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In the mid-2000's, following on from Marcos Valle, Joyce and of course Azymuth, Arthur Verocai joined the long- line of Brazilian musicians whose music was to be introduced to a whole new legion of fans by Far Out. The story of 'Encore' of course begins with Joe Davis, Far Out's head honcho who stumbled upon Arthur's debut in a dusty record store in downtown Rio in the late 80s. At the time of its release in 1972 critics panned Arthur's debut and both the album and artist subsequently vanished into obscurity. Fast forward to winter 2004 and Joe's at the studio of Far Out Recording artists Harmonic 313 - aka production duo Mark 'Troubleman' Pritchard and Dave Brinkworth - playing them some of his favourite Brazilian albums. Dave recalls the moment Joe put on Arthur's debut, "As soon as the needle hit the record and we heard the fantastic arrangements, songs and sounds, Arthur completely blew our minds".
Three months later and Dave was in Brazil with Arthur Verocai, and the plans for what was to become 'Encore' were being laid down. Produced by Dave, 'Encore' sees Arthur on incredible form, the 35 plus years between the recording of his debut and this the follow-up just melting away as Arthur picked up the (conductor's) baton once again to create 11 epic tracks of stirring samba-soul and experimental cinematic movements that sees him creating a record to rival his debut.
Born in Rio de Janeiro on 17 June 1945, Arthur Verocai began his professional music career in 1969 and over the next few years he was responsible for the orchestration of albums by Ivan Lins, Jorge Benjor, Elizeth Cardoso, Gal Costa, Quarteto em Cy, MPB 4 and Marcos Valle, among others. In the 1970s he was hired by Brazil's biggest TV station, TV Globo, as musical director and wrote the arrangements for many of the stations biggest shows. In 1972, following the success Arthur had with the production of Ivan Lins 1971 album "Agora", Arthur recorded his self- titled debut album on Continental Records. 'Arthur Verocai' challenged the musical conventions of the day, combining Brazilian influences with folksy soul and lo-fi electronic experimentations of American artists like Shuggie Otis or the orchestration of producer Charles Stepney.
TRACK LISTING
Bis
Caminho Da Roca
Dona Das Meninas
Eu Quero Paz
Abertura
Tupa Tupi
Sucuri
Amor Na Contra Mao
Tudo De Bom
Filhos
Preludio

Nicola Conte
Umoja (Joaquin Joe Claussell Sacred Rhythm Music & Cosmic Arts Remixes)
FAR OUT RECORDINGS
STAFF COMMENTS
Matt says: Joe Claussell doesn't do things by halves. When he throws himself into a project we get so much content. Here he delves into the world of Italian jazz supremo Nicola Conte with staggering results. Giving most of the tracks a real Body & Soul house flavour; he adds to the rich instrumentation with lively percussion, frenetic bass lines and a palette so delicious you'll want to taste it. Spiritual house meets spiritual jazz - another masterpiece to add to the NYC veteran's catalogue.TRACK LISTING
LP Tracklist:
1. Life Forces (Joaquin's Sacred Rhythm Version)
2. Life Forces (Joaquin's Sacred Rhythm Dub)
3. Umoja (Joaquin's Sacred Rhythm Version)
4. Umoja (Joaquin's Sacred Rhythm Dub)
5. Soul Of The People (Joaquin's Sacred Dance Version)
6. Soul Of The People (Joaquin's Cosmic Arts Dub)
7. Into The Light Of Love (Joaquin's Spirit Of The Dance Version)
8. Into The Light Of Love (Joaquin's Spirit Of The Dance Instrumental Version)
CD Tracklist:
1. Umoja (Joaquin's Sacred Rhythm Version)
2. Life Forces (Joaquin's Sacred Rhythm Version)
3. Soul Of The People (Joaquin's Cosmic Arts Dub)
4. Into The Light Of Love (Joaquin's Spirit Of The Dance Instrumental Version)
5. Umoja (Joaquin's Sacred Rhythm Dub)
6. Life Forces (Joaquin's Sacred Rhythm Dub)
7. Soul Of The People (Joaquin's Sacred Dance Version)
8. Into The Light Of Love (Joaquin's Spirit Of The Dance Version)
9. Life Forces (Joaquin's Sacred Rhythm Instrumental)
10. Soul Of The People (Joaquin's Sacred Rhythm Instrumental)

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- Ltd LP
- £29.99
Usually ships within: 2-10 days - Cat Number
- FARO238LP (#RSD23)
- Release date
- 22 Apr '23
Far Out Recordings proudly presents laid back Brazilian groove maestro Joao Donato's synth-heavy collaboration with his son Donatinho
Sintetizamor sees the father- son duo jovially hurtle through space and time across ten tracks of sparkling pop, Brazilian boogie and club friendly disco-funk. Joao Donato has been a hugely influential figure in the development of Brazilian music since the mid-1950's. He's played and recorded with virtually every one of his fellow Brazilian masters. Many of his own albums (of which he's recorded over three- dozen) are regarded with such adulation that 'cult- favourites' doesn't quite cut it. Aged 82 at the time, Donato's collaboration with his prodigious, synth obsessed son Donatinho - whose keyboard talents have been called on by the likes of the late Gal Costa, Djavan and Donatinho's contemporaries such as Diogo Strausz - was originally released back in 2017, as a limited Brazil-only release. For Record Store Day 2023, Sintetizamor will be available on vinyl (for the first time outside of Brazil) from participating stores.

Dudu Lima & João Bosco
O Ronco Da Cuica / Incompatibilidade De Genios (RSD22 EDITION)
Far Out Recordings
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- Ltd 12"
- £19.99
Usually ships within: 2-10 days - Cat Number
- JD54 (#RSD22)
- Release date
- 18 Jun '22
"One of the best bass players in the world Dudu Lima teams up with Brazilian guitar legend Joao Bosco to record deep, beautiful extended live versions of some of Bosco's most well known tracks. Featuring Azymuth's drummer Ivan Conti, percussion master Marcos Suzano and Dudu Viana on piano. This is a super-limited, one-off, record store day release"

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- 12"
- £15.99
Usually ships within: 2-10 days - Cat Number
- PINKY1
- Release date
- 3 Dec '21
It all started over the counter at Derek’s Records on Petticoat Lane, London in the mid-70s. Rocca - at the time a budding teenage percussionist - met the prolific guitarist, composer, producer and all round brit funk fixer Jean-Paul “Bluey” Maunick (also the father of Far Out producer Daniel Maunick). Best known as the founding member of Light of the World, Incognito, and more recently Str4ta, Bluey’s involvement in the origins of Freeez are lesser known, but no less crucial. Bluey invited Rocca to a weekly jam session in an East London basement, where they would develop their craft, form their first band Freeez and develop the idea for ‘Keep In Touch’: “Back in the basement there was this one particular track we were playing that I really loved. It had a groove that I thought I could sell” Rocca reminisces.
Going against the advice of all the musicians involved, who thought he was mad and set to lose all his money, John decided to go full DIY, hire out a high end studio in the West End to record ‘Keep In Touch’ and release it as a private press, birthing his now famed Pink Rhythm label. Featuring Bluey on guitar, Peter Maas on bass, Paul Morgan on drums, Jason Wright on keyboards, and John Rocca on percussion, Keep In Touch was a surprise underground hit selling over 5000 copies and reaching #49 in the UK, leading Freeez into a record deal with Pye / Calibre.
Still giddy from the experience of having produced and pressed his first record at the age of just 19, John set out to do it all again with ‘Stay’ and ‘Hot Footing It’, enlisting Bluey & co once again. This time Rocca attempted to take things to the next level by adding vocals into the mix. Though this new arrangement initially backfired and cost John the deal with Pye / Calibre who weren’t feeling the slight change of vibe, original copies of the Stay 12” have become one of the most in demand from the brit funk canon.
These foundational DIY 12” singles paved the way for Freeez to become a household name in the history of British funk who went on to record hits like ‘Southern Freeze’ and ‘IOU’ as well as underground cult classics like ‘Melodies of Love’ and ‘India’ as Pink Rhythm, John Rocca’s later formation of Freeez named after his imprint.
Far Out will be releasing a very limited run of the two 12”s (1000 copies of each), both redesigned in the style of the original private presses.
TRACK LISTING
1. Keep In Touch
2. Keep In Touch (Edit)

-
- 12"
- £15.99
Usually ships within: 2-10 days - Cat Number
- PINKY2
- Release date
- 3 Dec '21
It all started over the counter at Derek’s Records on Petticoat Lane, London in the mid-70s. Rocca - at the time a budding teenage percussionist - met the prolific guitarist, composer, producer and all round brit funk fixer Jean-Paul “Bluey” Maunick (also the father of Far Out producer Daniel Maunick). Best known as the founding member of Light of the World, Incognito, and more recently Str4ta, Bluey’s involvement in the origins of Freeez are lesser known, but no less crucial. Bluey invited Rocca to a weekly jam session in an East London basement, where they would develop their craft, form their first band Freeez and develop the idea for ‘Keep In Touch’: “Back in the basement there was this one particular track we were playing that I really loved. It had a groove that I thought I could sell” Rocca reminisces.
Going against the advice of all the musicians involved, who thought he was mad and set to lose all his money, John decided to go full DIY, hire out a high end studio in the West End to record ‘Keep In Touch’ and release it as a private press, birthing his now famed Pink Rhythm label. Featuring Bluey on guitar, Peter Maas on bass, Paul Morgan on drums, Jason Wright on keyboards, and John Rocca on percussion, Keep In Touch was a surprise underground hit selling over 5000 copies and reaching #49 in the UK, leading Freeez into a record deal with Pye / Calibre.
Still giddy from the experience of having produced and pressed his first record at the age of just 19, John set out to do it all again with ‘Stay’ and ‘Hot Footing It’, enlisting Bluey & co once again. This time Rocca attempted to take things to the next level by adding vocals into the mix. Though this new arrangement initially backfired and cost John the deal with Pye / Calibre who weren’t feeling the slight change of vibe, original copies of the Stay 12” have become one of the most in demand from the brit funk canon.
These foundational DIY 12” singles paved the way for Freeez to become a household name in the history of British funk who went on to record hits like ‘Southern Freeze’ and ‘IOU’ as well as underground cult classics like ‘Melodies of Love’ and ‘India’ as Pink Rhythm, John Rocca’s later formation of Freeez named after his imprint.
Far Out will be releasing a very limited run of the two 12”s (1000 copies of each), both redesigned in the style of the original private presses.
STAFF COMMENTS
Matt says: Another essential Brit-funk group headed by John Rocca. You probably know "Southern Freez" but I think "Stay", featured here, pips it to the post. Either way, these fresh reissues are a welcome addition to any boogie / funk / disco record collection.TRACK LISTING
1. Stay
2. Hot Footing It

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- CD
- £10.99
Usually ships within: 2-10 days - Cat Number
- FARO218CD
- Release date
- 30 Oct '20
Having just put the finishing touches to the recordings, Jarel suffered an ischemic stroke while living and working in Costa Rica and his wife Indigo was forced to set up a crowd fund to cover special medical transport back to the states to receive treatment. The release was put on hold, but thanks to the generosity of friends and fans around the world, Jarel was able to get the care he needed and is now on the long road to recovery. For Jarel, After A Thousand Years is “a culmination of the longstanding musical contributions of the African diaspora.” Permeating the Brazilian music and Latin jazz Jarel has loved and drawn inspiration from, as well as the stateside jazz, soul and funk Jarel grew up around, the influence of Africa and its musical history, on both North and South America, is key to the album’s sound.
On lead single “Banana Peel”, Jarel’s outernational perspective makes for a track that is almost impossible to place geographically: you can hear the swing of Jarel’s native New Orleans jazz, the vibrance of Costa Rican rainforests as well as the influence of Jarel’s vast collection of Brazilian records. “Viberian Waves 1&2” is equally nonconformist, morphing from funky baroque-flavoured instrumental hip hop into a bossa inspired, percussive jam. Taking its inspiration from the biblical prophecies found in the books of Isaiah, Daniel, and Revelation, foretelling the fully realized, physical and spiritual restoration of the earth and mankind after the thousand year reign of the Messianic Kingdom, After A Thousand Years contemplates and celebrates a world where everlasting love, peace, and harmony abound under a sovereign, divine rulership
TRACK LISTING
1. If I Could See Heaven Without Dying Feat: Scott Burton
2. Ce-les-tial
3. Sunwalkers Part Two And Three Feat: Bill Summers
4. Just A Little While Longer
5. African Bahia Sol Feat: Dr Who Dat?
6. Viberian Waves 1 & 2 Feat: Capitol Peoples
7. Broken Arted
8. Banana Peel (C Scara De Pl Tano) Featuring Masauko Chipembere
9. Let The Cu Ca Play Feat: Cafe, Micr Climate
10. TROP-PICS

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- LP
- £13.99
Usually ships within: 2-10 days - Cat Number
- JD43
- Release date
- 3 Aug '18
Having collaborated with the likes of Nubya Garcia and Joe Armon Jones, Ben Hauke stands at the electronic end of London’s new jazz movement. Currently working on new releases with more of a focus on live instrumentation, Ben titled the release ‘Only Old’ as it leans more heavily on his foundational approach to music making: an idiosyncratic, almost brazen sampling style in productions bursting with personality.
Always full of character and style, Hauke’s productions have seen him likened to Theo Parrish and Madlib, with an altogether physical approach to sound. Title track ‘Only Old’ is moody broken beat with eerie sampled vocals and piano. ‘Get Up To Get Down’ is a light n’ breezy summer house stepper, while Brazil-inspired ‘Runners’ sounds as if it was made for MF Doom.
TRACK LISTING
It Weren’t A Satellite
Get Up To Get Down
Only Old / Runners
You’re Not Deep
Digi Luv Ft. Eggrum
Bait Leo

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- LP
- £18.99
Usually ships within: 2-10 days - Cat Number
- FARO204LP
- Release date
- 6 Jul '18
Recorded at Sondor Studios, Montevideo, the album is the natural development of the original Opa sound, fusing Afro-Uruguayan rhythms, jazz harmony and heavy funk attitude, under Hugo’s unique musical vision.
Fusing Candombe (traditional rhythm of Uruguay) with rock, jazz, funk and other Latin American rhythms, Opa created a distinctive Afro-Uruguayan voice within the global jazz vernacular, influencing a generation of musicians throughout the seventies and beyond. Fattoruso also famously collaborated extensively with Airto Moreia, arranging and playing on a plethora of hit records including Fingers and I’m Fine, How Are You. More recently Fattoruso’s music has been sampled by the likes Flying Lotus and Madlib.
Recorded at the state of the art Sondor Studios in Montevideo’s iconic Barrio Sur district, the album features some of the world class musicians at the forefront of today’s Uruguayan jazz scene, including Hugo’s son Francisco Fattoruso on bass, Tato Bolognini on drums, Albana Barrocas on percussion and Nicolas Ibarburu on electric guitar. The album also features the Candombe drumming of the legendary Silva brothers, Mathias, Guillermo Diaz and Wellington, who give the album its Afro-Uruguayan identity, transporting the listener to Barrio Sur, the spiritual home of Montevideo’s Candombe heritage.
In Hugo’s own words “this is the sound of Opa today.” This is most prevalent on ‘Goldenwings’ the fresh take on the funk-fusion masterpiece which became an underground hit in London jazz clubs in the 80s ‘. The stripped back yet equally rip-roaring trio piece ‘Botijas’ is led by Hugo’s virtuosic piano playing and hypnotic wordless vocals, and backed by an inventive, heavy grooving fusion of Latin rhythms from Tato Bolognini on drums. The shining moments for the Silva brothers’ Tambor playing are ‘Candombelek’ - a beautifully moody Afro-Uruguyan groove with characterful rhodes and vocal harmonies - and ‘Candombe Alto’, a carnival-esque track, awash with soaring synth lead, wahwah guitar and pulsating keys.
TRACK LISTING
La Del Cheche
Botijas
Candombe Beat Funk
El Romance Del Sordo
Trenes De Tokyo
Candombelek**
Candombe Alto
Llamada Ins Lita
Antes
Goldenwings
For You To Be Proud**
**CD Only

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- LP
- £21.99
Usually ships within: 2-10 days - Cat Number
- FORDIS02
- Release date
- 15 Jun '18
Sporting a dodgy moustache and an equally troubling haircut, Carioca conman Paulo Mauricio Azambuja (played by Anysio) would flog his own mother’s leg if he could, and his ever-ridiculous scams are inevitably always destined to fail. This soundtrack/musical re-imagining of the series combines jazz-funk with samba soul and MPB, with the help of cult Brazilian trio Azymuth. Keyboard maestro Jose Roberto Bertrami, who arranged the album alongside renowned conductor and composer Jose Menezes, elevates the groovy oddball sound to another dimension, with his set up including Fender Rhodes, Arp Strings, Arp Omni, Clavinet and Hammond organ. Remaining Azymuth members Ivan Conti (drums) and Alex Malheiros (bass) provide the signature Azymuth foundation, and saxophone prodigy Victor Assis Brasil and legendary multi-instrumentalist producer Durval Ferreira also feature.
As well as its distinctly comedic character, what makes the music so special is the coming together of traditional samba roots, and Azymuth’s ahead-of-itstime psychedelic funk influence. Each side ends with a comedy monologue, complete with live audience laughter, but before that you get seven tracks of weird and wonderfully emotive Brazilian groove music.
TRACK LISTING
Nega Brecho
Ao Bililico
Tema Do Azambuja
Monologo No. 1
Maristela
O Poste Da Rua
Verde
A Turma
Monologo No. 2

The Far Out Monster Disco Orchestra Feat. Jose Roberto Bertrami
The Far Out Monster Disco Orchestra
Far Out Recordings
-
- 2xLtd LP
- u/avbl
- Cat Number
- FARO181DLP (RSD14)
- Release date
- 28 Apr '14
A super disco project to celebrate RSD 2014 and Far Out Recordings 20th year! Made with love by Far Out's Favourite artists including late legend 'Maestro Jose Roberto Bertrami', along with 'Arthur Verocai', 'Alex Malheiros' & many of Rio's finest musicians including a full orchestra. This has been recorded & mastered to give you the full vinyl experience & is the first album of an ongoing series. The record was produced in the best studio in Rio de Janeiro, with all old equipments including 2" Ampex tape, Neve compressors, SSL desk and needless to say all the best delicate treatments to retain that analogue feel and sound along the way to this release.
TRACK LISTING
LP 1:
Mystery (FOMDO Feat Arthur Verocai) /
Keep Believing (Can You Feel It)
A Disco Supreme (FOMDO Feat Arthur Verocai)
The Last Carnival
LP 2:
Vendetta
Keep Believing (Can You Feel It) (SS Translation By Theo Parrish) Special Radio Edit
Don't Cha Know He's Alright (JR Bertrami / J Davis) /
Freefall (JR Bertrami / JDavis) /
Mystery (Instrumental) (A Verocai / J Davis)

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- CD
- £11.99
Usually ships within: 2-10 days - Cat Number
- FARO162
- Release date
- 14 Nov '11