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FUZZ CLUB RECORDS

King Gizzard And The Lizard Wizard

Polygondwanaland (Mono)

    As part of their ongoing King Gizzard bootleg series, Fuzz Club are releasing a mono version of 'Polygondwanaland' - the Aussie psych legend's twelfth studio album and the bootleg that started it all.

    Polygondwanaland first appeared as a partial leak on the band's demos for the album. The leak was uploaded to SoundCloud but was soon taken down. As a result, news of the album was scarce and mostly involved rumours, one of which stated that it would be the last of the five albums released in 2017. The track "Crumbling Castle," which appeared on the demo, was performed live by the band as early as September 2016, albeit in a much shorter form. However, it lay dormant for many months during an especially prolific period for the band, leading to speculation that the track might have been scrapped. Both the track and the music video were finally released on 18 October 2017, exactly one year after the first performance of the song was uploaded to YouTube. The legitimacy of the demos was all but confirmed at this point, as not only did the track feature the album's name in the lyrics, but it also contained lengthy musical passages equal in duration to the demo. Polygondwanaland was officially announced on the band's Facebook page on 14 November 2017. The release date and cover art were publicized by the band, who stated, "This album is FREE. Free as in, free," encouraging fans to make their own copies and bootlegs of the album.

    TRACK LISTING

    1) Crumbling Castle
    2) Polygondwanaland
    3) The Castle In The Air
    4) Deserted Dunes Welcome Weary Feet
    5) Inner Cell
    6) Loyalty
    7) Horology
    8) Tetrachromacy
    9) Searching...
    10) The Fourth Colour

    The Third Sound

    Fuzz Club Session

      Berlin-based psychedelic post-punk group The Third Sound (led by Brian Jonestown Massacre guitarist Hákon Aðalsteinsson) are set to release a new Fuzz Club Session LP on December 9th. Recorded live at Berlin's Marie Antoinette club, the 10-track double album sees The Third Sound perform a discography-spanning set with tracks from last year's highly-praised 'First Light' LP (2021), 'All Tomorrow's Shadows' (2018), 'Gospels of Degeneration' (2016), 'The Third Sound of Destruction and Creation' (2013) and 'The Third Sound' (2011). The session is released on vinyl, digitally and as a series of videos by Fuzz Club Records. It's number 19 in the London label's ongoing Fuzz Club Session series which has also seen the likes of A Place To Bury Strangers, Night Beats, Holy Wave, Heaters, The Entrance Band, The Myrrors, Lumerians, The Underground Youth, 10000 Russos and more. 

      TRACK LISTING

      Ghosts Of Memphis
      We Will Be Together
      Dissociation
      Your Love Is Evol
      For A While
      You Are Not Here (ft. Lucy Kruger)
      This Is The Only Way I Know
      Half Alive
      Nine Miles Below
      Re-Elevation

      Wet Satin

      Wet Satin

        Californian duo Wet Satin (comprised of former Lumerians members Jason Miller and Marc Melzer) will release their self-titled debut album on August 12th via Fuzz Club. Taking a step away from the brain-frying space-rock/psych wig-outs harnessed in their 15 years playing together in Lumerians, Wet Satin deals in what the duo call "Kosmische Tropicale" – an expression of reverence and enthusiasm growing from a long-time shared obsession with lost Cosmic Disco, Cumbia, Afrofunk and Library Music records. “We wanted to make something fun. Not too serious, but not frivolous either. Something that paid respect to its influences by adding a square to the quilt rather than trying to make a replica."

        Wet Satin is a new project that got underway when the pair disbanded Lumerians in 2020 and then proceeded to suddenly have a lot of unplanned downtime for some reason. Borne out of a desire to offer up a more uplifting and hedonistic respite from our reigning hellscape, Miller says of Wet Satin’s intentions: “We started writing this album during a pretty bleak and heavy time, which I guess sort of sounds like ‘we started writing this album on a Wednesday’ now, but that's sort of the point too. There's an endless buffet of suffering you have a lifetime pass to gorge yourself on whenever you want it, but there's also a lesser-known dance club attached where you can work off some of those doom calories. Music has the ability to alter your environment and take you somewhere else. We genuinely had a lot of fun writing and recording this. The process fell somewhere in between over-indulgence and necessary catharsis, but it achieved a kind of balance in the end. It's a travel brochure for a very specifically peculiar psychological terrain. We think you'll have fun there. Try the hot springs.” 

        TRACK LISTING

        1) WitchKraft Singles
        2) Golden Prawn
        3) Rainbow Glint Ft Luis Vasquez
        4) Bad Wax
        5) Brandy Stains
        6) Sun Glitter
        7) Diamond Nectar
        8) FonzieDance4U
        9) Colored Tongues
        10) Erta Ale 

        Dead Rabbits

        A Different Place

          From euphoria to despair, Dead Rabbits' new album 'A Different Place' – the Southampton-based first album since 2016's 'Everything Is A Lie' – takes you on a journey through the ups and downs of the day-to-day. Over three years of cancellations, disappointment and disillusion, global events made the album's creation more difficult than anyone could've imagined. All hurdles overcome, Dead Rabbits' fourth studio LP sees them return with their own brand of heavy-hitting psychedelic rock.

          From soft velvet sounds to the raw and explosive, electronic undertones supplement a wall of guitars. On 'A Different Place', vocalist and guitarist Tom Hayes says: "I wanted to create an album that takes the listener somewhere else. Musically I wanted to create something that captures how we as a band actually sound. But within that, each song tells a different story and the music compliments them. I took a reflective look into my mental health. Highlighting just how fine the line is between successes and failures. Typically, external words and actions encourage a greater positive outcome. That's how it works for me, hopefully listeners can feel where I'm coming from."

          TRACK LISTING

          1) Slowdown
          2) Mexico
          3) Catch Me Speak
          4) Whenever
          5) Keep Me High
          6) Free
          7) Trouble
          8) When The Sun Goes Down 

          Pretty Lightning

          Dust Moves

            ‘Dust Moves’ is the new full-length album from Saarbrücken, Germany-based duo Pretty Lightning. Since forming over a decade ago, the band are now on their fifth full-length, have toured around the UK and Europe on numerous occasions and shared stages with the likes of Moon Duo, Clinic, Kikagaku Moyo and Night Beats, among many others. Arriving following their 2020 LP ‘Jangle Bowls’, ‘Dust Moves’ is the band’s first fully instrumental record and offers up a cinematic journey through meandering desert blues, strung-out psych-rock and widescreen, hypnotic drones. “We´ve been thinking about recording an instrumental album for a while because we particularly like the fluid movement it can create”, the band say, citing contemporary instrumental artists like 75 Dollar Bill and Bobby Lee as influences alongside library music and the experimental synths of Mort Garson or Syrinx.

            “Even if these can be considerably different in genre or style, they can share a similar mood, it’s somehow about ‘sound’ rather than ‘song’.” “Making this record always felt a bit more like sound explorations, less like writing songs”, they continue: “We focused on using new instruments like the mellotron, a self-made “box of creepy tricks” and making guitars sound like they were actually not guitars. Words or lyrics would have just had a restrictive effect here and that wasn´t what we were aiming at. In this manner, the songs on this record resulted from jams and evolved into repetitive and simply flowing instrumental pieces. It was a tonne of fun to make.” 

            TRACK LISTING

            1) Glide Gently (Into The Chasm)
            2) Gewgaw For Beginners
            3) Sediment Swing
            4) The Secret's Locked Inside
            5) Thunder Egg
            6) Myth Glyph
            7) Crystal Waltz
            8) The Slow Grinder
            9) Splinter Bowl
            10) Creation Of A Cavity
            11) Purple Grit
            12) Density And Patterns
            13) Powdermill
            14) Enchanted Debris

            Flying Moon In Space

            Zwei

              Leipzig, Germany-based experimental group Flying Moon In Space will release their second album, ‘ZWEI’, on June 24th. Due out via Fuzz Club Records and preceded by UK and EU tour dates through Spring/Summer, the latest album from the six-piece will arrive off the back of their highly-praised and sold-out self-titled debut album and a recent remix 12" that featured reworkings of tracks from the S/T album courtesy of kindred spirits Xiu Xiu, Suuns, A Place To Bury Strangers, Minami Deutsch, Camera and Warm Graves.

              Where Flying Moon In Space's debut album was an extension of their live shows, long improv performances that would last hours at a time, the arrival of the Covid-19 pandemic and lockdown restrictions meant they were forced to reinvent their creative approach on its follow-up. Adopting the childhood game 'Stille Post' (or 'Telephone'), the six members would each send the demos around in a circle, recording a single line or changing up the tempo, until the songs took on a life of their own.

              These demos were then taken into a studio deep in the forests of the Czech Republic and 'ZWEI' was born. "Musically it turned out to be somehow something completely new to us. As a result ZWEI has a more structured, poppy side compared to our debut, even though soundwise we opened up to more experimental layers - using synthesisers for the first time, as well as loops and field recordings of the church and surrounding forest. I guess generally you can say that the process behind this LP was manifold - testing out personal and aesthetic borders, and carrying on our idea of what Flying Moon In Space can be sonically.”

              TRACK LISTING

              1) Traum Für Alle
              2) Optimist
              3) This Exists
              4) Power
              5) The Day The Sun Was Made
              6) Illl Ill Ill
              7) Dissoziation
              8) Prophet 

              Ashinoa

              L'Orée

                At times percussive and dancey, at others hypnotic and cinematic, the largely synthesiser-driven soundscapes of 'L’Orée' feel both of the past and the future. It’s the sound of two different worlds – a record capable of being as primal and ritualistic as it is synthesised and digitally manipulated. Where the band’s prior minimal Krautrock (see their 2019 ‘Sinie Sinie’ LP) might have brought to mind cold, dark post-industrial cities, ‘L’Orée’s kosmische experimentalism takes you instead on an instrumental journey through the natural wilderness via the medium of shape-shifting psychedelic electronics.

                That ‘L’Orée’ explores a more natural and organic sound than heard on their previous releases owes largely to the environment it was made in. Recorded in a tucked-away house in the French countryside that bordered on a surrounding forest, Ashinoa recall sessions spent soaking up their surroundings with a number of collaborators coming in and out to perform on the record: “The house we recorded the album in was kind of in the middle of nowhere, surrounded by douglas pine trees.

                From this proximity to the forest, we wanted to take our soundscapes to a place we’ve never been before. Before we were surrounded by concrete, and then far from it. We were looking for a new listening place, to discover new intriguing sounds. We had laid down the basis of the album and then musician friends that would visit us at the time were invited to participate in the making of the album, each one of them bringing a touch of their own.” Since forming in 2015, the French five-piece comprised of Chris Poincelot, Matteo Fabbri, Jérémy Labarre, Paul Renard and Ghazi Frini have been at the forefront of the alternative scene in their home city of Lyon.

                Initially associated with the city’s Misère Records movement and collective, the band have now signed to London-based label Fuzz Club Records (Night Beats, Tess Parks, The Underground Youth) for their latest. It follows the band's debut 'Sinie Sinie' LP and a vinyl-only release of the 'Koalibi' single as part of Fuzz Club's Reverb Conspiracy compilation series. Having toured around France on a number of occasions Ashinoa have also through the years shared stages with the likes of Metz, Flamingods, Tomaga, Warmduscher, Bo Ningen, Kikagaku Moyo, Minami Deutsch, The Holydrug Couple and many more.

                TRACK LISTING

                1) Vermillion
                2) Koalibi
                3) Feu De Joie
                4) Space Cow
                5) Falling Forever
                6) Fuel Of Sweet
                7) Unknown To Myself
                8) Selvatica
                9) BAde BaidebSz
                10) Disguised In Orbit
                11) Yzmenet
                12) Outro

                Warm Graves

                Ships Will Come

                  'Ships Will Come' is the highly acclaimed debut album from Leipzig, Germany-based outfit Warm Graves. On the LP, Warm Graves deliver surreal, dream-like atmospherics that are underpinned by repetitive, organic rhythms and echoing vocals, performed by a self-taught choir composed of a collective of friends. Across the seven perfectly structured and interwoven tracks, Warm Graves create a sci-fi soundtrack that manages to be as gorgeously mesmerising and ethereal as it is anthemic and empowering. Originally released in 2014, the album is now being reissued by their new label home, the London-based Fuzz Club Records. Having spent the last few years out of sight and quietly working on new music, Jonas Wehner’s Warm Graves have now completed their long-awaited second album which is set to be released via Fuzz Club in 2022. Until then, their fantastic debut, ‘Ships Will Come’, is now available to stream/download on all digital platforms once again and will have a vinyl reissue arriving on December 3rd. Warm Graves have previously toured with Exploded View and Moon Duo and also supported The Soft Moon, Crystal Stilts, Efterklang and Moonface.

                  TRACK LISTING

                  1) Ravachol
                  2) Penumbra
                  3) Cold Women
                  4) Ships Will Come
                  5) Best Ezra
                  6) Headlines
                  7) Rouleaux 

                  The Gluts

                  Ungrateful Heart

                    ‘Ungrateful Heart’ is the fourth album from Milan-based group The Gluts. Whilst their previous releases traded in an explosive psychedelic noise-rock, ‘Ungrateful Heart’ sees the Italian four-piece hone in a more post-punk-indebted sound. Although no less abrasive and confrontational in its utlising of ear-piercing feedback and hard-hitting riffs, the band say that the songs here primarily take cues from the likes of Fugazi, Gang of Four, the PiL-Pistols canon and the Campana brothers’ long adoration of Italian and American hardcore punk. The album arrives off the back of 2019’s ‘Dengue Fever Hypnotic Trip’ LP and tours and festival dates around the UK, Europe and South Africa.

                    Laid down over a tireless week living side by side and working in the studio around the clock, The Gluts – comprised of Claudia Cesana (bass/vocals), Dario Bassi (drums) and Nicolò and Marco Campana (vocals/synths and guitar, respectively) – recorded ‘Ungrateful Heart’ with Dutch producer and close collaborator Bob de Wit (A Place To Bury Strangers, Gnod, The Sonics). On the sessions, the intensity of which is mirrored in the fierce uncompromising attitude of the music itself, the band said: “Bob’s contribution to this album was essential. He pushed us beyond our limits. It was difficult, we can’t hide it, but it really was worth it.” Although the album is still shot through with moments of lacerating noise-rock ('Mashilla' and 'Eat Acid See God'), songs like 'Love Me Do Again' and 'Bye Bye Boy' deal in a timeless hedonistic punk sound. Elsewhere, the politically charged 'Breath' and 'FYBBD' see The Gluts turn their sonic belligerence towards fascists and systemic racial violence to rallying effect.

                    TRACK LISTING

                    1) Mashilla
                    2) Love Me Do Again
                    3) Black Widow
                    4) Breath
                    5) Leyla, Lazy Girl From The Moon
                    6) Something Surreal
                    7) Ciotola Di Satana
                    8) Bye Bye Boy
                    9) FYBBD
                    10) Eat Acid See God

                    The Spyrals

                    Same Old Line

                      Los Angeles-based group The Spyrals are gearing up to release their new album ‘Same Old Line’ on October 30th. Taking cues from The Velvet Underground, 13th Floor Elevators and The Stooges by way of Neil Young, Bob Dylan and Muddy Waters, the record sees the band carve out eight songs of raw, back-to-basics rock’n’roll that marries white-knuckle garage-blues, psychedelic repetition and sun-baked alt-country to create “something new with an old soul”. The record is their fourth full-length to date and their first since signing to London-based label Fuzz Club. Armed with a guitar, harmonica and fuzz pedal, band-leader Jeff Lewis formed The Spyrals when he was living in San Francisco in the early 2010s. Now, though, he’s based in Los Angeles and finds himself backed by a new line-up of musicians. ‘Same Old Line’ was cooked up in new drummer Dash’s garage and recorded over the course of a few days and nights straight to a Tascam tape machine. Jeff recalls: “This is the first album recorded with a new lineup after I moved from San Francisco to Los Angeles. At the time of recording we werenʼt sure if this would be a Spyrals album or something under a different name. At some point during the mixing process I decided to keep moving on under the Spyrals name, so to me this album is a real turning point in the band’s history.” The result is a record that’s just as rooted in the sounds of Nashville and the Mississippi Delta as it is the band’s West Coast garage-rock forebears. 

                      Shortly after getting together in 2012, the Italian band released their first self-titled 10" EP and almost immediately sold-out, followed by their mind-blowing London live debut at The Shacklewell Arms. Since then, they have taken part in the Reverb Conspiracy compilation (curated by Fuzz Club and Austin Psych Fest) twice and toured intensively around Europe. They have been remixed by Sonic Boom aka Peter Kember, shared stage with Damo Suzuki and collaborated with iconic Icelandic artist Jón Sæmundur aka Nonni Dead of Dead Skeletons, who did the cover art for the EP and joined them on stage at Eindhoven Psych Lab 2014. The repress is remastered and comes on 12" vinyl. “like you're embarking on an epic descent into some collective psychic and spiritual underworld, from which you may never emerge" The Quietus.

                      STAFF COMMENTS

                      Barry says: Droning psychedelic bliss. Full-force distorted guitars and cavernous drums fuse together to form a weighty cacophonic meltdown. The addition of shakers and brass sections on the flipside give way to hellish distorted vocals, almost Iggy-Pop-esque in their enunciation. Chaotic and heavy, but with an unmistakable groove. A head-nodder for sure.

                      TRACK LISTING

                      1. Monkey On My Back
                      2. Lost
                      3. Underground
                      4. It’s Time To Hear

                      White Hills / Radar Men Of The Moon

                      Split Single No 8

                        White Hills and RMFTM are the latest additions to Fuzz Club Split Single alumni, one which already boasts rock n roll leviathans The Black Angels, A Place to Bury Stranger, Alan Vega and The Telescopes.

                        Psych-rock favourites RMFTM contribution to the series the colossal soundscape ‘Decadence’. The Dutch instrumentalists have released three sold-out albums since their inception and ‘Decadence’ is typical of their explorative style. Coming in at just under ten minutes long the track opens on harsh industrial noise pounding through a constant wash of eerie reverb, guitar riffs chime in as tooth-rattling percussion submerges you further into this huge, ethereal wall of noise. ‘Decadence’ is truly testament to the bands limitless avant-garde capabilities. The track continues in the hypnotic, abstract sound RMFTM have built with their previous record Subversive 1 (whose follow up Subversive 2 is currently in the works) and invites fans to follow them deeper down the musical rabbit-hole.

                        Joining RMFTM is one of New York’s most prolific bands, stoner / psych / space outfit White Hills. The duo - whose fruitful existence has spanned over a decade and seen forty releases - contribute their space-rock epic ‘You Pass By’. Having already built a dedicated cult following, the band recently gained further notoriety after an appearance in the Jim Jarmusch film Only Lovers Left Alive. ‘As You Pass By’ is a climactic otherworldly mix of swirling electronics building up as deep bass roils beneath singer Dave W’s gravelly vocals until the song erupts into a whirlwind of bluesy distorted guitars and screeching feedback, underpinned by a chilling spoken word sample. Both acts share a love of the surreal and approach music as experimental art. Their avant-garde soundscapes are the perfect foil for one another, proving that in the case of Fuzz Club Split Singles, the whole is truly more than the sum of its parts. 

                        TRACK LISTING

                        White Hills - As You Pass By
                        RMFTM - Decadence

                        One Unique Signal

                        Hoopsnake

                          The latest offering from experimental noise masters One Unique Signal is a collaboration between the three core band members and 20 of their contemporaries, who each designed a piece of music inspired by a single riff. Much like the process of continuous recreation that its namesake symbolises, the West London groups third LP, Hoopsnake, devours the seemingly eternal riff and constantly reinvents it to form a series of parallel iterations to the original composition. The riff was born from a repetitious loop originating from the sessions for their previous LP, the Sonic Boom mastered Aether. The band then recorded two versions of it (one a loud, guitar-driven take, the second a softer synth passage) and shared it with friends and collaborators, inviting each artist to create a corresponding sonic interpretation, which have all been mixed into four separate 10 minute long tracks.

                          The result is a seamless meshing of ideas from some of the best minds in the underground music scene - including The Oscillations Demian Castellanos and Steven Lawrie of The Telescopes - whose recordings span the weird and wonderful, ranging from home made noise box to Godin Artisan ST II recorded on solar power in a caravan, to simply lime green guitar. The roster of musicians and their various tools and instruments has been documented on the vinyl editions printed inner sleeve, and reads like a cross between a tech catalogue and a fantasy novel. The album was originally intended to serve as a second disc for Aether, however an extended, separate version was eventually called for to allow the project to fully realize it's 46 minute cycle, which was inspired by the long, warm summer evenings England experienced in 2013. Despite the new process undertaken for Hoopsnake, the methodically exploritive approach is typical to One Unique Signal, as is the feeling of continuity. The groups Nick Keech explains. From the very beginning, the Signal mythos has been repetition. Fellow band member Byron Jackson continues. The LP destroys itself, reflects upon the destruction, and is finally recreated, ready to repeat the process again. Along with fellow member Daniel Davis, the trio also perform as a part of space rock legends The Telescopes. 

                          TRACK LISTING

                          1. HS01
                          2. HS02
                          3. HS03
                          4. HS04

                          Repress of Dead Rabbits’ stunning debut album ‘The Ticket That Exploded’, originally released in 2013. Through phaser-heavy production, storming drums and warped keys, ‘The Ticket That Exploded’ captures the bleak reality of growing up in modern Britain. It’s a record that captures a time and a place, portraying brute honesty and melancholy through a talent for songwriting that many artists chase.

                          Fuzzed-up chords ring out seemingly at their own leisure and organs drone on beneath them as frontman Tom Hayes’ frustration and despair pierces through. The album’s centrepiece, ‘It’s All in Her Head’, has never lost its place in the band’s live set, and with good reason. It stretches its way across uncontained six minutes with a hypnotically repetitious organ melody crafted by keyboardist Paul Seymour, and Link Wray-influenced raw guitars, which create a surreal backdrop to Hayes’ despairing vocals. 

                          TRACK LISTING

                          1. Heavenly Way
                          2. Pull The Trigger
                          3. MMB
                          4. Never Fall
                          5. Before I'm To Late
                          6. It's All In Her Head
                          7. When I'm Blue
                          8. It's You
                          9. Keep Me Warm

                          Manchester's The Underground Youth is here with with yet another hauntingly beautiful record that blends shoegaze, post-punk and psychedelia. TUY is the name under which Manchester’s underground poet, Craig Dyer, has produced his records since 2009. In 2011, Fuzz Club Records started putting out his prolific catalogue, bringing to light a number of LPs and singles that had only circulated virally on the Internet. Since then, TUY, with Craig and Olya Dyer as the core of the band, have expanded to a five piece, gaining a solid international fan-base and touring all around the UK and Europe.

                          Drowned In Sound said of their Eindhoven set: “combining the mesmeric rhythms of The Velvet Underground - Olya Dyer's driving beats make her the new psych generation's Mo Tucker - with rippling feedback associated with Bad Moon Risingera Sonic Youth and a dash of the Mary Chain thrown in as well, they're a captivating force”. 

                          STAFF COMMENTS

                          Barry says: Manchester's Underground Youth return with another slice of post-everything psych-rock-tronica. Combining beautiful guitar melodies and repeated vocal refrains with overwhelming pastoral electronic washes, this is a collection founded on indie pioneers past, but expanded upon to the Nth degree and updated. 'Drown In Me' is a particularly accomplished slice of synth-heavy industrial sadness, interspersed with bursts of cautiously optimistic shoegaze-y guitars. Nothing too sunny about this, but it's nice to wallow in the bleakness of life sometimes, and there really is no better way to do it. A soundtrack to industrial ruins, and rainy evenings. Highly recommended.

                          TRACK LISTING

                          1. Collapsing Into Night
                          2. Haunted
                          3. Dreaming With Maya Deren
                          4. Self Inflicted
                          5. Drown In Me
                          6. The Girl Behind
                          7. Slave
                          8. Deep Inside Of Me
                          9. Returning To Shadow

                          Singapore Sling

                          The Tower Of Foronicity

                            'Sometimes you need to burrow through the darkness of your soul to find the light in your life. This album is definitely dark at times, but through it all, it comes with a sense of release and freedom' - Levitation Magazine.

                            The return of Icelandic Singapore Sling is upon us with their seventh studio album, recorded in the winter of 2011-2012 titled ‘The Towers of Foronocity’ and you will be anticipating this one for good reason. Twelve tracks of that dark, moody and broody sound that we all have come to know so well. It’s like a surrealistic dream sequence out of a David Lynch movie. Walls and walls of sound, layered between darkness and light. The album contains some of the bands best songs to date, including the opening track “You Drive Me Insane” with it’s thump coming at you, it’ll have you tasting the blood (of Singapore Sling) immediately. The band was born in 2000 as a result of nobody making the music that Singapore Slings Henrik Bjornsson wanted to hear. So he simply decided to make it himself, instead of complaining and doing nothing. It was born out of love and hate. Love of the various music from the past, mainly rock 'n' roll, and hatred of the majority of the music around him. He named the band Singapore Sling (after the film by Nikolai Nikolaidis) shortly before the first show in he fall of 2000. The first proper record, The Course of Singapore Sling, was released in 2002 and named "The Course Of" because of bad luck and freaky incidents that surrounded the recording of the record. The course went on and so did they.

                            TRACK LISTING

                            You Drive Me Insane
                            All Your Sins
                            In With The Out
                            Let's Go
                            Careful ('m Evil)
                            Kill Baby Kill
                            Nuthin's Real
                            Who Put The Ebb In The Ebbebebb
                            Absolute Garage
                            My Obsessive Love
                            I Hate Myself
                            Tired


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