by the limits of reference or gesture. Indeed, numerous touchstones to Tourist Kid's earlier work – and to that of contemporaries – are synthesized and expanded upon to great detail and atmosphere. "Crude Tracer" sits in its own adeptly nuanced and assured space.

Tourist Kid's production encompasses all manner of tangible and otherworldly sounds as a vehicle to explore something far more intriguing than a simple instrumental fetish – so much so that the overwhelming sting of blasted detritus or a broken and bent vocal is capable of eliciting such delicate impulses as glistening, heart-wrenching piano chords. It's a unique – and very special – kind of beauty that Tourist Kid gracefully achieves with "Crude Tracer”. 

STAFF COMMENTS

says: Jonny Nash embraces the burgeoning Aussie ambient scene for the latest Melody As Truth release, inviting Tourist Kid to open our eyes and align our chakras. Shifting, shimmering and beautifully intangible, ‘Crude Tracer’ filters dreamlike compositions through the most delicate static, resulting in a truly ephemeral experience.

TRACK LISTING

1. Example
2. Discourse II
3. Learn
4. Variegare
5. Know
6. UV Bleacher Tangent
7. Bacterial
8. Petrol 

A split release on Kode. Two exclusive tracks from Transformation & Beau Wanzer.

Transformation are relatively new kids on the block, this being their 2nd document to date. A creeping, slo-mo tech jaunt, even slower than Juju & Jordash's druggy escapades and with eerie leads and haunting arps prevalent throughout.

Beau Wanzer has a bit more clout behind him, with Russian Torrent Versions and L.I.E.S both laced with his discography. Here we find him lurking in the shadows in an opiated state as "Oklahoma 3" pulls back the curtain to reveal a smoldering & rotten corpse, chemical reactions still occurring on its surface it is slowly decomposes back into the ground. 

TRACK LISTING

1. Transformation - Sketch 4
2. Beau Wanzer - Oklahoma 3 

Way back in the early days of Tresor, TV Victor was one of the first artists to make waves on the label, with several of his ambient and trance productions including "Trance Garden 1-3" and "Trancecology Chapter 1". In 1989, he launched his first solo project: "Moondance – The Magic Sound of the Moon", where he lay foundations for later explorations with experimental sounds fused with pop elements and anticipated an ambient excursion to be had in the future.

In the following decades TV Victor created impressive solo works that traversed between ambient and trance, he collaborated with artists like Moritz v. Oswald, Max Loderbauer, Ari Benjamin Meyers, Paul Browse and Tobias Freud. Contrary to common mainstream tendencies he created a very unique interpretation of both genres. In recent years Victor has concentrated on creating experimental and abstract sonic spaces for escaping reality, spaces that live through the imagination of the listener. Each piece, a segment of a larger musical movement; stands alone to create new sonic continuums. Otherworldy music that is in its own sphere.

30 years after the release of Moondance and 50 years after the first landing, Lullabies For Insomniacs revisit TV Victor’s musical roots with ‘Back To The Moon’. The previously unreleased works were carefully selected from his vaults and restored by Berlin based engineer Brett Olke (B Ashra), the album offers a glimpse into the future by creating a soundtrack for mankind’s settlement of beyond in a conceivable hereafter.

TRACK LISTING

1. Black Hole Ceremony
2. Echo Of 89
3. Moon Shack 48
4. Zero Gravity
5. Moon Ecstasy

Tel Aviv based two man project TV.OUT has been making a name for themselves these last years putting on impressive live sets, djing around the world, and running their Paralaxx imprint releasing various strains of rugged, well informed electronic music. On their debut for L.I.E.S. we get a smoking three tracker spanning styles that would not seem out of the place being played on the West Coast of Den Hague in the late-90s. Think early Legowelt meets Coca Disco meeting heavier techno sounds as a starting point. Club gear for the gearheads. The electroid snap of "Further" gives way to the techy pulse and melancholic synths of "Moon" before the bristling perx of "Galaxy" takes us down a darkroom wormhole.

TRACK LISTING

1. Further
2. Moon
3. Galaxy 

Garage-punk-soul, somewhere between Make-up and Huggy Bear.

Join Mattias Uneback (known from Ixtahuele and The Test Pilots) on a fantastic underwater exotica adventure in sound! Sail the high seas, explore their depths, marvel at their strange and colorful inhabitants! This is visionary music inspired by the space-age underwater themed exotica recordings of the early 1960's as well as the peculiar aquatic library type albums of 1970s.

The songs are amusing and entertaining one moment, dramatic and fierce the next - but most of all, serenely beautiful. Using a variety of both classical andnovel instrument; from exotic percussion and full-scale orchestra and choir to vintage electronics, Mr Uneback paints a vivid and living tableau for the receptive listener. This is exotic orchestral seduction for those willing to embark on a journey of imagination. Submerge yourself in the sounds! 

TRACK LISTING

A1. Triton, God Of The Sea
A2. Silent World
A3. Voyage Beneath The Sea
B1. Starfish
B2. Sargasso
B3. Coronado Dreams

‘Do To The Beast’ is the first new album by The Afghan Whigs in over a decade and a half. Founded in Cincinnati, Ohio, in 1988, the band has long stood out from its peers, with their savage, rapturous blend of hard rock, classic soul, and frontman Greg Dulli’s searing angst and obsessions.

The new album is both a homecoming - it marks their return to Sub Pop, for whom the Whigs were the first signing from outside the label’s Northwest base - and a glimpse into the future of one of the most acclaimed bands of the past twenty five years.

‘Do To The Beast’ is an appropriately feral title for one of the most intense, cathartic records of Dulli’s entire career. It adds fresh twists to The Afghan Whigs canon: there’s the film noir storytelling of ‘Black Love’, the exuberance of ‘1965’, the brutal introspection of ‘Gentlemen’. However, the album exudes a galvanized musical spirit and rhythmic heft that suggest transcendence and hope amidst the bloodletting.

Recorded in LA, New Orleans, Cincinnati, and Joshua Tree - a virtual map of the band’s past and present homes, the album features Whigs co-founders Greg Dulli and John Curley, along with the core band of guitarists Dave Rosser and Jon Skibic, multi-instrumentalist Rick Nelson and drummer Cully Symington. Also featured are soul iconoclast Van Hunt, Mark McGuire (Emeralds), Johnny ‘Natural’ Nagera (Usher’s musical director), Alain Johannes (Queens Of The Stone Age, Arctic Monkeys), Clay Tarver (Bullet LaVolta, Chavez), Dave Catching (QOTSA, Eagles of Death Metal), among others.

STAFF COMMENTS

says: Greg Dulli and co return in fine style with this swaggering blend of rock'n'roll angst, classic r'n'b and soul. A dark and uncompromising tour de force.

Mute are proud to present the 21st anniversary deluxe editions of The Afghan Whigs’ landmark album ‘Gentlemen’.

‘Gentlemen At 21’ features the original album newly remastered along with bonus content consisting of rare Bsides, live performances and previously unreleased demos.

‘Gentlemen At 21’ presents the original record’s 11 tracks, updated but still retaining the 1993 album’s blistering swagger. The same 11 tracks that have made a visceral connection with fans over the last 21 years - the deeply dark and confessional lyrical content, the no-frills production qualities and Greg Dulli’s soul-baring vocal performances captured on tape. In addition, the album includes all the original demos for the album, which were recorded at John Curley’s Ultrasuede studio space in Cincinnati.

The bonus material also includes the original ‘Debonair’ single B sides, including ‘Mr Superlove’ and a cover of the southern blue-eyed soul classic ‘Dark End Of The Street’ along with three songs recorded live for KTCL in Denver, previously issued on the ‘What Jail Is Like’ EP. The set comes packaged with a faithful reproduction of the original sleeve art and its striking front cover image, an homage to Nan Goldin’s iconic ‘Nan And Brian In Bed, New York City’.

TRACK LISTING

Gentlemen
1. If I Were Going
2. Gentlemen
3. Be Sweet
4. Debonair
5. When We Two Parted
6. Fountain And Fairfax
7. What Jail Is Like
8. My Curse
9. Now You Know
10. I Keep Coming Back
11. Brother Woodrow / Closing Prayer

Demos
1. If I Were Going (Demo, Recorded At Ultrasuede)
2. Gentlemen (Demo, Recorded At Ultrasuede)
3. Be Sweet (Demo, Recorded At Ultrasuede)
4. Debonair (Demo, Recorded At Ultrasuede)
5. When We Two Parted (Demo, Recorded At Ultrasuede)
6. Fountain And Fairfax (Demo, Recorded At Ultrasuede)
7. What Jail Is Like (Demo, Recorded At Ultrasuede)
8. My Curse (Demo, Recorded At Ultrasuede)
9. Now You Know (Instrumental Rough Mix From Ardent)
10. Brother Woodrow (Instrumental Rough Mix From Ardent)

B-sides
11. Little Girl Blue [B-Side (Rodgers/Hart) [Recorded At Audiocraft, Cincinnati, OH]
12. Ready [B-Side (Rodgers/Hart) [Recorded At Audiocraft, Cincinnati, OH]
13. Mr. Superlove [B-Side (Rodgers/Hart) [Recorded At Audiocraft, Cincinnati, OH]
14. The Dark End Of The Day The Street [B-Side (Rodgers/Hart) [Recorded At Audiocraft, Cincinnati, OH]
15. What Jail Is Like (KTCL Live Music At The Mercury Café, Denver, CO May 10th, 1994)
16. Now You Know (KTCL Live Music At The Mercury Café, Denver, CO May 10th, 1994)
17. My World Is Empty Without You I Hear A Symphony (KTCL Live Music At The Mercury Café, Denver, CO May 10th, 1994)

‘Up In It’ is The Afghan Whigs’ second full length and their Sub Pop debut. The 1990 album, recorded by legendary producer Jack Endino, was critically acclaimed and garnered strong college radio airplay. It has been out of print on vinyl for over 25 years.

TRACK LISTING

Retarded
White Trash Party
Hated
Southpaw
Amphetamines And Cofee
Hey Cuz
You My Flower
Son Of The South
I Know Your Little Secret

The Aggrovators were one of Jamaica’s finest session bands put together by the hit make from J amaica Bunny Striker Lee. The group would produce some of the hardest rhythms cut at the legendary Channel 1 studio. These tracks would provide the backbone to songs that were usually voiced over at King Tubby’s own studio.These cuts here represent a selection of some of those fine rhythms selected together for the first time. The Aggrovators were a group of Reggae musicians that usually featured Carlton’Santa’Davis on drums playing alongside Robbie Shakespeare on bass with other musicians addedlike Earl’Chinna’Smith on guitar and Tommy Mc Cook and Vin Gordon and Lennox Brown added for horn arrangements,Keyboards and organ duties normally fell to Ansel Collins and Bernard’Touter’Harvey. We have compiled some great tracks recorded by this fantastic group of musicians and focused on those cut on Channel 1 studios to give you a feel of what those times were like. Hope you enjoy the set…..