Single-LP Edit Of Piñata Lacquered At Half Speed Master By Metropolis Mastering In London For The Highest Fidelity. Featuring Danny Brown, Mac Miller, Earl Sweatshirt, Raekwon, Scarface, Domo Genesis, Ab-Soul, Polyester the Saint, BJ The Chicago Kid, Big Time Watts, G-Wiz, Casey Veggies, Sulaiman, Meechy Darko & Freddie Kane. “Piñata is a gangster Blaxploitation ­lm on wax,” says Gibbs. As a producer, Madlib, quite simply, is music. 

TRACK LISTING

A1. Supplier
A2. Scarface
A3. Deeper
A4. High (ft. Danny Brown)
A5. Harold’s
A6. Bomb (ft. Raekwon)
A7. Shitsville
A8. Thuggin’
A9. Real
A10. Uno
B1. Robes (ft. Domo Genesis & Earl Sweatshirt)
B2. Broken (ft. Scarface)
B3. Lakers (ft. Ab-Soul & Polyester The Saint)
B4. Knicks
B5. Shame (ft. BJ The Chicago Kid)
B6. Watts (ft. Big Time Watts)
B7. Piñata (ft. Domo Genesis, G-Wiz, Casey Veggies, Sulaiman, Meechy Darko, & Mac Miller).

Joni Mitchell turns 80: Ermitage celebrates the nine times Grammy winner with the release of this vinyl album featuring the artist performing live on the BBC in 1970

Star singer- songwriter of Canadian music and author of songs such as "Big Yellow Taxi", "River" and "A Case of You".

For all the fans around the world always eager for the releases of the great singer- songwriter and particularly since a few months ago she returned to the stage after the brain aneurysm that struck her in 2015 and left her unable to speak or walk let alone play the guitar.

TRACK LISTING

1. Chelsea Morning
2. The Gallery
3. Cactus Tree
4. My Old Man
5. For Free
6. Woodstock
7. All I Want
8. California
9. Big Yellow Taxi
10. Both Sides, Now

Chunklet Industries is proud to announce a breakthrough in broadcasting technology. For the first time, the BBC working hand-in-hand with intergalactic audio pioneers Man…or Astro-Man? present to you seven volumes of their famed U.K. radio sessions recorded between 1994 and 1997.

"Even at the time, it felt implausible that Man...or Astro-Man? would do over a dozen sessions at the mighty British Broadcasting Company. Initially it was the legendary John Peel who had the band on his Radio 1 show—six times between 1993 and 2000—after Birdstuff sent him a postcard ordering him never to play the band. Peel allegedly had a shrine to our Auburn heroes at his country estate, and while we believe that to be true, we’ve yet to see photographic evidence. The list of bands that recorded a session for Peel (neé Ravenscroft) is mind boggling and estimable. Most American bands would be lucky to record a single Peel session. For Astro-Man? to have played as much as they did at his request is an indisputable testament to the band’s fevered devotion to performing. But also, let’s be honest: John Peel had pretty great taste. As reference, The Fall performed on Peel’s show more than 25 times between 1977, a year after the band was formed, and the death of leader Mark E. Smith in 2018. The fact that a decidedly obtuse and dorky band from Auburn, Alabama, would perform on Peel’s show more times than The Jesus Lizard, Fugazi, and Nirvana combined is proof positive that Astro-Man truly put in the work... especially on the British airwaves. What the BBC documented in its studios peppered across the country was a band that evolved in plain view from a spazzy surf band into a shit-hot post-punk powerhouse.

More than a decade ago, with my daughter, still in diapers, resting on my lap, I had a sit-down with Coco. He gave my outrageous idea of doing an extended Astro BBC retrospective a cautiously enthusiastic thumbs-up. Flash ahead to 2024: my daughter is now a teenager, and that preposterous idea is finally materialized. Thank the heavens. Thank the stars. The first (and hopefully not the last) Astro box set is now a full-blown reality. To see this completed is a thrill and a privilege, and a highlight of my charmed lifetime as a die-hard Astro fan."—Henry H. Owings (aka The Boo Yaa Boy)

For almost thirty years and over seventeen albums (nine with his band Idlewild and eight as a solo artist) Roddy has established himself as one of Scotland’s most celebrated and unique songwriters and performers. A restless creative spirit, his music spans genres from the punk rock and anthemic alternative rock of Idlewild, to the meditative folk and uplifting electronica on his later solo releases.

"Sometime During The Night We Fell Off The Map" was written with Roddy’s long time collaborator, guitarist Sorren Maclean, who also produced the collection of songs. Recorded in a 19th century church on the Isle of Mull, it features contributions from friends and family members. Following from Roddy’s 2023 electronic album ‘Almost Nothing’, the new collection returns to the more acoustic, contemplative sound of his early solo records, and again the physical release comes courtesy of Assai Recordings.

TRACK LISTING

1. Still So Far To Go
2. Break Up The Sun
3. Still Painting A Picture Of You
4. Theoriser
5. Old Negatives
6. I Can Make Sense Of Now
7. Good Despite Everything
8. Read It Like A Secret
9. All Things Considered
10. Christmas Without You

Celebrated music critic Ann Powers explores the life and career of the legendary Joni Mitchell What you are about to read is not a standard account of the life and work of Joni Mitchell. Instead, it’s a tale of long journeying through a life that changed popular music: of a homesick wanderer forging ahead on routes of her invention, and of me on her trail, heading toward the ringing of her voice. One of the most celebrated artists of her generation, Joni Mitchell has inspired countless musicians and writers, while never stopping still herself.

In Travelling, celebrated music critic Ann Powers seeks to understand the paradox of Mitchell – at once both elusive and inviting – through her myriad journeys. Drawing on extensive inter­views with Mitchell’s peers and deep archival research, Powers takes readers to rural Canada, charts the course of Mitchell’s musical evolution, follows the winding road of Mitchell’s collaborations with other greats and explores the loves that fed her songwriting. Kaleidoscopic in scope and intimate in detail, Travelling is a fresh and fascinating addition to the Joni Mitchell corpus – and one that questions whether an artist can ever truly be known to their fans.

This is the extensive legacy of grime, as told by a pioneer of the scene. With vivid imagery from Roony’s archive and firsthand accounts from MC’s, designers and artists, this illustrated guide invites you to experience the 140BPM beating heartbeat of grime – not just as a music genre, but as a living, breathing culture that continues to thrive, inspire, and boldly challenge the status quo. “Grime to some is a just a genre; a specific form of music.

But, to those involved, and anyone brought up in London around the early 2000’s, it’s way more than a BPM. Grime is a way of life, a voice for the ambitions and dreams of the inner-city youth. It’s a vessel for our creativity and a way to express ourselves.

It’s a rebellion to the system; to those who said we can’t or don’t deserve to be involved, be better, or to want more. Grime is the way you carry yourself, the way you talk, the way you wear your clothes. It’s a culture, it’s the heartbeat of the UK’s underdog story for this generation; it’s our punk.

It’s acceptance across the world for the music we make and the respect we’ve commanded. It’s the evolution of the sounds brought to England and the culmination of cultures: the black, the white, the Turkish and the Asian, the working classes, the poor and the wanting more. It’s that little voice inside you that says, ‘go the extra mile and don’t give up’.” Roony ‘Risky Roadz’ Keefe stands as a trusted chronicler of the grime scene's early days.

Starting as a fan armed with a handy cam, his RiskyRoadz series captured the buzz of the time, and blew up when YouTube emerged. He later directed iconic music videos that defined the genre's visual identity – from Skepta's "Man" and "It Ain't Safe," to Chip's "Scene," and Kano's "3 Wheel-ups." Legendary status runs in his bloodline; his grandmother is non other than 80-year-old viral sensation, Grime Gran. GRIME spotlights the people and places across East London that shaped the genre: from its inception in the early 2000s, to today.

It's a portal into the gritty, authentic world of grime, offering a front-row seat to modern history; the beef, the social history, the personalities, the tracksuits, the tunes – and the reality of a revolution that reshaped a generation. Contents: What is Grime?LondonPioneersMarginalisation and CensorshipYouTube & The Quiet TimeGoing MainstreamIconic Artwork & VideosFashionGentrification& How We SpeakGirls of GrimeFriendshipsA-Z of Artists

The first of 2 EPs 2 proceed the next Future Sound Of London album in 2025.

Side A is a deeply moody dark ambient journey through mists of choirs to a place of ritualist electronic beat swamp finally being spat on a leaf suburb road somewhere in Surrey - what just happened !

Side B unlike the previous side this begins far more reflective, as the journey progress it becomes more unsettling once more - a baroque minimalist piece followed by modular synths melding with breaks and drum machine - ambient field recordings , a mesh of carefully gathered and selected samples - FSOL perfection.

TRACK LISTING

1. Fentanyl
2. Being Human
3. Leafy Suburbs
4. Humans Being
5. Slow Moving Carcass
6. Out Of View

After a seven-year hiatus, Concept e25 is back which will, quite literally, be music to the ears of deep house heads. This is the alias of French producer Frederic Boeuf who has been crafting his own grooves since 2012 on labels like Skylax, Copie Blanche and Swedish Brandy. The 'Thesis' EP shows what he is all about with deep, cuddly drums, infectious kick patterns and subtle, painterly synths that help smooth the grooves and get your mind wandering.

TRACK LISTING

Defense
TPA
BIC
And Now What?
OPA

The debut album from The Supreme Dicks, available on vinyl for the first time.

Falling somewhere between Captain Beefheart, Throbbing Gristle and SALEM in the lineage of musicians who’ve found a muse in the nasty, brutish brevity of life, Supreme Dicks chose to cloak disarmingly real paranoia and grief in the contemporary trappings of late '80s and early '90s lo-fi college rock. They may have inhabited the same sonic and physical space as colleagues like Dinosaur Jr (Lou Barlow was an occasional Dick, and at least one early Dinosaur Jr show was actually played by Dicks in disguise), but they stripped away all youthful yearning and anticipation in favor of a bleak and unblinking certainty. Honest, frank, and free of ironic distance. Obtuse and yet so essential that it can’t help but feel familiar to anyone who’s ever spent a sleepless night wondering whether there's any point to all of this. And, on occasion, warm, intimate and lovely.

The Supreme Dicks formed while students at Massachusetts’ Hampshire College in the twilight of the Reagan era. The campus was a fractured posthippie free-for-all that many students theorized was a right- wing think tank experiment in pitting progressives against each other. The constantly revolving lineup centered around songwriters Daniel Oxenberg and Jon Shere, and whoever else was around and willing to torture an instrument. They advocated the teachings of Wilhelm Reich and were vocal about focusing their creative energy via celibacy. This may do much to explain the constant, unrelenting tension that provides the driving force behind the most powerful moments in their music. Regardless of tempo or arrangement, Supreme Dicks songs play like soundtracks to autoerotic asphyxiation, haunting tones that ring in the ears at the moment consciousness is lost and not guaranteed to return.

TRACK LISTING

In A Sweet Song The Arabian Song The Sun's Bells
Jack Smith
That I May Never Forget And Stay Garden Of Your
Past Jack-O-Lantern
River Song
The Fallout Song
Azure Dome
The Forest Song (or Especially When The October
Wind With Frosty Fingers, Punishes My Hair)
Hyacinth Girls
Ten Past Eleven
Woody Would've Wanted It That Way
Strange Song

The second album from The Supreme Dicks, available on vinyl for the first time.

Falling somewhere between Captain Beefheart, Throbbing Gristle and SALEM in the lineage of musicians who’ve found a muse in the nasty, brutish brevity of life, Supreme Dicks chose to cloak disarmingly real paranoia and grief in the contemporary trappings of late '80s and early '90s lo-fi college rock. They may have inhabited the same sonic and physical space as colleagues like Dinosaur Jr (Lou Barlow was an occasional Dick, and at least one early Dinosaur Jr show was actually played by Dicks in disguise), but they stripped away all youthful yearning and anticipation in favor of a bleak and unblinking certainty. Honest, frank, and free of ironic distance. Obtuse and yet so essential that it can’t help but feel familiar to anyone who’s ever spent a sleepless night wondering whether there's any point to all of this. And, on occasion, warm, intimate and lovely.

The Supreme Dicks formed while students at Massachusetts’ Hampshire College in the twilight of the Reagan era. The campus was a fractured posthippie free-for-all that many students theorized was a right- wing think tank experiment in pitting progressives against each other. The constantly revolving lineup centered around songwriters Daniel Oxenberg and Jon Shere, and whoever else was around and willing to torture an instrument. They advocated the teachings of Wilhelm Reich and were vocal about focusing their creative energy via celibacy. This may do much to explain the constant, unrelenting tension that provides the driving force behind the most powerful moments in their music. Regardless of tempo or arrangement, Supreme Dicks songs play like soundtracks to autoerotic asphyxiation, haunting tones that ring in the ears at the moment consciousness is lost and not guaranteed to return.

TRACK LISTING

Synaesthesia
CúChulain (Blackbirds Loom)
Columnated Ruins/Seeing Distant Chimneys
Along A Bearded Glade
Swell Song
Showered
A Donkey's Burial In A Tower On A Mirage
Adoration De L'Agneau Mystique
Porridge For The Calydonian Boar
Siberian Penal Colony (Ode To Joel Stanley)
Green Wings Fly Adventure (Showered Reprise)

The giant avalanche that is THE LONDON DIRTHOLE COMPANY is back with another slab of prime-time partisan punk noise. With a Futurist disdain and Dadaist sense of sardonic humour, the MODERN IST EP celebrates the realities of the Family Of Noise as a truly interactive social experiment. The genuinely odd bunch of protagonists that make up the bands personnel stretch the boundaries of conventional group structure and methods. A truly outsider approach that reverberates with its nebulous intensity and spirit of joy. The result is a fractious cacophony created (on this record) by four drummers, 3 guitarists a bass player and 2 different vocalists. Live the band rotate up to a dozen singers if occasion and availability conspire. The music has elements and attitudes in common with The Monks, Velvet Underground, Pussy Galore and The Fall without any direct plagiarism or imitation. These bands are but ships in the night to the Battleship Dirthole and its crew of desperate fellows. PROFESSOR THE CONFESSOR is an intimate memoir of utterances from the dark recesses of The Professor’s mind. CRYING ONIONS is a sleazy ballad of all-consuming pleasure, timeless romance, sensual purgatory, erotic possession, empty tears, disrobing and eating an onion. TOMORROW, TODAY faces up to the bleak realities of a passion consumed and the vagaries of the staring up from the gutter as you watch your former partner dance the same dance you fell for with someone else. The strapping fit and healthy London Dirthole Company pedigree on this recording; The Nuns, Pulkas, Echobelly, Headbutt, Felix Moment Power Trio, Lot Lizards, Project Dark, Headcleaner.

The holidays are weird, man. Ostensibly, they’re about family and fun and food and festivities, but more often they portend arguing with your family about politics- and that mental dance you have to do where you’re like “Should I get Trevor a gift even though my funds are dwindling and I’m not even sure if he’s going to get me one in return so this could end up being a whole awkward thing???”

The reality of the holidays lies somewhere more liminal, in the space between joy and depression, between excitement and boredom, between “peace on earth and goodwill toward men” and “I think I might murder my entire family.” So who better to teach us the true reason for the season than Dude York, a band whose music so often seems to exist in an in-between space of their own? Dude York are funny and serious and earnest and deeply ironic all at the same time. The three friends who comprise the band—Peter Richards (guitar, vocals), Claire England (bass, vocals) and Andrew Hall (drums, vocals)—have spent their four years together applying their particular Dude York-ian sensibility to topics like mental health, breakups, and the power of art and friendship.

Now they’ve returned with Halftime for the Holidays to pop some chestnuts right on your fire and tackle their most poignant theme yet; THE MOST WONDERFUL TIME OF THE YEAR. Halftime for the Holidays is a holiday record for how the holidays actually feel. Tracks like “Takin’ Care of Christmas” (it’s exactly what you think it is) and “Jingle Bells Rock” (it’s not) deliver the requisite tacky cheer. “Greatest Gift is You” and “My Favorite Part (Of This Time of Year)” soar like the greatest pop-punk love songs, with the added benefit of CHRISTMAS. And songs like “Long Distance Christmas” and “Break Up Holiday” testify to the loneliness that they can spring on you without warning. It’s a record that manages to wrap the strangeness of sleeping in your childhood twin bed and the soft wonder of waking up to snow into one delightful white elephant present that you won’t re-gift.

Halftime for the Holidays is self-consciously goofy, but refreshing in its willingness to tackle the misery and joy of the season with equal force. So deck the halls, engage in a regrettable make out session underneath the mistletoe, and rest assured that no matter what kind of reindeer games the universe is playing with you this year, Dude York has you covered.

TRACK LISTING

01. Break Up Holiday
02. Hollywood Holiday
03. The Greatest Gift Is You
04. My Favorite Part (Of The Time Of Year
05. Long Distance Christmas
06. Takin Care Of Christmas
07. Jingle Bells Rock
08. True Meaning
09. Silent Night

Compiled with guitarist PJ Court, this 2-CD compilation boasts re-mastered music as well as a beautifully annotated booklet boasting rare photos and personal memories from the band.

Back in the mid-80s, The Primitives combined the fuzz guitars of The Jesus & Mary Chain with the pop sensibilities of Blondie and a nod to cult heroes The Velvet Underground. They swiftly rose from being a popular Indie guitar outfit to charting worldwide with “Crash”, kickstarting a craze in bands fronted by blonde female singers (Transvision Vamp, The Darling Buds et al).

Between 1985 and 1987, the band issued five singles/EP’s on independent label Lazy Records (also home to My Bloody Valentine and later Birdland) before signing with RCA.

This 2-CD set also boasts their promo-only live album at the ICA; as such, it offers their entire Lazy output from that period.

TRACK LISTING

Disc 1
1. Thru The Flowers
2. Across My Shoulder
3. She Don't Need You
4. Lazy
5. Really Stupid
6. We Found A Way To The Sun
7. Where The Wind Blows
8. Stop Killing Me
9. Buzz Buzz Buzz
10. Laughing Up My Sleeve
11. Ocean Blue
12. Shadow (Guitar Version)
13. Thru The Flowers (New Version)
14. Everything Shining Bright
15. Nothing Left
16. Across My Shoulder
17. Crash
18. Spacehead
19. Nothing Left (Sounds Version)

Disc 2
1.I'll Stick With You
2. Dreamwalk Baby
3. Buzz Buzz Buzz
4. Nothing Left
5. Out Of Reach
6. Carry Me Home
7. Don't Want Anything To Change
8. Think I'll Stick With You
9. Dreamwalk Baby
10. Run Baby Run
11. Thru The Flowers
12. Nothing Left
13. Where The Wind Blows
14. Out Of Reach
15. We Found A Way To The Sun
16. Don't Want Anything To Change
17. Across My Shoulder
18.Everything's Shining Bright
19. Buzz Buzz Buzz
20. Stop Killing Me
21. I Wanna Be Your Dog

‘NEONTWANG’ was recorded in London at Rory Attwell’s Lightship95 with the Warm Brains man on production duties, a combination that has delivered the band’s strongest set of songs to date.

‘NEONTWANG’ also marks the full debut of new member Jon ‘Simmo’ Simkins as a full writing member of The Twang. Simmo was also the brains behind the video for album track ‘The Wobble’ which premiered on The Fly’s website in October who described it as ‘resembling Ariel Pink doing Tears For Fears’.

‘NEONTWANG’ marks an important moment for the band. Their fourth album, lead singer Phil Etheridge described making it as ‘easily the most fun we've had in the studio since before the band got a record deal’. Having lived through (and survived) the slings and arrows of (much) outrageous fortune, the band have found a space where they are back to the core values that have kept them together as a writing unit for over a decade.

‘NEONTWANG’ comprises a series of recordings that encompass light touch balladry, dub, trip hop and sunshine pop. That early leak of ‘The Wobble’ from the album points the way, a track that veers from delicate melody to overdriven industrial noise, it is the perfect pointer for an album that cares only for its own quality. Those who know their music may also note the echo of club culture, a constant driver for the band, in album closer ‘Bywyd Da’, with its reference to Inner City’s club classic ‘Good Life’. Welsh speakers (or users of Google translate) will get the joke.

TRACK LISTING

1. City Lights
2. Larry Lizard
3. New Love
4. The Wobble
5. Sucker For The Sun
6. Almost Anything
7. Happy Families
8. Medicine
9. Bigger Than You
10. Step Away
11. Bywyd Da

Gregory And The Hawk returns with her second FatCat album ‘Leche’, a more mature and honest collection of songs than her previous releases, which sees her expanding instrumentally onto piano and harp yet conveying a sense of her bedroom recording roots.

Contributors include Jeremy Backofen (Felice Brothers), Rob Laakso (Amazing Baby, Diamond Nights, Mice Parade, Swirlies), and Adam Pierce (Mice Parade, Swirlies).

TRACK LISTING

For The Best
Landscapes
Over And Over
Soulgazing
Geysir Nationale
Frebeight
Olly Olly Oxen Free
A Century Is All We Need
Leaves
Puller Return
Hard To Define
Dream Machine

Iron & Wine's Sam Beam and the members of Calexico convened in December 2004 at Calexico's home base of Wavelab Studios in Tucson, Arizona. The idea of working together had been tossed around for over three years, though neither bands' schedule loaned itself into making it a reality until then. The resulting session "In the Reins", is a mini-album that is a truly harmonious affair sure to satisfy fans of both bands. The seven tracks are Sam Beam originals and were fleshed out by the full Calexico band. The record also features newcomer Natalie Wyants on vocals, Salvador Duran, a local fixture of the Tucson Flamenco scene, on vocals and Botas. Of course no Wavelab experience would be complete without the appearance of Nick Luca (NL Trio/John Doe Band) and Craig Schumacher, both of whom contributed to the record in the form of engineering and performance.

TRACK LISTING

He Lays In The Reins
Prison On Route 41
History Of Lovers
Red Dust
16, Maybe Less
Burn That Broken Bed
Dead Mans Will

Skip James was a Delta blues enigma, whose mesmerizing guitar playing and haunting voice produced bluer than blue masterpieces. This beautifully re-mastered collection of his seminal 1931 recordings shows why his otherworldly blues cast its spell on many blues greats from Robert Johnson to Eric Clapton.
Arguably the greatest of the original Delta blues guitarists with his mesmerizing and truly unique style. 'The Rough Guide To Skip James' highlights his diverse repertoire of songs ranging from deep, dark Delta blues to upbeat barrelhouse piano tunes and spirituals.

TRACK LISTING

Hard Time Killin’ Floor Blues
I’m So Glad
Drunken Spree
If You Haven’t Any Hay Get On Down The Road
Cherry Ball Blues
Be Ready When He Comes
Little Cow And Calf Is Gonna Die Blues
Devil Got My Woman
How Long “Buck”
Jesus Is A Mighty Good Leader
Cypress Grove Blues
Illinois Blues
22-20 Blues

In May 1976 a record was released that would have an unforeseen and lasting impact on the music industry “Ten Percent” by Double Exposure was an early release on the New York independent label Salsoul Records. America was in the grip of a disco explosion with new clubs opening on a weekly basis; Salsoul saw what was happening and swiftly created a sound for their label, heavily influenced by the music then coming out of Philadelphia, aimed directly at New York’s dance-floors. Records like “Salsoul Hustle,” “Tangerine” and “You’re Just The Right Size” by The Salsoul Orchestra borrowed heavily from the beautifully orchestrated Philadelphia International records but added a more percussive, bass heavy depth that New York’s DJs loved. So what was so special about this particular single then? Double Exposure was, after all, just another band, “Ten Percent” just another song; one of many “disco” records released that week. First of all Salsoul became the first record label to make a twelve inch single available to Joe Public - the exotic format was previously only available to DJs as promotional items or bought under the counter at certain record stores. Not only that though, the extended version was created by Walter Gibbons, a DJ at New York’s Galaxy 21 who’d built his reputation making exclusive versions of tracks to play in his sets.

In 1976 it was unheard of for a DJ to set foot in a recording studio, being seen as little more than living jukeboxes by the serious music industry. Recording studios were strictly the domain of recording artists and producers so Walter found himself in a unique position, gaining access to a world no DJ had been granted before.

Or so we thought...
The Men In The Glass Booth tells the full story. Featuring ground breaking re-edits and remixes by some of the Disco era's most influential DJs including Walter Gibbons, Bobby DJ Guttadaro, Tom Savarese, Jellybean Benitez, Tee Scott and John Luongo, this opulent release also includes a 40 page book which features exclusive photos and insights from some of the story's key figures.

STAFF COMMENTS

Patrick says: BBE answer the prayers of all us non-millionaire disco fans, taking us on a journey through the alternative 12" history via this exhaustive collection of acetates and DJ edits. Mega!

After an epic licensing odyssey that's taken us almost 20 years, we're finally able to announce the 5LP boxset release of the first ever official re-issue of all five of the iconic Lansdowne recording sessions by the legendary UK jazz combo, the Don Rendell/Ian Carr Quintet.
The five albums; Shades Of Blues (1965), Dusk Fire (1966), Phase III (1968), Change Is (1969) and Live (1969), have reached almost mythical status in the collector's world. Regarded as holy grail artefacts for even the seasoned aficionado, the collective second hand market value comes to an astonishing £6000.
Many have tried - and failed - to reissue these albums by legitimate means. However, two decades since our initial approach, Universal Music has gone to great lengths to research their vast archives, and we have finally managed to succeed.
The complete Don Rendell & Ian Carr Lansdowne recording sessions have now undergone a full and unprecedented boxset reissue. We located and acquired the original analogue master tapes from the Universal vaults and created masters at Abbey Road Studios to produce audiophile quality 180g pressings replete with replica artwork - shape, design, and even paper stock. No stone has been left unturned to deliver this absolute labour of love to the highest possible standard! The enclosed booklet contains never before seen photographs, interviews with the remaining living band members and liner notes from BBC Radio 3 presenter and award-winning jazz writer Alyn Shipton.
The band played together for seven years and during this fruitful time they made a plethora of deeply melodic, post-bop British jazz compositions that later on took influences from Indo and more spiritually guided jazz. Produced by the influential Denis Preston and recorded at his Lansdowne Studios in London, the band was primarily made up of saxophonist Don Rendell, trumpeter/composer Ian Carr, and pianist/composer Michael Garrick. This is UK jazz at its absolute finest, and the quality of our box set pays testament to that.

TRACK LISTING

1 Blue Mosque
2 Latin Blue
3 Just Blue
4 Sailin'
5 Garrison '64
6 Blue Doom
7 Shades Of Blue
8 Big City Strut
9 Ruth
10 Tan Samfu
11 Jubal
12 Spooks
13 Prayer
14 Hot Rod
15 Dusk Fire
16 Crazy Jane
17 On! [clip]
18 Les Neiges D'Antan (Snows Of Yesteryear)
19 Bath Sheba
20 Black Marigolds
21 Elastic Dream
22 One Green Eye
23 Boy, Dog And Carrot
24 Cold Mountain
25 Black Hair
26 Mirage
27 On Track
28 Vignette
29 Pavanne
30 Nimjam
31 Voices
32 You've Said It 

The Lumineers’ breakout debut album captured hearts of fans and critics worldwide in 2012, leading to two Grammy-award nominations and a #2 Billboard chart peak. It features the hit singles “Ho Hey” “Stubborn Love” and “Submarines.”

Celebrate the 10th anniversary with a remastered and expanded 2xLP edition pressed on 180g heavyweight vinyl, featuring 6 tracks previously unreleased on vinyl, new liner notes, and all-new packaging exclusive behind the scenes photos.

TRACK LISTING

1. Flowers In Your Hair
2. Classy Girls
3. Submarines
4. Dead Sea
5. Ho Hey
6. Slow It Down
7. Stubborn Love
8. Big Parade
9. Charlie Boy
10. Flapper Girl
11. Morning Song
12. Ain't Nobody's Problem
13. This Must Be The Place (Naïve Melody)
14. Elouise
15. Darlene
16. Slow It Down (live)
17. Scotland

Debut album from The Goa Express, led by Clarkey alongside his brother Joe and best friends Joey, Naham and Sam.

They met as young teenagers in Burnley - growing up in the rural shadow of England's industrial north, music was a means of escape and a vessel for friendship. Their shared adolescent experiences shaped their collective attitudes and behaviours and, ultimately, the sound and spirit of their band. 6music playlists and Radio 1 support has followed along with a heavy touring schedule.

TRACK LISTING

Honey
It's Never Been Better
Good Luck Charm
You're The Girl 
Small Talk
Can't Stay Quiet
Better Than OK
Talking About Stuff
Portrait
Prove It

In 2005, teenage trio The Subways made a phenomenal breakthrough with their Gold certified debut album ‘Young For Eternity’. It set them on the road to an endless succession of highlights, including their iconic ‘Rock & Roll Queen’ becoming a mainstay of rock radio and streaming playlists (with 100 million+ streams to date) extensive global headline tours, particularly in the UK and Germany, where they’ve played more than 500 gigs. They have also played shows as guests to everyone from Oasis to Foo Fighters via AC/DC, and hit seemingly ever major festival around, from Glastonbury’s Pyramid Stage and main stage sets at Reading and Leeds in the UK to major international events such as Rock Am Ring / Rock Im Park, Lollapalooza and Sziget. Twenty years on, and now five albums deep into their career, The Subways celebrate their 20th anniversary with the career-spanning collection ‘When I’m With You’.

TRACK LISTING

1. Oh Yeah
2. Black Wax
3. We Don’t Need Money To Have A Good Time
4. Taking All The Blame
5. Mary
6. Alright
7. Kalifornia
8. Popdeath
9. Just Like Jude
10. Uncertain Joys
11. I Need To Feel You Closer
12. With You
13. Kiss Kiss Bang Bang
14. At 1 AM
15. Good Times
16. I Won’t Let You Down
17. Passenger’s Side
18. I Want To Hear What You Have Got To Say
19. You Kill My Cool
20. My Heart Is Pumping To A Brand New Beat
21. It’s A Party
22. Love Waiting On You
23. Girls & Boys
24. Rock & Roll Queen

This is the inside story of The Charlatans, told through the lens of legendary
photographer Tom Sheehan and the words of the band's frontman Tim Burgess.

More than 250 of Sheehan's photographs - blending iconic shots with those seen here for the first time - are accompanied by moving and insightful text from Burgess, sharing his memories of a band at the very height of their powers.

Covering a decade of the band's story, the book captures recording sessions, live performances, cover shoots, tours and intimate moments snatched backstage and around the world.

Beautifully presented in a cloth-bound hardback, this book is a stunning visual
history of The Charlatans, one of the defining bands of a generation.

Granny Takes A Trip was more than just a shop and a fashion brand; it was the original rock and roll clothes boutique, the template for all that followed. What started as an odd retail venture/art installation in a depressed part of London known as World's End became an international byword for glam decadence in Manhattan and Hollywood, combining flamboyant style and all manner of countercultural activity to attract everyone from Pattie Boyd, Marianne Faithfull and Anita Pallenberg to Elton John, Jimi Hendrix, Miles Davis, Mick Jagger, Rod Stewart, the Beatles, and Lou Reed.

Unfolding over a decade-and-a-half, this tumultuous story invokes a cast of often unique, sometimes entitled, unusually talented and troubled individuals on a collective mission to shake up austere, repressed, class-ridden Britain and white bread America. Some achieved this at great personal cost as darkness, addiction and tragedy stalked those behind the extraordinary shop facades.

Much mythologised but never told, this cautionary tale has now found its definitive chronicler in celebrated cultural historian Paul Gorman who has had access to first-hand accounts from all the principal figures, as well as notes for a memoir and a much treasured scrapbook by Freddie Hornik, the tailoring entrepreneur who survived the death marches of central Europe after WW2 to acquire Granny Takes A Trip in the late 60s and transform into an unparalleled pop cultural force.

Beautifully illustrated with archival images of the shop, principal players and the clothes themselves, this book concludes with a never-seen-before 48-page tour through the Rolling Stones' wild wardrobe of sartorial delights tailored and sold in the original shop.

The Boomtown Rats were one of the most successful bands of the 1970s in the UK. Their grown-up new wave and real time stories captured the imagination of a mass audience. As the leader of The Rats, Bob Geldof led his band of Dublin post-punkers right to the very top of the UK charts with UK No.1s 'Rat Trap' and 'I Don’t Like Monday’s'. 

In its gatefold sleeve with brand new artwork and commentary, all tracks have been selected by the band themselves. Released to coincide with their 50th anniversary tour, this is the very best of the Boomtown Rats and a one-stop shop of their words and melodies.

TRACK LISTING

LP Tracklist:
1. Looking After No. 1
2. K.I.S.S.
3. Me And Howard Hughes
4. Here’s A Postcard
5. Dave
6. Drag Me Down
7. Rat Trap
8. Someone's Looking At You
9. Banana Republic
10. Diamond Smiles
11. When The Night Comes
12. Mary Of The Fourth Form
13. There’s No Tomorrow Like Today
14. The Elephant's Graveyard
15. She' So Modern
16. (I Never Loved) Eva Braun
17. Trash Glam Baby
18. The Boomtown Rats!
19. Like Clockwork
20. Neon Heart
21. Up All Night
22. Monster Monkeys
23. I Don't Like Mondays
24. Joey's On The Street Again

CD Tracklist:
1. Looking After No. 1
2. K.I.S.S.
3. Me And Howard Hughes
4. Here’s A Postcard
5. Dave
6. Drag Me Down
7. Rat Trap
8. Someone's Looking At You
9. Banana Republic
10. Keep It Up
11. Diamond Smiles
12. When The Night Comes
13. Mary Of The Fourth Form
14. There’s No Tomorrow Like Today
15. The Elephant's Graveyard
16. She' So Modern
17. (I Never Loved) Eva Braun
18. Trash Glam Baby
19. House On Fire
20. The Boomtown Rats!
21. Tonight
22. Like Clockwork
23. Neon Heart
24. Up All Night
25. Monster Monkeys
26. I Don't Like Mondays
27. Joey's On The Street Again

Hailing from Brighton, indie rock quintet Youth Sector expertly balance astute political observations with campy indie romps. Inspired by the art school greats DEVO and Talking Heads, their music is a coiled spring of urgency and unpredictable energy that offers a sense of catharsis for the confusion of modern adult life.

Across their critically acclaimed EPs, the Brighton quintet have never revelled in bleakness, managing to twist everyday narratives into music that is quite the opposite being upbeat, full of energy and with irresistible choruses you can’t help but sing along with.

Evidently Youth Sector are no strangers to weaving prescient issues of culture and politics into the warm embrace of strong grooves and sing-along choruses, but debut album ‘Pop Couture’ raises the bar considerably, marking their strongest statement to date. From grift culture to political corruption to the devolution of living standards, Youth Sector prove they can transform the weightiest subject matter into the most irresistible of choruses.

“'Pop Couture', our debut album, is a body of work which for a long time seemed out of our reach; it's the culmination of several years of development and is the vehicle for which we have been saving the best material we've ever written. The album explores prescient issues in our culture and politics such as grift culture, corruption and the devolution of standards in public life, but wraps these ideas in the warm embrace of strong grooves and sing-along choruses.”

“We've been more ambitious than ever on these recordings in terms of the scale of the songs we're writing, with the help of Richard Wilkinson (Bombay Bicycle Club, Spector, Kaiser Chiefs), this album includes our most expansive recordings to date. Woven throughout the record is a self-awareness and introspection from five individuals who have worked through the financial and personal burdens that come with being a small artist the modern music industry; the record is bookended by 'God's Work' and 'Not Coming Down' that explore the journey through different lenses.”

“Although the road to 'Pop Couture' has been long and arduous, Youth Sector can confidently confirm for any apprehensive listeners that it is certifiably all killer and no filler.”

TRACK LISTING

1. God's Work
2. Crime
3. Fit For Purpose
4. Buy For Less
5. Spitting Image
6. The Ball
7. House Proud And Bed Bound
8. Primetime
9. Here Comes The Fear
10. Break Something
11. Not Coming Down

Recorded at Abbey Road last autumn, ‘Rainy Sunday Afternoon’ is The Divine Comedy's thirteenth album and their first studio album since 2019's UK top 5 ‘Office Politics’. The band's last release was 2022's Best Of compilation ‘Charmed Life’ which also reached 5 in the UK album charts. The band’s Neil Hannon most recently wrote the original songs for the Warner Bros blockbuster ‘Wonka.’

Neil says: “My musical output is, for better or worse, a representation of my personality. A good chunk of that personality revels in the rumbumptious; celebrates the silly. And I made ample use of that for the Wonka songs. I have though, like everyone, a darker, more melancholy side. And for one reason or another it has been much in evidence of late. I needed to use this album as an outlet for those feelings. To work through some stuff. Mortality; memories; relationships; political and social upheaval. Everyone should get to make an orchestral pop album once in a while. It should be available on the NHS.“

TRACK LISTING

TBA

'The Wee Small Hours: B-Sides and Other Detritus 2011-2025' consists of rarities spanning Real Estate's last decade plus with Domino.

“This is something we’ve talked about doing for a while now: a compilation of non-album tracks with a title, subtitle, and maybe throw a span of years in there to make it official-sounding,” Martin Courtney said of the compilation. “The title comes from the lyrics to an unreleased song we recorded during the Atlas sessions at Wilco’s loft in Chicago back in 2013, which in turn references a great Frank Sinatra record. This feels to us like a worthy addition to the catalog and we hope you all love it.”

The compilation’s earliest track dates back to 2011, with a cover of The Strokes’ 'Barely Legal' for a Stereogum Tribute album, and the b-side of the 'It’s Real' / 'Blue Lebaron' 7”. Other covers include 'Paper Dolls' (The Nerves) from 2014, 'Days' (Television) from 2021, and of course 'Daniel' (Elton John) from 2024. It also includes 'In My Car', dating back to a Record Store Day fanzine flexi-disc from 2012, more b-sides including the tracks from the 'Atlas' bonus 7” from 2013, and an unreleased track entitled 'Two Part' from the 'Atlas' sessions.

TRACK LISTING

1. Pink Sky
2. Exactly Nothing
3. Barely Legal
4. In My Car
5. Two Part, Part Two
6. Paper Dolls
7. Blue Lebaron
8. Days
9. The Chancellor
10. Recreation
11. Daniel
12. Two Part

The groundbreaking oral history on one of the most legendary musicians of all time: Paul Weller. Across musical history, certain artists have transcended their craft to become cultural icons, leaving an indelible mark on the world of sound and style. Paul Weller, the legendary British musician, singer and songwriter, stands among the select few whose influence spans generations.

His enduring popularity, traversing the explosive energy of The Jam to the sophisticated sounds of The Style Council and a prolific solo career spanning over thirty years, underscores the timeless appeal of his work. Weller also holds a unique position in music history: he shares the rare distinction with Lennon and McCartney as one of the few artists to achieve Number 1 albums in five consecutive decades. Dancing Through the Fire explores the fascinating narrative of Paul Weller's musical career, weaving together never-before-told stories, intimate insights and perspectives from the man himself and those who have been integral to his remarkable journey.

With unique access to his inner circle - including family, friends, bandmates, producers, and long-time collaborators - award-winning broadcaster and journalist Dan Jennings weaves together over 200 hours of exclusive conversations, allowing exclusive access to the man behind the music, including his unparalleled drive, creative struggles and personal triumphs that have shaped his iconic career and legacy. Endlessly candid, insightful and definitive in its approach, Dancing Through the Fire captures the essence of Weller's musical evolution through the voices of those who know him best.

Several years ago, Grant-Lee Phillips found himself wandering the elegant halls of the Norton Simon Art Museum in Pasadena, California. Amid a collection of highly detailed Indian paintings, one piece stood out. He jotted a note in his notebook, struck by both the imagery and the ominous title. That entry would eventually inspire the name of his 12th solo album: 'In the Hour of Dust'.

“A common theme throughout Indian poetry and painting,” Phillips explains, “is this concept of ‘the hour of cow dust.’ It’s that moment when cows are led home and kick up dust; a cue to prepare the lamps. Night is about to fall.” While Phillips doesn’t shy away from today’s larger societal issues, 'In the Hour of Dust' is an intimate, self-produced album. Its stripped-down musical presentation and often autobiographical lyrics reflect personal reckonings, all set “against this larger discordant backdrop.” Like many, Phillips grapples with staying afloat in the chaos of modern life. For him, songwriting is a way to push back against the encroaching dark - to light the lamps and find a path forward, for both himself and his listeners. “We can focus on all the various freedoms being threatened,” Phillips says, “things we might’ve taken for granted a year or two ago. But eventually, it comes back to very human, primal things. I don’t see songs of love and songs of protest as that far apart. It’s all about recognizing the value of connection in a disconnected time.”

TRACK LISTING

1. Little Men
2. Did You Make It Through The Night Okay
3. Closer Tonight
4. Bullies
5. Stories We Tell
6. She Knows Me
7. Someone
8. No Mistaking
9. Dark Ages (CD/LP Download Only)
10. American Lions
11. Last Corner Of The Earth (CD/LP Download Only)

International Rock Sensation The Hives, the best live band on the planet and still your new favourite band, lauded on all continents for their masterful skill and reckless abandon in the rock music field, have once again, sooner than you expected, created a new body of work the likes of which have never been heard or indeed probably will again.

A new record so full of energy, joy, anger and life that you will be questioning reality as you have known it.

They finally did it. Every single song a single, every single single a hit, every hit a direct hit in the face of the man.

This long playing music album, consisting of thirteen pieces of music was crafted with commitment, abandon and skill in Sweden in cohorts with the esteemed producers Pelle Gunnerfeldt and Mike D of Beastie Boys.

TRACK LISTING

1. (Introduction)
2. Enough Is Enough
3. Hooray Hooray Hooray
4. Bad Call
5. Paint A Picture
6. O.C.D.O.D
7. Legalize Living
8. (Interlude)
9. Roll Out The Red Carpet
10. Born A Rebel
11. They Can’t Hear The Music
12. Path Of Most Resistance
13. The Hives Forever Forever The Hives

“The Clearing” the brand new album from Wolf Alice, releases 29th August 2025. Written in Seven Sisters and recorded in LA with Grammy-winning, master producer Greg Kurstin last year, The Clearing reveals where Wolf Alice stand sonically in 2025, delivering a supremely confident collection of songs bursting with ambition, ideas and emotion.

'To Rid Myself of Truth' marks a transformative moment for Signs Of The Swarm, as they evolve beyond their deathcore roots, infusing their sound with elements of industrial, metalcore, and a savage, stomping aggression that firmly establishes them as a harbinger of a new era of heavy. From the very first notes of tracks like 'Natural Selection', and the album's lead single, 'HELLMUSTFEARME', it's clear that the Pittsburgh-based band is poised to become a global powerhouse. Their extensive tour history alongside heavyweights such as Lorna Shore, Whitechapel (with guest appearances from Will Ramos and Phil Bozeman), Suicide Silence, Chelsea Grin, and Fit For An Autopsy has paved the way for Signs Of The Swarm to break through and assert themselves as a rising force in the extreme metal scene.

TRACK LISTING

1. To Rid Myself Of Truth
2. HELLMUSTFEARME
3. Natural Selection
4. Scars Upon Scars
5. Chariot
6. Clouded Retinas (Ft. Will Ramos)
7. Iron Sacrament (Ft. Phil Bozeman)
8. Forcing To Forget
9. Sarkazein
10. Fear & Judgement (Ft. 156/Silence & Prison)
11. Creator 

'The Giver' single marks Chappell Roan's debut in the country music genre. Co-written and produced by Dan Nigro, the song blends traditional country instrumentation—such as fiddle and banjo—with Roan's signature theatrical flair.

TRACK LISTING

1. The Giver
2.  Fix It In The Morning (Demo)

Crafted between Baltimore, London, and NYC, 'The Passionate Ones' is a sermon, a twelve-track catharsis, howled from the underbelly of late-stage capitalism, a blueprint for building your own altar in the ruins of the American Dream.

Initially created in Los Angeles' in late 2019, Nourished By Time emerged as Marcus Brown’s escape from the monotony of his day jobs and a continuously crushed spirit by an increasingly corrupt world. Channeling his deeply personal and sharply observational visions into songwriting, Brown has created a singular sonic world shaped by his hometown of Baltimore’s rich and eclectic musical heritage where jazz, punk, indie, hip hop, electronic and R&B collide in raw harmony. On 'The Passionate Ones', Brown tackles love, labor, existentialism, dreams, disillusionment, and hope through the lens of metamodernism, documenting an American story of an artist using their vices to keep them afloat while they follow their passions and dreams.

'The Passionate Ones' arrives in the wake of a radiant ascent. With 'Erotic Probiotic 2' (Scenic Route), Nourished by Time cracked open 2023—earning Pitchfork’s Best New Music and topping Gorilla vs Bear’s year-end list, while drawing praise from The Guardian, The FADER, Paste, and more. 2024’s 'Catching Chickens' (XL) only deepened the allure: CRACK Magazine placed him on its cover, naming ‘Hell of a Ride’ the track of the year. The song echoed across NPR, Resident Advisor, CLASH, The FACE, Mixmag, UPROXX, and Spotify’s Best Songs of 2024 lists, and he performed a magnetic live performance on The Late Show with Stephen Colbert’s #LateShowMeMusic live series. Along the way, Nourished By Time’s voice threaded through collaborations with Yaeji, Kacy Hill, and evilgiane, a spectral remix of Dry Cleaning’s 'Gary Ashby', and tours with Metronomy, Panda Bear, and Toro y Moi, solidifying his position as one of contemporary music's most intriguing and vital new artists.

TRACK LISTING

1. Automatic Love
2. Idiot In The Park
3. Max Potential
4. It’s Time
5. Cult Interlude
6. 9 2 5
7. Crazy People
8. Jojo Feat. Tony Bontana
9. BABY BABY
10. Tossed Away
11. When The War Is Over
12. The Passionate Ones

Back in 2005, Seattle quintet Minus the Bear were riding the wave of a swift upward trajectory with their blend of ‘90s mathrock fretboard savvy, early ‘00s electro-indie textural depth, and the wistful melodicism of the more mature strain of Midwest emo. So it was an interesting time for the band to undergo a stylistic sea change. Looking beyond their fellow guitar slingers, Minus the Bear instead found inspiration in the more adventurous pop producers of the era and went full steam ahead with a revamped sound of glitchy guitar loops, modern R&B rhythms, and swirling electronic tapestries on their 2005 sophomore album 'Menos el Oso'. The stylistic shift was a gamble in the waning years of indie rock orthodoxy, but the risk paid off and Minus the Bear’s popularity exploded. Twenty years later, 'Menos el Oso' still sounds fresh and vibrant while simultaneously capturing the essence of a specific era where the rules and formulas of guitar-forward music were breaking down. To celebrate the album’s anniversary, Suicide Squeeze Records and Minus the Bear are offering up 'Menos el Oso - 20th Anniversary Edition'.

'Menos el Oso - 20th Anniversary Edition' expands the original LP into a double album featuring five demos mastered by Ed Brooks at Resonant Mastering on side C and an etching by Cory Murchy on side D. These early incarnations of four 'Menos el Oso' tracks and 'I’m Totally Not Down With Rob’s Alien' from the 'They Make Beer Commercials Like This' EP showcase how razor-sharp and sonically satisfying Minus the Bear were even when their songs were still being workshopped. As companion pieces to the album, these alternate takes shine a light on the creative process of a band undergoing a sonic evolution while also just being solid standalone tracks.

TRACK LISTING

1. The Game Needed Me
2. Memphis & 53rd
3. Drilling
4. The Fix
5. El Torrente
6. Pachuca Sunrise
7. Michio's Death Drive
8. Hooray
9. Fulfill The Dream
10. The Pig War
11. This Ain't A Surfin' Movie
12. Hooray (Demo)
13. Drilling (Demo)
14. The Pig War (Demo)
15. Michio's Death Drive (Demo)
16. I'm Totally Not Down With Rob's Alien (Demo)

Teethe re-emerges with 'Magic Of The Sale', a soft but steely full-length album where the Texas band’s four distinct songwriters, singers, and artists ask a series of interlocked questions about what it means to build a life in a time of shared collapse. The result is a sad and beautiful self-built world of Southern slowcore, where four people turn toward one another and drift forward, together. 'Magic Of The Sale' follows Teethe’s 2020 self-titled debut, a loose and warm 12-track collage of exquisite existential blues and twilit harmonies from which few early cassette runs turned into several sold-out vinyl editions, unlikely name-drops from mega-stars, and several tours across the United States and Europe. 'Magic Of The Sale' represents Teethe’s natural next step: a second album, a record label, a slew of guest collaborators (Xandy Chelmis of Wednesday and MJ Lenderman, Charlie Martin of Hovvdy and several other veteran musicians) who represent their Texas roots and new friends they’ve made in recent years. Still, Teethe took special care to preserve the part of the process that made their debut so special, now with expanded toolkits. On 'Magic Of The Sale', they’ve boosted their gear and home studios and dug into the craft of composition and production. Eliding an outsider producer or engineer, the band’s Boone Patrello spent four arduous months mixing the record–taking the patchwork of tracks from each member and their collaborators and funneling several visions into one complete picture. From a long-overlooked pocket of Texas’ musical wealth, Teethe returns with a deeply layered and collaborative work that makes the weight of the world feel a little lighter to lug.

TRACK LISTING

1. Tires & Bookmarks
2. Magic Of The Sale
3. Anywhere
4. Push You Forever
5. Holy Water
6. Iron Wine
7. China Day
8. Lead Letters
9. Ammo
10. Funny
11. Build & Crash
12. Hate Goodbyes
13. Make It Red
14. Matching Durags

After experimenting with fragmented melodies in his 2023 EP 'In The Double', 'Unsinking The Cypress' marks a fuller exploration of Maïlé’s somber yet dynamic soundscapes. Drawing from his roots in jazz and filmmaking, he blends influences from Aphex Twin, Radiohead, and The xx to create atmospheric, emotive tracks. 

The album, co-produced with Oli Bayston and Harvey Grant, evolved from isolated demos into collaborative works, with contributions from various musicians and explores themes of identity, dislocation, and the quest for peace, balancing melancholic moments with playful, experimental textures.

While the album confronts heavy emotions, it also carries an undercurrent of optimism, with tracks like ‘Praying I Don’t Fall’ and ‘Breathe’ showcasing Maïlé’s ability to find light within dark spaces. The album’s intimate yet expansive sound positions Memory Of Jane as an unpredictable artist, intent on keeping listeners intrigued and inspired by his ever-evolving creativity. Maïlé envisions 'Unsinking The Cypress' as a stepping stone to more experimental work, offering a glimpse of his evolving musical journey.

TRACK LISTING

1.   Eyes Talk
2.   Space Jumps
3.   Night Riding
4.   Loose Lines
5.   Breathe
6.   Praying I Don’t Fall
7.   Wake The Moon
8.   Unsinking The Cypress
9.   Blind
10. Songbird
11. Souls And Seeds
12. Seafloor

Grammy-winning rock duo The Black Keys are back with their 13th studio album, 'No Rain, No Flowers'. 'No Rain, No Flowers' delivers an eclectic sound shaped by the energy and spirit of the band’s wildly popular Record Hangs— dance parties where Auerbach and Carney take turns spinning rare, but truly potent cuts from their impressive collection of vinyl 45s for baying crowds of longtime fans and new converts alike. More than two decades into their career, The Black Keys consistently continue to create music on their own terms, fueled by instinct, passion, and a refusal to settle. 'No Rain, No Flowers' is a testament to the band’s deep commitment to their craft and their enduring creativity.
The band’s Dan Auerbach said: ““This whole album was really labored over with a lot of love. We hope you feel that.”

TRACK LISTING

1. No Rain, No Flowers
2. The Night Before
3. Babygirl
4. Down To Nothing
5. On Repeat
6. Make You Mine
7. Man On A Mission
8. Kiss It
9. All My Life
10. A Little Too High
11. Neon Moon

Nominated for 10 Academy Awards, including Best Original Score, and shot in the glorious, vintage VistaVision format, Brady Corbet’s The Brutalist stands as a monumental achievement in filmmaking. Opening with a mesmerizing and continuous 10-minute overture, composer Daniel Blumberg’s music sets the stage for the film’s epic narrative, which spans multiple decades and follows fictional Hungarian architect László Toth (played by Adrien Brody) as he rebuilds his life in post-war America.

Encompassing large-scale brass orchestrations, intimately lyrical piano melodies and freewheeling, improvisational jazz, The Brutalist’s score is as ambitious and broad in scope as the film itself. Envisioning the score as slabs of sound – rich and resonating while also measured and restrained – the music developed into the sonic embodiment of the Brutalist design aesthetic, where imposing scale and raw textures meet values of simplicity and economy. To craft its singular sound, Blumberg worked with a cast of boundary-pushing musicians and improvisers, traveling across the UK and Europe with a custom-built remote recording setup to capture his players on location. Exploiting the tension between the fluidity of improvised music and the meticulous precision of film scoring, Blumberg coaxed out beautifully rich and resonant performances from his collaborators, including avant-garde innovators Axel Dörner (trumpet), Evan Parker (saxophone), Sophie Agnel (piano), and John Tilbury (piano), to name a few.

TRACK LISTING

1. Overture (Ship)
2. Overture (László)
3. Overture (Bus)
4. Chair
5. Van Buren’s Estate
6. Library
7. Jazz Club
8. Porn
9. Monologue
10. Up The Hill
11. Pennsylvania
12. Bicycle
13. Steel
14. Intermission
15. Erzsébet
16. Handjob
17. Bath
18. Building Site
19. Ribbon Cutting
20. Picnic By The Lake
21. Gordon's Dinner
22. Looking At You
23. Vidui
24. New York
25. Stairs
26. Carrara
27. Marble
28. Tunnel
29. Construction
30. Heroin
31. Search Party
32. Epilogue (Venice)

Art students Gina Birch and Ana da Silva formed The Raincoats in 1977. Since the release of their seminal early records, the 'godmothers of grunge' have been revered by punk, queer, feminist and indie pop artists alike. The Raincoats reimagined the nature of experimental music and DIY design and went on to inspire Sonic Youth, Nirvana, and an entire generation of Riot Grrrl and queercore musicians.

Shouting Out Loud: Lives of the Raincoats tells their astonishing story in three
extraordinary lives. In The Raincoats' first life, they recorded three full-length albums now regarded as classics and were the first punk band to play behind the Iron Curtain in Warsaw. Nearly a decade later in 1992, the band's second life took off when Kurt Cobain's love of the band catalysed their renaissance.

In 2001, The Raincoats emerged from their five-year hiatus into their third and ongoing iteration marked by performances in art museums such as New York's MoMA, the Pompidou Centre in Paris, and London's National Portrait Gallery. The Raincoats have and continue to be a singular phenomenon and influence for so many.

Featuring exclusive interviews and never-before-seen images from The Raincoats' archive, Shouting Out Loud is the ultimate, authorised biography of this pioneering group of women - and the must-have account of a legendary band that holds a vital place in twentieth and twenty-first century sonic history.

On her kaleidoscopic second album, 'The Starrr Of The Queen Of Life', Debby Friday defines success on her own terms. “I want to be a starrr, I can't hide that desire,” she says. “But what I don't want is to live someone else’s dream or to follow a pre-set path.” For the Nigerian-Canadian polymath, to be a starrr is to live at the extremes: public versus private, hubris versus humility, flying versus falling.

Being a starrr means embracing the apocalyptic hedonism of an all-night rave—finding communion in the “dark room, girls in line for the bathroom” on the buzzing house anthem 'All I Wanna Do Is Party'. It means swapping lines about bottles on ice and getting freaky on the dance floor with Detroit techno prodigies HiTech on 'In The Club'—while admitting that she is, in fact, “barely on the dance floor these days.” It’s the sound of discovering what comes after the kind of success most artists only dream about—how to burn brightly without burning out. Across 11 songs, 'The Starrr Of The Queen Of Life' showcases Friday’s chameleonic vocals. From the sparse, gossamer beauty of the lovelorn 'Leave.' to the locomotive post-punk of 'Darker The Better'.

Winning the Polaris Prize in 2023 for her debut LP, 'GOOD LUCK', only made Debby Friday want to grind harder: “I’m tryna see more/ Man, I want the payoff” she raps over laser-like synths on the effortless copycat kiss-off 'Lipsync'. But life on the razor’s edge can only be sustainable for so long: During a nonstop tour schedule in support of the album, she fell violently ill. The diagnosis? Stress-induced shingles. That experience forced Friday to turn her focus inward. The next year saw a change in management, in her routine and priorities.

To help bring her vision of radical honesty on the dance floor to life, Friday recruited Australian producer Darcy Baylis (Wicca Phase Springs Eternal). Returning to their de-facto homebase in London in between touring, the pair traded ideas in the studio from morning until midnight. Layered with meaning, The Starrr Of The Queen Of Life is brimming with coded, if-you-know-you-know references—weaving love letters and innuendos from the names of it girl perfumes, French cognac, and Hellenistic prophetesses who speak in tongues. It reads like a manifestation of Friday’s pursuit of an experimental pop sound that still feels distinctively hers.

“This album is about the idea of reaching towards something,” she says. “It’s about seeing the signs and following that impulse, always with the potential of either flying into the sun or falling back to earth.” On 'The Starrr Of The Queen Of Life', Debby Friday takes flight, fastening her wings, following the sound of her own voice.

TRACK LISTING

1. 1/17
2. All I Wanna Do Is Party
3. In The Club Featuring HiTech
4. Lipsync
5. Alberta
6. Higher
7. Ppp (Interlude)
8. Arcadia
9. Leave.
10. Bet On Me
11. Darker The Better

Nestled somewhere between primal rock'n'roll live performance and transcendent ritual, there's an unmistakable alchemy that happens when Violet Farrer (guitar, violin, vocals), Nina Winder-Lind (cello, guitar, vocals), Kate Mater (bass, vocals) and Ella Oona Russell (drums, flute, vocals) step onto a stage together.

Now, they've distilled this visceral energy into their extraordinary debut album 'The New Eve Is Rising': a lighting rod of inspiration channelled by a quartet with the ability to create something greater than the sum of their parts. 'The New Eve Is Rising' was written in Brighton and at an artistic residency at The Cornish Bank, co-produced by The New Eves and Jack Osbourne (Bingo Fury) and recorded at Rockfield Studios and Bristol's Cotham Parish Church

TRACK LISTING

1. The New Eve
2. Highway Man
3. Cow Song
4. Mid Air Glass
5. Astrolabe
6. Circles
7. Mary
8. Rivers Run Red
9. Volcano

Official photographer to music legend David Bowie, Denis O'Regan presents a personal edit from his unrivalled collection of photographs. Accompanying Bowie on two world tours and enjoying a decades-long relationship with the star, no one photographed Bowie more than Denis O'Regan. As Bowie himself once remarked, 'Denis, Rock 'n' Roll is in your blood'.

From the door of Olympic Studios, where Bowie recorded Diamond Dogs in 1974, to live stadium shows in the 1990s, Denis's full archive is at last opened and many unseen images revealed for the first time. David Bowie by Denis O’Regan tells Bowie's musical story in pictures, with O'Regan's own words relaying his experience of documenting that incredible journey. Author of the hugely successful Ricochet: David Bowie 1983 (Particular Books, 2018), O'Regan has toured with the biggest stars from The Rolling Stones and Queen to Pink Floyd and Duran Duran, to name a few.

But it is his photographs of David Bowie, taken over two decades at over 200 concerts worldwide, that he is best known for. David Bowie the showman and David behind-the scenes, O'Regan has captured it all in this showcase of one of the world's most talented performers.

'The Making Of Five Leaves Left' includes unaccompanied demos, studio outtakes and previously unheard songs that tell the story of how Nick Drake’s debut album ‘Five Leaves Left’ came to be released on Island Records in 1969.

This Nick Drake Estate authorised edition comprises over 30 previously unheard outtakes from the sessions, compiled across three discs. The final disc to complete the package is the original Joe Boyd produced album. The whole set has been mastered by John Wood.

Accompanied by a 60 page book printed on special textured paper stock, written by Neil Storey in collaboration with Richard Morton-Jack, complete with full track recording details, charts and recording history.

TRACK LISTING

LP/CD1 - 1st Sound Techniques Session Aka The Beverley Martyn Demo & Alt Takes From February 1968 To April 1969:
1. Mayfair - 1st Sound Techniques Session – March 1968
2. Time Has Told Me - 1st Sound Techniques Session – March 1968
3. Man In A Shed- 1st Sound Techniques Session – March 1968
4. Fruit Tree - 1st Sound Techniques Session – March 1968
5. Saturday Sun - 1st Sound Techniques Session – March 1968
6. Strange Face - 1st Sound Techniques Session – March 1968
7. Strange Face – Rough Mix With Guide Vocal – September 1968
8. Day Is Done – Take 5 – April 1968
9. Day Is Done – Take 2 – November 1968
10. Day Is Done – Take 7 – April 1969
11. Man In A Shed – Take 1 – May 1968
12. My Love Left With The Rain – Cambridge, Lent Term 1968

LP/CD2 - Paul De Rivas Reel – October 1968 / Out-Takes November 1968:
1. Blossom – Cambridge, Lent Term 1968
2. Instrumental – Cambridge, Lent Term 1968
3. Made To Love Magic – Cambridge, Lent Term 1968
4. Mickey’s Tune – Cambridge, Lent Term 1968
5. The Thoughts Of Mary Jane – Cambridge, Lent Term 1968
6. Day Is Done – Cambridge, Lent Term 1968
7. Time Has Told Me – Cambridge, Lent Term 1968
8. Three Hours – Take 2 – November 1968
9. Time Has Told Me – Take 4 – November 1968
10. Strange Face – Take 1 – November 1968
11. Saturday Sun – Take 1 – November 1968
12. Fruit Tree – Take 4 – November 1968

LP/CD3 - Out-Takes From December 1968 To April 1969:
1. Time Of No Reply – Take 3 Into Take 4 – December 1968
2. ‘Cello Song – Take 4 – January 1969
3. Mayfair – Take 5 – January 1969
4. River Man – Take 1 – January 1969
5. Way To Blue – Cambridge – Winter 1968
6. The Thoughts Of Mary Jane – Take 2 – April 1969
7. Saturday Sun – Take 1 Into Take 2 – April 1969
8. River Man – Take 2 – April 1969

LP/CD4 - The Original Album – Released 3rd July 1969:
1. Time Has Told Me
2. River Man
3. Three Hours
4. Way To Blue
5. Day Is Done
6. ‘Cello Song
7. The Thoughts Of Mary Jane
8. Man In A Shed
9. Fruit Tree
10. Saturday Sun

One of the cult acts of the heyday of London clubland in the early 1990s, the Ballistic Brothers consisted of later-X-Press 2 members Ashley, Rocky and Diesel, alongside David Hill and Uschi Clansen.

Both of their ‘vs. Eccentric Afros’ releases have legendary status, with Vol. 1 featuring their classic ‘Blacker’. After the reissue of the first instalment last year, Acid Jazz are set to release the second set.

‘Blacker’ reprises here in the form of ‘Divine Fact (Blacker 2)’ and the ‘Marden Hill Sween Green Jam Mix’, showing the crosspollination of the ‘90s London club scene, where hedonists could find many routes and possibilities.

A vital snapshot of a very unique place in time, specially remastered for this Acid Jazz release, set in a spined sleeve for the first time, with a beautiful expansion of the original artwork.

TRACK LISTING

1. Delancey Street.. The Theme
2. Unhooked And Lost
3. Save The Children
4. Blacker (Marden Hill Sweet Green Jam Mix)
5. Jam Jah
6. Divine Fact (Blacker 2)
7. Goodvibes… Goodnight
8. Anti Gun Movement

Originally released in 2015, 'Froot' was a turning point in Marina’s career, showcasing her songwriting and artistic independence. The album debuted at #10 on the Billboard 200, making it her highest-charting release at the time, and included fan-favorite tracks such as 'Happy', 'Forget', 'Blue', and the title track 'Froot'. Praised for its lush production and introspective lyricism, the record remains a cornerstone of Marina’s discography, celebrating themes of growth, love, and self-discovery.

To honor its milestone anniversary, this EcoRecord will include a Tropical scented Sticker and features the unreleased track ‘I’m Not Hungry Anymore’ from the 'Froot' era,

TRACK LISTING

1. Happy
2. Froot
3. I’m A Ruin
4. Blue
5. Forget
6. Gold
7. Can’t Pin Me Down
8. Solitaire
9. Better Than That
10. Weeds
11. Savages
12. Immortal
13. I’m Not Hungry Anymore (Unreleased)

‘On The Wing’ is the debut album from Yoshika Colwell - a captivating and sophisticated collection of eleven songs that traverse the outer regions of folk, it is a record of acceptance and self-discovery, rooted in solitude and personal healing, from one of the UK’s most exciting new singer-songwriters.

Life, for us all, comes in seasons: the bitter frosts and balmy awakenings that herald the literal passing of time, but also the periods of retreat and re-emergence that bookmark our own individual paths along this mortal coil. For Yoshika, the last decade has found her existing at both ends of the spectrum. Following a period of complete dislocation fuelled by a move to a new town, lockdown and a traumatic break-up all striking in quick succession, it would take a stretch of restorative isolation to bring her back to full creative and personal health. Now, however, all of that sadness and pain, acceptance and slow-dawning hope has been channeled into ‘On The Wing’. Speaking about the album, she says:

“This album is a bit of a shrine I suppose to all of the pivotal experiences that shaped me during my twenties and it’s also, I feel, a tentative lean towards hopefulness for the future.

It is, at its core, an album about acceptance and release, and freedom from old binds. It was an extremely emotional and cathartic record to make. It was a challenge to put all of the things I was scared to say into these songs, to finally let them out of my head without shying away from the ugly or unpalatable emotions, but it felt like the only thing to do.

The process felt quite ritualistic, akin to writing down the things you know you need to let go of on a piece of paper and burning it.”

Produced by Oli Bayston (Barry Can't Swim, Rachel Chinouriri), the album was recorded at Studio Orbb, where Yoshika recorded her critically acclaimed debut EP ‘There’s A Time’. Since then, a string of releases have seen support from The New Cue, BBC 6Music, Paste, The Line of Best Fit and Stereogum, to name a few, whilst Yoshika has played her first shows in the US at SXSW. This summer she plays The Great Escape, Moseley Folk Festival and End of the Road.

TRACK LISTING

Side A
On & On
Last Night
In Bloom
Turn My Face Away
It’ll Never Be Enough
Into The Water

Side B
There’s Got To Be A Loser Babe
Fighting On The Wing
A Poem About Walking
Once In A Blue Moon
Maybe

Kanye West, Lil Wayne and Schoolboy Q are among the big guests on 'Cherry Bomb'. It is practically an all-caps homage to Pharrell's funk-rock vanity project, trading in the grayscale of his angst to explore the technicolour corners of his quirkiness.

The Odd Future frontman is at his most indecisive, swerving from high-decibel ear assaults ('Deathcamp,' 'Pilot') to sugary, saxophone-laced cuddle tunes ('Find Your Wings,' (expletive) 'Young / Perfect'). He makes the obligatory rap muscle-flexing feel like recess, hopscotching through Galaga blips with Schoolboy Q ('The Brown Stains of Darkeese Latifah Part 6-12 (Remix)') and playing lyrical hot potato with Kanye West and Lil Wayne ('Smuckers').

It takes patience to tag along, but hearing Tyler abandon shock for shock's sake to explore other sides of his oddness is a sign he's less interested in being rap's Quentin Tarantino, and more its Wes Anderson.

TRACK LISTING

1. Deathcamp
2. Buffalo
3. Pilot
4. Run
5. Find Your Wings
6. Cherry Bomb
7. Blow My Load
8. 2Seater / Hair Blows
9. The Brown Stains Of Darkeese Latifah Part 6-12 (Remix) / Special
10. Fucking Young / Perfect
11. Smuckers
12. Keep Da O’s
13. Okaga, CA
14. Yellow

• The third in the 'psychiatric trilogy' of albums by Luke Haines (The Auteurs, The Servants, Black Box Recorder) and Peter Buck (R.E.M).

• Recorded in Portland Oregon, USA foot-down-to-thefloor- throttle-out style.

Expect to sail through churning psychedelic excursions that ask for clarity on questions like... Have you ever been cold called by someone claiming to represent the Pink Floyd research group? Have you been stranded on the moon with Papa John Philips? (and then realised you were out of drugs). Can you count your nervous breakdowns on the paws of more than two dozen cats? Does it feel like all you ever do is answer questions? Yes? No? Then take a trip down to the river...to blow your mind.

TRACK LISTING

SIDE A
1 The Pink Floyd Research Group
2 Going Down To The River To Blow My Mind
3 Hot Artists
4 56 Nervous Breakdowns
5 Sufi Devotional
6 Children Of The Air

SIDE B
1 Nuclear War
2 Me And The Octopus
3 In Rock
4 Judy Chicago
5 Papa John
6 Radical Bookshop
7 Special Guest Appearance

2023’s 'Dancing On The Edge' was quickly beloved by those who stumbled upon it, earning high praise from publications like Pitchfork & The Line Of Best Fit, who deemed it a “remarkable, endlessly rewarding debut.” His second album, 'New Threats From The Soul', reckons mightily with the perplexities of human efficacy and agency in an absurd and debased world. This probably sounds hopelessly plodding and severe. It is not—not remotely. It’s a shit-ton of fun. The songs are all earwigs; the arrangements genuinely thrilling, enlivening efforts by the crackerjacks that comprise the sprawling Roadhouse Band. Each trip through the record reveals more of the depth and breadth and tangle of its tapestry.

Across 'New Threats…', Ryan manages near-rhymes that a hundred years’ worth of monkeys labouring at Chat GPT-enabled typewriters couldn’t achieve: “bromeliad” and “necrophiliac”; “urinal” and “de Chirico.” Kinky Friedman lamented that people thought his funny songs were sad and his sad songs were funny, when they were both simultaneously. Like the Kinkster, Ryan can make you laugh through a lump in your throat. In his formidable crew of harmony singers there are four of the most gifted lyricists & vocalists to currently walk among us—Catherine Irwin, Will Oldham, Lou Turner, Myriam Gendron— which testifies to the profound heft of his writing (these folks don’t often sign up to sing pap).

'New Threats From The Soul' is a masterclass in reducing the sublime to the prosaic, immensity to infinitesimally, and vice versa (the trick can only work both ways). Everything in our universe is essentially flotsam or jetsam, rubbish heaps of fragments and shards. We, especially, are jerry-rigs of bubblegum and driftwood, inconsistencies and incoherencies, dead dreams and necrophagous hopes, “mismeasurements between the place where [we are] and the place where [we] could have been,” although somehow not—miracle of miracles—bereft of simple joys, as Davis sings on today’s single.

The record functions in parallel with Kafka’s winking dictum that there is an infinite amount of hope in the universe, just not for us. 'New Threats…' suggests that maybe, just maybe, something like redemption is possible, but only once we’re entirely emptied out and hawked in toto down at Walden Pawn.

TRACK LISTING

1. New Threats From The Soul
2. Monte Carlo / No Limits
3. Mutilation Springs
4. Better If You Make Me
5. The Simple Joy
6. Mutilation Falls
7. Crass Shadows At Walden Pawn

Molded in the fertile rock crescent of Columbus, Ohio, three-piece Golomb - comprised of Mickey Shuman (vocals/guitar), Xenia Shuman (bass/guitar) and Hawken Holm (drums) - channel Midwest friction into an album that seeks to find a genuine connection. Bounding through bluster like Loop one minute and hunkered down like Pixies pummeling pop’s soft spots at Fort Apache the next. The underlying buzz on 'Real Powe' dips a few miles south of Columbus to channel Dayton’s favorite sons, stitching together some clear-eyed clamor from the GBV playbook. The band lays it bare on 'Dog' with a slow slink that builds toward the singed elegance of Spiritualized and a lyrical labyrinth that’s cut and pasted into a Burroughs-esque blur of rock motifs. The song peaks in pure maelstrom with a glorious glut of feedback foaming out of the speakers. The familiar specter of The Velvets rears its head in the shambolic beat of the title track, and 'Other Side Of The Earth' gets gooey with dub, but never loses the band’s ability to feed the fray. Then, they wind guitar around their rhythms with the grace of early Built To Spill on 'Be Here Now', letting the sax twirls of Henry Ross send the song into the ether.

TRACK LISTING

1. The Beat Goes On
2. Staring
3. Experience Humanness
4. Pressure
5. Other Side Of The Earth
6. Dog
7. The Sad Song
8. Real Power
9. Play Music
10. Be Here Now
11. Sweet Release (Ain’t No Devil)

'Men in Love' is a collaborative concept album by Irvine Welsh and The Sci-Fi Soul Orchestra, exploring the complexities of love, relationships, and the human condition. The album blends classic Motown and disco influences with contemporary electronic dance production, creating a unique and powerful sound that is both nostalgic and fresh.

From soaring anthems to intimate ballads, 'Men in Love' takes the listener on a journey through the highs and lows of romance, celebrating the power of connection, vulnerability, and the enduring search for love in a chaotic world.

The album will be released concurrently with Welsh's new novel, also titled 'Men in Love'. The book is a sequel to Welsh's seminal work, Trainspotting, and continues the story of Renton, Sick Boy, Spud, Begbie, and other beloved characters. The album serves as a sonic companion to the novel, with its themes, lyrics, and musical atmosphere reflecting the experience and inner turmoil of its characters. The album also introduces The Sci-Fi Soul Orchestra, a unique musical entity with their own unique music releases in the pipeline”

BUT, WHY DISCO?

“In uncertain times, dominated by the ascendancy of soul dead oligarchs, their corrosive technology and looting economics, the great positive constant for humanity remains our infinite capacity for love.

Music is still the medium by which we bypass their reductive, low frequency world, and if we can sing and dance and express our collective love in joy and rapture, we render their pathetic schemes the irrelevant sideshows they deserve to be.

One of the greatest musical forms in delivering that ecstasy has been discotheque music. No matter how confused our men (and women) have been in the quest for love, as we are forced to earn a living to pay for our fun, our real predilections are to party like it’s 2099. So don’t diss the disco, let’s dance away the heartache or die trying, because nothing else makes any sense.”

Irvine Welsh

TRACK LISTING

1. A Man In Love With Love
2. You Gotta Be Strong
3. Damn Straight
4. Saviour
5. Love At Last
6. Supply Lines Of Love
7. A Whole New Side Of Me
8. Dreams
9. Men In Love

“My hero’s back", Madeline Kenney sings on the second track of her newest effort, 'Kiss from the Balcony'. In a sense, she means herself; made with friends Ben Sloan and Stephen Patota across just a few in-person studio sessions in Oakland, these tracks represent a culmination of Madeline’s musings on growth and resilience reaching back years, brought to life through this generative and vibrant collaboration. Close listeners can hear the breadth of stylistic elements and themes carried through from various eras of her work, which all come together in a cohesive and timeless record.

In two week-long intensive sessions, the three collaborators grew these nine songs from fragments, sketches, and seeds. With a background in experimental percussion and sound design, Ben Sloan brings an electronic sound to Kenney’s writing; Stephen Patota provides ingenious guitar melodies throughout and grounds the project in acoustic elements. 'Kiss from the Balcony' was originally intended to be an EP, but the sessions brought forth such fruitful ideation and play that the project was expanded to a full length album. It sits in Madeline’s discography as a thematic and musical progression that sees her iterate on ideas about love and explore new sonic motifs through her work with Patota and Sloan.

Much of 'Kiss from the Balcony' is a meditation on modern relationships, a feminist and utterly human contemplation of power and who holds it. “Hereditary backward leaning,” she describes in ‘Slap', of the female condition; “But no-one ever likes to see the girls break down / So they keep it to the bathroom floor” she sings in the rapturous opener, ‘Scoop'. While the songs are shrouded in metaphor, the ubiquity of heartbreak and resilience decode much of the internal conflict Kenney depicts. The album sees her recognize the precarity and peculiarity of life and take it by the horns, realizing she controls her own narrative:

She explores the relationships between joy and suffering, choosing to see them as inseparable, two sides of a single coin. “It’s never over / When will they love me?” Kenney asks on ‘They Go Wide', describing her positionality both as a woman in relationship and as an indie artist in the modern music industry.

A playful hopefulness pervades the record, providing a sense of revelation in the journey throughout, Kenney’s radical acceptance of life as it is like a lyrical tongue out at the absurd.

TRACK LISTING

1.Scoop
2. I Never
3. Breakdown
4. Slap
5. Cue
6. Semitones
7. Paycheck
8. They Go Wild
9. All I Need

Rahaan brings the FIRE with his second 2x12” on Hot Biscuit offshoot: Now Is Not The Time. Disco edits inspired by the golden age of Chicago club culture. 

Super limited copies, strictly vinyl, no digital. Don't sleep. 

TRACK LISTING

A1. Do You Like It
A2. A Disco
B. Columbian Dance
C. Jealous 4 No Reason
D1. Return Of The Boogie
D2. Can’t Shake Your Love

Texas-born, London-based Lance DeSardi has remastered his classic 2013 cut 'The Power Of Suggestion' which was notably included on Carl Craig's masterful three-CD mix for Ministry of Sound. It's an organic sound with deft synth motifs and rolling drums topped with airy vocals and wispy melodies. The flip side offers a 2025 live version that is more driving and club-ready but still with the same majestic art of melody and outdoor serenity. It's one of those warm, fuzzy and soulful sounds that brings great joy and the spoken word vocal sample adds extra emotional depth.

TRACK LISTING

Side 1
The Power Of Suggestion (Original)

Side 2
The Power Of Suggestion (2025 Live Version)

'The Cosmic Selector Vol. 1' is Lord Huron's fifth album. It was written and co-produced by Schneider, and it features band members Tom Renaud, Mark Barry and Miguel Briseño, and a host of collaborators, including actress Kristen Stewart (on ‘Who Laughs Last') and Blonde Redhead’s Kazu Makino (on ‘Fire Eternal'). The album title references the mysterious machine featured on the cover art. Schneider asks: “What if you could choose your fate like choosing a song on a jukebox? What if your finger slipped and you got the B-side instead? What if you misunderstood the meaning of the dang song to begin with?”

TRACK LISTING

1. Looking Back
2. Bag Of Bones
3. Nothing I Need
4. Is There Anybody Out There
5. Who Laughs Last (feat. Kristen Stewart)
6. The Comedian
7. Watch Me Go
8. Fire Eternal
9. It All Comes Back
10. Used To Know
11. Digging Up The Past
12. Life Is Strange

Fleetwood Mac have had a chart-topping career that spans over fifty years and includes some of the biggest-selling albums and greatest hits of the 20th and 21st centuries. But the band's story is one of enormous triumph and also unimaginable tragedy. There has never been a band in the history of music riven with as much romantic drama, sexual tension and incredible highs and lows as Fleetwood Mac.

Dreams is a must-read for casual Fleetwood Mac fans and die-hard devotees alike. In this unique collection of mini-biographies, observations and essays, Mark Blake explores all eras of the Fleetwood Mac story to explore what it is that has made them one of the most successful bands in history. Blake draws on his own exclusive interviews with Mick Fleetwood, Stevie Nicks, Lindsey Buckingham and the late Peter Green and Christine McVie, and addresses the complex human drama at the heart of the Fleetwood Mac story, including the complicated relationships between the band's main members, but he also dives deep into the towering discography that the band have built over the past half-century.

They had awards, credibility, commercial success and creative freedom. Then they deleted their records, erased themselves from musical history and burnt their last million pounds in a boathouse on the Isle of Jura. And they couldn't say why.

This is not just the story of The KLF. It is a book about Carl Jung, Alan Moore, Robert Anton Wilson, Ken Campbell, Dada, Situationism, Discordianism, magic, chaos, punk, rave, the alchemical symbolism of Doctor Who and the special power of the number twenty-three. Wildly unauthorised and unlike any other music biography, THE KLF is a trawl through chaos on the trail of a beautiful, accidental mythology.

10th ANNIVERSARY EDITION UPDATED WITH NEW MATERIAL

BIOGRAPHY BY IRVINE WELSH
I discovered the Beta Band, like I discovered a lot of great music, basically through eventually surrendering to the enthused urgings of a mate who was cooler than me. He continually evangelized about the EP’s. I was lost to the concert hall and firmly ensconced on the dancefloor by then and highly resistant, but quite taken by the idea that a band would bring out extended plays rather than singles. When I did check them out, I was instantly smitten by their originality and power.

The band, therefore, were pivotal for me in terms of my own musical journey, in that they represented a gateway back into indie guitar music, which I’d basically given up since becoming obsessed with rave and acid house.

The Beta Band were definitely a band for the cool cognoscenti- like my buddy- the ones you make a bit of a tit of yourself trying to convert quite straight boring people to.

The emotions they induced were a kind of throwback to school days when you were very pompous and prescriptive about what you liked, and derisive towards non believers. It’s a testimony to the power of the music that they could take me to the raw state of the younger man.

I took it personally that they didn’t hit the mainstream commercial base. At least two of the three albums they made deserved quadruple platinum status. Hot Shots II and Heroes to Zeros are permanently lodged very high in my top one hundred albums of all time.

So, the return of the Beta Band has me moving into the same mode of immature, adolescent anticipation. Everyone should have the Beta Band albums and EP’s in their collection. It still kind of annoys me - in fact it bugs the shit out of me - that most of them don’t.

And that really is something. 

TRACK LISTING

A1 Dry The Rain
A2 I Know
A3 B + A
B1 Dogs Got A Bone
B2 Inner Meet Me
B3 The House Song
C1 The Monolith
C2 She's The One
D1 Push It Out
D2 It's Over
D3 Dr. Baker
D4 Needles In My Eyes 

Lionmilk’s first album on Stones Throw is an antidote to depression and heartbreak. Lionmilk wrote, produced, and performed every instrument on the new record, telling its stories in different musical styles.

Even when Lionmilk’s going through it, the songs stay light – as he puts it, “a ‘cheer up’ for my depressed ass.” As he grows, everything comes full circle in an eternal bloom.

TRACK LISTING

1. Tom Is In Heaven
2. Eyes Closed
3. Only One
4. Happy Corner
5. Sambinho
6. Beautiful
7. Get High
8. Não Mais Saudade
9. Fantasy
10. All I Have
11. Irreplaceable
12. Family 

For 5 years after they'd swapped sought-after apprenticeships for life on the dole, brothers William and Jim Reid sat up till the early hours in the front room of their parents' East Kilbride council house, plotting their path to world domination over endless cups of tea, with the music turned down low so as not to wake their sleeping sister. They knew they couldn't play in the same band because they'd argue too much, so they'd describe their dream ensembles to each other until finally they realised that these two perfect bands were actually the same band, and the name of that band was The Jesus and Mary Chain.

The rest was not silence, and picking up those conversations again more than 40 years later, William and Jim tell the full story of one of Britain's greatest guitar bands for the very first time - a wildly funny and improbably moving chronicle of brotherly strife, feedback, riots, drug and alcohol addiction, eternal outsiders and extreme shyness, that also somehow manages to be a love letter to the Scottish working-class family.

The groundbreaking, enduringly influential artist Mark Stewart presents his eighth solo album ‘The Fateful Symmetry’, a vital new masterwork completed shortly before his untimely passing in April 2023.

Across an illustrious career of pioneering music with The Pop Group, Mark Stewart & The Maffia and as a solo artist, Stewart has produced a seminal body of work, galvanized by the DIY ideals of punk, radical politics, protest movements, theory, philosophy, technology, art and poetry. With ‘The Fateful Symmetry’, Stewart’s abiding legacy as a ‘revered countercultural musician’ (The Guardian) is sustained, with an album as fearless and visionary as his best work.

Testifying to his prolific, unrelenting ingenuity, and signifying one of his most intimate, empowering statements, ‘The Fateful Symmetry’ is an astonishingly expressive and innovative record; a fierce and beautiful manifesto for a better world. The inimitable, titanic Mark Stewart, never normalized, always extraordinary.

‘The Fateful Symmetry’ is out 11th July 2025 on Mute, Stewart’s long-standing label helmed by old friend and kindred spirit Daniel Miller.

“Mark Stewart is my hero” - Daddy G (Massive Attack)

“A fearsome vocalist and unbelievably exciting frontman to whom I am deeply indebted”- Nick Cave

“Bristol would be a very different place artistically and politically if it not been for Mark’s influence on all of us” - Geoff Barrow (Portishead)

TRACK LISTING

1. Memory Of You
2. Neon Girl
3. This Is The Rain
4. Everybody’s Got To Learn Sometime (Bébe Durmiendo Cumbia Bootleg)
5. Stable Song
6. Twilight’s Child
7. Crypto Religion
8. Blank Town
9. A Long Road

The Canadian folk singer renowned for her purity of voice and composer of the ever-fresh ’Morning Dew’; once at the heart of Greenwich Village heyday when she sang at Gerdes Folk City with the likes of Paul Simon, and Bob Dylan. The UK’s premier purveyors of Cosmic Americana riding a wave of creativity and acclaim, with two successive classic albums 'Hollow Heart' and 'On A Golden Shore'.

TRACK LISTING

1. Baby's Got The Blues
2. Trouble
3. Don't Look Down
4. On A Morning Like This
5. You Don't Know
6. Stay With Me Tonight
7. Get Together
8. Dreams

20th anniversary 2xLP reissue of 'Flags Of The Sacred Harp', a transcendent masterpiece of free-folk, gospel-drone, and psychedelic Americana. A re-imagining of traditional hymns and anthems from the original American songbook that was first published in 1844. This long-awaited repress revives a landmark recording of collective improvisation and spiritual exploration and includes bonus downloads of archival tracks and unreleased live recordings.

Imagine The Velvet Underground’s ‘Sweet Nuthin’ fed through a spirit glass; a super slow incantation haunted by the ghosts of the band’s 40 transient members. Mystical folkisms cluster as the songs come in and out of focus and their improvisational slew matures. Recorded at Supreme Reality studios in Portland over the summer of 2005; Tom Greenwood had just returned to the City following a few years of touring and began recording over several marathon sessions.

Formed in 1994, Jackie O-Motherfucker is an ever-morphing collective nudging the American experimental scene, drawing from a variety of subgenres including folk from around the world, drone, free jazz, psychedelia, and noise rock.

TRACK LISTING

1. Nice One
2. Rockaway
3. Hey! Mr. Sky
4. Spirits
5. Good Morning Kaptain
6. Loud And Mighty
7. The Louder Roared The Sea

Originally released in late 2012, the third John Foxx And The Maths album brings together collaborations with The Soft Moon (the post-punk psychedelia of the title-track); Gazelle Twin (including the strikingly beautiful 'Changelings'); New York duo Xeno & Oaklander and Ghostly International's Matthew Dear, plus a Pink Floyd cover and some new Foxx/Benge material. This includes the rich analogue glow of 'Walk' and apocalyptic ballad 'Only Lovers Left Alive'. Meanwhile, regular Maths live band member Hannah Peel plays violin on 'My Town’.

TRACK LISTING

1. Evidence (Featuring The Soft Moon)
2. That Sudden Switch (Featuring Xeno & Oaklander)
3. Talk (Beneath Your Dreams) (Featuring Matthew Dear)
4. Changelings (Featuring Gazelle Twin)
5. My Town
6. Have A Cigar
7. A Falling Star (Featuring Gazelle Twin)
8. Walk
9. Only Lovers Left Alive

Live board mixes from three 2024 GBV shows in Indianapolis, Woodstock and Dallas, showcasing the band’s proggiest material of the recent era. Limited edition bootleg vinyl. When they’re gone they’re gone.

TRACK LISTING

1. Jack Of Legs
2. Sons Of The Beard
3. Alex Bell
4. How Did He Get Up There?
5. For The Home
6. Boomerang
7. Focus On The Flock
8. Unfun Glitz
9. Who Wants To Go Hunting

The first incarnation of Bronski Beat unfolded over a short but sweet period from April 1984 with ‘Smalltown Boy’ and ending in September 1985 with their post-split remix album ‘Hundreds And Thousands’.

With a nod to the original ‘Hundreds And Thousands’, and following on from last year’s 40th Anniversary editions of ‘The Age of Consent’, London Records announce an all new Bronski Beat album - ‘Forbidden Fruit - The Age Of Consent Remixed’.

The album features new reworks from the likes of Gareth Jones (Depeche Mode, Erasure), Kinky Roland (Boy George, Marc Almond) and more, alongside exclusive extended versions of the 2024 remixes by Superchumbo (ft Neil Tennant) and The Knocks (ft Perfume Genius).

Traversing electronic dystopia, italo-disco, NRG , sultry jazz and more, ‘Forbidden Fruit’ makes for a fitting finale to ‘The Age of Consent’. 

TRACK LISTING

LP Tracklisting:
1. WHY? (SUPERCHUMBO SUPER EXTENDED MIX FT. NEIL TENNANT)
2. SMALLTOWN BOY (BRONSKI BEAT & THE KNOCKS FT. PERFUME GENIUS - EXTENDED MIX)
3. JUNK (AN ELECTROGENETIC REMIX BY GARETH JONES)
4. LOVE AND MONEY (RSF METROPOL ITALO REMIX)
5. NEED A MAN BLUES (RSF METROPOL NRG REMIX)
6. I FEEL LOVE / LOVE TO LOVE YOU BABY (ULTRAMIX)
7. JOHNNIE REMEMBER ME (A JAZZ AFFAIR)

CD Tracklisting:
1. WHY? (SUPERCHUMBO SUPER EXTENDED MIX FT. NEIL TENNANT)
2. SMALLTOWN BOY (BRONSKI BEAT & THE KNOCKS FT. PERFUME GENIUS - EXTENDED MIX)
3. JUNK (AN ELECTROGENETIC EXTENDED REMIX BY GARETH JONES)
4. LOVE AND MONEY (RSF METROPOL ITALO EXTENDED REMIX)
5. NEED A MAN BLUES (RSF METROPOL NRG EXTENDED REMIX)
6. I FEEL LOVE / LOVE TO LOVE YOU BABY (ULTRAMIX)
7. JOHNNIE REMEMBER ME (A JAZZ AFFAIR)
8. NO MORE WAR (EXTENDED REMIX)
9. SMALLTOWN BOY (PLANNINGTOROCK’S 'THE LOVE THAT YOU NEED' REWORK)
10. I FEEL LOVE (PROMO DUB MIX ‘85)
11. SCREAMING (STRIPPED MIX)

The third and final part to The Kinks' very special anthology series - ‘The Journey – Part 3’.

‘Part 3’ covers their transformative RCA/Arista period spanning 1977 to 1984, a period seeing the band finally break America, leaving behind their iconic pop and experimental phases, and returning to a fresh and concise style of classic songwriting that draws on their own distinct British sense of self.

Disc 1 features classic tracks and hits from the era, personally chosen by the band and remastered from the original ½” and production tapes, including ‘Come Dancing’, ‘Destroyer’, and ‘Living On A Thin Line’.

Disc 2 features never-before-heard recordings from the band’s hit-filled Royal Albert Hall show from July 1993, including spellbinding renditions of ‘You Really Got Me’ and ‘Till The End of the Day’, among many others. 

TRACK LISTING

1. Catch Me Now I'm Falling (2025 Remaster)
2. (Wish I Could Fly Like) Superman (2025 Remaster)
3. A Rock 'n' Roll Fantasy (2025 Remaster)
4. Sleepwalker (2025 Remaster)
5. Living On A Thin Line (2025 Remaster)
6. Come Dancing (2025 Remaster)
7. Around The Dial (2025 Remaster)
8. Do It Again (2025 Remaster)
9. Better Things (2025 Remaster)
10. Destroyer (2025 Remaster)
11.Low Budget (2025 Remaster)
12. Misfits (2025 Remaster)
13. One Of Our DJs Is Missing (Live At The Royal Albert Hall, 1993)
14. Till The End Of The Day (Live At The Royal Albert Hall, 1993)
15. Where Have All The Good Times Gone (Live At The Royal Albert Hall, 1993)
16. Low Budget (Live At The Royal Albert Hall, 1993)
17. Apeman (Live At The Royal Albert Hall, 1993)
18. Phobia (Live At The Royal Albert Hall, 1993)
19. Only A Dream (Live At The Royal Albert Hall, 1993)
20. Scattered (Live At The Royal 1993)Albert Hall,
21. Celluloid Heroes (Live At The Royal Albert Hall, 1993)
22. I’m Not Like Everybody Else (Live At The Royal Albert Hall, 1993)
23. Dedicated Follower Of Fashion (Live At The Royal Albert Hall, 1993)
24. The Informer (Live At The Royal Albert Hall, 1993)
25.Death Of A Clown (Live At The Royal Albert Hall, 1993)
26. Sunny Afternoon (Live At The Royal Albert Hall, 1993)
27. You Really Got Me (Live At The Royal Albert Hall, 1993)
28. Days (Live At The Royal Albert Hall, 1993)

Throughout the 1980s the inimitable Sun City Girls self-released over twenty full-length cassettes . Each of these cassettes were universes unto themselves, each a slice of the one of a kind SCG universe. Three Lobed is honored to help bring some these long out of print titles to vinyl for the first time ever over a series of 2xLP releases. Remastered from original sources and packed within heavy gatefolds filled with never-before-seen vintage photos, these titles give fans - long time, long suffering, intrigued by the legend - the first real chance to hear these titles in over thirty years. Presented here are 'Extra-Sensory Defection' which was originally released in 1989 as 'Cloaven Cassette #22' and 'Graverobbing in the Future' which was originally released in 1989 as 'Cloaven Cassette #20'.

TRACK LISTING

1. Scarlet Prism Death Dance
2. Black Gobi
3. Live Crash
4. Mystery Panhandle
5. Wanna Go Up See Witches In The Hills Part 1
6. Wanna Go Up See Witches In The Hills Part 2

Having penned over 200 songs in the last six years, The Reds, Pinks and Purples release a collection of tracks previously unreleased on physical format that continues to romanticise the wonders and woes of the world.

With song titles that read like chapter sub-heads for a post-Douglas Coupland novella, ‘The Past Is A Garden I Never Fed’ takes The Reds, Pinks and Purples central orator Glenn Donaldson through the turmoil of small talk and everyday water cooler moments with a fine sense of pathos and irony.

Set to a soundtrack that swerves between the dark days of Television Personalities and Byrdsian twang to the Jarvis Cocker-styled rhetoric and vocal tenderness of ‘Richard In the Age Of The Corporation’ with hints of everything from Husker Du’s fuzzed splendour to the chiming majesty of The Chameleons it’s an empowering listen.

The pathos and irony of the glorious track ‘The World Doesn’t Need Another Band’ sets out the band’s store, it’s a measured and quietly outspoken rant at lacklustre opposition peppered with a gorgeous guitar break. Meanwhile, ‘I Only Ever Wanted To See You Fail’ rumbles with an Eddie And The Hot Rods pre-punk riff before dissolving into a tale of self-doubt and remorse, bemoaning others’ good luck. ‘Toxic Friend’ is from the book of the TVP’s Daniel Treacey with an upbeat chorus that smacks of all that was good in old school indie in a hail of fuzzy logic and guitars.

From humble beginnings as a home recording project, The Reds, Pinks and Purples has blossomed into a sporadic live unit with tours on both sides of the Atlantic and appearances at Pitchfork Fest London and Woodsist Fest as well as support slots for indie legends such as Destroyer, Guided By Voices, and The Feelies.

TRACK LISTING

1. The World Doesn’t Need Another Band
2. I Only Ever Wanted To See You Fail
3. A Figure On The Stairs
4. Slow Torture Of An Hourly Wage
5. Trouble Don’t Last
6. You’re Never Safe From Yourself
7. Your Cult Is On Fire
8. My Toxic Friend
9. Your Taste Makes You Strange
10. Marty As A Youth
11. What’s The Worst Thing You Heard?
12. No One Absolves Us In The End
13. Richard In The Age Of The Corporation
14. There Must Be A Pill For This

Too Slow To Disco are back with another chapter in their ongoing series of unearthing smooth vibes from all over the world, this time they go back to the FUTURE for you with: 'THE SUNSET MANIFESTO Volume 2'.

After a five year break mainly concentrating on the late 70s/early 80s Westcoast Soul/Yacht/AOR sound, they finally dive deep into the modern world of their beloved sister-label Too Slow To Disco NEO (for the third time after 2018s TSTD NEO - 'En France' and 2020s 'The Sunset Manifesto' excursions).

But of course it wasn't a real 5 year break since the first Sunset Manifesto compilation, as in the meantime they also released a few digital TSTD Neo singles, and - more importantly - their "Too Slow To Disco NEO - FM" playlist on spotify (handcurated by Dj Supermarkt every week and now hosting more than 1500 tracks of mellow, modern sunshine vibes) was growing steadily and becoming a new, important fixpoint in the TSTD musical universe.

TSTD NEO is the outlet Dj Supermarkt is using to unearth modern laidback, smooth, sunny slow disco vibes with a soulful Westcoast/Balearic touch. For him TSTD always has been about a laidback vibe/feeling, not a certain time period in musical history. And that sunny Westcoast vibe that they dug out on those traditional TSTD compilations has become a huge influence to so many modern artists. So it makes sense that they present the cream of new slo/mo Nu- Disco/Sunset Disco/Daytime Disco acts in the TSTD format, a luxurious compilation, with artists from all across the globe: Not only from the two homelands of that modern slow disco sound, Los Angeles/California and France, but also from Beijing, Montreal, Mexico, London, New York, Stockholm, Rotterdam… the moon, you name it! This music is more a state of mind, a feeling, then a geographical thing. 

TRACK LISTING

1. Lovetempo - Same Ole Love (365 Days A Year) (Extended Summer Breeze Mix)
2. Nicholas Cangiano - Falling Behind
3. Poolside - Ventura Highway Blues (Monsieur Van Pratt Dub)
4. Prep & Eddie Chacon - Call It (Turbotito Remix)
5. Moi Je - Découvre
6. Turbotito - Time Starts Moving Slow
7. Young Gun Silver Fox - Curious
8. B.U.M.P. - Give A Little Love A Lot
9. Woolfy Vs Projections - Seeds
10. 1-900 - Breakin' 84
11. Goodvibes Sound - Stay For One More Night (Matt Hughes Remix)
12. Moods & Nic Hanson - Music Never Looked So Good Good
13. BowAsWell - Over When The Night Is Gone
14. Joel Sarakula - Hands Of Love (Phil Martin Remix)
15. Kimchii - Do You Ever

Disco don The Reflex is back with a couple of signature reworks, and this time it is two giants of the disco world that are in the spotlight. First up, disco innovator Patrice Rushen's 'Time Will Tell' gets flipped into a paced, seductive disco sound with tambourines and big horns, funky drums and a nice falsetto vocal all getting you going. On the flip, Nubiyan Twist's 'Lights Out feat Nile Rodgers' slows things down and gets a little more saucy with noodling guitars, golden chords and sliding hi-hats all encouraging you to cut loose. Both of these are timeless revisions.

TRACK LISTING

Side 1
Patrice Rushen - "Time Will Tell" (The Reflex Revision)

Side 2
Nubiyan Twist - "Lights Out" (feat Nile Rodgers) (The Reflex Revision)

The Sound were a seminal English post-punk band formed in South London in 1979 by lead vocalist, guitarist, and songwriter Adrian Borland, alongside drummer Mike Dudley, bassist Graham Bailey, and keyboardist Benita “Bi” Marshall. Though their debut album 'Jeopardy' is now widely recognized as a cornerstone of the post-punk movement, the band struggled to achieve commercial success on par with their peers, ultimately disbanding in 1988.

Despite this, The Sound’s music has endured, earning a devoted cult following among fans of post-punk and alternative music. After the uncompromising sonic direction of their 1982 album 'All Fall Down', 1984’s 'Shock of Daylight' was celebrated as a triumphant return to form. The EP features some of the band’s most beloved material, including the singles 'Counting the Days' and 'Golden Soldiers'.

Now available for the first time in a deluxe 2CD gatefold format, this expanded edition includes: Disc One: The original 'Shock of Daylight' studio recordings. Disc Two: The Lost Demo Recordings – features tracks that’ve only recently come to light, offering a rare glimpse into the band’s creative process. Complete with unseen photos and lyrics.  

TRACK LISTING

CD1 – Shock Of Daylight:
1. Golden Soldiers
2. Longest Days
3. Counting The Days
4. Winter
5. “New Way Of Life”
6. Dreams Then Plans

CD2 – Restless Songs And Golden Soldiers
1. Golden Soldiers
2. A New Way Of Life
3. Counting The Days
4. Mining For Heart
5. Oiled
6. Steel Your Air
7. Fall Of Europe
8. Love Is Not A Ghost
9. Blood And Poison
10. Whirlpool

The Sound were a seminal English post-punk band formed in South London in 1979 by lead vocalist, guitarist, and songwriter Adrian Borland, alongside drummer Mike Dudley, bassist Graham Bailey, and keyboardist Benita “Bi” Marshall. Though their debut album 'Jeopardy' is now widely recognized as a cornerstone of the post-punk movement, the band struggled to achieve commercial success on par with their peers, ultimately disbanding in 1988.

Following on from their critically acclaimed 'Shock Of Daylight' EP, the Sound returned to the studio to record their fourth full length studio album 'Heads And Hearts'. Includes the singles ‘One Thousand Reasons’, ‘Temperature Drop’ and ‘Under You’.

Now available for the first time in a deluxe 2CD gatefold format, this expanded edition includes the original studio album split over two discs and complete with bonus tracks, unseen photos and lyrics.  

TRACK LISTING

1. Whirpool
2. Total Recall
3. Under You
4. Burning Part Of Me
5. Love Is Not A Ghost
6. Wildest Dreams
7. One Thousand Reasons
8. Restless Time
9. Mining For Heart
10. World As It Is
11. Tempurature Drop
12. Blood And Poison
13. Steel Your Air
14. Oiled
15. Shimmer

The Sound were a seminal English post-punk band formed in South London in 1979 by lead vocalist, guitarist, and songwriter Adrian Borland, alongside drummer Mike Dudley, bassist Graham Bailey, and keyboardist Benita “Bi” Marshall. Though their debut album 'Jeopardy' is now widely recognized as a cornerstone of the post-punk movement, the band struggled to achieve commercial success on par with their peers, ultimately disbanding in 1988

Recorded at the Marquee Club across two August nights in 1985, 'In The Hothouse' is the only live album released whilst the band were still active. The set draws on highlights from the group’s back catalogue as well as material from 'Heads And Hearts' which had been released a few months earlier. Includes tracks 'Winning', 'Skeletons' & 'Sense Of Purpose'.

Now available for the first time in a deluxe 2CD gatefold format, this expanded edition includes the original live album split over two discs and complete with bonus tracks, unseen photos and lyrics. 

TRACK LISTING

1. Winning
2. Under You
3. Total Recall
4. Skeletons
5. Prove Me Wrong
6. Wildest Dreams
7. Burning Part Of Me
8. Heartland
9. Hothouse
10. Judgement
11. Counting The Days
12. Red Paint
13. Silent Air
14. Sense Of Purpose
15. Missiles

Recorded on the stairway of Jack White’s home in the Indian Village neighborhood of Detroit, 'Get Behind Me Satan' sees The White Stripes at their most experimental, creative best, augmenting their traditional sound of guitar, drums, and piano with marimba, tympani, mandolin, bells, and more. Not commercially released on vinyl until 10 years after its initial 2005 release, the album made a Top 3 debut on album charts in the US, the UK, Canada, and Australia and earned global acclaim thanks to its unique rhythmic approach and such classic singles as 'Blue Orchid', the GRAMMY® Award-nominated 'My Doorbell', and 'The Denial Twist', all three of which proved Top 10 hits on the UK’s Official Singles Chart. Hailed by Rolling Stone for “twisting a variety of American music styles to their own emotional purpose…the music is so wild, it could make you weep over how pitilessly the White Stripes keep crushing the other bands out there,” 'Get Behind Me Satan' went on to earn RIAA Gold certification in the US, Platinum certification in the UK and Canada, and The White Stripes’ second consecutive GRAMMY® Award for “Best Alternative Album.”

TRACK LISTING

1. Blue Orchid
2. The Nurse
3. My Doorbell
4. Forever For Her (Is Over For Me)
5. As Ugly As I Seem
6. The Denial Twist
7. White Moon
8. Instinct Blues
9. Passive Manipulation
10. Take, Take, Take
11. Little Ghost
12. Red Rain
13. I’m Lonely (But I Ain’t That Lonely Yet)

After more than a decade of music-making, Durand Jones & The Indications have blossomed as a unit and are basking in their successes. On their aptly titled new album, 'Flowers', The Indications unfurl their true colors — embracing all their roots and influences, maturation and confidence, and share them with the world.

Since forming in 2012, the road has taken The Indications from those origins at Indiana University, Bloomington to the global stage, selling out shows across Europe, Japan, Australia, and New Zealand to the West Coast— where DJI has a strong following among the lowrider and vintage soul enthusiasts.

For as far as Durand Jones & The Indications have come, 'Flowers' grew from the desire to return to their roots in a Bloomington basement, a space where they first found camaraderie in gritty funk and Southern soul that would inspire their self-titled debut. Pulling sonically and spiritually from each of the group's previous releases and solo work, Flowers is the next stage of DJI's inspired soulful discography. DJI are not only accepting their flowers, but indulging in their sweet and sexy fragrance.

TRACK LISTING

1. Flowers
2. Paradise
3. Lovers' Holiday
4. I Need The Answer
5. Flower Moon
6. Really Wanna Be With You
7. Been So Long
8. Everythin
9. Rust And Steel
10. If Not For Love
11. Without You

Me Lost Me - the project of Newcastle-based artist Jayne Dent - delights in experimenting with songwriting, creating a beguiling mix of soaring vocals and atmospheric electronics that playfully push the boundaries of genre.

On Me Lost Me’s fourth full-length, 'This Material Moment' - arriving on Upset the Rhythm - she has created an “emotionally raw” album, her most honest and vulnerable yet.

Concerned with physicality, interpretations, and, yes, materiality, 'This Material Moment' is an album akin to rummaging through a box of long-forgotten trinkets. With each song, Me Lost Me extracts something from the box and asks us to consider it from every angle. "This is an album which uses words as a material, a playful tool for experimentation, full of metaphor, abstraction and analogies.” Jayne says, “it has softness and anger, humour, hope and despair, intensity of feeling in all directions expressed as textures, objects, places."

With the release of 'This Material Moment' Me Lost Me puts into practice the automatic writing techniques she developed during a workshop with Julia Holter, and in the process has spun her music in different directions that draws on poetry, psalms and using mesostic poems and phonetic translations to generate words. “Despite the chance-based writing strategies throughout, it feels like the most emotionally raw album I've ever made,” she says, likening the process to a Rorschah test which revealed things to her she wasn’t expecting to express. “I wanted to hide in stories, but I saw things plainly when I tried to write.” Having finished the writing process, Jayne realised that she had an unexpectedly personal album on her hands, into which her feelings of burnout and overwhelm had crept unconsciously. “Several of the songs for me express a kind of inner conflict, where you’re trying to keep hope and desire and beauty and art near to your heart, to live a meaningful life, but finding that increasingly hard to hold onto in a world that’s so fucked up.”

Whilst Jayne Dent’s music as Me Lost Me has previously presented time stretching back and forwards in opposition (noticeably on 2023’s album 'RPG'), on This Material Moment she does away with linearity altogether, evoking rather than narrating, and presenting feelings, happenings and moods with no clear beginning or end point - “like experiencing a vista, trying to capture a moment that is unfolding all at once”. Instead, each track on 'This Material Moment' exists entirely in media res, adjacent to past and future, and instead sprawling across the endless now.

'This Material Moment' was written and arranged solo, but played with a core band of John Pope on electric/double bass, Faye MacCalman on clarinet, and now with the addition of Ewan Mackenzie (Dextro/Pigs x7) on drums - bringing in live drums and electric bass for the first time. The album was recorded by Sam Grant at Blank Studios in Newcastle, who also worked on 'RPG'.

TRACK LISTING

1. Useful Analogies
2. Compromise!
3. Lasting, Not To Last
4. A Painting Of The Wind
5. Still Life
6. A Souvenir
7. Ancient Summer
8. Take It On Board
9. A Small Hand, Clamped
10. An Affirmation
11. Vanishing Point
12. Have You Been Changing?

'All The Young Droids: Junkshop Synth Pop 1978-1985' is a new compilation that charts the underbelly of the epoch-defining sound of the synthesiser in 80s popular music. Compiled by Philip King (previously seen compiling All The Young Droogs, Glitterbest and Boobs - The Junkshop Glam Discotheque), the music here connects the dots between DIY synth enthusiasts grappling with new, cheap synthesisers at the tail-end of punk and wannabe, jobbing songwriters enthral to the new music pioneered by Gary Numan, Depeche Mode and Daniel Miller’s Mute Records. Featuring rare tracks of auto-didactic progressive pop music, proto-techno punk, shoot-for-the-stars-land-in-the-gutter chart flops and heralded, underground synth classics, School Daze paints a picture of beautiful failure.

Complete with extensive sleeve notes written by King and never before seen imagery, all 24 tracks were remastered by RPM in-house engineer Simon Murphy, many from vinyl copies due to lost master tapes. The story told on All The Young Droids is one of the dawning opportunity presented by both the emergence to the market of cheaper analog synthesisers and the distribution networks plus indie labels that exploded with the advent of punk music in 1976. While the music that sprouted out all over the globe in the wake of these factors was decried as fake, plastic, a refutation of punk’s guitar-led revolution, it’s telling that much of the music on All The Young Droids.. was created in bedrooms, ramshackle studios and home-made set ups with often borrowed equipment. In the era of record labels jumping to capitalise on the success of The Sex Pistols, The Clash (both on major labels, of course) these artists struggled to stand out from a new gold-rush with next to no budget or PR team. With radio and labels desperate for the new Yazoo, what resulted was a testament to necessity being the mother of invention.

At the time, the synthesiser was the music of the future, a shiny new machine that could paint like an orchestra with a single finger and a 4-track. In the hands of Manchester avant-pranksters Gerry & The Holograms it’s a pulsing, sardonic weapon.. the only instrument on the Messthetics classic lampooning of New Wave fashion. In Hamburg, a 16 year old Andreas Dorau used it to write and record (with his female classmates on vocals) a global smash in Fred Vom Jupiter (later licensed to Mute Records). The hard-to-find English version (Fred From Jupiter, natch) is included here. Many artists with already-storied careers caught the bug and recorded synthesiser-fuelled peons to space, computers, the future and, of course, love-interests. Harry Kakoulli, late of Squeeze, recorded a solo album in 1979 that included the incredible power-synth-pop smash-that-never-smashed I’m On A Rocket. Similarly, Ian North of Neo and American Power Pop stalwarts Milk ’n’ Cookies bought a Korg MS20 and used a tape machine to record We’re Not Lonely, an absolute lost-classic of minimal synth pop. We’re Not Lonely also features on the Junkshop Synth Pop sampler 7” twinned with John Howard unreleased track You Will See, released April 12th 2025.

There are plenty of compilation debuts in evidence. Sole Sister were a mysterious trio who were featured on the Scaling Triangles compilation of female-fronted, queer-adjacent post-punk / underground music that also featured The Petticoats. Selwin Image were from San Francisco and featured members of the recently defunct power pop/punk group The Pushups. Their stupidly catchy The Unknown fizzes with New Wave energy - think XTC to Sparks but remains unreleased until now. Dream Unit’s A Drop In The Ocean is an early synth wave cut, positively teaming with Joy Division instrumentation, previously only released on a long-forgotten and super rare, self-released EP. Incandescent Luminaire’s Famous Names belies an archetypal struggle of a small-town trying to make it in a cruel industry but is a thrilling New Romantic-Synth Wave cross over with a OMD gloominess that’s a joy to hear. Feminist Minimal Wave track I Am A Time Bomb by performance artist Peta Lilly and Michael Chance is a revelation destined for new found cult status. It was released on 7” and lost until now.

The flipside to the subterranean, never-made-it synth pop mentioned above are the ambitious, even fruity attempts at success that have a perennial elegance to their confidence. New Jersey-ite Billy London (real name Ed Barth) tried to cash in on the synth boom with Woman, released by a major label, a lurching new wave track built on the Louie Louie rhythm and a wonderfully camp Lou Reed-style sleazy vocal before exploding in the synthesised chorus. The song bombed but with a chorus like this, you have to wonder why? Ex-Glitter Band member John Springate’s My Life is truly epic, with doomed chord progressions and massive sounding drums turning into at least 3 different songs in the course of the track. Before you wonder what’s going on the song resolves with a glorious return to the main refrain.

The dry-ice-dressed dance floor is well catered for too. Design’s Premonition and Vision’s Lucifer’s Friend are stone-cold minimal synth bangers, well loved but given a new lease of life here. The Warlord’s The Ultimate Warlord was released in 1978, a homespun proto Hi NRG banger that was later re-recorded by The Immortals in Canada who had a club hit with it. One-man- band Disco Volante’s No Motion was re-issued by Synth wave label Medical in 2012 but makes its first vinyl compilation appearance here. Close your eyes and you can imagine what Lawrence of Felt would have sounded like with some cheap Korgs a little earlier in his career. Gibraltar-based trio The Microbes imagined a computer programming people to dance - how prescient - and ended up with a propulsive, robo-funk track with splendid rubbery bass playing over a tectonic drum machine. Previously picked up by Belgian label Stroom TV, Dee Jay Bert & Eagle’s heavily Euro-accented I Am Your Master demands the listener to “come to paradise!” In a frankly terrifying manner. All The Young Droids is the first compilation to peel away from the narrative that dour, Minimal Synth and Cold Wave were the only musical children of the first rush of synth pop. Philip King and School Daze Records describe a much more complicated world: along with the austere, Brutalist children of Daniel Miller (who produced Alan Burnham’s Bowie-Low-influenced Science Fiction here) was a plethora of desperate cash-ins, accidental mainstream hits, ambitious pop dramas and major label punts that went nowhere. Crucially, the compilation blurs the line between junk and treasure. What if the two things are interchangeable. What if it’s all science fiction?

TRACK LISTING

1. Design - Premonition
2. Vision - Lucifer’s Friend
3. Richard Bone - Alien Girl
4. John Howard - I Tune Into You
5. Ian North - We’re Not Lonely
6. Selwin Image - The Unknown
7. Harry Kakoulli - I’m On A Rocket
8. Rich Wilde - The Lady Wants To Be Alone
9. Billy London - Woman
10. Alan Burnham - Science Fiction
11. The Microbes - Computer
12. The Goo-Q - I’m A Computer
13. Gerry & The Holograms - Gerry & The Holograms
14. The Warlord - The Ultimate Warlord
15. Die Marinas - Fred From Jupiter
16. Dee Jay Bert & Eagle - I Am Your Master
17. Peta Lily & Michael Process - I Am A Time Bomb
18. Sole Sister - It’s Not What You Are But How
19. Alasdair Riddell - Do You Read Me?
20. Karel Fialka - Armband (The Mystery Song)
21. John Springate - My Life
22. Incandescent Luminaire - Famous Names
23. Disco Volante - No Motion
24. Dream Unit - A Drop In The Ocean

The Cure are arguably the biggest alternative rock band in the world. Their popularity is not limited to any one country, or even continent. Between 1985 and 2000 every album they released went to at least Gold in the UK, the US or both. In America they have earned four Platinum albums, and they are estimated to have sold 30 million albums worldwide. Their iconic status as elder statesmen of Alternative Rock remains undiminished - if anything, their tireless touring has ensured that it has grown with every passing year - and lead singer Robert Smith is an endlessly fascinating figure to successive generations of fans. The Cure's influence reverberates through genres including Emo, Goth, Industrial and Indie Rock.

The book is an encyclopaedic A-Z of The Cure examining and riffing on miscellaneous trivia, biographies of the band members past and present, summaries of each album and selected songs, details of the band's various tours and films, and essays on broader topics such as their image, their politics and their influences. Playful, eccentric and irreverent - true to the spirit of the band itself - CUREPEDIA is a comprehensive biography of one of the biggest alternative rock bands in the world.

Seven unheard Bruce Springsteen records made between 1983–2018. Featuring 82 previously unreleased songs, 'The Lost Albums' fill in chapters of Springsteen’s expansive career timeline, while offering invaluable insight into his life and work as an artist. “'The Lost Albums' were full records, some of them even to the point of being mixed and not released,” said Springsteen. “I’ve played this music to myself and often close friends for years now. I’m glad you’ll get a chance to finally hear them. I hope you enjoy them.”

From the lo-fi exploration of LA Garage Sessions ’83, serving as a crucial link between 'Nebraska' and 'Born in the U.S.A'., to the drum loop and synthesizer sounds of 'Streets of Philadelphia Sessions', 'The Lost Albums' offer unprecedented context to 35 prolific years of Springsteen’s songwriting and home recording. “The ability to record at home whenever I wanted allowed me to go into a wide variety of different musical directions,” Springsteen explained. Throughout the set, that sonic experimentation takes the form of film soundtrack work (for a movie that was never made) on 'Faithless', country combos with pedal steel on 'Somewhere North of Nashville', richly woven border tales on 'Inyo', orchestra driven, midcentury noir on 'Twilight Hours' and E Street favored rock on 'Perfect World'.

TRACK LISTING

LA GARAGE SESSIONS ’83:
1. Follow That Dream
2. Don’t Back Down On Our Love
3. Little Girl Like You
4. Johnny Bye Bye
5. Sugarland
6. Seven Tears
7. Fugitive’s Dream
8. Black Mountain Ballad
9. Jim Deer
10. County Fair
11. My Hometown
12. One Love
13. Don’t Back Down
14. Richfield Whistle
15. The Klansman
16. Unsatisfied Heart
17. Shut Out The Light
18. Fugitive’s Dream (Ballad)

STREETS OF PHILADELHIA SESSIONS:
1. Blind Spot
2. Maybe I Don’t Know You
3. Something In The Well
4. Waiting On The End Of The World
5. The Little Things
6. We Fell Down
7. One Beautiful Morning
8. Between Heaven And Earth
9. Secret Garden
10. The Farewell Party

FAITHLESS:
1. The Desert (Instrumental)
2. Where You Goin’, Where You From
3. Faithless
4. All God’s Children
5. A Prayer By The River (Instrumental)
6. God Sent You
7. Goin’ To California
8. The Western Sea (Instrumental)
9. My Master’s Hand
10. Let Me Ride
11. My Master’s Hand (Theme)

SOMEWHERE NORTH OF NASHVILLE:
1. Repo Man
2. Tiger Rose
3. Poor Side Of Town
4. Delivery Man
5. Under A Big Sky
6. Detail Man
7. Silver Mountain
8. Janey Don’t You Lose Heart
9. You’re Gonna Miss Me When I’m Gone
10. Stand On It
11. Blue Highway
12. Somewhere North Of Nashville

INYO:
1. Inyo
2. Indian Town
3. Adelita
4. The Aztec Dance
5. The Lost Charro
6. Our Lady Of Monroe
7. El Jardinero (Upon The Death Of Ramona)
8. One False Move
9. Ciudad Juarez
10. When I Build My Beautiful House

TWIGHLIGHT HOURS:
1. Sunday Love
2. Late In The Evening
3. Two Of Us
4. Lonely Town
5. September Kisses
6. Twilight Hours
7. I’ll Stand By You
8. High Sierra
9. Sunliner
10. Another You
11. Dinner At Eight
12. Follow The Sun

PERFECT WORLD:
1. I’m Not Sleeping
2. Idiot’s Delight
3. Another Thin Line
4. The Great Depression
5. Blind Man
6. Rain In The River
7. If I Could Only Be Your Lover
8. Cutting Knife
9. You Lifted Me Up
10. Perfect World

'Lost And Found: Selections From The Lost Albums' is a curated collection of 20 previously unreleased songs from Springsteen's 'Tracks II: The Lost Albums' box set.

These recordings illuminate key chapters in Springsteen's storied career, offering fans unprecedented insight into his creative process. "The Lost Albums were full records, some of them even to the point of being mixed and not released," Springsteen reveals. "I've played this music to myself and often close friends for years now. I'm glad you'll get a chance to finally hear them. I hope you enjoy them."

Journey through Springsteen's sonic evolution, from the raw, lo-fi 'LA Garage Sessions '83' that bridges 'Nebraska' and 'Born in the U.S.A'., to the innovative drum loops and synthesizers of 'Streets of Philadelphia Sessions'. This collection spans 35 prolific years of Springsteen's songwriting and home recording experiments. "The ability to record at home whenever I wanted allowed me to go into a wide variety of different musical directions," Springsteen explains.

The compilation showcases his versatility across genres: unreleased film soundtrack work from 'Faithless', soulful country arrangements with pedal steel from 'Somewhere North of Nashville', richly textured border tales from 'Inyo', orchestral mid-century noir from 'Twilight Hours', and signature E Street rock from 'Perfect World'.

TRACK LISTING

1. Follow That Dream
2. Seven Tears
3. Unsatisfied Heart
4. Blind Spot
5. Something In The Well
6. Waiting On The End Of The World
7. Faithless
8. God Sent You
9. Repo Man
10. Detail Man
11. You’re Gonna Miss Me When I’m Gone
12. The Lost Charro
13. Inyo
14. Adelita
15. Sunday Love
16. High Sierra
17. Sunliner
18. I’m Not Sleeping
19. Rain In The River
20. You Lifted Me Up

The Nigerian princesses of afro-funk arrived on the international scene with 1976’s 'Danger' and never looked back. Produced by multi-instrumentalist Adeniyi “Biddy” Wright, the six-song LP is a low-slung affair, awash in dreamy psychedelic guitar, crisp hi-hat shuffles, and telepathic harmony vocals from twins Taiwo and Kehinde. This 2025 remaster is housed in a deluxe tip-on jacket and includes lyrics in both Yorurban and English. Danger, danger, danger please come on back.

TRACK LISTING

1. Danger
1. Amebo
3. Life’s Gone Down Low
4. Cashing In
5. Bobby
6. Lord Have Mercy

• ‘Middle Class Revolt’ was originally released in 1994 and was the band 16th studio album.

• This edition contains singles, demos as well as a BBC session and three live shows from the era.

• This Set as with the other Fall reissues has been compiled in conjunction with Fall expert Conway Patton and has notes by Fall guru Daryl Easlea.

• Mastered by long time engineer Andy Pearce with art by Becky Stewart. The Fall are an English post-punk band, formed in Manchester in 1976. The band has existed in some form ever since, and is essentially built around its founder and only constant member Mark E. Smith. Initially associated with the punk movement of the late 1970s, the group's music has gone through several stylistic changes over the years, but is often characterised by an abrasive guitar-driven sound and frequent use of repetition, and is always underpinned by Smith's distinctive vocals and often cryptic lyrics.

The band is noted for its prolific output having released over 25 studio albums, and more than triple that counting live albums and other releases. They have never achieved widespread public success beyond a handful of minor hit singles in the late 1980s, but have maintained a strong cult following. The band were long-associated with BBC disc jockey John Peel, who championed them from early on in their career and cited The Fall as his favourite band, famously explaining, "They are always different; they are always the same."

The Fall
Mark E. Smith – Vocals, Tapes
Craig Scanlon – Guitar
Steve Hanley – Bass Guitar, Backing Vocals
Simon Wolstencroft – Drums, Programming
Karl Burns – Drums, Percussion, Guitar, Vocals
Dave Bush – Keyboards, Programming, Whistle, Backing Vocals

Additional personnel
John Peel – voice on "Symbol of Mordgan"

TRACK LISTING

DISC ONE: Middle Class Revolt
1 15 Ways
2 The Reckoning
3 Behind The Counter
4 M5#1
5 Surmount All Obstacles
6 Middle Class Revolt!
7 War
8 You're Not Up To Much
9 Symbol Of Mordgan
10 Hey! Student
11 Junk Man
12 The $500 Bottle Of Wine
13 City Dweller
14 Shut Up!

DISC TWO: Singles
1 Behind The Counter - Permanent Singles PERM 13 & 14
2 War - Permanent Singles PERM 13 & 14
3 Cab Driver - Permanent Singles PERM 13 & 14
4 M5 - Permanent Singles PERM 13 & 14
5 Happy Holiday - Permanent Singles PERM 13 & 14
6 Behind The Counter (Remix) - Permanent Singles PERM 13 & 14
7 15 Ways - Permanent Singles PERM 13 & 14
8 Happy Holiday - Promo Mix
9 Middle Class Revolt - The Drum Club Prozac Mix
10 Middle Class Revolt - The Drum Club Orange In The Mouth Mix
11 Middle Class Revolt - Rex Sargeant Mix
12 Surmount All Obstacles - Rex Sargeant Mix
13 M5 - John Peel Session #17 - 12/1/94
14 Behind The Counter - John Peel Session #17 - 12/1/94
15 Reckoning - John Peel Session #17 - 12/1/94
16 Hey! Student - John Peel Session #17 - 12/1/94

DISC THREE: Shepherds Bush Empire - 29-Apr-94
1 Surmount All Obstacles
2 Behind The Counter
3 The Reckoning
4 15 Ways
5 M5
6 You're Not Up To Much
7 Ladybird (Green Grass)
8 Hey! Student
9 War
10 Big New Prinz

DISC FOUR: Shepherds Bush Empire 29-Apr-94
1 Middle Class Revolt
2 Happy Holiday
3 British People In Hot Weather
4 Glam Racket
5 Free Range
6 I'm Frank
7 Strychnine
8 A Past Gone Mad
9 Return

DISC FIVE: Live At The Assembly Rooms, Derby 1994
1 Long Intro Start!
2 M5
3 15 Ways
4 The Reckoning
5 You're Not Up To Much
6 Behind The Counter
7 Surmount All Obstacles
8 Ladybird (Green Grass)
9 War
10 Free Range
11 Middle Class Revolt
12 Glam-Racket
13 Hey! Student
14 Return
15 Dead Beat Descendant
16 Life Just Bounces

DISC SIX: Live @ Tramps New York 10th September 1994
1 Behind The Counter
2 M5
3 15 Ways
4 Reckoning
5 Free Range
6 Ladybird (Green Grass)
7 War
8 Big New Prinz
9 Middle Class Revolt
10 Lost In Music
11 Glam Racket
12 L.A.
13 Dead Beat Descendant 

A lush, energizing contemporary pop record, built on heart-swelling minimal/maximal electronic production + deep feels. Reality’s breaking and rebirth is happening, one day at a time – essential asks deconstructed and refitted in new ways. Unconventional songwriting/performance duo Sharpie Smile ride inspired waves of futurist sound art, a dreamy, ethereal vision-quest through serpentine soul-terrain. RIYL: SOPHIE, 100 gecs, Ouklou

TRACK LISTING

1. Bells
2. Disappears
3. The Slide
4. Answer
5. Love Or Worship
6. So Far (Feat. Leng Bian)
7. Brick Or Stone
8. New Flavor
9. The Letter
10. The Staircase

Jeff Parker’s 2016 album 'The New Breed' was a turning point for both Parker and for International Anthem, changing the trajectory of his solo career as well as drawing an abundance of attention to our fresh imprint despite our then very limited catalog. Most importantly though, the album is the first to give voice to Parker’s wholly unique take on sample-based beat construction augmented by a crack squad of improv-savvy LA breezers—the high-level crew of Paul Bryan (bass), Josh Johnson (alto sax), and Jamire Williams (drums), augmented by Jay Bellerose (drums) and Ruby Parker (vocals).

What began as Jeff’s interest in understanding his own idea of hip-hop processes (and how they related to his work in jazz) expanded into a blueprint for much of his work since then. (see also: 'The New Breed’s rock-solid followup 'Suite For Max Brown', the gentle deconstructionist solo guitar of 'Forfolks', and the long-form slow bloom dub improvisation of 'The Way Out of Easy' — all released via International Anthem)

The IA11 Edition LP features our IARC 2025 obi strip, plus a new 16-page 11x11" insert booklet with unpublished session photos, new liner notes by New Breed bassist / co-producer Paul Bryan, and an in-depth conversation between JP and IARC co-founder Scott McNiece.

TRACK LISTING

1. Executive Life
2. Para Ha Tay
3. Here Comes Ezra
4. Visions
5. Jrifted
6. How Fun It Is To Year Whip
7. Get Dressed
8. Cliché

The Bluebells’ 'Sisters' is a perfect snapshot of early ’80s “Sound of Young Scotland”: Glasgow indie pop with bittersweet spirit, sharp hooks, and heartfelt harmonies. Signing to the then-nascent London Records, and working with a procession of esteemed producers (including Elvis Costello who became a mentor and teacher to the band), The Bluebells enjoyed three UK hits in the 1980s (‘Cath’, ‘Young at Heart’ and ‘I’m Falling’) before touring widely throughout Europe and North America, developing their live sound and signing to Seymour Stein’s Sire Records in the U.S.

A decade later in 1993 that ‘Young at Heart’ hit the U.K. No 1 spot following its use as a T.V. advert for Volkswagen. Fast forward to this decade The Bluebells have reformed with a flurry of shows across the past two years including a triumphant return to Glasgow at Barrowlands for Celtic Connects, and just announced for the Acoustic Stage for Glastonbury Festival 2025.
 
This new edition of 'Sisters' has been remastered and produced in consultation with the band, using the best audio sources available, including non-album singles and B-sides, bonus tracks from the original cassette edition and new liner notes from Will Hodgkinson. 

TRACK LISTING

LP Tracklisting:
1. Everybody’s Somebody’s Fool (Alternative Version)
2. Young At Heart
3. I’m Falling
4. Will She Always Be Waiting
5. Some Sweet Day
6. Cath
7. H.O.L.L.A.N.D.
8. Red Guitars
9. Syracuse University
10. Learn To Love
11. The Patriot Game
12. South Atlantic Way (Full)
13. Aim In Life
14. Forevermore
15. Cath (Extended Version)
16. All I Ever Said
17. Fall From Grace
18. Sugar Bridge
19. Happy Birthday (Turn Gold)
20. Everybody’s Somebody’s Fool (Original Album Version)
21. Young At Heart (Extended Version)
22. Tender Mercy
23. All I Am (Is Loving You)
24. The Ballad Of Joe Hill
25. Goodbye And Good Luck (BBC Session, 29th Nov ’81)
26. Young At Heart (Club Remix ‘93)

CD/DVD Tracklisting:

CD1 - The Album, Plus Bonus Tracks:
1. Everybody’s Somebody’s Fool (Alternative Version)
2. Young At Heart 
3. I’m Falling
4. Will She Always Be Waiting 
5. Some Sweet Day 
6. Cath (Longer Version) 
7. H.O.L.L.A.N.D. 
8. Red Guitars 
9. Syracuse University 
10. Learn To Love 
11. The Patriot Game 
12. South Atlantic Way (Full) 
13. Aim In Life 
14. Forevermore (7” Version) 
15. Sugar Bridge (7” Version) 
16. All I Am (Is Loving You) (12” Version)
17. The Ballad Of Joe Hill 
18. Forever Yours, Forever Mine (Dub Version) 
19. Cath (US Remix) 
 
CD2 – B-Sides And Single Mixes:
1. Forevermore 
2. Everybody’s Somebody’s Fool (Original Album Version) 
3. Cath (12” Version) 
4. All I Ever Said 
5. Fall From Grace
6. Sugar Bridge (Extended Version) 
7. Happy Birthday (Turn Gold) 
8. I’m Falling (US Edit) 
9. Young At Heart (Extended Version) 
10. Tender Mercy 
11. Wishful Thinking (Will She Always Be Waiting) 
12. Smalltown Martyr 
13. All I Am (Is Loving You) (7” Version)
14. Everybody’s Somebody’s Fool (Original April ‘82 Version)
15. Happy Birthday (Turn Gold) (Alternate Version)
16. All I Am (Is Loving You) (Robert’s Edit)
17. Everybody’s Somebody’s Fool (No Strings Version)
18. Young At Heart (Club Remix)
 
CD3 - Sessions, Live & Early Versions:
1. Goodbye And Good Luck (Kid Jensen Session, 1981)
2. Happy Birthday (Kid Jensen Session, 1981)
3. Oh Dear (Kid Jensen Session, 1981)
4. You’re Gonna Miss Me (Kid Jensen Session, 1981)
5. Everybody’s Somebody’s Fool (Kid Jensen Session, 1982)
6. Some Sweet Day (Kid Jensen Session, 1982)
7. Sugar Bridge (Kid Jensen Session, 1982)
8. Wishful Thinking (Kid Jensen Session, 1982)
9. Learn To Love (Kid Jensen Session, 1983)
10. Red Guitars (Kid Jensen Session, 1983) 
11. Smalltown Martyr To Love (Kid Jensen Session, 1983)
12. Young At Heart (Kid Jensen Session, 1983)
13. Sugar Bridge (Early Version, 1982) 
14. East Green (Early Version, 1981) 
15. Lifeboat (Live At Camden Palace, 1985) 
16. Honest John (Live At Camden Palace, 1985) 
17. Forevermore (Early Version, 1981)
18. Cath (Live At Camden Palace, 1985) 
19. I’m Falling (Live At Camden Palace, 1985)  
20. All I Am (Is Loving You) (Live At Camden Palace, 1985) 
21. Sugar Bridge (Live At Camden Palace, 1985) 
22. Young At Heart (Live At Camden Palace, 1985)
 
DVD - Promotional Videos And BBC TV Appearances:

Music Videos:
1. Cath
2. I’m Falling 
3. Young At Heart
4. Cath (Remix) 
5. All I Am (Is Loving You) 
The Old Grey Whistle Test:
6. Forevermore 
7. Everybody’s Somebody’s Fool 
8. Red Guitars 
Top Of The Pops:
9. I’m Falling 
10. Young At Heart

Further explorations into the deep space of the future/past by two master- improvisors who compose their wordless paintings out of thin air. Their collaborative powers are nowhere near their peak and this voyage takes them further into the Uncharted. These pieces unfold as revelatory mind blooms. Creating a canopy of sound forms inside which they speak the rarifi ed language of world creating. This isn’t just music, it’s a journey without maps, Inside.

This new LP takes Nelson & Kramer deep under the earth's seas, pulling the listener down beside them as they explore the uncharted currents that fuel the human imagination, fl uid, always moving, and always changing. It is an excursion into the lowest depths of Ambient Music, and a new beginning from the very place where life itself began. The fl oor of the ocean has a new sound, and it is breathtakingly beautiful.

TRACK LISTING

1. In The Time It Takes To Drown
2. John The Baptist Was A Creature Of Habit
3. Under The Mariana Trench
4. The Double Life Of A Seahorse
5. Lamenting The Colours Of Melting Ice
6. If A River Runs Through It
7. Clouds Over The Rain In Spain
8. Blind To The Last Of Its Kind

Originally issued on Parlophone in January 2006, 'Keys To The World' was Ashcroft's first release in four years, coming soon after he had guested with Coldplay at Live 8 - Released at the height of CD's popularity, 'Keys To The World' is available on vinyl for the first time and is pressed on audiophile 180g vinyl in gatefold sleeve.

Chris Martin introduced Ashcroft singing 'Bitter Sweet Symphony' at Live 8 saying it was "probably the best song ever written, and here's the best singer in the world." 'Keys To The World' was a very welcome return, reaching No 2 in the UK charts and being certified Platinum.

The album certainly has a spring in its step – 'Why Not Nothing' blasts the album off, with strings and saxes over a northern soul beat. With its sample of Walter Jackson's 'It's All Over', 'Music Is Power' is one of Ashcroft's best songs – another where he celebrates the command that popular music has had over him. The catchy, incessant 'Break The Night With Colour' – the album's first single – placed him back in the UK Top 10; with it vocal samples and ominous string bed, the title track is powerful, topped with a passionate vocal. 'Sweet Brother Malcolm' is one of Ashcroft's most poignant numbers, inspired by the flowers and tributes that amass on suburban lampposts after a tragic occurrence.

TRACK LISTING

1. Why Not Nothing?
2. Music Is Power
3. Break The Night With Colour
4. Words Just Get In The Way
5. Keys To The World
6. Sweet Brother Malcolm
7. Cry Til The Morning
8. Why Do Lovers?
9. Simple Song
10. World Keeps Turning

In 1976 the seminal line-up of Motorhead was solidified a year after the band’s initial inception. The ‘three amigos’ era of Motorhead; Lemmy (bass/vocals), Fast Eddie Clarke (guitar) and Phil ‘Philthy Animal’ Taylor joined forces and began their extraordinary journey to the top of the hard rock elite.

In August 1976 the band set up at Emerson, Lake & Palmer’s legendary Manticore Studio in Fulham to rehearse and showcase the new lineup. While they were there they recorded together for the very first time and now 49 years later, the long lost tape has been discovered, dusted off and restored in all it’s raw glory, to celebrate the bands 50th anniversary.

Available on a classic black 1LP, CD and as a deluxe expanded 2LP bookpack, all formats include additional alternate takes and instrumentals for a unique insight into the birth of this legendary band.

Additionally the deluxe bookpack comes with an extra bonus LP - the classic bonus Live: Blitzkrieg on Birmingham ‘77 as well as a bonus 7” featuring two previously unreleased tracks live at Barbarellas Birmingham in 1977. There’s also a 24 page booklet with liner notes from long-time collaborator Kris Needs. "

TRACK LISTING

CD TRACKLIST:
1. Intro (Instrumental)
2. Leavin' Here
3. Vibrator
4. Help Keep Us On The Road
5. The Watcher
6. Motorhead
7. Witch Doctor (Instrumental)
8. Iron Horse / Born To Lose (Instrumental)
9. Leavin' Here (Alternate Take)
10. Vibrator (Alternate Take)
11. The Watcher (Alternate Take)

DELUXE BOOKPACK LP TRACKLIST:
Disc 1: LP1 – The Manticore Tapes
1. Intro (Instrumental)
2. Leavin' Here
3. Vibrator
4. Help Keep Us On The Road
5. The Watcher
6. Motorhead
7. Witch Doctor (Instrumental)
8. Iron Horse / Born To Lose (Instrumental)
9. Leavin' Here (Alternate Take)
10. Vibrator (Alternate Take)
11. The Watcher (Alternate Take)

Disc 2: LP2 - Live: Blitzkrieg On Birmingham '77
1. Motorhead
2. Vibrator
3. Keep Us On The Road
4. The Watcher
5. Iron Horse
6. Leaving Here
7. On Parole
8. I'm Your Witchdoctor
9. Train Kept A-Rollin'
10. City Kids
11. White Line Fever

Disc 3: 7” - Live At Barbarella's Birmingham '77
1. Motorhead
2. Keep Us On The Road

BLACK LP TRACKLIST:
1. Intro (Instrumental)
2. Leavin' Here
3. Vibrator
4. Help Keep Us On The Road
5. The Watcher
6. Motorhead
7. Witch Doctor (Instrumental)
8. Iron Horse / Born To Lose (Instrumental)
9. Leavin' Here (Alternate Take)
10. Vibrator (Alternate Take)
11. The Watcher (Alternate Take)

A white ship sailing in a sea of blackness, Codeine’s swan song arrived in 1994amid grunge’s ascension to alt radio’s godhead status. John Engle’s guitar alternates between crystalline and sludge, and Stephen Amersham’s distorted bass floats on top of punishing drums from newcomer Doug Scharin (Rex, June of44), resulting in nine perfect meditations on the loneliness and uncertainty of early adulthood. “Codeine’s unyielding numbness creates its own kind of warmth — the feeling of cold water running for so long that it suddenly feels hot.” —Spin

TRACK LISTING

1. Sea
2. Loss Leader
3. Vacancy
4. Kitchen Light
5. Washed Up
6. Tom
7. Ides
8. Wird
9. Smoking Room

Talk Talk's musical journey took them from early 80s synth-pop to early 90s post-rock resulting in a diverse and stimulating legacy. This 1982 release showcases the synth-pop/new wave side to the band. After supporting Duran Duran on their 1981 tour, they released the single 'Mirror Man', as well as their two UK Top 40 hits 'Today' and 'Talk Talk' – all of which are included amongst other great songs on the album.

Their debut album, 'The Party's Over' was released in 1982 and produced by Colin Thurston, who was a former engineer for David Bowie but was better known for producing Duran Duran's first two albums.

A product of its time, the album is classic synth-pop teamed with lyrical depth that went on to be synonymous with lead singer, Mark Hollis.

TRACK LISTING

1. Talk Talk
2. It's So Serious
3. Today
4. The Party's Over
5. Hate
6. Have You Heard The News?
7. Mirror Man
8. Another Word
9. Candy

The 1986 Talk Talk album that showed Hollis and co in the process of turning their backs on chart pop sounds for a more pastoral, experimental prog-flecked gem and setting the path for their 'Spirit of Eden' masterpiece.

TRACK LISTING

1. Happiness Is Easy
2. I Don't Believe In You
3. Life's What You Make It
4. April 5th
5. Living In Another World
6. Give It Up
7. Chameleon Day
8. Time It's Time

Everything changed for The Beths when they released their above mentioned debut album, Future Me Hates Me, in 2018. The indie rock band had long been nurtured within Auckland, New Zealand’s tight-knit music scene, working full-time during the day and playing music with friends after hours. Full of uptempo pop rock songs with bright, indelible hooks, the LP garnered them critical acclaim from outlets like Pitchfork and Rolling Stone, and they set out for their first string of shows overseas. They quit their jobs, said goodbye to their home town, and devoted themselves entirely to performing across North America and Europe. They found themselves playing to crowds of devoted fans and opening for acts like Pixies and Death Cab for Cutie. Almost instantly, The Beths turned from a passion project into a full-time career in music.

Songwriter and lead vocalist Elizabeth Stokes worked on what would become The Beths’ second LP, Jump Rope Gazers, in between these intense periods of touring. Like the group’s earlier music, the album tackles themes of anxiety and self-doubt with effervescent power pop choruses and rousing backup vocals, zeroing in on the communality and catharsis that can come from sharing stressful situations with some of your best friends. Stokes’s writing on Jump Rope Gazers grapples with the uneasy proposition of leaving everything and everyone you know behind on another continent, chasing your dreams while struggling to stay close with loved ones back home.

"If you're at a certain age, all your friends scatter to the four winds,” Stokes says. “We did the same thing. When you're home, you miss everybody, and when you're away, you miss everybody. We were just missing people all the time.”

With songs like the rambunctious “Dying To Believe” and the tender, shoegazey “Out of Sight,” The Beths reckon with the distance that life necessarily drives between people over time. People who love each other inevitably fail each other. “I’m sorry for the way that I can’t hold conversations/They’re such a fragile thing to try to support the weight of,” Stokes sings on “Dying to Believe.” The best way to repair that failure, in The Beths’ view, is with abundant and unconditional love, no matter how far it has to travel. On “Out of Sight,” she pledges devotion to a dearly missed friend: “If your world collapses/I’ll be down in the rubble/I’d build you another,” she sings.

“It was a rough year in general, and I found myself saying the words, 'wish you were here, wish I was there,’ over and over again,” she says of the time period in which the album was written. Touring far from home, The Beths committed themselves to taking care of each other as they were trying at the same time to take care of friends living thousands of miles away. They encouraged each other to communicate whenever things got hard, and to pay forward acts of kindness whenever they could. That care and attention shines through on Jump Rope Gazers, where the quartet sounds more locked in than ever. Their most emotive and heartfelt work to date, Jump Rope Gazers stares down all the hard parts of living in communion with other people, even at a distance, while celebrating the ferocious joy that makes it all worth it -- a sentiment we need now more than ever.

STAFF COMMENTS

Barry says: I've always liked a bit of The Beths to be honest, having heard them innocently enough in the shop some time ago, and their latest outing is even more evidence as to why. Brilliantly melodic swathes of guitar and perfectly produced percussion form a superb backdrop to the undeniably poppy-punk drive of Stokes' voice.

TRACK LISTING

1. I'm Not Getting Excited
2. Dying To Believe
3. Jump Rope Gazers
4. Acrid
5. Do You Want Me Now
6. Out Of Sight
7. Don't Go Away
8. Mars, The God Of War
9. You Are A Beam Of Light
10. Just Shy Of Sure

Every compilation series has an end. After 10 outstanding issues, we are saying goodbye to the Praise Poems series, which is highly appreciated by collectors and music lovers, with this 11th installment. With this final installment, we are deliberately venturing into a genre that we have only included in exceptional cases to date: Power Pop of the late 1970s and early 80s.

We start with "Real Proof", an unreleased song by the band The Nails, originally from Boulder, Colorado, who were even signed to a major label a few years later. Although the Fingerprints recorded an entire album, it took over 45 years before it was finally released in 2022. "Wasted On You" comes from one of the three singles released between 1978 and 1980. In contrast to the Fingerprints, the original singles by Naked Rush are extremely rare. This is probably one of the reasons why none of their songs can be found on a compilation to date. It's great that we are now changing this. Incidentally, this applies to the majority of the songs on this album and to all our compilation albums in general. Fritz, Blue Rain and Holidaye are no exception.

We would like to mention two songs in particular. Firstly, "Don't Quit" by The Scam, which was produced by William Garrett. Garrett was responsible for the launch of Spotify Singles as Senior Music Producer at Spotify from 2016 to 2023 and has worked with artists such as Elton John, Ed Sheeran, John Legend and many more during this time. Secondly, there's a great story about Animal Logic. In 1989, the band found out that Stuart Copeland from The Police was forming a new band. The name? Animal Logic! After pleas not to use the name were ignored, the Animal Logic guys were forced to take the matter to court and eventually sold the name to Copeland. There are many more exciting stories about the bands in the booklet accompanying the CD and the LP insert.

With "A journey into raw, energetic power pop from the 1980s", we now conclude our 10-year journey of discovery through music history under the "Praise Poems" umbrella. We very much hope that you have enjoyed our meticulous work. When one door closes, another opens. It will be the same here. There is still so much to discover and we are already looking forward to many more releases!

TRACK LISTING

1. The Nails - Real Proof
2. Fingerprints - Wasted On You
3. Naked Rush - Top 40
4. Spektr'm - What Do I Do (What Do I Say)
5. Fritz - Number Nine
6. Blue Rain - New Morning
7. Merrell Fankhauser - Calling From A Star
8. Nick Coluccio - Awaken (feat. Dream Illusions)
9. The Scam - Don't Quit
10. Angry Young Bees - Tell Me TV
11. Ted Paugh - Headin' Down The Highway
12. Animal Logic - The Meaning Of Life
13. Holidaye - Times
14. Hangnail Phillips - Let Me In
15. Sly Dog - Cryin' For Love

A dark Italo compilation not for the faint of heart with the mystery, murder and madness of all that is Giallo. Serving as a soundtrack to a fictitious film Luna Rossa, Johnny Jewel of Italians Do It Better fame laces the opening with the breathy arsenic laced "Flesh" as Simple Symmetry's "Il Gatto Nero delivers a disco banger that even samples a cat's heartbeat. Legowelt creeps into lens with "Oberalp Catarsi under his Occult Orientated Crime moniker. Other suspects include Prefuse 73, Antoni Maovvi, Makeup And Vanity Set and Om & Grails member Emil Amos. Lucky dip vinyl with base transparent blood base edition with a red moon marbled rare version. QR code on label for a secret non album track! Limited and will be gone by nightfall!!

STAFF COMMENTS

Mine says: Secrets Of Sound are back with their third comp, this time introducing us to considerably darker sounds (which - shock, horror - I am totally on board with). Look at that sleeve too, what a beaut!!

TRACK LISTING

Side 1
1. Johnny Jewel - "Flesh"
2. Makeup & Vanity Set - "Notte Della Norte"
3. Simple Symmetry & Gilbert Broid - "Il Gatto Nero"
4. Occult Orientated Crime AKA Legowelt - "Oberalp Catarsi"

Side 2
1. Umberto - "Nightwish"
2. Prefuse 73 - "Snare Attack Illusion"
3. Antoni Maiovvi - "The Emperor Drowns Three Times"
4. Emil Amos - "Realistica II"

With its cinematic origins 'The Odd Couple' is the natural title for the second album by a pair who seem to spend as much time in wardrobe as the studio and whose recordings are often compared to film scores. Their greatest hit, 2006's 'Crazy' was even built around a chunk of a spaghetti western soundtrack. Yet after the success of 2006's excellent St Elsewhere, the collaboration of singer Thomas "Cee-Lo Green" Callaway and producer Brian "Danger Mouse" Burton has become a permanent institution.

Two years on, 'The Odd Couple' stands up proudly alongside its predecessor. The basic recipe hasn't been drastically altered--Danger Mouse's skittering beats and snap-crackle-pop production still provide the perfect platform for Cee-Lo's mighty, soulful wail. If anything, the pair have refined and sharpened their approach to a razor's edge. The key is the way the musical flavors intersect: the Arthur Lee-meets-N.E.R.D. stroll of 'Surprise', the jubilant jumble of gospel/soul/synthpop on 'Going On', the Otis Redding-shares-a-treadmill-with-Outkast feel of the single 'Run (I'm a Natural Disaster)'. The cumulative effect is one of a group whose trick-bag has a never-ending supply of happy surprises.

TRACK LISTING

1. Charity Case
2. Who’s Gonna Save My Soul
3. Going On
4. Run (I’m A Natural Disaster)
5. Would Be Killer
6. Open Book
7. Whatever
8. Surprise
9. No Time Soon
10. She Knows
11. Blind Mary
12. Neighbors
13. A Little Better

The Wandering Hearts are a British Americana-Folk band known for their enchanting harmonies and heartfelt songwriting, influenced by the likes of Simon & Garfunkel, Fleetwood Mac, Crosby, Stills, Nash & Young, and have a similar sound to The Lumineers and First Aid Kit. Their new album, 'Déjà Vu (We’ve All Been Here Before)', is a beautiful re-work of Crosby, Stills, Nash & Young’s 1970 hit album of the same name.

Recorded in one week in Joshua Tree, Taurus Rising Studios, this isn’t an album out to besmirch the original, but to become a loving companion without being an overly reverential copy. With a band as distinctive and exciting as The Wandering Hearts, a note-for-note facsimile was never an option. One listen to how The Wandering Hearts have taken 'Déjà Vu’s ten songs to new places and reimagined them over 50 years later, and it’s clear this is a very bold, very new work by one of Britain’s most accomplished Americana artists.

TRACK LISTING

1. Carry On
2. Teach Your Children
3. Almost Cut My Hair
4. Helpless
5. Woodstock
6. Déjà Vu
7. Our House
8. 4+20
9. Country Girl
10. Everybody I Love You

Eddie Richards' vaults are surely some of the best there can be for tech house heads. The Brit was there on the ground, helping to shape the earliest incarnations of the newly emerging genre back in the 90s and early 00s and few have bettered it since. Proof comes from this reissue of a pair of remastered beauties on new label likethis. 'Destiny' has never before been on wax and is a silky, synth-laced sound with crisp drum funk and then the B-side jam 'The Soul' is a dusty and stripped-back mix of drums, hits, swirling pads and irresistibly loopy grooves.

TRACK LISTING

Destiny
The Soul