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Madonna’s highly-anticipated 14th studio album. Influenced creatively by living in Lisbon, Portugal over the past several years, Madame X is a collection of 15 new songs that celebrate Madonna’s career-long affair with Latin music and culture as well as other global influences.

Singing in Portuguese, Spanish and English, highlights on the album include “Medellín,” which was co-produced by Mirwais and captures the spirit of Maluma’s hometown, the anthemic song “I Rise,” the Jamaican dancehall vibes of “Future” featuring Quavo, and co-produced by Diplo, as well as the sonically innovative Mirwais produced “Dark Ballet.” Recorded over 18 months in Portugal, London, New York and Los Angeles, Madonna collaborated on Madame X with longtime producer Mirwais, as well as with producers Mike Dean and Diplo, among others.


FORMAT INFORMATION

2xLP Info: Black vinyl edition.

Kaiser Chiefs

Oh My God (RSD19 EDITION)

    First time 7” pressing of Kaiser Chiefs debut single ‘Oh My God’. The original version of the track was released back in May 2004 via Drowned In Sound Records on CD single and has never been available since. 

    The Rolling Stones

    She's A Rainbow (Live)

      THIS IS A RECORD STORE DAY 2019 EXCLUSIVE, LIMITED TO ONE PER PERSON.

      The Rolling Stones release a special, limited edition of "She's A Rainbow" (Live) at U ARENA, PARIS 25/10/17.

      The Rolling Stones

      Honk

        Honk collects 36 essential Stones’ tracks – including eight Top 10 singles, “Brown Sugar”, “Tumbling Dice”, “Angie”, “It’s Only Rock And Roll (But I Like It)”, “Fool To Cry”, “Miss You”, “Emotional Rescue” and “Start Me Up”. Bringing the band’s story up to date, Honk also contains hit single “Doom & Gloom” – recorded in 2012 – as well as “Just Your Fool”, “Ride ‘Em Down” and “Hate To See You Go” from the band’s 2016’s Grammy Award-winning, No 1 album, Blue & Lonesome. 

        FORMAT INFORMATION

        3xLP Info: Triple LP on heavyweight black vinyl.

        Mercury award winner James Blake releases his 4th studio album Assume Form. The album features collaborations with Travis Scott, André 3000, Metro Boomin, Moses Sumney and Rosalía (BBC sound poll 2019). In the past 2-3 years James has been very busy collaborating with Beyonce, Kendrick Lamar, Travis Scott, Jay Z, Frank Ocean, Oneohtrix Point Never, Mount Kimbie and contributing to the Black Panther soundtrack. As unrestricted by genre as it is always underpinned by classic, emotionally-open songwriting, James Blake’s new album is arguably his most direct, eclectic and pure artistic statement to date. Assume Form also follows a rich period of creative and personal evolution for James, who has spoken candidly about his experiences of mental health, modern-day masculinity, and finding peace. Even the album artwork would appear to represent a fundamental shift for Blake, no longer distorted by illustration, landscape or design, but staring right at you – and into the future.

        James Blake’s is an influence that can be felt throughout the modern musical landscape, often hiding in plain sight; allowing the man himself – as his fourth album suggests – to always evolve. To never settle. To Assume Form.

        STAFF COMMENTS

        Barry says: Calling on a wealth of talent, James Blake continues his domination of the post-dubstep sound, with clicking trap-lite percussion, soaring synth echoes and a who's who of today's electronic music guests. Tackling sensitive issues with delicacy and grace, Blake is a singular talent, and continues to show his capabilities.

        FORMAT INFORMATION

        2xColoured LP Info: Limited edition green coloured LP set. Includes additional track, "Mullholland".

        2xColoured LP includes MP3 Download Code.

        Ian Brown

        Music Of The Spheres

          Before Music of the Spheres was released, Ian Brown touted it as a return for him to the peak form of his former band, the Stone Roses. As things go in the U.K., many members of the British music press jumped on the comments and appropriated Brown's views as their own. Realistically, Music of the Spheres is a strong, mature album, befitted with lush, exhilarating production that easily fits alongside Unfinished Monkey Business and Golden Greats, but it doesn't introduce anything revolutionary or match the excellence of The Stone Roses. The only thing that seems new for Brown on Music of the Spheres is that a number of the songs sound like minimalist tone poem explorations and that he sings in Spanish on "El Mundo Pequeno." One example of the minimalism is "Hear No See No," where Brown accompanies spare electronic notes with whispers of the title lyrics. But the album is at its strongest when he reaches for the inspired hooks and choruses that are his bread and butter. "F.E.A.R." is particularly compelling, with its lush string sounds and Brown's insanely catchy repetition of the letters that make up the song's title. "Stardust" and "Shadow of a Saint" are the album's other standouts, where Brown concocts frazzled poetry like, "I'm made from stardust/The same DNA as stardust," and intones about the "wings of an angel." Less bombastic than Golden Greats and more focused than Unfinished Monkey Business, Music of the Spheres is brimming with charm and accomplished, polished songcraft. 

          Winners of 2017’s Best British Group at the BRIT Awards, The 1975 release their 3rd album ‘A Brief Inquiry Into Online Relationships.’

          The album is a follow up to ‘I like it when you sleep for you are so beautiful yet so unaware of it,’ which charted at Number 1 on both sides of the Atlantic going Platinum in the UK in the process. 


          Elbow

          The Best Of - Deluxe Edition

            Elbow release a handpicked collection of their best moments to date. The album features tracks from all the band's seven studio albums to date and highlights their incredible musical output over the last eighteen years from the release of the Newborn EP in 1999. Also featured on the album as a bonus track is the band's version of The Beatles 'Golden Slumbers', as heard on the John Lewis Christmas advert directed by Michel Gondry.

            FORMAT INFORMATION

            3xLtd LP Info: Triple heavyweight vinyl, double gatefold, download card included.

            Snow Patrol

            Wildness

              Seven years have passed since Snow Patrol's last album 'Fallen Empires'. In that time the band have all ventured off into a variety of projects. Gary Lightbody continued his work with his Tired Pony side project with members of Belle and Sebastian, R.E.M, Reindeer Section and Fresh Young Fellows and moved to Los Angeles to begin writing songs for movies and doing a number of high-profile co-writes with Ed Sheeran, Taylor Swift, Biffy Clyro and One Direction. Taking this extended break from Snow Patrol proved to be a source of inspiration, and writing songs that were not pulled directly from his own psyche helped heal what Lightbody considered to be not so much writer’s block as life block.In the meantime the band have been working on Wildness, Snow Patrol's 7th studio album.

              The album finds the band searching for clarity, connection, and meaning, while staying true to the melodic songwriting prowess that brought them to prominence. Wildness taps into something raw and primitive, and lead-singer and songwriter Gary Lightbody says of the album: “There are many types of wildness, but I think it can be distilled into two: the wildness of the modern age, all it’s confusion, illogic and alienation and a more ancient wildness. Something primal, alive and beautiful that speaks to our true connectivity, our passion, our love, our communion with nature and each other. This is the kind of wildness the album is centered around. The loss of it. Trying to reconnect with it. To remember it.”

              FORMAT INFORMATION

              Picture Disc Info: Indie store Picture Disc edition.

              Frank Turner

              Be More Kind

                Frank Turner has announced details of his forthcoming seventh studio album. Be More Kind will be released on May 4th through Xtra Mile Recordings/Polydor Records. Months after the release of Songbook, a career-spanning retrospective which also saw reworked versions of tracks from across the past decade, Be More Kind represents a thematic and sonic line in the sand for the 36-year-old. It’s a record that combines universal anthems with raw emotion and the political and the personal, with the intricate folk and punk roar trademarks of Turner’s sound imbued with new, bold experimental shades.

                Lord Huron is an American indie folk band based in Los Angeles. The group's debut album, Lonesome Dreams, was released in 2012 on Iamsound in the US and Play It Again Sam in UK and Ireland in January 2013. The band released their second album, Strange Trails, in April 2015.

                The band's name was inspired by Lake Huron, the lake which band founder Ben Schneider grew up. 'Lord Huron invites you to stare into the abyss this spring with the release of their third full-length album, Vide Noir. Written and recorded over the past two years at Lord Huron’s Los Angeles studio and informal clubhouse, Whispering Pines. The album was mixed by Dave Fridmann (The Flaming Lips/MGMT) and engineered by Sonny DiPerri (Portugal. The Man, Animal Collective).

                STAFF COMMENTS

                Barry says: A brilliantly varied suite of thumping percussion, jagged guitar riffage, nuanced ambient interludes and neo-folk melodies, underpinned with a steadily growing melodic wash of ambience. Vide Noir is a brilliantly compiled journey from start to finish.

                The Rolling Stones

                On Air

                  The Rolling Stones are set to release a new album, ‘On Air’, a selection of BBC recordings from the 60’s. The track-listing will comprise of original Stones tracks along with some covers. The audio has gone through an extensive process called ‘Audio Source Separation’ at Abbey Road. In short, it means a de-mix process ahead of a traditional multi track remix and master.

                  New York buzz band, Joywave, have been making serious waves in the must-dance-to, electronic-indie arena since their debut “How Do You Feel” EP release in 2014. One year later, they inquired once again, this time in the form of their first full-length How Do You Feel Now? which secured them as an exciting band to watch. It reached #25 on the Billboard Alternative Albums chart, #34 on the Top Rock Albums chart, and #3 on the Heatseekers Albums chart.

                  Hailing from Rochester, NY, the infectious electro-rockers have been crafting their unique sound and are now gearing up to releasing their newest album 'Content'. In April 2017, they released "Content",the first single off their upcoming second album. In May 2017, they released the album's second single, "It's a Trip!" with three other singles being released in the months that followed: "Shutdown," "Doubt," and "Going to a Place." The full release is hotly anticipated by Joywave's fans, with their total social following exceeding 100k!

                  Lana Del Rey

                  Lust For Life

                    Global superstar Lana Del Rey releases her 4th album ‘Lust For Life’ which features collaborations with A$AP Rocky, Playboi Carti, Sean Ono Lennon, The Weeknd and Stevie Nicks.



                    Following the UK platinum debut album Haim’s highly anticipated new album ‘Something To Tell You’ will be released on July 7th, they announced the release of ‘Something To Tell You’ with an in-studio video version of album track ‘Right Now,’ which was shot and directed by Paul Thomas Anderson (Magnolia, Boogie Nights). HAIM released ‘Want You Back,’ the first official single from ‘Something To Tell You’, which Pitchfork awarded Best New Track saying “Whiplash is starting to feel like a theme of pop in 2017” going on to praise “Haim are pulling the rug out from under our feet in the run-up to releasing their second album.”

                    FORMAT INFORMATION

                    2xLP Info: 2 LP set pressed at 45 RPM on audiophile quality vinyl. Includes bonus track and digital download.

                    Clean Cut Kid

                    Felt

                      "Liverpool’s thrilling fuzz-pop quartet Clean Cut Kid have announced details of their much-anticipated debut album. A string of exhilarating singles have given snapshots of their brilliance and now comes a record to match. 'Felt' will be released on May 5th through Babe Magnet Records/Polydor

                      Clean Cut Kid are Mike Halls, Evelyn Halls, Saul Godman and Ross Higginson. The four-piece are one of the most exciting breakthrough bands in the UK, their inventive take on anthemic guitar-pop the product of intense writing and rehearsal sessions at the band's practice space in Liverpool. Their five singles so far – ‘Vitamin C’, ‘Runaway’, ‘Pick Me Up’, ‘Make Believe’ and ‘We Used To Be In Love’ – have introduced a band full of creativity, who mix classic melodicism with a sonic adventurousness. 'Felt' was recorded at Liverpool’s Parr Street Studios with Blossoms and The Coral producer Rich Turvey, London's Konk Studios with Arcade Fire collaborator Craig Silvey and London's Voltaire Studios with Cam Blackwood (George Ezra, Wolf Alice).
                      What emerges is a contemporary indie-pop record filled with defiant pop hooks and emotionally-charged fragility. 'Felt' is an album that deals with the hard truths and uplifting highs of modern love. 


                      Elbow

                      August & September

                        THIS IS A RECORD STORE DAY 2017 EXCLUSIVE, LIMITED TO ONE PER PERSON.

                        Single track 7" charity release of Elbow's reworking of The The's "August & September" for CALM (Campaign Against Living Miserably) in association with Torch Songs. The vinyl has a beautiful etching of the Torch Songs logo on the B Side with a clear plastic sleeve as packaging.

                        Feist’s first album in six years reflects on secrets and shame, loneliness and tenderness, care and fatigue and is at its core a study on self-awareness. As the fourth full-length from the Canadian singer/songwriter born Leslie Feist, Pleasure builds off the warm naturalism of the Polaris Prize-winning Metals and emerges as her most formally defiant and expansive work so far. Recorded over the course of three months—in Stinson Beach, Upstate New York, and Paris — Pleasure was co-produced by Feist with longtime collaborators Renaud Letang and Mocky. Following the album’s title-track, Feist has now shared ‘Century’, which features Pulp frontman Jarvis Cocker in addition to reaffirming Feist as a cagily inventive guitar player, the album threads her shape-shifting and often haunting vocals into sparse and raw arrangements. Released on a Limited Ed Digi and 2LP set

                        STAFF COMMENTS

                        Barry says: From the mournful lo-fi balladry of 'I Wish I Didn't Miss You' to the country-tinged minor key melodies of 'Any Party' and stomping cyclic rock of century, this is a confident and cohesive collection of classics from one of the all-time masters in the field. Feist smashes it again.

                        ‘Little Fictions’ was recorded in Scotland and Manchester and sees the band collaborate with the string players of The Hallé Orchestra, the Hallé Ancoats Community Choir, members of London Contemporary Voices and session drummer Alex Reeves. As with the previous three elbow albums it was produced by Craig Potter.

                        ‘Little Fictions’ is emphatically a band album. Having written individually for its chart-topping predecessor, ‘The Take Off and Landing of Everything’, sessions this time were collective affairs, with all four members gathered initially in a house in Scotland before moving to Guy’s attic in Prestwich and finalising recordings in the familiar setting of Blueprint studios, Salford.

                        ‘Little Fictions’ is an upbeat album. All the band talk of the sessions being ‘joyful’, Mark summarises it as ‘the sound of four people who love what they do and each other’, of an album that came into being naturally and, at times even unconsciously. Lead single ‘Magnificent (She Says)’ was embraced for the joyous, thrilling piece of music it is, positive and outward looking. Mark never even considered his audible switch towards electric guitars, most notable on the psychedelic lushness of ‘All Disco’, until the very end of the process.

                        The departure of drummer Richard Jupp prior to commencing the writing and recording process in earnest saw early sessions characterised by new approaches to rhythm, with the band utilising percussive noises, sampling and loops to build tracks. The grooves that run through much of the album, from the go-go beats of ‘Gentle Storm’ through the jagged trip hop of ‘Kindling’ to the soulful ‘Firebrand & Angel’ represent both the band’s widest musical palette and a newfound sense of experimentation borne from both necessity and desire. That desire fuelled the title track, an eight minute piece that is epic without at any point feeling excessive. As a shorthand for the album it is perfect, crossing musical genres and experimenting with sound in ways that demonstrate the confidence and enthusiasm of the band throughout the recording process.

                        ‘Little Fictions’ is, therefore, more than just yet another brilliant elbow album. In many ways it marks the start of a new chapter for the band, characterised by a rediscovery of shared purpose in doing the thing that has always brought them together, the place that Mark describes as ‘the creative space where we all meet’.


                        FORMAT INFORMATION

                        LP Info: 180 gram gatefold album with download code.

                        Soulful and raw, Londoner Michael Kiwanuka’s critically-acclaimed debut album ‘Home Again’ (April 2012) staked his claim on the list of great British singer-songwriters. Having taken a deep breath and relaxed into his musical approach, Kiwanuka is back, and has delivered his eagerly anticipated second album - and it packs a powerful punch. 'Love & Hate', produced by Danger Mouse, Inflo and Paul Butler, is an outward-looking, drenched with emotional density and rich, soulful production at the helm. Two years in the making, the British Ugandan Londoner has worked with new talent and created a canvas which sees his vulnerability take centre stage. Honest, unabashed, and ambitious, this is Kiwanuka proving that he is ready to secure his position as one of our most exciting homegrown talents. It’s a new world since his debut, and it seems that it’s his for the taking.

                        Fresh from bringing the sad to Beyonce's 'Lemonade' long player and Frank Ocean's soon-come sophomore outing, James Blake returns as a solo artist with his third full length album. Not so solo though as 'The Colour In Anything' features a number of collaborations as well, with Ocean, Justin Vernon (Bon Iver), Connan Mockasin and Rick Rubin all playing a part in the album's evolution.

                        However, like the grey skies on the album's sleeve (illustrated by another famous Blake, Sir Quentin), the singer-songwriter / producer still seems to be situated under his own personal rain cloud, providing us with 17 tracks and 76 minuted of heartfelt melancholia. Blake's deep, sparse, spacious electronica provides the perfect backdrop for his lyrical repetition and sorrowful vocals. At times moving further towards an alt-R&B sound, his plaintive solo vocal and piano songs have a meditative, almost gospel-tinted edge to them. A cathartic meditation on loss of love and relationship breakdown, but with deceptive strength at its core, Blake's songs see 'The Colour In Anything', as long as that colour is blue.


                        The 1975

                        I Like It When You Sleep, For You Are So Beautiful Yet So Unaware Of It

                        The follow-up to the quartet’s million-selling self-titled debut. It is a bold and brilliant record made up of infectious pop hooks and sprawling electro sonics, an ambitious stride forward for one of the UK’s most exciting young bands.


                        FORMAT INFORMATION

                        2xColoured LP Info: Limited edition double 180 gram clear vinyl.

                        Jamie Woon

                        Making Time

                        2015 release from the electronic artist / producer. 'Making Time' is the long awaited follow-up to Jamie's 2011 debut album 'Mirrorwriting'. In the four years following the release of his debut album, Jamie made an appearance on Disclosure's debut album 'Settle' in 2013 and played a select few festivals around Europe. These brief appearances were a just a quick reprieve during the valuable time Jamie spent writing his new record. An undeniable focus and informed musical ear are signatures of Jamie's work both on record and on stage, as well as a fine attention to detail. Elsewhere on 'Making Time', Willy Mason lends his distinctive vocal to 'Celebration', Robin Hannibal and Jamie team up on 'Sharpness', Royce Wood Junior collaborates on 'Lament' and co-production across the album comes from Lexxx. The first song they worked on together is the opening track on Making Time: 'Message'. This soulful rumination explores the idea of ambition. "That's me explaining what I've been up to and working out why I do this," Jamie explains. "The process of this record was about me finding that confidence in myself."

                        FORMAT INFORMATION

                        LP Info: Includes full colour glossy A5 24 page lyric booklet.

                        Elbow

                        Cast Of Thousands - Vinyl Edition

                          Most bands, when they want more attention, pump up the volume. Not Elbow. The Manchester quintet's second full-length is quieter than their debut, 'Asleep At the Back', luring listeners into its clutches with weird sonic details: the twinkling electronics that open "Ribcage", stuttering guitar feedback on "Not A Job." Equally seductive are singer Guy Garvey's vocals, full of hushed gravity as he mutters thumbnail sketches of characters ranging from nasty buggers ("I've Got Your Number") to his band mates ("Snooks"). Underlying all the subtle touches are some deceptively catchy tunes: the clap-along shuffle of "Buttons & Zips;" a love song from the other side of the world ("Fugitive Motel"), and another that spins as slowly as a lonely satellite ("Switching Off"). 'Thousands' also includes cameos from members of Doves and Alfie, and, on the final bars of the swelling "Grace Under Pressure," a Glastonbury festival audience - the second time through, you'll probably join in, too.

                          Dre's back with his first album in 16 years. Apparently inspired by seeing his younger self portrayed in the NWA biopic Straight Outta Compton, he ditched the work from the much delayed 'Detox' album (a "hip hop musical"!) and started afresh. The result is 'Compton', an album that looks back to Dre's past, but also brings a fresh perspective by including a roll call guest MCs (Kendrick Lamar, Snoop Dogg, Eminem, Anderson .Paak etc). Beat building and production-wise, 'Compton' shows Dre hasn't lost his touch, layering live and digital percussion and instrumentation, plus samples and raps into one killer long player. Includes breakout track 'Genocide' featuring Kendrick Lamar - G anthem for the Michael Brown era.

                          After nearly twenty five years and counting as a member of Elbow and one of the UK’s most recognised and celebrated musicians and lyricists, Guy Garvey is setting off alone for the first time. ‘Courting the Squall’, his debut solo album is, as with all solo albums, a glimpse into its creator’s soul. Shot through with warmth and emotional intelligence, content and comfortable in its own skin, ‘Courting the Squall’ is that most unique thing; a record made without preconditions, an album of songs made purely for the joy of its making.

                          Guy has also announced a short run of dates in Europe and the UK throughout November and December on which he will be accompanied by the musicians who recorded the album, including Pete Jobson of I Am Kloot on guitar, Nathan Sudders of The Whip on bass and Alex Reeves on drums. Elbow’s brass section complete the live line-up.

                          STAFF COMMENTS

                          Andy says: Fantastic surprise as Guy rings the changes. A super album, and quite different from Elbow. Recommended.

                          FORMAT INFORMATION

                          Ltd LP Info: The 12 inch heavyweight single vinyl comes in a full colour gate-fold sleeve with printed inner bag and includes a free digital download.

                          The album was recorded between Los Angeles and New York.

                          This is the 3rd studio album from Lana Del Rey, her last record ‘Ultraviolence’ when to #1 in 74 countries and she has worldwide album sales in excess of 9 million. Following the global first play and interview on Zane Lowe's Beats1 show, Annie Mac had 'High By The Beach' as her Hottest Record on Radio 1which included two spins of the track back to back and an interview with Lana. 

                          FORMAT INFORMATION

                          LP Info: Black vinyl edition.

                          The Rolling Stones

                          Sticky Fingers - Deluxe CD/DVD Box

                            ‘Sticky Fingers’ was recorded in Muscle Shoals, Alabama, Stargroves, Mick’s country home and Olympic Studios in London and produced by regular confidant Jimmy Miller, ‘Sticky Fingers’ was released shortly after the Stones became exiled in the south of France, leaving Britain after a sensational farewell tour. It also featured some of the most ground breaking artwork in rock history by Andy Warhol with its famous working zip on the front cover. (Recreated in the Super Deluxe and Double Vinyl Deluxe Editions of the new package.)

                            ‘Sticky Fingers’ has been repeatedly hailed as one of the Stones’ all-time great albums, capturing their trademark combination of swagger and tenderness in a superb collection. It continued the incredible outpouring of creative energy that had produced 1968’s ‘Beggars Banquet’ and ‘Let It Bleed’ in 1969. After ‘Sticky Fingers’, the Stones’ relocation to the south of France led to the double album masterpiece ‘Exile On Main St.’ The highly acclaimed ‘Sticky Fingers’ showcased the ever more inventive song writing of Mick Jagger and Keith Richards and formidable guitar licks from Mick Taylor.

                            The Rolling Stones

                            Sticky Fingers - Deluxe Edition

                            ‘Sticky Fingers’ was recorded in Muscle Shoals, Alabama, Stargroves, Mick’s country home and Olympic Studios in London and produced by regular confidant Jimmy Miller, ‘Sticky Fingers’ was released shortly after the Stones became exiled in the south of France, leaving Britain after a sensational farewell tour. It also featured some of the most ground breaking artwork in rock history by Andy Warhol with its famous working zip on the front cover. (Recreated in the Super Deluxe and Double Vinyl Deluxe Editions of the new package.) 

                            ‘Sticky Fingers’ has been repeatedly hailed as one of the Stones’ all-time great albums, capturing their trademark combination of swagger and tenderness in a superb collection. It continued the incredible outpouring of creative energy that had produced 1968’s ‘Beggars Banquet’ and ‘Let It Bleed’ in 1969. After ‘Sticky Fingers’, the Stones’ relocation to the south of France led to the double album masterpiece ‘Exile On Main St.’ The highly acclaimed ‘Sticky Fingers’ showcased the ever more inventive song writing of Mick Jagger and Keith Richards and formidable guitar licks from Mick Taylor.

                            STAFF COMMENTS

                            Andy says: The Stones at their greatest.

                            The Rolling Stones

                            Sticky Fingers - Super Deluxe Box

                              ‘Sticky Fingers’ was recorded in Muscle Shoals, Alabama, Stargroves, Mick’s country home and Olympic Studios in London and produced by regular confidant Jimmy Miller, ‘Sticky Fingers’ was released shortly after the Stones became exiled in the south of France, leaving Britain after a sensational farewell tour. It also featured some of the most ground breaking artwork in rock history by Andy Warhol with its famous working zip on the front cover. (Recreated in the Super Deluxe and Double Vinyl Deluxe Editions of the new package.)

                              ‘Sticky Fingers’ has been repeatedly hailed as one of the Stones’ all-time great albums, capturing their trademark combination of swagger and tenderness in a superb collection. It continued the incredible outpouring of creative energy that had produced 1968’s ‘Beggars Banquet’ and ‘Let It Bleed’ in 1969. After ‘Sticky Fingers’, the Stones’ relocation to the south of France led to the double album masterpiece ‘Exile On Main St.’ The highly acclaimed ‘Sticky Fingers’ showcased the ever more inventive song writing of Mick Jagger and Keith Richards and formidable guitar licks from Mick Taylor.

                              FORMAT INFORMATION

                              FREE SHIPPING This item has FREE UK shipping!

                              The Rolling Stones

                              Sticky Fingers - Standard Vinyl Version

                                ‘Sticky Fingers’ was recorded in Muscle Shoals, Alabama, Stargroves, Mick’s country home and Olympic Studios in London and produced by regular confidant Jimmy Miller, ‘Sticky Fingers’ was released shortly after the Stones became exiled in the south of France, leaving Britain after a sensational farewell tour. It also featured some of the most ground breaking artwork in rock history by Andy Warhol with its famous working zip on the front cover. (Recreated in the Super Deluxe and Double Vinyl Deluxe Editions of the new package.)

                                ‘Sticky Fingers’ has been repeatedly hailed as one of the Stones’ all-time great albums, capturing their trademark combination of swagger and tenderness in a superb collection. It continued the incredible outpouring of creative energy that had produced 1968’s ‘Beggars Banquet’ and ‘Let It Bleed’ in 1969. After ‘Sticky Fingers’, the Stones’ relocation to the south of France led to the double album masterpiece ‘Exile On Main St.’ The highly acclaimed ‘Sticky Fingers’ showcased the ever more inventive song writing of Mick Jagger and Keith Richards and formidable guitar licks from Mick Taylor.

                                Brand new album from platinum, Grammy nominated recording artist Lana Del Rey! The album features the hit songs 'West Coast' and 'Shades of Cool' along with typically Del Rey-ish songs: 'Fucked My Way To The Top' and 'Pretty When You Cry'. She's not veered to far away from the script of her first album: 50s noir meets Blue Velvet atmospherics meets modern day pop nouse, and if you're a fan then you won't be disappointed.

                                STAFF COMMENTS

                                Andy says: Wow! Incredibly, this record is much stronger than Lana's smash debut!? There's no "Video Games", obviously but you don't need it when every track is deeper, darker, grander and sadder than before. A brilliant surprise.

                                Following a series of LA based studio sessions with producers Ariel Rechtsaid (Major Lazer, Vampire Weekend, Usher) and James Ford (Arctic Monkeys, Florence & The Machine, Simian Mobile Disco), San Fernando Valley sisters HAIM have emphatically taken all the strengths of their live shows and transformed their songs into nuggets of golden pop.

                                ‘Days Are Gone’ is a record that wrestles with that early live potential and fully realises it, showcasing the breadth of their collective and individual talents. Having performed live together on stages from a very early age, it’s that innate understanding of each other’s musicianship that acts as both the strength and catalyst behind everything the band do.

                                Plenty has already been made of the band’s R&B influences, but it’s a shimmering guitar-fuelled, West Coast pop that surfaces across the 11 tracks on the LP. Sharing all the songwriting between themselves, ‘Days Are Gone’ is a record that features songs that stretches right back to when the band first formed ('Forever', 'The Wire', 'Let Me Go'), and songs written in the latter stages of 2012.

                                Opening on their 2013 Spring EP release ‘Falling’, it’s smartly followed by the song that introduced them back in March 2012, ‘Forever’. ‘The Wire’, a huge live favourite and forthcoming single, receives a slick production but loses none of the energy and passion that makes it so enticing on stage.

                                The sultry ‘If I Could Change Your Mind’ is the first of four brand new songs that HAIM are yet to have aired live, ‘Days Are Gone’, ‘My Song 5’, and ‘Running If You Call My Name’. Another regular live track, ‘Honey & I’ is one of the many standout tracks on a record that is more than simply the sum of its parts.


                                Every so often an artist comes along who changes the musical landscape, an artist who brings something different to the game... Step forward Kendrick Lamar.

                                Hailed as the new face of West Coast Rap, the 24 yr-old Compton-native has already been making his mark on the music scene, first with his sought-after mixtapes - ‘Training Day’ and ‘C4’. Then with his self-titled debut EP, 2009’s ‘Kendrick Lamar’ which featured his trademark singles ‘P&P’ and ‘She Needs Me’, followed up by 2010’s ‘(O)verly (D)edicated’ powered by the singles ‘Michael Jordan’ and ‘Cut You Off’. In 2011 he independently released ‘Section. 80’ becoming one of the top digital hip hop albums of the year.

                                Fast-forward to 2012 and with the weight and backing of Dr. Dre (the two recently had a joint XXL cover), Kendrick is ready to release his highly-anticipated major label album ‘Good Kid, m.A.A.d City’. Hot single ‘Swimming Pools (Drank)’ serves as a good taster to the album, alongside the previously released warm-up single ‘The Recipe’ ft. Dr. Dre and the recently announced collaborative single with Lady Gaga called 'Partynauseous'. As well as scene stealing features alongside The Game, Drake, Rick Ross and others - Kendrick is poised to be the first artist in a long time to not only change how the country views West Coast hip hop, but how the world sees Hip Hop as a whole.

                                “The coolest shit to say used to be the gangsta shit,” Kendrick says. “But now, the real cool shit to talk about is supporting your family.”


                                FORMAT INFORMATION

                                2xLP Info: Deluxe vinyl edition, includes 3 bonus songs.

                                "Born To Die" the album is a collection of tracks about which Lana says "The songs I've written are an homage to true love and a tribute to living life on the wild side." Album tracks include "Million Dollar Man", "Off To The Races", "Blue Jeans" and "Carmen".

                                FORMAT INFORMATION

                                2xLP Info: Limited vinyl edition.

                                Following the long awaited and well deserved success of their previous album "The Seldom Seen Kid", Elbow make a much anticipated return.

                                "Build A Rocket Boys!" features guest contributions from the Halle Youth Choir, retaining Elbow’s strong links with both their home town and the Halle itself, with whom they collaborated on a very special show at Manchester’s Bridgewater Hall in 2009.

                                Viva Brother formed in Slough in January of 2010, over a joint love for the likes of Suede, The Smiths and The Stone Roses. Just over a year later they now find themselves on tour with their hero Morrissey, have an NME cover under their belts, are Zane Lowe’s Hottest Record In The World on Radio 1, and are on prime time TV in the US, on the revered Late Show with David Letterman.

                                Speaking about the recording of their debut, frontman Lee Newell said, "Working with Stephen Street was a turning point in this band and with him we have created something completely extraordinary. It seemed very natural. We're not going to sit here and sell ourselves because that's not what we're about, we're going to do things our way and have an absolute laugh with it. Everyone says that we are famous for what we say. This album is what we've been talking about."

                                “…the future of music…” – NME.

                                “…saviours of rock’n’roll…” – The Guardian.

                                “…the year’s most brilliantly brash young upstarts…” – The Fly.

                                “(Viva) Brother are as sharp as their songs are direct…” - The New York Times.

                                "Kiss That Grrrl" is a track influenced by the hits of Sixties’ girl groups. It has the huge Wall of Sound production (courtesy of Bernard Butler who produced the whole album) projected against the most base of human emotions: jealousy. Unlike some girl groups, Kate is not one to stand passively by when someone is making a move on her man.
                                On the B-side are two brand new tracks, including a cover of The Shangr-las’ “Great Big Kiss” which is a duet with Billy Bragg.

                                The Boy Who Trapped The Sun

                                Fireplace

                                The Boy Who Trapped The Sun is 25 year-old Colin MacLeod - the 'Boy Who' moniker, he says, 'feels bigger and less lonely'. Originally from the Isle of Lewis, a windswept outcrop of the Outer Hebrides, MacLeod was discovered swinging round the rafters of an Aberdeen bar, dishing out Deep Purple covers and, he says, 'generally acting like an arse'. Having smashed his guitar and knocked himself unconscious on stage, he set to cleaning up both the broken instrument and his act. Thus The Boy moved to London, to become a solo artist and an adult.

                                And so emerged "Fireplace", with MacLeod playing all the instruments bar the strings himself. Hazy opener "Golden" sets the scene, with MacLeod gently drawing the listener into his world. New single "Katy" is more upbeat, a catchy paean to avoiding commitment. Title track "Fireplace" was written when MacLeod was housebound for four days as a fierce storm battered Lewis, while the loose, bluesy "Home" was written in London, about being displaced in the big city - 'This city's not a home, but it's somewhere to get lost'. "Walking In The Dark" is an achingly pretty piano-led track, while the waltz-y, wry "Dreaming Like A Fool" is the tale of ex-girlfriend who tried to stab MacLeod. 'Lately it feels like we're drifting apart', he sings. 'It could be because you're insane'.
                                Riding on a dream-like descending riff "Copper Down" features exquisite harmonies and a deft, mid-song change of pace. The final track is the haunting, beautifully arranged "Antique Cobweb". There follows the hidden spoken-word outro "Poem", its second verse in Gaelic, wonderfully evocative of the Isle of Lewis and the sea that defines it. "Fireplace" is a beautifully realised debut from an authentic new talent. Listen again and again.

                                The Rolling Stones

                                Exile On Main Street - Remastered

                                Upon its release more than three decades ago, 'Exile On Main Street' innovatively wove varying musical genres, instruments and even artists into a compelling rhythmic masterpiece.

                                The original 18-track double-album was recorded in various stages at multiple locations, including Olympic Studios in London, Keith Richard’s mansion Nellcote in France, and in Los Angeles where the literal “Main Street” influenced the album title. These atypical circumstances surrounding the recording process greatly affected the album’s outcome which was highly reflective and influenced by the sociopolitical turbulence that marked the late `60s and early `70s. The Stones nixed the influences of a flower-child era and directed their creative process with the edgier, excessive, “more is more” approach of the `70s. Exile reveals a sprawling mix of genres with undertones of blues, country, R&B and gospel mixed with lyrics that fervently demand for release and liberation.

                                The album pulled together an electric array of talent including Dr. John, the late Billy Preston and pianist Nicky Hopkins. Guitarist Mick Taylor, who replaced Brian Jones in the band shortly before Jones died in 1969, is a magnificent blues player who brought an intensity and elegance to these epic tracks. At times, these musicians and others lived on the recording studio premises with the band creating an extremely open and creative collaboration for the album.

                                Part synth-pop classic, part future pop blueprint, the unforgettably catchy "I'm Not Your Toy" is set to be La Roux's next instant classic and is as sure to take up residence in your brain as its predecessors. With her own sci-fi disco ice queen style cut from the same iconic androgynous mould as Grace Jones and Annie Lennox and looking as otherworldly as Tilda Swinton in an electro remake of the Man Who Fell To Earth, La Roux has ripped up the 2009 pop star rule book, already becoming an accidental fashion heroine, a pop star as beloved of fashion journalists as much as radio DJs. Both 12" and CD single features remixes come from Data (big main room electrohouse smasher) and Jack Beats (another of their monster fidget jackers).

                                Eels is the ever-changing project of singer/songwriter and multi-instrumentalist Mark Oliver Everett (aka E). The band's first record since 2005's critically acclaimed "Blinking Lights And Other Revelations", "Hombre Lobo" was recorded entirely at E's studio in Los Angeles with Koool G Murder (bass, keyboards and guitar) and Knuckles (drums and percussion). 'I wanted to write a set of songs about desire,' says E. 'That dreadful, intense want that gets you into all sorts of situations that can change your life in big ways.'

                                FORMAT INFORMATION

                                2xLtd CD/DVD Info: This limited edition includes "Tremendous Dynamite: Making Hombre Lobo" - DVD Documentary.

                                Very few things in life compare to the spine tingling, adrenalin rush that comes when you hear a great single for the first time, so I reckon the day the Yeah Yeah Yeahs walked into their record company, demanding that the opening track on “It's Blitz” should be “Zero” was, in general, a good day at the office for their A&R man. 'You want the best single of the year so far to be the first track on your album? Erm, yeah, I think we can probably live with that’. “It's Blitz” is no one hit wonder though. Awash with synths, it's an album of conflicts that finds Karen O at her most vulnerable while the band, with a sly wink to NYC disco, create what can only be described as an epic soundscape behind her. Yes, the guitars have (no doubt begrudgingly) conceded top billing to Nick Zinners vintage Arp but at its heart, “It’s Blitz” is still a great ROCK record.

                                Delays

                                Everything's The Rush

                                Already garnering rave reviews, "Everything's The Rush" is packed with technicolour hits and singles-in-waiting - simply a joy of a record. The schoolboy friends and band-mates for a decade (brothers Greg and Aaron Gilbert, Colin Fox and Rowly) are geared up and ready to go. Recorded over twenty days with acclaimed producer Youth, "Everything's The Rush" is the sound of Delays striding confidently into a new chapter. The tunes are even brighter, the choruses even bigger. 'We recorded at Youth's villa in Grenada, which is high up in the mountains' explains Aaron (keyboards/vocals). 'When you're staring at a mountain in a room full of amps, you want to make a sound that's as big as the sky'. The songs may be the musical equivalent of a huge gulp of alpine air, but listen closer and the lyrics reveal a darker aftertaste. Explains Greg (vocals/guitar). 'A song like "Hooray" sounds really uplifting, but it's actually about me having O.C.D' he laughs. 'For us', says Aaron 'melody is king. We want to make music which sends a shiver down your spine'. Hear it in the rich swell of "Keep It Simple", the sky-scraping stomp of "Touchdown", the rich pop melodies of "Love Made Visible" and the string-soaked cornerstone of the album "Pieces".

                                FORMAT INFORMATION

                                CD Info: CHEAP FOR A WEEK.

                                Delays

                                Hooray

                                Delays return with this blast of insanely catchy, upbeat, sunshine pop taken from the forthcoming album "Everything's The Rush".

                                FORMAT INFORMATION

                                CDS Info: The CD single also includes non album track "Chest Out".

                                Harder, fatter and more disciplined than their, gold-selling debut LP "Through the Windowpane", but equally ambitious, "Red" sounds like nothing else. It's darker and angrier, but also more beautiful, and the band's knack for melody is matched this time round by an endless cavalcade of inspired beats, bass and loops. From the jagged string stabs that unleash mutant disco-glam opener "Kriss Kross", to the desolate late-night pulse of final track "Take Me Home", it's a tour-de-force that marries Guillemots' natural melodic flair with a sense of dancefloor abandonment, not heard since Prince's 80s wild pop adventures. Other stand out tracks include the sleazy r'n'b raunch of "Big Dog", the gorgeous perfection of "Falling Out Of Reach", cyber-electro club-classic-in-waiting "Last Kiss", the haunting simplicity of "Words" and the tribal electro stomp of first single "Get Over It".

                                Elbow

                                The Seldom Seen Kid

                                  Their fourth studio album, "The Seldom Seen Kid" is a welcome return from the band, driven by a thunderous riff that reminds listeners of Elbow's love of the heavy as well as the delicate. Produced by keyboard player, Craig Potter, the album is the follow up to 2005's universally acclaimed "Leaders Of The Free World". The lyrical core of "The Seldom Seen Kid" sees Guy Garvey address the key questions of life. Over the 11 tracks the big themes of love and loss become the central focus of an album that sees Elbow, a band universally recognised for their musical ability and innovation, stretch their sonic template further than ever before. We move from the sparse electronica of "Starlings" through the flamenco influenced "The Bones Of You" to the Zeppelin-esque rock of first single "Grounds For Divorce". They even make space for a song described as " a Bond theme, if Bond were from Bury"(!) and a duet with the brilliant Richard Hawley. Blending the intimate with the epic, this could be their best record yet!

                                  This collection spans Morrissey's stellar 20-year career as a solo artist, including two new songs - forthcoming single "That's How People Grow Up" and "All You Need Is Me" - recorded with Jerry Finn, producer of 2004's widely acclaimed No.2 album "You Are The Quarry".

                                  FORMAT INFORMATION

                                  2xLtd CD Info: A special, limited edition run of the CD features a "Live At The Hollywood Bowl" bonus CD, featuring eight tracks recorded live in California on June 8th 2007.

                                  "The Black And White Album" is a record of inhuman proportions, recorded all over the world 'because we thought it was time to have other people involved besides ourselves and our closest friends'. After some initial recording at Hive Manor, for the first time The Hives ventured outside of Sweden to put music to tape. The majority of the album was recorded in Mississippi with producer Dennis Herring (Modest Mouse, Elvis Costello). They also met with Pharrell Williams in Miami and 'made some music with him too' ("T.H.E.H.I.V.E.S" and "Well Allright!"). A week in London at the historic Olympic studios with Jacknife Lee (U2, Bloc Party, Editors) also bore fruit ("Hey Little World"). Back home another song was recorded with fellow Swede Tomas Oberg from the band Bob Hund. All in all, a lot of songs, and more than enough great ones to choose from.

                                  FORMAT INFORMATION

                                  CD Info: Includes a UK bonus track, "Fall Is Just Something Grown-Ups Invented".

                                  Stephen Fretwell

                                  Man On The Roof

                                  Fretwell was born in Scunthorpe in 1981, a fact that belies the maturity and worldliness of his song-writing. These days, he's mostly resident in Manchester, but he liked New York so much he decided to make his second album there. "Man On The Roof" will surprise people. It's not as melancholy as "Magpie", but it's just as beguiling. This means the lugubrious sway of "Coney"; the romantic "The Ground Beneath Your Feet", 'about redemption, about being saved by a woman'; while "Funny Hat" and "William Shatner's Dog" are both about the same person. "Sleep" and "Coney" concern adultery in body and mind respectively, while the couples in "Bumper Cars" and "Darlin' Don't" struggle to get past whatever first base is.

                                  "Made Of Bricks" is the debut album from Harrow songstress Kate Nash. Pop music with indie sensibilities and an experimental edge permeate much of this album, and it is topped off with Nash's distinctive Estuary English vocal stylings.

                                  Queens Of The Stone Age

                                  Era Vulgaris

                                  "Era Vulgaris" sees Queens Of The Stone Age return to their deepest, darkest roots, with shadowy riffs reminiscent of the desert sounds of the Kyuss days combined with multi layered industrial power guitar and organ blasts of a new era. It was produced by long time Queens production cohort Chris Goss and Josh Homme himself at their hideaway in the dunes of Joshua Tree. Julian Casablancas from The Strokes and Mark Lanegan appear as guests on various tracks.

                                  Rufus Wainwright

                                  Release The Stars

                                  "Release The Stars" is a 12-track masterclass in songwriting and production - this is his first new material since 2005's remarkable "Want Two". The album is written and produced by Rufus himself, with Neil Tennant as executive producer. Long time collaborator, Marius de Vries, has also sprinkled magic dust over the tracks in the mix.

                                  "The Information" is Beck's most exciting record yet and it comes with never-been-seen-before visuals, and the most unique album packaging in years. Ever growing and expanding, Beck manages to stay familiar and fresh. First single "Cellphone's Dead" is Beck at his electro-rap best. Other highlights include "Strange Apparition", US single "Nausea" and the epic "Horrible Fanfare/Landslide/Exoskeleton" - ten plus minutes of dub infected eeriness! And just to prove that Beck's imagination is not limited to his music, the album itself will come with a blank CD sleeve and a sheet of stickers for the listener to make their own booklet.

                                  The Bravery

                                  Fearless

                                  More 80s infused pop from The Bravery. Wailing Robert Smith-esque vocals over chunky synths riffs and choppy guitars that create a relentless, infectious rhythm.

                                  FORMAT INFORMATION

                                  DVD single Info: The DVD single features the video for "Fearless", a live video of "No Brakes" and a photo gallery.

                                  A subtle selection of downbeat tracks with soulful electronic leanings and global vocals (Howie himself, Marina Heredia, Sweetie, Gavin Friday, Karmen Wijnberg etc). This is accessible, gentle leftfield music.

                                  Barclay James Harvest

                                  Mockingbird -the Collection

                                  12 tracks from Oldham's finest prog rock exports Barclay James Harvest at £5.99 who can complain.


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