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Jackie Wilson

I Get The Sweetest Feeling/It Only Happens When I Look At You

Jackie Wilson – aka “Mister Hitmaker” – scored Brunswick Records 50 chart singles during his 20 year solo career. “I Get The Sweetest Feeling” is both one of his best known and most loved recordings, originally taken from his 1968 album of the same name. Coupled with “Nothing But Blue Skies” it only managed to reach #34 on the Billboard Hot 100 at the time of release and a more respectable #9 in the UK some four years later in 1972. Ironically it was your very own Passion Music who achieved the most success with the song just missing the top spot, stalling at #3, in 1987. It was also Passion Music that gave Jackie, posthumously, his only #1 pop hit with a reissue of “Reet Petite” in 1986. “It Only Happens When I Look At You” is the perfect feel-good floorfiller from the perfect soul vocalist. The song was originally recorded by Aretha Franklin in 1975 for her Atlantic album ‘You’, but it is Jackie’s more upbeat version that captured the Northern Soul hearts. It was released on UK Brunswick in 1977 and was to be Jackie’s final 45. It eluded a US release and appears here – for the very first time – on the official American Brunswick label design.


1. It Only Happens When I Look At You
2. I Get The Sweetest Feeling

The Steve Karmen Big Band


BREAKAWAY” by Steve Karmen was originally released on United Artists in 1968 following a successful advertising campaign for the Pontiac car, for which the ‘jingle’ had been written, featuring the slogan “Breakaway In A Wide-Trackin’ Pontiac”. Karmen extended the 30 second track with fills and breaks building the energy and excitement and creating the perfect dance track for the highly charge Casino Ballroom where it exploded in 1974.

Jimmy Radcliffe ad-libbed a new and impassioned vocal for the singles plug-side, but – to this day – it is the thrilling instrumental that rules the dance floor. Although associated with Wigan Casino, “Breakaway” was originally spun by DJ Colin Curtis at Blackpool Mecca under the imaginative title “Black Ship To Hell” (The Wigan Casino Years by Tim Brown). Today, over 50 years on, it has lost none of its energy and appeal and remains a favourite oldie and guaranteed floor-filler. 


A. Breakaway (Part I)
B. Breakaway (Part II)

Brenda Holloway

My Baby Moves Me

Brenda Holloway was born in California, 26th June 1946, and while still a teenager she signed to Motown’s ‘Tamla’ label in 1963. Her first single for the label – “Every Little Bit Hurts” – was a huge hit reaching #13 on the Hot 100. However, her recording career for Motown was modest for such talent and her final single came in 1967, the Top 40 hit “You’ve Made Me So Very Happy” which she co-wrote with her younger sister Patrice Holloway (see SEV005). The song would later reach #2 when it was covered by Blood Sweat & Tears. In more recent times many of Brenda’s previously unreleased Motown recordings have come to light and have proved to be amongst the finest of the labels recorded output. Here we present two stunning performances, “My Baby Moves Me” penned by Smokey Robinson and the infectious “Spellbound” written Billy Page and recorded circa 1966.


1. Spellbound
2. My Baby Moves Me

Geno Washington / Stuart Smith

The Drifter / If This Is Love (I'd Rather Be Lonely)

Geno Washington needs little introduction to the UK Soul/Mod scene. In his heyday, 1966-68, he was, reputedly, the highest-paid performer and certainly THE most in-demand live act in UK club-land. He was the closest you’d ever get to hearing Wilson Pickett or Otis Redding live.During his flurry of recording, Geno and the Band laid down their version of “If This Is Love (I’d Rather Be Lonely)”, originally cut by The Precisions earlier in 1967. The song probably came to their attention via one of the many publishers based on Denmark Street, London’s Tin Pan Alley, but, for whatever reason at the time, it remained in the can and has eluded a vinyl release ever since… UNTIL NOW! Which leads us nicely into our double-A side “The Drifter”, another Pye recording that has languished, unreleased, until now. The song, a true Northern Soul icon, was originally recorded in America in 1965 by Ray Pollard for United Artists. It scored a UK release the same year where it was picked up by Long John Baldry, who cut a very credible version on his album Looking At Long John Baldry and also a highly collectable United Artists single. This version was recorded by the unknown Stuart Smith, who has had to wait over 50 years for his 2 minutes and 54 seconds of fame!


1. The Drifter
2. If This Is Love (I'd Rather Be Lonely)

Darrell Banks

I'm The One Who Loves You

Darrell Banks is a bona fide Northern Soul legend alongside the likes of Frank Wilson, Major Lance, Jackie Wilson, Gene Chandler etc. His iconic 1966 Revilot single “Open The Door To Your Heart” / “Our Love (Is In The Pocket)” is one the most played, collected and revered 45s on the scene. In 2014 a black & silver UK London stock copy of the record was discovered and put up for auction. It had long been remoured to exist but had evaded every serious UK rare soul collector. It achieved a staggering £14,000 finishing price and further cemented the legendary status of both record and artist. In 1969 Banks signed to the Volt record label and recorded one album, Here To Stay, and two singles. Here we present his classy crossover 45 “I’m The One Who Loves You” in glorious stereo coupled with the album-only cut “Forgive Me” available for the very first time on 7-inch single. These recordings would be his last, within weeks of completing the album he was shot dead by off-duty police patrolman Aaron Bullock during an altercation with Banks’ former girlfriend Marjorie Bozeman.


1. I'm The One Who Loves You
2. Forgive Me

Otis Clay

The Only Way IS Up / Messing With My Mind

"The Only Way Is Up” has long been regarded as a dancefloor anthem and with its uplifting lyric couldn’t be more appropriate as the soundtrack to current times as we slowly return to a more normal way of life. It has taken 40 years for this magnificent, original version of the song to finally see a reissue and our thanks go to Otis Clay’s daughter, Ronda, for helping to make this possible. The song was written by George Jackson and Johnny Henderson and originally recorded by Otis Clay in 1980 on his own Echo imprint. Incredibly it was a non-hit at the time and came towards the end of a long and prolific career for the Chicago R&B singer. Clay had previously recorded for the Leaner brothers at One-derful!’before moving on to Cotillion, Atlantic and Hi (amongst others). George Jackson also worked as a staff writer for Hi, after a successful run at Goldwax, but it was while he was with the Muscle Shoals Sound Studio that he wrote “The Only Way Is Up” for Clay. In 1988 Jackson hit paydirt when his song was reinveted by the dance duo Coldcut for Yazz and the Plastic Machine. It was an immediate hit and spent five weeks at the top of the U.K. pop charts. It also became a No.1 hit across Europe although barely scraped into the Hot 100 in the U.S.A. In recent times it has been used as the theme to the popular TV show The Only Way Is Essex. But, of course, it is Otis’ soulful original that we all want to hear and it is still packing the dancefloors across the country as witnessed at last years fabulous ‘International Soul Festival’ at the Blackpool Winter Gardens! With prices in 3-figures and rising its time to grab a bargain… ‘the only way is up’!


1. The Only Way Is Up
2. Messing With My Mind

Jackie Edwards / Del Davis

I Feel So Bad / Baby Don't Wake Me

Rocksteady and reggae have long been a part of the rare soul scene, since its inception in the early sixties. It’s easy to hear the influence of early American R&B in the development of ska and as soul music took over as ‘the sound of young America’, in the mid-sixties, it too tinged the sound of Jamaica. No more so than our dance floor anthem “I Feel So Bad” by the legendary Jackie Edwards. Edwards was born Wilfred Gerald Edwards in Jamaica in 1938 and by the age of 22 had already scored a No.1 record on the island. He’d had four chart-topping hits before signing to Chris Blackwell’s new Island imprint in 1962. He became an integral part of Island Records, as a prolific artist, songwriter, producer and general helper. He wrote “Keep On Running” and “Somebody Help Me” for the British R&B band The Spencer Davis Group, both of which went to No.1 on the U.K. pop charts. “I Feel So Bad” was released on the distinctive red and white Island logo in 1967 and was adopted by the burgeoning U.K. underground soul scene, most notably at the Twisted Wheel club in Manchester. It has been played on the ever evolving Northern Soul scene ever since and, a half-century on, commands a price tag of £700+ for a mint original. Fortunately our devastingly good-looking official reissue can be bought for a more modest sum. Jackie Edwards is also responsible for flip-side “Baby Don’t Wake Me” which he wrote and produced for reggae singer Del Davis at the turn of the Seventies. The combination of Jackie’s well-honed soul-induced musicianship and Davis’ gravelly soulful vocals create the perfect Northern / crossover dancer. Two fabulous reasons to make this one of the top reissue 45s of 2020!


1. I Feel So Bad
2. Baby Don'y Wake Me

Jerry Butler

Moody Woman / Stop Steppin' On My Dreams

    Jerry Butler needs no introduction to UK soul fans and is a hero to the Northern Soul scene, not least for his stirring lead vocals with The Impressions alongside his school yard buddie Curtis Mayfield. After a successful solo career with Vee-Jay records Buter joined Mercury, on the advice of Kenny Gamble and Leon Huff, and embarked on his Philly career. He was christened ‘The Ice Man’ by WDAS Philadelphia radio jock Georgie Woods and his Gamble–Huff produced album The Ice Man Cometh spawned the R&B #1 hit “Hey, Western Union Man” in 1968. The album Ice On Ice followed in 1969 and delivered the now iconic Northern Soul anthem “MOODY WOMAN” reissued here on 7-inch vinyl for the first time since 1972, almost 50 years ago! Our chosen flip-side, “STOP STEPPIN’ ON MY DREAMS”, is no slouch either. It first captured the imagination of the UK rare soul scene on the 1972 double-vinyl album The Spice Of Life produced by the ‘Iceman’ himself. It has been a firm favourite of the modern room ever since and is released here on 7-inch vinyl for the very first time!


    1. Stop Steppin' On My Dreams
    2. Moody Woman

    Betty Lavette / Nella Dodds

    (Happiness Will Cost You) One Thin Dime / First Date

    o celebrate this historic landmark Outta Sight proudly present a unique 45 featuring two stunning sides by rare soul legends Betty Lavette and Nella Dodds. First under the spotlight is Betty Lavette with her 1964 recording of “One Thin Dime”, popularised on the Northern scene by Holly Maxwell. Ms. Lavette’s version, unreleased at the time, with its haunting brass and upbeat production is hands-down the superior version. It first came to light in 1993, thanks to Kent Records, on the rare sixties’ soul CD ‘Living The Nightlife’, and is now available, for the first time, on the premier division format… 7-inch single. Next up is Sixties Soul sweetheart Nella Dodds with her Philly dancer “First Date” produced by the legendary Dyno-Dynamic production team for Wand Records. It was written by James Bishop and originally intended for a mid-Sixties album entitled ‘This Girl’s Life’. The album was rejected at the time but finally surface on a Kent CD in 2007. However, like the A-side, “First Date” makes its first ever appearance on a much anticipated 7-inch single.


    First Date
    (Happiness Will Cost You) One Thin Dime

    Joe Tex / Little Willie John

    Pneumonia / Fever

      Joe Tex, born Joseph Arrington Jr, needs no introduction to the rare soul fan having enjoyed dance floor action over the entire history of the scene – who could forget the enormity of “Show Me” at Wigan Casino and the ever-popular “Under Your Powerful Love”. So, it is ironic that he would have to wait almost fifty years for one of his earliest recordings, “Pneumonia”, to be finally appreciated! It is of course an answer-song to “Fever” which was recorded earlier in the same year, 1956, by Little Willie John earning him a Gold Disc for a million-seller and a #1 on the R&B Chart. Peggy Lee would go on to popularise the song world-wide with her hit cover in 1958.


      1. Pneumonia
      2. Fever

      Stanley Mitchell

      Get It Baby / Quit Twistin' My Arm

      Stanley Mitchell was born in Detroit in 1935 and performed with a number of local bands in the mid to late fifties cutting wax for Chess and Gone records. But it is thanks to Richard “Popcorn” Wylie that his presence was ever felt on these shores when, in 1973, his atmospheric “Get It Baby” was championed in the early days of Wigan Casino by DJ Richard Searling. The song was originally relegated to the B-side of the altogether more catchy “Quit Twistin’ My Arm’, arguably the more popular side today. In the late seventies another track emerged from Detroit, “Down In The Dumps” by Tony Hester, which shared the same backing track as “Get It Baby” which further cemented the record in the annals of Northern Soul history.


      1. Quit Twistin' My Arm
      2. Get It Baby

      Charles Sheffield / Prince Conley

      It’s Your Voodoo Working / I’m Going Home

      Charles Sheffield was born in the appropriately named town of ‘Lake Charles’ in Louisiana and is best known for his regional hit “It’s Your Voodoo Working” released on Excello records in 1961. Little could he have known that some fifty years later his modest release would change hands for over £1,000 and attract over 350,000 views on YouTube!!! Prince Conley was a little known Memphis blues singer who exploded onto the U.K. rare soul scene with his R&B dancer “I’m Going Home” released on the fledgling Satellite imprint in 1961. The label would adopt the more familiar and now legendary Stax logo soon after its release. Of no significance at the time, the recording features a young Steve Cropper on his first session for Stax.


      1. It’s Your Voodoo Working
      2. I’m Going Home

      Tiny Topsy / Jo Ann Henderson

      Just A Little Bit / Baby Please Don't Go

      Tiny Topsy was a big-voiced Chicago Blues singer born Otha Lee Moore in 1930. She signed to Federal records in 1957 and released 5 singles, the last and finest being our top choice “Just A Little Bit”. Roscoe Gordon would take the song to #2 on the R&B Chart in 1960. Jo Ann Henderson was also based in Chicago, but leant more to Jazz than the aforementioned Blues style. Little is known about her apart from her lone 45 for Paul Geallis’ short-lived Phonograph imprint featuring the mid-tempo jazzy “Just Leave Me Alone” and the thumping “Baby Please Don’t Go” which went on to become a U.K. hit for the group ‘Them’ in 1964.


      1. Just A Little Bit
      2. Baby Please Don't Go

      Candy & The Kisses / Val Simpson

      Are You Trying To Get Rid Of Me Baby / Mr. Creator

        Candy & The Kisses burst onto the Northern Soul scene with "The 81". This storming dancer was unreleased until released on a CD compilation, making this a first time 7" vinyl release. The B side is by Val Simpson, one half of Valerie & Simpson


        Side 1: Are You Trying To Get Rid Of Me Baby - Candy & The Kisses
        Side 2: Mr. Creator - Val Simpson

        Various Artists

        OH YEAH! The Original Sound Of Rhythm & Soul

          You could be forgiven for thinking that this compilation draws its name from Don Randi’s rare popcorn-oddity “Oh Yeah!” (side 1, track 8). But in fact, it is inspired by the opening lines of Bobby Mitchell’s legendary New Orleans R&B dancer (side 1, track 1)…

          “Oh Yeah! Oh Yeah! Yeah, I done got over it.”

          Mitchell’s epic fire starter was recorded in 1960 for Sho-Biz Records and has waited almost 60 years to be fully recognized as a truly awesome slice of R&B propelled along by Dr John’s piano and Hungry Williams’ rhythm section with a price tag in access of $500!

          The set continues with Chuck Scratch Nolen’s signature guitar on his Federal rarity “The Way You Do” and the compelling R&B roller “Pack Your Clothes” by Hamp Jones. Dorothy Berry & Jimmy Norman raise the pace with HB Barnum’s production on his own Little Star label while Carol Fran terrifies everyone with her raucous R&B thumper “Knock Knock”. BK Anderson, Frank Minion and Don Randi round off side 1 with three storming popcorn favourites.

          Side 2 is equally uplifting and kicks off with the insanley rare “Honey Bee” by Bethlehem recording artist Lenny Johnson. Look out too for Larry Bene’s in demander “Come Back” and Tony Allan’s harmony rarity “Little Lonely Girl” recorded for Art Laboe’s Original Sound label.

          Oh Yeah Indeed!…

          Various Artists

          OKeh 'The R&B Years 1953-62'

            The legendary Okeh Records needs little introduction to soul music fans around the world. It has been relentlessly plundered and treasured for its slue of Northern Soul classics produced by A&R manager Carl Davis and his songwriter Curtis Mayfield during the “soul years” 1963-70.

            However, the imprint was originally launched 100 years ago in 1918 by Otto K. E. Heinemann who had already established a recording studio and pressing plant in New York City. The label name was derived from Heinemann’s initials O.K.E.H. From the very early years, Okeh issued records for minority audiences, such as its foreign language music, field recordings and Dixieland jazz. But perhaps the most significant recording was “That Thing Called Love” by Mamie Smith in 1920, the first ever by a black blues singer. The success of Mamie Smith led to Okeh’s 8000 series which ran until 1932.

            In 1953, Okeh became an exclusive R&B label and it is the ensuing decade of recordings that form the focus of our collection, from Titus Turner’s raucous “Big Mary” in ’53 to Gerald Sims’ laid back “Cool Breeze” in ’62.

            The Soul of the Big City…

            Various Artists

            Club Americana: All-Night Dancing At The Mapleton

              THE MAPLETON HOTEL (now the Thistle Piccadilly), In the heart of London’s West End, was the original home of the legendary Flamingo Club (OSVLP014). However, it is a little known fact that there was a second club, cloistered in the basement of the Mapleton, the ‘Americana’. The club was run by the Gunnell brothers, Rik and Johnny, who would go on to manage the Flamingo when it moved to Wardour Street and the Bag O’Nails, in Soho, where Jimi Hendrix first played in 1966 and where Paul McCartney met his future wife Linda Eastman.

              The Americana was named to cash-in on the obsession at the time for all things American – food, drink, fashion, film, music – and attracted a large contingent of G.I.’s, still stationed in the home counties after the war. The club opened in 1955 and hosted All-Night sessions for two years. A ‘ten bob’ note gave you passage to a secret, subterranean world filled with exotic sounds and cultures and a 3 course meal of tomato soup, chicken & chips and ice cream. You got to dance all-night long to live acts playing a fusion of R&B, blues, jazz, calypso and ska which, in the mid-fifties, was the hottest sound in the world and heralded the Mod generation.

              Soul Brothers Six / Willie Tee

              I'll Be Loving You / Walkin' Up A One Way Street

              The Soul Brothers Six hailed from Rochester, New York and have played a part on the Northern Soul scene for over 50 years. Their first recording, for Lyndell Records in 1966, is now a 3-figure rarity, but it is their debut disc for Atlantic, “I’ll Be Loving You”, that first graced the decks at the Twisted Wheel, The Pendulum et al and has become a perennial Northern Soul favourite. At the time of release it was the B-side to “Some kind Of Wonderful” which took the disc to No.91 on the R&B charts. Willie Tee has also been a familiar figure on the rare soul scene since the early Mod clubs with his archetypal New Orleans mid tempo soul sound. His early recordings on Gatur rank as some of the most collectable 45s to emanate from the Crescent City. Here we feature his club classic from 1964, the anthemic “Walkin’ Up A One Way Street”.

              TRACK LISTING

              1. I'll Be Loving You
              2. Walkin' Up A One Way Street

              Little Richard

              Poor Dog / A Little Bit Of Something

              Little Richard needs “little” introduction the UK soul fan having enjoyed a string of Northern Soul collectables on Vee-Jay, Kent, Modern, Brunswick and, of course, Okeh. These two swinging Northern Soul classics are filled with all the nostalgia and groove to transport anyone back to the dancefloor. Both “Poor Dog” and “A Little Bit Of Something” have cult status having originally been spun on the embryonic Northern/Mod scene at the legendary Twisted Wheel club in Manchester. Wigan Casino DJ Dave Evison revived “Poor Dog” as a Mr M’s Oldie before taking it downstairs to the main ballroom where it cemented its ‘Hall Of Fame’ legacy.

              TRACK LISTING

              1. Poor Dog (Who Can't Wag His Tale)
              2. A Little Bit Of Something

              This unique set brings together a treasure trove of R&B rarities enshrined by the $3,000 “Lookin’ For My Baby”, recorded by The Nightriders in 1959 for Juggy Murray’s Sue imprint. Murray had co-founded Sue Records two years earlier with fellow New Yorker Bobby Robinson whose Fire label provides us with the equally compelling “Keep A’Calling” by Paul Perryman (side 1, track 1), a snip at only $300! The set bursts into life with Vernon Harrell’s hot dance ticket “Slick Chick”, currently commanding a cool $400 on its original Lescay label. Northern Soul fans will be interested to know that Harrell co-wrote “Seven Days Too Long” with J R Bailey (aka Chuck Wood) and “Sweet Sweet Lovin’” for The Platters. Mike Robinson (“Lula”) also has a tenuous Northern Soul connection, he was originally in Bobby Thomas’ Vibranaires before joining the Orioles alongside the legendary Sonny Til. BOTH Earl King’s make the playlist: Earl “Connelly” with his hard “Every Whicha Kinda Way” and the New Orleans native Earl King with “Darling Honey Angel Child”, an early prototype of the standard “Come On”. Look out too for rare soul sweetheart Baby Washington, “Medicine Man”. A Collection to Treasure…
              Over $6,000 worth of original vinyl now available - for the first time - on one collectable Long Play vinyl album

              TRACK LISTING

              1. Vernon Harrell - Slick Chick
              2. Earl (Connelly) King - Every Whicha Kinda Way
              3. Little Marie Allen - Humdinger
              4. Teddy (Mr Bear) Mcrae - Hi' Fi' Baby
              5. The Nightriders - Lookin' For My Baby
              6. Little Luther - Steppin' High
              7. Earl King - Darling Honey Angel Child
              8. Lillian Vines And The Dynamics - I Dreamed About My Baby Last Night
              9. Paul Perryman - Keep A'calling
              10. Mike Robinson - Lula
              11. Harold Jackson And The Jackson Brothers - Freedom Riders
              12. The Drivers - Mr Astronaut
              13. Gloria Irving - I Need A Man
              14. Rudy Lambert - Jamboree
              15. Jeanette B. Washington - Medicine Man
              16. Rose Mitchell - Baby Please Don't Go

              Porgy And The Monarchs

              Hey Girl / My Heart Cries For You

              PORGY WILLIAMS and his Monarchs recorded a handful of singles in the mid-sixties on almost as many labels. They made their debut in ’63 on Mala Records before moving to Musicor where they scored two singles: “That Girl” / “If It’s For Real Baby” and “My Heart Cries For You” / “Think Twice Before You Walk Away”. Produced by Teddy Randazzo, all four sides are excellent but incredibly didn’t see any chart action at the time. Fortunately all was not lost and, almost a decade later, “My Heart Cries For You” became a much cherished dance floor anthem in the U.K. Our topside “Hey Girl” was recorded in New York for Musicor but was not released until 1975 when, quite by accident, it was wrongly pressed as the B-side to a reissue of “My Heart”. Musicor, realising the error, withdraw the disc… UNTIL NOW!!!

              TRACK LISTING

              1. Hey Girl
              2. My Heart Cries For You 

              Billy Thompson / Clarence Reid

              Black Eyed Girl / I'm Your Yes Man

              BILLY THOMPSON’s solo outing “Black Eyed Girl” was pressed twice in 1965, on the local Boston label Columbus and for national distribution on Wand. Despite the quality of the song, written by Barry Richards and “Boston’s No.1 Soul Man” Herschel Dwellingham, it came to nothing, leaving once again the U.K. soul scene to come to the rescue.

              By contrast CLARENCE REID recorded a slue of 45s from 1963 to ’76 including our mega rarity “I’m Your Yes Man”, produced by Buddy Killen.

              • All time Northern Soul Classic - Two fabulous sides

              • Over £1,000 of original vinyl 

              TRACK LISTING

              1. Black-Eyes Girl
              2. I'm Your Yes Man 

              Little Arthur Mathews / Willie Wright

              I'm Gonna Whale On You / I'm Gonna Leave You Baby, And I’m Goin’ Away To Stay

              Who needs the summer when the next three Outta Sight R&B collectables are as hot as these?

              The Northern end of R&B continues to pack the dancefloors across Europe and it is showcased - at its best - in these in-demand cuts. Six top tunes that would set you back a month’s wages if you’re lucky! All hard to find on their respective original labels which, incredibly, date from as early as 1952.

              On side A Little Arthur Mathews hooks up with the Johnny Otis Band for the horn honking skiffle-like cut "’m Gonna Whale On You". On the flip Willie Wright belts it out on rhythm & blues roller "I’m Gonna Leave You Baby, And I’m Goin’ Away To Stay".

              TRACK LISTING

              1. I’m Gonna Whale On You - Little Arthur Mathews With The Johnny Otis Band
              2. I’m Gonna Leave You Baby, And I’m Goin’ Away To Stay - Willie Wright

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