THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.

The Verve's compilation album of B-sides and outtakes, No Come Down celebrates its 30th anniversary in 2024, to mark this UMR will be releasing it on vinyl for the very first time. With outtakes from the band's debut album A Storm in Heaven sessions. ìBlue" is a different (vocally upfront) "USA Mix" - released to coincide with Verve playing Lollapalooza Festival Chicago in 1994, this also features acoustic versions of "Make It Till Monday" & "Butterfly", "Gravity Grave" is the live recording from the bands first ever Glastonbury performance in 1993. This LP is pressed on black vinyl with printed inners.

THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.

In front of an adoring sold-out crowd in Los Angeles, The Weeknd brings fans up-close with this intimate and epic special concert event, exclusively on HBO. Cinematically captured to bring viewers onstage and in the audience, The Weeknd: Live at SoFi Stadium offers a front-row seat to the versatile artist's thrilling 95-minute setlist ñ which includes such #1 hits as "Starboy," "Blinding Lights," "Can't Feel My Face," "I Feel It Coming," and so much more. With his mesmerizing dancers, spectacular lasers, and explosive pyrotechnics, The Weeknd (winner of four Grammys, 20 Billboard Music Awards, and six AMAs, and nominated for an Emmy) brings down the house ñ and your living room ñ ahead of the performer's highly anticipated star turn in HBO's upcoming drama series The Idol. Never before on vinyl

THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.

8 Page Booklet - Blue / Red vinyl Sometimes regarded as the most complete Who Best Of, this version with a replica of the original 8-page booklet and pressed on Coloured vinyl (Pink and Green) was mastered by long time Who engineer Jon Astley and cut by Miles Showell at Abbey Road

THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.

Beautiful x3 LP Vinyl boxset of original album + rare bonus material. Very limited!

THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.


CHEAP PRICE COMPILATION CD of rare, unreleased, forthcoming, and brilliant tracks from the Agitated Label,and friends.. Like a massive bag of pick and mix to have a party with.. features Straight Arrows, Kelley Stoltz, Carlton Melton, oldboy, Headland, Laurel Canyon, Catatonic Suns, Last of Easy Riders, Icarus Line, Blamers, and much more besides.. 500 CD ...cheap...and tasty.. some tracks first time on CD, some exclusive to this release.. its fun! But whats that?..its not just a single CD label comp, its been double bagged with a extra CD, put together as a collection of “Radio Shows” by good friends of Agitated, The Hawk and KBCD radio!!! Heres what they had to say about DISC 2!!!! “CD2: The Agitated Radio Show on KBCD Radio - The Hawk presents a chemical hit of underground medicine all the way from Nixon County... "a repeat of CD1?" you may unreasonably ask - no, friends, it most certainly isn't.” Only 500/.. grab it on RSD 24..

THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.

The 1993 hit movie Dazed and Confused is well known for its 70s rock themed soundtrack, featuring songs by Alice Cooper, War, ZZ Top, Black Sabbath, and others. Celebrate the 30th anniversary release pressed on smoky purple vinyl.

THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.

An exclusive vinyl product curated for Record Store Day 2024, this 2LP features wonderful and weird nuggets from the summers of love of the 1960s, from bubblegum gems to psych freakbeats. A cratediggers paradise featuring vanishingly rare and in demand out of print jewels from the likes of The Ivy League, Velvet Fogg, The Uglys, alongside stars such as The Kinks, The Small Faces and more.

THIS IS A RECORD STORE DAY 2024 EXCLUSIVE AND WILL BE AVAILABLE INSTORE ON SATURDAY APRIL 20TH ON A FIRST COME FIRST SERVED BASIS, LIMITED TO ONE PER PERSON.

IF THERE ARE ANY REMAINING COPIES THEY WILL BE MADE AVAILABLE ONLINE AT 8PM ON MONDAY APRIL 22ND.

“Eat The Music” was scheduled to be the first release from the "Red Shoes" album, however the release was eventually cancelled in favour of "Rubberband Girl".

Kate has created a special version on 10” vinyl for Record Store Day 2024. The record features Kate’s preferred track list, and the original beautiful artwork, which was intended to be on the single's sleeve, is now on the disc as a UV print.

New lacquers were cut by Bernie Grundman from the 2018 James Guthrie remasters. The vinyl was pressed by Record Industry in The Netherlands. The record is released through Kate's own Fish People label as an exclusive Record Store Day edition.

TRACK LISTING

Side A
Eat The Music (Single Edit, From The Red Shoes - 4m55s)
Lily (From The Red Shoes - 3m52s)
Big Stripey Lie (From The Red Shoes - 3m28s)

Side B
Picture

Popstock was created by the surviving members of the Slates iteration of The Fall to present unusual and alternative versions of the brilliant records they helped create.

These records promise to be unique in that they are the only new Fall releases going forward where actual members of the group are consulted, involved and remunerated at all. Slate Live Again presents live versions of the six songs that make up the original mini- LP, with the incredible versions chosen in order to present the songs at every stage of their live performance, both pre and post recording.

Lovingly curated with input from band members at every stage, including sourcing, mastering and design, and with sleeve notes by Fall Uber- fan Stewart Lee, Slates Live is the type of release that Fall fans have been craving for years.

TRACK LISTING

1. Middle Mass
2. An Old Lover Etc.
3. Prole Art Threat
4. Fit And Working Again
5. Slags, Slates Etc.
6. Leave The Capitol

British musician Lucy Rose released a third album, No Words Left, back in 2019. It garnered the strongest critical acclaim of her career and culminated in a sell-out show at London’s Barbican theatre. It was a record that ruminated in a sort of hushed reverence, emotionally charged and deftly delivered.

Lucy had planned to spend some well-earned time at home in the record’s aftermath, having toured relentlessly since her late teens. She’d balanced that precariously spinning plate by forming her own record label too, Real Kind Records, putting out new records by artists she admired and thought deserved her due care and attention. With both plates spinning, she managed to catch them just before the pandemic ensured her plan for some rest and recouperation became an enforced reality. She welcomed her first child, Otis, in the summer of 2021. All was well until she was diagnosed with a rare form of pregnancy induced osteoporosis.

With a life being lived upside down, and only now without the indignity of excruciating pain, making music wasn’t seeded top of Lucy’s priority list. Any fleeting thought of writing a new record, or even sitting down with a guitar or at a piano, took a back seat to building up the strength to walk and care for Otis. As her confidence started to rebuild, so did her usual inhibitions in the making of music. Inspired by a trip to America with friend and rapper Logic, she later worked with renowned producer Kwes to finish the record.

This Ain’t The Way You Go Out is an album constructed from the ashes of despair, nurturing the tiniest of green shoots and giving life to something that had looked otherwise spent. It’s a new era for Lucy, and an era in its purest, truest sense. An artist re-awakening herself to the power of music, and having a lot of fun in the process of its discovery and delivery.

STAFF COMMENTS

Barry says: Lucy Roses's brilliant 'This Ain't The Way You Go Out' flawlessly straddles the disparate worlds of disco, folk and indie rock, delivered in Lucy's richly syncopated vocal style. There are myriad moments that could easily be made for the dancefloor but they classily move into similarly placid jazzy home listening fare. It's wonderfully done throughout, and hugely addictive the more you listen.

TRACK LISTING

Side A
Light As Grass
Could You Help Me
Dusty Frames
Whatever You Want
Interlude I
Life’s Too Short
Side B
This Ain’t The Way You Go Out
Over When It’s Over
Sail Away
Interlude II
No More
The Racket

Random Factor's 'On The Air' EP is a hugely sought-after classic by those who know. It came on Ralph Lawson's ever-reliable 20/20 Vision and now, as it turns 25 years old, he has decided it is the right time to get it remastered and reissued. 'On The Air' is first up on this fine EP from Carl Finlow and it has serene synths that bring to mind Detroit techno soul over pulsing bass and slick drums. 'Lockdown' has a raw vocoder vocal over punchy drums and twitchy synth stabs and 'Undercurrent' is another weapon that has more than withstood the test of time as it bumps along on funky drums and is overlaid with more playful synth patterns. 'Disconnect' is a crunchy and 8-bit closer with pixelated synths and screwy acid lines. Superb.

TRACK LISTING

On The Air
Lockdown
Undercurrent
Disconnect

As part of the 50th Anniversary 2023 remaster campaign, Pink Floyd will release a Collector’s Edition of The Dark Side Of The Moon on crystal clear vinyl. This will be a 2 x 180g single sided LP set, featuring UV artwork print on the non-groove sides.

This new edition of the album will feature the prism spectrum seen through the playable side of the vinyl whilst maintaining the best quality sound that fans will expect. It will be packaged in a slip cased gatefold sleeve, with an exclusive poster.

This is the first time that Pink Floyd has used this pioneering UV printing process for a picture disc. The images are printed with a high end UV printer, using UV-Led light to dry the permanent ink on the sides without audio on which the image is printed. This combination of one-sided audio and the UV print (on the side without audio) combines the best of both worlds: perfect audio and a beautiful image to enjoy.

TRACK LISTING

1. Speak To Me
2. Breathe (In The Air)
3.On The Run
4. Time
5. The Great Gig In The Sky
6. Money
7. Us And Them
8. Any Colour You Like
9. Brain Damage
10. Eclipse

The Fall’s first studio album, reissued on black vinyl in its 45th Anniversary year. This black vinyl version is 180GSM with an inner bag and features the US artwork and track-listing.

Founded by its only constant member, Mark E. Smith, The Fall formed in Manchester in 1976 and were one of the most prominent post-punk groups in the world. Musically, there may have been several stylistic changes over the years, but it was often characterised by an abrasive guitar-driven sound and frequent use of repetition, always underpinned by Smith’s distinctive vocals and often cryptic lyrics.

“They are always different; they are always the same.” JOHN PEEL

“Live At The Witch Trials” is the debut studio album – released 16th March 1979 – these editions celebrate the fortieth anniversary of this seminal album. Originally released through record label Step-Forward, it was recorded in a single day and mixed by producer Bob Sargeant. Mark E. Smith’s lyrics include his unique commentary on the music business (‘Music Scene’), poorly paid jobs (‘Industrial Estate’) and drugs (‘No Xmas For John Quays’, ‘Like To Blow’, ‘Frightened’, ‘Underground Medecin’)

Sounds gave it five stars at the time of release, writing: “an album of staggeringly rich, mature music, inner questioning hand in hand with rock and roll at its fiercest, its finest, its most honest, rock and roll at its naked, most stimulating”

Featuring the one and only Mark E. Smith alongside Martin Bramah, Marc Riley, Karl Burns and Yvonne Pawlett.

TRACK LISTING

SIDE ONE
1. FRIGHTENED
2. CRAP RAP 2/LIKE TO BLOW
3. REBELLIOUS JUKEBOX
4. NO XMAS FOR JOHN QUAYS
5. VARIOUS TIMES

SIDE TWO
1. UNDERGROUND MEDECIN
2. TWO STEPS BACK
3. LIVE AT THE WITCH TRIALS
4. FUTURES AND PASTS
5. MUSIC SCENE

35th Anniversary edition of the seminal 1989 album ‘Vini Reilly’, Produced by Stephen Street (The Smiths, Blur, The Cranberries, New Order). Remastered and heavily expanded 5 disc version, featuring over 75 tracks.

TRACK LISTING

DISC 1 - Vini Reilly:
1. Love No More
2. Pol In G
3. Opera I
4. People’s Pleasure Park
5. Red Square
6. Finding The Sea
7. Otis
8. William B
9. They Work Every Day
10. Opera II
11. Homage To Catalonea
12. Requiem Again
13. My Country
14. Otis (No Samples)
15. Dry
16. My Country (Monarchy Mix)

DISC 2 - The Sporadic Recordings:
1. Buddhist Prayer
2. Pathway
3. Nile Opera
4. Shirt No. 7
5. Kind Of Love
6. Rob Grey’s Elegy
7. Misere
8. For Steven Patrick
9. We Stumble
10. Sketch For A Manchester Summer 1989
11. Arpeggiator II
12. Diazepam 5 Mgs
13. But Was I…?
14. Pol In Ab
15. Real Drums – Real Drummer
16. Another Mirror – Another Wall
17. 30 Oldham Street
18. 4.10 AM
19. For Lydia
20. Detail For Heidi & Jodie
21. Zinni’s Dance
22. PPP Version
23. For Lucy H
24. 4.30 AM
25. It’s A Bright Guilty World – Pt 1
26. It’s A Bright Guilty World – Pt 2
27. Nile Reprise
28. Diazepam 5 Mgs

DISC 3 - Womad Live EP + Demos:
1. Otis (Womad Live)
2. English Landscape Tradition (Womad Live)
3. Finding The Sea (Womad Live)
4. Bordeaux (Womad Live)
5. Day Is Over (Live)
6. Red Shoes (Live)
7. Opera II
8. Finding The Sea I
9. PPP (demo)
10. Juan Montero (Sketch 1)
11. Sample Tune
12. Finding The Sea (2)
13. Juan Montero (Sketch 2)
14. William B (demo)
15. Sketches On Stratocaster
16. Zinni And Vini Tune

DISC 4 - Live In Porto 30/04/1988
1. Mercy Theme
2. Arpeggiator
3. What It Is To Me (Woman)
4. Jongleur Grey
5. Pol In B
6. Bordeaux Sequence
7. Jacqueline
8. Sketch For Dawn
9. Tomorrow
10. Requiem Again
11. English Landscape Tradition
12. When The World
13. The Missing Boy
14. Red Shoes
15. The Beggar
16. Sketch For Summer

DISC 5 - I Know Very Well How I Got My Note Wrong
1. I Know Very Well How I Got My Note Wrong

The Baby Seals debut album, "Chaos," is a sonic exploration that blends heavy guitars, a pop edge, and a punk rock garage spirit with a heavy attack. The band, comprised of Amy "Amos" Devine on drums and backing vocals, Kate Shore on bass and backing vocals, and Kerry Devine on guitar and lead vocals, delivers a raw and energetic collection that captures the essence of their live performances.

Recorded in March 2023 in Thaxted, just outside of Essex, "Chaos" embodies the DIY ethos that has defined The Baby Seals' approach to music. Working with engineer Joe in a secluded outhouse surrounded by fields, the band laid down the tracks live over a day, capturing the unfiltered essence of their sound. Joe's extensive collection of homemade pedals added a unique touch to the recording, while Benny T's mixing expertise brought the album to its final form.

The decision to minimise post-production sets "Chaos" apart from previous recordings, reflecting the band's commitment to authenticity and a desire to showcase their growth and maturity.

On Chaos Kerry says: “Chaos is the next phase in life for us lasses in the band - babies and mid-life responsibilities. The album definitely is about how we feel and experience the world around us in our 30s and 40s. Someone who heard the album recently said it's like the The Baby Seals have grown up and I liked that because that's what I feel likes happened to me in the last two years… The album definitely has Themes: inclusivity, gender inequality, the mental load, the motherload, power, body positivity, challenging taboos, liberation. The importance of what to take seriously and what not to take seriously.

Title track, Chaos is one of the songs on the album which I'd written after a series of events including watching an interview with the late writer Benjamin Zephaniah who said the only way to liberation for all was to tear big governments down and to believe in your community.

The cover photo by Jeff Pitcher sums us up and hopefully gives you a feeling of what the album sounds like. Album design was created by Igor Prato Luna, he just seemed to understand what we are about. He referenced loads of wonderful album cover, poster and flyer artwork from the 60s - 90s, and even some fabulous sci-fi artwork from the 1920s and those incredible 1950s sci-fi pulp book covers. Nothing was referenced too heavily, though, and Igor definitely made it his own. “

STAFF COMMENTS

Barry says: Clashing, distorted guitars and pumpelling percussion, topped with the near-shouted vocal trilogy of Amy and Kerry Devine and Kate Shore. It's rich in the traditions of punk rock and garage but with a more modern, sardonic vim. Superbly loud, and made for crashing around to.

TRACK LISTING

1. Yawn Porn
2. ID'd At Aldi
3. Vibrator
4. Chaos
5. Invisible Woman
6. My Labia Is Lopsided But I Don't Mind
7. Mild Misogynist
8. Nipple Hair
9. It's Not About The Money Honey

The Tortured Poets Department is the eleventh studio album by American singer-songwriter Taylor Swift, released on 19th April 2024. Swift announced the album at the 66th Annual Grammy Awards on February 4, 2024, after winning Best Pop Vocal Album for her tenth studio album, 'Midnights' (2022).

STAFF COMMENTS

Barry says: There's no doubt there's been a big reassessment of Taylor's sound since the superb duo of Folklore and Evermore (and the brilliant Long Pond sessions LP from RSD last year), and mass appreciation for Midnights so it's with some excitement that her new LP 'The Tortured Poet's Department' lands. I for one am excited to hear it.

"The Sevens" a series of four 7-inch vinyl records that unveil a treasure trove of previously unreleased tracks from A Place To Bury Strangers' critically acclaimed 6th album, "See Through You"

Renowned for their visceral sonic assault and immersive live performances, A Place To Bury Strangers has cemented the end-all-be-all space for over-the-top post- punk / shoegaze destruction. With this special vinyl collection, the band invites listeners to delve deeper into their sonic universe, exploring uncharted territories and hidden gems. Don't Turn The Radio / This Is All For You is the third release.

"When looking back at the recordings that were done around the time of See Through You there were a bunch of great tracks that just captured life back then and really had something incredible going on. Even though they are a bit raw and a bit personal, I thought it would be a mistake if they didn't come out. I thought it would be best to go back to my roots and put out a series of 7"s the way A Place To Bury Strangers started. That strange weird format where the tracks each speak for themselves, no album context to muddy the water. These tracks are such a contrast to the way I am feeling now and the current songs we've been working on so slip back into this moment in time." says APTBS' Oliver Ackermann.

TRACK LISTING

Don't Turn The Radio
This Is All For You

Recorded at Abbey Road Studios with legendary songwriter and producer Nile Rodgers, alongside the band's original producer Ian Broudie. The multi-platinum selling band released three studio albums between 2004 and 2008, scoring 9 UK Top 40 singles including two Top 10s with ‘Why Won’t You Give Me Your Love?’ and the all- conquering ‘Valerie’, the latter a triple-platinum hit for Mark Ronson and Amy Winehouse. Today they return to share the fruits of their extended time away. The Big Decider comes into view as an album of stark significance to the band, completed by Dave McCabe (guitar, lead vocals), Abi Harding (saxophone, vocals) and Sean Payne (drums, vocals). Written against the backdrop of a decade and a half’s worth of lived experience, it is born under the weight of family tragedies, lives lost and created, reality checks, and home truths faced up to and stared down. Wrestled into shape under the kind of steam that only decades-long friendships - with all their messy fall-outs, make-ups, breakdowns and ultimately love - can muster, The Big Decider became the sound of water passing under the bridge, and love for music, love for each other, and love for creating together becoming the most important thing of all.

TRACK LISTING

1. Creeping On The Dancefloor (Nile Rodgers)
2. Creeping On The Dancefloor (Ian Broudie)

What does it mean To Belong? Cynthia Bernard aka. Marine Eyes only begins to scratch the surface of this question on her latest ambient record (yet leaps a great deal forward in wrestling with it nonetheless), following up her prior effort 'Chamomile' with a distinctly beauteous fortnight of forenoon drones, all of which spur the realization that "belonging is everywhere and nowhere". Belonging is indeed a kind of ephemeral longing of being that can only ever be partly grasped, attained. Through its looping washes of warmed, brackish, padded backwash - not to mention its many bass-undergirded angel choirs - the likes of 'Timeshifting', 'Bridges' and 'Mended Own' stand out as such revelatory highlights, all contributing to an incredible album of sonic diaristic reflection, in which every sound sticks out clearly yet plays its proper part in a humble, rose-smelling gestalt.

TRACK LISTING

To Belong
Hushed
Timeshifting
Bridges
Cemented
Of The West
Suddenly Green
Mended Own
All You Give (For Ash)
Bluest
Night Palms Sway
In The Spaces
To Belong (Reprise)
Call & Answer

The limited 7" edition of Marine Eyes' latest full-length ambient record 'To Belong' hears a distilling of the original fourteen-track record down to just four selections. Though every track on the digital version of the album works in its own right, the choice on offer here - 'Hushed', 'Of The West', 'Bluest' and 'Call & Answer' - are particularly deserving of the study on wax. Something static, nigh time-crystalline is achieved on the B2, with its held root note evincing something of the quality of an infinite dream; the A1 recalls some mix of DJ Healer, Malibu or David Motion with its three note tenor-pad lilt; the A2 gets at the best of both worlds, sounding like a paradisiacal bathhouse vision set in slow motion; the B1 is the tensest, opting for a moodier key, but its reversed guitar taps and sustained choir-synth working in a no less lachrymose aesthetic.

TRACK LISTING

Hushed
Of The West
Bluest
Call & Answer

London-born-and-raised DJ and producer Parris has announced his new EP Passionfruit, via his own co-founded label can you feel the sun. Following his stand-out 2021 album Soaked In Indigo Moonlight, described as a “masterful” take on the pop genre (Crack Magazine), Passionfruit continues Parris’ affinity for polyrhythms and bouncing synths, but diving deeper into his love for clubbing and UK soundsystems, the result is a heady house compilation.

Each track on the EP is in contention with the one before it, a counterpoint to a sonic argument; melodic bubbly pop against heavy drum and bass, morning rays of sunlight against dark and swampy rhythms. Where the title track “Passionfruit” was described by Parris as imagining the “early morning of a set with the sunrise coming through the shutters”, the very next track “Slipping, Falling, Crawling” is much like the title suggests: a sludgy, percussion-heavy track which has fun with creating melody from the beat itself, stripped back and raw intent.

“Why Can’t Rabbits Wear Cowboy Boots” and “Underwater Fantasy” are almost alternate universe club classics. “WCRWCB” takes a club-formed structure, and uses it to explore the limits polyrhythms, layering chaotically over eachother, and building through the first half of the track, until it peaks with the introduction of an explosive bassline. “Underwater Fantasy” on the surface is the straightest-sounding track to come from Parris, but the disco-style vocals fight with the beat, pushing and pulling at eachother.

Parris (aka Dwayne Parris-Robinson) has dedicated himself to club culture from an early age, never missing a week at FWD>> (the club night where a generation of bass and techno DJs made their names), and was constantly tuning into Rinse FM. Immersing himself into the distinct sound of London built the foundations of the productions we hear today, with grime and drum & bass bubbling alongside slick pop references.

STAFF COMMENTS

Matt says: Tricksy, playful tech-house vibes here from Parris who recalls a bit of Madteo, Sotofett and Julio Bashmore as he injects bucket loads of fun into the dancefloor.

TRACK LISTING

Why Cant Rabbits Wear Cowboy Boots
Underwater Fantasy
Passionfruit
Slipping Falling Crawling

"The Ick" - a sense of sanity amidst the storm of information. This album by Archetype is an abstract scream for something quite fragile, a polarizing society, disruptive isolation, and the fading collective experience. Utilizing dramatic vocals, industrial trip-hop, and post-punk-leaning electronics, Archetype marks the new moniker by the ever-versatile Viennese Rotterdammer, Leonard Prochazka. Following his manifold of concept-driven, instinctive musical output, Archetype's "The Ick" follows "Strapazen und Genesung" as Geier Aus Stahl on Knekelhuis in 2022. 

TRACK LISTING

Archetype
Mental Is True
Minute After Minute
The Ick
Illusions
Trickster
I See Numbers
Final Chapter

UK jazz ensemble The Jazz Defenders release their third album "Memory In Motion" in April on Haggis Records (home of The Haggis Horns and Malcolm Strachan). The Bristol jazz boppers deliver another quality release of original material that takes in their usual diverse mix of influences and genres, from timeless acoustic jazz referencing the classic sounds of Blue Note Records, to a more contemporary fusion where jazz meets soul, funk and hip-hop.

Although they love to mix things up, their roots are in the classic acoustic jazz quintet sound of the late 1950s/early 1960s, back when hard bop and modal jazz ruled. They have already explored this musical path well on their previous albums but they still deliver a couple of classic inspired jazz cuts here. "Chasing Fantasies" and "Fuffle Kerfuffle" both give the band some space to cut loose on solos over swing jazz beats that will keep their original jazz audience happy. The latter bubbles away with a jazz shuffle beat that would make drum legend Art Blakey smile.

"Meanderthal" and "Snakebite Playfight" bring soul to this jazz party. Exactly like jazz legends Lee Morgan/Herbie Hancock/Freddie Hubbard etc did back in the early-mid 1960s. The first is a feel-good, toe-tapping gem that's heavy on the backbeat and short and snappy on the solos, the exact reasons that made it the perfect opening single from the album. "Snakebite Playfight" comes with a jaunty New Orleans shuffle before transforming into a heavy psychedelic soul jazz burner, flipping back with ease to the NOLA shuffle for the Mardi Gras meets bebop piano solo by band leader George Cooper.

"Rolling On A High" is a hip-hop/jazz banger that sees the band continue their collaborations with UK rapper Doc Brown, a perfect combination that began on their second album "King Phoenix''. This time, the Doc spits some old-school block party-style bars over a bouncy uptempo funky beat with the band cooking up some soul stew behind him. Definitely dancefloor material.

Another uptempo jam is the heavy jazz fusion jam "Net Zero". It kicks off with some live broken beat kit playing and piano/bass staccato vamping before taking off into Headhunters territory on the solos, sounding both contemporary and classic at the same time. This is The Jazz Defenders at their fiercest and toughest and delivering a track that will have jazz dancers worldwide in an utter frenzy.

It's not all uptempo numbers or dancefloor-oriented compositions on this album. Two tracks take the musical dynamics right down to give a temporary break from the high-energy numbers. "Take A Minute" has a rolling double bass line locked into the groove while the horns play a lazy and laid-back theme with vibes embellishment, sounding like some trippy independent film soundtrack. Another recurring musical reference point for this band over the years.

The album finishes on a poignant and introspective note with a beautiful piano and double bass feature for George Cooper and bassist Will Harris. It's called "Enigma", it was recorded live in Paris and it closes the album on a peaceful note evoking the music and playing of Bill Evans. The perfect way to close this brilliant third album from The Jazz Defenders.

With Memory In Motion, pianist George Cooper and his band undoubtedly pay great homage to a golden era of jazz music that they love, but also elaborate on this influence with a wealth of modern musical experience, to create their own raw and vibrant compositions. The result is an enthrallingly unique sound that is as danceable as it is listenable.

STAFF COMMENTS

Matt says: More treats from the UK jazz landscape. Bristol's The Jazz Defenders are the full package - continuing the lineage and traditions of the genre authentically and with their own unique style. The playing is fabulous throughout, as is the arrangements and production. Seriously, modern jazz has never been in such great shape!

TRACK LISTING

1. Meanderthal
2. The Long Haul
3. Chasing Fantasies
4. Rolling On A High (feat. Doc Brown)
5. Take A Minute
6. Fuffle Kershuffle
7. Snakebite Playfight
8. Net Zero
9. Enigma (Live In Paris)

2023 sees the return of multi-talented Norwegian producer Espen Horne to Wah Wah 45s, after a 24 year hiatus. The man behind the label's very first release, the now seminal Magnetica, never lost his connection with the imprint and has remained very much part of the Wah Wah family, making a comeback this year with his first solo material under his own name since that club classic from 1999.

Back in the spring, the first single from the project, the gorgeous soul-jazz beauty Bakeren, featuring the stunning vocals of Resonators' Faye Houston, quickly found a home on Gilles Peterson's internationally renowned BBC Radio 6 show as well as that of Jazz FM legend Robbie Vincent, Bandcamp Weekly and the Fresh Finds Jazz Spotify playlist.

Following that, Bergen Sunrays, became a weekly fixture on the Craig Charles Funk & Soul Show on BBC 6 Music, with the limited 7-inch of both singles selling out within hours of release.

Next up was the wistful Den Franske Gitaren, a lugubrious soul-jazz piece with drum & bass leanings featuring Bergen based MC and vocalist Aich, which found favour with legends Laurent Garnier and Jazzanova as well as hot Japanese production outfit Dazzle Drums.

This was closely followed by the final single to be taken from the album, the stunning and outspoken vocal jazz waltzer Nada Pode Me Calar (which roughly translates to Nothing Can Shut Me Up!) featuring the sublime talent of Olav Wöllo on vocals and Juno - anotherr big one with Gilles Peterson on Worldwide FM and Deb Grant on BBC 6 Music.

And now the full album, entitled The Anatomy Of Serene Eloquence is available for your aural delectation. Recorded largely during lockdown, the LP is a sophisticated and composed piece of work that sees the Norwegian producer make connections with musicians from across Europe, and some closer to home, to collaborate on this sedate and peaceful collection of songs.

The aforementioned Faye Houston also appears on the soulful, dub flavoured Don't Fall Asleep, a piece of music that explores the feeling of being isolated whilst sharing a mutual love and drive to explore new sonic possibilities.

Elsewhere, Olav Wöllo pops up again too, this time on O Mar E A Lua and once again singing in Portuguese to give this track a certain Tropicalia feel, as Espen explains:

"Olav Wöllo is a close friend, an excellent musician and vocalist, and a capoeira professor here in Bergen. He has spent much of his life living in Brazil and speaks Portuguese fluently. He wrote the lyrics for this tune years ago and had just been waiting for the right collaboration to come along.

We went to his lovely studio out on this remote island, made a massive gyoza meal, had some serious good wine and stayed the whole night to record his vocal harmonies and outspoken lyrics."

The single Bergen Sunrays also appears on the album in instrumental form with featured keys courtesy of London based player Rory More - here entitled Rory's Sunrays. His Lowrey organ adds a more melancholic feel to the track, as it does on the stunning Belle Époque, alongside the ivory work of Eirik Blåsternes - an emotional, contemplative and atmospheric track that was tested and shaped in the eclipse of Covid.

As with Belle Époque, La Psychosomnie is a playful yet explorative cut that examines insomnia, paralysis and hypnosis courtesy of some enigmatic French spoken word spinning around a framework of drums, bass and swirling keys.

And finally, the album offers up an alternative version of the single Den Franske Gitaren, this time featuring Martin Halla, a vocalist out of the Bergen Grieg Jazz Academy and winner of the Norwegian version of The Voice back in 2012! The perfect flip to Aich's more mournful interpretation of this bass and drum future classic.

TRACK LISTING

1. Bakeren (feat. Faye Houston)
2. O Mar E A Lua (feat. Olav Wöllo)
3. Bergen Sunrays (feat. Selim Mutic)
4. Belle Époque
5. Den Franske Gitaren (feat. Aich)
6. Don't Fall Asleep (feat. Faye Houston)
7. Rory's Sunrays
8. Nada Pode Me Calar (feat. Olav Wöllo)
9. La Psychosomnie
10. Den Franske Gitaren (feat. Martin Halla)

Jackpot Records is proud to reissue what many call arguably the greatest album of the punk rock era: The Flesh Eaters’ 1981 punk-noir masterpiece, ‘ A Minute To Pray A Second To Die.

Once referred to as an all-star roots/voodoo combo, The Flesh Eaters could only have crawled out of the myst of the late L.A. 70s punk scene. Fronted by punk poet/composer Chris D. (Desjardins), the band was a satellite for exquisite collaborators that allowed him to bring the full force of his dark, messed-up lyrical nightmares. Members of X, Wall Of Voodoo, Los Lobos, The Blasters, and The Plugz all hopped into his unmarked car to take a drive with Chris D.

Its grabbed-by-the-throat vocals are powerfully buoyed by the tight melodicism emanating from the players on this record (John Doe and DJ Bonebrake from X, Steve Berlin of Los Lobos, Dave Alvin & Bill Bateman of The Blasters). Hell, we even get the perfectly executed John Doe original, “Cyrano de Berger’s Back,” which was re-recorded by X in 1987.

The creators of this record made a pulp novel for your ears with an equal chance to scar your heart. Do not miss out this is punk noir at its greatest.

TRACK LISTING

1. Digging My Grave
2. Pray Til You Sweat
3. River Of Fever
4. Satan's Stomp
5. See You In The Boneyard
6. So Long
7. Cyrano De Berger's Back
8. Divine Horseman

“It's a new lineup,” landlord of the avant-garage Kid Congo Powers exclaims of the Pink Monkey Birds edition responsible for the fifth studio full-length of their 19 year recording career, That Delicious Vice.

“We've gone from a four piece to a three piece,” continues Kid, whose unique guitar style has been at the center of some of the most forward-thinking bands in punk and garage: The Gun Club, The Cramps, Nick Cave and the Bad Seeds, and Knoxville Girls, to name a handful.

“I'm not sure if living in the desert is making me want more space in music or not,” laughs Kid, a Tucson resident for a few years now. “Maybe I’m turning into a desert stoner rocker. But I'm not a stoner, so that's not happening.”

No, the former Brian Tristan is most decidedly not unleashing a Kyuss tribute album. But you hear the desert all over That Delicious Vice, beginning with opening instrumental “East Of East,” its Duane Eddy/Rowland S. Howard guitar twanging through some malicious reverb. You feel it in the slide guitar-drenched theme from an imaginary western, “Silver For My Sister,” which echoes the pioneering Los Angeles blues punk band Kid formed with Jeffrey Lee Pierce, The Gun Club. There’s also such unique pieces as the acid/garage cumbia title track, translated into Spanish at least for its name, “Ese Vicio Delicioso.” As he tells the tale of his musical journey over the Pink Monkey Birds’ cowbell-thumping Latinate rhythms, Kid’s thickly distorted guitar groans and screams with feedback, likely a conscious sonic homage to Jimi Hendrix, name checked in the lyrics.

But the album’s major hallmark has to be its extended collaboration with Alice Bag, the face of and voice of early LA punk titans The Bags. How and why these two took this long to unite creatively is a dense mystery, considering both graduated with honors from early Hollywood punk palace The Masque, and their photos had to have stared at one another from opposite pages of a few issues of Slash or fLiPSiDe.

This led to “Wicked World,” a full-on Kid Congo/Alice Bag duet that’s That Delicious Vice’s second track and major fulcrum. Over rat-a-tat “Big Bad John” drums, a blast of fuzz bass, and Kid’s siren-like slide guitar, the co-composers recount in tandem the tale of a child “born into trouble from a devil seed/Every fork in the road led her here.” It’s a short drive from there through a poor childhood and bad decisions to turning tricks and seeking kicks, amid an atmosphere heady with the scent of sex. The action stops, and Alice chants, “One two three four five six seven — you’re going to Hell, and I’M GOING TO HEAVEN!!” It’s a pulp paperback reincarnated as primal rock ‘n’ roll.

That Delicious Vice is produced by Kid Congo & The Pink Monkey Birds, recorded and mixed by Jim Waters [Jon Spencer Blues Explosion, Sonic Youth] at his Waterworks Studios facility in Tucson. It features nine new original tracks that are the band’s strongest to date. The band will be touring Australia in April with more touring to follow.

STAFF COMMENTS

Barry says: Fuzzed-out breakdowns and soaring psychedelic freakouts are the bedrock of Kind Congo's sound, but on 'that Delicious Vice' the band are on peak form, effortlessly moving between walls of sound freakout drone and tender slide-guitar balladry. There 's groove and rhythm too, never eschewing the feel for needless heft, it's a beatifully balanced maelstrom.

For listeners of the innocence mission, the Lancaster, Pennsylvania trio are beyond a favorite band, more like a beloved companion, such is their intensity and fragility of their sound and vision, spearheaded by Karen Peris' heartbreaking, breathtaking voice

Those fans include Sufjan Stevens and Sam Beam (Iron & Wine), who have both covered innocence mission songs, and in whose company the trio deserve to be bracketed.

"All I cannot say I hope you know, all you cannot say I hope I can hear," sings Karen Peris on "Look Out from Your Window," the strong, circular, and somewhat quirky third track from the innocence mission's latest album, Sun on the Square. These lines, possibly spoken to her children -- one of whom actually plays viola on the song-- could be called emblematic for the album.

In their own way, Karen and her husband and fellow guitarist, Don Peris, have spent years trying to voice the inexpressible. Since forming the innocence mission in 1985 with Mike Bitts, upright bassist and friend from their Catholic high school, the dreamy, orchestral folk band have spent ten full-lengths speaking to our collective memory and awe at life's mysteries. Their songs are full of sensory imagery and deeply felt instrumentation, and it's their unique way of trying to approach universal joys and sorrows that allows the band to achieve the emotional connection with their listeners that makes them so special.

Sufjan Stevens talked to NPR about the innocence mission's music, saying "...what I always come back to, after the din and drum roll, is the small song that makes careful observations about everyday life. This is what makes the music by the innocence mission so moving and profound."

TRACK LISTING

Records From Your Room
Green Bus
Look Out From Your Window 
Shadow Of The Pines
Buildings In Flower
Sun On The Square
Light Of Winter
Star Of Land And Sea
An Idea Of Canoeing / Galvanic

'Remind Me' is the first definitive retrospective of an icon of 1970s and ‘80s soul, jazz and disco, Patrice Rushen, covering her peerless 6-year career with Elektra / Asylum from 1978 to 1984.

Joining Elektra after three albums with jazz label Prestige, Patrice had shown prodigious talent at an early age and had first broken through after winning a competition to perform at the Monterrey Jazz Festival of 1972. By the time of the recordings on this collection, she had become a prolific and in-demand session musician and arranger on the West coast, appearing on over 80 recordings for other artists. She joined the Elektra / Asylum roster in 1978 as they launched a pop / jazz division alongside visionaries like Donald Byrd and Grover Washington, Jr. “The idea was to create music that was good for commercial radio / R&B,” Patrice explains. “We were all making sophisticated dance music, essentially.”

Drawing on some of the leading musicians in L.A. like saxophonist Gerald Albright, drummer “Ndugu” Chancler and bassman Freddie Washington and keeping an open minded approach from her training in classical, jazz and soundtrack scores, Patrice’s music was a different, more intricate proposition to many of the soul artists of the time. “L.A. musicians were not so locked into tradition,” she continues. “None of us were accustomed to limitation and the record label left us to take our own direction.”

Early classics like ‘Music Of The Earth’ and ‘Let’s Sing A Song Of Love’ were among Patrice’s first as a lead vocalist before her ‘Pizzazz’ album landed in 1979, featuring the unique disco of ‘Haven’t You Heard’ and one of her greatest ballads, ‘Settle For My Love’. “Although ballads make you feel more vulnerable as an artist because they are often personal, I think listeners relate to that sincerity,” she reflects. By now, Patrice’s records were supremely arranged and produced as her confidence as an all-round writer, producer, arranger and performer grew. Slick dancefloor anthem ‘Never Gonna Give You Up’ and the ‘Posh’ album in 1980 led to her landmark album ‘Straight From The Heart’ two years later. Receiving little support from her label, Patrice and her production team personally funded a promo campaign for the first single from it, ‘Forget Me Nots’. It went on to peak at no. 23 on the Billboard Hot 100 and the album was later Grammy-nominated, while the track became a timeless anthem and popular sample, inspiring Will Smith’s theme for the film ‘Men In Black’ and George Michael’s ‘Fastlove’.

Patrice’s final album for Elektra, ‘Now’ kept the bar high with sparse, synth-led songs including ‘Feel So Real’ and ‘To Each His Own’. It concluded a golden era creatively for Patrice which remains revered by soul and disco aficionados the world over

TRACK LISTING

A1. Music Of The Earth
A2. Let’s Sing A Song Of Love
A3. When I Found You
B1. Haven’t You Heard (12” Version)
B2. Givin’ It Up Is Givin’ Up With DJ Rogers
C1. Forget Me Nots (12” Version)
C2. Look Up! (Long Version)
C3. Where There Is Love
D1. Never Gonna Give You Up (Won’t Let You Be) (Long Version)
D2. Number One (12” Version)
E1. All We Need
E2 Remind Me (LP Version)
E3. Settle For My Love
F1. Feels So Real (Won’T Let Go) (12” Version)
F2. To Each His Own

4 To The Floor is committed to delivering seminal house music to wax, making sought after heritage tracks readily available on vinyl for crate diggers to add to their collections. Classics Volume 2 kicks off with a slice of Defected 2012 goodness; ‘Around (Solomun Vox)’ by Noir & Haze. When Solomun took his turn at remixing this Ibiza anthem, it was heard everywhere from Hackney warehouses to Pacha Ibiza, and showed a different side to the heavier original. On the B-Side is the Moodymann Edit, where he makes subtle changes to Solomun’s mix by interweaving tribal drums and stripping back some of the techier elements, followed by Chicken Lips’ electro banger ‘He Not In’ which thunders through. An instantly recognisable record, even if they’re not aware of its name or who wrote it, with an unmistakable bassline that has truly stood the test of time.

TRACK LISTING

A. Noir & Haze - Around (Solomun Vox)
B1. Noir & Haze - Around (Solomun Vox - Moodymann Edit)
B2. Chicken Lips - He Not In 

Egyptian Lover is celebrating 40 years of releasing music in 2024 and 'Emotions' is the first track from his upcoming album titled 1987. It's a classic 80s inspired west-coast electro style cut - a style that Egyptian Lover is pretty much responsible for creating, harking back to his classic material like 'Egypt, Egypt' and 'I Need a Freak', his use of the Roland 808 along with Kraftwerk and hip-hop influences making the artist synonymous with the origin of the electro sound. Also included is 'Emotional' which is the instrumental version of the title track. For the B-Side 'Dirty Passionate Yell' is featured, again along with the instrumental version (Dirty Music). Grab your cardboard and meet us on the dancefloor.

TRACK LISTING

Emotions
Emotional (Instrumental)
Dirty Passionate Yell
Dirty Music (Instrumental)

After the psychedelic opus Cut From A Star (2012) and understated country weirdness of Drifter’s Skyline (2020) Ian Skelly is no stranger to the strange. He’s been busy the last few years at his day job as drummer/ songwriter for The Coral, playing and contributing to the critically acclaimed Coral Island and latest albums Sea Of Mirrors/ Holy Joe… Amidst all this, he’s found time to etch out a new and wonderful solo LP.

Lotus And The Butterfly is a treasure trove of psychedelic colour and freak-folk. Think Brian McLean in a seance with Karen Dalton, dreaming up the soundtrack to a lost American road movie. Recorded between Parr Street Studios, Coastal Studios and band HQ the Coral Caves, it features cameos from James Redmond and bandmates Paul Duffy, Paul Molloy and Zak McDonell. Extended liner notes are written by Nick Power.

Speaking to Shindig Magazine, Ian says of the album’s theme and feel:

A lot of the sounds I hear these days bore me, so I wanted to make a record that rips up the rule book a bit. I wanted ‘Sweet Love’ to feel as if it was something from a 1969 biker movie starring Dennis Wilson, you know? No dialogue but plenty of great shots. I put that down originally with just guitar, no click track. Then later I added the drums, that's what gives it that feel, I was having to guess where the ‘one' might be.’ Elsewhere, hardened Coral heads will clock a folk-psych version of Rovin’ Jewel from Butterfly House.

2015 is a busy year for Michael Head:

His second record as ‘Michael Head and the Red Elastic Band’ has just been released on his own label, Violette - ‘Velvets in the Dark’ 7 inch single. Shack’s 1990 single ‘I Know You Well’ opens ‘Perfect Motion’, Jon Savage’s 2LP compilation as “a musical return-trip to these fondly remembered years spanning 1988-93”.

Plus, Megaphone is set to reissue ‘The Magical World of The Strands’ in its original form, with the addition of a 20-page booklet, including new liner notes by Michael Head himself and photographs testifying to the album’s sleeve work-in-progress.

The CD version will come with 2 bonus tracks – the B-Sides to the 1998 NME and Melody Maker Single Of The Week ‘Somethin’ Like You’. ‘Green Velvet Jacket’ is an acoustic solo piece by Michael Head. And Queen Matilda (demo) was recorded in early 1993 and produced by the band’s friend and live engineer Ian Eastwood on a 4-track Tascam cassette recorder.

Alongside this reissue comes ‘The Olde World’, an exclusive new album of recordings from the same sessions.

Last but not least, Michael plans his first gigs as ‘Michael Head & The Strands’ promising to play his classic album ‘The Magical World of The Strands’ in full.

After a couple of demos for the French promoter who paired him with his childhood hero Love’s Arthur Lee in 1992, Pale Fountains and Shack legend Michael Head entered a Liverpool recording studio the following year, with a new project in mind, ‘The Strands’. Michael teamed up with his brother and lifelong companion, John, his long-time drummer Iain Templeton and two new recruits, Michelle Brown on bass and Les Roberts on flute. The recording sessions would last two years and were only halted because Michael was offered a new major label deal. A deal, not for his current work, but for him to record as Shack again.

So it came to be that Stephane Bismuth, the French promoter, was left with 100 or so minutes of a thwarted project, only a third of which had made it to the mixing studio in Sheffield in the summer of ‘95.

Patch-working and weaving rough mixes and sketches – by engineer Steve Powell, made in Liverpool – with completed mixes by producer Mark Coyle who had hired an arranger and string section for sessions in Sheffield, Stephane Bismuth founded a new label Megaphone and finally released ‘The Magical World of The Strands’, in autumn of 1997.

This work-in-progress comprising sketches, rough mixes and fully orchestrated tracks, garnered great critical acclaim and is still rated by many as the "rarest jewel of the 90s", Q Magazine.

About “The magical world of the strands” :

“AS THE MAGICAL WORLD SO CONCLUSIVELY PROVES HE DESERVES THE WORLD” (9/10 NME 1997)
“THE RAREST JEWEL OF THE 90S” (Q 2014)
NME :`LIKE NICK DRAKE STRUMMING ALONG WITH THE STONE ROSES."
- **** GUARDIAN: "ONE OF THE FURTHEST REACHING ENGLISH GUITAR RECORDS THIS DECADE."
- **** Q: "INCREDIBLY AFFECTING, A STAGGERING ALBUM.
- **** UNCUT: "Regarded by many as the equal of the STONE ROSES debut."
- **** THE TIMES : ’BIGGER THAN A LEGEND '.

TRACK LISTING

1. Queen Matilda
2. Something Like You
3. And Luna
4. X Hits The Spot
5. The Prize
6. Undecided (Reprise)
7. Glynys And Jaqui
8. It's Harvest Time
9. Loaded Man
10. Hocken's Hay
11. Fontilan

CD BONUS TRACKS:
Green Velvet Jacket
Queen Matilda (Demo) 

RIYL: The Field Mice, Blue Boy, The Clientele, Cindy.

The cinema of the scenes as told from the heart and spirit of the omniscient narrator shines through the awe-inspiring oeuvre of Glenn Donaldson's canonical titan that is The Reds, Pinks & Purples. The storied and esoteric histories of every underserved underdog becomes immortalized in records and poignantly penned paeans that evoke the eras and underachievers that became synonymous with their own respective corresponding localized micro-movements. Donaldson channels that psychic spirit and journeyman earned wisdom to provide contemporary era rock operas that eulogize tales of infinitely influential rises and falls. Crystalizing the tragic self-celebrating kingdoms of fortunate failures, false heroes, music press deities of limitless deceit, hometown dive gods and humanity in the grips of all its romanticized wonder and woe — the latest sortie of the sensational and spectacular takes aim at the threads of hope and an untethered abandon into the intimacy and dualities of idolatry and isolation with Unwishing Well.

Ever since its emergence from the harried late 2010s — The Reds, Pinks & Purples have become the absolute encapsulation of Donaldson's own proliferation and prestige. From a musical legacy that chronicles a long list of minor successes and major tragedies; Glenn distills the timelines of distinction from yesterday, today, tomorrow and whatever may be into a musical phenomenon that embodies something more than all of its analogous inspirations. Beyond the clamor about the retro cult pop artistic allusions and tropes that can be found in those spirit expanding kaleidoscope chord chimes; Donaldson takes you on a guided tour through the San Francisco underground movements that would have been, could have been or perhaps never were at all from the start. The Reds, Pinks & Purples’ coveted catalog inadvertently, consciously or unconsciously, offers an authorized and anonymous history of imperfect and ambitious debutantes, dilettantes, auteurs, et al. The lauded visionaries whose volition informed the big money touring stage headliners, but only enjoyed a fleeting jaunt through the glorious corporate clad carnival canopies from the touring circuit routes and tech funded festival tent tabernacles. Unwishing Well is a eulogy for the buzz bands that crashed, the wily one hit wizards, and omnipresent (and often uninspired) eternal aesthetes who work the lucrative outlets of licensing media markets.

Glenn pulls no punches with the promiscuity of the pop machines and their exploited propped up brand ambassadors on the cutting "Your Worst Song is Your Greatest Hit" that tangles with the lumbering and inescapable creatives and careerist trajectories that trade in boardroom playbooks and verticals. Expressions and influencers break out into the collective commissaries of commerce exhibitionism on “Public Art”, to auditing the forums of fandom that pertain to developed affinities and the roads to rabid infatuation with the obsessive in earnest, “Learning to Love a Band”.

And while the Glenn spins many yarns on the under-appreciated secret histories of DIY, Unwishing Well offers cathartic hymns of modern malaise. Sighing in lamentation of regressive trends, “What’s Going on with Ordinary People'' balks with concern over contemporary states of devolution, while “Faith in Daydreaming Youth” questions what vestiges of hope and valor can be found in the new vanguards of political bodies that govern the world’s sovereign daydream nations. The dustbins of dastardly discontinuity are imbued with desire and grief on the dramatist tragedy of “Dead Stars in Your Eyes”, to basking in the discarded ditches of the damned below in voids of obscurity on “Nothing Between the Lines at All”. The human addiction to languishing in anguish, misery and negativity tussles, tosses and turns on “We Only Hear the Bad Things People Say”, the penultimate ode to inherent human infallibility as Donaldson rides the audience out into the gilded sunset glow of “Goodbye Bobby”.

The central set piece of Unwishing Well revolves around the title track that wrestles with wellness and wishes tempered by the sobering reality of ultra pragmatic skepticism. Donaldson shows the audience where the dream falls short, an indictment on the fickleness of wants and the life/work/art balances of making it all work. It's the group that never makes it, the idea that never gets off the ground, the recognition that never arrives, the raise that is never awarded, nor the promotion to the next ladder rung that remains laughably inaccessible. Glenn has the gift of bridging the divide between the hunger artist, their adoring cult public and the common threads that connect these local and global communities through the humanist cause of collective commiseration.

As increasingly found in the continued adventures of The Reds, Pinks and Purples canon — Glenn circles the drain of surrendering to unabashed sentimentality in passions worthy of being showcased as the top headlining spot that your favorite revered then later reviled pop act never even had the chance to claim or ascend. Unwishing Well uplifts and uproots the undercurrents that carry the commonalities between the spectators and the spectacles. Donaldson pays homage in heart to everything and everyone that never got their due or to the lucky ones that made the grade, but paid an ultimate price. The cycle of these pop vignettes depict successes and failures in the same sentences, existing within the same stanzas, where the stories of making it and breaking it operate as events that live on different sides of the same coin. Unwishing Well is a reflection of us, the icons we adore, the Adonises we worship, the false prophets that proselytize the edicts from theses cults of personality, the fallouts, the third acts and the artistic fabrics that spool these sub-sects of artful dodgers into the stuff of legend.

STAFF COMMENTS

Barry says: There are obvious comparisons to be made here with the jangling, morose indie of the late 80's and 90's but the resulting sound on The Red Pinks & Purples' new album is both hugely modern, while breezily embracing the lo-fi jangle and airy melodicism of the era. 'Unwishing Well' is a perfect distillation of both Donaldson's established sound and the musical influences he absorbs, and results in an absorbing and emotional listen.

TRACK LISTING

1. What’s Going On With Ordinary People
2. Learning To Love A Band
3. Unwishing Well
4. Faith In Daydreaming Youth
5. Your Worst Song Is Your Greatest Hit
6. Dead Stars In Your Eyes
7. Nothing Between The Lines At All
8. Public Art
9. We Only Hear The Bad Things People Say
10. Goodbye Bobby

Still House Plants: London’s post-post-punk trio use deconstructed songform to tap emotions others cannot reach. By Frances Morgan

FUJI|||||||||||TA: Pulling out the stops with homemade pipe organs. By Antonio Poscic

Cheer-Accident: Thymme Jones’s motley crew of Chicago outsiders flip the conventions of the rock band. By Peter Margasak

Lolina: One half of influential duo Hype Williams explores a comic book dystopia in new project Unrecognisable. By Claire Biddles

NikNak: The British musician turns the tables on sound art. By Tayyab Amin

Invisible Jukebox: Kristin Hersh: Will the songwriter and author find her muse in The Wire’s mystery record selection? Tested by Emily Pothast

Unlimited Editions: Tripalium Corp

Unofficial Channels: Billdifferen

Ana Lua Caiano: Portuguese tradition made anew by the musician and audiovisual artist. By Shane Woolman

BBBBBBB: The Japanese trio present their scum manifesto. By James Hadfield

Fatboi Sharif: The Garden State Gargoyle raps a dance of the macabre. By Joseph Stannard

Angelica Sanchez: A set of monster jams from the East Coast pianist. By Stewart Smith

The Inner Sleeve: Lee Gamble on Various Artists’ Decay Product

Epiphanies: Jlin maximises her creative potential with Philip Glass

Soundcheck: [Ahmed], Ancine, Andrea & Mud, Maria Bertel Et Nina Garcia, Alan Braufman, Anthony Braxton, Kyle Bruckman, Natalia Cappa, John Carpenter/Cody Carpenter/Daniel Davies, Cheer-Accident, Clarissa Connelly, Anastasia Coope, Viv Corringham, Alison Cotton, Couch Slut, Richie Culver, Elkhorn & Mike Gangloff, Phil Geraldi, Carlos Giffoni, Allen Ginsberg, Allen Ginsberg & Youth, Grackles, groundsound, Liz Helman, Julia Holter, Jack O’The Clock, Goran Kajfeš Tropiques, Kowloon Spider Temples, Sean Ono Lennon, Magic Tuber String Band, DJ Marcelle, Melvins, Monopoly Child Nightlife, Monopoly Child, Star Searchers, NOUT, Bill Orcutt Guitar Quartet, Organum Electronics, OU, Pye Corner Audio, Quiet Husband, Mikel Rouse, Bianca Scout, sinonó, Sleepytime Gorilla Museum, Ches Smith, Kavain Wayne Space & XT, Guido Spannochi, Malini Sridharan, Luke Stewart Silt Trio, Sunburned Hand Of The Man, Thollem, Thollem & Ka, Thollem/Terry Riley/Nels Cline, tilt, Toadliquor, Alan Tomlinson & Lawrence Casserley, Alan Tomlinson Trio, Kamasi Washington, Larry Wish, Cody Yantis, Zombi, Various Resist Colonial Power By Any Means Necessary

The Boomerang: Amon Düül, As One, Cranes, Curve, Brian Eno, Brian Eno/Holger Czukay/J Peter Schwalm, NRG Ensemble, Pharoah Sanders, Linda Smith, Twelve Cubic Feet, Vile Cherubs, Mars Williams & Hamid Drake, Mars Williams/Darin Gray/Chris Corsano, Bernie Worrell, Bernie Worrell/Cindy Blackman Santana/John King, Various Aceh Punx Compilation, Various Groucho Marxist Record Co.Operative, Various Noise Of Cologne 3, Various Punk KS, Various Trouble Brews: A Belfast Punk Compilation

Print Run: Basta Now: Women, Trans & Non-binary In Experimental Music by Fanny Chiarello; Dream Machines: Electronic Music In Britain From Doctor Who To Acid House by Matthew Collin; Ears To The Ground: Adventures In Field Recording And Electronic Music by Ben Murphy; Ain’t It Fun: Peter Laughner & Proto-Punk In The Secret City by Aaron Lange; 20 000 Words: Interviews With Antoine Le Bousse by Sylvain Darrifourcq; Switched On: The Dawn Of Electronic Sound By Latin American Women edited by Luis Alvarado & Alejandra Cárdenas; The Future Of Songwriting by Kristin Hersh; Elizabethan Tape Loops by Drew Mulholland; The Notebooks Of Sonny Rollins by Sonny Rollins with Sam VH Reese (Editor)

On Screen: Neo Sora Ryuichi Sakamoto: Opus

On Location: André 3000, San Francisco, US; Fred Frith & Susana Santos Silva, London, UK; FLEA Presents Random Gear Festival + Rashad Becker + Joanne Robertson + Callahan & Witscher + Nick Malkin, London, UK; Cassie Kinoshi with seed. + NikNak + London Contemporary Orchestra, London, UK; Fortuna 2024, Tokyo, Japan; Charlemagne Palestine, Amsterdam, Netherlands; On An Endless Road: Itō Noe And The Women Composers Of Her Time, London, UK; Ustad Noor Bakhsh, London, UK; Glamorous Pharmacy, Shenzhen, China; ML Buch + Astrid Sonne, London, UK; Life After Death, London, UK; Bríghde Chaimbeul, London, UK On Site: Pan Daijing Mute, Munich, Germany; Ginsberg In London, London, UK

If the setting is right, magic will happen - And so, this record came into being - Sunburned Hand of the Man, three decades into their one of a kind run, still possess the ability to amaze, stupefy and astound - even themselves - Recorded over a week at Big Blue, Adam Langellotti's (Kurt Vile & The Violators) studio/house, "Nimbus" sees the band's amorphous lineup produce results such as high-test workouts, cryptic readings & a choice cover (Sun City Girls)

A record that this band could only produce in 2024 and the required next step for the devoted fan base and or those interested in doing some self- work in an unconventional setting.

TRACK LISTING

The Cult has reveled in a storied career. From the pre-millennial iconic Love album bursting with idealism and the full on blast of 2001’s Beyond Good & Evil to the recent biting truth of Hidden City, the band has lived their art. How the future unfolds will be decided in part by current cultures response and the group’s response. One thing is for sure, The Cult will respond. It’s what they do. The Cult’s next endeavor Under The Midnight Sun is out October 7, 2022.

TRACK LISTING

LP Tracklist:

1. Mirror
2. A Cut Inside
3. Vendetta X
4. Give Me Mercy
5. Outer Heaven
6. Knife Through Butterfly Heart
7. Impermanence
8. Under The Midnight Sun

7" Tracklist:

1. C.O.T.A.
2. FLESH AND BONE

Jamal Moss' now-classic series is back for 2024 with another entry in what must be one of the most creatively off-the-wall series of edits ever committed to wax. The 4 cuts on offer here deftly blur the lines between disco, house and EBM; reminiscent of The Muzic Box or Medusa's. It's a highly hallucinatory affair, ditching the hyper disco cuts for a more red lit throb - circling in on what must surely be Belgium's late nite underbelly for four coital twisters bursting with x-rated spectacle.


4 The Ones Who Know!!

STAFF COMMENTS

Matt says: The saga continues! Jamal Moss' Members Only series, to some, is one of the most important collection of 'edits' to have ever been committed to wax. Their balls-out reckless invention, leftfield source material and experimental frequency abuse appealing to the more adventurous and uncompromising DJ.

TRACK LISTING

A1. Release Of Lust
A2. 5 Fingers On A Hand
B1. Pray That U Find Luv
B2. Where My Hot Sht At

Reissued for the first time on vinyl is 'Taking All The Love I Can' by Newark, New Jersey outfit The Chosen Few. Initially released on Maple Records in 1971, their debut album boasts incredibly moody 'Northern Soul' and perfectly represents the golden age of soul.

The Chosen Few are swaggering with confidence throughout the LP and draw comparisons to fellow Maple Records artists Lee Moses and Gloria Barnes. 'Taking All The Love I Can' is a highly sought after record with original issues fetching upwards of $500 when found in the wild.

On High Records is thrilled to present this modern reissue which is remastered and pressed on audiophile virgin vinyl for music lovers worldwide.

TRACK LISTING

1. Taking All The Love I Can
2. Something's Bad
3. Birth Of A Playboy
4. I Caught You Cheating
5. I Got To Hold You
6. Trespassin'
7. I Can't Take No Chance
8. Nobody Can Save Me
9. You Say You Love Me
10. Love For My Girl
11. Crying Shame

Making his first vinyl appearance on the label, Luuk van Dijk is back releasing his long awaited 'Take Me For A Ride'. Remixing the title track is Berlin house talent Running Hot. The record is completed with 2 of Luuk’s originals on the B side with the garage influenced 'Doin' It’'and groovy 'Sexy M*therfucker'

TRACK LISTING

A1. Take Me For A Ride
A2. Take Me For A Ride - Running Hot Remix
B1. Doin' It
B2. Sexy Motherf*cker

Kaiserdisco share their first Drumcode EP in eight years. With a knack for clever vocal hooks and crisp production, Kaiserdisco are never far from Adam Beyer’s thinking when it comes scheduling Drumcode releases. With this in mind, it feels almost unbelievable to think ‘Error in the System’ will be the duo’s first EP on Drumcode since 2016.
In recent times the pair has contributed tracks to the label, highlighted last year’s ‘Get on the Dancefloor’ on A – Sides Vol.12 and their popular single ‘Together One Time’ from 2022. ‘Error in the System’ marks their return to the EP format and is an absolute treat. Lead track ‘In the Music’ is a trippy roller that lures you into a dancefloor trance via an addictive vocal hook, before morphing into an acid - drenched stomper in the second half. The title track is a peak - time head spinner, characterised by muted tones and industrial effects, it’s an eerie and powerful slice of club machinery crafted for maximum impact.

STAFF COMMENTS

Barry says: A pumping duo of snapping 808's and 16th drum fills, both pieces here are rich in the techno tradition and come on a label that's probably one of the most well known in the game. If you're a fan of the uptempo electronic business (Rusty), this one's for you.

TRACK LISTING

A1. In The Music
B1. Error In The System

The Minneapolis Uranium Club Band, along with Static Shock Records are proud to present “Infants Under the Bulb”; The Uranium Club’s fourth album and first full length since 2018’s "The Cosmo Cleaners".

Precisely timed ahead of the band’s debut tour of Australia commencing March 19, Infants Under the Bulb will light up stores across the globe from March 1st. Recorded in Minneapolis over the course of 2023 by long time collaborator Grant Richardson and just as rampant and agitated as ever, The Uranium Club once again win their dear listeners over with eccentrically wild guitar parts, revolving voices, elastic-tight drums and the addition of their very own Saints-styled horn section.

Lyrically, Under the Bulb opens up the history books of unsolved mysteries - unidentified, unsolved, unanswered subjects of suspicious acts or individuals across the last century. Who, what, when and where… but mostly, why? Ignorant humanity of earth orbits the sun once again. The Somerton Man, Bergmann, Bauby, Denton, phone phreakers, and just what is lurking behind the cosmic organ of The Wall?

As always, the artwork was handled in-house by the Club and ambitious as ever. The spectacular cover shot captures a carefully coordinated event orchestrated by the Club to photograph a crowd of the local volunteers wearing ponchos standing together in an open field to make the shape of a giant spiral. The spiral pictured is 120 feet (36.5 meters) wide, photographed by drone, and was plotted out on the ground using a protractor specially fabricated for the occasion by the band with a pivoting centre and 60ft long adjustable arm.

TRACK LISTING

1. Small Grey Man
2. Viewers Like You
3. Game Show
4. The Wall Pts.1&2
5. Tokyo Paris L.A. Milan
6. The Wall Pt.3
7. 2-600-LULLABY
8. Abandoned By The Narrator
9. The Ascent
10. Big Guitar Jack Off In The Sky
11. The Wall Pt.4

'1985' is a newly curated box set byThe Waterboys' leader Mike Scott telling the story of the making of their landmark albumThis Is The Sea and the timeless single,The Whole of The Moon

The music is chronologically sequenced, taking the listener through 95tracks over Six CDs, including 64 previously unreleased recordings of home recordings, early demos, alternate versions, outtakes, live recordings, and tv/ radio sessions covering the recording process of the album along with the remastered version of the This Is The Sea album. The 56 page booklet contains recording details annotated by Mike Scott along with previously unseen photos.

TRACK LISTING

Disc 1:
1. Trumpets
2. Be My Enemy
3. The Ways Of Men
4. The Waves #1
5. Old England
6. Towers Open Fire
7. Down Through The Town
8. Ribbon Of Steel
9. Bury My Heart
10. The Three Day Man
11. Medicine Bow
12. This Is The Sea
13. A Door For My Soul
14. Don't Bang The Drum
15. Son Of Rags
16. In My Bed
17. The Pan Within
18. Even The Trees Are Dancing
19. Theme
20. Fuzz Guitar Vamp
21. Death Is Not The End

Disc 2:
1. Beverly Penn
2. Don't Bang The Drum
3. Be My Enemy
4. The Day I Ran Out Of People
5. Winter Blows
6. The Mercenary And The Samaritan
7. Looking For Dickon
8. Spirit
9. All The Bright Horses
10. Custer's Blues
11. The Woman In Me
12. Paris In The Rain
13. The Song Of Sitting Bull
14. Talk About Wings
15. The Whole Of The Moon
16. The Pan Within
17. No Sun In The Sky
18. Winter In The Blood
19. We Belong To The World
20. The Whole Of The Moon

Disc 3:
1. Medicine Jack
2. Medicine Jack Boogie Woogie
3. The Sound Of Snow
4. The Pan Within
5. It Should Have Been You / Guitar Play
6. Old England
7. Old Macmichael Had A Band
8. Sweet Thing
9. Ruby Don't Take Your Love To Town
10. Spirit
11. Then You Hold Me
12. Trumpets
13. Rain Come Down
14. Son Of Dirt
15. This Is The Sea

Disc 4:
1. Medicine Bow
2. Trumpets
3. Be My Enemy
4. Sleek White Schooner
5. Sweetheart Like You
6. This Is The Sea
7. Adrian And The Piano Storm
8. Beverly Penn
9. This Is The Sea
10. The Waves
11. The Ladder
12. Beverly Penn
13. Don't Bang The Drum
14. Ribbon Of Steel
15. Paisley Park

Disc 5:
1. The Whole Of The Moon
2. High Far Soon
3. This Is The Sea
4. Medicine Bow
5. The Pan Within
6. Miracle
7. World Party
8. I Am Not Here
9. Born To Be Together
10. Higher In Time
11. The Whole Of The Moon
12. Meridian West
13. Don't Bang The Drum
14. Medicine Bow
15. Behold The Sea
16. Beverly Penn 2023

Disc 6:
1. Don't Bang The Drum
2. The Whole Of The Moon
3. Spirit
4. The Pan Withiin
5. Medicine Bow
6. Old England
7. Be My Enemy
8. Trumpets
9. This Is The Sea

"She and Me Fall Together in Free Death" is probably the most approachable, largely "musical" album that NWW has released since Rock N' Roll Station . It's also one of his strangest concepts, a marriage of trance inducing Krautrock grooves with a traditional jazz standard and some jarringly atonal musique concrete. Side A is the 20- minute title track: a slow-motion jam reminiscent of of one of Can's sidelong tracks on Tago Mago or the more avant-garde grooves of Tony Conrad and Faust's Outside the Dream Syndicate. The propulsive Jaki Liebezeit drumbeat is the foundation for a long jam session with what sounds like a dijderidoo and layers of guitar feedback. It's a massive, heavy sound, the kind that Julian Cope would devote a whole chapter to in his "Kratrocksampler". Side B is one long piece with three distinct movements. Beginning with those familiar, World Serpent-trademark windchimes, the listener is quickly ushered into Staple- ton's singing debut (!) in a rendition of the oft- covered traditional jazz ballad " Black is the Color of My True Love's Hair " This was a favorite of the recently deceased Nina Simone, and also of the avant- jazz screamer Patty Waters. Nurse With Wound's version is backed by cello drones, repetitive guitar strums and tambourine, sounding very much like The Velvet Un- derground's " Venus in Furs ". It's such a treat to hear Steven Stapleton's multitracked vocals cover this classic song, and this eerie version rates as one of my favorites. This song and the title track prove to the naysayers that Nurse With Wound is equally adept at rock n' roll songcraft as he is at demented sound collages. The creepy jazz cover seques into "Chicken Con- cret (For Missy E)", a truly warped tape-edit job that juxtaposes chicken squawks and sythesized birdcalls with random bleeps, speaker hiccups and gongs.

Could this be Steven Stapleton 's tribute to Timbaland and Missy Elliott's incomparable use of musique concrete techniques on their major label hip- hop anthems? Hard to say, but I like to think so. Side B ends with the hyper-sexualized "Gusset Typing", in which a mutated woman's voice describes her masturbation and orgasm in in- timate, anatomical detail. Her monologue is set against an intense rhythmic throbbing that builds as she reaches her climax. At the end, she blows her load and the record ends. This certainly qualifies as an active listening experience, and it's also a great make-out rec

TRACK LISTING

1. She And Me Fall Together Like Free Death
2. Black Is The Color Of My True Loves Hair
3. Chicken Concret 
4. Gusset Typing
5.She And Me Fall Together Like Free Death (Phosphorous Mix) 
6. Chicken Korma
7. Fine Writin'
8. She And Me Fall Together In Free Death (Funereal Mix)
9. Yellowed
10. Seeting Red
11. Black

Yes! Tommy Guerrero’s revered Return Of The Bastard gets its first ever vinyl reissue.

Endearingly simple but beautifully beguiling, it's lo-fi dusty break business with the most elegant guitars this side of Vine Reilly and Gabor Szabo. Tommy's breezy drum-machine guitar-soul should be prescribed to soothe an aching world.

By rights, he should also be a Balearic god. Here's 14 tracks of drop-dead laconic beauty, all of them combining to create this unheralded masterpiece. Working with Tommy directly, the LP has been fully remastered and sounds as dazzlingly, heartbreakingly beautiful as it did back in 2007.

Coolly opening the album, "And The Folklore Continues" can be said to be both a titular and actual nod to his past work. As ever, there's heavenly Latin guitar stylings that make you swoon and the melancholic vibe is accentuated by the addition of some melodic wordless vocals from Tommy. Just divine. The sparkling "La Califas Perdido" follows, all dreamy melodic guitars and twinkling vibes over dusty drums and a fine bassline. The shuffling, conga-assisted "I Would Go With You" is a gentle, romantic gem whilst the brief but beautiful "No Time For Time" feels in a hurry to let us know that Tommy can work with more propulsive rhythms. In this case, they underpin Tommy's gorgeous, shimmering guitars wonderfully well.

The head-nod funk of "Calling For Ya!" (get it?) features Curumin delivering the clever title as a hypnotic vocal refrain peppered throughout, all hung around some buried spoken word vocals and gorgeous cello work from Lenny Gonzalez. "Bloodinthemud" is a low-down gritty funk workout whilst "Zapata's Boots" is a total low-key groover, all Latin percussion and Morricone muscle aided by a whistled Spaghetti Western melody. The startling instrumental "Mosaic Man" closes out the side with a lean slice of mellifluous, virtuoso guitar bliss.

The reflective "What Have I Been Doing Since I Was Gone?" opens the B-side in glorious fashion, the type of melancholic melodic head music that should soundtrack a bright walk on a cold winter's day. The hypnotic groover "Paper Switchblade" is a razor-sharp fuzz-funk whilst the beautifully downbeat "Never Forget To Remember" is a kaleidoscopic kalimba-koolout. Galloping cop-funk breaks workout "Run With The Hunted" is a rollicking ride and it's followed by the fresh chiming guitar funk of "New Terrain".

The upbeat and bright "40 Summers", featuring congas from Alfredo Ortiz, is as clean and poppy as Tommy gets and it really is a look he wears incredibly well. Just straight up guitar pop. "The Simple Man" a gorgeous, melancholic ballad, closes out the record with deeply yearning vocals from Tommy, a rarity and a treasured one at that.

Meticulously remastered and cut by both Simon Francis and Cicely Balston respectively, it has been pressed to the highest possibly quality at Record Industry in Holland. The original and iconic sleeve, designed by Natas Kaupas, has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.

TRACK LISTING

A1 And The Folklore Continues
A2 La Califas Perdido
A3 I Would Go With You
A4 No Time For Time
A5 Calling For Ya!
A6 Bloodinthemud
A7 Zapata's Boots
A8 Mosaic Man
B1 What Have I Been Doing Since I Was Gone?
B2 Paper Switchblade
B3 Never Forget To Remember
B4 Run With The Hunted
B5 New Terrain
B6 40 Summers
B7 The Simple Man

The Magic City is the third album in the Red Hot & Ra series - This entire album was imagined, produced & curated by Meshell Ndegeocello - The album a features Marshall Allen, Immanuel Wilkins, Deantoni Parks, Pink Siifu, Stuart Bogie and Justin Hicks.

It is a dreamlike strange & soulful interpretation of Sun Ra's composition, This record follows Ndegeocello's 2023 album The Omnichord Real Book, named the #1 jazz album of the year by NPR and nominated for Best Alternative Jazz Grammy.

TRACK LISTING

1. Solipsistic Panacea (Black Antiques)
2. Departure Guide Of The 7 Sisters
3. Bedlam Blues
4. #9 Venus The Living Myth
5. El- Soul The Companion, Traveler
6. LQ1TY - 29 Years
7. Yet Differently Not- Mars Hall All (in)
8. Reproductive Manatee - Sunny Said Up!
9. The World Of Shadow

4 To The Floor are committed to delivering seminal house music to wax, making sought after heritage tracks readily available on vinyl for crate diggers to add to their collections. On Volume 1’s A-Side you’ll find a track with one of the most famous lyrics from house music history MD X-Spress’ ‘God Made Me Phunky’, the record has inspired countless producers to sample and remix it, but this 90’s gem still sounds amazing in its original glory. On the flip are two mixes of a Three Kings classic, ‘Shake Dat Booty’. The A Pal Joey Interpretation matches looped vocals with harmonious keys that perfectly complement each other, while the Wahoo Main Mix utilizes energetic drums and techy synths to up the ante.

STAFF COMMENTS

Matt says: Resurrecting bona fide classics from the house music cannon, 4 To The Floor turn their attention to two cheeky booty twisters from '94 and 2002.

TRACK LISTING

A. MD X-Spress - God Made Me Phunky (Original Mix) 
B1. Three Kings Featuring Jaygun & Bashy - Shake Dat Booty (A Pal Joey Interpretation) 
B2. Three Kings Featuring Jaygun & Bashy - Shake Dat Booty (Wahoo Main Mix) 

4 To The Floor is committed to delivering seminal house music to wax, making sought after heritage tracks readily available on vinyl for crate diggers to add to their collections. The fourth edition of the series pays homage to one of the most loved names in house music – Sandy Rivera. Known for his soulful dancefloor cuts he has produced timeless classics, with his long-lasting career and multitude of aliases captured by this 12” release. Opening the A-side is the Moodymann Edit of Kings of Tomorrow’s ‘Fall For You’, featuring the stunning vocals of long-time collaborator April Morgan, followed by Sandy’s grooving ‘Come Into My Room’ which features LT Brown. On the flip is Soul Vision’s ‘Don’t Stop’ with its atmospheric strings and gospel vocal. The release is closed with Kings Of Tomorrow featuring Elzi Hall ‘Show Me’, an atmospheric club cut that shows the versatility of this house legend.

STAFF COMMENTS

Matt says: Worth it from the KOT track alone, "Fall For You" would keep you warm through the coldest of winters. The rest of the EP is pure soul throughout. 4 To The Floor delivering must-have house music at a reasonable price!

TRACK LISTING

A1. Kings Of Tomorrow Featuring April - Fall For You (Sandy Rivera's Classic Mix - Moodymann Edit) 
A2. Sandy Rivera Featuring LT Brown - Come Into My Room (Take It Back Mix) 
B1. Soul Vision - Don't Stop (Remix) 
B2. Kings Of Tomorrow Featuring Elzi Hall - Show Me 

4 To The Floor is committed to delivering seminal house music to wax, making sought after heritage tracks readily available on vinyl for crate diggers to add to their collections. Now in its fifth edition, the series continues to raise the bar. The A-Side features two mixes of the mid-nineties Mood II Swing production ‘Living In Ecstasy’ by Fonda Rae. The R&B singer who was responsible for cult hits like ‘Touch Me’ delivers silky-smooth vocals that remain the focus in the opening Groove Mix, whereas JC’s Ecstasy Dub follows up with a rumbling bassline to deliver a club-focused version. On the flip we’re greeted by a slice of 2001 goodness with the Original Distant Music Mix of Jon Cutler featuring E-Man ‘It’s Yours’, a seminal house classic. Closing out the release is The Return’s ‘New Day’, originally released on Fourth Floor Records in 1999, twenty years later this sublime and emotive piece of house music history sounds fresh as ever. Classics Volume 5 is another record box essential delivered to you by 4 To The Floor.

TRACK LISTING

A1. Fonda Rae - Living In Ecstasy (The Groove Mix) 
A2. Fonda Rae - Living In Ecstasy (JC’s Ecstasy Dub) 
B1. Jon Cutler Featuring E-Man - It’s Yours (Original Distant Music Mix) 
B2. The Return - New Day (Original) 

4 To The Floor continues to champion heritage tracks with Volume 7 of the Classics 12” series, ‘The MK EP’. As one of the most in demand producers of the halcyon period of house in the early 90s, this special delivery features three gems from MK’s early career. Opening the A-Side with vocal house masterpiece ‘Burning’, on the flip are two of MK’s most loved collaborations with Alana, first the deep and piano-lined ‘Always’ (Club Mix), before the soulful club anthem ‘Love Changes’. This release highlights the timeless quality of MK’s catalogue, with three cuts that truly stand the test of time.

TRACK LISTING

A. Burning (Vibe Mix)
B1. Always Feat. Alana (MK Club Mix)
B2. Love Changes Feat. Alana (MK Mix) 

The Libertines are excited to announce the release of their fourth studio album entitled, All Quiet On The Eastern Esplanade out 8th March 2024. The release marks the band’s first new album in nine years and opens with the infectious new single, Run Run Run.

On All Quiet On The Eastern Esplanade, the quartet of unlikely lads have gathered from their new-found homes in France, Denmark, Margate and London to solder a strongest-ever internal bond, and scale new creative heights resulting in the best music of their extraordinary career so far.

STAFF COMMENTS

Barry says: Gotta love a bit of The Libertines, and this their first album in nine years continues the legacy of swooning, melodically rich pieces centred around the perfect chemistry of Doherty & Barat. Guitar lines and vocals weaving together effortlessly like they always did, a more mature, slightly less chaotic maelstrom but ram-packed with classic Libertines sounds.

TRACK LISTING

Run Run Run
Mustang
I Have A Friend
Man With The Melody
Oh Shit
Merry Old England
Night Of The Hunter
Baron’s Claw
Shiver
Be Young
Songs They Never Play On The Radio

When Bob Vylan won the first MOBO award for Best Alternative Music Act in 2022, the punk-grime duo took to the stage and used the platform to speak about how they managed to achieve the impossible as independent artists in a genre-defying space. “We released an album this year that we produced entirely, mixed entirely, recorded entirely, all from my bedroom…so everybody that’s here, bigging up Atlantic and bigging up Warner, fuck that, us man did it ourselves”.

It was an acceptance speech that rattled the room and built anticipation for their next projects.

Humble as the Sun, the forthcoming album from Bob Vylan continues with much of the rage and urgency that they have come to be known and loved for, but this latest project shows that they are now stronger and wiser, bolstered by the wins and learnings that they have fought hard for along the way. The resulting tracklist aims to leave the listener feeling power alongside their anger, and brings a fresh and compelling blend of punk, rock, grime and rap together in an experimental way.

Following on from the last album, Bob Vylan Presents the Price of Life, the message woven throughout Humble as the Sun remains dark in places but is high-energy, defiant and unapologetic in its critique of a broken social and political system that so many have fallen victim to, but feel powerless against.

This album is for the underdogs, the ones who come out swinging and those who refuse to be defeated in the face of injustice, and aims to remind listeners that anger is a fire that can be harnessed and put to use. The album creation started from a conversation with the sun, which is, after all, a big ball of fire that sustains life.

From masculinity to myths about the G Spot, the themes and topics explored on Humble As The Sun make for an often humorously empowering celebration of the people’s ability to endure, overcome and bring about change.

The lyricism on this album is even more layered than their previous projects, still darkly humorous, anti-establishment and unforgiving but at times pauses to deliver much-needed words of affirmation to listeners, “You are loved. You are not alone. You are going through hell but keep going.” Bobby assures the listener, offering an antidote to the state of the world, aiming to give some power and agency to those who hear it. At a time when so little trust or faith exists between the people and the powers that be, Bob Vylan offers out a hand in the despondent darkness that has overwhelmed so many in the shadow of a burning planet. They guides the listener to a place where they can see some light and feel empowered to do something, to fight back, to continue pushing forwards despite the challenges faced along the way.

Mixing all of the best quintessentially British - and Jamaican - musical elements from punk to drum and bass, grime and rock, Bob Vylan creates a sound that reflects the state of the nation, at once voicing the frustrations that normal people have, while also highlighting one’s ability to persevere, overcome hardship and to change.

STAFF COMMENTS

Barry says: Humble As the Sun is almost certain to bring Bob Vylan to the wider public consciousness. It's a momentum-filled, chaos embracing collection of grime-adjacent, punky rock pieces. Brilliantly propulsive and more than a little reminiscent of rap-rock superstars RATM.

TRACK LISTING

A1. Humble As The Sun
A2. Reign
A3. GYAG
A4. Dream Big
A5. Hunger Games
B1. Right Here
B2. Makes Me Violent
B3. He's A Man
B4. Ring The Alarm
B5. I'm Still Here 

Written by The Black Keys’ Dan Auerbach and Patrick Carney with longtime friends Dan “The Automator” Nakamura and Beck, the celebratory, joyful ‘Beautiful People (Stay High)’ is one of several songs on the album that feature collaborations between the band and various additional friends and colleagues, including Noel Gallagher, Greg Kurstin, and others. Speaking on the collaborative nature of the album, Carney shares, “We had this epiphany: ‘We can call our friends to help us make music.’ It’s funny because we both write songs with other people – Dan all the time [as a solo artist and producer], me when I'm producing a record. That’s what we do.”

Auerbach adds, “No matter who we work with, it never feels like we're sacrificing who we are. It only feels like it adds some special flavor. We just expanded that palette with people we wanted to work with. We were there to support them and their ideas, to do whatever we could to see that moment flourish. But when it came time to finish the album, it was just Pat and me. We'd never worked harder to make a record,” he continues. “It's never taken us this long to make an album. We took our time and did it right.”

“What we wanted to accomplish with this record was make something that was fun,” Carney says. “And something that most bands 20 years into their career don’t make, which is an approachable, fun record that is also cool.”

While making Ohio Players, a title inspired by the legendary Dayton, OH funk band of the same name, The Black Keys were also DJing dance parties in cities around the world that they called “record hangs”, spinning 45s from their own eclectic and growing collections. Mojo reports, ‘The spirit of those parties infused the album’s DNA. ‘That’s been the fun of it,’ [says] Auerbach. ‘Letting go a little bit.’”

STAFF COMMENTS

Barry says: A lovely new one from Blues-rock troubadours The Black Keys including collaborations with some of the biggest names in music today. There are a selection of classic 'Keys outings alongside some more outsider pieces, all perfectly produced with the help of Beck and Noel Gallagher. It's a beautifully produced, perfectly paced new direction for the band.

Under The Bridge 2 is the sequel to the celebrated 2022 compilation album that reunited groups and songwriters who had once recorded for cult label Sarah Records. The new album showcases the continuing creativity of a special group of musicians who have never rested on their laurels.

Bigger and more expansive than the first album, Under the Bridge 2 is a double LP, containing twenty brand new tracks. There is a huge range of material here, from intense, dark chamber pop to dense shoegaze to out-and-out indiepop. Exciting new groups are unveiled: The Gentle Spring (a new project by Michael Hiscock of The Field Mice); Vetchinsky Settings (a collaboration between Mark Tranmer and James Hackett of The Orchids); and Mystic Village (which features new songs by Robert Cooksey of The Sea Urchins).

You will also see familiar starry names like Even As We Speak, The Orchids and Secret Shine - bands whose line-ups have remained mostly unchanged since the 1990s. And there are established bands who didn’t appear on the first album but are now represented – bands like Action Painting! and The Hit Parade.

Most of the tracks are exclusive and unreleased: there’s the first new song from The Catenary Wires since 2021, a brand new fizzbomb from Jetstream Pony, a haunting instrumental from GNAC.

The emphasis of Under The Bridge is on the new. The bands’ shared history means they have a shared aesthetic, even a shared ethos – they all believe that the future is more important than the past. They are as independent and as uncompromising as ever, but they are still uncynical - and still excited about what Pop Music can be.

TRACK LISTING

The Gentle Spring - Dodge The Rain (Previously In The Field Mice)
Action Painting! - Just Who Are The Cockleshell Heroes?
The Catenary Wires - Alone Tonight (Previously In Heavenly)
The Hit Parade - Apple Tree
Jetstream Pony - Look Alive! (Previously In Aberdeen)
Soundwire - Everything Is Real (Previously In The Sweetest Ache)
Leaf Mosaic - The Branch Line (Previously In The Springfields)
Secret Shine - Captivate This Broken Love
Even As We Speak - Beauty, You Will Break Us All
GNAC – Double Ninth (Previously In St Christopher)
Tufthunter – Chemistry (Previously In Heavenly)
Useless Users - In This, The House Of The Solitary Bees (Previously In Action Painting! & Secret Shine)
The Orchids - A Final Love Song
Wandering Summer - Wake The Silver Dancing Waves (Previously In Boyracer)
Mystic Village - Open Your Eyes (Previously In The Sea Urchins)
Boyracer - Unknown Frequencies
Robert Sekula – Pamela (Previously In Fourteen Iced Bears)
Vetchinsky Settings - Laugh While You Can (Previously In The Orchids & St Christopher)
St Christopher - Burnout ’23
Sepiasound - June In Her Eyes (Previously In Blueboy) 

The Specials were formed in Coventry in 1977. True innovators, the band began the British ska revival craze, combining the highly danceable ska and rocksteady beat with punk’s energy and attitude.

The band’s second album ‘More Specials’ (UK No.5, 1980) was a change in musical direction to their debut. Less frenzied and hard-hitting, it was more musically adventurous and varied, bleaker lyrics reflecting British life at the time.

This album has been digitally remastered from the original analogue stereo masters and the new vinyl cuts have been made using those new masters. Careful comparison was made to the first pressed copies of the original albums throughout the process to maintain the sound as the band had originally envisaged.

The album features a classic cover of Carl Sigman and Conrad Magidson's 1940s chestnut ‘Enjoy Yourself’ and a brooding version of the same song featuring the Go-Go's.

Includes: the rhythm & blues / 60s soul-style instrumental ‘Sock It to 'Em JB’ and the Mexican-flavoured ‘Holiday Fortnight’; the intriguing ‘International Jet Set’; the apocalyptic ‘Man at C&A’; the mournful, spaghetti western feel of ‘Stereotypes’; the emotional despair of ‘Do Nothing’ and the bright and breezy ‘Hey, Little Rich Girl’ (with fabulous sax solos from Madness' Lee Thompson).

The immortal line from ‘Pearl's Cafe’ by Terry Hall and Bodysnatchers' Rhoda Dakar, sums up their own, and the country's frustration - ‘It's all a load of bollocks, and bollocks to it all’.

TRACK LISTING

Enjoy Yourself
Man At C&A
Hey, Little Rich Girl
Do Nothing
Pearl's Cafe
Sock It To 'em JB
Stereotypes / Stereotypes - Pt.2
Holiday Fortnight
I Can't Stand It
International Jet Set
Enjoy Yourself (Reprise)

The Left Side is the latest body of work from the Iggy Pop-endorsed teens since the release of their acclaimed second EP We Aren’t Getting Out But Tonight We Might in summer 2022. With Saul at the creative helm, The Left Side is a mature and cerebral body of work with Saul once again writing and producing the entire EP (with co-production by Ali Chant (Yard Act, Katy J Pearson, Dry Cleaning) on ‘Conman’ and ‘ITSA’). Written in Saul’s bedroom, the EP is a retrospective insight into the young band’s journey so far as they tie up their teenage years.

A coming of age saga, the EP acts as a vehicle for Saul to dive into the psyche behind emotional evolution, and to unpack the complexities of maturity and the ability to say goodbye to the past. These themes present themselves not only in the songs, but right down to the title of the EP itself - which refers to the fact that the left side of the brain is responsible for comprehension.

Summarising the EP, Saul says: “It’s the closest we have been to knowing what picture we want to paint. It’s another window into the musical space we wish to explore, yet I think we’re closer to having our sound. I think the project signifies the end of a section in our lives, moving out from the haze of the moment and reflecting on our teenage years and all its chaos with more understanding.”

TRACK LISTING

1. Entitled
2. Conman
3. The Dance You Sell
4. Puppy
5. ITSA
6. What A Time To Be Alive
7. Lily Of The Valley

The Lemonheads’ long-awaited return, a slice of perfect pop, with a grittier Evan Dando at the helm.

Playing all the instruments on the lead track, the new single was recorded and produced by Apollo Nove in São Paulo, Brazil.

Evan is currently working on the first Lemonheads songs since 2006.

This limited seven-inch is backed with another piece of carefully selected outsider pop, a cover of Eugene Kelly’s (Vaselines and Eugenius) bittersweet ‘Seven Out’, on which Evan is joined by Jeff Berg on bass and Erin Rae on backing vocals.

If you haven’t encountered The K’s impassioned bangers, catch up. In the last 12 months alone, they’ve sold out a UK tour, and sold every ticket for their upcoming Manchester Academy show in under 24 hours. They opened the main stages at Isle of Wight and Neighbourhood Festivals, as well as gracing the main stages at Leeds, Reading and Kendal Calling, and tore the roof down at this year's Tramlines, with hundreds unable to get into the big top to see them play. They’ve supported Liam Gallagher, James and Blondie, their streams are also getting comfortably in the millions…not bad for a band from Warrington.

Their gigs are a guaranteed riot, with the recent 13 date sellout UK and Ireland tour leading them to being asked to put in a Royal Albert Hall appearance with Kasabian on their day off. This pulsing live reputation shouldn’t overlook the sophistication that gives The K’s their immediately identifiable blueprint though. Their debut single “Sarajevo” was one of the few rock and roll songs to namecheck Austro-Hungary, whilst notching up over 4 million streams in the process, and their recent single ‘Hoping Maybe’ became a phone-lights-on live anthem that reached number 2 on the iTunes chart, kept off the top spot only by Miley Cyrus.

So where next? The band have just been announced as main support on the upcoming tour for the recent number 1 album success story that is The Reytons, taking in arenas, warehouses and Academy venues.

Their debut album is released in early 2024 on thriving Manchester indie LAB Records. With each new release, The K’s just keep growing. A cult sensation, an irresistible, irrefutable spirit, welcoming to anyone who wants to join and escape into a better, more hopeful world.

Cool Rasta is an album by The Heptones, which consisted of Earl Morgan, Barry Llewellyn, and Leroy Sibbles. Brought up in the Trench Town area of Kingston, their first successful record was "Fatty Fatty", first released in 1966. Since then, they have had several hits including "Country Boy", "Mama Say" and "Book Of Rules". At the guiding hand of top producer, Harry Johnson they recorded Cool Rasta, which came out in 1976. The title track of the album is a typical example of The Heptones at their brilliant best.

TRACK LISTING

Side A
1. Cool Rasta
2. Black On Black
3. Peace And Harmony
4. Do Good To Everyone
5. Dreadlock

Side B
1. Suffering So
2. Autalene
3. Baga Boo
4. Wah Go Home
5. Over And Over

Engine 54 is the debut studio album by The Ethiopians, who were one of Jamaica's best-loved harmony groups during the late ska, rocksteady and early reggae periods. Responsible for a significant number of hits between the mid-1960s and early 1970s, the group was also one of the first Jamaican acts to perform widely in Britain. Their debut album Engine 54 was originally released in 1968 and sounds far more rocksteady than ska, recorded with Tommy McCook and the Supersonics. Few if any other acts brought '60s soul and Jamaican rhythms together with such entrancing results.

TRACK LISTING

Side A
1. Engine 54
2. My Love
3. You Got The Dough
4. Train To Skaville
5. Give Me Your Love

Side B
1. Train To Glory
2. Long Time Now
3. Woman's World
4. Unchanged Love
5. Come On Now

'Tremors' sees Manchester-based cold wave duo The KVB return to the darker sound that embodied their earliest releases whilst retaining the infectious energy of their previous album Unity which MOJO described as having a “sense of wonderment throughout”. The band have dubbed their sound on 'Tremors' as ‘dystopian pop’, and wrote it with the live show in mind; full of energy, hooks and dynamic moments. Writing the album between Manchester and Bristol, the band have drawn on their own back catalogue and the music that inspired them at the very beginning of their artistic journey. The end result is the most complete album from The KVB to date, full of emotive impact and hooks presented in a uniquely shadowy atmosphere with an idiosyncratic detachment that adds to the cinematic quality of their sound.

TRACK LISTING

1. Negative Drive
2. Words
3. Tremors
4. Labyrinths
5. In The Silence
6. Tremors (Reprise)
7. Overload
8. Dead Of Night
9. A Thirst
10. Deep End

The Stanford Family Band release their debut EP "For Your Listening Pleasure". Fronted by the captivating lead vocals of Elliot Stanford, the EP's six songs capture a vintage pop aura whilst retaining a fresh indie and garage rock edge.

Offering a sound which journeys through bittersweet memories, nostalgia, and the warmth of sunlit days, The Stanford Family Band have started to make a name for their unique sonic approach - drawing inspiration from iconic acts such as The Beach Boys and The Modern Lovers, built around complex four-part harmonies and irresistibly memorable melodic hooks.

Speaking about the EP, Elliot Stanford (lead vocals, piano, guitar and songwriter) said: "When we were first signing with Goo, we really had no idea what we would release or how it would end up looking. We have a lot of songs, old and new, some of which have been floating around for many years. In the end we just really wanted to put out a body of work that really encapsulates everything we are about! We love big dramatic songs and arrangements, but at the same time, a little cheeky country/garage rock beat has always tickled us so we just really wanted to capture everything that we love in one concise record. It’s been an absolute pleasure to work on this with our friend Harry Hayes (Producer) and we are mega proud of how it all came together!"

Having already garnered tastemaker press coverage and a whole host of radio play, The Stanford Family Band have quickly started to gain critical acclaim. This EP showcases the outfit’s uncanny ability as songwriters, creating memorable, charming and beautifully constructed melodic tracks.

TRACK LISTING

Side A
A1. Your Chair
A2. Make My Day
A3. Sweep The Floor

Side B
B1. Love Me A Bit
B2. Nothing Like Something
B3. On My Holiday

Foreword by Robin Spence.

Skip Spence was a soldier, a rock star, a folkie, an innovator, an addict, a cult phenomenon and a ward of the state. The cast of characters in his story include some of the biggest stars in music: Janis Joplin, Jimi Hendrix, Neil Young and many more. His life is the story of the Sixties - it's the story of San Francisco, the biggest bands in America and rock'n'roll mayhem.

Although Spence spent much of his life battling addiction and mental illness, during his lucid moments he performed in several bands and is best known for his work with Jefferson Airplane and as the co-founder of Moby Grape. Tracks from his cult solo album Oar has been covered by Tom Waits, Beck and Robert Plant. With family photos, a foreword by Robin Spence, and accounts from his friends, bandmates and family, Weighted Down is the first book to tell his story in full.

222 Units Ltd as F*K.

Abstract wonky vibes from the mountain peaks with Luv*Jam & Maria Slovakova

++Plus++ Ridiculously advanced reversions from the one and only Ruf Dug

(as Ruffy himself says “Detroit going off in ya caravan for the weekend”)

++Plus++ A spaced out to the high hills take from sound pioneer Special Characters


3000.10 is the 10th instalment of 14 highly collectable records.

Carnedd Dafydd (David’s Cairn) - 3425ft (1044m).

OS grid SH6628 6305.

STAFF COMMENTS

Matt says: Everyone's favourite Welsh nipper, Luv Jam is joined by Manchester's No. 1 tropical cyberpunk for an exclusive mission into the mountains of Snowdonia. It's had a long hiatus, but the Legend Of Gelert series is back with a bang.

TRACK LISTING

A1. Mind Floating - Ruffys Pagan Renip
A2. Chcem Strongly - Ruffys Surf N’ Turf
B1. Mind Floating - Special Characters Peaky Renip
B2. Mind Floating - Original 2010 Secret Version

"Raise The Flag Vol.1" is the first in a 3 part compilation series of music consisting of house, electro and techno produced by Detroit artists.

On this first volume, old school legends Terrence Parker and Eddie Fowlkes join relative newcomer Drummer B for three brand new tracks by each individual artist.

"Tonight We Luv" by TP is uplifting and joyous, featuring the live bass, big room piano stabs and gospel energy we've come to love and expect from this piano house veteran. "In My Zone" by Drummer B pairs Detroit techno's urgency with organic discord - detuned piano hits and subby bass, similar in vein to Howard Thomas' strange and discombobulating experiments but more dancefloor friendly. Eddie Fowlkes closes things off with a typically deep, soulful and advanced house workout bursting with the producers unique flair.

Top draw tackle from the D!

STAFF COMMENTS

Matt says: New movements from the motor city with old fave Terrence P dropping some gospel house gold alongside new comer Drummer B and the legend that is Eddie Fowlkes.

TRACK LISTING

A. Terrance Parker - Tonight We Luv
B1. Drummer B - In My Zone
B2. Eddie Fowlkes - Hold Me Down

A definitive overview of the British psychedelic scene, an epic five - CD/book set that includes more than 50 minutes of previously unreleased music from the halcyon period 1966 - 68.

Including the major acts of the era ( The Who, Traffic, Small Faces, The Move, Procol Harum, Incredible String Band, Family, Crazy World of Arthur Brown etc), ‘Think I'm Going Weird: Original Artefacts From The British Psychedelic Scene 1966 - 68’ features many bands who also played London's underground dungeons during the Summer Of Love.

Featuring studio demos from the likes of Tintern Abbey, The Soft Machine, Mabel Greer's Toyshop, Genesis, Mandrake Paddle Steamer, Dantalian's Chariot and others plus numerous cult 45s ( July, Caleb, Vamp, Blossom Toes, Sweet Feeling , etc) and fascinating album cuts from such scene stalwarts as T omorrow, Fairport Convention, Kaleidoscope, The Deviants and Elmer Gantry's Velvet Opera .

Perhaps most enticingly of all, the collection includes a number of hitherto - unknown recordings by bands who are only now gaining their first public exposure including Eyes Of Blond, Tinsel Arcade, Crystal Ship (whose contribution features lyrics from Pete Brown ) and the semi - mythical 117 , such a legendary name from the era's handbills and posters that they even had a UK psych fanzine named after them in the ‘90s.

A dazzling feat of licensing and research, ‘Think I'm Going Weird...’ comes in a 60 - page A5 book format with 25,000 - word track - by - track annotation with some extraordinary and rare photos and memorabilia.

For anyone even remotely interested in British psychede lia, it's simply an essential purchase.

TRACK LISTING

DISC ONE:
1 THINK I’M GOING WEIRD – Art
2 MY CLOWN (single Mix) – July
3 THE VIEW – Gary Walker & The Rain
4 UTTERLY SIMPLE – Traffic
5 A WOMAN OF DISTINCTION – Caleb
6 LIKE THE SUN, LIKE THE FIRE – Simon Dupree & The Big Sound
7 LAZY OLD SUN (alternative Version, Stereo) – The Kinks
8 PLASTIC DAFFODILS – Atlanta Roots
9 PSYCHEDELIA – Ron Geesin
10 DREAM STARTS – Elmer Gantry’s Velvet Opera
11 TELL ME WHAT YOU SEE IN ME – Strawbs
12 FUNNIEST GIG – Manfred Mann
13 SUNNY CELLOPHANE SKIES – The Status Quo
14 MRS GRUNDY – Plastic Penny
15 BUFFALO BILLYCAN – Apple
16 CHARLES BROWN – Sweet Feeling
17 ROSIE CAN’T FLY – Sleepy
18 I KNOW, SHE BELIEVES – The Picadilly Line
19 THE LOBSTER – Fairport Convention
20 YELLOW BRICK ROAD – The Mindbenders
21 THE STORY OF DAVID – Granny’s Intentions
22 THE DEVIL RIDES OUT – Icarus
23 IS ANYBODY HOME? – The Mirage
24 WHY – Eyes Of Blond*
*previously Unreleased

DISC TWO:
1 WORLD WAR III – Dantalian’s Chariot
2 SEE THROUGH WINDOWS – Family
3 SALAD DAYS (ARE HERE AGAIN) – Procol Harum
4 THE TRUTH IS PLAIN TO SEE – Freedom
5 SUN SING – Force Four
6 MR SMALL THE WATCH REPAIRER MAN – Kaleidoscope
7 IMAGE BLOWN OUT – Genesis
8 LIFE IS JUST BEGINNING – The Creation
9 TAKING OUT TIME – The Spencer Davis Group
10 THAT MAN – Small Faces
11 YOU’RE HAUNTING ME – The Hi-Fis
12 MRS GILLESPIE’S REFRIGERATOR – Sands
13 PLEASE RETURN – Rust
14 LAST MINUTE – The Nashville Teens
15 ALL ALONG THE WATCHTOWER – The Alan Bown!
16 THE TOUCHABLES (ALL OF US) – Nirvana
17 HALLIFORD HOUSE – The Virgin Sleep
18 CATHERINE’S WHEEL – Denny Laine
19 GIRL IN THE MIRROR – Christopher Colt
20 ELEVATOR (single Mix) – Grapefruit
21 WORLD IN MY HEAD – Mike Stuart Span
22 UFO – Neo Maya
23 THE LAUGHING MAN – John Carter & Russ Alquist
24 FLOATIN’ – Vamp
25 LIFE DOES NOT SEEM WHAT IT SEEMS – Tinsel Arcade*
26 SCENE OF THE LEMON QUEEN – One Step Beyond*
*previously Unreleased

DISC THREE:
1 HAPPENINGS TEN YEARS TIME AGO – The Yardbirds
2 HAVE SOME MORE TEA – The Smoke
3 WALK UPON THE WATER – The Move
4 JABBERWOCK – Boeing Duveen And The Beautiful Soup
5 THE MAD HATTER’S SONG – The Incredible String Band
6 SHOPLIFTERS – Ivor Cutler Trio
7 LOOK OUT THERE’S A MONSTER COMING – The Bonzo Dog Doo Dah Band
8 SARA, CRAZY CHILD (extended German 45 Version) – John’s Children
9 BEYOND THE RISING SUN – Tyrannosaurus Rex
10 HEY GIRL – JP Sunshine
11 MR SUNSHINE (film Version) – Barclay James Harvest
12 TICK TOCK – Shyster
13 CHEADLE HEATH DELUSIONS – Felius Andromeda
14 THE INCREDIBLE JOURNEY OF TIMOTHY CHASE – Tomorrow
15 THE BIRTHDAY – The Idle Race
16 HOW CAN WE HANG ON TO A DREAM? – The Moody Blues
17 YES IS A PLEASANT COUNTRY – Circus
18 SUMMER SUN SHINES – The Fresh Windows
19 THE BLUE MAN RUNS AWAY – Crystal Ship*
20 WHAT’S HAPPENING? – The Crazy World Of Arthur Brown
21 MOTHER’S MAGAZINE – Mother’s Pride*
22 FLYING MACHINE – Turquoise
23 IN THE PARK – The Cortinas
24 HUNG UP ON A DREAM – The Zombies
25 WE ARE THE MOLES PART 1 – The Moles
26 WE ARE THE MOLES PART 2 – The Moles
*previously Unreleased

DISC FOUR:
1 ARMENIA CITY IN THE SKY – The Who
2 FREDEREEK HERNANDO – One In A Million
3 FLOWERMAN – The Syn
4 I CAN HEAR COLOURS – The Motives
5 GREEN – The Lion & The Fish
6 I’M SO LOW (aka JET- PROPELLED PHOTOGRAPH) – The Soft Machine
7 JEANETTA – Mabel Greer’s Toyshop
8 COME OVER STRANGER – Canto
9 CHILDREN OF THE SUN (demo Version) – The Misunderstood
10 BROTHER CAN YOU SPARE A DIME – St. Valentine’s Day Massacre
11 (I’M SO) SAD – The Magic Mixture
12 YOU’VE GOTTA HAVE LOVE BABE – The Graham Bond Organisation
13 RUMBLE OF MERSEY SQUARE SOUTH – Wimple Winch
14 COSMIC TRIP – Third Ear Band
15 I BRING THE SUN – John Bryant
16 POLICE IS HERE – A New Generation
17 SPICKS AND SPECKS – The Bee Gees
18 DEATH OF THE SEASIDE – The Human Instinct
19 BOYS AND GIRLS TOGETHER – Friday’s Chyld*
20 CHARGE OF THE LIGHT BRIGADE – Jason Crest
21 TOYMAKER’S SHOP – Louise
22 PLASTIC AEROPLANE – Medium Rare*
23 VENUSIAN MOONSHINE (live At Middle Earth) – 117*
*previously Unreleased

DISC FIVE:
1 PATH THROUGH THE FOREST – The Factory
2 FREEDOM FOR YOU – The Attack
3 WALKING THROUGH MY DREAMS – Pretty Things
4 DON’T GO ‘WAY LITTLE GIRL – The Shame
5 MY PRAYER – Tintern Abbey*
6 PHANTOM I – Jade Hexagram
7 COVER GIRL – Perfumed Garden
8 ROSE COLOURED GLASSES – The Tickle
9 AMY PEATE – The Orange Bicycle
10 DREAM IN MY MIND – Rupert’s People
11 SPIDER – Downliners Sect
12 WHAT ON EARTH (single Mix) – Blossom Toes
13 BUILDING UP A DREAM – The End
14 THE CAT – The Merseys
15 PANDEMONIUM SHADOW SHOW – Mandrake Paddle Steamer
16 WATERWAYS (demo Version) – East Of Eden
17 WHICH WAY – The Sorrows
18 BUN – The Deviants
19 ANOTHER VINCENT VAN GOGH – The 23rd Turnoff
20 SMILE AT THE SAD SUN – Champagne*
21 TALES OF BRAVE ULYSSES – The Zany Woodruff Operation*
22 SITTING ON A BLUNESTONE – Tales Of Justine
23 BRAIN – The Action
*previously Unreleased

Formed in 1984, Fields of the Nephilim is the creation of vocalist and front man Carl McCoy. Highly influential, especially in the world of goth, but also within the metal and electronic genres, their legacy endures to this day. You can hear their influence on bands like Swans, Godspeed! You Black Emperor, Explosions In The Sky, Wolves in The Throne Room, Behemoth and more. The band’s unique sound, an apocalyptic fusion of Victorian underworld meets Sergio Leone Spaghetti Western, had an appearance to match (wide-brimmed hats, long duster coats and cowboy boots, usually black and smothered in white flour as a substitute for dust), and set them apart from their contemporaries. Elizium is one of their most beautiful albums and considered by many to be their best. As The Quietus wrote, “it was both their most accessible and their most experimental work, concluding and consolidating the Nephilim’s five-year shamanic journey. Lead-off single and opening track ‘For Her Light’ featured a lengthy mid- section that anticipated the apocalyptic post-rock of Godspeed! You Black Emperor (unsurprisingly, it failed to chart), and the album featured some of the band’s hardest rock in the wah-overload of ‘Submission,’ as well as further incorporating dance elements – more successfully and organically than many of their peers, it must be said - on second single ‘Sumerland’.” Louder Sound also called “Sumerland” their “greatest ever track”.

Beggars Arkive is happy to announce a double vinyl expanded deluxe reissue of Fields Of Nephilim's third highly acclaimed album Elizium, released by Beggars Banquet in 1990. The album has been expanded onto a double LP for audio clarity and contains 4 bonus tracks. Recorded and produced by Pink Floyd engineer Andy Jackson, the audio is via analogue transfer to 96khz/24 bit by John Dent at Loud, with vinyl mastering by Geoff Pesche at Abbey Road.

TRACK LISTING

A1. (Dead But Dreaming)
A2. For Her Light
A3. At The Gates Of Silent Memory
A4. (Paradise Regained)
B1. Submission
B2. Sumerland (What Dreams May Come)
C1. Wail Of Sumer
C2. And There Will Your Heart Be Also
C3. Sumerland -Single Version *
D1. For Her Light -Two *
D2. Submission Two -The Dub Posture *
D3. Sumerland -Dreamed Version *

* Bonus Tracks

To celebrate the 20th anniversary of the band’s debut live double album, Fu Manchu is releasing the first ever repress of Go For It…Live!, which has been out of print since the original pressing. The 22 song release was recorded on the band’s 2002 California Crossing World Tour, which marked the debut of drummer Scott Reeder. Fu Manchu is renowned for their live performances and this set doesn’t disappoint, with incendiary renditions of fan favorites such as: “Hell On Wheels,” “Mongoose,” “King Of The Road,” “Evil Eye” and their always requested cover of “Godzilla.” As AllMusic.com said, “Go for It...Live! is an absolute must for those enamored by Fu Manchu's buzzy sound, and a great introduction for those curious about a band woefully ignored by radio stations and video channels.”

This limited edition vinyl run of 2000 units has one LP pressed on Neon Yellow and the other on Neon Orange vinyl and is packaged in a gatefold sleeve with brand new artwork including never before seen photos of the band and flyers from the associated tour along with printed dust sleeves with additional new images. This new pressing has been specifically remastered for vinyl by Carl Saff for optimum fidelity. 

The limited edition 1000 unit CD run also features the updated art and a digital specific remaster. 

TRACK LISTING

LP1
1. “Hell On Wheels”
2. “Laserbl’ast!”
3. “Asphalt Risin’”
4. “Mongoose”
5. “Downtown In Dogtown”
6. “Boogie Van”
7. “Tilt”
8. “Ojo Rojo”
9. “Strato-Streak”
10. “King Of The Road”
11. “Anodizer”

LP2
1. “Evil Eye”
2. “Hang On”
3. “Wurkin’”
4. “California Crossing”
5. “Over The Edge”
6. “Regal Begal”
7. “Godzilla”
8. “Superbird”
9. “Weird Beard”
10. “Squash That Fly”
11. “Saturn III”

###### COMPETITION TIME!!!!!######
Preorder the album on any format and you could win a pair of tickets for their show at New Century on Saturday 4th May.
NPN*

##################################################

The Sunset Violent began in a disused frat house in the American Yucca Valley. Kimbie’s founding members Dominic Maker & Kai Campos began work on their first proper album together since 2017’s Love What Survives – the decision was made to leave London. Campos and Maker relocated for a month to a town in the middle of a desert. The resulting album, finished in London with longtime confidante Dillip Harris and their band mates Andrea Balency-Béarn and Marc Pell, is 37 minutes of Mount Kimbie at simultaneously their most daring and their most giddily infectious.

*NPN - drop us an email - mail@piccadillyrecords.com with 'Mount Kimbie Comp' in the subject title.

STAFF COMMENTS

Barry says: Mount Kimbie have taken a little swerve with 'The Sunset Violent', taking their usual sound and injecting it with a concept that's both perfectly conceived and accomplished. While all the usual MK sounds are in-situ here, there outer reaches of their sound swerves into synth-pop, gritty electronics and moody post-punk.

TRACK LISTING

1. The Trail
2. Dumb Guitar
3. Shipwreck
4. Boxing (Feat. King Krule)
5. Got Me
6. A Figure In The Surf
7. Fishbrain
8. Yukka Tree
9. Empty And Silent (Feat. King Krule)

The legendary partnership of NYC's disco godfather Tom Moulton and Philadelphia International Records has long been documented.
A truly explosive collaboration that yielded endless classic tracks for dancers and deep listeners alike, Moulton seemed to be totally in tune with the label's output and the direction it should go in. Luckily we've been enjoying the fruits of this labour for the last 30+ years with a lot of these PIR classics becoming ingrained in the psyche of the modern day music fan as the building blocks of house music.

Another stellar volume of what is an essential purchase for any disco lover. Featuring a host of legends from the height of the Philly era and beyond - Archie Bell & The Drells, People's Choice, Lou Rawls & Teddy Pendergrass are all graced by Tom Moulton's supreme ear on this special PIR reissue 2 x 12" that see's some all-time classics from the aforementioned artists in their full, unabridged, unedited disco glory. The selections on this EP are absolutely top-shelf, flawless in fact. One could argue that these are the 'definitive' versions of these anthems. Pure disco gold essentials. Anyone with even a passing interest in disco will most certainly need this record in their possession. 

These tracks are fully licensed and reissued in conjunction with Tom Moulton and PIR and all relevant rights holders. Remastered from original source materials to the highest spec and pressed onto top quality vinyl.

TRACK LISTING

A1. Archie Bell & The Drells - Where Will You Go When The Party's Over (A Tom Moulton Mix) 
B1. People's Choice - Jam, Jam, Jam (All Night Long) (A Tom Moulton Mix) 
C1. Teddy Pendergrass - I Don't Love You Anymore (A Tom Moulton Mix) 
D1. Lou Rawls - See You When I Git There (A Tom Moulton Mix) 

When Network Records originally issued “Innovator” in 1991 they knew that the music contained within was timeless. At that time, of course, they had no grasp of how well Derrick’s epic soundscapes would time travel. They christened the collection - “Soundtrack For The Tenth Planet” - because it seemed like the music (and Derrick) had indeed arrived from another world.

The release has been acclaimed as iconic because Derrick, the madcap and maverick philosopher of Detroit Techno, introduced the concept of dance music with a musical and emotional agenda way beyond anything that had come before. Beats with beauty. Literally the strings of life. Where fellow musical geniuses Chic had previously urged everybody to simply "Dance, Dance, Dance" mood alchemist Mayday merged simple yet cerebral dreamscapes with strange and urgent complex dance rhythms and invited us all to Dance And Dream. And in a strange juxtaposed way helped birth the hedonistic Acid House scene with classics “Nude Photo” and “Strings Of Life”

The energy is frenetic, but merged with a new age ambience. The gems collected on this offering were iconic in 1991, now they cause mass hysteria when Derrick turns his one time musical experiments, created in a tiny room in Detroit, and turns them into epic concerts with orchestras and musicians across the globe. “Hand In Hand” existed in 1991 and the label wanted to release it then, but it’s taken until now for the complete 13 minute recording to finally meet the world. It will be revered, because like all of Derrick May’s music it is life affirming. Emotions Electric indeed.

The original “Innovator” release was housed on one single slab of wax. This time around it's been expanded to two discs to make space for “Hand Over Hand” and also so everything elsewhere - masterpieces remastered - can be presented in a complete and superior fashion. Whatever the tweaks, changes and updates etc all these years on, this music still sounds gloriously alien and groundbreaking. But there’s still no Tenth Planet.

"Innovator" remastered by Curvepusher. Re-presented by Network Records in conjunction with Derrick May.

TRACK LISTING

A1. The Dance
A2. Strings Of Life
B1. Beyond The Dance
B2. Sinister
C1. Wiggin
C2. Nude Photo
D1. Hand Over Hand

"I’ve had the pleasure of being a Fall fan since I was a teen.

I was lucky enough to have some guidance from my local record shop stoner-lords.

They turned me on to many of my heroes, but once I heard my first slanted and barky Fall song, I was part of the army for life.

The word prolific gets tossed around a lot.

It almost seems like a slag-off in the press, as if they wish the artist would produce less so they wouldn’t have to do their self imposed job of judging releases for the rabble.

The Fall is subjected to this lazy word often.

Yet I can honestly say that I am SO thankful for any nugget of Fall that lands at my feet and in my brain.

Live Fall performances are always a pleasure because they seem to take what already made the Fall great and push it even a bit more into the rough and bloody uncharted wasteland that is drug scorched proto-punk and heady political poetry.

So, it is with great pleasure that we introduce this Fall bootleg soundboard recording to you.

Recorded during one of the many strong points in the bands vast and mighty history.

They really burn bright here and bring every ounce of what you expect from this formidable force.

We have reached out to every surviving member of the band, the sound person, the bootlegger who recorded it and the photographer and received their blessings & help piecing it all together.

Castle Face will be donating 50% of our profits to Centrepoint which helps the homeless in the Manchester area get back on their feet, so the local and deserving Fall fans get a little, and give a little back, too.

Nothing but the hits here folks and as raw as you dig it.

This one really is exceptional in terms of live sound for The Fall.

All the stars were aligned over St. Helens that eve.

And it wouldn’t be complete with a bit of Fall fan saltiness so, fuck you too, Jason.” - John Dwyer

STAFF COMMENTS

Barry says: Well look at this. It's a Fall live recording, which is obviously superb but it's also presented by Castle Face records, who have a superb reputation for bringing lovely vinyl packages that sound great. If you like The Fall, then this really is a no-brainer.

TRACK LISTING

Blob ’59
Prole Art Threat
Jawbone And The Air Rifle
Middle Mass
Rowche Rumble
An Older Lover
City Hobgoblins
Leave The Capitol
The NWRA
Gramme Friday
Fit And Working Again
Muzorewi’s Daughter
Slates, Slags, Etc

As she’s gotten older, Ella Smoker has found that her subconscious has been trying to tell her “some pretty wacky stuff”. Thoughts will come to the 21-year-old singer-songwriter in dreams, or as she writes lyrics in studio sessions, words floating onto the page before she’s really had a moment to realise what they are. “As soon as we start making the music, my brain sort of turns off,” she explains. “I’ll be sitting there, writing all this stuff that feels like a load of nonsense, and a month later, I'll look back and be like ‘oh’. It all comes from a place I didn’t even realise was there.”

In learning how to open up to herself, gglum ended up finding a kindred spirit in producer Karma Kid (Maisie Peters, Shygirl, Connie Constance), pushing past her natural bedroom-pop introversion to find joy in the process of collaboration. Whether it’s the ragged radio-rock of ‘SPLAT!’ (“basically about realising that somebody you held up very highly is actually just a massive shambles of a person”) or the riotous, industrial energy of ‘Easy Fun’, Smoker is able to reshape her vocal around the mood, creating a record which expertly balances light and shade. “I've never really done anything in like that vocal style before,” she says of ‘Easy Fun’s near-spoken delivery. “I love that song because it’s not something I would have come up with on my own, but Karma Kid was great at pushing me out of my comfort zone. I just thought like, look: I can be a little silly with this.”

The release of The Garden Dream will offer gglum plenty more opportunity to get both silly and serious, to be bold in her exploration of new ideas and sounds. But it will also offer the opportunity to further accept herself as the dreamlike artist she always wanted to be; confidently embellishing acoustic worlds that her listeners can burrow safely within.

“I feel like I naturally gravitate towards wanting to make musical spaces that you can feel like you’re living in, rather than trying to make songs”, she says. “That's something I really wanted to solidify with this album: I basically want to make music that feels like when you're looking out the window and it's the end of the film and you're imagining what comes next. That's the sound of what I want to be doing.”

TRACK LISTING

1. With You
2. SPLAT!
3. Late
4. Pruning 1
5. Pruning 2
6. Easy Fun
7. Glue
8. Second Best
9. He Laid His 97's Neatly At The Door
10. Honeybee
11. Do You See Me Different? Feat. Kamal.
12. Eating Rust
13. The Garden Dream

Nico's second solo album, 1968's 'The Marble Index', has long been out of print. This reissue includes audio mastered from the original tapes and previously unreleased photos of Nico by Guy Webster.

Nico's haunting vocals predicted the Gothic movement and co-producer and Velvet Underground's band mate John Cale's startingly modern classical production ensured 'The Marble Index's timeless appeal. The iconic music journalist Lester Bangs wrote, “The Marble Index is the greatest piece of 'avant-garde classical', 'serious' music of the last half of the 20th century so far,” and the New Yorker recently hailed both records as “austere miracles of will and invention.” 

TRACK LISTING

1. Janitor Of Lunacy
2. The Falconer
3. My Only Child
4. Le Petit Chevalier
5. Abschied
6. Afraid
7. Mütterlein
8. All That Is My Own

Introducing the Instrumental album for Thee Sacred Souls’ critically acclaimed, self-titled debut, featuring instrumental versions of their hit singles, “Can I Call You Rose?”, “Weak For Your Love” and “Future Lover”.

Since the release of their debut, the breakout San Diego-based sweet soul group (who helped launch the Daptone imprint Penrose Records) has had a remarkable run, including 170 million streams on Spotify, performances on Jimmy Kimmel Live, CBS Saturday Morning, The Late Show with Stephen Colbert and The Kelly Clarkson Show, and sold out shows in major rooms from NYC & Chicago, to LA & London.

This release is limited to 10k worldwide and will not be repressed. A true collectors item for the die-hard fans.

STAFF COMMENTS

Barry says: Though the vocals of Sacred Souls' Josh Lane add the smooth, zesty topping to the sweet sugar of the instrumental backdrop, there's a real joy to be had in the pure groove of the instrumentals. Plus, what Karaoke machine would have the backing tracks you, as a Sacred Sould fan needs? Exactly. It's ace.

TRACK LISTING

1. Can I Call You Rose?
2. Lady Love
3. Easier Said Than Done
4. Overflowing
5. Trade Of Hearts
6. Weak For Your Love
7. Future Lover
8. Sorrow For Tomorrow
9. For Now
10. Once You Know (Then You’ll Know)
11. Happy And Well
12. Loves Comes Easy

New York-based artist Kelly Moran unveils her second album for Warp Records, “Moves in the Field.” As an accomplished and highly sought-after composer, Moran has collaborated with artists such as Oneohtrix Point Never and FKA Twigs as part of their live ensembles. As a solo artist, Moran has developed a unique strand of experimental piano compositions across a critically acclaimed discography.

“Moves in the Field” showcases duets with the Yamaha Disklavier, a technologically advanced version of a player piano. Moran augments her pianistic abilities by utilizing the Disklavier to write intricate piano parts that go beyond human capabilities, resulting in multi-layered compositions that blur the lines between human and machine. Influenced by contemporary classical, alternative, and electronic music, the album stands at a precipice above two unlikely worlds.

TRACK LISTING

1. Butterfly Phase
2. Superhuman
3. Don’t Trust Mirrors
4. Dancer Polynomials
5. Sodalis (II)
6. Leitmotif
7. It’s Okay To Disappear
8. Hypno
9. Moves In The Field
10. Solar Flare

"Our fifth chapter is the one where we seek, savor, and settle The muse found us in the depths of raising children, nurturing relationships, surviving a world- changing virus, bidding farewell, shifting our mindsets, and discovering a sense of peace heretofore unseen. Our third decade of life has proven to be one of routine, rest, and realization, and these songs are about the lessons we've learned. We've learned to be space-holders and defenders of the people we hold close. We've learned from deep, steady love in various forms. We've learned to let go of people and perceptions and priorities that just didn't make the cut as we weighed what is right and important and worth keeping. We've learned how all the things we've always treasured continue to withstand the pressure of time. If you notice an upward trend to the mood and emotions, you're on target-we have found calm waters, for now."

TRACK LISTING

Space
Paperweight
If The World Was A House
All The Ways (feat Ray LaMontagne)
Planted
Never Walk Away
I Needed You
Bear With Me
Same Water
I Can Never Be Without You Anymore
I’ve Got Your Back

The wonderful Mr K is back with more edit magic on his own Most Excellent label, this time adding his own spin to 'Wela Wela', a hard edge and raw funk cut from Black Blood, a band of musicians from central Africa but who were based in Belgium. This one was never a hit back in the day for some reason but is built on a killer groove that Mr K reworks and tweaks for more suitable dance floor deployment. It was formerly on his Grass Roots record but now makes its way to a handy 7". On the flip is 'Komi Ke Kenam (Fish & Funjee)' which has tough breaks and funk bass that will ensure 'floors get down and dirty.

TRACK LISTING

Wela Wela
Komi Ke Kenam

'Standing at The Sky' Edge' is the 2023 Olivier Award-winning Best New Musical - written as a love letter to Sheffield and the city's iconic Park Hill Estate, is directed by Sheffield Theatres' Artistic Director, Robert Hastie and features songs by the legendary Sheffield singer-songwriter, Richard Hawley.

With a hilarious and gut-wrenching book by Chris Bush, 'Standing at the Sky's Edge' charts the hopes and dreams of three generations over the course of six tumultuous decades, navigating universal themes of love, loss and survival. 'Standing at the Sky's Edge' is a multi-award-winning production, winning 'Best New Musical' at the 2023 Olivier Awards with Sheffield singer-songwriter, Richard Hawley and Tom Deering also winning 'Best Original Score and New Orchestrations'.

It was recently awarded the internationally recognised 'Made in Sheffield' accolade, the first time a theatre production has received this unique trademark. Previously it has won the 2020 South Bank Sky Arts Award for Theatre and 'Best Musical Production' at the UK Theatre Awards in 2019. First commissioned by Sheffield Theatres and Various Productions, 'Standing at the Sky's Edge' had its world premiere at the Crucible Theatre in 2019.

Following a hugely successful, sold-out run, it returned to the Crucible Theatre in December 2022, selling out again, before making its London premiere in the National Theatre's Olivier theatre in early 2023 where it continued to sell out and receive standing ovations.

TRACK LISTING

1. As The Dawn Breaks
2. Time Is
3. Naked In Pitsmoor
4. I'm Looking For Someone To Find Me
5. Tonight The Streets Are Ours
6. Open Your Door
7. My Little Treasures
8. Coles Corner
9. There's A Storm A Comin'
10. Standing At The Sky's Edge
11. Our Darkness
12. Midnight Train
13. For Your Lover Give Some Time
14. There's A Storm A Comin' (Reprise)
15. After The Rain
16. Don't Get Hung Up In Your Soul
17. Finale
18. As The Dawn Breaks (Reprise)

Hot Hot two-sider AA side William Stuckey action on this killer 12.

Some house business from Athens of the North studio band East Coast Love Affair sampling William Stuckey's 'Love of Mine' and taking it on a deep tip, people asking about this one at all our gigs so we decided to cut it to a fat 12" and release.

On the AA flip Athens of the North good friends Flying Mojito Bros insane flip of Williams Stuckey's 'Country People takes' the track to a whole new place. The boys remix has been proving a big party record for those with digi promos, their banger of a mix takes all the elements of the OG track and adds some super extra 70s bump to the OG. Legit!!

TRACK LISTING

1. Love Of Mind
2. Country People (Flying Mojito Bros Refito)

A virtuoso in her field, this classically trained musician has quickly established herself as an essential player in the UK jazz scene, carving her own unique sound, following on from the paths forged by Ashby and Coltrane.

Amanda recently joined the First Word label roster, via a collaborative project with Don Leisure, 'Beyond The Midnight Sun', as well as a feature on his Welsh Music Prize nominated project 'Shaboo Strikes Back'.

She's previously toured extensively with her own band, as well as with Matthew Halsall, Rebecca Vasmant, DJ Yoda and Chip Wickham (who also features on this new project), whilst previously releasing three solo albums on Jazzman Records, and a remix project for Scrimshire's Albert's Favourites imprint. Along the way, there's been a nomination for 'Instrumentalist of the Year' from Jazz FM and she's garnered the support of DJs such as Radio 2's Jamie Cullum ("highly recommended") and BBC 6Music's Cerys Matthews ("my highlight of the Cheltenham Jazz festival 2023").

This 10-track album exemplifies Amanda's talents as a performer and composer, taking in an array of hypnotising sonics from the worlds of jazz; from fusion to spiritual and beyond. She is backed with accompaniment from a remarkable set of players in their own right, including Chip Wickham on flute and PEACH. on vocals. A confident display of purposefully blissful compositions that saunter as much as they soothe, whilst being unafraid to lean into some deep uptempo grooves.

Amanda describes the theme of this project as "liminality... that place in between, the transition from one place to another. No longer what it was, yet not what it's going to be.

The harp always presents itself at these moments. It's a sound that causes an emotion. My instrument chose me. It's been with me through every chapter of life. It's how I speak, especially when there are no words.

This album is a rite of passage for "her". A feeling of alchemy, a feeling of liberation. Moments of inner searching, intertwined, waiting but moving forward. Never looking back.

'The Liminality of Her' encompasses the highs and the lows. The nomadic love of freedom and spirituality. It's all so much bigger than you or I…"

From the cinematic, classical fusion of 'After Dark', to the more playful 'Lost in Abstraction', this album invites you to float in a soundscape of liminality...

TRACK LISTING

1. Finding The Way
2. Facing The Sun
3. Intertwined (feat. PEACH.)
4. Liminal
5. Nomad
6. Alchemy
7. Waiting To Go (feat. Chip Wickham)
8. No Turning Back
9. Rite Of Passage (feat. PEACH.)
10. Feels So Far Away

One of the rarest, and greatest, horn instrumental dub albums of the seventies featuring the soaring saxophone of Tommy McCook in combination with Glen Brown, 'The Rhythm Master', is finally given a legitimate release.

The original title for this long playing release was initially advertised on the label of the seven inch release of 'Determination Skank' as 'The Sannic Sounds Tommy McCook', however the album was released in Kingston in 1974 in very limited quantities on a white label in a plain recycled cover rubber-stamped 'Tommy McCook Dub'. Three years later the set was released through Grounation in London, once again on a white label and without a cover, where it was known as 'Horny Dub'. It gave music lovers a fascinating opportunity to compare and contrast the work of Tommy McCook, one of the architects and builders of the Jamaican sound, with Glen Brown's role in taking and breaking it into pieces...;

Dub Store Records is the Ska, Rocksteady, Reggae, Roots and Dancehall reissue label run by the eponymous Tokyo based record store. The label aims at accurately covering the 50-plus years of Jamaican music, and pass on many rare and magnificent recordings, which are non-commercial and highly artistic. Carefully handing down the tradition of reggae music, Dub Store Records has so far issued recordings from labels and artists such as Studio One, Federal Records (Federal, Kentone, Merritone), Bunny Wailer's Solomonic, Familyman's Fam's, Jammys, King Tubby's Firehouse, Derrick Harriott, Kiddus I, Redman International, BMN and much more to come.

TRACK LISTING

1. Determination Skank
2. South Side
3. When I Fall In Love
4. Funky Reggae
5. It Ain't Who You Know
6. More Music
7. Brand New Man
8. Dirty Harry
9. Flute Instrumental
10. When Something Is Wrong
11. Scatterlight Rock

New Drexciya comic from AbuQadim Haqq
20 pages. Please note this is a comic rather a graphic novel.

Author & artist - AbuQadim Haqq
Publisher - The Drexciya Empire.

A sublime set of roots, vocal and dubbed out instrumental magic, Close Encounters Of The Third World is a real lost gem in the treasure-filled Creation Rebel back catalogue. A true cross-atlantic collaboration - initial rhythm tracks were laid down in London in 1978, with horns and vocals overdubbed at Channel One in Jamaica, before bandleader Crucial Tony returned to London with the tapes for the album to be mixed by a visiting Prince Jammy.

Originally released on pre-On-U Sound label Hitrun, and the second album released by the group chronologically. Unavailable for 45 years, it has been carefully pieced back together, for this new edition featuring extended 12” discomix versions of “Beware” and “Natty Conscience Free”, re-cut by Frank Merritt at The Carvery. Includes new sleevenotes by reggae scholar David Katz that tells the story of the album in full, plus download card

TRACK LISTING

1. Know Yourself
2. Conspiring
3. Beware
4. Dangerous And Deadly
5. Shouldn’t Do That
6. Creation Fever
7. Natty Conscience Free
8. Joyful Noise

"The five songs that make up the 'Tremble' EP are a continuation of thought from our latest full length record, 'Tones of the Sparrow', returning to the root 1990s sound when The Asteroid No 4 began. Early '90s British Indie & Shoegaze are infuences we wear on our sleeves proudly. Lately, each band member has been bringing various songs, sections of songs, melodies, chord progressions, and more to the table for a truly collaborative and strong songwriting process."

TRACK LISTING

Tremble
Dandelion
Sky Blue
Bad Fruit
Hollyhock Way

Leeds shoegaze outfit Van Houten release their debut album. After the huge success of the lead single, ‘Coming of Age’, the band have been branded as a BBC 6Music’s artist tip of the year 2024 on Tom Robinson’s New Year’s Day show.

Reminiscent of artists like Deerhunter, DIIV or Yuck with an unmistakable Yorkshire edge, Van Houten open up a unique sonic world. A cavernous shoegaze affair, filled with woozy psych, sincere storytelling and a bag full of earworms. Van Houten have honed a truly unique, melding a 90’s & alternative sound & aesthetic with true pop sensibility, crafting their own blend of lo-fi indie, psych rock, shoegaze and garage rock.

‘The Tallest Room’ marks a brand new release from the exciting new partnership between Clue Records and EMI North, the first physical major label office to open outside London. 

STAFF COMMENTS

Liam says: From one listen, this is easily one of my albums of 2024! A bit of shoegaze, a bit of krautrock, a bit of woozy psych, this debut from Van Houten is properly, properly mega and you should all get on it - TIPPY TIPPY TIP TIP!!!

TRACK LISTING

Side A
Black And White
Never Did Come Back
Coming Of Age
Panoramic View

Side B
Note To Self
I Only Wanna Be With You
Head Straight
I Let You

Dinked 7” Tracklisting:
A Side: I Only Wanna Be With You - Acoustic Version
B Side: Panoramic View - Acoustic Version

Presented as a 3LP in a triple heavy Gatefold sleeve and a 2CD Digipak, both including a poster of Peter Christopherson in his infamous Cruella Deville coat has been respectfully and expertly remastered by grammy-nominated Jessica Thompson. Artwork by Oleg Galay overseen and with additional guidance from Peter Jenx.

The music released as Amulet (or The Amulet Edition) is Peter “Sleazy” Christopherson’s semi-secret testament. Originally available in exceedingly limited quantities at live shows and via direct mail-order in 2008 as a hand-assembled 4 miniCDR set housed in a circular Thai Amulet case and never properly distributed, the material finally receives the wider re-release on vinyl and CD it so richly deserves.

Only the second and sadly already the final release in his post-Coil solo guise as The Threshold Houseboys Choir “Amulet” sees Christopherson in a more playful mood than ever, don’t be fooled by reviews calling this suite of songs “incomplete” or “working stage”, these are rough little diamonds, often imbued with a bittersweet melancholy joy, unsurprisingly reminiscent of some of the final Coil offerings, but additionally steeped in exotica, inspired by his new East Asian home and the ghostly voices of his digitally generated choir (“a vocalist that wouldn’t crash”, as he would say). At times these tracks sound like a warmer, less analytically complex counterpart to the work he created simultaneously with CoH’s Ivan Pavlov in the celebrated Soisong project.

Bonus tracks feature rare earlier THBC compilation tracks and a few previously unreleased exclusive sketches. Let’s be perfectly clear though, “Amulet” is not some half-finished cutting-room floor left-overs, it’s a genuine but very little heard fully fledged album released by Christopherson with some of the tracks performed live on his last ever tour, the unforgettable intimate Evenings with Uncle Sleaz.

'In the Wee Smal Hours' is one of Sinatra's most melancholic and jazz-oriented albums. It entered the Billboard chart on May 28, 1955, rising to #2 where it remained for a total of 33 weeks. It was later inducted into the Grammy Hall of Fame in 1984. In many ways, the album is a personal refection of the heartbreak of his doomed love affair with actress Ava Gardner. Sinatra's voice at this time had deepened and worn to the point where his delivery seems ravished and heartfelt, as if he were living the songs.

TRACK LISTING

In The Wee Small Hours Of The Morning
Mood Indigo
Glad To Be Unhappy
I Get Along Without You Very Well
Deep In A Dream
I See Your Face Before Me
Can't We Be Friends
When Your Lover Has Gone
What Is This Thing Called Love?
Last Night When We Were Young
I'll Be Around
Ill Wind
It Never Entered My Mind
Dancing On The Ceiling
I'll Never Be The Same
This Love Of Mine
Stormy Weather

The Just What The World Needs label is back with its 15th EP from the eponymous production outfit behind the imprint and it carries right on from where the last one left off. 'Track 1' is a fiery and Latin-tinged Afro gem with funky rhythms and big horns that bring sunny and open-air party vibes. 'Track 2' has a hint of MPB to it with more low-slung funk grooves and steamy vocals while 'Track 3' then flips the script again with a more cosmic vibe and plenty of mad Rhodes chords. Last but not least is 'Track 4' with some lo-fi and light night melon twisting disco sounds.

STAFF COMMENTS

Matt says: Master splicer Jacques Renault with a quadruplet of disco, tropical funk and cosmic edits that are set to fly.

TRACK LISTING

Track 1
Track 2
Track 3
Track 4

It was in December 2022 that The Staves celebrated the 10th anniversary of their debut album Dead & Born & Grown – a strange and beautiful period in the lives of sisters and band members Jessica, Camilla and Emily Staveley-Taylor, making their fourth album All Now with the same organic vulnerability as that first record: except now everything was different, and they kind of were too.

All Now emerges, bold and bright, from a period of quiet, which followed a period of chaos, for the band. When Good Woman was released in 2021, to positive reviews, it felt like “an echoing silence” to share such a cathartic album with a world shut down. So The Staves had to retreat, again, and actually wrestle with everything they had been through.

The result? An album as rich and honest as all the most profound music by The Staves scattered across albums for the last decade, calcified here into something special.

But the most thrilling part of this album, is that the hardest pills to swallow, here, almost have a sweeter taste. Once you’ve survived the climb to the top, learned from the journey, you may as well enjoy the view. “When you sing about hesitation and fear, there’s a lot of power in not making it sound fearful and being quite steadfast instead,” says Camilla. “It feels like an act of taking control.” With All Now, there’s no letting go. 

STAFF COMMENTS

Barry says: Though it's the vocal interplay between Jessica and Camilla Stavely-Taylor and the relative instrumental minimalism that first comes to mind when you think of The Staves, their formula works just as well when transplanted onto a hefty backdrop of soaring synths and throbbing basses, and 'All Now' is the perfect display of a more hi-nrg version of their trademark sound.

TRACK LISTING

Side A
All Now
I Don’t Say It, But I Feel It
Fundamental Memory
Make A Decision
The Echo
Side B
I’ll Never Leave You Alone
After School
Great Wave
Recognise
So Gracefully
The Important One
You Held It All

Marking 40 years of The Jesus And Mary Chain, ‘Glasgow Eyes’ was recorded at Mogwai’s Castle of Doom studio in Glasgow, where Jim and William continued the creative process that resulted in their previous album, 2017’s ‘Damage and Joy’, becoming their highest charting album in over twenty years. What emerged is a record that finds one of the UK’s most influential groups embracing a productive second chapter, their maelstrom of melody, feedback and controlled chaos now informed more audibly by their love for Suicide and Kraftwerk and a fresh appreciation of the less disciplined attitudes found in jazz.

Jim Reid says, “But don’t expect ‘the Mary Chain goes jazz.’ People should expect a Jesus and Mary Chain record, and that’s certainly what ‘Glasgow Eyes’ is. Our creative approach is remarkably the same as it was in 1984, just hit the studio and see what happens. We went in with a bunch of songs and let it take its course. There are no rules, you just do whatever it takes. And there’s a telepathy there - we are those weird not-quite twins that finish each other’s sentences.” ‘Glasgow Eyes’ not only extends The Jesus and Mary Chain's story, but feels simultaneously like a return to roots. From the incendiary ‘Psychocandy’ debut and its classic ‘Just Like Honey’ onwards, the Reid brothers steadily became the misfits who made good without compromise.

STAFF COMMENTS

Andy says: A gentle tweak of the template brings electronic bleeps and keys to that trademark Mary Chain sound. Hear the new track and you'll be left in no doubt. JAMC Forever!!

TRACK LISTING

1. Venal Joy
2. American Born
3. Mediterranean X Film
4. Jamcod
5. Discotheque
6. Pure Poor
7. The Eagles And The Beatles
8. Silver Strings
9. Chemical Animal
10. Second Of June 1
1. Girl 71
12. Hey Lou Reid

Sydney rock outfit The Blamers are a modern band—two modern men, two modern women—with a revolutionary bent. Utilizing the latest cutting-edge stereophonic technology, the group—fueled by an obsession with early garage greats—are at the fore of a sonic campaign to simplify rock back to its basic proto-punk form. With hooky riffs and a healthy dose of tambourine, the group are preparing to release their debut album early-2024 after a string of singles.

The Blamers have shared the stage with Aussie heavy hitters The Chats, Bad Dreems, Pist idiots and blistered clubs around Australia with their no bullshit, beer-soaked sound. It’s a wonder that a band like The Blamers hasn’t come earlier! If you like the hard ass style of 60s punk with the wit of The B52’s and the charm of Devo, here it is.

Fat Dog’s second single, ‘All The Same’, b/w exclusive b-side, ‘Land Before Time’.

Recent years brought about for Julia Holter an existential focus on human connection, amid the staggering change that came with the death of loved ones (including her young nephew, to whom the album is dedicated) and the birth of her daughter. On Something in the Room She Moves, Holter vividly processes the complexity, gravity, and awe of this confluence of experience. She calls the music “sensual,” “flowing,” and “nocturnal” - a testament to how love, with all of its challenges, “reroutes neural pathways.” The cover art by Holter’s childhood friend, artist Christina Quarles, highlights the multiplicity of intimate connection: are the figures embracing or in battle?

The title Something in the Room She Moves came to Holter spontaneously as she was naming the Logic project file for an early demo of what would become the album’s title track on her computer for the first time. Coincidentally, a few months later, she found herself mesmerized by the eight-hour Beatles documentary Get Back in 2021. Her titular phrase flips the gaze of the Beatles lyrics (“Something in the way she moves…”); the woman is no longer passively observed, but actively augmenting space. Holter has loved the Beatles since childhood, but sees the title less as a tribute than as a semi-surreal bit of automatic writing from her subconscious. (She had been singing Beatles tunes to her daughter at night.)

After a string of dream pop albums that established her searching voice in independent music—from 2012 breakthrough Ekstasis to Loud City Song and Have You in My Wilderness—Holter released the sprawling and thrillingly experimental Aviary in 2018. Since then, she has scored films like Never Rarely Sometimes Always, performed a commissioned live score for The Passion of Joan of Arc with the Chorus of Opera North, and collaborated with her partner, the musician Tashi Wada, who plays synth and bagpipes on her new album. Something in the Room She Moves is a remarkable progression in Holter’s oeuvre, synthesizing her free, improvisatory energy with her signature eloquence.

STAFF COMMENTS

Barry says: 'Have You In My Wilderness' was the shop's favourite album all the way back in 2015, and she's even moved on significantly since that, to her bafflingly complex but melodically rich new album. Organic instrumental swells and glitched reverb tails ensconce her enduringly gorgeous vocal direction, while the scattered glitch and ambient wooze of new perfectly suit her dreamy composition style.

TRACK LISTING

1. Sun Girl
2. These Morning
3. Something In The Room She Moves
4. Materia
5. Meyou
6. Spinning
7. Ocean
8. Evening Mood
9. Talking To The Whisper
10. Who Brings Me

An essential 2024 purple vinyl repress of 'The Inevitable End', Royksopp's second album release in the space of 6 months, following the critically acclaimed mini album 'Do It Again' with fellow Scandinavian legend Robyn. 'The Inevitable End' is their most personal album to date and features Jamie McDermott (The Irrepressibles), Ryan James (Man Without Country), Norwegian singer songwriter Susanne Sundfor and Robyn. Having now created five complete bodies of work, the pair feel like the future is open to being more experimental with how they share their music.

Opening track 'Skulls' feels like classic Royksopp - all squelchy bass lines, filtered synths and vocodered, yet soulful vocals - the album also takes in sophisticated, delicate heartbreak on the Man Without Country collaboration 'Sordid Affair'; odd, shape-shifting ambience on the Robyn-featuring 'Rong'; bouncing electro pop on the deceptively upbeat 'Save Me' and the deliriously sad, cry-on-the-dance floor classic, 'I Had This Thing'.

Kicking off what will be an Alice Coltrane year with more releases to come in the next 12 months, is a previously unreleased, killer live recording from 1971. Recorded live, by Impulse! at a charity gala given at Carnegie Hall for the benefit of the Integral Yoga Institute in 1971, this incredible set never saw commercial release until now. The gala concert was one of two halves with the first two transcendental tunes by Alice taken from the album she had just released on Impulse! and then two explosive tunes by her late husband John Coltrane. Naturally, à la Coltrane/Dolphy at the Gate, which picked up the recent Grammy nomination for Best Liner Notes, the package includes some knockout editorial, with essays by Lauren Du Graf and Alice’s producer Ed Michel. 

TRACK LISTING

Journey In Satchidananda
Shiva-Loka
Africa
Leo