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YEP ROC

Blitzen Trapper

100's Of 1000's, Millions Of Billions

Inspired by the Buddhist sutras, Blitzen Trapper's radiant new album, 100's of 1000's, Millions of Billions, offers a captivating take on rebirth and transcendence, navigating its way through the space beyond dreams and reality, beyond gods and mortals, beyond life and death.

The songs here are as sincere as they are surreal, rooted in rich character studies and deep reflection, and the production is intoxicating to match, blending lo- fi intimacy and trippy psychedelia into a mesmerizing swirl of analog and electronic sounds. Add it all together and you've got a gorgeous collection of stripped-down bedroom folk wrapped in lush layers of synthesizers and washed out electric guitars, a poignant, expansive exploration of perception and purpose that manages to look both forwards and backwards all at once.

Launched roughly two decades ago in Portland, OR, Blitzen Trapper broke out internationally with 2008's Furr, which cemented their status at the forefront of the modern indie folk revival. Rolling Stone hailed the band's "hazy, psychedelic Americana," while NPR praised their "explosive live performances and infectious roots- rock swagger." Dates with Fleet Foxes, Wilco, and Dawes followed, as did festival appearances at Bonnaroo, Lollapalooza, Newport Folk, and Coachella, among others. The band would go on to release six more similarly lauded studio albums, culminating with 2020's Holy Smokes Future Jokes, which Mojo proclaimed "sound[s] like the Beatles at Big Pink."

TRACK LISTING

Ain't Got Time To Fight
Dead God Of The Green Arising
Cosmic Backseat Education
Hesher In The Rain
Cheap Fantastical Takedown
So Divine
Planetarium
Hello Hallelujah
Long Game
View From Jackson Hill
Upon The Chain
Bear's Head
At The Cove

Chatham County Line

Hiyo

Hiyo is a coming out party in a lot of ways for a band that has been a staple of the American Folk Music scene for over two decades - Co- Produced and engineered by Nashville's Rachael Moore and including performances by Jamie Dick (Drums), John Mailander (fiddle) and Maya de Vitry (vocals), the album Hiyo pushes the sound of CCL past anywhere it has been before - For a band that spent 15 years performing around a single microphone, CCL has found new inspiration in all of the sounds the world has to offer.

"Synthesizers, drum machines, banjo...the world is really open right now to what constitutes folk music and we are grabbing on to that inspiration with both hands and not letting go," says leader Dave Wilson.

Produced by Rachael Moore & Dave Wilson. Recorded & Mixed by Rachael Moore (George & Tammy) at Echo Mountain in Asheville, NC. Mastered by Nathan Dantzler at The Hit Lab in Nashville, TN.


TRACK LISTING

1. Right On Time
2. Magic
3. Way Down Yonder
4. Heaven
5. Lone Ranger
6. B S R
7. Under The Willow Tree
8. She's Got You
9. Stone
10. Summerline

Eli Paperboy Reed

Hits And Misses

Eli Paperboy Reed's Hits And Misses is a remastered collection of rarities, originals, & covers, featuring Eli's spin on Motorhead's "The Ace of Spades"

Eli takes Motorhead's hard rock classic and reimagines it as a soul revival with Hammond organ, brass horns, electric guitar, Eli's signature vocal wails and a backbeat that creates a new take on the song that is no less powerful than the original.

Hits And Misses also includes Eli's noirish R&B take on Steely Dan's 1972 hit "Do It Again" that brings the original song back in time 30 years and a cover of Latimore's 1974 hit "Let's Straighten It Out," showcasing a vocal intensity that's not quite as present in the nearly spoken word original.

In addition to covers, Eli Paperboy Reed's original, IDKWYCTD (I Came to Play) is an anthemic party starter. This high- energy track is featured in Disney's Marvel comic series, Moon Girl and Devil Dinosaur. The album also includes covers of Bob Dylan's, "To Be Alone With You," Merle Haggard's "I'm Gonna Break Every Heart I Can," and more.

TRACK LISTING

Ace Of Spades
Do It Again
To Be Alone With You
Anytime You Want Me
IDKWYCTD (I Came To Play)
Let’s Straighten It Out
Bad Girl
I Don’t Know (What The World Is Coming To)
I’m Gonna Break Every Heart I Can
That’s Love
Steal Away

Born Ruffians

Juice

Critically acclaimed indie rock mainstays Born Ruffians return with their sixth studio album, Juice, which finds the band moving into a more confident and polished direction, bringing to mind 1970s songwriting prowess with layered, and mature production sensibilities. The album was produced by Graham Walsh, known for his work with Alvvays, !!! (Chk Chk Chk), and Holy Fuck.

TRACK LISTING

I Fall In Love Every Night
Breathe
Dedication
The Poet [can’t Jam]
I’m Fine
Hey You (Feat. Maddy Wilde)
Squeaky
Hazy Wave
Wavy Haze

Dressy Bessy

Fast Faster Disaster

Fast Faster Disaster makes it clear that, two decades down the road from the band’s seminal D.I.Y. beginnings, Dressy Bessy’s distinctive songcraft remains as sharp and pithy as ever. The Denver combo’s second Yep Roc release Fast Faster Disaster’s dozen new songs affirm Dressy Bessy’s career- long commitment to barbed lyrical insight and effortlessly catchy melodies. Dressy Bessy is an indie rock band from Denver, Colorado led by songwriter, guitarist, and vocalist, Tammy Ealom The band is associated with the Elephant Six Recording Company and shares guitarist John Hill with The Apples in Stereo. Ealom formed the band with drummer Darren Albert and guitarist turned bassist Rob Greene in 1996. Hill joined the band after helping engineer early recordings in 1997. The name was taken from a popular Playskool doll of the 1970s.

TRACK LISTING

It’s Not That Hard
I’ve Fallen In Love
Fearless
Tiny Lil Robots
Cheer Up Tear Drop
Stay True
Mon Cheri
Sweet Medicine
Freedoms
What It Is
The Real McCoy
What Do I Get?**

**CD Only

Clover Lane marks the Yep Roc debut for Americana singer-songwriter, Jonah Tolchin. The album was recorded quickly and spontaneously in Nashville, Tennessee with an impressive cast of characters that include Chris Scruggs, Steve Berlin (Los Lobos), John McCauley (Deer Tick), and Mickey Raphael (Willie Nelson). As a songwriter, Jonah bridges the gap between classic folk self-sufficiency and punk's DIY defiance; he plays everything from roots and Americana music to old time folk and acoustic blues.

Autumn Defense

Fifth

Everyone has a different way to relax after a hard day of work, and for Pat Sansone and John Stirratt from WILCO, the best way to clear their heads after playing to thousands of people for weeks on end was to find time to craft Fifth, the latest immaculately rendered pop opus from their long-running duo The Autumn Defense. Recorded on the fly between Wilco tours, multi-instrumentalists andm producers Sansone and Stirratt recruited members of their touring band for the first time in the making of an Autumn Defense record. Confident grooves underly the duo's masses of harmonies and carefully layered guitar chimes for what the pair consider one of their most varied efforts to date. From their native Chicago, the pair talked about finding time to make the album, balancing production and songwriting, and working with their live band in the studio.

Fifth is the first album that utilizes The Autumn Defense's core live band. "I think there is a core sound that connects all the tracks," Sansone said. "Maybe I just say that because I was there and I know how it was made, but my instinct is that it sounds like a particular group of people playing together."

Consisting of brothers Dallas and Travis Good, drummer Mike Belitsky and upright bassist Sean Dean, The Sadies' inspired culmination of psychedelia, country and western and instrumental rock has made them the preeminent torchbearers of cosmic Canadiana music.

Internal Sounds was recorded in Toronto. Though Gary Louris was an integral part in making the album, it was produced by Dallas Good. "There was a conscious effort to deliver a finished product that wouldn't suffer from a deadline or budget. We recorded this record over a span of a year, in session for twenty plus days. By the end, we'd spent every dime we had and used up every favour. There is usually a sense of immediacy to our records, maybe because we make a lot of them. I didn't want that this time" says Good. This time, Peter J. Moore was enlisted to mix with The Sadies, a first for them. Internal Sounds also welcomes Canadian legend Buffy Sainte-Marie who contributes her haunting voice to the closing track "We Are Circling". The Sadies continue working to make a greater live show and better albums, integrity intact. Internal Sounds is The Sadies continuing to grow, and getting better with each step

Claire Holly

Claire Holly

There are lots of singers coming out of America at present whose style is broadly known as Americana or New Acoustic Music. Claire Holley has a little of each on this her debut album. All the songs are self penned and have names like "Abilene", "Mississippi" and "Pennsylvania Town" but all with a personal set of lyrics and a fragile sense of place.


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