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WHITE RABBIT

Kim Gordon & Sinead Gleeson

This Woman's Work : Essays On Music

    This Woman's Work: Essays on Music is edited by Kim Gordon and Sinead Gleeson and features contributors Anne Enright, Fatima Bhutto, Jenn Pelly, Rachel Kushner, Juliana Huxtable, Leslie Jamison, Liz Pelly, Maggie Nelson, Margo Jefferson, Megan Jasper, Ottessa Moshfegh, Simone White, Yiyun Li and Zakia Sewell.

    Published to challenge the historic narrative of music and music writing being written by men, for men, This Woman's Work seeks to confront the male dominance and sexism that have been hard-coded in the canons of music, literature, and film and has forced women to fight pigeon-holing or being side-lined by carving out their own space. Women have to speak up, to shout louder to tell their story - like the auteurs and ground-breakers featured in this collection, including: Anne Enright on Laurie Anderson; Megan Jasper on her ground-breaking work with Sub Pop; Margo Jefferson on Bud Powell and Ella Fitzgerald; and Fatima Bhutto on music and dictatorship.

    This Woman's Work also features writing on the experimentalists, women who blended music and activism, the genre-breakers, the vocal auteurs; stories of lost homelands and friends; of propaganda and dictatorships, the women of folk and country, the racialised tropes of jazz, the music of Trap and Carriacou; of mixtapes and violin lessons.

    Douglas MacIntyre And Grant McPhee

    Hungry Beat The Scottish Independent Pop Underground Movement (1977-1984) - SIGNED EDITION WITH FREE 7"

      Signed with a 7 inch vinyl single featuring the first Josef K release on Postcard (Radio Drill Time) on one side, and a track (Everything’s Roses) from the debut release by Fire Engines on their Codex Communication label on the other side.

      The definitive oral history of Scottish postpunk, from Glasgow to Edinburgh, the Postcard label and Fast Product Description.

      The immense cultural contribution made by two maverick Scottish independent music labels, Fast Product and Postcard, cannot be underestimated. Bob Last and Hilary Morrison in Edinburgh, followed by Alan Horne and Edwyn Collins in Glasgow helped to create a confidence in being Scottish that hitherto had not existed in pop music (or the arts in general in Scotland). Their fierce independent spirit stamped a mark of quality and intelligence on everything they achieved, as did their role in the emergence of regional independent labels and cultural agitators, such as Rough Trade, Factory and Zoo.

      Hungry Beat is a definitive oral history of these labels and the Scottish post-punk period. Covering the period 1977-1984, the book begins with the Subway Sect and the Slits performance on the White Riot tour in Edinburgh and takes us through to Bob Last shepherding the Human League from experimental electronic artists on Fast Product to their triumphant number one single in the UK and USA, Don't You Want Me. Built on interviews with Last, Hilary Morrison, Paul Morley and members of The Human League, Scars, The Mekons, Fire Engines, Josef K, Aztec Camera, The Go-Betweens and The Bluebells, Hungry Beat offers a comprehensive overview of one of the most important periods of Scottish cultural output and the two labels that changed the landscape of British music.

      Stuart Braithwaite

      Spaceships Over Glasgow - Indie Record Store Edition

        Signed & slipcase with exclusive colourway. Plus, bonus hardback folio ‘Photographic Evidence’, featuring previously unseen photographs from throughout the band’s career.

        Born the son of Scotland’s last telescope-maker, Stuart Braithwaite was perhaps always destined for a life of psychedelic adventuring on the furthest frontiers of noise in MOGWAI, one of the best loved and most groundbreaking post-rock bands of the past three decades.

        Modestly delinquent at school, Stuart developed an early appetite for ‘alternative’ music in what might arguably be described as its halcyon days, the late 80s. Discovering bands like Sonic Youth, My Bloody Valentine, and Jesus and Mary Chain, and attending seminal gigs (often incongruously incognito as a young girl with long hair to compensate for his babyface features) by The Cure and Nirvana, Stuart compensated for his indifference to school work with a dedication to rock and roll … and of course the fledgling hedonism that comes with it.

        After an initial outing in the unfortunately (and provocatively named), Pregnant Nun, Stuart – alongside teenage friends Dominic Aitchison and Martin Bulloch - upgrades the band name to MOGWAI. They release their first single ‘Tuner/Lower’ in 1996. Championed by the legendary John Peel, and making a name for themselves for tinnitus-inducing live shows, MOGWAI’S subsequent single ‘Summer’ is named Single of the Week in NME. Their first album, Mogwai Young Team, follows to significant critical acclaim.

        Spaceships Over Glasgow is a lovesong to live rock and roll; to the passionate abandon we’ve all felt in the crowd (and some of us, if lucky enough, from the stage) at a truly incendiary rock and roll show. It is also the story of a life lived on the edge; of the high-times and hazardous pit-stops of international touring with a band of misfits and miscreants.

        Lee Brackstone, Publisher at White Rabbit said: ‘MOGWAI have blown my head apart live on many occasions; Stuart’s book has the equivalent impact on the page. A chronicle of a life lived on the stage making truly contemporary psychedelic music, Spaceships Over Glasgow is the first book told from the source about a band who have truly lived the rock n roll lifestyle, survived, and thrived, to create some of the most powerful post-rock music of the past two decades plus.’

        Stuart Braithwaite

        Spaceships Over Glasgow

          Born the son of Scotland’s last telescope-maker, Stuart Braithwaite was perhaps always destined for a life of psychedelic adventuring on the furthest frontiers of noise in MOGWAI, one of the best loved and most groundbreaking post-rock bands of the past three decades.

          Modestly delinquent at school, Stuart developed an early appetite for ‘alternative’ music in what might arguably be described as its halcyon days, the late 80s. Discovering bands like Sonic Youth, My Bloody Valentine, and Jesus and Mary Chain, and attending seminal gigs (often incongruously incognito as a young girl with long hair to compensate for his babyface features) by The Cure and Nirvana, Stuart compensated for his indifference to school work with a dedication to rock and roll … and of course the fledgling hedonism that comes with it.

          After an initial outing in the unfortunately (and provocatively named), Pregnant Nun, Stuart – alongside teenage friends Dominic Aitchison and Martin Bulloch - upgrades the band name to MOGWAI. They release their first single ‘Tuner/Lower’ in 1996. Championed by the legendary John Peel, and making a name for themselves for tinnitus-inducing live shows, MOGWAI’S subsequent single ‘Summer’ is named Single of the Week in NME. Their first album, Mogwai Young Team, follows to significant critical acclaim.

          Spaceships Over Glasgow is a lovesong to live rock and roll; to the passionate abandon we’ve all felt in the crowd (and some of us, if lucky enough, from the stage) at a truly incendiary rock and roll show. It is also the story of a life lived on the edge; of the high-times and hazardous pit-stops of international touring with a band of misfits and miscreants.

          Lee Brackstone, Publisher at White Rabbit said: ‘MOGWAI have blown my head apart live on many occasions; Stuart’s book has the equivalent impact on the page. A chronicle of a life lived on the stage making truly contemporary psychedelic music, Spaceships Over Glasgow is the first book told from the source about a band who have truly lived the rock n roll lifestyle, survived, and thrived, to create some of the most powerful post-rock music of the past two decades plus.’

          Bill Brewster, Frank Broughton

          Last Night A DJ Saved My Life - 2022 Edition

            Fully updated from the original edition with more stories, two brand new chapters and a new foreword from James Murphy (LCD Soundsystem).

            'Literally changed the course of my life' James Murphy.

            'The chapter on Larry Levan alone transformed me into wanting to be your favorite DJ' Questlove.

            'The original and still the best' Gilles Peterson 'We can't tell the story of dance music without speaking the names of Sharon White and Judy Weinstein, so I welcome this vital update' The Blessed Madonna.

            When someone says, 'You have to know your history...' this is it. This classic book is the whole unruly story of dance music in one volume. It recreates the dancefloors that made history, conjuring their atmosphere with loving detail and bringing you the voices of the DJs and clubbers at their heart - from grime, garage, house, hip hop and disco, to techno, soul, reggae, rock'n'roll, and EDM. Whether musical outlaw, obsessive crate-digger or overpaid superstar, the DJ has been at the spinning centre of nightlife for a century, making parties wilder, pushing clubbers harder, and driving music into completely new shapes and styles. In 1999 this was the first book to do justice to the DJ's rollercoaster ride. Twenty years later, it's fully refreshed, carefully updated and filled with even more stories, including two brand new chapters. This edition comes with a new foreword by James Murphy (LCD Soundsystem).

            Mark Lanegan

            Devil In A Coma

              One morning in March 2021 with the second wave of infections ripping through Ireland where he was newly resident, Mark Lanegan woke up breathless, fatigued beyond belief, his body burdened with a gigantic dose of Covid-19. Admitted to Kerry Hospital and initially given little hope of survival, Lanegan's illness has him slipping in and out of a coma, unable to walk or function for several months and fearing for his life. As his situation becomes more intolerable over the course of that bleakest of springs he is assaulted by nightmares, visions and regrets about a life lived on the edge of chaos and disorder.

              He is prompted to consider his predicament and how, in his sixth decade, his lifelong battle with mortality has led to this final banal encounter with a disease that has undone millions, when he has apparently been cheating death for his whole existence. Written in vignettes of prose and poetry, DEVIL IN A COMA is a terrifying account of illness and the remorse that comes with it by an artist and writer with singular vision.

              Harry Sword

              Monolithic Undertow : In Search Of Sonic Oblivion

                with a compass firmly set to new and enlightening psychedelic truths' BECKMonolithic Undertow alights a crooked path across musical, religious and subcultural frontiers. It traces the line from ancient traditions to the modern underground, navigating archaeoacoustics, ringing feedback, chest plate sub-bass, avant-garde eccentricity, sound weaponry and fervent spiritualism. From Neolithic beginnings to bawdy medieval troubadours, Sufi mystics to Indian raga masters, cone shattering dubwise bass, Hawkwind's Ladbroke Grove to the outer reaches of Faust and Ash Ra Temple; the hash-fueled fug of The Theatre of Eternal Music to the cough syrup reverse hardcore of Melvins, seedy VHS hinterland of Electric Wizard, ritual amp worship of Earth and Sunn O))) and the many touch points in between, Monolithic Undertow explores the power of the drone - an audio carrier vessel capable of evoking womb like warmth or cavernous dread alike.

                In 1977 Sniffin' Glue verbalised the musical zeitgeist with their infamous 'this is a chord; this is another; now form a band' illustration. The drone requires neither chord nor band, representing - via its infinite pliability and accessibility - the ultimate folk music: a potent audio tool of personal liberation. Immersion in hypnotic and repetitive sounds allows us to step outside of ourselves, be it chant, a 120dB beasting from Sunn O))), standing front of the system as Jah Shaka drops a fresh dub or going full headphone immersion with Hawkwind.

                These experiences are akin to an audio portal - a sound Tardis to silence the hum and fizz of the unceasing inner voice. The drone exists outside of us, but also - paradoxically - within us all; an aural expression of a universal hum we can only hope to fleetingly channel..

                Shirley Collins

                America Over The Water - Signed Edition

                  SIGNED EDITION.

                  A memoir by the English folk singer: 'one of the greatest artists who ever lived' (Stewart Lee) about her journey through America's southern states with Alan Lomax.

                  'Shirley is a time traveller, a conduit for essential human aches, one of the greatest artists who ever lived' Stewart Lee 'Without doubt one of England's greatest cultural treasures' Billy Bragg

                  In AMERICA OVER THE WATER, celebrated English folksinger Shirley Collins offers an affecting account of her year-long stint as assistant to legendary musical historian and folklorist Alan Lomax. Collins describes a journey both emotional and musical, as she and Lomax work tirelessly to uncover the traditional music of the American South. Together, they traveled to Virginia, Kentucky, Alabama, Mississippi, Arkansas, and Georgia, encountering Mississippi Fred McDowell, Muddy Waters, and many others, their diligent work uncovering the traditional music of America's heartland.

                  A fascinating journey into the cultural roots of traditional American music, blending the personal story of Shirley Collins' relationship with Lomax and a unique first hand account of an America on the brink of the civil rights era, America Over the Water cuts right to the heart of the blues in a fascinating account of Collins' and Lomax's groundbreaking journey across the southern states of the USA to record the music that started it all.

                  Collins first met Lomax at a party hosted by English folksinger Ewan MacColl, who later married Peggy Seeger, half-sister of American folksinger and activist Pete Seeger. Collins's chronicle of her time with Lomax, with whom she became romantically involved, recounts the discovery of a world of beauty and dignity in the face of deprivation and prejudice among America's traditional folk and blues musicians.

                  Originally published over fifteen years ago, this definitive edition includes a new introduction by Shirley and an afterword from her collaborator Matthew Shaw.

                  Lenny Kaye

                  Lightning Striking

                    An insider's take on the evolution and enduring legacy of the music that rocked the twentieth century.

                    Memphis, 1954. New Orleans 1957. Philadelphia 1959. Liverpool, 1962. San Francisco 1967. Detroit 1969. New York, 1975. London 1977. Los Angeles 1984 / Norway 1993. Seattle 1991.

                    Rock and roll was birthed in basements and garages, radio stations and dance halls, in cities where unexpected gatherings of artists and audience changed and charged the way music is heard and celebrated, capturing lightning in a bottle. Musician and writer Lenny Kaye explores ten crossroads of time and place that define rock and roll, its unforgettable flashpoints, characters and visionaries, how each generation came to be, how it was discovered by the world. Whether Elvis Presley's Memphis, the Beatles' Liverpool, Patti Smith's New York or Kurt Cobain's Seattle, LIGHTNING STRIKING reveals the communal energy that creates a scene, a guided tour inside style and performance, to see who's on stage, along with the movers and shakers, the hustlers and hangers-on, and why everybody is listening. Grandly sweeping and minutely detailed, informed by Kaye's acclaimed knowledge and experience as a working musician, LIGHTNING STRIKING is an ear-opening insight into our shared musical and cultural history, a carpet ride of rock and roll's most influential movements and moments.

                    Lenny Kaye

                    Lightning Striking - Special Collectors Edition

                      An insider's take on the evolution and enduring legacy of the music that rocked the twentieth century.

                      Memphis, 1954. New Orleans 1957. Philadelphia 1959. Liverpool, 1962. San Francisco 1967. Detroit 1969. New York, 1975. London 1977. Los Angeles 1984 / Norway 1993. Seattle 1991.

                      Rock and roll was birthed in basements and garages, radio stations and dance halls, in cities where unexpected gatherings of artists and audience changed and charged the way music is heard and celebrated, capturing lightning in a bottle. Musician and writer Lenny Kaye explores ten crossroads of time and place that define rock and roll, its unforgettable flashpoints, characters and visionaries, how each generation came to be, how it was discovered by the world. Whether Elvis Presley's Memphis, the Beatles' Liverpool, Patti Smith's New York or Kurt Cobain's Seattle, LIGHTNING STRIKING reveals the communal energy that creates a scene, a guided tour inside style and performance, to see who's on stage, along with the movers and shakers, the hustlers and hangers-on, and why everybody is listening. Grandly sweeping and minutely detailed, informed by Kaye's acclaimed knowledge and experience as a working musician, LIGHTNING STRIKING is an ear-opening insight into our shared musical and cultural history, a carpet ride of rock and roll's most influential movements and moments.

                      Justin Robertson

                      The Tangle - Signed Edition

                        LIMITED EDITION SIGNED EDITION.

                        A supernatural novel of collapse and metamorphosis from the occulted dimensions of the natural world

                        Justin Robertson's debut novel is a trans-dimensional trip into the mysterious knot of nature; a journey into the 'brilliant darkness' where the timeless divine spirit of the 'Tangle' weaves its spell and all mankind's hubris is rendered insignificant by the radically non-human force of phantom ecology. Salvation, revelation and a terrible reckoning dwell in the ancient roots ...

                        A time travelling account of what occurs when unknowable frontiers are breached and humanity finds itself, once again, lost in the woods, THE TANGLE invites us into a grotesque world of eco-horror, echoing with the spirit of writers such as Saki, Ballard, M R James, Ursula Le Guin, Brian Catling and Thomas Ligotti.

                        Author Biography
                        Justin Robertson is a renowned DJ, music producer, painter and broadcaster. For the past 30 years he has been a leading figure in the dance music world, falling in love with it whilst completing a degree in philosophy at The University of Manchester. He headlines clubs and festivals around the globe as a DJ and formerly with his band Lionrock. As well as his own musical productions, he is much in demand as remixer having worked with the likes of Bjork, New Order, Noel Gallagher & Erasure over the years. In the past decade, he has exhibited six acclaimed collections of his art around the UK and Europe, including producing a soundtrack and book to accompany them. He hosts two popular shows "The Temple of Wonders" and "The Rotating Institute" bi monthly on Soho Radio. He has written for Ransom Note, The Social and the Guardian on music, travel and philosophical matters, interviewing the likes of Rob Newman and Gary Lachman. THE TANGLE is his debut novel.

                        Bobby Gillespie

                        Tenement Kid - Independent Record Store Special Edition

                          Tenement Kid is Bobby Gillespie's story up to the recording and release of the album that has been credited with 'starting the 90's', Screamadelica.

                          Born into a working class Glaswegian family in the summer of 1961, Bobby's memoirs begin in the district of Springburn, soon to be evacuated in Edward Heath's brutal slum clearances. Leaving school at 16 and going to work as a printers' apprentice, Bobby's rock n roll epiphany arrives like a bolt of lightning shining from Phil Lynott's mirrored pickguard at his first gig at the Apollo in Glasgow. Filled with 'the holy spirit of rock n roll' his destiny is sealed with the arrival of the Sex Pistols and punk rock which to Bobby, represents an iconoclastic vision of class rebellion and would ultimately lead to him becoming an artist initially in the Jesus and Mary Chain then in Primal Scream.

                          Structured in four parts, Tenement Kid builds like a breakbeat crescendo to the final quarter of the book, the Summer of Love, Boys Own parties, and the fateful meeting with Andrew Weatherall in an East Sussex field. As the '80s bleed into the '90s and a new kind of electronic soul music starts to pulse through the nation's consciousness, Primal Scream become the most innovative British band of the new decade, representing a new psychedelic vanguard taking shape at Creation Records.

                          Ending with the release of Screamadelica and the tour that followed in the autumn, Tenement Kid is a book filled with the joy and wonder of a rock n roll apostle who would radically reshape the future sounds of fin de siècle British pop. Published thirty years after the release of their masterpiece, Bobby Gillespie's memoir cuts a righteous path through a decade lost to Thatcherism and saved by acid house.

                          Bobby Gillespie

                          Tenement Kid - Standard Hardback Cover Edition

                            Tenement Kid is Bobby Gillespie's story up to the recording and release of the album that has been credited with 'starting the 90's', Screamadelica.

                            Born into a working class Glaswegian family in the summer of 1961, Bobby's memoirs begin in the district of Springburn, soon to be evacuated in Edward Heath's brutal slum clearances. Leaving school at 16 and going to work as a printers' apprentice, Bobby's rock n roll epiphany arrives like a bolt of lightning shining from Phil Lynott's mirrored pickguard at his first gig at the Apollo in Glasgow. Filled with 'the holy spirit of rock n roll' his destiny is sealed with the arrival of the Sex Pistols and punk rock which to Bobby, represents an iconoclastic vision of class rebellion and would ultimately lead to him becoming an artist initially in the Jesus and Mary Chain then in Primal Scream.

                            Structured in four parts, Tenement Kid builds like a breakbeat crescendo to the final quarter of the book, the Summer of Love, Boys Own parties, and the fateful meeting with Andrew Weatherall in an East Sussex field. As the '80s bleed into the '90s and a new kind of electronic soul music starts to pulse through the nation's consciousness, Primal Scream become the most innovative British band of the new decade, representing a new psychedelic vanguard taking shape at Creation Records.

                            Ending with the release of Screamadelica and the tour that followed in the autumn, Tenement Kid is a book filled with the joy and wonder of a rock n roll apostle who would radically reshape the future sounds of fin de siècle British pop. Published thirty years after the release of their masterpiece, Bobby Gillespie's memoir cuts a righteous path through a decade lost to Thatcherism and saved by acid house.

                            Robby Krieger

                            Set The Night On Fire - Signed Edition

                              In his first book ever, legendary Doors guitarist, Robby Krieger, one of Rolling Stone's "100 Greatest Guitarists of All Time," opens up about The Doors' meteoric career, his own darkest moments, and the most famous black eye in rock 'n' roll.

                              Few bands are as shrouded in the murky haze of rock mythology as The Doors, and parsing fact from fiction has been a virtually impossible task. But now, after fifty years, The Doors' notoriously quiet guitarist is finally breaking his silence to set the record straight.

                              Through a series of vignettes, Robby takes readers back to where it all happened: the pawn shop where he bought his first guitar; the jail cell he was tossed into after a teenage drug bust; his parents' living room where his first songwriting sessions with Jim Morrison took place; and the many concert venues that erupted into historic riots.

                              Robby also goes into heartbreaking detail about his life's most difficult struggles, ranging from drug addiction to cancer, but he balances out the sorrow with humorous anecdotes about run-ins with unstable fans, famous musicians, and one really angry monk. SET THE NIGHT ON FIRE is at once an insightful time capsule of 1960s counterculture and a moving reflection on what it means to find oneself as a musician. It's not only a must-read for Doors fans, but an essential volume of American pop.

                              Bobby Gillespie

                              Tenement Kid

                                Tenement Kid is Bobby Gillespie's story up to the recording and release of the album that has been credited with 'starting the 90's', Screamadelica.

                                Born into a working class Glaswegian family in the summer of 1961, Bobby's memoirs begin in the district of Springburn, soon to be evacuated in Edward Heath's brutal slum clearances. Leaving school at 16 and going to work as a printers' apprentice, Bobby's rock n roll epiphany arrives like a bolt of lightning shining from Phil Lynott's mirrored pickguard at his first gig at the Apollo in Glasgow. Filled with 'the holy spirit of rock n roll' his destiny is sealed with the arrival of the Sex Pistols and punk rock which to Bobby, represents an iconoclastic vision of class rebellion and would ultimately lead to him becoming an artist initially in the Jesus and Mary Chain then in Primal Scream.

                                Structured in four parts, Tenement Kid builds like a breakbeat crescendo to the final quarter of the book, the Summer of Love, Boys Own parties, and the fateful meeting with Andrew Weatherall in an East Sussex field. As the '80s bleed into the '90s and a new kind of electronic soul music starts to pulse through the nation's consciousness, Primal Scream become the most innovative British band of the new decade, representing a new psychedelic vanguard taking shape at Creation Records.

                                Ending with the release of Screamadelica and the tour that followed in the autumn, Tenement Kid is a book filled with the joy and wonder of a rock n roll apostle who would radically reshape the future sounds of fin de siècle British pop. Published thirty years after the release of their masterpiece, Bobby Gillespie's memoir cuts a righteous path through a decade lost to Thatcherism and saved by acid house.

                                Carl Cox

                                Oh Yes, Oh Yes

                                  Carl Cox was instrumental in the birth of dance music culture and is still the heartbeat of the global dance music scene. From warm up DJ at Paul Oakenfold's 'Future' to the opening night of the legendary 'Shoom' and unlicensed rave DJ billed as 'The People's Choice' at unlicensed raves to a global headline main stage artist playing across the world, Carl has been everything from a recording artist and producer to label owner, radio DJ and broadcaster. Oh yes, oh yes! tells the story, in his own words, of the man known as 'the three deck wizard' and the King of Ibiza; a DJ who remains at the very top of his game and continues to innovate and thrill music-lovers on the world's biggest stages.

                                  Starting off as a shelf-stacker and a scaffolder in the south London suburbs, Carl's phenomenal talents as a DJ grew out of his love of music and knowledge of soundsystem culture. In Oh yes, oh yes! he looks back over a life lived at the heart of the party, from Ibiza to Melbourne to Burning Man, and a career that in many ways is the story of club culture and a righteous inspiration to all those who choose to follow their dreams. Told in the voice of a true evangelist, Oh yes, oh yes! is a remarkably candid and intimate portrait of an artist who has never lost touch with the people who share the dancefloor with him.

                                  'Carl is one of the few true pioneers of UK club culture internationally. He has opened the door to so many DJs and inspired so many, including me.' Gilles Peterson.

                                  'Carl Cox wrote the script of what it means to be a DJ.' David Guetta.

                                  'People use the term legend far too easily for my liking but Carl is legend personified.' Grooverider.

                                  'Carl has always been my favourite. He is the complete DJ, also the DJs DJ. Records come to life when he plays them, rooms come to life when he rocks them. His enthusiasm is infectious, his commitment complete.' Norman Cook aka Fatboy Slim.

                                  Carl Cox

                                  Oh Yes, Oh Yes - Special Edition Box Set

                                    Carl Cox was instrumental in the birth of dance music culture and is still the heartbeat of the global dance music scene. From warm up DJ at Paul Oakenfold's 'Future' to the opening night of the legendary 'Shoom' and unlicensed rave DJ billed as 'The People's Choice' at unlicensed raves to a global headline main stage artist playing across the world, Carl has been everything from a recording artist and producer to label owner, radio DJ and broadcaster. Oh yes, oh yes! tells the story, in his own words, of the man known as 'the three deck wizard' and the King of Ibiza; a DJ who remains at the very top of his game and continues to innovate and thrill music-lovers on the world's biggest stages.

                                    Starting off as a shelf-stacker and a scaffolder in the south London suburbs, Carl's phenomenal talents as a DJ grew out of his love of music and knowledge of soundsystem culture. In Oh yes, oh yes! he looks back over a life lived at the heart of the party, from Ibiza to Melbourne to Burning Man, and a career that in many ways is the story of club culture and a righteous inspiration to all those who choose to follow their dreams. Told in the voice of a true evangelist, Oh yes, oh yes! is a remarkably candid and intimate portrait of an artist who has never lost touch with the people who share the dancefloor with him.

                                    'Carl is one of the few true pioneers of UK club culture internationally. He has opened the door to so many DJs and inspired so many, including me.' Gilles Peterson.

                                    'Carl Cox wrote the script of what it means to be a DJ.' David Guetta.

                                    'People use the term legend far too easily for my liking but Carl is legend personified.' Grooverider.

                                    'Carl has always been my favourite. He is the complete DJ, also the DJs DJ. Records come to life when he plays them, rooms come to life when he rocks them. His enthusiasm is infectious, his commitment complete.' Norman Cook aka Fatboy Slim.

                                    Robin Turner

                                    Believe In Magic - Heavenly Recordings: The First 30 Years - Saint Etienne Exclusive Edition

                                      We're super excited to be able to get our hands on some of these limited edition versions of this fantastic book. 

                                      We fell in love with Saint Etienne from the off here at Piccadilly, when they released their Kiss And Make Up single back in 1990. This was the year we took over the shop and their debut album Fox Base Alpha was a firm favourite back in our old Brown Street base. 

                                      This exclusive edition includes a 7" single: Spring b/w Spring (instrumental). 
                                      Spring is taken from Saint Etienne’s debut LP, Foxbase Alpha. It is the first time it has been released as a single. The instrumental on the flip side is previously unreleased.

                                      Heavenly was already a state of mind. Seemed like the right time to make it something really special. We were all deeply immersed in music that we loved. None of us could believe our fucking luck, really. (Jeff Barrett)

                                      It was thirty years ago today - or thereabouts - that Heavenly came to be. In celebration of this big ol’ birthday comes Believe in Magic - a chronicle not only of Foxbase Alpha, Working Men’s Club and 28 of the releases in between that got the label to where it is today, but also of the haircuts, nights down the pub, pencil-eraser-carvings, cheese toasties, acid houses, Sunday Socials and lost Weekenders - Yorkshire and otherwise - that are as much a part of its story.

                                      As Jeff Barrett puts it at the beginning of the book, if there’s a continuous theme that runs through all of this, I think it’s that everything comes down to conversations with people about music. It might seem like it all starts with someone on one side of the counter who is selling you something, or someone writing excitedly in a magazine telling you about a band you need to hear, but I don’t think I’ve ever really seen things as one-way transactions. It’s more an ongoing dialogue, one that never really stops and helps to build up this growing soundtrack to our lives, something that’s passed from one person to another. That’s really the ever-present thread. That’s why we still believe in magic.

                                      Though we are three decades distant from The World According to Sly and Lovechild, lineup changes, ups, downs, and a good few office cleanups under the label’s belt, the Heavenly firm continue not to believe their fucking luck; at still being here, keepin’ on keepin’ on doing what they love, and at being able to pass all of this - then, now, and next week - on to you.

                                      Believe in Magic is a fully illustrated history of one of the most colourful and exciting independent British record labels; a label responsible for creating satellite communities of fans around the country and at all the major festivals.
                                      After several years working at Factory and Creation, Heavenly Recordings was set up by Jeff Barrett in 1990 as the acid house revolution was in full swing; early releases set the tone and tempo for the mood of the decade to come - their first release was by perhaps the most revered acid house DJ of them all, Andrew Weatherall; and this was quickly followed by singles from St Etienne and Manic Street Preachers.

                                      Heavenly was always different to other labels; more of a 'club' with a defiant spirit of inclusiveness, and in 1994 they set up The Heavenly Social, which alongside the Hacienda, became perhaps the most famous club in recent British history, where the Chemical Brothers made their name.

                                      Over nearly 200 releases in thirty years Heavenly have consistently produced some of the most exciting music across all genres - dance, acid house, singer-songwriter, psych-garage - and this book collects rare photographs, ephemera, artwork into a celebration of a label that is, alongside Rough Trade and Factory, one of the most beloved institutions on the independent landscape. Running though the book are thirty stories, mostly told in the form of oral history by artists like James Dean Bradfield, Flowered Up, Beth Orton, Doves and Don Letts, which capture the presiding personality of the label, its bands and the people associated with its success.




                                      TRACK LISTING

                                      Spring
                                      Spring (Instrumental)

                                      Robin Turner

                                      Believe In Magic - Heavenly Recordings: The First 30 Years - Working Men's Club Exclusive Edition

                                        We're super excited to be able to get our hands on some of these limited edition version of this fantastic book. 

                                        This edition features an exclusive 7" single
                                         - Angel (part 1) b/w Angel (part 2) - from Piccadilly favourites Working Men’s Club. They blew us away with their live shows last year and we can't wait for their debut album. 

                                        You may have heard Angel in all its 12 minute glory in WMC’s legendary live sets. Here’s the studio version, produced by Ross Orton, split over both sides of a 7”.

                                        Heavenly was already a state of mind. Seemed like the right time to make it something really special. We were all deeply immersed in music that we loved. None of us could believe our fucking luck, really. (Jeff Barrett) 

                                        It was thirty years ago today - or thereabouts - that Heavenly came to be. In celebration of this big ol’ birthday comes Believe in Magic - a chronicle not only of Foxbase Alpha, Working Men’s Club and 28 of the releases in between that got the label to where it is today, but also of the haircuts, nights down the pub, pencil-eraser-carvings, cheese toasties, acid houses, Sunday Socials and lost Weekenders - Yorkshire and otherwise - that are as much a part of its story. 

                                        As Jeff Barrett puts it at the beginning of the book, if there’s a continuous theme that runs through all of this, I think it’s that everything comes down to conversations with people about music. It might seem like it all starts with someone on one side of the counter who is selling you something, or someone writing excitedly in a magazine telling you about a band you need to hear, but I don’t think I’ve ever really seen things as one-way transactions. It’s more an ongoing dialogue, one that never really stops and helps to build up this growing soundtrack to our lives, something that’s passed from one person to another. That’s really the ever-present thread. That’s why we still believe in magic. 

                                        Though we are three decades distant from The World According to Sly and Lovechild, lineup changes, ups, downs, and a good few office cleanups under the label’s belt, the Heavenly firm continue not to believe their fucking luck; at still being here, keepin’ on keepin’ on doing what they love, and at being able to pass all of this - then, now, and next week - on to you. 

                                        Believe in Magic is a fully illustrated history of one of the most colourful and exciting independent British record labels; a label responsible for creating satellite communities of fans around the country and at all the major festivals.
                                        After several years working at Factory and Creation, Heavenly Recordings was set up by Jeff Barrett in 1990 as the acid house revolution was in full swing; early releases set the tone and tempo for the mood of the decade to come - their first release was by perhaps the most revered acid house DJ of them all, Andrew Weatherall; and this was quickly followed by singles from St Etienne and Manic Street Preachers. 

                                        Heavenly was always different to other labels; more of a 'club' with a defiant spirit of inclusiveness, and in 1994 they set up The Heavenly Social, which alongside the Hacienda, became perhaps the most famous club in recent British history, where the Chemical Brothers made their name. 

                                        Over nearly 200 releases in thirty years Heavenly have consistently produced some of the most exciting music across all genres - dance, acid house, singer-songwriter, psych-garage - and this book collects rare photographs, ephemera, artwork into a celebration of a label that is, alongside Rough Trade and Factory, one of the most beloved institutions on the independent landscape. Running though the book are thirty stories, mostly told in the form of oral history by artists like James Dean Bradfield, Flowered Up, Beth Orton, Doves and Don Letts, which capture the presiding personality of the label, its bands and the people associated with its success. 




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