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OUTTA SIGHT

Little Anthony & The Imperials

Better Use Your Head / Gonna Fix You Good

    “Little” Anthony Gourdine and the Imperials were originally a late Fifties U.S. doo-wop group who had a million-selling hit with their first single “Tears On My Pillow” in 1958. More hits followed, into the Sixties, including “I’m On The Outside Looking In”, “Goin’ Out Of My Head” and “Hurt So Bad”. But, our two chosen sides from 1966: “Better Use Your Head” and “Gonna Fix You Good (Everytime You’re Bad)” taken from the album Payin’ Our Dues failed to cause a stir at the time. Both earned U.K. releases on United Artists but would have to wait a further ten years before seeing any U.K. chart action, peaking at #42 when reissued back-to-back on U.A.’s Silver Spotlight Series. However, both sides became undergound Northern Soul favourites, first at Manchesters Twisted Wheel when “…Fix You Good” filled the floor and later, in 1975, when “Better Use Your Head” packed the ballroom at the legendary Wigan Casino.

    STAFF COMMENTS

    Martin says: Doo-wop which also found favour on the Northern scene, including here in Manchester at Twisted Wheel. Obviously in demand tracks, Outta Sight gift these to us meagre peasants once more.

    TRACK LISTING

    1. Gonna Fix You Good (Every Time You're Bad)
    2. Better Use Your Head

    Stanley Mitchell

    Get It Baby / Quit Twistin' My Arm

    Stanley Mitchell was born in Detroit in 1935 and performed with a number of local bands in the mid to late fifties cutting wax for Chess and Gone records. But it is thanks to Richard “Popcorn” Wylie that his presence was ever felt on these shores when, in 1973, his atmospheric “Get It Baby” was championed in the early days of Wigan Casino by DJ Richard Searling. The song was originally relegated to the B-side of the altogether more catchy “Quit Twistin’ My Arm’, arguably the more popular side today. In the late seventies another track emerged from Detroit, “Down In The Dumps” by Tony Hester, which shared the same backing track as “Get It Baby” which further cemented the record in the annals of Northern Soul history.

    TRACK LISTING

    1. Quit Twistin' My Arm
    2. Get It Baby

    Candy & The Kisses / Val Simpson

    Are You Trying To Get Rid Of Me Baby / Mr. Creator

      Candy & The Kisses burst onto the Northern Soul scene with "The 81". This storming dancer was unreleased until released on a CD compilation, making this a first time 7" vinyl release. The B side is by Val Simpson, one half of Valerie & Simpson

      TRACK LISTING

      Side 1: Are You Trying To Get Rid Of Me Baby - Candy & The Kisses
      Side 2: Mr. Creator - Val Simpson

      Various Artists

      Club Americana: All-Night Dancing At The Mapleton

        THE MAPLETON HOTEL (now the Thistle Piccadilly), In the heart of London’s West End, was the original home of the legendary Flamingo Club (OSVLP014). However, it is a little known fact that there was a second club, cloistered in the basement of the Mapleton, the ‘Americana’. The club was run by the Gunnell brothers, Rik and Johnny, who would go on to manage the Flamingo when it moved to Wardour Street and the Bag O’Nails, in Soho, where Jimi Hendrix first played in 1966 and where Paul McCartney met his future wife Linda Eastman.

        The Americana was named to cash-in on the obsession at the time for all things American – food, drink, fashion, film, music – and attracted a large contingent of G.I.’s, still stationed in the home counties after the war. The club opened in 1955 and hosted All-Night sessions for two years. A ‘ten bob’ note gave you passage to a secret, subterranean world filled with exotic sounds and cultures and a 3 course meal of tomato soup, chicken & chips and ice cream. You got to dance all-night long to live acts playing a fusion of R&B, blues, jazz, calypso and ska which, in the mid-fifties, was the hottest sound in the world and heralded the Mod generation.

        Frank Wilson

        Do I Love You (Indeed I Do) / Sweeter As The Days Go By

          Exactly 40 years ago the original copy of “Do I Love You” arrived on these shores and, for the first time the true identity of its author and performer was revealed. Today “Do I Love You” has transceneded the strange world of Northen Soul and has become enshrined in the wider public’s concsiousness due to mainstream radio play, TV advertising (most recently the ‘Happy Egg Co.’) and in 2017 an appearance on the country’s most popular TV show Strictly Come Dancing. Now you too can own a copy of “Do I Love You”…

          THE No.1 Wigan Casino and Northern Soul anthem · THE most valuable record in the world · THE first ever legal reissue, outside of Motown · THE last record ever played at Wigan Casino. 

          TRACK LISTING

          1. Do I Love You (Indeed I Do)
          2. Sweeter As The Days Go By

          Various Artists

          Russ Winstanley's Heart Of Northern Soul

            In the early hours of a September morning in 1973, a huge World War 1 building tentatively opened its doors to the cult followers of an underground dance scene. The unfashionable Casino Club was open for business for its first-ever Northern Soul All-Nighter. Little could the promoters have realised the phenomenon they were creating – a phenomenon that would put Wigan and the Casino on the map, not only across the length and breadth of Britain but also in Europe and America. For eight years, the Wigan Casino all-night Northern Soul sessions achieved fame, notoriety and, eventually, legendary status among youngsters all over Britain. It was loved by each of its 100,000 members, voted the world’s best disco by the American-based magazine Billboard and started its own record label and magazine. Its DJs unearthed rare 1960s American soul recordings and launched them into the national pop charts, reviving the careers of many black artists. Now, as we approach the club’s 45th anniversary, the timeless music and nocturnal lifestyle created by Wigan Casino is enjoying a massive revival as former Casino-goers and many new soul fans are once again filling all-night clubs and Northern Soul Weekenders.

            The perfect prelude to Wigan Casino’s 45th Anniversary • 16 Casino Anthems • Artwork featuring original Wigan Casino patches • Selected by “Mr Northern Soul” himself… RUSS WINSTANLEY

            Various Artists

            Wigan Casino II

              During the glory years of Northern Soul (the seventies) most Northern towns boasted their own regular soul night with their own aspiring DJs. Some were little more than a gathering of like minded mates in the local scout hut or youth club, while others challenged the more established local venues for a slice of the action such as Va-Va’s in Bolton, the Catacombs in Wolverhampton, Samanthas in Sheffield, the Palais in Nottingham and the Cat’s Whiskers in Burnley (to name but a few).

              But one club would emerge as the colossus of Northern Soul... WIGAN CASINO. The Casino Soul Club on Station Road embraced the magic of former national clubs such as the Twisted Wheel in Manchester, the Golden Torch in Stoke-On-Trent and its contemporary - Blackpool Mecca - and fused them into a super soul show that mesmerised everyone that passed through its doors and dared to dance on its hallowed floor. Almost 45 years on and its captivating magic spell is omnipresent in tribute nights up and down the country, TV ad campaigns, TV sound-beds, mainstream radio, supermarket CDs and - most importantly - in the Soul Survivors Weekenders that now attract thousands of devotees each year to listen to those memories.

              Little Arthur Mathews / Willie Wright

              I'm Gonna Whale On You / I'm Gonna Leave You Baby, And I’m Goin’ Away To Stay

              Who needs the summer when the next three Outta Sight R&B collectables are as hot as these?

              The Northern end of R&B continues to pack the dancefloors across Europe and it is showcased - at its best - in these in-demand cuts. Six top tunes that would set you back a month’s wages if you’re lucky! All hard to find on their respective original labels which, incredibly, date from as early as 1952.

              On side A Little Arthur Mathews hooks up with the Johnny Otis Band for the horn honking skiffle-like cut "’m Gonna Whale On You". On the flip Willie Wright belts it out on rhythm & blues roller "I’m Gonna Leave You Baby, And I’m Goin’ Away To Stay".

              TRACK LISTING

              1. I’m Gonna Whale On You - Little Arthur Mathews With The Johnny Otis Band
              2. I’m Gonna Leave You Baby, And I’m Goin’ Away To Stay - Willie Wright


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