The French feel-good maestros over at Treasure, dig up another pair of gems from the vaults. This time F.R delivers two more killer reworks of certified classic cuts, that will have the dancefloor in the palm of your hands, anytime of year.

TRACK LISTING

A1. Pearls
B1. Makes Me Wonder

Digging deep the Treasure team has unearthed more gold. 3 revamped classic tracks from F.R, meticulously tailored to meet the refined preferences of today's dance connoisseurs.

TRACK LISTING

A1. ET Is Coming Home (vocal)
A2. ET Is Coming Home (instrumental)
B1. Flying Machine

Mainly instrumental album from these legendary Peel faves. For fans of Kranky / Payola etc.

Fuck-Off Machete are the latest beautiful new animal born from the fertile Glasgow scene. Quick on the draw and a force to be reckoned with, they formed in 2003 after the demise of bassist & vocalist Natasha Noramlys previous band Ganger (Domino), and began recording their debut album a mere three months after inception. Fuck-Off Machete's music is as strong as it is catchy, displaying a stripped-back and raw three-piece dynamic. Fractious guitars flanked by mighty bass and solid rhythms propel the centrepiece of vocals simultaneously both innocent and commanding. Descriptions such as 'noise-pop' do little to describe the pulverising hooks and seductive stage presence, and references such as Sonic Youth, Polvo, and Joy Division will still leave you unprepared.

Birdman Records is proud to be reissuing 'Invisible Men', the early space explorations of electronic music pioneer F/i. In the mid-80s F/i was on the cutting edge of electronic bombast, producing cassette tapes of late-night interstellar sessions to be traded world over with the handful of heads that were plugged into similar perambulations. As a link between Throbbing Gristle and the Spacemen 3, this period of F/i has been woefully forgotten, until now. Later in the 80s, F/i would morph into Vocokesh continuing their space rock explorations.

The 2LP set features founding member Richard Franecki, Brian Wensing and Steve Zimmerman, and includes the ultra-rare recording 'Air' (produced around the same time as Invisible Men).

TRACK LISTING

1. Untitled I
2. Untitled II
3. Untitled III
4. Untitled IV
5. Untitled V
6. Untitled VI
7. Untitled VII
8. Untitled VIII
9. Untitled IV
10. Untitled X
11. Air

After many delays, Sorcerer is please as punch to finally reissue the debut LP from 1987 by Milwaukee space-rock gods, F/i: Why Not Now?… Alan! Available for the first time on the format since its initial release, it remains a Holy Grail item for lovers of cosmic rock & roll sounds from Underground Amerika in the 1980s. F/i had been churning out tape upon tape of experimental electronics since the early ‘80s. Influenced by Krautrock (particularly Cluster, Tangerine Dream, Ash Ra Tempel) and the harsh noise of Industrialists Throbbing Gristle and early SPK, by the mid ‘80s they morphed into a fully-fledged “rock” band, albeit one incorporating all of the above. This LP is the perfect synthesis of these sounds: grimy, lo-fi ‘rock’ with elements of industrial clang and extended, Hawkwind-ish space-rock jams; from the two-step cosmic churn of “Electric Waltz” to the ‘Neubauten-style bang & bash of “Zombie Theme”. Remastered by Mikey Young, the sleeve perfectly replicating the original, our edition is a limited edition of 500 copies.

The fertility of the Cuban music scene in the 1970s was rich and blooming.

FA-5's self-titled album from 1976 is a perfect example of the energy and vitality emanating from the country's musicians and marks the next release in Mr Bongo's Cuban Classics series. A unique musical fusion that encompasses Latin rock, funk, soul, disco and Afro- Cuban rhythms to form a diverse and alluring album.

The exquisite, funk- fuelled opener , 'Muevete Con Las Fuerzas Del Corazon', is maybe the most-known song on the album. It is a super catchy cut powered by a dynamite bassline, joy- filled horn playing and splashes of drum breaks that will ignite any dancefloor.

The record surfs through genres as it progresses. 'Di Tu Que Haras Sin Mi' and 'Paso Sin Mas' lean back with a West Latin rock / AOR flavour to their grooves. Elsewhere, the dreamy, cosmic, Balearic- tinged 'El Blue' and fuzzy funk- rock breaks of 'Pero Lo Cierto Es Que No Quise Mas' further show the breadth of styles at play on the LP. Another big highlight on the album is the Latin, discofunk sounds of 'Casa De Ladrillo', which morphs into a cover version of the Commodores 'Brick House' . The result is a superb alternative take on a muchloved classic.

Released on the state-owned Areito Records, the album was directed by Nestor Caballero , who arranged the songs alongside Aneiro Tano and Osvaldo Caraballoso . The prolific Tony Tano produced the album with the recording courtesy of Tony Lopez who worked with Juan Pablo Torres, Los Reyes 73, Grupo Los Yoyi, Raul Gomez and many other Cuban greats that we have featured in the Cuban Series.

A fabulous, under-the-radar classic, that will enrich any collection.

TRACK LISTING

Muevete Con Las Fuerzas Del Corazon
Di Tu Que Haras Sin Mi
Paso Sin Mas
El Blue
Casa De Ladrillo
Al Recordar No Dude
Salga Y Baile
Pero Lo Cierto Es Que No Quise Mas

Nonna Fab's Movement and Soul Records delivers the second release on the newly formed imprint, and Fab's first ever album, 'Deeper Dance Archives'. Six tracks that bring influences from deep soulful house, broken beat, jazz and ambient soundscapes.

The album is an exploration into deeper sounds and rhythms, incorporating some music from the live tour as well as some fresh music suitable for dance floors and deeper listening sessions.

The opener 'Solstice City Dance' is an extended deep house track with driven 80's synthesisers, a lot of tape saturation, percussive drum rhythms and glimmering synth solos. 'Mizu No Kokoro' is a nod to Fab's love for jazz-dance. 'When The Light Gets In' is a peak-time, soulful house track with a huge driven organ solo that sits alongside the whole track.

The B side gets deeper with 'Point Of Inflection', a bouncy, warm percussive house track with a deep dubbed out guitar solo. 'Ebb & Flow' features vocalist / spoken word artist, Veronica Melkonian for the exclusive feature on the album, broken beat / nu-jazz paired with deep subs, balafon and piano. The album finishes off with 'Chasing Fog', an ambient excursion into depths of soundscapes; a walk in the rain.

Miche "A fearless fusion of electronic experimentation and jazz feeling...Nonna Fab delivers something deep, cinematic and full of soul - future-minded dance floor music with a feeling that moves between ambient warmth and club energy, a real journey that wouldn't feel out of place in New York or London"

Jeremy Underground "Really nice music and very well produced"

Volcov "Excellent project all the way through"

Moe El-Amin "Obsessed with this record - Groove driven deep house, tailor made for dancers"

TRACK LISTING

A1. Solstice City Dance
A2. Mizu No Kokoro
A3. When The Light Gets In
B1. Points Of Inflection
B2. Ebb & Flow
B3. Chasing Fog

Movement and Soul Records is the highly-anticipated imprint, founded by Nonna Fab...

The label aims to capture deeper sounds and meditations in rhythm, spanning spiritual jazz, broken-beat and deeper house.
"Nature is Enlightenment" is the debut release on the label. With flute, keys, bass and drums from Nonna Fab and saxophone from Benjamin Ten-Bruggencate.

The B1, "Tropic" invites Kali, lyricist, poet and azz influenced vocalist from Sheffield, accompanied on piano/Rhodes by Nonna Fab.

The broken-beat focused B2, "Float" featuring bassist Tom French and an opening poem, that touches on the cosmos, by Kali.

Multi-instrumentalist, producer, band leader, record collector and party starter, Nonna Fab has launched the label as a platform to push the sound of his own music, working closely with a range of musicians from the North.

'It's come at the right time for me to allow a space to push a very new, organic sound working with a lot of the musicians I play with regularly, interweaving the sound with dance music.'

Nonna Fab is behind audiophile party, Apricot Ballroom, which was named in the top 10 nights in the country in TimeOut Magazine as well as being acknowledged for being a pioneer of northern contemporary jazz by BBC for Footprints. As well as this, Nonna Fab is co-owner of Grub Records, which has been written about in DJMag, Mixmag and Resident Advisor.

'The label is a true hybrid of both live sound and electronic dance music and really allows focus on true communication and expression. I have always appreciated more free-form styles of dance music so it really is a space for me to explore the more expressive and spiritual side of my sound' 

STAFF COMMENTS

Matt says: Nonna Fab highlights the scorched asphalt, thick late afternoon city air and the languid stroll of summer with a three tracker which straddles broken beat and house with a relaxed charm that should find favour with fans of The Rotating Assembly and Bugz In The Attic.

TRACK LISTING

A. Nature Is Enlightenment
B. Tropic
B. Float

'I'm not here to change your mind about Dusty Springfield or Shostakovich or Tupac Shakur or synthpop. I'm here to change your mind about your mind.' There are countless books on music with much analysis given to musicians, bands, eras and/or genres. But rarely does a book delve into what's going on inside us when we listen.

Michel Faber explores two big questions: how we listen to music and why we listen to music. To answer these he considers biology, age, illness, the notion of 'cool', commerce, the dichotomy between 'good' and 'bad' taste and, through extensive interviews with musicians, unlocks some surprising answers. From the award-winning author of The Crimson Petal and the White and Under the Skin, this curious and celebratory book reflects Michel Faber's lifelong obsession with music of all kinds.

Listen will change your relationship with the heard world.

With engineer / producer Alex Newport and Fat Mike on production duties Fabulous Disaster are charged up and ready to steal your underwear with an all-out punk rock "Panty Raid!". 14 songs that are true to the band's gritty live sound, while retaining their knack for melody and hooks. Fabulous Disaster are up there with other women bands like The Donnas and The Distillers.

All girl band on Pink & Black : torn fishnet stockings tattoos and punk-fire. They play tighter than an elephant-sized cork shoved in a gnat's arse! It's all about the devastation and the smeared lipstick! Touring and more tattoos to follow.

The Face is a British music, fashion, and culture monthly magazine originally published from 1980 to 2004, and relaunched in 2019. It was first launched in May 1980 in London by Nick Logan, the British journalist who had previously been editor of New Musical Express and Smash Hits.

The 2026 reissue of the seminal 'Live' album by Face To Face, recorded 6th of September 1997 in LA.

TRACK LISTING

1. Walk the Walk
2. I Want
3. Blind
4. I'm Not Afraid
5. It's Not Over
6. I Won't Lie Down
7. You Lied
8. Ordinary
9. I'm Trying
10. Telling Them
11. Don't Turn Away
12. A-OK
13. Complicated
14. Not For Free
15. Pastel
16. Do You Care
17. Dissension
18. You've Done Nothing

"How To Ruin Everything" sees Face To Face reaffirm their status as one of the 1990s new-punk trailblazers who have often been cited by bands like Blink 182 and the Alkaline Trio as major influences. Trever Keith, Scott Shiflett and Pete Parada formed as a trio in 1991 with a passion for old skool punk rock and this direct, no nonsense approach is there to be heard on this 2002 punk epistle.

Chicago trio’s third album (ex-Disappears). Chicago trio FACS have evolved very quickly in the span of their three year existence. "Void Moments" is their third & latest off¬ering; a dark & claustrophobic album with rivulets of seismic beauty peeking through the din. Formed in the wake of the dissolution of Disappears, guitarist Brian Case & drummer Noah Leger's project is the logical continuation of the trails blazed in their former outfit. Since their 2017 debut "Negative Houses", the band have reworked, retooled & reshaped their sound, and with the addition of bassist Alianna Kalaba on 2018's "Lifelike", their evolution has coalesced into something distinct. Gone is the bone-rattling minimalism of "Negative Houses"; "Void Moments" o¬ffers an abstraction of the melodic elements that crept into "Lifelike" and contorts them toward a new horizon.

Where "Lifelike" rang with a metallic, near-industrial racket, "Void Moments" cloaks the music behind a black velvet curtain of sonance, obfuscating the band's most direct set of songs to date. "Boy" kicks o¬ with a lurch of vocals and Case's sinewy guitar-line guiding a stoic march. By the time Kalaba drops in with the bass, the track morphs into a milky swirl, leading into the chiming swirl of "Teenage Hive’s buzzing churn. "Casual Indiff¬erence" expertly fuses the band's rhythmic pulse with a sombre dissolve of guitars, vocals and backwards-masked drums. "Version" closes out side one with lush surges of Case's shoegaze'd guitar & voice weaving around the rhythm section. Side two careens in with Leger's cavernous drums, with Kalaba and Case riding alongside.

The album's final two tracks "Lifelike" and "Dub Over" cascade into one another, becoming one & act as a perfect analogy to "Void Moments" mutability, both musically & lyrically. Despite its foggy presence, "Void Moments" still careens toward the light. By embracing fluidity, FACS continue to evolve & refuse to be ensnared by genre. "Void Moments" ruminates on humanity's increasing refusal of identity, not only by our increasing reliance on technology, but also within our society's challenging of societal & gender norms. "Void Moments" feels one step closer to oblivion, but its sounds are a welcome salve

TRACK LISTING

1. Boy
2. Teenage Hive
3. Casual Indifference
4. Version
5. Void Walker
6. Lifelike
7. Dub Over

FACS sprung forth in early 2017 , Brian Case, Jonathan van Herik & Noah Leger were formerly of Chicago band Disappears. "Negative Houses" is their debut recording; an abstraction of their former outfit, even more minimal and bare than what came before. "Negative Houses" approaches the stark, gothy post-punk previously perfected more rhythmically and abstract than in Disappears, with Leger's motorik, machine-like drumming taking the forefront (see the tunes 'Skylarking' and 'Others') and van Herik's guitar alternating between slashes of dissonant ambience and percussive accent. Case switches from guitar to bass in FACS, adding an economical throb to the band's drive on songs like 'Just A Mirror' & the album's centerpiece, the near nine-minute, sax-soaked tour-de-force 'Houses Breathing', whose electric heartbeat lumbers forward, sounding like an outtake from Cold Storage Studios circa 1979. 

TRACK LISTING

1. Skylarking
2. Silencing
3. Houses Breathing
4. Just A Mirror
5. Others
6. Primary
7. Exit Like You
8. All Futures

The duality of “man” is a subject that has been explored in art for centuries, from writings of the Bible to Descartes, all the way up to filmmakers like Lynch, Cronenberg, & Carpenter. Who is your “true self” & what do they want? With their sixth studio album 'Wish Defense' (again for longtime home Trouble In Mind Records), Chicago trio FACS take a good, long look in the mirror to face themselves.

The return of original member Jonathan Van Herik - who stepped away from the group just before their debut album 'Negative Houses' was released in 2018 - replacing longtime bassist Alianna Kalaba brings renewed vigor & a marked angularity from the band’s more recent output. The songs still hit hard, but the approach is sideways - the roles have changed since Van Herik’s original tenure & his previous time with Case & powerhouse drummer Noah Leger in Disappears; now on bass, Van Herik was originally the group’s guitar player and features on the debut, while current guitarist Brian Case played bass. This role reversal has helped the band’s dynamic, offering up a different musical perspective than before, now revisiting the trio’s long-going collaboration with some distance and time.

Case notes that the lyrics on 'Wish Defense' revolve around doppelgängers or "doubles”, tackling the idea of facing yourself and observing your ideas and motivations. Look no further than the album’s title track; “Enter the mirror / Double walker / An intimate / Wish defense / Is it real? / You beside me / The detail / Terrifying / Abject self / Your grief / A public / Performance”. Case lays out the entire album’s theme in one stanza; Are your actions & emotions your true self? Or are they a performative aspect of that “other” person you put forward? Case says that ultimately the sentiment is “...don’t let the bastards get you down, there’s something beyond this moment, like hope - but not in the naive belief that ultimately people are good”. 'Wish Defense's artwork is also a subtle reference to 'Negative Houses' art, returning to that album’s black & white starkness & minimalism. The album’s checkerboards everywhere are offset reflections of themselves, mirrored with the album’s lyrics printed front & center on the cover. Everything is out in the open.

A final note; 'Wish Defense' is the last album engineered by Steve Albini. Two days were recorded at Electrical Audio in early May of 2024 before Steve’s untimely passing, with renowned engineer & friend Sanford Parker stepping in to finish the session 24 hours later, tracking the last bits of vocals and overdubs. Longtime collaborator John Congleton mixed the album as Albini would have; in Electrical Audio’s A room, off the tape, using Albini’s notes about the session.

TRACK LISTING

1. Talking Haunted
2. Ordinary Voices
3. Wish Defense
4. A Room
5. Desire Path
6. Sometimes Only
7. You Future

Chicago trio’s fourth album in four years (ex-Disappears).

Recorded at Electrical Audio by Sanford Parker

Chicago trio FACS never stop pushing forward; they’ve honed and refined their stark, minimal scrape and clatter for four years and counting, having risen out of the ashes of beloved Chicago band Disappears in 2018 with the bone-rattling intensity of Negative Houses. The trio return in 2021 with Present Tense, their fourth album and perhaps their sharpest statement as a band.

Opener “XOUT” barrels forward like a tank, with Case’s guitar chiming like warning bells, until the climax comes crashing down, glitching out near the close. “Strawberry Cough” comes next, its fusion of corporeal playing and stately, electronic heartbeats punctured by random bursts of noise or backwards masked sounds. “Alone Without”, a track originally recorded for Adult Swim’s 2020 singles series appears next in different form; more menacing and serpentine. Side two opens with “General Public”, taking the loud/quiet dynamic as a jumping off point for the song’s unsettling seasick vibe. ‘How To See In the Dark” offers a brief respite, with its persistent, dark quietude that lingers until the song’s end. “Present Tense”, the album’s title track, offers up its first truly weird moment mid-song when the song changes mood distinctly, and the music drops out save for Case’s guitar and vocals. The album’s final track, the densely packed “Mirrored”, begins with a restrained, post-rock shuffle. The mind-scrambling cacophony that comes next takes its time to roll in, but once it does, it comes in waves, flipping back onto itself multiple times until it’s folded into oblivion.

FACS once again shuttered themselves into Electrical Audio with lauded engineer Sanford Parker to lay down the basic tracks and overdubs for Present Tense. This time, the band approached their songwriting from a different angle “Alone Without was the first song we recorded and we really built it in the studio” Case says, “Alianna and I played different instruments, and I think that freedom informed how the other songs developed. All the lyrics were random phrases on a big sheet and were put together as the songs took shape, so I feel like I was collecting these thoughts and trying to figure out how to process them as a big picture vs making complete ideas in individual songs.” Case adds ”...letting the songs go where they wanted, without steering them into what we all think a FACS album should be.” The change is palpable from last year’s claustrophobic and fried Void Moments, but Present Tense is still ALL FACS, albeit draped in a layer of haze. Paranoia in soft focus, perhaps?

TRACK LISTING

1. XOUT
2. Strawberry Cough
3. Alone Without
4. General Public
5. How To See In The Dark
6. Present Tense
7. Mirrored

RIYL: Unwound, MBV, The Jesus Lizard, SUUNS, METZ, The Dead C, Echo & The Bunnymen, Liars, This Heat, PIL. Everything eventually turns to dust. Everyone knows this, but few want to acknowledge that our time on this mortal coil is fleeting, preferring to remain in stasis, in hopes that "the end" will pass them by. Chicago trio FACS (guitarist Brian Case, bassist Alianna Kalaba & drummer Noah Leger) have been perfecting their brand of intense, cathartic post-punk over the course of four ever-evolving albums, beginning with 2017's "Negative Houses" thru 2021's landmark "Present Tense", which saw the trio dig deep into the gaping maw of a black hole & pulling back whatever debris they could grasp onto.

Their newest "Still Life In Decay" comes as an addendum to the last album - a "post-event review" if you will. "Still Life In Decay" starts with a squall of white noise before collapsing into the band already locked into "Constellation"'s lumbering groove, with Case's guitar a ghostly presence, appearing & disappearing in washes of gauzy feedback throughout the track. FACS have never been more locked in as a unit, and "Still Life In Decay" is a decidedly more focused effort. The apocalyptic chaos that defined their previous album "Present Tense" is waved away in favor of an examination of events with cumbrous clarity. FACS are a heavy band, but they don’t necessarily FEEL like one (see side two's "Still Life", where Case's fluttering, melodic guitar lines are buoyed by the insistent, underlying pulse of the bass & drums). As a rhythm section, Kalaba & Leger dance & twist around each other like a double helix, forming the DNA of what makes FACS special.

Collectively they approach rhythm from outside the groove as opposed to inside it, creating a lattice where Case weaves guitar lines like creeping vines, which makes the moments on "Still Life In Decay" where the band DOES lock in even more powerful. When the guitar punctures the lock-step swing of "When You Say", it hits like a hammer. Case utilizes his lyrics like a person suffering from anterograde amnesia; repeating phrases & holding onto old memories in a desperate attempt to avoid the slide into oblivion. Freeform poetic missives touching on themes of resignation, cynicism, class warfare, and a search for identity & meaning in a crumbling society; A primal desire to hold onto anything in a post-pandemic barrage of sensory overload. The album is a decidedly local affair; recorded once again at Chicago's famed Electrical Audio by renowned engineer Sanford Parker & mixed at his Hypercube Studio in Chicago's Ravenswood neighborhood & mastered by Matthew Barnhart at Chicago Mastering Service. 

TRACK LISTING

1. Constellation
2. When You Say
3. Slogan
4. Class Spectre
5. Still Life
6. New Flag

Factory Floor return to Phantasy with ‘Buzz Saw’, a driving new single that once more re-establishes the trio of Nik Colk Void, Gabe Gurnsey and Joe Ward as amongst the most vital forces in live electronic music.

Following on from 2025’s sold-out vinyl singles ‘Between You’ and ‘Tell Me’, the spacious groove of ‘Buzz Saw’ bridges the sharp, bracing synthesis of the band’s origins in London’s post-industrial warehouse scene. Once again mixed by legendary engineer David Wrench (Daniel Avery, Floating Points), it captures the band’s most dancefloor-forward instincts, recently rejuvenated via appearances at Berghain, festivals such as No Bounds and Simple Things, plus a headlining UK tour.

As before, Gurnsey’s peerless drum work - tracked in the studio by Stephen Morris of New Order - proves forceful and delicate in tandem with Ward’s percussion, encountering suspenseful breakdowns in the space between Voids enveloping basslines. In dreamlike accompaniment, Colk Void’s own voice drifts serenely upwards, itself slowly consumed and obscured into the band’s full-bodied electronic rush, which is also available here as a more minimal, no-less powerful dub version.

In sonic contrast, ‘Guitar_1342’ finds the band experimenting in their starkest terms, stripped back of their luminescent flow and boldly reduced to an abrasive, dissonant guitar feedback.

STAFF COMMENTS

Matt says: Eagerly anticipated by reckless nocturnal mavericks the world over, Phantasy Sound bring forth the mighty Factory Floor who set to work cajoling our weary bodies into a writhing, electrified mass of movement and energy.

TRACK LISTING

1. Factory Floor - Buzz Saw

Side AA
1. Factory Floor - Buzz Saw Dub
2. Factory Floor - Guitar_1342

Following on from 2011’s debut album Enter Castle Perilous and Christmas single Lucybel, Factory Star return with a new 10” mini-LP on Occultation Recordings.

Asked to comment, Factory foreman Martin Bramah merely muttered something about “channelling the Dark Spark...”

Formed from the ashes of Tomorrow's Gone, Faded Grey have been honing their sound for the last two years and these are their strongest recordings so far. Fast driven hardcore with a ton of heart and sincerity that can't fail.

The debut album from legendary Sheffield band Faerground Accidents sees a brilliant collection of late night songs, a missive from bohemia laced with perfect melodies and a bright and thrilling rush of neon melodies and great acidic lyrics from a band that Adam Ant calls the best new band in the UK and are also tipped for success by the likes of Richard Hawley and Jarvis Cocker.

“With witty vignettes comparable with the bedsit psycho-sexual melodrama of the likes of old Moz himself, witty kiss offs (“I went to the supermarket after every one of those/And I spent my last pennies on a value meal for one”) capturing the futility, fumblings and fragility of affairs of the heart, it’s a rather smart tune indeed..” GODISINTHETV

“An eclectic group that merges the fey eroticism of Pulp with the solid chops of a machismo rock band. Faerground Accidents have managed to forge a distinctive style that’s both enigmatic and direct. And, quite frankly, that I can’t get enough of!”
Lee Adcock (Dandelion Radio).

TRACK LISTING

Empty :
1. The Same Things
2. Woeful Small Town
3. My Former Baby
4. She Makes Me Want To Die
5. Please Stay

Full:
6. Gaslighter
7. Into The Wild
8. Sleep In The Woods
9.Claustrophobic
10. The Moralist
11. Ether Girl

Shining lights in London’s queer electronic underground, prolific duo FAFF make their debut on Phantasy with the ‘A Few Good Days’ EP, featuring three tracks reverberating the smudged euphoria of the capital’s rave scene, both past and present.

Drawing equally on peak-time club catharsis and the emotive experimentation of golden-era IDM and electro, these recordings meld the pair’s diverse DJ sets and ambient live work, which has captivated festivals including Draimollen, Field Maneuvers, and Body Movements.

The title track, ‘A Few Good Days, ’ melds hypnotic percussion, snatches of vocal euphoria, and a stuttering break for instant post-rave afterglow. Its wandering but compelling arrangement subtly invokes and updates the pioneering aesthetic of One Dove, Sabres of Paradise, or even William Orbit.

The tempo tilts skywards for ‘Tracy’s Night Out’, a peak-time display of FAFF’s studio prowess that fuses choral techno drama with a shamelessly bouncing bassline designed to tear up any respectable sound system. Emerging from the sweat and strobes for a wide-eyed stroll home, ‘Tracy’s Daydream’ wishes away the EP with delicate, textural delight, floating gently on pure analogue reverie.

STAFF COMMENTS

Matt says: Phantasy Sound continue to be a one-stop-shop for all your warehouse shaking needs. FAFF drops some rugged syncopated breaks alongside a dreamy electro jam for the sunrise. TIP!

TRACK LISTING

A. A Few Good Days
B1. Tracy's Night Out
B2. Tracy's Daydream 

Scott Fagan’s debut album, ‘South Atlantic Blues,’ is a genuine lost classic - a mystical, mythical and deeply soulful masterpiece.

Recorded when Scott was just 21, virtually homeless and with pennies to his name, it was released in 1968 on Atco Records but remained obscure, confounded by a series of frustrating near-misses. From being mentored by Doc Pomus to being discovered by Jasper Johns, Scott’s incredible story and music unfolds on ‘South Atlantic Blues,’ remastered and reissued for the first time ever on CD and vinyl on Saint Cecilia Knows (the label that also released the acclaimed Mickey Newbury box set, ‘An American Trilogy) in association with Scott Fagan’s own lil’fish records.

Steeped in delicate psych, soul and resonant acoustic guitars “that stroke and stone you to the core” (Shindig). It’s an epic song cycle about Fagan’s hard-scrabble life in the Virgin Islands, where he was raised and lived until 19 before returning to his birthplace of New York City. A teenage prodigy, mentored and managed by songwriters Doc Pomus and Mort Shuman, Scott recorded early material for Columbia and Bert Berns’ BANG label before signing with Atco. In 1969, artist Jasper Johns discovered ‘South Atlantic Blues’ in a cut-out bin, fell in love with the record, and used it as the inspiration for three artworks, known as ‘Scott Fagan Record.’

The pieces are now housed in the permanent collections of MOMA, the Met and the Walker Art Center. Born on 52nd Street, Scott was the son of a sax player and singer who fraternized with jazz greats. That familial connection with music would come full circle when Fagan discovered he was the biological father of songwriter Stephin Merritt of the Magnetic Fields. They did not meet until the premiere of a documentary about Doc Pomus in 2013. A conversation between the two is included in the liner notes of this CD release. The initial pressing of the vinyl comes as a limited edition, hand-numbered, 180g vinyl with a reproduction of Jasper Johns’ 1970 lithograph, ‘Scott Fagan Record,’ as cover art, and includes a digital download.

The CD comes with extensive liner notes, rare photos, and a download of five bonus tracks—the original 1965 demo for Doc Pomus as well as a recently-discovered acetate, the only copy in existence of a previously-unknown Doc Pomus song, All For The Sake Of Love, that only Scott Fagan recorded. 

TRACK LISTING

1. In Your Head
2. Nickels And Dimes
3. Crying
4. The Carnival Is Ended
5. South Atlantic Blues
6. Nothing But Love
7. Tenement Hall
8. In Your Hands
9. Crystal Ball
10. Madame-Moiselle.

Bonus Tracks (download With CD Only) :
1. They Think She’s Crying Cause She’s Happy
2. When You’re Lonely And You’re Blue
3. Bonua
4. I’ve Been So Lonely For So Long
5. All For The Sake Of Love

Kate Fagan took the Chicago punk scene by storm in the early 80’s with her self-released single “I Don’t Wanna Be Too Cool,” which became the best-selling single ever by a local artist at the legendary Wax Trax! Records. Today, Captured Tracks is thrilled to present an expanded, re-mastered edition of I Don’t Wanna Be Too Cool as a full-length vinyl album. Fagan wrote “I Don’t Wanna Be Too Cool” after moving to Chicago from New York in the late 70’s. The track is a critique of the emergent “hipster” attitude of the disco crowd and the posturing she was witnessing among her peers in New York. With its surf-inspired drum machine, irresistible melody, and defiant lyrics, “Too Cool” was immediately embraced by club DJs, radio stations, and independent record stores. Its b-side, “Waiting For The Crisis,” also gained notice for its raw musical style and politically charged Reagan-era lyrics, which still resonate today. In the years that followed, Fagan continued to break new ground. In 1980, she co-founded the enormously popular ska band Heavy Manners (whose dance parties are still legendary), and with them opened shows for The Clash, Grace Jones, Peter Tosh, The English Beat, and many more.

The “Too Cool” single became a sought-after rarity among record collectors for decades after its initial release, until Manufactured Recordings gave it a proper reissue in 2016. Captured Tracks’ expanded 2023 follow-up features four unreleased songs, which encapsulate the gutsy, new wave energy that pulses through the original single. The final track, the reggae-tinged “Say It”, features production from the reggae legend Peter Toshand Bob Marley’s guitarist Donald Kinsey, who flew in from Jamaica to record with Heavy Manners after witnessing their impassioned live show. While the 2016 reissue re-established Fagan’s cult-classic status for a new audience, this new expanded release solidifies her place in a tradition of trailblazing, powerhouse frontwomen.

TRACK LISTING

1 I Don’t Wanna Be Too Cool
2 Waiting For The Crisis
3 Master Of Passion
4 Come Over
5 Cover It Up
6 Take Your Chances
7 Something’s Wrong
8 Say It

The long lost 1968 debut album by singer-songwriter, Scott Fagan, once tipped to be bigger than Elvis, is set for release on 9th February 2024 via Earth Recordings. ‘South Atlantic Blues’ will be reissued for the first time in its original artwork, with an iconic portrait of Fagan by famed rock photographer, Joel Brodsky, following a widely celebrated 2015 release.

Revisiting his mystical, mythical, and deeply soulful masterpiece, this psych-folk gem doffs a Tropicalia hat direct from downtown New York. “His songs embrace a broad sonic fantasia, swirling in ’60s New York R&B and ’40s jazz, as well as the Caribbean rhythms of calypso, meringue and Pachanga.” New York Times

Scott Fagan’s story is worthy of a movie in itself. A swinging hipster who landed in 60s Greenwich folk scene, escaping the abject poverty of his U.S. Virgin Islands upbringing, Fagan found himself mentored by the Brill Building’s Doc Pomus and Mort Shuman, and feted as the next big thing. “Forget Rodriguez, forget Searching for Sugar Man,” says Sharyn Felder, daughter of the late Doc Pomus, the legendary songwriter who signed Fagan to management in 1964. “Scott was so much more. He was cut from a different cloth.”

‘South Atlantic Blues’ is the perfect soundtrack to this tale, an epic song cycle wrapped around an impassioned love story, driven by Fagan’s dense, allusive lyrics, and production by Elmer Jared Gordon (Pearls Before Swine) and rich arrangements by Horace Ott (Nina Simone, Sam Cooke, The Shirelles). The Earth Recordings reissue coincides with a resurgence in activity for Fagan, with a new album in the works – the never-recorded soundtrack to ‘Soon’, the 1971 Broadway rock musical he co-wrote and starred in – and a documentary ‘Soon: the Story of Scott Fagan’ currently filming through Scissor Kick Films, from director Marah Strauch, writer Chris Campion (who rediscovered the singer-songwriter in 2015), and producer Eric Bruggeman.

TRACK LISTING

A1. In My Head
A2. Nickels And Dimes
A3. Crying
A4. The Carnival Is Ended
A5. South Atlantic Blues
B1. Nothing But Love
B2. Tenement Hall
B3. In Your Hands
B4. Crystal Ball
B5. Madam-moiselle

Influential shoegaze pioneers Failure return after a half-decade with their seventh studio album, ‘Location Lost’.

The LP features nine new tracks, showcasing a focused, modern vision of their signature alternative space rock sound, including the mesmerizing track, ‘The Rising Skyline’, featuring Paramore’s Hayley Williams.

The album follows the band’s 2025 Hulu / Disney+ documentary ‘Every Time You Lose Your Mind’ which spans the band’s career and legacy.

Ken Andrews’ hypnotizing vocals perfectly accentuate the band’s melodramatic music.

Hayley Williams’ feature on the standout ‘The Rising Skyline’ exemplifies the influence Failure have on musicians everywhere.

Pioneers of a sound now mostly regarded as ‘Shoegaze’, Failure can be credited with influencing what is now an entire genre of music.

TRACK LISTING

Crash Test Delayed
The Rising Skyline (feat. Hayley
Williams)
Solid State
The Air’s on Fire
Halo and Grain
Someday Soon
Location Lost
A Way Down
Moonlight Understands

The Faint do it their way.

Before Electroclash and the wave of 00's Dance-rock there was The Faint, emerging in the late 1990s in Omaha, Nebraska - a place known more for stoic practicality than synth-punk. In that unlikely setting of beige restraint, they pioneered a sound that combined the melodic essence of new wave, the raw edge of post-punk, and the robotic futurism of Detroit electro. Breaking free from indie rock’s humble comfort, they arrived armed with synths, dark eyeliner, and a raw, frenetic energy that dared audiences to actually feel something real, something primal. The late ’90s and early 2000s indie scene was primed for a shock, and The Faint delivered - not just as a band, but as an invitation to cast off coolness, to sweat, to move, and to live fully in the moment.

The distinctive, synth-driven sound that brought The Faint to wide acclaim first surfaced on 1999's 'Blank-Wave Arcade'. The album was raw and daring, striking its own chord between early synth-pop pioneers (The Human League, New Order) and more recent heroes like Fugazi and Sonic Youth. The band's blend of new wave, post-punk and the DIY spirit of the independent music they were a part of was trailblazing, and when the new millennium dawned that sound took hold of the zeitgeist, launching the band to new critical commercial peaks with the release of their follow up 'Danse Macabre' and 2004's 'Wet From Birth'.

Twenty-five years removed from its release, The Faint are returning to announce a reissue of 'Blank-Wave Arcade'. The reissue includes the original release - meticulously remastered for vinyl from the original tapes by Justin Shturtz at Sterling Sound - a new remix from the band, remixes from the era, live tracks, and a rarity previously only available on an out of print 7”. 

TRACK LISTING

1. Sex Is Personal
2. Call Call
3. Victim Convenience
4. The Passives
5. Worked Up So Sexual
6. Cars Pass In Cold Blood
7. Casual Sex
8. In Concert
9. Sealed Human
10. Cars Pass In Cold Blood (Recordist Remix)
11. Worked Up So Sexual (The Laces Remix)
12. The Passives (AJ/DJ Remix)
13. In Concert (The New Gender Remix)
14. Call Call (Transistor3 Remix)
15. Sealed Human (][’m Remix)
16. Sex Is Personal (The Faint 2024 Remix)
17. Brokers, Priests, And Analysts
18. Cars Pass In Cold Blood (Live)
19. In Concert (The New Gender Remix (Live))
20. Call Call (Live)

The Faint do it their way.

Before Electroclash and the wave of 00's Dance-rock there was The Faint, emerging in the late 1990s in Omaha, Nebraska - a place known more for stoic practicality than synth-punk. In that unlikely setting of beige restraint, they pioneered a sound that combined the melodic essence of new wave, the raw edge of post-punk, and the robotic futurism of Detroit electro. Breaking free from indie rock’s humble comfort, they arrived armed with synths, dark eyeliner, and a raw, frenetic energy that dared audiences to actually feel something real, something primal. The late ’90s and early 2000s indie scene was primed for a shock, and The Faint delivered—not just as a band, but as an invitation to cast off coolness, to sweat, to move, and to live fully in the moment.

By 'Danse Macabre' (2001), The Faint’s new wave postpunk had crystallized into something darker and more expansive - and the world was paying attention. The album fused Berlin’s underground pulse with Omaha’s DIY grit, where punk was as much about rhythm as rebellion. With the addition of death metal guitarist Dapose, the sound tipped their lo-fi technopop into some truly strange territory. The band’s propaganda-inspired album cover served as both a rallying cry for bodily liberation and a veiled warning about the coming digital age.

As major labels came calling, The Faint chose to stay true to their DIY ethos, maintaining control over their vision and sticking with their hometown imprint Saddle Creek. When 'Wet From Birth' arrived in 2004, it built on their synth-punk foundation. Orchestral layers and more intricate arrangements added depth without taming its confrontational and sometimes paranoid spirit. The band toured relentlessly, including an unexpected arena tour with No Doubt that ended with a stage prank that sent Todd to a New Mexico jail cell. (Don’t worry, Gwen bailed him out.)

Twenty years removed from its release, The Faint are returning to announce a reissue of 'Wet From Birth'. The reissue includes the original release - meticulously remastered for vinyl from the original tapes by Justin Shturtz at Sterling Sound - two never-before-heard ‘unrealized’ tracks from the album’s sessions, unreleased demos, and previously released remixes.

TRACK LISTING

1. Desperate Guys
2. How Could I Forget?
3. I Disappear
4. Southern Belles In London Sing
5. Erection
6. Paranoiattack
7. Dropkick The Punks
8. Phone Call
9. Symptom Finger
10. Birth
11. Zealots (Unrealized)
12. Mister (Unrealized)
13. Birth (Thailand Demo)
14. Desperate Guys (Demo)
15. Symptom Finger (Demo)
16. Paranoiattack (Demo)
17. Hypnotised
18. I Disappear (FC Kahuna Remix) 

Samuel Locke Ward and Jad Fair are two of the most prolific musicians working today. Fair is a founding member of the band Half Japanese, and has released over 200 albums, including albums with Yo La Tengo, Daniel Johnston, Moe Tucker, Kramer, Teenage Fanclub, The Pastels, R. Stevie Moore, DQE, Tenniscoats, The Tinklers, Naomi Ishimaru, Jason Willett, Mosquito, and Strobe Talbot. Samuel Locke Ward has released over sixty solo albums as well as a myriad of collaborations with Bob Bucko Jr, Miracles Of God, SLW cc Watt (with Mike Watt) and the cult new age noise group Boundless Relaxation (with Joe Jack Talcum and The Bassturd). He is a cartoonist for Little Village magazine and like Jad Fair, his style musically and visually is wholly his own Pure Candy is the pair’s third album together following 2023’s Happy Hearts and Destroy All Monsters, both issued by Kill Rock Stars.

Pure Candy is an album of love songs and is the feel good album of the Summer, Winter, Spring and Fall. The music was composed and performed by Ward who’s love of pop music and avant stylings offer seventeen unexpected turns over the course of a three minute song. The vocals and lyrics are by Fair, lyrics overflowing with words of love, joy, happiness, tenderness, hope and inspiration. Uplifting words for a time dearly in need of some upliftings. As with the previous two albums by Fair and Ward, this album was mixed and mastered by Jonathan Hansen and is being co-released on LP by Shrimper Records (who last worked with Fair on his collaborative three cassette box set Wonderful World) and Chicago’s Stationary (Hearts) Recordings.

TRACK LISTING

1. This Love Of Ours
2. Back On Top
3. I Have A Feeling
4. Geniuses Of Love
5. A Powerful Heart
6. A Better Day
7. That Is That
8. A Time For Love
9. Lucky Ones
10. The Love Bee
11. Right All Wrong
12. The Good Stuff
13. Oh Gee
14. Wonderful
15. Angel You
16. Let's Talk
17. My Poem
18. The Prettiest

In 1974 Jad and David Fair teamed up to form a band called Half Japanese. The route was simple, at first. If one pounded on drums the other could squeeze sounds from an electric guitar. There were no other band members to stay in tune with, so there was no particular reason for them to worry about tuning the guitar in a traditional manner or learning traditional chords. They were free from the start to express their music in their own way. They traded off the guitar and drumming rolls. Whichever one sang the words also played the guitar and the other one drummed. For a couple of years they wrote, recorded and performed this way, without the convention of more members. When they did decide to expand they went big. They first thought of recruiting an outside drummer, so that both could play guitars at the same time.

In 2014 Jad and David stripped things back to the roots. They went back to recording as a duo. One sang and played guitar, the other one drummed. 40 years had passed, but they slipped right back into the original roles and churned out a number of breath-stealing songs. 40 years later; 40 years better. One pick, two sticks and heart-warming vocals...... That's all they needed; two brothers, still rockin' the same damn deal! 

The words and primary voice are those of Jad Fair, that enduringly idiosyncratic artist revered in discerning pockets of the global indie rock underground for decades. Danielson’s Daniel Smith has long admired Fair, drawing inspiration from Half Japanese (the band Fair formed with his brother in the ‘70s) on through to his prolific career today. Their discussions of collaborating finally came to fruition when Joyful Noise Recordings designated Fair its “Artist In Residence” for 2014 and Danielson was tapped as one of 4 artists (including R. Stevie Moore; Teenage Fanclub's Norman Blake; and Strobe Talbot) to record separate respective albums with him for a boxed-set limited release.

“Flattered and honored” is how Smith sums up his feelings about the project -- and grateful to get a game-plan for what always seemed a complementary pairing. Sounds Familyre will be doing their own non-limited release of Solid Gold Heart in June, on CD, digital and gold vinyl. The 11 tracks of sweet collaboration collected under said title sound like what you might expect, given the respective artists: gleaming tunes of sincere sing-speak, resplendent with sparkling back-up vocals and warmly melodic, inventive instrumentation; a sunshine-bright outlook of positive encouragement to keep “rockin’ on the side of gooood” -- because, after all, “We deserve chocolate cake/ We deserve apple pie/ Enjoy your life ...”

The collaborative process commenced with Fair sending Smith his unique vocal demos of recited lyrics with articulated mouthsound musical qualities (some bits remain in the final mixes). Smith then wrote music for each chosen track, eventually getting Fair and drummer Gilles Rieder into his Clarksboro, NJ studio to record their parts during a few hours break from touring. Aside from Smith’s own guitar-playing and singing throughout the album, there were contributions made by his brothers David and Andrew on percussion, and sisters Rachel and Megan along with wife Elin on vocals. Spicing things up at Fair’s behest were members of Texas art-polka band Brave Combo: Carl Finch on accordion and keys; Jeffrey Barnes on sax and woodwinds; and Danny O’Brien on trumpet. Bringing things full-circle was Kramer (Shockabilly, Bongwater, B.A.L.L. et al.) on bass, who also co-mixed and mastered the album.

The result is a beguiling blend that builds off each participant’s strengths, truly a fresh sum that is greater than its parts. “The goal was to make 3-minute pop songs, as accessible and fun and immediate as possible,” notes Smith. And that’s what you’ll hear, each track an uplifting, mutually enhanced concoction. Anyone who ever had a Solid Gold Heart -- wouldn’t they want to turn around and share it? Of course they would. Jad Fair and Danielson are happy to offer up theirs.

TRACK LISTING

1. Go Ahead
2. Rockin On The Good Side
3. Ready Steady
4. Here We Stand
5. Solid Gold Heart
6. With The Knowledge 
7. Apple Apple
8. Not No
9. On And On
10. You Got Me In A Spin
11. Here’s Our Time

The delightful Fair Ohs release their second full length, Jungle Cats. Inspired by trips to North Africa, the lost music of forgotten tribes, San Francisco psych, James Brown’s unequalled dedication to the Holy Groove and Carlos f**kin’ Santana; Jungle Cats is a record to seduce to.

Fair Ohs formed four years ago in a haze of beer-soaked free love party-vibes. Eddy, Joe and Matt came together like young romantics, vowing to show everyone the meaning of true love. The years that followed the consummation of their musical marriage on that hot summer’s day saw them release a series of 7″ singles and cassettes – some shared with the likes of Women, Male Bonding, and Cold Pumas – that made people like Pitchfork say “hey, these guys are A-OK!”. But no one was prepared for the earth shattering power of debut album Everything Is Dancing. A record so inventive and hip-shakingly awesome that fans and critics alike regularly begged them for locks of hair, sweat-drenched t-shirts and babies. But Fair Ohs gave them nothing, the music was the gift they shared, not their love.

Everything Is Dancing was the sound of East African guitar music colliding with Indian ragas and Cuban rhythms in the hands of three shirtless London punk virtuosos. And it was rad. They toured after that, playing to the braying masses. All furious and drunk and hypnotic, they bewitched Europe and Great Britain, casting their magical musical spell in the tiniest of dives and the most sun soaked of festivals. But then they rested, and waited, and created. Setting the ‘desert vibe’ tone from opener Green Apple Milk – full of crackling, dusty Ethiopian jazz samples and three-part saxophone harmonies that eventually descend into a slow and psychedelic Santana and Earth-inspired desert trip – and featuring 2012’s ‘Salt Flats’ albeit a new far jazzier version of the hit flexi single - this is a record to be naked to…. A record to dance all night with your crush to…. An endless fiesta that Lionel Richie promised, but never delivered.

TRACK LISTING

1. Green Apple Milk
2. Citric Placid
3. Mayan Flex
4. Sleep
5. Panama Red Jets
6. Ya Mustafa
7. Silver Jade Mountain
8. Cayman Brac
9. Salt Flats
10. Mountain Bombs

In the ’90s, Jad Fair had five favorite bands and songwriters: Daniel Johnston, The Pastels, Sonic Youth, Teenage Fanclub, and Yo La Tengo. It’s a good list, sure, but what’s most remarkable about it is that, in the course of a dozen years or so, Fair made music with all of them in one form or another.

Jad Fair has been prolific for half a century now, long before the Internet could create a simultaneous and seemingly eternal archive of everything someone with his predilections made. He’s been involved in several hundred titles, at least, many of them out-of-print on tiny labels that do not exist anymore. In fact, one of those collaborations that Fair made in the ’90s—'Strange But True', with Yo La Tengo—has been hard to find, despite its stateside release on October 20th 1998, by Matador Records.

For the first time, the album is being reissued on vinyl by Joyful Noise and Bar/None.

By the time Fair played a party with Yo La Tengo in the mid-’90s, they were all friends, fans, and collaborators, having worked on or released records together. When Fair suggested they all head into the studio, the trio bit. The result, 'Strange But True', is as wonderful, varied, and wild as some enormous lawn of native grasses. This collaborative album showcases the artists’ uncanny range, bringing us back to a time when indie rock was still free to be as weird and unruly as its makers wanted it to be.

TRACK LISTING

1. Helpful Monkey Wallpapers Entire Home
2. Texas Man Abducted By Aliens For Outer Space Joy Ride
3. National Sports Association Hires Retired English Professor To Name New Wrestling Holds
4. Dedicated Thespian Has Teeth Pulled To Play Newborn Baby In High School Play
5. Three-Year-Old Genius Graduates High School At Top Of Her Class
6. Embarrassed Teen Accidentally Uses Valuable Rare Postage Stamp
7. Principal Punishes Students With Bad Impressions And Tired Jokes
8. Retired Grocer Constructs Tiny Mount Rushmore Entirely Of Cheese
9. X-Ray Reveals Doctor Left Wristwatch Inside Patient
10. Clumsy Grandmother Serves Delicious Dessert By Mistake #2
11. Retired Woman Starts New Career In Monkey Fashions
12. Circus Strongman Runs For PTA President
13. High School Shop Class Constructs Bicycle Built For 26
14. Clumsy Grandmother Serves Delicious Dessert By Mistake #1
15. Ohio Town Saved From Killer Bees By Hungry Vampire Bats
16. Nevada Man Invents Piano With 21 Extra Keys
17. Clever Chemist Makes Chewing Gum From Soap
18. Minnesota Man Claims Monkey Bowled Perfect Game
19. Ingenious Scientist Invents Car Of The Future
20. Car Gears Stick In Reverse, Daring Driver Crosses Town Backwards
21. Shocking Fashion Statement Terrorizes Town
22. Feisty Millionaire Fills Potholes With Hundred-Dollar Bills

There are plenty of performers who rock critics describe by using the label "primitive," but few if any can hold a candle to the greatest American rock primitive Jad Fair - With his wildly influential band Half Japanese or as a solo performer, Fair has constructed a prolific and extremely interesting career.

He writes and records songs that display an uncomplicated emotional directness, unselfconscious charm and warmth, and a genial simplicity that is beyond words. From Jad: "I set a goal for myself to release 100 albums in a year's time. I was able to pass that mark. I released over 150 albums. This album is a "best of" compilation of the songs recorded that year. It's 100 songs chosen from 160 albums."

TRACK LISTING

Disc 1
Side 1
1. Worm Boy
2. Star
3. We Have To
4. Our Now Is Forever
5. We Made Ourselves A Promise
6. Not The Same No More
7. The Love Club
8. Rising Star
9. Garbage Man
10. Zombies Walk The Earth
11. Too Late
12. Together We Will
13. Witch
14. It Is Them
15. Choose Your Own Future
16. Embrace Love
17. June Or July
18. All Around Us
19. Sunshine Happiness
20. No Secret
21. Day In The Sun
22. Whenever
23. Ghost Of Frankenstein
24. Apple, Pear And Peach
25. Curses

Side 2
1. Love Love
2. So Far So Good
3. The House
4. Wonderful
5. Son Of A Gun
6. Stupid Kicks
7. Perfectly Dreadful
8. Them
9. Coffee
10. Run Away Home
11. Even Smaller
12. You And Me
13. Vicious Circle
14. Hear The Call
15. Our Eyes
16. Time For Love
17. The Laughing Monster
18. Invigorate Your Life
19. Got It Made
20. Stayed At Home
21. The Invasion
22. Honey Bear
23. Open The Door
24. On My Palm
25. Not Too Late

Disc 2
Side 1
1. Night Of The Devil Bat
2. Slime
3. Safety Net
4. Chase Away
5. Only One
6. Afraid Of Nothing
7. Life In The Suburbs
8. It's Wonderful
9. Mission Accomplished
10. True Love Is Here
11. Spinning Around
12. Your Wish
13. The Moth Man
14. Make The Pieces Fit
15. What Else Is New?
16. It's Alive
17. One Thing Only
18. The Welcome Mat
19. Sunshine
20. Out There
21. No One Knows For Sure
22. Our Way
23. Listen To The Birds
24. What Can We Do?
25. Viva Love

Side 2
1. Alright
2. Two Of A Kind
3. Pale Green Pants
4. The Word Yes
5. The Vampires Are Back
6. The Biggest Big
7. In Its Net
8. Over Our Heads
9. Without A Clue
10. Haunted Home
11. He Has His Nerve
12. The Knack
13. The Junk Pile
14. Probably Alright
15. Shrunken Head
16. Haunted Hill
17. How It's Done
18. In The Eyes
19. Invading Our Planet
20. Why?
21. Better Good Times
22. Right From The Start
23. Flashing Lights
24. Magic
25. It's Alright

Capturing the fraught moment in popular music history as reflected in and anticipated by Since I Left You (2000), the debut studio album from electronic music group The Avalanches.

Since I Left You has a reputation amongst its advocates that exceeds those of nearly all of its closest peers. Yet despite the inordinate amount of attention this album has received, it has never been thoroughly examined in context. While repeatedly celebrated for its artistry, technical skill, and emotional resonance - in particular its sample-based material and then-cutting edge technological feats within the electronic music genre - it has never been definitively placed in the world that produced it.

Charles Fairchild studies this album in a way no one else has. Since I Left You is placed in its historical, technological, and cultural contexts and is examined for the social and aesthetic attributes it was said to possess at the time of its release. There is a focus on the clear set of aesthetic aspirations that guided the album's creators and how those creators pasted together the fragments of many sound worlds.

12 songs dealing with the uncertainty of life and those troublesome emotional issues that crop up from time to time. Getting older but not necessarily wiser and finding that the American Dream is a bit of a nightmare. For fans of 'quality soft core' such as the Alkaline Trio, NOFX and Lagwagon.

Timothy J Fairplay is back on the label with a 7” single containing two tracks cut from a rock of uranium. “Pathfinder Theme” and “UFO’s Over China” might differ in sound and tempo but are connected by a radiant feeling. The two tracks bathes in a greenish/yellow bright toxic aura.

This plutonium charged music carries with it some quality elements known from his earlier repertoire like for example a primitive yet crisp beat working as foundation to a few but very exquisite synth sounds.

Timothy J. Fairplay stands on the shoulders of past Italian masters and the works of John Carpenter but with an accentuated alien feel. Something otherworldly, maybe good, maybe harmful, is hidden in the vibe on both sides of this 7”. The balance between good and evil is very even - yin/yang from outer space!

TRACK LISTING

A. Pathfinder Theme
B. UFOs Over China

"Recorded mainly at Dungeon Module (1) - my last studio in London, except for ‘Castle Force’ recorded at current studio Dungeon Module 2. To some extent a lost album, the bulk of the album was made for a project which never came to fruition, and like ‘A Snowstorm In The Tropics’ there’s a few tracks which have been my live sets for a few years but have never had a proper release."

Raw emotional synth and rhythm tracks for late nights in the dungeon. Cassette and Digital. Cassette comes in cool 80s video game/90s rave tape pack style case!

TRACK LISTING

1. I Lay Awake At Night Scheming
2. Creeping Anxiety
3. The Next Day
4. Castle Force
5. When's The Call?
6. Hidden Entrance
7. There's No Use
8. Without Warning

This re-issue faithfully replicates the original 1971 Island Records UK release in gatefold sleeve, inner sleeve with lyrics, 8 page booklet, promotional poster and sticker; it is pressed onto high quality 180g vinyl

'Babbacombe' Lee was Fairport Convention's foray into the concept album so loved by groups in the 70s. Instead of looking at something fantastical or progressive, the group went back to the tale of John 'Babbacombe' Lee, the man they couldn't hang: The gallows failed three times after he was convicted of the murder of Emma Keyse in Torquay in 1885. Dave Swarbrick found details of the trial in a junk shop, and the band worked up the story into an album. Released at the end of 1971 with ephemera from the day telling the story, 'Babbacombe' Lee had episodes listed rather than tracks. It contained the most original material of a Fairport album to date, and was seen as taking folk-rock a huge step forward. Within weeks of the album's release both Dave Mattacks and Simon Nicol left the group, leaving Swarbrick and bassist Dave Pegg to lead Fairport on through their next chapter. Today, 'Babbacombe' Lee is one of the group's most enduring albums.

TRACK LISTING

The Verdict
Little Did I Think
I Was Sixteen (Part 1)
John My Son
I Was Sixteen (Part 2)
St Ninian's Isle
Trumpet Hornpipe
Sailors Alphabet
John Lee
Newspaper Reading
Breakfast In Mayfair
Trial Song
Cell Song
The Time Is Near
Dream Song
Wake Up John (Hanging Song)

Digitally remastered with bonus tracks, "Farewell To A Poor Man's Son" and "Breakfast In Mayfair", enhanced packaging and extra sleeve notes.

This re-issue faithfully replicates the original 1971 Island Records UK release in gatefold sleeve and is pressed onto high quality 180g vinyl.

Released in June 1971, Angel Delight was the first of two albums of Fairport Convention as a four-piece, after the departure of founder member Richard Thompson that January. The band were living in a converted pub, The Angel, in Hertfordshire where they worked up the material for the album, another blend of the traditional and the original. The title track a pun on the time they were having at the pub, and a nod to the popular British dessert of the same name was a jolly catalogue of their life at the moment, referring to producer John Wood as 'John The Wood' and drummer Dave Mattacks as 'Dave The Drum.' It also mentions the day a lorry crashed into the pub, which, had Dave Swarbrick been in his room at the time could well have killed him.

The album Fairport's only Top 10 album in the UK chart is also known for its traditional medley of jigs and reels, The Cuckoo's Nest, the beautiful ballad Wizard Of The Worldly Game and the group's version of the salty English song The Bonny Black Hare.

TRACK LISTING

Lord Marlborough
Sir William Gower
Bridge Over The River Ash
Wizard Of The Worldly Game
The Journeyman's Grace
Angel Delight
Banks Of The Sweet Primroses
Instrumental Medley: The Cuckoo's Nest; Hardiman The Fiddler; Papa Stoor
The Bonny Black Hare
Sickness & Diseases

This re-issue faithfully replicates the original 1970 Island Records UK release in gatefold sleeve and is pressed onto high quality 180g vinyl.

After their 1969 album Liege and Leif paved the way, Fairport Convention pushed further into traditional music, led by charismatic and renown fiddle- player Dave Swarbrick, who had joined the group in 1969 after making his name with Martin Carthy earlier in the decade. Vocalist Sandy Denny and bassist Ashley Hutchings left after Liege and Leif, and for the first time since the group's inception in 1967, there would be no female voice on a Fairport album.

Guitarists Richard Thompson and Simon Nicol took vocal leads with Swarbrick and, with new bassist Dave Pegg joining drummer Dave Mattacks, the group made Full House, released in July 1970. Picking up where its predecessor left off, and again recorded with Joe Boyd at London's Sound Techniques, the album continued the standards set by their previous four albums. Four of the seven songs on Full House were adapted from traditional folk melodies, such as Dirty Linen and Sir Patrick Spens, while of the originals, Thompson and Swarbrick's nine- minute opus Sloth gave the group one of their all- time anthems. The sleeve sent up their new role as ambassadors of the rustic by inventing a string of traditional British games that didn't really exist.

TRACK LISTING

Walk Awhile
Dirty Linen
Sloth
Sir Patrick Spens
Flatback Caper
Doctor Of Physick
Flowers Of The Fores

The trajectory that Fairport Convention took in the space of four albums and two years is one of the most remarkable in British popular music - these records contain some of the most storied names not just in British, but world music.From a bunch of school friends setting out to be 'the British Jefferson Airplane', over the course of their first quartet of releases, the group metamorphosed into the leading exponents of British folk rock.

In the way American folk and blues had looked back to gospel songs and spirituals, Fairport mined a seam a traditional English folk song, and then combined them with rock rhythms to create something ground- breaking and quickly emulated. For many, this is the frst time the considerable talents of Richard Thompson, Sandy Denny, Ashley Hutchings, Ian Matthews, Dave Swarbrick and Dave Mattacks would have been heard on record In May 1969, the band were involved in a fatal car accident which killed their drummer Martin Lamble and Thompson's girlfriend, Jeannie Franklyn. In a state of obvious shock, Fairport decided to carry on, making Swarbrick a permanent member and adding drummer Dave Mattacks. Ashley Hutchings submerged himself in traditional British music and, as a result, fourth album Liege And Lief contained five traditional tracks, and three originals in the folk style. It established the template that Fairport would follow and is one of the most influential albums in British rock. The eight- minute masterpiece Matty Groves built On A Sailor's Life and gave Fairport another long-lasting anthem. By the time the album was released, Sandy Denny and Ashley Hutchings had both left the group, and another chapter was to begin.

Fairport Convention are still playing to this very day, still with original member Simon Nicol in the line- up. Their annual Cropredy Festival has become a reassuring landmark in the UK concert calendar - and many of these songs here feature in their set today.

TRACK LISTING

Come All Ye
Reynardine
Matty Groves
Farewell, Farewell
The Deserter
Medley: The Lark In The Morning; Rakish Paddy; Foxhunter's Jig; Toss
The Feathers
Tam Lin
Crazy Man Michael

THIS IS A RECORD STORE DAY 2014 EXCLUSIVE, LIMITED TO ONE PER PERSON.

Moat on the Ledge: Live at Broughton Castle, August '81 is a live folk rock album by Fairport Convention. The album was produced by Simon Nicol and Dave Pegg.

DELUXE VINYL EDITION!!!!

TRACK LISTING

SIDE A
1. Walk Awhile
2. Country Pie
3. Rosie
4. Matty Groves
SIDE B
5. Both Sides Now
6. Poor Will & The Jolly Hangman
7. The Brilliancy Medley The Cheroke
8. Woman Or A Man
9. High School Confidential 

The trajectory that Fairport Convention took in the space of four albums and two years is one of the most remarkable in British popular music.

These records contain some of the most storied names not just in British, but world music. From a bunch of school friends setting out to be 'the British Jefferson Airplane', over the course of their first quartet of releases, the group metamorphosed into the leading exponents of British folk rock. In the way American folk and blues had looked back to gospel songs and spirituals, Fairport mined a seam a traditional English folk song, and then combined them with rock rhythms to create something ground- breaking and quickly emulated. For many, this is the first time the considerable talents of Richard Thompson, Sandy Denny, Ashley Hutchings, Ian Matthews, Dave Swarbrick and Dave Mattacks would have been heard on record.

Ian Matthews left the group during Unhalfbricking, and they decided not to replace him. The album was recorded between January and April 1969 and shows the band gaining confidence. The material is strong, and their covers of three Bob Dylan songs (including material from the then-bootleg The Basement Tapes) yielded a Top 30 UK hit single, Si Ti Dois Partir – a cover of If You Gotta Go, Go Now, sung in French. Sandy Denny contributes her keynote song Who Knows Where The Time Goes, and most remarkable of all is A Sailor's Life, a traditional folk song arranged by Simon Nicol and Richard Thompson. The ballad builds over 11 minutes into a full-on wig-out with a guest performance by Dave Swarbrick on fiddle.

TRACK LISTING

Genesis Hall
Si Tu Dois Partir
Autopsy
A Sailor's Life
Cajun Woman
Who Knows Where The Time Goes
Percy's Song
Million Dollar Bash

Fairport Convention are rightly regarded as the greatest band to originate from the British folk rock scene of the 60s. Over the course of their first three albums they shaped a new, unique style by drawing on traditional folk tunes and contemporary American songs as well as the songwriting talents of Richard Thompson, Ashley Hutchings, Simon Nicol and Ian Matthews. A crucial change had taken place since the release of their debut album when Alexandra Elene MacLean Denny (known as Sandy) joined the band. Sandy Denny was the greatest female folk singer of her generation and "What We Did On Our Holidays" opening song "Fotheringay" is a Denny classic - her achingly beautiful and penetrating vocal adding an extra dimension to a band already overflowing with talent. 1969's "What We Did on Our Holidays" is one of their finest albums with its mix of traditional folk songs, their best self-penned songs to date and wonderful cover versions of Dylan and Joni Mitchell tracks.

Wewantsounds is delighted to reissue Fairuz's classic album Chat Iskandaria released on Relax-in in 1987. The album sees The Lebanese Diva going back to her roots and interpreting classic songs by the Rahbani Brothers in her own style accompanied by hypnotic traditional orchestral arrangements. Coming with its original deluxe gatefold sleeve, The album - curated by Mario Choueiry from Institut du Monde Arabe (Paris), who also wrote the liner notes (Fr/En) - has been newly remastered by Colorsound Studio in Paris.

TRACK LISTING

1. Chat Iskandaria
2. Ams Intahayna
3. Fattehhon Alay
4. Rajeet Fi Al Masaa
5. Min Rawabina Al Kamar
6. Sayed Al Hawa
7. Yabki Wa Yadhakou
8. Ya Zairi Fi Al Douha
9. Akoulou Li Touflati
10. Kal Ya Baytan Lana
11. Najmat Al Koutoub

New EP from the excellent emo-core outfit Faiweather which contains three new tracks. An inspired mix of riff and lyrical intensity with hints of Slint, Fugazi and Sonic Youth.

Fairweather : very young, very intense, brooding, energetic and melodic. They've toured loads and are signed to the same label as Saves the Day another excellent young indie/emocore band. Their music is about passion, intensity and movement through life and they're pretty impressive.

Taking a short break to compose and work on their second album has done Fairweather no end of good. They've returned with a no-holds-barred emotionally rampaging disc that builds on the stop gap four-track EP "Alaska" and moves into even more dynamic and sophisticated territory. "Lusitania" is an hour long journey filled with tension, hope and the human condition: a breathtaking album that moves emo in a new and positive direction.

The first of two 10”s on a new subsidiary label from Studio 16. Black Art dubplate style, featuring singer George Faith.

Recorded at The Black Ark in the mid-’70s with Lee 'Scratch' Perry. Simply unmissable dubwise roots. Limited copies. 

STAFF COMMENTS

Matt says: Moody and sultry deep roots enhanced by the wild production genius of Perry at the dials.

TRACK LISTING

1. Mix 1
2. Mix 2

To celebrate three decades of one of electronic music’s most iconic tracks, ‘Insomnia’ by Faithless will be released as a 12” single on orange vinyl. Featuring classic mixes of the track including fan favourite Armand Van Helden European Vacation Mix as well as the Original Mix, this colour vinyl is housed in a replica die-cut Cheeky Records house bag

TRACK LISTING

1. Insomnia (Original Mix)
2. Insomnia (Armand’s European Vacation Mix)
3. Insomnia (Monster Mix)
4. Insomnia (Moody Mix)

RIYL: Pylon, Parquet Courts, Sleater-Kinney, Suburban Lawns.

Fake Fruit’s visceral indie rock operates so firmly in the present that it’s transportive and unmooring. The Oakland trio’s songs careen with volatile energy and lead singer Ham D’Amato’s lyrics are enveloped with acerbic humor and resonant perceptiveness. Though their new LP Mucho Mistrust is a sly reference to a beloved Blondie lyric, the title encapsulates both the anxieties of daily life, a bloodless music industry, and global capitalism as well as the clear-eyed skepticism needed to rebel against it. Across 12 propulsively unpredictable tracks, the album is both their most collaborative and most immediate yet.

Following the 2021 release of Fake Fruit’s self-titled debut LP, the band’s personal lives hit a turbulent and transformational period. “There were big life changes and I was so close to boiling over,” says D’Amato. “I left a bad relationship, entered a more stable and loving one, got diagnosed with alopecia, and I'm turning 30 soon too.” This personal upheaval was channeled into the explosive lead single “Mucho Mistrust.” The track is simultaneously disorienting and direct, with clanging guitars from Alex Post, off-kilter drums from Miles MacDiarmid, and D’Amato snarling, “How you gonna blame me / when you could’ve done something about it / it’s not right / How you gonna marinate me / in shitty things overnight.” She explains, “This song was a snapshot of how I got through a difficult year.”

Recorded live at the Bay Area’s Atomic Garden studio with producer Jack Shirley (Deafheaven, Home Is Where), the band’s palpable ferocity shines throughout the record. Single “Más o Menos” is searing punk, with buzzsaw guitars and surging bass. It’s a clenched-fist song, one where D’Amato sings, “I decided to assert myself / After I lost all my sense of self.” Later in the track, D’Amato, who is Chicana, sings in Spanish, “¡No me hables! / ¡No escuchare!” While some of these songs deal in heartbreak, they are charged with way bigger themes. “There's also wanting to break up with capitalism and feeling upset about things politically,” says D’Amato.

For the band, these themes are personal. “I'm managing us while I'm in between changing diapers in my day job as a nanny,” says D’Amato. “Everyone in the band still believes in it and is motivated to keep wading through the bullshit.” On this album, they had no choice but to bet on themselves and each other. No track broadcasts their evolution better than the single “Cause of Death,” which morphs from a gorgeous sax-laden banger to something cathartic and anthemic.

As adventurous and righteous as Mucho Mistrust gets, there’s still an inviting core that never takes itself too seriously. From the ripping “Cause of Death,” which self-deprecatingly takes aim at anxiety and indecision, to the searing title track, Fake Fruit imbue their songs with humor and heart. “Our band is fun,” says D’Amato. “My number one coping mechanism for all of life is to joke about it. Even when the album talks about serious things, I am proud of how funny it can be.”

TRACK LISTING

Side A
1. See It That Way
2. Mucho Mistrust
3. Gotta Meet You
4. Psycho
5. Well Song
6. Más O Menos

Side B
7. Long Island Iced Tea
8. Venetian Blinds
9. Ponies
10. Cause Of Death
11. Sap
12. Too Soon

Great angst ridden rock from these four guys from that hot bed of rock'n'roll... Doncaster. Both formats include exclusive tracks.

Fake Laugh’s self-titled debut album arrives this summer as a delicate accumulation of years of experimentation. Unfurling slowly, the full length has been a gradual process: part playfulness, part perfection. Whilst perpetually in tune with the digital disconnect of contemporary life, the album is a vivid rummage through sixties US-pop standards and British alternative stalwarts. Fake Laugh showcases a familiar world of love, confusion and self-questioning but refocused through the bright lens of the London/Berlin based artist Kamran Khan. Tirelessly writing and recording whenever he can, a busy 2016 saw Khan release the energetic 'Ice' EP, the bubbly trepidation of double A side 'Mind Tricks/Birdsong Lullaby' and the more complex and serene ‘Great Ideas’ EP. All three were important steps towards manifesting the right combination for the eagerly anticipated debut. Khan confesses that once upon a time Fake Laugh was “a bit of fun on the side”.

However, now with the project his sole focus, there’s a revitalised commitment to recording that has seen him finishing the album this year. Reuniting once again with producer Theo Verney (Traams, O.Chapman) in Brighton, Khan has brought the intimacy of his bedroom and added it to a more luscious environment. Certain parts of the record date as far back as 2013, whilst others were recorded only in the past few months. The result is a record that flows with a wise but youthful abandon. Echoing latter Belle & Sebastian records - that retained their adolescent flare and longing - Khan has fortified his dreams rather than forgotten them. 

TRACK LISTING

1. Melt,
2. Short Of Breath,
3. Kinda Girl,
4. As I Get To Know You Better,
5. Hiding Place,
6. Freely,
7. You Would Find Out,
8. Wouldn’t Bother,
9.Physical,
10. You Do Know,
11. Time To Die. 

Zoooooooommmm! Massive space disco 12" here with absolutely no info! A brief listen through either side will tell you that you're in the land of Hi-NRG, Italo-disco fire power with a specific focus on the more cosmic end of the spectrum. I'm guessing these are edits, and I'm sure I know the source material, though an extra hot This'N'That at lunchtime has left me light-headed and low on memory recall. The A-side offers us a Donna Summer-styled slammer befitting the Fake Love moniker, but with extra Patrick Cowley synth riffery, cosmic disco vox, sci fi samples and a phat vocoder. Over on the flip, we have another poppers-fuelled pounder, this time taking proggy chords, vamping keyboards and a perfectly panned sequence and strapping them to a thumping 4/4. Tops off!

TRACK LISTING

A. Untitled 1
B. Untitled 2

Composed of Brian Baker (Minor Threat, Bad Religion, Dag Nasty), Michael Hampton (S.O.A., Embrace), Dennis Lyxzén (Refused, INVSN, The International Noise Conspiracy), Johnny Temple (Girls Against Boys, Soulside) and the newest member Brendan Canty (Fugazi, Rites of Spring), the band is a veritable posthardcore dream team. However instead of rehashing the past, Expendables is a reinvention that sees the band dialing back the distortion and leaning into the melodies. The result pairs their unparalleled pedigree with a pop sensibility that's slightly unexpected and wholly satisfying. "For our last record [2019's FAKE NAMES]the general influences were 70's U.K. punk and power-pop; but it wound up with a little classic rock vibe as well, like the Vibrators meets Aerosmith. We never saw that coming!" , Baker explains. For Expendables the band enlisted producer Adam "Atom" Greenspan (IDLES, Yeah Yeah Yeahs). Baker explains, "The pop influences are a little more out front on this one and the production really helps it shine. It sounds more direct, more urgent." Expendables is the latest exchange in a musical conversation that spans four decades. Baker aptly refers to the lineup of FAKE NAMES as a "mutual admiration society" and says that once the five members got in the same room together, it felt as if they had already been in the band together for years.

TRACK LISTING

Targets
Expendables
Delete Myself
Go
Dont Blame Yourself
Cant Take It
Damage Done
Madtown
Caught In Between
Too Little Too Late

In early 2016, D.C. punk legends Brian Baker (Minor Threat, Dag Nasty, Bad Religion) and Michael Hampton (S.O.A., Embrace, One Last Wish) met up at Hampton’s Brooklyn home to play music together.

Friends since first grade, the two guitarists ended up writing a handful of songs that day, then closed out the session with a spur-of-the-moment decision to start a band.

When it came to finding a bassist, Baker and Hampton looked to Johnny Temple of Girls Against Boys and Soulside (another fellow student at their elementary school), who equally shared their passion for what Temple refers to as “loud, angry, visceral music”. By the end of the year, the band had enlisted Refused frontman Dennis Lyxz n as their singer, thus cementing the lineup to punk-rock supergroup Fake Names.

Soon after dubbing themselves Fake Names a moniker that’s part Raising Arizona reference, part recognition of the “ubiquitous and demonic use of the term ‘fake news’”, according to Baker the band headed to Renegade Studios with the goal of creating a demo to present to record labels. But after playing those recordings for Baker’s Bad Religion bandmate Brett Gurewitz, the Epitaph founder made an unexpected proposal. “Brett said to us, ‘This isn’t a demo, this is the album,’” Baker recalls. “He was pretty adamant about putting it out exactly as it was, so that’s what we wound up doing”

TRACK LISTING

All For Sale
Driver
Being Them
Brick
Darkest Days
Heavy Feather
First Everlasting
This Is Nothing
Weight
Lost Cause

As Nathan Fake rises from the nocturnal subterranea and rave catharsis of his previous records, on 'Evaporator', he resurfaces into the domain of daylight, bringing a tangible sense of air rushing against your face, of big skies, and endless landscapes.

The idea of pop accessibility that trickled into 2023’s 'Crystal Vision' is refracted here through the prism of sweeping ambient, deep electronica, and trance uplift. 'Evaporator' is Fake’s idea of “airy daytime music”, with each track a different barometer reading across the album’s varying atmospheres, which range from vibrant sunbursts, bracing rainscapes, and fine mists of clement melodics. “It’s not overtly confrontational electronic club music,” states Fake. “It’s quite pleasant, it’s accessible. As I was progressing through making the tracklist, I called it a daytime album. It doesn’t feel like an afterparty album.” For the past decade Fake has been gingerly introducing collaborations with heroes and friends alike into his lone, idiosyncratic working process.

Border Community alumni Dextro AKA Ewan Mackenzie transmutes his ferocious drumming for Pigs Pigs Pigs Pigs Pigs Pigs Pigs into the blurred choral thump of ‘Baltasound’. ‘Orbiting Meadows’, meanwhile, is his second collaboration with Clark, an eerily idyllic duet where microtonal 18EDO piano clangs slowly twirl around wailing pads. Evaporator marks the junction point of old technology and ever fresh creativity for Nathan. The trusty “dinosaur” age software, particularly Cubase VST5, that has powered two decades of music is rarely updated. “I used to sort of feel a bit ashamed of using such old software, and then I kind of had an epiphany – that’s just how I work”, comments Fake. “That’s just how I play. I’m very fond of these old tools, and I get the most joy out of them, but now I’ve incorporated new technology too.” When an artist accumulates so much synergy with their instrument, music making becomes instinctual. By Fake’s account, much of 'Evaporator' just fell into place. The album title arrived randomly in his head (“it felt completely perfect. Airy.”), ideas looped and developed until things locked into place and just felt right. ‘The Ice House’ is a fleeting glimpse of the sonic world he taps into in this creative state, its glassy FM synths built around a counterpoint between rough-hewn crystalline arpeggios and sparse yet gravitas-bearing bass. “That riff I just wrote out on the keyboard, I just played it forever and ever and ever.

The original track ended up being really short. Here you go, and it’s gone!” These unplanned channellings of sound call forth records from Fake’s past while he looks ahead, perhaps getting at the very essence of his musicianship. The opener ‘Aiwa’ (“the breeziest,” he muses) reminds of the introspection that characterised Providence, excited by the fire and grit of Steam Days’ textural experiments, its chunky slams and clatters surging into a flood of harmonic buzzing as they reach out for old wisdom. ‘Hypercube’ stampedes in a similar chronological confluence, infusing an incessant synth line reminiscent of the golden age of rave with the crackling, ecstatic energy of modern festival anthems. Like the vaporisation of liquid to particles, everything that Evaporator presents has a mutant desire to be amorphous. Sounds rarely settle; the irradiated garage beat of ‘Bialystok’ is pitched downwards to driving, rebounding effect, while ‘You’ll Find a Way’ warps static into shivering energy, cinematic synth strings building anticipation into a gradual gush of chords. This translates into a more expansive stereo field than Fake has explored before.

‘Slow Yamaha’ saves the wildest, most kinetic transformations for last with a cornucopia of crispy melodies and fried drums; a sibilance of cymbals on the left, a susurrus of shakers on the right, and kaleidoscopic lasers pulsing and fizzing all around. Evaporation culminating in pure excited atoms. 

STAFF COMMENTS

Barry says: I'm a big fan of Nathan Fake (one of my favourite Electronic albums ever is still the stunning 'Drowning In A Sea Of Love'), and his latest is absolutely rife with the sort of clattering synthy mayhem and crisp instrumental breaks we've come to love from Fake. If you liked 'Iceni Strings' as a single, or the percussion from anything he's done, this is for you. Massive.

TRACK LISTING

1. Aiwa
2. Hypercube
3. Yucon
4. Bialystok 
5. The Ice House 
6. Sunlight On Saturn 
7. You’ll Find A Way 
8. Baltasound Feat. Dextro 
9. Orbiting Meadows Feat. Clark 
10. Slow Yamaha
11. Black Drift (Outro) 

Nathan Fake has grown from his beginnings as an undeniably skilled, but relatively inoffensive purveyor of twee IDM (see the cutesy electronic rhythms and circuit-bent melodies of 'Drowning In A Sea Of Love') into a powerhouse of challenging electronics and innovative melodic constructions.

The brash and stomping 'Feelings 1' could easily be stretched into a 6-minute long OPN track from his early catalog, but retains its impact and drive in part due to it's brevity, letting up after only a couple short minutes with a thematic segue into the thumping title track. Utilising his tried-and-tested technique of a filtered-out beginning into a revisitation of that theme, but injected with fiery percussion and swooning synthplay, Fake constructs a towering wall of chaotic arps and fizzling saturation, underpinned by distorted kick drums and dusty pads.

'HoursDaysMonthsSeasons' is much more along the lines of Border Community heavy-hitters Holden or Luke Abbott, pitching tweeting modulars and syncopated throbs against a droning foundation of fire and brimstone. As with all of Fake's more recent work, this is a deep and rewarding experience, but gives as much as you do, revealing it's complexities through patence and perserverance. 

Moving further along (we have convered the towering 'DEGREELESSNESS elsewhere), we move into ambient territory with 'SmallCityLights' which is a relaxing and much-needed respite (make use of it while you can) before the thudding dystopian sidechained duality of 'Radio Spiritworld'. Like a pack of robots fizzing and staggering towards a neon sun, we get chillwave guitars, industrial hammering and crackling electronic connections, coming together into a bracing mix of rampant retro-futurism and forward-thinking outsider 'tron.

Providence is as contrary and (I imagine) divisive as anything Fake has accomplished thus far, founded upon his considerable talent for writing a dancefloor stomper, but abstracted into the outer realms of melodicism and rhythm. A challenging, towering behemoth of an album, that will confound and amaze in equal measure. 

STAFF COMMENTS

Barry says: Nathan Fake does OPN. Shimmering synths, soul-shaking drone and abstracted rhythms mashed together (amazingly) into a brittle and brutal amalgamation of conceptual genius and technical mastery. A++, Will listen again.

TRACK LISTING

Feelings 1
PROVIDENCE
HoursDaysMonthsSeasons
DEGREELESSNESS (ft Prurient)
The Equator & I unen
SmallCityLights
Radio Spiritworld
CONNECTIVITY
RVK (ft Raphaelle)
REMAIN
Feelings 2

With a line-up of members from New Brunswick, Canada and Manchester, UK, it should be no surprise that the songs of Faker Junior have the feel of both wide open spaces and urban grit, distilled and blended into brief ringing-guitar symphonies. Strong vocals (singer Ryan Lamey has been compared to both Buckleys, Tim and Jeff), layered guitars and driving rhythms are combined to form cliche-free melodic songs with enough of the sweet and the bitter, the dark and the light, to satisfy in full, but without excess or wasted effort, and with the occasional unexpected turn. Previously a solo singer-songwriter seeking musicians, and a group of musician-writers seeking a frontman, they connected online and first met in Manchester on an appropriately snowy night in December 2008. The chemistry was immediate and within weeks they had pooled resources and their disparate influences to write their first new songs. By February 2009 they were in the studio to record demos of 4 tracks with producer Yves Altana, but the initial results were so good that recording was extended and the finished tracks have become the band's self-funded debut EP, "Need To Know".

From chart-topping success with The View, Kyle Falconer has carved an enthralling and unpredictable career as one of the most distinctive voices in Scottish music. That journey now leads to his most singular solo album to date, 'Lovely Night of Terror', written and recorded at his La Sierra Casa studio in rural Spain. Created during an intense period of isolation and creative focus, the album is also shaped by a strong sense of collaboration, featuring contributions from Jamie Webster, The Lottery Winners, Pete Doherty and Justin Hawkins. Balancing dark lyrical themes with uplifting melodies, Lovely Night of Terror reflects Falconer’s love of emotional contrast, finding joy in melancholy and light in the chaos.

TRACK LISTING

1. Lovely Night Of Terror
2. Worlds Away (Feat. Justin Hawkins)
3. I'm Lost (You're Dead) (Feat. Jamie Webster)
4. Lady Coachella (Feat. The Lottery Winners)
5. Midas Touch (Feat. Pete Doherty)
6. Madness (Feat. Dave McCabe)
7. Trace Of Me
8. Can't Swim (Do It Again)
9. Ego
10. Martha's Imagination
11. 3rd Time Mucky

"...an anthemic album that takes songwriter Kyle Falconer in bold new musical directions, that works the heart as much as the head, the dancing feet as much as the punching fist of joy."

As the frontman of The View, Kyle Falconer smashed into the charts with the classic singles "Same Jeans" and "Wasted Little DJs" and earned a Mercury nomination for their #1 debut album ‘Hats Off To The Buskers’. A rocket powered decade followed during which they barely let up, careering through a rock ‘n’ roll attitude both on-and-off stage. A stint in rehab was followed by another stint in rehab. The songwriter reflects on that period in new song ‘Laura’, a heart-on-the-sleeve, not-quite-title-track paean to the aforesaid missus. He started by writing more songs on piano rather than guitar, before teaming up with the producer Frankie Siragusa and using a selection of Motown, soul and funk classics as reference points. The duo spent last August christening the brand-new studio in The Libertines’ recently opened Albion Rooms hotel and arts space in Margate, playing everything on a wealth of new material that Falconer had prepared. ‘No Love Songs for Laura’ is an earworm-stuffed, summer-evoking album demanding repeat plays, streams, views, likes and clicks. For another, this is Falconer reborn and rebooted, like we’ve never heard him before.

TRACK LISTING

1. Stress Ball
2. Wait Around
3. Laura
4. Funeral Song
5. Mother
6. On My Own
7. Still Here
8. Miracle
9. Listen Lucy
10. Moan
11. Rake Me In
12. Don't Call Me Baby
13. Monsters

Kyle Falconer has always been a songwriter who has been inspired by a female muse. From his chart-topping success with The View through to his acclaimed solo career, his storytelling songs have explored the good times of love and lust; the bad times of regret and heartache; and stories of some of the larger-than-life characters who have stepped into his life, alongside some playful fictional narratives.

Recently crowned with the King Tuts’ Songwriting Award at the Scottish Music Awards, Kyle brings the best of those songs together with ‘The One I Love the Most’. The album is a collection of songs from his vast back catalogue, all of which are named after women and have been newly reworked in acoustic form.

Named after a lyric taken from The View fan favourite ‘5 Rebeccas’, ‘The One I Love The Most’ features songs spanning almost two decades: from the unrequited love of ‘Claudia’ (from the band’s #1 debut album ‘Hats Off To The Buskers’) through to the lovelorn ‘Dixie’ (the original of which featured on last year’s Top 10 return ‘Exorcism of Youth’).

Along the way, the album also reinvents highlights from his two solo albums ‘No Thank You’ and ‘No Love Songs For Laura’, which often tackled more complicated themes: ‘Laura’ shares regrets for his past behaviour and the impact it had on his then-partner and now-wife Laura Wilde, to the issues of gender identity addressed in ‘Kelly’. A far lighter moment comes with ‘Madonna’, a playful, celeb-heavy imagining of what the ideal afterlife might be like, while Manchester rapper PROSE adds his razor-sharp rhymes to an otherwise stripped-back ‘Lucy’.

The album’s lead single and brand new track ‘Angelina’ is an instant highlight. Dramatic percussion and sweeping string arrangements creates an intense cinematic atmosphere to match a story of a relationship which has been ruined by conflicting perceptions on what the truth really is.

Kyle says, “‘The One I Love The Most’ came from an idea I had after getting my own studio in Spain. I thought about all the girls' names I had written about and thought it would be a great romantic idea to put them all in one place and release the record for Valentine’s Day. I wanted to show the songs as they were without all the production and we captured the first essence of them.

It’s great to see the different feelings along the album and my ups and downs, from the childlike writing of ‘Claudia’ to the more in depth idea of ‘Kelly’ as I have seen and heard more of the world.”

‘The One I Love the Most’ was recorded at Kyle’s La Sierra Casa retreat near Alicante in Spain, with Kyle producing the project himself and performing all vocals and instruments except for contributions from Drew Palmer and Neeve Zahra. A scenic, escapist and intimate hub for creativity, La Sierra Casa hosts regular songwriting camps led by Kyle as well as a recording studio designed to achieve peak sound quality, workflow and productivity.

TRACK LISTING

1. Angelina
2. Grace
3. Dixie
4. Rebecca
5. Gem
6. Blondie
7. Lilly Anne
8. Laura
9. Lucy Featuring PROSE
10. Claudia
11. Kelly
12. Madonna

Triple beat breakdowns, speed riffs from Hell, from the opening note to the killer artwork, Fall Silent have produced one of the best hardcore / metal albums of the year. The follow up to "Six Years In The Desert", on "Drunken Violence" they approach their sound with more speed and anger than any other album the band has released. With the speed collapsing into powerful breakdowns, they have been described as Pantera meeting Black Flag in a dark alley with flicknives. Cool!

Taking the DIY ethic and mixing hardcore, punk rock and death metal they use primal vocals and a precise monsterous guitar attack that will hit you like a punch in the gut. This CD collects the band's previously out of print releases and features 17 hard and nasty tracks.

1982 was a decisive year for The Fall. Their critically acclaimed album “Hex Enduction Hour” was released in March on Kamera Records, closely followed by “Room To Live” in September.

This six-disc boxset brings together those two classic albums alongside a host of John Peel sessions, Kamera singles, live performances and the group’s live album “In A Hole”, recorded during their tour of New Zealand and originally released on Flying Nun Records.

Also included in the box is a replica poster from the August 1982 show at the University of Canterbury in Christchurch, New Zealand and a replica press-release for “Hex Enduction Hour”.

Founded by its only constant member, Mark E. Smith, The Fall formed in Manchester in 1976 and were one of the most prominent post-punk groups in the world. Musically, there may have been several stylistic changes over the years, but it was often characterised by an abrasive guitar-driven sound and frequent use of repetition, always underpinned by Smith's distinctive vocals and often cryptic lyrics.

“They are always different; they are always the same.” John Peel.

TRACK LISTING

DISC ONE: CD

1. THE CLASSICAL
2. JAWBONE AND THE AIR-RIFLE
3. HIP PRIEST
4. FORTRESS / DEER PARK
5. MERE PSEUD MAG. ED.
6. WINTER (HOSTEL-MAXI)
7. WINTER 2
8. JUST STEP S’WAYS
9. WHO MAKES THE NAZIS?
10. ICELAND
11. AND THIS DAY

DISC TWO: CD

ROOM TO LIVE

1. JOKER HYSTERICAL FACE
2. MARQUIS CHA-CHA
3. HARD LIFE IN COUNTRY
4. ROOM TO LIVE
5. DETECTIVE INSTINCT
6. SOLICITOR IN STUDIO
7. PAPAL VISIT
BONUS TRACKS
11. JOKER HYSTERICAL FACE (BURY 27/04/82)
12. TOWN CALLED CRAPPY / SOLICITOR IN STUDIO (LONDON 25/03/82)
13. HARD LIFE IN COUNTRY (WELLINGTON 19/08/82)
14. DETECTIVE INSTINCT (MANCHESTER 22/12/82)
15. ROOM TO LIVE (ROTTERDAM 12/02/83)
16. WORDS OF EXPECTATION (TORONTO 21/04/83)

DISC THREE: CD

SESSIONS – SINGLES –
SOUNDCHECKS

1. DEER PARK (JOHN PEEL SESSION 15/09/1981)
2. LOOK KNOW (JOHN PEEL SESSION 15/09/1981)
3. WINTER (JOHN PEEL SESSION 15/09/1981)
4. WHO MAKES THE NAZIS? (JOHN PEEL SESSION 15/09/1981)
5. LOOK KNOW (KAMERA SINGLE APRIL 82)
6. I’M INTO C.B. (KAMERA SINGLE APRIL 82)
7. SESSION MUSICIAN (BIERKELLER, LEEDS 05/11/1981)
8. JAZZED UP PUNK SHIT (666 CLUB, MANCHESTER 15/05/1982)
9. I’M INTO C.B. (STARS ON 45 VERSION) (FAGINS, MANCHESTER 30/09/1981)
10. AND THIS DAY (MAINSTREET, AUCKLAND, NZ SOUNDCHECK 20/08/1982)
11. DEER PARK (MAINSTREET, AUCKLAND, NZ SOUNDCHECK 20/08/1982)
12. AND THIS DAY (REVISITED) (ASTORIA 2, LONDON 26/02/1987)

DISC FOUR: CD

IN A HOLE

1. IMPRESSION OF J. TEMPERANCE
2. THE MAN WHOSE HEAD EXPANDED
3. ROOM TO LIVE
4. HIP PRIEST
5. LIE DREAM OF A CASINO SOUL
6. PROLE ART THREAT
7. HARD LIFE IN COUNTRY
8. THE CLASSICAL
9. MERE PSEUD MAG ED
10. MARQUIS CHA-CHA
11. BACKDROP

DISC FIVE: CD

IN A HOLE +

1. FANTASTIC LIFE
2. ENGLISH SCHEME
3. JOKER HYSTERICAL FACE
4. NO XMAS FOR JOHN QUAYS
5. SOLICITOR IN STUDIO
6. THE CONTAINER DRIVERS
7. C’N’C-BLACK NIGHT
8. LOOK, KNOW
9. WHO MAKES THE NAZIS?
10. GRAMME FRIDAY
11. SLAGS, SLATES ETC

DISC SIX: CD

PRINCE OF WALES HOTEL, MELBOURNE, AUSTRALIA
02/08/1982

1. I FEEL VOXISH
2. HARD LIFE IN COUNTRY
3. I’M INTO C.B.
4. LIE DREAM OF A CASINO SOUL
5. SOLICITOR IN STUDIO
6. TEMPO HOUSE
7. THE CLASSICAL
8. MARQUIS CHA-CHA
9. ROOM TO LIVE
10. HEXEN STRIFE
11. KNOT DEER PARK
12. TOTALLY WIRED
13. JOKER HYSTERICAL FACE
14. HIP PRIEST

Originally released in 1990, the seventeen songs collected here come from The Fall’s Brix Smith era, aka “the golden era of Fall releases.” This is a perfect introduction to the band, and as legendary critic Robert Christgau said, it’s “The only Fall record any normal person need own”.

The band’s legendary and notorious frontman Mark E. Smith passed away earlier this year at the age of 60. The band’s output since they formed at the height of the punk rock movement in Manchester in 1976 was prolific to say the least. It’s hard to be exact, but in their four decades, The Fall released 31 studio albums, 5 part-studio/part live albums, 32 live albums, 40 compilations, and Mark E. Smith also released two spoken word albums. Another high number is that of former members of The Fall. There were over 60 different band members over the years. Their high volume of quality work over the last 40+ years had an enormous influence which was extolled greatly after his death.

TRACK LISTING

1. Oh! Brother
2. C.R.E.E.P.
3. No Bulbs 3
4. Rollin’ Dany
5. Couldn’t Get Ahead
6. Cruisers Creek
7. L.A.
8. Living Too Late
9. Hit The North Part 1
10. Mr. Pharmacist
11. Hey! Luciani
12. There’s A Ghost In My House
13. Victoria
14. Big New Prinz
15. Wrong Place, Right Time No. 2
16. Jerusalem
17. Dead Beat Descendant

Greatest hits’ compilation, the first time a complete overview of The Fall’s career has been available on vinyl.

When the CD was originally released it was seen as the most complete and best overview of the bands recorded work and has yet to be bettered.

As with the other Fall re-issues it has been compiled by Daryl Easlea (who also wrote the notes) in conjunction with Fall expert Conway Patton and has been mastered by long time engineer Andy Pearce with art by Becky

The Fall were an English post-punk band, formed in Manchester in 1976. The band existed in some form until 2018, built around its founder and only constant member Mark E. Smith.

Initially associated with the punk movement of the late 1970s, the group's music went through several stylistic changes over the years, but was often characterised by an abrasive guitar-driven sound and frequent use of repetition, and was always underpinned by Smith's distinctive vocals and often cryptic lyrics. The band was noted for its prolific output: they released over 25 studio albums, and more than triple that counting live albums and other releases. They never achieved widespread public success beyond a handful of minor hit singles.

The band were long associated with BBC disc jockey John Peel, who championed them from early on in their career and cited The Fall as his favourite band, famously explaining, "They are always different; they are always the same."

TRACK LISTING

SIDE ONE
1 Repetition
2 How I Wrote 'Elastic Man'
3 Totally Wired
4 Lie Dream Of A Casino Soul
5 The Classical
SIDE TWO
1 The Man Whose Head Expanded
2 Cruiser's Creek
3 Mr Pharmacist
4 There's A Ghost In My House
5 Hit The North
6 Victoria
SIDE THREE
1 Telephone Thing
2 Free Range
3 Lost In Music
4 Behind The Counter - Single Version
5 Touch Sensitive
SIDE FOUR
1 Theme From Sparta FC - Single Version
2 Blindness
3 Bury
4 New Facts Emerge

Are You Are Missing Winner is the twenty-second album by British post-punk band the Fall, released in November 2001. Since the band’s last record Mark E Smith had replaced the entire line up. The album was recorded very quickly and very much on the cheap and band member Ben Pritchard described it as a very miserable experience. The influence of Rockabilly is very much seen throughout the album and saw them covering Lead Belly's ‘The Bourgeois Blues’.

 As with the other Fall reissues these have notes by Fall guru Daryl Easlea and have been mastered by long time engineer Andy Pearce.

This is the latest release in Cherry Red’s series of deluxe Fall reissues – “Fall Sound Archive”

TRACK LISTING

VINYL TRACKLISTING:
SIDE ONE
1. JIM'S "THE FALL”
2. BOURGEOIS TOWN
3. CROP DUST
4. MY EX-CLASSMATES' KIDS
5. KICK THE CAN
6. GOTTA SEE JANE
SIDE TWO
1. IBIS-AFRO MAN
2. THE ACUTE
3. HOLLOW MIND
4. REPRISE: JANE – PROF MICK – EY BASTARDO
SIDE THREE
1. RUDE (ALL THE TIME)
2. I WAKE UP IN THE CITY
3. NEW FORMATION SERMON
SIDE FOUR
1. DISTILLED MUG ART
2. MY EX-CLASSMATES' KIDS (LIVE IN
COLOGNE 23RD OCTOBER 2001)
3. WHERE'S THE FUCKIN' TAXI? CUNT
BONUS TRACK (2006)
4. ARE YOU MISSING WINNER

CD TRACKLISTING:
DISC 1:
ORIGINAL ALBUM
1. JIM'S "THE FALL”
2. BOURGEOIS TOWN
3. CROP DUST
4. MY EX-CLASSMATES' KIDS
5. KICK THE CAN
6. GOTTA SEE JANE
7. IBIS-AFRO MAN
8. THE ACUTE
9. HOLLOW MIND
10. REPRISE: JANE – PROF MICK – EY BASTARDO
BONUS TRACKS
11. RUDE (ALL THE TIME)
12.I WAKE UP IN THE CITY
13.NEW FORMATION SERMON
14.DISTILLED MUG ART
15. MY EX-CLASSMATES' KIDS (LIVE IN COLOGNE 23RD OCTOBER 2001)
16. WHERE'S THE FUCKIN' TAXI? CUNT

DISC 2:
LIVE AT THE KNITTING FACTORY
LA, 14th NOVEMBER 2001
1. THE JOKE
2. CYBER INSEKT
3. AND THEREIN
4. BOURGEOIS TOWN
5. CROPDUST
6. KICK THE CAN - F'OLDIN MONEY - KICK THE CAN PT 2
7. MR PHARMACIST
8. JIM'S THE FALL
9. ANTIDOTES
10. WAY ROUND / DR BUCKS LETTER

DISC 3:
LIVE AT THE GARAGE
LONDON, 20th APRIL 2002
1. TO NK ROACHMENT: YARBLES / THE JOKE
2. CYBER INSEKT
3. AND THEREIN
4. ANTIDOTES
5. KICK THE CAN / F'OLDIN MONEY / KICK THE CAN
6. BOURGEOIS TOWN
7. MR PHARMACIST
8. ENIGRAMMATIC DREAM / KETAMINE SUN
9. I WAKE UP IN THE CITY / MY EX-CLASSMATES KIDS
10. WAY ROUND

DISC 4:
LIVE AT THE ATP FESTIVAL
28th APRIL 2002
1. TO NK ROACHMENT: YARBLES / THE JOKE
2. 2 LIBRANS
3. THE JOKE
4. AND THEREIN
5. CYBER INSEKT
6. I WAKE UP IN THE CITY / MY EX-CLASSMATES KIDS
7. KICK THE CAN / F'OLDIN MONEY / KICK THE CAN
8. BOURGEOIS TOWN
9. MR PHARMACIST
10. SHAKE OFF - ENIGRAMATIC DREAM - KETAMINE SUN
11. WAY ROUND 

Originally released in 1995 on Permanent Records.

• This set has been compiled in conjunction with Fall expert Conway Patton and has notes by Fall guru Daryl Easlea.

• It has been mastered by long-time engineer Andy Pearce with art by Becky Stewart.

The Fall were an English post-punk band, formed in Manchester in 1976. The band existed in some form ever since, and is essentially built around its founder and only constant member, the late Mark E. Smith. Initially associated with the punk movement of the late 1970s, the group's music went through several stylistic changes over the years, but is often characterised by an abrasive guitar-driven sound and frequent use of repetition, and is always underpinned by Smith's distinctive vocals and often cryptic lyrics.

The band is noted for its prolific output: releasing over 25 studio albums, and more than triple that counting live albums and other releases. They never achieved widespread public success beyond a handful of minor hit singles in the late 1980s, but maintained a strong cult following. The band were long associated with BBC disc jockey John Peel, who championed them from early on in their career and cited The Fall as his favourite band, famously explaining, "They are always different; they are always the same."

CD BOX SET:
• The box set includes alternative versions as well as an unreleased live show from Rennes, rough mixes and radio sessions from the era.

• Plus 'Twenty-Seven Points' (that was also released in 1995), an album that consists of live recordings made in various locations between 1991 and 1995, but also contains interludes and two previously unheard studio tracks.

TRACK LISTING

VINYL TRACKLISTING:
SIDE ONE
1. The Joke
2. Don't Call Me Darling
3. Rainmaster
4. Feeling Numb
5. Pearl City
6. Life Just Bounces

SIDE TWO
1. I'm Not Satisfied
2. The Aphid
3. Bonkers In Phoenix
4. One Day
5. Northwest Fashion Show
6. Pine Leaves

5 CD BOX SET:
DISC ONE:
Cerebral Caustic
1. The Joke
2. Don't Call Me Darling
3. Rainmaster
4. Feeling Numb
5. Pearl City
6. Life Just Bounces
7. I'm Not Satisfied
8. The Aphid
9. Bonkers In Phoenix
10. One Day
11. North West Fashion Show
12. Pine Leaves

DISC TWO:
Peel Sessions / Rough Mixes
1. Glam Racket – Star - John Peel Session #18 - 17/12/94
2. Jingle Bell Rock - John Peel Session #18 - 17/12/94
3. Hark The Herald Angels Sing - John Peel Session #18 - 17/12/94
4. Numb At The Lodge - John Peel Session #18 - 17/12/94
5. One Day - Pre-Release Rough Mixes
6. Rainmaster - Pre-Release Rough Mixes
7. Feeling Numb - Pre-Release Rough Mixes
8. The Joke - Pre-Release Rough Mixes
9. Don't Call Me Darling - PreRelease Rough Mixes
10. Pearl City - Pre-Release Rough Mixes
11. Life Just Bounces - PreRelease Rough Mixes
12. I'm Not Satisfied - PreRelease Rough Mixes
13. The Aphid - Pre-Release Rough Mixes
14. Bonkers In Phoenix - PreRelease Rough Mixes
15. One Day - Alternate Versions
16. Bonkers In Phoenix - Alternate Versions

DISC THREE:
Rennes April 95
1. Intro. Tape
2. The Joke
3. Pearl City
4. Birthday
5. Behind The Counter
6. Mere Pseud Mag. Ed.
7. Bill Is Dead
8. Glam Racket
9. Feeling Numb
10. I'm Not Satisfied
11. Idiot Joy Showland
12. Paranoia Man in Cheap Shit Room
13. Edinburgh Man
14. Don't Call Me Darling
15. Hey! Student
16. Life Just Bounces
17. The City Never Sleeps
18. The Chiselers
19. Big New Prinz

DISC FOUR:
Twenty-Seven Points
1. Mollusc In Tyrol
2. Return
3. Ladybird (Green Grass)
4. Idiot-Walk-Out
5. Ten Points
6. Idiot Joy Showland
7. Big New Prinz
8. Intro - Roadhouse
9. The Joke
10. M.H.'s Jokes / British People in Hot Weather
11. Free Range
12. Hi-Tension Line
13. The League of BaldHeaded Men

DISC FIVE:
Twenty-Seven Points
1. Glam Racket / Star
2. Lost In Music
3. Prague '91 / Mr. Pharmacist
4. Cloud Of Black
5. Paranoia Man in Cheap Sh..t Room
6. Bounces - Leeds
7. Outro
8. A Past Gone Mad (aka Passable)
9. Glasgow Advice
10. Middle Class Revolt - Simon, Dave & John
11. Bill Is Dead
12. Strychnine
13. War!
14. Noel's Chemical Effluence
15. Three Points / Up Too Much 

Formed in 1976, by 1990, The Fall had been through 18 line ups, releasing 14 albums and 24 singles - The only constant was leader, vocalist Mark Edward Smith – welded to the work ethic, creating music that stunned in its obscure brilliance; railing against mediocrity, failing against the status quo It was all change when The Fall signed to Fontana. Guitarist Martin Bramah, who had founded the group with Smith, returned, replacing Smith's ex-wife Brix, who had been in the group since 1983. There were few cries of sell-out, however, when The Fall signed to a major; it was just part of an evolutionary process. The three Fontana albums, Extricate, Shift- Work and Code: Selfsh were stunningly consistent.

1992's Code: Selfsh marked the arrival of Dave Bush to the group on keyboards, bringing a harder, techno- edge to the work. Less focussed than its predecessors, the album reveals its considerable charms gradually – the initially impenetrable seven- minute splurge of opener of The Birmingham School of Business School gives way to the Top 40 commercialism of Free Range. The glam stomp of Immortality and Two- Face! are counteracted with the wistful introspection of Time Enough At Last and Gentleman's Agreement.

This re-issue faithfully replicates the original 1992 Fontana Records UK release and is pressed onto high quality 180g vinyl.

TRACK LISTING

1. The Birmingham School Of Business School
2. Free Range
3. Return
4. Time Enough At Last
5. Everything Hurtz
6. Immortality
7. Two-Face!
8. Just Waiting
9. So-Called Dangerous
10. Gentlemen's Agreement
11. Married, 2 Kids
12. Crew Filth

It was all change when The Fall signed to Fontana. Guitarist Martin Bramah, who had founded the group with Smith, returned, replacing Smith's ex-wife Brix, who had been in the group since 1983. There were few cries of sell-out, however, when The Fall signed to a major; it was just part of an evolutionary process. The three Fontana albums, Extricate, Shift- Work and Code: Selfsh were stunningly consistent.

Released in February 1990, Extricate was a big bold statement, coopting some Madchester beats into The Fall's mix, with the band and Smith on excellent form. From the catchy indie of Hilary and The Littlest Rebel, the oblique attack on past lovers in Sing! Harpy, and the touching rumination on death and new love, Bill Is Dead, Extricate is one of the group's most coherent albums. Smith also worked with dance producers Coldcut updating the Lisa Stansfeld sung track My Telephone as Telephone Thing.

This re- issue faithfully replicates the original 1990 Fontana Records UK release and is pressed onto high quality 180g vinyl.

TRACK LISTING

1. Sing! Harpy
2. I'm Frank
3. Bill Is Dead
4. Black Monk Theme Part I
5. Popcorn Double Feature
6. Telephone Thing
7. Hilary
8. Chicago, Now!
9. The Littlest Rebel
10. And Therein...

Recorded at Lisa Stansfield's Gracieland studios in Rochdale as well as New York.

Seen as one of the bands best albums, it contains fan favourite 'Blindness' which was used in a car advert in 2007.

This box released in conjunction with Narnack features the original album as well as sessions, Bsides, a live show from the time and a complete disc of Demos from Chapel Studios.

This Set as with the other Fall reissues has been compiled in conjunction with Fall expert Conway Patton and has notes by Fall guru Daryl Easlea and have been mastered by long time engineer Andy Pearce with art by Becky Stewart

TRACK LISTING

2LP / 4CD - DISC ONE
Fall Heads Roll
1 Ride Away
2 Pacifying Joint
3 What About Us?
4 Midnight In Aspen
5 Assume
6 Aspen Reprise
7 Blindness
8 I Can Hear The Grass Grow
9 Bo Demmick
10 Youwanner
11 Clasp Hands
12 Early Days Of Channel Führer
13 Breaking The Rules
14 Trust In Me

DISC TWO
Sessions And Singles
1 Blindness - John Peel - 04/08/2004
2 Clasp Hands - John Peel - 04/08/2004
3 What About Us - John Peel - 04/08/2004
4 Wrong Place Wrong Time / I Can Hear The
Grass Grow - John Peel - 04/08/2004
5 Job Search - John Peel - 04/08/2004
6 Blindness - Heads Roll - US Alt Version
7 I Can Hear The Grass Grow - Slow Version
8 Bo Doodak - Single
9 Blindness - Interim Version
10 What About Us - Interim Version
11 Clasp Hands - Interim Version
12 Blind Man - Original Demo
13 Blindness - Alt Version

DISC THREE
Chapel Studio Demos
1 The Boss
2 Systamatic Abuse
3 Party Song
4 Twang
5 Get Out
6 The V One
7 Spencers Cut
8 Steve Country
9 Wed Z
10 Boil A Chicken
11 White Line
12 Benneets Rocker
13 Brimstone
14 Fuzz

DISC FOUR
Leeds 27/08/2006
1 Bo Demmick
2 Pacifying Joint
3 Theme From Sparta FC
4 What About Us?
5 Reformation!
6 Mountain Energei
7 Mr Pharmacist
8 Blindness
9 My Door Is Never

"So named due to this being a collection of stuff released on the Kamera label, for a long time Hip Priests was the only way to listen to material from the mighty Hex Enduction Hour album, as well as Room to Live and related singles like "Lie Dream of a Casino Soul" and "Look, Know." For that reason alone it was a useful collection, though it was also flawed in that nearly everything was mastered for CD from vinyl, a harbinger of what would eventually happen in the late '90s with any number of early Fall reissues. It's especially noticeable on "Hip Priest" itself. Whether or not one wants to debate the aesthetics of such an approach, it's still more than a little frustrating. Thankfully, the song selection is nearly impeccable -- omissions are unavoidable, but there's no overlap with Palace of Swords Reversed, and the highlights are legion: "Hip Priest," "The Classical," "Mere Psued Mag. Ed.," "I'm Into C.B.!," and the absolutely wonderful B-side "Fantastic Life." The CD and cassette versions both include a useful bonus of interest to hardcore fans -- four live cuts of varying fidelity of other material from that time. "Who Makes the Nazis?" is OK enough, but the take on "Just Step Sideways" gets delivered with rough, fiery authority. At the end of the collection, meanwhile, there's an extremely muddy take on "Jawbone and the Air-Rifle" that will likely cause immediate departures on the part of neighbors and friends. A full quarter-hour ramble and stumble through "And This Day" concludes the release as a whole; it's a great performance that at nearly every point sounds like it'll collapse into formless chaos. Mark E. Smith is his typically contrarian self, while the lineup has its usual off-center way with the proceedings." - AllMusic.

TRACK LISTING

Lie Dream Of A Casino Soul
The Classical
Fortress
Look, Know
Hip Priest
Who Makes The Nazis?
Just Step Sideways
Room To Live
Mere Pseud Mag. Ed.
Hard Life In Country
I'm Into CB!
Fantastic Life
Jawbone And The Air-Rifle
And This Day

The Fall’s first studio album, reissued on black vinyl in its 45th Anniversary year. This black vinyl version is 180GSM with an inner bag and features the US artwork and track-listing.

Founded by its only constant member, Mark E. Smith, The Fall formed in Manchester in 1976 and were one of the most prominent post-punk groups in the world. Musically, there may have been several stylistic changes over the years, but it was often characterised by an abrasive guitar-driven sound and frequent use of repetition, always underpinned by Smith’s distinctive vocals and often cryptic lyrics.

“They are always different; they are always the same.” JOHN PEEL

“Live At The Witch Trials” is the debut studio album – released 16th March 1979 – these editions celebrate the fortieth anniversary of this seminal album. Originally released through record label Step-Forward, it was recorded in a single day and mixed by producer Bob Sargeant. Mark E. Smith’s lyrics include his unique commentary on the music business (‘Music Scene’), poorly paid jobs (‘Industrial Estate’) and drugs (‘No Xmas For John Quays’, ‘Like To Blow’, ‘Frightened’, ‘Underground Medecin’)

Sounds gave it five stars at the time of release, writing: “an album of staggeringly rich, mature music, inner questioning hand in hand with rock and roll at its fiercest, its finest, its most honest, rock and roll at its naked, most stimulating”

Featuring the one and only Mark E. Smith alongside Martin Bramah, Marc Riley, Karl Burns and Yvonne Pawlett.

TRACK LISTING

SIDE ONE
1. FRIGHTENED
2. CRAP RAP 2/LIKE TO BLOW
3. REBELLIOUS JUKEBOX
4. NO XMAS FOR JOHN QUAYS
5. VARIOUS TIMES

SIDE TWO
1. UNDERGROUND MEDECIN
2. TWO STEPS BACK
3. LIVE AT THE WITCH TRIALS
4. FUTURES AND PASTS
5. MUSIC SCENE

After what seemed like a very long, drunken, tense-with-anticipation waiting period, the moment is upon me. The band takes the stage, and immediately launches into a big-sounding version of The Joke. Mark bounds onto the stage and starts bellowing into the mic with intensity: "The Joke! Five years in a PC camp, the Joke!" "Ahh," I think, "they're not going to totally suck." This latest incarnation of the Fall includes three hard-working lads named Ben, Spencer, and Jim, who know their shit something fierce. This is an incredibly tight band that is gaining momentum at the expense of every amateurish musician ever to mistakenly step onto the stage. Mr. Smith himself was in fine form, prowling around the stage snarling lyrics into the mic and messing around with his bandmates' amps (but not too much - I have to stress that his behavior was fairly clean on this tour). He seemed to be on something besides straight-up "joie de vivre," but that is hardly an aberration. This man and his friends like to do drugs, and have done since the early days of the band in 1977. Whatever, it's rock and roll. What matters is the music, which was strong. The band was a juggernaut with a mad genius at the helm. Picture a massive battleship with wheels rolling over small towns with a mad banshee snarling and hurning invective down at those foolish enough to stand in the way. Mark E. Smith is an incredibly self-assured performer who exudes more charisma standing still than most lead singers do hopping around and climbing on things. The biggest stormer of the evening was "I Am Damo Suzuki," MES' tribute to one of his favorite bands, Can. One of the first lyrics, "and the drums....come in...and the drums they come in FAST" sent shivers down my spine as the drummer started bashing out the catchier-than-strep beat. In general, the set got faster, louder, and generally "more" towards the end. I think it was during the cover "Mr. Pharmacist" that the energy really started picking up. "Two Librans" off of the Unutterable was also pretty powerful--both because the massive guitar chord hook style of these songs suits the new band pretty well. So now for the $64 million question: are the Fall over? Even worse, were they over a long time ago? The answer, to anyone who is still paying attention, is resoundingly no. This band can fill the GAMH with people going nuts. They are a monument, but unlike other monuments, they continue to create. As Smith once barked, "Ours is not to look back, ours is to continue the crap!" Indeed.

TRACK LISTING

The Joke 
Cyber Insekt 
Two Librans 
And Therein 
Touch Sensitive 
Crop-Dust 
Bourgeois Town 
Kick The Can > F-oldin' Money 
Mr. Pharmacist 
Sons Of Temperance
My Ex-Classmates' Kids 
Enigrammatic Dream 
I Wake Up In The City
Reprise:
Jane - Prof Mick - Ey Bastardo 
Way Round 
I Am Damo Suzuki

A mixture of Live and Studio out-takes that have never been out on vinyl before. Gatefold Sleeve, 180 gm Orange Vinyl. About five or six years ago Mark E Smith and I were going through some old audio recordings of The Fall both studio live and he invented a character called Holiday Tony who he said should be the person who should come round and listen to the tapes with us. He made a phone call to me telling me Holiday Tony lived in Prestwich and went to Blackpool on his holidays once a year with an old brown suitcase with recordings of The Fall inside. I even got a letter off Mark telling me when it was ok for Holiday Tony to go round and see him. Another idea of Mark’s about three years ago was to do a vinyl as a Non Record Store Day release in the weeks before Record Store Day and that every track should just be called The Holiday Tony Tapes. So here is the album. 

• ‘Middle Class Revolt’ was originally released in 1994 and was the band 16th studio album.

• This edition contains singles, demos as well as a BBC session and three live shows from the era.

• This Set as with the other Fall reissues has been compiled in conjunction with Fall expert Conway Patton and has notes by Fall guru Daryl Easlea.

• Mastered by long time engineer Andy Pearce with art by Becky Stewart. The Fall are an English post-punk band, formed in Manchester in 1976. The band has existed in some form ever since, and is essentially built around its founder and only constant member Mark E. Smith. Initially associated with the punk movement of the late 1970s, the group's music has gone through several stylistic changes over the years, but is often characterised by an abrasive guitar-driven sound and frequent use of repetition, and is always underpinned by Smith's distinctive vocals and often cryptic lyrics.

The band is noted for its prolific output having released over 25 studio albums, and more than triple that counting live albums and other releases. They have never achieved widespread public success beyond a handful of minor hit singles in the late 1980s, but have maintained a strong cult following. The band were long-associated with BBC disc jockey John Peel, who championed them from early on in their career and cited The Fall as his favourite band, famously explaining, "They are always different; they are always the same."

The Fall
Mark E. Smith – Vocals, Tapes
Craig Scanlon – Guitar
Steve Hanley – Bass Guitar, Backing Vocals
Simon Wolstencroft – Drums, Programming
Karl Burns – Drums, Percussion, Guitar, Vocals
Dave Bush – Keyboards, Programming, Whistle, Backing Vocals

Additional personnel
John Peel – voice on "Symbol of Mordgan"

TRACK LISTING

DISC ONE: Middle Class Revolt
1 15 Ways
2 The Reckoning
3 Behind The Counter
4 M5#1
5 Surmount All Obstacles
6 Middle Class Revolt!
7 War
8 You're Not Up To Much
9 Symbol Of Mordgan
10 Hey! Student
11 Junk Man
12 The $500 Bottle Of Wine
13 City Dweller
14 Shut Up!

DISC TWO: Singles
1 Behind The Counter - Permanent Singles PERM 13 & 14
2 War - Permanent Singles PERM 13 & 14
3 Cab Driver - Permanent Singles PERM 13 & 14
4 M5 - Permanent Singles PERM 13 & 14
5 Happy Holiday - Permanent Singles PERM 13 & 14
6 Behind The Counter (Remix) - Permanent Singles PERM 13 & 14
7 15 Ways - Permanent Singles PERM 13 & 14
8 Happy Holiday - Promo Mix
9 Middle Class Revolt - The Drum Club Prozac Mix
10 Middle Class Revolt - The Drum Club Orange In The Mouth Mix
11 Middle Class Revolt - Rex Sargeant Mix
12 Surmount All Obstacles - Rex Sargeant Mix
13 M5 - John Peel Session #17 - 12/1/94
14 Behind The Counter - John Peel Session #17 - 12/1/94
15 Reckoning - John Peel Session #17 - 12/1/94
16 Hey! Student - John Peel Session #17 - 12/1/94

DISC THREE: Shepherds Bush Empire - 29-Apr-94
1 Surmount All Obstacles
2 Behind The Counter
3 The Reckoning
4 15 Ways
5 M5
6 You're Not Up To Much
7 Ladybird (Green Grass)
8 Hey! Student
9 War
10 Big New Prinz

DISC FOUR: Shepherds Bush Empire 29-Apr-94
1 Middle Class Revolt
2 Happy Holiday
3 British People In Hot Weather
4 Glam Racket
5 Free Range
6 I'm Frank
7 Strychnine
8 A Past Gone Mad
9 Return

DISC FIVE: Live At The Assembly Rooms, Derby 1994
1 Long Intro Start!
2 M5
3 15 Ways
4 The Reckoning
5 You're Not Up To Much
6 Behind The Counter
7 Surmount All Obstacles
8 Ladybird (Green Grass)
9 War
10 Free Range
11 Middle Class Revolt
12 Glam-Racket
13 Hey! Student
14 Return
15 Dead Beat Descendant
16 Life Just Bounces

DISC SIX: Live @ Tramps New York 10th September 1994
1 Behind The Counter
2 M5
3 15 Ways
4 Reckoning
5 Free Range
6 Ladybird (Green Grass)
7 War
8 Big New Prinz
9 Middle Class Revolt
10 Lost In Music
11 Glam Racket
12 L.A.
13 Dead Beat Descendant 

• July 2017 sees the new album by the Fall – their first since Sub Lingual Tablet in 2015 – containing 11 new tracks recorded at various studios in the UK and produced in conjunction with Mark E Smith.

• The band, now in their 41st year, have proven a major influence to many a band in both the UK and around the world (bands such as Pavement, Hole and even Faith No More).

• New Facts Emerge is their third studio album for Cherry Red and adds to the list of over 100 live and studio albums released by the band over the years.

• Formed in 1976 by Mark E Smith, the band has gone through numerous line ups but retain a consistency that many other bands would envy.

TRACK LISTING

DISC 1
1. SEGUE - THE FALL
2. FOL DE ROL - THE FALL
3. BRILLO DE FACTO - THE FALL
4. VICTORIA TRAIN STATION MASSACRE - THE FALL
5. NEW FACTS EMERGE - THE FALL
6. COUPLE VS JOBLESS MID 30'S - THE FALL

DISC 2
1. SECOND HOUSE NOW - THE FALL
2. O! ZZTRRK MAN - THE FALL
3. GIBBUS GIBSON - THE FALL
4. GROUNDSBOY AND THE TWO AMENDMENTS - THE FALL
5. NINE OUT OF TEN - THE FALL

1982 was a decisive year for The Fall. Their critically acclaimed album “Hex Enduction Hour” was released in March on Kamera Records, closely followed by “Room To Live” in September.

This double LP includes the classic album (“Room To Live”) plus live recordings in Manchester, London, New Zealand, Netherlands and Canada.

This release is a double vinyl on coloured marble effect vinyl.

Founded by its only constant member, Mark E. Smith, The Fall formed in Manchester in 1976 and were one of the most prominent post-punk groups in the world. Musically, there may have been several stylistic changes over the years, but it was often characterised by an abrasive guitar-driven sound and frequent use of repetition, always underpinned by Smith's distinctive vocals and often cryptic lyrics.

“They are always different; they are always the same.” John Peel

TRACK LISTING

SIDE ONE
1. JOKER HYSTERICAL FACE
2. MARQUIS CHA-CHA
3. HARD LIFE IN COUNTRY
4. ROOM TO LIVE

SIDE TWO
1. DETECTIVE INSTINCT
2. SOLICITOR IN STUDIO
3. PAPAL VISIT

SIDE THREE
1. JOKER HYSTERICAL FACE (BURY 27/04/82)
2. TOWN CALLED CRAPPY / SOLICITOR IN STUDIO (LONDON 25/03/82)
3. HARD LIFE IN COUNTRY (WELLINGTON 19/08/82)

SIDE FOUR
1. DETECTIVE INSTINCT (MANCHESTER 22/12/82)
2. ROOM TO LIVE (ROTTERDAM 12/02/83)
3. WORDS OF EXPECTATION (TORONTO 21/04/83)

Released by Beggars Banquet in June 1989, 'Seminal Live' was the first of many live and semi-live albums across The Fall’s catalogue. Its release marks the end of the band’s prolific Beggars Banquet era (1984-1989). The albums that preceded 'Seminal Live' via Beggars Banquet - 'The Wonderful and Frightening World Of', 'This Nation’s Saving Grace', 'Bend Sinister', 'The Frenz Experiment' and 'I Am Kurious Oranj' are all considered pillars of the band’s extensive catalogue.

The studio recordings on 'Seminal Live' were all new songs and make up the first side of the album. The live recordings on side two, meanwhile, are all versions of previously-released tracks. Songs on 'Seminal Live' are now considered Fall classics. Side one contains 'Dead Beat Descendant', and their cover of Lonnie Irving’s 'Pinball Machine' is in the well-worn tradition of The Fall’s country covers.

The live side demonstrates the collage-like nature of the LP. Rather than pulling tracks from one single set, live performances were taken from shows in Vienna and Manchester mostly from 1988. 'Seminal Live' features one of the most celebrated line-ups of the band with Brix Smith, Craig Scanlon, Steve Hanley, Simon Wolstencrof, Marcia Schofield and of course Mark E. Smith.

The Fall’s legendary and notorious frontman Mark E. Smith passed away in 2018 at the age of 60 and left us with a massive output. The amount of Fall releases (and band members) was prolific to say the least. The foundation of their unique sound is a near-cacophonous, amelodic jagged jumble of guitars, sing-speak vocals and keyboards which has had an enormous influence on the indie/alternative scene.

TRACK LISTING

1. Dead Beat Descendant
2. Pinball Machine
3. H.O.W.
4. Squid Law
5. Mollusc In Tyrol
6. 2 By 4
7. Elf Prefix / L.A.
8. Victoria
9. Pay Your Rates
10. Introduction / Cruiser’s Creek

It was all change when The Fall signed to Fontana. Guitarist Martin Bramah, who had founded the group with Smith, returned, replacing Smith's ex-wife Brix, who had been in the group since 1983. There were few cries of sell-out, however, when The Fall signed to a major; it was just part of an evolutionary process. The three Fontana  albums, Extricate, Shift- Work and Code: Selfsh were stunningly consistent.With Martin Bramah and keyboard player Marcia Schofeld dismissed from the band, The Fall worked as a four- piece (Craig Scanlon, guitar; Steve Hanley, bass; Simon 'Funky Si' Wolstencroft on drums) for the frst time in the group's career.

Shift-Work from April 1991 is another commercial Fall high- water mark; it contains Idiot Joy Showland, Smith's rant against bandwagon- jumping Madchester bands ("The shapeless kecks fapping up a storm, look at what they are: a pack of worms."), the one- time album title track, The War Against Intelligence, and the bucolic Edinburgh Man, a love letter to Mark E. Smith's then adopted home city.

This re-issue faithfully replicates the original 1991 Fontana Records UK release and is pressed onto high quality 180g vinyl.

TRACK LISTING

1. So What About It?
2. Idiot Joy Showland
3. Edinburgh Man
4. Pittsville Direkt
5. The Book Of Lies
6. The War Against Intelligence
7. Shift- Work
8. You Haven't Found It Yet
9. The Mixer
10. A Lot Of Wind
11. Rose
12. Sinister Waltz

"In marked contrast to Singles Vol One, this compilation showcases an altogether more stable line-up - the one that recorded Hex Enduction Hour to be precise, notwithstanding some to-ing and fro-ing on the kit between me and Karl.

"As with previous releases, there are some revelatory versions here, and the mastering is a wonder to behold, or whatever the aural equivalent of 'behold' is. The earliest, Putta Block, from May 1980 was recorded at the Beach Club, a short-lived Manchester venue that also saw New Order's debut gig. The latest, Ludd Gang, comes fom New York's legendary Danceteria in 1983. Apparently Madonna was there, but you can't hear her.

"In between you can judge what 'The Man Whose Head Expanded' sounded like with Marc and what 'Fantastic Life' sounded like without me. They're both remarkable, of course."

Paul Hanley, December 2025

TRACK LISTING

1. Totally Wired (Live)
2. Putta Block (Live)
3. Lie Dream Of A Casino Soul (Live)
4. Fantastic Life (Live)
5. Look Know (Live)
6. I'm In To CB (Live)
7. The Man Whose Head Expanded (Live)
8. Ludd Gang (Live)

‘The Infotainment Scan’ was originally released in 1993 and was the band 15th studio album reaching no 9 on the album chart. 

This set contains singles and demos as well as BBC sessions and three live shows from the era.

Compiled in conjunction with Fall expert Conway Patton and has notes by Fall guru Daryl Easlea and have been mastered by long time engineer Andy Pearce with art by Becky Stewart.

The Fall are an English post-punk band, formed in Manchester in 1976. The band has existed in some form ever since, and is essentially built around its founder and only constant member Mark E. Smith. Initially associated with the punk movement of the late 1970s, the group's music has gone through several stylistic changes over the years, but is often characterised by an abrasive guitar-driven sound and frequent use of repetition, and is always underpinned by Smith's distinctive vocals and often cryptic lyrics.

The band is noted for its prolific output: and have released over 25 studio albums, and more than triple that counting live albums and other releases. They have never achieved widespread public success beyond a handful of minor hit singles in the late 1980s, but have maintained a strong cult following.

The band were long-associated with BBC disc jockey John Peel, who championed them from early on in their career and cited The Fall as his favourite band, famously explaining, "They are always different; they are always the same."

TRACK LISTING

DISC ONE
The Infotainment Scan
1 Ladybird (Green Grass)
2 Lost In Music
3 Glam Racket
4 I'm Going To Spain
5 It's A Curse
6 Paranoia Man In Cheap Shit Room
7 Service
8 The League Of Bald-Headed Men
9 A Past Gone Mad
10 Light/Fireworks

DISC TWO
Bonus Tracks
1 Why Are People Grudgeful?
2 League Moon Monkey Mix
3 Why Are People Grudgeful? - Permanent Single
4 Glam Racket - Permanent Single
5 The Re-Mixer - Permanent Single
6 Lost In Music - Permanent Single
7 A Past Gone Mad - Alternate Version
8 Instrumental Outtake
9 Service - Instrumental Demo
10 Glam Racket - Instrumental Demo
11 Lost In Music - Mix 3
12 Lost In Music - Mix 7
13 Lost In Music - Mix 14

DISC THREE
At The BBC Peel Session 13/3/93
1 Ladybird (Green Grass)
2 Strychnine
3 Service
4 Paranoia Man In Cheap Sh*t Room Mark Goodier Session 17/5/93
5 Glam Racket
6 War
7 15 Ways
8 A Past Gone Mad Hallam University, Sheffield - April 7th 1993
9 Intro
10 Why Are People Grudgeful?
11 Ladybird
12 Glam Racket
13 Free Range
14 Going To Spain
15 The League Of Bald-Headed Men
16 Lost In Music

DISC FOUR
1993 11th October Batschkapp Frankfurt Germany
1 Intro Track
2 M5
3 Ladybird (Green Grass)
4 High Tension Line
5 Glam Racket
6 Why Are People Grudgeful?
7 I'm Going To Spain
8 Free Range
9 Behind The Counter
10 Strychnine
11 Big New Prinz
12 A Past Gone Mad
13 Lost In Music
14 Paranoia Man In Cheap Shit Room
15 Idiot Joy Showland
16 (Instrumental Interlude)
17 The Mixer
18 Dead Beat Descendant

DISC FIVE
Live At Liberty Lunch, Austin, Texas, 11th September 1993
1 Intro
2 M5 [aborted]
3 M5
4 Ladybird (Green Grass)
5 Paranoia Man In Cheap Shit Room
6 Lost In Music
7 Idiot Joy Showland
8 Big New Prinz
9 Free Range
10 I'm Going To Spain

DISC SIX
Live At Liberty Lunch, Austin, Texas, 11th September 1993
1 Glam-Racket
2 Why Are People Grudgeful?
3 A Past Gone Mad
4 Strychnine
5 League Of Bald-Headed Men
6 Dead Beat Descendant
7 Return
8 The Mixer
9 High Tension Line

Originally recorded at Lisa Stansfield's Gracieland Studios in between December 2002 and January 2003 with producer Grant Showbiz.

The subtitle is explained by the fact that the tracks were originally scheduled for release in April 2003 under the title ‘Country on the Click’. Promotional copies were sent out and three of the new songs were previewed in the band's 23rd Peel Session, but Mark. E Smith was unhappy with the mix and decided it needed further work.

Alex Linhardt of Pitchfork called it "as valuable an album as anything The Fall ever released in the 1990s" and stated that "Smith's lyrics are at a near career-best of insolence and nonsense.” AllMusic's David Jeffries wrote that the album "gives the faithful another reason to believe". Helen Pidd, reviewing the album for The Guardian, viewed Smith as being "on magnificently mad form”. Uncut called it "Great by Smith’s standards. Practically genius by everybody else’s.” Spin praised it as "an atavistic orgy of recycled riffs and lifelong obsessions". MOJO reviewed it as "as good as anything in this group's monstrous catalogue”. Pop Matters called it "their best record in a decade”.

This Set as with the other Fall reissues has been compiled in conjunction with Fall expert Conway Patton and has notes by Fall guru Daryl Easlea and was mastered by long time engineer Andy Pearce with art by Becky Stewart.

TRACK LISTING

Vinyl Tracklisting:
Side 1:
1 Green Eyed Locomotion
2 Mountain Energi
3 Theme From Sparta FC
4 Contraflow
5 Last Commands OF Xyralothep Via MES
6 Janet, Johnny And James
Side 2:
1 The Past #2
2 Open The Boxoctosis #2
3 Loop 41 ‘Houston
4 Mike’s Love Xexagon
5 Proteinprotection
6 Recovery Kit

CD Box Set:
DISC ONE 
The Real New Fall LP Formerly 'Country On The Click'
1 Green Eyed Loco-Man
2 Mountain Energei
3 Theme From Sparta F.C.
4 Contraflow
5 Last Commands Of Xyralothep Via M.E.S.
6 Open The Boxoctosis #2
7 Janet, Johnny + James
8 The Past #2
9 Loop41 `Houston
10 Mike's Love Xexagon
11 Proteinprotection
12 Recovery Kit

DISC TWO:
Country On The Click (Original Version)
1 Sparta
2 Protein Protection
3 Mountain Energei
4 Contraflow
5 Green Eyed
6 Boxoctosis
7 Ho(E)uston
8 The Past
9 Recovery Kit
10 Mike's Love Xexagon
11 Susan V Youthclub

DISC THREE:
Interim
1 All Clasp Hands
2 Blindness
3 What About Us?
4 I'm Ronney The Oney
5 Green-Eyed Snorkel
6 Mod Mock Goth
7 Wrong Place
8 Sparta FC No:3
9 Mere Pseud Mag Ed
10 Spoilt Victorian Childe
11 Boxoctosis Alarum

DISC FOUR:
Singles / Sessions
1 Susan Vs Youthclub - Single
2 Janet Vs Johnny - B-Side
3 Susan Vs Youthclub - Remix
4 (We Wish You A) Protein Christmas - Single
5 (We Are) Mod Mock Goth - Single
6 (Birtwistle's) Girl In Shop - Single
7 Recovery Kit 2 # - Single
8 (We Are) Mod Mock Goth - US Album Edit
9 Theme From Sparta F.C. #2 - Single
10 My Ex-Classmate’s Kids (Live Cologne 2001) - B-Side
11 Portugal (aka Debacle (For The Record)) - B-Side
12 Theme From Sparta F.C. - Peel Session
13 Contraflow - Peel Session
14 Grooving With Mr Bloe / Green-Eyed Loco Man - Peel Session
15 Mere Pseud Mag Ed. - Peel Session

DISC FIVE:
Live At The Knitting Factory - New
York - 9 April 2004
1 Horror In Clay
2 Boxoctosis
3 Contraflow
4 Middle Mass
5 Mere Pseud Mag Ed
6 Mountain Energei
7 I Can Hear The Grass Grow
8 Telephone Thing
9 Theme From Sparta F.C.
10 Janet, Johnny And James
11 Groovin' With Mr Bloe / Green Eyed Loco Man
12 Walk Like A Man
13 Mr Pharmacist
14 Mike's Love Xexagon / We Are Mod Mock Goth
15 I Am Damo Suzuki
16 Dr Buck's Letter
17 Loop 41

The Unutterable was originally released in 2000 and was the band's 21st studio album.

This double vinyl re-issue is released to mark the 25th anniversary of an acclaimed Fall classic and accompanies an extended 4CD box set.

Formed in Manchester in 1976 and built around its founder and only constant member Mark E. Smith the band existed in some form or other (with numerous line-up changes) until Smith’s death in 2018. Initially associated with the punk movement of the late 1970s, the group's music has gone through several stylistic changes over the years, but is often characterised by an abrasive guitar-driven sound and frequent use of repetition, and is always underpinned by Smith's distinctive vocals and often cryptic lyrics.

The band were long associated with John Peel, who championed them from early on in their career and cited The Fall as his favorite band, famously explaining, "They are always different; they are always the same."

TRACK LISTING

Side One
1 Cyber Insekt
2 Two Librans
3 W.B
4 Sons Of Temperance
Side Two
1 Dr. Bucks' Letter
2 Hot Runes
3 Way Round
Side Three
1 Octo Realm / Ketamine Sun
2 Serum
3 Unutterable
4 Pumpkin Soup And Mashed Potatoes
Side Four
1 Hands Up Billy
2 Midwatch 1953
3 Devolute
4 Das Katerer

CD Box Set:
1 Cyber Insekt
2 Two Librans
3 W.B
4 Sons Of Temperance
5 Dr. Bucks' Letter
6 Hot Runes
7 Way Round
8 Octo Realm / Ketamine Sun
9 Serum
10 Unutterable
11 Pumpkin Soup And Mashed Potatoes
12 Hands Up Billy
13 Midwatch 1953
14 Devolute
15 Das Katerer

Testa Rossa Monitor Mixes
1 Serum
2 Two Librans
3 Hands Up Billy
4 Cyber Insekt
5 Dr. Buck's Letter
6 Midwatch 1953
7 Sons Of Temperance
8 W.B
9 Octo Realm / Ketamine Sun
10 Devolute
11 Hot Rune
12 Instrum One
13 Instrum Two Aka Two

16th April 2001 - TJs Newport Wales UK
1 Intro One / Two
2 Sons Of Temperance
3 Two Librans
4 Touch Sensitive
5 Antidotes
6 F-Oldin’ Money
7 Way Round
8 Ketamine Sun
9 Devolute
10 Mr. Pharmacist
11 Dr. Buck's Letter
12 I Am Damo Suzuki
13 Hot Runes
14 Cyber Insekt
15 Ibis-Afro Man
16 Midwatch 1953
17 Touch Sensitive

Live At The Edinburgh Liquid Rooms 2001
1 Touch Sensitive
2 Jims 'The Fall'
3 Bourgeois Town
4 Two Librans
5 I Am Damo Suzuki
6 And Therein
7 The Joke
8 Mr Pharmacist
9 Way Round
10 Crop Dust
11 Kick The Can (Instrumental)
12 F-Oldin' Money/Kick The Can
13 Dr Bucks Letter
14 Ibis Afro Man (instrumental)

This 7 track EP features new tracks, remixes and alternate takes of songs from last year’s Sub-Lingual Tablet LP along with a reworking of ‘’No Xmas For John Quays.

TRACK LISTING

1: Wise Ol' Man (Edit)
2: All Leave Cancelled
3: Dedication (Remix)
4: Wise Ol' Man (Instrumental)
5: Venice With Girls
6: Face Book Troll / No Xmas For John Quay
7: All Leave Cancelled (X)

The mighty Fall release their first album in over two years and it’s their Domino debut. Recorded at various studios in the north of England over the past year, "Your Future Our Clutter" is The Fall at their most rampant, most forward moving, bone shaking best. With nine tracks that rock like raw fury, we see The Fall heading into their next decade with the same intensity with which they started.

STAFF COMMENTS

Darryl says: Album number 28, and Mark E. Smith and the Fall are back at their very best. Think of "Hex Enduction Hour" mixed with "This Nation's Saving Grace", yep that good!!

TRACK LISTING

Vinyl And CD
O.F.Y.C. Showcase
Bury Pts. 1 + 3
Mexico Wax Solvent
Cowboy George
Hot Cake
Y.F.O.C. / Slippy Floor
Chino
Funnel Of Love
Weather Report 2

Extra Tracks - Vinyl Only
Get A Summer Song Goin’
Cowboy George

Beggars Arkive is excited to reissue The Fall’s 10th studio album, 1988’s THE FRENZ EXPERIMENT. Available as an expanded edition on CD and LP, the releases both contain the original album, plus singles and B-Sides. The notes included with both formats contain brand new interviews conducted by Daryl Easley in May 2020.

“I was clearing out the other day and I came across a review of Frenz Experiment, saying how this could have been great, how it could have been like T. Rex’s Electric Warrior. I never attempted to make an album like T-Rex. I don’t see the point in anybody trying to make an album like T-Rex, although people do. I don’t mind it when journalists make fair comparisons, when they’ve done their homework. But comparing Frenz to Electric Warrior is plain daft.”
- Mark E Smith, Renegade – The Lives And Tales Of Mark E Smith, 2008

STAFF COMMENTS

Darryl says: Beggars Arkive re-issue The Fall’s 10th studio album, 1988’s ‘The Frenz Experiment’. Released at the height of their mainstream popularity, this expanded edition (on vinyl and CD) features the monstrous “Hit The North” as well as the cover versions of “Victoria” and “There’s A Ghost In My House”, alongside firm fan favourites like “Carrier Bag Man”, and “Bremen Nacht”.

TRACK LISTING

2LP

A1 Frenz
A2 Carry Bag Man
A3 Get A Hotel
A4 Victoria
A5 Athlete Cured
B1 In These Times
B2 The Steak Place
B3 Bremen Nacht (Vinyl Version)
B4 Guest Informant (Excerpt)
B5 Oswald Defence Lawyer
C1 There's A Ghost In My House (from There’s A Ghost In My House Single)
C2 Sleep Debt Snatches (from There’s A Ghost In My House Single)
C3 Mark'll Sink Us (from There’s A Ghost In My House Single)
C4 Haf Found Bormann(from There’s A Ghost In My House Single)
C5 Bremen Nacht Run Out (from The Bremen Nacht Run Out Single)
C6 Northerns In Europ (from The Hit The North Single)
D1 Hit The North Part 1 (from The Hit The North Single)
D2 Australians In Europe (from The Hit The North Single)
D3 Guest Informant (B-side From The Victoria Single)
D4 Tuff Life Booogie (B-side From The Victoria Single)
D5 Twister (B-side From The Victoria Single)

2CD

CD1
1 Frenz
2 Carry Bag Man
3 Get A Hotel
4 Victoria
5 Athlete Cured
6 In These Times
7 The Steak Place
8 Bremen Nacht (Vinyl Version)
9 Guest Informant (Excerpt)
10 Oswald Defence Lawyer
11 Bremen Nacht Run Out (from The Bremen Nacht Run Out Single, Included W. Initial Pressing Of The Album)
12 Mark'll Sink Us (2) (from The Bremen Nacht Run Out Single)
CD2
1 There's A Ghost In My House (from There’s A Ghost In My House Single)
2 Sleep Debt Snatches (from There’s A Ghost In My House Single)
3 Mark'll Sink Us (from There’s A Ghost In My House Single)
4 Haf Found Bormann (from There’s A Ghost In My House Single)
5 Hit The North Part 1 (from The Hit The North Single)
6 Australians In Europe (from The Hit The North Single)
7 Northerns In Europ (from The Hit The North Single)
8 Guest Informant (B-side From The Victoria Single)
9 Tuff Life Booogie (B-side From The Victoria Single)
10 Twister (B-side From The Victoria Single)
11 Bremen Nacht (Alternative)
12 A Day In The Life (from Sgt. Pepper Knew My Father NME Compilation, 1988)
13 Frenz (1987 Janice Long BBC Session) *
14 There’s A Ghost In My House (1987 Janice Long BBC Session) *
15 Get A Hotel (1987 Janice Long BBC Session) *
16 Haf Found Boorman (1987 Janice Long BBC Session) *

* - Previously Unreleased

The Fall-Outs' fourth full length album, recorded at Egg Studios with Johnny Sangster at the helm these thirteen tracks are filled with the Fall-Outs trademark dark cynicism balanced with angelic harmonies and pop smart hooks, this is garage rock / pop at its finest.

A youngish Mark E Smith is interviewed about all things Fall and Manchester whilst answering by often avoiding the interviewer’s questions in some of Mark’s favourite surroundings- outside on a Manchester slag heap- most answers are preceded by a pause whilst he inhales another draw on his cigarette

The expanded 3-CD follow up to the iconic now out of print 50,000 Fall Fans Can’t be Wrong compilation, now features songs right up to the groups last album. Compiled and annotated by long time Fall aficionado Daryl Easlea from across all the labels the band has appeared on. The booklet designed by long time Fall designer Becky Stewart contains a track by track overview. Mastered by Andy Pearce from the best sources available. Formed in Manchester in 1976, Fall were a seminal English post-punk group. The group existed in some form from that point on, built around its founder and only constant member, the late, great Mark E. Smith. Initially associated with the punk movement of the late 1970s, the group's music underwent stylistic changes over the years, but was always characterised by an abrasive guitar-driven sound and frequent use of repetition, underpinned by Smith's distinctive vocals and often cryptic lyrics. This compilation is ideal for anyone wanting to discover the weird and wonderful world of the Fall. "They are always different; they are always the same." 

TRACK LISTING

Disc: 1
1. Repetition
2. Rebellious Jukebox
3. Industrial Estate
4. Rowche Rumble
5. Fiery Jack
6. How I Wrote 'Elastic Man'
7. Totally Wired
8. New Face In Hell
9. Prole Art Threat
10. Lie Dream Of A Casino Soul
11. The Classical
12. Hip Priest
13. Joker Hysterical Face
14. The Man Whose Head Expanded
15. Kicker Conspiracy
16. Eat Y'self Fitter
17. Oh! Brother
18. C.R.E.E.P.

Disc: 2
1. No Bulbs
2. Cruiser's Creek
3. Spoilt Victorian Child
4. Us 80's-90's
5. Mr Pharmacist
6. Living Too Late
7. Hey Luciani
8. There's A Ghost In My House
9. Hit The North
10. Carry Bag Man
11. Victoria
12. Big New Prinz
13. Dead Beat Descendant
14. Telephone Thing
15. High Tension Line
16. Free Range
17. Why Are People Grudgeful?
18. Lost In Music
19. Behind The Counter
20. M5
21. Feeling Numb

Disc: 3
1. The Chiselers
2. Powder Keg
3. Masquerade
4. Touch Sensitive
5. Dr Buck's Letter
6. Hollow Mind
7. Susan Vs Youthclub
8. Mountain Energei
9. Theme From Sparta Fc # 2
10. Blindness
11. Reformation (Uncut)
12. Wolf Kidult Man
13. Bury!
14. Greenway
15. Sir William Wray
16. The Remainderer
17. Venice With The Girls
18. Wise Ol' Man
19. New Facts Emerge

Beggars Arkive reissue The Fall’s ninth studio album, Bend Sinister, originally released in 1986. This edition is titled Bend Sinister/The 'Domesday' Pay-Off Triad-Plus!

It was the last of three albums in a row produced by John Leckie and was named after a dystopian novel by Vladimir Nabokov.

After the universal acclaim for the previous year’s This Nation’s Saving Grace, Bend Sinister often stands in its predecessor’s shadow. It is a dark, brooding album made at the height of the group’s Beggars Banquet years and many people include this at the top of the list of favourite Fall albums.

From Bend Sinister, “Mr. Pharmacist” is a lurching instalment in pop music’s ongoing conversation with drug dealers, illicit and otherwise. Actually a cover of 1960s garage-rockers the Other Half, it’s also a demonstration of how the Fall’s relatively unchanging style could bolster other people’s songs. – PITCHFORK

“Part musical hypnotist, part ranting madman, Smith was a singular figure in post-punk. His Mancunian accent, dry witticisms and plays on words were one of the Fall’s most constant characteristics. Their songs were odysseys into his ever-verbose psyche, marked by repetitive rhythms and melodies.” – ROLLING STONE

“At various points in the band’s four-decade career, the Fall might sound like punk, hard rock, psychedelia, funk, blues-rock, jazz-rock, electropop or sheer noise. “If it’s me and your granny on bongos, it’s the Fall,” Mr. Smith once declared. The BBC disc jockey John Peel, an early and steadfast supporter, said of the Fall that ‘they are always different, they are always the same.’” - THE NEW YORK TIMES

"Mark E Smith’s group of psychedelic post-punks rank as one of the most visionary, singular British bands of all time.” -THE GUARDIAN

STAFF COMMENTS

Darryl says: Originally released in 1986, one year after the highly celebrated ‘This Nations Saving Grace’, ‘Bend Sinister’ was a darker brooding album, but had the Brix pop sensibility to counteract Mark E. Smith’s caustic vocals. Still highly regarded by Fall fans to this day, this was MES and his band hitting their creative peak. Reissued as a double disc edition with a plethora of bonus material.

TRACK LISTING

LP TRACK LISTING:
A1. R.O.D.
A2. Dktr. Faustus
A3. Shoulder Pads 1#
A4. Mr. Pharmacist
A5. Gross Chapel – British Grenadiers
B1. U.S. 80’s – 90’s
B2. Terry Waite Sez
B3. Bournemouth Runner
B4. Riddler!
B5. Shoulder Pads 2#
C1. Living Too Late (From The Living Too Late Single)
C2. Hot Aftershave Bop (From The Living Too Late Single)
C3. Lucifer Over Lancashire (From The Mr.Pharmacist Single)
C4. Auto Tech Pilot (From The Mr.Pharmacist Single)
D1. Hey! Luciani (from The Hey! Luciani Single)
D2. Entitled (from The Hey! Luciani Single)
D3. Shoulder Pads #1b (from The Hey! Luciani Single)
D4. Living Too Long (From The Living Too Late Single)

CD TRACK LISTING:
1-1. R.O.D.
1-2. Dktr. Faustus
1-3. Shoulder Pads 1#
1-4. Mr. Pharmacist
1-5. Gross Chapel – British Grenadiers
1-6. U.S. 80’s – 90’s
1-7. Terry Waite Sez
1-8. Bournemouth Runner
1-9. Riddler!
1-10. Shoulder Pads 2#
2-1. Living Too Late (Remastered/from The Living Too Late Single)
2-2. Hot Aftershave Bop (Remastered/from The Living Too Late Single)
2-3. Lucifer Over Lancashire (Remastered/from The Mr.Pharmacist Single)
2-4. Auto Tech Pilot (Remastered/from The Mr.Pharmacist Single)
2-5. Hey! Luciani (Remastered/from The Hey! Luciani Single)
2-6. Entitled (Remastered/from The Hey! Luciani Single)
2-7. Shoulder Pads #1b (Remastered/from The Hey! Luciani Single)
2-8. Living Too Long (Remastered/from The Living Too Late Single)
2-9. R. O. D (Peel Session, June 29 1986)
2-10. Gross Chapel – British Grenadiers (Peel Session, June 29 1986)
2-11. U. S. 80s – 90s (Peel Session, June 29 1986)
2-12. Hot Aftershave Bop (Peel Session, June 29 1986)
2.13. Luciani (Original Version, Previously Unreleased)
2.14. DKTR. Faustus (Rough Mix, Previously Unreleased)
2.15. Terry Waite Sez (Yellow 2 Mix, Previously Unreleased)
2.16. Lucifer Over Lancashire (Abbey Road Take 2, Previously Unreleased)
2.17. Entitled (Abbey Road Take 2, Previously Unreleased)
2.18. Town And Country Hobgoblins (Live, From The Bend Sinister Cassette Release)

Founded by its only constant member, Mark E. Smith, The Fall formed in Manchester in 1976 and were one of the most prominent post-punk groups in the world. Musically, there may have been several stylistic changes over the years, but it was often characterised by an abrasive guitar-driven sound and frequent use of repetition, always underpinned by Smith's distinctive vocals and often cryptic lyrics. “Dragnet” is the second studio album – released 26th October 1979 - these editions celebrate the fortieth anniversary of this seminal album. Originally released through record label Step-Forward, it predicated 2 major factors in the group’s career – high productivity and high group turnover. The album has historically garnered excellent reviews, including 4/5 in MOJO, 8.7/10 on Pitchfork and 4/5 in Q Magazine. Featuring the one and only Mark E. Smith alongside Steve Hanley (bass), Marc Riley (guitar), Craig Scanlon (guitar), Mike Leigh (drums), Kay Carroll (backing vocals) and Yvonne Pawlett (keyboards). 

TRACK LISTING

CD:

Disc: 1
1. Psykick Dancehall
2. A Figure Walks
3. Printhead
4. Dice Man
5. Before The Moon Falls
6. Your Heart Out
7. Muzorewi's Daughter
8. Flat Of Angles
9. Choc-Stock
10. Spectre Vs. Rector
11. Put Away
12. Rowche Rumble
13. In My Area
14. Fiery Jack
15. 2nd Dark Age
16. Psykick Dancehall No.2 (Alternate Take)
17. Rowche Rumble (Take 2)
18. Rowche Rumble (Take 3)
19. Rowche Rumble (Take 4)
20. Rowche Rumble (Take 5)
21. In My Area (Alternate Take 1)
22. In My Area (Alternate Take 2)

Disc: 2
1. Psykick Dancehall (Live In Retford)
2. Rowche Rumble (Live In Retford)
3. Flat Of Angles (Live In Retford)
4. 2nd Dark Age (Live In Retford)
5. Rebellious Jukebox (Live In Retford)
6. Muzorewi's Daughter (Live In Retford)
7. In My Area (Live In Retford)
8. Choc Stock (Live In Retford)
9. Printhead (Live In Retford)
10. A Figure Walks (Live In Retford)
11. Fiery Jack (Live In Retford)
12. No Xmas For John Quays (Live In Retford)
13. Psycho Mafia (Live In Retford)

Disc: 3
1. Psykick Dancehall (Live In Los Angeles)
2. Rowche Rumble (Live In Los Angeles)
3. Flat Of Angles (Live In Los Angeles)
4. Rebellious Jukebox (Live In Los Angeles)
5. Various Times (Live In Los Angeles)
6. Stepping Out (Live In Los Angeles)
7. Your Heart Out (Live In Los Angeles)
8. Dice Man (Live In Los Angeles)
9. Spectre Vs Rector (Live In Los Angeles)
10. Choc Stock (Live In Los Angeles)
11. Muzorewi's Daughter (Live In Los Angeles)

This double vinyl package features tracks from across The Fall's glittering career.

TRACK LISTING

Lie Dream Of A Casino Soul
Man Whose Head Expanded
Hit The North
Jerusalem
Popcorn Double Feature
Behind The Counter
Fantastic Life
Bremen Nacht
I'm Into CB
Room To Live
Carry Bag Man
Eat Y'Self Fitter
Lucifer Over Lancashire
The Classical
L.A.
Big New Prinz
Why Are People Grudgeful?
2 X 4
Frenz

“Levitate” is the Fall’s 19th album originally released in 1997 on Artful Records. It has been out of print for a number of year snow and is much sought after by fans It’s the last album to feature two long-time Fall members, drummer Karl Burns and bass player Steve Hanley (whose playing was once described by Smith as the defining element of the group's music). The album was initially going to be produced by Keir Stewart and Simon Spencer (who previously collaborated with Smith under the moniker D.O.S.E. on the 1995 single ‘Plug Myself In’). Most of the recordings took place at Edwyn Collins’ studio in West Hampstead. However, Stewart and Spencer soon fell out with Smith over payments and left after a week, taking most of the tapes with them. The only tracks from these sessions to make the album were "4½ Inch" (allegedly edited out of samples of a rehearsal recording), ‘Spencer’, later re-dubbed by Smith as ‘Spencer Must Die’, and ‘The Quartet of Doc Shanley’.