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David Axelrod

Song Of Innocence

    This is the first Now-Again issue in a series of reissues centered around Axelrod’s Capitol Trilogy – Song of Innocence, Songs of Experience and Earth Rot – which will see release through 2018. “With Song of Innocence…Axelrod unleashed his remarkable imagination, one that would forever shape his reputation as one of the decade's most eclectic and creative producer-composers.” – SPIN // Audiophile reissue, transferred directly from Axelrod’s original EQ’ed master tapes at Capitol Records by Ron McMaster. Axelrod’s debut, and a ‘60s masterpiece.

    Celebrated as psychedelic, the birth of jazz-fusion, the harbinger of hip-hop, Song of Innocence is a hybrid that no one, not even Axelrod himself, could describe. Grounded by Wrecking Crew vets Earl Palmer and Carol Kaye’s funk, torn between the juxtaposition of musical elements, put at ease, Axelrod’s sweeping arrangements, which utilize brass and strings in a way that no one of his era did. It’s both violent and sublime. LP/CD Contains 28 page booklet that delves into Axelrod’s incredible life and music, replete with never before published photos and an interview with Axelrod by Eothen Alapatt and Wax Poetics’ Brian Digenti. 

    David Axelrod

    Song Of Innocence - RSD18 Edition

      THIS IS A RECORD STORE DAY 2018 EXCLUSIVE, LIMITED TO ONE PER PERSON.

      David Axelrod delivered one of the great psychedelic albums with 1968’s Song of Innocence, based around the poetry of William Blake. It is considered by many his masterpiece. Song of Innocence is this weird hybrid that no one, not even Axelrod himself, could ever really describe. The listener is pulled in by his melodies, simplistic at first blush, but colored by odd chord progressions and turn arounds, grounded by the drummer Earl Palmer and Carol Kaye’s funk, torn between the juxtaposition of musical elements – a jazz vibraphone solo here, a fuzz guitar tear here, a nod to the baroque in Don Randi’s clavichord comps – and put at ease, always, by Axe’s arrangements, which utilize brass and strings in a way that no 1960s arranger did. It’s worth noting that there are really count-on-your-hand examples of anything that might even be compared to Song of Innocence. Perhaps Arthur Verocai’s self-titled and only artist album, issued on the Brasilian Continental label in 1972, or the collaborations between Serge Gainsbourg and Jean Claude Vannier, which found their epitome in 1971’s Histoire de Melody Nelson. But even these albums, superb, in any thinking music fan’s canon of the best from this era, perhaps in their lives - and perhaps in line with Song of Innocence - are one-offs. Axelrod’s Song of Innocence set in path a series of artist albums on Capitol and other labels and influenced the world countless times over, from The Verve to DJ Shadow to Madlib to J.Dilla. Remastered from the original tapes in a new transfer, with extensive liner notes and unpublished photos. 



      Hunger

      Strictly From Hunger

        The latest release in Now-Again’s Reserve Series is Hunger – Strictly From Hunger: the band’s preferred version of the album, unedited, fuzz-guitar heavy late 60s psych-rock, restored and remastered from a rare test press. The CD is presented as a triple disc issue – packed with bonus material and a 31 page booklet filled with rare photos and liner notes by Clark Faville, Eothen Alapatt & Jim Cherry. Hunger arrived in L.A. from Portland in late 1967 as the Outcasts, a teenage cover band, but within a six months they had signed with a connected manager, played all over Los Angeles, embraced psychedelia and signed on to record an album of original music for the label their manager founded for them: Public! Records.

        They showed tremendous promise – and their producers invested heavily into a band that was going to be the next marquee act at the Whiskey A Go-Go, bringing in members of Strawberry Alarm Clock, including future Lynyrd Skynyrd star Ed King, to produce an album. But Hunger broke up before their album’s release and their entry in rock’s canon was shadowed for years. This is the definitive Reserve Edition reissue of a late ‘60s psych–rock classic, overseen by Hunger’s band members John Morton, Steve Hansen and Mike Lane: the band’s preferred, unedited, fuzz-guitar heavy version of the album, restored and remastered from a rare test press. This is the first time that band’s vision for the album has been issued in full on vinyl. Contains an extensive booklet by Jim Cherry, Eothen Alapatt and Clark Faville that corrects many factual inaccuracies told over the record’s celebrated past three decades as one of rock’s holy grails. The booklet is filled with never-published photos from lead guitarist John Morton’s archive. Here’s an example of what’s in store – the full version of “Open Your Eyes” featuring Ed King’s lead guitar lines – all but absent on the Public! Records issue – and nearly double the length of the issued version!

        FORMAT INFORMATION

        LP includes MP3 Download Code.

        Revolutionary, spiritual jazz from the unlikely city of Houston, Texas, reissued for the first time. Drummer, bandleader and activist Bubbha Thomas had toured America with R&B revues, served as a session musician for Peacock and Back Beat Records, and played straight ahead jazz with legends before the political and social upheaval of the late 1960s led him to a path first charted by Coltrane. "Free As You Wanna Be" predates the deep-set, maverick jazz issued by the likes of Tribe and Strata East and is a harbinger of best of the 1970s jazz underground, a collective voice of resistance to the musical and cultural status quo. This is the first time that "Free As You Wanna Be" has seen reissue, and it is presented in both the issued stereo and previously unissued mono mixes as a double LP. Bubbha and his band’s story is told in great detail by Houston music and cultural historian Lance Scott Walker (Houston Rap / Houston Rap Tapes) and Now-Again’s Eothen Alapatt, in a booklet that contains dozens of unpublished photographs.

        Oh No

        Oh No Vs. Now-Again Vol. 3

          Now-Again presents its third Oh No library offering: heavy hip hop based on samples from the Now-Again Catalog. Oh No’s debut album for Now-Again was also the first in our music library series - and was one of our most successful exercises in creating modern “library music” for easy synchronization. For this, his third entry, Oh No combs through the vast array of Now-Again’s catalog – from American soul, funk and jazz to Zambian hard rock to Australian prog to Swedish psych - create a series of beats that range in mood and style and all contain Oh No’s trademark swagger. Fans of the variety of projects that Oh No is a part – from his Gangrene project with Alchemist to his production for the likes of Jedi Mind Tricks, Action Bronson and Talib Kweli - will be pleased with the variety of beats contained within. This limited edition is CD is packaged in a “mini-LP” gatefold and is available in limited quantities. Once they’re gone, they’re gone

          World's Experience Orchestra

          As Time Flows On

          World’s Experience Orchestra’s As Time Flows On has not been available as a stand-alone vinyl release since first being issued as a private pressing out of Boston in 1980. And those pressings where in small runs – set in motion by a visionary, bassist/composer/arranger John Jamyll Jones. Jones is a magical type, who communicates with his instrument, his ensembles, and jazz’s ancient lineage in a manner so profound that his late-‘70s album are out of time with jazz’s trajectory, but timeless when presented today.

          By the late ’90s the music of World’s Experience Orchestra was circulating throughout the collections of esoteric jazz fans, the likes of Gerald “Jazzman” Short and Gilles Peterson, who played WEO for those, the Coltrane-enthralled searching for something new, something different. Something spiritual and honest. As interest in spiritual jazz and WEO grew, Now-Again set about an ambitious plan to reissue Jones’ landmark works. “I knew it was going to happen, but I didn’t know when,” says Jones of the road to seeing his music re-issued. “It’s 35 years or more now, and I’ve been waiting for this, and I’m quite sure I’m not the only one.


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