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Desmond Dekker

Pretty Africa

    THIS IS A RECORD STORE DAY 2019 EXCLUSIVE, LIMITED TO ONE PER PERSON.

    Recorded at Chalk Farm Studio in the summer of 1973, this long-lost album, showcasing the talents of reggae superstar Desmond Dekker and his backing group, the Aces, was recently discovered in the legendary Trojan archives. Comprising 7 superb sides performed by Desmond Dekker himself, and a further five highlighting the not inconsiderable vocal talents of the Aces, we are sure fans will agree that the 45 year delay in the release of this previously unissued collection has certainly been well worth the wait!

    Dillinger

    CB 200

      THIS IS A RECORD STORE DAY 2019 EXCLUSIVE, LIMITED TO ONE PER PERSON.

      First issued in 1976. Available on CD and digital but vinyl has been out of print since the mid-80s. 2000 only worldwide. By the 1970s Reggae had spread from Jamaica and become an international phenomena. Enter Dillinger, who rose up with the El Paso Sound System as part of the second generation of Jamaican toasters. His name came from American gangster John Dillinger at the suggestion of none other than Lee Perry (who produced his first album). A deal with Island Records followed, with sessions happening at Channel One Studios with Joseph ""Jo Jo"" Hoo Kim producing. Recording at Channel One in mid-70s meant Dillinger and Jo Jo were tapping into an immense talent pool in the form of The Revolutionaries, the studio’s in-house band. CB 200 features contributions from Earl “Chinna” Smith, Aston “Family Man” Barrett, Ansel Collins, Sly Dunbar, and Tommy McCook among others. The release also brought forth the career defining cut “Cokane In My Brain”, a hit record on an international basis. Despite the success of CB 200 and “Cokane In My Brain” the release has remained out of print in all formats since the mid-1980s. Get On Down is about to change that, with their Record Store Day 2019 reissue of this too often overlooked Reggae masterpiece. Tracks : 1. CB 200 2. No Chuck It 3. Cokane In My Brain 4. The General 5. Power Bank 6. Plantation Heights 7. Race Day 8. Natty Kick Like Lightning 9. Buckingham Palace 10. Crankface

      Daniel Pemberton

      Black Mirror: USS Callister - OST

        THIS IS A RECORD STORE DAY 2019 EXCLUSIVE, LIMITED TO ONE PER PERSON.

        1000 only - soundtrack from much loved cult episode of ‘black mirror’.

        first time on vinyl, bespoke artwork from butcher billy, includes ltd edition poster art print. 2lp red vinyl. “a brilliant take on star trek homages, gaming and toxic geekery” the guardian // the emmy nominated soundtrack from the much-loved emmy winning episode of black mirror. daniel pemberton’s score for black mirror’s ‘uss callister’ is available for the first time on vinyl with bespoke artwork from butcher billy and limited-edition poster art print. taken from the first show of the show’s fourth season, it’s the ‘star trek’ episode when a gifted programmer becomes frustrated with his job and creates digital clones of his co-workers for his own dark adventures in space. the ivor novello award winning, golden globe award and multi bafta nominated and acclaimed composer shifts effortlessly between symphonic and electronic instrumentation. “a brutal star trek scenario that’s half comedy, half indictment of silicon valley leadership” the verge // “one of hollywood’s most sought-after composers” screen daily.

        Damon Albarn, Afel Bocoum, Toumani Diabate And Friends

        Mali Music

        "Mali Music" was recorded by the cream of Mali's musicians and Blur's Damon Albarn. The results swing from global fusion to reggae to house to traditional to ragga and back again. Included are Toumani Diabate, Nabintou Diakite, Afel Bocoum, Lobi Tarore and Kasse Mady Diabante.

        ‘All that is magic about African music while skipping round the po-faced worthy guff that puts people off… witty, experimental, stunningly beautiful’ - Mojo

        ‘Reckless yet inspired… stirringly beautiful’ - Vibe.

        FORMAT INFORMATION

        2xLP Info: 2xLP in gatefold sleeve with fold-out poster insert.

        After 20 years of success fronting globally successful bands Blur and Gorillaz, a true British icon releases his first solo album.

        A poignant and introspective record that will win people over with it its quality.
        Campaign will be creative led with Damon working with conceptual multi-media artist Aitor to create artwork, video and online concepts.


        STAFF COMMENTS

        Andy says: Gorgeously understated, mellow mix of sounds, organic and electronic. An honest, thoughtful record.

        Dennis Alcapone

        Guns Don't Argue

          Cementing his reputation as the star toaster with the small but popular El Paso sound system, based in the Waltham Park area, Dennis Alcapone was one of the first deejays to rise to prominence following U Roy’s breakthrough in the late 1960s. Born Dennis Smith in the rural district of Culloden, he became immersed in sound system culture after settling in western Kingston. Once El Paso became big on the sound system circuit, dental technician-turned-producer Keith Hudson brought him into the studio for his debut recordings, which led to a debut album for Studio One and hit material for Duke Reid, some cut in concert with his deejay sparring partner, Lizzy. Alcapone’s longstanding links with Bunny Lee yielded the excellent "Guns Don’t Argue" album, first issued in 1972, on which the toaster raps with style over some of Lee’s all-time greatest rhythms, including Delroy Wilson’s "Better Must Come", John Holt’s "Left With A Broken Heart" and Slim Smith’s rendition of the Temptations’ soul classic "Ain’t Too Proud To Beg."

          Dennis Alcapone was one of the first sound system deejays to rise to island-wide prominence, following the incredible success of U Roy’s fluid toasting style, which took Jamaica by storm during the late 1960s. Alcapone, who was born Dennis Smith in the country town of Culloden in Westmoreland, southwestern Jamaica, first made an impact on a sound system called El Paso, based in the rough-n-ready west Kingston district of Waltham Park.

          Initial recordings for Keith Hudson were strictly underground, but an album for Studio One and popular work for Duke Reid significantly boosted his profile. Dennis Alcapone worked closely with hitmaking producer Bunny ‘Striker’ Lee from the early 1970s, establishing a friendship that has lasted to the present day; Investigator Rock, which dates from 1977, sees the toaster riding Striker’s rockers-styled hits, voiced by the likes of Cornell Campbell, John Holt, and Johnny Clarke.



          David Allred

          The Cell

            Meant as a companion piece to The Transition, The Cell picks up where The Transition left off, with David continuing the search to find his place in the world. “The Cell is about warmly acknowledging the darkness in our individual lives as a strategic method of gaining a deeper understanding of how to move forward in a vastly dissonant world with optimism, harmony and light.”

            Opening with the title track, The Cell immediately draws us into David’s unique world of storytelling, displaying his peculiar skill of weaving feelings and characters with wandering melodies. The five-minute opener peaks with David’s emotional falsetto repeating “In the mind”, acting as an alarm call for himself and his surroundings. Lead track Nature’s Course finds David delving deeper into existential questions about the human condition and its relation to nature, set to a gentle, melancholy piano ballad.

            “Nature’s Course is a feeling pertaining to the way our subjective human experience is subconsciously directly related to the slow steady pace of nature and our ability to cope with our inner struggles accordingly” explains David.

            The Cell further cements David’s place among the American songwriting tradition, from the slow methodical spacey instrumental Mandatory Soul to the poetic solo piano number Family and the dense and continuous Lexington Hills. With each piece we are transported to David’s unusual but rich and textured little world.

            Hailing from Loomis, a small town outside of Sacramento, via Portland, Oregon – David worked as a sound engineer and session musician, featuring on multiple recordings by the likes of Birger Olsen, Brigid Mae Power, Brumes, The Beacon Sound Choir, Chantal Acda, Heather Woods Broderick, Jung Body, Masayoshi Fujita, and many more. He quickly found himself touring Europe with Peter, culminating in a Royal Festival Hall performance, and contributing the arresting voice and double bass piece Ahoy to the Erased Tapes 10th anniversary box set 1+1=X.

            STAFF COMMENTS

            Barry says: They're becoming quite the collective this lot. With Allred recently collaborating with the splendid Peter Broderick, and he in turn collaborating with Chatal Acda and the superb Bridgid Mae Powers, the musical ouroboros continues to produce the goods. Allred is a hugely talented individual and clearly knows exactly how to accentuate his beautiful pieces with the help of some good pals. Lovely stuff.

            Hailing from Loomis, a small town outside of Sacramento, via Portland, Oregon – David worked as a sound engineer and session musician, featuring on multiple recordings by the likes of Birger Olsen, Brigid Mae Power, Brumes, The Beacon Sound Choir, Chantal Acda, Heather Woods Broderick, Jung Body, Masayoshi Fujita, and many more. He quickly found himself touring Europe with Peter, culminating in a Royal Festival Hall performance, and contributing the arresting voice and double bass piece Ahoy to the Erased Tapes 10th anniversary box set 1+1=X; only to return to where he started, Loomis, and finally write and record The Transition as his first full-length statement in just one month.

            “At 26 years old, I found myself back in the town where I grew up, feeling a bit like a failure for not “making it” out there in the years I spent living and working on my own. I picked up a job working in a retirement home, surrounded by those who are at the very end of their lives, and they’ve kept saying the same thing: that they had no idea life would happen that fast. So I decided to make an album inspired by my recent experiences and stories I heard through working with them,” he explains.

            With the release of The Transition, David Allred takes his place among the classic American songwriting tradition whilst revealing a peculiarity to his storytelling. Isolated and cut off from the outside world, David began unravelling his life and putting it on record. With a double bass in his bedroom and a piano in a church across the street, the stories started to unfold until a set of ten songs came to life. Vignettes and feelings from his own experiences, as well as characters he met along the way, inspired a rich tapestry of stories and melodies. Songs like the lead single The Garden show a maturity, depth and thoughtfulness beyond his years. Randy and Susan, a song about love, betrayal, greed and getting old, was made up from various stories David collected at his day job as a caretaker. It was written as a companion piece to Hey Stranger, “a poignant tale of a disappeared friend” (Mojo) from his collaborative release with Peter, and an attempt to make peace with this unresolved situation. 


            Douglas Armour

            The Light Of A Golden Day, The Arms Of The Night

            "The Light Of A Golden Day, The Arms Of The Night" is the debut album from Los Angeles located Douglas Armour. This album finds the artist expertly blending tons of our favourite poptones from days past to create a hyper-literate pastiche that's equal parts nostalgia and forward-thinking. Echoing its title, the album has a structure that plays off binary oppositions to create one of the most varied pop albums we've heard in a long time.

            Dorothy Ashby was an American jazz harpist, one of the very few who used her instrument to play credible jazz and bebop. First studying as a pianist at Wayne State University and later, in 1952, switching to harp. She recorded eleven albums for different jazz labels, like Savoy and Prestige. Dorothy also guested as a studio player on albums with Bill Withers, Stevie Wonder and many more. In 1969 the studio album Dorothy’s Harp was released on Cadet Records. On the album she covered songs from Jimmy Webb (“By The Time I Get To Phoenix”), Burt Bacharach & Hal David (“This Girl’s In Love With You”), John Lennon & Paul McCartney (“Fool On The Hill”), and others. The record also includes the two Brazilian styled compositions “Reza” and “Canto de Ossanha” and two songs written by Dorothy Ashby herself, displaying her craft on the harp with some great bongo work.

            In the 90s and beyond, the album started to be sought after by hip hop artists. Pete Rock (from Pete Rock & CL Smooth), Rahzel (from The Roots) and Ugly Duckling were notable for sampling music from "Dorothy’s Harp".

            Re-released here via Music On Vinyl, on limited blue vinyl and sounding as good as ever!




            FORMAT INFORMATION

            LP Info: 180 Gram on limited blue vinyl

            Dan Auerbach/ Robert Finley / Sonny Smith

            Good Sound Comes Back Around Vol. 1

              Eight-time GRAMMY–­winner, Dan Auerbach, announces a 7” Easy Eye Sound sampler, Good Sound Comes Back Around Vol. 1, which will be released as part of Record Store Day’s Black Friday initiative. The new 7” is a preview of upcoming releases on Auerbach’s label and features ‘Cellophane Angel’, an exclusive and unreleased track Auerbach recorded with the Preservation Hall Band, on Side A, and Robert Finley's ‘Medicine Woman’ – the first single on his new album Goin’ Platinum! due December 8 – and Sonny Smith's ‘Pictures of You’ on Side B

              David August

              D'Angelo

                Fusing laidback pop sensibility with moody cinematographic soundscapes, David’s newest album D’ANGELO is the sound of a young artist getting in touch with their roots, exploring new landscapes and freeing inhibitions. Where he channelled this journey into ambience on DCXXXIX A.C. – his debut on his own label, 99CHANTS - D’ANGELO has David deconstructing pop atmospheres while in search of his past and reforming them into something deeply moving.

                He admits that while his strongest emotions have their roots in his formative years, growing up in the picturesque mountain town of Palestrina outside Rome, he never used those emotions creatively, keeping them private until now. “I had never tried to have a dialogue with myself within the music that I was making,” he explains. “Suddenly there were all these questions about identity, my childhood, and an obsession with truth. Although I was scared to confront these questions – when in your life could you fully answer them? – I had to at least approach them to keep creating.”

                D’ANGELO’s spiritual inspiration is rooted in Italy’s rich and complex artistic history, and how certain artists broke boundaries, such as Giovanni Pierluigi da Palestrina, who mastered the art of polyphonic and counterpointed composition during the Renaissance. “I looked at the Italian culture I grew up with, that has always been present since I was a kid.” He says. “I had to start with a deeper study of these artists, composers, and writers who formed the cultural and emotional bonds I feel towards Italy.”

                Michelangelo Merisi da Caravaggio painted the realities of the streets over the ideals of the heavens, taking those who blended into the background of the streets and painting them as saints, as figures of ideation. “Caravaggio was a leading inspiration throughout this process. He was someone I looked up to all the time and had so much respect for; someone who was always trying to picture the implacable reality, and not compromising. Having his paintings on one screen – and my DAW on the other – was one part of the process. It was an attempt to soundtrack his art – his reality – in real time.”

                D’ANGELO is an impassioned, melancholic album that exists in a space that is not easy to translate into words…but do the words always matter?

                Daniel Avery

                Slow Fade EP

                  Daniel Avery returns to Phantasy for a 4-track limited edition 12” vinyl EP, Slow Fade, featuring the title track and first single from his much-anticipated sophomore LP, upcoming in April via Phantasy.

                  A prelude to the LP’s sonic exploration of the twilight world of a personal, transient life spent between clubs, hotel rooms, airports and home, Slow Fade captures the expanded foundations of Avery’s sonic palette. Arresting club moments linger under the surface, but the focus is on the smudged ambience that underpin Avery’s grasp on rave euphoria.

                  As a re-entry into a broader musical universe, ‘Slow Fade’ is immediately compelling, combining neo-acid, feedback loops and pure atmosphere at a patient but restrained pace. Meanwhile, ‘After Dark’ alters this aesthetic to it’s raw, pensive elements, stripping Avery’s distinctive drums completely, revealing a meditative, ambient fog.

                  ‘Radius’ announces itself with industrial intent, before unfolding seamlessly into a wistful electronic hymn, the perfect soundtrack to brooding London skies, and eventually evolving into slow-motion motorik. Closing the EP, ‘Fever Dream’ finds Avery at club tempo, but in a somewhat agitated state, on this occasion focusing on a paranoid rhythm that emerges clean from eerie, even paranoid territory.

                  Close your eyes, press repeat.

                  Includes heavy weight vinyl / download codes

                  FORMAT INFORMATION

                  12" Info: One copy in stock

                  Five years after his critically acclaimed debut Drone Logic, London-based producer Daniel Avery announces his highly anticipated second album Song For Alpha, set for release on March 9th 2018 through Phantasy. The album is preceded on January 19th by a 4-track limited edition 12” vinyl EP titled Slow Fade.

                  The new long player, on which the track ‘Slow Fade’ will appear, follows 2013’s incendiary debut Drone Logic. Upon its release the latter was called “A mesmerising debut" by Mixmag, “Exceptional” by the Times and "A benchmark for so many other dance albums to aspire to" by Dummy, while Pitchfork proclaimed “Avery owns this space.” “Underground dance music with this sort of ambition hasn’t been heard in quite a while", noted Resident Advisor, and Q hailed  "The arrival of a new left­field dance superstar."

                  In the years since, Avery has helmed a DJ-Kicks mix CD, resided over a monthly radio show for NTS Live, curated an extensive remix compilation and collaborated on a series of side-projects including a recent collaboration with Nine Inch Nails synth specialist Alessandro Cortini; he has toured relentlessly, cementing a reputation as one of the defining techno DJs of the decade. He has also worked studiously on what he wanted to say next as a producer. 

                  With newfound energy and time to develop, Avery’s sonic vocabulary has expanded. Here, the booming sound of the big room is brilliantly countered by the music of the small hours. Where celestial ambient lullabies ‘First Light’ and ‘Days From Now’ sit perfectly next to the mesmeric techno assault of ‘Diminuendo’ and ‘Sensation’; where both ‘Projector’ and ‘Clear’ evoke early rave records, only ones engulfed by waves of beautiful cyclonic distortion. William Basinski, Warp’s Artificial Intelligence, Brian Eno plus his own excursions with Alessandro Cortini all serve as touchstones for a record that sees Avery take his signature psychedelic-electronic sound to new dimensions, a sound that plays to the head as much as the body.


                  STAFF COMMENTS

                  Barry says: Delicately presented electroacoustic compositions, supported with a finely honed backbone of melodic suggestion and hypnotic rhythmic pulse, Avery once again proves he is one of the masters of his craft.

                  FORMAT INFORMATION

                  2xLP Info: Double 180 gram vinyl.

                  2xLP includes MP3 Download Code.

                  David Axelrod

                  Earth Rot

                    Earth Rot is visionary composer / arranger / producer David Axelrod’s third album, and the last of his Capitol trilogy. Recorded as a concept album about the decrepit state of the environment in 1970 Los Angeles, and scheduled for release on the first Earth Day, it features choral vocals and marks a departure for Axelrod’s signature sound, which would take on a jazzier feel in the 1970s. This definitive version of Earth Rot, overseen by Now-Again’s Eothen Alapatt in conjunction with Axelrod’s estate is an audiophile reissue, with the vocal version lacquered directly from Axelrod’s original master tapes at Capitol Records by Ron McMaster. The master was approved by Axelrod’s son Michael, who adapted ancient lyrics for the album in one of three collaborative projects he did with his father. Contains a 28 page booklet that delves into Axelrod’s incredible life and music, replete with never before published photos and an interview. “There are very few people who see the Grand Picture of the Universe and understand the Nothingness that it all comes from. There are even fewer who can express these ideas through music - David could do it all.” T-Ray. 

                    FORMAT INFORMATION

                    LP Info: Comes Packaged In A Gatefold Jacket With A 28-Page Booklet!

                    "Includes Never Before Issued Instrumentals! Comes Packaged In A Gatefold Jacket With A 28-Page Booklet! Earth Rot is visionary composer/ arranger/ producer David Axelrod’s third album, and the last of his Capitol trilogy. Recorded as a concept album about the decrepit state of the environment in 1970 Los Angeles, and scheduled for release on the first Earth Day, it features choral vocals and marks a departure for Axelrod’s signature sound, which would take on a jazzier feel in the 1970s. This definitive version of Earth Rot, overseen by Now-Again’s Eothen Alapatt in conjunction with Axelrod’s Estate, fulfills a request Axelrod made while alive – to see the instrumentals of this album, never beforereleased, issued. They see release here as the second LP in a 2LP set. This is an audiophile reissue, with the vocal version lacquered directly from Axelrod’s original master tapes at Capitol Records by Ron McMaster. The master was approved by Axelrod’s son Michael, who adapted ancient lyrics for the album in one of three collaborative projects he did with his father. Contains a 28 page booklet that delves into Axelrod’s incredible life and music, replete with never before published photos and an interview.

                    David Axelrod

                    Earth Rot Instrumentals

                      Earth Rot is visionary composer / arranger / producer David Axelrod’s third album, and the last of his Capitol trilogy. Recorded as a concept album about the decrepit state of the environment in 1970 Los Angeles, and scheduled for release on the first Earth Day, it marks a departure for Axelrod’s signature sound, which would take on a jazzier feel in the 1970s. The instrumental version of Earth Rot was first issued by Now-Again , overseen by the label’s Eothen Alapatt in conjunction with Axelrod’s estate as a limited double LP offering. The instrumentals are now available for the first time ever as a stand-alone LP. The master was approved by Axelrod’s son Michael, who adapted ancient lyrics for the album in one of three collaborative projects he did with his father. Contains a 28 page booklet that delves into Axelrod’s incredible life and music, replete with never before published photos and an interview. “There are very few people who see the Grand Picture of the Universe and understand the Nothingness that it all comes from. There are even fewer who can express these ideas through music - David could do it all.” T-Ray. 

                      FORMAT INFORMATION

                      LP Info: Comes Packaged In A Gatefold Jacket With A 28-Page Booklet!

                      This is the first Now-Again issue in a series of reissues centered around Axelrod’s Capitol Trilogy – "Song of Innocence", "Songs of Experience" and "Earth Rot" – which will see release through 2018. This audiophile reissue was transferred directly from Axelrod’s original EQ’ed master tapes at Capitol Records by Ron McMaster. Axelrod’s debut, and a ‘60s masterpiece.

                      Celebrated as psychedelic, the birth of jazz-fusion, the harbinger of hip-hop, "Song of Innocence" is a hybrid that no one, not even Axelrod himself, could describe. Grounded by Wrecking Crew vets Earl Palmer and Carol Kaye’s funk, torn between the juxtaposition of musical elements, put at ease, Axelrod’s sweeping arrangements, which utilize brass and strings in a way that no one of his era did. It’s both violent and sublime. LP/CD Contains 28 page booklet that delves into Axelrod’s incredible life and music, replete with never before published photos and an interview with Axelrod by Eothen Alapatt and Wax Poetics’ Brian Digenti. 

                      David Axelrod

                      Songs Of Experience

                        “Songs of Experience was supposed to have a different feel than Song of Innocence. You see, music is a great outlet. And regardless of what the titles say, and as close as I wanted it to be to William Blake, what was going on in my life took precedence.” – David Axelrod. Songs of Experience is visionary composer/arranger/producer David Axelrod’s second album; it was recorded after the death of his beloved son Scott. Experience is an ominous affair, an album concerned with mortality and spirituality – the solitary, pastoral musings of William Blake set to the urban bombast of a full Los Angeles orchestra, with Wrecking Crew vets grounding the proceedings with dark funk.

                        This is the next Now-Again issue in a series of reissues centered around Axelrod’s Capitol Trilogy – Song of Innocence, Songs of Experience and Earth Rot – which will see release through 2018. LP Contains oversized, 28 page booklet that delves into Axelrod’s incredible life and music, replete with never before published photos and an interview with Axelrod by Eothen Alapatt and Wax Poetics’ Brian Digenti. (CD 32 page booklet) “There are very few people who see the Grand Picture of the Universe and understand the Nothingness that it all comes from. There are even fewer who can express these ideas through music - David could do it all.” 

                        Dylan Golden Aycock

                        Church Of Level Track

                          “Dylan Golden Aycock is part of the new generation of guitar pickers young enough to first have been influenced by early volumes of Tompkins Square Records’ Imaginational Anthem series and then to be anthologized on a later one. The Oklahoma native is on Volume 7, should you feel like looking, playing an early version of “Red Bud Valley,” which sits in the middle of the B-side of the LP under consideration here.

                          “Aycock’s composing on Church Of Level Track offers evidence that he’s well studied in a lineage of American Primitive pickers that stretches back decades before he was born. “Lord It Over” puts it right out there by opening with a double-thumbed bass line right out of John Fahey’s bag of tricks. But this quotation is merely an opening gambit, and one that is quickly followed by moves that prove Aycock is no parrot but a bird with his own song to sing. The steel guitar that sails in over his picking evokes first the bucolic playfulness of Jim O’Rourke’s Bad Timing and then keeps going back into the deep back shelves of country- rock lyricism. At the same time a virtual band (Aycock plays everything on the track and nearly everything on the LP) sets up a subtle undertow of entropic drumming and echo-laden feedback….” —Bill Meyer, Dusted Magazine, Chicago Reader.

                          Daniel Bachman

                          Brother Green / Honeysuckle Reel

                            Daniel Bachman is a 22 year old musician born and raised in Fredericksburg, Virginia. He has been playing what he describes as "psychedelic appalachia" since he was a teenager, releasing small run editions of tapes, CDs and LPs for the past three years, with a sound that evolved from drones and banjos to a now guitar centered focus.

                            Touring off and on since the age of 17, Bachman has managed to cover thorough ground across the US, sharing stages with like minded folk such as fellow Fredericksburg native Jack Rose, for whom he fashioned the artwork for the posthumous release of 'Luck In The Valley'.

                            His newest effort is the full length LP 'Seven Pines', sprung from a year living and working in the city of Philadelphia. The sound results in a combination of homesick worried blues and the ecstatic buzz of fresh experience and a new life in unknown territory. Familiar and known, but also seeking to access memories from lives past, dead and gone.

                            This 7" was available only (until now!) on Bachman's Spring 2013 full US tour. Limited to 500 copies.


                            Daniel Bachman

                            Jesus I'm A Sinner

                              Jesus I'm a Sinner is the 4th LP by Daniel Bachman. The album was recorded in Rappahannock County Virginia at Forrest Marquisee's studio inside his father's woodshop in May of 2013 after spending just around 8 months on the road. The first song Sarah Anne is a song for one of his best friends and sister Sarah Anne Bachman, and is also his first full song for the lap guitar. Honeysuckle Reel is a springtime tune. For that first day when the heat and humidity sets in and the smell of the honeysuckle bloom creeps in your open windows driving. Happy One Step is a guitar/fiddle duet with Sally Morgan of the Black Twig Pickers/The Freight Hoppers. It is a Cajun tune by Dennis McGee. Jesus I'm a Sinner is for cutting loose. Variation on Goose Chase is a version of Virgil Anderson's Goose Chase.

                              Although attempted to adapt to the guitar, playing it on the banjo was the only way to keep the feel of the original version. Under the Shade of the Trees has the undertone and drone of the 17 year cicada hatch that hit Virginia summer of 2013. The title is taken from Stonewall Jackson's last words on his deathbed "Let us cross over the river, and rest under the shade of the trees". Chattanooga is played by Sally Anne Morgan (fiddle) and Charlie Devine (banjo). This version was taken from Blaine Smith. Blenheim is the name of the Latané family's property in Westmorland Co. Virginia. Its a song for good food, drinks and solid company nestled on the banks of the Potomac River. Leaving Istanbul (4 AM) is a frustration song and the feeling of being very tired thousands and thousands of miles away from home.

                              Every major record released by Daniel Bachman has rightly been greeted by critical acclaim. Starting with 2012’s Seven Pines and running through 2014’s Orange Co. Seranade, each album has been lauded as his best release to date. In each of these instances, the critics have been correct. Even more impressive than the breadth and depth of each album has been the fact that Bachman has continued to top himself with respect to composition, technique, instrumentation and artistry on such a consistent basis. Given this sort of track record, what can we expect from River?

                              Simply stated, River is Bachman’s best album. Everything written previously by the critics about his albums applies once again with one change: he just got better. Unconventionally, it opens with the breathtaking and robust fourteen minute epic “Won’t You Cross Over To That Other Shore.” Proving his ability to write music that keeps the listener engaged (even across such a long tune), Bachman successfully uses tempo changes, varied picking patterns and melodic exploration, all without ever getting lost in pointless improvisation too far from the overall theme.

                              Bachman has always been quick to have his music serve as a homage to his musical and geographical roots in Virginia. River is no exception. Here he tips his hat to Jack Rose (“Levee”) and William Moore (“Old Country Rock”) through his interpretations of their songs. Bachman’s playing and flourishes on these tracks simultaneously acknowledge the influence each of these men has on his development and style. His love for old American music and deft skill at adapting traditional tunes allows listeners of all levels of sophistication to feel welcome at his musical table.

                              Whether one is newly discovering the world of American primitivism, or is already deeply into the experimental world, Bachman’s playing draws the listener in and takes them places.

                              On three of River’s successive tracks – “Farnham,” “Song For The Setting Sun I” and “Song For The Setting Sun II” – Bachman takes the listener on an aural journey through the back roads of the foothills of the Blue Ridge to calm coastal waters. Much like driving by a stunning vista and feeling compelled to pull over and take it all in, “Song for the Setting Sun I” continually surprises with a beautiful set of melodies that cause you to stop anything else you are doing in anticipation of how the music will continue to unfold. This track alone demonstrates the leap that is River in Bachman’s maturity of both artistry and compositional understanding. The album closes with a reprise of “Won’t You Cross Over To That Other Shore.” As its notes play out, it is almost certain that you will continuously hum one or another of the album’s rich melodies long after play has ended.

                              Over the course of the last several years Daniel Bachman has stepped out of the shadow of influential solo guitarists past and present. River, the definitive document of his skill and talent, proves that Bachman is pushing the boundaries of solo acoustic guitar. 

                              FORMAT INFORMATION

                              LP Info: LP version pressed on 140gram Dutch vinyl and housed in a gatefold jacket with download card.

                              Devendra Banhart was born in Houston, Texas, and moved with his mother to her native Caracas, Venezuela, when his parents separated. The family relocated to Los Angeles during his teenage years; it was there that he learned to speak English, skateboard, and play music. Banhart first began to perform in public while attending the San Francisco Art Institute. He has since lived in New York City, Paris, San Francisco, and Los Angeles, where he currently resides.

                              Banhart first attracted international notice with his 2002 debut album, Oh Me Oh My… The Way the Day Goes By the Sun Is Setting Dogs Are Dreaming Lovesongs of the Christmas Spirit – a collection of recordings he had made for himself. Subsequent albums include Rejoicing in the Hands (2004), Niño Rojo (2004), Cripple Crow (2005), and Smokey Rolls Down Thunder Canyon (2007), and What Will We Be (2009). Mala, his Nonesuch debut, was described by Q as a ‘career-best’ and by the Wall Street Journal as his ‘most concise, hushed and winsome effort to date’. Banhart has collaborated with fellow musicians including Anohni (formerly known as Antony) and the Johnsons, Beck, Vashti Bunyan, Os Mutantes, and Vetiver. He also has performed with both Gilberto Gil and Caetano Veloso, and was part of a David Byrne–curated concert at Carnegie Hall.

                              An accomplished visual artist, Banhart’s distinctive, minutely inked, often enigmatic drawings have appeared in galleries all over the world, including the Art Basel Contemporary Art Fair in Miami; the San Francisco Museum of Modern Art; the Palais des Beaux-Arts in Brussels; and Los Angeles’ Museum of Contemporary Art. In 2015 Prestel published I Left My Noodle on Ramen Street, a collection of his of drawings, paintings, and mixed media pieces. He has created the cover art for most of his records, and in 2010 his artwork and packaging for What Will We Be was nominated for a Grammy.

                              Ape in Pink Marble, Devendra Banhart’s ninth album, was written, produced, arranged, and recorded in Los Angeles by the singer/songwriter/guitarist with his longtime collaborators Noah Georgeson and Josiah Steinbrick, both of whom also worked on Banhart’s most recent album, Mala (2013). 




                              Daniel Blumberg

                              Minus

                                Daniel Blumberg announces his debut album release for Mute, ‘Minus’, the first release under his own name.

                                An astonishing work, the record weds an improvisational, free-music ethos to the rawest emotional songwriting, rooted deep in the personal turmoil Blumberg experienced whilst making the record.

                                The album was recorded live with legendary producer Peter Walsh (Scott Walker’s collaborator since ‘Climate Of Hunter’) in just five days during a remote residential stay in Wales, amidst a debilitating breakup with his partner of seven years along with Blumberg's ongoing struggle with mental illness which resulted in his hospitalization just a week before recording.

                                Still only 27 years old, Blumberg has written himself a rich musical history; from his teenage band who signed to XL whilst he was still at school, onto and through the projects of Yuck, Oupa and Hebronix, whilst solidifying close creative partnerships with the likes of David Berman (Silver Jews), Low, Lambchop and Royal Trux’s Neil Michael Hagerty (with whom Blumberg has performed as a member of the Howling Hex).

                                With ‘Minus’, though, there is a sense that Daniel Blumberg has finally arrived at the place he has been searching for - an arresting and progressive work, one which is set to establish him as one of Britain’s most unique contemporary voices.

                                Dean Blunt

                                50 Cent / Trident

                                Hype Williams man Dean Blunt preceeds his soon-come 'Black Metal' LP with this super-limited 12". Showcasing more of Blunt's eclecticism, '50 Cent' combines spacious, shimmering, reverb-laden lo-fi shoegaze guitar work and simple kick-snare machine drumming used as a hip hop break. Over this Williams adds a melancholic rap, duetting with a choral female vocal in a call and response style. 'Trident' offers a more straight forward rap, but again over an inventive dark and grimey backing track. It's indie hip hop, but not as you know it.


                                FORMAT INFORMATION

                                12" Info: Limited pressing. 200 copies only.

                                "World Music presents the first ever vinyl edition of Dean Blunt's siren song LP Stone Island. Recorded in full in a Moscow hotel room in 2013 and only made available as a download until now....

                                An important milestone in Blunt's evolution between The heartbroken blues of The Redeemer and Black Metal, through to Babyfather and DJ Escrow's concrète jungle explorations for Hyperdub. While Stone Island maybe a quickfire selection of sketches, it carries a truly spellbinding simplicity that carries well across the years since its release and the formats it has graced with its doughy-eyed gaze.

                                Stone Island follows on from a busy few months for World Music with releases dropping by Blue Iverson, Joanne Robertson (who's vocals feature heavily here) and Babyfather, as well as the excellent La Monte Young gone indie 12" As Long As Ropes Unravel Fake Rolex Will Travel. As always with World Music, we'd advise being quick if you want a copy as these are not gonna last long..."

                                MMW1 and DFA are proud to present a special duo release from Dan Bodan and Alexis Taylor (Hot Chip). A call and response, the release features an original demo recording from 2009 by Bodan and a recent cover version by Taylor.

                                Written and recorded in New Orleans during a summer of too much JT Leroy and True Blood, Dan Bodan’s original demo of ‘Under a Cancer Sky’ is a Ballardian ballad dedicated to the gods of Sex, Cars and Zodiac.

                                Taylor’s take on the song is decidedly more sensual, abandoning the gothic highways of Route 66 for a night ride through Dubai or Neo-Tokyo, effortlessly zipping along between blinking skyscrapers in a self-driving car.

                                FORMAT INFORMATION

                                7" Info: Limited white label 7" in printed plastic sleeve.

                                Deborah Bonham

                                The Old Hyde

                                Tragedy seems to have been on Deborah Bonham's shoulder since her uncle John Bonham, drummer with Led Zeppelin, died suddenly in 1980. In the candid and compelling descriptions she writes to introduce each song, one can't help but admire her for coming through it all and being all the stronger for it. It certainly shows in the songs.

                                David J Boswell strikes a delicate and brilliantly accomplished balance between folk/blues and electronica on this superb new outing for Black Beacon Sound. 

                                We start things off with the lively bass throbs and shimmering acoustic guitars of 'No Colours', slowly growing and shining glorious synth rays into Boswell's unmistakeably gritty but pitch-perfect college-rock falsetto. It's a beguiling journey, introducing fragments of synths mimicking the vocal lead line, before once again fading away to be replaced by an equally satisfying counter-melody to take it's place and change the tone before segueing back again into the main refrain. Despite the somewhat frantic changeovers, the electronic elements manage to stay within the same aural spectrum to keep things on track, and come out as a cohesive, and fascinatingly multifaceted whole. 

                                Flip over and 'Heavy Load' takes the acoustic guitar and brings it slightly more to the front of the stereo image, with a bluesly slide guitar accentuated the audible finger slides before being pulled along with a smooth hi-passed synth line showing it's colours before retracting once again into the engrossing acoustic groove. Things rise and fall in perfect harmony with the momentum of the piece, introducing more frantic instrumentation when the vocals drop out, and stripping it back once again when they come to the fore.  
                                Another great release from BBS, and an absolutely fascinating and impeccably produced outing from Boswell. Brilliant stuff. 

                                20th May, 2016 marks forty years to the day that David Bowie's first ever best-of compilation, including songs from 1969 to 1976, CHANGESONEBOWIE was released. To mark this anniversary the album has now been reissued.

                                FORMAT INFORMATION

                                Ltd LP Info: Half of the limited vinyl will be pressed on black vinyl whilst the other half will be pressed on clear vinyl, this will not be mentioned on the sleeve so it will be completely random as to which one you receive.

                                David Bowie

                                Heathen - 180g Vinyl Edition

                                2002's 'Heathen' reunited David Bowie with producer Tony Visconti ('Space Oddity', 'Heroes', 'The Man Who Sold The World') for the first time in 20 years and featured guest appearances by Who legend Pete Townshend and Foo Fighter Dave Grohl. Townshend, who last worked with Bowie on the 1980 Scary Monsters And Super Creeps track "Because You're Young," contributes an incendiary lead guitar line to the track "Slow Burn," which Bowie called "the most eccentric and aggressive guitar I've heard Pete play."

                                "Slow Burn" also features a performance from The Borneo Horns, who accompanied Bowie on the Serious Moonlight tour while Grohl takes lead guitar duties on the Neil Young cover "I’ve Been Waiting." Other standout tracks on Heathen include the sublime "I Would Be Your Slave," the uptempo "Afraid," the epic "Slip Away" and "Everyone Says Hi," a beautifully melodic tune with a classic Visconti string arrangement.

                                “Heathenism is a state of mind,” explained Bowie. “You can take it that I’m referring to one who does not see his world. He has no mental light. He destroys almost unwittingly. He cannot feel any God’s presence in his life. He is the 21st Century man. There’s no theme or concept behind Heathen, just a number of songs, but somehow there is a thread that runs through it that is quite as strong as any of my thematic type albums.”


                                David Bowie

                                The 'Mercury' Demos

                                  As part of the ongoing celebrations marking 50 years since David Bowie’s first hit, ‘Space Oddity’, and following the recent ‘Spying Through A Keyhole’ and ‘Clareville Grove Demos’ collections, 'The “Mercury" Demos’ are 10 early Bowie recordings captured live in one take to a Revox reel to reel tape machine in David’s flat in spring 1969, with accompaniment from John ‘Hutch’ Hutchinson on guitar and vocals.

                                  The version of ‘Space Oddity’ from the Demos, originally released with edits on the Sound & Vision boxset, is presented here in its true context for the first time. The other nine recordings on the album are all previously unreleased. In addition to Bowie originals, the session also includes the Roger Bunn composition ‘Life Is A Circus’ (which features in an earlier demo version on the ‘Clareville Grove Demos’ set) and the Lesley Duncan composition ‘Love Song’ later recorded by Elton John for his ‘Tumbleweed Connection’ album. David’s own ‘Conversation Piece’ is announced as ‘a new song’ and ‘Janine’ features a short nineteen second section sung to the melody of The Beatles’ ‘Hey Jude’.

                                  'The ‘’Mercury" Demos’ set will come in a replica of the original tape box and will feature 1 LP, a print, two photo contact sheets and sleeve notes by Mark Adams. The labels of the LP feature the same EMIDISC acetate styling as ‘Spying Through A Keyhole’ and ‘Clareville Grove Demos’ with the song titles in David’s own handwriting.


                                  FORMAT INFORMATION

                                  FREE SHIPPING This item has FREE UK shipping!

                                  David Bowie

                                  A New Career In A New Town (1977 - 1982)

                                    The follow-up to the awarding winning and critically acclaimed DAVID BOWIE ‘FIVE YEARS (1969 – 1973)’ and DAVID BOWIE ‘WHO CAN I BE NOW? (1974 – 1976)’ will be released on 29th September and will contain a brand new remix of the 1979 album ‘LODGER’ by long time Bowie producer/collaborator Tony Visconti.

                                    The 13LP box features all of the material officially released by Bowie between 1977 and 1982. It includes the so-called ‘Berlin Trilogy’ of albums on which he collaborated with Visconti and Brian Eno as well as the ‘BAAL’ EP, and is closed by ‘SCARY MONSTERS (And Super Creeps)’.

                                    The box set, named after a track from the first of the so-called ‘Berlin Trilogy’ LOW, includes ‘LOW’, ‘”HEROES”’, ‘STAGE (ORIGINAL and 2017 VERSIONS)’ the former in the vinyl box will be pressed on yellow vinyl, replicating its original limited edition U.K. release, and the latter of which featuring two previously unreleased tracks, ‘LODGER’, ‘LODGER (Tony Visconti 2017 Mix)’, ‘SCARY MONSTERS (And Super Creeps)’, ‘RE:CALL 3’ (featuring contemporary single versions, non-album singles, b-sides and songs featured on soundtracks) and the ‘”HEROES”’ E.P., a compilation exclusive to the set celebrating the 40th anniversary of the song, which rounds up the German and French album and single versions of the track in one place for the first time.

                                    Exclusive to each of the box sets is ‘LODGER (Tony Visconti 2017 Mix)’. The remix was started with David's blessing before his passing in January last year. Tony Visconti has revisited the original multi-tracks at Human Studios and remixed the album with the benefit of modern technology to better highlight the album's nuances. Always a personal favourite of David's, this version of the album will also feature newly 'remixed' artwork featuring unseen images from the original cover photographic session from the archive of the Estate of photographer Duffy, working closely with his son Chris.

                                    Also exclusive to each box is Re:Call 3, a new compilation featuring remastered contemporary single versions, non-album singles and b-sides, and songs featured on soundtracks. The cover features a photo by Christian Simonpietri taken at Hansa Studios in Berlin during the “Heroes” sessions in 1977.

                                    The box set’s accompanying 84p book will feature rarely seen and previously unpublished photos by photographers including Anton Corbijn, Helmut Newton, Andrew Kent, Steve Schapiro, Duffy and many others as well as historical press reviews and technical notes about the albums from producer Tony Visconti.

                                    The vinyl box set has the same content as the CD set and is pressed on audiophile quality 180g vinyl.

                                    LP Box Set:
                                    84 Page hardback book
                                    Low (remastered) (1LP)
                                    "Heroes" (remastered) (1LP)
                                    “Heroes” E.P. (remastered) (12” Single)*
                                    Stage (remastered) (2LP Yellow Vinyl) *
                                    Stage (2017) (remastered) (3LP)
                                    Lodger (remastered) (1LP)
                                    Lodger (Tony Visconti 2017 Mix) (1LP)*
                                    Scary Monsters (And Super Creeps) (1LP)
                                    Re:Call 3 (non-album singles, single versions and b-sides) (remastered) (2LP)*

                                    * Exclusive to ‘A New Career In A New Town (1977-1982)’


                                    FORMAT INFORMATION

                                    FREE SHIPPING This item has FREE UK shipping!

                                    FREE SHIPPING This item has FREE UK shipping!

                                    David Bowie

                                    Boys Keep Swinging

                                      Boys Keep Swinging 40th Anniversary limited edition, double-A side, 7” picture disc single will be released on 17th May 2019 and features I Pray, Olé on the AA side which is unreleased since the 1991 Lodger re-issue.

                                      Written by Bowie and Brian Eno, ‘Boys Keep Swinging’ was the first single from the album ‘Lodger’ and became a top 10 hit in the UK.

                                      David Bowie

                                      Breaking Glass E.P (40th Anniversary)

                                        The new extended version of the E.P. features three previously unreleased live versions of the original E.P. tracks plus the addition of an unreleased live version of ‘Hang On To Yourself’.

                                        The E.P. now features ‘BREAKING GLASS’, ‘ART DECADE’, ‘HANG ON TO YOURSELF’ and ‘ZIGGY STARDUST’ live from Earls Court in London during the Isolar II tour of 1978. These four tracks are alternative performances to the ones that recently appeared on the critically acclaimed live album WELCOME TO THE BLACKOUT (LIVE LONDON ’78), and none were featured on the original 1978 E.P..

                                        Initially released in the UK in January 1977 on the groundbreaking LOW album, ‘BREAKING GLASS’ was co-written by Bowie, bassist George Murray and drummer Dennis Davis. A longer, reworked version of the song was a staple of the Isolar II Tour, and a live version from that tour was used as the lead track on the original live 7" E.P. to promote Bowie's second live album, STAGE in 1978.


                                        David Bowie

                                        Changestwobowie

                                          This follow up to David’s hugely successful first Best Of compilation CHANGESONEBOWIE, has not officially been available since the late 1980’s. Featuring iconic cover photography by Greg Gorman, it was first released in 1981 and was only briefly available on CD in 1985 but has long since been deleted.

                                          Drawing on material spanning from HUNKY DORY (1971) to SCARY MONSTERS (AND SUPER CREEPS) (1980) it achieved gold status in the U.K. album chart in 1982. It will be reissued on the 13th April with all tracks remastered on CD in a digipak sleeve, high-resolution 192/24 and 96/24 digital and standard digital for streaming and download,

                                          The 180gram vinyl edition will be available randomly on its initial limited manufacturing run in black and blue vinyl before reverting solely to black vinyl.


                                          FORMAT INFORMATION

                                          Ltd LP Info: 180g vinyl available randomly on black or blue vinyl.

                                          David Bowie

                                          Clareville Grove Demos

                                            Following on from Spying Through A Keyhole, in early 1969 at his flat in Clareville Grove, London, David Bowie with John ‘Hutch’ Hutchinson continued to demo ‘Space Oddity’ and other tracks.

                                            This live demo tape session is set for release as a 7" vinyl singles box set of six home demos, four of which are previously unreleased recordings, Clareville Grove Demos will be released on 17th May 2019.

                                            As with the Spying Through A Keyhole vinyl singles box set, the design of each single label is presented to reflect the way David sent many of his demos to publishers and record companies, featuring his own handwritten song titles on EMIDISC acetate labels with cover and print photos by David’s then manager Ken Pitt taken in the Clareville Grove flat.

                                            The singles themselves are all mono and play at 45 r.p.m.

                                            Due to the nature of some of the solo home demos where Bowie accompanied himself on acoustic guitar, the recording quality isn’t always of a usual studio fidelity. This is partly due to David’s enthusiastic strumming hitting the red on a couple of the tracks, along with the limitations of the original recording equipment and tape degradation. However, the historical importance of these songs and the fact that the selections are from an archive of tracks cleared for release by Bowie, overrides this shortcoming.

                                            David Bowie

                                            D.J.

                                              Originally released on 29th June 1979, D.J. was the second and final single from Lodger in the UK and the follow up to Boys Keep Swinging. The Netherlands and Turkey would get Yassassin and the U.S. Look Back In Anger.

                                              The A side of this D.J. picture disc features a previously unreleased single edit of the track from the Lodger (2017 Tony Visconti Mix) included in the A New Career In A New Town box set.

                                              The previously unreleased version of Boys Keep Swinging recorded especially for The Kenny Everett Video Show features on the AA side. This take was recorded by Tony Visconti in Soho in London on the 9th April 1979 and features Sean Mayes on keyboards, Tony Visconti on bass, Simon House on violin, Andy Duncan on drums, Brian Robertson (of Thin Lizzy) on guitar and Ricky Hitchcock on guitar. The Kenny Everett Video Show was filmed on the following day and broadcast on 23rd April, 1979.

                                              David Bowie

                                              David Live (2005 Mix)

                                                This live album, was recorded during the Diamond Dogs tour. Although drawing of mostly Ziggy era songs, stylistically it sees Bowie moving from glam rock into a new Philly soul influenced direction.

                                                It seems improbable that these classics can really be improved upon, but it would seem that with this latest remaster, they have done exactly that. 

                                                What can be said about Diamond Dogs that hasn't already? It's an Orwellian odyssey of Bowian proportians. 

                                                Beginning with the freaky scene-setting dystopian flanged monologue of 'Future Legends' which sets the scene nicely for the eponymous follower. 'Diamond Dogs' is essentially a blues riff but twisted into a snarling glamorous rock and roll number. 

                                                You might be forgiven for thinking that 'Sweet Thing' is not playing properly, but then it grows ever so slowly into a gloomy sounding detuned refrain, complete with harmonised 'ooh's' and 'aah's' before giving the man himself a stage to pull out his legendary vocal flare. When the unison of 'Boys, it's a sweet thing' comes around, you have no doubt that it really is a sweet thing. 

                                                'Rebel, Rebel' is probably one of the most recognisable riffs of all time, and when that kicks in, you know you've landed. Rocking, psychedelic and triumphantly anthemic. 

                                                It's rarely that an album has quite such a high killer/filler ratio, and most of them are by David Bowie. This is no exception. 

                                                STAFF COMMENTS

                                                Barry says: 'Rebel, Rebel', 'We Are The Dead', 'Sweet Thing', an absolute plethora of seminal anthems on here, conceptually impeccable, beautifully produced and written and essential in more ways than one.

                                                David Bowie

                                                Diamond Dogs - 45th Anniversary Edition (Red Vinyl)

                                                  AVAILABLE TO INSTORE CUSTOMERS ONLY. 
                                                  RELEASED ON MAY 24TH @ £18.99.


                                                  See Instore for ordering details.


                                                  Released on 24th May 1974 Diamond Dogs gave David Bowie his third UK number one album and his first top 10 album in the US.

                                                  To celebrate the 45th anniversary of this iconic album Parlophone have released a special limited edition red vinyl version of Diamond Dogs on 24th May 2019, exactly 45 years since its original release.

                                                  Preceding the album by more than 3 months, Rebel Rebel peaked at number 5 on the official U.K. singles chart. The original single mix was substituted by the shorter, ‘phased’ New York Remix single version in North America, featuring a new arrangement and overdubbed vocals. The album originally peaked at number 1 in the official albums chart in the U.K. and number 5 in the Billboard album chart in the U.S..

                                                  This is only available to ‘bricks and mortar’ retail stores and not through on-line stores.


                                                  David Bowie

                                                  Glastonbury 2000

                                                    DAVID BOWIE ‘GLASTONBURY 2000’ documents Bowie’s legendary Sunday night headline performance on 25th June at the most famous festival on earth. 

                                                    Features Bowie’s diary, and new artwork from jonathan barnbrook (who worked with bowie on various album sleeves) with notes from the renowned author and bowie fan caitlin moran.




                                                    David Bowie

                                                    Heroes - 2017 Remastered Edition

                                                      The four studio albums ‘Low’, ‘‘Heroes’’, ‘Lodger’ and ‘Scary Monsters (and Super Creeps)’ have not been available as standalone vinyl LPs for over 25 years and this is the first time on vinyl for Stage (2017), which has 5 additional tracks to the original 1978 double LP release including The Jean Genie and Suffragette City.

                                                      "Repeating the formula of Low's half-vocal/half-instrumental structure, Heroes develops and strengthens the sonic innovations David Bowie and Brian Eno explored on their first collaboration. The vocal songs are fuller, boasting harder rhythms and deeper layers of sound. Much of the harder-edged sound of Heroes is due to Robert Fripp's guitar, which provides a muscular foundation for the electronics, especially on the relatively conventional rock songs. Similarly, the instrumentals on Heroes are more detailed, this time showing a more explicit debt to German synth pop and European experimental rock. Essentially, the difference between Low and Heroes lies in the details, but the record is equally challenging and groundbreaking." - Allmusic.



                                                      FORMAT INFORMATION

                                                      LP Info: 180 gram.

                                                      David Bowie

                                                      Japan 90

                                                        Limited to 350 numbered copies on mint coloured vinyl.

                                                        David Bowie

                                                        Legacy (The Very Best Of David Bowie)

                                                          Music, art and fashion would not be in the place it is today without the seminal influence of David Bowie. A titan of popular music and pioneer of changing culture, it is not surprising that his death in January was met with such shock and sadness across the globe.

                                                          Throughout his life, David Bowie has amassed such an influential and varied musical back catalogue, that he leaves behind him a body of work that can be unrivalled – a true legacy.

                                                          In this must-have Bowie collection, you can experience Bowie’s genius from start to finish. From his early days as the iconic Ziggy Stardust, to his final days before his sudden passing, ‘Legacy’ brings you the best material from Bowie’s star-studded career.

                                                          Not only is ‘Legacy’ the ultimate Bowie collection to own, but it also features a previously unreleased mix of his renowned song ‘Life On Mars ?’. With a more orchestrated and cleaner mix, this unreleased version was mixed by Ken Scott the original producer of the track.

                                                          This special vinyl edition of the album comes as a gatefold with 2 limited edition 12” art prints of the 2 images used on the sleeve.

                                                          FORMAT INFORMATION

                                                          2xDeluxe LP Info: The vinyl is 180g audiophile.

                                                          David Bowie

                                                          Legacy (The Very Best Of David Bowie) - 2CD Deluxe Edition

                                                          Music, art and fashion would not be in the place it is today without the seminal influence of David Bowie. A titan of popular music and pioneer of changing culture, it is not surprising that his death in January was met with such shock and sadness across the globe.

                                                          Throughout his life, David Bowie has amassed such an influential and varied musical back catalogue, that he leaves behind him a body of work that can be unrivalled – a true legacy.

                                                          In this must-have Bowie collection, you can experience Bowie’s genius from start to finish. From his early days as the iconic Ziggy Stardust, to the final days of Blackstar, ‘Legacy’ brings you the best material from Bowie’s star-studded career.

                                                          Not only is ‘Legacy’ the ultimate Bowie collection to own, but it also features a previously unreleased mix of his renowned song ‘Life On Mars ?’. With a more orchestrated and cleaner mix, this unreleased version was mixed by Ken Scott the original producer of the track.

                                                          This 2 disc deluxe version of the album features not only more hits but also fans favorites such as This Is Not America, Fashion and I Can’t Give Everything Away from the mighty Blackstar.

                                                          Packaging takes the form of a deluxe digipack with additional photos.


                                                          David Bowie

                                                          Let’s Dance (2019 Remastered Edition)

                                                            Let's Dance is the 15th studio album by David Bowie. Originally released on 14 April 1983, this vinyl edition is newly remastered.

                                                            David Bowie

                                                            Live Nassau Coliseum '76

                                                              Recorded live at the Nassau Coliseum Uniondale, NY, U.S.A., 23rd March, 1976, the album is the official document of the Isolar/Station To Station tour.

                                                              Known to fans for many years as the Thin White Duke double album bootleg (among various other titles), the record didn’t get an official release for over thirty years, when it was finally issued as part of the Station To Station deluxe set in September, 2010.

                                                              It is now finally available a vinyl album in it's own right.


                                                              David Bowie

                                                              Lodger - 2017 Remastered Edition

                                                                The four studio albums ‘Low’, ‘‘Heroes’’, ‘Lodger’ and ‘Scary Monsters (and Super Creeps)’ have not been available as standalone vinyl LPs for over 25 years and this is the first time on vinyl for Stage (2017), which has 5 additional tracks to the original 1978 double LP release including The Jean Genie and Suffragette City.

                                                                "On the surface, Lodger is the most accessible of the three Berlin-era records David Bowie made with Brian Eno, simply because there are no instrumentals and there are a handful of concise pop songs. Nevertheless, Lodger is still gnarled and twisted avant pop; what makes it different is how it incorporates such experimental tendencies into genuine songs, something that Low and Heroes purposely avoided. "D.J.," "Look Back in Anger," and "Boys Keep Swinging" have strong melodic hooks that are subverted and strengthened by the layered, dissonant productions, while the remainder of the record is divided between similarly effective avant pop and ambient instrumentals. Lodger has an edgier, more minimalistic bent than its two predecessors, which makes it more accessible for rock fans, as well as giving it a more immediate, emotional impact. It might not stretch the boundaries of rock like Low and Heroes, but it arguably utilizes those ideas in a more effective fashion." - Allmusic.



                                                                FORMAT INFORMATION

                                                                LP Info: 180 gram.

                                                                David Bowie

                                                                Loving The Alien 1983 - 1988 (BOX SET)

                                                                  The follow-up to the awarding winning and critically acclaimed DAVID BOWIE ‘FIVE YEARS (1969 – 1973)’ and DAVID BOWIE ‘A NEW CAREER IN A NEW TOWN (1977 – 1982)’ will be released on 12th October.

                                                                  The box contains newly remastered versions of David’s most commercially successful period ‘LET’S DANCE’, ‘TONIGHT’, ‘NEVER LET ME DOWN (ORIGINAL and 2018 VERSIONS)’, the live album ‘GLASS SPIDER (Live Montreal ’87)’, the previously unreleased ‘SERIOUS MOONLIGHT’ live album, a collection of original remixes entitled ‘DANCE’ and the non-album / alternate version / b-sides and soundtrack music compilation RE:CALL 4.

                                                                  The highlight of this latest box is the brand new production of the 1987 album ‘NEVER LET ME DOWN’ by Bowie producer / engineer Mario McNulty with new instrumentation by Bowie collaborators Reeves Gabrels (guitar), David Torn (guitar), Sterling Campbell (drums), Tim Lefebvre (bass) as well as string quartet with arrangements by Nico Muhly and a guest cameo by Laurie Anderson on ‘Shining Star (Makin’ My Love)’.
                                                                  The seeds of this new reimagining of the albums were first sown in 2008 when David asked Mario McNulty to remix the track ‘Time Will Crawl’ and record new drums by longtime Bowie drummer, Sterling Campbell along with strings. The track was issued on the iSelect compilation to much acclaim, and in the notes, for that record, David remarked ‘Oh, to redo the rest of that album’.
                                                                  The new re-workings have revealed ‘Never Let Me Down’ as a very strong collection of songs with a dark thematic thread running through them. Fans listening to ‘NEVER LET ME DOWN (2018)’ would be forgiven for thinking that they were listening to a brand new ‘lost’ Bowie record.

                                                                  Also in each box is the never before released ‘SERIOUS MOONLIGHT’ live album recorded in Montreal in 1983. Originally mixed at the time by Bob Clearmountain, the double album captures Bowie on what at that time was his most successful tour. The artwork features shots taken by photographer Denis O’Regan.

                                                                  Exclusive to each box is ‘RE:CALL 4’ and ‘DANCE’. The former a new compilation featuring remastered contemporary single versions, non-album singles, album edits, b-sides and songs featured on soundtracks such as Labyrinth, Absolute Beginners and When The Wind Blows. ‘DANCE’ features 12 contemporaneous remixes some of which are appearing on CD and vinyl for the first time and is named after an unreleased Bowie remix album that was originally slated for release in November 1985.

                                                                  The box set’s accompanying 84 page book features rarely seen and previously unpublished photos by photographers including Denis O’Regan, Greg Gorman, Herb Ritts and many others as well as historical press reviews and technical notes about the albums from producers/engineers Nile Rodgers, Hugh Padgham, Mario McNulty and Justin Shirley-Smith. 


                                                                  FORMAT INFORMATION

                                                                  LP Box Set Info: 88 Page hardback book
                                                                  Let’s Dance (remastered) (1LP)
                                                                  Serious Moonlight (Live ’83) (previously unreleased) (2LP)*
                                                                  Tonight (remastered) (1LP)
                                                                  Never Let Me Down (remastered) (1LP)
                                                                  Never Let Me Down (2018) (previously unreleased) (2LP - side 4 is etched)*
                                                                  Glass Spider (Live Montreal ’87) (previously unreleased on vinyl) (3LP)*
                                                                  Dance (2LP)*
                                                                  Re:Call 4 (non-album singles, edits, single versions, b-sides and soundtrack music) (remastered) (3LP)*

                                                                  FREE SHIPPING This item has FREE UK shipping!

                                                                  CD Box Set Info: CD Box Set:
                                                                  128 Page hardback book
                                                                  Let’s Dance (remastered) (1CD)
                                                                  Serious Moonlight (Live ’83) (previously unreleased) (2CD)
                                                                  Tonight (remastered) (1CD)
                                                                  Never Let Me Down (remastered) (1CD)
                                                                  Never Let Me Down 2018 (previously unreleased) (1CD)*
                                                                  Glass Spider (Live Montreal ’87) (2CD)
                                                                  Dance (1CD)*
                                                                  Re:Call 4 (non-album singles, edits, single versions, b-sides and soundtrack music) (remastered) (2CD)*

                                                                  FREE SHIPPING This item has FREE UK shipping!

                                                                  David Bowie

                                                                  Low - 2017 Remastered Edition

                                                                    The four studio albums ‘Low’, ‘‘Heroes’’, ‘Lodger’ and ‘Scary Monsters (and Super Creeps)’ have not been available as standalone vinyl LPs for over 25 years and this is the first time on vinyl for Stage (2017), which has 5 additional tracks to the original 1978 double LP release including The Jean Genie and Suffragette City.

                                                                    The powerful reach of Bowie's masterpiece, the first part of the much feted 'Berlin Trilogy' created with the aid of Brian Eno, is still being felt strongly almost 30 years on. Air's wonderful four hour Essential Mix began with this album's opener "Speed of Life", Q Magazine rated the album #14 in it's Greatest British Albums Ever, and Pitchfork, the New Testament for the New Indie generation, recently decreed "Low" as the #1 album of the 1970's. Side A (or tracks 1-7 for those more familiar with the CD format) are classic Bowie ("Sound and Vision", "Be My Wife"), although dealing with the unfamiliar and slightly darker topics of lethargy, depression and estrangement, highlighting Bowie's overcoming of his cocaine addiction. Over on Side B the album's true colours really come through - four ambient tracks, originally rejected for the soundtrack to "The Man Who Fell To Earth" (the source of Low's iconic cover image), which see Bowie pay homage to Can, Neu! and Eno himself. The word 'timeless' was invented for such moments as these.


                                                                    FORMAT INFORMATION

                                                                    LP Info: 180 gram.

                                                                    David Bowie

                                                                    Never Let Me Down (2019 Remastered Edition)

                                                                      Never Let Me Down is the 17th studio album by David Bowie. Originally released on 20 April 1987, this vinyl edition is newly remastered.

                                                                      Featuring the three final David Bowie studio recordings made during the sessions for his 28th and final album, ★, the No Plan EP is now being made available as a CD and two special vinyl versions.

                                                                      Previously released as the No Plan digital EP (and before that, available exclusively on the Lazarus Cast Album), the songs: “No Plan,” “Killing A Little Time” and “When I Met You”, along with Cast Album title track “Lazarus”, are now available for pre-order on special physical formats. This follows wishes from fans for CD and vinyl versions after the release of the digital EP.

                                                                      The No Plan EP artwork has been designed by long-time Bowie collaborator Jonathan Barnbrook. Both vinyl configurations of the No Plan EP feature a special laser etching on side B.

                                                                      FORMAT INFORMATION

                                                                      12" Info: Black etched vinyl edition.

                                                                      David Bowie

                                                                      Pin Ups

                                                                        “Singing old songs he loved”

                                                                        Parlophone issue David Bowie’s 1973 album of cover versions as a picture disc for Record Store Day 2019 on Saturday, 13th April.

                                                                        When originally released, the David Bowie/Ken Scott produced album was preceded by the only single from Pin Ups, Sorrow, which reached #3 on the UK chart. Pin Ups itself entered the UK album chart at #1 on the strength of pre-orders alone.

                                                                        Joining Bowie on the sleeve for Justin de Villeneuve’s extraordinary photograph with Bowie is Twiggy, name-checked earlier the same year on Aladdin Sane for Drive-In Saturday: “She’d sigh like Twig the Wonder Kid”.

                                                                        The photo session was shot in Paris for Vogue magazine, but at Bowie's request was used for the album instead. This same image is used for Side 1 of the picture disc.

                                                                        Originally, the back cover and insert featured Mick Rock photographs and Side 2 of the picture disc uses one of his artworks which utilised images from that session.

                                                                        The picture disc includes a reproduction of the insert, and the back cover is as the original with the following note from Bowie:

                                                                        + - + - + - + - + - + - + - + - + - + - + - + - + - + - +

                                                                        These songs are among my favourites from the '64–67' period of London.

                                                                        Most of the groups were playing the Ricky-Tick (was it a 'y' or an 'i'?) - Scene club circuit (Marquee, eel pie island la-la)

                                                                        Some are still with us. Pretty Things, Them, Yardbirds, Syd's Pink Floyd, Mojos, Who, Easybeats, Merseys, Kinks.

                                                                        Love-on ya!

                                                                        Bowie x

                                                                        David Bowie

                                                                        Reality

                                                                          'Reality', the 23rd album of David Bowie (2003) followed up on the heavily successful formula of Heathen, combining infuences of Bowie’s Seventies’ past (say, from Heroes to Scary Monsters) with a contemporary new millennium vibe. David produced this album together with Tony Visconti, the dream team that also made Heathen a true work of art, resulting in yet another sure fire production and memorable songs. The album made it to the top 30 of the Billboard 200, and set the course for great Bowie albums to follow.

                                                                          David Bowie

                                                                          Scary Monsters (and Super Creeps) - 2017 Remastered Edition

                                                                            The four studio albums ‘Low’, ‘‘Heroes’’, ‘Lodger’ and ‘Scary Monsters (and Super Creeps)’ have not been available as standalone vinyl LPs for over 25 years and this is the first time on vinyl for Stage (2017), which has 5 additional tracks to the original 1978 double LP release including The Jean Genie and Suffragette City.

                                                                            "David Bowie returned to relatively conventional rock & roll with Scary Monsters, an album that effectively acts as an encapsulation of all his '70s experiments. Reworking glam rock themes with avant-garde synth flourishes, and reversing the process as well, Bowie creates dense but accessible music throughout Scary Monsters. Though it doesn't have the vision of his other classic records, it wasn't designed to break new ground -- it was created as the culmination of Bowie's experimental genre-shifting of the '70s. As a result, Scary Monsters is Bowie's last great album. While the music isn't far removed from the post-punk of the early '80s, it does sound fresh, hip, and contemporary, which is something Bowie lost over the course of the '80s." - Allmusic.


                                                                            FORMAT INFORMATION

                                                                            LP Info: 180 gram.

                                                                            David Bowie

                                                                            Sound And Vision - 40th Anniversary 7" Picture Disc

                                                                              Originally released in the UK on February 11th, 1977 SOUND AND VISION was taken from the groundbreaking album LOW, the first of the so-called ‘Berlin Trilogy’ of albums. The song gave its name to Bowie’s anthology boxset and it’s accompanying greatest hits tour in 1990 and is the only track actually performed by him in his stage play LAZARUS.

                                                                              The A-side features a brand new remaster of the track and the flip side sees the first physical release of the 2013 remix of the song. The stripped back remix by Sonjay Prabhakar was originally done for a Sony Experia advert and utilises the original lead vocals and Mary Hopkin’s backing vocal with a new piano part.


                                                                              David Bowie

                                                                              Space Oddity - 7" Box Set

                                                                                As part of the ongoing celebrations marking 50 years since David Bowie’s first hit, this a very special double 7” single of SPACE ODDITY features brand new mixes by Tony Visconti. The double 7” set will come in a box including a double-sided poster featuring an original Space Oddity print advertisement and a Ray Stevenson shot of David taken on stage at the ‘Save Rave ‘69’ concert at the London Palladium on 30th November, 1969, the backdrop featuring a N.A.S.A. astronaut. The set also includes an information card and a print featuring an alternative shot by Jojanneke Claassen from the Space Oddity promo single cover session.

                                                                                The cover of the original mono single is the rare UK promotional picture sleeve which, along with the label, features the original Philips trademark specifically cleared for this 50th anniversary release. The single itself has been cut from the original analogue single master tape. The jacket housing the 2019 mixes by Tony Visconti is a new design featuring alternative Ray Stevenson shot from the ‘Save Rave ‘69’ concert to that on the poster.

                                                                                First released as a 7-inch single on 11 July 1969, Space Oddity was also the opening track of David Bowie’s self titled second studio album, David Bowie. Initially inspired by Stanley Kubrick's film 2001: A Space Odyssey, the song gained huge popularity when it was adopted as the unofficial theme of the Apollo 11 Moon landing mission which launched five days after the single’s release.


                                                                                David Bowie

                                                                                Spying Through A Keyhole

                                                                                  With 2019 marking 50 years since David Bowie’s first hit, Space Oddity, Parlophone is set to release a 7" vinyl singles box set of nine previously unreleased recordings* from the era during which Space Oddity was first conceived.

                                                                                  The title ‘Spying Through A Keyhole’ is a lyric taken from the previously unknown song, Love All Around, and though most of the other titles are known, these versions have never been officially released until late last year. Most of the recordings are solo vocal and acoustic home demo performances, unless otherwise stated.

                                                                                  The design of each single label is presented to reflect the way David sent many of his demos to publishers and record companies, featuring his own handwritten song titles on EMIDISC acetate labels. The singles themselves are all mono and play at 45 r.p.m.

                                                                                  Due to the nature of some of the solo home demos where Bowie accompanied himself on acoustic guitar, the recording quality isn’t always of a usual studio fidelity. This is partly due to David’s enthusiastic strumming hitting the red on a couple of the tracks, along with the limitations of the original recording equipment and tape degradation. However, the historical importance of these songs and the fact that the selections are from an archive of tracks cleared for release by Bowie, overrides this shortcoming.

                                                                                  David Bowie

                                                                                  Stage (2017)

                                                                                    The four studio albums ‘Low’, ‘‘Heroes’’, ‘Lodger’ and ‘Scary Monsters (and Super Creeps)’ have not been available as standalone vinyl LPs for over 25 years and this is the first time on vinyl for Stage (2017), which has 5 additional tracks to the original 1978 double LP release including The Jean Genie and Suffragette City.

                                                                                    "Taking the detached plastic soul of Young Americans to an elegant, robotic extreme, Station to Station is a transitional album that creates its own distinctive style. Abandoning any pretense of being a soulman, yet keeping rhythmic elements of soul, David Bowie positions himself as a cold, clinical crooner and explores a variety of styles. Everything from epic ballads and disco to synthesized avant pop is present on Station to Station, but what ties it together is Bowie's cocaine-induced paranoia and detached musical persona. At its heart, Station to Station is an avant-garde art-rock album, most explicitly on "TVC 15" and the epic sprawl of the title track, but also on the cool crooning of "Wild Is the Wind" and "Word on a Wing," as well as the disco stylings of "Golden Years." It's not an easy album to warm to, but its epic structure and clinical sound were an impressive, individualistic achievement, as well as a style that would prove enormously influential on post-punk" - Allmusic.

                                                                                    STAFF COMMENTS

                                                                                    Barry says: From the bouncy quirks of TVC15, swaying along on a bedrock of keys and shuffling drum hooks to the funky majesty of 'Stay', this is one of the most diverse and exciting Bowie outings yet. Disco, rock and soul all get a look in, and it's all brilliantly measured and just as groundbreaking as the day it was released.

                                                                                    One of Britain's most celebrated, much cherished, original and iconic figures, David Bowie returns after a 10 year absence, with this brilliant new album on ISO Records.

                                                                                    FORMAT INFORMATION

                                                                                    2xLtd LP Info: Limited double LP vinyl includes a white label CD insert.

                                                                                    David Bowie

                                                                                    Tonight (2019 Remastered Edition)

                                                                                      Tonight is the sixteenth studio album by David Bowie. Originally released on 29 September 1984, this vinyl edition is newly remastered.

                                                                                      David Bowie

                                                                                      Who Can I Be Now? (1974-1976)

                                                                                        The follow up to the awarding winning and critically acclaimed DAVID BOWIE ‘FIVE YEARS (1969 – 1973)’ this twelve CD box features all of the material officially released by Bowie during the so-called ‘American’ phase of his career from 1974 to 1976. The box set, which is named after a track recorded in 1974 but not officially released until the 1990’s, includes ‘DIAMOND DOGS’, ‘DAVID LIVE’ (in original and 2005 mixes), ‘YOUNG AMERICANS’ and ‘STATION TO STATION’ (in original and 2010 mixes) as well as ‘THE GOUSTER’, ‘LIVE NASSAU COLISEUM 76’ and a new compilation entitled ‘RE:CALL 2’ which is a collection of single versions and non-album b-sides. All of the formats include tracks that have never before appeared on CD as well as new remasters. Exclusive to the box set is ‘THE GOUSTER previously unreleased as a complete album’ it was recorded at Sigma Sound, Philadelphia in 1974 and produced by Tony Visconti. The album was mixed and mastered before David decamped to New York to work with John Lennon and Harry Maslin on what became the ‘YOUNG AMERICANS’ album. ‘THE GOUSTER’ contains three previously unreleased mixes of ‘Right’, ‘Can You Hear Me’ and ‘Somebody Up There Likes Me’. For the 2016 release, Tony Visconti has overseen the mastering from the original tapes and photos taken by Eric Stephen Jacobs have been put together for the sleeve based around one of David’s original concepts for the album. Also exclusive to the box set will be the remastered ‘DAVID LIVE (original mix)’, the 2010 Harry Maslin mix of ‘STATION TO STATION’ (previously only available on an audio only DVD in 5.1 and stereo as part of the ‘STATION TO STATION’ Deluxe box set in 2010) and ‘RE:CALL 2’. ‘RE:CALL 2’ features the original single mix of ‘Rebel Rebel’, which has only featured on a 40th anniversary picture disc in 2014 since its original release on single in 1974, and a previously unreleased on CD Australian single edit of ‘Diamond Dogs’, the only place in the world that this edit was issued. Also appearing on CD for the first time is the single edit of the live version of ‘Rock ‘n’ Roll With Me’, which was issued to radio stations in the U.S. to help promote the ‘DAVID LIVE’ album. ‘RE:CALL 2’ features newly originated artwork with 1975 in-studio images from the ‘STATION TO STATION’ recording sessions by David’s friend and backing vocalist Geoff MacCormack aka Warren Peace. The alternative cover for the 2010 mix of ‘STATION TO STATION’ by Harry Maslin, features the originally intended colour sleeve for the album that never got further than a few colour proofs and was replaced by the more familiar black and white image. The box set’s accompanying 128 page book will feature rarely seen and previously unpublished photos by photographers including Eric Stephen Jacobs, Tom Kelley, Geoff MacCormack, Terry O’Neill, Steve Schapiro, and many others as well as historical press reviews and technical notes about the albums from producers Tony Visconti and Harry Maslin. The CD box set will include faithfully reproduced mini-vinyl versions of the original albums and the CDs will be gold coloured rather than the usual silver. Also available as a 13LP 180g vinyl set (with 84 page book).

                                                                                        FORMAT INFORMATION

                                                                                        LP Box Set Info: 13LP box with 84 page book. 180 gram vinyl.

                                                                                        FREE SHIPPING This item has FREE UK shipping!

                                                                                        CD Box Set Info: 12CD box with 128 page book.
                                                                                        The CD box set will include faithfully reproduced mini-vinyl versions of the original albums and the CDs will be gold coloured rather than the usual silver.

                                                                                        FREE SHIPPING This item has FREE UK shipping!

                                                                                        The zenith of David Bowie's flat-pack soul period, 1975's "Young Americans" is an incredible and frequently overlooked record. No other Bowie album had spelled out its market so cleanly and crisply in its title. This was an album to be bought at a time when young Americans, after years of mobilising, now had a little disposable income and were ready to party. It was all, supposedly, about 'emotional drive'. But the album came to represent so much more than that. It is an indirect product of many factors; soul music; politics, both personal and public; sex, drugs and dancing; of downtown New York and uptown Philadelphia.

                                                                                        STAFF COMMENTS

                                                                                        Barry says: What a beginning! 'Young Americans' really sets the scene for the rest of the album, swooning into the Pre-Balearic charms of 'Win' and the horny brilliance of 'Somebody up There Likes Me'. Dynamic, exciting and criminally overlooked, this is one of the greatest Bowie albums there is, and this is the essential version. Music achieved.

                                                                                        David Bowie

                                                                                        Zeroes (2018) / Beat Of Your Drum (2018)

                                                                                          This special limited edition DAVID BOWIE 7" picture disc, is a double A-side of the radio edits of 2018 versions of ZEROES and BEAT OF YOUR DRUM. Both tracks are from NEVER LET ME DOWN (2018), a new version of the 1987 album featured in the forthcoming boxset LOVING THE ALIEN (1983-1988) which is released on 12th October.

                                                                                          NEVER LET ME DOWN (2018), is a new production of Bowie’s final ‘solo’ album of the ‘80s. Producer Mario McNulty worked on the tracks at Electric Lady Studios in New York with longtime Bowie musicians Sterling Campbell (Black Tie White Noise, Outside, ‘hours…’, Heathen, Reality and The Next Day) on drums, Reeves Gabrels (Tin Machine, Black Tie White Noise, Outside, Earthling and ‘hours...') & David Torn (Heathen, Reality and The Next Day) on guitars and Tim Lefebvre (Blackstar) on bass.

                                                                                          ZEROES, the lyrics of which reference Prince’s Little Red Corvette was Bowie’s salute to the ‘60s. He described it as “The ultimate happy-go-lucky rock tune, based in the nonsensical period of psychedelia”. Mario McNulty commented, "Stripping this song down to its core revealed a track that could have been right at home on Hunky Dory, I kept Peter Frampton’s sitar (which was originally owned by Jimi Hendrix) as it still fits against the new guitars from Reeves Gabrels”.

                                                                                          Of BEAT OF YOUR DRUM Mario McNulty says, “David Torn’s ambient guitars start the song that now lead into a much darker world than its shiny predecessor. David sang all the backing vocals on this which I have kept.”


                                                                                          FORMAT INFORMATION

                                                                                          Ltd 7" Info: Double A Side Limited Edition 7" Picture Disc.

                                                                                          David Bowie

                                                                                          Aladdin Sane - 2013 Remaster Edition

                                                                                            "Ziggy Stardust wrote the blueprint for David Bowie's hard-rocking glam, and Aladdin Sane essentially follows the pattern, for both better and worse. A lighter affair than Ziggy Stardust, Aladdin Sane is actually a stranger album than its predecessor, buoyed by bizarre lounge-jazz flourishes from pianist Mick Garson and a handful of winding, vaguely experimental songs. Bowie abandons his futuristic obsessions to concentrate on the detached cool of New York and London hipsters, as on the compressed rockers "Watch That Man," "Cracked Actor," and "The Jean Genie." Bowie follows the hard stuff with the jazzy, dissonant sprawls of "Lady Grinning Soul," "Aladdin Sane," and "Time," all of which manage to be both campy and avant-garde simultaneously, while the sweepingly cinematic "Drive-In Saturday" is a soaring fusion of sci-fi doo wop and melodramatic teenage glam. He lets his paranoia slip through in the clenched rhythms of "Panic in Detroit," as well as on his oddly clueless cover of "Let's Spend the Night Together." For all the pleasures on Aladdin Sane, there's no distinctive sound or theme to make the album cohesive; it's Bowie riding the wake of Ziggy Stardust, which means there's a wealth of classic material here, but not enough focus to make the album itself a classic." - AllMusic.


                                                                                            STAFF COMMENTS

                                                                                            Andy says: David Bowie's follow-up to "Ziggy Stardust" stayed in the Glam style but with loads of other arty stylings that it kept him streets ahead of the rest. Includes the classic stomper "Jean Genie".

                                                                                            ★ is David Bowie’s 28th album.

                                                                                            Spring 2015 brought the announcement of the off Broadway theatre production Lazarus, a collaboration between Bowie and renowned playwright Enda Walsh, to be directed by Ivo Van Hove. Lazarus is inspired by the novel The Man Who Fell To Earth by Walter Tevis, and centers on the character of Thomas Newton, famously portrayed by Bowie in the 1976 screen adaptation. It will feature new Bowie songs alongside fresh arrangements of music from his back catalogue.

                                                                                            On October 6, 2015, an excerpt of Blackstar, a brand new original Bowie track, was revealed in the opening credits of The Last Panthers, a major new crime drama premiering across Europe on Sky Atlantic on November 12th.

                                                                                            On October 25 it was confirmed that Blackstar would be the title of both the forthcoming single and album from David Bowie. The single will be released on November 20th and the album will follow on David’s birthday, January 8th 2016.

                                                                                            Throughout his 50-year career, David Bowie’s work has always surprised, captivated and exhilarated. 2016 will be no exception. 

                                                                                            FORMAT INFORMATION

                                                                                            LP Info: Black vinyl edition in a die-cut sleeve.

                                                                                            David Bowie

                                                                                            David Bowie AKA Space Oddity - 180 Gram Vinyl Edition

                                                                                              The album, produced by Tony Visconti (bar "Space Oddity" itself which was produced by the late Gus Dudgeon), was a giant leap forward in terms of songwriting for Bowie compared to his eponymous debut, and can be considered as the first truly essential David Bowie album. Noted for a list of collaborators, including session players Herbie Flowers, Tim Renwick, Terry Cox and Rick Wakeman, the album delves into psychedelic folk-rock, as well as prog, with its genre-defying template creating a blueprint of what would become over the next decade and more, one of the most inimitable British artists.

                                                                                              FORMAT INFORMATION

                                                                                              LP Info: 180 gram audiophile vinyl.

                                                                                              David Bowie

                                                                                              Heroes

                                                                                                "Repeating the formula of Low's half-vocal/half-instrumental structure, Heroes develops and strengthens the sonic innovations David Bowie and Brian Eno explored on their first collaboration. The vocal songs are fuller, boasting harder rhythms and deeper layers of sound. Much of the harder-edged sound of Heroes is due to Robert Fripp's guitar, which provides a muscular foundation for the electronics, especially on the relatively conventional rock songs. Similarly, the instrumentals on Heroes are more detailed, this time showing a more explicit debt to German synth pop and European experimental rock. Essentially, the difference between Low and Heroes lies in the details, but the record is equally challenging and groundbreaking." - Allmusic.

                                                                                                David Bowie

                                                                                                Hunky Dory - 180 Gram Vinyl Edition

                                                                                                  "After the freakish hard rock of The Man Who Sold the World, David Bowie returned to singer/songwriter territory on Hunky Dory. Not only did the album boast more folky songs ("Song for Bob Dylan," "The Bewlay Brothers"), but he again flirted with Anthony Newley-esque dancehall music ("Kooks," "Fill Your Heart"), seemingly leaving heavy metal behind. As a result, Hunky Dory is a kaleidoscopic array of pop styles, tied together only by Bowie's sense of vision: a sweeping, cinematic mélange of high and low art, ambiguous sexuality, kitsch, and class. Mick Ronson's guitar is pushed to the back, leaving Rick Wakeman's cabaret piano to dominate the sound of the album. The subdued support accentuates the depth of Bowie's material, whether it's the revamped Tin Pan Alley of "Changes," the Neil Young homage "Quicksand," the soaring "Life on Mars?," the rolling, vaguely homosexual anthem "Oh! You Pretty Things," or the dark acoustic rocker "Andy Warhol." On the surface, such a wide range of styles and sounds would make an album incoherent, but Bowie's improved songwriting and determined sense of style instead made Hunky Dory a touchstone for reinterpreting pop's traditions into fresh, postmodern pop music." - Allmusic.

                                                                                                  FORMAT INFORMATION

                                                                                                  LP Info: 180 gram audiophile vinyl.

                                                                                                  The powerful reach of Bowie's masterpiece, the first part of the much feted 'Berlin Trilogy' created with the aid of Brian Eno, is still being felt strongly almost 30 years on. Air's wonderful four hour Essential Mix began with this album's opener "Speed of Life", Q Magazine rated the album #14 in it's Greatest British Albums Ever, and Pitchfork, the New Testament for the New Indie generation, recently decreed "Low" as the #1 album of the 1970's. Side A (or tracks 1-7 for those more familiar with the CD format) are classic Bowie ("Sound and Vision", "Be My Wife"), although dealing with the unfamiliar and slightly darker topics of lethargy, depression and estrangement, highlighting Bowie's overcoming of his cocaine addiction. Over on Side B the album's true colours really come through - four ambient tracks, originally rejected for the soundtrack to "The Man Who Fell To Earth" (the source of Low's iconic cover image), which see Bowie pay homage to Can, Neu! and Eno himself. The word 'timeless' was invented for such moments as these.

                                                                                                  David Bowie

                                                                                                  Pinups - 180 Gram Vinyl Edition

                                                                                                    David Bowie's seventh album was his last to feature the famous "Spiders From Mars" band. It originally came out in November 1973 and is unique in that it is made up entirely of cover versions. In the original liner notes Bowie wrote that the original songs carried the flavour of "64 to '67 London" when he was first getting his band together. As such, it really does feel like a labour of love. Apart from enormo stars Pink Floyd, The Kinks and The Who, he also mastered tracks by The Merseys, Pretty Things and Easybeats. In short, a fine collection of classic songs given that indefatigable Bowie stamp.

                                                                                                    FORMAT INFORMATION

                                                                                                    LP Info: 180 gram audiophile vinyl.

                                                                                                    David Bowie

                                                                                                    Scary Monsters

                                                                                                      "David Bowie returned to relatively conventional rock & roll with Scary Monsters, an album that effectively acts as an encapsulation of all his '70s experiments. Reworking glam rock themes with avant-garde synth flourishes, and reversing the process as well, Bowie creates dense but accessible music throughout Scary Monsters. Though it doesn't have the vision of his other classic records, it wasn't designed to break new ground -- it was created as the culmination of Bowie's experimental genre-shifting of the '70s. As a result, Scary Monsters is Bowie's last great album. While the music isn't far removed from the post-punk of the early '80s, it does sound fresh, hip, and contemporary, which is something Bowie lost over the course of the '80s." - Allmusic.


                                                                                                      David Bowie

                                                                                                      Space Oddity - 2015 Remaster Edition

                                                                                                        The album, produced by Tony Visconti (bar "Space Oddity" itself which was produced by the late Gus Dudgeon), was a giant leap forward in terms of songwriting for Bowie compared to his eponymous debut, and can be considered as the first truly essential David Bowie album. Noted for a list of collaborators, including session players Herbie Flowers, Tim Renwick, Terry Cox and Rick Wakeman, the album delves into psychedelic folk-rock, as well as prog, with its genre-defying template creating a blueprint of what would become over the next decade and more, one of the most inimitable British artists.

                                                                                                        STAFF COMMENTS

                                                                                                        Andy says: Psych and folk flavours, typical of the late 60's era, dominate on Bowie's second LP. Obviously the title track is one of the greatest songs ever written!

                                                                                                        David Bowie

                                                                                                        The Man Who Sold The World - 180 Gram Vinyl Edition

                                                                                                          "Even though it contained no hits, The Man Who Sold the World, for most intents and purposes, is the beginning of David Bowie's classic period. Working with guitarist Mick Ronson and producer Tony Visconti for the first time, Bowie developed a tight, twisted heavy guitar rock that appears simple on the surface but sounds more gnarled upon each listen. The mix is off-center, with the fuzz-bass dominating the compressed, razor-thin guitars and Bowie's strangled, affected voice. The sound of The Man Who Sold the World is odd, but the music is bizarre itself, with Bowie's bizarre, paranoid futuristic tales melded to Ronson's riffing and the band's relentless attack. Musically, there isn't much innovation on The Man Who Sold the World - it is almost all hard blues-rock or psychedelic folk-rock - but there's an unsettling edge to the band's performance, which makes the record one of Bowie's best albums." - Allmusic.

                                                                                                          FORMAT INFORMATION

                                                                                                          LP Info: 180 gram audiophile vinyl.

                                                                                                          David Bowie

                                                                                                          The Man Who Sold The World - 2015 Remaster Edition

                                                                                                            "Even though it contained no hits, The Man Who Sold the World, for most intents and purposes, is the beginning of David Bowie's classic period. Working with guitarist Mick Ronson and producer Tony Visconti for the first time, Bowie developed a tight, twisted heavy guitar rock that appears simple on the surface but sounds more gnarled upon each listen. The mix is off-center, with the fuzz-bass dominating the compressed, razor-thin guitars and Bowie's strangled, affected voice. The sound of The Man Who Sold the World is odd, but the music is bizarre itself, with Bowie's bizarre, paranoid futuristic tales melded to Ronson's riffing and the band's relentless attack. Musically, there isn't much innovation on The Man Who Sold the World - it is almost all hard blues-rock or psychedelic folk-rock - but there's an unsettling edge to the band's performance, which makes the record one of Bowie's best albums." - Allmusic.


                                                                                                            STAFF COMMENTS

                                                                                                            Andy says: The classic title track would famously be covered by Nirvana on their "MTV Unplugged" album, but as ever, this record is pretty unlike anything else The Dame would go on to produce.

                                                                                                            One of Britains most celebrated, much cherished, original and iconic figures, David Bowie returns after a 10 year absence, with this brilliant new album on RCA Records. From the assault of opener 'The Next Day' through the mournful balladry of 'Where Are We Now' and on to the ambience and grandiose gothic imagery of 'Heat', this is a hugely worthwhile collection to any music fan's library, and further evidence of Bowie's incomparable talents, and impact on today's musical landscape.  

                                                                                                            FORMAT INFORMATION

                                                                                                            Ltd CD Info: A deluxe single disc CD format containing three bonus tracks and an exclusive poster.

                                                                                                            David Bowie

                                                                                                            The Rise And Fall Of Ziggy Stardust - 2012 Remaster Edition

                                                                                                              Originally released through RCA Victor on 6th June 1972, Ziggy Stardust was David Bowie’s fifth album, co-produced by Bowie and Ken Scott. Incredibly, the album was written whilst Bowie was recording 1971’s Hunky Dory album, with recording beginning a couple of months before that album’s release. It was recorded at Trident Studios, London between 8th November 1971 and 4th February 1972, with the line up: Mick Ronson (guitar, piano, backing vocals, string arrangements), Trevor Bolder (bass), Mick Woodmansey (drums), Rick Wakeman (keyboards) and backing vocals on ‘It Ain’t Easy’ by Dana Gillespie. As well as performing vocals, Bowie also played acoustic guitar, saxophone and harpsichord on the album and was involved in the arrangements too.

                                                                                                              The album eventually peaked at #5 on the UK Album Chart on 22nd July having entered the chart at #15 on 1st July. Key to the album’s rise in the UK were the two TV performances of “Starman” on Granada TV’s Lift Off With Ayshea and nationally on the BBC’s Top Of The Pops. The album’s influence is immeasurable – it converted legions of fans, becoming the zeitgeist and a major influence on the next generation, particular those who were involved in the punk movement – musicians, artists, designers – and the subsequent re-birth of rock and pop.

                                                                                                              Famously Bowie killed Ziggy at his peak at London’s Hammersmith Odeon, on July 3rd, 1973, though Ziggy Stardust’s influence was to redefine popular culture forever: pop music was never the same again.

                                                                                                              David Bowie

                                                                                                              The Rise And Fall Of Ziggy Stardust And The Spiders From Mars - 180 Gram Vinyl Edition

                                                                                                                Originally released through RCA Victor on 6th June 1972, Ziggy Stardust was David Bowie’s fifth album, co-produced by Bowie and Ken Scott. Incredibly, the album was written whilst Bowie was recording 1971’s Hunky Dory album, with recording beginning a couple of months before that album’s release. It was recorded at Trident Studios, London between 8th November 1971 and 4th February 1972, with the line up: Mick Ronson (guitar, piano, backing vocals, string arrangements), Trevor Bolder (bass), Mick Woodmansey (drums), Rick Wakeman (keyboards) and backing vocals on ‘It Ain’t Easy’ by Dana Gillespie. As well as performing vocals, Bowie also played acoustic guitar, saxophone and harpsichord on the album and was involved in the arrangements too.

                                                                                                                The album eventually peaked at #5 on the UK Album Chart on 22nd July having entered the chart at #15 on 1st July. Key to the album’s rise in the UK were the two TV performances of “Starman” on Granada TV’s Lift Off With Ayshea and nationally on the BBC’s Top Of The Pops. The album’s influence is immeasurable – it converted legions of fans, becoming the zeitgeist and a major influence on the next generation, particular those who were involved in the punk movement – musicians, artists, designers – and the subsequent re-birth of rock and pop.

                                                                                                                Famously Bowie killed Ziggy at his peak at London’s Hammersmith Odeon, on July 3rd, 1973, though Ziggy Stardust’s influence was to redefine popular culture forever: pop music was never the same again.

                                                                                                                FORMAT INFORMATION

                                                                                                                LP Info: 180 gram audiophile vinyl.

                                                                                                                Chuggy house with a gospelian / rock and roll tinge will present on the vocals that serve as sample. The sax is on a league of its own. Steals the show in fact. Great synth and killer bass make this original piece worth a listen or two. 
                                                                                                                If the original is not quite hitting the dancefloor for you, A lister DJ Spinna makes sure your dance needs are well covered. Soulful and deep kinda house smoothly served by a well seasoned producer. In top form. 
                                                                                                                Ashley Beedle adds more floritude and a certain jazzilicious flare that makes her revision truly disticntive. A piano and a harp join the already outstanding jazz solo to create an orgy of aural beauty rarely seen in dance music. Beedle has outdone himself this time. 
                                                                                                                Mr Rocca goes more synthetic and serves classic tight melodic, euphoric and clean house but still manages the certain melancholy that the original contains. 
                                                                                                                A surprisingly good 12" that cements my idea that when you add real instruments and a great vocal sample, the rest comes on its own. 


                                                                                                                STAFF COMMENTS

                                                                                                                Sil says: Ladies, this one is intensely good. Not the type of obvious, in your face good, but the type of good that comes after repeated listening. Multilayered and with substance. The remixes are as great as the original.

                                                                                                                Part two of a great remix package for the outstanding Danilo Braca's 'Oh My Lord'. 
                                                                                                                To open the package the honours are given to underground deep house maestro, DJ Nature. His remix is one of the most intricate in the whole series. The warmest by far, here is all about the sax and the jazz. Tight and deep. 
                                                                                                                Radius etc... goes decreases the pitch, takes you out of the dancefloor and into the darkened booth in the corner dimly illuminated by a burgundy red table lamp. Delightful. 
                                                                                                                The Revenge goes all smooth and polished to offer you a jazzy, laidback take on the original. As expected, the bassline gets all the attention which in conjunction with the sax create an underrated weapon that you will only appreciate with time. Spot on. 
                                                                                                                And closing proceedings is no other than Beedle himself serving class with a slightly different take on the remix present in part one. It is a piano rich piece. Two pianos actually engaging in a very uplifting dialogue. Bass is almost gone but you will not miss it. Extraordinary. Beedle does it again. 
                                                                                                                Believe me when I say that there are very few series that are worth your hard earned cash. This remix package and part one are one of those cases. 


                                                                                                                STAFF COMMENTS

                                                                                                                Sil says: Part twos are really good. But there is always a exception to the rule. Here you have it. As good as part one.

                                                                                                                Daniel Brandt, co-founder of acclaimed German ensemble Brandt Brauer Frick, is set to release his second solo album for London imprint Erased Tapes on October 12th. Titled Channels, the new record follows the release of the London and Berlin based producer’s solo debut Eternal Something from 2017. The seven-track LP is Brandt’s biggest statement yet, with the album’s thrilling avant-garde framework interweaving chord-driven techno, orchestral flourishes, rich electronic textures and hints of dark cinematic pop. Following on from Eternal Something, which captured a contemplative kind of isolationism, with Channels Brandt set out to create an album that captures the essence of minimalism whilst lending it to a more playful context. After performing and recording Steve Reich’s Six Pianos in a group of six, Brandt began regularly composing long meditations on the piano, something that permeates the sound of the new record. Its frenetic energy and shape-shifting identity was also born out of touring with his new band Eternal Something — comprised of Brandt on piano, drums and synthesisers, Pascal Bideau on guitar and bass, plus Florian Juncker on trombone — and a desire to translate both the sound and spiritual unity of their live shows in which musicians locked together to create an intriguing meld of expansive works. Intricate floor-filler and lead track ‘Flamingo’ synthesises the measured pacing of Detroit techno with an orchestral background. As with all of the tracks on Channels, ‘Flamingo’ began life as a sketch with very basic instrumentation, before taking it into the studio to rehearse with his band members, giving the album a live and visceral sound that sets it apart from his debut; “It was a great experience to do it this way as I have always wanted to have the chance to try out something in a live setting before recording it in the studio and not the other way round,” explains Daniel. “The actual typical rock band recording style that I never had the chance to do before.”

                                                                                                                The album’s most immersive, club-ready track ‘Sailboats III’ is built with a vivid and pulsating bass line that takes inspiration from a Lichtenstein painting, as well as the UK bass scene and producers like Tessela and Lord Tusk. The blossoming cosmos of ‘Cherry Dream’ is informed by Tangerine Dream’s iconic soundtrack to the film Risky Business, a compelling reinterpretation of Love On A Real Train replete with darker, electronic elements and live orchestration. ‘Daze’, co-written with guitarist Pascal Bideau, chimes with an acoustic melody and is carried by a rhythmic percussive pulse, whilst the understated ‘Ltd’ was stylistically inspired by Steve Reich’s Electric Counterpoint as well as Daniel and his band’s live improvisations with orchestral collective Stargaze, whose founder and conductor André de Ridder contributed violin on the album. Title track ‘Channels’ melds instrumental ambient with melodramatic embellishments, whilst the record’s closer ‘Twentynine Palms’ takes its name from the vast Californian desert, and was written while Daniel was travelling there, evoking the widescreen and rapturous sound of open space and nature. With Brandt also being skilled as a filmmaker, directing and producing visuals for BBF and Eternal Something, much of the new album’s creative ideas reference a rich visual palette. He directed the video for ‘Flamingo’, a sideways glance at the art world that takes the concept behind John Cage’s 4’33” and turns it on its head. “The video for Flamingo is deliberately non performance — people sitting in a room and watching basically nothing, never really sure if anything is ever going to happen. It’s also a play on John Cage’s 4’33”, except in this instance there isn’t even a performer present.” — Daniel Brandt

                                                                                                                Daniel’s passion for film even prompted him to kick start his own online television channel Strrr.tv in 2017 that since attracted a lot of attention with guest moderators including BBC Radio DJ Gilles Peterson, modular synth legend Suzanne Ciani and Berghain bouncer Sven Marquardt counting amongst the most popular episodes.

                                                                                                                Recorded between Berlin and London, Channels is a deeply enthralling listening experience, which sees Daniel Brandt build upon his distinctive percussive sound whilst exploring new and expansive horizons.

                                                                                                                "Atrocity Exhibition" is an album of Danny Brown’s typically vigorous rap, paired with challenging production inspired by the work of Talking Heads and Joy Division. It sounds like nothing else from the past or present. Brown began work on "Atrocity Exhibition" in the summer of 2014, linking up with producer and frequent collaborator Paul White on the bulk of the album’s cuts. Other contributions come from producers like Evian Christ, Petite Noir (who also lends vocals to the world weary clang of ‘Rolling Stone’), Black Milk and the Alchemist, who lays down the beats for the masterful "Really Doe". Joined by Kendrick, Ab-Soul and Earl Sweatshirt, Brown goes wild over a killer rhythm track, resulting in the LP's stand out moment. 

                                                                                                                FORMAT INFORMATION

                                                                                                                CD Info: CD in 6 page digipak with 20 page booklet.

                                                                                                                Dana Buoy has spent the better part of the last decade as the percussionist for Akron/Family.

                                                                                                                Dana Buoy’s debut album, Summer Bodies, is a rhythmic and vibrant dedication to the joyous feelings of summer love.

                                                                                                                What started as hopeful love notes left on an answering machine in Oregon were later crafted into an album in a bungalow near a jungle lagoon in Thailand. Armed with nothing more than a laptop, an MPC1000, and the enchantment of the paradise found there, the songs began to take shape, mimicking the tropic forms that surrounded them.

                                                                                                                The record was completed months later in Brooklyn and was fleshed out almost solely by Buoy with live drumming, guitar, thumb piano, and samples built from omnichords, analog synthesizers and iPad apps. During the recording, Buoy and his engineer weathered an earthquake, followed by Hurricane Irene - neglecting to evacuate and maintaining days of isolation brought on by the tropical storm.

                                                                                                                The result is Summer Bodies, the culmination of over a year of songwriting and travelling. A dream pop record combining elements of Afro beats, synth pop, and what Buoy refers to as “Tropicore”. The songs connect the dots between Paul Simon and Drake, providing a sonic spaceship ride from the beach party to the after party.

                                                                                                                STAFF COMMENTS

                                                                                                                Ryan says: As the percussionist for Akron/Family, you can expect many similar melodies & harmonies from Dana Bouy, overall this is a stunning release. Akron/Family fans, give it a try!

                                                                                                                Recorded slap-dab in the middle of the decade, "Places And Spaces" represents a high water mark level for 1970s jazz-funk, and is another Mizell Brothers-produced winner. Includes the Larry Mizell-penned anthems "Change (Makes You Want To Hustle)" and "Wind Parade" plus classics like "(Fallin' Like) Dominoes" and the title track itself. Essential!

                                                                                                                "Here Lies Love" is a double-disc song cycle, improbably poignant, decidedly surreal, surprisingly thought provoking - about the rise and fall of the Philippines' notorious Imelda Marcos. It was conceived by David Byrne; composed by Byrne and Fatboy Slim, AKA Norman Cook; and performed by a dream cast drawn from the worlds of indie rock, alt country, R&B and pop. Byrne's taste in collaborators is as imaginative as it is impeccable, including Cyndi Lauper (who recounts, to light-hearted disco beats, Imelda's courtship with Ferdinand Marcos), Steve Earle (as the power-hungry Ferdinand), Dap-Kings vocalist Sharon Jones (recalling Imelda's introduction into New York society) and Natalie Merchant (as spurned Imelda confidante Estrella, anticipating the onset of martial law). Along with vocals turns from such stars as Tori Amos and the B-52's Kate Pierson, Byrne works with rising indie rockers St Vincent and My Brightest Diamond; New York chanteuses Nellie McKay and Martha Wainwright; and dance-music divas Roisin Murphy and Santigold. Byrne himself appears as the voice of imperialistic America on "American Troglodyte", a send-up that wouldn't have seemed out of places in Talking Heads' "True Stories".

                                                                                                                FORMAT INFORMATION

                                                                                                                2xCD/DVD Info: Deluxe with 104 page cloth-bound book with 2 CDs & bonus DVD.

                                                                                                                American Utopia fits hand-in-hand with Byrne’s vision for his series ‘Reasons To Be Cheerful’ - an ongoing series curated by Byrne of hopeful writings, photos, music, and lectures – named for the song by the late Ian Dury. Over the last year, Byrne has been collecting stories, news, ideas, and other items that all either embody or identify examples of things that inspire optimism, such as a tech breakthrough, a musical act, a new idea in urban planning or transportation – something seen, heard, or tasted. Just as the album questions the current state of society while offering solace through song, the content of the series recognizes the darkness and complexity of today while showcasing alternatives to the despair that threatens us. 

                                                                                                                While David Byrne has collaborated on joint releases with Eno, Norman Cook (aka Fatboy Slim), and most recently St. Vincent over the past decade, American Utopia is Byrne’s first solo album since, 2004’s Grown Backwards, also on Nonesuch. American Utopia morphed during the writing and recording process, beginning with longtime collaborator Eno, and eventually growing to include collaboration with producer Rodaidh McDonald (The xx, King Krule, Sampha, Savages) alongside a diverse cast of creative contributors including Daniel Lopatin (aka Oneohtrix Point Never), Jam City, Thomas Bartlett (St. Vincent producer, aka Doveman), Jack Peñate, and others. The album was recorded in New York City at David’s home studio, Reservoir Studios, Oscilloscope, XL Studios, and Crowdspacer Studio and in London at Livingston Studio 1.

                                                                                                                Speaking about the album, Byrne said:
                                                                                                                Is this meant ironically? Is it a joke? Do I mean this seriously? In what way? Am I referring to the past or the future? Is it personal or political?

                                                                                                                These songs don’t describe an imaginary or possibly impossible place but rather attempt to depict the world we live in now. Many of us, I suspect, are not satisfied with that world – the world we have made for ourselves. We look around and we ask ourselves – well, does it have to be like this? Is there another way? These songs are about that looking and that asking.

                                                                                                                This album is indirectly about those aspirational impulses. Sometimes to describe is to reveal, to see other possibilities. To ask a question is to begin the process of looking for an answer. To be descriptive is also to be prescriptive, in a way. The act of asking is a big step. The songs are sincere – the title is not ironic. The title refers not to a specific utopia, but rather to our longing, frustration, aspirations, fears, and hopes regarding what could be possible, what else is possible. The description, the discontent and the desire – I have a feeling that is what these songs touch on.

                                                                                                                I have no prescriptions or surefire answers, but I sense that I am not the only one looking and asking, wondering and still holding onto some tiny bit of hope, unwilling to succumb entirely to despair or cynicism.

                                                                                                                It’s not easy, but music helps. Music is a kind of model – it often tells us or points us toward how we can be.


                                                                                                                STAFF COMMENTS

                                                                                                                Barry says: From what I garner from reading Byrne's comments on his newest release, he is commenting (possibly) sarcastically on the duality of American life... or possibly he wasn't. What is less ambiguous is just listening to the album, taking in the excellently written songs and the latent, wry politicism peppered throughout. It's wonderful, that's all you need to know.

                                                                                                                FORMAT INFORMATION

                                                                                                                Ltd LP includes MP3 Download Code.

                                                                                                                David Byrne

                                                                                                                Grown Backwards (Deluxe Vinyl Edition)

                                                                                                                  David Byrne's Nonesuch Records debut album, Grown Backwards, first released in 2004, makes its vinyl debut almost fifteen years later. The vinyl edition comprises the original album plus six previously unreleased tracks, including a duet with Caetano Veloso on their song ‘Dreamworld’. The double LP was mastered for vinyl by Greg Calbi at Sterling Sound and pressed on 140g vinyl at Record Industry in the Netherlands and comes in a metallic sleeve.

                                                                                                                  ‘It fits alongside the best of his career and adds another solid release to a solo catalog which will hopefully become more cherished in time,’ said Pitchfork in its review in 2004.

                                                                                                                  ‘In 20 years, as we straighten our faces with botulism, braces, and stem cells, the album will stand up’. Mojo gave Grown Backwards four stars, finding that ‘some of Byrne's most deliciously quirky lyrics ensure an event-packed listen.’ The Guardian called the album ‘one of Byrne's most rewarding experiments yet. These are wonderful exercises in songcraft.’ The Daily Telegraph said: ‘This must surely be Byrne's most satisfying album. An unexpected delight.’ Uncut named it among the Albums of the Year, and the Sunday Times declared: ‘Really rather wonderful.’

                                                                                                                  FORMAT INFORMATION

                                                                                                                  2xDeluxe LP Info: Heavyweight double 140 gram high-performance vinyl.

                                                                                                                  David Byrne

                                                                                                                  True Stories, A Film By David Byrne: The Complete Soundtrack

                                                                                                                    In conjunction with The Criterion Collection’s special-edition DVD and Blu-ray release of David Byrne’s 1986 film True Stories, Nonesuch and Todomundo Records release a comprehensive soundtrack, collected for the first time in one package and in film sequence: True Stories, A Film by David Byrne: The Complete Soundtrack. David Byrne was inspired by tabloid headlines to make his sole foray into feature-film directing, an ode to the extraordinariness of ordinary American life and a distillation of what was in his own idiosyncratic mind. Byrne plays a visitor to Virgil, Texas, who introduces us to the citizens of the town during preparations for its Celebration of Specialness. As shot by cinematographer Ed Lachman, Texas becomes a hyper-realistic late-capitalist landscape of endless vistas, shopping malls, and prefab metal buildings.

                                                                                                                    In True Stories, Byrne uses his songs to stitch together pop iconography, voodoo rituals, and a singular variety show. Byrne calls the record “an immersive audio voyage into the little town of Virgil, Texas, in the mid-eighties.” He continues, “I always imagined that the music written for True Stories should be heard as it is in the film. It makes the most sense this way. Me singing the song that was written for John Goodman’s character, Louis Fine, always felt weird to me. It was written for that character, not for me.”

                                                                                                                    FORMAT INFORMATION

                                                                                                                    2xLtd LP Info: Heavyweight 140 gram high-performance double vinyl.

                                                                                                                    Simon Joyner, who over the course of thirteen albums has released a unique and influential body of work on a myriad of independent labels, and Dennis Callaci, who has recorded nearly as many records with his band Refrigerator and runs one of those said labels, present their second record together. Their first collaborative release was a one-sided vinyl-only release on Catsup Plate Records a decade back entitled Stranger Blues, a direct-to-one-track live recording of the two playing together and sharing one mic.

                                                                                                                    Though recorded in the same spot (i.e. the living room of the Callaci home), New Secrets is a different record altogether - a call and response exercise of sorts, with a Joyner song answering the plea to the preceding Callaci dirge. Recorded and mixed live by Jarvis Taveniere (noted for his Rearhouse recordings and as a member of Woods) over the course of three days, the duo was backed up by Joyner's band from the Ghosts record of last year. Augmenting the album's eleven tracks are guest appearances by Franklin Bruno (Human Hearts, Nothing Painted Blue) and Kevin Morby (The Babies). Reuniting the original cast from the first release, noted artist Rob Carmichael designed the cover art around Callaci's drawings. 

                                                                                                                    All new music from Simon Joyner and Dennis Callaci (Refrigerator) 
                                                                                                                    Follow-up to 2003 Stranger Blues EP
                                                                                                                    Recorded and mixed by Jarvis Tavernier (Rearhouse, Woods) and Joyner's full backing band, guest spots by Franklin Bruno and Kevin Morby (The Babies).

                                                                                                                    All tracks produced and arranged by DJ Don Carlos, 8 tracks never released on vinyl taken from the album "The Cool Deep". The first 12" include A1. Voyage A2. House Of Bluse B1. Equinox B2. Playa Serena...

                                                                                                                    Big release from the master of Italian Deep house!

                                                                                                                    Dave Clarkson

                                                                                                                    A Blue Guide To Shore Ghosts And Sea Mystery

                                                                                                                      Linear Obsessional Recordings conclude Dave Clarkson's "coastal trilogy" with a new themed collection of music based on supernatural and mysterious aquatic subject matter. Expanding the pallette from the field recordings and subdued electronics of the previous releases ("Music for Lighthouses" and "Coastal Quicksands of the British Isles") to include drum kits, guitars, scratched '78s and harmonica as well as guest musicians Graham Massey (of 808 State and Biting Tongues) on saxophones and assorted percussion, and Ruth Davies on Cello. The resultant music is a triumphant combination of unsettling but absorbing sounds with a new interest in acoustic instrumentation, and even a Krautrock feel at moments."Shore Ghosts and Sea Mystery" sees Clarkson exploring expansive new waters...

                                                                                                                      Dave Cloud & The Gospel Of Power

                                                                                                                      Fever

                                                                                                                      Like some latter-day Captain Beefheart kidnapping his band to force them to knock out "Trout Mask Replica", Cloud dragged the ever-changing Gospel Of Power band, Matt Swanson (also of Lambchop) Ben Martin (Clem Snide) and Matt Back across the Atlantic to record "Fever" at Fire Records' Stoke Newington studio. But where the notorious Captain turned his musicians into fanatical cadavres, the ever amenable Cloud has created another record of fractured garage and garrulous lo-fi, bizarre character studies and paeans to ladies and love. Just as on his Fire Records debut, the compilation "Napoleon Of Temperance" and last album, "Pleasure Before Business", Cloud once again roughs up the Nashville tradition. You're as likely to hear him collaborating with a Norwegian folk group to knock out a dishevelled version of sea shanty "What Should We Do With A Drunken Sailor" as paying reverential homage to the sound of his home city. But that's what this personable old cove is all about: hazy round the edges, always on hand with a sly wink. So the title track takes the melody of the song that Peggy Lee made famous for a late night drink in a seedy bar where it never really wanted to go, while "The Citadel" even out-swaggers'n'sleazes the The Rolling Stones' original. Over the murky atmosphere and hungover Spanish guitar of "Surfer Joe", Cloud ponders the price of lobster, cats and ponies, and pronounces Mexico like a drunken sheep. 'South of the border yeaaaoooww, south of the border yeaaaoow' he growls. "In The Distance" has Cloud in full spoken word flow over echoes of rolling piano, a tale of a man who 'put his battered bugle to his lips... and played the only love song she had ever heard him sing' in honour of a girl with 'magnetic brown eyes... made as a perfect sculpture.' It's a surprising end to Cloud's peculiar journey, but you'd be a fool not to join him on it. 'All Things Weird & Wonderful'.

                                                                                                                      Singer, songwriter, composer and multi-instrumentalist, Desmond Coke's supremely rare, privately pressed, lo-fi, synth-soul fusion, Let's Chase The Sun is represented here in edited form. Painstakingly remastered from the original tapes, this self taught pianist, drummer and sax player condensed his musical experiences and dreams in to an opus on love and togetherness.

                                                                                                                      Desmond Coke alias 'Fatfingers' - named by fellow musicians due to improvisation and interpretation skills - began playing keyboards by ear at 15 and went on to a music career playing with the likes of Alton Ellis, Prince Fari, Barrington Levy, Dillinger, Don Cherry and Shara Nelson, as well as a gamut of the On-U Sound label's projects, including Creation Rebel, Dub Syndicate, Singers & Players and Mark Stewart + Maffia.

                                                                                                                      With an interest in reggae, dub, jazz, soul, meringue, gospel and garage, his sole album was a true fusion to create a brand new sound. Composed, arranged and produced by Coke, he worked with an array of seasoned musicians, including his own sisters Winifred (percussion / vocals) and Paulette Coke (percussion / DX-7 & M1 synthesisers).

                                                                                                                      Pressed on his own Saterlite Entertainments in 1989, Coke describes the album's purpose, "to get the message across to have focus, ambition, to dream and 'chase the sun'. That relationships are important, 'I need somebody' and naturally the chemistry is 'you and me'. Great relationships are about friendships and that it's ok to 'mesmerise a friend'. The most natural thing is to enjoy each other's company and to 'make a love child'. These good intentions and meanings, where love is the key." Some thirty years later Desmond's thoughts are as resonant today as then - Let's Chase The Sun.


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