Search Results for:

MUSIC FOR DREAMS

Rheinzand

Blind

    The track Blind by Rheinzand first came to the attention of Music For Dreams label honcho Kenneth Bager after he heard the track being played by DJ Harvey at Mercury Rising , in Pikes Hotel, Ibiza last summer.

    A month later he got the soundcloud link to an album by Belgian trio Rheinzand and suddenly "Eureka moment” yes there it is! Kenneth jumped on a plane to Belgium to meet them. Rheinzand got signed and have just finished their superb debut album, which will be released later this year on Music For Dreams.

    The first taster of the album is the bouncy and balearic Blind. Reinhard from the band explains "The original of "Blind" started as a very rough 4 chord progression within a half hour before leaving to the studio to record some other stuff, with the intention to have the bass player and the drummer jam over it, so we could take that home and make it into a proper song. It had a very harsh and irritating synth on that initial version, so everybody kind of hated it at first. It was only after the vocal by Charlotte came in, that everybody started to see the potential of the track. From zero to hero, so to speak "

    As part of the limited 12” is an excellent Dub Version.

    Rheinzand is a collaborative project between the creative masterminds Reinhard Vanbergen, known from 'Das Pop' and Mo Disko, from the renowned disco duo 'The Glimmers'. Their tracks are a blend of psychedelic funk, disco-rock infused with some wild electronics. Joined by the lush vocals of Charlotte Caluwaerts they played many a festival over the last 4 years. Live on stage they are accompanied by the likes of Stéphane Misseghers (dEUS, Disko Drunkards) on drums and Bruno Coussée (MannGold) on bass.

    Various Artists

    Music For Dreams: Summer Sessions For Record Store Day 2019

      THIS IS A RECORD STORE DAY 2019 EXCLUSIVE, LIMITED TO ONE PER PERSON.

      A special limited edition sample, comprising of 6 tracks by different artists. All tracks have never been released on vinyl, and 3 of the tracks are unreleased exclusive tracks. It will be a double vinyl LP on heavyweight 180g black vinyl. A collector's edition for the Balearic/Downtempo/Sunset DJ's & Collectors. Tracklist (**unreleased exclusive tracks) A1. The Swan & The Lake - Plastic Pacific Ocean ** A2. Troels Hammer - Infinita A3. Nordsø & Theill - Castanos Azules - 06:17 ** B1. Mike Salta - Hey Moloko - 08:13 B2. Ambala - Morning Lights - 05:20 B3. Dj Pippi - Hierba Buena - 05:51 **

      Willie Graff & Darren Eboli

      The Tribeca Tapes - Part Two

      Following on from 2018’s “Tribeca Tapes Part One” release, Willie Graf & his musical partner Darren Eboli deliver another fantastic 4 tracker on Copenhagen’s Music For Dreams Label.

      Willie Graff splits his year between DJ residencies in New York and Ibiza (Pacha). In this second outing with studio partner Darren Eboli, the influence is a merger of African rhythms & NY house styles, with a shot of Mediteranean sunshine thrown in for good measure. 

      “All Is Bliss” opens up the record, a fun loving but nonetheless emotional waltzer of coastal influences skillfully morphed into a feel good house roller perfect for the daytime. 

      “Ahimsa” follows suit with poised, elastic bass notes keeping us suspended across its tight breakbeat and vintage cosmic sample for an interstellar house trip of epic proportions. 

      Side B's “La Sirena” finds Willie in relaxed, mid-tempo mood. An Adriatic flavoured, mid tempo chugger that, with those subtle marimba melodies and coastal washed vox, is more that suited for extended beach party play. 

       If you are a Cafe Del Mar connoisseur and longing for that sunset moment “Bellatrix” does the trick featuring bits of Spanish guitar, flute, oboe and floating warm pads creating a dreamy Balearic mood that shows off Graff & Eboli's rich musical prowess and ends the EP on a blissfully dreamy note. 

      Last time Prins Emanuel flexed his musical muscles on Copenhagen's vibrant Music For Dreams he delivered 'Arbete / Fritid' a double LP of analogue disco, Balearic boogie and leftfield house soaked in inventive melody, multi instrumentation and studio wizzardry. A big hitter with Balearic beards, disco heads and anyone with; a) taste and b) ears, the debut delight set a very high watermark for the Swedish producer. So, it's with complete incredulity that I sit here and tell you that "Diagonal Musik" is even better!
      Over the course of eight delicate and divine compostions there's nary a kick drum in sight. In fact, Prins Emanuel ignores the dancefloor entirely, swapping the studio trickery for the honesty and immediacy of an entirely acoustic approach. Guitar in hand, accompanied by the most subtle of organic percussion, the Swede strums, picks and slides his way through a gorgeous set of jazz-folk instrumentals. Think autumn leaves, rain on the window pane and cold coffee - cigarette smoke and a tear stained moleskine. If you'd told me this was a lost folk private press from 70s Europe, I'd be calling Basso and demanding he source me a copy. Forget genres, labels, press or playlists, "Diagonal Musik" is absurdly beautiful; and when you're old(er) and gray(er) you'll still be listening to it.

      “Moments In Time” compiled by Moonboots is the second album in the new special collector series on Copenhagen’s music for dreams. The first album was “Tropical Drums Of Deutschland” by Jan Schulte. For the new compilation “Moments In Time”, Music For Dreams has asked long-time friend of the label Moonboots to pick out a selection of songs with the power to encapsulate moods of calm and moments of contemplation.
      Moonboots has been a fixture of the Manchester scene since the Balearic boom in the late 80’s. He runs the prolific vinyl label Aficionado Recordings together with fellow DJ Jason Boardman, a project that started out as a Sunday evening club night. Since 2012, they’ve dished out more than a handful of 12” releases with an ever-surprising selection of underground acts at the fringes of what might be called Balearic. Some of these artists turn up here as well, with exclusive material culled from various demos and unfinished tracks. Swedish-based Farbror Resande Mac for instance, with the brooding, glacial and Carpenter-esque “Janne”, an old fave of Moonboots which featured on their (now defunct) website. “Names In The Sand” by Begin starts off as a similar story: a forgotten demo track Moonboots came upon a few years ago and has been spinning in digital form since. The version you will hear on the compilation is a tweaked and finished version. Another exclusive is the extended version of “Från Andra Hand Till Stränderna I Nice” by Gryningen, previously released in 2015 on Aficionado, now extended by Salta to six minutes instead of two.
      Stepping aside from digging through the outputs of Aficionado affiliates, Moonboots also manages to stumble over a cover of Lesley Duncan’s eternal masterpiece “Love Song”. As Moon runs an Instagram account called onehundredlovesongs highlighting his collection of Lesley Duncan cover versions, this is clearly an obsession that bears fruit. “The Natureboy version came about in a weird way”, says Moon. “I was DJing at Spiritland (London) and playing this obscure Canadian xian version when the owner Paul came over to ask about it. He then told me his brother had recorded a version, put me in touch and next thing you know it’s on the comp.”
      Much of the selection has aimed to include tracks which have previously never seen vinyl release, whether only issued on CD or digital. For instance, the track which gives the compilation its title is a crisp and loungy Paul Hardcastle production from 2005, only ever issued on CD. Other selections only out before on CD are the new age epic “Cello Blue” by David Darling from 2001 filled with field recordings of birds and water while Denmark’s own new age maestro Rishi contributes with the track “Simple Trust” from his 1993 album “Notes From The Inner Stream”. Another track seeing its first vinyl release is the contribution from world-jazz trio Bombay Hotel, featuring Kenneth Knudsen as well as Ole Thiel and Mikkel Nordsø who recently released new material for Music For Dreams - the Cafe Del Mar classic “Between Leaves”. Fact – label boss Kenneth Bager gave a copy of the original Bombay Hotel CD in 1993 to Phil Mison at Cafe Del Mar and told him about the “Between Leaves” track. Phil started to play it and the rest is history. The exception to the rule of vinyl premiers is the sample-heavy “Gissningsleken” by Ben Morris - previously released on a limited run 7” from 2012 - as well as dreamy July Skies track “The Softest Kisses” – the 7” version of which has never been issued elsewhere. New Moonboots faves German duo Blank and Jones are included with the summery “My Island” alongside new Danish artist “The Swan And The Lake“ with the exclusive mix of “Moments Of Lost Swans” (Remix) featuring Jonas Krag on pedal steel guitar. All in all, Moonboots has put together a dense collection of songs with a timeless feel. They will doubtless sound as good in the pub as they might at home on a Sunday or in a cabin in the woods. To top things off, the sleeve design comes from Aficionado’s graphic designer Topsy Van Salkeld.


      Russian born and very gifted musician Aleceo is a new addition to the ongoing rooster of Copenhagen’s prolific Music For Dreams label - Aleceo came to attention of label boss Kenneth Bager with the brilliant first Ep ‘Clouds’ – (all tracks included here.). Aleceo has his own musical voice, he produces and composes music that is rich in harmonies and melodies - he sits somewhere between Balearic and Deep House - combining the past and moving forward and this double vinyl ‘Teletrip’ is an excellent taster of his many talents and a real body of work.

      ’Liebe Tanzen’ is a sunny mood full of vintage Roland vocoders, imagine yourself in a Zeppelin watching the earth from the skies and hearing handclaps, acidic noodling and beautiful rhodes combined with a high pitched soulful voice repeating ‘Take My Love’ and you have the mood of a modern soul track supported by the balearic brigade. ‘Dipping Into You’ is a deep house mood featuring the beautiful voice of Jelila- sounding like a late 80 ties Boy’s Own track played in a barn just when the Sunrise appears.

      One of the outstanding killer tunes and a real grower on the debut album by Aleceo is the single ’Whisper To the Wind’ a track recorded with Canadian singer Wulf SoulFire - ten minutes of powerful Roland 909 drums, talking verses and a sublime chorus.
      ‘Nevesomost’ - a cinematic, melancholic acidic journey that was inspired by the old USSR SciFi movie ‘Moscow Cassiopeya’ where a group of children was sent to Mars. ‘Monotone’ recorded in Bali and sung by guest singer Masha Verymaryland - a french song about a girl who loves to dance and sing with arpeggios, Xylophones that sets the mood for a dreamy French Riviera. ‘Clouds’ is first class ambience feat the Siberian multi instrumentalist Sergi Kampanella playing the Mandolla. The title track ‘Teletrip’ is tv samples mixed with 80 ties new wave drum machines. ‘Priceless’ is a downtempo documentary live recording Aleceo did with his American native friend Kita. ‘Dome’ full of accordions, balalaika, handclaps and melancholic keys tells the story of Dome Of God - the place of peace and happiness and makes you wanna sit by the seaside. ‘Know Him’ is inspired by gospel from the Mississippi church. ‘Mzi’ wouldn’t sound out of place in a Leo Mas warm up tape from Amnesia in Ibiza - middle 80ties with its obscure breakdown full of 30/ 40ties voices. Bonus is the inclusion of Kenneth Bagers reprise of ‘Dome’.

      The album ‘Teletrip’ by Aleceo feels like a forgotten balearic album with a modern twist suddenly washed upon the shores on the White Isle.


      As a delightful taster for his upcoming debut album called “Between A Smile And A Tear” on Music For Dreams, Danish artist Be Svendsen launches his new vocal driven - the weird and wonderful deep disco single ‘Drop The Gun’ World premiered by Pete Tong on BBC1, and already harnessing great momentum in Ibiza and the summer festivals, this crossover track is very likely to stick in your head. Produced, arranged, mixed, played and sung by Be Svendsen.


      Copenhagen's unstoppable Balearic heroes Music For Dreams team up with Fyraften Musik for a mega reissue of Kojo Antwi's highlife disco anthem "Hini Mi". Recorded in Denmark in 1986 by the then up and coming afro pop singer Kojo Antwi from Ghana, the tunes were issued in limited numbers as he was leaving Denmark on the hunt for wider international acclaim. Though a popular favorite on cassette in Ghana his debut album was only released in small numbers in Europe and never achieved the same attention. The tracks selected here showcases Kojo’s transition from the highlife sound of the Classique Vibes to the more drum machine driven highlife disco on ‘Hini Mi’ aswell as the deep, computerized reggae on ‘Emeribi Be Ba’.  Remastered and cut on a 45rpm 12” this reissue brings the songs to new levels in terms of fidelity.
      The two first tracks on his release are a document of the first solo recordings Kojo Antwi did and some of the most intriguing African music recorded on Danish soil (perhaps anywhere). The A-side ‘Hini Mi’ was done together with Solomon, Osibio and Danish saxophonist Michael Nielsen (who had record with ghanese super star Pat Thomas a year earlier in Togo) in 1986 in Custom Sound Lab in the heart of Copenhagen. Fusing the 80s highlife reggae sound of the Vibes with an uptempo disco/house beat of that era creating a unique song that became a hit in Ghana but unfortunately never got the recognition it was due here. The second track on this EP ‘Emeribi Be Ba’ – a slow computerized reggae song - was together with Hini Mi part of Kojo’s debut album. The album was released twice first on Kojo’s own imprint (which was shelved) and later on the German burger highlife label Kame records. For some reason which for some reason is also very scarce. The final track on the EP ‘Miribe-Bom’, lifted from the second Classiq Vibes album recorded in 1985, ranks amongst some of the finest mid 80s highlife and shows were Kojo was coming from musically.


      STAFF COMMENTS

      Patrick says: Oi Kenny, slow down a bit! Not content with the Balearic-folk of a Prins Emmanuel LP and the AOR excellence of Okinawa Delays, Mr Bager's Music For Dreams team up with fellow Danes Fyraften Musik for this reissue of Kojo Antwi's Afro-disco masterpiece "Hini Mi". All those people who went daft for Tabu Ley Rocheau's "Hafi Deo" need to take note, this proto-house Afro heater is every bit as good. Chuck in a killer digi-reggae cut on the flip and a Highlife hit and you've got a record of the week on your hands.

      Lanterns is a brand new album from the Japanese based producer & DJ Max Essa, and his first release on Bager's Music For Dreams label. Max Essa has been active as a DJ and producer since the early 90s, initially releasing music on labels such as Warp Records and Paper Recordings and DJing alongside the infamous D.i.Y Sound System. His recent work, for labels like Is It Balearic? Recordings, has been playlisted by the likes of Andrew Weatherall and the late David Mancuso, gaining him a devoted following around the world.

      2015 saw his first release with a major label in the shape of the "Vacations Never Taken" CD for Victor Entertainment (Japan). The same year also found him completing another round of world-wide DJ bookings in Brazil, Indonesia, and Vietnam to name but a few. 2018 sees Max continuing his hectic weekly DJ schedule in Tokyo as well as playing the length and breadth of Japan from Sapporo to Okinawa, and releases are scheduled this year for Hell Yeah!, Music For Dreams, Palms & Charms, and Aficionado.


      STAFF COMMENTS

      Matt says: Old fave Max Essa takes a languid and thoughtful through electronic, mostly piano-driven and really quite ambient Balearica... the perfect hammock-resting, waves-lapping-at-the-shoreline soundtracking one could wish for.

      Dub Disco label head and Berlin DJ Aussteiger switches to the long form with a killer debut LP for Copenhagen's Music For Dreams. 
      Once upon a time a golden boy came back from the shadows. Rumors were told that he once left the big city in a time where the music scene and clubs were dominated by cold music and average beats. He left behind civilisation, living withdrawn in the woody mountains of a covert place. From there on people talked about him as Aussteiger. Connected to the nature and deeply rooted in the harmonic essence, Aussteiger became a part of the great whole. In a full moon illuminated clear night while experimenting with various unique herbs he accidentally found a recipe to create warm and ravishing music. He firmly believes that music is his infinite source to gather strength and positive energy.
      After years of strengthening himself and shaping vibrant sounds Aussteiger decided to share his delightful music with the world. He returned from his retreat in order to enchant the music lovers all over the world with his feel good approach and supernatural sounds. Coming back to the city, he also co-founded the awesome Dub Disco Label with his buddy Serj Nosé.


      STAFF COMMENTS

      Patrick says: Just ahead of the new season, Music For Dreams unveil their new German sensation Aussteeiger with his debut LP "Zusammenkunft". The Dub Disco boss fuses exotic samples, airy pads and a pristine rhythm section to create the kind of gliding grooves which sit right in the middle of disco, house and Balearic, cocktail in hand.

      Two Music For Dreams releases in two weeks? The Balearic gods are smiling our way. Somehow sunnier than last week's luxurious Dalholt and Langkilde LP, this lush Latin wax winds its hips between house, Balearic and bossa, garnering support from DJ Harvey, Pete Tong, Ruf Dug, Alfredo and Mison in the process. Our beach party opens with "Te Faz Bem", the most played Balearic beauty of Harvey's Mercury Rising residency at Pikes last summer, which flexes its feathers here in true 'Coma Club' fashion thanks to MFD main man Kenny Bager. Solid Balearic beat percussion nods along nicely in support of the swaying bassline before Latin guitar, echo drenched vocals and eventual bursts of brass kick up the warm smell of colitas. Add in flamenco hand claps, opulent Rhodes chords and a mercurial flute solo and you'll find me sharing a cigar with Maitê Proença and Zico in the corner of an exotic beach bar. Italian DJ don Riccio ups the tempo on the A2, injecting those South American elements with a shuffling carnival house beat and buzzing synth lines while dubbing out the vocal for a deeper version that's a dream to mix. Over on the flip we roll shoulders and shimmy along to the Balearic disco delights of "Deixa Música Tocar" (Let The Music Play), a hypnotic offering alive with incessant bass, scatted vocals and extended trumpet solos. Finally K-Bag takes the controls again for an alternate mix of "Deixa Música Tocar" which tweaks the arrangement into something playful, punchy and percussive, like Tony Allen on a South American vacation.

      STAFF COMMENTS

      Patrick says: Another sweet summery treat from the good ship MFD here as the Harvey approved "Te Fez Bem" from Copenema gets a vinyl release. Featuring top reworks from Kenneth Bager and Riccio this is a caliente cut folks. Scorchio!

      Copenhagen label Music For Dreams release yet another brilliant debut album, this time by the Danish duo Dalholt & Langkilde. The album has a wonderful warm summery vibe, with slick smooth production, hypnotic bass grooves, live guitars & vocals. The sultry French spoken word vocals on opener ‘Charite’ (one of Patch's Balearic picks of the last few years), ‘Sur Plus’, ‘Tranquille’ ‘& Je M’appelle Spacy’ certainly channel the spirit of Serge Gainsbourg & Max Berlin, which only adds to the European flavour of the LP. There is a jam like feel to most of the tracks on the album; for instance the Moonboots faves "Bonne Nuit" and "Doucement", which sound like Durutti Column /Vini Reilly sessions made in Copenhagen. Demise Ducha provides the vocals on tracks ‘Disco Disco’ & ‘Afrique’, lending an almost Cocteau Twins feel, which when combined with the sweet African (soukous) guitar licks and floaty bongo rhythms are sure to propel these tracks into the realm of the Balearic classic. The album also features summery 95 BPM chugger ‘Versaire’ with Copenhagen friend Emil Breum (The Swan & The Lake) - soft sax tempered with atmospheric synth for a wonderful soundscape effect.

      Mikkel Nordsø and Ole Thiell are no newcomers. Influential key players both on Copenhagen’s jazz scene and on the international circuit since the late 1970s, they have recorded and performed with such greats as Santana, L. Subramaniam, Jan Akkerman and George Duke to name but a few. Their numerous local projects include the much revered Bombay Hotel trio featuring Kenneth Knudsen. On their first record from 1989, they bridged the gaps between fusion jazz, new age and traditional Asian folk music into ethereal expressions that stand out even today. With this new album for Music For Dreams, the duo delves deeper into that soundscape with an even more profound knowledge of their instruments. With Nordsø on the flute and guitar and Thiell on various percussion instruments, they form a musical language together that reaches high spiritual levels while carefully blending electronic instrumentation to complete the experience. Guest vocalist Caroline Francesca steps in on the opener "Good Morning" and the closer "Sun Fo Ni" - the first being a sun-drowsy Brazilian-inspired jam, while "Sun Fo Ni" leans further towards crisp English folk. The inclusion of Francesca comes naturally, as she is the daughter of percussionist and long-time collaborator Jacob Andersen (who also releases on Music For Dreams as Bongo Entp.) making this quite a family affair. Named after a harbour town in Morocco, the track "Essaouira" weaves field recordings of children playing in the sun together with brooding oriental folk and a discrete drum machine beat. For "Japtal" the flute takes centre stage, leading us on a serene journey that unfolds into improvised passages along a chugging heavy groove, escalating and releasing in tempo much like the breathing techniques of yoga. "Velvet Sky" sees the duo at their most relaxed, letting it ride on feather light ambient chords and noodling out into a wigged out prog rock ballad. "B Phrygian" takes us into ancient Anatolian territory, again showcasing the duo’s vibrant live instrumentation with Thiell hurling an army's worth of percussion layers onto the dusty beaten path laid out by Nordsø's stone-faced psychedelic assaults. This album is a classic in the making already getting strong support from Mison and egg-fan Moonboots, who declared it "the best record I have heard in the last 10 Years!" Don’t miss...

      STAFF COMMENTS

      Patrick says: The pick of this weeks MFD bunch, 'Nordsø & Theill' is frankly sublime. A gorgeous fusion of jazz musicianship, asiatic melodies and esoteric instrumentation, this LP rightly has Moonboots in a spin. A Balearic masterpiece and certain future classic!

      Copenhagen’s Music For Dreams comes with yet another strong release - a double album of personal favourites compiled by Jan Schulte. According to all maps and witness accounts, Germany does not officially have any tropical forests. This is of no concern to Schulte however, who has unearthed many stunning examples of tropical drum music recorded there. Perhaps the number of botanical gardens and palm houses in Germany confused musicians into mistaking the climate, or maybe it was just a happy blend of escapism and multi-cultural integration within musical scenes that spawned such a curious output of undefinable tribal folk jazz. Most of the tracks picked by Schulte were released on small labels in the late 80's. The musicians involved were mainly traditionally schooled, born and raised in Germany. At that time to be interested in foreign folk music might have seemed a gimmick to some, what with the emerging "world music boom" already snowballing into the mainstream. But these songs, while they may be based on musical traditions from foreign lands, deal much more with introspection than exploitation. Schulte himself points to his "general fascination for music that describes places where the artists have never been. Songs about the jungle or the rainforest made by people that know the rainforest only from television and books. Somehow I think you can hear their mythical imagination and fantasy in those tracks," he explains. We certainly hear it in the extensive use of wildlife samples on both "Tagtraum Eines Elefanten" by Argile and on "Wuhan Wuchang" by Total Art Of Percussion. Or on the repetitive and trace-inducing drum circle re-enactments of Ralf Nowys "Akili Mali" and Bob Moses’ & Billy Martin’s "Boat Song Part II". And while Austrian band Sanza stands out with their interpretation of the traditional folk song "Sounouh", many of the inclusions take an avantgarde stance towards their visions of the tropics. The works of Om Buschmann and Trimopen seem to convey the stark and feverish nature of the jungle and its dangers, without relying on clichés. And while there is certainly a European approach in the production techniques on many of these recordings, the artists created something beyond all templates. In fusing folk music traditions from various corners of the world with avant-garde jazz improvisation and a distinctly European sound, they carved out a path of their own. Düsseldorf-based Jan Schulte has been following this path with his own productions in the past years. During the present resurgence of tribal influences in underground dance music, his recordings under the alias Wolf Müller and Bufiman have stood out as the most interesting, funky and mindblowing within this niche. With the compilation "Tropical Drums Of Deutschland" for Music For Dreams, Jan Schulte re-traces this path to its origins. With the inclusion of two exclusive edits he also engages and re-examines these tracks and incorporates his own musical expression into the mix.

      STAFF COMMENTS

      Patrick says: Clad head to toe in safari attire, Jan takes us into the imaginary jungles of Europe's heartland with this collection of esoteric and exotic tribal jazz. Essential listening for fans of Jan, Marco and Basso.

      Nick Mackrory & Harry Collier’s musical partnership dates all the way back to the 90's, when they were both deeply invested in the musical boom in the UK that followed acid house, the rave scene, and the Ibiza experience. Nick went from drumsticks to turntables to studio wizardry; while Harry honed in on his golden voice - which led him to a stint as a singer for Faithless. They found their way back to each other in 2014 and have since developed a sound together that is fresh but not too polished. With touches of 60's chanson coupled with sundazed electronics, their songs linger on like the feeling of a long day spent outdoors in summer. This album collects their previously released singles for Music For Dreams along with exclusive new material and a number of remixes, edits and alternate versions that together form a mesmerizing listening experience. The lazy guitar grooves and samba rhythms of "Tu Sonrisa" that so faithfully revisits the original sound of the White Isle in its hippie days, are here present on melancholic chansons like "The Other Side" and sleepy instrumentals such as "Inside You". They also prove a suitable framing on their cover of the Jimmy Webb-penned classic "Wichita Lineman". But in contrast to their folky fuzzy side, we also get some rather funky explorations into balearic beat with a dub version of "Pen-A-Maen" that bubbles along on a heavy bassline and some wonderful synth strings. "Blue Bird" picks up the pace somewhere between the warm proto-house soul of Maze and the deep house meditations of Larry Heard, with Collier letting his scope as a singer come to full fruition in some rather trippy turns. Other highlights include the rather special version of the classic "Aranjuez" and a new string update of "Elle Dit". On remix duties we get Music For Dreams labelmate 55 Cancri e, who sprinkles her dreamy night time dust all over "Elle Dit" and creates an astonishingly unified blend of their two musical universes. Also lending a hand to transform "Elle Dit" is veteran duo Seahawks, who gently layer it in their cosmicaquatic color palette. Andi Hanley steps in to re-structure "Lucky Charm" into a jazz beat treat by numbers.

      STAFF COMMENTS

      Patrick says: After the beguiling wonder of "Elle Dit", Mackrory and Collier return to Music For Dreams with a long-player of hazy folk gems, swooning country and coastal grooves primed for your next Balearic bliss out...

      Silent Riders

      I See You Remixes - Inc. Whatever Whatever / Dennis Bovell / Andi Hanley / Kenneth Bager Reworks

      Copenhagen-based trio Silent Riders recently wowed us with their immersive neo-gothic full length album debut on Music For Dreams. Now they are back with a remixed package aimed directly for the darkest of dancefloors. Together with some top notch remixers, they are re-visiting their stand out track "I See You" as well as "Shadows", another cut off their self-titled album. First off legendary producer Dennis Bovell lends some of his charms and works "I See You" into a wacky dubbed out groover, skillfully edited down by Mancunian Andi Hanley. No stranger to the flavours of new wave, having produced bands like Saada Bonaire, The Slits and Orange Juice, Bovell brilliantly fuses his dub science with the raw mood of the Riders. Upping the tempo considerably, NYC duo Bryan Mette and Justin Strauss (yes, THAT Justin Strauss!) don their Whatever/Whatever mantle to flesh out the original into a much more hungry club creature, agile and warmer yet with that air of New York cool that really hits you on all levels. Label boss Kenneth Bager himself sits down with the trio to rework the material into a dark brooding extended mix that could easily fit the soundtrack of a John Carpenter flick. Fresh on the scene is HLLW (pronounced 'hollow') who churns out an organic drum'n'bass banger with eerie layers of odd vocal echoes and a gurgling bass rumble. Last up Fellow countryman Kasper Bjørke offers a more leftfield and mechanical approach to the track. Chugging along at 97 BPM, this epic rhythmic excursion unveils slowly and with hints towards the cosmic-minded Germany of the 1980s. Also features a new jam version of “Shadows” - the band themselves take another turn at the track in the studio and deliver a healthy dose of old school electro á la Egyptian Lover and some powerful cold wave chords to underpin the loose vocal performance of singer Lu.

      Doctr

      Tropique - Inc. Kenneth Bager Edit

      Every once in a while a record comes along that defies any sort of conventional explanation and transcends today’s numbed-out consensus beats - “Tropique”, the latest offering on Copenhagen’s Music For Dreams is one of them. Cosmic disco, neo-Balearic, retro-Italo-futurism – get as creative as you like trying to peg it but one thing is for sure, Doctr’s “Tropique” is undoubtedly an excellently crafted tune, an irresistible crowd-pleaser. As if magically appearing from the untouched realms of electronic music, the soundtrack to some quirky, exotic floating party at the centre of the Bermuda Triangle, “Tropique” is a simple concept, a seemingly innocent loop which rolls along and sneakily picks up more effects with each rotation. The production is near faultless, perfectly structured and fine-tuned to draw the maximum drama out of its infectious bass and tasty keyboard hook. Its creator? Well, little is documented about the producer who simply goes by the name of Doctr, but it’s clear that he operates to the beat of his own drum and knows how to rock a party with rollicking flair judging by the dubby yet joyous vibes he brings to this eclectic and high-sprited offering. “Tropique” sounds like its gestation was characterised by years of crate-digging and wild, balmy nights. Having played only a handful of acclaimed shows so far, it appears Doctr is that rare find; a crowd-pleasing DJ whose musical skills trump his proven ability to move bums.
      ‘Tropique” is the tune this summer’s been craving and will no doubt become virtually inescapable throughout 2016 and for years to come - a future classic for sure.


      STAFF COMMENTS

      Matt says: Music For Dreams take a house excursion with this piano driven terrace tonker from Doctr. Hedonistic shizzle which comes backed by a Compass Point styled rework from Mr Bager himself.

      Ambala

      Calypso Beach

        Continuing a fruitful, fifteen year relationship, Phil Mison is back on Music For Dreams with brand new collaborative project, Ambala. Recorded with Danish musician and engineer Volmer across a series of weekend sojourns to the scenic streets of Copenhagen.This vinyl three tracker is a teaser for a full album of Ambala magic slated for release just before the summer kicks in. First track "Calypso Beach" showcases a new direction from former Cafe Del Mar DJ Phil Mison - classical house with West Indian vibes - a hooky steel drum, live bass, dreamy pads and an irresistible melody make a winning combo. Flip over and there is another twisted tale "High Line...", a funky organ-driven groove wrought out of old school drum machines and soulful keys. It's hypnotic Balearic for warm summer nights. EP closer "Bambari" is a slow African chugger complete with chanting voices. Three choice cuts - pick your favourite! More quality Mediterranean output from that man Mison aka Cantoma aka Ambala.


        FORMAT INFORMATION

        12" Info: *WAREHOUSE FIND!! - 1 copy found*

        Music For Dreams release their first vinyl of 2016 with the debut of Nick Mackrory & Harry Collier. Late one night label boss Kenneth Bager was surfing the net and found "Elle Dit" – he immediately fell in love with the track and signed the duo. Their first outing for the Danish imprint showcases their distinctive blend of electronic and organic acoustics with a very Balearic twist. Mackrory began his musical career as a drummer before embracing electronic music during the early UK rave scene and branching out as a DJ, producer and percussionist. More recently he’s been running labels Forgotten Corner and Colona with fellow producer Phil Banks. Vocalist Collier has previously recorded and toured with Faithless as well as successfully writing and performing with his own band Kubb. This new collaboration sees both artists on top form with Mackrory’s productions providing beautiful backdrops to Collier’s uniquely stripped back, honest and emotional vocal performances. "Elle Dit" gives a perfect example of the Balearic duo’s timeless Burt Bacharach songwriting stylings and is a bitter-sweet ode to the breakup of a rather Kafka-esque love affair. It has been heavily featured on Ibiza Sonica and gained support from former Cafe Del Mar Resident Phil Mison. "Tu Sonrisa" continues the continental theme with Spanish lyrics made up by non-Spanish speakers Mackrory and Collier "so please forgive us if it doesn't make much sense! We think it's about drinking margaritas on a beach, chatting to a beautiful señorita, with the sunshine filtering through the leaves of the palm trees!" The instrumental has been getting strong support from Manchester’s Moonboots. Finally ‘Pen-amaen’ is an epic piece of jammed Balearic madness - inspired by the local Cornish coastline that hosts the sunrise where on certain mornings a mermaid can be seen silhouetted against the sky.

        Copenhagen’s Music For Dreams continues to fly the flag for Balearic madness with this high quality four-tracker. EP opener “Charité” is the result of a jam session between two young Danes, Mads and Frederik, and seems certain to be a future classic, with demand building since its first plays on label boss Kenneth Bager’s Ibiza Sonica radio show. A deep and dense Balearic groover in the style of Max Berlin (yes that good!), the track combines French spoken vocals (mais oui, bien sûr), Spanish guitars, floating bongos and a warm bassline into a rich and heady cognac groove. Legendary Balearic pioneer Phil Mison heard an early mix and his exact words were "This is good, no, this is really really good!", and you can't argue with Phil. Mads Dalholt pops up again on Side B in collaboration with fellow Danes Dj Zimino and Dj Djek for a spot of "Balearica". This groovesome number does what is says on the tin as a smooth and rolling bassline, 70s Hammond keys and deep and mysterious voices create an incessant groove, bringing together various styles and influences in a hippie spirit. Closing out each side in sublime form is Troels Hammer, a composer and piano player whose debut LP is soon to be released on the label. Here he previews two short compositions from that LP, "Azur" and "Birdy", which both ooze that melancholic sunset vibe we just about remember from the golden Cafe Del Mar era.

        STAFF COMMENTS

        Patrick says: Finding the middle ground between Max Berlin's 'Elle Et Moi' and Yves Simon's 'Raconte-Toi', Dalholt & Langkilde perfectly nail the windswept sleaze of a swarthy lothario on 'Charite'. Whispered French vocals and open-shirted guitar licks top a cognac-smooth groove in this record bag staple.

        Brand new wax from Denmark’s acclaimed Music For Dreams imprint featuring two artists new to the label - Bonnie & Klein and Coyote. Hailing from Greece, Bonnie & Klein debut with three impressive cuts including future sunset classic "Total Blue" - already receiving maximum support from the likes of Moonboots and Phil Mison, this gentle summery melody conjures up perfect Cafe Del Mar moments with its dreamy pads, lush keyboards and beautiful accordion. Also "Coral" which follows the same route - another sunset chill-out gem with a Mental Generation/ Double Fantasy feel - and finally "Demode", a great bass-heavy slo-mo White Isle dreamscape with gorgeous flute. Also making their first foray onto Music For Dreams are Is It Balearic? dons Coyote with the superb "Gitarra", a flamenco/ Spanish guitar-laden, percussion-driven chugging monster of a track with huge Balearic dancefloor appeal.

        Music For Dreams label head honcho Kenneth Bager is back with a sixth outing in the "Luftkastellet" CD compilation series. Featuring a selection of Balearic house, cosmic disco, downbeat grooves and twisted psyche-dance gems, the set includes the likes of Aeroplane's all-conquering mix of Grace Jones' "Williams' Blood", Edwyn Collins wonderful "You'll Never Know (My Love)", remixes by DJ Disse, Pocketknife and Mungolian Jetset and more.

        Tracklisting
        1. Edwyn Collins - You'll Never Know (My Love) (Ashley Beedle's We Love You Edwyn Edit)
        2. Yoav - Club Thing (Radio Edit Brian Gardner)
        3. Mari Boine - In The Hand Of The Night - It Ain't Necessarily Evil (Mungolian Jet Set Remix)
        4. N* Grandjean* - Wake Up (Pocketknife Remix)
        5. Grace Jones - Williams' Blood (Aeroplane Remix)
        6. Moby - I Love To Move In Here
        7. Kenneth Bager Feat. Gisli - Fragment One (...And I Kept Hearing) (Pocketknife's Wind & Whisper Remix)
        8. DJ Disse Taxi To War (Downtempo Remix)
        9. Osunlade Feat. Divine Essence - My Reflection (Original)
        10. Aura - You Are The Reason (DJ Disse Remix)
        11. Henrik Schwarz & Amampondo - I Excist Because Of You (Henrik Schwarz Live Version)
        12 Shantel - Disko Partizani


        Just In

        188 NEW ITEMS

        Latest Pre-Sales

        177 NEW ITEMS

        Thanks for posting about it. It’s here until next Friday May 3rd btw. https://t.co/PgaFhSvpPe
        Wed 24th - 8:58
        Yes! Thanks @NME for the feature. Come and visit @ianbrown https://t.co/ilKYdZmAtx
        Tue 23rd - 9:48
        It’s great isn’t it?! Glad you liked it and hope your wish comes true.🤞🏻 https://t.co/ZPlM8ry6f5
        Mon 22nd - 5:55
        Thank you. Come back soon. https://t.co/wahwb4Pvw2
        Mon 22nd - 3:49
        E-newsletter —
        Sign up
        Back to top