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FABER & FABER

Cover of All Gates Open - The Story Of Can by Rob Young & Irmin Schmidt.

Rob Young & Irmin Schmidt

All Gates Open - The Story Of Can

Faber & Faber

    All Gates Open presents the definitive story of arguably the most influential and revered avant-garde band of the late twentieth century: CAN. It consists of two books.

    In Book One, Rob Young gives us the full biography of a band that emerged at the vanguard of what would come to be called the Krautrock scene in late sixties Cologne. With Irmin Schmidt and Holger Czukay - two classically trained students of Stockhausen - at the heart of the band, CAN's studio and live performances burned an incendiary trail through the decade that followed: and left a legacy that is still reverberating today in hip hop, post rock, ambient, and countless other genres. Rob Young's account draws on unique interviews with all founding members of CAN, as well as their vocalists, friends and music industry associates. And he revisits the music, which is still deliriously innovative and unclassifiable more than four decades on. All Gates Open is a portrait of a group who worked with visionary intensity and belief, outside the system and inside their own inner space.

    Book Two, Can Kiosk, has been assembled by Irmin Schmidt, founding member and guiding spirit of the band, as a 'collage - a technique long associated with CAN's approach to recording. There is an oral history of the band drawing on interviews that Irmin made with musicians who see CAN as an influence - such as Bobby Gillespie, Geoff Barrow, Daniel Miller, and many others. There are also interviews with artists and filmmakers like Wim Wenders and John Malkovitch, where Schmidt reflects on more personal matters and his work with film. Extracts of Schmidt's notebook and diaries from 2013-14 are also reproduced as a reflection on the creative process, and the memories, dreams, and epiphanies it entails. Can Kiosk offers further perspectives on a band that have inspired several generations of musicians and filmmakers in the voices of the artists themselves.

    CAN were unique, and their legacy is articulated in two books in this volume with the depth, rigour, originality, and intensity associated with the band itself. It is illustrated throughout with previously unseen art, photographs, and ephemera from the band's archive.

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    Cover of Meet Me In The Bathroom by Lizzy Goodman.

    Lizzy Goodman

    Meet Me In The Bathroom

    Faber & Faber

      New York, 2001. 9/11 plunges the US into a state of war and political volatility—and heralds the rebirth of the city’s rock scene. As the old-guard music industry crumbles, a group of iconoclastic bands suddenly become the voice of a generation desperately in need of an anthem.

      In this fascinating and vibrant oral history, acclaimed journalist Lizzy Goodman charts New York’s explosive musical transformation in the early 2000s. Drawing on over 200 original interviews, Goodman follows the meteoric rise of the artists that revolutionised the cultural landscape and made Brooklyn the hipster capital of cool—including The Strokes, The Yeah Yeah Yeahs, LCD Soundsystem, Interpol, and Vampire Weekend.

      Joining the ranks of classics like Please Kill Me, Our Band Could Be Your Life, and Can’t Stop Won’t Stop, Meet Me in the Bathroom is the definitive account of an iconic era in rock-and-roll.

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      Cover of To Throw Away Unopened by Viv Albertine.

      Viv Albertine

      To Throw Away Unopened

      Faber & Faber

        What was I fighting for? Even now I’m not sure. Something so old and so deep, it has no words, no shape, no logic.

        Every memoir is a battle between reality and invention - but in her follow up to Clothes, Music, Boys, Viv Albertine has reinvented the genre with her unflinching honesty.

        To Throw Away Unopened is a fearless dissection of one woman's obsession with the truth - the truth about family, power, and her identity as a rebel and outsider. It is a gaping wound of a book, both an exercise in blood-letting and psychological archaeology, excavating what lies beneath: the fear, the loneliness, the anger. It is a brutal expose of human dysfunctionality, the impossibility of true intimacy, and the damage wrought upon us by secrets and revelations, siblings and parents.

        Yet it is also a testament to how we can rebuild ourselves and come to face the world again. It is a portrait of the love stories that constitute a life, often bringing as much pain as joy. With the inimitable blend of humour, vulnerability, and intelligence that makes Viv Albertine one of our finest authors working today, To Throw Away Unopened smashes through layers of propriety and leads us into a new place of savage self-discovery.

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        Cover of Manchester: Looking For The Light Through The Pouring Rain by Kevin Cummins.

        Kevin Cummins

        Manchester: Looking For The Light Through The Pouring Rain

        Faber & Faber

          Manchester, its bands, its fashions, its attitude, has defined pop culture for the best part of four decades. Joy Division, The Fall, Buzzcocks, New Order, The Smiths, Happy Mondays, Stone Roses, Oasis. These were the bands that shaped two generations of teenagers and changed the course of pop music.

          Manchester: Looking for the Light through the Pouring Rain is a portrait of these individuals, the city, and their times. Whether it be on a rain-soaked stage in Brazil, a rented room in Whalley Range, or on the dancefloor of the legendary Hacienda, Kevin Cummins' exquisite photographs capture the anarchic energy of the Manchester pop moment. This stunning visual record of the city and its pop history is complemented by four textual contributions from Paul Morley, Stuart Maconie, Gavin Martin and John Harris. What is it about that city that makes it the Memphis of the UK? Cummins' photographic record of the past 30 years captures the highs, the lows and the transcendent pop moments of Manchester's most famous sons.

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          Cover of The Rise, The Fall, And The Rise by Brix Smith Start.

          Brix Smith Start

          The Rise, The Fall, And The Rise

          Faber & Faber

            The Rise, The Fall, and The Rise is the extraordinary story, in her own words, of Brix Smith Start.

            Best known for her work in The Fall at the time when they were perhaps the most powerful and influential anti-authoritarian postpunk band in the world – This Nation's Saving Grace, The Wonderful and Frightening World Of ... – Brix spent ten years in the band before a violent disintegration led to her exit and the end of her marriage with Mark E. Smith.

            But Brix's story is much more than rock 'n' roll highs and lows in one of the most radically dysfunctional bands around. Growing up in the Hollywood Hills in the '60s in a dilapidated pink mansion her life has taken her from luxury to destitution, from the cover of the NME to waitressing in California, via the industrial wasteland of Manchester in the 1980s.

            What emerges is a story of constant reinvention, jubilant highs and depressive ebbs; a singular journey of a teenage American girl on a collision course with English radicalism on her way to mid-life success on TV and in fashion.

            Too bizarre, extreme and unlikely to exist in the pages of fiction, The Rise, The Fall, and The Rise could only exist in the pages of a memoir.

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            Cover of Copendium by Julian Cope.

            Julian Cope

            Copendium

            Faber & Faber

              Eschewing the usual criteria of chart success or acknowledged influence, the Copendium - a collection of album reviews and themed track samplers - takes energy, originality and heaviness as its bearings. The result is a feast of obscure and neglected masterworks that together form a surprising but entirely credible new tradition. Krautrock, motorik and post-punk, stoner and doom metal, occasionally even jazz, spoken word and hair metal: they are all represented in a wholly persuasive sequence.

              Cope is the perfect guide to this novel terrain: impeccably informed, passionate, insightful and deeply funny. The Copendium is his re-imagining of a useful canon of popular music, and it is set to become required reading.

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              Cover of Good Vibrations by Mike Love.

              Mike Love

              Good Vibrations

              Faber & Faber

                Mike Love is a founding member, lyricist and vocalist of The Beach Boys, considered to be the most popular American band in history, with 13 Gold Albums, 55 top-100 singles, and four #1 hits. Love has been the lead singer of the group one of its principal lyricists since its inception in 1961.

                In Good Vibrations, Mike Love tells the unique story of his legendary, chaotic, and ultimately triumphant five-decade tenure as the front man of The Beach Boys, from their Californian roots to international fame.

                Mike Love's credits include such pop classics as "Good Vibrations," "California Girls," "I Get Around," "Fun Fun Fun," and "Kokomo."

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                Cover of Shock And Awe by Simon Reynolds.

                Simon Reynolds

                Shock And Awe

                Faber & Faber

                  As the sixties dream faded, a new flamboyant movement electrified the world: GLAM! In Shock and Awe, Simon Reynolds explores this most decadent of genres on both sides of the Atlantic. Bolan, Bowie, Suzi Quatro, Alice Cooper, New York Dolls, Slade, Roxy Music, Iggy, Lou Reed, Be Bop Deluxe, David Essex -- all are represented here. Reynolds charts the retro future sounds, outrageous styles and gender-fluid sexual politics that came to define the first half of the seventies and brings it right up to date with a final chapter on glam in hip hop, Lady Gaga, and the aftershocks of David Bowie's death.

                  Shock and Awe is a defining work and another classic in the Faber Social rock n roll canon to stand alongside Rip it Up, Electric Eden and Yeah Yeah Yeah.

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                  Cover of Playing The Bass With Three Left Hands by Will Carruthers.

                  Will Carruthers

                  Playing The Bass With Three Left Hands

                  Faber & Faber

                    I can confirm that should you ever find yourself on stage playing the bass guitar with three left hands, it is usually the one in the middle that is the real one. The other two are probably phantoms.

                    Playing the Bass with Three Left Hands tells the story of one of the most influential, revered and ultimately demented British bands of the 1980s, Spacemen 3. In classic rock 'n' roll style they split up on the brink of their major breakthrough.

                    As the decade turned sour and acid house hit the news, Rugby's finest imploded spectacularly, with Jason Pierce (aka Jason Spaceman) and Pete Kember (aka Sonic Boom) going their separate ways. Here, Will Carruthers tells the whole sorry story and the segue into Spirtualized in one of the funniest and most memorable memoirs committed to the page.

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                    Cover of England's Dreaming: Sex Pistols & Punk Rock by Jon Savage.

                    Jon Savage

                    England's Dreaming: Sex Pistols & Punk Rock

                    Faber & Faber

                      Jon Savage's Ralph Gleason Award-winning England's Dreaming is the ultimate book on punk, its progenitors, the Sex Pistols, and their time: the late 1970s. Full of anedcote, insight, and exclusive interviews, it tells the sensational story of the meteoric rise and rapid decline of the last great rock'n'roll band and the cultural moment they came to define. The critical reputation of England's Dreaming has grown over the past decade and a half, and now it joins the Faber Modern Classics list. This updated edition includes a brand new foreword by Johnny Marr, an account of the Sex Pistols 1996 reunion, and a comprehensively updated discography.

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                      Cover of Future Days by David Stubbs.

                      David Stubbs

                      Future Days

                      Faber & Faber

                        West Germany after the Second World War was a country in shock: estranged from its recent history, and adrift from the rest of Europe. But this orphaned landscape proved fertile ground for a generation of musicians who, from the 1960s onwards, would develop the experimental and various sounds that became known as Krautrock.

                        Eschewing the Anglo-American jazz/blues tradition, they took their inspiration from elsewhere: the mysticism of the East; the fractured classicism of Stockhausen; the pneumatic repetition of industry, and the dense forests of the Rhineland; the endless winding of Autobahns.

                        Faust, Neu!, Cluster, Ash Ra Tempel, Amon Düül II, Can, Kraftwerk ­- the influence of these groups' ruminative, expansive compositions upon Western popular music is incalculable. They were key to the development of movements ranging from postpunk to electronica and ambient, and have directly inspired artists as diverse as David Bowie, Talking Heads and Primal Scream.

                        Future Days is an in-depth study of this meditative, sometimes abstract, often very beautiful music and the groups that made it, throwing light too on the social and political context that informed them. It's an indispensable book for those wanting to understand how much of today's music came about, and to discover a wealth of highly influential and pioneering artists.

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                        Cover of Original Rockers by Richard King.

                        Richard King

                        Original Rockers

                        Faber & Faber

                          Richard King's account of the several years he spent working in a Bristol independent record shop in the early 90s is destined to become a classic of music writing. We live in an age when the most beautiful of recording formats, vinyl, is back in vogue and thriving. In the early 90s, with the march of the CD and record company disinterest in the format, vinyl was looking like an anachronism. And with its demise came the gradual erosion of a once beautiful and unique landscape known as the independent record shop.

                          Richard King, author of How Soon is Now, blends memoir and elegiac music writing on the likes of Captain Beefheart, CAN and Julian Cope, to create a book that recalls the debauched glory days of the independent record shop. Chaotic, amateurish and extravagantly dysfunctional, this is a book full of rare personalities and rum stories. It is a book about landscape, place and the personal; the first piece of writing to treat the environment of the record shop as a natural resource with its own peculiar rhythms and anecdotal histories.

                          FORMAT INFORMATION

                          Hardback Book Info: Hardback edition with outer dust jacket. 256 pages, 16.1 x 2.2 x 21 cm.

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                          Cover of So This Is Permanence: Joy Division Lyrics And Notebooks (Hardback Edition) by Ian Curtis.

                          Ian Curtis

                          So This Is Permanence: Joy Division Lyrics And Notebooks (Hardback Edition)

                          Faber & Faber

                            So this is permanence, edited by Jon Savage with a foreword by Deborah Curtis, presents the intensely personal writings of one of the most enigmatic and influential songwriters and performers of the late twentieth century, Joy Division's Ian Curtis.

                            The songs of Joy Division, infused with the energy of punk but steeped in a resigned longing, were born of Manchester in the late seventies - a once flourishing industrial city in decline. They were the songs too of Ian Curtis's inner tragedies, as he battled depression, epilepsy and debilitating stage fright. Ian Curtis committed suicide in 1980, on the eve of the band's first American tour.

                            Interspersed with the lyrics are previously unpublished facsimile pages of Ian's notebooks, which throw his highly emotive lyrics into fascinating relief and cast light on the creative process of this singularly poetic songwriter.

                            FORMAT INFORMATION

                            Hardback Book Info: Deluxe cloth-bound hardback edition. 304 pages, 21 x 3 x 28.8 cm.

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                            Cover of Good Night And Good Riddance: How Thirty-Five Years Of John Peel Helped To Shape Modern Life by David Cavanagh.

                            David Cavanagh

                            Good Night And Good Riddance: How Thirty-Five Years Of John Peel Helped To Shape Modern Life

                            Faber & Faber

                              Goodnight and Good Riddance: How Thirty-Five Years of John Peel Helped to Shape Modern Britain is a social history, a diary of a nation's changing culture, and an in-depth appraisal of one of our greatest broadcasters, a man who can legitimately be called the most influential figure in post-war British popular music.

                              Without the support of John Peel, it's unlikely that innumerable artists - from David Bowie to Dizzee Rascal, Jethro Tull to Joy Division - would have received national radio exposure. But Peel's influence goes much deeper than this. Whether he was championing punk, reggae, jungle or grime, he had a unique relationship with his audience that was part taste-maker, part trusted friend.

                              The book focuses on some 300 shows between 1967 and 2004, giving a thorough overview of Peel's broadcasting career and placing it in its cultural and social contexts. Peel comes alive for the reader, as do the key developments that kept him at the cutting edge - the changes in his tastes; the changes in his thinking. Just like a Peel show, Goodnight and Good Riddance is warm, informative and insightful, and wears its enthusiasm proudly.

                              FORMAT INFORMATION

                              Hardback Book Info: Paperback edition. 640 pages, 15.2 x 4.4 x 23.5 cm.

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                              Cover of Girl In A Band by Kim Gordon.

                              Kim Gordon

                              Girl In A Band

                              Faber & Faber

                                There are few artists who inspire such reverence as Kim Gordon. In Girl in a Band she tells with complete openness the story of her family, her work in the visual arts, her move to New York City, the men in her life, her marriage, her relationship with her daughter, her music and her band. It is a rich and beautifully written memoir, taking us back to the lost New York of the 1980s and '90s that gave birth to and nurtured Sonic Youth and the alternative revolution in popular music they spearheaded. But at its core, Girl in a Band is an examination of what partnership means - and what happens when it dissolves.

                                Evocative and edgy, filled with the sights and sounds of a changing world and a remarkable life, Girl in a Band is the moving chronicle of an extraordinary artist.

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                                Cover of 1966: The Year The Decade Exploded by Jon Savage.

                                Jon Savage

                                1966: The Year The Decade Exploded

                                Faber & Faber

                                  The pop world accelerated and broke through the sound barrier in 1966. In America, in London, in Amsterdam, in Paris, revolutionary ideas slow-cooking since the late '50s reached boiling point. In the worlds of pop, pop art, fashion and radical politics -- often fueled by perception-enhancing substances and literature -- the 'Sixties', as we have come to know them, hit their Modernist peak. A unique chemistry of ideas, substances, freedom of expression and dialogue across pop cultural continents created a landscape of immense and eventually shattering creativity. After 1966 nothing in the pop world would ever be the same. The 7 inch single outsold the long-player for the final time. It was the year in which the ever lasting and transient pop moment would burst forth in its most articulate, instinctive and radical way.

                                  Jon Savage's 1966 is a monument to the year that shaped the pop future of the balance of the century. Exploring canonical artists like The Beatles, The Byrds, Velvet Underground, The Who and The Kinks, 1966 also goes much deeper into the social and cultural heart of the decade through unique archival primary sources.

                                  FORMAT INFORMATION

                                  Hardback Book Info: Hardback, 672 pages, 15.2 x 5.1 x 23.5 cm.

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                                  Cover of Tim Book Two by Tim Burgess.

                                  Tim Burgess

                                  Tim Book Two

                                  Faber & Faber

                                    In 2012, Tim Burgess of the Charlatans published his hugely successful and critically acclaimed memoir, Telling Stories. Tim really enjoyed his new role as an author, and so here it is: Tim Book Two - a tale of Tim's lifelong passion for records, the shops that sell them, and the people who make them.

                                    In some ways, the biggest events in Tim's life happened in the couple of years after he had finished writing his first book rather than in the forty years before. So he had more to say, but instead of another autobiography he chose a different way of telling the story. Tim set himself a quest. He would get in touch with people he admired, and ask them to suggest an album for him to track down on his travels, giving an insight into what makes them tick. It would also offer a chance to see how record shops were faring in the digital age - one in which vinyl was still a much-treasured format.

                                    Tim assembled his cast of characters, from Iggy Pop to Johnny Marr, David Lynch to Cosey Fanni Tutti. Texts, phone calls, emails and handwritten notes went out. Here is the tender, funny and surprising story of what came back.

                                    Tim Burgess is a singer-songwriter and record label owner, best known as the lead singer of one of the defining bands of the 1990s, The Charlatans.

                                    Tim was born in Salford but grew up in a village near Northwich, Cheshire. Leaving school at 16 to work at ICI, his real love was music and soon afterwards he was invited to join new band, The Charlatans. They went on to have 3 number 1 albums and 17 top 30 singles. For 12 years, Burgess lived in Los Angeles but now lives back in the UK. 

                                    FORMAT INFORMATION

                                    Paperback Book Info: 272 pages. 13.8 x 2.1 x 21.7cm

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                                    Cover of Psychedelia And Other Colours (Hardback Edition) by Rob Chapman.

                                    Rob Chapman

                                    Psychedelia And Other Colours (Hardback Edition)

                                    Faber & Faber

                                      In the summer of 1965 the informal parties that Ken Kesey was holding at his house in Palo Alto California were about to evolve into what became known as the Acid Tests. These spontaneous anarchic gatherings spread their tentacles far and wide until an entire generation seemed to be under their spell. Fifty years on from the Merry Pranksters multimedia mayhem, acclaimed author Rob Chapman explores in crystalline detail the history, precedents and cultural impact of LSD, from the earliest experiments in painting with light and immersive environments to the thriving avant-garde scene that existed in San Francisco long before the Grateful Dead and the Fillmore Auditorium. In the UK, he documents an entirely different history, and one that has never been told before. It has its roots in fairy tales and fairgrounds, the music hall and the dead of Flanders fields, in the Festival of Britain and that peculiarly British strand of surrealism that culminated in the Magical Mystery Tour.

                                      Sitars and Sergeant Pepper, surfadelica and the Soft Machine, light shows and love-ins - the mind-expanding effects of acid were to redefine popular culture as we know it. It's a story that you think you know, but no one has laid out the narrative quite like this before. Chapman documents psychedelia's utopian reverberations - and the dark side of its moon - in a shimmering day-glo portrait where the sublime, the sinister and the just plain silly co-exist in imperfect harmony.

                                      Includes a foreward by Andrew Weatherall.


                                      FORMAT INFORMATION

                                      Hardback Book Info: Hardback edition. 656 pages, 16.5 x 4.1 x 24.1 cm.

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